Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2616
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2693
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2696 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
  -formView: Symfony\Component\Form\FormView {#2732 …}
  -form: Symfony\Component\Form\Form {#2882 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 2274
    -nom: "Kind of Blue  (33 1/3 RPM Clarity Vinyl)"
    -informationComplementaire: ""
    -description: """
      - Miles Davis Kind of Blue meets Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      \r\n
      - Definitive handmade limited run reissue Ultra High Quality Record !\r\n
      \r\n
      - 33 1/3 RPM LP release limited to 25000 copies !\r\n
      \r\n
      - Best-selling album in jazz history; mastered directly from the original 3 Track master tapes by Bernie Grundman !\r\n
      \r\n
      - Pressed at Quality Record Pressings using Clarity Vinyl® on a manual Finebilt press !\r\n
      \r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      \r\n
      - Dream team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb make history !\r\n
      \r\n
      "...this one is speed-corrected, so you can think of it as the one to own... the booklet that accompanies this edition is so comprehensive that, should you have the patience, you might want to read it from cover to cover before letting your stylus settle into the groove. It just might prepare you for what you are about to hear, which is to my ears so far above reproach that it has joined a minuscule list of albums I would have to classify as 'perfect'." - Ken Kessler, The Vinyl Adventure. Read Kessler's entire review here.\r\n
      \r\n
      "You really do feel like you're in the recording studio with the band; the realism of the room is that stark. I've heard the UHQR called the "apex release", and can confirm this to be true. It is, simply put, a stunning record." - Eric Pye, ecoustics.com. Read Pye's entire review here.\r\n
      \r\n
      "The result (drum rolls) is the best-sounding Kind of Blue ever, superior in every way to all previous pressings, including the original. The pressing is superquiet, allowing the slightest of details to pop out from the black backdrop. Cobb's drumkit is spooky real. I've heard this album, in one version or another, hundreds of times, and there are fine touches in Cobb's snare swooshes and cymbal taps accents on accents, rhythms within rhythms that I've never heard before. Chamber's bass lines are stunningly clear: the notes he's playing, the pluck of the strings, the glow of the wood. There are also new layers of detail in Miles' mouthpiece manipulations, Evans's pedal work, and the sheer beauty of Coltrane's and Adderley's saxophones... the chase is eternal. This reissue holds the brass ring, for now". - Fred Kaplan, Stereophile, August 2021\r\n
      \r\n
      "Quite clearly and obviously this new UHQR Kind of Blue sourced from Bernie Grundman's (1997) 'live' mix from the 3-track master, directly to lacquer sounds best compared to two early '6-Eyes', Classic's own double 180 gram set and that label's single-sided 45rpm set, and Mobile Fidelity's double 45 boxed edition, to which I compared the UHQR.\r\n
      \r\n
      "Even the quietest original pressing creates a pleasing romantic blur over a soft bed of noise but compared to this issue the overall picture is distant and hazy (though the romanticized version still pulls). The UHQR offers the blackest, quietest backgrounds and unparalleled transparency, but more critically, the modified Finebuilt hand press produces unprecedented transient precision and instrumental focus and resolves low level details that will deliver surprises to even the most blasé KOB veteran, one of whom visited and exclaimed 'I've never heard that before.' This pressing allows you to see further into the mix and transports you back in time and into the 30th Street studios. I don't care what version you now have you've never heard Kind of Blue quite like this". — Music = 11/11; Sound = 11/11 Michael Fremer, AnalogPlanet.com, May 17, 2021. Read the whole review here.\r\n
      \r\n
      "Until now The Classic Records Clarity Vinyl Flat Profile version of Kind of Blue was the closest to the sound on the three track session master from which it was cut. The Analogue Productions UHQR pressing from the same metal parts has taken it up a notch and gotten us even closer to the sound on those 1/2" analog session master tapes! Buy two so you have one for a backup or to give someone the gift of music!" - Michael Hobson, founder of Classic Records\r\n
      \r\n
      Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording a five-track masterpiece of melancholy mood and melody.\r\n
      \r\n
      It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wynton Kelly playing piano on "Freddy the Freeloader".\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Kind of Blue where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl on a manual Finebilt press with attention paid to every single detail of every single record.\r\n
      \r\n
      The 200 gram records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n
      \r\n
      Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick", Davis complained in a 1958 interview for The Jazz Review. "...There will be fewer chords but infinite possibilities as to what to do with them". Kind of Blue is, in a sense, all melody and atmosphere.\r\n
      \r\n
      None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.\r\n
      \r\n
      Miles remained proud of the album, performing at least two of its tracks "So What" and "All Blues" for years after, until his musical path took him in a different direction.\r\n
      \r\n
      History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.\r\n
      \r\n
      A minor audio complication with Kind of Blue has been addressed with this UHQR edition. The motor on the studio's 3 track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue in Green," making them a barely perceptible quarter-tone sharp.This issue was finally addressed with the Classic Records reissue in 1995. This UHQR was pressed from the same parts that Bernie Grundman cut directly from the original 3-track masters for Classic in '95.\r\n
      \r\n
      Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our UHQR series the world's best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment.
      """
    -prixVente: "149.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Miles Davis (trumpet), Julian "Cannonball" Adderley (alto sax), John Coltrane (tenor sax), Paul Chambers (double bass), Bill Evan, Wynton Kelly (piano), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ylXk1LBvIqU"
    -referenceProduit: "Analogue Productions AUHQR 004"
    -titreMorceau: [
      [
        "nom" => "1. All Blues"
        "ordre" => 5
      ]
      [
        "nom" => "1. So What"
        "ordre" => 1
      ]
      [
        "nom" => "2. Flamenco Sketches"
        "ordre" => 6
      ]
      [
        "nom" => "2. Freddie Freeloader "
        "ordre" => 2
      ]
      [
        "nom" => "3. Blue In Green"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1663141782 {#1929
      date: 2022-09-14 07:49:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1728394552 {#1922
      date: 2024-10-08 13:35:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kind-of-blue-33-1-3-rpm-clarity-vinyl-analogue-productions-auhqr-004"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3153
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 2274
    -nom: "Kind of Blue  (33 1/3 RPM Clarity Vinyl)"
    -informationComplementaire: ""
    -description: """
      - Miles Davis Kind of Blue meets Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      \r\n
      - Definitive handmade limited run reissue Ultra High Quality Record !\r\n
      \r\n
      - 33 1/3 RPM LP release limited to 25000 copies !\r\n
      \r\n
      - Best-selling album in jazz history; mastered directly from the original 3 Track master tapes by Bernie Grundman !\r\n
      \r\n
      - Pressed at Quality Record Pressings using Clarity Vinyl® on a manual Finebilt press !\r\n
      \r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      \r\n
      - Dream team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb make history !\r\n
      \r\n
      "...this one is speed-corrected, so you can think of it as the one to own... the booklet that accompanies this edition is so comprehensive that, should you have the patience, you might want to read it from cover to cover before letting your stylus settle into the groove. It just might prepare you for what you are about to hear, which is to my ears so far above reproach that it has joined a minuscule list of albums I would have to classify as 'perfect'." - Ken Kessler, The Vinyl Adventure. Read Kessler's entire review here.\r\n
      \r\n
      "You really do feel like you're in the recording studio with the band; the realism of the room is that stark. I've heard the UHQR called the "apex release", and can confirm this to be true. It is, simply put, a stunning record." - Eric Pye, ecoustics.com. Read Pye's entire review here.\r\n
      \r\n
      "The result (drum rolls) is the best-sounding Kind of Blue ever, superior in every way to all previous pressings, including the original. The pressing is superquiet, allowing the slightest of details to pop out from the black backdrop. Cobb's drumkit is spooky real. I've heard this album, in one version or another, hundreds of times, and there are fine touches in Cobb's snare swooshes and cymbal taps accents on accents, rhythms within rhythms that I've never heard before. Chamber's bass lines are stunningly clear: the notes he's playing, the pluck of the strings, the glow of the wood. There are also new layers of detail in Miles' mouthpiece manipulations, Evans's pedal work, and the sheer beauty of Coltrane's and Adderley's saxophones... the chase is eternal. This reissue holds the brass ring, for now". - Fred Kaplan, Stereophile, August 2021\r\n
      \r\n
      "Quite clearly and obviously this new UHQR Kind of Blue sourced from Bernie Grundman's (1997) 'live' mix from the 3-track master, directly to lacquer sounds best compared to two early '6-Eyes', Classic's own double 180 gram set and that label's single-sided 45rpm set, and Mobile Fidelity's double 45 boxed edition, to which I compared the UHQR.\r\n
      \r\n
      "Even the quietest original pressing creates a pleasing romantic blur over a soft bed of noise but compared to this issue the overall picture is distant and hazy (though the romanticized version still pulls). The UHQR offers the blackest, quietest backgrounds and unparalleled transparency, but more critically, the modified Finebuilt hand press produces unprecedented transient precision and instrumental focus and resolves low level details that will deliver surprises to even the most blasé KOB veteran, one of whom visited and exclaimed 'I've never heard that before.' This pressing allows you to see further into the mix and transports you back in time and into the 30th Street studios. I don't care what version you now have you've never heard Kind of Blue quite like this". — Music = 11/11; Sound = 11/11 Michael Fremer, AnalogPlanet.com, May 17, 2021. Read the whole review here.\r\n
      \r\n
      "Until now The Classic Records Clarity Vinyl Flat Profile version of Kind of Blue was the closest to the sound on the three track session master from which it was cut. The Analogue Productions UHQR pressing from the same metal parts has taken it up a notch and gotten us even closer to the sound on those 1/2" analog session master tapes! Buy two so you have one for a backup or to give someone the gift of music!" - Michael Hobson, founder of Classic Records\r\n
      \r\n
      Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording a five-track masterpiece of melancholy mood and melody.\r\n
      \r\n
      It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wynton Kelly playing piano on "Freddy the Freeloader".\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Kind of Blue where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl on a manual Finebilt press with attention paid to every single detail of every single record.\r\n
      \r\n
      The 200 gram records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n
      \r\n
      Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick", Davis complained in a 1958 interview for The Jazz Review. "...There will be fewer chords but infinite possibilities as to what to do with them". Kind of Blue is, in a sense, all melody and atmosphere.\r\n
      \r\n
      None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.\r\n
      \r\n
      Miles remained proud of the album, performing at least two of its tracks "So What" and "All Blues" for years after, until his musical path took him in a different direction.\r\n
      \r\n
      History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.\r\n
      \r\n
      A minor audio complication with Kind of Blue has been addressed with this UHQR edition. The motor on the studio's 3 track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue in Green," making them a barely perceptible quarter-tone sharp.This issue was finally addressed with the Classic Records reissue in 1995. This UHQR was pressed from the same parts that Bernie Grundman cut directly from the original 3-track masters for Classic in '95.\r\n
      \r\n
      Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our UHQR series the world's best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment.
      """
    -prixVente: "149.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Miles Davis (trumpet), Julian "Cannonball" Adderley (alto sax), John Coltrane (tenor sax), Paul Chambers (double bass), Bill Evan, Wynton Kelly (piano), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ylXk1LBvIqU"
    -referenceProduit: "Analogue Productions AUHQR 004"
    -titreMorceau: [
      [
        "nom" => "1. All Blues"
        "ordre" => 5
      ]
      [
        "nom" => "1. So What"
        "ordre" => 1
      ]
      [
        "nom" => "2. Flamenco Sketches"
        "ordre" => 6
      ]
      [
        "nom" => "2. Freddie Freeloader "
        "ordre" => 2
      ]
      [
        "nom" => "3. Blue In Green"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1663141782 {#1929
      date: 2022-09-14 07:49:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1728394552 {#1922
      date: 2024-10-08 13:35:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kind-of-blue-33-1-3-rpm-clarity-vinyl-analogue-productions-auhqr-004"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 2571
    -nom: "Booker Little 4 & Max Roach"
    -informationComplementaire: ""
    -description: """
      - 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      - Deluxe tip-on jacket !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Memphis-born trumpeter Booker Little was a bright light of the jazz world who died tragically young at age 23. A prodigiously talented hornman as well as a composer, Little first came to prominence as a member of Max Roach's band which he joined in 1956 after the death of Clifford Brown, another trumpet great gone far too soon. Little only made a handful of albums as a leader during his brief career including his astounding debut Booker Little 4 & Max Roach recorded in 1958 for United Artists when he was just 20 years old. The full breadth of Little's artistry leaps out of the grooves with his brilliant tone, astonishing technique, and inventive lines matched by Roach's fiery drums throughout this engaging set that also featured George Coleman on tenor saxophone, Tommy Flanagan on piano, and Art Davis on bass.\r\n
      \r\n
      The album opens with Miles Davis' "Milestones" and includes the standards "Sweet and Lovely" and a stunning version of "Moonlight Becomes You", but the album's centerpiece is the trio of Little originals : "Rounder's Mood", "Dungeon Waltz," and "Jewel's Tempo".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Booker Little (trumpet), George Coleman (tenor saxophone), Tommy Flanagan (piano), Arthur Davis (bass), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=RkygeTi9qnY"
    -referenceProduit: "Blue Note Tone Poet Series 5034"
    -titreMorceau: [
      [
        "nom" => "1. Dungeon Waltz"
        "ordre" => 5
      ]
      [
        "nom" => "1. Milestones"
        "ordre" => 1
      ]
      [
        "nom" => "2. Jewel's Tempo"
        "ordre" => 6
      ]
      [
        "nom" => "2. Sweet And Lovely"
        "ordre" => 2
      ]
      [
        "nom" => "3. Moonlight Becomes You"
        "ordre" => 7
      ]
      [
        "nom" => "3. Rounders Mood"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1728285947 {#2095
      date: 2024-10-07 07:25:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1728286352 {#2096
      date: 2024-10-07 07:32:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-booker-little-4-max-roach-blue-note-tone-poet-series-5034"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3267
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 2571
    -nom: "Booker Little 4 & Max Roach"
    -informationComplementaire: ""
    -description: """
      - 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      - Deluxe tip-on jacket !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Memphis-born trumpeter Booker Little was a bright light of the jazz world who died tragically young at age 23. A prodigiously talented hornman as well as a composer, Little first came to prominence as a member of Max Roach's band which he joined in 1956 after the death of Clifford Brown, another trumpet great gone far too soon. Little only made a handful of albums as a leader during his brief career including his astounding debut Booker Little 4 & Max Roach recorded in 1958 for United Artists when he was just 20 years old. The full breadth of Little's artistry leaps out of the grooves with his brilliant tone, astonishing technique, and inventive lines matched by Roach's fiery drums throughout this engaging set that also featured George Coleman on tenor saxophone, Tommy Flanagan on piano, and Art Davis on bass.\r\n
      \r\n
      The album opens with Miles Davis' "Milestones" and includes the standards "Sweet and Lovely" and a stunning version of "Moonlight Becomes You", but the album's centerpiece is the trio of Little originals : "Rounder's Mood", "Dungeon Waltz," and "Jewel's Tempo".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Booker Little (trumpet), George Coleman (tenor saxophone), Tommy Flanagan (piano), Arthur Davis (bass), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=RkygeTi9qnY"
    -referenceProduit: "Blue Note Tone Poet Series 5034"
    -titreMorceau: [
      [
        "nom" => "1. Dungeon Waltz"
        "ordre" => 5
      ]
      [
        "nom" => "1. Milestones"
        "ordre" => 1
      ]
      [
        "nom" => "2. Jewel's Tempo"
        "ordre" => 6
      ]
      [
        "nom" => "2. Sweet And Lovely"
        "ordre" => 2
      ]
      [
        "nom" => "3. Moonlight Becomes You"
        "ordre" => 7
      ]
      [
        "nom" => "3. Rounders Mood"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1728285947 {#2095
      date: 2024-10-07 07:25:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1728286352 {#2096
      date: 2024-10-07 07:32:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-booker-little-4-max-roach-blue-note-tone-poet-series-5034"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "produit" => App\Entity\Produit {#2117
    -id: 2567
    -nom: "Live at Carnegie Hall"
    -informationComplementaire: ""
    -description: """
      BILL WITHERS' LIVE AT CARNEGIE HALL IS AN EASYGOING PORTRAIT OF DOWN-HOME SOUL SINGER COMING INTO HIS OWN AND ESTABLISHING AN INDELIBLE BOND BETWEEN PERFORMER AND AUDIENCE.\r\n
      \r\n
      - 1/4" / 15 IPS / Dolby A analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      On par with the most treasured concert albums of the 60s and 70s, Bill Withers' transformative Live at Carnegie Hall is a forgotten classic an easygoing portrait of a down-home soul artist coming into his own in front of an audience eager to share every moment of his brilliance. Soothing with subtlety, charming with calmness, and healing with a vocal timbre as relaxing as his grooves, Withers uses the stage to expand the range of favorites and engage in dialog with the crowd. Distinguished with sonics that restore the performances' balance and improve the soundstaging, this reissue takes you inside the venue.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Bill Withers (guitar, piano, vocals), Benorce Blackmon (guitar), Melvin Dunlap (bass), Ray Jackson (piano, string and horn arrangements), Bobbye Hall (percussion), James Gadson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QTflhlwFZIw"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-446"
    -titreMorceau: [
      [
        "nom" => "1. I Can’t Write Left Handed"
        "ordre" => 11
      ]
      [
        "nom" => "1. Let Us Love"
        "ordre" => 16
      ]
      [
        "nom" => "1. Use Me"
        "ordre" => 1
      ]
      [
        "nom" => "1. World Keeps Going Around"
        "ordre" => 6
      ]
      [
        "nom" => "2. Friend of Mine"
        "ordre" => 2
      ]
      [
        "nom" => "2. Harlem / Cold Baloney"
        "ordre" => 17
      ]
      [
        "nom" => "2. Lean on Me"
        "ordre" => 12
      ]
      [
        "nom" => "2. Let Me In Your Life"
        "ordre" => 7
      ]
      [
        "nom" => "3. Ain’t No Sunshine"
        "ordre" => 3
      ]
      [
        "nom" => "3. Better Off Dead"
        "ordre" => 8
      ]
      [
        "nom" => "3. Lonely Town, Lonely Street"
        "ordre" => 13
      ]
      [
        "nom" => "4. For My Friend"
        "ordre" => 9
      ]
      [
        "nom" => "4. Grandma’s Hands"
        "ordre" => 4
      ]
      [
        "nom" => "4. Hope She’ll Be Happier"
        "ordre" => 14
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "Side C : "
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: null
    -photoProduit: Doctrine\ORM\PersistentCollection {#2131 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2124 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2126 …}
    -enregistreLe: DateTime @1728136056 {#2114
      date: 2024-10-05 13:47:36.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1728136673 {#2115
      date: 2024-10-05 13:57:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2128 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-carnegie-hall-mobile-fidelity-sound-lab-mfsl-2-446"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3318
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2117
    -id: 2567
    -nom: "Live at Carnegie Hall"
    -informationComplementaire: ""
    -description: """
      BILL WITHERS' LIVE AT CARNEGIE HALL IS AN EASYGOING PORTRAIT OF DOWN-HOME SOUL SINGER COMING INTO HIS OWN AND ESTABLISHING AN INDELIBLE BOND BETWEEN PERFORMER AND AUDIENCE.\r\n
      \r\n
      - 1/4" / 15 IPS / Dolby A analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      On par with the most treasured concert albums of the 60s and 70s, Bill Withers' transformative Live at Carnegie Hall is a forgotten classic an easygoing portrait of a down-home soul artist coming into his own in front of an audience eager to share every moment of his brilliance. Soothing with subtlety, charming with calmness, and healing with a vocal timbre as relaxing as his grooves, Withers uses the stage to expand the range of favorites and engage in dialog with the crowd. Distinguished with sonics that restore the performances' balance and improve the soundstaging, this reissue takes you inside the venue.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Bill Withers (guitar, piano, vocals), Benorce Blackmon (guitar), Melvin Dunlap (bass), Ray Jackson (piano, string and horn arrangements), Bobbye Hall (percussion), James Gadson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QTflhlwFZIw"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-446"
    -titreMorceau: [
      [
        "nom" => "1. I Can’t Write Left Handed"
        "ordre" => 11
      ]
      [
        "nom" => "1. Let Us Love"
        "ordre" => 16
      ]
      [
        "nom" => "1. Use Me"
        "ordre" => 1
      ]
      [
        "nom" => "1. World Keeps Going Around"
        "ordre" => 6
      ]
      [
        "nom" => "2. Friend of Mine"
        "ordre" => 2
      ]
      [
        "nom" => "2. Harlem / Cold Baloney"
        "ordre" => 17
      ]
      [
        "nom" => "2. Lean on Me"
        "ordre" => 12
      ]
      [
        "nom" => "2. Let Me In Your Life"
        "ordre" => 7
      ]
      [
        "nom" => "3. Ain’t No Sunshine"
        "ordre" => 3
      ]
      [
        "nom" => "3. Better Off Dead"
        "ordre" => 8
      ]
      [
        "nom" => "3. Lonely Town, Lonely Street"
        "ordre" => 13
      ]
      [
        "nom" => "4. For My Friend"
        "ordre" => 9
      ]
      [
        "nom" => "4. Grandma’s Hands"
        "ordre" => 4
      ]
      [
        "nom" => "4. Hope She’ll Be Happier"
        "ordre" => 14
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "Side C : "
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: null
    -photoProduit: Doctrine\ORM\PersistentCollection {#2131 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2124 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2126 …}
    -enregistreLe: DateTime @1728136056 {#2114
      date: 2024-10-05 13:47:36.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1728136673 {#2115
      date: 2024-10-05 13:57:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2128 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-carnegie-hall-mobile-fidelity-sound-lab-mfsl-2-446"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "produit" => App\Entity\Produit {#2136
    -id: 2564
    -nom: "On The Corner - (Limited Numbered Edition Super Vinyl)"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Miles Davis (trumpet), David Liebman (soprano saxophone), Carlos Garnett (soprano & tenor saxophone), Herbie Hancock, Harold Williams, Chick Corea (electric piano, organ, piano, synthesizer), David Creamer, John McLaughlin (guitar), Mtume (percussion, bells), Collin Walcott (sitar), Badal Roy (tabla), Michael Henderson (electric bass), Bennie Maupin (bass clarinet), Paul Buckmaster (cello), Don Alias (congas, shaker), Billy Hart (drums, percussion, cowbell), Jack DeJohnette (drums).\r\n
      \r\n
      - 180 gram MoFi SuperVinyl 33 1/3 LP !\r\n
      \r\n
      - 1/4" / 15 ips analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      - Sourced from the original master tape !\r\n
      \r\n
      - Exotic, bold, streetwise, futuristic !\r\n
      \r\n
      - On The Corner embraces Miles Davis' "Jungle Sound" with percussive foundations, trance loops, and transformational arrangements !\r\n
      \r\n
      Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches the likes of which fill Davis' boldest and most controversial undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.\r\n
      \r\n
      Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180 gram 33 1/3 RPM SuperVinyl LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid fashion. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can discern the multiple layers of rhythm Davis employed on complex tracks such as "Black Satin", as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would've loved MoFi's groundbreaking SuperVinyl profile that features the lowest-possible analog noise floor as well as pristine transparency, dead-quiet surfaces, and superb groove definition.\r\n
      \r\n
      New degrees of spaciousness and airiness equally important to the musique concrete arrangements give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. Mobile Fidelity's SuperVinyl LP captures Teo Macero's innovative production and the trumpeter's cutting-edge aural collages in definitive fashion.\r\n
      \r\n
      Heavily inspired by Sly and the Family Stone, On the Corner portrays street vibes and remains Davis' Blackest-sounding record. The conscious attempt to connect with youthful audiences tapped into rock and funk is evident not only on the colorful cartoon cover art depicting hot-pants and zoot-suit revelers, but in the music's emphasis of recurring drum and bass grooves. Distinct from Davis' earlier fusion experiments, the record's long-misunderstood set dials back improvisation in favor of beats, loops, and atmospherics that generate trance-like effects. While Davis utilizes his band for core duties - Chick Corea and Herbie Hancock prominently figure he also relies on an all-star cast of sidemen for concentrated soloing and additional support.\r\n
      \r\n
      With rhythm providing the basic foundation, other notes fall into place, with their positioning steered by Macero and Davis' editing-room techniques. Looking to the manipulation-based work of Karlheinze Stockhausen and teaming with Stockhausen disciple Paul Buckmaster, Davis re-imagines what grooves constituted and could accomplish throughout On the Corner. The shapes of the songs become completely transformed as they progress. Faint melodies, spacey chords, chunky riffs, wah-wah fills, and repeated motifs bounce in and out of a sonic funhouse that wouldn't be out of place at a Harlem block party.\r\n
      \r\n
      Exotic, intrepid, and filled with Davis' "jungle sound", On the Corner remains daringly hip more than four decades later.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Miles Davis (trumpet), David Liebman (soprano saxophone), Carlos Garnett (soprano & tenor saxophone), Herbie Hancock, Harold Williams, Chick Corea (electric piano, organ, piano, synthesizer)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=AIqXprCArdo"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-518"
    -titreMorceau: [
      [
        "nom" => "/ Vote for Miles"
        "ordre" => 2
      ]
      [
        "nom" => "1. On the Corner / New York Girl / Thinkin’ One Thing and Doin’ Another"
        "ordre" => 1
      ]
      [
        "nom" => "2. Black Satin"
        "ordre" => 3
      ]
      [
        "nom" => "3. One and One"
        "ordre" => 5
      ]
      [
        "nom" => "4. Helen Butte/Mr. Freedom X"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2144 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2137 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2139 …}
    -enregistreLe: DateTime @1727758840 {#2133
      date: 2024-10-01 05:00:40.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1727778893 {#2134
      date: 2024-10-01 10:34:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2141 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-on-the-corner-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-518"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3371
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2136
    -id: 2564
    -nom: "On The Corner - (Limited Numbered Edition Super Vinyl)"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Miles Davis (trumpet), David Liebman (soprano saxophone), Carlos Garnett (soprano & tenor saxophone), Herbie Hancock, Harold Williams, Chick Corea (electric piano, organ, piano, synthesizer), David Creamer, John McLaughlin (guitar), Mtume (percussion, bells), Collin Walcott (sitar), Badal Roy (tabla), Michael Henderson (electric bass), Bennie Maupin (bass clarinet), Paul Buckmaster (cello), Don Alias (congas, shaker), Billy Hart (drums, percussion, cowbell), Jack DeJohnette (drums).\r\n
      \r\n
      - 180 gram MoFi SuperVinyl 33 1/3 LP !\r\n
      \r\n
      - 1/4" / 15 ips analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      - Sourced from the original master tape !\r\n
      \r\n
      - Exotic, bold, streetwise, futuristic !\r\n
      \r\n
      - On The Corner embraces Miles Davis' "Jungle Sound" with percussive foundations, trance loops, and transformational arrangements !\r\n
      \r\n
      Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches the likes of which fill Davis' boldest and most controversial undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.\r\n
      \r\n
      Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180 gram 33 1/3 RPM SuperVinyl LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid fashion. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can discern the multiple layers of rhythm Davis employed on complex tracks such as "Black Satin", as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would've loved MoFi's groundbreaking SuperVinyl profile that features the lowest-possible analog noise floor as well as pristine transparency, dead-quiet surfaces, and superb groove definition.\r\n
      \r\n
      New degrees of spaciousness and airiness equally important to the musique concrete arrangements give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. Mobile Fidelity's SuperVinyl LP captures Teo Macero's innovative production and the trumpeter's cutting-edge aural collages in definitive fashion.\r\n
      \r\n
      Heavily inspired by Sly and the Family Stone, On the Corner portrays street vibes and remains Davis' Blackest-sounding record. The conscious attempt to connect with youthful audiences tapped into rock and funk is evident not only on the colorful cartoon cover art depicting hot-pants and zoot-suit revelers, but in the music's emphasis of recurring drum and bass grooves. Distinct from Davis' earlier fusion experiments, the record's long-misunderstood set dials back improvisation in favor of beats, loops, and atmospherics that generate trance-like effects. While Davis utilizes his band for core duties - Chick Corea and Herbie Hancock prominently figure he also relies on an all-star cast of sidemen for concentrated soloing and additional support.\r\n
      \r\n
      With rhythm providing the basic foundation, other notes fall into place, with their positioning steered by Macero and Davis' editing-room techniques. Looking to the manipulation-based work of Karlheinze Stockhausen and teaming with Stockhausen disciple Paul Buckmaster, Davis re-imagines what grooves constituted and could accomplish throughout On the Corner. The shapes of the songs become completely transformed as they progress. Faint melodies, spacey chords, chunky riffs, wah-wah fills, and repeated motifs bounce in and out of a sonic funhouse that wouldn't be out of place at a Harlem block party.\r\n
      \r\n
      Exotic, intrepid, and filled with Davis' "jungle sound", On the Corner remains daringly hip more than four decades later.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Miles Davis (trumpet), David Liebman (soprano saxophone), Carlos Garnett (soprano & tenor saxophone), Herbie Hancock, Harold Williams, Chick Corea (electric piano, organ, piano, synthesizer)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=AIqXprCArdo"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-518"
    -titreMorceau: [
      [
        "nom" => "/ Vote for Miles"
        "ordre" => 2
      ]
      [
        "nom" => "1. On the Corner / New York Girl / Thinkin’ One Thing and Doin’ Another"
        "ordre" => 1
      ]
      [
        "nom" => "2. Black Satin"
        "ordre" => 3
      ]
      [
        "nom" => "3. One and One"
        "ordre" => 5
      ]
      [
        "nom" => "4. Helen Butte/Mr. Freedom X"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2144 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2137 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2139 …}
    -enregistreLe: DateTime @1727758840 {#2133
      date: 2024-10-01 05:00:40.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1727778893 {#2134
      date: 2024-10-01 10:34:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2141 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-on-the-corner-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-518"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "produit" => App\Entity\Produit {#2149
    -id: 2421
    -nom: "Round About Midnight - (Limited Numbered Edition Super Vinyl)"
    -informationComplementaire: ""
    -description: """
      COLUMBIA RECORDS DEBUT HIGHLIGHTS DIVERSE PALETTE AND FAMED QUINTET\r\n
      \r\n
      1/4" / 15 IPS analog master to DSD 64 to analog console to lathe\r\n
      \r\n
      Hipness Personified : Miles Davis' Columbia Records Debut, 'Round About Midnight Blows Cool and Hot Jazz with Famed Quintet\r\n
      \r\n
      Lifelike Presence and Immediacy: Sourced from the Original Master Tapes, Mobile Fidelity's 180 gram Vinyl LP Presents Music in Direct Mono Sound\r\n
      \r\n
      Miles Davis' first album for Columbia, ‘Round About Midnight, represents both the beginning of a three-plus-decade relationship with the famed label as well as the start of an extended collaboration with then-unknown saxophonist John Coltrane. As one of the era's only complete start-to-finish full-length LPs, the 1957 set stands as a hard-bop benchmark a summation of the styles that came before its creation, an immersion into the period's cutting-edge strains, and a hint of the modalism that would follow. \r\n
      \r\n
      Sourced from the original master tapes, Mobile Fidelity's numbered-edition 180 gram vinyl LP traces the individual paths each musician takes in contributing to the whole, whether it's pianist Red Garland's left hand spinning actinoid chords or Coltrane infusing a tune with harmony-defying fills that suggest arabesque patterns. Recorded at three separate sessions, the music has never sounded so cohesive, immediate, or involving.\r\n
      \r\n
      Few jazz records claim the significance boasted by ‘Round About Midnight.  The album's creation and the assembly of Davis' quintet, which also includes Paul Chambers and Philly Joe Jones – stems from the headliner's rousing rendition of the title-inspired track, "'Round Midnight," a Thelonious Monk standard, at the 1955 Newport Jazz Festival. Stunning the audience with an interpretation that witnessed him personalize the composition with a brooding tone made possible via employment of his soon-to-be-trademark Harmon mute, Davis redefined perspective and possibility, taking ownership of the ballad as his own, and further improving upon its reach in the studio. It wasn't the composer's only surprise.\r\n
      \r\n
      'Round About Midnight thrives due to diversity and consistency, a rare combination epitomized by the first-rate selection and astonishing performance of pensive ballads, bebop classics, pop standards, and folk pieces. Witness the counterpoint exchanges during "Ah-Leu-Cha" and its Dixieland shades. Soak up the progressive drama and swinging tempos on "All of You" and "Bye Bye Blackbird." Delight in the mélange of latticed textures and schematic moods throughout the sequence, here presented in gorgeous fidelity, zeroing in on Davis' warm, plush, rich, and close-up trumpet timbres and how, by playing his instrument right near the microphone, he infuses the arrangements with the sort of daring intimacy embraced by two lovers. \r\n
      \r\n
      Tension, suggestiveness, calm, mystery, nostalgia: All here. Gather now, ‘Round About Midnight. Slip on a pair of shades, draw the curtains, slouch into a chair, and sip a cognac. This is Miles and Co. at their best. And hipness personified. \r\n
      \r\n
      "This is by far the best digital rendition of this music, and has a wonderful analogue sound found in the best of the Mobile Fidelity reissues. Essential in both [SACD and LP] formats". – Hi-Fi+
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Miles Davis (trumpet), John Coltrane (tenor saxophone), Red Garland (piano), Paul Chambers (double bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=w6PfwriXJbs"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-373 M"
    -titreMorceau: [
      [
        "nom" => "1. Bye Bye Blackbird"
        "ordre" => 5
      ]
      [
        "nom" => "1. Round Midnight"
        "ordre" => 1
      ]
      [
        "nom" => "2. Ah-Leu-Cha"
        "ordre" => 2
      ]
      [
        "nom" => "2. Tadd's Delight"
        "ordre" => 6
      ]
      [
        "nom" => "3. All of You"
        "ordre" => 3
      ]
      [
        "nom" => "3. Dear Old Stockholm"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2157 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2150 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2152 …}
    -enregistreLe: DateTime @1683268834 {#2146
      date: 2023-05-05 06:40:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1727778832 {#2147
      date: 2024-10-01 10:33:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2154 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-round-about-midnight-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-373-m"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3419
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2149
    -id: 2421
    -nom: "Round About Midnight - (Limited Numbered Edition Super Vinyl)"
    -informationComplementaire: ""
    -description: """
      COLUMBIA RECORDS DEBUT HIGHLIGHTS DIVERSE PALETTE AND FAMED QUINTET\r\n
      \r\n
      1/4" / 15 IPS analog master to DSD 64 to analog console to lathe\r\n
      \r\n
      Hipness Personified : Miles Davis' Columbia Records Debut, 'Round About Midnight Blows Cool and Hot Jazz with Famed Quintet\r\n
      \r\n
      Lifelike Presence and Immediacy: Sourced from the Original Master Tapes, Mobile Fidelity's 180 gram Vinyl LP Presents Music in Direct Mono Sound\r\n
      \r\n
      Miles Davis' first album for Columbia, ‘Round About Midnight, represents both the beginning of a three-plus-decade relationship with the famed label as well as the start of an extended collaboration with then-unknown saxophonist John Coltrane. As one of the era's only complete start-to-finish full-length LPs, the 1957 set stands as a hard-bop benchmark a summation of the styles that came before its creation, an immersion into the period's cutting-edge strains, and a hint of the modalism that would follow. \r\n
      \r\n
      Sourced from the original master tapes, Mobile Fidelity's numbered-edition 180 gram vinyl LP traces the individual paths each musician takes in contributing to the whole, whether it's pianist Red Garland's left hand spinning actinoid chords or Coltrane infusing a tune with harmony-defying fills that suggest arabesque patterns. Recorded at three separate sessions, the music has never sounded so cohesive, immediate, or involving.\r\n
      \r\n
      Few jazz records claim the significance boasted by ‘Round About Midnight.  The album's creation and the assembly of Davis' quintet, which also includes Paul Chambers and Philly Joe Jones – stems from the headliner's rousing rendition of the title-inspired track, "'Round Midnight," a Thelonious Monk standard, at the 1955 Newport Jazz Festival. Stunning the audience with an interpretation that witnessed him personalize the composition with a brooding tone made possible via employment of his soon-to-be-trademark Harmon mute, Davis redefined perspective and possibility, taking ownership of the ballad as his own, and further improving upon its reach in the studio. It wasn't the composer's only surprise.\r\n
      \r\n
      'Round About Midnight thrives due to diversity and consistency, a rare combination epitomized by the first-rate selection and astonishing performance of pensive ballads, bebop classics, pop standards, and folk pieces. Witness the counterpoint exchanges during "Ah-Leu-Cha" and its Dixieland shades. Soak up the progressive drama and swinging tempos on "All of You" and "Bye Bye Blackbird." Delight in the mélange of latticed textures and schematic moods throughout the sequence, here presented in gorgeous fidelity, zeroing in on Davis' warm, plush, rich, and close-up trumpet timbres and how, by playing his instrument right near the microphone, he infuses the arrangements with the sort of daring intimacy embraced by two lovers. \r\n
      \r\n
      Tension, suggestiveness, calm, mystery, nostalgia: All here. Gather now, ‘Round About Midnight. Slip on a pair of shades, draw the curtains, slouch into a chair, and sip a cognac. This is Miles and Co. at their best. And hipness personified. \r\n
      \r\n
      "This is by far the best digital rendition of this music, and has a wonderful analogue sound found in the best of the Mobile Fidelity reissues. Essential in both [SACD and LP] formats". – Hi-Fi+
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Miles Davis (trumpet), John Coltrane (tenor saxophone), Red Garland (piano), Paul Chambers (double bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=w6PfwriXJbs"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-373 M"
    -titreMorceau: [
      [
        "nom" => "1. Bye Bye Blackbird"
        "ordre" => 5
      ]
      [
        "nom" => "1. Round Midnight"
        "ordre" => 1
      ]
      [
        "nom" => "2. Ah-Leu-Cha"
        "ordre" => 2
      ]
      [
        "nom" => "2. Tadd's Delight"
        "ordre" => 6
      ]
      [
        "nom" => "3. All of You"
        "ordre" => 3
      ]
      [
        "nom" => "3. Dear Old Stockholm"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2157 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2150 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2152 …}
    -enregistreLe: DateTime @1683268834 {#2146
      date: 2023-05-05 06:40:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1727778832 {#2147
      date: 2024-10-01 10:33:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2154 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-round-about-midnight-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-373-m"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "produit" => App\Entity\Produit {#2162
    -id: 2562
    -nom: "Sunday At The Village Vanguard  (45 RPM 200 Gram Clarity Vinyl)"
    -informationComplementaire: ""
    -description: """
      - The Bill Evans Trio's Sunday At The Village Vanguard on Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      \r\n
      - The definitive version of one of the most classic jazz recordings of all time and a regular on most best-of jazz lists !\r\n
      \r\n
      - 200 gram 45 RPM 2 LP release limited to 5000 copies !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      \r\n
      - Set includes 8-page booklet with liner notes by renowned jazz critic Bob Blumenthal !\r\n
      \r\n
      - Pressed on Clarity Vinyl at Quality Record Pressings !\r\n
      \r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      \r\n
      "On the UHQR there's a real band playing together making sense in a real space with a real kind of interaction between them and it just sounds natural open and free. And the Mofi, you know, don't get me wrong it sounds wonderful but up against this it sounds slightly disjointed not as - you know -definitely not as natural, a little bit forced and a little bit sucked out at the same time". - The Bill Evans Trio - Sunday at the Village Vanguard Ultimate AAA Showdown : UHQR vs MOFI One-Step, Dave Dener, YouTube video.\r\n
      \r\n
      "These are a vinyl revival dream demo pair to show off what records can do to hearts and minds... As well-pressed as the OJC versions are, there are definitely quieter backgrounds here. Even the most cynical among you would notice if your system was up to the quiet. Out of that comes an even more "tape like" rendering of the tape. Wisely it doesn't sound as if Kevin Gray changed anything from however he set things up for the OJC series so the basic sound is not at all different from the OJC but what is different is an even more subtle attack precision, and the quiet and 45 RPM speed produces lingering sustain and noticeably more generous decay. The differences aren't revelatory there's only so much that can be pulled from these tapes but they are there especiallyl if you're listening as "one large ear, equipped only with a psyche" and not as someone trying to analyze individual elements. Plus the sound is more uniform because the stylus stays away from the most inner grooves. These more "tape like." If we gave out 12s, these would have to get 12s but we only go up to 11." — Music = 11/11; Sound = 11/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      Widely regarded as one of the greatest live jazz recordings of all time, Sunday At The Village Vanguard from the Bill Evans Trio, captures a remarkable performance by pianist Bill Evans, bassist Scott LaFaro, and drummer Paul Motian at the Village Vanguard jazz club in New York City on June 25, 1961.\r\n
      \r\n
      The album features a selection of jazz standards and original compositions, showcasing the exceptional musicianship and improvisational prowess of the trio. The interplay between Evans, LaFaro, and Motian is extraordinary, with each musician seamlessly complementing and responding to one another.\r\n
      \r\n
      The record showed how Evans had refined an approach to solo improvisation in which the pulse was not as obvious as it had been in swing and bop approaches. And his extraordinarily high standards required that each improvised melodic idea be extensively developed, resulting in more continuity and pacing than was common to any previous modern style.\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Sunday At The Village Vanguard where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of this one-of-a-kind reissue.\r\n
      \r\n
      Four glorious sides of 200-gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases, with attention paied to every single detail. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process.\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.\r\n
      \r\n
      One of the standout tracks on this album is the rendition of the jazz standard "Gloria's Step". Evans' delicate touch and lyrical piano playing shine through, while LaFaro's inventive and melodic bass lines add depth and richness to the sound. The trio's chemistry is evident as they navigate through intricate musical passages and engage in spontaneous musical conversations.\r\n
      \r\n
      Another notable track is "Alice in Wonderland", an original composition by Evans. It highlights his unique approach to harmony and melody, characterized by introspection, elegance, and a delicate touch. The trio's interpretation of this piece is enchanting and showcases their ability to create a magical atmosphere through their collective musical expression.\r\n
      \r\n
      Sunday at the Village Vanguard is celebrated not only for its exceptional music but also for its exceptional sound quality. The recording captures the intimate ambiance of the Vanguard, allowing listeners to experience the energy and intimacy of a live jazz performance.\r\n
      \r\n
       
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4F1kIvIPK9Y"
    -referenceProduit: "Analogue Productions AUHQR 0017-45"
    -titreMorceau: [
      [
        "nom" => "1. Alice In Wonderland"
        "ordre" => 6
      ]
      [
        "nom" => "1. All Of You"
        "ordre" => 8
      ]
      [
        "nom" => "1. Gloria's Step"
        "ordre" => 1
      ]
      [
        "nom" => "1. Solar "
        "ordre" => 4
      ]
      [
        "nom" => "2. Jade Visions"
        "ordre" => 9
      ]
      [
        "nom" => "2. My Man's Gone Now "
        "ordre" => 2
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "Side D :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2164 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2173 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2166 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2168 …}
    -enregistreLe: DateTime @1727336782 {#2159
      date: 2024-09-26 07:46:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1727336933 {#2160
      date: 2024-09-26 07:48:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2170 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sunday-at-the-village-vanguard-45-rpm-200-gram-clarity-vinyl-analogue-productions-auhqr-0017-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3465
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2162
    -id: 2562
    -nom: "Sunday At The Village Vanguard  (45 RPM 200 Gram Clarity Vinyl)"
    -informationComplementaire: ""
    -description: """
      - The Bill Evans Trio's Sunday At The Village Vanguard on Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      \r\n
      - The definitive version of one of the most classic jazz recordings of all time and a regular on most best-of jazz lists !\r\n
      \r\n
      - 200 gram 45 RPM 2 LP release limited to 5000 copies !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      \r\n
      - Set includes 8-page booklet with liner notes by renowned jazz critic Bob Blumenthal !\r\n
      \r\n
      - Pressed on Clarity Vinyl at Quality Record Pressings !\r\n
      \r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      \r\n
      "On the UHQR there's a real band playing together making sense in a real space with a real kind of interaction between them and it just sounds natural open and free. And the Mofi, you know, don't get me wrong it sounds wonderful but up against this it sounds slightly disjointed not as - you know -definitely not as natural, a little bit forced and a little bit sucked out at the same time". - The Bill Evans Trio - Sunday at the Village Vanguard Ultimate AAA Showdown : UHQR vs MOFI One-Step, Dave Dener, YouTube video.\r\n
      \r\n
      "These are a vinyl revival dream demo pair to show off what records can do to hearts and minds... As well-pressed as the OJC versions are, there are definitely quieter backgrounds here. Even the most cynical among you would notice if your system was up to the quiet. Out of that comes an even more "tape like" rendering of the tape. Wisely it doesn't sound as if Kevin Gray changed anything from however he set things up for the OJC series so the basic sound is not at all different from the OJC but what is different is an even more subtle attack precision, and the quiet and 45 RPM speed produces lingering sustain and noticeably more generous decay. The differences aren't revelatory there's only so much that can be pulled from these tapes but they are there especiallyl if you're listening as "one large ear, equipped only with a psyche" and not as someone trying to analyze individual elements. Plus the sound is more uniform because the stylus stays away from the most inner grooves. These more "tape like." If we gave out 12s, these would have to get 12s but we only go up to 11." — Music = 11/11; Sound = 11/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      Widely regarded as one of the greatest live jazz recordings of all time, Sunday At The Village Vanguard from the Bill Evans Trio, captures a remarkable performance by pianist Bill Evans, bassist Scott LaFaro, and drummer Paul Motian at the Village Vanguard jazz club in New York City on June 25, 1961.\r\n
      \r\n
      The album features a selection of jazz standards and original compositions, showcasing the exceptional musicianship and improvisational prowess of the trio. The interplay between Evans, LaFaro, and Motian is extraordinary, with each musician seamlessly complementing and responding to one another.\r\n
      \r\n
      The record showed how Evans had refined an approach to solo improvisation in which the pulse was not as obvious as it had been in swing and bop approaches. And his extraordinarily high standards required that each improvised melodic idea be extensively developed, resulting in more continuity and pacing than was common to any previous modern style.\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Sunday At The Village Vanguard where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of this one-of-a-kind reissue.\r\n
      \r\n
      Four glorious sides of 200-gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases, with attention paied to every single detail. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process.\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.\r\n
      \r\n
      One of the standout tracks on this album is the rendition of the jazz standard "Gloria's Step". Evans' delicate touch and lyrical piano playing shine through, while LaFaro's inventive and melodic bass lines add depth and richness to the sound. The trio's chemistry is evident as they navigate through intricate musical passages and engage in spontaneous musical conversations.\r\n
      \r\n
      Another notable track is "Alice in Wonderland", an original composition by Evans. It highlights his unique approach to harmony and melody, characterized by introspection, elegance, and a delicate touch. The trio's interpretation of this piece is enchanting and showcases their ability to create a magical atmosphere through their collective musical expression.\r\n
      \r\n
      Sunday at the Village Vanguard is celebrated not only for its exceptional music but also for its exceptional sound quality. The recording captures the intimate ambiance of the Vanguard, allowing listeners to experience the energy and intimacy of a live jazz performance.\r\n
      \r\n
       
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4F1kIvIPK9Y"
    -referenceProduit: "Analogue Productions AUHQR 0017-45"
    -titreMorceau: [
      [
        "nom" => "1. Alice In Wonderland"
        "ordre" => 6
      ]
      [
        "nom" => "1. All Of You"
        "ordre" => 8
      ]
      [
        "nom" => "1. Gloria's Step"
        "ordre" => 1
      ]
      [
        "nom" => "1. Solar "
        "ordre" => 4
      ]
      [
        "nom" => "2. Jade Visions"
        "ordre" => 9
      ]
      [
        "nom" => "2. My Man's Gone Now "
        "ordre" => 2
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "Side D :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2164 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2173 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2166 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2168 …}
    -enregistreLe: DateTime @1727336782 {#2159
      date: 2024-09-26 07:46:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1727336933 {#2160
      date: 2024-09-26 07:48:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2170 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sunday-at-the-village-vanguard-45-rpm-200-gram-clarity-vinyl-analogue-productions-auhqr-0017-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "produit" => App\Entity\Produit {#2178
    -id: 2561
    -nom: "Waltz For Debby  (45 RPM 200 Gram Clarity Vinyl)"
    -informationComplementaire: ""
    -description: """
      - An All-Time Jazz Audiophile Masterpiece - Now on UHQR !\r\n
      \r\n
      - 200 gram 45 RPM 2 LP release limited to 5000 copies !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      \r\n
      - Set includes 8-page booklet with liner notes by renowned jazz critic Bob Blumenthal !\r\n
      \r\n
      - Pressed on Clarity Vinyl at Quality Record Pressings !\r\n
      \r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      \r\n
      - One of the most classic jazz albums and live recordings, a regular on most best-of jazz lists !\r\n
      \r\n
      "Overall, this UHQR presentation is a more detailed, more refined presentation of the record in my opinion. This one really extracts the beauty and the ambiance and the texture and the emotion of the live recording". - Kenny's Audiophile Record Reviews YouTube video.\r\n
      \r\n
      "These are a vinyl revival dream demo pair to show off what records can do to hearts and minds... As well-pressed as the OJC versions are, there are definitely quieter backgrounds here. Even the most cynical among you would notice if your system was up to the quiet. Out of that comes an even more "tape like" rendering of the tape. Wisely it doesn't sound as if Kevin Gray changed anything from however he set things up for the OJC series so the basic sound is not at all different from the OJC but what is different is an even more subtle attack precision, and the quiet and 45 RPM speed produces lingering sustain and noticeably more generous decay. The differences aren't revelatory there's only so much that can be pulled from these tapes but they are there especiallyl if you're listening as "one large ear, equipped only with a psyche" and not as someone trying to analyze individual elements. Plus the sound is more uniform because the stylus stays away from the most inner grooves. These more "tape like". If we gave out 12s, these would have to get 12s but we only go up to 11", - Music = 11/11; Sound = 11/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      The fourth and final album by one of the most influential groups in jazz history, the Bill Evans Trio album Waltz For Debby was originally released in 1962 as a companion to Sunday At The Village Vanguard. It captures the mesmerizing and intimate live performances of Evans and his trio at the Village Vanguard in New York City. The album showcases Evans' unique approach to jazz piano, characterized by delicate touch, introspective improvisation, and profound musicality.\r\n
      \r\n
      The title track, "Waltz for Debby", serves as the centerpiece of the album. It is a hauntingly beautiful composition penned by Evans himself as a tribute to his niece, Debby. The waltz unfolds with a graceful and melancholic melody, carried by Evans' masterful piano playing.\r\n
      \r\n
      Throughout the album, Evans and his trio venture into other classic jazz standards, including "My Foolish Heart", "Detour Ahead", and "Milestones". With each performance, they delve deep into the heart of the music, exploring its nuances and improvising with a profound sense of lyricism. Evans' introspective style shines through, as he delicately navigates the harmonies, unveiling layers of emotion and introspection.\r\n
      \r\n
      The beauty of "Waltz for Debby" lies not only in the musicianship but also in the intimate atmosphere it creates. The live recording captures the ambiance of the Village Vanguard, with the audience's presence adding an extra dimension to the music. The subtle clinks of glasses, the occasional applause, and the hushed whispers become a part of the experience, enhancing the authenticity and charm of the album.\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is creating the definitive Waltz For Debby reissue: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of this one-of-a-kind reissue.\r\n
      \r\n
      Four glorious sides of 200 gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases, with attention paied to every single detail. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process.\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.\r\n
      \r\n
      Waltz for Debby stands as a testament to Bill Evans' genius as a pianist and composer. It is a profound and evocative exploration of melody, harmony, and improvisation, revealing the depths of emotion and the artistry that Evans brought to his music. The album remains a beloved gem in the jazz canon, cherished by fans and musicians alike for its timeless beauty and the lasting impact it has had on the genre.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gk4D7N0pzGs"
    -referenceProduit: "Analogue Productions AUHQR 0018-45"
    -titreMorceau: [
      [
        "nom" => "1. Detour Ahead "
        "ordre" => 4
      ]
      [
        "nom" => "1. My Foolish Heart"
        "ordre" => 1
      ]
      [
        "nom" => "1. My Romance"
        "ordre" => 6
      ]
      [
        "nom" => "1. Some Other Time"
        "ordre" => 8
      ]
      [
        "nom" => "2. Milestones (6:37)"
        "ordre" => 9
      ]
      [
        "nom" => "2. Waltz For Debby (6:54)"
        "ordre" => 2
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "Side D : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2164 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2186 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2179 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2181 …}
    -enregistreLe: DateTime @1727335515 {#2175
      date: 2024-09-26 07:25:15.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1727336243 {#2176
      date: 2024-09-26 07:37:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2183 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-waltz-for-debby-45-rpm-200-gram-clarity-vinyl-analogue-productions-auhqr-0018-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3518
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2178
    -id: 2561
    -nom: "Waltz For Debby  (45 RPM 200 Gram Clarity Vinyl)"
    -informationComplementaire: ""
    -description: """
      - An All-Time Jazz Audiophile Masterpiece - Now on UHQR !\r\n
      \r\n
      - 200 gram 45 RPM 2 LP release limited to 5000 copies !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      \r\n
      - Set includes 8-page booklet with liner notes by renowned jazz critic Bob Blumenthal !\r\n
      \r\n
      - Pressed on Clarity Vinyl at Quality Record Pressings !\r\n
      \r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      \r\n
      - One of the most classic jazz albums and live recordings, a regular on most best-of jazz lists !\r\n
      \r\n
      "Overall, this UHQR presentation is a more detailed, more refined presentation of the record in my opinion. This one really extracts the beauty and the ambiance and the texture and the emotion of the live recording". - Kenny's Audiophile Record Reviews YouTube video.\r\n
      \r\n
      "These are a vinyl revival dream demo pair to show off what records can do to hearts and minds... As well-pressed as the OJC versions are, there are definitely quieter backgrounds here. Even the most cynical among you would notice if your system was up to the quiet. Out of that comes an even more "tape like" rendering of the tape. Wisely it doesn't sound as if Kevin Gray changed anything from however he set things up for the OJC series so the basic sound is not at all different from the OJC but what is different is an even more subtle attack precision, and the quiet and 45 RPM speed produces lingering sustain and noticeably more generous decay. The differences aren't revelatory there's only so much that can be pulled from these tapes but they are there especiallyl if you're listening as "one large ear, equipped only with a psyche" and not as someone trying to analyze individual elements. Plus the sound is more uniform because the stylus stays away from the most inner grooves. These more "tape like". If we gave out 12s, these would have to get 12s but we only go up to 11", - Music = 11/11; Sound = 11/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      The fourth and final album by one of the most influential groups in jazz history, the Bill Evans Trio album Waltz For Debby was originally released in 1962 as a companion to Sunday At The Village Vanguard. It captures the mesmerizing and intimate live performances of Evans and his trio at the Village Vanguard in New York City. The album showcases Evans' unique approach to jazz piano, characterized by delicate touch, introspective improvisation, and profound musicality.\r\n
      \r\n
      The title track, "Waltz for Debby", serves as the centerpiece of the album. It is a hauntingly beautiful composition penned by Evans himself as a tribute to his niece, Debby. The waltz unfolds with a graceful and melancholic melody, carried by Evans' masterful piano playing.\r\n
      \r\n
      Throughout the album, Evans and his trio venture into other classic jazz standards, including "My Foolish Heart", "Detour Ahead", and "Milestones". With each performance, they delve deep into the heart of the music, exploring its nuances and improvising with a profound sense of lyricism. Evans' introspective style shines through, as he delicately navigates the harmonies, unveiling layers of emotion and introspection.\r\n
      \r\n
      The beauty of "Waltz for Debby" lies not only in the musicianship but also in the intimate atmosphere it creates. The live recording captures the ambiance of the Village Vanguard, with the audience's presence adding an extra dimension to the music. The subtle clinks of glasses, the occasional applause, and the hushed whispers become a part of the experience, enhancing the authenticity and charm of the album.\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is creating the definitive Waltz For Debby reissue: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of this one-of-a-kind reissue.\r\n
      \r\n
      Four glorious sides of 200 gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases, with attention paied to every single detail. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process.\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.\r\n
      \r\n
      Waltz for Debby stands as a testament to Bill Evans' genius as a pianist and composer. It is a profound and evocative exploration of melody, harmony, and improvisation, revealing the depths of emotion and the artistry that Evans brought to his music. The album remains a beloved gem in the jazz canon, cherished by fans and musicians alike for its timeless beauty and the lasting impact it has had on the genre.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gk4D7N0pzGs"
    -referenceProduit: "Analogue Productions AUHQR 0018-45"
    -titreMorceau: [
      [
        "nom" => "1. Detour Ahead "
        "ordre" => 4
      ]
      [
        "nom" => "1. My Foolish Heart"
        "ordre" => 1
      ]
      [
        "nom" => "1. My Romance"
        "ordre" => 6
      ]
      [
        "nom" => "1. Some Other Time"
        "ordre" => 8
      ]
      [
        "nom" => "2. Milestones (6:37)"
        "ordre" => 9
      ]
      [
        "nom" => "2. Waltz For Debby (6:54)"
        "ordre" => 2
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "Side D : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2164 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2186 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2179 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2181 …}
    -enregistreLe: DateTime @1727335515 {#2175
      date: 2024-09-26 07:25:15.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1727336243 {#2176
      date: 2024-09-26 07:37:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2183 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-waltz-for-debby-45-rpm-200-gram-clarity-vinyl-analogue-productions-auhqr-0018-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "produit" => App\Entity\Produit {#2191
    -id: 2556
    -nom: "Oh Yeah"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - A powerful, passionate and expressive album !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog master tape !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      After several sessions with Columbia and Candid, Charles Mingus briefly returned to Atlantic and cut the freewheeling Oh Yeah, which AllMusic says has to rank as the wildest of all his classic albums. Mingus displays all of his vigorous jazz feeling on this album; he plays no bass whatsoever, hiring Doug Watkins to fill in while he accompanies the group on piano and contributes bluesy vocals to several tracks (while shouting encouragement on nearly all of them).\r\n
      \r\n
      One of the really fine things about Mingus is that he always seems to keep an earthy touch no matter how wild the harmonies get, and that genius comes across with power here. Some of the colorful titles are "Devil Woman", "Eat That Chicken", and "Hog Callin' Blues".\r\n
      \r\n
      Mingus' vocal selections radiate the same dementia, whether it's the stream-of-consciousness blues couplets on "Devil Woman", the dark-humored modern-day spiritual "Oh Lord Don't Let Them Drop That Atomic Bomb on Me", or the dadaist stride piano bounce of "Eat That Chicken", a nod to Fats Waller's comic novelties.\r\n
      \r\n
      Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with film lamination by Stought
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Charles Mingus (piano, vocals), Booker Ervin (tenor saxophone), Roland Kirk (flute, tenor saxophone, siren, manzello, stritch) Jimmy Knepper (trombone), Doug Watkins (bass), Dannie Richmond (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=3Rxcj6hEib8"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 039-45"
    -titreMorceau: [
      [
        "nom" => "1. Devil Woman"
        "ordre" => 3
      ]
      [
        "nom" => "1. Eat That Chicken"
        "ordre" => 9
      ]
      [
        "nom" => "1. Ecclusiastics"
        "ordre" => 6
      ]
      [
        "nom" => "1. Hog Callin' Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Oh Lord Don't Let Them Drop That Atomic Bomb On Me"
        "ordre" => 7
      ]
      [
        "nom" => "2. Passions Of A Man"
        "ordre" => 10
      ]
      [
        "nom" => "2. Wham Bam Thank You Ma'am"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "Side D : "
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2193 …}
    -label: Proxies\__CG__\App\Entity\Label {#2196 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2205 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2198 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2200 …}
    -enregistreLe: DateTime @1727122244 {#2188
      date: 2024-09-23 20:10:44.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1727122440 {#2189
      date: 2024-09-23 20:14:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2202 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-oh-yeah-analogue-productions-atlantic-75-series-aapa-039-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3564
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2191
    -id: 2556
    -nom: "Oh Yeah"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - A powerful, passionate and expressive album !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog master tape !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      After several sessions with Columbia and Candid, Charles Mingus briefly returned to Atlantic and cut the freewheeling Oh Yeah, which AllMusic says has to rank as the wildest of all his classic albums. Mingus displays all of his vigorous jazz feeling on this album; he plays no bass whatsoever, hiring Doug Watkins to fill in while he accompanies the group on piano and contributes bluesy vocals to several tracks (while shouting encouragement on nearly all of them).\r\n
      \r\n
      One of the really fine things about Mingus is that he always seems to keep an earthy touch no matter how wild the harmonies get, and that genius comes across with power here. Some of the colorful titles are "Devil Woman", "Eat That Chicken", and "Hog Callin' Blues".\r\n
      \r\n
      Mingus' vocal selections radiate the same dementia, whether it's the stream-of-consciousness blues couplets on "Devil Woman", the dark-humored modern-day spiritual "Oh Lord Don't Let Them Drop That Atomic Bomb on Me", or the dadaist stride piano bounce of "Eat That Chicken", a nod to Fats Waller's comic novelties.\r\n
      \r\n
      Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with film lamination by Stought
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Charles Mingus (piano, vocals), Booker Ervin (tenor saxophone), Roland Kirk (flute, tenor saxophone, siren, manzello, stritch) Jimmy Knepper (trombone), Doug Watkins (bass), Dannie Richmond (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=3Rxcj6hEib8"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 039-45"
    -titreMorceau: [
      [
        "nom" => "1. Devil Woman"
        "ordre" => 3
      ]
      [
        "nom" => "1. Eat That Chicken"
        "ordre" => 9
      ]
      [
        "nom" => "1. Ecclusiastics"
        "ordre" => 6
      ]
      [
        "nom" => "1. Hog Callin' Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Oh Lord Don't Let Them Drop That Atomic Bomb On Me"
        "ordre" => 7
      ]
      [
        "nom" => "2. Passions Of A Man"
        "ordre" => 10
      ]
      [
        "nom" => "2. Wham Bam Thank You Ma'am"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "Side D : "
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2193 …}
    -label: Proxies\__CG__\App\Entity\Label {#2196 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2205 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2198 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2200 …}
    -enregistreLe: DateTime @1727122244 {#2188
      date: 2024-09-23 20:10:44.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1727122440 {#2189
      date: 2024-09-23 20:14:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2202 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-oh-yeah-analogue-productions-atlantic-75-series-aapa-039-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "produit" => App\Entity\Produit {#2210
    -id: 2546
    -nom: "Medina"
    -informationComplementaire: ""
    -description: """
      - 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      - Deluxe tip-on jacket !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The late-1960s and early-1970s were a wildly creative period for Bobby Hutcherson with the vibraphonist freely exploring a wide range of stylistic possibilities from post-bop and the avant-garde to fusion and Latin Jazz. The cutting-edge 1969 session Medina which wouldn't be first released until 1980 as part of the LT Series documented one of Hutcherson's most remarkable band lineups featuring two of his frequent collaborators Harold Land on tenor saxophone and flute and Joe Chambers on drums along with Stanley Cowell on piano and Reggie Johnson on bass.\r\n
      \r\n
      The set presented a pair of original compositions each by Hutcherson, Cowell, and Chambers that explored a variety of moods from the churning rhythms of "Avis" and "Medina" to the more atmospheric realms of "Comes Spring" and "Orientale".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Bobby Hutcherson (vibraphone), Harold Land (tenor saxophone), Reggie Johnson (bass), Stanley Cowell (piano), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Blue Note Tone Poet Series 8683"
    -titreMorceau: [
      [
        "nom" => "1. Avis"
        "ordre" => 1
      ]
      [
        "nom" => "1. Orientale"
        "ordre" => 5
      ]
      [
        "nom" => "2. Comes Spring"
        "ordre" => 2
      ]
      [
        "nom" => "2. Medina"
        "ordre" => 6
      ]
      [
        "nom" => "3. Dave's Chant"
        "ordre" => 3
      ]
      [
        "nom" => "3. Ungano"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2212 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2221 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2214 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2216 …}
    -enregistreLe: DateTime @1722036669 {#2207
      date: 2024-07-26 23:31:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1722036942 {#2208
      date: 2024-07-26 23:35:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2218 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-medina-blue-note-tone-poet-series-8683"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3615
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2210
    -id: 2546
    -nom: "Medina"
    -informationComplementaire: ""
    -description: """
      - 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      - Deluxe tip-on jacket !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The late-1960s and early-1970s were a wildly creative period for Bobby Hutcherson with the vibraphonist freely exploring a wide range of stylistic possibilities from post-bop and the avant-garde to fusion and Latin Jazz. The cutting-edge 1969 session Medina which wouldn't be first released until 1980 as part of the LT Series documented one of Hutcherson's most remarkable band lineups featuring two of his frequent collaborators Harold Land on tenor saxophone and flute and Joe Chambers on drums along with Stanley Cowell on piano and Reggie Johnson on bass.\r\n
      \r\n
      The set presented a pair of original compositions each by Hutcherson, Cowell, and Chambers that explored a variety of moods from the churning rhythms of "Avis" and "Medina" to the more atmospheric realms of "Comes Spring" and "Orientale".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Bobby Hutcherson (vibraphone), Harold Land (tenor saxophone), Reggie Johnson (bass), Stanley Cowell (piano), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Blue Note Tone Poet Series 8683"
    -titreMorceau: [
      [
        "nom" => "1. Avis"
        "ordre" => 1
      ]
      [
        "nom" => "1. Orientale"
        "ordre" => 5
      ]
      [
        "nom" => "2. Comes Spring"
        "ordre" => 2
      ]
      [
        "nom" => "2. Medina"
        "ordre" => 6
      ]
      [
        "nom" => "3. Dave's Chant"
        "ordre" => 3
      ]
      [
        "nom" => "3. Ungano"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2212 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2221 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2214 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2216 …}
    -enregistreLe: DateTime @1722036669 {#2207
      date: 2024-07-26 23:31:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1722036942 {#2208
      date: 2024-07-26 23:35:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2218 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-medina-blue-note-tone-poet-series-8683"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "produit" => App\Entity\Produit {#2226
    -id: 2538
    -nom: "Bad Company"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - Bad Company's eponymous 1974 debut featuring "Ready for Love" !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Mastered and cut to lacquer from a 1/4" flat tape copy of the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      Scott Wilson, YouTube Bad Company Analogue Productions Atlantic 75 Series vs. US Original video\r\n
      \r\n
      Dave Denyer, YouTube "Mind-blowingly good ! Bad Company Bad Co". YouTube video\r\n
      \r\n
      Michael Ludwigs, 45 RPM Audiophile 'Atlantic 75 : Genesis, Bad Company, Phil Collins Against the Original Pressings'. YouTube video\r\n
      \r\n
      "The instrumentation separation is unbeatable, particularly the auxiliary percussion (tambourine, claves, and cowbell) on 'Rock Steady,' coming across more prominently than before...  Like all Atlantic 75 pressings done by Analogue Productions, this 45 RPM cut by Ryan K. Smith will reign as the finest this album ever sounded". - Music = 9/11; Sound = 10/11 - Dylan Peggin, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      From the wreckage of Free came Bad Company, the English hard rock supergroup fronted by singer Paul Rodgers and featuring his drummer bandmate Simon Kirke, Mott the Hoople guitarist Mick Ralphs, and King Crimson bassist Boz Burrell. Peter Grant, who managed the rock band Led Zeppelin, also managed Bad Company until 1982.\r\n
      \r\n
      The group's eponymous 1974 album debut decidedly proves the band is proudly not progressive the details make a difference, as do the pastoral acoustics of the closing "Seagull" reducing their rock 'n' roll to a strong, heavy crunch; compare "Ready for Love", a tune Ralphs brought over from Mott the Hoople, to the original to see how these quartet members keep their heads down as they do their business. Appropriately enough given their name, there's a sense of slow, churning menace to Bad Company, writes AllMusic reviewer Stephen Thomas Erlewine.\r\n
      \r\n
      Their first three albums, Bad Company (1974), Straight Shooter (1975), and Run with the Pack (1976), reached the Top Five in the album charts in both the U.K. and the U.S.. Many of their singles and songs, such as "Bad Company", "Can't Get Enough", "Good Lovin' Gone Bad", "Feel Like Makin' Love", "Ready for Love", "Shooting Star", and "Rock 'n' Roll Fantasy", remain staples of classic rock radio. They have sold 20 million RIAA certified albums in the U.S. and 40 millon worldwide.\r\n
      \r\n
      The self-titled debut album was recorded at Headley Grange, Hampshire, in Ronnie Lane's Mobile Studio. The album reached N° 1 on the Billboard 200 in the U.S, and N° 3 on the U.K. Albums Chart, spending 25 weeks on the U.K. charts. The album has been certified five times platinum in the U.S., and became the 46th-best-selling album of the 1970s. The singles "Can't Get Enough" and "Movin' On" reached N° 5 and N° 19 on the Billboard Hot 10.\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for your pleasure: Mastered and cut to lacquer at 45 RPM from a 1/4" flat tape copy of the original master tape by Ryan K. Smith at Sterling Sound. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Paul Rodgers (vocals), Mick Ralphs (guitar), Boz Burrell (bass), Simon Kirke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rClS2ANayh8"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 009-45"
    -titreMorceau: [
      [
        "nom" => " 1. Can't Get Enough"
        "ordre" => 1
      ]
      [
        "nom" => "1. Bad Company"
        "ordre" => 7
      ]
      [
        "nom" => "1. Movin' On"
        "ordre" => 10
      ]
      [
        "nom" => "1. Ready For Love"
        "ordre" => 4
      ]
      [
        "nom" => "2. Don't Let Me Down"
        "ordre" => 5
      ]
      [
        "nom" => "2. Rock Steady"
        "ordre" => 2
      ]
      [
        "nom" => "2. Seagull"
        "ordre" => 11
      ]
      [
        "nom" => "2. The Way I Choose"
        "ordre" => 8
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 6
      ]
      [
        "nom" => "Side D :"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2228 …}
    -label: Proxies\__CG__\App\Entity\Label {#2196 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2237 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2230 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2232 …}
    -enregistreLe: DateTime @1720943853 {#2223
      date: 2024-07-14 07:57:33.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1720944494 {#2224
      date: 2024-07-14 08:08:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2234 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bad-company-analogue-productions-atlantic-75-series-aapa-009-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3666
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2226
    -id: 2538
    -nom: "Bad Company"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - Bad Company's eponymous 1974 debut featuring "Ready for Love" !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Mastered and cut to lacquer from a 1/4" flat tape copy of the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      Scott Wilson, YouTube Bad Company Analogue Productions Atlantic 75 Series vs. US Original video\r\n
      \r\n
      Dave Denyer, YouTube "Mind-blowingly good ! Bad Company Bad Co". YouTube video\r\n
      \r\n
      Michael Ludwigs, 45 RPM Audiophile 'Atlantic 75 : Genesis, Bad Company, Phil Collins Against the Original Pressings'. YouTube video\r\n
      \r\n
      "The instrumentation separation is unbeatable, particularly the auxiliary percussion (tambourine, claves, and cowbell) on 'Rock Steady,' coming across more prominently than before...  Like all Atlantic 75 pressings done by Analogue Productions, this 45 RPM cut by Ryan K. Smith will reign as the finest this album ever sounded". - Music = 9/11; Sound = 10/11 - Dylan Peggin, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      From the wreckage of Free came Bad Company, the English hard rock supergroup fronted by singer Paul Rodgers and featuring his drummer bandmate Simon Kirke, Mott the Hoople guitarist Mick Ralphs, and King Crimson bassist Boz Burrell. Peter Grant, who managed the rock band Led Zeppelin, also managed Bad Company until 1982.\r\n
      \r\n
      The group's eponymous 1974 album debut decidedly proves the band is proudly not progressive the details make a difference, as do the pastoral acoustics of the closing "Seagull" reducing their rock 'n' roll to a strong, heavy crunch; compare "Ready for Love", a tune Ralphs brought over from Mott the Hoople, to the original to see how these quartet members keep their heads down as they do their business. Appropriately enough given their name, there's a sense of slow, churning menace to Bad Company, writes AllMusic reviewer Stephen Thomas Erlewine.\r\n
      \r\n
      Their first three albums, Bad Company (1974), Straight Shooter (1975), and Run with the Pack (1976), reached the Top Five in the album charts in both the U.K. and the U.S.. Many of their singles and songs, such as "Bad Company", "Can't Get Enough", "Good Lovin' Gone Bad", "Feel Like Makin' Love", "Ready for Love", "Shooting Star", and "Rock 'n' Roll Fantasy", remain staples of classic rock radio. They have sold 20 million RIAA certified albums in the U.S. and 40 millon worldwide.\r\n
      \r\n
      The self-titled debut album was recorded at Headley Grange, Hampshire, in Ronnie Lane's Mobile Studio. The album reached N° 1 on the Billboard 200 in the U.S, and N° 3 on the U.K. Albums Chart, spending 25 weeks on the U.K. charts. The album has been certified five times platinum in the U.S., and became the 46th-best-selling album of the 1970s. The singles "Can't Get Enough" and "Movin' On" reached N° 5 and N° 19 on the Billboard Hot 10.\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for your pleasure: Mastered and cut to lacquer at 45 RPM from a 1/4" flat tape copy of the original master tape by Ryan K. Smith at Sterling Sound. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Paul Rodgers (vocals), Mick Ralphs (guitar), Boz Burrell (bass), Simon Kirke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rClS2ANayh8"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 009-45"
    -titreMorceau: [
      [
        "nom" => " 1. Can't Get Enough"
        "ordre" => 1
      ]
      [
        "nom" => "1. Bad Company"
        "ordre" => 7
      ]
      [
        "nom" => "1. Movin' On"
        "ordre" => 10
      ]
      [
        "nom" => "1. Ready For Love"
        "ordre" => 4
      ]
      [
        "nom" => "2. Don't Let Me Down"
        "ordre" => 5
      ]
      [
        "nom" => "2. Rock Steady"
        "ordre" => 2
      ]
      [
        "nom" => "2. Seagull"
        "ordre" => 11
      ]
      [
        "nom" => "2. The Way I Choose"
        "ordre" => 8
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 6
      ]
      [
        "nom" => "Side D :"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2228 …}
    -label: Proxies\__CG__\App\Entity\Label {#2196 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2237 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2230 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2232 …}
    -enregistreLe: DateTime @1720943853 {#2223
      date: 2024-07-14 07:57:33.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1720944494 {#2224
      date: 2024-07-14 08:08:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2234 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bad-company-analogue-productions-atlantic-75-series-aapa-009-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "produit" => App\Entity\Produit {#2242
    -id: 2343
    -nom: "The Wonderful Sounds Of Quality Record Pressings"
    -informationComplementaire: ""
    -description: """
      - The newest addition to the unbelievably popular Wonderful Sounds... series !\r\n
      \r\n
      - 180-gram three LP set !\r\n
      \r\n
      - Includes track-by-track liner notes by Michael Fremer !\r\n
      \r\n
      - Celebrate vinyl record pressing excellence with Quality Record Pressings !\r\n
      \r\n
      - Music chosen by Acoustic Sounds CEO Chad Kassem and classical music label Reference Recordings !\r\n
      \r\n
      - Perfect demo record captures genres that include blues, jazz, classical, R&B and female vocal !\r\n
      \r\n
      - LPs housed in a 3 Pocket Tip-On M-Pack Jacket by Stoughton Printing !\r\n
      \r\n
      - Mastered by Kevin Gray !\r\n
      \r\n
      Celebrate the technical expertise of the world's finest LP pressing plant Quality Record Pressings with the finest LP sampler ever assembled !\r\n
      \r\n
      The Wonderful Sounds Of Quality Record Pressings includes music handpicked by Acoustic Sounds CEO Chad Kassem and classical music tracks chosen by the team at Reference Recordings. This collection of songs originally appeared on a sampler LP in 2008 celebrating the 125th anniversary of Thorens. That set is long out of print and now in extremely high demand.\r\n
      \r\n
      "I cherry-picked each of these songs to have a variety of great-sounding music. Since the Thorens sampler, many of the records that contain these songs have been pressed by Quality Record Pressings. Because we are celebrating more than 10 years of QRP and all of the hard work of our very talented and qualified team, we thought this would be an excellent opportunity to bring this amazing collection back into circulation". - Chad Kassem, Acoustic Sounds/Analogue Productions CEO\r\n
      \r\n
      Every song meets the criteria of excellent performance, perfect recording and flawless mastering. What better way to celebrate such a monumental anniversary for one of the absolute leading brands in analog high fidelity than with this to-die-for LP sampler ? Contains most genres of music blues, jazz, classical, R&B and female vocal. From now on, you'll only need to carry one demo record around with you.\r\n
      \r\n
      Vinyl expert Michael Fremer, of The Tracking Angle and The Absolute Sound, gives you a track-by-track tour of the history and production of the songs on this special album.\r\n
      \r\n
      What separates our world-renowned Quality Record Pressings LPs from other manufacturers? Since Acoustic Sounds CEO Chad Kassem launched QRP in 2011, the focus has been on producing consistently virtually silent vinyl playing surfaces.\r\n
      \r\n
      The craft of pressing fine vinyl is perfected in such details. Such as plating lacquers within 24 hours of their arrival at the plant. Cut grooves are prone to change with temperature fluxuations, high humidity and time. The sooner that lacquers are plated, the better the fidelity of the final pressing. Other keys include using a proprietary silver spray formulation, made fresh daily. The result more consistency in each LP. The ultimate sonic advantage.\r\n
      \r\n
       \r\n
      """
    -prixVente: "149.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Analogue Productions AAPP 147"
    -titreMorceau: [
      [
        "nom" => "1. Abangoma - Hugh Masekela "
        "ordre" => 31
      ]
      [
        "nom" => "1. Driving Wheel - Little Hatch "
        "ordre" => 12
      ]
      [
        "nom" => "1. I'll Take You There - The Staple Singers "
        "ordre" => 19
      ]
      [
        "nom" => "1. Rimsky-Korsakov: Dance Of The Tumblers, from The Snow Maiden "
        "ordre" => 7
      ]
      [
        "nom" => "1. Show Biz Kids - Rickie Lee Jones "
        "ordre" => 1
      ]
      [
        "nom" => "1. Sounds Unheard Of - Shelly Manne "
        "ordre" => 25
      ]
      [
        "nom" => "2. Mozart: Piano Concerto #21 in C, K. 467 "
        "ordre" => 8
      ]
      [
        "nom" => "2. Nobody's Buying - Nancy Bryan "
        "ordre" => 2
      ]
      [
        "nom" => "2. Stimela - Hugh Masekela"
        "ordre" => 32
      ]
      [
        "nom" => "2. The Alternate Blues - Clark Terry, Freddie Hubbard, Dizzy Gillespie "
        "ordre" => 26
      ]
      [
        "nom" => "2. Theme From Shaft - Isaac Hayes "
        "ordre" => 20
      ]
      [
        "nom" => "2. You Had Quit Me - Wild Child Butler "
        "ordre" => 13
      ]
      [
        "nom" => "3. Angel From Montgomery - Susan Tedeshi "
        "ordre" => 3
      ]
      [
        "nom" => "3. I'll Be Around - Jimmie Lee Robinson "
        "ordre" => 14
      ]
      [
        "nom" => "3. Jack End : Blues For A Killed Cat "
        "ordre" => 9
      ]
      [
        "nom" => "3. Mr. Big Stuff - Jean Knight "
        "ordre" => 21
      ]
      [
        "nom" => "3. September Song - Chet Baker "
        "ordre" => 27
      ]
      [
        "nom" => "4. Last Night - Eomot RaSun "
        "ordre" => 15
      ]
      [
        "nom" => "4. My Foolish Heart - Bill Evans "
        "ordre" => 28
      ]
      [
        "nom" => "4. Rock Me Right - Susan Tedeschi "
        "ordre" => 22
      ]
      [
        "nom" => "4. Stravinsky: The Firebird Suite, 1919-Finale"
        "ordre" => 10
      ]
      [
        "nom" => "4. The Spider And The Fly - Myra Taylor "
        "ordre" => 4
      ]
      [
        "nom" => "5. 'Round Midnight - Wes Montgomery"
        "ordre" => 29
      ]
      [
        "nom" => "5. Just Won't Burn - Susan Tedeschi"
        "ordre" => 23
      ]
      [
        "nom" => "5. Low Spark Of High Heeled Boys - Rickie Lee Jones"
        "ordre" => 5
      ]
      [
        "nom" => "5. Walking Thru The Park - Big George Brock "
        "ordre" => 16
      ]
      [
        "nom" => "6. The Sun Is Shining - Harry Hypolite"
        "ordre" => 17
      ]
      [
        "nom" => "Side A : Female Vocalists"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : Classical (Reference Recordings)"
        "ordre" => 6
      ]
      [
        "nom" => "Side C : Blues - APO"
        "ordre" => 11
      ]
      [
        "nom" => "Side D : Rhythm & Blues"
        "ordre" => 18
      ]
      [
        "nom" => "Side E : Jazz"
        "ordre" => 24
      ]
      [
        "nom" => "Side E : Jazz"
        "ordre" => 30
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2244 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1514 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2253 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2246 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2248 …}
    -enregistreLe: DateTime @1672045659 {#2239
      date: 2022-12-26 09:07:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1720178495 {#2240
      date: 2024-07-05 11:21:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2250 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-wonderful-sounds-of-quality-record-pressings-analogue-productions-aapp-147"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3717
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2242
    -id: 2343
    -nom: "The Wonderful Sounds Of Quality Record Pressings"
    -informationComplementaire: ""
    -description: """
      - The newest addition to the unbelievably popular Wonderful Sounds... series !\r\n
      \r\n
      - 180-gram three LP set !\r\n
      \r\n
      - Includes track-by-track liner notes by Michael Fremer !\r\n
      \r\n
      - Celebrate vinyl record pressing excellence with Quality Record Pressings !\r\n
      \r\n
      - Music chosen by Acoustic Sounds CEO Chad Kassem and classical music label Reference Recordings !\r\n
      \r\n
      - Perfect demo record captures genres that include blues, jazz, classical, R&B and female vocal !\r\n
      \r\n
      - LPs housed in a 3 Pocket Tip-On M-Pack Jacket by Stoughton Printing !\r\n
      \r\n
      - Mastered by Kevin Gray !\r\n
      \r\n
      Celebrate the technical expertise of the world's finest LP pressing plant Quality Record Pressings with the finest LP sampler ever assembled !\r\n
      \r\n
      The Wonderful Sounds Of Quality Record Pressings includes music handpicked by Acoustic Sounds CEO Chad Kassem and classical music tracks chosen by the team at Reference Recordings. This collection of songs originally appeared on a sampler LP in 2008 celebrating the 125th anniversary of Thorens. That set is long out of print and now in extremely high demand.\r\n
      \r\n
      "I cherry-picked each of these songs to have a variety of great-sounding music. Since the Thorens sampler, many of the records that contain these songs have been pressed by Quality Record Pressings. Because we are celebrating more than 10 years of QRP and all of the hard work of our very talented and qualified team, we thought this would be an excellent opportunity to bring this amazing collection back into circulation". - Chad Kassem, Acoustic Sounds/Analogue Productions CEO\r\n
      \r\n
      Every song meets the criteria of excellent performance, perfect recording and flawless mastering. What better way to celebrate such a monumental anniversary for one of the absolute leading brands in analog high fidelity than with this to-die-for LP sampler ? Contains most genres of music blues, jazz, classical, R&B and female vocal. From now on, you'll only need to carry one demo record around with you.\r\n
      \r\n
      Vinyl expert Michael Fremer, of The Tracking Angle and The Absolute Sound, gives you a track-by-track tour of the history and production of the songs on this special album.\r\n
      \r\n
      What separates our world-renowned Quality Record Pressings LPs from other manufacturers? Since Acoustic Sounds CEO Chad Kassem launched QRP in 2011, the focus has been on producing consistently virtually silent vinyl playing surfaces.\r\n
      \r\n
      The craft of pressing fine vinyl is perfected in such details. Such as plating lacquers within 24 hours of their arrival at the plant. Cut grooves are prone to change with temperature fluxuations, high humidity and time. The sooner that lacquers are plated, the better the fidelity of the final pressing. Other keys include using a proprietary silver spray formulation, made fresh daily. The result more consistency in each LP. The ultimate sonic advantage.\r\n
      \r\n
       \r\n
      """
    -prixVente: "149.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Analogue Productions AAPP 147"
    -titreMorceau: [
      [
        "nom" => "1. Abangoma - Hugh Masekela "
        "ordre" => 31
      ]
      [
        "nom" => "1. Driving Wheel - Little Hatch "
        "ordre" => 12
      ]
      [
        "nom" => "1. I'll Take You There - The Staple Singers "
        "ordre" => 19
      ]
      [
        "nom" => "1. Rimsky-Korsakov: Dance Of The Tumblers, from The Snow Maiden "
        "ordre" => 7
      ]
      [
        "nom" => "1. Show Biz Kids - Rickie Lee Jones "
        "ordre" => 1
      ]
      [
        "nom" => "1. Sounds Unheard Of - Shelly Manne "
        "ordre" => 25
      ]
      [
        "nom" => "2. Mozart: Piano Concerto #21 in C, K. 467 "
        "ordre" => 8
      ]
      [
        "nom" => "2. Nobody's Buying - Nancy Bryan "
        "ordre" => 2
      ]
      [
        "nom" => "2. Stimela - Hugh Masekela"
        "ordre" => 32
      ]
      [
        "nom" => "2. The Alternate Blues - Clark Terry, Freddie Hubbard, Dizzy Gillespie "
        "ordre" => 26
      ]
      [
        "nom" => "2. Theme From Shaft - Isaac Hayes "
        "ordre" => 20
      ]
      [
        "nom" => "2. You Had Quit Me - Wild Child Butler "
        "ordre" => 13
      ]
      [
        "nom" => "3. Angel From Montgomery - Susan Tedeshi "
        "ordre" => 3
      ]
      [
        "nom" => "3. I'll Be Around - Jimmie Lee Robinson "
        "ordre" => 14
      ]
      [
        "nom" => "3. Jack End : Blues For A Killed Cat "
        "ordre" => 9
      ]
      [
        "nom" => "3. Mr. Big Stuff - Jean Knight "
        "ordre" => 21
      ]
      [
        "nom" => "3. September Song - Chet Baker "
        "ordre" => 27
      ]
      [
        "nom" => "4. Last Night - Eomot RaSun "
        "ordre" => 15
      ]
      [
        "nom" => "4. My Foolish Heart - Bill Evans "
        "ordre" => 28
      ]
      [
        "nom" => "4. Rock Me Right - Susan Tedeschi "
        "ordre" => 22
      ]
      [
        "nom" => "4. Stravinsky: The Firebird Suite, 1919-Finale"
        "ordre" => 10
      ]
      [
        "nom" => "4. The Spider And The Fly - Myra Taylor "
        "ordre" => 4
      ]
      [
        "nom" => "5. 'Round Midnight - Wes Montgomery"
        "ordre" => 29
      ]
      [
        "nom" => "5. Just Won't Burn - Susan Tedeschi"
        "ordre" => 23
      ]
      [
        "nom" => "5. Low Spark Of High Heeled Boys - Rickie Lee Jones"
        "ordre" => 5
      ]
      [
        "nom" => "5. Walking Thru The Park - Big George Brock "
        "ordre" => 16
      ]
      [
        "nom" => "6. The Sun Is Shining - Harry Hypolite"
        "ordre" => 17
      ]
      [
        "nom" => "Side A : Female Vocalists"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : Classical (Reference Recordings)"
        "ordre" => 6
      ]
      [
        "nom" => "Side C : Blues - APO"
        "ordre" => 11
      ]
      [
        "nom" => "Side D : Rhythm & Blues"
        "ordre" => 18
      ]
      [
        "nom" => "Side E : Jazz"
        "ordre" => 24
      ]
      [
        "nom" => "Side E : Jazz"
        "ordre" => 30
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2244 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1514 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2253 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2246 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2248 …}
    -enregistreLe: DateTime @1672045659 {#2239
      date: 2022-12-26 09:07:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1720178495 {#2240
      date: 2024-07-05 11:21:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2250 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-wonderful-sounds-of-quality-record-pressings-analogue-productions-aapp-147"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "produit" => App\Entity\Produit {#2258
    -id: 2514
    -nom: "Ballads - UHQR Box Set (2 LP) Clarity Vinyl"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      \r\n
      - 45 RPM Ultra High Quality Record release limited to 5000 copies !\r\n
      \r\n
      - Mastered from the original tape by Ryan K. Smith at Sterling Sound !\r\n
      \r\n
      - Pressed at Quality Record Pressings using Clarity Vinyl® !\r\n
      \r\n
      - Includes a 12" x 12", 12 page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall !\r\n
      \r\n
      "If you're a serious hardcore Coltrane fan, I would opt for the UHQR because I think this one sounds best in terms of depth, dimension, soundstage and detail. It is an amazing UHQR version". - Kenny's Audiophile Record Reviews. YouTube video\r\n
      \r\n
      "Coltrane's closely miked sax sounds vividly present, a bit more so on this UHQR compared to the others, and Tyner's piano, while not brilliantly recorded (n the RVG style) sounds a bit more solid and grounded in space on the UHQR compared to RKS's 33 1/3 cut... Does this edition beat the RKS 33 1/3 edition ? Yes. By leaps and bounds ? No, but it is better. Is the presentation superior? Yes. By leaps and bounds". - Music = 10/11; Sound = 9/11 - Michael Fremer, TrackingAngle.com. To read Fremer's full review click here.\r\n
      \r\n
      Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Ballads is an album that will never go out of style and never be unwelcome on any jazz lover's turntable.\r\n
      \r\n
      You're about to experience Ballads at its peak of vinyl perfection in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n
      \r\n
      For this 45 RPM 2 LP edition you'll also receive a !2" x 12" 12 page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall.\r\n
      \r\n
      The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All", "What's New," "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads. When asked why attempt such an undertaking, Coltrane replied "Variety".\r\n
      \r\n
      While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s.\r\n
      \r\n
      Recorded December 21, 1961 and September 18 & November 13, 1962 at Rudy Van Gelder Studios.\r\n
      \r\n
      "It's impossible to sleepwalk through tracks like "You Don't Know What Love Is" and "I Wish I Knew" and impart them with even a fraction of the emotional heft that the Quartet achieves. This is the type of jazz album in which the music just washes over the listener with it's restrained grace and beauty, and while it may not have the adventurousness that some listeners think Trane should have had each and every time he recorded, I'd say it shows off a side of him that only makes us appreciate his more bold and daring albums even more". - The Jazz Record\r\n
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Jimmy Garrison (bass), McCoy Tyner (piano), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=8rOMV0A5jd0"
    -referenceProduit: "Analogue Productions "
    -titreMorceau: [
      [
        "nom" => "1. Say It (Over And Over Again)"
        "ordre" => 1
      ]
      [
        "nom" => "2. You Don't Know What Love Is"
        "ordre" => 2
      ]
      [
        "nom" => "3. Too Young To Go Steady (4:20)"
        "ordre" => 4
      ]
      [
        "nom" => "4. All Or Nothing At All (3:35)"
        "ordre" => 5
      ]
      [
        "nom" => "5. I Wish I Knew (4:54)"
        "ordre" => 7
      ]
      [
        "nom" => "6. What's New (3:43)"
        "ordre" => 8
      ]
      [
        "nom" => "7. It's Easy To Remember"
        "ordre" => 10
      ]
      [
        "nom" => "8. Nancy (With The Laughing Face)"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 6
      ]
      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2260 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2269 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2262 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2264 …}
    -enregistreLe: DateTime @1712266613 {#2255
      date: 2024-04-04 21:36:53.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1719220721 {#2256
      date: 2024-06-24 09:18:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2266 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ballads-uhqr-box-set-2-lp-clarity-vinyl-analogue-productions"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3768
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2258
    -id: 2514
    -nom: "Ballads - UHQR Box Set (2 LP) Clarity Vinyl"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      \r\n
      - 45 RPM Ultra High Quality Record release limited to 5000 copies !\r\n
      \r\n
      - Mastered from the original tape by Ryan K. Smith at Sterling Sound !\r\n
      \r\n
      - Pressed at Quality Record Pressings using Clarity Vinyl® !\r\n
      \r\n
      - Includes a 12" x 12", 12 page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall !\r\n
      \r\n
      "If you're a serious hardcore Coltrane fan, I would opt for the UHQR because I think this one sounds best in terms of depth, dimension, soundstage and detail. It is an amazing UHQR version". - Kenny's Audiophile Record Reviews. YouTube video\r\n
      \r\n
      "Coltrane's closely miked sax sounds vividly present, a bit more so on this UHQR compared to the others, and Tyner's piano, while not brilliantly recorded (n the RVG style) sounds a bit more solid and grounded in space on the UHQR compared to RKS's 33 1/3 cut... Does this edition beat the RKS 33 1/3 edition ? Yes. By leaps and bounds ? No, but it is better. Is the presentation superior? Yes. By leaps and bounds". - Music = 10/11; Sound = 9/11 - Michael Fremer, TrackingAngle.com. To read Fremer's full review click here.\r\n
      \r\n
      Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Ballads is an album that will never go out of style and never be unwelcome on any jazz lover's turntable.\r\n
      \r\n
      You're about to experience Ballads at its peak of vinyl perfection in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n
      \r\n
      For this 45 RPM 2 LP edition you'll also receive a !2" x 12" 12 page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall.\r\n
      \r\n
      The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All", "What's New," "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads. When asked why attempt such an undertaking, Coltrane replied "Variety".\r\n
      \r\n
      While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s.\r\n
      \r\n
      Recorded December 21, 1961 and September 18 & November 13, 1962 at Rudy Van Gelder Studios.\r\n
      \r\n
      "It's impossible to sleepwalk through tracks like "You Don't Know What Love Is" and "I Wish I Knew" and impart them with even a fraction of the emotional heft that the Quartet achieves. This is the type of jazz album in which the music just washes over the listener with it's restrained grace and beauty, and while it may not have the adventurousness that some listeners think Trane should have had each and every time he recorded, I'd say it shows off a side of him that only makes us appreciate his more bold and daring albums even more". - The Jazz Record\r\n
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Jimmy Garrison (bass), McCoy Tyner (piano), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=8rOMV0A5jd0"
    -referenceProduit: "Analogue Productions "
    -titreMorceau: [
      [
        "nom" => "1. Say It (Over And Over Again)"
        "ordre" => 1
      ]
      [
        "nom" => "2. You Don't Know What Love Is"
        "ordre" => 2
      ]
      [
        "nom" => "3. Too Young To Go Steady (4:20)"
        "ordre" => 4
      ]
      [
        "nom" => "4. All Or Nothing At All (3:35)"
        "ordre" => 5
      ]
      [
        "nom" => "5. I Wish I Knew (4:54)"
        "ordre" => 7
      ]
      [
        "nom" => "6. What's New (3:43)"
        "ordre" => 8
      ]
      [
        "nom" => "7. It's Easy To Remember"
        "ordre" => 10
      ]
      [
        "nom" => "8. Nancy (With The Laughing Face)"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 6
      ]
      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2260 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2269 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2262 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2264 …}
    -enregistreLe: DateTime @1712266613 {#2255
      date: 2024-04-04 21:36:53.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1719220721 {#2256
      date: 2024-06-24 09:18:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2266 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ballads-uhqr-box-set-2-lp-clarity-vinyl-analogue-productions"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3969
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3970 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4018 …}
  +isValidated: false
  +validatedFields: []
}