Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2612
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2689
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2692 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
  -formView: Symfony\Component\Form\FormView {#2728 …}
  -form: Symfony\Component\Form\Form {#2878 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1873
    -id: 2549
    -nom: "Blows The Blues"
    -informationComplementaire: null
    -description: """
      - Sonny Stitt Blows The Blues !\r\n
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Bernie Grundman from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Sonny Stitt led a number of excellent record dates in 1959, especially at the end of the year when he produced three LPs for Verve over a span of three sessions with pianist Lou Levy, bassist Leroy Vinnegar and drummer Mel Lewis. Playing alto sax throughout this album, Stitt hardly sounds like a Charlie Parker clone, something that unfortunately was a frequent claim by tin-eared critics throughout a fair portion of his career. The music includes several potent originals, especially "Hymnal Blues" and the slow, powerful "Morning After Blues".\r\n
      \r\n
      Originally released in 1970.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Sonny Stitt (alto & tenor saxophone), Gene Bertoncini, Howard Collins, John Pizzarelli (guitar), Ron Carter (bass), Herbie Hancock (organ, piano), Todd Sommer (vibraphone), Grady Tate (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=x66zXaSNsz4"
    -referenceProduit: "Acoustic Sounds Series 2457"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Blue Devil Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Home Free Blues"
        "ordre" => 2
      ]
      [
        "nom" => "3. Blue Prelude"
        "ordre" => 3
      ]
      [
        "nom" => "4. Frankie and Johnny"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. Birth of the Blues"
        "ordre" => 6
      ]
      [
        "nom" => "2. A Blues Offering"
        "ordre" => 7
      ]
      [
        "nom" => "3. Hymnal Blues"
        "ordre" => 8
      ]
      [
        "nom" => "4. Morning After Blues"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1723191063 {#1928
      date: 2024-08-09 08:11:03.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763593492 {#1921
      date: 2025-11-19 23:04:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-blows-the-blues-acoustic-sounds-series-2457"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3150
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#1873
    -id: 2549
    -nom: "Blows The Blues"
    -informationComplementaire: null
    -description: """
      - Sonny Stitt Blows The Blues !\r\n
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Bernie Grundman from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Sonny Stitt led a number of excellent record dates in 1959, especially at the end of the year when he produced three LPs for Verve over a span of three sessions with pianist Lou Levy, bassist Leroy Vinnegar and drummer Mel Lewis. Playing alto sax throughout this album, Stitt hardly sounds like a Charlie Parker clone, something that unfortunately was a frequent claim by tin-eared critics throughout a fair portion of his career. The music includes several potent originals, especially "Hymnal Blues" and the slow, powerful "Morning After Blues".\r\n
      \r\n
      Originally released in 1970.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Sonny Stitt (alto & tenor saxophone), Gene Bertoncini, Howard Collins, John Pizzarelli (guitar), Ron Carter (bass), Herbie Hancock (organ, piano), Todd Sommer (vibraphone), Grady Tate (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=x66zXaSNsz4"
    -referenceProduit: "Acoustic Sounds Series 2457"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Blue Devil Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Home Free Blues"
        "ordre" => 2
      ]
      [
        "nom" => "3. Blue Prelude"
        "ordre" => 3
      ]
      [
        "nom" => "4. Frankie and Johnny"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. Birth of the Blues"
        "ordre" => 6
      ]
      [
        "nom" => "2. A Blues Offering"
        "ordre" => 7
      ]
      [
        "nom" => "3. Hymnal Blues"
        "ordre" => 8
      ]
      [
        "nom" => "4. Morning After Blues"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1723191063 {#1928
      date: 2024-08-09 08:11:03.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763593492 {#1921
      date: 2025-11-19 23:04:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-blows-the-blues-acoustic-sounds-series-2457"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
}

[
  "produit" => App\Entity\Produit {#2097
    -id: 1806
    -nom: "Blows The Blues"
    -informationComplementaire: null
    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss... most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011\r\n
      \r\n
      Sonny Stitt led a number of excellent record dates in 1959, especially at the end of the year when he produced three LPs for Verve over a span of three sessions with pianist Lou Levy, bassist Leroy Vinnegar and drummer Mel Lewis. Playing alto sax throughout this album, Stitt hardly sounds like a Charlie Parker clone, something that unfortunately was a frequent claim by tin-eared critics throughout a fair portion of his career. The music includes several potent originals, especially "Hymnal Blues" and the slow, powerful "Morning After Blues".\r\n
      \r\n
      Originally released in 1970.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Sonny Stitt (alto & tenor saxophone), Gene Bertoncini, Howard Collins, John Pizzarelli (guitar), Ron Carter (bass), Herbie Hancock (organ, piano), Todd Sommer (vibraphone), Grady Tate (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=2_nbq0Iq3_k&list=PL5ae6iB5xkhEvp0ZGEjO3fDxORMjBn2ra"
    -referenceProduit: "Analogue Productions AVRJ 6149-45"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Blue Devil Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Home Free Blues"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Blue Prelude"
        "ordre" => 4
      ]
      [
        "nom" => "2. Frankie and Johnny"
        "ordre" => 5
      ]
      [
        "nom" => "Side C :"
        "ordre" => 6
      ]
      [
        "nom" => "1. Birth of the Blues"
        "ordre" => 7
      ]
      [
        "nom" => "2. A Blues Offering"
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
      [
        "nom" => "1. Hymnal Blues"
        "ordre" => 10
      ]
      [
        "nom" => "2. Morning After Blues"
        "ordre" => 11
      ]
      [
        "nom" => ""
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2108 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2101 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2103 …}
    -enregistreLe: DateTime @1580972443 {#2094
      date: 2020-02-06 07:00:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763593449 {#2095
      date: 2025-11-19 23:04:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2105 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-blows-the-blues-analogue-productions-avrj-6149-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3266
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2097
    -id: 1806
    -nom: "Blows The Blues"
    -informationComplementaire: null
    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss... most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011\r\n
      \r\n
      Sonny Stitt led a number of excellent record dates in 1959, especially at the end of the year when he produced three LPs for Verve over a span of three sessions with pianist Lou Levy, bassist Leroy Vinnegar and drummer Mel Lewis. Playing alto sax throughout this album, Stitt hardly sounds like a Charlie Parker clone, something that unfortunately was a frequent claim by tin-eared critics throughout a fair portion of his career. The music includes several potent originals, especially "Hymnal Blues" and the slow, powerful "Morning After Blues".\r\n
      \r\n
      Originally released in 1970.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Sonny Stitt (alto & tenor saxophone), Gene Bertoncini, Howard Collins, John Pizzarelli (guitar), Ron Carter (bass), Herbie Hancock (organ, piano), Todd Sommer (vibraphone), Grady Tate (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=2_nbq0Iq3_k&list=PL5ae6iB5xkhEvp0ZGEjO3fDxORMjBn2ra"
    -referenceProduit: "Analogue Productions AVRJ 6149-45"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Blue Devil Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Home Free Blues"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Blue Prelude"
        "ordre" => 4
      ]
      [
        "nom" => "2. Frankie and Johnny"
        "ordre" => 5
      ]
      [
        "nom" => "Side C :"
        "ordre" => 6
      ]
      [
        "nom" => "1. Birth of the Blues"
        "ordre" => 7
      ]
      [
        "nom" => "2. A Blues Offering"
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
      [
        "nom" => "1. Hymnal Blues"
        "ordre" => 10
      ]
      [
        "nom" => "2. Morning After Blues"
        "ordre" => 11
      ]
      [
        "nom" => ""
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2108 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2101 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2103 …}
    -enregistreLe: DateTime @1580972443 {#2094
      date: 2020-02-06 07:00:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763593449 {#2095
      date: 2025-11-19 23:04:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2105 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-blows-the-blues-analogue-productions-avrj-6149-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
}

[
  "produit" => App\Entity\Produit {#2113
    -id: 318
    -nom: "Sweet Rain"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Stan Getz's incomparable career includes such landmarks as the bossa nova blockbuster Getz/Gilberto, and stellar collaborations with Dizzy Gillespie, Oscar Peterson, Charlie Byrd, and Lionel Hampton. The saxophonist's superlative 1967 quartet recording Sweet Rain can be overlooked but Getz afficiandos recognize its quality.\r\n
      \r\n
      Standing in the shadow of the unprecedented mainstream success of Getz's bossa period that came before, the Creed Taylor produced Sweet Rain is as perfect a straight-ahead date as the leader ever made, with a remarkable young band including pianist Chick Corea, bassist Ron Carter, and drummer Grady Tate providing crackling energy that clearly inspired Getz to new heights of expression, writes sfjazz.org.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Stan Getz (tenor saxophone), Ron Carter (bass), Chick Corea (piano), Grady Tate (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0ZHmJuCNsr8&list=RD0ZHmJuCNsr8&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series 2469"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Litha"
        "ordre" => 1
      ]
      [
        "nom" => "2. O Grande Amor"
        "ordre" => 2
      ]
      [
        "nom" => "3. Sweet Rain"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Con Alma"
        "ordre" => 5
      ]
      [
        "nom" => "2. Windows"
        "ordre" => 6
      ]
      [
        "nom" => ""
        "ordre" => 7
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3312
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  +produit: App\Entity\Produit {#2113
    -id: 318
    -nom: "Sweet Rain"
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    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
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      Stan Getz's incomparable career includes such landmarks as the bossa nova blockbuster Getz/Gilberto, and stellar collaborations with Dizzy Gillespie, Oscar Peterson, Charlie Byrd, and Lionel Hampton. The saxophonist's superlative 1967 quartet recording Sweet Rain can be overlooked but Getz afficiandos recognize its quality.\r\n
      \r\n
      Standing in the shadow of the unprecedented mainstream success of Getz's bossa period that came before, the Creed Taylor produced Sweet Rain is as perfect a straight-ahead date as the leader ever made, with a remarkable young band including pianist Chick Corea, bassist Ron Carter, and drummer Grady Tate providing crackling energy that clearly inspired Getz to new heights of expression, writes sfjazz.org.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
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[
  "produit" => App\Entity\Produit {#2132
    -id: 1650
    -nom: "The Stan Getz Quartet - Live at The Village Gate Nov. 26, 1961"
    -informationComplementaire: null
    -description: """
      A previously unreleased recording of master jazz saxophonist Stan Getz and his quartet, Getz At The Gate is a previously unreleased live recording from the historic Village Gate in New York City, recorded on Nov. 26, 1961. This release features an all-star, rarely heard quartet with pianist Steve Kuhn, bassist John Neves and drummer Roy Haynes (aka ‘The Boston Band'). Includes extensive liner notes by Boston jazz historian Bob Blumenthal.\r\n
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      The show was professionally recorded with a view to possible commercial release but, after those plans were forgotten, the tape sat in the vaults for 58 years. The recording serves as a priceless document of a direction that Getz, ultimately, did not follow.\r\n
      \r\n
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    -nom: "The Stan Getz Quartet - Live at The Village Gate Nov. 26, 1961"
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[
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    -description: """
      - Stan Getz "Marrakesh Express" 180 gram vinyl !\r\n
      - Verve By Request Series Monthly releases from Verve Label Group's jazz catalog !\r\n
      - Handpicked rarities and fan favorites include out-of-print titles and first-ever vinyl pressings !\r\n
      \r\n
      This 1970 album, Marrakesh Express, sees master saxophonist Stan Getz cover hits of the day with Beatles producer George Martin at the controls. Getz tries his hand at songs by Paul Simon, Bacharach-David, a heartfelt take on Joni Mitchell's "Both Sides Now" and Graham Nash's title track. Verve By Request Series is pressed on 180 gram vinyl at Third Man Pressing in Detroit.
      """
    -prixVente: "38.00"
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    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=-ZTWu7Ltw3U"
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        "nom" => "1. Love Theme From Romeo & Juliet"
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        "nom" => "2. Medley : a. Because / b. Do You Know The Way To San Jose"
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    ]
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App\Twig\Components\GestionPanierFavoriComponents {#3413
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2150
    -id: 2463
    -nom: "Marrakesh Express"
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    -description: """
      - Stan Getz "Marrakesh Express" 180 gram vinyl !\r\n
      - Verve By Request Series Monthly releases from Verve Label Group's jazz catalog !\r\n
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        "ordre" => 2
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        "nom" => "6. Cecilia"
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        "nom" => "1. Love Theme From Romeo & Juliet"
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      [
        "nom" => "2. Medley : a. Because / b. Do You Know The Way To San Jose"
        "ordre" => 9
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      [
        "nom" => "3. Raindrops Keep Falling On My Head"
        "ordre" => 10
      ]
      [
        "nom" => "4. The April Fools"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2115 …}
    -label: Proxies\__CG__\App\Entity\Label {#2134 …}
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    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
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[
  "produit" => App\Entity\Produit {#2163
    -id: 2865
    -nom: "Focus"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Stan Getz (tenor saxophone), Steve Kuhn (piano), John Neves (bass), Roy Haynes (drums), Bruce Rogers (cello), Alan Martin, Gerald Tarack, Norman Carr (violin), Jacob Glick (viola).\r\n
      \r\n
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      \r\n
      Focus, recorded at Webster Hall in New York City and released in 1961 on Verve Records, stands as a singular entry in saxophonist Stan Getz's discography. Focus pairs Getz's expressive tenor saxophone with a string orchestra conducted by Hershy Kay. Getz's parts were entirely improvised, as he navigated pre-composed frameworks with melodic invention and emotional clarity. The album represents a true collaboration between composer/arranger Eddie Sauter and Getz, and a radical departure from the conventions of jazz "with strings" albums of the time. Sauter's charts emphasize contrapuntal writing, rhythmic complexity, and harmonic ambiguity, while Getz unedited and unrehearsed in the traditional sense weaves a lyrical, instinctive line throughout. The result remains one of the most original and artistically daring projects in Getz's recorded legacy; the artist's favorite of all the records he made.\r\n
      \r\n
      The Verve Vault Series is always mastered from analog tapes and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -referenceProduit: "Verve Records 5488"
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      [
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2115 …}
    -label: Proxies\__CG__\App\Entity\Label {#2134 …}
    -style: App\Entity\Style {#1116 …}
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    -modifierLe: DateTime @1763568427 {#2161
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3461
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
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    -id: 2865
    -nom: "Focus"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Stan Getz (tenor saxophone), Steve Kuhn (piano), John Neves (bass), Roy Haynes (drums), Bruce Rogers (cello), Alan Martin, Gerald Tarack, Norman Carr (violin), Jacob Glick (viola).\r\n
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      Focus, recorded at Webster Hall in New York City and released in 1961 on Verve Records, stands as a singular entry in saxophonist Stan Getz's discography. Focus pairs Getz's expressive tenor saxophone with a string orchestra conducted by Hershy Kay. Getz's parts were entirely improvised, as he navigated pre-composed frameworks with melodic invention and emotional clarity. The album represents a true collaboration between composer/arranger Eddie Sauter and Getz, and a radical departure from the conventions of jazz "with strings" albums of the time. Sauter's charts emphasize contrapuntal writing, rhythmic complexity, and harmonic ambiguity, while Getz unedited and unrehearsed in the traditional sense weaves a lyrical, instinctive line throughout. The result remains one of the most original and artistically daring projects in Getz's recorded legacy; the artist's favorite of all the records he made.\r\n
      \r\n
      The Verve Vault Series is always mastered from analog tapes and pressed on 180 gram vinyl at Optimal.
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    -prixVente: "38.00"
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    -musicienOrchestre: "Stan Getz (tenor saxophone), Steve Kuhn (piano), John Neves (bass), Roy Haynes (drums), Bruce Rogers (cello)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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      [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2115 …}
    -label: Proxies\__CG__\App\Entity\Label {#2134 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2171 …}
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    -modifierLe: DateTime @1763568427 {#2161
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2168 …}
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[
  "produit" => App\Entity\Produit {#2176
    -id: 1528
    -nom: "Stan Getz & Bill Evans"
    -informationComplementaire: null
    -description: """
      - Stan Getz & Bill Evans "Previously Unreleased Recordings" !\r\n
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Bill Evans and Stan Getz are about as close as musicians can get in terms of artistry, musical philosophy and technique. These sessions, recorded in 1963 with drummer Elvin Jones and bassists Ron Carter (Side A) and Richard Davis (Side B), perfectly blend their strong individual styles and collaborative sensibilities — with both artists at the peak of their creative powers.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Stan Getz (saxophone), Bill Evans (piano), Ron Carter (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=teJQXkwW4dM&list=RDteJQXkwW4dM&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series 8311"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
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        "ordre" => 1
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2178 …}
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      date: 2025-11-19 16:00:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2184 …}
    -disponible: null
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    -slug: "vinyles-stan-getz-bill-evans-acoustic-sounds-series-8311"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3507
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2176
    -id: 1528
    -nom: "Stan Getz & Bill Evans"
    -informationComplementaire: null
    -description: """
      - Stan Getz & Bill Evans "Previously Unreleased Recordings" !\r\n
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
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      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Stan Getz (saxophone), Bill Evans (piano), Ron Carter (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=teJQXkwW4dM&list=RDteJQXkwW4dM&start_radio=1"
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2178 …}
    -label: Proxies\__CG__\App\Entity\Label {#2118 …}
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    }
    -modifierLe: DateTime @1763568047 {#2174
      date: 2025-11-19 16:00:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2184 …}
    -disponible: null
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    -slug: "vinyles-stan-getz-bill-evans-acoustic-sounds-series-8311"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
}

[
  "produit" => App\Entity\Produit {#2192
    -id: 1580
    -nom: "Jazz Samba"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      The words "bossa nova" are often synonymous with the name Stan Getz. But North Americans might not have ever known the bright sound of bossa nova had it not been for Charlie Byrd. In 1961 Byrd returned from a tour of South America, where bossa nova music was thriving. The style was the invention of singer Joao Gilberto and songwriter Antonio Carlos Jobim an adaptation of infectious Brazilian samba rhythms with the harmonic structures and "cool" surface of West Coast jazz. Byrd brought back records for Getz to hear, they planned a session, and the result was Jazz Samba the first album of true bossa nova music by jazz artists and the one that broke the bossa nova wave in 1960s America.\r\n
      \r\n
      Originally released in 1962.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Stan Getz (tenor saxophone), Charlie Byrd (guitar), Gene Byrd (guitar, bass), Keter Betts (bass), Buddy Deppenschmidt, Bill Reichenbach Sr. (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=MqYwyeRtnSo"
    -referenceProduit: "Acoustic Sounds Series V6 8432"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
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        "nom" => "1. Desafinado"
        "ordre" => 1
      ]
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        "nom" => "2. Samba Dees Days"
        "ordre" => 2
      ]
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    -description: """
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
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      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
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      \r\n
      The words "bossa nova" are often synonymous with the name Stan Getz. But North Americans might not have ever known the bright sound of bossa nova had it not been for Charlie Byrd. In 1961 Byrd returned from a tour of South America, where bossa nova music was thriving. The style was the invention of singer Joao Gilberto and songwriter Antonio Carlos Jobim an adaptation of infectious Brazilian samba rhythms with the harmonic structures and "cool" surface of West Coast jazz. Byrd brought back records for Getz to hear, they planned a session, and the result was Jazz Samba the first album of true bossa nova music by jazz artists and the one that broke the bossa nova wave in 1960s America.\r\n
      \r\n
      Originally released in 1962.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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[
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    -id: 306
    -nom: "Getz / Gilberto"
    -informationComplementaire: null
    -description: """
      The original master tapes for this title had not been used since 1980 previous to this reissue. Also, for this Analogue Productions reissue the decision was made to master and present this album as it was originally mixed to master tape. With only one exception - the Speakers Corner reissue - all versions of this title to date have had the channels incorrectly reversed. And again, those reissues you've heard up until now definitely still breathy, warm and rich were made from something less than the master. Prepare to hear the veil removed. \r\n
      \r\n
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      \r\n
      Astrud Gilberto says that her husband, Joao, informed Stan Getz that she "could sing at the recording." Creed Taylor recalls that it took Getz's wife, Monica, to get both Astrud and Joao into the recording studio; Mrs. Getz had a sense that Astrud could make a hit. And Getz himself is on record saying that he insisted on Astrud's presence over the others' objections. So who's right? What does it matter ? The Gilbertos, Getz and the legendary Antonio Carlos Jobim followed up the bossa nova success of Jazz Samba with this, the defining LP of the genre. With one of the greatest hit singles jazz has ever known each one who hears it goes "Ahhh !"
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -nom: "Getz / Gilberto"
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    -description: """
      The original master tapes for this title had not been used since 1980 previous to this reissue. Also, for this Analogue Productions reissue the decision was made to master and present this album as it was originally mixed to master tape. With only one exception - the Speakers Corner reissue - all versions of this title to date have had the channels incorrectly reversed. And again, those reissues you've heard up until now definitely still breathy, warm and rich were made from something less than the master. Prepare to hear the veil removed. \r\n
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      In 1964, with the album present in nearly every household in America, selections such as The Girl From Ipanema and Desafinado shot up the charts as the jazz/samba or bossa-nova craze went from fad to phenomenon. Tenor-man Stan Getz, with his velvety breathy tone, had already established his jazz credentials as a member of the 'Four Brothers' sax section with Woody Herman, and then by fronting classic quartet and quintets on recordings for Roost and Clef.\r\n
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      """
    -prixVente: "99.50"
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      date: 2025-11-19 15:45:37.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2226
    -id: 1873
    -nom: "Getz / Gilberto"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Two monthly releases highlighting Verve's historic and best jazz records !\r\n
      - Mastered by George Marino at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series will launch July 31, 2020 with inaugural releases the sensational collaborations, Stan Getz and João Gilberto's landmark Getz/Gilberto (1964) and the remarkable Louis Armstrong Meets Oscar Peterson (1959).\r\n
      \r\n
      Utilizing the skills of the top mastering engineers and the unsurpassed production craft of Quality Record Pressings, all titles will be mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases will be supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      The Acoustic Sounds series will feature two releases a month highlighting a different storied label spanning Verve / UMe's extraordinarily rich archive. To begin with, the series will largely focus on some of the most popular albums from the ‘50s and ‘60s in their unmatched catalog. The July releases will celebrate two of Verve's most beloved albums, the aforementioned Getz / Gilberto and Louis Armstrong Meets Oscar Peterson, and will be followed in August by John Coltrane's immortal Impulse ! records, A Love Supreme (1964) and Ballads (1963). Two of Nina Simone's legendary Phillips albums I Put A Spell On You (1965) and Pastel Blues (1965) will come in September which will be succeeded in October by two from the EmArcy Records vault: Sarah Vaughan's self-titled 1954 album, the vocal great's sole collaboration with influential trumpeter Clifford Brown, who is also represented alongside pioneering drummer Max Roach on the hard bop classic, Study In Brown (1955). November will spotlight Decca Records with the iconic Peggy Lee's first album, Black Coffee (1956), and composer George Russell's important New York, N.Y. (1959) performed by an all-star orchestra that includes Bill Evans, John Coltrane, Art Farmer and Milt Hinton, among others. All titles and exact release dates are listed below. Additional titles will be announced as the series progresses.\r\n
      \r\n
      "We are excited to launch our Acoustic Sounds series", said Bruce Resnikoff, President & CEO of UMe. "Verve and UMe have one of the richest jazz catalogs ever recorded and our goal is to give vinyl and music lovers the best possible versions of classic albums. The Acoustic Sounds series is designed to appeal to today's most discriminating fans, and those discovering this treasured legacy for the first time, looking for the very finest in both artistic content and audio quality".\r\n
      \r\n
      "We're very honored to have Verve and UME partnering with us to create what we believe will be the highest quality reissues of some of the world's greatest jazz albums. Each step in our production process from title selection to mastering, pressing and packaging is designed to meet the highest standards, and we want everyone who hears these albums to feel the love and hard work we put into everything we do", Kassem said. "We've long had a great relationship with UME, pressing classic titles at our Quality Record Pressings from many of their highest-profile artists. We look forward to strengthening that partnership even further with these reissues from Verve, home of the world's largest jazz catalog".\r\n
      \r\n
      Getz / Gilberto is not only a marvelous album, but one which had a profound influence upon the face of jazz and American popular music. This stunning 1964 collaboration between Stan Getz, one of the most popular and respected tenor saxophonists of the era, and the remarkable Brazilian guitarist João Gilberto, launched the bossa nova craze and the career of João's wife Astrud Gilberto with the hugely popular and iconic hit song, "The Girl from Ipanema (Garota de Ipanema)". Even more impactful, it introduced the famed Brazilian composer Antonio Carlos Jobim to the English-speaking musical world. In addition to playing piano on the album, Jobim also composed six of the eight compositions, including two of his most popular masterpieces, "Desafinado" and "Corcovado", along with the aforementioned "Garota de Ipanema".\r\n
      \r\n
      While Getz had embraced the music of Brazil prior to this with two outstanding Verve albums Jazz Samba and Big Band Bossa Nova Getz / Gilberto, with multiple Grammy Awards and a permanent place on various Best Albums of All-time lists is the album that launched a revolution. Regardless of that, the collaborative blending of Getz's fluid, muscular virtuosity and João's impeccable acoustic guitar stylings and captivating vocals, Astrud's enchanting almost-whispered singing on two tracks, all backed by Jobim's minimalist subtlety on piano and the flawless support of Sebãstio Neto and Milton Banana on bass and drums, make this an utterly momentous musical experience regardless of its lofty place in musical history.\r\n
      \r\n
      Now these albums and many more will be heard better than ever in the exciting new audiophile Acoustic Sounds series.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=nrLzyXgx4w8"
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  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2226
    -id: 1873
    -nom: "Getz / Gilberto"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Two monthly releases highlighting Verve's historic and best jazz records !\r\n
      - Mastered by George Marino at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series will launch July 31, 2020 with inaugural releases the sensational collaborations, Stan Getz and João Gilberto's landmark Getz/Gilberto (1964) and the remarkable Louis Armstrong Meets Oscar Peterson (1959).\r\n
      \r\n
      Utilizing the skills of the top mastering engineers and the unsurpassed production craft of Quality Record Pressings, all titles will be mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases will be supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      The Acoustic Sounds series will feature two releases a month highlighting a different storied label spanning Verve / UMe's extraordinarily rich archive. To begin with, the series will largely focus on some of the most popular albums from the ‘50s and ‘60s in their unmatched catalog. The July releases will celebrate two of Verve's most beloved albums, the aforementioned Getz / Gilberto and Louis Armstrong Meets Oscar Peterson, and will be followed in August by John Coltrane's immortal Impulse ! records, A Love Supreme (1964) and Ballads (1963). Two of Nina Simone's legendary Phillips albums I Put A Spell On You (1965) and Pastel Blues (1965) will come in September which will be succeeded in October by two from the EmArcy Records vault: Sarah Vaughan's self-titled 1954 album, the vocal great's sole collaboration with influential trumpeter Clifford Brown, who is also represented alongside pioneering drummer Max Roach on the hard bop classic, Study In Brown (1955). November will spotlight Decca Records with the iconic Peggy Lee's first album, Black Coffee (1956), and composer George Russell's important New York, N.Y. (1959) performed by an all-star orchestra that includes Bill Evans, John Coltrane, Art Farmer and Milt Hinton, among others. All titles and exact release dates are listed below. Additional titles will be announced as the series progresses.\r\n
      \r\n
      "We are excited to launch our Acoustic Sounds series", said Bruce Resnikoff, President & CEO of UMe. "Verve and UMe have one of the richest jazz catalogs ever recorded and our goal is to give vinyl and music lovers the best possible versions of classic albums. The Acoustic Sounds series is designed to appeal to today's most discriminating fans, and those discovering this treasured legacy for the first time, looking for the very finest in both artistic content and audio quality".\r\n
      \r\n
      "We're very honored to have Verve and UME partnering with us to create what we believe will be the highest quality reissues of some of the world's greatest jazz albums. Each step in our production process from title selection to mastering, pressing and packaging is designed to meet the highest standards, and we want everyone who hears these albums to feel the love and hard work we put into everything we do", Kassem said. "We've long had a great relationship with UME, pressing classic titles at our Quality Record Pressings from many of their highest-profile artists. We look forward to strengthening that partnership even further with these reissues from Verve, home of the world's largest jazz catalog".\r\n
      \r\n
      Getz / Gilberto is not only a marvelous album, but one which had a profound influence upon the face of jazz and American popular music. This stunning 1964 collaboration between Stan Getz, one of the most popular and respected tenor saxophonists of the era, and the remarkable Brazilian guitarist João Gilberto, launched the bossa nova craze and the career of João's wife Astrud Gilberto with the hugely popular and iconic hit song, "The Girl from Ipanema (Garota de Ipanema)". Even more impactful, it introduced the famed Brazilian composer Antonio Carlos Jobim to the English-speaking musical world. In addition to playing piano on the album, Jobim also composed six of the eight compositions, including two of his most popular masterpieces, "Desafinado" and "Corcovado", along with the aforementioned "Garota de Ipanema".\r\n
      \r\n
      While Getz had embraced the music of Brazil prior to this with two outstanding Verve albums Jazz Samba and Big Band Bossa Nova Getz / Gilberto, with multiple Grammy Awards and a permanent place on various Best Albums of All-time lists is the album that launched a revolution. Regardless of that, the collaborative blending of Getz's fluid, muscular virtuosity and João's impeccable acoustic guitar stylings and captivating vocals, Astrud's enchanting almost-whispered singing on two tracks, all backed by Jobim's minimalist subtlety on piano and the flawless support of Sebãstio Neto and Milton Banana on bass and drums, make this an utterly momentous musical experience regardless of its lofty place in musical history.\r\n
      \r\n
      Now these albums and many more will be heard better than ever in the exciting new audiophile Acoustic Sounds series.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Stan Getz (tenor saxophone), Joao Gilberto (guitar, vocals), Antonio Carlos Jobim (piano), Tommy William (bass), Astrud Gilberto (vocals), Milton Banana (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nrLzyXgx4w8"
    -referenceProduit: "Acoustic Sounds Series 9001"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "1. The Girl From Ipanema "
        "ordre" => 1
      ]
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        "nom" => "2. Doralice "
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      ]
      [
        "nom" => "3. Para Machuchar Meu "
        "ordre" => 3
      ]
      [
        "nom" => "4. Desafinado"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. Corcavado "
        "ordre" => 6
      ]
      [
        "nom" => "2. So Danco Samba "
        "ordre" => 7
      ]
      [
        "nom" => "3. O Grande Amor "
        "ordre" => 8
      ]
      [
        "nom" => "4. Vivo Sohando"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2212 …}
    -label: Proxies\__CG__\App\Entity\Label {#2118 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2234 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2227 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2229 …}
    -enregistreLe: DateTime @1592289781 {#2223
      date: 2020-06-16 06:43:01.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763567006 {#2224
      date: 2025-11-19 15:43:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2231 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-getz-gilberto-acoustic-sounds-series-9001"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
}

[
  "produit" => App\Entity\Produit {#2239
    -id: 1772
    -nom: "Comin' Your Way"
    -informationComplementaire: null
    -description: """
      Comin' Your Way is a 1961 album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label and performed by Turrentine with his brother Tommy Turrentine, Horace Parlan, George Tucker and Al Harewood.\r\n
      \r\n
      Tone Poet Audiophile Vinyl Reissue Series : "Tone Poet" Joe Harley co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog.\r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is It.\r\n
      \r\n
      The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder's studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. "Every aspect of these Blue Note releases is done to the highest possible standard," he says. "It means that you will never find a superior version".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Stanley Turrentine (tenor saxophone), Horace Parlan (piano), Tommy Turrentine (trumpet), George Tucker (bass), Al Harewood (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Xm16sAC2gFA"
    -referenceProduit: "Blue Note Tone Poet 9801"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. My Girl Is Just Enough Woman For Me"
        "ordre" => 1
      ]
      [
        "nom" => "2. Then I'll Be Tired Of You"
        "ordre" => 2
      ]
      [
        "nom" => "3. Fine L'il Lass"
        "ordre" => 3
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
      [
        "nom" => "1. Thomasville"
        "ordre" => 5
      ]
      [
        "nom" => "2. Someone To Watch Over Me"
        "ordre" => 6
      ]
      [
        "nom" => "3. Stolen Sweets"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2241 …}
    -label: Proxies\__CG__\App\Entity\Label {#2244 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2253 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2246 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2248 …}
    -enregistreLe: DateTime @1575961336 {#2236
      date: 2019-12-10 07:02:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763541924 {#2237
      date: 2025-11-19 08:45:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2250 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-comin-your-way-blue-note-tone-poet-9801"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3708
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2239
    -id: 1772
    -nom: "Comin' Your Way"
    -informationComplementaire: null
    -description: """
      Comin' Your Way is a 1961 album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label and performed by Turrentine with his brother Tommy Turrentine, Horace Parlan, George Tucker and Al Harewood.\r\n
      \r\n
      Tone Poet Audiophile Vinyl Reissue Series : "Tone Poet" Joe Harley co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog.\r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is It.\r\n
      \r\n
      The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder's studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. "Every aspect of these Blue Note releases is done to the highest possible standard," he says. "It means that you will never find a superior version".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Stanley Turrentine (tenor saxophone), Horace Parlan (piano), Tommy Turrentine (trumpet), George Tucker (bass), Al Harewood (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Xm16sAC2gFA"
    -referenceProduit: "Blue Note Tone Poet 9801"
    -titreMorceau: [
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        "ordre" => 2
      ]
      [
        "nom" => "3. Fine L'il Lass"
        "ordre" => 3
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
      [
        "nom" => "1. Thomasville"
        "ordre" => 5
      ]
      [
        "nom" => "2. Someone To Watch Over Me"
        "ordre" => 6
      ]
      [
        "nom" => "3. Stolen Sweets"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2241 …}
    -label: Proxies\__CG__\App\Entity\Label {#2244 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2253 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2246 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2248 …}
    -enregistreLe: DateTime @1575961336 {#2236
      date: 2019-12-10 07:02:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763541924 {#2237
      date: 2025-11-19 08:45:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2250 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-comin-your-way-blue-note-tone-poet-9801"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
}

[
  "produit" => App\Entity\Produit {#2260
    -id: 1709
    -nom: "Hustlin'"
    -informationComplementaire: null
    -description: """
      Stanley Turrentine’s 1960s Blue Note output was reliably excellent, but this 1964 session featuring his thick, blues-drenched tenor saxophone backed by organist Shirley Scott, guitarist Kenny Burrell, bassist Bob Cranshaw, and drummer Otis Finch, surely ranks with his very best. From the relentless groove of “Trouble (No. 2)” to the scorching dialog between Turrentine and Burrell on "Ladyfingers" to the deep swinging blues of the title track, Hustlin’ is must-have music for fans of Turrentine.\r\n
      \r\n
      Tone Poet Audiophile Vinyl Reissue Series : "Tone Poet" Joe Harley co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog. \r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder’s studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. "Every aspect of these Blue Note releases is done to the highest possible standard", he says. "It means that you will never find a superior version".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Stanley Turrentine (tenor saxophone), Kenny Burrell (guitar), Bob Cranshaw (bass), Shirley Scott (organ), Otis Finch (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rF-pY-WwHMg"
    -referenceProduit: "Blue Note Tone Poet Series 6119"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Trouble (No. 2)"
        "ordre" => 1
      ]
      [
        "nom" => "2. Love Letters"
        "ordre" => 2
      ]
      [
        "nom" => "3. The Hustler"
        "ordre" => 3
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
      [
        "nom" => "1. Ladyfingers"
        "ordre" => 5
      ]
      [
        "nom" => "2. Something Happens To Me"
        "ordre" => 6
      ]
      [
        "nom" => "3. Goin' Home"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2241 …}
    -label: Proxies\__CG__\App\Entity\Label {#2244 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2268 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2261 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2263 …}
    -enregistreLe: DateTime @1563600744 {#2256
      date: 2019-07-20 05:32:24.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763541666 {#2255
      date: 2025-11-19 08:41:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2265 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-hustlin-blue-note-tone-poet-series-6119"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3761
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2260
    -id: 1709
    -nom: "Hustlin'"
    -informationComplementaire: null
    -description: """
      Stanley Turrentine’s 1960s Blue Note output was reliably excellent, but this 1964 session featuring his thick, blues-drenched tenor saxophone backed by organist Shirley Scott, guitarist Kenny Burrell, bassist Bob Cranshaw, and drummer Otis Finch, surely ranks with his very best. From the relentless groove of “Trouble (No. 2)” to the scorching dialog between Turrentine and Burrell on "Ladyfingers" to the deep swinging blues of the title track, Hustlin’ is must-have music for fans of Turrentine.\r\n
      \r\n
      Tone Poet Audiophile Vinyl Reissue Series : "Tone Poet" Joe Harley co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog. \r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder’s studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. "Every aspect of these Blue Note releases is done to the highest possible standard", he says. "It means that you will never find a superior version".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Stanley Turrentine (tenor saxophone), Kenny Burrell (guitar), Bob Cranshaw (bass), Shirley Scott (organ), Otis Finch (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rF-pY-WwHMg"
    -referenceProduit: "Blue Note Tone Poet Series 6119"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Trouble (No. 2)"
        "ordre" => 1
      ]
      [
        "nom" => "2. Love Letters"
        "ordre" => 2
      ]
      [
        "nom" => "3. The Hustler"
        "ordre" => 3
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
      [
        "nom" => "1. Ladyfingers"
        "ordre" => 5
      ]
      [
        "nom" => "2. Something Happens To Me"
        "ordre" => 6
      ]
      [
        "nom" => "3. Goin' Home"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2241 …}
    -label: Proxies\__CG__\App\Entity\Label {#2244 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2268 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2261 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2263 …}
    -enregistreLe: DateTime @1563600744 {#2256
      date: 2019-07-20 05:32:24.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763541666 {#2255
      date: 2025-11-19 08:41:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2265 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-hustlin-blue-note-tone-poet-series-6119"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3957
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3958 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4006 …}
  +isValidated: false
  +validatedFields: []
}