Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2408
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2255 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2485
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2488 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2487 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2061 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2255 …}
  -formView: Symfony\Component\Form\FormView {#2524 …}
  -form: Symfony\Component\Form\Form {#2674 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1885
    -id: 477
    -nom: "Amos Lee -  Special Edition Clarity Vinyl QUIEX SV-P II 200 Gram Clarity Vinyl"
    -informationComplementaire: "Last copy in stock ! Classic Records Special Edition Clarity Vinyl SV-P II"
    -description: """
      AMOS LEE "Amos Lee" - 200 G LP Quiex SVP CLARITY VINYL Classic Records Reissue. \r\n
      \r\n
      Amos Lee is one of those special singer songwriters that comes along very infrequently. On this, his first release he sings songs from the heart that we can all relate to and does so with a voice that we all wish we had. Amos opened for Norah Jones on her 2004 European tour and this record is produce by Norah Jones band member Lee Alexander. Mastered and cut from the original 1/2" analog masters by Bernie Grundman on Classic's "all tube" stereo cutting system and pressed on Classic's 200 G Super Vinyl Profile. Amos is definitely in the house and in the room !\r\n
      \r\n
      This record was pressed to Clarity Vinyl right before Classic Records was sold and was NEVER RELEASED to the public, making it super rare !\r\n
      \r\n
      Background on Clarity Vinyl Pressings.\r\n
       \r\n
      In 2008, Classic discovered that demagnetizing black vinyl records leads to better sound in playback.  The engineers at Furutech in Japan, makers of a commercial record demag machine, explained that the carbon black that was added to PVC record pellets contained trace metal that became randomly magnetized and while spinning below an electro-mechanical transducer (phono cartridge) caused electrical distortion inside a cartridge during LP playback.  Hence, demagnetizing a black vinyl record dramatically reduces the electrical distortion and leads to more "Clarity" in playback.  Michael Hobson, founder of Classic Records reasoned that if the carbon black were removed then the result should be more Clarity in playback.  Working closely with the PVC manufacturer Kenan, Classic developed its own proprietary "Clarity Vinyl" devoid of the problems with trace magnetic particles contained in black vinyl formulas.  Clarity Vinyl represents the ultimate in vinyl formulations because it is comprised of over 90% percentage of the highest quality co-polymer available - a key component in vinyl pellets used for manufacturing vinyl records.  Further, Clarity Vinyl has no carbon black additive, common in vinyl formulas for LP’s.  Carbon Black contains trace metals that become magnetized and cause “electrical distortions” in cartridges during playback that smears the sound. By taking out the Carbon Black, Classic Records is able to dramatically reduce the “electrical distortions” and thus bring more “Clarity” to the playback process, providing a more realistic musical experience to the listener and LP enthusiast.A Clarity vinyl pressing on a flat profile die is the absolute ultimate pressing possible and even a step above the JVC UHQR black vinyl pressings.  Not to be missed - you can hear the difference !\r\n
      \r\n
      Background on Classic 200 G Super Vinyl Profile.\r\n
       \r\n
      In 2003, Classic Records launched its now famous Signature Blue Note Mono reissue series. As part of that series Classic developed an "authentic" 200 gram LP profile that replicated that of an original Blue Note record from the 1950's.  Comparing a test pressing on the new profile versus the same title on the normal 180 gram pressing it was discovered that the 200 gram version sounded significantly better.  The 200 gram pressing sounded louder, with more definition and solidity of notes across all frequencies and there was more detail - particularly low level detail like room or hall sounds, pages being turned, musicians whispering and automobile sounds outside the studio all became easier to identify.  At first it was speculated inside Classic Records that the extra weight resulted in the better performance as no one could come up with a better answer given that the stampers were the same as well as the vinyl pellets used on both 180g and 200g pressings.  One day, Michael Hobson, the founder of Classic Records was discussing this unexplainable sonic discovery with the Legendary Mastering Engineer and Sheffield Records founder, Doug Sax when Doug, without hesitation stated "Ah Michael you've discovered the difference in a flat versus conventional profile".  Puzzled, Hobson asked for an explanation which Sax described as going all the way back to 1950's mono pressings and what happened when stereo records came out in the early 1960's.  Sax explained that in the 1950's when mono records had no vertical modulation (only lateral), pressing PolyVinylChloride PVC (plastic) records were more easily pressed on "Flat Profile" dies fitted to the pressing machines since the grooves on the mono stampers were all the same height (no vertical modulation).  The molten vinyl was able to flow evenly across the stampers and fill properly during the molding (pressing) of the record.  The problems started when stereo record cutting came into vogue producing stampers that had variable height grooves sticking up across the diameter of each stamper.  Using the older mono pressing dies resulted in tremendous problems getting the areas between grooves of different heights to fill properly - a groove that is in front of another taller one often got passed over by the flowing molten vinyl resulting in "non-fill" which was audible and thus a "defective" record.  Pressing plants don't like to press defective records and are always looking for high pressing yields or a s few rejects as possible.\r\n
      \r\n
      To solve the problem, the engineers developed a new pressing die profile which tapers from the center of the die, flattens in the middle of the diameter and then tapers again toward the outside of the die. The new profile was "concave" rather than flat.  When you put a flat stampers onto the concave dies the stampers distort and are no longer flat - the grooves are no longer perpendicular across the stamper and by association across a finished vinyl pressing.  This new die profile created "back pressure" on the flowing vinyl and solved the "non-fill" problem with stereo pressings and resulted in higher yields which was great for pressing plants and good for record companies who wanted good prices on pressings.  The problem was and still is that the new profile records don't sound as good as they could because they are not flat across their profile.  Using a micrometer across the diameter of a 1950's mono records reveals that the thickness is virtually the same across the record's diameter from center label to outer edge but not so for a newer stereo profile pressing which is convex across its diameter resulting from the concave profile dies / distorted stampers.  This is the dirty little secret that Classic had rediscovered was known to old school experts like Doug Sax who founded Sheffield Labs in the 1970's.  After the discovery, Classic Records never looked back and all of its releases and re-pressings after 2003 were on the new 200 gram Flat Profile dies that were specially made for Classic.  Some years later Classic discovered that the very same profile was used by JVC in Japan to produce the legendary UHQR pressings for Mobile Fidelity which are well known to sound better than the conventional Mobile Fidelity pressings of the same titles - it all makes sense now.  The long and the short of this is that Classic 200g Super Vinyl Profile (Flat Profile) pressings are as good as it gets for proper playback without groove distortion from non-flat pressings - Period.
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1883 …}
    -musicienOrchestre: "Amos Lee (guitar, vocals), Lee Alexander (pulp drum, bass), Fred Berman (drums, background vocals), Kevin Breit (acoustic guitar, mandolin) Adam Levy (electric guitar, background vocals), Norah Jones (piano, background vocals),  Devin Greenwood (Organ)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=PstRDzZjnLk"
    -referenceProduit: "Classic Records BN 7243 Clarity Vinyl"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Keep It Loose, Keep It Tight"
      ]
      [
        "ordre" => 2
        "nom" => "2. Seen It All Before"
      ]
      [
        "ordre" => 3
        "nom" => "3. Arms Of A Woman"
      ]
      [
        "ordre" => 4
        "nom" => "4. Give It Up"
      ]
      [
        "ordre" => 5
        "nom" => "5. Dreamin'"
      ]
      [
        "ordre" => 6
        "nom" => "Side B :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Soul Suckers"
      ]
      [
        "ordre" => 8
        "nom" => "2. Colors"
      ]
      [
        "ordre" => 9
        "nom" => "3. Bottom Of The Barrel"
      ]
      [
        "ordre" => 10
        "nom" => "4. Black River"
      ]
      [
        "ordre" => 11
        "nom" => "5. Love In The Lies"
      ]
      [
        "ordre" => 12
        "nom" => "6. All My Friends"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1880 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2009 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1911 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1997 …}
    -enregistreLe: DateTime @1321005654 {#1890
      date: 2011-11-11 10:00:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1766745078 {#1870
      date: 2025-12-26 10:31:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2003 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-amos-lee-special-edition-clarity-vinyl-quiex-sv-p-ii-200-gram-clarity-vinyl-classic-records-bn-7243-clarity-vinyl"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2961
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2487 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2061 …}
  +produit: App\Entity\Produit {#1885
    -id: 477
    -nom: "Amos Lee -  Special Edition Clarity Vinyl QUIEX SV-P II 200 Gram Clarity Vinyl"
    -informationComplementaire: "Last copy in stock ! Classic Records Special Edition Clarity Vinyl SV-P II"
    -description: """
      AMOS LEE "Amos Lee" - 200 G LP Quiex SVP CLARITY VINYL Classic Records Reissue. \r\n
      \r\n
      Amos Lee is one of those special singer songwriters that comes along very infrequently. On this, his first release he sings songs from the heart that we can all relate to and does so with a voice that we all wish we had. Amos opened for Norah Jones on her 2004 European tour and this record is produce by Norah Jones band member Lee Alexander. Mastered and cut from the original 1/2" analog masters by Bernie Grundman on Classic's "all tube" stereo cutting system and pressed on Classic's 200 G Super Vinyl Profile. Amos is definitely in the house and in the room !\r\n
      \r\n
      This record was pressed to Clarity Vinyl right before Classic Records was sold and was NEVER RELEASED to the public, making it super rare !\r\n
      \r\n
      Background on Clarity Vinyl Pressings.\r\n
       \r\n
      In 2008, Classic discovered that demagnetizing black vinyl records leads to better sound in playback.  The engineers at Furutech in Japan, makers of a commercial record demag machine, explained that the carbon black that was added to PVC record pellets contained trace metal that became randomly magnetized and while spinning below an electro-mechanical transducer (phono cartridge) caused electrical distortion inside a cartridge during LP playback.  Hence, demagnetizing a black vinyl record dramatically reduces the electrical distortion and leads to more "Clarity" in playback.  Michael Hobson, founder of Classic Records reasoned that if the carbon black were removed then the result should be more Clarity in playback.  Working closely with the PVC manufacturer Kenan, Classic developed its own proprietary "Clarity Vinyl" devoid of the problems with trace magnetic particles contained in black vinyl formulas.  Clarity Vinyl represents the ultimate in vinyl formulations because it is comprised of over 90% percentage of the highest quality co-polymer available - a key component in vinyl pellets used for manufacturing vinyl records.  Further, Clarity Vinyl has no carbon black additive, common in vinyl formulas for LP’s.  Carbon Black contains trace metals that become magnetized and cause “electrical distortions” in cartridges during playback that smears the sound. By taking out the Carbon Black, Classic Records is able to dramatically reduce the “electrical distortions” and thus bring more “Clarity” to the playback process, providing a more realistic musical experience to the listener and LP enthusiast.A Clarity vinyl pressing on a flat profile die is the absolute ultimate pressing possible and even a step above the JVC UHQR black vinyl pressings.  Not to be missed - you can hear the difference !\r\n
      \r\n
      Background on Classic 200 G Super Vinyl Profile.\r\n
       \r\n
      In 2003, Classic Records launched its now famous Signature Blue Note Mono reissue series. As part of that series Classic developed an "authentic" 200 gram LP profile that replicated that of an original Blue Note record from the 1950's.  Comparing a test pressing on the new profile versus the same title on the normal 180 gram pressing it was discovered that the 200 gram version sounded significantly better.  The 200 gram pressing sounded louder, with more definition and solidity of notes across all frequencies and there was more detail - particularly low level detail like room or hall sounds, pages being turned, musicians whispering and automobile sounds outside the studio all became easier to identify.  At first it was speculated inside Classic Records that the extra weight resulted in the better performance as no one could come up with a better answer given that the stampers were the same as well as the vinyl pellets used on both 180g and 200g pressings.  One day, Michael Hobson, the founder of Classic Records was discussing this unexplainable sonic discovery with the Legendary Mastering Engineer and Sheffield Records founder, Doug Sax when Doug, without hesitation stated "Ah Michael you've discovered the difference in a flat versus conventional profile".  Puzzled, Hobson asked for an explanation which Sax described as going all the way back to 1950's mono pressings and what happened when stereo records came out in the early 1960's.  Sax explained that in the 1950's when mono records had no vertical modulation (only lateral), pressing PolyVinylChloride PVC (plastic) records were more easily pressed on "Flat Profile" dies fitted to the pressing machines since the grooves on the mono stampers were all the same height (no vertical modulation).  The molten vinyl was able to flow evenly across the stampers and fill properly during the molding (pressing) of the record.  The problems started when stereo record cutting came into vogue producing stampers that had variable height grooves sticking up across the diameter of each stamper.  Using the older mono pressing dies resulted in tremendous problems getting the areas between grooves of different heights to fill properly - a groove that is in front of another taller one often got passed over by the flowing molten vinyl resulting in "non-fill" which was audible and thus a "defective" record.  Pressing plants don't like to press defective records and are always looking for high pressing yields or a s few rejects as possible.\r\n
      \r\n
      To solve the problem, the engineers developed a new pressing die profile which tapers from the center of the die, flattens in the middle of the diameter and then tapers again toward the outside of the die. The new profile was "concave" rather than flat.  When you put a flat stampers onto the concave dies the stampers distort and are no longer flat - the grooves are no longer perpendicular across the stamper and by association across a finished vinyl pressing.  This new die profile created "back pressure" on the flowing vinyl and solved the "non-fill" problem with stereo pressings and resulted in higher yields which was great for pressing plants and good for record companies who wanted good prices on pressings.  The problem was and still is that the new profile records don't sound as good as they could because they are not flat across their profile.  Using a micrometer across the diameter of a 1950's mono records reveals that the thickness is virtually the same across the record's diameter from center label to outer edge but not so for a newer stereo profile pressing which is convex across its diameter resulting from the concave profile dies / distorted stampers.  This is the dirty little secret that Classic had rediscovered was known to old school experts like Doug Sax who founded Sheffield Labs in the 1970's.  After the discovery, Classic Records never looked back and all of its releases and re-pressings after 2003 were on the new 200 gram Flat Profile dies that were specially made for Classic.  Some years later Classic discovered that the very same profile was used by JVC in Japan to produce the legendary UHQR pressings for Mobile Fidelity which are well known to sound better than the conventional Mobile Fidelity pressings of the same titles - it all makes sense now.  The long and the short of this is that Classic 200g Super Vinyl Profile (Flat Profile) pressings are as good as it gets for proper playback without groove distortion from non-flat pressings - Period.
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1883 …}
    -musicienOrchestre: "Amos Lee (guitar, vocals), Lee Alexander (pulp drum, bass), Fred Berman (drums, background vocals), Kevin Breit (acoustic guitar, mandolin) Adam Levy (electric guitar, background vocals), Norah Jones (piano, background vocals),  Devin Greenwood (Organ)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=PstRDzZjnLk"
    -referenceProduit: "Classic Records BN 7243 Clarity Vinyl"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Keep It Loose, Keep It Tight"
      ]
      [
        "ordre" => 2
        "nom" => "2. Seen It All Before"
      ]
      [
        "ordre" => 3
        "nom" => "3. Arms Of A Woman"
      ]
      [
        "ordre" => 4
        "nom" => "4. Give It Up"
      ]
      [
        "ordre" => 5
        "nom" => "5. Dreamin'"
      ]
      [
        "ordre" => 6
        "nom" => "Side B :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Soul Suckers"
      ]
      [
        "ordre" => 8
        "nom" => "2. Colors"
      ]
      [
        "ordre" => 9
        "nom" => "3. Bottom Of The Barrel"
      ]
      [
        "ordre" => 10
        "nom" => "4. Black River"
      ]
      [
        "ordre" => 11
        "nom" => "5. Love In The Lies"
      ]
      [
        "ordre" => 12
        "nom" => "6. All My Friends"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1880 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2009 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1911 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1997 …}
    -enregistreLe: DateTime @1321005654 {#1890
      date: 2011-11-11 10:00:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1766745078 {#1870
      date: 2025-12-26 10:31:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2003 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-amos-lee-special-edition-clarity-vinyl-quiex-sv-p-ii-200-gram-clarity-vinyl-classic-records-bn-7243-clarity-vinyl"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2255 …}
}

[
  "produit" => App\Entity\Produit {#2028
    -id: 2300
    -nom: "Live At Red Rocks With The Colorado Symphony "
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Amos Lee (guitar, vocals), Silver Alnomae, Susan Bowies, Judith Galecki, Danielle Guideri, Thomas Helnrich, Margaret Mulliken, Matthew Switzer, Susan Yun (cello), Ann Marie Hoffman, Jerry Chiu, Larisa Fesmire, Thomas Hanulik, Wyn Hart, John Hilton, Yumi Hwang Williams, Myroslava Ivanchenko, Boram Kangm, Dorian Kincald, Karen Kinzle, Mark Lamprey, Ben Odhner, Miroslaw Pastusiak, Erik Peterson, Felix Petit, Paul Primus, Robert Stoyanov, Stirling Trent, Amy Tyson, Bradley Watson, Allegra Wermuth, Tena White (violin), John Arnesen, Susan Cahill, James Carroll, Karl Fenner, Jeremy Kincald, Nicholas Recuber, May Reed (bass), Justyn Bartels, Daniel Kuehn, Patrick Tillery (trumpet), Courtney Hershey Bress (harp), David Brussel, Cara Kizer, Carolyn Kunicki, Kollo Plachkov, Michael Thornton (horn), Charlyn Campbell, Mary Cowell, Marsha Holmes, Helen McDermott, Philip Stevens, Basil Vendryes (viola), Annie Clements (bass, vocals), Chad Cognata (basson), Colorado Symphony Orchestra (guest artist), Peter Cooper, Monica Hanulk (oboe), Zach Djanikian (guitar, mandolin, saxophone, vocals), Stephen Dombrowski (tuba), Brook Ferguson, Catherine Peterson (flute), Gregory Harper, Paul Naslund (trombone bass), William Hill (timpani), Andy Keenan (pedal steel guitar, saxophone, vocals), Jasob Lichtenwalter (horn English, oboe), Jaron Olevsky (accordion, keyboards, vocals), Abby Raymond (clarinet, E flat clarinet), Tristan Rennie (bassoon), Jason shafer (clarinet), Julie Duncan Thornton (flute, piccolo), John Kinzie, Terry Smith, Lee Vinson (percussion), Fred Berman (drums).\r\n
      \r\n
      When Amos Lee rolled into Red Rocks in August 2014, he had been on tour for almost a year in support of his fifth studio album Mountains of Sorrow, Rivers of Song but this concert in particular was something special. It was his first headlining date at the legendary venue, and he was backed by the Colorado Symphony with arrangements composed just for that evening. Lucky for us, the experience was captured in this 14 track career-spanning 2 LP set. 2022 pressing on splatter vinyl.\r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1833 …}
    -musicienOrchestre: "Amos Lee (guitar, vocals), Silver Alnomae, Susan Bowies, Judith Galecki, Danielle Guideri, Thomas Helnrich, Margaret Mulliken, Matthew Switzer, Susan Yun (cello)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jPMy01lS5as"
    -referenceProduit: "ATO Records 1891"
    -titreMorceau: [
      [
        "nom" => "1. El Camino \t"
        "ordre" => 5
      ]
      [
        "nom" => "1. Street Corner Preacher \t"
        "ordre" => 14
      ]
      [
        "nom" => "1. Trickers, Hucksters, And Scamps \t"
        "ordre" => 9
      ]
      [
        "nom" => "1. Windows Are Rolled Down \t"
        "ordre" => 1
      ]
      [
        "nom" => "2. Flower \t"
        "ordre" => 10
      ]
      [
        "nom" => "2. Game Of Thrones Theme \t"
        "ordre" => 15
      ]
      [
        "nom" => "2. Jesus \t"
        "ordre" => 2
      ]
      [
        "nom" => "2. Violin \t"
        "ordre" => 6
      ]
      [
        "nom" => "3. Black River \t"
        "ordre" => 16
      ]
      [
        "nom" => "3. Colors "
        "ordre" => 7
      ]
      [
        "nom" => "3. Keep It Loose, Keep It Tight "
        "ordre" => 3
      ]
      [
        "nom" => "3. Won't Let Me Go \t"
        "ordre" => 11
      ]
      [
        "nom" => "4. Arms Of A Woman "
        "ordre" => 17
      ]
      [
        "nom" => "4. Sweet Pea "
        "ordre" => 12
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2030 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2039 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2032 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2034 …}
    -enregistreLe: DateTime @1665903946 {#2024
      date: 2022-10-16 07:05:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1670401607 {#2023
      date: 2022-12-07 08:26:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2036 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-red-rocks-with-the-colorado-symphony-ato-records-1891"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3052
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2487 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2061 …}
  +produit: App\Entity\Produit {#2028
    -id: 2300
    -nom: "Live At Red Rocks With The Colorado Symphony "
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Amos Lee (guitar, vocals), Silver Alnomae, Susan Bowies, Judith Galecki, Danielle Guideri, Thomas Helnrich, Margaret Mulliken, Matthew Switzer, Susan Yun (cello), Ann Marie Hoffman, Jerry Chiu, Larisa Fesmire, Thomas Hanulik, Wyn Hart, John Hilton, Yumi Hwang Williams, Myroslava Ivanchenko, Boram Kangm, Dorian Kincald, Karen Kinzle, Mark Lamprey, Ben Odhner, Miroslaw Pastusiak, Erik Peterson, Felix Petit, Paul Primus, Robert Stoyanov, Stirling Trent, Amy Tyson, Bradley Watson, Allegra Wermuth, Tena White (violin), John Arnesen, Susan Cahill, James Carroll, Karl Fenner, Jeremy Kincald, Nicholas Recuber, May Reed (bass), Justyn Bartels, Daniel Kuehn, Patrick Tillery (trumpet), Courtney Hershey Bress (harp), David Brussel, Cara Kizer, Carolyn Kunicki, Kollo Plachkov, Michael Thornton (horn), Charlyn Campbell, Mary Cowell, Marsha Holmes, Helen McDermott, Philip Stevens, Basil Vendryes (viola), Annie Clements (bass, vocals), Chad Cognata (basson), Colorado Symphony Orchestra (guest artist), Peter Cooper, Monica Hanulk (oboe), Zach Djanikian (guitar, mandolin, saxophone, vocals), Stephen Dombrowski (tuba), Brook Ferguson, Catherine Peterson (flute), Gregory Harper, Paul Naslund (trombone bass), William Hill (timpani), Andy Keenan (pedal steel guitar, saxophone, vocals), Jasob Lichtenwalter (horn English, oboe), Jaron Olevsky (accordion, keyboards, vocals), Abby Raymond (clarinet, E flat clarinet), Tristan Rennie (bassoon), Jason shafer (clarinet), Julie Duncan Thornton (flute, piccolo), John Kinzie, Terry Smith, Lee Vinson (percussion), Fred Berman (drums).\r\n
      \r\n
      When Amos Lee rolled into Red Rocks in August 2014, he had been on tour for almost a year in support of his fifth studio album Mountains of Sorrow, Rivers of Song but this concert in particular was something special. It was his first headlining date at the legendary venue, and he was backed by the Colorado Symphony with arrangements composed just for that evening. Lucky for us, the experience was captured in this 14 track career-spanning 2 LP set. 2022 pressing on splatter vinyl.\r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1833 …}
    -musicienOrchestre: "Amos Lee (guitar, vocals), Silver Alnomae, Susan Bowies, Judith Galecki, Danielle Guideri, Thomas Helnrich, Margaret Mulliken, Matthew Switzer, Susan Yun (cello)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jPMy01lS5as"
    -referenceProduit: "ATO Records 1891"
    -titreMorceau: [
      [
        "nom" => "1. El Camino \t"
        "ordre" => 5
      ]
      [
        "nom" => "1. Street Corner Preacher \t"
        "ordre" => 14
      ]
      [
        "nom" => "1. Trickers, Hucksters, And Scamps \t"
        "ordre" => 9
      ]
      [
        "nom" => "1. Windows Are Rolled Down \t"
        "ordre" => 1
      ]
      [
        "nom" => "2. Flower \t"
        "ordre" => 10
      ]
      [
        "nom" => "2. Game Of Thrones Theme \t"
        "ordre" => 15
      ]
      [
        "nom" => "2. Jesus \t"
        "ordre" => 2
      ]
      [
        "nom" => "2. Violin \t"
        "ordre" => 6
      ]
      [
        "nom" => "3. Black River \t"
        "ordre" => 16
      ]
      [
        "nom" => "3. Colors "
        "ordre" => 7
      ]
      [
        "nom" => "3. Keep It Loose, Keep It Tight "
        "ordre" => 3
      ]
      [
        "nom" => "3. Won't Let Me Go \t"
        "ordre" => 11
      ]
      [
        "nom" => "4. Arms Of A Woman "
        "ordre" => 17
      ]
      [
        "nom" => "4. Sweet Pea "
        "ordre" => 12
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2030 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2039 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2032 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2034 …}
    -enregistreLe: DateTime @1665903946 {#2024
      date: 2022-10-16 07:05:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1670401607 {#2023
      date: 2022-12-07 08:26:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2036 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-red-rocks-with-the-colorado-symphony-ato-records-1891"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2255 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 1818
    -nom: "Amos Lee"
    -informationComplementaire: ""
    -description: """
      Soundstage, sonic detail enhanced at 45 RPM 2 LP !\r\n
      \r\n
      Mastered by Bernie Grundman from the original master tapes !\r\n
      \r\n
      Plating and 200 gram pressing by Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing old-style tip-on jacket !\r\n
      \r\n
      Singer-songwriter Amos Lee draws inspiration from soul music, contemporary jazz and 1970s folk artists such as James Taylor. The Philadelphia native honed his songwriting skills while waiting tables and bartending after graduating from the University of South Carolina with a degree in English. He eventually landed some high-profile gigs as an opening act, including an extended tour with pianist/vocalist Norah Jones, whose bassist, Lee Alexander, agreed to produce Lee's first album.\r\n
      \r\n
      With Alexander's help, Amos Lee released his self-titled debut on Blue Note in 2005. The album won Lee a small following for his blend of acoustic funk, folk, and light jazz. Norah Jones herself plays the piano on two tracks; "Keep It Loose, Keep It Tight" and "Colors".\r\n
      \r\n
      A notable debut like Amos Lee deserves the Analogue Productions reissue treatment. This beauty was cut by Bernie Grundman in Los Angeles from the master tape, and is now pressed at 45 RPM on two glorious sides of 200 gram vinyl by Quality Record Pressings, makers of the world's finest-sounding LPs. QRP is noted for deep-black backgrounds and pristine clarity. If you're already familiar with Amos Lee, get ready you've never experienced it with such lifelike sonics and premium richness. This is how all vinyl should sound.\r\n
      \r\n
      The songs on the album incorporate themes of folk, soul, gospel and jazz. Amos's style is a mix of Bill Withers, Arthur Lee, and James Taylor. Amos has recently toured with Bob Dylan, Paul Simon, Elvis Costello, Van Morrison, Adele, Dave Matthews and many others.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1833 …}
    -musicienOrchestre: "Amos Lee (guitar, vocals), Lee Alexander (pulp drum, bass), Fred Berman (drums, background vocals), Kevin Breit (acoustic guitar, mandolin) Adam Levy (electric guitar, background vocals), Norah Jones (piano, background vocals), Devin Greenwood (Organ)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ARIgMZkioVw"
    -referenceProduit: "Analogue Productions AAPP 125-45"
    -titreMorceau: [
      [
        "nom" => "1. Arms Of A Woman"
        "ordre" => 4
      ]
      [
        "nom" => "1. Black River"
        "ordre" => 12
      ]
      [
        "nom" => "1. Keep It Loose, Keep It Tight "
        "ordre" => 1
      ]
      [
        "nom" => "1. Soul Suckers"
        "ordre" => 8
      ]
      [
        "nom" => "2. Colors"
        "ordre" => 9
      ]
      [
        "nom" => "2. Give It Up"
        "ordre" => 5
      ]
      [
        "nom" => "2. Lies Of A Lonely Friend"
        "ordre" => 13
      ]
      [
        "nom" => "2. Seen It All Before"
        "ordre" => 2
      ]
      [
        "nom" => "3. All Of My Friends"
        "ordre" => 14
      ]
      [
        "nom" => "3. Bottom Of The Barrel"
        "ordre" => 10
      ]
      [
        "nom" => "3. Dreamin’"
        "ordre" => 6
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2046 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2055 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2048 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2050 …}
    -enregistreLe: DateTime @1582924308 {#2041
      date: 2020-02-28 21:11:48.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1591974038 {#2042
      date: 2020-06-12 15:00:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2052 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-amos-lee-analogue-productions-aapp-125-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3100
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2487 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2061 …}
  +produit: App\Entity\Produit {#2044
    -id: 1818
    -nom: "Amos Lee"
    -informationComplementaire: ""
    -description: """
      Soundstage, sonic detail enhanced at 45 RPM 2 LP !\r\n
      \r\n
      Mastered by Bernie Grundman from the original master tapes !\r\n
      \r\n
      Plating and 200 gram pressing by Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing old-style tip-on jacket !\r\n
      \r\n
      Singer-songwriter Amos Lee draws inspiration from soul music, contemporary jazz and 1970s folk artists such as James Taylor. The Philadelphia native honed his songwriting skills while waiting tables and bartending after graduating from the University of South Carolina with a degree in English. He eventually landed some high-profile gigs as an opening act, including an extended tour with pianist/vocalist Norah Jones, whose bassist, Lee Alexander, agreed to produce Lee's first album.\r\n
      \r\n
      With Alexander's help, Amos Lee released his self-titled debut on Blue Note in 2005. The album won Lee a small following for his blend of acoustic funk, folk, and light jazz. Norah Jones herself plays the piano on two tracks; "Keep It Loose, Keep It Tight" and "Colors".\r\n
      \r\n
      A notable debut like Amos Lee deserves the Analogue Productions reissue treatment. This beauty was cut by Bernie Grundman in Los Angeles from the master tape, and is now pressed at 45 RPM on two glorious sides of 200 gram vinyl by Quality Record Pressings, makers of the world's finest-sounding LPs. QRP is noted for deep-black backgrounds and pristine clarity. If you're already familiar with Amos Lee, get ready you've never experienced it with such lifelike sonics and premium richness. This is how all vinyl should sound.\r\n
      \r\n
      The songs on the album incorporate themes of folk, soul, gospel and jazz. Amos's style is a mix of Bill Withers, Arthur Lee, and James Taylor. Amos has recently toured with Bob Dylan, Paul Simon, Elvis Costello, Van Morrison, Adele, Dave Matthews and many others.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1833 …}
    -musicienOrchestre: "Amos Lee (guitar, vocals), Lee Alexander (pulp drum, bass), Fred Berman (drums, background vocals), Kevin Breit (acoustic guitar, mandolin) Adam Levy (electric guitar, background vocals), Norah Jones (piano, background vocals), Devin Greenwood (Organ)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ARIgMZkioVw"
    -referenceProduit: "Analogue Productions AAPP 125-45"
    -titreMorceau: [
      [
        "nom" => "1. Arms Of A Woman"
        "ordre" => 4
      ]
      [
        "nom" => "1. Black River"
        "ordre" => 12
      ]
      [
        "nom" => "1. Keep It Loose, Keep It Tight "
        "ordre" => 1
      ]
      [
        "nom" => "1. Soul Suckers"
        "ordre" => 8
      ]
      [
        "nom" => "2. Colors"
        "ordre" => 9
      ]
      [
        "nom" => "2. Give It Up"
        "ordre" => 5
      ]
      [
        "nom" => "2. Lies Of A Lonely Friend"
        "ordre" => 13
      ]
      [
        "nom" => "2. Seen It All Before"
        "ordre" => 2
      ]
      [
        "nom" => "3. All Of My Friends"
        "ordre" => 14
      ]
      [
        "nom" => "3. Bottom Of The Barrel"
        "ordre" => 10
      ]
      [
        "nom" => "3. Dreamin’"
        "ordre" => 6
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2046 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2055 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2048 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2050 …}
    -enregistreLe: DateTime @1582924308 {#2041
      date: 2020-02-28 21:11:48.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1591974038 {#2042
      date: 2020-06-12 15:00:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2052 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-amos-lee-analogue-productions-aapp-125-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2255 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3292
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2255 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3293 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3341 …}
  +isValidated: false
  +validatedFields: []
}