Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2556
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2633
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2636 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
  -formView: Symfony\Component\Form\FormView {#2672 …}
  -form: Symfony\Component\Form\Form {#2822 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 369
    -nom: "Someday My Prince Will Come"
    -informationComplementaire: ""
    -description: """
      "...The Analogue Productions sound is visceral and crisp in the best sense, and the quiet pressings ensure that no musical detail is even mildly obscured...with these 45 RPM LPs, if your system is up to the task, you'll hear boundless high-frequency reach and lavish dynamic nuance and harmonic delicacy". - Marc Mickelson, The Audio Beat, December 2010.\r\n
      \r\n
      ??"...the most detailed, dynamic, and transparent version of this music that I have ever heard. All of the emotion of Davis' horn comes through in ballads, such as the title cut, and details such as the squeak of a chair or the spit on the sax's reed are revealed with an increased clarity". - My Vinyl Review, July 26, 2010.\r\n
      \r\n
      ??A beautiful addition to the Davis canon. Recorded over the course of three days in April 1961, Someday My Prince Will Come showcases Miles' second great rhythm section, here at the absolute peak of their telepathic interplay. Wynton Kelly, Paul Chambers and Jimmy Cobb were as tight a unit as any ever formed, grooving so successfully that they went on to leave Miles and form the Wynton Kelly trio. Someday My Prince Will Come also includes some positively blistering solos from guest John Coltrane in his final recording with Miles. And Hank Mobley offers up some beautiful bluesy solos.??Originally released in 1961.  Mastered by George Marino at Sterling Sound.?\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "Miles Davis (trumpet), ?Paul Chambers (bass),? John Coltrane, Hank Mobley (tenor saxophone), Wynton Kelly (piano), ?Philly Joe Jones, Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=o-d2iDoZX7g"
    -referenceProduit: "AAPJ 8456-45"
    -titreMorceau: [
      [
        "nom" => "1. Drad - Dog"
        "ordre" => 6
      ]
      [
        "nom" => "1. Old Folks"
        "ordre" => 3
      ]
      [
        "nom" => "1. Someday My Prince Will Come"
        "ordre" => 1
      ]
      [
        "nom" => "1. Teo"
        "ordre" => 9
      ]
      [
        "nom" => "2. I Thought About You"
        "ordre" => 7
      ]
      [
        "nom" => "2. Pfrancing"
        "ordre" => 4
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 2
      ]
      [
        "nom" => "Side C :"
        "ordre" => 5
      ]
      [
        "nom" => "Side D :"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1278691266 {#1875
      date: 2010-07-09 16:01:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1575792099 {#1868
      date: 2019-12-08 08:01:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-someday-my-prince-will-come-aapj-8456-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3097
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 369
    -nom: "Someday My Prince Will Come"
    -informationComplementaire: ""
    -description: """
      "...The Analogue Productions sound is visceral and crisp in the best sense, and the quiet pressings ensure that no musical detail is even mildly obscured...with these 45 RPM LPs, if your system is up to the task, you'll hear boundless high-frequency reach and lavish dynamic nuance and harmonic delicacy". - Marc Mickelson, The Audio Beat, December 2010.\r\n
      \r\n
      ??"...the most detailed, dynamic, and transparent version of this music that I have ever heard. All of the emotion of Davis' horn comes through in ballads, such as the title cut, and details such as the squeak of a chair or the spit on the sax's reed are revealed with an increased clarity". - My Vinyl Review, July 26, 2010.\r\n
      \r\n
      ??A beautiful addition to the Davis canon. Recorded over the course of three days in April 1961, Someday My Prince Will Come showcases Miles' second great rhythm section, here at the absolute peak of their telepathic interplay. Wynton Kelly, Paul Chambers and Jimmy Cobb were as tight a unit as any ever formed, grooving so successfully that they went on to leave Miles and form the Wynton Kelly trio. Someday My Prince Will Come also includes some positively blistering solos from guest John Coltrane in his final recording with Miles. And Hank Mobley offers up some beautiful bluesy solos.??Originally released in 1961.  Mastered by George Marino at Sterling Sound.?\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "Miles Davis (trumpet), ?Paul Chambers (bass),? John Coltrane, Hank Mobley (tenor saxophone), Wynton Kelly (piano), ?Philly Joe Jones, Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=o-d2iDoZX7g"
    -referenceProduit: "AAPJ 8456-45"
    -titreMorceau: [
      [
        "nom" => "1. Drad - Dog"
        "ordre" => 6
      ]
      [
        "nom" => "1. Old Folks"
        "ordre" => 3
      ]
      [
        "nom" => "1. Someday My Prince Will Come"
        "ordre" => 1
      ]
      [
        "nom" => "1. Teo"
        "ordre" => 9
      ]
      [
        "nom" => "2. I Thought About You"
        "ordre" => 7
      ]
      [
        "nom" => "2. Pfrancing"
        "ordre" => 4
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 2
      ]
      [
        "nom" => "Side C :"
        "ordre" => 5
      ]
      [
        "nom" => "Side D :"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1278691266 {#1875
      date: 2010-07-09 16:01:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1575792099 {#1868
      date: 2019-12-08 08:01:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-someday-my-prince-will-come-aapj-8456-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 398
    -nom: "The Time Is Right"
    -informationComplementaire: ""
    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award !\r\n
       \r\n
      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52. \r\n
      \r\n
      "A soul survivor in every sense of the term, this alto saxophonist is one of the few remaining jazz artists who made a major impact on the jazz community via an extensive run with producer Alfred Lion and the Blue Note label (Horace Silver being another Blue Note legend that comes to mind). From his first recordings for the label with Art Blakey's Jazz Messengers, it was clear that Lou Donaldson put melody and sound at a premium, coming up with an amalgam that combined the creamy smoothness of Johnny Hodges with the quicksilver bop inflections of Charlie Parker". – All About Jazz.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Blue Mitchell (trumpet), Lou Donaldson (alto saxophone), Horace Parlan (piano), Laymon Jackson (bass), Dave Bailey (drums), Ray Barretto (conga) "
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ykip5LG7yr4"
    -referenceProduit: "ABNJ 84025"
    -titreMorceau: [
      [
        "nom" => "1. Crosstown Shuffle"
        "ordre" => 9
      ]
      [
        "nom" => "1. Idaho"
        "ordre" => 4
      ]
      [
        "nom" => "1. Mack The Knife"
        "ordre" => 7
      ]
      [
        "nom" => "2. Be My Love"
        "ordre" => 2
      ]
      [
        "nom" => "2. Tangerine"
        "ordre" => 10
      ]
      [
        "nom" => "2. The Nearness Of You"
        "ordre" => 5
      ]
      [
        "nom" => "5. Lou's Blues"
        "ordre" => 1
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 3
      ]
      [
        "nom" => "Side C :"
        "ordre" => 6
      ]
      [
        "nom" => "Side D :"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2055 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2048 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2050 …}
    -enregistreLe: DateTime @1289202604 {#2041
      date: 2010-11-08 07:50:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1575737589 {#2042
      date: 2019-12-07 16:53:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2052 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-time-is-right-abnj-84025"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3211
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 398
    -nom: "The Time Is Right"
    -informationComplementaire: ""
    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award !\r\n
       \r\n
      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52. \r\n
      \r\n
      "A soul survivor in every sense of the term, this alto saxophonist is one of the few remaining jazz artists who made a major impact on the jazz community via an extensive run with producer Alfred Lion and the Blue Note label (Horace Silver being another Blue Note legend that comes to mind). From his first recordings for the label with Art Blakey's Jazz Messengers, it was clear that Lou Donaldson put melody and sound at a premium, coming up with an amalgam that combined the creamy smoothness of Johnny Hodges with the quicksilver bop inflections of Charlie Parker". – All About Jazz.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Blue Mitchell (trumpet), Lou Donaldson (alto saxophone), Horace Parlan (piano), Laymon Jackson (bass), Dave Bailey (drums), Ray Barretto (conga) "
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ykip5LG7yr4"
    -referenceProduit: "ABNJ 84025"
    -titreMorceau: [
      [
        "nom" => "1. Crosstown Shuffle"
        "ordre" => 9
      ]
      [
        "nom" => "1. Idaho"
        "ordre" => 4
      ]
      [
        "nom" => "1. Mack The Knife"
        "ordre" => 7
      ]
      [
        "nom" => "2. Be My Love"
        "ordre" => 2
      ]
      [
        "nom" => "2. Tangerine"
        "ordre" => 10
      ]
      [
        "nom" => "2. The Nearness Of You"
        "ordre" => 5
      ]
      [
        "nom" => "5. Lou's Blues"
        "ordre" => 1
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 3
      ]
      [
        "nom" => "Side C :"
        "ordre" => 6
      ]
      [
        "nom" => "Side D :"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2055 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2048 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2050 …}
    -enregistreLe: DateTime @1289202604 {#2041
      date: 2010-11-08 07:50:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1575737589 {#2042
      date: 2019-12-07 16:53:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2052 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-time-is-right-abnj-84025"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2060
    -id: 350
    -nom: "Here Tis"
    -informationComplementaire: ""
    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award !\r\n
      \r\n
      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52\r\n
      \r\n
      "…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands… Back home a month later, I unpack some test pressings Chad Kassem has sent me… I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud". – Jason Victor Serinus, Stereophile, April 2008\r\n
      \r\n
      A dedicated disciple of Charlie Parker, alto saxophonist Lou Donaldson focused his energies on the bluesier aspects of his hero's playing and rendered it with a sweeter edge that fashioned him a viable career for decades. His work for Blue Note showed his impressive mastery of the bop style.\r\n
      \r\n
      Recorded in 1961.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Lou Donaldson (alto saxophone), Grant Green (guitar), Baby Face Willette (organ), Dave Bailey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=3xjfSdrVqfI"
    -referenceProduit: "ABNJ 84066"
    -titreMorceau: [
      [
        "nom" => "1. Cool Blues"
        "ordre" => 4
      ]
      [
        "nom" => "1. Foggy Day"
        "ordre" => 1
      ]
      [
        "nom" => "1. Walk With Me"
        "ordre" => 8
      ]
      [
        "nom" => "1. Watusi Jump"
        "ordre" => 6
      ]
      [
        "nom" => "2. Here ‘Tis"
        "ordre" => 2
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 3
      ]
      [
        "nom" => "Side C :"
        "ordre" => 5
      ]
      [
        "nom" => "Side D :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2068 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2061 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2063 …}
    -enregistreLe: DateTime @1278691079 {#2057
      date: 2010-07-09 15:57:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1575722571 {#2058
      date: 2019-12-07 12:42:51.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2065 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-here-tis-abnj-84066"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3264
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2060
    -id: 350
    -nom: "Here Tis"
    -informationComplementaire: ""
    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award !\r\n
      \r\n
      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52\r\n
      \r\n
      "…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands… Back home a month later, I unpack some test pressings Chad Kassem has sent me… I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud". – Jason Victor Serinus, Stereophile, April 2008\r\n
      \r\n
      A dedicated disciple of Charlie Parker, alto saxophonist Lou Donaldson focused his energies on the bluesier aspects of his hero's playing and rendered it with a sweeter edge that fashioned him a viable career for decades. His work for Blue Note showed his impressive mastery of the bop style.\r\n
      \r\n
      Recorded in 1961.\r\n
      """
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[
  "produit" => App\Entity\Produit {#2073
    -id: 1068
    -nom: "Gentle Ben"
    -informationComplementaire: ""
    -description: """
      That rich, humid, giant sax tone blooms like on few other Webster recordings.\r\n
      \r\n
      Mastered by Kevin Gray at Coherent Audio.\r\n
      \r\n
      200 gram gatefold 45 RPM double LP pressed at Quality Record Pressings !\r\n
      \r\n
      Praise for our 33 1/3 version of Gentle Ben\r\n
      \r\n
      "The soundstage is intimate and inviting, Webster's horn beautifully captured with sweet, rich overtornes, the bass liquid, chugging, and textured, piano and drums easy and natural. As with each title, the music emerges from QRP's beautifully flat and wonderfully silent surfaces with that much more "there-ness". - Sonics = 4/5; Music = 3.5/5 - Wayne Garcia, The Absolute Sound, January 2013\r\n
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      \r\n
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App\Twig\Components\GestionPanierFavoriComponents {#3310
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    -nom: "Gentle Ben"
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[
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    -id: 780
    -nom: "Ao Vivo"
    -informationComplementaire: ""
    -description: """
      Marcos Valle celebrates his 50th career anniversary as a songwriter, arranger, instrumentalist and singer with Stacey Kent's sweet American voice. Recorded at Miranda, in Rio de Janeiro, the performances here also have the special participation of Jim Tomlinson on saxophone. Each track on this LP presents an aspect of Marcos Valle's various musical facets, mixing genres and rhythms, placing Pop, Jazz, Bossa Nova, World Music, and MPB music side by side. Stacey Kent, one of the most prominent jazz singers in the world, lends her voice to songs like "Summer Samba (Samba de Verão)", "If You Went Away (Preciso Aprender a Ser Só)", "The Face I Love (Seu Encanto)", "Look Who's Mine (Dia de Vitória)", and many other of Marcos' classics.\r\n
      \r\n
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      """
    -prixVente: "69.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3361
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    -id: 780
    -nom: "Ao Vivo"
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      Marcos Valle celebrates his 50th career anniversary as a songwriter, arranger, instrumentalist and singer with Stacey Kent's sweet American voice. Recorded at Miranda, in Rio de Janeiro, the performances here also have the special participation of Jim Tomlinson on saxophone. Each track on this LP presents an aspect of Marcos Valle's various musical facets, mixing genres and rhythms, placing Pop, Jazz, Bossa Nova, World Music, and MPB music side by side. Stacey Kent, one of the most prominent jazz singers in the world, lends her voice to songs like "Summer Samba (Samba de Verão)", "If You Went Away (Preciso Aprender a Ser Só)", "The Face I Love (Seu Encanto)", "Look Who's Mine (Dia de Vitória)", and many other of Marcos' classics.\r\n
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[
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    -informationComplementaire: ""
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      Charles Mingus is usually known for his wild, soulful and avant-garde compositions. "East Coasting" is mellow by comparison, but it still cooks on a musical level. The Mingus touches are there; the trombone, drummer Danny Richmond and of course the dark emotional undercurrent looms large, too. The personnel are all Mingus regulars, except for pianist Bill Evans, who would not be described as "soulful" in the traditional sense, but his introverted and sensitive style works well with Mingus's music. His playing on "West Coast Ghost" (the album's stand-out track) and "Celia" are two examples of Evans' ability to understand an artist's musical vision and play accordingly in his own beautifully original style.\r\n
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    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
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    -modifierLe: DateTime @1575272094 {#2106
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App\Twig\Components\GestionPanierFavoriComponents {#3412
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
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    -id: 686
    -nom: "East Coasting By Charles Mingus"
    -informationComplementaire: ""
    -description: """
      Charles Mingus is usually known for his wild, soulful and avant-garde compositions. "East Coasting" is mellow by comparison, but it still cooks on a musical level. The Mingus touches are there; the trombone, drummer Danny Richmond and of course the dark emotional undercurrent looms large, too. The personnel are all Mingus regulars, except for pianist Bill Evans, who would not be described as "soulful" in the traditional sense, but his introverted and sensitive style works well with Mingus's music. His playing on "West Coast Ghost" (the album's stand-out track) and "Celia" are two examples of Evans' ability to understand an artist's musical vision and play accordingly in his own beautifully original style.\r\n
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[
  "produit" => App\Entity\Produit {#2124
    -id: 634
    -nom: "Let Yourself Go"
    -informationComplementaire: ""
    -description: """
      "Let Yourself Go" is an exceptional collection of 13 tunes written by the cream of popular song writers Berlin, Gershwin Brothers, and others honoring Fred Astaire's contributions to the vocal art. With his low key, narrow ranged voice, Astaire probably introduced and/or made popular more songs that were destined to become standard entries in the Great American Songbook than any other artist. Kent delivers this selective play list with one of three musical combinations, just piano, with piano plus rhythm, and with a larger aggregation which includes sax and guitar. Irrespective of the instrumental context, all of the tunes are delivered with Stacey's pleasant nasal twang to help her create the impression that the lyrics she's singing are part of an intimate one on one conversation with each listener. \r\n
      \r\n
      There's nothing over dramatic on this album. No gimmicks, just a voice as engaging as any on the scene conveying the meaning of a melody in the tradition of the person she is honoring, the inestimable Astaire.\r\n
      \r\n
      Kent's pianist, David Newton, is one of the premiere accompanists in the U.K., having worked with such top flight singers as Tina May. He and Kent display their musical attraction to each other on a relaxed, suave rendition of "Isn't This a Lovely Day" and "They Can't Take That Away From Me", where Kent and Newton gently joust as they deliver an elegant rendition of this tune. 'Relaxed' is as good a word as any to describe the atmosphere for this session. \r\n
      \r\n
      There's nothing frenetic here. "S'Wonderful", usually performed at a fast pace, gets a languid, medium tempo treatment with Newton's piano, an effortlessly lilting Colin Oxley guitar and Jim Tomlinson's tenor sharing the mike with Kent. "A Fine Romance" is about as upbeat as it gets, with Oxley's cleaned line guitar setting the pace. Newton engages in a bit of Erroll Garner-like humming during his solo on this tune. Tomlinson's romantic tenor is featured on "Let Yourself Go" and "They All Laughed". On "One for My Baby", he brings out his clarinet, using the middle register to help create the proper melancholy mood for this definitive 'drowning my sorrows in booze' tune. \r\n
      \r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Stacey Kent (vocals), Jim Tomlinson (tenor & alto saxophone, clarinet), Colin Oxley (guitar), David Newton (piano, keyboards), Simon Thorpe (bass), Steve Brown (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=-bfXHRQtpoI"
    -referenceProduit: "Pure Pleasure Records PPAN CJS 9764"
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        "nom" => "1. A Fine Romance"
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        "nom" => "1. Isn't This A Lovely Day ?"
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        "nom" => "Side D : "
        "ordre" => 12
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2126 …}
    -label: Proxies\__CG__\App\Entity\Label {#2094 …}
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    -modifierLe: DateTime @1574923557 {#2122
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3463
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2124
    -id: 634
    -nom: "Let Yourself Go"
    -informationComplementaire: ""
    -description: """
      "Let Yourself Go" is an exceptional collection of 13 tunes written by the cream of popular song writers Berlin, Gershwin Brothers, and others honoring Fred Astaire's contributions to the vocal art. With his low key, narrow ranged voice, Astaire probably introduced and/or made popular more songs that were destined to become standard entries in the Great American Songbook than any other artist. Kent delivers this selective play list with one of three musical combinations, just piano, with piano plus rhythm, and with a larger aggregation which includes sax and guitar. Irrespective of the instrumental context, all of the tunes are delivered with Stacey's pleasant nasal twang to help her create the impression that the lyrics she's singing are part of an intimate one on one conversation with each listener. \r\n
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      There's nothing over dramatic on this album. No gimmicks, just a voice as engaging as any on the scene conveying the meaning of a melody in the tradition of the person she is honoring, the inestimable Astaire.\r\n
      \r\n
      Kent's pianist, David Newton, is one of the premiere accompanists in the U.K., having worked with such top flight singers as Tina May. He and Kent display their musical attraction to each other on a relaxed, suave rendition of "Isn't This a Lovely Day" and "They Can't Take That Away From Me", where Kent and Newton gently joust as they deliver an elegant rendition of this tune. 'Relaxed' is as good a word as any to describe the atmosphere for this session. \r\n
      \r\n
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    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Stacey Kent (vocals), Jim Tomlinson (tenor & alto saxophone, clarinet), Colin Oxley (guitar), David Newton (piano, keyboards), Simon Thorpe (bass), Steve Brown (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2126 …}
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    -modifierLe: DateTime @1574923557 {#2122
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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}

[
  "produit" => App\Entity\Produit {#2140
    -id: 539
    -nom: "Explores Your Mind"
    -informationComplementaire: ""
    -description: """
      By the time of 1974's Al Green Explores Your Mind, this version of the Memphis sound was the production style for only a handful of artists. Producer Willie Mitchell used a lighter touch for his most famous artist, and it's all but crafted into the Al Green sound. Despite his skills, Green never falls into mannerism here and gives heartfelt and cogent vocals rooted in intelligence and technique. "Sha-La-La (Make Me Happy)", although lyrically slight, has the artist's charisma and Mitchell's pop chops.\r\n
      \r\n
      "Take Me to the River", with perfect backing from Hi Rhythm and a horn and string arrangement, finds Green at his most persuasive. The last track, "School Days", has Green longing for a school girlfriend and despite the potentially sappy sentiment, it works like a charm. The greatness of Al Green Explores Your Mind comes from a collective effort, including James Mitchell's dreamlike string arrangements and the always skilled backing vocals of Rhodes, Chalmers & Rhodes. But the biggest draw here is Green's phrasing and intimate vocals, making the record an extremely strong effort.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Al Green (vocals), Wayne Jackson (trumpet), Andrew Love, Ed Logan (tenor sax), James Mitchell (baritone sax), Jack Hale (trombone), Howard Grimes (drums, congas, bongos), Leroy Hodges (bass), Charles Hodges (keyboards), Mabon "Teenie" Hodges (guitar),..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KURTpEdnDo4"
    -referenceProduit: "Pure Pleasure Records PPAN SHL 32087"
    -titreMorceau: [
      [
        "nom" => "1. I'm Hooked On You"
        "ordre" => 7
      ]
      [
        "nom" => "1. Sha-La-La (Make Me Happy)"
        "ordre" => 1
      ]
      [
        "nom" => "2. Stay With Me Forever"
        "ordre" => 8
      ]
      [
        "nom" => "2. Take Me To The River"
        "ordre" => 2
      ]
      [
        "nom" => "3. God Blessed Our Love"
        "ordre" => 3
      ]
      [
        "nom" => "3. Hangin' On"
        "ordre" => 9
      ]
      [
        "nom" => "4. School Days"
        "ordre" => 10
      ]
      [
        "nom" => "4. The City"
        "ordre" => 4
      ]
      [
        "nom" => "5. One Nite Stand"
        "ordre" => 5
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2142 …}
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    -modifierLe: DateTime @1574695946 {#2138
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App\Twig\Components\GestionPanierFavoriComponents {#3514
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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    -id: 539
    -nom: "Explores Your Mind"
    -informationComplementaire: ""
    -description: """
      By the time of 1974's Al Green Explores Your Mind, this version of the Memphis sound was the production style for only a handful of artists. Producer Willie Mitchell used a lighter touch for his most famous artist, and it's all but crafted into the Al Green sound. Despite his skills, Green never falls into mannerism here and gives heartfelt and cogent vocals rooted in intelligence and technique. "Sha-La-La (Make Me Happy)", although lyrically slight, has the artist's charisma and Mitchell's pop chops.\r\n
      \r\n
      "Take Me to the River", with perfect backing from Hi Rhythm and a horn and string arrangement, finds Green at his most persuasive. The last track, "School Days", has Green longing for a school girlfriend and despite the potentially sappy sentiment, it works like a charm. The greatness of Al Green Explores Your Mind comes from a collective effort, including James Mitchell's dreamlike string arrangements and the always skilled backing vocals of Rhodes, Chalmers & Rhodes. But the biggest draw here is Green's phrasing and intimate vocals, making the record an extremely strong effort.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Al Green (vocals), Wayne Jackson (trumpet), Andrew Love, Ed Logan (tenor sax), James Mitchell (baritone sax), Jack Hale (trombone), Howard Grimes (drums, congas, bongos), Leroy Hodges (bass), Charles Hodges (keyboards), Mabon "Teenie" Hodges (guitar),..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
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    -id: 689
    -nom: "Changing Lights"
    -informationComplementaire: ""
    -description: """
      Stacey Kent's latest recording again demonstrates her vocal mastery. The immaculate intonation, timing and diction are flawless to the point of sheer purity. Her voice becomes an instrument with impeccable clarity and minimal vibrato. The album’s musical focus is Brazilian, mixing classics with originals, while switching smoothly between English, Portuguese and French. \r\n
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      There are covers of Bossa Nova numbers from Tom Jobim, Roberto Menescal, Marcos Valle and others. Highlights include Jobim's How Insensitive, which is quietly and intensely melancholic, whilst the Jobim classic, One Note Samba, is given a cheeky up-tempo treatment. It is a difficult number to handle at such pace with the short-spaced, almost staccato notes. Stacey effortlessly takes the scale runs in her stride. Roberto Menescal’s O Barquinho is given a fresh arrangement and is performed by the composer himself on guitar. \r\n
      \r\n
      Six originals by Jim Tomlinson make up the rest of the album, three written with novelist and lyricist, Kazuo Ishiguro; the sublime title song, The Changing Lights, The Summer We Crossed Europe in the Rain, a story gracefully sung by Ms Kent and Waiter, Oh Waiter, a neat and jaunty request for help in choosing from a French menu. Two songs in Portuguese, Mais Uma Vez and A Tarde, written with poet, Antonio Ladeira, and Chanson Légère, written with Bernie Beaupère, who penned the title track to Stacey’s Raconte-Moi, add yet more flavours to the album. The arrangements and accompaniment of producer and husband, Jim Tomlinson are outstanding. The rhythm section is wonderfully subtle with praise for the percussionists, Josh Morrison and Matt Home, pianist Graham Harvey, bassist, Jeremy Brown and the guitarists, Roberto Menescal and John Parricelli. However, The Changing Lights is Stacey Kent's record first and foremost; impressive and top class.\r\n
      \r\n
      Explaining his and Stacey's musical process, Tomlinson elaborates on Kazuo Ishiguro's thoughts in his liner note of Stacey's 2001 Candid album, In Love Again. "Stacey's style reminds me of the best film actors who, on camera, develop a very different style to that of stage actors who are required to project their voices and gestures in order to express themselves across the space of the theatre. In film, an actor can do a lot with very little, whether in terms of expression, gesture, inflection or tone of voice. With Stacey, I believe that we create music in the same way, where even the smallest gestures have great emotional significance".\r\n
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    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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        "ordre" => 2
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      [
        "nom" => "3. One Note Samba (Samba De Uma Nota Só) "
        "ordre" => 3
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      [
        "nom" => "4. Chanson Légère"
        "ordre" => 16
      ]
      [
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      [
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        "ordre" => 12
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2126 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3567
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  +produit: App\Entity\Produit {#2156
    -id: 689
    -nom: "Changing Lights"
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    -description: """
      Stacey Kent's latest recording again demonstrates her vocal mastery. The immaculate intonation, timing and diction are flawless to the point of sheer purity. Her voice becomes an instrument with impeccable clarity and minimal vibrato. The album’s musical focus is Brazilian, mixing classics with originals, while switching smoothly between English, Portuguese and French. \r\n
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      \r\n
      Explaining his and Stacey's musical process, Tomlinson elaborates on Kazuo Ishiguro's thoughts in his liner note of Stacey's 2001 Candid album, In Love Again. "Stacey's style reminds me of the best film actors who, on camera, develop a very different style to that of stage actors who are required to project their voices and gestures in order to express themselves across the space of the theatre. In film, an actor can do a lot with very little, whether in terms of expression, gesture, inflection or tone of voice. With Stacey, I believe that we create music in the same way, where even the smallest gestures have great emotional significance".\r\n
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    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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        "nom" => "1. Mais Uma Vez"
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        "nom" => "1. The Changing Lights"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2126 …}
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[
  "produit" => App\Entity\Produit {#2169
    -id: 654
    -nom: "In The Winners Circle"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      John Coltrane (tenor saxophone), Donald Byrd, Art Farmer (trumpet), Frank Rehak (trombone), Gene Quill (alto saxophone), Al Cohn (baritone saxophone), Rolf Kuhn (clarinet), Eddie Costa (piano, vibes), Freddie Green, Kenny Burrell (guitar), Oscar Pettiford (bass), Philly Joe Jones, Ed Thingpen (drums).\r\n
      \r\n
      Rare stuff from John Coltrane! The album features Trane playing tenor on only 4 of the album's 8 tracks making it kind of surprising that they used his name in the title but the album is a lesser-known batch of large group recordings that offer an interesting early chapter in his career ! The main force behind the album is arranger Harry Tubbs possibly not a name that's as sexy as John Coltrane, hence the billing but a worthy leader for the date, given the quality of the music.\r\n
      \r\n
      Many of the other players here are small combo heroes who can also shine brightly in bigger groups such as Donald Byrd and Art Farmer on trumpets, Kenny Burrell on guitar, Al Cohn on baritone sax, Eddie Costa on piano and vibes, and Oscar Pettiford on bass plus Rolf Kuhn, making an early American appearance on clarinet. Coltrane gets in some nice, but short moments on the date but the bigger charm is the full ensemble work on titles that include "She Didn't Say Yes", "Turtle Walk", "At Home With The Blues", "Seabreeze", and "Love & The Weather".\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Donald Byrd, Art Farmer (trumpet), Frank Rehak (trombone), Gene Quill (alto saxophone), Al Cohn (baritone saxophone), Rolf Kuhn (clarinet), Eddie Costa (piano, vibes)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -preCommande: false
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    -extraitYoutube: ""
    -referenceProduit: " Pure Pleasure Records BCP 6066"
    -titreMorceau: [
      [
        "nom" => "1. Lazy Afternoon"
        "ordre" => 1
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        "nom" => "1. She Didn't Say Yes"
        "ordre" => 6
      ]
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        "nom" => "2. If I'm Lucky (I'll Be the One)"
        "ordre" => 7
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        "nom" => "2. Not So Sleepy"
        "ordre" => 2
      ]
      [
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        "ordre" => 8
      ]
      [
        "nom" => "3. Seabreeze"
        "ordre" => 3
      ]
      [
        "nom" => "4. Love and the Weather"
        "ordre" => 4
      ]
      [
        "nom" => "4. Turtle Walk"
        "ordre" => 9
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#2094 …}
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    -modifierLe: DateTime @1574667131 {#2167
      date: 2019-11-25 07:32:11.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3613
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2169
    -id: 654
    -nom: "In The Winners Circle"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      John Coltrane (tenor saxophone), Donald Byrd, Art Farmer (trumpet), Frank Rehak (trombone), Gene Quill (alto saxophone), Al Cohn (baritone saxophone), Rolf Kuhn (clarinet), Eddie Costa (piano, vibes), Freddie Green, Kenny Burrell (guitar), Oscar Pettiford (bass), Philly Joe Jones, Ed Thingpen (drums).\r\n
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      Rare stuff from John Coltrane! The album features Trane playing tenor on only 4 of the album's 8 tracks making it kind of surprising that they used his name in the title but the album is a lesser-known batch of large group recordings that offer an interesting early chapter in his career ! The main force behind the album is arranger Harry Tubbs possibly not a name that's as sexy as John Coltrane, hence the billing but a worthy leader for the date, given the quality of the music.\r\n
      \r\n
      Many of the other players here are small combo heroes who can also shine brightly in bigger groups such as Donald Byrd and Art Farmer on trumpets, Kenny Burrell on guitar, Al Cohn on baritone sax, Eddie Costa on piano and vibes, and Oscar Pettiford on bass plus Rolf Kuhn, making an early American appearance on clarinet. Coltrane gets in some nice, but short moments on the date but the bigger charm is the full ensemble work on titles that include "She Didn't Say Yes", "Turtle Walk", "At Home With The Blues", "Seabreeze", and "Love & The Weather".\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Donald Byrd, Art Farmer (trumpet), Frank Rehak (trombone), Gene Quill (alto saxophone), Al Cohn (baritone saxophone), Rolf Kuhn (clarinet), Eddie Costa (piano, vibes)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: " Pure Pleasure Records BCP 6066"
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        "nom" => "2. Not So Sleepy"
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        "nom" => "3. At Home With the Blues"
        "ordre" => 8
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      [
        "nom" => "3. Seabreeze"
        "ordre" => 3
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        "nom" => "4. Love and the Weather"
        "ordre" => 4
      ]
      [
        "nom" => "4. Turtle Walk"
        "ordre" => 9
      ]
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        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
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[
  "produit" => App\Entity\Produit {#2185
    -id: 330
    -nom: "Now It'sMy Turn"
    -informationComplementaire: ""
    -description: """
      Arguably the most adventurous female jazz singer of all time, Betty Carter was an idiosyncratic stylist and a restless improviser who pushed the limits of melody and harmony as much as any bebop horn player. The husky-voiced Carter was capable of radical, off-the-cuff re-workings of whatever she sang, abruptly changing tempos and dynamics, or rearranging the lyrics into distinctive, off-the-beat rhythmic patterns. She could solo for 20 minutes, scat at lightning speed, or drive home an emotion with wordless, bluesy moans and sighs. She wasn't quite avant-garde, but she was definitely "out". Yet as much as Carter was fascinated by pure, abstract sound, she was also a sensitive lyric interpreter when she chose, a tender and sensual ballad singer sometimes given to suggestive asides. \r\n
      \r\n
      Her wild unpredictability kept her marginalized for much of her career, and she never achieved the renown of peers like Ella Fitzgerald, Sarah Vaughan, or Carmen McRae. What was more, her exacting musical standards and assertive independence limited her recorded output somewhat. But Carter stuck around long enough to receive her proper due; her unwillingness to compromise eventually earned her the respect of the wider jazz audience, and many critics regarded her as perhaps the purest jazz singer active in the '80s and '90s. - AMG / Steve Huey\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Betty Carter (vocals), John Hicks (piano), Walter Booker (bass), Eddie Moore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -selectionAAD: false
    -extraitYoutube: ""
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        "nom" => "2. Making Dreams Come True"
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      [
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        "ordre" => 6
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2187 …}
    -label: Proxies\__CG__\App\Entity\Label {#2094 …}
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    }
    -modifierLe: DateTime @1574413593 {#2183
      date: 2019-11-22 09:06:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-now-it-smy-turn-pure-pleasure-records-ppan-5005"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3664
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2185
    -id: 330
    -nom: "Now It'sMy Turn"
    -informationComplementaire: ""
    -description: """
      Arguably the most adventurous female jazz singer of all time, Betty Carter was an idiosyncratic stylist and a restless improviser who pushed the limits of melody and harmony as much as any bebop horn player. The husky-voiced Carter was capable of radical, off-the-cuff re-workings of whatever she sang, abruptly changing tempos and dynamics, or rearranging the lyrics into distinctive, off-the-beat rhythmic patterns. She could solo for 20 minutes, scat at lightning speed, or drive home an emotion with wordless, bluesy moans and sighs. She wasn't quite avant-garde, but she was definitely "out". Yet as much as Carter was fascinated by pure, abstract sound, she was also a sensitive lyric interpreter when she chose, a tender and sensual ballad singer sometimes given to suggestive asides. \r\n
      \r\n
      Her wild unpredictability kept her marginalized for much of her career, and she never achieved the renown of peers like Ella Fitzgerald, Sarah Vaughan, or Carmen McRae. What was more, her exacting musical standards and assertive independence limited her recorded output somewhat. But Carter stuck around long enough to receive her proper due; her unwillingness to compromise eventually earned her the respect of the wider jazz audience, and many critics regarded her as perhaps the purest jazz singer active in the '80s and '90s. - AMG / Steve Huey\r\n
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    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Betty Carter (vocals), John Hicks (piano), Walter Booker (bass), Eddie Moore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2187 …}
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    -modifierLe: DateTime @1574413593 {#2183
      date: 2019-11-22 09:06:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-now-it-smy-turn-pure-pleasure-records-ppan-5005"
  }
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}

[
  "produit" => App\Entity\Produit {#2201
    -id: 285
    -nom: "Satch Plays Fats"
    -informationComplementaire: ""
    -description: """
      Based upon the artistic and commercial success of “Louis Armstrong Plays W.C. Handy”, George Avakian gathered the All Stars into the studio again for a second session to record tunes by Fats Waller. This is also a stunning album: the All Stars, at the top of their form, play great material by a single composer. All Stars vocalist Velma Middleton, (who was often underrated) is especially captivating.\r\n
      \r\n
      Louis Armstrong and Fats Waller only worked together twice, briefly in 1925 in Erskine Tate's band and four years later in the New York revue Connie's Hot Chocolates. But Waller made an indelible enough impression for Satchmo to record the tribute album Satch Plays Fats : The Music of Fats Waller in 1955 when such ideas were new. If you love Louis Armstrong, buy it. If you love Fats Waller, buy it. If you just love jazz with a swing beat, then this collection is for you. Satchmo gives us an incomparable interpretation of Waller's music that would have made the corpulent keyboard king himself very proud indeed. It is soooo SWEET ! You won't be disappointed. \r\n
      \r\n
      Armstrong infuses these pieces with a style very true to Fats' own, including the humour and wit that Satchmo weaves into the lyrics. \r\n
      \r\n
      The sound is smooth, and the rhythm is HOT! Recording quality is very good, and the selection is impeccable some of Waller's greatest hits.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KoJA951jDYc"
    -referenceProduit: "Pure Pleasure Records CL 708"
    -titreMorceau: [
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        "nom" => "1. All That Meat and No Potatoes"
        "ordre" => 7
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        "nom" => "1. Honeysuckle Rose"
        "ordre" => 1
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        "nom" => "2. Blue Turning Grey Over You"
        "ordre" => 2
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        "ordre" => 6
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2203 …}
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    -modifierLe: DateTime @1574096181 {#2199
      date: 2019-11-18 16:56:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3715
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2201
    -id: 285
    -nom: "Satch Plays Fats"
    -informationComplementaire: ""
    -description: """
      Based upon the artistic and commercial success of “Louis Armstrong Plays W.C. Handy”, George Avakian gathered the All Stars into the studio again for a second session to record tunes by Fats Waller. This is also a stunning album: the All Stars, at the top of their form, play great material by a single composer. All Stars vocalist Velma Middleton, (who was often underrated) is especially captivating.\r\n
      \r\n
      Louis Armstrong and Fats Waller only worked together twice, briefly in 1925 in Erskine Tate's band and four years later in the New York revue Connie's Hot Chocolates. But Waller made an indelible enough impression for Satchmo to record the tribute album Satch Plays Fats : The Music of Fats Waller in 1955 when such ideas were new. If you love Louis Armstrong, buy it. If you love Fats Waller, buy it. If you just love jazz with a swing beat, then this collection is for you. Satchmo gives us an incomparable interpretation of Waller's music that would have made the corpulent keyboard king himself very proud indeed. It is soooo SWEET ! You won't be disappointed. \r\n
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    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2203 …}
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      date: 2019-11-18 16:56:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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  }
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}

App\Twig\Components\AjoutMailNewsletterComponent {#3916
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3917 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3965 …}
  +isValidated: false
  +validatedFields: []
}