Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2552
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2399 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2629
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2632 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2631 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2399 …}
  -formView: Symfony\Component\Form\FormView {#2668 …}
  -form: Symfony\Component\Form\Form {#2818 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 1101
    -nom: "Stranded  (Half-Speed Master)"
    -informationComplementaire: null
    -description: """
      - Roxy Music "Stranded" (Half-Speed Master) !\r\n
      - Lacquer cutting by Miles Showell at Abbey Road Studios !\r\n
      \r\n
      Stranded gave Roxy Music their first No. 1 album in the U.K. and brought with it an undeniable presence that would see the American audience take note. It was becoming all too clear that Roxy Music were ahead of their time. Released in 1973, it was their third studio album and includes the Top 10 U.K. hit, "Street Life." This vinyl reissue is mastered at half-speed and cut by Miles Showell at Abbey Road Studios. It also features revised artwork with a gloss laminated finish.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bryan Ferry (keyboards, vocals), Phil Manzanera (guitar), Andy Mackay (oboe, saxophones, keyboards), John Porter (bass), Eddie Jobson (keyboards, violin), Paul Thompson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5reyXUSeEMI&list=PL_TaS3ukydpLXWlHm-gFHSeyTSignH2Sq"
    -referenceProduit: "Republic Records 6023"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Street Life"
      ]
      [
        "ordre" => 2
        "nom" => "2. Just Like You"
      ]
      [
        "ordre" => 3
        "nom" => "3. Amazona"
      ]
      [
        "ordre" => 4
        "nom" => "4. Psalm"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Serenade"
      ]
      [
        "ordre" => 7
        "nom" => "2. Song for Europe"
      ]
      [
        "ordre" => 8
        "nom" => "3. Mother of Pearl"
      ]
      [
        "ordre" => 9
        "nom" => "4. Sunset"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1483168597 {#1876
      date: 2016-12-31 07:16:37.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768635215 {#1869
      date: 2026-01-17 07:33:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stranded-half-speed-master-republic-records-6023"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3092
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2631 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 1101
    -nom: "Stranded  (Half-Speed Master)"
    -informationComplementaire: null
    -description: """
      - Roxy Music "Stranded" (Half-Speed Master) !\r\n
      - Lacquer cutting by Miles Showell at Abbey Road Studios !\r\n
      \r\n
      Stranded gave Roxy Music their first No. 1 album in the U.K. and brought with it an undeniable presence that would see the American audience take note. It was becoming all too clear that Roxy Music were ahead of their time. Released in 1973, it was their third studio album and includes the Top 10 U.K. hit, "Street Life." This vinyl reissue is mastered at half-speed and cut by Miles Showell at Abbey Road Studios. It also features revised artwork with a gloss laminated finish.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bryan Ferry (keyboards, vocals), Phil Manzanera (guitar), Andy Mackay (oboe, saxophones, keyboards), John Porter (bass), Eddie Jobson (keyboards, violin), Paul Thompson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5reyXUSeEMI&list=PL_TaS3ukydpLXWlHm-gFHSeyTSignH2Sq"
    -referenceProduit: "Republic Records 6023"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Street Life"
      ]
      [
        "ordre" => 2
        "nom" => "2. Just Like You"
      ]
      [
        "ordre" => 3
        "nom" => "3. Amazona"
      ]
      [
        "ordre" => 4
        "nom" => "4. Psalm"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Serenade"
      ]
      [
        "ordre" => 7
        "nom" => "2. Song for Europe"
      ]
      [
        "ordre" => 8
        "nom" => "3. Mother of Pearl"
      ]
      [
        "ordre" => 9
        "nom" => "4. Sunset"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1483168597 {#1876
      date: 2016-12-31 07:16:37.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768635215 {#1869
      date: 2026-01-17 07:33:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stranded-half-speed-master-republic-records-6023"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2399 …}
}

[
  "produit" => App\Entity\Produit {#2045
    -id: 2269
    -nom: "Country Life  (Half-Speed Master)"
    -informationComplementaire: "Bryan Ferry (keyboards, lead vocals), Andy Mackay (oboe, saxophones), Phil Manzanera (electric & acoustic guitar), John Gustafson (bass guitar), Eddie Jobson (keyboards, violin), Paul Thompson (drums, percussion)"
    -description: """
      - Roxy Music "Country Life"  (Half-Speed Master) !\r\n
      - Cut by Miles Showell at Abbey Road Studios !\r\n
      \r\n
      Critically, Country Life is deemed to be Roxy Music's most consistent and sophisticated album. Musically and lyrically, the album has been considered more cynical and hard-rocking than their previous work. Released in 1974, it was their fourth studio album and includes the singles "The Thrill of It All", and "All I Want Is You". This vinyl reissue is mastered at half-speed and cut by Miles Showell at Abbey Road Studios. It also features revised artwork with a gloss laminated finish.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Republic Records 6024"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Thrill of It All"
      ]
      [
        "ordre" => 2
        "nom" => "2. Three and Nine"
      ]
      [
        "ordre" => 3
        "nom" => "3. All I Want Is You"
      ]
      [
        "ordre" => 4
        "nom" => "4. Out of the Blue"
      ]
      [
        "ordre" => 5
        "nom" => "5. If It Takes All Night"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Bitter Sweet"
      ]
      [
        "ordre" => 8
        "nom" => "2. Triptych"
      ]
      [
        "ordre" => 9
        "nom" => "3. Casanova"
      ]
      [
        "ordre" => 10
        "nom" => "4. A Really Good Time"
      ]
      [
        "ordre" => 11
        "nom" => "5. Prairie Rose"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
      [
        "ordre" => 21
        "nom" => ""
      ]
      [
        "ordre" => 22
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2053 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2046 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2048 …}
    -enregistreLe: DateTime @1662703658 {#2042
      date: 2022-09-09 06:07:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768634529 {#2043
      date: 2026-01-17 07:22:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2050 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-country-life-half-speed-master-republic-records-6024"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3208
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2631 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2045
    -id: 2269
    -nom: "Country Life  (Half-Speed Master)"
    -informationComplementaire: "Bryan Ferry (keyboards, lead vocals), Andy Mackay (oboe, saxophones), Phil Manzanera (electric & acoustic guitar), John Gustafson (bass guitar), Eddie Jobson (keyboards, violin), Paul Thompson (drums, percussion)"
    -description: """
      - Roxy Music "Country Life"  (Half-Speed Master) !\r\n
      - Cut by Miles Showell at Abbey Road Studios !\r\n
      \r\n
      Critically, Country Life is deemed to be Roxy Music's most consistent and sophisticated album. Musically and lyrically, the album has been considered more cynical and hard-rocking than their previous work. Released in 1974, it was their fourth studio album and includes the singles "The Thrill of It All", and "All I Want Is You". This vinyl reissue is mastered at half-speed and cut by Miles Showell at Abbey Road Studios. It also features revised artwork with a gloss laminated finish.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Republic Records 6024"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Thrill of It All"
      ]
      [
        "ordre" => 2
        "nom" => "2. Three and Nine"
      ]
      [
        "ordre" => 3
        "nom" => "3. All I Want Is You"
      ]
      [
        "ordre" => 4
        "nom" => "4. Out of the Blue"
      ]
      [
        "ordre" => 5
        "nom" => "5. If It Takes All Night"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Bitter Sweet"
      ]
      [
        "ordre" => 8
        "nom" => "2. Triptych"
      ]
      [
        "ordre" => 9
        "nom" => "3. Casanova"
      ]
      [
        "ordre" => 10
        "nom" => "4. A Really Good Time"
      ]
      [
        "ordre" => 11
        "nom" => "5. Prairie Rose"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
      [
        "ordre" => 21
        "nom" => ""
      ]
      [
        "ordre" => 22
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2053 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2046 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2048 …}
    -enregistreLe: DateTime @1662703658 {#2042
      date: 2022-09-09 06:07:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768634529 {#2043
      date: 2026-01-17 07:22:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2050 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-country-life-half-speed-master-republic-records-6024"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2399 …}
}

[
  "produit" => App\Entity\Produit {#2058
    -id: 2288
    -nom: "Beat"
    -informationComplementaire: null
    -description: """
      - Brook's Engaging 1964 Debut on 180 gram Vinyl !\r\n
      - Transferred from Analog Tapes !\r\n
      - Pressed at Third Man in Detroit !\r\n
      \r\n
      Recorded for Berry Gordy's short-lived Workshop Jazz imprint and recorded at the Hitsville USA studio, Roy Brooks (joined by fellow Detroit natives George Bohannon and Hugh Lawson, along with Blue Mitchell, Junior Cook, and Eugene Taylor) injects a Motor City soul-jazz groove into the hard-bop root of this engaging 1964 album. Verve By Request Series features transfers from analog tapes, remastered on 180 gram vinyl, and pressed at Third Man in Detroit.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Junior Cook (tenor saxophone), Hugh Lawrence (piano), Blue Mitchell (trumpet), Gene Taylor (bass), George Bohannon (trombone), Roy Brooks (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=frtJI8jHW6w"
    -referenceProduit: "Verve Records 220"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Homestretch "
      ]
      [
        "ordre" => 2
        "nom" => "2. If You Could See Me Now "
      ]
      [
        "ordre" => 3
        "nom" => "3. Passin’ The Buck"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Soulin’ "
      ]
      [
        "ordre" => 6
        "nom" => "2. Soulsphere "
      ]
      [
        "ordre" => 7
        "nom" => "3. My Secret Passion"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2060 …}
    -label: Proxies\__CG__\App\Entity\Label {#2063 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2072 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2065 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2067 …}
    -enregistreLe: DateTime @1664351652 {#2055
      date: 2022-09-28 07:54:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768633385 {#2056
      date: 2026-01-17 07:03:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2069 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-beat-verve-records-220"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3254
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2631 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2058
    -id: 2288
    -nom: "Beat"
    -informationComplementaire: null
    -description: """
      - Brook's Engaging 1964 Debut on 180 gram Vinyl !\r\n
      - Transferred from Analog Tapes !\r\n
      - Pressed at Third Man in Detroit !\r\n
      \r\n
      Recorded for Berry Gordy's short-lived Workshop Jazz imprint and recorded at the Hitsville USA studio, Roy Brooks (joined by fellow Detroit natives George Bohannon and Hugh Lawson, along with Blue Mitchell, Junior Cook, and Eugene Taylor) injects a Motor City soul-jazz groove into the hard-bop root of this engaging 1964 album. Verve By Request Series features transfers from analog tapes, remastered on 180 gram vinyl, and pressed at Third Man in Detroit.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Junior Cook (tenor saxophone), Hugh Lawrence (piano), Blue Mitchell (trumpet), Gene Taylor (bass), George Bohannon (trombone), Roy Brooks (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=frtJI8jHW6w"
    -referenceProduit: "Verve Records 220"
    -titreMorceau: [
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        "nom" => "1. Homestretch "
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        "nom" => "2. If You Could See Me Now "
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        "nom" => "3. Passin’ The Buck"
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        "nom" => "Side B : "
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      [
        "ordre" => 5
        "nom" => "1. Soulin’ "
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      [
        "ordre" => 6
        "nom" => "2. Soulsphere "
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      [
        "ordre" => 7
        "nom" => "3. My Secret Passion"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2060 …}
    -label: Proxies\__CG__\App\Entity\Label {#2063 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2072 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2065 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2067 …}
    -enregistreLe: DateTime @1664351652 {#2055
      date: 2022-09-28 07:54:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768633385 {#2056
      date: 2026-01-17 07:03:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2069 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-beat-verve-records-220"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2399 …}
}

[
  "produit" => App\Entity\Produit {#2077
    -id: 1261
    -nom: "Crying"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Roy Orbison (guitar, vocals), Boudleaux Bryant, Fred Carter Jr., Grady Martin, Hank Garland, Harold Bradley, Joe Tanner, Ray Edenton, Scotty Moore (guitar), Bob Moore (bass), Bill Pursell, Floyd Cramer (piano), Boots Randolph, Harry Johnson (saxophone), Cam Mullins, Karl Garvin (trumpet), Charlie McCoy (harmonica), Byron Bach (cello), Brenton Banks, Cecil Brower, Dorothy Walker, George Binkley, Lillian Hunt, Solie Fott, Suzanne Parker, Vernal Richardson, Wilda Tinsley (violin), Howard Carpenter (viola), Buddy Harman, John Greubel  (drums).\r\n
      \r\n
      - Double LP cut at 45 RPM !\r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      - 180 Gram LPs plated and pressed by Quality Record Pressings !\r\n
      - Old style tip-on heavyweight gatefold jacket by Stoughton Printing !\r\n
      - "Crying" N° 69 on Rolling Stone's list of 500 Greatest Songs of All Time !\r\n
      \r\n
      The second Roy Orbison album issued by the Monument label, Crying was originally released in 1962 and became Orbison's chart breakthrough, reaching No. 21 on the Billboard chart and No. 17 in the U.K. The album name comes from the 1961 hit song of the same name that in 2002 was honored with a Grammy Hall of Fame Award.\r\n
      \r\n
      By 1962, Roy Orbison had established himself as one the leading lights out of Nashville. Still, it wasn't until he met songwriting partner Joe Melson that things began to fall into place for Roy. He moved to Monument Records in 1960 the focus in the studio was centered around exploiting the quality and range of his voice. Soon Orbison and Melson penned the hits "Only The Lonely" and "Running Scared". Orbison had arrived.\r\n
      \r\n
      The focus on this Analogue Productions reissue of Crying was extracting the absolute highest-quality sound from the original analog tape. Mastered by Bernie Grundman at 45 RPM, the four sides of dead-silent 180 Gram vinyl pressed at Quality Record Pressings provide reduced distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. The heavyweight gatefold tip-on jacket from Stoughton Printing cradles the LPs in style.\r\n
      \r\n
      The Orbison-Melson penned title track zoomed to N° 2 on the Billboard charts. "Crying" is a slow-burning lament, allowing Roy's voice to come shining through, accompanied by strings, soulful vocals and a dynamically great vocal hook. Hear the Analogue Productions difference how great this familiar tune and its album namesake can sound.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Roy Orbison (guitar, vocals), Boudleaux Bryant, Fred Carter Jr., Grady Martin, Hank Garland, Harold Bradley, Joe Tanner, Ray Edenton, Scotty Moore (guitar), Bob Moore (bass), Bill Pursell, Floyd Cramer (piano)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tNdBLBleO90"
    -referenceProduit: "Analogue Productions AAPP 14007-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Crying "
      ]
      [
        "ordre" => 2
        "nom" => "2. The Great Pretender "
      ]
      [
        "ordre" => 3
        "nom" => "3. Love Hurts"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. She Wears My Ring "
      ]
      [
        "ordre" => 6
        "nom" => "2. Wedding Day "
      ]
      [
        "ordre" => 7
        "nom" => "3. Summersong"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Dance "
      ]
      [
        "ordre" => 10
        "nom" => "2. Lana "
      ]
      [
        "ordre" => 11
        "nom" => "3. Loneliness"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Let’s Make A Memory "
      ]
      [
        "ordre" => 14
        "nom" => "2. Nite Life "
      ]
      [
        "ordre" => 15
        "nom" => "3. Running Scared"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2079 …}
    -label: Proxies\__CG__\App\Entity\Label {#2082 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2091 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2084 …}
    -typeMasterTape: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2086 …}
    -enregistreLe: DateTime @1514015840 {#2074
      date: 2017-12-23 07:57:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768632964 {#2075
      date: 2026-01-17 06:56:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2088 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-crying-analogue-productions-aapp-14007-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3305
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2631 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2077
    -id: 1261
    -nom: "Crying"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Roy Orbison (guitar, vocals), Boudleaux Bryant, Fred Carter Jr., Grady Martin, Hank Garland, Harold Bradley, Joe Tanner, Ray Edenton, Scotty Moore (guitar), Bob Moore (bass), Bill Pursell, Floyd Cramer (piano), Boots Randolph, Harry Johnson (saxophone), Cam Mullins, Karl Garvin (trumpet), Charlie McCoy (harmonica), Byron Bach (cello), Brenton Banks, Cecil Brower, Dorothy Walker, George Binkley, Lillian Hunt, Solie Fott, Suzanne Parker, Vernal Richardson, Wilda Tinsley (violin), Howard Carpenter (viola), Buddy Harman, John Greubel  (drums).\r\n
      \r\n
      - Double LP cut at 45 RPM !\r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      - 180 Gram LPs plated and pressed by Quality Record Pressings !\r\n
      - Old style tip-on heavyweight gatefold jacket by Stoughton Printing !\r\n
      - "Crying" N° 69 on Rolling Stone's list of 500 Greatest Songs of All Time !\r\n
      \r\n
      The second Roy Orbison album issued by the Monument label, Crying was originally released in 1962 and became Orbison's chart breakthrough, reaching No. 21 on the Billboard chart and No. 17 in the U.K. The album name comes from the 1961 hit song of the same name that in 2002 was honored with a Grammy Hall of Fame Award.\r\n
      \r\n
      By 1962, Roy Orbison had established himself as one the leading lights out of Nashville. Still, it wasn't until he met songwriting partner Joe Melson that things began to fall into place for Roy. He moved to Monument Records in 1960 the focus in the studio was centered around exploiting the quality and range of his voice. Soon Orbison and Melson penned the hits "Only The Lonely" and "Running Scared". Orbison had arrived.\r\n
      \r\n
      The focus on this Analogue Productions reissue of Crying was extracting the absolute highest-quality sound from the original analog tape. Mastered by Bernie Grundman at 45 RPM, the four sides of dead-silent 180 Gram vinyl pressed at Quality Record Pressings provide reduced distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. The heavyweight gatefold tip-on jacket from Stoughton Printing cradles the LPs in style.\r\n
      \r\n
      The Orbison-Melson penned title track zoomed to N° 2 on the Billboard charts. "Crying" is a slow-burning lament, allowing Roy's voice to come shining through, accompanied by strings, soulful vocals and a dynamically great vocal hook. Hear the Analogue Productions difference how great this familiar tune and its album namesake can sound.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Roy Orbison (guitar, vocals), Boudleaux Bryant, Fred Carter Jr., Grady Martin, Hank Garland, Harold Bradley, Joe Tanner, Ray Edenton, Scotty Moore (guitar), Bob Moore (bass), Bill Pursell, Floyd Cramer (piano)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tNdBLBleO90"
    -referenceProduit: "Analogue Productions AAPP 14007-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Crying "
      ]
      [
        "ordre" => 2
        "nom" => "2. The Great Pretender "
      ]
      [
        "ordre" => 3
        "nom" => "3. Love Hurts"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. She Wears My Ring "
      ]
      [
        "ordre" => 6
        "nom" => "2. Wedding Day "
      ]
      [
        "ordre" => 7
        "nom" => "3. Summersong"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Dance "
      ]
      [
        "ordre" => 10
        "nom" => "2. Lana "
      ]
      [
        "ordre" => 11
        "nom" => "3. Loneliness"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Let’s Make A Memory "
      ]
      [
        "ordre" => 14
        "nom" => "2. Nite Life "
      ]
      [
        "ordre" => 15
        "nom" => "3. Running Scared"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2079 …}
    -label: Proxies\__CG__\App\Entity\Label {#2082 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2091 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2084 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2086 …}
    -enregistreLe: DateTime @1514015840 {#2074
      date: 2017-12-23 07:57:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768632964 {#2075
      date: 2026-01-17 06:56:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2088 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-crying-analogue-productions-aapp-14007-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2399 …}
}

[
  "produit" => App\Entity\Produit {#2096
    -id: 2637
    -nom: "Buena Vista Social Club (4 LP) + 12 Page Booklet"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Ry Cooder (guitars, mbira, oud, bolon, floor slide, acoustic & electric guitar), Compay Segundo (guitar, congas, backing vocals), Manuel "Guajiro" Mirabal (trumpet), Eliades Ochoa (vocals), Ibrahim Ferrer (congas, bongos, clave, backing vocals), Orlando "Cachaito" López, Salvador Repilado Labrada (bass), Carlos Gonzáles (bongos, cowbell), Alberto Valdés, Julio Alberto Fernández (maracas, vocals, backing vocals), Benito Suárez Magana (guitar), Rubén González (piano), Lázaro Villa (güiro, congas), Barbarito Torres (laoud), Manuel Licea (congas, backing vocals), Juan de Marcos González (güiro, backing vocals), Luis Barzaga (backing vocals), Julienne Oviedo Sánchez (timbales), Omara Portuondo (vocals), Joachim Cooder (udu drum, dumbek, conga, drums).\r\n
      \r\n
      - 180 gram 45 RPM (4 LP) set from Analogue Productions !\r\n
      - Mastered by Bernie Grundman from the original analog master tape !\r\n
      - Buena Vista Social Club's famed album captivates with Cuban music !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Includes 12 page booklet with lyrics and studio images !\r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      Transport yourself to the vibrant streets of Havana with the Buena Vista Social Club's eponymous album, a captivating journey into the heart of Cuban music! Recorded in 1996 by acclaimed producer Ry Cooder, this timeless masterpiece celebrates the rich tapestry of Afro-Cuban rhythms and soulful melodies that have enchanted audiences for generations.\r\n
      \r\n
      Buena Vista Social Club is both the name given to this extraordinary group of musicians and the album, recorded in just seven days in 1996 in Havana's 1950s vintage EGREM studios. From the infectious energy of "Chan Chan" to the heartfelt nostalgia of "Dos Gardenias", each track immerses listeners in the intoxicating blend of son, bolero, and guajira styles. Led by legendary musicians such as Ibrahim Ferrer, Compay Segundo, and Omara Portuondo, the Buena Vista Social Club ensemble delivers performances that are as exuberant as they are intimate, capturing the essence of a bygone era while igniting a passion for Cuban music that knows no bounds.\r\n
      \r\n
      The acclaim of the original album has elevated the artists (including Ibrahim Ferrer, Rubén González and Omara Portuondo) to superstar status, inspired an award-winning film by Wim Wenders, and has contributed to popularizing Cuba's rich musical heritage. Produced by Ry Cooder for World Circuit, the timeless quality of the music and the sheer verve of the veteran performers have ensured that this will go down as one of the landmark recordings of the 20th century.\r\n
      \r\n
      This 45 RPM Analogue Productions reissue pressed by Quality Record Pressings on four dead-silent LPs makes every note a transcendent experience. Meticulously crafted using the finest materials and exacting standards, this reissue pays homage to the golden age of vinyl, capturing the warmth and depth of the original recording in stunning detail. The package includes a 12 page booklet with lyrics and stunning studio images, topped off by a tip-on old style gatefold double pocket jacket made by Stoughton Printing.\r\n
      \r\n
      Embark on a musical odyssey filled with warmth, joy, and the irresistible allure of Havana nights !
      """
    -prixVente: "189.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Ry Cooder (guitars, mbira, oud, bolon, floor slide, acoustic & electric guitar), Compay Segundo (guitar, congas, backing vocals), Manuel "Guajiro" Mirabal (trumpet), Eliades Ochoa (vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 4
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=tGbRZ73NvlY"
    -referenceProduit: "Analogue Productions AAPW 167-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Chan Chan"
      ]
      [
        "ordre" => 2
        "nom" => "2. De Camino a La Vereda"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. El Cuarto de Tula"
      ]
      [
        "ordre" => 5
        "nom" => "Side C : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Pueblo Nuevo"
      ]
      [
        "ordre" => 7
        "nom" => "2. Dos Gardemoas"
      ]
      [
        "ordre" => 8
        "nom" => "Side D : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Y Tu Que Jas Hecho ?"
      ]
      [
        "ordre" => 10
        "nom" => "2. Veinte Anos"
      ]
      [
        "ordre" => 11
        "nom" => "Side E : "
      ]
      [
        "ordre" => 12
        "nom" => "1. El Carretero"
      ]
      [
        "ordre" => 13
        "nom" => "2. Candela"
      ]
      [
        "ordre" => 14
        "nom" => "Side F : "
      ]
      [
        "ordre" => 15
        "nom" => "1. Amor de Loca Juventud"
      ]
      [
        "ordre" => 16
        "nom" => "Side G : "
      ]
      [
        "ordre" => 17
        "nom" => "1. Orgullecida"
      ]
      [
        "ordre" => 18
        "nom" => "2. Murmullo"
      ]
      [
        "ordre" => 19
        "nom" => "Side H : "
      ]
      [
        "ordre" => 20
        "nom" => "1. Buena Vista Social Club"
      ]
      [
        "ordre" => 21
        "nom" => "2. La Bayamesa"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2098 …}
    -label: Proxies\__CG__\App\Entity\Label {#2082 …}
    -style: App\Entity\Style {#1450 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2107 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2100 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2102 …}
    -enregistreLe: DateTime @1739261132 {#2093
      date: 2025-02-11 08:05:32.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768587010 {#2094
      date: 2026-01-16 18:10:10.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2104 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-buena-vista-social-club-4-lp-12-page-booklet-analogue-productions-aapw-167-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3356
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  +produit: App\Entity\Produit {#2096
    -id: 2637
    -nom: "Buena Vista Social Club (4 LP) + 12 Page Booklet"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Ry Cooder (guitars, mbira, oud, bolon, floor slide, acoustic & electric guitar), Compay Segundo (guitar, congas, backing vocals), Manuel "Guajiro" Mirabal (trumpet), Eliades Ochoa (vocals), Ibrahim Ferrer (congas, bongos, clave, backing vocals), Orlando "Cachaito" López, Salvador Repilado Labrada (bass), Carlos Gonzáles (bongos, cowbell), Alberto Valdés, Julio Alberto Fernández (maracas, vocals, backing vocals), Benito Suárez Magana (guitar), Rubén González (piano), Lázaro Villa (güiro, congas), Barbarito Torres (laoud), Manuel Licea (congas, backing vocals), Juan de Marcos González (güiro, backing vocals), Luis Barzaga (backing vocals), Julienne Oviedo Sánchez (timbales), Omara Portuondo (vocals), Joachim Cooder (udu drum, dumbek, conga, drums).\r\n
      \r\n
      - 180 gram 45 RPM (4 LP) set from Analogue Productions !\r\n
      - Mastered by Bernie Grundman from the original analog master tape !\r\n
      - Buena Vista Social Club's famed album captivates with Cuban music !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Includes 12 page booklet with lyrics and studio images !\r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      Transport yourself to the vibrant streets of Havana with the Buena Vista Social Club's eponymous album, a captivating journey into the heart of Cuban music! Recorded in 1996 by acclaimed producer Ry Cooder, this timeless masterpiece celebrates the rich tapestry of Afro-Cuban rhythms and soulful melodies that have enchanted audiences for generations.\r\n
      \r\n
      Buena Vista Social Club is both the name given to this extraordinary group of musicians and the album, recorded in just seven days in 1996 in Havana's 1950s vintage EGREM studios. From the infectious energy of "Chan Chan" to the heartfelt nostalgia of "Dos Gardenias", each track immerses listeners in the intoxicating blend of son, bolero, and guajira styles. Led by legendary musicians such as Ibrahim Ferrer, Compay Segundo, and Omara Portuondo, the Buena Vista Social Club ensemble delivers performances that are as exuberant as they are intimate, capturing the essence of a bygone era while igniting a passion for Cuban music that knows no bounds.\r\n
      \r\n
      The acclaim of the original album has elevated the artists (including Ibrahim Ferrer, Rubén González and Omara Portuondo) to superstar status, inspired an award-winning film by Wim Wenders, and has contributed to popularizing Cuba's rich musical heritage. Produced by Ry Cooder for World Circuit, the timeless quality of the music and the sheer verve of the veteran performers have ensured that this will go down as one of the landmark recordings of the 20th century.\r\n
      \r\n
      This 45 RPM Analogue Productions reissue pressed by Quality Record Pressings on four dead-silent LPs makes every note a transcendent experience. Meticulously crafted using the finest materials and exacting standards, this reissue pays homage to the golden age of vinyl, capturing the warmth and depth of the original recording in stunning detail. The package includes a 12 page booklet with lyrics and stunning studio images, topped off by a tip-on old style gatefold double pocket jacket made by Stoughton Printing.\r\n
      \r\n
      Embark on a musical odyssey filled with warmth, joy, and the irresistible allure of Havana nights !
      """
    -prixVente: "189.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Ry Cooder (guitars, mbira, oud, bolon, floor slide, acoustic & electric guitar), Compay Segundo (guitar, congas, backing vocals), Manuel "Guajiro" Mirabal (trumpet), Eliades Ochoa (vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 4
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=tGbRZ73NvlY"
    -referenceProduit: "Analogue Productions AAPW 167-45"
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      [
        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
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        "ordre" => 2
        "nom" => "2. De Camino a La Vereda"
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        "nom" => "1. El Cuarto de Tula"
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        "nom" => "1. Pueblo Nuevo"
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        "ordre" => 7
        "nom" => "2. Dos Gardemoas"
      ]
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        "ordre" => 8
        "nom" => "Side D : "
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        "ordre" => 9
        "nom" => "1. Y Tu Que Jas Hecho ?"
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        "ordre" => 10
        "nom" => "2. Veinte Anos"
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        "nom" => "Side E : "
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        "nom" => "1. El Carretero"
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        "nom" => "2. Candela"
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        "nom" => "1. Amor de Loca Juventud"
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        "nom" => "Side G : "
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      [
        "ordre" => 18
        "nom" => "2. Murmullo"
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      [
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        "nom" => "Side H : "
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      [
        "ordre" => 20
        "nom" => "1. Buena Vista Social Club"
      ]
      [
        "ordre" => 21
        "nom" => "2. La Bayamesa"
      ]
    ]
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[
  "produit" => App\Entity\Produit {#2112
    -id: 859
    -nom: "A Meeting By The River"
    -informationComplementaire: null
    -description: """
      - 1994 Grammy winner for Best World Music Album !\r\n
      - Included in Tom Moon's 2008 book "1,000 Recordings to Hear Before You Die" !\r\n
      \r\n
      "…The sound is about as good as it gets, with almost no sense of recording gear between the listener and musicians, who are laid out in a solid horizontal line. The remarkable air and tangible 'thereness' will take your breath away". – Wayne Garcia, The Absolute Sound, August 2008.\r\n
      \r\n
      "As spontaneous as music-making gets, this East meets West improv session between two masters of slide-based stringed instruments is like eating at the most exotic Indian restaurant that adds Tex-Mex flavors to its dishes. The sound is very natural, almost achingly beautiful". – Playback, June 2008.\r\n
      \r\n
      "…This record is a must-have for fans of Ry Cooder's explorations into global sounds. The playing is out of this world, and, on these cuts, it has less of a world music feel, and is almost bluesy at times. With the original sessions captured at 15 i.p.s. on all custom deParavicini gear, this is the ultimate stereo test record. The sound is as real, open and airy as it gets; not one more molecule of tone could possibly be put onto these black discs !" – Jeff Dorgay, Tone Audio, No. 15, 2008.\r\n
      \r\n
      "…Passionate, mysterious, intricate, earthy, ethereal, moody and mystical, the rich musical improvisations on this recording defy categorization… The recording is as astonishing as the music: a harmonically complex, three dimensional, two-microphone purist production that will easily take its place at the top of the sonic heap in your record collection and that's a guarantee…this is among the most spacious, convincing three-dimensional recordings you will ever hear… An essential record in any 21st century vinyl collection". Music = 11/11; Sound = 11/11 – Michael Fremer, Music Angle.\r\n
      \r\n
      "The quintessential 2 mic Blumlein recording, a musical extravaganza – on 45 RPM it destroys the early '90s CD !" – Danny Kaey, Positive-Feedback Online.\r\n
      \r\n
      "…Astonishingly, the four conversational yet adventurous tracks captured on A Meeting by the River were unrehearsed jams between the two masters, who had met only minutes before the session. The lesson is that Cooder and Bhatt not only knew how to play, but how to listen". – Daniel Durchholz, Stereophile, February 2007.\r\n
      \r\n
      American composer, musicologist and guitar legend Ry Cooder teams with North Indian musician Vishwa Mohan Bhatt to create an exquisite musical realm, with both musicians playing exceptional slide guitar. Their collaboration evokes musical elements from many cultures and styles. Percussion by Sukhvindar Singh on tabla and Cooder's 14-year-old son Joachim on dumbek. This recording won a Grammy Award in 1994 for Best World Album.\r\n
      \r\n
      Originally released in 1993.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Ry Cooder (guitar), Vishwa Mohan Bhatt (slide guitar), Sukhvindar Singh (tabla),  Joachim Cooder (goblet drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gKE3gDpgd2c"
    -referenceProduit: "Analogue Productions AAPW 29"
    -titreMorceau: [
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      ]
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        "nom" => "Side C :"
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      [
        "ordre" => 5
        "nom" => "1. Ganges Delta Blues"
      ]
      [
        "ordre" => 6
        "nom" => "Side D : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Isa Lei"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2114 …}
    -label: Proxies\__CG__\App\Entity\Label {#2082 …}
    -style: App\Entity\Style {#1462 …}
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      date: 2026-01-16 18:06:52.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-a-meeting-by-the-river-analogue-productions-aapw-29"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3407
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2631 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2112
    -id: 859
    -nom: "A Meeting By The River"
    -informationComplementaire: null
    -description: """
      - 1994 Grammy winner for Best World Music Album !\r\n
      - Included in Tom Moon's 2008 book "1,000 Recordings to Hear Before You Die" !\r\n
      \r\n
      "…The sound is about as good as it gets, with almost no sense of recording gear between the listener and musicians, who are laid out in a solid horizontal line. The remarkable air and tangible 'thereness' will take your breath away". – Wayne Garcia, The Absolute Sound, August 2008.\r\n
      \r\n
      "As spontaneous as music-making gets, this East meets West improv session between two masters of slide-based stringed instruments is like eating at the most exotic Indian restaurant that adds Tex-Mex flavors to its dishes. The sound is very natural, almost achingly beautiful". – Playback, June 2008.\r\n
      \r\n
      "…This record is a must-have for fans of Ry Cooder's explorations into global sounds. The playing is out of this world, and, on these cuts, it has less of a world music feel, and is almost bluesy at times. With the original sessions captured at 15 i.p.s. on all custom deParavicini gear, this is the ultimate stereo test record. The sound is as real, open and airy as it gets; not one more molecule of tone could possibly be put onto these black discs !" – Jeff Dorgay, Tone Audio, No. 15, 2008.\r\n
      \r\n
      "…Passionate, mysterious, intricate, earthy, ethereal, moody and mystical, the rich musical improvisations on this recording defy categorization… The recording is as astonishing as the music: a harmonically complex, three dimensional, two-microphone purist production that will easily take its place at the top of the sonic heap in your record collection and that's a guarantee…this is among the most spacious, convincing three-dimensional recordings you will ever hear… An essential record in any 21st century vinyl collection". Music = 11/11; Sound = 11/11 – Michael Fremer, Music Angle.\r\n
      \r\n
      "The quintessential 2 mic Blumlein recording, a musical extravaganza – on 45 RPM it destroys the early '90s CD !" – Danny Kaey, Positive-Feedback Online.\r\n
      \r\n
      "…Astonishingly, the four conversational yet adventurous tracks captured on A Meeting by the River were unrehearsed jams between the two masters, who had met only minutes before the session. The lesson is that Cooder and Bhatt not only knew how to play, but how to listen". – Daniel Durchholz, Stereophile, February 2007.\r\n
      \r\n
      American composer, musicologist and guitar legend Ry Cooder teams with North Indian musician Vishwa Mohan Bhatt to create an exquisite musical realm, with both musicians playing exceptional slide guitar. Their collaboration evokes musical elements from many cultures and styles. Percussion by Sukhvindar Singh on tabla and Cooder's 14-year-old son Joachim on dumbek. This recording won a Grammy Award in 1994 for Best World Album.\r\n
      \r\n
      Originally released in 1993.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Ry Cooder (guitar), Vishwa Mohan Bhatt (slide guitar), Sukhvindar Singh (tabla),  Joachim Cooder (goblet drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=gKE3gDpgd2c"
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        "nom" => "1. Isa Lei"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2114 …}
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[
  "produit" => App\Entity\Produit {#2128
    -id: 1533
    -nom: "Lotus - (3 LP - Limited Numbered Edition / Photo Inserts + Posters)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Carlos Santana (guitar, Latin percussion, Echoplex (lead guitar & effects), vocals), Tom Coster (Hammond organ, electric piano, Yamaha organ, keyboards, percussion), Richard Kermode (Hammond organ, electric piano, keyboards, percussion), Doug Rauch (bass guitar), Michael Shrieve (drums, Latin percussion), Armando Peraza (congas, bongos, Latin percussion), José “Chepito” Areas (timbales, congas, Latin percussion), Leon Thomas (maracas, vocals, percussion).\r\n
      \r\n
      One of the Most Exhilarating Live Albums Ever Released: Santana’s Lotus Documents Indispensable 1973 Performances Distinguished by Passionate Soulfulness, Chemistry, and Inventiveness\r\n
      \r\n
      Mobile Fidelity’s 180 gram 33 RPM (3 LP) Set Features Reference Sound and Deluxe Trifold Packaging Faithful to That of the Original Japanese Import : Strictly Limited to 5000 Numbered Copies, Includes Four Photo Inserts and Two Fold-Out Posters\r\n
      \r\n
      1/2" / 15 IPS / four-track analog master to two-track DSD 256 to analog console to lathe\r\n
      \r\n
      The bizarre legacy of Lotus transcends its status as both the definitive onstage document of Santana’s career and one of the most spectacular live albums ever released. Originally issued in 1974, the triple LP contains exhilarating performances recorded at two shows in early July 1973 at the 2400-seat Osaka Kosei Nenkin Kaikan concert hall. It bears witness to the eight-piece collective playing with a chemistry, inventiveness, cohesiveness, and soulfulness no other Santana lineup would ever surpass. Lotus also remained the only completely live Santana album for almost two decades and took nearly as long to see domestic release.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, strictly limited to 5,000 numbered copies, and housed in deluxe trifold packaging faithful to that of the original pressing, Lotus benefits from reference audiophile treatment on Mobile Fidelity’s 180 gram (3 LP) set. Featuring rich tones, smooth dynamics, excellent separation, deep soundstages, and involving presence, this reissue pays tribute to both the virtuosic lineup and the indispensable fusion of Latin- and Afro-Cuban-influenced jazz, rock, psychedelia, R&B, and blues. The complexity of the spiritual passages, demands of the crescendos, delicacy of the calm transitions, electricity of the solos: everything is rendered with superb balance free of harshness, compression, and fatiguing peaks that would otherwise distract from the presentations at hand.\r\n
      \r\n
      You also get a generous taste of the ambience of the venue, and a definite sense of the interplay and improvisation that transpired as much by feel as by architectural necessity. The weight of the bass, extension of the highs, punch of the mids, texture and reverberation of the percussion : Mobile Fidelity’s organic version of Lotus stakes an immediate claim to demonstration-disc status of how a live recording should sound. And look. Paying homage to the original, this reissue includes four double-sided flat photo inserts and two 24 x 36 inch double-sided fold-out posters. (Note : It does not have an obi strip or red Japanese insert.)\r\n
      \r\n
      Exclusively released in Japan before it slowly made it across the seas to the United States as a pricey import, Lotus became a hot topic among in-the-know connoisseurs. Hip record stores struggled to keep the record in the bins. Italy, New Zealand, and Europe got their own versions of the in-demand set before the end of 1975. American listeners weren’t so lucky. To satisfy their fix, they had to turn to the imports.\r\n
      \r\n
      The same year Stateside fans began paying a premium to hear the two hours of magic on Lotus, CBS released Santana’s Greatest Hits an introductory compilation that went on to sell more than seven million copies. Another 17 years passed before Lotus hit American shelves as a domestic set in the form of two-CD and two-cassette editions. It didn’t become available on domestic vinyl until 2013 on a version that has long been out of print.\r\n
      \r\n
      In addition to the magnificent instrumental prowess and daring of the arrangements, the historical importance of Lotus has only grown as time and Santana evolved. Five members of the Caravanserai Tour octet percussionists/drummers Michael Shrieve and Jose “Chepito” Areas, vocalist Leon Thomas, keyboardist Richard Kermode, bassist Doug Rauch departed by the end of 1974. As such, along with the late 1973 studio effort Welcome, Lotus stands as the high-water mark of Santana’s early and mid-70s fusion period before the lineup changed and the group transitioned into more experimental territory.\r\n
      \r\n
      Featuring seven previously unreleased tracks as well as remarkable renditions of material from Santana’s first four albums and the Carlos Santana-John McLaughlin collaboration Love Devotion Surrender, Lotus simultaneously suggests and inspires, dreams and delivers. Though the extended drum solo “Kyoto” may not conform to everyone’s idea of essential listening, every moment here sees Carlos Santana and company finding new gears and playing as if their lives depend on it.\r\n
      \r\n
      You can feel the passion it on takes of “Every Step of the Way,” “Mantra,” Se a Cabo”, “Toussaint L’Overture”, and the scorching “Incident at Neshabur”. Renditions of Santna’s more “mainstream” fare “Black Magic Woman”, “Oyo Como Va”, “Gypsy Queen” touch on similarly elevated planes. Taking the meaning of title of the ambitious album to heart, Santana revolves around themes of rebirth and launches into a mystical universe in which peacefulness, sensitivity, beauty, and boundless creativity orbit a fiery sun. Black magic, indeed.\r\n
      \r\n
      “Santana’s new two-keyboard approach made for a more layered and expansive sound, and the remastered vinyl captures the deep, wide soundstage that resulted, and the percussion comes through with great clarity”. - The Absolute Sound
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Carlos Santana (guitar, Latin percussion, Echoplex (lead guitar & effects), vocals), Tom Coster (Hammond organ, electric piano, Yamaha organ, keyboards, percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gVaCe1DN4TE&list=OLAK5uy_lC5OGVbwZbFHcPb4qTk8lZG6XYOqo4QEY&index=3"
    -referenceProduit: "Mobile Fidelity Sound Lab 3-540"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2130 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3458
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  +produit: App\Entity\Produit {#2128
    -id: 1533
    -nom: "Lotus - (3 LP - Limited Numbered Edition / Photo Inserts + Posters)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Carlos Santana (guitar, Latin percussion, Echoplex (lead guitar & effects), vocals), Tom Coster (Hammond organ, electric piano, Yamaha organ, keyboards, percussion), Richard Kermode (Hammond organ, electric piano, keyboards, percussion), Doug Rauch (bass guitar), Michael Shrieve (drums, Latin percussion), Armando Peraza (congas, bongos, Latin percussion), José “Chepito” Areas (timbales, congas, Latin percussion), Leon Thomas (maracas, vocals, percussion).\r\n
      \r\n
      One of the Most Exhilarating Live Albums Ever Released: Santana’s Lotus Documents Indispensable 1973 Performances Distinguished by Passionate Soulfulness, Chemistry, and Inventiveness\r\n
      \r\n
      Mobile Fidelity’s 180 gram 33 RPM (3 LP) Set Features Reference Sound and Deluxe Trifold Packaging Faithful to That of the Original Japanese Import : Strictly Limited to 5000 Numbered Copies, Includes Four Photo Inserts and Two Fold-Out Posters\r\n
      \r\n
      1/2" / 15 IPS / four-track analog master to two-track DSD 256 to analog console to lathe\r\n
      \r\n
      The bizarre legacy of Lotus transcends its status as both the definitive onstage document of Santana’s career and one of the most spectacular live albums ever released. Originally issued in 1974, the triple LP contains exhilarating performances recorded at two shows in early July 1973 at the 2400-seat Osaka Kosei Nenkin Kaikan concert hall. It bears witness to the eight-piece collective playing with a chemistry, inventiveness, cohesiveness, and soulfulness no other Santana lineup would ever surpass. Lotus also remained the only completely live Santana album for almost two decades and took nearly as long to see domestic release.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, strictly limited to 5,000 numbered copies, and housed in deluxe trifold packaging faithful to that of the original pressing, Lotus benefits from reference audiophile treatment on Mobile Fidelity’s 180 gram (3 LP) set. Featuring rich tones, smooth dynamics, excellent separation, deep soundstages, and involving presence, this reissue pays tribute to both the virtuosic lineup and the indispensable fusion of Latin- and Afro-Cuban-influenced jazz, rock, psychedelia, R&B, and blues. The complexity of the spiritual passages, demands of the crescendos, delicacy of the calm transitions, electricity of the solos: everything is rendered with superb balance free of harshness, compression, and fatiguing peaks that would otherwise distract from the presentations at hand.\r\n
      \r\n
      You also get a generous taste of the ambience of the venue, and a definite sense of the interplay and improvisation that transpired as much by feel as by architectural necessity. The weight of the bass, extension of the highs, punch of the mids, texture and reverberation of the percussion : Mobile Fidelity’s organic version of Lotus stakes an immediate claim to demonstration-disc status of how a live recording should sound. And look. Paying homage to the original, this reissue includes four double-sided flat photo inserts and two 24 x 36 inch double-sided fold-out posters. (Note : It does not have an obi strip or red Japanese insert.)\r\n
      \r\n
      Exclusively released in Japan before it slowly made it across the seas to the United States as a pricey import, Lotus became a hot topic among in-the-know connoisseurs. Hip record stores struggled to keep the record in the bins. Italy, New Zealand, and Europe got their own versions of the in-demand set before the end of 1975. American listeners weren’t so lucky. To satisfy their fix, they had to turn to the imports.\r\n
      \r\n
      The same year Stateside fans began paying a premium to hear the two hours of magic on Lotus, CBS released Santana’s Greatest Hits an introductory compilation that went on to sell more than seven million copies. Another 17 years passed before Lotus hit American shelves as a domestic set in the form of two-CD and two-cassette editions. It didn’t become available on domestic vinyl until 2013 on a version that has long been out of print.\r\n
      \r\n
      In addition to the magnificent instrumental prowess and daring of the arrangements, the historical importance of Lotus has only grown as time and Santana evolved. Five members of the Caravanserai Tour octet percussionists/drummers Michael Shrieve and Jose “Chepito” Areas, vocalist Leon Thomas, keyboardist Richard Kermode, bassist Doug Rauch departed by the end of 1974. As such, along with the late 1973 studio effort Welcome, Lotus stands as the high-water mark of Santana’s early and mid-70s fusion period before the lineup changed and the group transitioned into more experimental territory.\r\n
      \r\n
      Featuring seven previously unreleased tracks as well as remarkable renditions of material from Santana’s first four albums and the Carlos Santana-John McLaughlin collaboration Love Devotion Surrender, Lotus simultaneously suggests and inspires, dreams and delivers. Though the extended drum solo “Kyoto” may not conform to everyone’s idea of essential listening, every moment here sees Carlos Santana and company finding new gears and playing as if their lives depend on it.\r\n
      \r\n
      You can feel the passion it on takes of “Every Step of the Way,” “Mantra,” Se a Cabo”, “Toussaint L’Overture”, and the scorching “Incident at Neshabur”. Renditions of Santna’s more “mainstream” fare “Black Magic Woman”, “Oyo Como Va”, “Gypsy Queen” touch on similarly elevated planes. Taking the meaning of title of the ambitious album to heart, Santana revolves around themes of rebirth and launches into a mystical universe in which peacefulness, sensitivity, beauty, and boundless creativity orbit a fiery sun. Black magic, indeed.\r\n
      \r\n
      “Santana’s new two-keyboard approach made for a more layered and expansive sound, and the remastered vinyl captures the deep, wide soundstage that resulted, and the percussion comes through with great clarity”. - The Absolute Sound
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Carlos Santana (guitar, Latin percussion, Echoplex (lead guitar & effects), vocals), Tom Coster (Hammond organ, electric piano, Yamaha organ, keyboards, percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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[
  "produit" => App\Entity\Produit {#2147
    -id: 1590
    -nom: "Santana III"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carlos Santana (guitar, vocals), Neal Schon (guitar), Gregg Rolie (piano, organ, vocals), David Brown (bass), Coke Escovedo (percussion, backing vocals), Michael P. R. Carabello (congas, percussion, tambourine, vocals), Michael Shrieve (drums, percussion, vibraphone).\r\n
      \r\n
      MUSICAL MAGIC THAT TRULY SPANS THE GLOBE YEARS BEFORE "WORLD MUSIC" BECAME A GENRE !\r\n
      \r\n
      The final Santana album recorded with the leader's famed Woodstock lineup, one of the most capable and explosive bands ever assembled, Santana III (commonly referred to as The Third Album) is a beacon of Latin-tinged rock, melodic creativity, and cohesive interplay. The record also marks the debut of young guitar virtuoso Neal Schon, who functions as the ideal foil to Santana, whose playing on this 1971 set rivals that of the finest in his career. If not for arriving after the monumental Abraxas, it is likely Santana III would be mentioned in the same breath as groundbreaking psychedelic classics such as Bitches Brew. It's that good.\r\n
      \r\n
      Embracing the concept that all of the members should share their musical ideas, Santana added two crucial components to his band : Schon, discovered at the age of 15 playing in a Palo Alto club, and Thomas "Coke" Escovedo, who during the sessions temporarily replaced ill percussionist Chepito Areas, and whose percussive assistance helped define the album's feel. With Schon in the fold, Santana strives for the unknown, and yet, manages to stave off the numbing excesses that define much of the period's output.\r\n
      \r\n
      From the opening "Batuka", peppered with Schon's stirring guitar lines, to the sensitive "Everything Is Coming Our Way", infused with a mesmerizing Hammond organ underpinning that supports Santana's vocal pathos, the record teams with inventiveness. Involving albeit accessible concoctions of funk, jazz, rock, blues, and soul run throughout the set. Spanish-styled flavors infuse a majority of the material, ranging from the salsa piano on "Guarjira" to the distinctive "No One to Depend On", a lively take on the cha-cha-cha.\r\n
      \r\n
      A globe-spanning armada of percussive instruments – timbales, congas, drums, vibes, tambourines, and more as well as the existence of a three-person percussion team that fits in harmoniously with Santana, Schon, and company makes Santana III a masterful accomplishment in musical chemistry and the exploration of true world craft.\r\n
      \r\n
      The Silver Label LP of Santana III breathes with sumptuous warmth and you-are-there realism. The tension of Schon's guitar lines, the album's open sound, and extensive use of studio echoes (check the presence of the backward echo on "No One to Depend On") fill the soundstage, replete with the kind of depth and dynamics one expects from a first-rate audiophile recording.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Carlos Santana (guitar, vocals), Neal Schon (guitar), Gregg Rolie (piano, organ, vocals), David Brown (bass), Coke Escovedo (percussion, backing vocals), Michael P. R. Carabello (congas, percussion, tambourine, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=bGO7tuCauw0"
    -referenceProduit: "Mobile Fidelity Sound Lab 1-039"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Batuka"
      ]
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        "ordre" => 2
        "nom" => "2. No One to Depend On"
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      [
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        "nom" => "4. Toussaint L'Overture"
      ]
      [
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Everybody's Everything"
      ]
      [
        "ordre" => 7
        "nom" => "2. Guajira"
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      [
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        "nom" => "3. Jungle Strut"
      ]
      [
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        "nom" => "4. Everything's Coming Our Way"
      ]
      [
        "ordre" => 10
        "nom" => "5. Para los Rumberos"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2130 …}
    -label: Proxies\__CG__\App\Entity\Label {#2133 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3511
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2631 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2147
    -id: 1590
    -nom: "Santana III"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carlos Santana (guitar, vocals), Neal Schon (guitar), Gregg Rolie (piano, organ, vocals), David Brown (bass), Coke Escovedo (percussion, backing vocals), Michael P. R. Carabello (congas, percussion, tambourine, vocals), Michael Shrieve (drums, percussion, vibraphone).\r\n
      \r\n
      MUSICAL MAGIC THAT TRULY SPANS THE GLOBE YEARS BEFORE "WORLD MUSIC" BECAME A GENRE !\r\n
      \r\n
      The final Santana album recorded with the leader's famed Woodstock lineup, one of the most capable and explosive bands ever assembled, Santana III (commonly referred to as The Third Album) is a beacon of Latin-tinged rock, melodic creativity, and cohesive interplay. The record also marks the debut of young guitar virtuoso Neal Schon, who functions as the ideal foil to Santana, whose playing on this 1971 set rivals that of the finest in his career. If not for arriving after the monumental Abraxas, it is likely Santana III would be mentioned in the same breath as groundbreaking psychedelic classics such as Bitches Brew. It's that good.\r\n
      \r\n
      Embracing the concept that all of the members should share their musical ideas, Santana added two crucial components to his band : Schon, discovered at the age of 15 playing in a Palo Alto club, and Thomas "Coke" Escovedo, who during the sessions temporarily replaced ill percussionist Chepito Areas, and whose percussive assistance helped define the album's feel. With Schon in the fold, Santana strives for the unknown, and yet, manages to stave off the numbing excesses that define much of the period's output.\r\n
      \r\n
      From the opening "Batuka", peppered with Schon's stirring guitar lines, to the sensitive "Everything Is Coming Our Way", infused with a mesmerizing Hammond organ underpinning that supports Santana's vocal pathos, the record teams with inventiveness. Involving albeit accessible concoctions of funk, jazz, rock, blues, and soul run throughout the set. Spanish-styled flavors infuse a majority of the material, ranging from the salsa piano on "Guarjira" to the distinctive "No One to Depend On", a lively take on the cha-cha-cha.\r\n
      \r\n
      A globe-spanning armada of percussive instruments – timbales, congas, drums, vibes, tambourines, and more as well as the existence of a three-person percussion team that fits in harmoniously with Santana, Schon, and company makes Santana III a masterful accomplishment in musical chemistry and the exploration of true world craft.\r\n
      \r\n
      The Silver Label LP of Santana III breathes with sumptuous warmth and you-are-there realism. The tension of Schon's guitar lines, the album's open sound, and extensive use of studio echoes (check the presence of the backward echo on "No One to Depend On") fill the soundstage, replete with the kind of depth and dynamics one expects from a first-rate audiophile recording.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Carlos Santana (guitar, vocals), Neal Schon (guitar), Gregg Rolie (piano, organ, vocals), David Brown (bass), Coke Escovedo (percussion, backing vocals), Michael P. R. Carabello (congas, percussion, tambourine, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=bGO7tuCauw0"
    -referenceProduit: "Mobile Fidelity Sound Lab 1-039"
    -titreMorceau: [
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        "ordre" => 4
        "nom" => "4. Toussaint L'Overture"
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Everybody's Everything"
      ]
      [
        "ordre" => 7
        "nom" => "2. Guajira"
      ]
      [
        "ordre" => 8
        "nom" => "3. Jungle Strut"
      ]
      [
        "ordre" => 9
        "nom" => "4. Everything's Coming Our Way"
      ]
      [
        "ordre" => 10
        "nom" => "5. Para los Rumberos"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2130 …}
    -label: Proxies\__CG__\App\Entity\Label {#2133 …}
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    -enregistreLe: DateTime @1551698095 {#2144
      date: 2019-03-04 11:14:55.0 UTC (+00:00)
    }
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      date: 2026-01-16 07:34:40.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2160
    -id: 2646
    -nom: "Amigos"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carlos Santana (guitars, percussion, congas, güiro, background vocals), Greg Walker (vocals), Tom Coster (acoustic piano, Fender Rhodes electric piano, Hammond organ, Moog synthesizer, ARP Pro Soloist, ARP Odyssey, ARP String Ensemble, Hohner Clavinet D6, background vocals), David Brown (bass guitar), Armando Peraza (congas, bongos, background vocals), Ivory Stone, Julia Tillman Waters, Maxine Willard Waters (background vocals), Leon "Ndugu" Chancler (drums, timbales, Remo Rototoms, percussion, congas, background vocals).\r\n
      \r\n
      - Carlos Santana and Company Return to a Dynamic Blend of R&B, Latin, Funk, and Rock: Amigos Aims for the Hips, Spreads Joy, and Includes the Brilliant “Europa (Earth’s Cry Heaven’s Smile)”\r\n
      - Mobile Fidelity’s Reissue of the 1976 Effort Plays with Involving Energy, Presence, and Depth: 180 gram 33 RPM LP Is Strictly Limited to 3000 Numbered Copies\r\n
      - 1/4" / 15 IPS / Dolby A Analog Copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      Amigos has been beloved for decades by both long-time and recent Santana admirers, with multiple generations of fans drawn in by the record’s contagious blend of R&B, Latin, rock, and funk elements. As well as its immense accessibility. Coming off a series of albums that heavily leaned into jazz fusion, the band returns to the more dynamic and concise approaches of its earlier works without losing the sense of adventurousness, craftsmanship, and virtuosity that turned it into a juggernaut embraced by both the mainstream and experimentally minded communities. \r\n
      \r\n
      Mastered at Mobile Fidelity’s in-house studio in California, pressed at Fidelity Record Pressing, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180 gram 33 RPM LP of Amigos presents the 1976 album in audiophile sound for the first time on a domestic release. Part of the reissue label’s Santana series, this collectible version features quiet surfaces and black backgrounds that help reveal the intricate details, distinguished tones, and cohesive interplay that cause Santana’s music to take flight. \r\n
      \r\n
      The enhanced aural perspectives extend not only to Carlos Santana’s intoxicating fills and solos, but to the rich tapestry of the rhythmic, melodic, and vocal elements that help Amigos feel as fresh today as it did several decades ago. This LP shines a beaming light on the surrounding musicians that simultaneously feed off and inspire their bandleader. The solidity and depth of the bass lines; the wash of the organ; the scope and carry of the vocals; the grip and weight of the low-end frequencies; and, possibly the most enticing traits, the textures of the acoustic guitars, numerous percussive devices, and then-modern synthesizers: all come across with tremendous presence and energy. \r\n
      \r\n
      Entirely appropriate for a set that kicks from the start, with the opening “Dance Sister Dance (Baila Mi Hermana)” true to the song title’s combination directive-invitation meaning. Tropical, soulful, upbeat, and liberating, it beckons hips to shake and delicious libations to pour. Clinking cowbells, spirited background vocals, hand-tapped congas, and Carlos Santana’s six-string magma pour forth with abundance. The song sets the mood and expectations for a record that contains not an ounce of filler, and which inspires and spreads joy at practically every turn. \r\n
      \r\n
      On the gold-certified Amigos, the ensemble never seems to run short of zest or happiness. Key in on the Latin bite and searing guitar architecture of “Take Me With You”, an instrumental that shifts tempo at its midpoint and sparkles with a samba-like outro that aims to put everyone in earshot on the dance floor. Surrender to the slow-burn of “Tell Me You Are Tired”, sent up with Greg Walker’s sympathetic vocals and spun around with whirling funk accents. Marvel at the Spanish guitar introduction, Mexican folk foundation, group vocals, and extroverted grooves of the forward-propulsive “Gitano”, with lead singing by conga / bongo expert Armando Peraza.  \r\n
      \r\n
      Having reached the Top 10 in the United States and spawned the hit “Let It Shine”, Amigos marked the final stint for bassist David Brown, the last of the group’s famed Woodstock lineup to depart. His contributions feel especially spirited throughout the album, compass readings that the group uses to chart their course. Just listen to how his passages pop on “Let Me” and frame the can’t-get-it-out-of-your-head “what you need is what you want” refrain. And while Carlos Santana remains the centerpiece of the brilliant and meditative “Europa (Earth’s Cry Heaven’s Smile)”, Brown serves as a trustworthy anchor and friendly advocate.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Carlos Santana (guitars, percussion, congas, güiro, background vocals), Greg Walker (vocals), Tom Coster (acoustic piano, Fender Rhodes electric piano, Hammond organ, Moog synthesizer, ARP Pro Soloist, ARP Odyssey, ARP String Ensemble)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lUwCUITkGwo"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-557"
    -titreMorceau: [
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        "nom" => "4. Let It Shine"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2130 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3559
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2631 …}
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    -id: 2646
    -nom: "Amigos"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carlos Santana (guitars, percussion, congas, güiro, background vocals), Greg Walker (vocals), Tom Coster (acoustic piano, Fender Rhodes electric piano, Hammond organ, Moog synthesizer, ARP Pro Soloist, ARP Odyssey, ARP String Ensemble, Hohner Clavinet D6, background vocals), David Brown (bass guitar), Armando Peraza (congas, bongos, background vocals), Ivory Stone, Julia Tillman Waters, Maxine Willard Waters (background vocals), Leon "Ndugu" Chancler (drums, timbales, Remo Rototoms, percussion, congas, background vocals).\r\n
      \r\n
      - Carlos Santana and Company Return to a Dynamic Blend of R&B, Latin, Funk, and Rock: Amigos Aims for the Hips, Spreads Joy, and Includes the Brilliant “Europa (Earth’s Cry Heaven’s Smile)”\r\n
      - Mobile Fidelity’s Reissue of the 1976 Effort Plays with Involving Energy, Presence, and Depth: 180 gram 33 RPM LP Is Strictly Limited to 3000 Numbered Copies\r\n
      - 1/4" / 15 IPS / Dolby A Analog Copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      Amigos has been beloved for decades by both long-time and recent Santana admirers, with multiple generations of fans drawn in by the record’s contagious blend of R&B, Latin, rock, and funk elements. As well as its immense accessibility. Coming off a series of albums that heavily leaned into jazz fusion, the band returns to the more dynamic and concise approaches of its earlier works without losing the sense of adventurousness, craftsmanship, and virtuosity that turned it into a juggernaut embraced by both the mainstream and experimentally minded communities. \r\n
      \r\n
      Mastered at Mobile Fidelity’s in-house studio in California, pressed at Fidelity Record Pressing, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180 gram 33 RPM LP of Amigos presents the 1976 album in audiophile sound for the first time on a domestic release. Part of the reissue label’s Santana series, this collectible version features quiet surfaces and black backgrounds that help reveal the intricate details, distinguished tones, and cohesive interplay that cause Santana’s music to take flight. \r\n
      \r\n
      The enhanced aural perspectives extend not only to Carlos Santana’s intoxicating fills and solos, but to the rich tapestry of the rhythmic, melodic, and vocal elements that help Amigos feel as fresh today as it did several decades ago. This LP shines a beaming light on the surrounding musicians that simultaneously feed off and inspire their bandleader. The solidity and depth of the bass lines; the wash of the organ; the scope and carry of the vocals; the grip and weight of the low-end frequencies; and, possibly the most enticing traits, the textures of the acoustic guitars, numerous percussive devices, and then-modern synthesizers: all come across with tremendous presence and energy. \r\n
      \r\n
      Entirely appropriate for a set that kicks from the start, with the opening “Dance Sister Dance (Baila Mi Hermana)” true to the song title’s combination directive-invitation meaning. Tropical, soulful, upbeat, and liberating, it beckons hips to shake and delicious libations to pour. Clinking cowbells, spirited background vocals, hand-tapped congas, and Carlos Santana’s six-string magma pour forth with abundance. The song sets the mood and expectations for a record that contains not an ounce of filler, and which inspires and spreads joy at practically every turn. \r\n
      \r\n
      On the gold-certified Amigos, the ensemble never seems to run short of zest or happiness. Key in on the Latin bite and searing guitar architecture of “Take Me With You”, an instrumental that shifts tempo at its midpoint and sparkles with a samba-like outro that aims to put everyone in earshot on the dance floor. Surrender to the slow-burn of “Tell Me You Are Tired”, sent up with Greg Walker’s sympathetic vocals and spun around with whirling funk accents. Marvel at the Spanish guitar introduction, Mexican folk foundation, group vocals, and extroverted grooves of the forward-propulsive “Gitano”, with lead singing by conga / bongo expert Armando Peraza.  \r\n
      \r\n
      Having reached the Top 10 in the United States and spawned the hit “Let It Shine”, Amigos marked the final stint for bassist David Brown, the last of the group’s famed Woodstock lineup to depart. His contributions feel especially spirited throughout the album, compass readings that the group uses to chart their course. Just listen to how his passages pop on “Let Me” and frame the can’t-get-it-out-of-your-head “what you need is what you want” refrain. And while Carlos Santana remains the centerpiece of the brilliant and meditative “Europa (Earth’s Cry Heaven’s Smile)”, Brown serves as a trustworthy anchor and friendly advocate.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Carlos Santana (guitars, percussion, congas, güiro, background vocals), Greg Walker (vocals), Tom Coster (acoustic piano, Fender Rhodes electric piano, Hammond organ, Moog synthesizer, ARP Pro Soloist, ARP Odyssey, ARP String Ensemble)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=lUwCUITkGwo"
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        "nom" => "4. Let It Shine"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2130 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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[
  "produit" => App\Entity\Produit {#2173
    -id: 2586
    -nom: "Caravanserai"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carlos Santana (guitar & lead guitar, percussion, vocals), Neal Schon, Douglas Rodrigues (guitar), Gregg Rolie (organ, piano, electric piano, vocals), Douglas Rauch (bass, guitar), Wendy Haas (piano), Tom Rutley (acoustic bass), Tom Coster (electric piano), Hadley Caliman (saxophone), flute), Lenny White (castanets), Rico Reyes (vocals), James Mingo Lewis (acoustic piano, percussion, congas, bongos, vocals), Armando Peraza (percussion, bongos), Michael Shrieve (drums, percussion, vocals), José "Chepito" Areas (percussion, congas, timbales, bongos).\r\n
      \r\n
      - SOURCED FROM THE ORIGINAL MASTER TAPES FOR DEFINITIVE SOUND: MOBILE FIDELITY 180 gram 33 RPM LP PLAYS WITH SUPERB DETAIL, CLARITY, AIRINESS, AND NATURALISM !\r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Filled with harmonious performances that reflect the definition of its title a place at which ideas, products, and culture are freely traded Caravanserai marks the start of Carlos Santana's foray into the jazz-fusion territory that would inform his career for the better part of the next two decades. Inspired by Miles Davis' pioneering period work, and aiming to discover and develop inner peace within a musical realm, the guitarist sets off on a quest to find his equivalent of the spiritual dimensions John Coltrane channels on A Love Supreme. The daring move paid dividends: The namesake band's 1972 album landed in the Top 10, sold more than a million copies, and established Santana as a visionary who refused to cater to commercialism.\r\n
      \r\n
      Sourced from the original master tapes and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180g 33RPM LP brims with atmospheric texture, three-dimensional spaciousness, and revealing microdynamics. This collectible audiophile reissue exposes the natural feel of Santana and drummer Mike Shrieve's production, allowing the music to emerge with refreshing airiness, intimate presence, and organic balance. Whether the sound pertains to the brassy reach of a saxophone, bloom of an acoustic bass, intricate wash of an organ, or trailing note of an echo, Caravanserai projects with superb detail and clarity. This is an album whose meanings and scope tremendously benefit from such enhanced closeness, warmth, and tonality.\r\n
      \r\n
      Just consider the quote from Indian monk-yogi Paramahansa Yolanda gracing the album's inner cover : "The body melts into the universe. The universe melts into the soundless voice. The sound melts into the all-shining light. And the light enters the bosom of infinite joy". Yolanda's words serve as a guide: Caravanserai feels at once cosmic, hopeful, bright, festive. Though grounded and centered, its songs seem to float in an otherworldly stratosphere; its liberating passages and pulsing rhythms don't touch the ground. Arrangements point forward and skyward, drawing attention to a higher consciousness and away from earthly pursuits. The effect is beautiful, uplifting, freeing.\r\n
      \r\n
      Soulfulness and spirituality course throughout Caravanserai. Its deep emotionalism and heartfelt expressiveness are on par with the most personalized playing of Santana's career. Distinct from instrumentally based albums centered around jams performed for the sake of virtuosity, Caravanserai retains a cohesive focus and purpose. It is foremost an album of songs connected by melody, groove, and relative concision. It makes demands on not just the ears but the heart and mind. Directly and indirectly invoking concepts like purifying, cleansing, and sharing, it invites you to listen and concentrate with undivided attention.\r\n
      \r\n
      The final Santana record to feature guitarist Neil Schon and organist Greg Rollie for more than four decades, Caravanserai displays no hint of the discord that would soon cause the lineup to splinter. Functioning as a unified collective with an all-for-one mentality, the band arrives at intersections at which rock, Latin, jazz, and funk speak a common language. Santana, Schon, Rollie, bassist Douglas Rauch, and company delve into the boundless and then-novel  possibilities of fusion without exploiting technique, taxing patience, or running adrift.\r\n
      \r\n
      Opening with the sound of chirping crickets which immediately announces the album's preoccupation with nature and harmonious existence in the universe Caravanserai brings listeners into a world unlike that on any other record. Designed to be heard in sequence, the 10 track LP doubles as an immersive adventure into the known and unknown. In addition to the exceptional musicality, the band embraces a metaphysical vibe that suits the wordless messages conveyed in aptly titled songs such as the explorative "Waves Within" and funk-laden "Look Up (To See What's Coming Down)". On the radiant "Song of the Wind", Santana and Schon trade sun-bound solos atop a subtle foundation laid by Rollie's organ. So it goes on Caravanserai : As Santana shines, so does his band.\r\n
      \r\n
      The record's second half ventures deeper into the mystic. "All the Love in the Universe" incorporates sitar-like elements and harmonious chants; the mediative "Future Primitive" uses quiet as an instrument; the Brazilian-spiced "Stone Flower" sees the group setting lyrics to an Antonio Carlos Jobim tune; Cuban accents, timbales, and bongos pop on the danceable "La Fuente del Ritmo", featuring contributions by jazz legend and then-new recruit Armando Peraza. On the epic closer "Every Step of the Way," the group nods to Miles Davis' space-jazz oeuvre before transitioning to a woodwinds-meet-conga-meets-guitar blowout topped off by an orchestral arrangement.\r\n
      \r\n
      It's a lot to absorb. This reissue invites you to listen again and again and experience everything that makes the album inimitable.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Carlos Santana (guitar & lead guitar, percussion, vocals), Neal Schon, Douglas Rodrigues (guitar), Gregg Rolie (organ, piano, electric piano, vocals), Douglas Rauch (bass, guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WIRBshlXUDk"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-524"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Eternal Caravan Of Reincarnation"
      ]
      [
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        "nom" => "2. Waves Within"
      ]
      [
        "ordre" => 3
        "nom" => "3. Look Up (To See What's Coming Down)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Just In Time To See The Sun"
      ]
      [
        "ordre" => 5
        "nom" => "5. Song Of The Wind"
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      [
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        "nom" => "6. All The Love Of The Universe"
      ]
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        "nom" => "Side B : "
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        "nom" => "1. Future Primitive"
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        "nom" => "3. La Fuente Del Ritmo"
      ]
      [
        "ordre" => 11
        "nom" => "4. Every Step Of The Way"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2130 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2631 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2173
    -id: 2586
    -nom: "Caravanserai"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carlos Santana (guitar & lead guitar, percussion, vocals), Neal Schon, Douglas Rodrigues (guitar), Gregg Rolie (organ, piano, electric piano, vocals), Douglas Rauch (bass, guitar), Wendy Haas (piano), Tom Rutley (acoustic bass), Tom Coster (electric piano), Hadley Caliman (saxophone), flute), Lenny White (castanets), Rico Reyes (vocals), James Mingo Lewis (acoustic piano, percussion, congas, bongos, vocals), Armando Peraza (percussion, bongos), Michael Shrieve (drums, percussion, vocals), José "Chepito" Areas (percussion, congas, timbales, bongos).\r\n
      \r\n
      - SOURCED FROM THE ORIGINAL MASTER TAPES FOR DEFINITIVE SOUND: MOBILE FIDELITY 180 gram 33 RPM LP PLAYS WITH SUPERB DETAIL, CLARITY, AIRINESS, AND NATURALISM !\r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Filled with harmonious performances that reflect the definition of its title a place at which ideas, products, and culture are freely traded Caravanserai marks the start of Carlos Santana's foray into the jazz-fusion territory that would inform his career for the better part of the next two decades. Inspired by Miles Davis' pioneering period work, and aiming to discover and develop inner peace within a musical realm, the guitarist sets off on a quest to find his equivalent of the spiritual dimensions John Coltrane channels on A Love Supreme. The daring move paid dividends: The namesake band's 1972 album landed in the Top 10, sold more than a million copies, and established Santana as a visionary who refused to cater to commercialism.\r\n
      \r\n
      Sourced from the original master tapes and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180g 33RPM LP brims with atmospheric texture, three-dimensional spaciousness, and revealing microdynamics. This collectible audiophile reissue exposes the natural feel of Santana and drummer Mike Shrieve's production, allowing the music to emerge with refreshing airiness, intimate presence, and organic balance. Whether the sound pertains to the brassy reach of a saxophone, bloom of an acoustic bass, intricate wash of an organ, or trailing note of an echo, Caravanserai projects with superb detail and clarity. This is an album whose meanings and scope tremendously benefit from such enhanced closeness, warmth, and tonality.\r\n
      \r\n
      Just consider the quote from Indian monk-yogi Paramahansa Yolanda gracing the album's inner cover : "The body melts into the universe. The universe melts into the soundless voice. The sound melts into the all-shining light. And the light enters the bosom of infinite joy". Yolanda's words serve as a guide: Caravanserai feels at once cosmic, hopeful, bright, festive. Though grounded and centered, its songs seem to float in an otherworldly stratosphere; its liberating passages and pulsing rhythms don't touch the ground. Arrangements point forward and skyward, drawing attention to a higher consciousness and away from earthly pursuits. The effect is beautiful, uplifting, freeing.\r\n
      \r\n
      Soulfulness and spirituality course throughout Caravanserai. Its deep emotionalism and heartfelt expressiveness are on par with the most personalized playing of Santana's career. Distinct from instrumentally based albums centered around jams performed for the sake of virtuosity, Caravanserai retains a cohesive focus and purpose. It is foremost an album of songs connected by melody, groove, and relative concision. It makes demands on not just the ears but the heart and mind. Directly and indirectly invoking concepts like purifying, cleansing, and sharing, it invites you to listen and concentrate with undivided attention.\r\n
      \r\n
      The final Santana record to feature guitarist Neil Schon and organist Greg Rollie for more than four decades, Caravanserai displays no hint of the discord that would soon cause the lineup to splinter. Functioning as a unified collective with an all-for-one mentality, the band arrives at intersections at which rock, Latin, jazz, and funk speak a common language. Santana, Schon, Rollie, bassist Douglas Rauch, and company delve into the boundless and then-novel  possibilities of fusion without exploiting technique, taxing patience, or running adrift.\r\n
      \r\n
      Opening with the sound of chirping crickets which immediately announces the album's preoccupation with nature and harmonious existence in the universe Caravanserai brings listeners into a world unlike that on any other record. Designed to be heard in sequence, the 10 track LP doubles as an immersive adventure into the known and unknown. In addition to the exceptional musicality, the band embraces a metaphysical vibe that suits the wordless messages conveyed in aptly titled songs such as the explorative "Waves Within" and funk-laden "Look Up (To See What's Coming Down)". On the radiant "Song of the Wind", Santana and Schon trade sun-bound solos atop a subtle foundation laid by Rollie's organ. So it goes on Caravanserai : As Santana shines, so does his band.\r\n
      \r\n
      The record's second half ventures deeper into the mystic. "All the Love in the Universe" incorporates sitar-like elements and harmonious chants; the mediative "Future Primitive" uses quiet as an instrument; the Brazilian-spiced "Stone Flower" sees the group setting lyrics to an Antonio Carlos Jobim tune; Cuban accents, timbales, and bongos pop on the danceable "La Fuente del Ritmo", featuring contributions by jazz legend and then-new recruit Armando Peraza. On the epic closer "Every Step of the Way," the group nods to Miles Davis' space-jazz oeuvre before transitioning to a woodwinds-meet-conga-meets-guitar blowout topped off by an orchestral arrangement.\r\n
      \r\n
      It's a lot to absorb. This reissue invites you to listen again and again and experience everything that makes the album inimitable.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Carlos Santana (guitar & lead guitar, percussion, vocals), Neal Schon, Douglas Rodrigues (guitar), Gregg Rolie (organ, piano, electric piano, vocals), Douglas Rauch (bass, guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WIRBshlXUDk"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-524"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Eternal Caravan Of Reincarnation"
      ]
      [
        "ordre" => 2
        "nom" => "2. Waves Within"
      ]
      [
        "ordre" => 3
        "nom" => "3. Look Up (To See What's Coming Down)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Just In Time To See The Sun"
      ]
      [
        "ordre" => 5
        "nom" => "5. Song Of The Wind"
      ]
      [
        "ordre" => 6
        "nom" => "6. All The Love Of The Universe"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Future Primitive"
      ]
      [
        "ordre" => 9
        "nom" => "2. Stone Flower"
      ]
      [
        "ordre" => 10
        "nom" => "3. La Fuente Del Ritmo"
      ]
      [
        "ordre" => 11
        "nom" => "4. Every Step Of The Way"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2130 …}
    -label: Proxies\__CG__\App\Entity\Label {#2133 …}
    -style: App\Entity\Style {#1453 …}
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[
  "produit" => App\Entity\Produit {#2186
    -id: 2596
    -nom: "Inner Secrets"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carlos Santana (guitar, vocals), Chris Solberg (guitar, backing vocals), Chris Rhyne (keyboards), David Margen (bass), Greg Walker (lead vocals), Dennis Lambert (clavinet, backing vocals), Armando Peraza, Raul Rekow (percussion, backing vocals), Pete Escovedo (percussion), Graham Lear (drums).\r\n
      \r\n
      SANTANA MOVES TOWARD THE ROCK MAINSTREAM: INNER SECRETS FEATURES THREE TOP 100 SINGLES, PASSIONATE PERFORMANCES, AND TIGHTENED-UP FRAMEWORKS !\r\n
      \r\n
      - Sourced from the Original Analog Master Tapes and Strictly Limited to 3000 Numbered Copies: Mobile Fidelity’s 180 gram 33 RPM LP Exposes Critical Details and Tones That Make the 1978 Album Soar !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Carlos Santana refused to sit still or commit to one style during his fantastically adventurous stretch in the 1970s. That prolific decade witnessed his namesake band release nine studio albums, one hybrid live-studio double album, and a triple live set. The group’s penchant for exploration and mutation and adopting those constructs into appealing songs that surprise, delight, and inspire flares throughout Inner Secrets, a gold-certified effort that finds the collective reaching heights it would not again realize for another 10 years.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180 gram 33 RPM LP of Inner Secrets presents the 1978 album in audiophile sound for the first time on a domestic reissue. Part of the label’s Santana series, this collectible version features quiet surfaces and black backgrounds that help expose the critical details, dynamics, and tones that really allow Santana’s music to soar.\r\n
      \r\n
      As for Carlos Santana’s signature guitar voicing, spicy leads, and acrobatic solos? Hear them with newfound definition and enhanced clarity all the better to appreciate the dexterity, vision, and soulfulness on display. Those characteristics extend to the contributions from the other players on Inner Secrets, including Graham Lear’s invigorating drumming and David Margen’s foundational bass lines. They form a solid rhythmic foundation capable of veering from disco grooves to moody pop and radio-friendly classic rock.\r\n
      \r\n
      Home to three Top 100 singles, Inner Secrets marks another turning point in Santana’s evolution. It is the band’s first project without keyboardist Tom Coster since the latter arrived in 1972. Gone, too, from the lineup is original percussionist Jose Areas. In their places are Chris Rhyme and Pete Escovedo, respectively, with the latter having debuted on the studio portion of the preceding Moonflower (1977). Multi-instrumentalist Chris Solberg counts as the other notable new addition. All three pros play key roles on a work that witnesses Santana moving away from fusion-laden fare and toward mainstream-oriented material.\r\n
      \r\n
      Obvious evidence of that transformation arrives in the form of four inspired covers, including renditions of Buddy Holly’s “Well All Right”, Four Tops’ “One Chain (Don’t Make No Prison)”, Classic IV’s “Stormy”, and Traffic’s “Dealer” with the latter tune soldered into “Spanish Rose”. Santana’s focused approach is also reflected in the structures and lengths of the songs. No track lasts longer than six minutes and 15 seconds. Yet the band packs an array of contagious melodies, complex passages, and passionate performances into the tightened-up frameworks.\r\n
      \r\n
      In addition to the instrumental prowess, Inner Secrets especially benefits from the singing of Greg Walker. Carlos Santana called Walker’s technique a “combination of street and church music; 'street' being raw, sexy, warm, and naked; 'church' being spiritual, inspirational, soulful, and sincere”. Those elements further punctuate Inner Secrets and ensure the album stands as a bookend to the group’s peak era. Wham!, indeed.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Carlos Santana (guitar, vocals), Chris Solberg (guitar, backing vocals), Chris Rhyne (keyboards), David Margen (bass), Greg Walker (lead vocals), Dennis Lambert (clavinet, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=JtySIRhFrXM"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-559"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Dealer / Spanish Rose"
      ]
      [
        "ordre" => 2
        "nom" => "2. Move On"
      ]
      [
        "ordre" => 3
        "nom" => "3. One Chain (Don't Make No Prison)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Stormy"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Well All Right"
      ]
      [
        "ordre" => 7
        "nom" => "2. Open Invitation"
      ]
      [
        "ordre" => 8
        "nom" => "3. Life Is a Lady / Holiday"
      ]
      [
        "ordre" => 9
        "nom" => "4. The Facts of Love"
      ]
      [
        "ordre" => 10
        "nom" => "5. Wham!"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2130 …}
    -label: Proxies\__CG__\App\Entity\Label {#2133 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2194 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2187 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2189 …}
    -enregistreLe: DateTime @1732436693 {#2183
      date: 2024-11-24 08:24:53.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768548177 {#2184
      date: 2026-01-16 07:22:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2191 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-inner-secrets-mobile-fidelity-sound-lab-mfsl-1-559"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3655
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2631 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2186
    -id: 2596
    -nom: "Inner Secrets"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carlos Santana (guitar, vocals), Chris Solberg (guitar, backing vocals), Chris Rhyne (keyboards), David Margen (bass), Greg Walker (lead vocals), Dennis Lambert (clavinet, backing vocals), Armando Peraza, Raul Rekow (percussion, backing vocals), Pete Escovedo (percussion), Graham Lear (drums).\r\n
      \r\n
      SANTANA MOVES TOWARD THE ROCK MAINSTREAM: INNER SECRETS FEATURES THREE TOP 100 SINGLES, PASSIONATE PERFORMANCES, AND TIGHTENED-UP FRAMEWORKS !\r\n
      \r\n
      - Sourced from the Original Analog Master Tapes and Strictly Limited to 3000 Numbered Copies: Mobile Fidelity’s 180 gram 33 RPM LP Exposes Critical Details and Tones That Make the 1978 Album Soar !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Carlos Santana refused to sit still or commit to one style during his fantastically adventurous stretch in the 1970s. That prolific decade witnessed his namesake band release nine studio albums, one hybrid live-studio double album, and a triple live set. The group’s penchant for exploration and mutation and adopting those constructs into appealing songs that surprise, delight, and inspire flares throughout Inner Secrets, a gold-certified effort that finds the collective reaching heights it would not again realize for another 10 years.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180 gram 33 RPM LP of Inner Secrets presents the 1978 album in audiophile sound for the first time on a domestic reissue. Part of the label’s Santana series, this collectible version features quiet surfaces and black backgrounds that help expose the critical details, dynamics, and tones that really allow Santana’s music to soar.\r\n
      \r\n
      As for Carlos Santana’s signature guitar voicing, spicy leads, and acrobatic solos? Hear them with newfound definition and enhanced clarity all the better to appreciate the dexterity, vision, and soulfulness on display. Those characteristics extend to the contributions from the other players on Inner Secrets, including Graham Lear’s invigorating drumming and David Margen’s foundational bass lines. They form a solid rhythmic foundation capable of veering from disco grooves to moody pop and radio-friendly classic rock.\r\n
      \r\n
      Home to three Top 100 singles, Inner Secrets marks another turning point in Santana’s evolution. It is the band’s first project without keyboardist Tom Coster since the latter arrived in 1972. Gone, too, from the lineup is original percussionist Jose Areas. In their places are Chris Rhyme and Pete Escovedo, respectively, with the latter having debuted on the studio portion of the preceding Moonflower (1977). Multi-instrumentalist Chris Solberg counts as the other notable new addition. All three pros play key roles on a work that witnesses Santana moving away from fusion-laden fare and toward mainstream-oriented material.\r\n
      \r\n
      Obvious evidence of that transformation arrives in the form of four inspired covers, including renditions of Buddy Holly’s “Well All Right”, Four Tops’ “One Chain (Don’t Make No Prison)”, Classic IV’s “Stormy”, and Traffic’s “Dealer” with the latter tune soldered into “Spanish Rose”. Santana’s focused approach is also reflected in the structures and lengths of the songs. No track lasts longer than six minutes and 15 seconds. Yet the band packs an array of contagious melodies, complex passages, and passionate performances into the tightened-up frameworks.\r\n
      \r\n
      In addition to the instrumental prowess, Inner Secrets especially benefits from the singing of Greg Walker. Carlos Santana called Walker’s technique a “combination of street and church music; 'street' being raw, sexy, warm, and naked; 'church' being spiritual, inspirational, soulful, and sincere”. Those elements further punctuate Inner Secrets and ensure the album stands as a bookend to the group’s peak era. Wham!, indeed.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Carlos Santana (guitar, vocals), Chris Solberg (guitar, backing vocals), Chris Rhyne (keyboards), David Margen (bass), Greg Walker (lead vocals), Dennis Lambert (clavinet, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=JtySIRhFrXM"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-559"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Dealer / Spanish Rose"
      ]
      [
        "ordre" => 2
        "nom" => "2. Move On"
      ]
      [
        "ordre" => 3
        "nom" => "3. One Chain (Don't Make No Prison)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Stormy"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Well All Right"
      ]
      [
        "ordre" => 7
        "nom" => "2. Open Invitation"
      ]
      [
        "ordre" => 8
        "nom" => "3. Life Is a Lady / Holiday"
      ]
      [
        "ordre" => 9
        "nom" => "4. The Facts of Love"
      ]
      [
        "ordre" => 10
        "nom" => "5. Wham!"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2130 …}
    -label: Proxies\__CG__\App\Entity\Label {#2133 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2194 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2187 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2189 …}
    -enregistreLe: DateTime @1732436693 {#2183
      date: 2024-11-24 08:24:53.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768548177 {#2184
      date: 2026-01-16 07:22:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2191 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-inner-secrets-mobile-fidelity-sound-lab-mfsl-1-559"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2399 …}
}

[
  "produit" => App\Entity\Produit {#2199
    -id: 2565
    -nom: "Abraxas - (Limited Numbered Edition Super Vinyl)"
    -informationComplementaire: null
    -description: """
      - Abraxas Remains the Consummate Latin Rock Record: Sophomore Santana Effort Includes “Black Magic Woman”, Ranks #334 on Rolling Stone’s List of the Greatest Albums of All Time !\r\n
      - Sourced from the Original Analog Master Tapes for Exceptional Sound : Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM SuperVinyl LP Plays with Remarkable Clarity, Depth, Detail, and Presence !\r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Abraxas remains the consummate Latin rock album. The confident sound of Santana stretching out and carving out new musical territory, the band's 1970 effort pulses with psychedelic accents and Afro-Latin grooves. Ranked on Rolling Stone’s list of the 500 Greatest Albums of All Time and selected by the Library of Congress for inclusion in its National Recording Registry, Abraxas immediately captured the public’s ear, spending six weeks at the N° 1 spot and sending the band's cosmic cover of Fleetwood Mac's “Black Magic Woman” into the Top 5. More than five million copies and countless global accolades later, Abraxas is legend.\r\n
      \r\n
      Sourced from the original analog tapes, housed in a Stoughton gatefold jacket, and improving upon the label's critically acclaimed out-of-print 180 gram LP pressing, Mobile Fidelity's numbered-edition 180 gram SuperVinyl LP teems with information, clarity, textures, and colors. The result: Spacious, airy, and you-are-there sonics that further benefit from the characteristics of MoFi SuperVinyl: an ultra-low noise floor, superior groove definition, and dead-quiet surfaces. \r\n
      \r\n
      Experience Abraxas the way it is meant to be heard, with the instruments and musicians placed in the proper channels. This collectible version captures the full tonal range of Santana’s guitar and nuances of his distinctive touch. Passages and notes are brought to the forefront and properly scaled, enhancing your emotional connection to this iconic record.\r\n
      \r\n
      Filled with celebratory vibes, bluesy jams, mellow vocals, and hip-shaking grooves, Abraxas picks up on the momentum of Santana's self-titled 1969 debut. Drifting into more versatile territory, Santana reimagines what’s possible in melding various disciplines and styles. Mysticism and spirituality abound amid performances featuring a thrilling assembly of purring organs, conga beats, and fluid bass lines. And that says nothing of the bandleader’s extraordinary guitar playing.\r\n
      \r\n
      Wild, free, and loose, the group conjures the feeling of mountains and rivers on the opening instrumental “Singing Winds, Crying Beasts,” leads a salsa parade on a definitive version of Tito Puente’s “Oye Como Va”, and explores its sensual side on “Samba Pa Ti”, a track indicative of the album’s Latin vibes and percussion. Sonically, Abraxas takes advantage of then-advanced studio techniques such as cross-fading and state-of-the-art mixing. As The Mojo Collection explains: “Dissatisfied with the sound of their debut, the group brought in as a co-producer veteran jazz engineer Fred Catero, whose skills proved invaluable in balancing the new range of musical flavors Santana [was] bringing into its sound: the result was a giant step on from [the band’s] debut”.\r\n
      \r\n
      Like the group’s debut, Abraxas long laid claim to one of the biggest production gaffes in music history. Until Mobile Fidelity corrected the error with its 2008 LP and gold CD reissues, Abraxas had never been heard correctly. For nearly four decades, copies were produced with the left and right channels reversed. So, in addition to showcasing reach-out-and-touch it sound, this SuperVinyl edition gets all the specifications right.\r\n
      \r\n
      Please note: The provenance information printed on the back cover of Mobile Fidelity's Abraxas SuperVinyl reissue mistakenly lists “DSD 256” instead of the correct “DSD 64” rate. The sticker affixed to the outer plastic sleeve/bag of this LP reflects this correction. The complete correct provenance is : 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1850 …}
    -musicienOrchestre: "Carlos Santana (guitar, vocals), Gregg Rolie (keyboards, vocals), Dave Brown (bass guitar), Jose Areas (timbales, congas), Mike Carabello (congas), Mike Shrieve (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9m9wwP4LNOQ"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-539"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => " 1. Singing Winds"
      ]
      [
        "ordre" => 2
        "nom" => "2. Crying Beasts"
      ]
      [
        "ordre" => 3
        "nom" => "3. Black Magic Woman / Gypsy Queen"
      ]
      [
        "ordre" => 4
        "nom" => "4. Oye Como Va"
      ]
      [
        "ordre" => 5
        "nom" => "5. Incident at Neshabur"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Se a Cabo"
      ]
      [
        "ordre" => 8
        "nom" => "2. Mother's Daughter"
      ]
      [
        "ordre" => 9
        "nom" => "3. Samba Pa Ti"
      ]
      [
        "ordre" => 10
        "nom" => "4. Hope You're Feeling Better"
      ]
      [
        "ordre" => 11
        "nom" => "5. El Nicoya"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2130 …}
    -label: Proxies\__CG__\App\Entity\Label {#2133 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2207 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2200 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2202 …}
    -enregistreLe: DateTime @1728032887 {#2196
      date: 2024-10-04 09:08:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768547984 {#2197
      date: 2026-01-16 07:19:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2204 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-abraxas-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-539"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3703
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2631 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2199
    -id: 2565
    -nom: "Abraxas - (Limited Numbered Edition Super Vinyl)"
    -informationComplementaire: null
    -description: """
      - Abraxas Remains the Consummate Latin Rock Record: Sophomore Santana Effort Includes “Black Magic Woman”, Ranks #334 on Rolling Stone’s List of the Greatest Albums of All Time !\r\n
      - Sourced from the Original Analog Master Tapes for Exceptional Sound : Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM SuperVinyl LP Plays with Remarkable Clarity, Depth, Detail, and Presence !\r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Abraxas remains the consummate Latin rock album. The confident sound of Santana stretching out and carving out new musical territory, the band's 1970 effort pulses with psychedelic accents and Afro-Latin grooves. Ranked on Rolling Stone’s list of the 500 Greatest Albums of All Time and selected by the Library of Congress for inclusion in its National Recording Registry, Abraxas immediately captured the public’s ear, spending six weeks at the N° 1 spot and sending the band's cosmic cover of Fleetwood Mac's “Black Magic Woman” into the Top 5. More than five million copies and countless global accolades later, Abraxas is legend.\r\n
      \r\n
      Sourced from the original analog tapes, housed in a Stoughton gatefold jacket, and improving upon the label's critically acclaimed out-of-print 180 gram LP pressing, Mobile Fidelity's numbered-edition 180 gram SuperVinyl LP teems with information, clarity, textures, and colors. The result: Spacious, airy, and you-are-there sonics that further benefit from the characteristics of MoFi SuperVinyl: an ultra-low noise floor, superior groove definition, and dead-quiet surfaces. \r\n
      \r\n
      Experience Abraxas the way it is meant to be heard, with the instruments and musicians placed in the proper channels. This collectible version captures the full tonal range of Santana’s guitar and nuances of his distinctive touch. Passages and notes are brought to the forefront and properly scaled, enhancing your emotional connection to this iconic record.\r\n
      \r\n
      Filled with celebratory vibes, bluesy jams, mellow vocals, and hip-shaking grooves, Abraxas picks up on the momentum of Santana's self-titled 1969 debut. Drifting into more versatile territory, Santana reimagines what’s possible in melding various disciplines and styles. Mysticism and spirituality abound amid performances featuring a thrilling assembly of purring organs, conga beats, and fluid bass lines. And that says nothing of the bandleader’s extraordinary guitar playing.\r\n
      \r\n
      Wild, free, and loose, the group conjures the feeling of mountains and rivers on the opening instrumental “Singing Winds, Crying Beasts,” leads a salsa parade on a definitive version of Tito Puente’s “Oye Como Va”, and explores its sensual side on “Samba Pa Ti”, a track indicative of the album’s Latin vibes and percussion. Sonically, Abraxas takes advantage of then-advanced studio techniques such as cross-fading and state-of-the-art mixing. As The Mojo Collection explains: “Dissatisfied with the sound of their debut, the group brought in as a co-producer veteran jazz engineer Fred Catero, whose skills proved invaluable in balancing the new range of musical flavors Santana [was] bringing into its sound: the result was a giant step on from [the band’s] debut”.\r\n
      \r\n
      Like the group’s debut, Abraxas long laid claim to one of the biggest production gaffes in music history. Until Mobile Fidelity corrected the error with its 2008 LP and gold CD reissues, Abraxas had never been heard correctly. For nearly four decades, copies were produced with the left and right channels reversed. So, in addition to showcasing reach-out-and-touch it sound, this SuperVinyl edition gets all the specifications right.\r\n
      \r\n
      Please note: The provenance information printed on the back cover of Mobile Fidelity's Abraxas SuperVinyl reissue mistakenly lists “DSD 256” instead of the correct “DSD 64” rate. The sticker affixed to the outer plastic sleeve/bag of this LP reflects this correction. The complete correct provenance is : 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1850 …}
    -musicienOrchestre: "Carlos Santana (guitar, vocals), Gregg Rolie (keyboards, vocals), Dave Brown (bass guitar), Jose Areas (timbales, congas), Mike Carabello (congas), Mike Shrieve (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9m9wwP4LNOQ"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-539"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => " 1. Singing Winds"
      ]
      [
        "ordre" => 2
        "nom" => "2. Crying Beasts"
      ]
      [
        "ordre" => 3
        "nom" => "3. Black Magic Woman / Gypsy Queen"
      ]
      [
        "ordre" => 4
        "nom" => "4. Oye Como Va"
      ]
      [
        "ordre" => 5
        "nom" => "5. Incident at Neshabur"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Se a Cabo"
      ]
      [
        "ordre" => 8
        "nom" => "2. Mother's Daughter"
      ]
      [
        "ordre" => 9
        "nom" => "3. Samba Pa Ti"
      ]
      [
        "ordre" => 10
        "nom" => "4. Hope You're Feeling Better"
      ]
      [
        "ordre" => 11
        "nom" => "5. El Nicoya"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2130 …}
    -label: Proxies\__CG__\App\Entity\Label {#2133 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2207 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2200 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2202 …}
    -enregistreLe: DateTime @1728032887 {#2196
      date: 2024-10-04 09:08:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768547984 {#2197
      date: 2026-01-16 07:19:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2204 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-abraxas-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-539"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2399 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3899
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2399 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3900 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3948 …}
  +isValidated: false
  +validatedFields: []
}