Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2630
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2707
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2710 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
  -formView: Symfony\Component\Form\FormView {#2746 …}
  -form: Symfony\Component\Form\Form {#2896 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 2370
    -nom: "The Remarkable Carmell Jones"
    -informationComplementaire: ""
    -description: """
      - 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      - Deluxe gatefold tip-on jacket !\r\n
      \r\n
      Blue Note Records has announced the 2023 line-up for the Tone Poet Audiophile Vinyl Reissue Series. The acclaimed series is produced by the "Tone Poet" Joe Harley and features all-analog, 180-gram audiophile vinyl reissues that are mastered directly from the original master tapes by Kevin Gray of Cohearent Audio.\r\n
      \r\n
      Tone Poet vinyl is manufactured at RTI in Camarillo, California, and packaged in deluxe gatefold tip-on jackets. The titles were once again handpicked by Harley and include acknowledged treasures of the Blue Note catalog as well as underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz.\r\n
      \r\n
      The Remarkable Carmell Jones is a rare gem from the Pacific Jazz catalog recorded in 1961 with the trumpeter Carmell Jones joined by tenor saxophonist Harold Land, pianist Frank Strazzeri, bassist Gary Peacock, and drummer Leon Pettis. The Tone Poet Vinyl Edition of The Remarkable Carmell Jones will include a new essay by Thomas Conrad that elucidates the story behind the album.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Carmell Jones (trumpet), Harold Land (tenor saxophone), Frank Strazzeri (piano), Gary Peacock (bass), Leon Pettis (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4QRSkGBfGDY"
    -referenceProduit: "Blue Note Tone Poet Series 7901"
    -titreMorceau: [
      [
        "nom" => "1. I'm Gonna Go Fishing "
        "ordre" => 1
      ]
      [
        "nom" => "1. Sad March "
        "ordre" => 5
      ]
      [
        "nom" => "2. Come Rain Or Come Shine "
        "ordre" => 2
      ]
      [
        "nom" => "2. Stellisa "
        "ordre" => 6
      ]
      [
        "nom" => "3. Full Moon And Empty Arms"
        "ordre" => 7
      ]
      [
        "nom" => "3. Night Tide"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1677832210 {#1929
      date: 2023-03-03 08:30:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1719219432 {#1922
      date: 2024-06-24 08:57:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-remarkable-carmell-jones-blue-note-tone-poet-series-7901"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3167
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 2370
    -nom: "The Remarkable Carmell Jones"
    -informationComplementaire: ""
    -description: """
      - 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      - Deluxe gatefold tip-on jacket !\r\n
      \r\n
      Blue Note Records has announced the 2023 line-up for the Tone Poet Audiophile Vinyl Reissue Series. The acclaimed series is produced by the "Tone Poet" Joe Harley and features all-analog, 180-gram audiophile vinyl reissues that are mastered directly from the original master tapes by Kevin Gray of Cohearent Audio.\r\n
      \r\n
      Tone Poet vinyl is manufactured at RTI in Camarillo, California, and packaged in deluxe gatefold tip-on jackets. The titles were once again handpicked by Harley and include acknowledged treasures of the Blue Note catalog as well as underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz.\r\n
      \r\n
      The Remarkable Carmell Jones is a rare gem from the Pacific Jazz catalog recorded in 1961 with the trumpeter Carmell Jones joined by tenor saxophonist Harold Land, pianist Frank Strazzeri, bassist Gary Peacock, and drummer Leon Pettis. The Tone Poet Vinyl Edition of The Remarkable Carmell Jones will include a new essay by Thomas Conrad that elucidates the story behind the album.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Carmell Jones (trumpet), Harold Land (tenor saxophone), Frank Strazzeri (piano), Gary Peacock (bass), Leon Pettis (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4QRSkGBfGDY"
    -referenceProduit: "Blue Note Tone Poet Series 7901"
    -titreMorceau: [
      [
        "nom" => "1. I'm Gonna Go Fishing "
        "ordre" => 1
      ]
      [
        "nom" => "1. Sad March "
        "ordre" => 5
      ]
      [
        "nom" => "2. Come Rain Or Come Shine "
        "ordre" => 2
      ]
      [
        "nom" => "2. Stellisa "
        "ordre" => 6
      ]
      [
        "nom" => "3. Full Moon And Empty Arms"
        "ordre" => 7
      ]
      [
        "nom" => "3. Night Tide"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1677832210 {#1929
      date: 2023-03-03 08:30:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1719219432 {#1922
      date: 2024-06-24 08:57:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-remarkable-carmell-jones-blue-note-tone-poet-series-7901"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 2193
    -nom: "Somethin' Else - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: ""
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 10000 NUMBERED COPIES !\r\n
      \r\n
      Julian Cannonball Adderley's only Blue Note album, Somethin' Else, would likely forever be famous in music lore if just for the presence of Miles Davis. The iconic composer/trumpeter steps into the role of sideman on the 1958 set, one of just a handful of times he'd make such a move after the calendar passed the mid-1950s. Yet evaluating Somethin' Else strictly on Davis' involvement misses the big picture. Plain and simple, Adderley's jubilant work remains a jazz landmark due to the chemistry of its Hall of Fame personnel, enthusiasm of its participants, and sophistication of its arrangements not to mention the reference-grade production and inclusion of the definitive renditions of two all-time jazz standards.\r\n
      \r\n
      Strictly limited to 10000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180 gram 45 RPM 2 LP collector's edition pays tribute to the record's merit and enhances the intimate program for generations to come. Offering reference-caliber sonics, this spectacular collector's version provides a clear, transparent, ultra-dynamic, and up-close view of a cornerstone effort that witnesses Adderley and Davis sharing horn duty alone for the only time in their fabled careers – an arrangement that occurred as a result of Adderley having joined Davis' majestic sextet a year prior.\r\n
      \r\n
      The premium packaging and beautiful presentation of the UD1S Somethin' Else pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the iconic photos to the gorgeous finishes.\r\n
      \r\n
      The vibrant potency reveals itself openly on an analog set that provides full-range reproduction of an ensemble that also includes pianist Hank Jones, bassist Sam Jones, and drummer Art Blakey. Each and every snare hit, downbeat, and cymbal splash registered by the latter take on realistic proportions, blooming and decaying as they would right in front of you on a stage. Jones' foundational bass lines register with uncommon depth and palpability, the litheness of the strings and fullness of the instrument epitomizing the definition of rhythm. Stellar, too, are the surefooted 88s. Sublime in scale, tonality, and attack, with the delineation such you can practically separate the white and black keys in your mind. As for that liquid interplay between Adderley and Davis ? Breathtakingly lifelike in timbre, naturalism, purity, and presence. This collector's version takes you there – there being Rudy Van Gelder's legendary New Jersey studio in March 1958 to witness it all unfold, again and again.\r\n
      \r\n
      For reasons that extend far beyond the outstanding playing and flawless repertoire, Somethin' Else is without question a record you'll always want to watch and hear come together. As veteran critic Bob Blumenthal observed writing about the album four decades after its release, "The instant rapport achieved by the quintet is thus the product of much shared and common history, though the tensile strength that they create throughout created a totally unique feeling that can be attributed to the sensitive musicianship of all concerned, including the supposedly hard bopping leader and drummer." Such inimitable feeling, or emotion, courses throughout every passage, and no where more obviously than on "Autumn Leaves" and "Love for Sale".\r\n
      \r\n
      Without question, the discreet interpretations of the Johnny Mercer and Cole Porter songs, respectively, found on Somethin' Else have long been considered part of jazz's alluring mystique. Adderley and Davis bring contrasting approaches to the table yet sound of a singular mind on "Autumn Leaves", with the latter's muted trumpet and the headliner's lush alto saxophone dovetailing into a performance that endures as a blueprint for expression, counterpoint, sophistication, fluidity, and linearity. Blues, melody, and romance pour from their horns. Their bandmates, picking up on the intimate vibe and calm mood here – as well as on the spry, head-over-heels spirit of "Love for Sale" join in on the conversation with sharp economy and float-on-air roundedness.\r\n
      \r\n
      Not to undersell the other three numbers, all deserving five-star status. Twelve measures in length, the title track offers a slow burn in swing. Written by Adderley's brother, Nat, the 12-bar "One for Daddy-O" transmits funk flavors. The closing "Dancing in the Dark" pops with lushness and temptation, its stream of bold colors and understated textures calling for a moonlight twirl, or at least fantasies suggestive of a memorable night. Somethin' else, indeed.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Cannonball Adderley (alto saxophone), Miles Davis (trumpet), Hank Jones (piano), Sam Jones (bass), Art Blakey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=u37RF5xKNq8"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-022"
    -titreMorceau: [
      [
        "nom" => "1. Autumn Leaves"
        "ordre" => 0
      ]
      [
        "nom" => "2. Love for Sale"
        "ordre" => 1
      ]
      [
        "nom" => "3. Somethin' Else"
        "ordre" => 2
      ]
      [
        "nom" => "4. One for Daddy-O"
        "ordre" => 3
      ]
      [
        "nom" => "5. Dancing in the Dark"
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1641539962 {#2095
      date: 2022-01-07 07:19:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1719219339 {#2096
      date: 2024-06-24 08:55:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-somethin-else-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-022"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3281
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 2193
    -nom: "Somethin' Else - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: ""
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 10000 NUMBERED COPIES !\r\n
      \r\n
      Julian Cannonball Adderley's only Blue Note album, Somethin' Else, would likely forever be famous in music lore if just for the presence of Miles Davis. The iconic composer/trumpeter steps into the role of sideman on the 1958 set, one of just a handful of times he'd make such a move after the calendar passed the mid-1950s. Yet evaluating Somethin' Else strictly on Davis' involvement misses the big picture. Plain and simple, Adderley's jubilant work remains a jazz landmark due to the chemistry of its Hall of Fame personnel, enthusiasm of its participants, and sophistication of its arrangements not to mention the reference-grade production and inclusion of the definitive renditions of two all-time jazz standards.\r\n
      \r\n
      Strictly limited to 10000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180 gram 45 RPM 2 LP collector's edition pays tribute to the record's merit and enhances the intimate program for generations to come. Offering reference-caliber sonics, this spectacular collector's version provides a clear, transparent, ultra-dynamic, and up-close view of a cornerstone effort that witnesses Adderley and Davis sharing horn duty alone for the only time in their fabled careers – an arrangement that occurred as a result of Adderley having joined Davis' majestic sextet a year prior.\r\n
      \r\n
      The premium packaging and beautiful presentation of the UD1S Somethin' Else pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the iconic photos to the gorgeous finishes.\r\n
      \r\n
      The vibrant potency reveals itself openly on an analog set that provides full-range reproduction of an ensemble that also includes pianist Hank Jones, bassist Sam Jones, and drummer Art Blakey. Each and every snare hit, downbeat, and cymbal splash registered by the latter take on realistic proportions, blooming and decaying as they would right in front of you on a stage. Jones' foundational bass lines register with uncommon depth and palpability, the litheness of the strings and fullness of the instrument epitomizing the definition of rhythm. Stellar, too, are the surefooted 88s. Sublime in scale, tonality, and attack, with the delineation such you can practically separate the white and black keys in your mind. As for that liquid interplay between Adderley and Davis ? Breathtakingly lifelike in timbre, naturalism, purity, and presence. This collector's version takes you there – there being Rudy Van Gelder's legendary New Jersey studio in March 1958 to witness it all unfold, again and again.\r\n
      \r\n
      For reasons that extend far beyond the outstanding playing and flawless repertoire, Somethin' Else is without question a record you'll always want to watch and hear come together. As veteran critic Bob Blumenthal observed writing about the album four decades after its release, "The instant rapport achieved by the quintet is thus the product of much shared and common history, though the tensile strength that they create throughout created a totally unique feeling that can be attributed to the sensitive musicianship of all concerned, including the supposedly hard bopping leader and drummer." Such inimitable feeling, or emotion, courses throughout every passage, and no where more obviously than on "Autumn Leaves" and "Love for Sale".\r\n
      \r\n
      Without question, the discreet interpretations of the Johnny Mercer and Cole Porter songs, respectively, found on Somethin' Else have long been considered part of jazz's alluring mystique. Adderley and Davis bring contrasting approaches to the table yet sound of a singular mind on "Autumn Leaves", with the latter's muted trumpet and the headliner's lush alto saxophone dovetailing into a performance that endures as a blueprint for expression, counterpoint, sophistication, fluidity, and linearity. Blues, melody, and romance pour from their horns. Their bandmates, picking up on the intimate vibe and calm mood here – as well as on the spry, head-over-heels spirit of "Love for Sale" join in on the conversation with sharp economy and float-on-air roundedness.\r\n
      \r\n
      Not to undersell the other three numbers, all deserving five-star status. Twelve measures in length, the title track offers a slow burn in swing. Written by Adderley's brother, Nat, the 12-bar "One for Daddy-O" transmits funk flavors. The closing "Dancing in the Dark" pops with lushness and temptation, its stream of bold colors and understated textures calling for a moonlight twirl, or at least fantasies suggestive of a memorable night. Somethin' else, indeed.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Cannonball Adderley (alto saxophone), Miles Davis (trumpet), Hank Jones (piano), Sam Jones (bass), Art Blakey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=u37RF5xKNq8"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-022"
    -titreMorceau: [
      [
        "nom" => "1. Autumn Leaves"
        "ordre" => 0
      ]
      [
        "nom" => "2. Love for Sale"
        "ordre" => 1
      ]
      [
        "nom" => "3. Somethin' Else"
        "ordre" => 2
      ]
      [
        "nom" => "4. One for Daddy-O"
        "ordre" => 3
      ]
      [
        "nom" => "5. Dancing in the Dark"
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1641539962 {#2095
      date: 2022-01-07 07:19:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1719219339 {#2096
      date: 2024-06-24 08:55:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-somethin-else-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-022"
  }
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[
  "produit" => App\Entity\Produit {#2117
    -id: 2496
    -nom: "Yourself Or Someone Like You"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records!\r\n
      \r\n
      Yourself Or Someone Like You Matchbox Twenty's diamond certified debut album !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Mastered directly from the original master tape by Ryan K. Smith !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      Described by AllMusic as the standard-bearer for post-alternative rock 'n' roll because of its '90s production dynamics, while still holding true to its classic rock core, Yourself or Someone Like You the debut album from Matchbox Twenty features sturdy songs and fairly strong hooks, all delivered forcefully with lead singer-songwriter Rob Thomas's distinctive bravado.\r\n
      \r\n
      Musically not flashy, nor as ingratiating as Third Eye Blind's pop instincts, the album is solid, American rock, reminiscent of a blend of Tom Petty and Pearl Jam. So it shouldn't have been surprising when the album found a wide audience.\r\n
      \r\n
      Yourself Or Someone Like You went on to sell more than 15 million copies worldwide. The band was a mainstream staple of the mid- to late-'90s with its light rock songs about loneliness, depression, anger, and alcoholism, and successful albums followed such as Mad Season and More Than You Think You Are. Band members reunited in 2012 for North.\r\n
      \r\n
      Thomas says he wrote the songs for Yourself Or Someone Like You in a five or six-month period before the band recorded it. He felt driven to create new songs, he says, because of a contentious relationship with a previous band he had left, and the motivation to be ready and prepared when it came time for Matchbox Twenty to record its debut album.\r\n
      \r\n
      The album's second single "Push" released in 1997 topped the U.S. Modern Rock Tracks chart and became one of the band's signature songs. Thomas wrote the lyrics to "Push" with Matt Serletic. The lyrics dealt with the stress of falling in and out of love.\r\n
      \r\n
      In Birmingham, Alabama, the band was playing a thousand-seat club and there was a line of patrons outside the door clamoring to get in. Matchbox Twenty was the opening act that night for The Lemonheads.\r\n
      \r\n
      "We thought, 'Wow, The Lemonheads are having a good night.' Then we found out it was because that town was the only one playing 'Push' on the radio and it was the biggest hit in Birmingham, and they were all there for us. It was a huge change. We were so used to playing to 20 people, or sometimes to six people and most of the time they were people from the other band (that was playing) that night; we would just play for each other. So, it was a really big change that all of a sudden, people we didn't know were lining up to see us", Thomas told the AV Club.\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n
      \r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Rob Thomas (vocals), Kyle Cook (lead guitar, backing vocals), Brian Yale (bass), Adam Gaynor, Matt Serletic (keyboards, percussion),  Paul Doucette (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GUa_AJa7uOc"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series)"
    -titreMorceau: [
      [
        "nom" => "1. Busted"
        "ordre" => 13
      ]
      [
        "nom" => "1. Damn"
        "ordre" => 9
      ]
      [
        "nom" => "1. Push"
        "ordre" => 5
      ]
      [
        "nom" => "1. Real world"
        "ordre" => 1
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      [
        "nom" => "2. Argue"
        "ordre" => 10
      ]
      [
        "nom" => "2. Girl like that "
        "ordre" => 6
      ]
      [
        "nom" => "2. Long day"
        "ordre" => 2
      ]
      [
        "nom" => "2. Shame"
        "ordre" => 14
      ]
      [
        "nom" => "3. 3 am"
        "ordre" => 3
      ]
      [
        "nom" => "3. Back 2 good"
        "ordre" => 7
      ]
      [
        "nom" => "3. Hang"
        "ordre" => 15
      ]
      [
        "nom" => "3. Kody"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2131 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2124 …}
    -typeMasterTape: null
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    }
    -modifierLe: DateTime @1719218910 {#2115
      date: 2024-06-24 08:48:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2128 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-yourself-or-someone-like-you-analogue-productions-atlantic-75-series"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3332
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2117
    -id: 2496
    -nom: "Yourself Or Someone Like You"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records!\r\n
      \r\n
      Yourself Or Someone Like You Matchbox Twenty's diamond certified debut album !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Mastered directly from the original master tape by Ryan K. Smith !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      Described by AllMusic as the standard-bearer for post-alternative rock 'n' roll because of its '90s production dynamics, while still holding true to its classic rock core, Yourself or Someone Like You the debut album from Matchbox Twenty features sturdy songs and fairly strong hooks, all delivered forcefully with lead singer-songwriter Rob Thomas's distinctive bravado.\r\n
      \r\n
      Musically not flashy, nor as ingratiating as Third Eye Blind's pop instincts, the album is solid, American rock, reminiscent of a blend of Tom Petty and Pearl Jam. So it shouldn't have been surprising when the album found a wide audience.\r\n
      \r\n
      Yourself Or Someone Like You went on to sell more than 15 million copies worldwide. The band was a mainstream staple of the mid- to late-'90s with its light rock songs about loneliness, depression, anger, and alcoholism, and successful albums followed such as Mad Season and More Than You Think You Are. Band members reunited in 2012 for North.\r\n
      \r\n
      Thomas says he wrote the songs for Yourself Or Someone Like You in a five or six-month period before the band recorded it. He felt driven to create new songs, he says, because of a contentious relationship with a previous band he had left, and the motivation to be ready and prepared when it came time for Matchbox Twenty to record its debut album.\r\n
      \r\n
      The album's second single "Push" released in 1997 topped the U.S. Modern Rock Tracks chart and became one of the band's signature songs. Thomas wrote the lyrics to "Push" with Matt Serletic. The lyrics dealt with the stress of falling in and out of love.\r\n
      \r\n
      In Birmingham, Alabama, the band was playing a thousand-seat club and there was a line of patrons outside the door clamoring to get in. Matchbox Twenty was the opening act that night for The Lemonheads.\r\n
      \r\n
      "We thought, 'Wow, The Lemonheads are having a good night.' Then we found out it was because that town was the only one playing 'Push' on the radio and it was the biggest hit in Birmingham, and they were all there for us. It was a huge change. We were so used to playing to 20 people, or sometimes to six people and most of the time they were people from the other band (that was playing) that night; we would just play for each other. So, it was a really big change that all of a sudden, people we didn't know were lining up to see us", Thomas told the AV Club.\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n
      \r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Rob Thomas (vocals), Kyle Cook (lead guitar, backing vocals), Brian Yale (bass), Adam Gaynor, Matt Serletic (keyboards, percussion),  Paul Doucette (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GUa_AJa7uOc"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series)"
    -titreMorceau: [
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        "nom" => "1. Busted"
        "ordre" => 13
      ]
      [
        "nom" => "1. Damn"
        "ordre" => 9
      ]
      [
        "nom" => "1. Push"
        "ordre" => 5
      ]
      [
        "nom" => "1. Real world"
        "ordre" => 1
      ]
      [
        "nom" => "2. Argue"
        "ordre" => 10
      ]
      [
        "nom" => "2. Girl like that "
        "ordre" => 6
      ]
      [
        "nom" => "2. Long day"
        "ordre" => 2
      ]
      [
        "nom" => "2. Shame"
        "ordre" => 14
      ]
      [
        "nom" => "3. 3 am"
        "ordre" => 3
      ]
      [
        "nom" => "3. Back 2 good"
        "ordre" => 7
      ]
      [
        "nom" => "3. Hang"
        "ordre" => 15
      ]
      [
        "nom" => "3. Kody"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2131 …}
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    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2126 …}
    -enregistreLe: DateTime @1707033656 {#2114
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    }
    -modifierLe: DateTime @1719218910 {#2115
      date: 2024-06-24 08:48:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2128 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-yourself-or-someone-like-you-analogue-productions-atlantic-75-series"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2136
    -id: 2533
    -nom: "Into Somethin'"
    -informationComplementaire: ""
    -description: """
      - 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Kenny Dorham added stellar entries to the catalogs of Blue Note, Riverside, and New Jazz throughout the 1950s as he solidified his reputation as a leading trumpeter and composer on the jazz scene. He began 1961 in the studio for Blue Note recording his excellent album Whistle Stop and later that year cut his first date for Pacific Jazz, Inta Somethin', a spirited live recording that captured Dorham leading a quintet with alto saxophonist Jackie McLean, pianist Walter Bishop Jr., bassist Leroy Vinnegar, and drummer Art Taylor at The Jazz Workshop in San Francisco.\r\n
      \r\n
      The band is firing on all cylinders throughout this set of four standards bookended by the Dorham originals "Us" and "San Francisco Beat". A buoyant version of "It Could Happen To You" is performed quartet as a Dorham showcase, while the trumpeter lays out on "Let's Face The Music And Dance" and "Lover Man" to give the spotlight to McLean.\r\n
      \r\n
       
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), Jackie McLean (alto saxophone), Leroy Vinnegar (bass), Walter Bishop, Jr. (piano), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=avUE5eM0DaM"
    -referenceProduit: "Blue Note Tone Poet Series"
    -titreMorceau: [
      [
        "nom" => "1. No Two People"
        "ordre" => 5
      ]
      [
        "nom" => "1. Us"
        "ordre" => 1
      ]
      [
        "nom" => "2. It Could Happen To You"
        "ordre" => 2
      ]
      [
        "nom" => "2. Lover Man"
        "ordre" => 6
      ]
      [
        "nom" => "3. Let's Face The Music And Dance"
        "ordre" => 3
      ]
      [
        "nom" => "3. San Francisco Beat"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2142 …}
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    }
    -modifierLe: DateTime @1719179279 {#2134
      date: 2024-06-23 21:47:59.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2144 …}
    -disponible: null
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    -slug: "vinyles-into-somethin-blue-note-tone-poet-series"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3383
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2136
    -id: 2533
    -nom: "Into Somethin'"
    -informationComplementaire: ""
    -description: """
      - 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Kenny Dorham added stellar entries to the catalogs of Blue Note, Riverside, and New Jazz throughout the 1950s as he solidified his reputation as a leading trumpeter and composer on the jazz scene. He began 1961 in the studio for Blue Note recording his excellent album Whistle Stop and later that year cut his first date for Pacific Jazz, Inta Somethin', a spirited live recording that captured Dorham leading a quintet with alto saxophonist Jackie McLean, pianist Walter Bishop Jr., bassist Leroy Vinnegar, and drummer Art Taylor at The Jazz Workshop in San Francisco.\r\n
      \r\n
      The band is firing on all cylinders throughout this set of four standards bookended by the Dorham originals "Us" and "San Francisco Beat". A buoyant version of "It Could Happen To You" is performed quartet as a Dorham showcase, while the trumpeter lays out on "Let's Face The Music And Dance" and "Lover Man" to give the spotlight to McLean.\r\n
      \r\n
       
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), Jackie McLean (alto saxophone), Leroy Vinnegar (bass), Walter Bishop, Jr. (piano), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=avUE5eM0DaM"
    -referenceProduit: "Blue Note Tone Poet Series"
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      [
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        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
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      date: 2024-06-23 21:47:59.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-into-somethin-blue-note-tone-poet-series"
  }
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[
  "produit" => App\Entity\Produit {#2152
    -id: 2531
    -nom: "Total Eclipse"
    -informationComplementaire: ""
    -description: """
      - 180 gram gatefold LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Vibraphonist Bobby Hutcherson was a defining feature of the sound of Blue Note Records throughout the 1960s, equally at home in hard bop, soul jazz, and avant-garde settings. His 1968 album Total Eclipse was the vibraphonist's first recording to feature tenor saxophonist and flutist Harold Land who would go on to become a key collaborator in the years to follow.\r\n
      \r\n
      Hutcherson and Land had been co-leading a band on the West Coast and came to New York City for engagements at Slugs' Saloon and the Village Vanguard before heading into Plaza Sound Studio to record the album. Rounding out the band were pianist Chick Corea, bassist Reggie Johnson and Hutcherson's go-to drummer Joe Chambers on this impassioned and probing set of post-bop.\r\n
      \r\n
      With the exception of Corea's exceptional piece "Matrix", the rest of the program consists of Hutcherson compositions including the assured and briskly swinging opener "Herzog" and the epic closer "Pompeian" which moves between a gentle, lilting waltz and more turbulent explorations.\r\n
      \r\n
       
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Bobby Hutcherson (vibraphone), Chick Corea (piano), Harold Land (tenor saxphone), Reggie Johnson (bass), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=y6WeA2vqC3Q"
    -referenceProduit: "Blue Note Tone Poet Series 84291"
    -titreMorceau: [
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        "ordre" => 2
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        "ordre" => 0
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        "ordre" => 4
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3434
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    -id: 2531
    -nom: "Total Eclipse"
    -informationComplementaire: ""
    -description: """
      - 180 gram gatefold LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
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      \r\n
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      \r\n
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      \r\n
       
      """
    -prixVente: "60.00"
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    -musicienOrchestre: "Bobby Hutcherson (vibraphone), Chick Corea (piano), Harold Land (tenor saxphone), Reggie Johnson (bass), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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[
  "produit" => App\Entity\Produit {#2170
    -id: 2526
    -nom: "Body And Soul "
    -informationComplementaire: ""
    -description: """
      - Billie Holiday Body And Soul (Mono) !\r\n
      \r\n
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Small jazz groups brought out the best in Billie Holiday especially groups as good as the one heard on this classic 1957 recording. Ben Webster, Harry "Sweets" Edison and the other members of this stellar ensemble were not just gifted soloists but sensitive accompanists as well. Lady Day was rarely more ably supported than she was on this program of sturdy standards, including three gems by the Gershwin brothers and she rarely sounded more luminous.\r\n
      \r\n
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      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=Ibo-f3Q-yJQ"
    -referenceProduit: "Acoustic Sounds Series 512455"
    -titreMorceau: [
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        "nom" => " 1. Body And Soul"
        "ordre" => 1
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      date: 2024-06-22 08:33:36.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3485
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  +produit: App\Entity\Produit {#2170
    -id: 2526
    -nom: "Body And Soul "
    -informationComplementaire: ""
    -description: """
      - Billie Holiday Body And Soul (Mono) !\r\n
      \r\n
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Small jazz groups brought out the best in Billie Holiday especially groups as good as the one heard on this classic 1957 recording. Ben Webster, Harry "Sweets" Edison and the other members of this stellar ensemble were not just gifted soloists but sensitive accompanists as well. Lady Day was rarely more ably supported than she was on this program of sturdy standards, including three gems by the Gershwin brothers and she rarely sounded more luminous.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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        "ordre" => 3
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        "ordre" => 8
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        "ordre" => 4
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        "ordre" => 9
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        "nom" => "Side A : "
        "ordre" => 0
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        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2172 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2179 …}
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    -modifierLe: DateTime @1719045216 {#2165
      date: 2024-06-22 08:33:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2181 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-body-and-soul-acoustic-sounds-series-512455"
  }
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}

[
  "produit" => App\Entity\Produit {#2189
    -id: 1285
    -nom: "The Wonderful Sounds of Female Vocals"
    -informationComplementaire: ""
    -description: """
      An Audiophile Go-To !\r\n
      \r\n
      The Record You Grab When You Want To Show Off Your System !\r\n
      \r\n
      All-Time Classic Performances And Recordings By All-Time Great Female Singers\r\n
      \r\n
      Each Track Selected By Acoustic Sounds Owner Chad Kassem\r\n
      \r\n
      Lacquers Cut By Kevin Gray\r\n
      \r\n
      Pressed At Quality Record Pressings On 200 Gram vinyl\r\n
      \r\n
      Packaged In A Gatefold, Deluxe, Stoughton Tip-On Jacket\r\n
      \r\n
      Liner Notes By Michael Fremer\r\n
      \r\n
      "I've been doing this (cherry picking great recordings for reissue) for a long time, and I think I've got a good idea of what audiophiles like to hear. This is all of your female vocal demo cuts in one place". - Chad Kassem, Acoustic Sounds owner\r\n
      \r\n
      Female vocalists have forever been celebrated by audiophiles and music lovers alike. Whether the delivery is delicate or bombastic, a great female vocal well-recorded is just so sensuous. It's the genre that most often typifies the potential of hi-fi and what it can do to engage our emotions. It's no wonder the hallways of any hi-fi show will be resonating with the sounds of sparsely-arranged recordings of great women singers. It's the genre that best shows off the systems that manufacturers and dealers are trying to sell.\r\n
      \r\n
      Now, you can have all of those best demo tracks on one record. Show stoppers by Julie London, Diana Krall, Rickie Lee Jones, Nina Simone, Janis Ian, Phoebe Snow, Jennifer Warnes, Dusty Springfield, Shelby Lynne and many more. Every single track is an audiophile demo classic. Drop the needle and drop your friend's jaw !\r\n
      \r\n
      Michael Fremer, of AnalogPlanet.com and Stereophile Magazine, walks you through each track and its historic place with very through and entertaining liners.\r\n
      \r\n
      Plating and pressing was done at Quality Record Pressings.\r\n
      \r\n
      Ever have that moment where you want to really light up your system either for a late-night session by yourself or for when you've got company and you don't want to keep changing records to keep the hit parade going ? This record ends that issue. You've only got to make one selection.\r\n
      \r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Julie London, Ella Fitzgerald, Patricia Barber, Nina Simone, Joan Baez, Phoebe Snow, Dusty Springfield, Shelby Lynne, Rickie Lee Jones, Patsy Cline, Holly Cole,…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8L6KGuTr9TI"
    -referenceProduit: "AAPP 0122"
    -titreMorceau: [
      [
        "nom" => "1. Ballad of The Runaway Horse - Jennifer Warnes"
        "ordre" => 22
      ]
      [
        "nom" => "1. Crazy - Patsy Cline"
        "ordre" => 8
      ]
      [
        "nom" => "1. Cry Me A River - Julie London"
        "ordre" => 1
      ]
      [
        "nom" => "1. The Moon Is Made of Gold - Rickie Lee Jones"
        "ordre" => 15
      ]
      [
        "nom" => "2. A Case of You - Diana Krall"
        "ordre" => 23
      ]
      [
        "nom" => "2. Black Coffee - Ella Fitzgerald"
        "ordre" => 2
      ]
      [
        "nom" => "2. Blue Moon - Julie London"
        "ordre" => 16
      ]
      [
        "nom" => "2. Tennessee Waltz - Holly Cole"
        "ordre" => 9
      ]
      [
        "nom" => "3. Blame It On the Moon - Nancy Bryan"
        "ordre" => 17
      ]
      [
        "nom" => "3. Breaking Silence - Janis Ian"
        "ordre" => 10
      ]
      [
        "nom" => "3. Poetry Man - Phoebe Snow"
        "ordre" => 3
      ]
      [
        "nom" => "3. The Look of Love - Dusty Springfield"
        "ordre" => 24
      ]
      [
        "nom" => "4. Brothers In Arms - Joan Baez"
        "ordre" => 25
      ]
      [
        "nom" => "4. Diamond and Rust - Joan Baez"
        "ordre" => 18
      ]
      [
        "nom" => "4. Hey There - Myra Taylor"
        "ordre" => 11
      ]
      [
        "nom" => "4. Son Of A Preacher Man - Dusty Springfield"
        "ordre" => 4
      ]
      [
        "nom" => "5. Just A Little Lovin' - Shelby Lynne"
        "ordre" => 5
      ]
      [
        "nom" => "5. Somebody Who Loves You - Joan Armatrading"
        "ordre" => 19
      ]
      [
        "nom" => "5. What A Shame - Patricia Barber"
        "ordre" => 12
      ]
      [
        "nom" => "6. Plain Gold Ring - Nina Simone"
        "ordre" => 13
      ]
      [
        "nom" => "6. Send In the Clowns - Judy Collins"
        "ordre" => 20
      ]
      [
        "nom" => "6. Show Biz Kids - Rickie Lee Jones"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "Side C : "
        "ordre" => 14
      ]
      [
        "nom" => "Side D : "
        "ordre" => 21
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2191 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2196 …}
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      date: 2024-04-10 21:48:41.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3536
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  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2189
    -id: 1285
    -nom: "The Wonderful Sounds of Female Vocals"
    -informationComplementaire: ""
    -description: """
      An Audiophile Go-To !\r\n
      \r\n
      The Record You Grab When You Want To Show Off Your System !\r\n
      \r\n
      All-Time Classic Performances And Recordings By All-Time Great Female Singers\r\n
      \r\n
      Each Track Selected By Acoustic Sounds Owner Chad Kassem\r\n
      \r\n
      Lacquers Cut By Kevin Gray\r\n
      \r\n
      Pressed At Quality Record Pressings On 200 Gram vinyl\r\n
      \r\n
      Packaged In A Gatefold, Deluxe, Stoughton Tip-On Jacket\r\n
      \r\n
      Liner Notes By Michael Fremer\r\n
      \r\n
      "I've been doing this (cherry picking great recordings for reissue) for a long time, and I think I've got a good idea of what audiophiles like to hear. This is all of your female vocal demo cuts in one place". - Chad Kassem, Acoustic Sounds owner\r\n
      \r\n
      Female vocalists have forever been celebrated by audiophiles and music lovers alike. Whether the delivery is delicate or bombastic, a great female vocal well-recorded is just so sensuous. It's the genre that most often typifies the potential of hi-fi and what it can do to engage our emotions. It's no wonder the hallways of any hi-fi show will be resonating with the sounds of sparsely-arranged recordings of great women singers. It's the genre that best shows off the systems that manufacturers and dealers are trying to sell.\r\n
      \r\n
      Now, you can have all of those best demo tracks on one record. Show stoppers by Julie London, Diana Krall, Rickie Lee Jones, Nina Simone, Janis Ian, Phoebe Snow, Jennifer Warnes, Dusty Springfield, Shelby Lynne and many more. Every single track is an audiophile demo classic. Drop the needle and drop your friend's jaw !\r\n
      \r\n
      Michael Fremer, of AnalogPlanet.com and Stereophile Magazine, walks you through each track and its historic place with very through and entertaining liners.\r\n
      \r\n
      Plating and pressing was done at Quality Record Pressings.\r\n
      \r\n
      Ever have that moment where you want to really light up your system either for a late-night session by yourself or for when you've got company and you don't want to keep changing records to keep the hit parade going ? This record ends that issue. You've only got to make one selection.\r\n
      \r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Julie London, Ella Fitzgerald, Patricia Barber, Nina Simone, Joan Baez, Phoebe Snow, Dusty Springfield, Shelby Lynne, Rickie Lee Jones, Patsy Cline, Holly Cole,…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8L6KGuTr9TI"
    -referenceProduit: "AAPP 0122"
    -titreMorceau: [
      [
        "nom" => "1. Ballad of The Runaway Horse - Jennifer Warnes"
        "ordre" => 22
      ]
      [
        "nom" => "1. Crazy - Patsy Cline"
        "ordre" => 8
      ]
      [
        "nom" => "1. Cry Me A River - Julie London"
        "ordre" => 1
      ]
      [
        "nom" => "1. The Moon Is Made of Gold - Rickie Lee Jones"
        "ordre" => 15
      ]
      [
        "nom" => "2. A Case of You - Diana Krall"
        "ordre" => 23
      ]
      [
        "nom" => "2. Black Coffee - Ella Fitzgerald"
        "ordre" => 2
      ]
      [
        "nom" => "2. Blue Moon - Julie London"
        "ordre" => 16
      ]
      [
        "nom" => "2. Tennessee Waltz - Holly Cole"
        "ordre" => 9
      ]
      [
        "nom" => "3. Blame It On the Moon - Nancy Bryan"
        "ordre" => 17
      ]
      [
        "nom" => "3. Breaking Silence - Janis Ian"
        "ordre" => 10
      ]
      [
        "nom" => "3. Poetry Man - Phoebe Snow"
        "ordre" => 3
      ]
      [
        "nom" => "3. The Look of Love - Dusty Springfield"
        "ordre" => 24
      ]
      [
        "nom" => "4. Brothers In Arms - Joan Baez"
        "ordre" => 25
      ]
      [
        "nom" => "4. Diamond and Rust - Joan Baez"
        "ordre" => 18
      ]
      [
        "nom" => "4. Hey There - Myra Taylor"
        "ordre" => 11
      ]
      [
        "nom" => "4. Son Of A Preacher Man - Dusty Springfield"
        "ordre" => 4
      ]
      [
        "nom" => "5. Just A Little Lovin' - Shelby Lynne"
        "ordre" => 5
      ]
      [
        "nom" => "5. Somebody Who Loves You - Joan Armatrading"
        "ordre" => 19
      ]
      [
        "nom" => "5. What A Shame - Patricia Barber"
        "ordre" => 12
      ]
      [
        "nom" => "6. Plain Gold Ring - Nina Simone"
        "ordre" => 13
      ]
      [
        "nom" => "6. Send In the Clowns - Judy Collins"
        "ordre" => 20
      ]
      [
        "nom" => "6. Show Biz Kids - Rickie Lee Jones"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "Side C : "
        "ordre" => 14
      ]
      [
        "nom" => "Side D : "
        "ordre" => 21
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2191 …}
    -label: Proxies\__CG__\App\Entity\Label {#2194 …}
    -style: App\Entity\Style {#1514 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2203 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2196 …}
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    -enregistreLe: DateTime @1520755059 {#2186
      date: 2018-03-11 07:57:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1712785721 {#2187
      date: 2024-04-10 21:48:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2200 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-wonderful-sounds-of-female-vocals-aapp-0122"
  }
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}

[
  "produit" => App\Entity\Produit {#2208
    -id: 2401
    -nom: "Volume 1"
    -informationComplementaire: ""
    -description: """
      The legendary trumpeter Miles Davis was still near the beginning of his storied career when he cut the three sessions that comprise his Blue Note recordings in 1952, 1953, and 1954. In the late 1940s, Miles had been a member of Charlie Parker's quintet and Dizzy Gillespie's big band, as well as cutting select sides as a leader including the influential Birth of the Cool sessions for Capitol Records.\r\n
      \r\n
      Miles' star was still rising at the time he hooked up with Alfred Lion and Blue Note, but he was clearly on his path towards becoming one of the greatest bandleaders in jazz. Initially released across three 10" LPs Young Man With A Horn, Vol. 2, and Vol. 3 the music captured on these Blue Note sides contains all the hallmarks of his early style from blazing bebop to beautiful ballads. When Blue Note transitioned to the 12" LP in 1955, Lion compiled Miles' recordings onto two volumes as the inaugural releases of the 1500 Series.\r\n
      \r\n
      Volume 1 (Blue Note 1501) presents tracks from the 1952 and 1953 sextet sessions featuring two stellar line-ups with included trombonist J.J. Johnson, saxophonists Jackie McLean and Jimmy Heath, pianist Gi Coggins, bassists Oscar Pettiford and Percy Heath, and drummers Kenny Clarke and Art Blakey.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original masters, and pressed on 180 gram vinyl at Optimal.\r\n
      \r\n
       
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Miles Davis (trumpet), Oscar Pettiford, Percy Heath (bass), Jackie McLean (alto saxophone), Jimmy Heath (tenor saxophone), Gil Coggins (piano), Jay Jay Johnson (trombone), Art Blakey, Kenny Clarke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=HJEfofdhwpc"
    -referenceProduit: "Blue Note Records 1501"
    -titreMorceau: [
      [
        "nom" => "1. Dear Old Stockholm "
        "ordre" => 8
      ]
      [
        "nom" => "1. Tempus Fugit"
        "ordre" => 1
      ]
      [
        "nom" => "2. Chance It "
        "ordre" => 9
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      [
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        "ordre" => 2
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        "ordre" => 3
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      [
        "nom" => "3. Yesterdays "
        "ordre" => 10
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      [
        "nom" => "4. Donna (Alternate Master) "
        "ordre" => 11
      ]
      [
        "nom" => "4. Ray's Idea "
        "ordre" => 4
      ]
      [
        "nom" => "5. C.T.A. "
        "ordre" => 12
      ]
      [
        "nom" => "5. How Deep Is The Ocean "
        "ordre" => 5
      ]
      [
        "nom" => "6. C.T.A. (Alternate Master)"
        "ordre" => 6
      ]
      [
        "nom" => "6. Would'n You (Alternate Master)"
        "ordre" => 13
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2210 …}
    -label: Proxies\__CG__\App\Entity\Label {#2213 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2222 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2215 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2217 …}
    -enregistreLe: DateTime @1680765687 {#2205
      date: 2023-04-06 07:21:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1712785294 {#2206
      date: 2024-04-10 21:41:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2219 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-volume-1-blue-note-records-1501"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3587
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2208
    -id: 2401
    -nom: "Volume 1"
    -informationComplementaire: ""
    -description: """
      The legendary trumpeter Miles Davis was still near the beginning of his storied career when he cut the three sessions that comprise his Blue Note recordings in 1952, 1953, and 1954. In the late 1940s, Miles had been a member of Charlie Parker's quintet and Dizzy Gillespie's big band, as well as cutting select sides as a leader including the influential Birth of the Cool sessions for Capitol Records.\r\n
      \r\n
      Miles' star was still rising at the time he hooked up with Alfred Lion and Blue Note, but he was clearly on his path towards becoming one of the greatest bandleaders in jazz. Initially released across three 10" LPs Young Man With A Horn, Vol. 2, and Vol. 3 the music captured on these Blue Note sides contains all the hallmarks of his early style from blazing bebop to beautiful ballads. When Blue Note transitioned to the 12" LP in 1955, Lion compiled Miles' recordings onto two volumes as the inaugural releases of the 1500 Series.\r\n
      \r\n
      Volume 1 (Blue Note 1501) presents tracks from the 1952 and 1953 sextet sessions featuring two stellar line-ups with included trombonist J.J. Johnson, saxophonists Jackie McLean and Jimmy Heath, pianist Gi Coggins, bassists Oscar Pettiford and Percy Heath, and drummers Kenny Clarke and Art Blakey.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original masters, and pressed on 180 gram vinyl at Optimal.\r\n
      \r\n
       
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Miles Davis (trumpet), Oscar Pettiford, Percy Heath (bass), Jackie McLean (alto saxophone), Jimmy Heath (tenor saxophone), Gil Coggins (piano), Jay Jay Johnson (trombone), Art Blakey, Kenny Clarke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=HJEfofdhwpc"
    -referenceProduit: "Blue Note Records 1501"
    -titreMorceau: [
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      [
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      [
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      [
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      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2210 …}
    -label: Proxies\__CG__\App\Entity\Label {#2213 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2222 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2215 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2217 …}
    -enregistreLe: DateTime @1680765687 {#2205
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    }
    -modifierLe: DateTime @1712785294 {#2206
      date: 2024-04-10 21:41:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2219 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-volume-1-blue-note-records-1501"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
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[
  "produit" => App\Entity\Produit {#2227
    -id: 2518
    -nom: "Life Time"
    -informationComplementaire: ""
    -description: """
      - 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The precocious and prodigious drummer and composer Tony Williams had already joined the Miles Davis Quintet and participated in numerous landmark Blue Note recordings including Herbie Hancock Empyrean Isles, Eric Dolphy Out To Lunch, Andrew Hill Point Of Departure, Jackie McLean One Step Beyond, and Grachan Moncur III Evolution by the time he recorded his own adventurous debut album Life Time in August 1964, when he was still just 18 years old.\r\n
      \r\n
      Williams had no intention of playing it safe on his maiden voyage as a leader and set forth to document his uncompromising expression on this program of innovative original compositions. Side 1 presents the expansive two movement suite "2 Pieces of One" with the drummer joined by tenor saxophonist Sam Rivers and bassists Gary Peacock and Richard Davis. Side 2 opens with the jaunty "Tomorrow Afternoon" featuring Williams, Rivers, and Peacock. Williams plays a variety of percussion on the freely improvised "Memory" which features Herbie Hancock on piano and Bobby Hutcherson on vibraphone, and lays out entirely on the ruminative piano-bass duet "Barb's Song to the Wizard" performed by Hancock and Ron Carter which closes the album.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Anthony Williams (drums), Sam Rivers (tenor saxophone),  Gary Peacock, Richard Davis, Ron Carter (bass), Herbie Hancock (piano), Bobby Hutcherson (vibraphone)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=x-lGBI_9iu8"
    -referenceProduit: "Blue Note Tone Poet Series"
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        "ordre" => 4
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        "ordre" => 1
      ]
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        "nom" => "2. Memory"
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      ]
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        "nom" => "3. Barb's Song To The Wizard"
        "ordre" => 6
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      [
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        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2229 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2233 …}
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    -modifierLe: DateTime @1712351897 {#2225
      date: 2024-04-05 21:18:17.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2235 …}
    -disponible: null
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    -slug: "vinyles-life-time-blue-note-tone-poet-series"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3638
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2227
    -id: 2518
    -nom: "Life Time"
    -informationComplementaire: ""
    -description: """
      - 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The precocious and prodigious drummer and composer Tony Williams had already joined the Miles Davis Quintet and participated in numerous landmark Blue Note recordings including Herbie Hancock Empyrean Isles, Eric Dolphy Out To Lunch, Andrew Hill Point Of Departure, Jackie McLean One Step Beyond, and Grachan Moncur III Evolution by the time he recorded his own adventurous debut album Life Time in August 1964, when he was still just 18 years old.\r\n
      \r\n
      Williams had no intention of playing it safe on his maiden voyage as a leader and set forth to document his uncompromising expression on this program of innovative original compositions. Side 1 presents the expansive two movement suite "2 Pieces of One" with the drummer joined by tenor saxophonist Sam Rivers and bassists Gary Peacock and Richard Davis. Side 2 opens with the jaunty "Tomorrow Afternoon" featuring Williams, Rivers, and Peacock. Williams plays a variety of percussion on the freely improvised "Memory" which features Herbie Hancock on piano and Bobby Hutcherson on vibraphone, and lays out entirely on the ruminative piano-bass duet "Barb's Song to the Wizard" performed by Hancock and Ron Carter which closes the album.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Anthony Williams (drums), Sam Rivers (tenor saxophone),  Gary Peacock, Richard Davis, Ron Carter (bass), Herbie Hancock (piano), Bobby Hutcherson (vibraphone)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=x-lGBI_9iu8"
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        "ordre" => 6
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        "ordre" => 0
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2229 …}
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    -modifierLe: DateTime @1712351897 {#2225
      date: 2024-04-05 21:18:17.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2235 …}
    -disponible: null
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    -slug: "vinyles-life-time-blue-note-tone-poet-series"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2245
    -id: 2512
    -nom: "Where ? Ron Carter"
    -informationComplementaire: ""
    -description: """
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      \r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      \r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      \r\n
      - Presented in tip-on jackets with OBI strip !\r\n
      \r\n
      Bass player Ron Carter's debut album Where? features Eric Dolphy (clarinet, sax, flute) and Mal Waldron (piano). The album was originally released in 1961 having been recorded at Rudy Van Gelder Studios in New Jersey. This new edition is released as part of the Original Jazz Classics Series and is pressed on 180 gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio and presented in a tip-on jacket with obi.\r\n
      \r\n
       
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Ron Carter (bass), Eric Dolphy (clarinet, saxophone, flute), Mal Waldron (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=c3eusI_vR1c"
    -referenceProduit: "Concord Craft Recordings"
    -titreMorceau: [
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        "nom" => "1. Rally"
        "ordre" => 1
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        "nom" => "3. Softly As In A Morning Sunrise"
        "ordre" => 3
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        "nom" => "Side A : "
        "ordre" => 0
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    -artiste: null
    -label: Proxies\__CG__\App\Entity\Label {#2247 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2251 …}
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    }
    -modifierLe: DateTime @1712132775 {#2240
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2253 …}
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  }
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App\Twig\Components\GestionPanierFavoriComponents {#3691
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2245
    -id: 2512
    -nom: "Where ? Ron Carter"
    -informationComplementaire: ""
    -description: """
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      \r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      \r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      \r\n
      - Presented in tip-on jackets with OBI strip !\r\n
      \r\n
      Bass player Ron Carter's debut album Where? features Eric Dolphy (clarinet, sax, flute) and Mal Waldron (piano). The album was originally released in 1961 having been recorded at Rudy Van Gelder Studios in New Jersey. This new edition is released as part of the Original Jazz Classics Series and is pressed on 180 gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio and presented in a tip-on jacket with obi.\r\n
      \r\n
       
      """
    -prixVente: "34.50"
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    -musicienOrchestre: "Ron Carter (bass), Eric Dolphy (clarinet, saxophone, flute), Mal Waldron (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2261
    -id: 2510
    -nom: "My Favorite Things"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - John Coltrane's seminal 1961 release featuring "Everytime We Say Goodbye" !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      John Coltrane's landmark 1961 jazz album My Favorite Things was born of the same recording sessions that yielded a majority of the albums Coltrane Plays the Blues (1962), Coltrane's Sound (1964), and Coltrane Legacy. That My Favorite Things was recorded in less than three days was in itself, remarkable.\r\n
      \r\n
      This record marked a significant turning point in Coltrane's career and showcased his distinctive playing style, which continues to inspire and influence musicians to this day. Coltrane's playing on My Favorite Things can be described as innovative, exploratory, and deeply emotive. The unforced, practically casual soloing styles of the assembled quartet which includes Coltrane (soprano / tenor saxophone), McCoy Tyner (piano), Steve Davis (bass), and Elvin Jones (drums) allow for tastefully executed passages à la the Miles Davis Quintet, a trait Coltrane no doubt honed during his tenure in that band, notes AllMusic.\r\n
      \r\n
      Coltrane was known for pushing the boundaries of jazz and expanding the possibilities of the saxophone as an instrument. Throughout the album, Coltrane's improvisations are characterized by their intensity, virtuosity, and sheer creativity. The title track is a modal rendition of the Rodgers and Hammerstein song "My Favorite Things" from The Sound of Music. Coltrane's use of modal playing made him a pioneer modal jazz emphasizes improvisation over specific chord progressions. Coltrane's modal approach allowed him to explore a broader range of tonal colors and to create more open and expansive musical landscapes.\r\n
      \r\n
      Each track of this album is a joy to revisit. The ultimate listenability may reside in this quartet's capacity to not be overwhelmed by the soloist. As a soloist, the definitive soprano sax runs during the Cole Porter standard "Everytime We Say Goodbye" and tenor solos on "But Not for Me" easily establish Coltrane as a pioneer of both instruments.\r\n
      \r\n
      In 1998, My Favorite Things received the Grammy Hall of Fame award. The album attained gold record certified status in 2018, having sold 500000 copies.\r\n
      \r\n
      We've given this definitive reissue of such a landmark album the presentation it deserves: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Coltrane (soprano & tenor saxophone), McCoy Tyner (piano), Steve Davis (bass), Elvin Jones (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=JQvc-Gkwhow"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series)"
    -titreMorceau: [
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        "nom" => "1. My Favorite Things"
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        "nom" => "Side D : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2263 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2267 …}
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    }
    -modifierLe: DateTime @1711960759 {#2259
      date: 2024-04-01 08:39:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2269 …}
    -disponible: null
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    -slug: "vinyles-my-favorite-things-analogue-productions-atlantic-75-series"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3737
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2261
    -id: 2510
    -nom: "My Favorite Things"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - John Coltrane's seminal 1961 release featuring "Everytime We Say Goodbye" !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      John Coltrane's landmark 1961 jazz album My Favorite Things was born of the same recording sessions that yielded a majority of the albums Coltrane Plays the Blues (1962), Coltrane's Sound (1964), and Coltrane Legacy. That My Favorite Things was recorded in less than three days was in itself, remarkable.\r\n
      \r\n
      This record marked a significant turning point in Coltrane's career and showcased his distinctive playing style, which continues to inspire and influence musicians to this day. Coltrane's playing on My Favorite Things can be described as innovative, exploratory, and deeply emotive. The unforced, practically casual soloing styles of the assembled quartet which includes Coltrane (soprano / tenor saxophone), McCoy Tyner (piano), Steve Davis (bass), and Elvin Jones (drums) allow for tastefully executed passages à la the Miles Davis Quintet, a trait Coltrane no doubt honed during his tenure in that band, notes AllMusic.\r\n
      \r\n
      Coltrane was known for pushing the boundaries of jazz and expanding the possibilities of the saxophone as an instrument. Throughout the album, Coltrane's improvisations are characterized by their intensity, virtuosity, and sheer creativity. The title track is a modal rendition of the Rodgers and Hammerstein song "My Favorite Things" from The Sound of Music. Coltrane's use of modal playing made him a pioneer modal jazz emphasizes improvisation over specific chord progressions. Coltrane's modal approach allowed him to explore a broader range of tonal colors and to create more open and expansive musical landscapes.\r\n
      \r\n
      Each track of this album is a joy to revisit. The ultimate listenability may reside in this quartet's capacity to not be overwhelmed by the soloist. As a soloist, the definitive soprano sax runs during the Cole Porter standard "Everytime We Say Goodbye" and tenor solos on "But Not for Me" easily establish Coltrane as a pioneer of both instruments.\r\n
      \r\n
      In 1998, My Favorite Things received the Grammy Hall of Fame award. The album attained gold record certified status in 2018, having sold 500000 copies.\r\n
      \r\n
      We've given this definitive reissue of such a landmark album the presentation it deserves: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Coltrane (soprano & tenor saxophone), McCoy Tyner (piano), Steve Davis (bass), Elvin Jones (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=JQvc-Gkwhow"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series)"
    -titreMorceau: [
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        "ordre" => 3
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        "ordre" => 5
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        "nom" => "4. But Not for Me"
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        "nom" => "Side A : "
        "ordre" => 0
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        "ordre" => 2
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      [
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        "ordre" => 4
      ]
      [
        "nom" => "Side D : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2263 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1502 …}
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    -enregistreLe: DateTime @1711960381 {#2258
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    -modifierLe: DateTime @1711960759 {#2259
      date: 2024-04-01 08:39:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2269 …}
    -disponible: null
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    -slug: "vinyles-my-favorite-things-analogue-productions-atlantic-75-series"
  }
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}

[
  "produit" => App\Entity\Produit {#2277
    -id: 2509
    -nom: "Giant Steps"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - John Coltrane's watershed 1960 release featuring the iconic title track and "Naima" !\r\n
      \r\n
      - One of the most influential jazz albums of all time !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      Released in 1960, Giant Steps was a watershed album for John Coltrane, solidifying the saxophone legend's reputation as one of the most influential and innovative musicians in jazz history, as well as delivering jazz to an increasingly mainstream audience, while garnering significant critical acclaim.\r\n
      \r\n
      Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one.\r\n
      \r\n
      Coltrane (tenor sax) is flanked here by essentially two different trios. Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan (piano) and Art Taylor (drums), as well as Paul Chambers — who was the only bandmember other than Coltrane to have performed on every date. When recording resumed in December of that year, Wynton Kelly (piano) and Jimmy Cobb (drums) were instated replicating the alternate non-Bill Evans lineup featured on "Freddie the Freeloader" on Kind of Blue, sans Miles Davis of course. At the heart of these recordings, however, is the laser-beam focus of Coltrane's tenor solos.\r\n
      \r\n
      All seven pieces issued on the original Giant Steps are Coltrane compositions. He was, in essence, beginning to rewrite the jazz canon with material that would be centered on solos enabling the solo to become infinitely more compelling. This would culminate in a frenetic performance style using melodic phrasing that noted jazz journalist Ira Gitler accurately dubbed "sheets of sound".\r\n
      \r\n
      The Giant Steps chord progression consists of a distinctive set of chords that create key centers a major third apart. Jazz musicians ever since have used it as a practice piece, its difficult chord changes presenting a "kind of ultimate harmonic challenge", and serving as a gateway into modern jazz improvisation. Several pieces on this album went on to become jazz standards, most prominently "Naima" and "Giant Steps".\r\n
      \r\n
      The Penguin Guide to Jazz selected this album as part of its suggested "Core Collection" calling it "Trane's first genuinely iconic record." In 2003, the album was ranked N° 102 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time, 103 in a 2012 revised list, and 232 in a 2020 revised list.\r\n
      \r\n
      Undeniable music perfection deserves definitive sound and top-notch packaging. This reissue was mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n
      \r\n
      Overall, Giant Steps is not only a critical triumph but also a defining moment in John Coltrane's career. Its innovative compositions, masterful performances, and profound influence on jazz make it an essential entry in Coltrane's discography and a timeless masterpiece in the history of the genre.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Paul Chambers (bass), Tommy Flanagan, Wynton Kelly (piano), Art Taylor, Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
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    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=g8QnKWPYRCs"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2263 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2285 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2278 …}
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    -modifierLe: DateTime @1711701760 {#2275
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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]

App\Twig\Components\GestionPanierFavoriComponents {#3790
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2277
    -id: 2509
    -nom: "Giant Steps"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - John Coltrane's watershed 1960 release featuring the iconic title track and "Naima" !\r\n
      \r\n
      - One of the most influential jazz albums of all time !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      Released in 1960, Giant Steps was a watershed album for John Coltrane, solidifying the saxophone legend's reputation as one of the most influential and innovative musicians in jazz history, as well as delivering jazz to an increasingly mainstream audience, while garnering significant critical acclaim.\r\n
      \r\n
      Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one.\r\n
      \r\n
      Coltrane (tenor sax) is flanked here by essentially two different trios. Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan (piano) and Art Taylor (drums), as well as Paul Chambers — who was the only bandmember other than Coltrane to have performed on every date. When recording resumed in December of that year, Wynton Kelly (piano) and Jimmy Cobb (drums) were instated replicating the alternate non-Bill Evans lineup featured on "Freddie the Freeloader" on Kind of Blue, sans Miles Davis of course. At the heart of these recordings, however, is the laser-beam focus of Coltrane's tenor solos.\r\n
      \r\n
      All seven pieces issued on the original Giant Steps are Coltrane compositions. He was, in essence, beginning to rewrite the jazz canon with material that would be centered on solos enabling the solo to become infinitely more compelling. This would culminate in a frenetic performance style using melodic phrasing that noted jazz journalist Ira Gitler accurately dubbed "sheets of sound".\r\n
      \r\n
      The Giant Steps chord progression consists of a distinctive set of chords that create key centers a major third apart. Jazz musicians ever since have used it as a practice piece, its difficult chord changes presenting a "kind of ultimate harmonic challenge", and serving as a gateway into modern jazz improvisation. Several pieces on this album went on to become jazz standards, most prominently "Naima" and "Giant Steps".\r\n
      \r\n
      The Penguin Guide to Jazz selected this album as part of its suggested "Core Collection" calling it "Trane's first genuinely iconic record." In 2003, the album was ranked N° 102 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time, 103 in a 2012 revised list, and 232 in a 2020 revised list.\r\n
      \r\n
      Undeniable music perfection deserves definitive sound and top-notch packaging. This reissue was mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n
      \r\n
      Overall, Giant Steps is not only a critical triumph but also a defining moment in John Coltrane's career. Its innovative compositions, masterful performances, and profound influence on jazz make it an essential entry in Coltrane's discography and a timeless masterpiece in the history of the genre.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Paul Chambers (bass), Tommy Flanagan, Wynton Kelly (piano), Art Taylor, Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=g8QnKWPYRCs"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) SD 1311"
    -titreMorceau: [
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        "ordre" => 4
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        "nom" => "1. Giant Steps"
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      [
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      [
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      [
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      [
        "nom" => "Side C : "
        "ordre" => 6
      ]
      [
        "nom" => "Side D : "
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2263 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2285 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2278 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2280 …}
    -enregistreLe: DateTime @1711701369 {#2274
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    }
    -modifierLe: DateTime @1711701760 {#2275
      date: 2024-03-29 08:42:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2282 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-giant-steps-analogue-productions-atlantic-75-series-sd-1311"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3986
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3987 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4035 …}
  +isValidated: false
  +validatedFields: []
}