Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2626
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2703
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2706 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
  -formView: Symfony\Component\Form\FormView {#2742 …}
  -form: Symfony\Component\Form\Form {#2892 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 2125
    -nom: "Kwanza"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Archie Shepp (tenor & soprano saxophone), Martin Banks (trumpet, flugelhorn), Robin Kenyatta (alto saxophone, flute), Andrew Bey, Cedar Walton (piano), Bert Payne, Wally Richardson (guitar), Albert Winston (electric bass, bass), Leon Thomas (lead vocals), Tasha Thomas, Doris Troy (backing vocals), Jimmy Owens, Woody Shaw (trumpet), Grachan Moncur III, Matthew Gee (trombone), James Spaulding, Clarence Sharpe (alto saxophone), Charles Davis (baritone saxophone), Dave Burrell (organ, piano), Bob Bushnell (electric bass), Walter Booker, Wilbur Ware (bass), Cecil Payne (baritone saxophone, flute), Beaver Harris, Bernard Purdie, Joe Chambers (drums).\r\n
      \r\n
      Verve Records/UMe and Third Man Records have partnered to resurrect the popular reissue series, Verve By Request, with a vinyl twist. Focusing on rare gems and fan-requested jazz albums from the Verve Label Group's stable of iconic labels, the series will offer two titles per month each hand-picked by Verve and Third Man Records. The records will include both long-out-of-print titles from the vault as well as the first-ever vinyl pressings for albums released in the '90s and aughts that were only originally released on CD.\r\n
      \r\n
      Albums will be newly remastered from original analog sources, when available, and pressed on 180 gram at Third Man Record Pressings in Detroit.\r\n
      \r\n
      These 1969 recordings (released in 1974) combine Archie Shepp's free jazz bonafides and a blend of blues/funk through an African lens, all in a big band setting. The all-star brass section, featuring James Spaulding and Charles Davis on sax along with trombonist Graham Moncur III, lead the way on stand-out cuts including "New Africa" and "Spoo Pee Doo". Verve By Request Series features transfers from the analog tapes remastered on 180 gram vinyl.\r\n
      \r\n
      \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Archie Shepp (tenor & soprano saxophone), Martin Banks (trumpet, flugelhorn), Robin Kenyatta (alto saxophone, flute), Andrew Bey, Cedar Walton (piano), Bert Payne, Wally Richardson (guitar), Albert Winston (electric bass, bass)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WlTPdltKqGs"
    -referenceProduit: "Verve Records AS 9262"
    -titreMorceau: [
      [
        "nom" => "1. Back Back "
        "ordre" => 1
      ]
      [
        "nom" => "1. Slow Drag "
        "ordre" => 5
      ]
      [
        "nom" => "2. Bakai"
        "ordre" => 6
      ]
      [
        "nom" => "2. Spoo Pee Doo "
        "ordre" => 2
      ]
      [
        "nom" => "3. New Africa"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1630824279 {#1929
      date: 2021-09-05 06:44:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1685600359 {#1922
      date: 2023-06-01 06:19:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kwanza-verve-records-as-9262"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3163
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 2125
    -nom: "Kwanza"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Archie Shepp (tenor & soprano saxophone), Martin Banks (trumpet, flugelhorn), Robin Kenyatta (alto saxophone, flute), Andrew Bey, Cedar Walton (piano), Bert Payne, Wally Richardson (guitar), Albert Winston (electric bass, bass), Leon Thomas (lead vocals), Tasha Thomas, Doris Troy (backing vocals), Jimmy Owens, Woody Shaw (trumpet), Grachan Moncur III, Matthew Gee (trombone), James Spaulding, Clarence Sharpe (alto saxophone), Charles Davis (baritone saxophone), Dave Burrell (organ, piano), Bob Bushnell (electric bass), Walter Booker, Wilbur Ware (bass), Cecil Payne (baritone saxophone, flute), Beaver Harris, Bernard Purdie, Joe Chambers (drums).\r\n
      \r\n
      Verve Records/UMe and Third Man Records have partnered to resurrect the popular reissue series, Verve By Request, with a vinyl twist. Focusing on rare gems and fan-requested jazz albums from the Verve Label Group's stable of iconic labels, the series will offer two titles per month each hand-picked by Verve and Third Man Records. The records will include both long-out-of-print titles from the vault as well as the first-ever vinyl pressings for albums released in the '90s and aughts that were only originally released on CD.\r\n
      \r\n
      Albums will be newly remastered from original analog sources, when available, and pressed on 180 gram at Third Man Record Pressings in Detroit.\r\n
      \r\n
      These 1969 recordings (released in 1974) combine Archie Shepp's free jazz bonafides and a blend of blues/funk through an African lens, all in a big band setting. The all-star brass section, featuring James Spaulding and Charles Davis on sax along with trombonist Graham Moncur III, lead the way on stand-out cuts including "New Africa" and "Spoo Pee Doo". Verve By Request Series features transfers from the analog tapes remastered on 180 gram vinyl.\r\n
      \r\n
      \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Archie Shepp (tenor & soprano saxophone), Martin Banks (trumpet, flugelhorn), Robin Kenyatta (alto saxophone, flute), Andrew Bey, Cedar Walton (piano), Bert Payne, Wally Richardson (guitar), Albert Winston (electric bass, bass)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WlTPdltKqGs"
    -referenceProduit: "Verve Records AS 9262"
    -titreMorceau: [
      [
        "nom" => "1. Back Back "
        "ordre" => 1
      ]
      [
        "nom" => "1. Slow Drag "
        "ordre" => 5
      ]
      [
        "nom" => "2. Bakai"
        "ordre" => 6
      ]
      [
        "nom" => "2. Spoo Pee Doo "
        "ordre" => 2
      ]
      [
        "nom" => "3. New Africa"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1630824279 {#1929
      date: 2021-09-05 06:44:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1685600359 {#1922
      date: 2023-06-01 06:19:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kwanza-verve-records-as-9262"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 2390
    -nom: "Purdie Good !"
    -informationComplementaire: ""
    -description: """
      - Remastered from the Original Tapes !\r\n
      \r\n
      - Pressed on 180 gram Vinyl !\r\n
      \r\n
      In between being one of the most recorded studio drummers of all time (this "Purdie Shuffle" graced everything from Aretha Franklin to Steely Dan), Bernard Purdie squeezed in a few sessions of his own. Purdie Good! was recorded early in 1971 by legendary engineer Rudy Van Gelder. The album masterfully balances three Purdie originals with three covers, including a blazing romp through James Brown's "Cold Sweat". 180 gram LP remastered from the original tapes and packaged in a tip-on jacket.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Bernard Purdie (drums), Harold Wheeler (electric piano), Billy Nichols, Ted Dunbar (guitar), Charlie Brown, Warren Daniels (tenor saxophone),  Tippy Larkin (trumpet), Gordon Edwards (bass), Norman Pride (congas)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CXRa5T4FW_U"
    -referenceProduit: "Concord Craft Recordings 0522"
    -titreMorceau: [
      [
        "nom" => "1. Cold Sweat "
        "ordre" => 1
      ]
      [
        "nom" => "1. Wasteland "
        "ordre" => 5
      ]
      [
        "nom" => "2. Everybody's Talkin' "
        "ordre" => 6
      ]
      [
        "nom" => "2. Montego Bay "
        "ordre" => 2
      ]
      [
        "nom" => "3. Purdie Good"
        "ordre" => 3
      ]
      [
        "nom" => "3. You Turn Me On"
        "ordre" => 7
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1679557959 {#2095
      date: 2023-03-23 07:52:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1685553462 {#2096
      date: 2023-05-31 17:17:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-purdie-good-concord-craft-recordings-0522"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3277
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 2390
    -nom: "Purdie Good !"
    -informationComplementaire: ""
    -description: """
      - Remastered from the Original Tapes !\r\n
      \r\n
      - Pressed on 180 gram Vinyl !\r\n
      \r\n
      In between being one of the most recorded studio drummers of all time (this "Purdie Shuffle" graced everything from Aretha Franklin to Steely Dan), Bernard Purdie squeezed in a few sessions of his own. Purdie Good! was recorded early in 1971 by legendary engineer Rudy Van Gelder. The album masterfully balances three Purdie originals with three covers, including a blazing romp through James Brown's "Cold Sweat". 180 gram LP remastered from the original tapes and packaged in a tip-on jacket.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Bernard Purdie (drums), Harold Wheeler (electric piano), Billy Nichols, Ted Dunbar (guitar), Charlie Brown, Warren Daniels (tenor saxophone),  Tippy Larkin (trumpet), Gordon Edwards (bass), Norman Pride (congas)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CXRa5T4FW_U"
    -referenceProduit: "Concord Craft Recordings 0522"
    -titreMorceau: [
      [
        "nom" => "1. Cold Sweat "
        "ordre" => 1
      ]
      [
        "nom" => "1. Wasteland "
        "ordre" => 5
      ]
      [
        "nom" => "2. Everybody's Talkin' "
        "ordre" => 6
      ]
      [
        "nom" => "2. Montego Bay "
        "ordre" => 2
      ]
      [
        "nom" => "3. Purdie Good"
        "ordre" => 3
      ]
      [
        "nom" => "3. You Turn Me On"
        "ordre" => 7
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1679557959 {#2095
      date: 2023-03-23 07:52:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1685553462 {#2096
      date: 2023-05-31 17:17:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-purdie-good-concord-craft-recordings-0522"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
}

[
  "produit" => App\Entity\Produit {#2117
    -id: 2275
    -nom: "Ella And Louis Again"
    -informationComplementaire: ""
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Producer Norman Granz had a stroke of genius when he signed the jazz greats Ella Fitzgerald and Louis Armstrong to his Verve label. The duo that critics have called "A match made in heaven," take to the microphone here for a repeat on Ella And Louis Again, the sequel to 1956's acclaimed Ella and Louis. Ella's voice radiant, warm, sweet as honey, and Louis' gritty, gravelly, croon formed a sound rife with commercial success.\r\n
      \r\n
      The sequel album was backed by the Oscar Peterson trio, with Louie Bellson replacing Buddy Rich on the drums. The 10 track album had seven tracks with solo singing and three duet tracks. Ella and Louis Again stood out from their first album and subsequent album Porgy and Bess. It focused more on the artist's voices rather than Louis' trumpet solos on Ella and Louis and didn't have a big band like the one featured in Porgy and Bess. This focus truly brought the voices of the two icons center stage, where they were able to perform in perfect black and white contrast. The Oscar Peterson trio did not go unnoticed, however. They were mentioned as a "solid rhythm section" by Alex Henderson at AllMusic.\r\n
      \r\n
      Ella and Louis Again will rein down in history as being an important piece to what could be considered the most iconic jazz trilogy of all time.\r\n
      \r\n
      Originally released in 1957.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Louis Armstrong (trumpet, vocals), Ella Fitzgerald (vocals), Ray Brown (bass), Herb Ellis (guitar),  Oscar Peterson (piano), Louie Bellson (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=dtLerPwneMw"
    -referenceProduit: "Analogue Productions AVG 4006-2"
    -titreMorceau: [
      [
        "nom" => "1. A Fine Romance "
        "ordre" => 18
      ]
      [
        "nom" => "1. Don't Be That Way "
        "ordre" => 1
      ]
      [
        "nom" => "1. Let's Call The Whole Thing Off "
        "ordre" => 12
      ]
      [
        "nom" => "1. Let's Do It (Let's Fall In Love) "
        "ordre" => 7
      ]
      [
        "nom" => "2. Ill Wind "
        "ordre" => 19
      ]
      [
        "nom" => "2. Makin' Whoopee "
        "ordre" => 2
      ]
      [
        "nom" => "2. Stompin' At The Savoy "
        "ordre" => 8
      ]
      [
        "nom" => "2. These Foolish Things (Remind Me Of You) "
        "ordre" => 13
      ]
      [
        "nom" => "3. I Won't Dance "
        "ordre" => 9
      ]
      [
        "nom" => "3. I've Got My Love To Keep Me Warm "
        "ordre" => 14
      ]
      [
        "nom" => "3. Love Is Here To Stay "
        "ordre" => 20
      ]
      [
        "nom" => "3. They All Laughed "
        "ordre" => 3
      ]
      [
        "nom" => "4. Comes Love "
        "ordre" => 4
      ]
      [
        "nom" => "4. Gee, Baby, Ain't I Good To You?"
        "ordre" => 10
      ]
      [
        "nom" => "4. I Get A Kick Out Of You "
        "ordre" => 21
      ]
      [
        "nom" => "4. Willow Weep For Me "
        "ordre" => 15
      ]
      [
        "nom" => "5. Autumn In New York"
        "ordre" => 5
      ]
      [
        "nom" => "5. I'm Puttin' All My Eggs In One Basket"
        "ordre" => 16
      ]
      [
        "nom" => "5. Learnin' The Blues"
        "ordre" => 22
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 11
      ]
      [
        "nom" => "Side D : "
        "ordre" => 17
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1502 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3328
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
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  +produit: App\Entity\Produit {#2117
    -id: 2275
    -nom: "Ella And Louis Again"
    -informationComplementaire: ""
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Producer Norman Granz had a stroke of genius when he signed the jazz greats Ella Fitzgerald and Louis Armstrong to his Verve label. The duo that critics have called "A match made in heaven," take to the microphone here for a repeat on Ella And Louis Again, the sequel to 1956's acclaimed Ella and Louis. Ella's voice radiant, warm, sweet as honey, and Louis' gritty, gravelly, croon formed a sound rife with commercial success.\r\n
      \r\n
      The sequel album was backed by the Oscar Peterson trio, with Louie Bellson replacing Buddy Rich on the drums. The 10 track album had seven tracks with solo singing and three duet tracks. Ella and Louis Again stood out from their first album and subsequent album Porgy and Bess. It focused more on the artist's voices rather than Louis' trumpet solos on Ella and Louis and didn't have a big band like the one featured in Porgy and Bess. This focus truly brought the voices of the two icons center stage, where they were able to perform in perfect black and white contrast. The Oscar Peterson trio did not go unnoticed, however. They were mentioned as a "solid rhythm section" by Alex Henderson at AllMusic.\r\n
      \r\n
      Ella and Louis Again will rein down in history as being an important piece to what could be considered the most iconic jazz trilogy of all time.\r\n
      \r\n
      Originally released in 1957.
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    -prixVente: "89.50"
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    -musicienOrchestre: "Louis Armstrong (trumpet, vocals), Ella Fitzgerald (vocals), Ray Brown (bass), Herb Ellis (guitar),  Oscar Peterson (piano), Louie Bellson (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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        "ordre" => 7
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        "ordre" => 19
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        "nom" => "2. Makin' Whoopee "
        "ordre" => 2
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        "nom" => "2. Stompin' At The Savoy "
        "ordre" => 8
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        "nom" => "2. These Foolish Things (Remind Me Of You) "
        "ordre" => 13
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        "ordre" => 9
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      [
        "nom" => "3. I've Got My Love To Keep Me Warm "
        "ordre" => 14
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      [
        "nom" => "3. Love Is Here To Stay "
        "ordre" => 20
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      [
        "nom" => "3. They All Laughed "
        "ordre" => 3
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      [
        "nom" => "4. Comes Love "
        "ordre" => 4
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      [
        "nom" => "4. Gee, Baby, Ain't I Good To You?"
        "ordre" => 10
      ]
      [
        "nom" => "4. I Get A Kick Out Of You "
        "ordre" => 21
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      [
        "nom" => "4. Willow Weep For Me "
        "ordre" => 15
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      [
        "nom" => "5. Autumn In New York"
        "ordre" => 5
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      [
        "nom" => "5. I'm Puttin' All My Eggs In One Basket"
        "ordre" => 16
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      [
        "nom" => "5. Learnin' The Blues"
        "ordre" => 22
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "Side B : "
        "ordre" => 6
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      [
        "nom" => "Side C : "
        "ordre" => 11
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        "nom" => "Side D : "
        "ordre" => 17
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
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[
  "produit" => App\Entity\Produit {#2136
    -id: 2165
    -nom: "Saturday Night In San Francisco / Live 12/06/80"
    -informationComplementaire: ""
    -description: """
      Audiophile 180 gram Vinyl LP !\r\n
      \r\n
      Long-Awaited Follow Up To Friday Night In San Francisco !\r\n
      \r\n
      Assembled From Original 16 Track Analog Live Session Tapes by Al Di Meola, Katsu Naito & Roy Hendrickson !\r\n
      \r\n
      Mastered From Analog Tapes by Bernie Grundman !\r\n
      \r\n
      Pressed at RTI !\r\n
      \r\n
      Jazz writer Walter Kolovsky has said that Friday Night In San Francisco "may be the most influential of all acoustic guitar albums". LPs of it have been a demonstration staple on turntables around the world for over 40 years. To celebrate the lasting impact of this singular album and the legendary concert that it represents, Impex Records is proud to announce the long-awaited follow up : Saturday Night In San Francisco.\r\n
      \r\n
      Working with hours of original 16-track live session tapes, Al Di Meola and his team have brilliantly curated this musical tour-de-force, bringing to life for the first time on LP, SACD-Hybrid and CD the explosively virtuosic final performance of Di Meola, John McLaughlin, and Paco De Lucia at the Warfield Theater in San Francisco, December 6, 1980. In the exclusive essay by music historian Charles L. Granata, Di Meola says of that final night : "It's exciting because the audience was right there with us, savoring every single note of music. And, we were ripping. It was crazy good !"\r\n
      \r\n
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      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Al Di Meola, John McLaughlin, Paco De Lucia (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cFlDf7Ck-N4"
    -referenceProduit: "Impex Records 6045"
    -titreMorceau: [
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        "nom" => "1. Bill Graham Introduction"
        "ordre" => 1
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        "ordre" => 7
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        "nom" => "2. Splendido Sundance"
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        "ordre" => 0
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        "ordre" => 6
      ]
    ]
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App\Twig\Components\GestionPanierFavoriComponents {#3379
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  +produit: App\Entity\Produit {#2136
    -id: 2165
    -nom: "Saturday Night In San Francisco / Live 12/06/80"
    -informationComplementaire: ""
    -description: """
      Audiophile 180 gram Vinyl LP !\r\n
      \r\n
      Long-Awaited Follow Up To Friday Night In San Francisco !\r\n
      \r\n
      Assembled From Original 16 Track Analog Live Session Tapes by Al Di Meola, Katsu Naito & Roy Hendrickson !\r\n
      \r\n
      Mastered From Analog Tapes by Bernie Grundman !\r\n
      \r\n
      Pressed at RTI !\r\n
      \r\n
      Jazz writer Walter Kolovsky has said that Friday Night In San Francisco "may be the most influential of all acoustic guitar albums". LPs of it have been a demonstration staple on turntables around the world for over 40 years. To celebrate the lasting impact of this singular album and the legendary concert that it represents, Impex Records is proud to announce the long-awaited follow up : Saturday Night In San Francisco.\r\n
      \r\n
      Working with hours of original 16-track live session tapes, Al Di Meola and his team have brilliantly curated this musical tour-de-force, bringing to life for the first time on LP, SACD-Hybrid and CD the explosively virtuosic final performance of Di Meola, John McLaughlin, and Paco De Lucia at the Warfield Theater in San Francisco, December 6, 1980. In the exclusive essay by music historian Charles L. Granata, Di Meola says of that final night : "It's exciting because the audience was right there with us, savoring every single note of music. And, we were ripping. It was crazy good !"\r\n
      \r\n
      Impex worked carefully with Di Meola, mixing engineer Roy Hendrickson (SPIN Studio), and mastering engineer Bernie Grundman to recreate the magic of Friday Night In San Francisco so these never-before-released solos and trios burst out of your system with striking clarity, dynamics and technical brilliance. "Crazy good", indeed.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Al Di Meola, John McLaughlin, Paco De Lucia (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=cFlDf7Ck-N4"
    -referenceProduit: "Impex Records 6045"
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        "ordre" => 5
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        "ordre" => 0
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        "ordre" => 6
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2147 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-saturday-night-in-san-francisco-live-12-06-80-impex-records-6045"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
}

[
  "produit" => App\Entity\Produit {#2155
    -id: 1859
    -nom: "The Wonderful Sounds Of Male Vocals"
    -informationComplementaire: ""
    -description: """
      An Audiophile Go-To !\r\n
      \r\n
      A Record You Grab When You Want To Show Off Your System !\r\n
      \r\n
      All-Time Classic Performances And Recordings By All-Time Great Male Singers !\r\n
      \r\n
      Each Track Selected By Acoustic Sounds Owner Chad Kassem !\r\n
      \r\n
      Lacquers Cut By Ryan K. Smith at Sterling Sound NYC !\r\n
      \r\n
      Pressed At Quality Record Pressings On 200 gram vinyl !\r\n
      \r\n
      Packaged In A Gatefold, Deluxe, Stoughton Tip-On Jacket !\r\n
      \r\n
      Liner Notes By Michael Fremer !\r\n
      \r\n
      Ready for another go with A-list caliber demo tracks chosen by the man himself, Acoustic Sounds founder and CEO Chad Kassem ? Here in our Analogue Productions Wonderful Sounds series, we have a treat for you following up on The Wonderful Sounds of Christmas, and Female Vocals, we've put together The Wonderful Sounds of Male Vocals stone-cold killers from the first song to the last !\r\n
      \r\n
      When you want to show off your hi-fi system's potential, why waste time with multiple LPs ? Skip the searching, un-sleeving, re-sleeving and more and give your audiophile friends what they like to hear. Grab this album and you'll hear show stoppers by Amos Lee, Dean Martin, Aaron Neville, Roy Orbison, Willie Nelson, Pure Prairie League, Harry Belafonte, Pete Seeger, The Beach Boys, Willy DeVille, Greg Brown, JD Souther, Tennessee Ernie Ford, Tony Bennett, Harry Nilsson, Tony Joe White and what would a male vocal compilation be without the truly great Elvis Presley ? Just how good older recordings can sound when the touch of an exceptional mastering engineer is involved is demonstrated by the matchless Ryan K. Smith at Sterling Sound.\r\n
      \r\n
      Like others in our Wonderful Sounds series, this album works well as entertainment and as a great sampler of the LPs, mostly released by Analogue Productions.\r\n
      \r\n
      Michael Fremer, of AnalogPlanet.com and Stereophile Magazine, walks you through each track and its historic place with very thorough and entertaining liners.\r\n
      \r\n
      Plating and pressing was done at Quality Record Pressings, where Gary Salstrom and his crew manufacture the world's best-sounding LPs with their exceptionally quiet playing surfaces.\r\n
      \r\n
      From "Fever" to "Spanish Jack", and "Amie" to "Blue Bayou" and everything in-between "Georgia on My Mind", "(I Left My Heart) In San Francisco", "Silver Blue" and more you'll be relishing this LP with each play. Make the easy selection and enjoy listening.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dean Martin, Amos Lee, JD Souther, Tennessee Ernie Ford, Aaron Neville, Pure Prairie League, Tony Bennett, Roy Orbison, Willie Nelson, Willis Alan Ramsey, Pete Seeger (The Weavers), The Beach Boys, Greg Brown, Harry Belafonte, Elvis Presley…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YYR8_iHvU1Y"
    -referenceProduit: "Analogue Productions AAPP 131-45"
    -titreMorceau: [
      [
        "nom" => "1. Amie - Pure Prairie League "
        "ordre" => 7
      ]
      [
        "nom" => "1. I'm Confessin' (That I Love You) - Dean Martin"
        "ordre" => 1
      ]
      [
        "nom" => "1. Losing Hand - Harry Belafonte "
        "ordre" => 19
      ]
      [
        "nom" => "1. Ramblin' Boy - Pete Seeger (The Weavers) "
        "ordre" => 13
      ]
      [
        "nom" => "2. (I Left My Heart) In San Francisco - Tony Bennett "
        "ordre" => 8
      ]
      [
        "nom" => "2. Arms of a Woman - Amos Lee"
        "ordre" => 2
      ]
      [
        "nom" => "2. In My Room (Stereo Version) - The Beach Boys "
        "ordre" => 14
      ]
      [
        "nom" => "2. Spanish Jack - Willy DeVille "
        "ordre" => 20
      ]
      [
        "nom" => "3. Blue Bayou - Roy Orbison "
        "ordre" => 9
      ]
      [
        "nom" => "3. Brand New '64 Dodge - Greg Brown "
        "ordre" => 15
      ]
      [
        "nom" => "3. Fever - Elvis Presley "
        "ordre" => 21
      ]
      [
        "nom" => "3. Silver Blue - JD Souther"
        "ordre" => 3
      ]
      [
        "nom" => "4. Did Somebody Make a Fool out of You - Tony Joe White "
        "ordre" => 22
      ]
      [
        "nom" => "4. Georgia On My Mind - Willie Nelson "
        "ordre" => 10
      ]
      [
        "nom" => "4. Scarlet Ribbons - Harry Belafonte "
        "ordre" => 16
      ]
      [
        "nom" => "4. Try Me One More Time - Tennessee Ernie Ford"
        "ordre" => 4
      ]
      [
        "nom" => "5. (There'll Be) Peace in the Valley (For Me) – Elvis Presley"
        "ordre" => 17
      ]
      [
        "nom" => "5. Coconut - Harry Nilsson"
        "ordre" => 23
      ]
      [
        "nom" => "5. It Feels Like Rain - Aaron Neville"
        "ordre" => 5
      ]
      [
        "nom" => "5. Sympathy for a Train - Willis Alan Ramsey"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
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        "nom" => "Side C : "
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2157 …}
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  +produit: App\Entity\Produit {#2155
    -id: 1859
    -nom: "The Wonderful Sounds Of Male Vocals"
    -informationComplementaire: ""
    -description: """
      An Audiophile Go-To !\r\n
      \r\n
      A Record You Grab When You Want To Show Off Your System !\r\n
      \r\n
      All-Time Classic Performances And Recordings By All-Time Great Male Singers !\r\n
      \r\n
      Each Track Selected By Acoustic Sounds Owner Chad Kassem !\r\n
      \r\n
      Lacquers Cut By Ryan K. Smith at Sterling Sound NYC !\r\n
      \r\n
      Pressed At Quality Record Pressings On 200 gram vinyl !\r\n
      \r\n
      Packaged In A Gatefold, Deluxe, Stoughton Tip-On Jacket !\r\n
      \r\n
      Liner Notes By Michael Fremer !\r\n
      \r\n
      Ready for another go with A-list caliber demo tracks chosen by the man himself, Acoustic Sounds founder and CEO Chad Kassem ? Here in our Analogue Productions Wonderful Sounds series, we have a treat for you following up on The Wonderful Sounds of Christmas, and Female Vocals, we've put together The Wonderful Sounds of Male Vocals stone-cold killers from the first song to the last !\r\n
      \r\n
      When you want to show off your hi-fi system's potential, why waste time with multiple LPs ? Skip the searching, un-sleeving, re-sleeving and more and give your audiophile friends what they like to hear. Grab this album and you'll hear show stoppers by Amos Lee, Dean Martin, Aaron Neville, Roy Orbison, Willie Nelson, Pure Prairie League, Harry Belafonte, Pete Seeger, The Beach Boys, Willy DeVille, Greg Brown, JD Souther, Tennessee Ernie Ford, Tony Bennett, Harry Nilsson, Tony Joe White and what would a male vocal compilation be without the truly great Elvis Presley ? Just how good older recordings can sound when the touch of an exceptional mastering engineer is involved is demonstrated by the matchless Ryan K. Smith at Sterling Sound.\r\n
      \r\n
      Like others in our Wonderful Sounds series, this album works well as entertainment and as a great sampler of the LPs, mostly released by Analogue Productions.\r\n
      \r\n
      Michael Fremer, of AnalogPlanet.com and Stereophile Magazine, walks you through each track and its historic place with very thorough and entertaining liners.\r\n
      \r\n
      Plating and pressing was done at Quality Record Pressings, where Gary Salstrom and his crew manufacture the world's best-sounding LPs with their exceptionally quiet playing surfaces.\r\n
      \r\n
      From "Fever" to "Spanish Jack", and "Amie" to "Blue Bayou" and everything in-between "Georgia on My Mind", "(I Left My Heart) In San Francisco", "Silver Blue" and more you'll be relishing this LP with each play. Make the easy selection and enjoy listening.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dean Martin, Amos Lee, JD Souther, Tennessee Ernie Ford, Aaron Neville, Pure Prairie League, Tony Bennett, Roy Orbison, Willie Nelson, Willis Alan Ramsey, Pete Seeger (The Weavers), The Beach Boys, Greg Brown, Harry Belafonte, Elvis Presley…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=YYR8_iHvU1Y"
    -referenceProduit: "Analogue Productions AAPP 131-45"
    -titreMorceau: [
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[
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    -id: 2197
    -nom: "The Wonderful World Of Louis Armstrong All Stars "A Gift To Pops""
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Louis Armstrong (trumpet, vocals), Wynton Marsalis, Nicolas Payton, Ashlin Parker, Wendell Brunious (trumpet), Wycliffe Gordon (trombone), Roderick Paulin (tenor saxophone), Courtney Bryan (piano), Derwin "Big D" Perkins (guitar), Don Vappie (banjo), Niki Haris, Menia Chester (vocals).\r\n
      \r\n
      Album includes new arrangements and performances of tunes from the Louis Armstrong era !\r\n
      \r\n
      A-list ensemble includes special guests Wynton Marsalis and Common !\r\n
      \r\n
      Celebrate the ongoing influence and legacy of jazz giant and entertainer Louis Armstrong !\r\n
      \r\n
      The Wonderful World of Louis Armstrong All Stars are the cream of the crop of current New Orleans musicians, paying tribute to the musician who started it all in the Crescent City. Comprised of new arrangements and recordings of music associated with Louis by a rotating cast of key New Orleans players including guest features from Wynton Marsalis, Common, and more.\r\n
      \r\n
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      \r\n
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      \r\n
      "We wanted to make this recording of the major 20th century artist who instructs and intersects with artists of the 21st century", says Harris. "All the musicians we asked to participate, even Wynton and Common, were honored to be a part of this. Each artist had a say on the music. We allowed all the musicians to put their own signatures on the songs".\r\n
      \r\n
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    -prixVente: "34.50"
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    -extraitYoutube: "https://www.youtube.com/watch?v=mWUVZvw36-o"
    -referenceProduit: "Verve Records 36501"
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        "ordre" => 7
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        "ordre" => 6
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2176 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3481
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  +produit: App\Entity\Produit {#2174
    -id: 2197
    -nom: "The Wonderful World Of Louis Armstrong All Stars "A Gift To Pops""
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Louis Armstrong (trumpet, vocals), Wynton Marsalis, Nicolas Payton, Ashlin Parker, Wendell Brunious (trumpet), Wycliffe Gordon (trombone), Roderick Paulin (tenor saxophone), Courtney Bryan (piano), Derwin "Big D" Perkins (guitar), Don Vappie (banjo), Niki Haris, Menia Chester (vocals).\r\n
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      Album includes new arrangements and performances of tunes from the Louis Armstrong era !\r\n
      \r\n
      A-list ensemble includes special guests Wynton Marsalis and Common !\r\n
      \r\n
      Celebrate the ongoing influence and legacy of jazz giant and entertainer Louis Armstrong !\r\n
      \r\n
      The Wonderful World of Louis Armstrong All Stars are the cream of the crop of current New Orleans musicians, paying tribute to the musician who started it all in the Crescent City. Comprised of new arrangements and recordings of music associated with Louis by a rotating cast of key New Orleans players including guest features from Wynton Marsalis, Common, and more.\r\n
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      "We wanted to make this recording of the major 20th century artist who instructs and intersects with artists of the 21st century", says Harris. "All the musicians we asked to participate, even Wynton and Common, were honored to be a part of this. Each artist had a say on the music. We allowed all the musicians to put their own signatures on the songs".\r\n
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    -prixVente: "34.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2176 …}
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      date: 2023-05-27 06:13:23.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2190
    -id: 526
    -nom: "Undercurrent"
    -informationComplementaire: "Reissue 2023"
    -description: """
      - DIVERSE SET ENCOMPASSES BALLADS, WALTZES, HARD-SWINGING BOP\r\n
      \r\n
      - 1/4" / 15 IPS Dolby A analog copy to analog console to lathe\r\n
      \r\n
      Bill Evans catapulted to the top of the jazz world in June 1961 after reeling off three straight masterpiece sessions at New York's Village Vanguard with his trio. Yet the emotional highs came to a screeching halt shortly thereafter when bassist Scott LaFaro died in a car accident. Devastated, Evans refrained from playing for nearly a year. If not for an inspirational collaboration of tremendous creative outpouring, one wonders what fate may have befallen Evans. Undercurrent, the outcome of two studio sessions with guitarist Jim Hall, is that project.\r\n
      \r\n
      While Evans managed to sit down for a few one-off takes between LaFaro's passing and these April-May 1962 dates, he largely remained on hiatus and abstained from recording. Whether it owes to the intimate pairing, he and Hall's brotherly chemistry, or the exquisite selection of program material, the results consistently come across as the equivalent of a private meditation - such is the level of introspective depth and quietly shaded interplay throughout. For Evans, the duet clearly functions as therapy, a healing episode in which his partner patiently lays back, shadowing moves and suggesting others, neither musician interested in the spotlight but each striving for (and achieving) transcendent beauty.\r\n
      \r\n
      In tackling standards such as Rodgers and Hart's "My Funny Valentine" and the Broadway classic "Darn That Dream", as well as the Hall original "Romain", the pair traverses complex harmonies with the astute elegance of a figure skater. At times, Evans and Hall go for broke on a hard-swinging romps, yet it's their implied melancholy and drifting, softly struck melodic refrains on waltzes and ballads that bestows Undercurrent with a nuanced romanticism and whispered atmosphere befitting the record's title.\r\n
      \r\n
      Indeed, even the album's cover an iconic photograph by Toni Frissell exhibits the surreal, almost-hallucinogenic properties of the fare contained within.\r\n
      \r\n
      \r\n
      \r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Bill Evans (piano), Jim Hall (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=_-N_9xpWXVU"
    -referenceProduit: "Mobile Fidelity Sound Labs MOFI 1-031"
    -titreMorceau: [
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        "nom" => "1. My Funny Valentine"
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        "nom" => "2. Skating In Central Park"
        "ordre" => 6
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        "nom" => "3. Darn That Dream"
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        "nom" => "3. Dream Gypsy"
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        "nom" => "Side A : "
        "ordre" => 0
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        "ordre" => 4
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2192 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2190
    -id: 526
    -nom: "Undercurrent"
    -informationComplementaire: "Reissue 2023"
    -description: """
      - DIVERSE SET ENCOMPASSES BALLADS, WALTZES, HARD-SWINGING BOP\r\n
      \r\n
      - 1/4" / 15 IPS Dolby A analog copy to analog console to lathe\r\n
      \r\n
      Bill Evans catapulted to the top of the jazz world in June 1961 after reeling off three straight masterpiece sessions at New York's Village Vanguard with his trio. Yet the emotional highs came to a screeching halt shortly thereafter when bassist Scott LaFaro died in a car accident. Devastated, Evans refrained from playing for nearly a year. If not for an inspirational collaboration of tremendous creative outpouring, one wonders what fate may have befallen Evans. Undercurrent, the outcome of two studio sessions with guitarist Jim Hall, is that project.\r\n
      \r\n
      While Evans managed to sit down for a few one-off takes between LaFaro's passing and these April-May 1962 dates, he largely remained on hiatus and abstained from recording. Whether it owes to the intimate pairing, he and Hall's brotherly chemistry, or the exquisite selection of program material, the results consistently come across as the equivalent of a private meditation - such is the level of introspective depth and quietly shaded interplay throughout. For Evans, the duet clearly functions as therapy, a healing episode in which his partner patiently lays back, shadowing moves and suggesting others, neither musician interested in the spotlight but each striving for (and achieving) transcendent beauty.\r\n
      \r\n
      In tackling standards such as Rodgers and Hart's "My Funny Valentine" and the Broadway classic "Darn That Dream", as well as the Hall original "Romain", the pair traverses complex harmonies with the astute elegance of a figure skater. At times, Evans and Hall go for broke on a hard-swinging romps, yet it's their implied melancholy and drifting, softly struck melodic refrains on waltzes and ballads that bestows Undercurrent with a nuanced romanticism and whispered atmosphere befitting the record's title.\r\n
      \r\n
      Indeed, even the album's cover an iconic photograph by Toni Frissell exhibits the surreal, almost-hallucinogenic properties of the fare contained within.\r\n
      \r\n
      \r\n
      \r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Bill Evans (piano), Jim Hall (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -referenceProduit: "Mobile Fidelity Sound Labs MOFI 1-031"
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        "nom" => "2. I Hear A Rhapsody"
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        "nom" => "2. Skating In Central Park"
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      [
        "nom" => "3. Darn That Dream"
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      ]
      [
        "nom" => "3. Dream Gypsy"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2192 …}
    -label: Proxies\__CG__\App\Entity\Label {#2195 …}
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      date: 2012-07-05 20:09:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1684998636 {#2188
      date: 2023-05-25 07:10:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2201 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-undercurrent-mobile-fidelity-sound-labs-mofi-1-031"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
}

[
  "produit" => App\Entity\Produit {#2209
    -id: 1216
    -nom: "Friday Night In San Francisco"
    -informationComplementaire: ""
    -description: """
      Mastered by Bernie Grundman and Bob Donnelly from the Original Analog Master Tapes ! \r\n
      \r\n
      Numbered Limited Edition 100 % Analog 180 gram Vinyl LP! Limited To Only 3000 Numbered Copies ! \r\n
      \r\n
      Friday Night In San Francisco is a 1981 live album by Al Di Meola, John McLaughlin and Paco de Lucia. It was described by jazz author and critic Walter Kolosky as "a musical event that could be compared to the Benny Goodman Band's performance at Carnegie Hall in 1938...(it) may be considered the most influential of all live acoustic guitar albums. All the tracks except Guardian Angel were recorded live at The Warfield Theatre on December 5, 1980 in San Francisco.\r\n
      \r\n
      This debut recording on Columbia Records became a landmark recording that surpassed the two million mark in sales. The three virtuosos in the Trio toured together from 1980 through 1983.\r\n
      \r\n
      Ah the Mediterranean... Filled with fine foods, wines, beautiful people, and the inspirational style of music that descended upon the able fingers of these guitar giants. This is by far one of the hottest guitar albums ever to bless sweet vinyl. Al Dimeola, John McLaughlin, & Paco Delucia play classical guitars (the kind with the nylon strings) in a flamenco / jazz style that will blow your socks off ! \r\n
      \r\n
      Paco de Lucia was a Spanish flamenco guitarist, composer and producer. A leading proponent of the New Flamenco style, he helped legitimize flamenco among the establishment in Spain, and was one of the first flamenco guitarists to have successfully crossed over into other genres of music such as classical and jazz. De Lucia was noted for his fast and fluent finger style runs. His collaborations with guitarists John McLaughlin and Al Di Meola saw him gain wider popularity outside his native Spain.\r\n
      \r\n
      Al Di Meola is an acclaimed jazz fusion and Latin jazz guitarist, composer, and record producer. With a musical career that has spanned more than three decades, he has become respected as one of the most influential guitarists in jazz to date. Albums such as Friday Night In San Francisco have earned him both artistic and commercial success with a solid fan base throughout the world. A prolific composer and prodigious six-string talent, Di Meola has amassed over 20 albums as a leader while collaborating on a dozen or so others.\r\n
      \r\n
      John McLaughlin is an English guitarist, bandleader and composer. His music includes many genres of jazz and rock, which he coupled with an interest in Indian classical music to become one of the pioneering figures in fusion. In 2010, guitarist Jeff Beck called him "the best guitarist alive." In 2003, McLaughlin was ranked 49th in Rolling Stone's "100 Greatest Guitarists of All Time". After contributing to several key British groups of the early sixties and making his first solo record, he moved to the US where he played with Tony Williams' group Lifetime and then with Miles Davis on his landmark electric-jazz fusion albums : In A Silent Way, Bitches Brew, A Tribute To Jack Johnson and On The Corner.\r\n
      \r\n
      "Loose and spontaneous, this (mainly) live album is a meeting of three of the greatest guitarists in the world for an acoustic summit the likes of which the guitar-playing community rarely sees. Broken up into three duo and two trio performances, Friday Night in San Francisco catches all three players at the peaks of their quite formidable powers". - www.allmusic.com\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Al Di Meola, John McLaughlin, Paco de Lucía (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=oGbLEco2Ezc"
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        "nom" => "3. Guardian Angel"
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        "ordre" => 0
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      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
    -label: Proxies\__CG__\App\Entity\Label {#2141 …}
    -style: App\Entity\Style {#1502 …}
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    }
    -modifierLe: DateTime @1684666473 {#2207
      date: 2023-05-21 10:54:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2214 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-friday-night-in-san-francisco-impex-records-imp-6029"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3585
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2209
    -id: 1216
    -nom: "Friday Night In San Francisco"
    -informationComplementaire: ""
    -description: """
      Mastered by Bernie Grundman and Bob Donnelly from the Original Analog Master Tapes ! \r\n
      \r\n
      Numbered Limited Edition 100 % Analog 180 gram Vinyl LP! Limited To Only 3000 Numbered Copies ! \r\n
      \r\n
      Friday Night In San Francisco is a 1981 live album by Al Di Meola, John McLaughlin and Paco de Lucia. It was described by jazz author and critic Walter Kolosky as "a musical event that could be compared to the Benny Goodman Band's performance at Carnegie Hall in 1938...(it) may be considered the most influential of all live acoustic guitar albums. All the tracks except Guardian Angel were recorded live at The Warfield Theatre on December 5, 1980 in San Francisco.\r\n
      \r\n
      This debut recording on Columbia Records became a landmark recording that surpassed the two million mark in sales. The three virtuosos in the Trio toured together from 1980 through 1983.\r\n
      \r\n
      Ah the Mediterranean... Filled with fine foods, wines, beautiful people, and the inspirational style of music that descended upon the able fingers of these guitar giants. This is by far one of the hottest guitar albums ever to bless sweet vinyl. Al Dimeola, John McLaughlin, & Paco Delucia play classical guitars (the kind with the nylon strings) in a flamenco / jazz style that will blow your socks off ! \r\n
      \r\n
      Paco de Lucia was a Spanish flamenco guitarist, composer and producer. A leading proponent of the New Flamenco style, he helped legitimize flamenco among the establishment in Spain, and was one of the first flamenco guitarists to have successfully crossed over into other genres of music such as classical and jazz. De Lucia was noted for his fast and fluent finger style runs. His collaborations with guitarists John McLaughlin and Al Di Meola saw him gain wider popularity outside his native Spain.\r\n
      \r\n
      Al Di Meola is an acclaimed jazz fusion and Latin jazz guitarist, composer, and record producer. With a musical career that has spanned more than three decades, he has become respected as one of the most influential guitarists in jazz to date. Albums such as Friday Night In San Francisco have earned him both artistic and commercial success with a solid fan base throughout the world. A prolific composer and prodigious six-string talent, Di Meola has amassed over 20 albums as a leader while collaborating on a dozen or so others.\r\n
      \r\n
      John McLaughlin is an English guitarist, bandleader and composer. His music includes many genres of jazz and rock, which he coupled with an interest in Indian classical music to become one of the pioneering figures in fusion. In 2010, guitarist Jeff Beck called him "the best guitarist alive." In 2003, McLaughlin was ranked 49th in Rolling Stone's "100 Greatest Guitarists of All Time". After contributing to several key British groups of the early sixties and making his first solo record, he moved to the US where he played with Tony Williams' group Lifetime and then with Miles Davis on his landmark electric-jazz fusion albums : In A Silent Way, Bitches Brew, A Tribute To Jack Johnson and On The Corner.\r\n
      \r\n
      "Loose and spontaneous, this (mainly) live album is a meeting of three of the greatest guitarists in the world for an acoustic summit the likes of which the guitar-playing community rarely sees. Broken up into three duo and two trio performances, Friday Night in San Francisco catches all three players at the peaks of their quite formidable powers". - www.allmusic.com\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Al Di Meola, John McLaughlin, Paco de Lucía (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=oGbLEco2Ezc"
    -referenceProduit: "Impex Records IMP 6029"
    -titreMorceau: [
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        "nom" => "1. Frevo Rasgado"
        "ordre" => 4
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      [
        "nom" => "1. Mediterranean Sundance/Rio Ancho"
        "ordre" => 1
      ]
      [
        "nom" => "2. Fantasia Suite"
        "ordre" => 5
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      [
        "nom" => "2. Short Tales of the Black Forest"
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        "nom" => "3. Guardian Angel"
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      [
        "nom" => "Side A : "
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      [
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        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
    -label: Proxies\__CG__\App\Entity\Label {#2141 …}
    -style: App\Entity\Style {#1502 …}
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    }
    -modifierLe: DateTime @1684666473 {#2207
      date: 2023-05-21 10:54:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-friday-night-in-san-francisco-impex-records-imp-6029"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
}

[
  "produit" => App\Entity\Produit {#2222
    -id: 2386
    -nom: "West Side Story"
    -informationComplementaire: ""
    -description: """
      - Contemporary Records Acoustic Sounds Series continues in 2023 !\r\n
      \r\n
      - Seven key albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      \r\n
      - Titles featuring Andre Previn, Leroy Vinnegar, Ornette Coleman, Curtis Counce, Art Farmer and Phineas Newborn Jr. !\r\n
      \r\n
      - Featuring all-analog mastering by Bernie Grundman !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing old-style tip-on jackets !\r\n
      \r\n
      - Continuing Craft Recordings' 70th Anniversary celebration of Contemporary Records !\r\n
      \r\n
      Craft Recordings and Acoustic Sounds are proud to announce the Contemporary Records Acoustic Sounds series, which continues for 2023 with seven album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180-gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.\r\n
      \r\n
      The series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.\r\n
      \r\n
      One of the best of a series of showtune albums perhaps THE best recorded by the trio of pianist Andre Previn, bassist Red Mitchell and drummer Shelly Manne. Here the all-star group is focusing on the music of West Side Story (AllMusic notes Previn and Manne alternated leadership, and it was the drummer's good fortune to have the famous My Fair Lady alum under his own name). The album has eight of the main themes from the famous musical, including "I Feel Pretty", "Maria" and "America". As usual, the melodies are treated respectfully yet swingingly, and Andre Previn in particular excels in this setting. Recommended.\r\n
      \r\n
      Founded in 1951 by film producer, screenwriter and record collector Lester Koenig (1917-1977), Contemporary Records became the epicenter of the West Coast jazz scene, while its cutting-edge approach to sound and design attracted some of the era's most exciting artists. The Contemporary Records Acoustic Sounds series which launched in the spring of 2022 with titles by Art Pepper, Barney Kessel and Benny Carter, among others honors the label's rich legacy through meticulous reissues that highlight the label's influential classics, as well as its must-hear rarities.\r\n
      \r\n
      Since its initial rollout, the series has earned accolades from a slew of outlets, including JazzTimes, which spoke to the impact of the label, reflecting : "Artists, producers, and engineers alike have held Contemporary aloft... as a label dedicated to presenting jazz at its absolute purest, richest, and live-est," adding that the new reissues "are living, breathing proof of that label's hotly cutting clarity". Audiophile Review, meanwhile, marveled at the stereo pressing of Art Pepper + Eleven : Modern Jazz Classics, which it called "top-notch," elaborating that it sounds "richer and more inviting... deliver[ing] a bit more cinemascopic ‘view' of the group". Praising Hampton Hawes' Four ! as "pristine", Audiophile Audition added, "Kudos to Craft Recordings for re-introducing a brilliant pianist". 
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "André Previn (piano), Red Mitchell (bass), Shelly Manne (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wnVrcKl_its"
    -referenceProduit: "Acoustic Sounds Series Contemporary 0390"
    -titreMorceau: [
      [
        "nom" => "1. Gee, Officer Krupke ! "
        "ordre" => 6
      ]
      [
        "nom" => "1. Something`s Coming "
        "ordre" => 1
      ]
      [
        "nom" => "2. Cool "
        "ordre" => 7
      ]
      [
        "nom" => "2. Jet Song "
        "ordre" => 2
      ]
      [
        "nom" => "3. Maria "
        "ordre" => 8
      ]
      [
        "nom" => "3. Tonight "
        "ordre" => 3
      ]
      [
        "nom" => "4. America"
        "ordre" => 9
      ]
      [
        "nom" => "4. I Feel Pretty"
        "ordre" => 4
      ]
      [
        "nom" => "Side A: "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: null
    -label: Proxies\__CG__\App\Entity\Label {#2224 …}
    -style: App\Entity\Style {#1502 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2226 …}
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    }
    -modifierLe: DateTime @1684607591 {#2220
      date: 2023-05-20 18:33:11.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -slug: "vinyles-west-side-story-acoustic-sounds-series-contemporary-0390"
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App\Twig\Components\GestionPanierFavoriComponents {#3633
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2222
    -id: 2386
    -nom: "West Side Story"
    -informationComplementaire: ""
    -description: """
      - Contemporary Records Acoustic Sounds Series continues in 2023 !\r\n
      \r\n
      - Seven key albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      \r\n
      - Titles featuring Andre Previn, Leroy Vinnegar, Ornette Coleman, Curtis Counce, Art Farmer and Phineas Newborn Jr. !\r\n
      \r\n
      - Featuring all-analog mastering by Bernie Grundman !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing old-style tip-on jackets !\r\n
      \r\n
      - Continuing Craft Recordings' 70th Anniversary celebration of Contemporary Records !\r\n
      \r\n
      Craft Recordings and Acoustic Sounds are proud to announce the Contemporary Records Acoustic Sounds series, which continues for 2023 with seven album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180-gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.\r\n
      \r\n
      The series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.\r\n
      \r\n
      One of the best of a series of showtune albums perhaps THE best recorded by the trio of pianist Andre Previn, bassist Red Mitchell and drummer Shelly Manne. Here the all-star group is focusing on the music of West Side Story (AllMusic notes Previn and Manne alternated leadership, and it was the drummer's good fortune to have the famous My Fair Lady alum under his own name). The album has eight of the main themes from the famous musical, including "I Feel Pretty", "Maria" and "America". As usual, the melodies are treated respectfully yet swingingly, and Andre Previn in particular excels in this setting. Recommended.\r\n
      \r\n
      Founded in 1951 by film producer, screenwriter and record collector Lester Koenig (1917-1977), Contemporary Records became the epicenter of the West Coast jazz scene, while its cutting-edge approach to sound and design attracted some of the era's most exciting artists. The Contemporary Records Acoustic Sounds series which launched in the spring of 2022 with titles by Art Pepper, Barney Kessel and Benny Carter, among others honors the label's rich legacy through meticulous reissues that highlight the label's influential classics, as well as its must-hear rarities.\r\n
      \r\n
      Since its initial rollout, the series has earned accolades from a slew of outlets, including JazzTimes, which spoke to the impact of the label, reflecting : "Artists, producers, and engineers alike have held Contemporary aloft... as a label dedicated to presenting jazz at its absolute purest, richest, and live-est," adding that the new reissues "are living, breathing proof of that label's hotly cutting clarity". Audiophile Review, meanwhile, marveled at the stereo pressing of Art Pepper + Eleven : Modern Jazz Classics, which it called "top-notch," elaborating that it sounds "richer and more inviting... deliver[ing] a bit more cinemascopic ‘view' of the group". Praising Hampton Hawes' Four ! as "pristine", Audiophile Audition added, "Kudos to Craft Recordings for re-introducing a brilliant pianist". 
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "André Previn (piano), Red Mitchell (bass), Shelly Manne (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wnVrcKl_its"
    -referenceProduit: "Acoustic Sounds Series Contemporary 0390"
    -titreMorceau: [
      [
        "nom" => "1. Gee, Officer Krupke ! "
        "ordre" => 6
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        "nom" => "1. Something`s Coming "
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        "nom" => "2. Cool "
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      [
        "nom" => "2. Jet Song "
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        "nom" => "3. Maria "
        "ordre" => 8
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      [
        "nom" => "3. Tonight "
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      [
        "nom" => "4. America"
        "ordre" => 9
      ]
      [
        "nom" => "4. I Feel Pretty"
        "ordre" => 4
      ]
      [
        "nom" => "Side A: "
        "ordre" => 0
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      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: null
    -label: Proxies\__CG__\App\Entity\Label {#2224 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2233 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2226 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2228 …}
    -enregistreLe: DateTime @1679473864 {#2219
      date: 2023-03-22 08:31:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1684607591 {#2220
      date: 2023-05-20 18:33:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2230 …}
    -disponible: null
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    -slug: "vinyles-west-side-story-acoustic-sounds-series-contemporary-0390"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
}

[
  "produit" => App\Entity\Produit {#2238
    -id: 2427
    -nom: " Mal/2 "
    -informationComplementaire: "AVAILABILITY : 31/07/2023 (subject Concord Craft Recordings)"
    -description: """
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      \r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      \r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      \r\n
      - Presented in tip-on jackets with OBI strip !\r\n
      \r\n
      Originally released in 1957, Mal Waldron's Mal/2 album features some of jazz music's biggest names. Joining Mal Waldron (piano) are John Coltrane (tenor sax), Idrees Sulieman (trumpet) and Ed Thigpen (drums) among others. This new edition of the album is released as part of the Original Jazz Classics Series and is pressed on 180 gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio and presented in a Tip-On Jacket.\r\n
      \r\n
      Since its inception in 1982, Fantasy's Original Jazz Classics® (OJC) series quickly established a reputation as the go-to imprint for collectible jazz reissues. OJC served as a home for the label's impressive jazz catalog which had grown to include thousands of celebrated titles from Prestige, Galaxy, Milestone, Riverside, Debut, Contemporary, Jazzland, and Pablo. Drawing on this vast wealth of material, Original Jazz Classics released more than 850 titles.\r\n
      \r\n
      Its goal was simple: to reissue influential jazz albums with the utmost care and reverence for the originals from the cover art and liner notes to the audio recordings themselves. Given Craft Recordings' shared passion for meticulous preservation and quality, it is a natural step to relaunch Original Jazz Classics as part of the Craft family.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Mal Waldron\t(piano), Idrees Sulieman, Bill Hardman (trumpet), John Coltrane (tenor saxophone), Jackie McLean, Sahib Shihab\t(alto saxophone), Julian Euell, Ed Thigpen, Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=BKgrzhH0RSk"
    -referenceProduit: "Concord Craft Recordings CR 00616"
    -titreMorceau: [
      [
        "nom" => "1. From This Moment On "
        "ordre" => 1
      ]
      [
        "nom" => "1. One By One "
        "ordre" => 5
      ]
      [
        "nom" => "2. Don’t Explain "
        "ordre" => 6
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      [
        "nom" => "2. J.M.’s Dream Doll "
        "ordre" => 2
      ]
      [
        "nom" => "3. Potpourri"
        "ordre" => 7
      ]
      [
        "nom" => "3. The Way You Look Tonight "
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2240 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2249 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2242 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2244 …}
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      date: 2023-05-16 11:35:36.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1684237234 {#2236
      date: 2023-05-16 11:40:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2246 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mal-2-concord-craft-recordings-cr-00616"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3679
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2238
    -id: 2427
    -nom: " Mal/2 "
    -informationComplementaire: "AVAILABILITY : 31/07/2023 (subject Concord Craft Recordings)"
    -description: """
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      \r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      \r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      \r\n
      - Presented in tip-on jackets with OBI strip !\r\n
      \r\n
      Originally released in 1957, Mal Waldron's Mal/2 album features some of jazz music's biggest names. Joining Mal Waldron (piano) are John Coltrane (tenor sax), Idrees Sulieman (trumpet) and Ed Thigpen (drums) among others. This new edition of the album is released as part of the Original Jazz Classics Series and is pressed on 180 gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio and presented in a Tip-On Jacket.\r\n
      \r\n
      Since its inception in 1982, Fantasy's Original Jazz Classics® (OJC) series quickly established a reputation as the go-to imprint for collectible jazz reissues. OJC served as a home for the label's impressive jazz catalog which had grown to include thousands of celebrated titles from Prestige, Galaxy, Milestone, Riverside, Debut, Contemporary, Jazzland, and Pablo. Drawing on this vast wealth of material, Original Jazz Classics released more than 850 titles.\r\n
      \r\n
      Its goal was simple: to reissue influential jazz albums with the utmost care and reverence for the originals from the cover art and liner notes to the audio recordings themselves. Given Craft Recordings' shared passion for meticulous preservation and quality, it is a natural step to relaunch Original Jazz Classics as part of the Craft family.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Mal Waldron\t(piano), Idrees Sulieman, Bill Hardman (trumpet), John Coltrane (tenor saxophone), Jackie McLean, Sahib Shihab\t(alto saxophone), Julian Euell, Ed Thigpen, Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=BKgrzhH0RSk"
    -referenceProduit: "Concord Craft Recordings CR 00616"
    -titreMorceau: [
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      [
        "nom" => "2. J.M.’s Dream Doll "
        "ordre" => 2
      ]
      [
        "nom" => "3. Potpourri"
        "ordre" => 7
      ]
      [
        "nom" => "3. The Way You Look Tonight "
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2240 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2249 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2242 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2244 …}
    -enregistreLe: DateTime @1684236936 {#2235
      date: 2023-05-16 11:35:36.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1684237234 {#2236
      date: 2023-05-16 11:40:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2246 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mal-2-concord-craft-recordings-cr-00616"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
}

[
  "produit" => App\Entity\Produit {#2254
    -id: 1263
    -nom: "Born Under A Bad Sign"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Albert King (lead guitar, vocals), Steve Cropper (rhythm guitar), Booker T. Jones (organ, piano), Isaac Hayes (piano), Donald ‘’Duck’’ Dunn (bass guitar), Wayne Jackson (trumpet), Andrew Love (tenor saxophone), Joe Arnold (baritone saxophone, flute), Al Jackson Jr. (drums).\r\n
      \r\n
      - LP 180 gram vinyl !\r\n
      - 2023 Edition Celebrating Albert King's Centennial !\r\n
      - All-Analog (AAA) Mastering from the Original Stereo Tapes by Jeff Powell at Take Out Vinyl !\r\n
      \r\n
      Albert King's electrifying Stax Records debut, Born Under a Bad Sign features an all-star line-up of musicians (including Booker T & the M.G.'s and members of The Memphis Horns) and finds King performing the iconic, original recording of "Born Under a Bad Sign", plus classics like "Laundromat Blues", "Oh Pretty Woman", and "Crosscut Saw".\r\n
      \r\n
      Offering the highest-quality listening experience, this edition of Born Under a Bad Sign was pressed on 180 gram vinyl with (AAA) lacquers cut from the original stereo tapes by Jeff Powell at Take Out Vinyl.\r\n
      \r\n
      Often referred to as one of the "Kings of the Blues", alongside Freddie King and B.B. King (no relation), Albert King (1923–1992) was one of the most influential blues artists in history, revered for his deft artistry on the electric guitar (most famously on a Gibson Flying V) and his deep, husky vocals. Combining an urgent Delta blues style with contemporary soul rhythms, King redefined the genre for the modern era.\r\n
      \r\n
      Born on a cotton plantation in Mississippi, King was a self-taught musician, who fashioned his first guitar out of a cigar box. When he purchased the real thing, the left-handed artist taught himself how to play the instrument upside-down. Supporting his career through a variety of jobs, King eventually moved north, first to Gary, IN, where he recorded his debut singles and played alongside blues pioneer, Jimmy Reed. In the mid-'50s, he relocated to the St. Louis area, where he built a following in the club scene and released his first Top 20 R&B hit, "Don't Throw Your Love on Me So Strong" (1961).\r\n
      \r\n
      King eventually returned to the South, settling in the musical hub of Memphis, where he promptly signed with the legendary soul label, Stax Records. There, King expanded upon his sound, collaborating with a powerhouse team of in-house musicians, producers, and songwriters, including Booker T. Jones, Steve Cropper, and William Bell. It was a winning combination, which found King scoring a multitude of hits on the R&B charts, beginning with 1966's "Laundromat Blues", followed by "Crosscut Saw" and "Born Under a Bad Sign" in 1967. It was the latter song, however, that became a blues standard nearly instantly. Penned by Bell and Jones, "Born Under a Bad Sign" had major crossover appeal with rock audiences. Soon, acts like Cream and the Paul Butterfield Blues Band were recording their own renditions.\r\n
      \r\n
      The single also served as the title track to King's debut LP with Stax. Released in August 1967, Born Under a Bad Sign compiled the above-mentioned singles, plus originals like "The Hunter" (penned by Booker T. & The M.G.'s, and Carl Wells), "Personal Manager" (by King and David Porter), and King's own "Down Don't Bother Me". King also recorded several standards, including Leiber & Stoller's "Kansas City" and Ray Noble's "The Very Thought of You".\r\n
      \r\n
      AllMusic argues that when King paired up with Booker T. & The M.G.'s, who served as Stax's house band, "Everything just clicked. The MG's gave King supple Southern support, providing an excellent contrast to his tightly wound lead guitar, allowing him to unleash a torrent of blistering guitar runs that were profoundly influential, not just in blues, but in rock & roll". With the addition of the celebrated Memphis Horns (who performed on sessions for Elvis Presley, Otis Redding, and Al Green, to name a few), these recordings were funky, swinging, and soulful.\r\n
      \r\n
      Born Under a Bad Sign would become King's defining tour de force, securing his place as one of the great blues musicians of the modern era. The album's undeniable influence, meanwhile, reverberated on both sides of the Atlantic. In addition to Cream's Eric Clapton, countless artists and bands emulated King's sound, including Stevie Ray Vaughan, Led Zeppelin, and Jimi Hendrix. King also became a mainstream star himself, frequently playing venues like the Fillmore West and sharing the stage with rock music's biggest acts.\r\n
      \r\n
      In over 55 years since its release, the legacy of Born Under a Bad Sign has only continued to grow. The album was inducted into the GRAMMY Hall of Fame and the Blues Hall of Fame, and added to the Library of Congress's National Recording Registry, which recognizes recordings that are deemed "culturally, historically, or aesthetically significant". Long recognized as one of the best blues albums ever recorded, its title track was included in the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll" roundup.\r\n
      \r\n
      Following Born Under a Bad Sign, King continued to release a slew of top-selling albums, including 1971's Lovejoy, 1972's I'll Play the Blues for You, and 1968's Live Wire/Blues Power (captured at the Fillmore Auditorium). In 1972, King joined the likes of Isaac Hayes, Johnnie Taylor, and the Staples Singers on stage at the historic Wattstax Festival, while years later, many of his memorable live performances would be released by Stax, including the chart-topping In Session with Stevie Ray Vaughn.\r\n
      \r\n
      The GRAMMY-nominated artist continued to stay active in his later years, recording and performing until his death in 1992. Among his many honors, King was inducted into the Blues Hall of Fame in 1983 and was awarded the Rhythm and Blues Foundation's Pioneer Award in 1991. Posthumously, he was inducted into the Rock and Roll Hall of Fame and the Memphis Music Hall of Fame, both in 2013.\r\n
      \r\n
      Original Recording : March 1966 - June 1967 at Stax Studios, Memphis (TN)\r\n
      Production : Jim Stewart
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Albert King (lead guitar, vocals), Steve Cropper (rhythm guitar), Booker T. Jones (organ, piano), Isaac Hayes (piano), Donald ‘’Duck’’ Dunn (bass guitar), Wayne Jackson (trumpet), Andrew Love (tenor saxophone), Joe Arnold (baritone saxophone, flute)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qyqXDM3mFhM"
    -referenceProduit: "Concord Craft Recordings 0513"
    -titreMorceau: [
      [
        "nom" => "1. Born Under A Bad Sign"
        "ordre" => 1
      ]
      [
        "nom" => "1. I Almost Lost My Mind"
        "ordre" => 8
      ]
      [
        "nom" => "2. Crosscut Saw"
        "ordre" => 2
      ]
      [
        "nom" => "2. Personal Manager"
        "ordre" => 9
      ]
      [
        "nom" => "3. Kansas City"
        "ordre" => 3
      ]
      [
        "nom" => "3. Laundromat Blues"
        "ordre" => 10
      ]
      [
        "nom" => "4. As The Years Go Passing By"
        "ordre" => 11
      ]
      [
        "nom" => "4. Oh, Pretty Woman"
        "ordre" => 4
      ]
      [
        "nom" => "5. Down Don't Bother Me"
        "ordre" => 5
      ]
      [
        "nom" => "5. The Very Thought Of You"
        "ordre" => 12
      ]
      [
        "nom" => "6. The Hunter"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2256 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2265 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2258 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2260 …}
    -enregistreLe: DateTime @1514703829 {#2251
      date: 2017-12-31 07:03:49.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1682059320 {#2252
      date: 2023-04-21 06:42:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2262 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-born-under-a-bad-sign-concord-craft-recordings-0513"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3730
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2254
    -id: 1263
    -nom: "Born Under A Bad Sign"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Albert King (lead guitar, vocals), Steve Cropper (rhythm guitar), Booker T. Jones (organ, piano), Isaac Hayes (piano), Donald ‘’Duck’’ Dunn (bass guitar), Wayne Jackson (trumpet), Andrew Love (tenor saxophone), Joe Arnold (baritone saxophone, flute), Al Jackson Jr. (drums).\r\n
      \r\n
      - LP 180 gram vinyl !\r\n
      - 2023 Edition Celebrating Albert King's Centennial !\r\n
      - All-Analog (AAA) Mastering from the Original Stereo Tapes by Jeff Powell at Take Out Vinyl !\r\n
      \r\n
      Albert King's electrifying Stax Records debut, Born Under a Bad Sign features an all-star line-up of musicians (including Booker T & the M.G.'s and members of The Memphis Horns) and finds King performing the iconic, original recording of "Born Under a Bad Sign", plus classics like "Laundromat Blues", "Oh Pretty Woman", and "Crosscut Saw".\r\n
      \r\n
      Offering the highest-quality listening experience, this edition of Born Under a Bad Sign was pressed on 180 gram vinyl with (AAA) lacquers cut from the original stereo tapes by Jeff Powell at Take Out Vinyl.\r\n
      \r\n
      Often referred to as one of the "Kings of the Blues", alongside Freddie King and B.B. King (no relation), Albert King (1923–1992) was one of the most influential blues artists in history, revered for his deft artistry on the electric guitar (most famously on a Gibson Flying V) and his deep, husky vocals. Combining an urgent Delta blues style with contemporary soul rhythms, King redefined the genre for the modern era.\r\n
      \r\n
      Born on a cotton plantation in Mississippi, King was a self-taught musician, who fashioned his first guitar out of a cigar box. When he purchased the real thing, the left-handed artist taught himself how to play the instrument upside-down. Supporting his career through a variety of jobs, King eventually moved north, first to Gary, IN, where he recorded his debut singles and played alongside blues pioneer, Jimmy Reed. In the mid-'50s, he relocated to the St. Louis area, where he built a following in the club scene and released his first Top 20 R&B hit, "Don't Throw Your Love on Me So Strong" (1961).\r\n
      \r\n
      King eventually returned to the South, settling in the musical hub of Memphis, where he promptly signed with the legendary soul label, Stax Records. There, King expanded upon his sound, collaborating with a powerhouse team of in-house musicians, producers, and songwriters, including Booker T. Jones, Steve Cropper, and William Bell. It was a winning combination, which found King scoring a multitude of hits on the R&B charts, beginning with 1966's "Laundromat Blues", followed by "Crosscut Saw" and "Born Under a Bad Sign" in 1967. It was the latter song, however, that became a blues standard nearly instantly. Penned by Bell and Jones, "Born Under a Bad Sign" had major crossover appeal with rock audiences. Soon, acts like Cream and the Paul Butterfield Blues Band were recording their own renditions.\r\n
      \r\n
      The single also served as the title track to King's debut LP with Stax. Released in August 1967, Born Under a Bad Sign compiled the above-mentioned singles, plus originals like "The Hunter" (penned by Booker T. & The M.G.'s, and Carl Wells), "Personal Manager" (by King and David Porter), and King's own "Down Don't Bother Me". King also recorded several standards, including Leiber & Stoller's "Kansas City" and Ray Noble's "The Very Thought of You".\r\n
      \r\n
      AllMusic argues that when King paired up with Booker T. & The M.G.'s, who served as Stax's house band, "Everything just clicked. The MG's gave King supple Southern support, providing an excellent contrast to his tightly wound lead guitar, allowing him to unleash a torrent of blistering guitar runs that were profoundly influential, not just in blues, but in rock & roll". With the addition of the celebrated Memphis Horns (who performed on sessions for Elvis Presley, Otis Redding, and Al Green, to name a few), these recordings were funky, swinging, and soulful.\r\n
      \r\n
      Born Under a Bad Sign would become King's defining tour de force, securing his place as one of the great blues musicians of the modern era. The album's undeniable influence, meanwhile, reverberated on both sides of the Atlantic. In addition to Cream's Eric Clapton, countless artists and bands emulated King's sound, including Stevie Ray Vaughan, Led Zeppelin, and Jimi Hendrix. King also became a mainstream star himself, frequently playing venues like the Fillmore West and sharing the stage with rock music's biggest acts.\r\n
      \r\n
      In over 55 years since its release, the legacy of Born Under a Bad Sign has only continued to grow. The album was inducted into the GRAMMY Hall of Fame and the Blues Hall of Fame, and added to the Library of Congress's National Recording Registry, which recognizes recordings that are deemed "culturally, historically, or aesthetically significant". Long recognized as one of the best blues albums ever recorded, its title track was included in the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll" roundup.\r\n
      \r\n
      Following Born Under a Bad Sign, King continued to release a slew of top-selling albums, including 1971's Lovejoy, 1972's I'll Play the Blues for You, and 1968's Live Wire/Blues Power (captured at the Fillmore Auditorium). In 1972, King joined the likes of Isaac Hayes, Johnnie Taylor, and the Staples Singers on stage at the historic Wattstax Festival, while years later, many of his memorable live performances would be released by Stax, including the chart-topping In Session with Stevie Ray Vaughn.\r\n
      \r\n
      The GRAMMY-nominated artist continued to stay active in his later years, recording and performing until his death in 1992. Among his many honors, King was inducted into the Blues Hall of Fame in 1983 and was awarded the Rhythm and Blues Foundation's Pioneer Award in 1991. Posthumously, he was inducted into the Rock and Roll Hall of Fame and the Memphis Music Hall of Fame, both in 2013.\r\n
      \r\n
      Original Recording : March 1966 - June 1967 at Stax Studios, Memphis (TN)\r\n
      Production : Jim Stewart
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2256 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
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    }
    -modifierLe: DateTime @1682059320 {#2252
      date: 2023-04-21 06:42:00.0 UTC (+00:00)
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    -disponible: null
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    -slug: "vinyles-born-under-a-bad-sign-concord-craft-recordings-0513"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
}

[
  "produit" => App\Entity\Produit {#2270
    -id: 2276
    -nom: "In a Silent Way"
    -informationComplementaire: "Awaiting Repress"
    -description: """
      - FEATURES JOHN MCLAUGHLIN, CHICK COREA, HERBIE HANCOCK, JOE ZAWINUL, WAYNE SHORTER, DAVE HOLLAND, AND TONY WILLIAMS !\r\n
      \r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe ! \r\n
      \r\n
      Shhh. The command to be quiet is not just part of the title of one of the two sprawling compositions on this pioneering album. It's also an apt metaphor for the relaxed hypnotism and spaced-out atmosphere that define In a Silent Way, a record that pushes the boundaries of studio possibilities, artist-producer relationships, and rock-jazz chasms. Recognized as Miles Davis' first full-on fusion effort and part of his "electric" era, the 1969 landmark claims a Who's Who lineup that sends the music into an ethereal stratosphere.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, this unsurpassed 180g LP edition lifts the veil on the cutting-edge assembly process that created the pair of lengthy suites. Helmed by three electric instruments, the beveled compositions melt away all preconceived notions of "jazz", ˜rock", and "ambience", following a loose theory Davis dubbed "New Directions".\r\n
      \r\n
      Few albums are so delicately textured. And on Mobile Fidelity's meticulous reissue, such sulcate elements pour over ink-black backgrounds on a canyon-wide soundstage. In particular, Tony Williams' inventive percussive touch he causes the cymbals to shimmer as a pieces of silver tend to do when exposed to sunlight – is broadcast with lifelike three-dimensional qualities, the panoramic view extending to Davis' nocturnal trumpet, Wayne Shorter's ribbon-unfurling saxophone, Dave Holland's extrapolative bass, and the mosaic of keys.\r\n
      \r\n
      If the record's only accomplishment is its introduction of guitarist John McLaughlin to the world, it alone would be enough. Yet In a Silent Way continues to bedazzle, puzzle, and inspire for myriad reasons not the least of which is the seemingly telepathic communicative methods employed by the group's members. The lineup is great on paper, but, if it's even possible, the octet sounds even better in practice, with the instruments and tonalities conjoining in avant-garde communion like hyper-sensitive tentacles exploring the stippled landscapes of an undiscovered planet.\r\n
      \r\n
      Diverting from expectation, tubular grooves twist, turn, and spin, sometimes piling atop of each other, always shying away from structure and melody. Ellipsoidal solos provide hesitant guidance, ranging from Chick Corea's Fender Rhodes phrases to Davis' decorative spirals. And as color is the primary unit of currency on Davis' Sketches of Spain, laidback episodes, geometric spaces, and quiet sensuality reign here, with the set's maverick reputation attained via musings on solitude rather than explosions of noise.\r\n
      \r\n
      Controversial for the period, the heavily edited production of In a Silent Way blew open the once-locked doors on what producer's could attempt and how artists could assist them. Knitted together as one would construct a cross-hatched quilt, songs contain grafts of repeat passages that provide unifying structure and experimental continuity. What a statement.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Dave Holland (bass), Chick Corea, Herbie Hancock (electric piano),  Josef Zawinul (electric piano, organ), John McLaughlin (guitar),  Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "MFSL 1-377"
    -titreMorceau: [
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        "nom" => "1. In a Silent Way / It's About That Time"
        "ordre" => 3
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      [
        "nom" => "1. Shhh / Peaceful"
        "ordre" => 1
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
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      [
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        "nom" => "\t"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2272 …}
    -label: Proxies\__CG__\App\Entity\Label {#2195 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2281 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2274 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2276 …}
    -enregistreLe: DateTime @1663312268 {#2267
      date: 2022-09-16 07:11:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1681330613 {#2268
      date: 2023-04-12 20:16:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2278 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-in-a-silent-way-mfsl-1-377"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3781
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2270
    -id: 2276
    -nom: "In a Silent Way"
    -informationComplementaire: "Awaiting Repress"
    -description: """
      - FEATURES JOHN MCLAUGHLIN, CHICK COREA, HERBIE HANCOCK, JOE ZAWINUL, WAYNE SHORTER, DAVE HOLLAND, AND TONY WILLIAMS !\r\n
      \r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe ! \r\n
      \r\n
      Shhh. The command to be quiet is not just part of the title of one of the two sprawling compositions on this pioneering album. It's also an apt metaphor for the relaxed hypnotism and spaced-out atmosphere that define In a Silent Way, a record that pushes the boundaries of studio possibilities, artist-producer relationships, and rock-jazz chasms. Recognized as Miles Davis' first full-on fusion effort and part of his "electric" era, the 1969 landmark claims a Who's Who lineup that sends the music into an ethereal stratosphere.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, this unsurpassed 180g LP edition lifts the veil on the cutting-edge assembly process that created the pair of lengthy suites. Helmed by three electric instruments, the beveled compositions melt away all preconceived notions of "jazz", ˜rock", and "ambience", following a loose theory Davis dubbed "New Directions".\r\n
      \r\n
      Few albums are so delicately textured. And on Mobile Fidelity's meticulous reissue, such sulcate elements pour over ink-black backgrounds on a canyon-wide soundstage. In particular, Tony Williams' inventive percussive touch he causes the cymbals to shimmer as a pieces of silver tend to do when exposed to sunlight – is broadcast with lifelike three-dimensional qualities, the panoramic view extending to Davis' nocturnal trumpet, Wayne Shorter's ribbon-unfurling saxophone, Dave Holland's extrapolative bass, and the mosaic of keys.\r\n
      \r\n
      If the record's only accomplishment is its introduction of guitarist John McLaughlin to the world, it alone would be enough. Yet In a Silent Way continues to bedazzle, puzzle, and inspire for myriad reasons not the least of which is the seemingly telepathic communicative methods employed by the group's members. The lineup is great on paper, but, if it's even possible, the octet sounds even better in practice, with the instruments and tonalities conjoining in avant-garde communion like hyper-sensitive tentacles exploring the stippled landscapes of an undiscovered planet.\r\n
      \r\n
      Diverting from expectation, tubular grooves twist, turn, and spin, sometimes piling atop of each other, always shying away from structure and melody. Ellipsoidal solos provide hesitant guidance, ranging from Chick Corea's Fender Rhodes phrases to Davis' decorative spirals. And as color is the primary unit of currency on Davis' Sketches of Spain, laidback episodes, geometric spaces, and quiet sensuality reign here, with the set's maverick reputation attained via musings on solitude rather than explosions of noise.\r\n
      \r\n
      Controversial for the period, the heavily edited production of In a Silent Way blew open the once-locked doors on what producer's could attempt and how artists could assist them. Knitted together as one would construct a cross-hatched quilt, songs contain grafts of repeat passages that provide unifying structure and experimental continuity. What a statement.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Dave Holland (bass), Chick Corea, Herbie Hancock (electric piano),  Josef Zawinul (electric piano, organ), John McLaughlin (guitar),  Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "MFSL 1-377"
    -titreMorceau: [
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        "nom" => "1. In a Silent Way / It's About That Time"
        "ordre" => 3
      ]
      [
        "nom" => "1. Shhh / Peaceful"
        "ordre" => 1
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "\t"
        "ordre" => 4
      ]
      [
        "nom" => "\t"
        "ordre" => 5
      ]
      [
        "nom" => "\t"
        "ordre" => 6
      ]
      [
        "nom" => "\t"
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2272 …}
    -label: Proxies\__CG__\App\Entity\Label {#2195 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2281 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2274 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2276 …}
    -enregistreLe: DateTime @1663312268 {#2267
      date: 2022-09-16 07:11:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1681330613 {#2268
      date: 2023-04-12 20:16:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2278 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-in-a-silent-way-mfsl-1-377"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3982
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3983 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4031 …}
  +isValidated: false
  +validatedFields: []
}