Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2554
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2401 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2631
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2634 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2633 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2401 …}
  -formView: Symfony\Component\Form\FormView {#2670 …}
  -form: Symfony\Component\Form\Form {#2820 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 859
    -nom: "A Meeting By The River"
    -informationComplementaire: null
    -description: """
      - 1994 Grammy winner for Best World Music Album !\r\n
      - Included in Tom Moon's 2008 book "1,000 Recordings to Hear Before You Die" !\r\n
      \r\n
      "…The sound is about as good as it gets, with almost no sense of recording gear between the listener and musicians, who are laid out in a solid horizontal line. The remarkable air and tangible 'thereness' will take your breath away". – Wayne Garcia, The Absolute Sound, August 2008.\r\n
      \r\n
      "As spontaneous as music-making gets, this East meets West improv session between two masters of slide-based stringed instruments is like eating at the most exotic Indian restaurant that adds Tex-Mex flavors to its dishes. The sound is very natural, almost achingly beautiful". – Playback, June 2008.\r\n
      \r\n
      "…This record is a must-have for fans of Ry Cooder's explorations into global sounds. The playing is out of this world, and, on these cuts, it has less of a world music feel, and is almost bluesy at times. With the original sessions captured at 15 i.p.s. on all custom deParavicini gear, this is the ultimate stereo test record. The sound is as real, open and airy as it gets; not one more molecule of tone could possibly be put onto these black discs !" – Jeff Dorgay, Tone Audio, No. 15, 2008.\r\n
      \r\n
      "…Passionate, mysterious, intricate, earthy, ethereal, moody and mystical, the rich musical improvisations on this recording defy categorization… The recording is as astonishing as the music: a harmonically complex, three dimensional, two-microphone purist production that will easily take its place at the top of the sonic heap in your record collection and that's a guarantee…this is among the most spacious, convincing three-dimensional recordings you will ever hear… An essential record in any 21st century vinyl collection". Music = 11/11; Sound = 11/11 – Michael Fremer, Music Angle.\r\n
      \r\n
      "The quintessential 2 mic Blumlein recording, a musical extravaganza – on 45 RPM it destroys the early '90s CD !" – Danny Kaey, Positive-Feedback Online.\r\n
      \r\n
      "…Astonishingly, the four conversational yet adventurous tracks captured on A Meeting by the River were unrehearsed jams between the two masters, who had met only minutes before the session. The lesson is that Cooder and Bhatt not only knew how to play, but how to listen". – Daniel Durchholz, Stereophile, February 2007.\r\n
      \r\n
      American composer, musicologist and guitar legend Ry Cooder teams with North Indian musician Vishwa Mohan Bhatt to create an exquisite musical realm, with both musicians playing exceptional slide guitar. Their collaboration evokes musical elements from many cultures and styles. Percussion by Sukhvindar Singh on tabla and Cooder's 14-year-old son Joachim on dumbek. This recording won a Grammy Award in 1994 for Best World Album.\r\n
      \r\n
      Originally released in 1993.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Ry Cooder (guitar), Vishwa Mohan Bhatt (slide guitar), Sukhvindar Singh (tabla),  Joachim Cooder (goblet drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gKE3gDpgd2c"
    -referenceProduit: "Analogue Productions AAPW 29"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. A Meeting By The River"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. Longing"
      ]
      [
        "ordre" => 4
        "nom" => "Side C :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Ganges Delta Blues"
      ]
      [
        "ordre" => 6
        "nom" => "Side D : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Isa Lei"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1481 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1453623869 {#1896
      date: 2016-01-24 08:24:29.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768586812 {#1889
      date: 2026-01-16 18:06:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-meeting-by-the-river-analogue-productions-aapw-29"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3095
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2633 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 859
    -nom: "A Meeting By The River"
    -informationComplementaire: null
    -description: """
      - 1994 Grammy winner for Best World Music Album !\r\n
      - Included in Tom Moon's 2008 book "1,000 Recordings to Hear Before You Die" !\r\n
      \r\n
      "…The sound is about as good as it gets, with almost no sense of recording gear between the listener and musicians, who are laid out in a solid horizontal line. The remarkable air and tangible 'thereness' will take your breath away". – Wayne Garcia, The Absolute Sound, August 2008.\r\n
      \r\n
      "As spontaneous as music-making gets, this East meets West improv session between two masters of slide-based stringed instruments is like eating at the most exotic Indian restaurant that adds Tex-Mex flavors to its dishes. The sound is very natural, almost achingly beautiful". – Playback, June 2008.\r\n
      \r\n
      "…This record is a must-have for fans of Ry Cooder's explorations into global sounds. The playing is out of this world, and, on these cuts, it has less of a world music feel, and is almost bluesy at times. With the original sessions captured at 15 i.p.s. on all custom deParavicini gear, this is the ultimate stereo test record. The sound is as real, open and airy as it gets; not one more molecule of tone could possibly be put onto these black discs !" – Jeff Dorgay, Tone Audio, No. 15, 2008.\r\n
      \r\n
      "…Passionate, mysterious, intricate, earthy, ethereal, moody and mystical, the rich musical improvisations on this recording defy categorization… The recording is as astonishing as the music: a harmonically complex, three dimensional, two-microphone purist production that will easily take its place at the top of the sonic heap in your record collection and that's a guarantee…this is among the most spacious, convincing three-dimensional recordings you will ever hear… An essential record in any 21st century vinyl collection". Music = 11/11; Sound = 11/11 – Michael Fremer, Music Angle.\r\n
      \r\n
      "The quintessential 2 mic Blumlein recording, a musical extravaganza – on 45 RPM it destroys the early '90s CD !" – Danny Kaey, Positive-Feedback Online.\r\n
      \r\n
      "…Astonishingly, the four conversational yet adventurous tracks captured on A Meeting by the River were unrehearsed jams between the two masters, who had met only minutes before the session. The lesson is that Cooder and Bhatt not only knew how to play, but how to listen". – Daniel Durchholz, Stereophile, February 2007.\r\n
      \r\n
      American composer, musicologist and guitar legend Ry Cooder teams with North Indian musician Vishwa Mohan Bhatt to create an exquisite musical realm, with both musicians playing exceptional slide guitar. Their collaboration evokes musical elements from many cultures and styles. Percussion by Sukhvindar Singh on tabla and Cooder's 14-year-old son Joachim on dumbek. This recording won a Grammy Award in 1994 for Best World Album.\r\n
      \r\n
      Originally released in 1993.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Ry Cooder (guitar), Vishwa Mohan Bhatt (slide guitar), Sukhvindar Singh (tabla),  Joachim Cooder (goblet drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gKE3gDpgd2c"
    -referenceProduit: "Analogue Productions AAPW 29"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. A Meeting By The River"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. Longing"
      ]
      [
        "ordre" => 4
        "nom" => "Side C :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Ganges Delta Blues"
      ]
      [
        "ordre" => 6
        "nom" => "Side D : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Isa Lei"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1481 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1453623869 {#1896
      date: 2016-01-24 08:24:29.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768586812 {#1889
      date: 2026-01-16 18:06:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-meeting-by-the-river-analogue-productions-aapw-29"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2401 …}
}

[
  "produit" => App\Entity\Produit {#2035
    -id: 492
    -nom: "Stan Getz & Joao Gilberto"
    -informationComplementaire: "Une réédition exceptionnelle ! Une version comme vous ne l’avez jamais entendu !"
    -description: """
      Mono & Stereo magazine's reviewer Matej Isak says Chad Kassem's efforts via his Quality Record Pressings pressing plant "goes beyond simple vinyl revival". "What can I say ? I have a few different copies of this album and this release is of a completely different nature of sound. Like with another unforgettable (release) Nat 'King' Cole Love Is The Thing (AAPP 824-45) this is as good as it gets, without having the real master tapes on hand. It's a celebration of analog". Isak also raves, "Everything is even more subtle and present. Astrud's vocals finally got the needed three-dimensionality and 'spirit' and Getz's saxophone breathes out of proportion. When compared to other pressings, for example, Astrud is a mere statue. Here, she came alive with the feeling of real life-size... With 45 RPM benefits, the album gained better transients and a sense of atmosphere. It moves you more intimately and straight to the core". Matej Isak, Mono & Stereo magazine, May 2013. Beyond highly recommended." Named a Mono & Stereo Strictly Vinyl Analog Award winner. Read the entire review. http://www.monoandstereo.com/2013/05/acoustic-sounds-stan-getz-joao-gilberto.html\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011\r\n
      \r\n
      "...To say that the resulting new stereo master is anything but a major sonic breakthrough would be to make the understatement of the decade. Simply put, audiophile jargon and usual hyperbolas aside, this new release is like hearing the record for the very first time, in the studio, with Astrud and team granting you a personal performance for the night. There is just so much more information present, that you really can't fairly compare any of the previous releases with this one". - Danny Kaey, Positive Feedback, September/October 2011\r\n
      \r\n
      The original master tapes for this title had not been used since 1980 previous to this reissue. Also, for this Analogue Productions reissue the decision was made to master and present this album as it was originally mixed to master tape. With very few exceptions all versions of this title to date, including the original, have had the channels incorrectly reversed. With this version, you'll hear this title as it was intended to be heard, without the channels reversed. And again, those reissues you've heard up until now - definitely still breathy, warm and rich - were made from something less than the master. Prepare to hear the veil removed. \r\n
      \r\n
      Astrud Gilberto says that her husband, Joao, informed Stan Getz that she "could sing at the recording". Creed Taylor recalls that it took Getz's wife, Monica, to get both Astrud and Joao into the recording studio; Mrs. Getz had a sense that Astrud could make a hit. And Getz himself is on record saying that he insisted on Astrud's presence over the others' objections. So who's right? What does it matter ? The Gilbertos, Getz and the legendary Antonio Carlos Jobim followed up the bossa nova success of Jazz Samba with this, the defining LP of the genre. With one of the greatest hit singles jazz has ever known - each one who hears it goes "Ahhh!"\r\n
      \r\n
      Originally released in 1963.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Stan Getz (tenor saxophone), Joao Gilberto (guitar, vocals), Antonio Carlos Jobim (piano), Tommy William (bass), Milton Banana (drums), Astrud Gilberto (vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=UJJKDzqVpvE"
    -referenceProduit: "Analogue Productions AVRJ 8545-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Girl From Ipanema"
      ]
      [
        "ordre" => 2
        "nom" => "2. Doralice"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. P'ra Muchucar Meu Coracao"
      ]
      [
        "ordre" => 5
        "nom" => "2. Desafinado"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Corcovado (Quiet Night of Quiet Stars)"
      ]
      [
        "ordre" => 8
        "nom" => "2. So Danco Samba"
      ]
      [
        "ordre" => 9
        "nom" => "Side D :"
      ]
      [
        "ordre" => 10
        "nom" => "1. O Grande Amor"
      ]
      [
        "ordre" => 11
        "nom" => "2. Vivo Sonhando"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1327098626 {#2032
      date: 2012-01-20 22:30:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768498772 {#2033
      date: 2026-01-15 17:39:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stan-getz-joao-gilberto-analogue-productions-avrj-8545-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3209
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2633 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2035
    -id: 492
    -nom: "Stan Getz & Joao Gilberto"
    -informationComplementaire: "Une réédition exceptionnelle ! Une version comme vous ne l’avez jamais entendu !"
    -description: """
      Mono & Stereo magazine's reviewer Matej Isak says Chad Kassem's efforts via his Quality Record Pressings pressing plant "goes beyond simple vinyl revival". "What can I say ? I have a few different copies of this album and this release is of a completely different nature of sound. Like with another unforgettable (release) Nat 'King' Cole Love Is The Thing (AAPP 824-45) this is as good as it gets, without having the real master tapes on hand. It's a celebration of analog". Isak also raves, "Everything is even more subtle and present. Astrud's vocals finally got the needed three-dimensionality and 'spirit' and Getz's saxophone breathes out of proportion. When compared to other pressings, for example, Astrud is a mere statue. Here, she came alive with the feeling of real life-size... With 45 RPM benefits, the album gained better transients and a sense of atmosphere. It moves you more intimately and straight to the core". Matej Isak, Mono & Stereo magazine, May 2013. Beyond highly recommended." Named a Mono & Stereo Strictly Vinyl Analog Award winner. Read the entire review. http://www.monoandstereo.com/2013/05/acoustic-sounds-stan-getz-joao-gilberto.html\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011\r\n
      \r\n
      "...To say that the resulting new stereo master is anything but a major sonic breakthrough would be to make the understatement of the decade. Simply put, audiophile jargon and usual hyperbolas aside, this new release is like hearing the record for the very first time, in the studio, with Astrud and team granting you a personal performance for the night. There is just so much more information present, that you really can't fairly compare any of the previous releases with this one". - Danny Kaey, Positive Feedback, September/October 2011\r\n
      \r\n
      The original master tapes for this title had not been used since 1980 previous to this reissue. Also, for this Analogue Productions reissue the decision was made to master and present this album as it was originally mixed to master tape. With very few exceptions all versions of this title to date, including the original, have had the channels incorrectly reversed. With this version, you'll hear this title as it was intended to be heard, without the channels reversed. And again, those reissues you've heard up until now - definitely still breathy, warm and rich - were made from something less than the master. Prepare to hear the veil removed. \r\n
      \r\n
      Astrud Gilberto says that her husband, Joao, informed Stan Getz that she "could sing at the recording". Creed Taylor recalls that it took Getz's wife, Monica, to get both Astrud and Joao into the recording studio; Mrs. Getz had a sense that Astrud could make a hit. And Getz himself is on record saying that he insisted on Astrud's presence over the others' objections. So who's right? What does it matter ? The Gilbertos, Getz and the legendary Antonio Carlos Jobim followed up the bossa nova success of Jazz Samba with this, the defining LP of the genre. With one of the greatest hit singles jazz has ever known - each one who hears it goes "Ahhh!"\r\n
      \r\n
      Originally released in 1963.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Stan Getz (tenor saxophone), Joao Gilberto (guitar, vocals), Antonio Carlos Jobim (piano), Tommy William (bass), Milton Banana (drums), Astrud Gilberto (vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=UJJKDzqVpvE"
    -referenceProduit: "Analogue Productions AVRJ 8545-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Girl From Ipanema"
      ]
      [
        "ordre" => 2
        "nom" => "2. Doralice"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. P'ra Muchucar Meu Coracao"
      ]
      [
        "ordre" => 5
        "nom" => "2. Desafinado"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Corcovado (Quiet Night of Quiet Stars)"
      ]
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        "ordre" => 8
        "nom" => "2. So Danco Samba"
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        "nom" => "Side D :"
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        "nom" => "1. O Grande Amor"
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      [
        "ordre" => 11
        "nom" => "2. Vivo Sonhando"
      ]
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[
  "produit" => App\Entity\Produit {#2051
    -id: 1494
    -nom: "The Royal Ballet Gala Performances (Box Set 5 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Ernest Ansermet "The Royal Ballet Gala Performances" !\r\n
      - Dead-quiet 45 RPM (5 LP) set reduces distortion, improves cartridge tracking !\r\n
      - Pressed at Quality Record Pressings; superb music and detailed, deluxe packaging !\r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      - Packaged in a custom-designed slipcase with integrated 22 page lavishly illustrated book !\r\n
      \r\n
      - Please note : Side 10 of this release is a repeat of side 1\r\n
      \r\n
      In the hearts of thousands, N° 1 on the Top RCA list. While the bulk of Ernest Ansermet's recordings were made with L'Orchestre de la Susise Romande, there were a few with the Paris Conservatoire Orchestra and the very occasional foray into recordings with London orchestras, one of these being with the Orchestra of the Royal Opera House, Covent Garden, in 1959.\r\n
      \r\n
      Analogue Productions  is proud and excited to be bringing back such a classic. Not just for the music, which is superb, but also for the detailed packaging, which in this case takes the form of a 22 page lavishly illustrated book that's integrated into the tip-on gatefold jacket for two of the LPs in this new 5 LP 45 RPM box set edition.\r\n
      \r\n
      A word about 45 RPM : The dead-quiet LPs, with the music spread over nine sides of vinyl (the 10th side repeats side 1), reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. But it's more than just the vinyl that makes this release so special.\r\n
      \r\n
      If you're new to ballet, this pictorial history will introduce you to some of its most famous productions old favorites such as The Nutcracker, Swan Lake and The Sleeping Beauty, for example but also less familiar tales such as Carnaval, Les Sylphides and Coppélia. You'll also make the aquaintance of famous ballerinas of the Royal company, such as Margot Fonteyn, Nadia Nerina and Beryl Grey. as well as choreographers such as Jules Perrot and male dancers Alexis Rassine and Michael Somes.\r\n
      \r\n
      Musically you can't get better than the 200 gram dead-silent platters pressed by Quality Record Pressings, makers of the world's finest-sounding LPs. Of course the best vinyl reflects the best mastering, and that's accomplished here by Bernie Grundman working from the original analog tape. Stoughton Printing expertly handled the intricate gatefold tip-on package.\r\n
      \r\n
      Audiophilia Online Magazine wrote : "This is the stuff of which dreams are made. The Royal Ballet Gala is one of the finest RCAs recorded in London's Kingsway Hall. The chunks of great ballet music are well served by orchestra, conductor and engineer. Performances are executed to a very high standard - the Royal Opera House Orchestra, both then and now, rank as one of the finest of opera orchestras".\r\n
      \r\n
      "Conductor Ansermet keeps the pace moving, giving the listener the impression of a dance event rather than a dramatic concert hall reading. With the exception of some of the Tchaikovsky scenes, the music is light and remains so under Ansermet's gentle touch. Each ballet is given full attention by the players, something not always attained at Covent Garden during long ballet nights! The threat of eternity does have it's merits. The recorded sound is simply amazing! Lustrous is one word that comes to mind, accurate is another".\r\n
      \r\n
      "Tonally, Messrs. Williamson and Wilkinson have used their considerable talents to capture the orchestra superbly. Woodwind and strings glow and resonate, transporting this listener to a time when simpler recording was better. Brass ring out thrillingly and percussion effects are very musical. Be it a bang, swish, rattle, crack or snap, each percussionist is situated perfectly within the beautiful Kingsway soundstage. Even the difficult-to-record sound of the celeste is captured in it's purely mechanical form. It's delicate sound is heard to great effect during the Nutcracker - originating stage left, the sound decays across the stage of Kingsway with sparkling beauty. Wonderful".\r\n
      \r\n
      Producer : Michael Williamson\r\n
      Engineer : Kenneth Wilkinson
      """
    -prixVente: "399.50"
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    -referenceProduit: "Analogue Productions AAPC 6065-45"
    -titreMorceau: [
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        "nom" => "1. Nutcracker Suite - March "
      ]
      [
        "ordre" => 1
        "nom" => "2. Nutcracker Suite - Dance Of The Sugar Plum Fairy "
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      [
        "ordre" => 2
        "nom" => "3. Nutcracker Suite - Arabian Dance  "
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        "nom" => "6. Nutcracker Suite - Waltz Of The Flowers "
      ]
      [
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        "nom" => "7. La Boutique Fantasque - Tarantella "
      ]
      [
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        "nom" => "8. La Boutique Fantasque - Andante Mosso "
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        "nom" => "10. Coppelia - Introduction (Allegro Marcato) And Mazurka - Act 1 "
      ]
      [
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        "nom" => "11. Coppelia - Introduction (Andante ) And Waltz - Act 1 "
      ]
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        "nom" => "12. Coppelia - Czardas - Act 1 "
      ]
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        "nom" => "13. Coppelia - Valse De La Poupee - Act 2 "
      ]
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        "nom" => "14. Giselle - Introduction And Waltz - Act 1 "
      ]
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        "nom" => "15. Giselle - Pas De Deux And Variation - Act 2 "
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        "nom" => "16. Swan Lake - Dance Of The Little Swans (Pas De Quatre) - Act 2"
      ]
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      ]
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        "nom" => "18. Swan Lake - Waltz - Act 2"
      ]
      [
        "ordre" => 18
        "nom" => "19. Carnaval - Pierror"
      ]
      [
        "ordre" => 19
        "nom" => "20. Carnaval - Reconnaissance"
      ]
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        "nom" => "21. Carnaval - Aveu"
      ]
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        "nom" => "22. Carnaval - Pantalon Et Columbine"
      ]
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        "nom" => "23. Sleeping Beauty - Introduction - The Lilac Fairy - Prologue"
      ]
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        "nom" => "24. Sleeping Beauty - Rose Adagio - Pase D'Action - Act 1"
      ]
      [
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        "nom" => "25. Sleeping Beauty - Waltz - Act 1"
      ]
      [
        "ordre" => 25
        "nom" => "26. Les Sylphides - Overture: Prelude In A Major, Opus 28, No. 7"
      ]
      [
        "ordre" => 26
        "nom" => "27. Les Sylphides - Mazurka In C Major, Opus 67, No. 3"
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        "ordre" => 27
        "nom" => "28. Les Sylphides - Grande Valse Brillante In E Flat Major, Opus 18"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2053 …}
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    -id: 1494
    -nom: "The Royal Ballet Gala Performances (Box Set 5 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Ernest Ansermet "The Royal Ballet Gala Performances" !\r\n
      - Dead-quiet 45 RPM (5 LP) set reduces distortion, improves cartridge tracking !\r\n
      - Pressed at Quality Record Pressings; superb music and detailed, deluxe packaging !\r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      - Packaged in a custom-designed slipcase with integrated 22 page lavishly illustrated book !\r\n
      \r\n
      - Please note : Side 10 of this release is a repeat of side 1\r\n
      \r\n
      In the hearts of thousands, N° 1 on the Top RCA list. While the bulk of Ernest Ansermet's recordings were made with L'Orchestre de la Susise Romande, there were a few with the Paris Conservatoire Orchestra and the very occasional foray into recordings with London orchestras, one of these being with the Orchestra of the Royal Opera House, Covent Garden, in 1959.\r\n
      \r\n
      Analogue Productions  is proud and excited to be bringing back such a classic. Not just for the music, which is superb, but also for the detailed packaging, which in this case takes the form of a 22 page lavishly illustrated book that's integrated into the tip-on gatefold jacket for two of the LPs in this new 5 LP 45 RPM box set edition.\r\n
      \r\n
      A word about 45 RPM : The dead-quiet LPs, with the music spread over nine sides of vinyl (the 10th side repeats side 1), reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. But it's more than just the vinyl that makes this release so special.\r\n
      \r\n
      If you're new to ballet, this pictorial history will introduce you to some of its most famous productions old favorites such as The Nutcracker, Swan Lake and The Sleeping Beauty, for example but also less familiar tales such as Carnaval, Les Sylphides and Coppélia. You'll also make the aquaintance of famous ballerinas of the Royal company, such as Margot Fonteyn, Nadia Nerina and Beryl Grey. as well as choreographers such as Jules Perrot and male dancers Alexis Rassine and Michael Somes.\r\n
      \r\n
      Musically you can't get better than the 200 gram dead-silent platters pressed by Quality Record Pressings, makers of the world's finest-sounding LPs. Of course the best vinyl reflects the best mastering, and that's accomplished here by Bernie Grundman working from the original analog tape. Stoughton Printing expertly handled the intricate gatefold tip-on package.\r\n
      \r\n
      Audiophilia Online Magazine wrote : "This is the stuff of which dreams are made. The Royal Ballet Gala is one of the finest RCAs recorded in London's Kingsway Hall. The chunks of great ballet music are well served by orchestra, conductor and engineer. Performances are executed to a very high standard - the Royal Opera House Orchestra, both then and now, rank as one of the finest of opera orchestras".\r\n
      \r\n
      "Conductor Ansermet keeps the pace moving, giving the listener the impression of a dance event rather than a dramatic concert hall reading. With the exception of some of the Tchaikovsky scenes, the music is light and remains so under Ansermet's gentle touch. Each ballet is given full attention by the players, something not always attained at Covent Garden during long ballet nights! The threat of eternity does have it's merits. The recorded sound is simply amazing! Lustrous is one word that comes to mind, accurate is another".\r\n
      \r\n
      "Tonally, Messrs. Williamson and Wilkinson have used their considerable talents to capture the orchestra superbly. Woodwind and strings glow and resonate, transporting this listener to a time when simpler recording was better. Brass ring out thrillingly and percussion effects are very musical. Be it a bang, swish, rattle, crack or snap, each percussionist is situated perfectly within the beautiful Kingsway soundstage. Even the difficult-to-record sound of the celeste is captured in it's purely mechanical form. It's delicate sound is heard to great effect during the Nutcracker - originating stage left, the sound decays across the stage of Kingsway with sparkling beauty. Wonderful".\r\n
      \r\n
      Producer : Michael Williamson\r\n
      Engineer : Kenneth Wilkinson
      """
    -prixVente: "399.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Orchestra of the Royal Opera House, Covent Garden conducted by Ernest Ansermet"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 5
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8ZiBavQ7Miw"
    -referenceProduit: "Analogue Productions AAPC 6065-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Nutcracker Suite - March "
      ]
      [
        "ordre" => 1
        "nom" => "2. Nutcracker Suite - Dance Of The Sugar Plum Fairy "
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        "ordre" => 2
        "nom" => "3. Nutcracker Suite - Arabian Dance  "
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        "ordre" => 3
        "nom" => "4. Nutcracker Suite - Chinese Dance "
      ]
      [
        "ordre" => 4
        "nom" => "5. Nutcracker Suite - Dance Of The Toy Flutes "
      ]
      [
        "ordre" => 5
        "nom" => "6. Nutcracker Suite - Waltz Of The Flowers "
      ]
      [
        "ordre" => 6
        "nom" => "7. La Boutique Fantasque - Tarantella "
      ]
      [
        "ordre" => 7
        "nom" => "8. La Boutique Fantasque - Andante Mosso "
      ]
      [
        "ordre" => 8
        "nom" => "9. La Boutique Fantasque - Can-Can "
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      [
        "ordre" => 9
        "nom" => "10. Coppelia - Introduction (Allegro Marcato) And Mazurka - Act 1 "
      ]
      [
        "ordre" => 10
        "nom" => "11. Coppelia - Introduction (Andante ) And Waltz - Act 1 "
      ]
      [
        "ordre" => 11
        "nom" => "12. Coppelia - Czardas - Act 1 "
      ]
      [
        "ordre" => 12
        "nom" => "13. Coppelia - Valse De La Poupee - Act 2 "
      ]
      [
        "ordre" => 13
        "nom" => "14. Giselle - Introduction And Waltz - Act 1 "
      ]
      [
        "ordre" => 14
        "nom" => "15. Giselle - Pas De Deux And Variation - Act 2 "
      ]
      [
        "ordre" => 15
        "nom" => "16. Swan Lake - Dance Of The Little Swans (Pas De Quatre) - Act 2"
      ]
      [
        "ordre" => 16
        "nom" => "17. Swan Lake - Pas De Deux - Act 2"
      ]
      [
        "ordre" => 17
        "nom" => "18. Swan Lake - Waltz - Act 2"
      ]
      [
        "ordre" => 18
        "nom" => "19. Carnaval - Pierror"
      ]
      [
        "ordre" => 19
        "nom" => "20. Carnaval - Reconnaissance"
      ]
      [
        "ordre" => 20
        "nom" => "21. Carnaval - Aveu"
      ]
      [
        "ordre" => 21
        "nom" => "22. Carnaval - Pantalon Et Columbine"
      ]
      [
        "ordre" => 22
        "nom" => "23. Sleeping Beauty - Introduction - The Lilac Fairy - Prologue"
      ]
      [
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        "nom" => "24. Sleeping Beauty - Rose Adagio - Pase D'Action - Act 1"
      ]
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        "nom" => "25. Sleeping Beauty - Waltz - Act 1"
      ]
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        "ordre" => 25
        "nom" => "26. Les Sylphides - Overture: Prelude In A Major, Opus 28, No. 7"
      ]
      [
        "ordre" => 26
        "nom" => "27. Les Sylphides - Mazurka In C Major, Opus 67, No. 3"
      ]
      [
        "ordre" => 27
        "nom" => "28. Les Sylphides - Grande Valse Brillante In E Flat Major, Opus 18"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2053 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2067
    -id: 2947
    -nom: "Blue's Moods - (2 LP) 45 RPM"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Analogue Productions)"
    -description: """
      - Blue Mitchell "Blue's Moods" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Meet your next favorite jazz record: Blue's Moods because sometimes the mood is blue, but the groove is always gold.\r\n
      \r\n
      Released in 1960 on Riverside, this album finds trumpet wizard Blue Mitchell leading a top-shelf quartet that reads like a who's-who of tasteful, straight-ahead jazz. Mitchell's playing is lyrical without getting syrupy, swinging without showing off think cool confidence with a velvet glove.\r\n
      \r\n
      Backing him is a rhythm section so tight they might be psychic. You've got Wynton Kelly on piano, a man whose comping is basically musical espresso sharp, energizing, and never overdone. Sam Jones brings that rock-solid, walking bass that holds everything together like jazz duct tape (the fancy kind), and Roy Brooks on drums keeps the time crisp and the swing infinite.\r\n
      \r\n
      Stylistically, Blue's Moods sticks close to the heart of hard bop, with traces of soul, elegance, and a little late-night melancholy for good measure. It's the kind of record that doesn't shout for your attention it just strolls into the room, sets down its drink, and has you hooked in two bars.\r\n
      \r\n
      This is a vinyl LP reissue unmatched. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings ! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      Whether you're new to jazz or 15 crates deep into your collection, Blue's Moods is a must-own. It's smart, smooth, and cool without trying too hard basically, the album equivalent of that one friend who always knows the best place to eat and never shows up late.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1822 …}
    -musicienOrchestre: "Blue Mitchell (trumpet), Wynton Kelly (piano), Sam Jones (bass), Roy Brooks (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5fZc6osa7Nk&list=RD5fZc6osa7Nk&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 212-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
      ]
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        "ordre" => 1
        "nom" => "1. I'll Close My Eyes"
      ]
      [
        "ordre" => 2
        "nom" => "2. Avars"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Scrapple From The Apple"
      ]
      [
        "ordre" => 5
        "nom" => "2. Kinda Vague"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Sir John"
      ]
      [
        "ordre" => 8
        "nom" => "2. When I Fall In Love"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Sweet Pumpkin"
      ]
      [
        "ordre" => 11
        "nom" => "2. I Wish I Knew"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2069 …}
    -label: App\Entity\Label {#1063 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3311
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2633 …}
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  +produit: App\Entity\Produit {#2067
    -id: 2947
    -nom: "Blue's Moods - (2 LP) 45 RPM"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Analogue Productions)"
    -description: """
      - Blue Mitchell "Blue's Moods" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Meet your next favorite jazz record: Blue's Moods because sometimes the mood is blue, but the groove is always gold.\r\n
      \r\n
      Released in 1960 on Riverside, this album finds trumpet wizard Blue Mitchell leading a top-shelf quartet that reads like a who's-who of tasteful, straight-ahead jazz. Mitchell's playing is lyrical without getting syrupy, swinging without showing off think cool confidence with a velvet glove.\r\n
      \r\n
      Backing him is a rhythm section so tight they might be psychic. You've got Wynton Kelly on piano, a man whose comping is basically musical espresso sharp, energizing, and never overdone. Sam Jones brings that rock-solid, walking bass that holds everything together like jazz duct tape (the fancy kind), and Roy Brooks on drums keeps the time crisp and the swing infinite.\r\n
      \r\n
      Stylistically, Blue's Moods sticks close to the heart of hard bop, with traces of soul, elegance, and a little late-night melancholy for good measure. It's the kind of record that doesn't shout for your attention it just strolls into the room, sets down its drink, and has you hooked in two bars.\r\n
      \r\n
      This is a vinyl LP reissue unmatched. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings ! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
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      Whether you're new to jazz or 15 crates deep into your collection, Blue's Moods is a must-own. It's smart, smooth, and cool without trying too hard basically, the album equivalent of that one friend who always knows the best place to eat and never shows up late.
      """
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2069 …}
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[
  "produit" => App\Entity\Produit {#2083
    -id: 2946
    -nom: "Quiet Kenny - (2 LP) 45 RPM"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Analogue Productions)"
    -description: """
      - Kenny Dorham "Quiet Kenny" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Quiet Kenny isn't just a highlight of the Prestige catalog; it is a definitive argument for Kenny Dorham's status as a titan of the trumpet. While often overshadowed by his flashier contemporaries, this 1959 session captures Dorham at the absolute peak of his powers, delivering a performance defined by understated elegance and profound emotional depth.\r\n
      \r\n
      Supported by a rock-solid rhythm section featuring Tommy Flanagan, Paul Chambers, and Art Taylor, Dorham navigates a program that balances heartbreaking ballads with sophisticated, original blues. On standards like "My Ideal" and "Alone Together," his tone is intimate and breathy-limning each melody with a vulnerability that few could replicate. Dorham also digs deep into his own compositions, exploring the harmonic richness of "Blue Friday" and "Blue Spring Shuffle".\r\n
      \r\n
      Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings. Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1822 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), Tommy Flanagan (piano), Paul Chambers (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WzzO9k5CsrA&list=RDWzzO9k5CsrA&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 211-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3362
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2633 …}
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  +produit: App\Entity\Produit {#2083
    -id: 2946
    -nom: "Quiet Kenny - (2 LP) 45 RPM"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Analogue Productions)"
    -description: """
      - Kenny Dorham "Quiet Kenny" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Quiet Kenny isn't just a highlight of the Prestige catalog; it is a definitive argument for Kenny Dorham's status as a titan of the trumpet. While often overshadowed by his flashier contemporaries, this 1959 session captures Dorham at the absolute peak of his powers, delivering a performance defined by understated elegance and profound emotional depth.\r\n
      \r\n
      Supported by a rock-solid rhythm section featuring Tommy Flanagan, Paul Chambers, and Art Taylor, Dorham navigates a program that balances heartbreaking ballads with sophisticated, original blues. On standards like "My Ideal" and "Alone Together," his tone is intimate and breathy-limning each melody with a vulnerability that few could replicate. Dorham also digs deep into his own compositions, exploring the harmonic richness of "Blue Friday" and "Blue Spring Shuffle".\r\n
      \r\n
      Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings. Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1822 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), Tommy Flanagan (piano), Paul Chambers (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
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[
  "produit" => App\Entity\Produit {#2099
    -id: 2472
    -nom: "Full House – Recorded Live At Tsubo Berkeley, California - (2 LP) 45 RPM"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Analogue Productions)"
    -description: """
      - Wes Montgomery "Full House" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      If you ever doubted Wes Montgomery's powers as a live performer, Full House will set your ears straight. Recorded in 1962 in front of a lucky live audience, this is Wes unleashed no studio tricks, no second takes, just raw, elegant fire. His solos aren't just extended they breathe, they climb, they seduce. You can almost hear the guitar blushing.\r\n
      \r\n
      But wait — Wes didn't just bring his A-game, he brought the A-team. Enter Johnny Griffin, aka "The Little Giant", who rips into his tenor sax with the ferocity of a caffeinated tornado. His solos on "Cariba" and "Blue ‘n' Boogie" aren't just impressive they're straight-up volcanic. You don't listen to Griffin you brace yourself for him.\r\n
      \r\n
      And then there's the rhythm section. Oh, just your average trio of jazz legends: Jimmy Cobb (yes, that Jimmy Cobb from Kind of Blue) driving the drums, Paul Chambers holding it down on bass like the heartbeat of heaven, and Wynton Kelly on piano with a touch so smooth it should be illegal. This isn't just a rhythm section it's a Rolls Royce of rhythm.\r\n
      \r\n
      We've given this timeless album the full Analogue Productions treatment: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      Full House captures a one-night-only jazz miracle. No overdubs, no fluff, just brilliance caught in the wild. If you're building a jazz collection and this one isn't in there, well... this is a gap needing to be filled. On Full House you have some truly sparkling live jazz from the classic era.\r\n
      \r\n
      Buy it. Play it loud. Then play it again.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1822 …}
    -musicienOrchestre: "Wes Montgomery (guitar), Paul Chambers (bass), Wynton Kelly (piano), Johnny Griffin (tenor saxophone), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=UrV0fjDCgyQ"
    -referenceProduit: "Analogue Productions AAPJ 214-45"
    -titreMorceau: [
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        "ordre" => 0
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      ]
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        "ordre" => 1
        "nom" => "1. Full House (Album Version / Live At Tsubo / 1962)"
      ]
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        "ordre" => 2
        "nom" => "2. I’ve Grown Accustomed To Her Face (Live At Tsubo / 1962)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Blue ’N’ Boogie (Live At Tsubo / 1962)"
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        "nom" => "Side B : "
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        "ordre" => 5
        "nom" => "Side B : "
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        "nom" => "1. Cariba (Take 2, Album Version)"
      ]
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        "ordre" => 7
        "nom" => "2. Come Rain Or Come Shine (Take 2, Album Version)"
      ]
      [
        "ordre" => 8
        "nom" => "3. S.O.S. (Take 3, Album Version)"
      ]
      [
        "ordre" => 9
        "nom" => "Side C : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Full House (with originally played Montgomery solo restored*,"
      ]
      [
        "ordre" => 11
        "nom" => "Previously Unreleased)"
      ]
      [
        "ordre" => 12
        "nom" => "2. Blue 'N' Boogie (Take 1, Alternate) - Originally released on Wes Montgomery :"
      ]
      [
        "ordre" => 13
        "nom" => "The Complete Riverside Recordings"
      ]
      [
        "ordre" => 14
        "nom" => "Side D : "
      ]
      [
        "ordre" => 15
        "nom" => "1. Cariba (Take 1, Alternate) - Originally released on Wes Montgomery :"
      ]
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        "nom" => "The Complete Riverside Recordings"
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        "nom" => "2. Come Rain Or Come Shine (Take 1, Alternate) - Originally released on The"
      ]
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      ]
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        "nom" => "1. Born To Be Blue (Take 1, Outtake) - Originally released on Wes Montgomery :"
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    ]
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App\Twig\Components\GestionPanierFavoriComponents {#3413
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2633 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2099
    -id: 2472
    -nom: "Full House – Recorded Live At Tsubo Berkeley, California - (2 LP) 45 RPM"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Analogue Productions)"
    -description: """
      - Wes Montgomery "Full House" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      If you ever doubted Wes Montgomery's powers as a live performer, Full House will set your ears straight. Recorded in 1962 in front of a lucky live audience, this is Wes unleashed no studio tricks, no second takes, just raw, elegant fire. His solos aren't just extended they breathe, they climb, they seduce. You can almost hear the guitar blushing.\r\n
      \r\n
      But wait — Wes didn't just bring his A-game, he brought the A-team. Enter Johnny Griffin, aka "The Little Giant", who rips into his tenor sax with the ferocity of a caffeinated tornado. His solos on "Cariba" and "Blue ‘n' Boogie" aren't just impressive they're straight-up volcanic. You don't listen to Griffin you brace yourself for him.\r\n
      \r\n
      And then there's the rhythm section. Oh, just your average trio of jazz legends: Jimmy Cobb (yes, that Jimmy Cobb from Kind of Blue) driving the drums, Paul Chambers holding it down on bass like the heartbeat of heaven, and Wynton Kelly on piano with a touch so smooth it should be illegal. This isn't just a rhythm section it's a Rolls Royce of rhythm.\r\n
      \r\n
      We've given this timeless album the full Analogue Productions treatment: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      Full House captures a one-night-only jazz miracle. No overdubs, no fluff, just brilliance caught in the wild. If you're building a jazz collection and this one isn't in there, well... this is a gap needing to be filled. On Full House you have some truly sparkling live jazz from the classic era.\r\n
      \r\n
      Buy it. Play it loud. Then play it again.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1822 …}
    -musicienOrchestre: "Wes Montgomery (guitar), Paul Chambers (bass), Wynton Kelly (piano), Johnny Griffin (tenor saxophone), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
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    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=UrV0fjDCgyQ"
    -referenceProduit: "Analogue Productions AAPJ 214-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Full House (Album Version / Live At Tsubo / 1962)"
      ]
      [
        "ordre" => 2
        "nom" => "2. I’ve Grown Accustomed To Her Face (Live At Tsubo / 1962)"
      ]
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        "ordre" => 3
        "nom" => "3. Blue ’N’ Boogie (Live At Tsubo / 1962)"
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        "nom" => "Side B : "
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        "nom" => "Side B : "
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        "nom" => "1. Cariba (Take 2, Album Version)"
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        "nom" => "2. Come Rain Or Come Shine (Take 2, Album Version)"
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        "nom" => "3. S.O.S. (Take 3, Album Version)"
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        "nom" => "Side C : "
      ]
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        "ordre" => 10
        "nom" => "1. Full House (with originally played Montgomery solo restored*,"
      ]
      [
        "ordre" => 11
        "nom" => "Previously Unreleased)"
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        "nom" => "2. Blue 'N' Boogie (Take 1, Alternate) - Originally released on Wes Montgomery :"
      ]
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        "nom" => "The Complete Riverside Recordings"
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        "nom" => "Side D : "
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        "nom" => "1. Cariba (Take 1, Alternate) - Originally released on Wes Montgomery :"
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        "nom" => "The Complete Riverside Recordings"
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        "nom" => "1. S.O.S. (Take 1, Alternate, Previously Unreleased)"
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        "nom" => "1. Born To Be Blue (Take 1, Outtake) - Originally released on Wes Montgomery :"
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        "nom" => "Wes Montgomery"
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[
  "produit" => App\Entity\Produit {#2115
    -id: 2944
    -nom: "Kelly Blue - (2 LP) 45 RPM"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Analogue Productions)"
    -description: """
      - Wynton Kelly "Kelly Blue" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      For Wynton Kelly, Kelly Blue marked a career highlight. A blueprint for blues-infused hard bop, Kelly Blue is Kelly's definitive statement as a bandleader a swinging, blues-soaked masterclass in touch, taste, and timing. This is the sound of a pianist playing with both finesse and fire.\r\n
      \r\n
      The Pitch (and it swings hard)\r\n
      \r\n
      If you're assembling a jazz collection and Kelly Blue isn't on your shelf, you're basically hosting a dinner party without food. Kelly was the pianist Miles Davis trusted enough to bring into his band and replace Red Garland. Kelly was the ultimate sideman turned understated hero \r\n
      blending gospel fire, blues grit, and bebop elegance into a buttery-smooth flow that made his touch unmistakable. On Kelly Blue, he steps out of the shadow and into the spotlight, where he glows like a well-polished Steinway under stage lights.\r\n
      \r\n
      And Kelly brought friends on this auspicious date. Paul Chambers (bass) So solid, they used him to calibrate metronomes. Jimmy Cobb (drums) Subtle as a whisper, sharp as a whip. And Nat Adderley (cornet), Benny Golson (tenor saxophone), and Bobby Jaspar (flute) Because sometimes, you need a horn section that sounds like they're reciting poetry in perfect harmony. These cats don't just support Kelly they elevate him.\r\n
      \r\n
      Bottom line, Kelly Blue is an essential slice of jazz heaven warm, witty, effortlessly cool.\r\n
      \r\n
      What's Inside ?\r\n
      \r\n
      "Kelly Blue" The blues never felt this fresh. This is the sound of a pianist playing with both finesse and fire.\r\n
      \r\n
      "Softly, As in a Morning Sunrise" A standard, yes. But Kelly makes it his.\r\n
      \r\n
      "Keep It Moving" Exactly what this band does, with grooves slick enough to hydroplane on.\r\n
      \r\n
      Ballads and burners alike - Every track is a reminder that Kelly could do anything at the keys  except be boring. Kelly Blue is the sound of a pianist at the peak of his power, surrounded by friends who know exactly how to keep up. If your jazz collection were a cocktail, this album would be the splash of bourbon that makes everything come together.\r\n
      \r\n
      This is a vinyl LP reissue unmatched. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings ! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1822 …}
    -musicienOrchestre: "Wynton Kelly (piano), Nat Adderley (cornet), Benny Golson (tenor saxophone), Paul Chambers (bass), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yJNo9HvfX-8&list=RDyJNo9HvfX-8&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 210-45"
    -titreMorceau: [
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        "nom" => "Side C :"
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        "nom" => "1. Willow Weep For Me"
      ]
      [
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        "nom" => "2. Keep It Moving"
      ]
      [
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        "nom" => "Side D : "
      ]
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        "nom" => "1. Old Clothes"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
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        "nom" => ""
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-kelly-blue-2-lp-45-rpm-analogue-productions-aapj-210-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3464
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2633 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2115
    -id: 2944
    -nom: "Kelly Blue - (2 LP) 45 RPM"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Analogue Productions)"
    -description: """
      - Wynton Kelly "Kelly Blue" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      For Wynton Kelly, Kelly Blue marked a career highlight. A blueprint for blues-infused hard bop, Kelly Blue is Kelly's definitive statement as a bandleader a swinging, blues-soaked masterclass in touch, taste, and timing. This is the sound of a pianist playing with both finesse and fire.\r\n
      \r\n
      The Pitch (and it swings hard)\r\n
      \r\n
      If you're assembling a jazz collection and Kelly Blue isn't on your shelf, you're basically hosting a dinner party without food. Kelly was the pianist Miles Davis trusted enough to bring into his band and replace Red Garland. Kelly was the ultimate sideman turned understated hero \r\n
      blending gospel fire, blues grit, and bebop elegance into a buttery-smooth flow that made his touch unmistakable. On Kelly Blue, he steps out of the shadow and into the spotlight, where he glows like a well-polished Steinway under stage lights.\r\n
      \r\n
      And Kelly brought friends on this auspicious date. Paul Chambers (bass) So solid, they used him to calibrate metronomes. Jimmy Cobb (drums) Subtle as a whisper, sharp as a whip. And Nat Adderley (cornet), Benny Golson (tenor saxophone), and Bobby Jaspar (flute) Because sometimes, you need a horn section that sounds like they're reciting poetry in perfect harmony. These cats don't just support Kelly they elevate him.\r\n
      \r\n
      Bottom line, Kelly Blue is an essential slice of jazz heaven warm, witty, effortlessly cool.\r\n
      \r\n
      What's Inside ?\r\n
      \r\n
      "Kelly Blue" The blues never felt this fresh. This is the sound of a pianist playing with both finesse and fire.\r\n
      \r\n
      "Softly, As in a Morning Sunrise" A standard, yes. But Kelly makes it his.\r\n
      \r\n
      "Keep It Moving" Exactly what this band does, with grooves slick enough to hydroplane on.\r\n
      \r\n
      Ballads and burners alike - Every track is a reminder that Kelly could do anything at the keys  except be boring. Kelly Blue is the sound of a pianist at the peak of his power, surrounded by friends who know exactly how to keep up. If your jazz collection were a cocktail, this album would be the splash of bourbon that makes everything come together.\r\n
      \r\n
      This is a vinyl LP reissue unmatched. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings ! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1822 …}
    -musicienOrchestre: "Wynton Kelly (piano), Nat Adderley (cornet), Benny Golson (tenor saxophone), Paul Chambers (bass), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=yJNo9HvfX-8&list=RDyJNo9HvfX-8&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 210-45"
    -titreMorceau: [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …}
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[
  "produit" => App\Entity\Produit {#2131
    -id: 2942
    -nom: "The Artistry Of Charlie Byrd - (2 LP) 45 RPM"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Analogue Productions)"
    -description: """
      - Charlie Byrd "The Guitar Artistry of Charlie Byrd" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Picture this: it's 1960, and the world is still reeling from the Eisenhower era, poodle skirts, and the faint hum of early rock ‘n' roll trying to steal jazz's thunder. Charlie Byrd's album The Guitar Artistry of Charlie Byrd drops like a perfectly timed rimshot, ready to remind everyone that jazz can be sophisticated, soulful, and swing like nobody's business.\r\n
      \r\n
      It was at Edgewood Studios in Washington, D.C. where Byrd, the Virgina-born guitar wizard, with his trusty unamplified Spanish guitar, plied his magic. Recorded in 1960 and released in 1963 on Riverside Records (after a limited run as Charlie's Choice: Jazz at the Showboat, Vol. 4 on Washington Records' Offbeat imprint), this album is Byrd at his peak, blending jazz's improvisational fire with the refined finesse of classical technique. The tracklist reads like a love letter to versatility: from the peppy "Taking a Chance on Love" to the dreamy "Moonlight in Vermont," and a nod to his idol Django Reinhardt with "Nuages." Oh, and let's not forget "Django", a solo guitar performance that's so intimate, you'll swear Byrd's playing it just for you in your living room.\r\n
      \r\n
      The album's vibe is like a martini smooth, sophisticated, but with a kick that sneaks up on you. AllMusic gave it a glowing 4½ stars, calling it "pleasing," and Byrd's style "clean, beautifully articulated" which is critic-speak for "this is the kind of record you'll spin until your turntable begs for mercy". It's not just background music; it's a conversation between Byrd's fingers and your soul, with every plucked note saying, "Hey, jazz can be classy and cool".\r\n
      \r\n
      Byrd doesn't go it alone here he's got the perfect wingmen. On bass, we have Keter Betts, whose steady, soulful lines are the heartbeat of the trio. Betts, a D.C. jazz staple, keeps things grounded while Byrd's guitar soars. On drums, Buddy Deppenschmidt lays down rhythms so tasteful, you'd think he's seasoning the tracks with pixie dust. Together, they're tighter than a hipster's skinny jeans, creating a sound that's both relaxed and razor-sharp. And that solo "Django" ? That's all Byrd, baby proof he could hold court without a rhythm section and still leave you gobsmacked.\r\n
      \r\n
      The Guitar Artistry of Charlie Byrd didn't top the Billboard charts like Byrd's later bossa nova blockbuster Jazz Samba (1962, with Stan Getz), but it was a sleeper hit in jazz circles. Its initial limited release on Washington Records meant it was like finding a rare Pokémon card for early collectors. When Riverside picked it up in '63, it rode the wave of Byrd's growing fame, especially after he introduced bossa nova to North America. Jazz fans, already smitten with Byrd's genre-hopping genius, snapped it up, and it became a staple in collections for its pure, unadulterated guitar artistry.\r\n
      \r\n
      This reissue brims with superior quality. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      For a jazz music collector, The Guitar Artistry of Charlie Byrd is like a holy grail with a side of hot sauce. It's a masterclass in guitar-driven jazz from a guy who could make nylon strings sing like nobody else. It's the kind of record you'll play to unwind, to impress, or to remind yourself why you fell in love with jazz in the first place.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1822 …}
    -musicienOrchestre: "Charlie Byrd (guitar), Keter Betts (bass), Buddy Deppenschmidt (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
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    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vURkd24H43A&list=PLoERbxXMyKwaGhjk2gRoqsLNXDsqo5gjt"
    -referenceProduit: "Analogue Productions AAPJ 209-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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        "nom" => "1. Taking A Chance On Love"
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      [
        "ordre" => 2
        "nom" => "2. Moonlight In Vermont"
      ]
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        "ordre" => 4
        "nom" => "4. Nuages"
      ]
      [
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        "ordre" => 6
        "nom" => "1. Everything I've Got Belongs To You"
      ]
      [
        "ordre" => 7
        "nom" => "2. Makin' Whoopee"
      ]
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      ]
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        "nom" => "4. Nice Work If You Can Get It"
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        "nom" => "1. The House Of The Rising Sun"
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        "nom" => "2. Ring Them Harmonics"
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        "nom" => "Side D : "
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App\Twig\Components\GestionPanierFavoriComponents {#3515
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  +produit: App\Entity\Produit {#2131
    -id: 2942
    -nom: "The Artistry Of Charlie Byrd - (2 LP) 45 RPM"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Analogue Productions)"
    -description: """
      - Charlie Byrd "The Guitar Artistry of Charlie Byrd" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Picture this: it's 1960, and the world is still reeling from the Eisenhower era, poodle skirts, and the faint hum of early rock ‘n' roll trying to steal jazz's thunder. Charlie Byrd's album The Guitar Artistry of Charlie Byrd drops like a perfectly timed rimshot, ready to remind everyone that jazz can be sophisticated, soulful, and swing like nobody's business.\r\n
      \r\n
      It was at Edgewood Studios in Washington, D.C. where Byrd, the Virgina-born guitar wizard, with his trusty unamplified Spanish guitar, plied his magic. Recorded in 1960 and released in 1963 on Riverside Records (after a limited run as Charlie's Choice: Jazz at the Showboat, Vol. 4 on Washington Records' Offbeat imprint), this album is Byrd at his peak, blending jazz's improvisational fire with the refined finesse of classical technique. The tracklist reads like a love letter to versatility: from the peppy "Taking a Chance on Love" to the dreamy "Moonlight in Vermont," and a nod to his idol Django Reinhardt with "Nuages." Oh, and let's not forget "Django", a solo guitar performance that's so intimate, you'll swear Byrd's playing it just for you in your living room.\r\n
      \r\n
      The album's vibe is like a martini smooth, sophisticated, but with a kick that sneaks up on you. AllMusic gave it a glowing 4½ stars, calling it "pleasing," and Byrd's style "clean, beautifully articulated" which is critic-speak for "this is the kind of record you'll spin until your turntable begs for mercy". It's not just background music; it's a conversation between Byrd's fingers and your soul, with every plucked note saying, "Hey, jazz can be classy and cool".\r\n
      \r\n
      Byrd doesn't go it alone here he's got the perfect wingmen. On bass, we have Keter Betts, whose steady, soulful lines are the heartbeat of the trio. Betts, a D.C. jazz staple, keeps things grounded while Byrd's guitar soars. On drums, Buddy Deppenschmidt lays down rhythms so tasteful, you'd think he's seasoning the tracks with pixie dust. Together, they're tighter than a hipster's skinny jeans, creating a sound that's both relaxed and razor-sharp. And that solo "Django" ? That's all Byrd, baby proof he could hold court without a rhythm section and still leave you gobsmacked.\r\n
      \r\n
      The Guitar Artistry of Charlie Byrd didn't top the Billboard charts like Byrd's later bossa nova blockbuster Jazz Samba (1962, with Stan Getz), but it was a sleeper hit in jazz circles. Its initial limited release on Washington Records meant it was like finding a rare Pokémon card for early collectors. When Riverside picked it up in '63, it rode the wave of Byrd's growing fame, especially after he introduced bossa nova to North America. Jazz fans, already smitten with Byrd's genre-hopping genius, snapped it up, and it became a staple in collections for its pure, unadulterated guitar artistry.\r\n
      \r\n
      This reissue brims with superior quality. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      For a jazz music collector, The Guitar Artistry of Charlie Byrd is like a holy grail with a side of hot sauce. It's a masterclass in guitar-driven jazz from a guy who could make nylon strings sing like nobody else. It's the kind of record you'll play to unwind, to impress, or to remind yourself why you fell in love with jazz in the first place.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1822 …}
    -musicienOrchestre: "Charlie Byrd (guitar), Keter Betts (bass), Buddy Deppenschmidt (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=vURkd24H43A&list=PLoERbxXMyKwaGhjk2gRoqsLNXDsqo5gjt"
    -referenceProduit: "Analogue Productions AAPJ 209-45"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "nom" => "1. Taking A Chance On Love"
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        "nom" => "2. Moonlight In Vermont"
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        "nom" => "4. Nuages"
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        "nom" => "1. Everything I've Got Belongs To You"
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        "nom" => "2. Makin' Whoopee"
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[
  "produit" => App\Entity\Produit {#2147
    -id: 629
    -nom: "Brahms : Violin Concerto"
    -informationComplementaire: null
    -description: """
      - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n
      - Remastered from the original master tape and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound !\r\n
      - Lacquers plated by Gary Salstrom and pressed on 200 gram vinyl at Quality Record Pressings !\r\n
      - "These records are definitive". - Michael Fremer, editor, AnalogPlanet.com\r\n
      \r\n
      "These are the best vinyl releases of RCA LPs I've yet heard". - Jonathan Valin, executive editor, The Absolute Sound\r\n
      \r\n
      Another of the rare performances of violinist Jascha Heifetz and conductor Fritz Reiner together with the Chicago Symphony Orchestra. The original 30 ips 2 track analog tape was used in mastering for LPs and SACDs. This stunning performance is nothing short of breathtaking.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "The Chicago Symphony Orchestra conducted by Fritz Reiner, Jascha Heifetz (violin)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GSiQH09zhLE"
    -referenceProduit: "Analogue Productions AAPC 1903"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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        "nom" => "1. First Movement : Allegro Non Troppo"
      ]
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        "ordre" => 2
        "nom" => "Side B :"
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        "ordre" => 3
        "nom" => "1. Second Movement : Adagio Un Poco Mosso"
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        "ordre" => 4
        "nom" => "2. Third Movement : Allegro Giocoso Ma Non Troppo Vivace"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2149 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3566
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  +produit: App\Entity\Produit {#2147
    -id: 629
    -nom: "Brahms : Violin Concerto"
    -informationComplementaire: null
    -description: """
      - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n
      - Remastered from the original master tape and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound !\r\n
      - Lacquers plated by Gary Salstrom and pressed on 200 gram vinyl at Quality Record Pressings !\r\n
      - "These records are definitive". - Michael Fremer, editor, AnalogPlanet.com\r\n
      \r\n
      "These are the best vinyl releases of RCA LPs I've yet heard". - Jonathan Valin, executive editor, The Absolute Sound\r\n
      \r\n
      Another of the rare performances of violinist Jascha Heifetz and conductor Fritz Reiner together with the Chicago Symphony Orchestra. The original 30 ips 2 track analog tape was used in mastering for LPs and SACDs. This stunning performance is nothing short of breathtaking.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "The Chicago Symphony Orchestra conducted by Fritz Reiner, Jascha Heifetz (violin)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=GSiQH09zhLE"
    -referenceProduit: "Analogue Productions AAPC 1903"
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        "nom" => "2. Third Movement : Allegro Giocoso Ma Non Troppo Vivace"
      ]
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[
  "produit" => App\Entity\Produit {#2163
    -id: 1620
    -nom: "Kind of Blue  (45 RPM 200 Gram Clarity Vinyl)"
    -informationComplementaire: null
    -description: """
      - Miles Davis Kind of Blue meets Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      - Definitive limited run reissue Ultra High Quality Record !\r\n
      - 45 RPM double LP release limited to 25000 copies !\r\n
      - Best-selling album in jazz history; mastered by Bernie Grundman from the original 3 track master tapes !\r\n
      - Pressed at Quality Record Pressings using Clarity Vinyl !\r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      - Dream team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb make history !\r\n
      - Video Should New Vinyl Collectors Buy the 45 RPM UHQR Miles Davis Kind of Blue ? Click here !\r\n
      \r\n
      "Kassem's new edition-also stamped in an edition of 25000 is from the same master, pressed on the same type of vinyl (but not "hand pressed" this time, which actually results in greater pressing consistency, plus now there's a good chance everyone who orders will get their copy in a reasonable time period), packed in the same fancy box. The only difference is that the music is on two LPs, cut at 45 RPM, meaning the grooves are much wider. All things equal, this should make for finer detail, an airier ambience, more lifelike sound generally. And that's what you get here. Take the passage from my Stereophile review and step it up a few notches: "finer touches... even more stunningly clear...still more layers...the ecstatic beauty..." Everything is more present, more brassy, woody, or metallic, depending on the instrument. There's a more palpable sense of a human being blowing through a mouthpiece, plucking a string, coaxing a keyboard, or tapping a snare drum. There is more of a sense that you are with the musicians in the studio. In short, take any account you've read-or any memory you treasure-of this album's sonic glories, and embellish every admiring adjective with more, more, better, better." - Music = 11/11; Sound = 11/11 Fred Kaplan, TrackingAngle.com. To read Kaplan's full review, click here.\r\n
      \r\n
      Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording a five track masterpiece of melancholy mood and melody.\r\n
      \r\n
      It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wynton Kelly playing piano on "Freddy the Freeloader."\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Kind of Blue where it belongs : the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of every single record.\r\n
      \r\n
      The 200-gram records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n
      \r\n
      For this 45 RPM 2 LP edition we've set the bar for excellence higher. Lifelike distinct detail that was palpable enough in 33 1/3 RPM is holographic at 45. Four glorious sides of 200 gram vinyl from QRP, the best presser in the business, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. There's also a 20 page booklet with updated session photos and liner notes by Robert Palmer and Ashley Kahn. Plus, we've included photos of legendary mastering engineer Bernie Grundman's mastering notes from this release.\r\n
      \r\n
      Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick", Davis complained in a 1958 interview for The Jazz Review. "... There will be fewer chords but infinite possibilities as to what to do with them". Kind of Blue is, in a sense, all melody and atmosphere.\r\n
      \r\n
      None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.\r\n
      \r\n
      Miles remained proud of the album, performing at least two of its tracks "So What" and "All Blues" for years after, until his musical path took him in a different direction.\r\n
      \r\n
      History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.\r\n
      \r\n
      A minor audio complication with Kind of Blue has been addressed with this UHQR edition. The motor on the studio's 3 track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue in Green", making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records or their latter-day parent, Sony Music on a CD reissue in the late '90s.\r\n
      \r\n
      Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our UHQR series the world's best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Miles Davis (trumpet), Julian "Cannonball" Adderley (alto sax), John Coltrane (tenor sax), Paul Chambers (double bass), Bill Evan, Wynton Kelly (piano), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=TpMzD8Q1fQg&list=RDTpMzD8Q1fQg&start_radio=1"
    -referenceProduit: "Analogue Productions AUHQR 0004-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. So What"
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        "nom" => "Side B : "
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      [
        "ordre" => 3
        "nom" => "1. Freddie Freeloader"
      ]
      [
        "ordre" => 4
        "nom" => "2. Blue In Green"
      ]
      [
        "ordre" => 5
        "nom" => "Side C : "
      ]
      [
        "ordre" => 6
        "nom" => "1. All Blues"
      ]
      [
        "ordre" => 7
        "nom" => "Side D : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Flamenco Sketches"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2165 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-kind-of-blue-45-rpm-200-gram-clarity-vinyl-analogue-productions-auhqr-0004-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3617
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  +produit: App\Entity\Produit {#2163
    -id: 1620
    -nom: "Kind of Blue  (45 RPM 200 Gram Clarity Vinyl)"
    -informationComplementaire: null
    -description: """
      - Miles Davis Kind of Blue meets Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      - Definitive limited run reissue Ultra High Quality Record !\r\n
      - 45 RPM double LP release limited to 25000 copies !\r\n
      - Best-selling album in jazz history; mastered by Bernie Grundman from the original 3 track master tapes !\r\n
      - Pressed at Quality Record Pressings using Clarity Vinyl !\r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      - Dream team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb make history !\r\n
      - Video Should New Vinyl Collectors Buy the 45 RPM UHQR Miles Davis Kind of Blue ? Click here !\r\n
      \r\n
      "Kassem's new edition-also stamped in an edition of 25000 is from the same master, pressed on the same type of vinyl (but not "hand pressed" this time, which actually results in greater pressing consistency, plus now there's a good chance everyone who orders will get their copy in a reasonable time period), packed in the same fancy box. The only difference is that the music is on two LPs, cut at 45 RPM, meaning the grooves are much wider. All things equal, this should make for finer detail, an airier ambience, more lifelike sound generally. And that's what you get here. Take the passage from my Stereophile review and step it up a few notches: "finer touches... even more stunningly clear...still more layers...the ecstatic beauty..." Everything is more present, more brassy, woody, or metallic, depending on the instrument. There's a more palpable sense of a human being blowing through a mouthpiece, plucking a string, coaxing a keyboard, or tapping a snare drum. There is more of a sense that you are with the musicians in the studio. In short, take any account you've read-or any memory you treasure-of this album's sonic glories, and embellish every admiring adjective with more, more, better, better." - Music = 11/11; Sound = 11/11 Fred Kaplan, TrackingAngle.com. To read Kaplan's full review, click here.\r\n
      \r\n
      Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording a five track masterpiece of melancholy mood and melody.\r\n
      \r\n
      It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wynton Kelly playing piano on "Freddy the Freeloader."\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Kind of Blue where it belongs : the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of every single record.\r\n
      \r\n
      The 200-gram records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n
      \r\n
      For this 45 RPM 2 LP edition we've set the bar for excellence higher. Lifelike distinct detail that was palpable enough in 33 1/3 RPM is holographic at 45. Four glorious sides of 200 gram vinyl from QRP, the best presser in the business, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. There's also a 20 page booklet with updated session photos and liner notes by Robert Palmer and Ashley Kahn. Plus, we've included photos of legendary mastering engineer Bernie Grundman's mastering notes from this release.\r\n
      \r\n
      Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick", Davis complained in a 1958 interview for The Jazz Review. "... There will be fewer chords but infinite possibilities as to what to do with them". Kind of Blue is, in a sense, all melody and atmosphere.\r\n
      \r\n
      None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.\r\n
      \r\n
      Miles remained proud of the album, performing at least two of its tracks "So What" and "All Blues" for years after, until his musical path took him in a different direction.\r\n
      \r\n
      History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.\r\n
      \r\n
      A minor audio complication with Kind of Blue has been addressed with this UHQR edition. The motor on the studio's 3 track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue in Green", making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records or their latter-day parent, Sony Music on a CD reissue in the late '90s.\r\n
      \r\n
      Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our UHQR series the world's best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Miles Davis (trumpet), Julian "Cannonball" Adderley (alto sax), John Coltrane (tenor sax), Paul Chambers (double bass), Bill Evan, Wynton Kelly (piano), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=TpMzD8Q1fQg&list=RDTpMzD8Q1fQg&start_radio=1"
    -referenceProduit: "Analogue Productions AUHQR 0004-45"
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        "nom" => "Side A : "
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        "nom" => "1. Flamenco Sketches"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2401 …}
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[
  "produit" => App\Entity\Produit {#2179
    -id: 2635
    -nom: "Original Motion Picture Soundtrack - The Hot Spot"
    -informationComplementaire: null
    -description: """
      - The Hot Spot Original Motion Picture Soundtrack !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray from a 1/2" flat tape copy of the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Old-style tip-on gatefold jacket from Stoughton Printing !\r\n
      \r\n
      Unlock the allure of The Hot Spot through its unforgettable soundtrack, a captivating collection that brings the film's sultry ambiance to life.\r\n
      \r\n
      Set against the backdrop of a small Texas town, The Hot Spot follows Harry Madox, a charming drifter with a dark past. As he arrives in town, he becomes embroiled in a web of seduction and deceit, navigating his way through a love triangle involving the sultry waitress, Gloria, and the alluring femme fatale, Dolly. Tensions rise and passions ignite, leading to a thrilling climax where desire and danger intertwine. Directed by the visionary Dennis Hopper, the film is a masterclass in mood and atmosphere, capturing the essence of 1990s neo-noir.\r\n
      \r\n
      The Hot Spot has garnered acclaim for its stylish cinematography and gripping narrative, but it's the music that truly sets it apart. It's an amalgamation of swampy blues, jazz and rock all mixed and recorded in a sparse, bloomy and eerie sort of way.\r\n
      \r\n
      Critics hailed the soundtrack as "an electrifying fusion of jazz and blues that perfectly complements the film's seductive undertones". The blend of sultry melodies and haunting instrumentals creates an immersive experience that resonates long after the credits roll.\r\n
      \r\n
      This recording is just so damn fine, so airy and warm. And the musicians aboard on this Dennis Hopper film are a who's who,  including Miles Davis, John Lee Hooker, Taj Mahal, Roy Rodgers, Earl Palmer and Tim Drummond. This has long been a highly sought-after and collectible record among audiophiles. This soundtrack is essential for any music lover or film buff, capturing the very essence of the film's seductive spirit.\r\n
      \r\n
      Originally released in 1990.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "John Lee Hooker, Taj Mahal (guitar, vocals), Tim Drummond (bass), Miles Davis (trumpet), Roy Rogers (guitar), Bradford Ellis (keyboards), Earl Palmer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=bfDHGk8NNrU"
    -referenceProduit: "Analogue Productions AAPB 8755-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. Coming to Town"
      ]
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        "ordre" => 2
        "nom" => "2. Empty Bank"
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      [
        "ordre" => 3
        "nom" => "3. Harry's Philosophy"
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        "nom" => "4. Dolly's Arrival"
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        "nom" => "Side B : "
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        "nom" => "1. Harry and Dolly"
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        "nom" => "2. Sawmill"
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        "nom" => "3. Bank Robbery"
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        "nom" => "Side C :"
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        "nom" => "1. Moanin'"
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        "nom" => "2. Gloria's Story"
      ]
      [
        "ordre" => 12
        "nom" => "3. Harry Sets up Sutton"
      ]
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        "nom" => "Side D : "
      ]
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        "nom" => "1. Murder"
      ]
      [
        "ordre" => 15
        "nom" => "2. Blackmail"
      ]
      [
        "ordre" => 16
        "nom" => "3. End Credits"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2181 …}
    -label: App\Entity\Label {#1063 …}
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    -modifierLe: DateTime @1767216498 {#2177
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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  +produit: App\Entity\Produit {#2179
    -id: 2635
    -nom: "Original Motion Picture Soundtrack - The Hot Spot"
    -informationComplementaire: null
    -description: """
      - The Hot Spot Original Motion Picture Soundtrack !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray from a 1/2" flat tape copy of the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Old-style tip-on gatefold jacket from Stoughton Printing !\r\n
      \r\n
      Unlock the allure of The Hot Spot through its unforgettable soundtrack, a captivating collection that brings the film's sultry ambiance to life.\r\n
      \r\n
      Set against the backdrop of a small Texas town, The Hot Spot follows Harry Madox, a charming drifter with a dark past. As he arrives in town, he becomes embroiled in a web of seduction and deceit, navigating his way through a love triangle involving the sultry waitress, Gloria, and the alluring femme fatale, Dolly. Tensions rise and passions ignite, leading to a thrilling climax where desire and danger intertwine. Directed by the visionary Dennis Hopper, the film is a masterclass in mood and atmosphere, capturing the essence of 1990s neo-noir.\r\n
      \r\n
      The Hot Spot has garnered acclaim for its stylish cinematography and gripping narrative, but it's the music that truly sets it apart. It's an amalgamation of swampy blues, jazz and rock all mixed and recorded in a sparse, bloomy and eerie sort of way.\r\n
      \r\n
      Critics hailed the soundtrack as "an electrifying fusion of jazz and blues that perfectly complements the film's seductive undertones". The blend of sultry melodies and haunting instrumentals creates an immersive experience that resonates long after the credits roll.\r\n
      \r\n
      This recording is just so damn fine, so airy and warm. And the musicians aboard on this Dennis Hopper film are a who's who,  including Miles Davis, John Lee Hooker, Taj Mahal, Roy Rodgers, Earl Palmer and Tim Drummond. This has long been a highly sought-after and collectible record among audiophiles. This soundtrack is essential for any music lover or film buff, capturing the very essence of the film's seductive spirit.\r\n
      \r\n
      Originally released in 1990.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "John Lee Hooker, Taj Mahal (guitar, vocals), Tim Drummond (bass), Miles Davis (trumpet), Roy Rogers (guitar), Bradford Ellis (keyboards), Earl Palmer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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        "nom" => "3. End Credits"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2181 …}
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      date: 2025-12-31 21:28:18.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2195
    -id: 2663
    -nom: "Absolute Originals - The CCR Box Set (8 LP)"
    -informationComplementaire: null
    -description: """
      - Creedence Clearwater Revival "Absolute Originals" !\r\n
      - Back in print on 180 gram 45 RPM !\r\n
      - Pressed at Quality Record Pressings QRP !\r\n
      - The choicest tracks from the seven-record CCR studio catalog !\r\n
      - Includes a bonus 45 RPM disc with selected wide stereo mixes !\r\n
      - Mastered by Kevin Gray and Steve Hoffman from the original analog tapes !\r\n
      \r\n
      One of the most successful reissue box sets in the history of Analogue Productions, the can't-miss CCR Absolute Originals 180 gram 45 RPM Box Set, an eight-disc classic, is back in print ! This set highlights the choicest tracks from each of these seven albums at 45 RPM. With so few songs on each side (some releases have only one song per side), your cartridge is going to track better and ultimately SING sweeter!\r\n
      \r\n
      With the biggest hits from each record (packaged in replicas of the original jackets), you'll get in-depth liners by rock critic extraordinare Ben Fong-Torres of Rolling Stone fame, and photos by Baron Wolman and Didi Zill, both of whom were there to document CCR "back in the day". There is also an essay by Steve Hoffman, who along with Kevin Gray, remastered these gems at AcousTech Mastering. We've also included a bonus record that includes rare wide stereo mixes of "Bad Moon Rising" and "Proud Mary", cut at 45 of course.\r\n
      \r\n
      These are, simply put, the best-sounding versions of these great songs that have appeared on vinyl. The hits are iconic : "Bad Moon Rising", "Proud Mary", "Down On The Corner", "Fortunate Son", "The Midnight Special", "I Heard It Through The Grapevine", "Run Through The Jungle", "Green River", "Have You Ever Seen The Rain" and more !\r\n
      \r\n
      Read what reviewers have said about the previous incarnation of this acclaimed box set !\r\n
      \r\n
      "...Now comes Absolute Originals...the sonic results are so damn wonderful ...everything is that much more immediate: dynamics are more explosive, textures more complex, there's tons of energy but everything is warm and sassy, and Fogerty's vocal is more present and lifelike. What more could a hardcore fan want ?" - Wayne Garcia, The Absolute Sound, August / September 2005, Issue 155\r\n
      \r\n
      "The quality is outstanding both in terms of sound, pressing quality and packaging and not to be missed under any circumstances. For those who have yet to hear them, Kassem has ... in a box set, (issued) many of the greatest hits by Creedence Clearwater Revival on 45 RPM... you just wouldn't believe what's in the grooves of these black gold records. Leave it to the collaborative efforts of Kassem/Gray/Hoffman to offer up something very special. A tip of the vinyl-loving hat gentleman". - Richard Foster, Hi-Fi+\r\n
      \r\n
      And how about this endorsement of our hard-working graphic design staff ?\r\n
      \r\n
      "I own a few test pressings from Chad's original run of individual LP reissues, and I can vouch for their superb sound and clean surfaces but what impressed me most was the high quality of the booklet that comes with the boxed version. Whoever was the art director of that project deserves a raise, and Chad deserves thanks for creating a package that exceeds our expectations rather than just tossing off some junky scan". - Art Dudley, Stereophile, August 2004
      """
    -prixVente: "499.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "John Fogerty (lead guitar, keyboards, harmonica, saxophone, vocals),  Tom Fogerty (rhythm guitar, vocals), Stu Cook (bass guitar, rhythm & lead guitar, keyboards, vocals), Doug Clifford (drums, percussion, vocals)"
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      ]
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        "nom" => "3. I Heard It Through The Grapevine  "
      ]
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        "nom" => "1. Have You Ever Seen the Rain ?   "
      ]
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        "nom" => "2. Hey Tonight  "
      ]
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        "nom" => "MARDI GRAS"
      ]
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        "nom" => "1. Sweet Hitch-Hiker   "
      ]
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        "nom" => "2. Someday Never Comes   "
      ]
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        "nom" => "Bonus :"
      ]
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        "nom" => "3. Bad Moon Rising (Wide Stereo Mix)  "
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        "nom" => "4. Lodi "
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      ]
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        "nom" => "6. Penthouse Pauper  "
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        "ordre" => 36
        "nom" => "7. Proud Mary (Wide Stereo Mix) "
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2197 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3719
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
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    -id: 2663
    -nom: "Absolute Originals - The CCR Box Set (8 LP)"
    -informationComplementaire: null
    -description: """
      - Creedence Clearwater Revival "Absolute Originals" !\r\n
      - Back in print on 180 gram 45 RPM !\r\n
      - Pressed at Quality Record Pressings QRP !\r\n
      - The choicest tracks from the seven-record CCR studio catalog !\r\n
      - Includes a bonus 45 RPM disc with selected wide stereo mixes !\r\n
      - Mastered by Kevin Gray and Steve Hoffman from the original analog tapes !\r\n
      \r\n
      One of the most successful reissue box sets in the history of Analogue Productions, the can't-miss CCR Absolute Originals 180 gram 45 RPM Box Set, an eight-disc classic, is back in print ! This set highlights the choicest tracks from each of these seven albums at 45 RPM. With so few songs on each side (some releases have only one song per side), your cartridge is going to track better and ultimately SING sweeter!\r\n
      \r\n
      With the biggest hits from each record (packaged in replicas of the original jackets), you'll get in-depth liners by rock critic extraordinare Ben Fong-Torres of Rolling Stone fame, and photos by Baron Wolman and Didi Zill, both of whom were there to document CCR "back in the day". There is also an essay by Steve Hoffman, who along with Kevin Gray, remastered these gems at AcousTech Mastering. We've also included a bonus record that includes rare wide stereo mixes of "Bad Moon Rising" and "Proud Mary", cut at 45 of course.\r\n
      \r\n
      These are, simply put, the best-sounding versions of these great songs that have appeared on vinyl. The hits are iconic : "Bad Moon Rising", "Proud Mary", "Down On The Corner", "Fortunate Son", "The Midnight Special", "I Heard It Through The Grapevine", "Run Through The Jungle", "Green River", "Have You Ever Seen The Rain" and more !\r\n
      \r\n
      Read what reviewers have said about the previous incarnation of this acclaimed box set !\r\n
      \r\n
      "...Now comes Absolute Originals...the sonic results are so damn wonderful ...everything is that much more immediate: dynamics are more explosive, textures more complex, there's tons of energy but everything is warm and sassy, and Fogerty's vocal is more present and lifelike. What more could a hardcore fan want ?" - Wayne Garcia, The Absolute Sound, August / September 2005, Issue 155\r\n
      \r\n
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      \r\n
      And how about this endorsement of our hard-working graphic design staff ?\r\n
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      """
    -prixVente: "499.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "John Fogerty (lead guitar, keyboards, harmonica, saxophone, vocals),  Tom Fogerty (rhythm guitar, vocals), Stu Cook (bass guitar, rhythm & lead guitar, keyboards, vocals), Doug Clifford (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=18kqUNG9mO4"
    -referenceProduit: "Analogue Productions Fantasy AAPP CCR 7-45"
    -titreMorceau: [
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        "ordre" => 2
        "nom" => "2. I Put A Spell On You  "
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        "ordre" => 3
        "nom" => "BAYOU COUNTRY"
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        "nom" => "1. Born On The Bayou   "
      ]
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        "nom" => "2. Bootleg   "
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        "ordre" => 6
        "nom" => "3. Good Golly Miss Molly   "
      ]
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        "ordre" => 7
        "nom" => "4. Penthouse Pauper   "
      ]
      [
        "ordre" => 8
        "nom" => "5. Proud Mary  "
      ]
      [
        "ordre" => 9
        "nom" => "GREEN RIVER"
      ]
      [
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        "nom" => "1. Green River   "
      ]
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        "nom" => "3. Bad Moon Rising   "
      ]
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        "nom" => "4. Lodi  "
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      [
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        "nom" => "WILLY AND THE POORBOYS"
      ]
      [
        "ordre" => 15
        "nom" => "1. Down On The Corner   "
      ]
      [
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        "nom" => "2. It Came Out Of The Sky   "
      ]
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        "nom" => "3. Cotton Fields   "
      ]
      [
        "ordre" => 18
        "nom" => "4. Fortunate Son   "
      ]
      [
        "ordre" => 19
        "nom" => "5. Don't Look Now (It Ain't You or Me)  "
      ]
      [
        "ordre" => 20
        "nom" => " 6. The Midnight Special  "
      ]
      [
        "ordre" => 21
        "nom" => "COSMO'S FACTORY"
      ]
      [
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        "nom" => "1. Lookin' Out My Back Door   "
      ]
      [
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        "nom" => "2. Run Through the Jungle   "
      ]
      [
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        "nom" => "3. I Heard It Through The Grapevine  "
      ]
      [
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        "nom" => "PENDULUM"
      ]
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        "nom" => "1. Have You Ever Seen the Rain ?   "
      ]
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        "nom" => "2. Hey Tonight  "
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        "nom" => "MARDI GRAS"
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        "nom" => "1. Sweet Hitch-Hiker   "
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2401 …}
}