Components
4
Twig Components
15
Render Count
8
ms
Render Time
6.0
MiB
Memory Usage
Components
| Name | Metadata | Render Count | Render Time |
|---|---|---|---|
| GestionPanierFavoriComponents |
"App\Twig\Components\GestionPanierFavoriComponents"components/GestionPanierFavoriComponents.html.twig |
12 | 4.10ms |
| GestionEntetePageComponents |
"App\Twig\Components\GestionEntetePageComponents"components/GestionEntetePageComponents.html.twig |
1 | 2.80ms |
| ListePanier |
"App\Twig\Components\ListePanier"components/ListePanier.html.twig |
1 | 1.32ms |
| AjoutMailNewsletterComponent |
"App\Twig\Components\AjoutMailNewsletterComponent"components/AjoutMailNewsletterComponent.html.twig |
1 | 0.23ms |
Render calls
| GestionEntetePageComponents | App\Twig\Components\GestionEntetePageComponents | 6.0 MiB | 2.80 ms | |
|---|---|---|---|---|
| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionEntetePageComponents {#2558 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| ListePanier | App\Twig\Components\ListePanier | 6.0 MiB | 1.32 ms | |
|---|---|---|---|---|
| Input props | [ "listeModal" => true "categorieProduitEnum" => [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] ] |
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| Attributes | [] |
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| Component | App\Twig\Components\ListePanier {#2635 #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2638 …} -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -gestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +listePanier: null +listeModal: true +paysForme: null +paysSelectionne: null +selectedPays: null +fraisLivraison: 17.5 +montantTotal: 35.0 +tempsLivraison: 0 +quantite: 0 +categorieProduitEnum: [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} -formView: Symfony\Component\Form\FormView {#2674 …} -form: Symfony\Component\Form\Form {#2824 …} +formName: "pays" +formValues: [ "nom" => "" ] +isValidated: false +validatedFields: [] -shouldAutoSubmitForm: true } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.66 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#1820 -id: 2563 -nom: "Bookends - (Limited Numbered Edition Super Vinyl)" -informationComplementaire: null -description: """ - Simon & Garfunkel "Bookends" 180 gram LP !\r\n - 1/4" / 15 ips analog copy to DSD 256 to analog console to lathe !\r\n - Numbered edition limited to 4000 copies !\r\n - Pressed at Fidelity Record Pressing on MoFi SuperVinyl !\r\n - Stoughton Printing gatefold jacket !\r\n - Hear the brilliance of the original recording sessions! Simon & Garfunkel's Bookends includes the hits "Mrs. Robinson" and "A Hazy Shade of Winter" !\r\n \r\n Concept album, career-making moment, industry-defying creation, years-long pursuit of perfection: Simon and Garfunkel's Bookends adheres to all those descriptions and more, the record at once a defining statement of the late 1960s and salient reflection on relationships, identity, society, and mortality whose enduring relevance attests to its exceptional merit. Ranked by countless sources as one of the greatest records of all time, the 1968 work transcends styles, trends, and generations.\r\n \r\n Mastered on MoFi's renowned system at the label's California studio, housed in a Stoughton jacket, pressed at Fidelity Record Pressing, and strictly limited to 4000 numbered copies, Mobile Fidelity's 180 gram SuperVinyl 33 1/3 RPM LP of Bookends presents the duo's timeless effort in reference-quality sound. Benefitting from the inherent properties of the SuperVinyl formula a nearly inaudible noise floor, superb groove definition, dead-quiet surfaces this collectible reissue magnifies the brilliance of the extended production sessions that took place over the course of 18 months at Columbia's iconic 52nd Street Studio.\r\n \r\n Simon himself said that Bookends possesses "the most use of the studio" of any Simon & Garfunkel effort. The plain truth of his observation comes to fore on this audiophile LP. The full bloom and natural decay of notes; weight and impact of low-end frequencies; lushness, breathiness, and air of the omnipresent harmonies; separation and imaging of the wood, string, and brass instruments; timbres and in-the-room realism of Simon's lead vocals these critical traits and more are rendered with elevated accuracy, detail, and presence. Bookends has never sounded more transparent, lifelike, or balanced.\r\n \r\n And that's exactly what Simon, Garfunkel, and producer Roy Halee intended while taking as many as 50 hours to nail a single track. Envisioned from the start by Simon as a way to capture the age's zeitgeist, and inspired by the broad strokes of the Beatles' Sgt. Pepper's Lonely Hearts Club Band and Bob Dylan's Blonde on Blonde, Bookends pairs its sonic flair and diverse arrangements that incorporate folk, rock, jazz, pop, and baroque elements with arresting lyrics that address restlessness, uncertainty, alienation, love, and heritage.\r\n \r\n The first half of Bookends traces the cycle of life from beginning to end, with the final words to "Bookends Theme" a call to "preserve your memories/they're all that's left you" echoing as the overarching and recurring theme of the album. Before the pair lands on that advice, Simon & Garfunkel use irony ("Save the Life of My Child"), metaphor ("America"), suggestion ("Overs"), field recordings ("Voices of Old People"), and descriptive imagery ("Old Friends") to cover everything from the loss of innocence to institutional hypocrisy and fears of loneliness.\r\n \r\n Released amid a tumultuous political and cultural climate, Bookends retains enormous significance and relevance more than five decades later in a 21st century facing many of the same issues. Its central motifs searching for meaning and identity; dealing with loss and disappointment; negotiating the split between authenticity and ersatz; reconciling with what one sacrifices over a lifetime; confronting life stages that involve sadness, bewilderment, and disappointment are universal concerns. And the "America" Simon & Garfunkel pursues remains more elusive than ever.\r\n \r\n As does our collective want for a lasting hero ("Mrs. Robinson"), tendency toward affectation ("Fakin' It"), and inclination to wishfully insert ourselves into circumstances rooted in whimsical fantasy ("Punky's Dilemma"), particularly when we need an escape. Though the songs on the album's second half were not devised as part of a unified narrative, they speak a related language steeped in disillusionment, anxiety, and doubt. None more so than on the grayscale "A Hazy Shade of Winter".\r\n \r\n "Simply pretend", Simon sings, "that you can build [hopes] again", knowing full well he's not even fooling himself. Like few albums before or since, Bookends exposes the human condition from the inside-out amid an environment that isn't what it often appears or what we originally sought. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Paul Simon (guitar, vocals), Art Garfunkel (percussion, vocals), Joe Osborn (bass guitar), Larry Knechtel (piano, keyboards, bass guitar), John Simon (synthesizer), Hal Blaine (drums, percussion)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=-wjs9Y1IEOs" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-541" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Bookends Theme" "ordre" => 1 ] [ "nom" => "2. Save the Life of My Child" "ordre" => 2 ] [ "nom" => "3. America" "ordre" => 3 ] [ "nom" => "4. Overs" "ordre" => 4 ] [ "nom" => "5. Voices of Old People" "ordre" => 5 ] [ "nom" => "6. Old Friends" "ordre" => 6 ] [ "nom" => "7. Bookends Theme (Reprise)" "ordre" => 7 ] [ "nom" => "Side B : " "ordre" => 8 ] [ "nom" => "1. Fakin’ It" "ordre" => 9 ] [ "nom" => "2. Punky’s Dilemma" "ordre" => 10 ] [ "nom" => "3. Mrs. Robinson" "ordre" => 11 ] [ "nom" => "4. A Hazy Shade of Winter" "ordre" => 12 ] [ "nom" => "5. At the Zoo" "ordre" => 13 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …} -enregistreLe: DateTime @1727683478 {#1875 : 2024-09-30 08:04:38.0 UTC (+00:00) } -modifierLe: DateTime @1763813531 {#1868 : 2025-11-22 12:12:11.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-bookends-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-541" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3099 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#1820 -id: 2563 -nom: "Bookends - (Limited Numbered Edition Super Vinyl)" -informationComplementaire: null -description: """ - Simon & Garfunkel "Bookends" 180 gram LP !\r\n - 1/4" / 15 ips analog copy to DSD 256 to analog console to lathe !\r\n - Numbered edition limited to 4000 copies !\r\n - Pressed at Fidelity Record Pressing on MoFi SuperVinyl !\r\n - Stoughton Printing gatefold jacket !\r\n - Hear the brilliance of the original recording sessions! Simon & Garfunkel's Bookends includes the hits "Mrs. Robinson" and "A Hazy Shade of Winter" !\r\n \r\n Concept album, career-making moment, industry-defying creation, years-long pursuit of perfection: Simon and Garfunkel's Bookends adheres to all those descriptions and more, the record at once a defining statement of the late 1960s and salient reflection on relationships, identity, society, and mortality whose enduring relevance attests to its exceptional merit. Ranked by countless sources as one of the greatest records of all time, the 1968 work transcends styles, trends, and generations.\r\n \r\n Mastered on MoFi's renowned system at the label's California studio, housed in a Stoughton jacket, pressed at Fidelity Record Pressing, and strictly limited to 4000 numbered copies, Mobile Fidelity's 180 gram SuperVinyl 33 1/3 RPM LP of Bookends presents the duo's timeless effort in reference-quality sound. Benefitting from the inherent properties of the SuperVinyl formula a nearly inaudible noise floor, superb groove definition, dead-quiet surfaces this collectible reissue magnifies the brilliance of the extended production sessions that took place over the course of 18 months at Columbia's iconic 52nd Street Studio.\r\n \r\n Simon himself said that Bookends possesses "the most use of the studio" of any Simon & Garfunkel effort. The plain truth of his observation comes to fore on this audiophile LP. The full bloom and natural decay of notes; weight and impact of low-end frequencies; lushness, breathiness, and air of the omnipresent harmonies; separation and imaging of the wood, string, and brass instruments; timbres and in-the-room realism of Simon's lead vocals these critical traits and more are rendered with elevated accuracy, detail, and presence. Bookends has never sounded more transparent, lifelike, or balanced.\r\n \r\n And that's exactly what Simon, Garfunkel, and producer Roy Halee intended while taking as many as 50 hours to nail a single track. Envisioned from the start by Simon as a way to capture the age's zeitgeist, and inspired by the broad strokes of the Beatles' Sgt. Pepper's Lonely Hearts Club Band and Bob Dylan's Blonde on Blonde, Bookends pairs its sonic flair and diverse arrangements that incorporate folk, rock, jazz, pop, and baroque elements with arresting lyrics that address restlessness, uncertainty, alienation, love, and heritage.\r\n \r\n The first half of Bookends traces the cycle of life from beginning to end, with the final words to "Bookends Theme" a call to "preserve your memories/they're all that's left you" echoing as the overarching and recurring theme of the album. Before the pair lands on that advice, Simon & Garfunkel use irony ("Save the Life of My Child"), metaphor ("America"), suggestion ("Overs"), field recordings ("Voices of Old People"), and descriptive imagery ("Old Friends") to cover everything from the loss of innocence to institutional hypocrisy and fears of loneliness.\r\n \r\n Released amid a tumultuous political and cultural climate, Bookends retains enormous significance and relevance more than five decades later in a 21st century facing many of the same issues. Its central motifs searching for meaning and identity; dealing with loss and disappointment; negotiating the split between authenticity and ersatz; reconciling with what one sacrifices over a lifetime; confronting life stages that involve sadness, bewilderment, and disappointment are universal concerns. And the "America" Simon & Garfunkel pursues remains more elusive than ever.\r\n \r\n As does our collective want for a lasting hero ("Mrs. Robinson"), tendency toward affectation ("Fakin' It"), and inclination to wishfully insert ourselves into circumstances rooted in whimsical fantasy ("Punky's Dilemma"), particularly when we need an escape. Though the songs on the album's second half were not devised as part of a unified narrative, they speak a related language steeped in disillusionment, anxiety, and doubt. None more so than on the grayscale "A Hazy Shade of Winter".\r\n \r\n "Simply pretend", Simon sings, "that you can build [hopes] again", knowing full well he's not even fooling himself. Like few albums before or since, Bookends exposes the human condition from the inside-out amid an environment that isn't what it often appears or what we originally sought. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Paul Simon (guitar, vocals), Art Garfunkel (percussion, vocals), Joe Osborn (bass guitar), Larry Knechtel (piano, keyboards, bass guitar), John Simon (synthesizer), Hal Blaine (drums, percussion)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=-wjs9Y1IEOs" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-541" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Bookends Theme" "ordre" => 1 ] [ "nom" => "2. Save the Life of My Child" "ordre" => 2 ] [ "nom" => "3. America" "ordre" => 3 ] [ "nom" => "4. Overs" "ordre" => 4 ] [ "nom" => "5. Voices of Old People" "ordre" => 5 ] [ "nom" => "6. Old Friends" "ordre" => 6 ] [ "nom" => "7. Bookends Theme (Reprise)" "ordre" => 7 ] [ "nom" => "Side B : " "ordre" => 8 ] [ "nom" => "1. Fakin’ It" "ordre" => 9 ] [ "nom" => "2. Punky’s Dilemma" "ordre" => 10 ] [ "nom" => "3. Mrs. Robinson" "ordre" => 11 ] [ "nom" => "4. A Hazy Shade of Winter" "ordre" => 12 ] [ "nom" => "5. At the Zoo" "ordre" => 13 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …} -enregistreLe: DateTime @1727683478 {#1875 : 2024-09-30 08:04:38.0 UTC (+00:00) } -modifierLe: DateTime @1763813531 {#1868 : 2025-11-22 12:12:11.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-bookends-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-541" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.34 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2044 -id: 2506 -nom: "Bridge Over Troubled Water - (Limited Numbered Edition Super Vinyl)" -informationComplementaire: null -description: """ SIMON AND GARFUNKEL’S SWAN SONG : BRIDGE OVER TROUBLED WATER FEATURES METICULOUS PRODUCTION, GORGEOUS SONGWRITING, AND HEALING SPIRIT\r\n \r\n - Sourced from the Original Master Tapes and Limited to 4000 Numbered Copies : Mobile Fidelity’s 180 gram SuperVinyl 33 RPM LP Plays with Staggering Detail, Clarity, and Definition !\r\n - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n \r\n Unifying, soothing, comforting: Simon and Garfunkel's Bridge over Troubled Water quickly became the album of an era upon release in 1970, the benchmark set serving as a beacon of hope and hymn of reassurance during a time marked by polarizing changes, social unrest, uncertain politics, and the dawn of a new era. These uplifting reasons to say nothing about the gorgeous songwriting, meticulous production, and watershed performances attest to why it is more relevant than ever in our current climate. Music, Bridge over Troubled Water simultaneously suggests and proves, heals all wounds and lifts all boats. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …} -musicienOrchestre: "Paul Simon (acoustic guitar, percussion, vocals), Art Garfunkel (percussion, vocals), Joe Osbor (bass guitar), Larry Knechtel (piano), Fred Carter Jr. (guitar) Pete Drake (pedal steel guitar), Los Incas Hal Blaine (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=4G-YQA_bsOU" -referenceProduit: "Mobile Fidelity Sound Lab MFSV1-546" -titreMorceau: [ [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "1. Bridge over Troubled Water" "ordre" => 1 ] [ "nom" => "2. El Condor Pasa (If I Could)" "ordre" => 2 ] [ "nom" => "3. Cecilia" "ordre" => 3 ] [ "nom" => "4. Keep the Customer Satisfied" "ordre" => 4 ] [ "nom" => "5. So Long, Frank Lloyd Wright" "ordre" => 5 ] [ "nom" => "Side B : " "ordre" => 6 ] [ "nom" => "1. The Boxer" "ordre" => 7 ] [ "nom" => "2. Baby Driver" "ordre" => 8 ] [ "nom" => "3. The Only Boy Living in New York" "ordre" => 9 ] [ "nom" => "4. You Don't Write Me" "ordre" => 10 ] [ "nom" => "5. Bye Bye Love" "ordre" => 11 ] [ "nom" => "6. Song for the Asking" "ordre" => 12 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2052 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2045 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2047 …} -enregistreLe: DateTime @1710324003 {#2041 : 2024-03-13 10:00:03.0 UTC (+00:00) } -modifierLe: DateTime @1763812902 {#2042 : 2025-11-22 12:01:42.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2049 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-bridge-over-troubled-water-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsv1-546" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3215 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2044 -id: 2506 -nom: "Bridge Over Troubled Water - (Limited Numbered Edition Super Vinyl)" -informationComplementaire: null -description: """ SIMON AND GARFUNKEL’S SWAN SONG : BRIDGE OVER TROUBLED WATER FEATURES METICULOUS PRODUCTION, GORGEOUS SONGWRITING, AND HEALING SPIRIT\r\n \r\n - Sourced from the Original Master Tapes and Limited to 4000 Numbered Copies : Mobile Fidelity’s 180 gram SuperVinyl 33 RPM LP Plays with Staggering Detail, Clarity, and Definition !\r\n - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n \r\n Unifying, soothing, comforting: Simon and Garfunkel's Bridge over Troubled Water quickly became the album of an era upon release in 1970, the benchmark set serving as a beacon of hope and hymn of reassurance during a time marked by polarizing changes, social unrest, uncertain politics, and the dawn of a new era. These uplifting reasons to say nothing about the gorgeous songwriting, meticulous production, and watershed performances attest to why it is more relevant than ever in our current climate. Music, Bridge over Troubled Water simultaneously suggests and proves, heals all wounds and lifts all boats. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …} -musicienOrchestre: "Paul Simon (acoustic guitar, percussion, vocals), Art Garfunkel (percussion, vocals), Joe Osbor (bass guitar), Larry Knechtel (piano), Fred Carter Jr. (guitar) Pete Drake (pedal steel guitar), Los Incas Hal Blaine (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=4G-YQA_bsOU" -referenceProduit: "Mobile Fidelity Sound Lab MFSV1-546" -titreMorceau: [ [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "1. Bridge over Troubled Water" "ordre" => 1 ] [ "nom" => "2. El Condor Pasa (If I Could)" "ordre" => 2 ] [ "nom" => "3. Cecilia" "ordre" => 3 ] [ "nom" => "4. Keep the Customer Satisfied" "ordre" => 4 ] [ "nom" => "5. So Long, Frank Lloyd Wright" "ordre" => 5 ] [ "nom" => "Side B : " "ordre" => 6 ] [ "nom" => "1. The Boxer" "ordre" => 7 ] [ "nom" => "2. Baby Driver" "ordre" => 8 ] [ "nom" => "3. The Only Boy Living in New York" "ordre" => 9 ] [ "nom" => "4. You Don't Write Me" "ordre" => 10 ] [ "nom" => "5. Bye Bye Love" "ordre" => 11 ] [ "nom" => "6. Song for the Asking" "ordre" => 12 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2052 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2045 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2047 …} -enregistreLe: DateTime @1710324003 {#2041 : 2024-03-13 10:00:03.0 UTC (+00:00) } -modifierLe: DateTime @1763812902 {#2042 : 2025-11-22 12:01:42.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2049 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-bridge-over-troubled-water-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsv1-546" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.33 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2057 -id: 1193 -nom: "Steppenwolf Gold : Their Great Hits" -informationComplementaire: null -description: """ Get your motor runnin' baby Steppenwolf's Gold "Their Great Hits" took its title literally. The towering rock album success rang in at No. 24 on the Billboard Pop Albums chart and became certified gold for record sales in excess of 500000 units by the Record Industry Association of America (RIAA) in April 1971.\r\n \r\n AllMusic praised the production and engineering of most of the tracks and called it a "nearly perfect" introduction to the band. Acoustic Sounds and Analogue Productions want to introduce you to the most sonically perfect version of this historic album you've ever heard on vinyl. Our 180 gram 33 1/3 RPM reissue was remastered from the original analog tapes by Kevin Gray at Cohearent Sound and plated and pressed by Gary Salstrom and his crew at Quality Record Pressings, makers of the world's finest-sounding LPs.\r\n \r\n The Canadian-American rock band, named for Hermann Hesse's mystical novel, rocketed to worldwide fame after their third single "Born to Be Wild" dropped in 1968. The song and Steppenwolf's version of Hoyt Axton's "The Pusher" figured prominently in the 1969 counterculture cult film Easy Rider, and both show up on Gold's track list. Two other singles on this stunning album compilation also cracked the Top 10 on the charts : "Magic Carpet Ride" and "Rock Me".\r\n \r\n "Magic Carpet Ride" was released in 1968 on the album The Second. It was written by band members John Kay and Rushton Moreve, peaked at No. 3 in the U.S. and stayed on the charts for 16 weeks, longer than any other Steppenwolf song.\r\n \r\n You also get the Don Covay soul cover "Sookie, Sookie", which got airplay on some soul stations nationwide, as well as rock 'n' roll radio. Gold also includes "Hey Lawdy Mama" the hit studio single from Steppenwolf Live.\r\n \r\n Steppenwolf enjoyed worldwide success from 1968 to 1972, when clashing personalities ultimately broke up the core group after a farewell concert in Los Angeles on Valentine's Day, 1972. Today, John Kay remains as the only original Steppenwolf member. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "John Kay (guitar, harmonica, vocals), Larry Byrom, Michael Monarch (guitar), Nick St. Nicholas, Rushton Moreve (bass guitar), George Biondo (bass guitar, vocals), Goldy McJohn (keyboards), Jerry Edmonton (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=rMbATaj7Il8" -referenceProduit: "Analogue Productions AAPP 0115" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Born To Be Wild" "ordre" => 1 ] [ "nom" => "2. It's Never Too Late" "ordre" => 2 ] [ "nom" => "3. Rock Me" "ordre" => 3 ] [ "nom" => "4. Hey Lawdy Mama" "ordre" => 4 ] [ "nom" => "5. Move Over" "ordre" => 5 ] [ "nom" => "6. Who Needs Ya" "ordre" => 6 ] [ "nom" => "Side B : " "ordre" => 7 ] [ "nom" => "1. Magic Carpet Ride" "ordre" => 8 ] [ "nom" => "2. The Pusher" "ordre" => 9 ] [ "nom" => "3. Sookie, Sookie" "ordre" => 10 ] [ "nom" => "4. Jupiter's Child" "ordre" => 11 ] [ "nom" => "5. Screaming Night Hog" "ordre" => 12 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2059 …} -label: Proxies\__CG__\App\Entity\Label {#2062 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2064 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2066 …} -enregistreLe: DateTime @1501134765 {#2054 : 2017-07-27 05:52:45.0 UTC (+00:00) } -modifierLe: DateTime @1763478637 {#2055 : 2025-11-18 15:10:37.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2068 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-steppenwolf-gold-their-great-hits-analogue-productions-aapp-0115" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3261 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2057 -id: 1193 -nom: "Steppenwolf Gold : Their Great Hits" -informationComplementaire: null -description: """ Get your motor runnin' baby Steppenwolf's Gold "Their Great Hits" took its title literally. The towering rock album success rang in at No. 24 on the Billboard Pop Albums chart and became certified gold for record sales in excess of 500000 units by the Record Industry Association of America (RIAA) in April 1971.\r\n \r\n AllMusic praised the production and engineering of most of the tracks and called it a "nearly perfect" introduction to the band. Acoustic Sounds and Analogue Productions want to introduce you to the most sonically perfect version of this historic album you've ever heard on vinyl. Our 180 gram 33 1/3 RPM reissue was remastered from the original analog tapes by Kevin Gray at Cohearent Sound and plated and pressed by Gary Salstrom and his crew at Quality Record Pressings, makers of the world's finest-sounding LPs.\r\n \r\n The Canadian-American rock band, named for Hermann Hesse's mystical novel, rocketed to worldwide fame after their third single "Born to Be Wild" dropped in 1968. The song and Steppenwolf's version of Hoyt Axton's "The Pusher" figured prominently in the 1969 counterculture cult film Easy Rider, and both show up on Gold's track list. Two other singles on this stunning album compilation also cracked the Top 10 on the charts : "Magic Carpet Ride" and "Rock Me".\r\n \r\n "Magic Carpet Ride" was released in 1968 on the album The Second. It was written by band members John Kay and Rushton Moreve, peaked at No. 3 in the U.S. and stayed on the charts for 16 weeks, longer than any other Steppenwolf song.\r\n \r\n You also get the Don Covay soul cover "Sookie, Sookie", which got airplay on some soul stations nationwide, as well as rock 'n' roll radio. Gold also includes "Hey Lawdy Mama" the hit studio single from Steppenwolf Live.\r\n \r\n Steppenwolf enjoyed worldwide success from 1968 to 1972, when clashing personalities ultimately broke up the core group after a farewell concert in Los Angeles on Valentine's Day, 1972. Today, John Kay remains as the only original Steppenwolf member. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "John Kay (guitar, harmonica, vocals), Larry Byrom, Michael Monarch (guitar), Nick St. Nicholas, Rushton Moreve (bass guitar), George Biondo (bass guitar, vocals), Goldy McJohn (keyboards), Jerry Edmonton (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=rMbATaj7Il8" -referenceProduit: "Analogue Productions AAPP 0115" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Born To Be Wild" "ordre" => 1 ] [ "nom" => "2. It's Never Too Late" "ordre" => 2 ] [ "nom" => "3. Rock Me" "ordre" => 3 ] [ "nom" => "4. Hey Lawdy Mama" "ordre" => 4 ] [ "nom" => "5. Move Over" "ordre" => 5 ] [ "nom" => "6. Who Needs Ya" "ordre" => 6 ] [ "nom" => "Side B : " "ordre" => 7 ] [ "nom" => "1. Magic Carpet Ride" "ordre" => 8 ] [ "nom" => "2. The Pusher" "ordre" => 9 ] [ "nom" => "3. Sookie, Sookie" "ordre" => 10 ] [ "nom" => "4. Jupiter's Child" "ordre" => 11 ] [ "nom" => "5. Screaming Night Hog" "ordre" => 12 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2059 …} -label: Proxies\__CG__\App\Entity\Label {#2062 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2064 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2066 …} -enregistreLe: DateTime @1501134765 {#2054 : 2017-07-27 05:52:45.0 UTC (+00:00) } -modifierLe: DateTime @1763478637 {#2055 : 2025-11-18 15:10:37.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2068 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-steppenwolf-gold-their-great-hits-analogue-productions-aapp-0115" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2076 -id: 992 -nom: "In Step" -informationComplementaire: null -description: """ - Mastered by Ryan K. Smith at Sterling Sound !\r\n - 180 gram pressing by Quality Record Pressings !\r\n \r\n With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.\r\n \r\n On 1989's In Step, Vaughan found his own songwriting voice, blending blues, soul, and rock in unique ways, and writing with startling emotional honesty. Yes, there are a few covers, all well chosen, but the heart of the album rests in the songs he co-wrote with Doyle Bramhall, the man who penned the Soul to Soul highlight "Change It". Fueled by a desire to make up for lost time and delight in his reawakened commitment to life and sobriety, Vaughan turned in what many consider his greatest artistic statement, an album ensconced in sweat, soul, determination, and not an ounce of filler.\r\n \r\n "Travis Walk" offers a heady rush of flat-picking, "The House is Rockin'" is full-tilt roots-boogie, "Let Me Love You Baby" and "Leave My Girl Alone" are sweet blues epiphanies, and the nine-minute instrumental "Riviera Paradise" is a truly soulful mix of blues and jazz. By now, just a year before his untimely death, Vaughan had also tamed his bawling voice into a rich instrument. In short, this 1989 session is Vaughan at his artistic peak.\r\n \r\n As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 200 gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. \r\n \r\n In Step remains one of the five greatest blues records of the past quarter century. There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Tommy Shannon (bass guitar), Reese Wynans (keyboards), Chris Layton (drums, percussion)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=LBZ4Y9LZrhY" -referenceProduit: "Analogue Productions AAPP 099" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. The House Is Rockin'" "ordre" => 1 ] [ "nom" => "2. Crossfire" "ordre" => 2 ] [ "nom" => "3. Tightrope" "ordre" => 3 ] [ "nom" => " 4. Let Me Love You Baby" "ordre" => 4 ] [ "nom" => "5. Leave My Girl Alone" "ordre" => 5 ] [ "nom" => "6. Travis Walk" "ordre" => 6 ] [ "nom" => "Side B : " "ordre" => 7 ] [ "nom" => "1. Wall of Denial" "ordre" => 8 ] [ "nom" => "2. Scratch N Sniff" "ordre" => 9 ] [ "nom" => "3. Love Me Darlin'" "ordre" => 10 ] [ "nom" => "4. Riviera Paradise" "ordre" => 11 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2078 …} -label: Proxies\__CG__\App\Entity\Label {#2062 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2087 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2080 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2082 …} -enregistreLe: DateTime @1470378688 {#2073 : 2016-08-05 06:31:28.0 UTC (+00:00) } -modifierLe: DateTime @1763477673 {#2074 : 2025-11-18 14:54:33.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2084 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-in-step-analogue-productions-aapp-099" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3312 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2076 -id: 992 -nom: "In Step" -informationComplementaire: null -description: """ - Mastered by Ryan K. Smith at Sterling Sound !\r\n - 180 gram pressing by Quality Record Pressings !\r\n \r\n With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.\r\n \r\n On 1989's In Step, Vaughan found his own songwriting voice, blending blues, soul, and rock in unique ways, and writing with startling emotional honesty. Yes, there are a few covers, all well chosen, but the heart of the album rests in the songs he co-wrote with Doyle Bramhall, the man who penned the Soul to Soul highlight "Change It". Fueled by a desire to make up for lost time and delight in his reawakened commitment to life and sobriety, Vaughan turned in what many consider his greatest artistic statement, an album ensconced in sweat, soul, determination, and not an ounce of filler.\r\n \r\n "Travis Walk" offers a heady rush of flat-picking, "The House is Rockin'" is full-tilt roots-boogie, "Let Me Love You Baby" and "Leave My Girl Alone" are sweet blues epiphanies, and the nine-minute instrumental "Riviera Paradise" is a truly soulful mix of blues and jazz. By now, just a year before his untimely death, Vaughan had also tamed his bawling voice into a rich instrument. In short, this 1989 session is Vaughan at his artistic peak.\r\n \r\n As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 200 gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. \r\n \r\n In Step remains one of the five greatest blues records of the past quarter century. There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Tommy Shannon (bass guitar), Reese Wynans (keyboards), Chris Layton (drums, percussion)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=LBZ4Y9LZrhY" -referenceProduit: "Analogue Productions AAPP 099" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. The House Is Rockin'" "ordre" => 1 ] [ "nom" => "2. Crossfire" "ordre" => 2 ] [ "nom" => "3. Tightrope" "ordre" => 3 ] [ "nom" => " 4. Let Me Love You Baby" "ordre" => 4 ] [ "nom" => "5. Leave My Girl Alone" "ordre" => 5 ] [ "nom" => "6. Travis Walk" "ordre" => 6 ] [ "nom" => "Side B : " "ordre" => 7 ] [ "nom" => "1. Wall of Denial" "ordre" => 8 ] [ "nom" => "2. Scratch N Sniff" "ordre" => 9 ] [ "nom" => "3. Love Me Darlin'" "ordre" => 10 ] [ "nom" => "4. Riviera Paradise" "ordre" => 11 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2078 …} -label: Proxies\__CG__\App\Entity\Label {#2062 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2087 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2080 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2082 …} -enregistreLe: DateTime @1470378688 {#2073 : 2016-08-05 06:31:28.0 UTC (+00:00) } -modifierLe: DateTime @1763477673 {#2074 : 2025-11-18 14:54:33.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2084 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-in-step-analogue-productions-aapp-099" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2092 -id: 993 -nom: "The Sky Is Crying" -informationComplementaire: null -description: """ - Mastered from the original tapes by Ryan Smith at Sterling Sound.\r\n - 180 gram pressing by Quality Record Pressings !\r\n \r\n With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.\r\n \r\n The Sky Is Crying was released after SRV's 1990 helicopter crash that took his life. The posthumously assembled 10-track outtakes collection actually proves to be one of Vaughan's most consistent albums, rivaling In Step as the best outside of the Greatest Hits collection. These songs were recorded in sessions spanning from 1984's Couldn't Stand the Weather to 1989's In Step and were left off of the LPs for whatever reason (or, in the case of Soul to Soul's "Empty Arms", a different version was used).\r\n \r\n What makes the record work is its eclectic diversity - Vaughan plays slide guitar on "Boot Hill" and acoustic on "Life by the Drop"; he smokes on the slow blues of "May I Have a Talk With You" and the title track just as much as on the up-tempo Lonnie Mack cover, "Wham"; and he shows the jazzy side of his playing on Hendrix's "Little Wing" and Kenny Burrell's "Chitlins Con Carne".\r\n \r\n Check out Vaughan's jazz chops on Kenny Burrell's "Chitlins Con Carne", and Hendrix's "Little Wing", arguably this collection's most staggering achievement, alternately whisper-sweet and screamingly fierce, says The Absolute Sound. Other tips of the hat are to Muddy Waters, Lonnie Mack ("Wham"), Elmore James, and Albert King (the title track), yet each song is pure, unleashed SRV. The sound is big, bold, up front, and clean as a whistle. Vaughan's different tonal shadings - from warmly purring, to raggedly distorted, to wasp-tailed sting, plus a rare acoustic turn on the gorgeous closer, "Life By The Drop" - are all superbly captured, and the drums and bass have plenty of clarity and wallop. As TAS says, "A brilliant musical document... if a sad reminder".\r\n \r\n As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 200 gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. \r\n \r\n There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Tommy Shannon (bass guitar), Reese Wynans (keyboards), Chris Layton (drums, percussion)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=vTm5rm67hNw" -referenceProduit: "Analogue Productions AAPP 0101" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Boot Hill" "ordre" => 1 ] [ "nom" => "2. The Sky Is Crying" "ordre" => 2 ] [ "nom" => "3. Empty Arms" "ordre" => 3 ] [ "nom" => "4. Little Wing" "ordre" => 4 ] [ "nom" => "5. Wham" "ordre" => 5 ] [ "nom" => "Side B : " "ordre" => 6 ] [ "nom" => "1. May I Have A Talk With You" "ordre" => 7 ] [ "nom" => "2. Close To You" "ordre" => 8 ] [ "nom" => "3. Chitlins Con Carne" "ordre" => 9 ] [ "nom" => "4. So Excited" "ordre" => 10 ] [ "nom" => "5. Life By the Drop" "ordre" => 11 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2078 …} -label: Proxies\__CG__\App\Entity\Label {#2062 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2100 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2093 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2095 …} -enregistreLe: DateTime @1470382142 {#2089 : 2016-08-05 07:29:02.0 UTC (+00:00) } -modifierLe: DateTime @1763477560 {#2090 : 2025-11-18 14:52:40.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2097 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-the-sky-is-crying-analogue-productions-aapp-0101" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3365 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2092 -id: 993 -nom: "The Sky Is Crying" -informationComplementaire: null -description: """ - Mastered from the original tapes by Ryan Smith at Sterling Sound.\r\n - 180 gram pressing by Quality Record Pressings !\r\n \r\n With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.\r\n \r\n The Sky Is Crying was released after SRV's 1990 helicopter crash that took his life. The posthumously assembled 10-track outtakes collection actually proves to be one of Vaughan's most consistent albums, rivaling In Step as the best outside of the Greatest Hits collection. These songs were recorded in sessions spanning from 1984's Couldn't Stand the Weather to 1989's In Step and were left off of the LPs for whatever reason (or, in the case of Soul to Soul's "Empty Arms", a different version was used).\r\n \r\n What makes the record work is its eclectic diversity - Vaughan plays slide guitar on "Boot Hill" and acoustic on "Life by the Drop"; he smokes on the slow blues of "May I Have a Talk With You" and the title track just as much as on the up-tempo Lonnie Mack cover, "Wham"; and he shows the jazzy side of his playing on Hendrix's "Little Wing" and Kenny Burrell's "Chitlins Con Carne".\r\n \r\n Check out Vaughan's jazz chops on Kenny Burrell's "Chitlins Con Carne", and Hendrix's "Little Wing", arguably this collection's most staggering achievement, alternately whisper-sweet and screamingly fierce, says The Absolute Sound. Other tips of the hat are to Muddy Waters, Lonnie Mack ("Wham"), Elmore James, and Albert King (the title track), yet each song is pure, unleashed SRV. The sound is big, bold, up front, and clean as a whistle. Vaughan's different tonal shadings - from warmly purring, to raggedly distorted, to wasp-tailed sting, plus a rare acoustic turn on the gorgeous closer, "Life By The Drop" - are all superbly captured, and the drums and bass have plenty of clarity and wallop. As TAS says, "A brilliant musical document... if a sad reminder".\r\n \r\n As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 200 gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. \r\n \r\n There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Tommy Shannon (bass guitar), Reese Wynans (keyboards), Chris Layton (drums, percussion)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=vTm5rm67hNw" -referenceProduit: "Analogue Productions AAPP 0101" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Boot Hill" "ordre" => 1 ] [ "nom" => "2. The Sky Is Crying" "ordre" => 2 ] [ "nom" => "3. Empty Arms" "ordre" => 3 ] [ "nom" => "4. Little Wing" "ordre" => 4 ] [ "nom" => "5. Wham" "ordre" => 5 ] [ "nom" => "Side B : " "ordre" => 6 ] [ "nom" => "1. May I Have A Talk With You" "ordre" => 7 ] [ "nom" => "2. Close To You" "ordre" => 8 ] [ "nom" => "3. Chitlins Con Carne" "ordre" => 9 ] [ "nom" => "4. So Excited" "ordre" => 10 ] [ "nom" => "5. Life By the Drop" "ordre" => 11 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2078 …} -label: Proxies\__CG__\App\Entity\Label {#2062 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2100 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2093 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2095 …} -enregistreLe: DateTime @1470382142 {#2089 : 2016-08-05 07:29:02.0 UTC (+00:00) } -modifierLe: DateTime @1763477560 {#2090 : 2025-11-18 14:52:40.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2097 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-the-sky-is-crying-analogue-productions-aapp-0101" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
|||
| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2105 -id: 1119 -nom: "The Sky Is Crying" -informationComplementaire: null -description: """ - Mastered from the original analog tape - now available cut at 45 RPM by Ryan Smith at Sterling Sound !\r\n - Plated and pressed on 180 gram vinyl by Quality Record Pressings !\r\n \r\n With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.\r\n \r\n The Sky Is Crying was released after SRV's 1990 helicopter crash that took his life. The posthumously assembled 10-track outtakes collection actually proves to be one of Vaughan's most consistent albums, rivaling In Step as the best outside of the Greatest Hits collection. These songs were recorded in sessions spanning from 1984's Couldn't Stand the Weather to 1989's In Step and were left off of the LPs for whatever reason (or, in the case of Soul to Soul's "Empty Arms," a different version was used).\r\n \r\n What makes the record work is its eclectic diversity - Vaughan plays slide guitar on "Boot Hill" and acoustic on "Life by the Drop"; he smokes on the slow blues of "May I Have a Talk With You" and the title track just as much as on the up-tempo Lonnie Mack cover, "Wham"; and he shows the jazzy side of his playing on Hendrix's "Little Wing" and Kenny Burrell's "Chitlins Con Carne".\r\n \r\n Check out Vaughan's jazz chops on Kenny Burrell's "Chitlins Con Carne", and Hendrix's "Little Wing," arguably this collection's most staggering achievement, alternately whisper-sweet and screamingly fierce, says The Absolute Sound. Other tips of the hat are to Muddy Waters, Lonnie Mack ("Wham"), Elmore James, and Albert King (the title track), yet each song is pure, unleashed SRV. The sound is big, bold, up front, and clean as a whistle. Vaughan's different tonal shadings - from warmly purring, to raggedly distorted, to wasp-tailed sting, plus a rare acoustic turn on the gorgeous closer, "Life By The Drop" - are all superbly captured, and the drums and bass have plenty of clarity and wallop. As TAS says, "A brilliant musical document... if a sad reminder".\r\n \r\n As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 180 gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. \r\n \r\n There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades. """ -prixVente: "129.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Tommy Shannon (bass guitar), Reese Wynans (keyboards), Chris Layton (drums, percussion)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=vTm5rm67hNw" -referenceProduit: "Analogue Productions AAPP 0101-45" -titreMorceau: [ [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "1. Boot Hill" "ordre" => 1 ] [ "nom" => "2. The Sky Is Crying" "ordre" => 2 ] [ "nom" => "3. Empty Arms" "ordre" => 3 ] [ "nom" => "Side B : " "ordre" => 4 ] [ "nom" => "1. Little Wing" "ordre" => 5 ] [ "nom" => "2. Wham" "ordre" => 6 ] [ "nom" => "Side C : " "ordre" => 7 ] [ "nom" => "1. May I Have A Talk With You" "ordre" => 8 ] [ "nom" => "2. Close To You" "ordre" => 9 ] [ "nom" => "Side D : " "ordre" => 10 ] [ "nom" => "1. Chitlins Con Carne" "ordre" => 11 ] [ "nom" => "2. So Excited" "ordre" => 12 ] [ "nom" => "3. Life By the Drop" "ordre" => 13 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2078 …} -label: Proxies\__CG__\App\Entity\Label {#2062 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2113 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2106 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2108 …} -enregistreLe: DateTime @1485503810 {#2102 : 2017-01-27 07:56:50.0 UTC (+00:00) } -modifierLe: DateTime @1763477396 {#2103 : 2025-11-18 14:49:56.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2110 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-the-sky-is-crying-analogue-productions-aapp-0101-45" } "detaillePage" => false ] |
|||
| Attributes | [] |
|||
| Component | App\Twig\Components\GestionPanierFavoriComponents {#3413 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2105 -id: 1119 -nom: "The Sky Is Crying" -informationComplementaire: null -description: """ - Mastered from the original analog tape - now available cut at 45 RPM by Ryan Smith at Sterling Sound !\r\n - Plated and pressed on 180 gram vinyl by Quality Record Pressings !\r\n \r\n With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.\r\n \r\n The Sky Is Crying was released after SRV's 1990 helicopter crash that took his life. The posthumously assembled 10-track outtakes collection actually proves to be one of Vaughan's most consistent albums, rivaling In Step as the best outside of the Greatest Hits collection. These songs were recorded in sessions spanning from 1984's Couldn't Stand the Weather to 1989's In Step and were left off of the LPs for whatever reason (or, in the case of Soul to Soul's "Empty Arms," a different version was used).\r\n \r\n What makes the record work is its eclectic diversity - Vaughan plays slide guitar on "Boot Hill" and acoustic on "Life by the Drop"; he smokes on the slow blues of "May I Have a Talk With You" and the title track just as much as on the up-tempo Lonnie Mack cover, "Wham"; and he shows the jazzy side of his playing on Hendrix's "Little Wing" and Kenny Burrell's "Chitlins Con Carne".\r\n \r\n Check out Vaughan's jazz chops on Kenny Burrell's "Chitlins Con Carne", and Hendrix's "Little Wing," arguably this collection's most staggering achievement, alternately whisper-sweet and screamingly fierce, says The Absolute Sound. Other tips of the hat are to Muddy Waters, Lonnie Mack ("Wham"), Elmore James, and Albert King (the title track), yet each song is pure, unleashed SRV. The sound is big, bold, up front, and clean as a whistle. Vaughan's different tonal shadings - from warmly purring, to raggedly distorted, to wasp-tailed sting, plus a rare acoustic turn on the gorgeous closer, "Life By The Drop" - are all superbly captured, and the drums and bass have plenty of clarity and wallop. As TAS says, "A brilliant musical document... if a sad reminder".\r\n \r\n As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 180 gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. \r\n \r\n There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades. """ -prixVente: "129.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Tommy Shannon (bass guitar), Reese Wynans (keyboards), Chris Layton (drums, percussion)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=vTm5rm67hNw" -referenceProduit: "Analogue Productions AAPP 0101-45" -titreMorceau: [ [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "1. Boot Hill" "ordre" => 1 ] [ "nom" => "2. The Sky Is Crying" "ordre" => 2 ] [ "nom" => "3. Empty Arms" "ordre" => 3 ] [ "nom" => "Side B : " "ordre" => 4 ] [ "nom" => "1. Little Wing" "ordre" => 5 ] [ "nom" => "2. Wham" "ordre" => 6 ] [ "nom" => "Side C : " "ordre" => 7 ] [ "nom" => "1. May I Have A Talk With You" "ordre" => 8 ] [ "nom" => "2. Close To You" "ordre" => 9 ] [ "nom" => "Side D : " "ordre" => 10 ] [ "nom" => "1. Chitlins Con Carne" "ordre" => 11 ] [ "nom" => "2. So Excited" "ordre" => 12 ] [ "nom" => "3. Life By the Drop" "ordre" => 13 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2078 …} -label: Proxies\__CG__\App\Entity\Label {#2062 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2113 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2106 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2108 …} -enregistreLe: DateTime @1485503810 {#2102 : 2017-01-27 07:56:50.0 UTC (+00:00) } -modifierLe: DateTime @1763477396 {#2103 : 2025-11-18 14:49:56.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2110 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-the-sky-is-crying-analogue-productions-aapp-0101-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.30 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2118 -id: 1121 -nom: "In Step" -informationComplementaire: null -description: """ - Mastered from the original analog tape now available cut at 45 RPM by Ryan Smith at Sterling Sound !\r\n -Plated and pressed on 200 gram vinyl by Quality Record Pressings !\r\n \r\n With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.\r\n \r\n On 1989's In Step, Vaughan found his own songwriting voice, blending blues, soul, and rock in unique ways, and writing with startling emotional honesty. Yes, there are a few covers, all well chosen, but the heart of the album rests in the songs he co-wrote with Doyle Bramhall, the man who penned the Soul to Soul highlight "Change It". Fueled by a desire to make up for lost time and delight in his reawakened commitment to life and sobriety, Vaughan turned in what many consider his greatest artistic statement, an album ensconced in sweat, soul, determination, and not an ounce of filler.\r\n \r\n "Travis Walk" offers a heady rush of flat-picking, "The House is Rockin'" is full-tilt roots-boogie, "Let Me Love You Baby" and "Leave My Girl Alone" are sweet blues epiphanies, and the nine-minute instrumental "Riviera Paradise" is a truly soulful mix of blues and jazz. By now, just a year before his untimely death, Vaughan had also tamed his bawling voice into a rich instrument. In short, this 1989 session is Vaughan at his artistic peak.\r\n \r\n As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 180 gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. \r\n \r\n In Step remains one of the five greatest blues records of the past quarter century. There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades. """ -prixVente: "129.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Tommy Shannon (bass guitar), Reese Wynans (keyboards), Chris Layton (drums, percussion)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=AllKO87nJco" -referenceProduit: "Analogue Productions AAPP 099-45" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. The House Is Rockin'" "ordre" => 1 ] [ "nom" => "2. Crossfire" "ordre" => 2 ] [ "nom" => "3. Tightrope" "ordre" => 3 ] [ "nom" => "Side B : " "ordre" => 4 ] [ "nom" => "1. Let Me Love You Baby" "ordre" => 5 ] [ "nom" => "2. Leave My Girl Alone" "ordre" => 6 ] [ "nom" => "3. Travis Walk" "ordre" => 7 ] [ "nom" => "Side C : " "ordre" => 8 ] [ "nom" => "1. Wall of Denial" "ordre" => 9 ] [ "nom" => "2. Scratch N Sniff" "ordre" => 10 ] [ "nom" => "Side D :" "ordre" => 11 ] [ "nom" => "1. Love Me Darlin'" "ordre" => 12 ] [ "nom" => "2. Riviera Paradise" "ordre" => 13 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2078 …} -label: Proxies\__CG__\App\Entity\Label {#2062 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2126 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2119 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2121 …} -enregistreLe: DateTime @1485674979 {#2115 : 2017-01-29 07:29:39.0 UTC (+00:00) } -modifierLe: DateTime @1763477156 {#2116 : 2025-11-18 14:45:56.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2123 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-in-step-analogue-productions-aapp-099-45" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3461 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2118 -id: 1121 -nom: "In Step" -informationComplementaire: null -description: """ - Mastered from the original analog tape now available cut at 45 RPM by Ryan Smith at Sterling Sound !\r\n -Plated and pressed on 200 gram vinyl by Quality Record Pressings !\r\n \r\n With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.\r\n \r\n On 1989's In Step, Vaughan found his own songwriting voice, blending blues, soul, and rock in unique ways, and writing with startling emotional honesty. Yes, there are a few covers, all well chosen, but the heart of the album rests in the songs he co-wrote with Doyle Bramhall, the man who penned the Soul to Soul highlight "Change It". Fueled by a desire to make up for lost time and delight in his reawakened commitment to life and sobriety, Vaughan turned in what many consider his greatest artistic statement, an album ensconced in sweat, soul, determination, and not an ounce of filler.\r\n \r\n "Travis Walk" offers a heady rush of flat-picking, "The House is Rockin'" is full-tilt roots-boogie, "Let Me Love You Baby" and "Leave My Girl Alone" are sweet blues epiphanies, and the nine-minute instrumental "Riviera Paradise" is a truly soulful mix of blues and jazz. By now, just a year before his untimely death, Vaughan had also tamed his bawling voice into a rich instrument. In short, this 1989 session is Vaughan at his artistic peak.\r\n \r\n As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 180 gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. \r\n \r\n In Step remains one of the five greatest blues records of the past quarter century. There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades. """ -prixVente: "129.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Tommy Shannon (bass guitar), Reese Wynans (keyboards), Chris Layton (drums, percussion)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=AllKO87nJco" -referenceProduit: "Analogue Productions AAPP 099-45" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. The House Is Rockin'" "ordre" => 1 ] [ "nom" => "2. Crossfire" "ordre" => 2 ] [ "nom" => "3. Tightrope" "ordre" => 3 ] [ "nom" => "Side B : " "ordre" => 4 ] [ "nom" => "1. Let Me Love You Baby" "ordre" => 5 ] [ "nom" => "2. Leave My Girl Alone" "ordre" => 6 ] [ "nom" => "3. Travis Walk" "ordre" => 7 ] [ "nom" => "Side C : " "ordre" => 8 ] [ "nom" => "1. Wall of Denial" "ordre" => 9 ] [ "nom" => "2. Scratch N Sniff" "ordre" => 10 ] [ "nom" => "Side D :" "ordre" => 11 ] [ "nom" => "1. Love Me Darlin'" "ordre" => 12 ] [ "nom" => "2. Riviera Paradise" "ordre" => 13 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2078 …} -label: Proxies\__CG__\App\Entity\Label {#2062 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2126 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2119 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2121 …} -enregistreLe: DateTime @1485674979 {#2115 : 2017-01-29 07:29:39.0 UTC (+00:00) } -modifierLe: DateTime @1763477156 {#2116 : 2025-11-18 14:45:56.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2123 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-in-step-analogue-productions-aapp-099-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
|||
| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.30 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2131 -id: 1087 -nom: "Breakfast In America" -informationComplementaire: null -description: """ Supertramp's Breakfast in America has it all : Illustrious artwork. Sing-a-long hooks. Contagious melodies. Symphonic bluster. Rhapsodic thrust. Signature Wurlitzer electric piano sounds. Two Grammy Awards, including one for Best Engineered Album. More than 20 million copies sold. Four Billboard hit singles that continue to dominate radio airplay today. Every aspect of the chart-topping art-rock set screams blockbuster, not the least of which is the production, the result of painstaking studio setups and months of mixing. Now, you can experience the sonic brilliance in unprecedented clarity on Mobile Fidelity's definitive analog reissue.\r\n \r\n Mastered from the original master tapes and pressed at RTI, this numbered-edition 180 gram LP wrings out the record's dynamics, colors, and tones in all their full-range glory. Absent artificial ceilings, Breakfast in America unfolds with an expansiveness and radiance that parallels the vibrancy of its iconic New York-themed cover. Crucial traits such as imaging, separation, balance, transients, and openness achieve near-epic levels of realism and presence. Songs unfold and breathe on mammoth soundstages that put the effort's legendary production and stellar playing into proper perspective. The 1979 set has been reissued multiple times in the past, but it's never sounded so engaging, lifelike, or entertaining. If you think you know the record backwards and forwards, wait until you hear this version.\r\n \r\n Indeed, aside from the undeniably catchy nature of the ten tracks, fun remains the most central element of Breakfast in America. The band even titled the record to fall in line with the overall joyful feeling of the material. About the latter : Few late 1970s rock albums feature a more cohesive, harmony-drenched parade of stunningly executed, wondrously arranged works. The collective offspring of members Rick Davies and Roger Hodgson, each tune reflects the creative pulses of each musician, with the resultant contrasts lending to their appeal. Davies' penchant for grittier, bluesy strands blends with Hodgson's witty, pop-leaning techniques. The combination proves unstoppable.\r\n \r\n Home to a quartet of commercial staples "The Logical Song", "Goodbye Stranger", "Take the Long Way Home", and the title track Breakfast in America teems with arena-sized drama, meticulous craftsmanship, and mesmerizing refrains. Shrewd lyrical turns abound, whether on the phonetic, adjective-stacked "The Logical Song", life-in-America portrait "Child of Vision", or move-to-L.A. saga "Gone Hollywood". U.S. references also dot the smash title track, which reflects the glib humor, romantic fantasies, and pop culture permeating the record.\r\n \r\n Breakfast in America also retains its vitality because of its expert instrumentation and placement. Deemed a "a textbook-perfect album of post-Beatles, keyboard-centered English art rock that strikes the shrewdest possible balance between quasi-symphonic classicism and rock & roll" by Rolling Stone shortly after its release, the record serves as a blueprint of reference-setting production and mixing. Check the scorching guitar outro on "Goodbye Stranger", gospel accents on "Lord Is It Mine", saxophone lines on "Take the Long Way Home", or chemistry of the choruses on basically every piece here. It's enough to make one long for the 70s again. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …} -musicienOrchestre: "Roger Hodgson (guitars, keyboards, vocals), Rick Davies (keyboards, harmonica, vocals), John Helliwell (saxophone, woodwinds, vocals), Dougie Thomson (bass), Bob Siebenberg (drums, percussion)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=u8pVZ5hTGJQ" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-471" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Gone Hollywood" "ordre" => 1 ] [ "nom" => "2. The Logical Song" "ordre" => 2 ] [ "nom" => "3. Goodbye Stranger" "ordre" => 3 ] [ "nom" => "4. Breakfast In America" "ordre" => 4 ] [ "nom" => "5. Oh Darling" "ordre" => 5 ] [ "nom" => "Side B : " "ordre" => 6 ] [ "nom" => "1. Take the Long Way Home" "ordre" => 7 ] [ "nom" => "2. Lord Is It Mine" "ordre" => 8 ] [ "nom" => "3. Just Another Nervous Wreck" "ordre" => 9 ] [ "nom" => "4. Casual Conversations" "ordre" => 10 ] [ "nom" => "5. Child of Vision" "ordre" => 11 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2142 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2135 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2137 …} -enregistreLe: DateTime @1480666537 {#2128 : 2016-12-02 08:15:37.0 UTC (+00:00) } -modifierLe: DateTime @1763475207 {#2129 : 2025-11-18 14:13:27.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2139 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-breakfast-in-america-mobile-fidelity-sound-lab-mfsl-1-471" } "detaillePage" => false ] |
|||
| Attributes | [] |
|||
| Component | App\Twig\Components\GestionPanierFavoriComponents {#3507 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2131 -id: 1087 -nom: "Breakfast In America" -informationComplementaire: null -description: """ Supertramp's Breakfast in America has it all : Illustrious artwork. Sing-a-long hooks. Contagious melodies. Symphonic bluster. Rhapsodic thrust. Signature Wurlitzer electric piano sounds. Two Grammy Awards, including one for Best Engineered Album. More than 20 million copies sold. Four Billboard hit singles that continue to dominate radio airplay today. Every aspect of the chart-topping art-rock set screams blockbuster, not the least of which is the production, the result of painstaking studio setups and months of mixing. Now, you can experience the sonic brilliance in unprecedented clarity on Mobile Fidelity's definitive analog reissue.\r\n \r\n Mastered from the original master tapes and pressed at RTI, this numbered-edition 180 gram LP wrings out the record's dynamics, colors, and tones in all their full-range glory. Absent artificial ceilings, Breakfast in America unfolds with an expansiveness and radiance that parallels the vibrancy of its iconic New York-themed cover. Crucial traits such as imaging, separation, balance, transients, and openness achieve near-epic levels of realism and presence. Songs unfold and breathe on mammoth soundstages that put the effort's legendary production and stellar playing into proper perspective. The 1979 set has been reissued multiple times in the past, but it's never sounded so engaging, lifelike, or entertaining. If you think you know the record backwards and forwards, wait until you hear this version.\r\n \r\n Indeed, aside from the undeniably catchy nature of the ten tracks, fun remains the most central element of Breakfast in America. The band even titled the record to fall in line with the overall joyful feeling of the material. About the latter : Few late 1970s rock albums feature a more cohesive, harmony-drenched parade of stunningly executed, wondrously arranged works. The collective offspring of members Rick Davies and Roger Hodgson, each tune reflects the creative pulses of each musician, with the resultant contrasts lending to their appeal. Davies' penchant for grittier, bluesy strands blends with Hodgson's witty, pop-leaning techniques. The combination proves unstoppable.\r\n \r\n Home to a quartet of commercial staples "The Logical Song", "Goodbye Stranger", "Take the Long Way Home", and the title track Breakfast in America teems with arena-sized drama, meticulous craftsmanship, and mesmerizing refrains. Shrewd lyrical turns abound, whether on the phonetic, adjective-stacked "The Logical Song", life-in-America portrait "Child of Vision", or move-to-L.A. saga "Gone Hollywood". U.S. references also dot the smash title track, which reflects the glib humor, romantic fantasies, and pop culture permeating the record.\r\n \r\n Breakfast in America also retains its vitality because of its expert instrumentation and placement. Deemed a "a textbook-perfect album of post-Beatles, keyboard-centered English art rock that strikes the shrewdest possible balance between quasi-symphonic classicism and rock & roll" by Rolling Stone shortly after its release, the record serves as a blueprint of reference-setting production and mixing. Check the scorching guitar outro on "Goodbye Stranger", gospel accents on "Lord Is It Mine", saxophone lines on "Take the Long Way Home", or chemistry of the choruses on basically every piece here. It's enough to make one long for the 70s again. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …} -musicienOrchestre: "Roger Hodgson (guitars, keyboards, vocals), Rick Davies (keyboards, harmonica, vocals), John Helliwell (saxophone, woodwinds, vocals), Dougie Thomson (bass), Bob Siebenberg (drums, percussion)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=u8pVZ5hTGJQ" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-471" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Gone Hollywood" "ordre" => 1 ] [ "nom" => "2. The Logical Song" "ordre" => 2 ] [ "nom" => "3. Goodbye Stranger" "ordre" => 3 ] [ "nom" => "4. Breakfast In America" "ordre" => 4 ] [ "nom" => "5. Oh Darling" "ordre" => 5 ] [ "nom" => "Side B : " "ordre" => 6 ] [ "nom" => "1. Take the Long Way Home" "ordre" => 7 ] [ "nom" => "2. Lord Is It Mine" "ordre" => 8 ] [ "nom" => "3. Just Another Nervous Wreck" "ordre" => 9 ] [ "nom" => "4. Casual Conversations" "ordre" => 10 ] [ "nom" => "5. Child of Vision" "ordre" => 11 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2142 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2135 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2137 …} -enregistreLe: DateTime @1480666537 {#2128 : 2016-12-02 08:15:37.0 UTC (+00:00) } -modifierLe: DateTime @1763475207 {#2129 : 2025-11-18 14:13:27.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2139 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-breakfast-in-america-mobile-fidelity-sound-lab-mfsl-1-471" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
|||
| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.30 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2147 -id: 1817 -nom: "Electric Warrior" -informationComplementaire: null -description: """ Musicians :\r\n Marc Bolan (guitar, vocals), Mickey Finn (congas, bongos, vocals), Steve Currie (bass guitar), Bill Legend (drums, tambourine), Rick Wakeman (keyboards), Ian McDonald (saxophone), Burt Collins (flugelhorn), Howard Kaylan, Mark Volman (backing vocals).\r\n \r\n T. Rex's Exotic Landmark Signals the Birth of Glam Rock, Features "Bang a Gong (Get It On)" : Electric Warrior Swaggers with Libido, Flamboyance, Fantasy, Fun, Hooks, and Theatricality \r\n \r\n Mastered on Mobile Fidelity's State-of-the-Art Mastering System : 180 gram 45 RPM Vinyl (2 LP) Set Presents the 1971 Record's Reverb, Colors, Tones, and String Arrangements in Full-Tilt Glory\r\n \r\n Bang a gong and get it on. At once sardonic, flamboyant, and trashy, T. Rex's uncommonly unique Electric Warrior catapulted leader Marc Bolan to stardom, triggered an ongoing fascination with glam rock, and launched a movement that soon involved David Bowie, Roxy Music, Mott the Hoople, and more. Yet none of those namesake artists ever released a record that out-glammed, out-innuendoed, out-thrusted, or out-camped Electric Warrior named the 160th Greatest Album of All Time by Rolling Stone and included in the celebrated book 1001 Albums You Must Hear Before You Die. \r\n \r\n Mastered on Mobile Fidelity's state-of-the-art mastering system, pressed on dead-quiet vinyl at RTI, and housed in a gatefold sleeve, the label's numbered-edition 180 gram 45 RPM 2 LP set gives the 1971 landmark the widescreen sound quality it has always deserved. Tony Visconti's warm, reverb-soaked production and Roy Thomas Baker's ace engineering remain two of the work's most famous and revered elements. Here, the production and music can be experienced in all its full-tilt glory, from the subtle albeit elegant classical touches to the instantly identifiable Les Paul guitar licks to Bolan's sensual, wispy, are-they-or-aren't-they-serious vocals.\r\n \r\n As Sean Egan wrote in the liner notes of a long-out-of-print reissue : "The sound is recognizably rock, yet a previously unheard exotic variant, almost as if concocted by inhabitants of one of the Tolkien-esque worlds common in Bolan's lyrics. The strings are overt but discreet in shape and tone, injecting just the right amount of class". All these aspects and more come to life with a realism, vibrancy, detail, and textural palpability that surpass the presentation on any prior analog edition. If you can hear colors, this audiophile version ofElectric Warrior will stimulate your inner synesthesia.\r\n \r\n At the time of the album's creation, such cosmic-related phenomenon were well within Bolan's orbit. But the differences between Electric Warrior and the singer/guitarist's earlier works are as vast as those that divide high art and low-brow culture. Chief among them : Bolan's decision to channel his acoustic hippie-inspired visions into hyper-sexualized, metaphor-rich statements that benefit from amplified foundations. And still, part of the songs' charm relates to how they tread a fine line between rock and pop. \r\n \r\n Save for the lashing out of "Rip Off", Electric Warrior retains a mellow core underlined by a gauzy tint, gossamer temperament, and crushed-velvet feel. The perception that he record contains blustery heaviness is furthered and initiated by the now-iconic album cover, which depicts a giant-sized Bolan standing in front of an equally giant amplifier stack, striking a rock-star pose and giving the impression everything within is designed to go to the proverbial 11 on the volume knob. Akin to a majority of the songs themselves, the visual functions as clever illusion, absurd humor, ostentatious simplicity, and playful pretense. \r\n \r\n Bursting with excessive fun and unchecked libido, T. Rex's catchy boogies, shuffles, and vamps scoot by on a seemingly impossible blend of concise hooks, non-sequitur fantasies, and theatrical swagger. From the chart-topping "Bang a Gong (Get It On)" to the beautiful "Life's a Gas", the R&B-stoked hit "Jeepster" to the pout of "Motivator" and galactic soul of "Planet Queen", Bolan, percussionist Mickey Finn, and boards manipulator Visconti craft a rewardingly strange, parallel universe of sound, style, and sex that still has no equal.\r\n \r\n Secure your collectible copy of Electric Warrior from Music Direct today ! """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Marc Bolan (guitar, vocals), Mickey Finn (congas, bongos, vocals), Steve Currie (bass guitar), Bill Legend (drums, tambourine), Rick Wakeman (keyboards), Ian McDonald (saxophone), Burt Collins (flugelhorn)…" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Ch3N-EPNX-U" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-490" -titreMorceau: [ [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "1. Mambo Sun" "ordre" => 1 ] [ "nom" => "2. Cosmic Dancer" "ordre" => 2 ] [ "nom" => "Side B : " "ordre" => 3 ] [ "nom" => "1. Jeepster" "ordre" => 4 ] [ "nom" => "2. Monolith" "ordre" => 5 ] [ "nom" => "3. Lean Woman Blues" "ordre" => 6 ] [ "nom" => "Side C :" "ordre" => 7 ] [ "nom" => "1. Bang a Gong (Get It On)" "ordre" => 8 ] [ "nom" => "2. Planet Queen" "ordre" => 9 ] [ "nom" => "3. Girl" "ordre" => 10 ] [ "nom" => "Side D : " "ordre" => 11 ] [ "nom" => "1. The Motivator" "ordre" => 12 ] [ "nom" => "2. Life's a Gas" "ordre" => 13 ] [ "nom" => "3. Rip Off" "ordre" => 14 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2149 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2158 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2151 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2153 …} -enregistreLe: DateTime @1582613832 {#2144 : 2020-02-25 06:57:12.0 UTC (+00:00) } -modifierLe: DateTime @1763453009 {#2145 : 2025-11-18 08:03:29.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2155 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-electric-warrior-mobile-fidelity-sound-lab-mfsl-2-490" } "detaillePage" => false ] |
|||
| Attributes | [] |
|||
| Component | App\Twig\Components\GestionPanierFavoriComponents {#3558 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2147 -id: 1817 -nom: "Electric Warrior" -informationComplementaire: null -description: """ Musicians :\r\n Marc Bolan (guitar, vocals), Mickey Finn (congas, bongos, vocals), Steve Currie (bass guitar), Bill Legend (drums, tambourine), Rick Wakeman (keyboards), Ian McDonald (saxophone), Burt Collins (flugelhorn), Howard Kaylan, Mark Volman (backing vocals).\r\n \r\n T. Rex's Exotic Landmark Signals the Birth of Glam Rock, Features "Bang a Gong (Get It On)" : Electric Warrior Swaggers with Libido, Flamboyance, Fantasy, Fun, Hooks, and Theatricality \r\n \r\n Mastered on Mobile Fidelity's State-of-the-Art Mastering System : 180 gram 45 RPM Vinyl (2 LP) Set Presents the 1971 Record's Reverb, Colors, Tones, and String Arrangements in Full-Tilt Glory\r\n \r\n Bang a gong and get it on. At once sardonic, flamboyant, and trashy, T. Rex's uncommonly unique Electric Warrior catapulted leader Marc Bolan to stardom, triggered an ongoing fascination with glam rock, and launched a movement that soon involved David Bowie, Roxy Music, Mott the Hoople, and more. Yet none of those namesake artists ever released a record that out-glammed, out-innuendoed, out-thrusted, or out-camped Electric Warrior named the 160th Greatest Album of All Time by Rolling Stone and included in the celebrated book 1001 Albums You Must Hear Before You Die. \r\n \r\n Mastered on Mobile Fidelity's state-of-the-art mastering system, pressed on dead-quiet vinyl at RTI, and housed in a gatefold sleeve, the label's numbered-edition 180 gram 45 RPM 2 LP set gives the 1971 landmark the widescreen sound quality it has always deserved. Tony Visconti's warm, reverb-soaked production and Roy Thomas Baker's ace engineering remain two of the work's most famous and revered elements. Here, the production and music can be experienced in all its full-tilt glory, from the subtle albeit elegant classical touches to the instantly identifiable Les Paul guitar licks to Bolan's sensual, wispy, are-they-or-aren't-they-serious vocals.\r\n \r\n As Sean Egan wrote in the liner notes of a long-out-of-print reissue : "The sound is recognizably rock, yet a previously unheard exotic variant, almost as if concocted by inhabitants of one of the Tolkien-esque worlds common in Bolan's lyrics. The strings are overt but discreet in shape and tone, injecting just the right amount of class". All these aspects and more come to life with a realism, vibrancy, detail, and textural palpability that surpass the presentation on any prior analog edition. If you can hear colors, this audiophile version ofElectric Warrior will stimulate your inner synesthesia.\r\n \r\n At the time of the album's creation, such cosmic-related phenomenon were well within Bolan's orbit. But the differences between Electric Warrior and the singer/guitarist's earlier works are as vast as those that divide high art and low-brow culture. Chief among them : Bolan's decision to channel his acoustic hippie-inspired visions into hyper-sexualized, metaphor-rich statements that benefit from amplified foundations. And still, part of the songs' charm relates to how they tread a fine line between rock and pop. \r\n \r\n Save for the lashing out of "Rip Off", Electric Warrior retains a mellow core underlined by a gauzy tint, gossamer temperament, and crushed-velvet feel. The perception that he record contains blustery heaviness is furthered and initiated by the now-iconic album cover, which depicts a giant-sized Bolan standing in front of an equally giant amplifier stack, striking a rock-star pose and giving the impression everything within is designed to go to the proverbial 11 on the volume knob. Akin to a majority of the songs themselves, the visual functions as clever illusion, absurd humor, ostentatious simplicity, and playful pretense. \r\n \r\n Bursting with excessive fun and unchecked libido, T. Rex's catchy boogies, shuffles, and vamps scoot by on a seemingly impossible blend of concise hooks, non-sequitur fantasies, and theatrical swagger. From the chart-topping "Bang a Gong (Get It On)" to the beautiful "Life's a Gas", the R&B-stoked hit "Jeepster" to the pout of "Motivator" and galactic soul of "Planet Queen", Bolan, percussionist Mickey Finn, and boards manipulator Visconti craft a rewardingly strange, parallel universe of sound, style, and sex that still has no equal.\r\n \r\n Secure your collectible copy of Electric Warrior from Music Direct today ! """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Marc Bolan (guitar, vocals), Mickey Finn (congas, bongos, vocals), Steve Currie (bass guitar), Bill Legend (drums, tambourine), Rick Wakeman (keyboards), Ian McDonald (saxophone), Burt Collins (flugelhorn)…" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Ch3N-EPNX-U" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-490" -titreMorceau: [ [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "1. Mambo Sun" "ordre" => 1 ] [ "nom" => "2. Cosmic Dancer" "ordre" => 2 ] [ "nom" => "Side B : " "ordre" => 3 ] [ "nom" => "1. Jeepster" "ordre" => 4 ] [ "nom" => "2. Monolith" "ordre" => 5 ] [ "nom" => "3. Lean Woman Blues" "ordre" => 6 ] [ "nom" => "Side C :" "ordre" => 7 ] [ "nom" => "1. Bang a Gong (Get It On)" "ordre" => 8 ] [ "nom" => "2. Planet Queen" "ordre" => 9 ] [ "nom" => "3. Girl" "ordre" => 10 ] [ "nom" => "Side D : " "ordre" => 11 ] [ "nom" => "1. The Motivator" "ordre" => 12 ] [ "nom" => "2. Life's a Gas" "ordre" => 13 ] [ "nom" => "3. Rip Off" "ordre" => 14 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2149 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2158 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2151 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2153 …} -enregistreLe: DateTime @1582613832 {#2144 : 2020-02-25 06:57:12.0 UTC (+00:00) } -modifierLe: DateTime @1763453009 {#2145 : 2025-11-18 08:03:29.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2155 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-electric-warrior-mobile-fidelity-sound-lab-mfsl-2-490" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
|||
| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.30 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2163 -id: 840 -nom: "Live At The Fillmore East" -informationComplementaire: null -description: """ - The Allman Brothers Band At Fillmore East on 180 gram double LP !\r\n - Limited edition numbered album !\r\n - Ranked N° 49 on Rolling Stone's 500 Greatest Albums of All Time list !\r\n - Peerless Sonics : Mobile Fidelity edition provides fifth-row seat to historic March 1971 concerts !\r\n \r\n Fillmore East is synonymous with some of the greatest concerts ever staged. Yet the vaudeville venue belongs to one group : The Allman Brothers Band. This groundbreaking double album is why. As the collective's breakthrough, it broadcasts to the world wowing improvisational flights and seamless musical fusion the likes of which no one had ever heard. In communion with the crowd, the band establishes an interactive blueprint for all shows that followed, while its high-wire displays of powerhouse soloing and time-stretching arrangements remain the stuff of hall-of-fame legend.\r\n \r\n Mobile Fidelity's collectable double LP of At Fillmore East joins the reissue imprint's other Allman titles in presenting the inimitable ensemble's music in the most lifelike, uncompromising fidelity possible. Myriad versions of the 1971 set exist; it is rare to find the audiophile sensibilities found here - sonic traits that whisk the listener to the midst of the Fillmore East for four gigs performed on March 12 and 13, 1971, plunking them down in a fifth-row seat surrounded by fervent fans and a smoke-filled atmosphere. Every slippery bottleneck note, every aching vocal moan, every soulful purr from the organ, every gritty interlocking riff comes across with unfettered clarity and realism.\r\n \r\n While the record features multiple works the band never laid down in a studio, At Fillmore East is a meticulously conceived affair. The Allmans prepped rough sketches and layouts of the tunes, carving out spaces for each member's solos, and leaving the direction of such entirely up to the individual. As a result, the effort - anchored by iconic producer Tom Dowd's stellar production - presents a jazz-drifting rock band benefiting from both a sense of assured direction as well as opportunistic freedom.\r\n \r\n Indeed, At Fillmore East is the rare sounds of a group letting it all go, fearlessly maneuvering through bluesy shuffles, exquisite laments, graceful instrumental passages, and frenetic swamp-laden boogies. Achieved via a combination of virtuosic skill, visionary ambition, and natural chemistry, the six-piece burns white-hot with intensity and persuades via a padlock-tight rhythm section on which Duane's searing slide playing and Gregg's bottom-of-the-stomach vocals glide, each aural utterance coaxing on their respective mates to strive for new heights.\r\n \r\n The evidence abounds on the rollercoaster thrills of the dipping and diving "Whipping Post"; the biscuit-and-gravy purity of an aptly tempestuous "Stormy Monday", complete with harmonica from guest Tom Doucette; the flaming inertia established on the celebratory "Hot ‘Lanta"; and the jam-heavy hopscotch of an elastic "In Memory of Elizabeth Reed," one of numerous standout moments for lead guitarist Dickey Betts. It seems as if everyone knew what they were experiencing. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …} -musicienOrchestre: "Gregg Allman (organ, piano, vocals), Duane Allman (lead & slide guitar), Dicky Betts (lead guitar), Thom Doucette (harmonica), Berry Oakley (bass guitar), Butch Trucks, Jai Johanny Johanson (drums, percussion, congas, timbales)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=0wsUNMSiIII" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2434-45" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Statesboro Blues" "ordre" => 1 ] [ "nom" => "2. Done Somebody Wrong" "ordre" => 2 ] [ "nom" => "3. Stormy Monday" "ordre" => 3 ] [ "nom" => "Side B : " "ordre" => 4 ] [ "nom" => "1. You Don't Love Me" "ordre" => 5 ] [ "nom" => "Side C : " "ordre" => 6 ] [ "nom" => "1. Hot ‘Lanta" "ordre" => 7 ] [ "nom" => "2. In Memory of Elizabeth Reed" "ordre" => 8 ] [ "nom" => "Side D : " "ordre" => 9 ] [ "nom" => "1. Whipping Post" "ordre" => 10 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2165 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2174 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2167 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2169 …} -enregistreLe: DateTime @1447578494 {#2160 : 2015-11-15 09:08:14.0 UTC (+00:00) } -modifierLe: DateTime @1763017155 {#2161 : 2025-11-13 06:59:15.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-live-at-the-fillmore-east-mobile-fidelity-sound-lab-mfsl-2434-45" } "detaillePage" => false ] |
|||
| Attributes | [] |
|||
| Component | App\Twig\Components\GestionPanierFavoriComponents {#3609 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2163 -id: 840 -nom: "Live At The Fillmore East" -informationComplementaire: null -description: """ - The Allman Brothers Band At Fillmore East on 180 gram double LP !\r\n - Limited edition numbered album !\r\n - Ranked N° 49 on Rolling Stone's 500 Greatest Albums of All Time list !\r\n - Peerless Sonics : Mobile Fidelity edition provides fifth-row seat to historic March 1971 concerts !\r\n \r\n Fillmore East is synonymous with some of the greatest concerts ever staged. Yet the vaudeville venue belongs to one group : The Allman Brothers Band. This groundbreaking double album is why. As the collective's breakthrough, it broadcasts to the world wowing improvisational flights and seamless musical fusion the likes of which no one had ever heard. In communion with the crowd, the band establishes an interactive blueprint for all shows that followed, while its high-wire displays of powerhouse soloing and time-stretching arrangements remain the stuff of hall-of-fame legend.\r\n \r\n Mobile Fidelity's collectable double LP of At Fillmore East joins the reissue imprint's other Allman titles in presenting the inimitable ensemble's music in the most lifelike, uncompromising fidelity possible. Myriad versions of the 1971 set exist; it is rare to find the audiophile sensibilities found here - sonic traits that whisk the listener to the midst of the Fillmore East for four gigs performed on March 12 and 13, 1971, plunking them down in a fifth-row seat surrounded by fervent fans and a smoke-filled atmosphere. Every slippery bottleneck note, every aching vocal moan, every soulful purr from the organ, every gritty interlocking riff comes across with unfettered clarity and realism.\r\n \r\n While the record features multiple works the band never laid down in a studio, At Fillmore East is a meticulously conceived affair. The Allmans prepped rough sketches and layouts of the tunes, carving out spaces for each member's solos, and leaving the direction of such entirely up to the individual. As a result, the effort - anchored by iconic producer Tom Dowd's stellar production - presents a jazz-drifting rock band benefiting from both a sense of assured direction as well as opportunistic freedom.\r\n \r\n Indeed, At Fillmore East is the rare sounds of a group letting it all go, fearlessly maneuvering through bluesy shuffles, exquisite laments, graceful instrumental passages, and frenetic swamp-laden boogies. Achieved via a combination of virtuosic skill, visionary ambition, and natural chemistry, the six-piece burns white-hot with intensity and persuades via a padlock-tight rhythm section on which Duane's searing slide playing and Gregg's bottom-of-the-stomach vocals glide, each aural utterance coaxing on their respective mates to strive for new heights.\r\n \r\n The evidence abounds on the rollercoaster thrills of the dipping and diving "Whipping Post"; the biscuit-and-gravy purity of an aptly tempestuous "Stormy Monday", complete with harmonica from guest Tom Doucette; the flaming inertia established on the celebratory "Hot ‘Lanta"; and the jam-heavy hopscotch of an elastic "In Memory of Elizabeth Reed," one of numerous standout moments for lead guitarist Dickey Betts. It seems as if everyone knew what they were experiencing. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …} -musicienOrchestre: "Gregg Allman (organ, piano, vocals), Duane Allman (lead & slide guitar), Dicky Betts (lead guitar), Thom Doucette (harmonica), Berry Oakley (bass guitar), Butch Trucks, Jai Johanny Johanson (drums, percussion, congas, timbales)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=0wsUNMSiIII" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2434-45" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Statesboro Blues" "ordre" => 1 ] [ "nom" => "2. Done Somebody Wrong" "ordre" => 2 ] [ "nom" => "3. Stormy Monday" "ordre" => 3 ] [ "nom" => "Side B : " "ordre" => 4 ] [ "nom" => "1. You Don't Love Me" "ordre" => 5 ] [ "nom" => "Side C : " "ordre" => 6 ] [ "nom" => "1. Hot ‘Lanta" "ordre" => 7 ] [ "nom" => "2. In Memory of Elizabeth Reed" "ordre" => 8 ] [ "nom" => "Side D : " "ordre" => 9 ] [ "nom" => "1. Whipping Post" "ordre" => 10 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2165 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2174 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2167 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2169 …} -enregistreLe: DateTime @1447578494 {#2160 : 2015-11-15 09:08:14.0 UTC (+00:00) } -modifierLe: DateTime @1763017155 {#2161 : 2025-11-13 06:59:15.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-live-at-the-fillmore-east-mobile-fidelity-sound-lab-mfsl-2434-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
|||
| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2179 -id: 2157 -nom: "El Camino (10th Anniversary Deluxe Edition)" -informationComplementaire: null -description: """ - 10th Anniversary Deluxe Edition (3 LP) of El Camino by The Black Keys !\r\n - Includes the remastered original album plus a previously unreleased Portland, Maine live concert recording !\r\n - Read the entire feature profile about El Camino from Nonesuch Records here !\r\n \r\n The Black Keys present a special 10th anniversary edition of their landmark seventh studio album El Camino via Nonesuch Records on November 5, 2021. El Camino (10th Anniversary Deluxe Edition) will be available in several formats including a 3 LP set. The 3LP edition includes the remastered original album plus a live concert recording from Portland, Maine.\r\n \r\n El Camino was produced by Danger Mouse and The Black Keys and was recorded in the band's then-new hometown of Nashville during the spring of 2011. The Black Keys won three awards at the 55th annual Grammy Awards for El Camino Best Rock Performance, Best Rock Song, and Best Rock Album among other worldwide accolades.\r\n \r\n In the U.K., the band was nominated for a BRIT Award (Best International Group) and an NME Award (Best International Band). The week of release, the band performed on Saturday Night Live, The Colbert Report, and the Late Show with David Letterman, and later that year, went on to perform their first Madison Square Garden show.\r\n \r\n Rolling Stone, which featured the band on their cover around the release, hailed El Camino for bringing "raw, riffed-out power back to pop's lexicon", and called it "the Keys' grandest pop gesture yet, augmenting dark-hearted fuzz blasts with sleekly sexy choruses and Seventies-glam flair". The Guardian said, "They sound like a band who think they've made the year's best rock'n'roll album, probably because that's exactly what they've done".\r\n \r\n El Camino has received double platinum certified sales in the U.S.; platinum in the U.K., Belgium, France, Ireland, and the Netherlands; triple platinum in Australia and New Zealand; quadruple platinum in Canada; and gold in Austria, Denmark, Finland, Italy, Mexico, Norway, Spain, and Switzerland. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: null -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 3 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=9DYPfItb2fk" -referenceProduit: "Nonesuch 9140" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Original Album Remastered" "ordre" => 1 ] [ "nom" => "1. Lonely Boy " "ordre" => 2 ] [ "nom" => "2. Dead And Gone " "ordre" => 3 ] [ "nom" => "3. Gold On The Ceiling " "ordre" => 4 ] [ "nom" => "4. Little Black Submarines " "ordre" => 5 ] [ "nom" => "5. Money Maker" "ordre" => 6 ] [ "nom" => "Side B : " "ordre" => 7 ] [ "nom" => "1. Run Right Back " "ordre" => 8 ] [ "nom" => "2. Sister " "ordre" => 9 ] [ "nom" => "3. Hell Of A Season " "ordre" => 10 ] [ "nom" => "4. Stop Stop " "ordre" => 11 ] [ "nom" => "5. Nova Baby " "ordre" => 12 ] [ "nom" => "6. Mind Eraser" "ordre" => 13 ] [ "nom" => "Side C : " "ordre" => 14 ] [ "nom" => "Live In Portland, ME" "ordre" => 15 ] [ "nom" => "1. Howlin' For You " "ordre" => 16 ] [ "nom" => "2. Next Girl " "ordre" => 17 ] [ "nom" => "3. Run Right Back " "ordre" => 18 ] [ "nom" => "4. Same Old Thing " "ordre" => 19 ] [ "nom" => "5. Dead And Gone " "ordre" => 20 ] [ "nom" => "6. Gold On The Ceiling" "ordre" => 21 ] [ "nom" => "Side D :" "ordre" => 22 ] [ "nom" => "1. Thickfreakness " "ordre" => 23 ] [ "nom" => "2. Girl Is On My Mind " "ordre" => 24 ] [ "nom" => "3. I'll Be Your Man / Your Touch " "ordre" => 25 ] [ "nom" => "4. Little Black Submarines" "ordre" => 26 ] [ "nom" => "Side E : " "ordre" => 27 ] [ "nom" => "1. Money Maker " "ordre" => 28 ] [ "nom" => "2. Strange Times " "ordre" => 29 ] [ "nom" => "3. Chop And Change " "ordre" => 30 ] [ "nom" => "4. Nova Baby " "ordre" => 31 ] [ "nom" => "5. Ten Cent Pistol" "ordre" => 32 ] [ "nom" => "Side F : " "ordre" => 33 ] [ "nom" => "1. Tighten Up " "ordre" => 34 ] [ "nom" => "2. Lonely Boy " "ordre" => 35 ] [ "nom" => "3. Everlasting Light " "ordre" => 36 ] [ "nom" => "4. She's Long Gone " "ordre" => 37 ] [ "nom" => "5. I Got Mine" "ordre" => 38 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2181 …} -label: Proxies\__CG__\App\Entity\Label {#2184 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2193 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2186 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2188 …} -enregistreLe: DateTime @1636009031 {#2176 : 2021-11-04 06:57:11.0 UTC (+00:00) } -modifierLe: DateTime @1762947431 {#2177 : 2025-11-12 11:37:11.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2190 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-el-camino-10th-anniversary-deluxe-edition-nonesuch-9140" } "detaillePage" => false ] |
|||
| Attributes | [] |
|||
| Component | App\Twig\Components\GestionPanierFavoriComponents {#3660 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2179 -id: 2157 -nom: "El Camino (10th Anniversary Deluxe Edition)" -informationComplementaire: null -description: """ - 10th Anniversary Deluxe Edition (3 LP) of El Camino by The Black Keys !\r\n - Includes the remastered original album plus a previously unreleased Portland, Maine live concert recording !\r\n - Read the entire feature profile about El Camino from Nonesuch Records here !\r\n \r\n The Black Keys present a special 10th anniversary edition of their landmark seventh studio album El Camino via Nonesuch Records on November 5, 2021. El Camino (10th Anniversary Deluxe Edition) will be available in several formats including a 3 LP set. The 3LP edition includes the remastered original album plus a live concert recording from Portland, Maine.\r\n \r\n El Camino was produced by Danger Mouse and The Black Keys and was recorded in the band's then-new hometown of Nashville during the spring of 2011. The Black Keys won three awards at the 55th annual Grammy Awards for El Camino Best Rock Performance, Best Rock Song, and Best Rock Album among other worldwide accolades.\r\n \r\n In the U.K., the band was nominated for a BRIT Award (Best International Group) and an NME Award (Best International Band). The week of release, the band performed on Saturday Night Live, The Colbert Report, and the Late Show with David Letterman, and later that year, went on to perform their first Madison Square Garden show.\r\n \r\n Rolling Stone, which featured the band on their cover around the release, hailed El Camino for bringing "raw, riffed-out power back to pop's lexicon", and called it "the Keys' grandest pop gesture yet, augmenting dark-hearted fuzz blasts with sleekly sexy choruses and Seventies-glam flair". The Guardian said, "They sound like a band who think they've made the year's best rock'n'roll album, probably because that's exactly what they've done".\r\n \r\n El Camino has received double platinum certified sales in the U.S.; platinum in the U.K., Belgium, France, Ireland, and the Netherlands; triple platinum in Australia and New Zealand; quadruple platinum in Canada; and gold in Austria, Denmark, Finland, Italy, Mexico, Norway, Spain, and Switzerland. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: null -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 3 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=9DYPfItb2fk" -referenceProduit: "Nonesuch 9140" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Original Album Remastered" "ordre" => 1 ] [ "nom" => "1. Lonely Boy " "ordre" => 2 ] [ "nom" => "2. Dead And Gone " "ordre" => 3 ] [ "nom" => "3. Gold On The Ceiling " "ordre" => 4 ] [ "nom" => "4. Little Black Submarines " "ordre" => 5 ] [ "nom" => "5. Money Maker" "ordre" => 6 ] [ "nom" => "Side B : " "ordre" => 7 ] [ "nom" => "1. Run Right Back " "ordre" => 8 ] [ "nom" => "2. Sister " "ordre" => 9 ] [ "nom" => "3. Hell Of A Season " "ordre" => 10 ] [ "nom" => "4. Stop Stop " "ordre" => 11 ] [ "nom" => "5. Nova Baby " "ordre" => 12 ] [ "nom" => "6. Mind Eraser" "ordre" => 13 ] [ "nom" => "Side C : " "ordre" => 14 ] [ "nom" => "Live In Portland, ME" "ordre" => 15 ] [ "nom" => "1. Howlin' For You " "ordre" => 16 ] [ "nom" => "2. Next Girl " "ordre" => 17 ] [ "nom" => "3. Run Right Back " "ordre" => 18 ] [ "nom" => "4. Same Old Thing " "ordre" => 19 ] [ "nom" => "5. Dead And Gone " "ordre" => 20 ] [ "nom" => "6. Gold On The Ceiling" "ordre" => 21 ] [ "nom" => "Side D :" "ordre" => 22 ] [ "nom" => "1. Thickfreakness " "ordre" => 23 ] [ "nom" => "2. Girl Is On My Mind " "ordre" => 24 ] [ "nom" => "3. I'll Be Your Man / Your Touch " "ordre" => 25 ] [ "nom" => "4. Little Black Submarines" "ordre" => 26 ] [ "nom" => "Side E : " "ordre" => 27 ] [ "nom" => "1. Money Maker " "ordre" => 28 ] [ "nom" => "2. Strange Times " "ordre" => 29 ] [ "nom" => "3. Chop And Change " "ordre" => 30 ] [ "nom" => "4. Nova Baby " "ordre" => 31 ] [ "nom" => "5. Ten Cent Pistol" "ordre" => 32 ] [ "nom" => "Side F : " "ordre" => 33 ] [ "nom" => "1. Tighten Up " "ordre" => 34 ] [ "nom" => "2. Lonely Boy " "ordre" => 35 ] [ "nom" => "3. Everlasting Light " "ordre" => 36 ] [ "nom" => "4. She's Long Gone " "ordre" => 37 ] [ "nom" => "5. I Got Mine" "ordre" => 38 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2181 …} -label: Proxies\__CG__\App\Entity\Label {#2184 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2193 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2186 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2188 …} -enregistreLe: DateTime @1636009031 {#2176 : 2021-11-04 06:57:11.0 UTC (+00:00) } -modifierLe: DateTime @1762947431 {#2177 : 2025-11-12 11:37:11.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2190 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-el-camino-10th-anniversary-deluxe-edition-nonesuch-9140" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
|||
| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2200 -id: 1432 -nom: "Briefcase Full Of Blues" -informationComplementaire: null -description: """ Musicians :\r\n Jake Blues "Joliet" (lead vocals), Elwood Blues "Dan Aykroyd" (backing & lead vocals, harmonica), Paul "The Shiv" Shaffer (organ Hammond, electric & acoustic piano, backing vocals), Steve "The Colonel" Cropper, Matt "Guitar" Murphy (guitar), Donald "Duck" Dunn (bass guitar), Lou "Blue Lou" Marini, Tom "Triple Scale" Scott (tenor & alto saxophone), Alan "Mr. Fabulous" Rubin (trumpet, backing vocals), Tom "Bones" Malone (tenor & baritone saxophones, trombone, trumpet, backing vocals), Steve "Getdwa" Jordan (drums, backing vocals).\r\n \r\n After their phenomenal success on Saturday Night Live and a number of smash comedy movies already in their resume, John Belushi and Dan Akroyd dove headfirst into their love of soul, blues and r & b and began the Blues Brothers duo, netting them a number one album, top hit singles, a box office smash and acclaimfrom purists and blues lovers from all over with their first LP, Briefcase Full Of Blues.\r\n \r\n Recorded in 1978 at the Universal Amphitheater in Los Angeles, the late great John Belushi and Dan Akroyd opened a set before comedian and good friend Steve Martin. To the crowd's amazement, the duo blasted them a blistering rock &' blues performance which was captured on tape for their first album Briefcase Full Of Blues. They later appeared on SNL and the rest as they say is history, as this stunt became reality in no time and thus began a short lived but amazing piece of rock and blues history.\r\n \r\n Released during the holiday season, the album became a number one smash and netted two smash singles with the classic nod to the Stax sound with Sam & Dave's "Soul Man" (FRM-8218) as well as the '50s doo wop classic, "Rubber Biscuit." With a stellar musician lineup of classic R & B and traditional blues purists like Steve Cropper and Duck Dunn from Booker T. & The M.G.'s (FRM-8202), Chess Records sideman to the stars Matt "Guitar " Murphy, saxophone champion Tom Scott and a handful of New York City's finest on the reeds, rounded out with Paul Shafer on keys, The Blues Brothers were a force to reckon with as their albums would go on to sell in the millions making them one of the biggest bands in the late seventies into the eighties. With a stunning set list of righteous blues and soulful interpretations, this masterpiece is filled with non-stop classics like the hard boppin' opener Hey Bartender, blues belters like Junior Wells' "Messin' With The Kid" and Big Joe Turner's "Flip Flop Fly", plus southern rockers like Delbert McClinton's "'B" Movie Box CarBlues". In addition to these legendary performances, this unique concert recording yielded more with powerhouses like the smash I Don't Know, King Floyd's Groove Me, and the blues thriller Shot Gun Blues. Friday Music is no stranger to the blues. Therefore, it is with much honor to announce the first installment in our Blues Brothers 180 Gram Audiophile Vinyl Series with their brilliant masterwork Briefcase Full Of Blues. For the first time ever on 180 Gram Vinyl, this limited edition classic was mastered impeccably and faithfully from the original 1978 Atlantic Records tapes by their Atlantic Records label alumni Joe Reagoso (John Lee Hooker/ Muddy Waters/Johnny Winter) at Friday Music Studios and Capitol Records in Hollywood, CA. To enhance your Jake and Elwood experience even further, this stunning limited anniversary edition also includes the original album cover art, Miami Mitch Glazer's funny liner notes as well as the 12 brilliant tunes you will truly forever enjoy in the audiophile vinyl domain. Blues Brothers.... Briefcase Full Of Blues...... The Anniversary Edition, A first time Audiophile Vinyl Experience.... Authorized and Live..... Exclusively from your friends at Friday Music.... """ -prixVente: "52.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …} -musicienOrchestre: "Jake Blues "Joliet" (lead vocals), Elwood Blues "Dan Aykroyd" (backing & lead vocals, harmonica), Paul "The Shiv" Shaffer (organ Hammond, electric & acoustic piano, backing vocals), Steve "The Colonel" Cropper, Matt "Guitar" Murphy (guitar)…" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=5Fzy0Akg5TU" -referenceProduit: "Friday Music FRM 211921" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Hey Bartender " "ordre" => 1 ] [ "nom" => "2. Messin’ With The Kid " "ordre" => 2 ] [ "nom" => "3. Almost " "ordre" => 3 ] [ "nom" => "4. Rubber Biscuit " "ordre" => 4 ] [ "nom" => "5. Shot Gun Blues " "ordre" => 5 ] [ "nom" => "Side B : " "ordre" => 6 ] [ "nom" => "1. Groove Me " "ordre" => 7 ] [ "nom" => "2. I Don’t Know " "ordre" => 8 ] [ "nom" => "3. Soul Man " "ordre" => 9 ] [ "nom" => "4. “B” Movie Box Car Blues " "ordre" => 10 ] [ "nom" => "5. Flip, Flop & Fly" "ordre" => 11 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2202 …} -label: Proxies\__CG__\App\Entity\Label {#2205 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2214 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2207 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2209 …} -enregistreLe: DateTime @1542613506 {#2196 : 2018-11-19 07:45:06.0 UTC (+00:00) } -modifierLe: DateTime @1762947095 {#2195 : 2025-11-12 11:31:35.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2211 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-briefcase-full-of-blues-friday-music-frm-211921" } "detaillePage" => false ] |
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| Attributes | [] |
|||
| Component | App\Twig\Components\GestionPanierFavoriComponents {#3711 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2200 -id: 1432 -nom: "Briefcase Full Of Blues" -informationComplementaire: null -description: """ Musicians :\r\n Jake Blues "Joliet" (lead vocals), Elwood Blues "Dan Aykroyd" (backing & lead vocals, harmonica), Paul "The Shiv" Shaffer (organ Hammond, electric & acoustic piano, backing vocals), Steve "The Colonel" Cropper, Matt "Guitar" Murphy (guitar), Donald "Duck" Dunn (bass guitar), Lou "Blue Lou" Marini, Tom "Triple Scale" Scott (tenor & alto saxophone), Alan "Mr. Fabulous" Rubin (trumpet, backing vocals), Tom "Bones" Malone (tenor & baritone saxophones, trombone, trumpet, backing vocals), Steve "Getdwa" Jordan (drums, backing vocals).\r\n \r\n After their phenomenal success on Saturday Night Live and a number of smash comedy movies already in their resume, John Belushi and Dan Akroyd dove headfirst into their love of soul, blues and r & b and began the Blues Brothers duo, netting them a number one album, top hit singles, a box office smash and acclaimfrom purists and blues lovers from all over with their first LP, Briefcase Full Of Blues.\r\n \r\n Recorded in 1978 at the Universal Amphitheater in Los Angeles, the late great John Belushi and Dan Akroyd opened a set before comedian and good friend Steve Martin. To the crowd's amazement, the duo blasted them a blistering rock &' blues performance which was captured on tape for their first album Briefcase Full Of Blues. They later appeared on SNL and the rest as they say is history, as this stunt became reality in no time and thus began a short lived but amazing piece of rock and blues history.\r\n \r\n Released during the holiday season, the album became a number one smash and netted two smash singles with the classic nod to the Stax sound with Sam & Dave's "Soul Man" (FRM-8218) as well as the '50s doo wop classic, "Rubber Biscuit." With a stellar musician lineup of classic R & B and traditional blues purists like Steve Cropper and Duck Dunn from Booker T. & The M.G.'s (FRM-8202), Chess Records sideman to the stars Matt "Guitar " Murphy, saxophone champion Tom Scott and a handful of New York City's finest on the reeds, rounded out with Paul Shafer on keys, The Blues Brothers were a force to reckon with as their albums would go on to sell in the millions making them one of the biggest bands in the late seventies into the eighties. With a stunning set list of righteous blues and soulful interpretations, this masterpiece is filled with non-stop classics like the hard boppin' opener Hey Bartender, blues belters like Junior Wells' "Messin' With The Kid" and Big Joe Turner's "Flip Flop Fly", plus southern rockers like Delbert McClinton's "'B" Movie Box CarBlues". In addition to these legendary performances, this unique concert recording yielded more with powerhouses like the smash I Don't Know, King Floyd's Groove Me, and the blues thriller Shot Gun Blues. Friday Music is no stranger to the blues. Therefore, it is with much honor to announce the first installment in our Blues Brothers 180 Gram Audiophile Vinyl Series with their brilliant masterwork Briefcase Full Of Blues. For the first time ever on 180 Gram Vinyl, this limited edition classic was mastered impeccably and faithfully from the original 1978 Atlantic Records tapes by their Atlantic Records label alumni Joe Reagoso (John Lee Hooker/ Muddy Waters/Johnny Winter) at Friday Music Studios and Capitol Records in Hollywood, CA. To enhance your Jake and Elwood experience even further, this stunning limited anniversary edition also includes the original album cover art, Miami Mitch Glazer's funny liner notes as well as the 12 brilliant tunes you will truly forever enjoy in the audiophile vinyl domain. Blues Brothers.... Briefcase Full Of Blues...... The Anniversary Edition, A first time Audiophile Vinyl Experience.... Authorized and Live..... Exclusively from your friends at Friday Music.... """ -prixVente: "52.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …} -musicienOrchestre: "Jake Blues "Joliet" (lead vocals), Elwood Blues "Dan Aykroyd" (backing & lead vocals, harmonica), Paul "The Shiv" Shaffer (organ Hammond, electric & acoustic piano, backing vocals), Steve "The Colonel" Cropper, Matt "Guitar" Murphy (guitar)…" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=5Fzy0Akg5TU" -referenceProduit: "Friday Music FRM 211921" -titreMorceau: [ [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "1. Hey Bartender " "ordre" => 1 ] [ "nom" => "2. Messin’ With The Kid " "ordre" => 2 ] [ "nom" => "3. Almost " "ordre" => 3 ] [ "nom" => "4. Rubber Biscuit " "ordre" => 4 ] [ "nom" => "5. Shot Gun Blues " "ordre" => 5 ] [ "nom" => "Side B : " "ordre" => 6 ] [ "nom" => "1. Groove Me " "ordre" => 7 ] [ "nom" => "2. I Don’t Know " "ordre" => 8 ] [ "nom" => "3. Soul Man " "ordre" => 9 ] [ "nom" => "4. “B” Movie Box Car Blues " "ordre" => 10 ] [ "nom" => "5. Flip, Flop & Fly" "ordre" => 11 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2202 …} -label: Proxies\__CG__\App\Entity\Label {#2205 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2214 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2207 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2209 …} -enregistreLe: DateTime @1542613506 {#2196 : 2018-11-19 07:45:06.0 UTC (+00:00) } -modifierLe: DateTime @1762947095 {#2195 : 2025-11-12 11:31:35.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2211 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-briefcase-full-of-blues-friday-music-frm-211921" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| AjoutMailNewsletterComponent | App\Twig\Components\AjoutMailNewsletterComponent | 6.0 MiB | 0.23 ms | |
|---|---|---|---|---|
| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\AjoutMailNewsletterComponent {#3912 +email: "" -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3913 …} -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3961 …} +isValidated: false +validatedFields: [] } |
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