Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2640
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2487 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2717
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2720 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2719 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2487 …}
  -formView: Symfony\Component\Form\FormView {#2756 …}
  -form: Symfony\Component\Form\Form {#2906 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 2449
    -nom: "Unit Structures"
    -informationComplementaire: ""
    -description: """
      - Blue Note Classic Vinyl Reissue Series !\r\n
      \r\n
      - 180 gram Vinyl LP !\r\n
      \r\n
      - All-Analog Pressing !\r\n
      \r\n
      - Mastered by Kevin Gray from the Original Analog Tapes !\r\n
      \r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      The intrepid free jazz pianist Cecil Taylor made his Blue Note debut with the explosive 1966 album Unit Structures featuring trumpeter Eddie Gale, saxophonists Jimmy Lyons and Ken McIntyre, bassists Henry Grimes and Alan Silva, and drummer Andrew Cyrille. The four extended pieces performed here scale the pinnacle of the mid-1960s jazz avant-garde. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Cecil Taylor (piano, bells), Jimmy Lyons (alto saxophone), Ken McIntyre (alto saxophone, oboe, bass clarinet), Alan Silva, Henry Grimes (bass),  Eddie Gale Stevens Jr (trumpet), Andrew Cyrille (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jbAQp9S-1LU"
    -referenceProduit: "Blue Note Records 84237"
    -titreMorceau: [
      [
        "nom" => "1. Steps "
        "ordre" => 1
      ]
      [
        "nom" => "1. Unit Structure / As Of A Now/Section"
        "ordre" => 4
      ]
      [
        "nom" => "2. Enter, Evening (Soft Line Structure)"
        "ordre" => 2
      ]
      [
        "nom" => "2. Tales (8 Whisps)"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1692954607 {#1929
      date: 2023-08-25 09:10:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1696316732 {#1922
      date: 2023-10-03 07:05:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-unit-structures-blue-note-records-84237"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3177
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2719 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 2449
    -nom: "Unit Structures"
    -informationComplementaire: ""
    -description: """
      - Blue Note Classic Vinyl Reissue Series !\r\n
      \r\n
      - 180 gram Vinyl LP !\r\n
      \r\n
      - All-Analog Pressing !\r\n
      \r\n
      - Mastered by Kevin Gray from the Original Analog Tapes !\r\n
      \r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      The intrepid free jazz pianist Cecil Taylor made his Blue Note debut with the explosive 1966 album Unit Structures featuring trumpeter Eddie Gale, saxophonists Jimmy Lyons and Ken McIntyre, bassists Henry Grimes and Alan Silva, and drummer Andrew Cyrille. The four extended pieces performed here scale the pinnacle of the mid-1960s jazz avant-garde. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Cecil Taylor (piano, bells), Jimmy Lyons (alto saxophone), Ken McIntyre (alto saxophone, oboe, bass clarinet), Alan Silva, Henry Grimes (bass),  Eddie Gale Stevens Jr (trumpet), Andrew Cyrille (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jbAQp9S-1LU"
    -referenceProduit: "Blue Note Records 84237"
    -titreMorceau: [
      [
        "nom" => "1. Steps "
        "ordre" => 1
      ]
      [
        "nom" => "1. Unit Structure / As Of A Now/Section"
        "ordre" => 4
      ]
      [
        "nom" => "2. Enter, Evening (Soft Line Structure)"
        "ordre" => 2
      ]
      [
        "nom" => "2. Tales (8 Whisps)"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1692954607 {#1929
      date: 2023-08-25 09:10:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1696316732 {#1922
      date: 2023-10-03 07:05:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-unit-structures-blue-note-records-84237"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2487 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 2450
    -nom: "Let 'Em Roll"
    -informationComplementaire: ""
    -description: """
      - 180 gram vinyl !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Blue Note's roster of Hammond B3 organists was a vibrant and varied bunch that ran the stylistic gamut from Jimmy Smith's virtuosic innovations to Larry Young's horizon-expanding explorations. Kansas City born dynamo Big John Patton operated in a soul jazz sweet spot throughout his stellar 1960s Blue Note tenure always making sure each of his platters was served with a healthy helping of soul. Patton first appeared as a sideman on Lou Donaldson's albums The Natural Soul and Good Gracious and later cut his own Blue Note leader debut with 1963's Along Came John. Perhaps the most unique-and certainly one of the finest-albums in his discography is Let ‘Em Roll, a fantastic 1965 session that found Patton altering the standard organ trio line-up of guitar (Grant Green) and drums (Otis Finch) by adding vibraphonist Bobby Hutcherson into the mix (Green had used this same instrumentation to great effect on his album Street of Dreams the year prior). Highlights of the set include the Patton originals "Let ‘Em Roll" and "Latona", a tender performance of the Johnny Mandel ballad "The Shadow of Your Smile", and a spirited romp through Hank Mobley's "The Turnaround".\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180 gram vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "John Patton (organ), Grant Green (guitar), Bobby Hutcherson (vibes), Otis Finch (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FVP1BLFKbKI"
    -referenceProduit: "Blue Note Tone Poet Series 84239"
    -titreMorceau: [
      [
        "nom" => "1. Let ‘Em Roll "
        "ordre" => 1
      ]
      [
        "nom" => "1. The Turnaround "
        "ordre" => 5
      ]
      [
        "nom" => "2. Jakey "
        "ordre" => 6
      ]
      [
        "nom" => "2. Latona "
        "ordre" => 2
      ]
      [
        "nom" => "3. On Step Ahead"
        "ordre" => 7
      ]
      [
        "nom" => "3. The Shadow of Your Smile"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1693551311 {#2095
      date: 2023-09-01 06:55:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1695543734 {#2096
      date: 2023-09-24 08:22:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-let-em-roll-blue-note-tone-poet-series-84239"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3291
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2719 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 2450
    -nom: "Let 'Em Roll"
    -informationComplementaire: ""
    -description: """
      - 180 gram vinyl !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Blue Note's roster of Hammond B3 organists was a vibrant and varied bunch that ran the stylistic gamut from Jimmy Smith's virtuosic innovations to Larry Young's horizon-expanding explorations. Kansas City born dynamo Big John Patton operated in a soul jazz sweet spot throughout his stellar 1960s Blue Note tenure always making sure each of his platters was served with a healthy helping of soul. Patton first appeared as a sideman on Lou Donaldson's albums The Natural Soul and Good Gracious and later cut his own Blue Note leader debut with 1963's Along Came John. Perhaps the most unique-and certainly one of the finest-albums in his discography is Let ‘Em Roll, a fantastic 1965 session that found Patton altering the standard organ trio line-up of guitar (Grant Green) and drums (Otis Finch) by adding vibraphonist Bobby Hutcherson into the mix (Green had used this same instrumentation to great effect on his album Street of Dreams the year prior). Highlights of the set include the Patton originals "Let ‘Em Roll" and "Latona", a tender performance of the Johnny Mandel ballad "The Shadow of Your Smile", and a spirited romp through Hank Mobley's "The Turnaround".\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180 gram vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "John Patton (organ), Grant Green (guitar), Bobby Hutcherson (vibes), Otis Finch (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FVP1BLFKbKI"
    -referenceProduit: "Blue Note Tone Poet Series 84239"
    -titreMorceau: [
      [
        "nom" => "1. Let ‘Em Roll "
        "ordre" => 1
      ]
      [
        "nom" => "1. The Turnaround "
        "ordre" => 5
      ]
      [
        "nom" => "2. Jakey "
        "ordre" => 6
      ]
      [
        "nom" => "2. Latona "
        "ordre" => 2
      ]
      [
        "nom" => "3. On Step Ahead"
        "ordre" => 7
      ]
      [
        "nom" => "3. The Shadow of Your Smile"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1693551311 {#2095
      date: 2023-09-01 06:55:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1695543734 {#2096
      date: 2023-09-24 08:22:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-let-em-roll-blue-note-tone-poet-series-84239"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2487 …}
}

[
  "produit" => App\Entity\Produit {#2119
    -id: 2439
    -nom: "Turning Point"
    -informationComplementaire: ""
    -description: """
      - Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP !\r\n
      \r\n
      - Mastered by Kevin Gray Directly from the Original Master Tapes !\r\n
      \r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      The Classic Vinyl Reissue Series is the continuation of Blue Note's acclaimed Blue Note 80 Vinyl Reissue Series, which was created in celebration of the 80th anniversary of Blue Note Records in 2019. The series presents affordable, high-quality reissues in standard packaging that are mastered by Kevin Gray of Cohearent Audio and manufactured on 180g vinyl at Optimal Media in Germany. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes.\r\n
      \r\n
      Blue Note Records has recorded the legends of Jazz and has traced the entire evolution of the music from the early days of Boogie Woogie, Hot Jazz and Swing, through the innovations of Bebop, Hard Bop, Post-Bop, Soul Jazz, Avant-Garde, and 70s Fusion, and into the vibrant sounds of Jazz's many modern-day incarnations. The Classic Vinyl Series is curated by Don Was and Cem Kurosman and is broad in its scope. The series reissues the best-known Blue Note classics from the 1950s and 60s, but also goes deeper, exploring the many different eras and styles of the legendary label's eight-decade history with the aim of telling their story and fully representing the Blue Note motto: The Finest In Jazz Since 1939.\r\n
      \r\n
      One of the funkiest and most creative organists of all time, Dr. Lonnie Smith was first brought into the Blue Note fold by alto saxophonist Lou Donaldson who featured the B3 virtuoso on late-1960s soul jazz classics including Alligator Bogaloo, Mr. Shing-a-Ling, and Midnight Creeper. Smith went on to sign with Blue Note and lead his own dates beginning with his excellent 1968 label debut Think! In January 1969 Smith returned to Van Gelder Studio to record the follow-up Turning Point with a dynamic 6-piece band that packed a punch with a 3-horn frontline featuring Lee Morgan on trumpet, Julian Priester on trombone, and Bennie Maupin on tenor saxophone. The rhythm section featured guitarist Melvin Sparks and was anchored by the propulsive drumming of Leo Morris (aka Idris Muhammad).\r\n
      \r\n
      The 5 song set produced by Francis Wolff opens with a hard-grooving take on Don Covay's "See Saw", which was a hit for Aretha Franklin the year before. Other choice covers include a laid-back version of "People Sure Act Funny" by Titus Turner and Bobby Robinson and an inventive reworking of The Beatles' "Eleanor Rigby" that injects the Lennon-McCartney gem with a healthy dose of soul. Two Smith originals round out the album including the smoldering "Slow High" and the expansive album-closing title piece which kicks into high gear after a rubato introduction by Smith.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Lonnie Smith (organ), Lee Morgan (trumpet), Julian Priester (trombone), Bennie Maupin (tenor saxophone), Melvin Sparks (guitar),  Leo Morris (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qwJDb_oLiY0"
    -referenceProduit: "Blue Note Records 84313"
    -titreMorceau: [
      [
        "nom" => "1. Eleanor Rigby "
        "ordre" => 5
      ]
      [
        "nom" => "1. See Saw "
        "ordre" => 1
      ]
      [
        "nom" => "2. Slow High "
        "ordre" => 2
      ]
      [
        "nom" => "2. Turning Point"
        "ordre" => 6
      ]
      [
        "nom" => "3. People Sure Act Funny "
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2121 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2130 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2123 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2125 …}
    -enregistreLe: DateTime @1686466026 {#2115
      date: 2023-06-11 06:47:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1692909744 {#2114
      date: 2023-08-24 20:42:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2127 …}
    -disponible: null
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      - Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP !\r\n
      \r\n
      - Mastered by Kevin Gray Directly from the Original Master Tapes !\r\n
      \r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      The Classic Vinyl Reissue Series is the continuation of Blue Note's acclaimed Blue Note 80 Vinyl Reissue Series, which was created in celebration of the 80th anniversary of Blue Note Records in 2019. The series presents affordable, high-quality reissues in standard packaging that are mastered by Kevin Gray of Cohearent Audio and manufactured on 180g vinyl at Optimal Media in Germany. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes.\r\n
      \r\n
      Blue Note Records has recorded the legends of Jazz and has traced the entire evolution of the music from the early days of Boogie Woogie, Hot Jazz and Swing, through the innovations of Bebop, Hard Bop, Post-Bop, Soul Jazz, Avant-Garde, and 70s Fusion, and into the vibrant sounds of Jazz's many modern-day incarnations. The Classic Vinyl Series is curated by Don Was and Cem Kurosman and is broad in its scope. The series reissues the best-known Blue Note classics from the 1950s and 60s, but also goes deeper, exploring the many different eras and styles of the legendary label's eight-decade history with the aim of telling their story and fully representing the Blue Note motto: The Finest In Jazz Since 1939.\r\n
      \r\n
      One of the funkiest and most creative organists of all time, Dr. Lonnie Smith was first brought into the Blue Note fold by alto saxophonist Lou Donaldson who featured the B3 virtuoso on late-1960s soul jazz classics including Alligator Bogaloo, Mr. Shing-a-Ling, and Midnight Creeper. Smith went on to sign with Blue Note and lead his own dates beginning with his excellent 1968 label debut Think! In January 1969 Smith returned to Van Gelder Studio to record the follow-up Turning Point with a dynamic 6-piece band that packed a punch with a 3-horn frontline featuring Lee Morgan on trumpet, Julian Priester on trombone, and Bennie Maupin on tenor saxophone. The rhythm section featured guitarist Melvin Sparks and was anchored by the propulsive drumming of Leo Morris (aka Idris Muhammad).\r\n
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      """
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[
  "produit" => App\Entity\Produit {#2135
    -id: 2434
    -nom: "Donizetti : Lucia Di Lammermoor - Berlin 1955"
    -informationComplementaire: ""
    -description: """
      - Box Set (3 LP) 180 gram vinyl Limited to 5000 hand-numbered copies !\r\n
      \r\n
      - First vinyl edition of the opera Lucia di Lammermoor !\r\n
      \r\n
      - Remastered from the original analog tapes !\r\n
      \r\n
      - 33 1/3 lacquer cuts by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      - Pressed in France by Marciac Workshop Pressings !\r\n
      \r\n
      - Includes 40 page booklet and a facsimile of the performance program !\r\n
      \r\n
      - Celebrating the 100th birthday of acclaimed soprano Maria Callas !\r\n
      \r\n
      - 16 bit album download included !\r\n
      \r\n
      Frédéric D'Oria-Nicolas, founder and director of The Lost Recordings record label, explains how this exceptional 3 LP release of Lucia di Lammermoor, recorded September 29, 1955, came to be. Recorded at the Städtische Oper Berlin, the cast featured Di Stefano, Panerai, Karajan and the renowned and influential soprano Maria Callas.\r\n
      \r\n
      In May 2022, while we were working in the archives of the Rundfunk Berlin-Brandenburg (RBB), we came across the original tapes of this mythical recording made in 1955. It was certainly one of the most significant testimonies of the lyric art of the twentieth century.\r\n
      \r\n
      Despite the fact that the first forty seconds of the first tape had deteriorated, when we listened to the minutes of the recording that followed, we heard timbres with a richness and a dynamic that bore no comparison to other recordings that have been known until the present. It took four months of painstaking work to restore all the brilliance to the orchestra, to the Scala choir and to the legendary voices of this poignant slice of history and of music.\r\n
      \r\n
      We wanted to be able to release our first vinyl edition of the opera in a limited number of 5000 on the occasion of the centenary of the birth of Maria Callas. Kevin Gray made the cutting and the three records were pressed in our very own workshop in the south of France, MWP, to our usual stringent standards.\r\n
      \r\n
      We are very grateful to the RBB for their trust in us. We would also like to thank the Callas Foundation, which safeguards and promotes Callas's legacy, and especially Tom Volf, for their help, as well as for the photographs they provided.  -  Frédéric D'Oria-Nicolas, founder and director of The Lost Recordings\r\n
      \r\n
      Tom Volf, president of the Maria Callas Foundation, says there's a personal connection with Callas's Lucia, calling it a "wonderful example of what it felt like to hear Callas on stage, in a performance that became legendary.\r\n
      \r\n
      Maria Callas said she "hated" recording for commercial (studio) releases and used to say that only live performances could convey her artistry in its full spectrum. In the later years of her life, she would collect her own pirate recordings and would often listen to performances such as this one. The best account of that comes from Robert Sutherland, her pianist during the last tour of concerts in 1973-74, who recalled the evenings spent at Callas's apartment at Avenue Georges Mande.\r\n
      \r\n
      We listened to a pirate recording of the Berlin Lucia. She remembered how Karajan angered the soloists by repeating the sextet without warning them. As we listened to the encore she said ‘You can hear how angry I was! And I still had the mad scene to sing! I told him afterwards at dinner that he dare not do that again on me or there would be trouble!' We listened to the mad scene, an amazing performance. She was visibly impressed. ‘I don't now how I did it. I just don't know how - and to think that I wept after that performance because I thought I was so far off my aim.' I had difficulty in expressing my reaction. Such a combination of controlled technical brilliance and artistic imagination was astounding. I attempted it with, ‘It's marvellous singing...' ‘Marvellous ? Marvellous ?' She pulled herself up in the sofa. ‘It isn't marvellous, it's bloody miraculous !'.\r\n
      \r\n
      Back at that time, pirate recordings circulated among avid admirers in the form of homemade LP's, such as those released by the BJR label which is probably the one that Callas was listening to that night with Robert Sutherland. Today, however, we have to commend Frédéric D'Oria-Nicolas and The Lost Recordings for retrieving the original tapes in Berlin and meticulously restoring them to a quality of sound which surpasses any previous release, thus providing us with the most authentic rendition of that historical performance. Therefore it was only natural for the Callas Foundation to be associated with this publication, providing texts and images to illustrate the booklet and honour the memory of Maria Callas through this magnificent edition celebrating her 100th anniversary.\r\n
      \r\n
      Features :\r\n
      \r\n
      - RIAS Symphonie-Orchester Berlin, Herbert Von Karajan, conductor\r\n
      - Recorded on Sept. 29, 1955 at Städtische Oper Berlin, Germany\r\n
      \r\n
      Cast : \r\n
      \r\n
      Maria Callas, Lucia\r\n
      Giuseppe Di Stefano, Edgardo\r\n
      Rolando Panerai, Enrico\r\n
      Nicola Zaccaria, Raimondo\r\n
      Giuseppe Zampieri, Arturo\r\n
      Luisa Villa, Alisa\r\n
      Mario Carlin, Normanno\r\n
      Coro del Teatro alla Scala, Milan
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_maNJkybAwI"
    -referenceProduit: "The Lost Recordings 3047"
    -titreMorceau: [
      [
        "nom" => "1. D’immenso giubilo s’innalzi un grido "
        "ordre" => 29
      ]
      [
        "nom" => "1. Lucia fra poco a te verrà... Tremante l’aspetto "
        "ordre" => 16
      ]
      [
        "nom" => "1. Prelude "
        "ordre" => 1
      ]
      [
        "nom" => "10. Egli s'avanza... Lucia, perdona se ad ora inusitata "
        "ordre" => 10
      ]
      [
        "nom" => "10. Tu che a Dio spiegasti l’ali"
        "ordre" => 38
      ]
      [
        "nom" => "10. T’allontana, sciagurato... Rispettate in me di Dio "
        "ordre" => 25
      ]
      [
        "nom" => "11. Sconsigliato! In queste porte chi ti guida ? "
        "ordre" => 26
      ]
      [
        "nom" => "11. Sulla tomba che rinserra il tradito genitore "
        "ordre" => 11
      ]
      [
        "nom" => "12. Qui di sposa eterna fede... Ah, soltanto il nostro foco "
        "ordre" => 12
      ]
      [
        "nom" => "12.. Esci, fuggi, il furor che mi accende"
        "ordre" => 27
      ]
      [
        "nom" => "13. Ah, talor del tuo pensiero venga un foglio messaggero "
        "ordre" => 13
      ]
      [
        "nom" => "14. Verranno a te sull'aure i miei sospiri ardenti"
        "ordre" => 14
      ]
      [
        "nom" => "2. Appressati, Lucia... Il pallor funesto, orrendo "
        "ordre" => 17
      ]
      [
        "nom" => "2. Dalle stanze ove Lucia tratta avea col suo consorte "
        "ordre" => 30
      ]
      [
        "nom" => "2. Percorrete... Percorriamo le spiagge vicine "
        "ordre" => 2
      ]
      [
        "nom" => "3. Oh! Qual funesto avvenimento! "
        "ordre" => 31
      ]
      [
        "nom" => "3. Soffriva nel pianto... Un folle t’accese "
        "ordre" => 18
      ]
      [
        "nom" => "3. Tu sei turbato!... E n’ho ben d’onde "
        "ordre" => 3
      ]
      [
        "nom" => "4. Che fia ?... Suonar di giubilo "
        "ordre" => 19
      ]
      [
        "nom" => "4. Cruda, funesta smania "
        "ordre" => 4
      ]
      [
        "nom" => "4. Il dolce suono mi colpì di sua voce!... "
        "ordre" => 32
      ]
      [
        "nom" => "5. Ardon gli incensi "
        "ordre" => 33
      ]
      [
        "nom" => "5. Il tuo dubbio è omai certezza... Come vinti da stanchezza "
        "ordre" => 5
      ]
      [
        "nom" => "5. Se tradirmi tu potrai... Tu che vedi il pianto mio "
        "ordre" => 20
      ]
      [
        "nom" => "6. La pietade in suo favore "
        "ordre" => 6
      ]
      [
        "nom" => "6. Per te d’immenso giubilo... Per poco fra le tenebre sparì lavos tra stella "
        "ordre" => 21
      ]
      [
        "nom" => "6. Spargi d'amaro pianto "
        "ordre" => 34
      ]
      [
        "nom" => "7. Ancor non giunse ? "
        "ordre" => 7
      ]
      [
        "nom" => "7. Dov e Lucia ?... Qui giungere or la vedrem "
        "ordre" => 22
      ]
      [
        "nom" => "7. Tombe degli avi miei "
        "ordre" => 35
      ]
      [
        "nom" => "8. Fra poco a me ricovero darà negletto avello "
        "ordre" => 36
      ]
      [
        "nom" => "8. Piange la madre estinta "
        "ordre" => 23
      ]
      [
        "nom" => "8. Regnava nel silenzio alta la notte e bruna "
        "ordre" => 8
      ]
      [
        "nom" => "9. Chi mi frena in tal momento "
        "ordre" => 24
      ]
      [
        "nom" => "9. Oh, meschina! Oh, fato orrendo! !"
        "ordre" => 37
      ]
      [
        "nom" => "9. Quando rapito in estasi "
        "ordre" => 9
      ]
      [
        "nom" => "LP 1 :"
        "ordre" => 0
      ]
      [
        "nom" => "LP 2 :"
        "ordre" => 15
      ]
      [
        "nom" => "LP 3 :"
        "ordre" => 28
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2137 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3393
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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    -id: 2434
    -nom: "Donizetti : Lucia Di Lammermoor - Berlin 1955"
    -informationComplementaire: ""
    -description: """
      - Box Set (3 LP) 180 gram vinyl Limited to 5000 hand-numbered copies !\r\n
      \r\n
      - First vinyl edition of the opera Lucia di Lammermoor !\r\n
      \r\n
      - Remastered from the original analog tapes !\r\n
      \r\n
      - 33 1/3 lacquer cuts by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      - Pressed in France by Marciac Workshop Pressings !\r\n
      \r\n
      - Includes 40 page booklet and a facsimile of the performance program !\r\n
      \r\n
      - Celebrating the 100th birthday of acclaimed soprano Maria Callas !\r\n
      \r\n
      - 16 bit album download included !\r\n
      \r\n
      Frédéric D'Oria-Nicolas, founder and director of The Lost Recordings record label, explains how this exceptional 3 LP release of Lucia di Lammermoor, recorded September 29, 1955, came to be. Recorded at the Städtische Oper Berlin, the cast featured Di Stefano, Panerai, Karajan and the renowned and influential soprano Maria Callas.\r\n
      \r\n
      In May 2022, while we were working in the archives of the Rundfunk Berlin-Brandenburg (RBB), we came across the original tapes of this mythical recording made in 1955. It was certainly one of the most significant testimonies of the lyric art of the twentieth century.\r\n
      \r\n
      Despite the fact that the first forty seconds of the first tape had deteriorated, when we listened to the minutes of the recording that followed, we heard timbres with a richness and a dynamic that bore no comparison to other recordings that have been known until the present. It took four months of painstaking work to restore all the brilliance to the orchestra, to the Scala choir and to the legendary voices of this poignant slice of history and of music.\r\n
      \r\n
      We wanted to be able to release our first vinyl edition of the opera in a limited number of 5000 on the occasion of the centenary of the birth of Maria Callas. Kevin Gray made the cutting and the three records were pressed in our very own workshop in the south of France, MWP, to our usual stringent standards.\r\n
      \r\n
      We are very grateful to the RBB for their trust in us. We would also like to thank the Callas Foundation, which safeguards and promotes Callas's legacy, and especially Tom Volf, for their help, as well as for the photographs they provided.  -  Frédéric D'Oria-Nicolas, founder and director of The Lost Recordings\r\n
      \r\n
      Tom Volf, president of the Maria Callas Foundation, says there's a personal connection with Callas's Lucia, calling it a "wonderful example of what it felt like to hear Callas on stage, in a performance that became legendary.\r\n
      \r\n
      Maria Callas said she "hated" recording for commercial (studio) releases and used to say that only live performances could convey her artistry in its full spectrum. In the later years of her life, she would collect her own pirate recordings and would often listen to performances such as this one. The best account of that comes from Robert Sutherland, her pianist during the last tour of concerts in 1973-74, who recalled the evenings spent at Callas's apartment at Avenue Georges Mande.\r\n
      \r\n
      We listened to a pirate recording of the Berlin Lucia. She remembered how Karajan angered the soloists by repeating the sextet without warning them. As we listened to the encore she said ‘You can hear how angry I was! And I still had the mad scene to sing! I told him afterwards at dinner that he dare not do that again on me or there would be trouble!' We listened to the mad scene, an amazing performance. She was visibly impressed. ‘I don't now how I did it. I just don't know how - and to think that I wept after that performance because I thought I was so far off my aim.' I had difficulty in expressing my reaction. Such a combination of controlled technical brilliance and artistic imagination was astounding. I attempted it with, ‘It's marvellous singing...' ‘Marvellous ? Marvellous ?' She pulled herself up in the sofa. ‘It isn't marvellous, it's bloody miraculous !'.\r\n
      \r\n
      Back at that time, pirate recordings circulated among avid admirers in the form of homemade LP's, such as those released by the BJR label which is probably the one that Callas was listening to that night with Robert Sutherland. Today, however, we have to commend Frédéric D'Oria-Nicolas and The Lost Recordings for retrieving the original tapes in Berlin and meticulously restoring them to a quality of sound which surpasses any previous release, thus providing us with the most authentic rendition of that historical performance. Therefore it was only natural for the Callas Foundation to be associated with this publication, providing texts and images to illustrate the booklet and honour the memory of Maria Callas through this magnificent edition celebrating her 100th anniversary.\r\n
      \r\n
      Features :\r\n
      \r\n
      - RIAS Symphonie-Orchester Berlin, Herbert Von Karajan, conductor\r\n
      - Recorded on Sept. 29, 1955 at Städtische Oper Berlin, Germany\r\n
      \r\n
      Cast : \r\n
      \r\n
      Maria Callas, Lucia\r\n
      Giuseppe Di Stefano, Edgardo\r\n
      Rolando Panerai, Enrico\r\n
      Nicola Zaccaria, Raimondo\r\n
      Giuseppe Zampieri, Arturo\r\n
      Luisa Villa, Alisa\r\n
      Mario Carlin, Normanno\r\n
      Coro del Teatro alla Scala, Milan
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_maNJkybAwI"
    -referenceProduit: "The Lost Recordings 3047"
    -titreMorceau: [
      [
        "nom" => "1. D’immenso giubilo s’innalzi un grido "
        "ordre" => 29
      ]
      [
        "nom" => "1. Lucia fra poco a te verrà... Tremante l’aspetto "
        "ordre" => 16
      ]
      [
        "nom" => "1. Prelude "
        "ordre" => 1
      ]
      [
        "nom" => "10. Egli s'avanza... Lucia, perdona se ad ora inusitata "
        "ordre" => 10
      ]
      [
        "nom" => "10. Tu che a Dio spiegasti l’ali"
        "ordre" => 38
      ]
      [
        "nom" => "10. T’allontana, sciagurato... Rispettate in me di Dio "
        "ordre" => 25
      ]
      [
        "nom" => "11. Sconsigliato! In queste porte chi ti guida ? "
        "ordre" => 26
      ]
      [
        "nom" => "11. Sulla tomba che rinserra il tradito genitore "
        "ordre" => 11
      ]
      [
        "nom" => "12. Qui di sposa eterna fede... Ah, soltanto il nostro foco "
        "ordre" => 12
      ]
      [
        "nom" => "12.. Esci, fuggi, il furor che mi accende"
        "ordre" => 27
      ]
      [
        "nom" => "13. Ah, talor del tuo pensiero venga un foglio messaggero "
        "ordre" => 13
      ]
      [
        "nom" => "14. Verranno a te sull'aure i miei sospiri ardenti"
        "ordre" => 14
      ]
      [
        "nom" => "2. Appressati, Lucia... Il pallor funesto, orrendo "
        "ordre" => 17
      ]
      [
        "nom" => "2. Dalle stanze ove Lucia tratta avea col suo consorte "
        "ordre" => 30
      ]
      [
        "nom" => "2. Percorrete... Percorriamo le spiagge vicine "
        "ordre" => 2
      ]
      [
        "nom" => "3. Oh! Qual funesto avvenimento! "
        "ordre" => 31
      ]
      [
        "nom" => "3. Soffriva nel pianto... Un folle t’accese "
        "ordre" => 18
      ]
      [
        "nom" => "3. Tu sei turbato!... E n’ho ben d’onde "
        "ordre" => 3
      ]
      [
        "nom" => "4. Che fia ?... Suonar di giubilo "
        "ordre" => 19
      ]
      [
        "nom" => "4. Cruda, funesta smania "
        "ordre" => 4
      ]
      [
        "nom" => "4. Il dolce suono mi colpì di sua voce!... "
        "ordre" => 32
      ]
      [
        "nom" => "5. Ardon gli incensi "
        "ordre" => 33
      ]
      [
        "nom" => "5. Il tuo dubbio è omai certezza... Come vinti da stanchezza "
        "ordre" => 5
      ]
      [
        "nom" => "5. Se tradirmi tu potrai... Tu che vedi il pianto mio "
        "ordre" => 20
      ]
      [
        "nom" => "6. La pietade in suo favore "
        "ordre" => 6
      ]
      [
        "nom" => "6. Per te d’immenso giubilo... Per poco fra le tenebre sparì lavos tra stella "
        "ordre" => 21
      ]
      [
        "nom" => "6. Spargi d'amaro pianto "
        "ordre" => 34
      ]
      [
        "nom" => "7. Ancor non giunse ? "
        "ordre" => 7
      ]
      [
        "nom" => "7. Dov e Lucia ?... Qui giungere or la vedrem "
        "ordre" => 22
      ]
      [
        "nom" => "7. Tombe degli avi miei "
        "ordre" => 35
      ]
      [
        "nom" => "8. Fra poco a me ricovero darà negletto avello "
        "ordre" => 36
      ]
      [
        "nom" => "8. Piange la madre estinta "
        "ordre" => 23
      ]
      [
        "nom" => "8. Regnava nel silenzio alta la notte e bruna "
        "ordre" => 8
      ]
      [
        "nom" => "9. Chi mi frena in tal momento "
        "ordre" => 24
      ]
      [
        "nom" => "9. Oh, meschina! Oh, fato orrendo! !"
        "ordre" => 37
      ]
      [
        "nom" => "9. Quando rapito in estasi "
        "ordre" => 9
      ]
      [
        "nom" => "LP 1 :"
        "ordre" => 0
      ]
      [
        "nom" => "LP 2 :"
        "ordre" => 15
      ]
      [
        "nom" => "LP 3 :"
        "ordre" => 28
      ]
    ]
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[
  "produit" => App\Entity\Produit {#2156
    -id: 2352
    -nom: "Shapes & Sound "
    -informationComplementaire: "AVAILABILITY : 28/02/2023 (subject Cohearent Records)"
    -description: """
      - Debut album recorded for launch of new record label by award-winning mastering engineer Kevin Gray !\r\n
      \r\n
      - Recorded all-analog / all-tube at Gray's new studio, Cohearent Recording, for Cohearent Records !\r\n
      \r\n
      - Shapes and Sound by jazz composer saxophonist Kirsten Edkins !\r\n
      \r\n
      Shapes and Sound from jazz saxophonist Kirsten Edkins is the debut LP release from Cohearent Records the new record label companion to famed mastering engineer Kevin Gray's latest enterprise, an all-valve (vacuum tube) recording studio (Cohearent Recording) adjoining his home-based mastering facility in California.\r\n
      \r\n
      "It's the 'essence of an era' we are trying to recapture with today's musicians, not the sound of specific spaces, engineers or recordings", Gray told music reviwer Michael Fremer.\r\n
      \r\n
      This album was produced all-analog/all-tube at Gray's Cohearent Recording on December 10 and 11, 2021. Dave Connor produced, while Gray and Ryan Wirthlin co-engineered. Edkins on sax was joined by Gerald Clayton (courtesy of Blue Note) on piano, Ahmet Turkmenoglu on bass, Lemar Guillary on trombone and Chris Wabich on drums.\r\n
      \r\n
      Edkins, a composer and saxophonist from Los Angeles, graduated from Eastman School of Music on scholarship. She studied composition and arranging with Bill Dobbins, as well as Walt Weiskopf and the legendary Ray Ricker. Before her time at Eastman she studied with Bob Sheppard, a jazz recording artist and woodwind specialist. Edkins is a sought-after improviser who has performed with Arturo Sandoval (Al "Tootie" Heath), Tim Hagans, Clay Jenkins, John Beasley, and Geoffrey Keezer.\r\n
      \r\n
      She has performed with the Clare Fischer Big Band, Bill Holman Big Band, Bernie Dresel Big Band (The BBB), Sara Gazarek and others. She's appeard on television shows such as American Idol, Duets, Knight Rider, Glee, and Bones, plus The Tonight Show. She's also a music educator whose associations include Cal State Fullerton, Stanford Jazz Workshop, Saddleback College and Golden West College. She also direct the American Jazz Institute's community outreach program and teaches saxophone at Occidental College in Eagle Rock.\r\n
      \r\n
      The album is an excellent showcase for Gray's new recording studio. Cohearent Recording was born from Gray's relentless passion to create the best sound recordings. It was that passion that has inspired Gray's long career cutting lacquers for such noted labels as Blue Note, Music Matters and Analogue Productions.\r\n
      \r\n
      He spent 15 years building gear for the project. "I had a novel idea : In order to get the vintage sound we all love, (I'd) design and build an all-valve (vacuum tube) recording system from microphones through to the disc cutting head, No transistors or IC's anywhere in the signal path. That took much longer than anticipated but it is finally complete".\r\n
      \r\n
      Gray was inspired to use his own living room as the studio space when he realized it was similar in size and shape to legendary jazz recording engineer Rudy Van Gelder's Hackensack N.J. parents' home. Many classic jazz albums were recorded there by Gelder.\r\n
      \r\n
      Some of the same microphones used on those earlier Gelder recordings are in use in Gray's setup. The custom vaccum tube electronics are different and for Shapes and Sound Gray used a tube-based Studer C37 rather than an Ampex.\r\n
      \r\n
      Gelder's Hackensack recordings for both Blue Note and Prestige, Gray says, are "some of my favorite jazz records, and they are also exceptionally good sonically".\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Kirsten Edkins (saxophone), Gerald Clayton (piano), Ahmet Turkmenoglu (bass), Lemar Guillary (trombone),  Chris Wabich (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=M4_dtXZoygE"
    -referenceProduit: "Cohearent Records CR-AV 2201"
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        "nom" => "4. Hula Hoop"
        "ordre" => 9
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      [
        "nom" => "Side A : "
        "ordre" => 0
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        "ordre" => 5
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2158 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3444
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2719 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
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    -id: 2352
    -nom: "Shapes & Sound "
    -informationComplementaire: "AVAILABILITY : 28/02/2023 (subject Cohearent Records)"
    -description: """
      - Debut album recorded for launch of new record label by award-winning mastering engineer Kevin Gray !\r\n
      \r\n
      - Recorded all-analog / all-tube at Gray's new studio, Cohearent Recording, for Cohearent Records !\r\n
      \r\n
      - Shapes and Sound by jazz composer saxophonist Kirsten Edkins !\r\n
      \r\n
      Shapes and Sound from jazz saxophonist Kirsten Edkins is the debut LP release from Cohearent Records the new record label companion to famed mastering engineer Kevin Gray's latest enterprise, an all-valve (vacuum tube) recording studio (Cohearent Recording) adjoining his home-based mastering facility in California.\r\n
      \r\n
      "It's the 'essence of an era' we are trying to recapture with today's musicians, not the sound of specific spaces, engineers or recordings", Gray told music reviwer Michael Fremer.\r\n
      \r\n
      This album was produced all-analog/all-tube at Gray's Cohearent Recording on December 10 and 11, 2021. Dave Connor produced, while Gray and Ryan Wirthlin co-engineered. Edkins on sax was joined by Gerald Clayton (courtesy of Blue Note) on piano, Ahmet Turkmenoglu on bass, Lemar Guillary on trombone and Chris Wabich on drums.\r\n
      \r\n
      Edkins, a composer and saxophonist from Los Angeles, graduated from Eastman School of Music on scholarship. She studied composition and arranging with Bill Dobbins, as well as Walt Weiskopf and the legendary Ray Ricker. Before her time at Eastman she studied with Bob Sheppard, a jazz recording artist and woodwind specialist. Edkins is a sought-after improviser who has performed with Arturo Sandoval (Al "Tootie" Heath), Tim Hagans, Clay Jenkins, John Beasley, and Geoffrey Keezer.\r\n
      \r\n
      She has performed with the Clare Fischer Big Band, Bill Holman Big Band, Bernie Dresel Big Band (The BBB), Sara Gazarek and others. She's appeard on television shows such as American Idol, Duets, Knight Rider, Glee, and Bones, plus The Tonight Show. She's also a music educator whose associations include Cal State Fullerton, Stanford Jazz Workshop, Saddleback College and Golden West College. She also direct the American Jazz Institute's community outreach program and teaches saxophone at Occidental College in Eagle Rock.\r\n
      \r\n
      The album is an excellent showcase for Gray's new recording studio. Cohearent Recording was born from Gray's relentless passion to create the best sound recordings. It was that passion that has inspired Gray's long career cutting lacquers for such noted labels as Blue Note, Music Matters and Analogue Productions.\r\n
      \r\n
      He spent 15 years building gear for the project. "I had a novel idea : In order to get the vintage sound we all love, (I'd) design and build an all-valve (vacuum tube) recording system from microphones through to the disc cutting head, No transistors or IC's anywhere in the signal path. That took much longer than anticipated but it is finally complete".\r\n
      \r\n
      Gray was inspired to use his own living room as the studio space when he realized it was similar in size and shape to legendary jazz recording engineer Rudy Van Gelder's Hackensack N.J. parents' home. Many classic jazz albums were recorded there by Gelder.\r\n
      \r\n
      Some of the same microphones used on those earlier Gelder recordings are in use in Gray's setup. The custom vaccum tube electronics are different and for Shapes and Sound Gray used a tube-based Studer C37 rather than an Ampex.\r\n
      \r\n
      Gelder's Hackensack recordings for both Blue Note and Prestige, Gray says, are "some of my favorite jazz records, and they are also exceptionally good sonically".\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Kirsten Edkins (saxophone), Gerald Clayton (piano), Ahmet Turkmenoglu (bass), Lemar Guillary (trombone),  Chris Wabich (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=M4_dtXZoygE"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2158 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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[
  "produit" => App\Entity\Produit {#2177
    -id: 2285
    -nom: "Live at the Bon Soir"
    -informationComplementaire: ""
    -description: """
      - Celebrating the 60th Anniversary of Barbara Streisand's legendary debut recording !\r\n
      \r\n
      - 24 thrilling performances captured live at The Bon Soir nightclub in Greenwich Village, NY !\r\n
      \r\n
      - Includes "Cry Me a River", "Value", "Happy Days Are Here Again", and "A Taste of Honey" !\r\n
      \r\n
      - Mixed by Jochem van der Saag from the original analog session tapes and mastered in 24bit/96 kHz by Paul Blakemore !\r\n
      \r\n
      - Lacquer cutting by Bernie Grundman at Bernie Grundman Mastering !\r\n
      \r\n
      - Includes a gorgeous booklet with session and publicity photos, historical and technical notes, and a special note from Barbra !\r\n
      \r\n
      - The premiere New York City nightclub event of 1962 !\r\n
      \r\n
      "The Bon Soir is so dark, not even the waiters can see. They all carry tiny flashlights up their sleeves so they can determine who needs a refill, creating the effect of a room-a-twinkle with glow-worms..." - The New York Times, November 1960\r\n
      \r\n
      "The Bon Soir has swung into the new nightclub season with the find of the year. She is Barbra Streisand, a Brooklynite whose voice and poise belie her scant eighteen years. Vocally, there's range and power; style wise, there appears to be a natural gift for musical comedy, but she handles with aplomb the most meaningful ballads". - New York World-Telegram, November 1960In the fall of 1960, New York City wasn't the same urban mecca it is today. Neither was eighteen-year old Barbra Streisand, who emerged on the Greenwich Village club scene at a small, cozy venue on West 8th Street called the Bon Soir, where she received rave reviews and wooed the crowd with her incredible performances. Within two years Streisand, whose magnificent interpretations of both standards and quirky, obscure cabaret tunes was a nationwide sensation, was knocking audiences dead with her nightly performance as Miss Marmelstein in David Merrick's I Can Get It For You Wholesale on Broadway.\r\n
      \r\n
      Sixty years, multiple Grammy, Emmy, Oscar, Tony and Golden Globe awards and nearly two hundred million record sales later, Barbra has for the first time authorized the release of a major portion of her Bon Soir performances, as captured in 1962 by Columbia Records. IMPEX Records in conjunction with Sony Music Entertainment - is proud to present the audiophile 180 gram vinyl LP and SACD editions of the most sought-after recordings in Barbra's legendary career : Live at the Bon Soir: Greenwich Village, NY - November 1962. This gorgeous album features twenty-four brilliant performances personally selected by Barbra Streisand from the original Bon Soir master tapes and expertly mixed and mastered by Paul Blakemore and Jochem van der Saag, under the supervision of producers Barbra Streisand, Martin Erlichman and Jay Landers.\r\n
      \r\n
      Impex Records has created two versions of this noteworthy release: a two-LP vinyl edition and a 24 bit / 96 kHz SACD. To achieve the best fidelity possible, engineer Paul Blakemore transferred the original 3 track session tapes to high-resolution 96/24-bit digital files, which were then mixed by Jochem van der Saag. For mastering, Blakemore used an all-analog signal-processing chain in order to maintain the warmth of the original analog recordings. To master the vinyl LP edition, Impex engaged Bernie Grundman, who has mastered many of Barbra's albums over the last 60 years, to create the lacquer pressing master.\r\n
      \r\n
      Rich with the club's atmosphere, these historic, essential recordings present a warm, charming portrait of a truly important moment in New York City history and American pop culture. Several years removed from Manhattan's flourishing jazz nightclub scene, tiny clubs such as the Bon Soir began popping up, and served as both a forum and launching pad for some of the finest vocalists and musicians the East Coast had to offer.\r\n
      \r\n
      Because of Barbra's success there, Columbia Records A&R rep David Kapralik decided that the first album from his newly-signed artist would emanate from a setting in which she had become most comfortable: the small stage at the Bon Soir. Producer Mike Berniker and recording engineers Roy Halee and Adjutor "Pappy" Theroux set up the mics and recorders, and for three nights harnessed the electrifying show that Barbra had crafted.\r\n
      \r\n
      "The recordings we did at the Bon Soir were so authentically 'Barbra'. I produced her first three albums at Columbia, and while they were wonderful accomplishments, I thought that what she did each night at the Bon Soir transcended anything we ever did in the studio". - Mike Berniker\r\n
      \r\n
      Columbia ultimately decided to bring Barbra into the studio to record her first album, and except for the inclusion of several tracks on compilations through the years, the Bon Soir tapes laid dormant in the vault. Now, through this extraordinary release, everyone can at last enjoy the early sound and style of an icon in-the-making: the same brilliant artist whose performances at the Bon Soir were lauded by everyone from actress Helen Hayes to lyricists Alan and Marilyn Bergman. We invite you to join us for an evening at the fabled Bon Soir. Take a seat, order a drink and revel in the magic that is Barbra. You will not be disappointed!\r\n
      \r\n
      "She walked out and sang one note and I remember starting to cry, and I never stopped crying the entire show. Afterward, I went backstage and said to her, 'Do you know how wonderful you are ?'" - Marilyn Bergman
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Impex Records 6050"
    -titreMorceau: [
      [
        "nom" => "1. Introduction by David Kapralik / My Name Is Barbra "
        "ordre" => 0
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      [
        "nom" => "10. Soon It's Gonna Rain "
        "ordre" => 9
      ]
      [
        "nom" => "11. Come to the Supermarket (In Old Peking) "
        "ordre" => 10
      ]
      [
        "nom" => "12. When the Sun Comes Out "
        "ordre" => 11
      ]
      [
        "nom" => "13. Happy Days Are Here Again "
        "ordre" => 12
      ]
      [
        "nom" => "14. Keepin' Out of Mischief Now "
        "ordre" => 13
      ]
      [
        "nom" => "15. A Sleepin' Bee "
        "ordre" => 14
      ]
      [
        "nom" => "16. I Had Myself A True Love \t"
        "ordre" => 15
      ]
      [
        "nom" => "17. Bewitched, Bothered and Bewildered "
        "ordre" => 16
      ]
      [
        "nom" => "18. Who's Afraid of the Big Bad Wolf ? "
        "ordre" => 17
      ]
      [
        "nom" => "19. I'll Tell the Man in the Street "
        "ordre" => 18
      ]
      [
        "nom" => "2. Much More "
        "ordre" => 1
      ]
      [
        "nom" => "20. A Taste of Honey "
        "ordre" => 19
      ]
      [
        "nom" => "21. Never Will I Marry "
        "ordre" => 20
      ]
      [
        "nom" => "22. Nobody's Heart Belongs to Me "
        "ordre" => 21
      ]
      [
        "nom" => "23. My Honey's Lovin' Arms "
        "ordre" => 22
      ]
      [
        "nom" => "24. I Stayed Too Long At the Fair"
        "ordre" => 23
      ]
      [
        "nom" => "3. Napoleon "
        "ordre" => 2
      ]
      [
        "nom" => "4. I Hate Music "
        "ordre" => 3
      ]
      [
        "nom" => "5. Right As the Rain "
        "ordre" => 4
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  +produit: App\Entity\Produit {#2177
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    -nom: "Live at the Bon Soir"
    -informationComplementaire: ""
    -description: """
      - Celebrating the 60th Anniversary of Barbara Streisand's legendary debut recording !\r\n
      \r\n
      - 24 thrilling performances captured live at The Bon Soir nightclub in Greenwich Village, NY !\r\n
      \r\n
      - Includes "Cry Me a River", "Value", "Happy Days Are Here Again", and "A Taste of Honey" !\r\n
      \r\n
      - Mixed by Jochem van der Saag from the original analog session tapes and mastered in 24bit/96 kHz by Paul Blakemore !\r\n
      \r\n
      - Lacquer cutting by Bernie Grundman at Bernie Grundman Mastering !\r\n
      \r\n
      - Includes a gorgeous booklet with session and publicity photos, historical and technical notes, and a special note from Barbra !\r\n
      \r\n
      - The premiere New York City nightclub event of 1962 !\r\n
      \r\n
      "The Bon Soir is so dark, not even the waiters can see. They all carry tiny flashlights up their sleeves so they can determine who needs a refill, creating the effect of a room-a-twinkle with glow-worms..." - The New York Times, November 1960\r\n
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      "The Bon Soir has swung into the new nightclub season with the find of the year. She is Barbra Streisand, a Brooklynite whose voice and poise belie her scant eighteen years. Vocally, there's range and power; style wise, there appears to be a natural gift for musical comedy, but she handles with aplomb the most meaningful ballads". - New York World-Telegram, November 1960In the fall of 1960, New York City wasn't the same urban mecca it is today. Neither was eighteen-year old Barbra Streisand, who emerged on the Greenwich Village club scene at a small, cozy venue on West 8th Street called the Bon Soir, where she received rave reviews and wooed the crowd with her incredible performances. Within two years Streisand, whose magnificent interpretations of both standards and quirky, obscure cabaret tunes was a nationwide sensation, was knocking audiences dead with her nightly performance as Miss Marmelstein in David Merrick's I Can Get It For You Wholesale on Broadway.\r\n
      \r\n
      Sixty years, multiple Grammy, Emmy, Oscar, Tony and Golden Globe awards and nearly two hundred million record sales later, Barbra has for the first time authorized the release of a major portion of her Bon Soir performances, as captured in 1962 by Columbia Records. IMPEX Records in conjunction with Sony Music Entertainment - is proud to present the audiophile 180 gram vinyl LP and SACD editions of the most sought-after recordings in Barbra's legendary career : Live at the Bon Soir: Greenwich Village, NY - November 1962. This gorgeous album features twenty-four brilliant performances personally selected by Barbra Streisand from the original Bon Soir master tapes and expertly mixed and mastered by Paul Blakemore and Jochem van der Saag, under the supervision of producers Barbra Streisand, Martin Erlichman and Jay Landers.\r\n
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      \r\n
      Rich with the club's atmosphere, these historic, essential recordings present a warm, charming portrait of a truly important moment in New York City history and American pop culture. Several years removed from Manhattan's flourishing jazz nightclub scene, tiny clubs such as the Bon Soir began popping up, and served as both a forum and launching pad for some of the finest vocalists and musicians the East Coast had to offer.\r\n
      \r\n
      Because of Barbra's success there, Columbia Records A&R rep David Kapralik decided that the first album from his newly-signed artist would emanate from a setting in which she had become most comfortable: the small stage at the Bon Soir. Producer Mike Berniker and recording engineers Roy Halee and Adjutor "Pappy" Theroux set up the mics and recorders, and for three nights harnessed the electrifying show that Barbra had crafted.\r\n
      \r\n
      "The recordings we did at the Bon Soir were so authentically 'Barbra'. I produced her first three albums at Columbia, and while they were wonderful accomplishments, I thought that what she did each night at the Bon Soir transcended anything we ever did in the studio". - Mike Berniker\r\n
      \r\n
      Columbia ultimately decided to bring Barbra into the studio to record her first album, and except for the inclusion of several tracks on compilations through the years, the Bon Soir tapes laid dormant in the vault. Now, through this extraordinary release, everyone can at last enjoy the early sound and style of an icon in-the-making: the same brilliant artist whose performances at the Bon Soir were lauded by everyone from actress Helen Hayes to lyricists Alan and Marilyn Bergman. We invite you to join us for an evening at the fabled Bon Soir. Take a seat, order a drink and revel in the magic that is Barbra. You will not be disappointed!\r\n
      \r\n
      "She walked out and sang one note and I remember starting to cry, and I never stopped crying the entire show. Afterward, I went backstage and said to her, 'Do you know how wonderful you are ?'" - Marilyn Bergman
      """
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    -nom: "Dixie Chicken (3 LP) - Deluxe Edition"
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    -description: """
      - The indomitable Little Feat !\r\n
      \r\n
      - 180 gram 3LP deluxe edition reissue !\r\n
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    -nom: "Dixie Chicken (3 LP) - Deluxe Edition"
    -informationComplementaire: ""
    -description: """
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[
  "produit" => App\Entity\Produit {#2217
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    -nom: "Sailin' Shoes (3 LP) - Deluxe Edition"
    -informationComplementaire: ""
    -description: """
      - The indomitable Little Feat !\r\n
      \r\n
      - 180 gram 3 LP deluxe edition reissue !\r\n
      \r\n
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App\Twig\Components\GestionPanierFavoriComponents {#3599
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    -nom: "Sailin' Shoes (3 LP) - Deluxe Edition"
    -informationComplementaire: ""
    -description: """
      - The indomitable Little Feat !\r\n
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      - 180 gram 3 LP deluxe edition reissue !\r\n
      \r\n
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      \r\n
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      Two of Little Feat's best Sailin' Shoes and Dixie Chicken have been newly remastered for Deluxe Editions that will introduce unreleased live and studio recordings that capture peak Feat.\r\n
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      \r\n
      The magic that Little Feat conjured in concert takes center stage in the new set with a newly discovered and previously unreleased complete show recorded at the Palladium in Los Angeles on August 28, 1971. This live set marks the only multi-track recording in existence to feature the original lineup of the band. The performance features songs from both Sailin' Shoes ("Tripe Face Boogie", "Teenage Nervous Breakdown") and Little Feat ("Hamburger Midnight", "Snakes On Everything") The set also comes with illustrated liner notes written by acclaimed music journalist, David Fricke.\r\n
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    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
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[
  "produit" => App\Entity\Produit {#2230
    -id: 1582
    -nom: "Songs For Distingue Lovers"
    -informationComplementaire: ""
    -description: """
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      \r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      - Mastered by Bernie Grundman from the original analog tapes !\r\n
      \r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
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      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      It is undeniable that Billie Holiday's singing changed in her later years. Her voice darkened and shifted to a lower range. Her economy of means distilled her sound to its expressive essence a kind of heightened speech. The classic LP Songs For Distingue Lovers has also deepened and become burnished with time. Maybe it's that still-arresting word, "distingue"; maybe it's that iconic, tinted image of Lady Day on the cover. But now that legendary LP, with the singer's best studio work of the Fifties, is available through the Acoustic Sounds Series.\r\n
      \r\n
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      \r\n
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      """
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3645
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2719 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2230
    -id: 1582
    -nom: "Songs For Distingue Lovers"
    -informationComplementaire: ""
    -description: """
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      \r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      - Mastered by Bernie Grundman from the original analog tapes !\r\n
      \r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
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      It is undeniable that Billie Holiday's singing changed in her later years. Her voice darkened and shifted to a lower range. Her economy of means distilled her sound to its expressive essence a kind of heightened speech. The classic LP Songs For Distingue Lovers has also deepened and become burnished with time. Maybe it's that still-arresting word, "distingue"; maybe it's that iconic, tinted image of Lady Day on the cover. But now that legendary LP, with the singer's best studio work of the Fifties, is available through the Acoustic Sounds Series.\r\n
      \r\n
      Originally released in 1957.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
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    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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        "nom" => "2. Just One Of Those Things"
        "ordre" => 6
      ]
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        "nom" => "3. I Didn't Know What Time It Was"
        "ordre" => 7
      ]
      [
        "nom" => "3. Stars Fell On Alabama "
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2232 …}
    -label: Proxies\__CG__\App\Entity\Label {#2235 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2244 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2237 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2239 …}
    -enregistreLe: DateTime @1551027018 {#2227
      date: 2019-02-24 16:50:18.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1687590418 {#2228
      date: 2023-06-24 07:06:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2241 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-songs-for-distingue-lovers-acoustic-sounds-series-mgvs-6021"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2487 …}
}

[
  "produit" => App\Entity\Produit {#2249
    -id: 2419
    -nom: "Shades of Blue"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Madlib (beats, scratches), DJ Lord Such (scratches, cuts, vocals), Morgan Adams Quartet Plus Two, M.E.D., Sound Direction, Yesterdays New Quintet (vocals), Ahmad Miller (vibraphone, vocals), Joe McDuphrey (electric piano, keyboards), James King (flute), Morgan Adam III (organ), Dan Ubick (guitar), Jeff Jank, Monk Hughes (acoustic bass), Russel Jenkins (bass), Derek Holman (percussion, synthesizer), Malik Flavors (percussion), Lefty Houston (drums).\r\n
      \r\n
      The sound of Blue Note had been embedded in hip hop through sampling and remixes since its early days, but Madlib raised the bar when the DJ / producer / rapper / musician invaded their vaults for his 2003 masterpiece, Shades Of Blue a visionary album featuring remixes / reimaginations of classics by Donald Byrd, Bobbi Humphrey, Ronnie Foster, Bobby Hutcherson, Wayne Shorter and more. Blue Note Classic Vinyl Series is all-analog mastering from the original master tapes and pressed on 180 gram vinyl.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Musicians : Madlib (beats, scratches), DJ Lord Such (scratches, cuts, vocals), Morgan Adams Quartet Plus Two, M.E.D., Sound Direction, Yesterdays New Quintet (vocals), Ahmad Miller (vibraphone, vocals), Joe McDuphrey (electric piano, keyboards)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=78E1ZFpHOJI"
    -referenceProduit: "Blue Note Records 7723"
    -titreMorceau: [
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        "nom" => "1. Introduction "
        "ordre" => 1
      ]
      [
        "nom" => "1. Song For My Father "
        "ordre" => 16
      ]
      [
        "nom" => "1. Stepping Into Tomorrow "
        "ordre" => 12
      ]
      [
        "nom" => "1. Stormy "
        "ordre" => 6
      ]
      [
        "nom" => "2. Andrew Hill Break "
        "ordre" => 13
      ]
      [
        "nom" => "2. Blue Note Interlude "
        "ordre" => 7
      ]
      [
        "nom" => "2. Footprints "
        "ordre" => 17
      ]
      [
        "nom" => "2. Slim’s Return "
        "ordre" => 2
      ]
      [
        "nom" => "3. Distant Land "
        "ordre" => 3
      ]
      [
        "nom" => "3. Montara"
        "ordre" => 14
      ]
      [
        "nom" => "3. Peace / Dolphin Dance "
        "ordre" => 18
      ]
      [
        "nom" => "3. Please Set Me At Ease "
        "ordre" => 8
      ]
      [
        "nom" => "4. Funky Blue Note "
        "ordre" => 9
      ]
      [
        "nom" => "4. Mystic Bounce"
        "ordre" => 4
      ]
      [
        "nom" => "4. Outro"
        "ordre" => 19
      ]
      [
        "nom" => "5. Alfred Lion Interlude"
        "ordre" => 10
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "Side C : "
        "ordre" => 11
      ]
      [
        "nom" => "Side D : "
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2251 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2260 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2253 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2255 …}
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    }
    -modifierLe: DateTime @1686891419 {#2247
      date: 2023-06-16 04:56:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2257 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3696
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2719 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2249
    -id: 2419
    -nom: "Shades of Blue"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Madlib (beats, scratches), DJ Lord Such (scratches, cuts, vocals), Morgan Adams Quartet Plus Two, M.E.D., Sound Direction, Yesterdays New Quintet (vocals), Ahmad Miller (vibraphone, vocals), Joe McDuphrey (electric piano, keyboards), James King (flute), Morgan Adam III (organ), Dan Ubick (guitar), Jeff Jank, Monk Hughes (acoustic bass), Russel Jenkins (bass), Derek Holman (percussion, synthesizer), Malik Flavors (percussion), Lefty Houston (drums).\r\n
      \r\n
      The sound of Blue Note had been embedded in hip hop through sampling and remixes since its early days, but Madlib raised the bar when the DJ / producer / rapper / musician invaded their vaults for his 2003 masterpiece, Shades Of Blue a visionary album featuring remixes / reimaginations of classics by Donald Byrd, Bobbi Humphrey, Ronnie Foster, Bobby Hutcherson, Wayne Shorter and more. Blue Note Classic Vinyl Series is all-analog mastering from the original master tapes and pressed on 180 gram vinyl.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Musicians : Madlib (beats, scratches), DJ Lord Such (scratches, cuts, vocals), Morgan Adams Quartet Plus Two, M.E.D., Sound Direction, Yesterdays New Quintet (vocals), Ahmad Miller (vibraphone, vocals), Joe McDuphrey (electric piano, keyboards)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=78E1ZFpHOJI"
    -referenceProduit: "Blue Note Records 7723"
    -titreMorceau: [
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        "nom" => "2. Blue Note Interlude "
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      ]
      [
        "nom" => "3. Peace / Dolphin Dance "
        "ordre" => 18
      ]
      [
        "nom" => "3. Please Set Me At Ease "
        "ordre" => 8
      ]
      [
        "nom" => "4. Funky Blue Note "
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      ]
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        "nom" => "4. Mystic Bounce"
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        "nom" => "5. Alfred Lion Interlude"
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      ]
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        "nom" => "Side A : "
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      [
        "nom" => "Side C : "
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      [
        "nom" => "Side D : "
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2251 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2260 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2253 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2255 …}
    -enregistreLe: DateTime @1683009360 {#2246
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    }
    -modifierLe: DateTime @1686891419 {#2247
      date: 2023-06-16 04:56:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2257 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-shades-of-blue-blue-note-records-7723"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2487 …}
}

[
  "produit" => App\Entity\Produit {#2265
    -id: 2410
    -nom: "Time For Tyner"
    -informationComplementaire: ""
    -description: """
      - 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      On his third Blue Note album pianist McCoy Tyner assembled a quartet with vibraphonist Bobby Hutcherson, bassist Herbie Lewis & drummer Freddie Waits for an album rich in ethereal textures that delivers visceral performances of three expansive Tyner originals and three radically reinvented standards. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180 gram vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "McCoy Tyner (piano), Herbert Lewis (bass), Bobby Hutcherson (vibes), Freddie Waits (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ln-3usYA110"
    -referenceProduit: "Blue Note Tone Poet Series 8406"
    -titreMorceau: [
      [
        "nom" => "1. African Village"
        "ordre" => 1
      ]
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        "nom" => "1. May Street"
        "ordre" => 4
      ]
      [
        "nom" => "2. I Didn't Know What Time It Was"
        "ordre" => 5
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      [
        "nom" => "2. Little Madimba"
        "ordre" => 2
      ]
      [
        "nom" => "3. The Surrey with the Fringe on Top"
        "ordre" => 6
      ]
      [
        "nom" => "4. I've Grown Accustomed to Her Face"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2267 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2276 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2269 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2271 …}
    -enregistreLe: DateTime @1681821391 {#2262
      date: 2023-04-18 12:36:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1685688577 {#2263
      date: 2023-06-02 06:49:37.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2273 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-time-for-tyner-blue-note-tone-poet-series-8406"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3747
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2719 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2265
    -id: 2410
    -nom: "Time For Tyner"
    -informationComplementaire: ""
    -description: """
      - 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      On his third Blue Note album pianist McCoy Tyner assembled a quartet with vibraphonist Bobby Hutcherson, bassist Herbie Lewis & drummer Freddie Waits for an album rich in ethereal textures that delivers visceral performances of three expansive Tyner originals and three radically reinvented standards. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180 gram vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "McCoy Tyner (piano), Herbert Lewis (bass), Bobby Hutcherson (vibes), Freddie Waits (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ln-3usYA110"
    -referenceProduit: "Blue Note Tone Poet Series 8406"
    -titreMorceau: [
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        "ordre" => 4
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        "nom" => "2. I Didn't Know What Time It Was"
        "ordre" => 5
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        "ordre" => 2
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        "ordre" => 6
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      [
        "nom" => "4. I've Grown Accustomed to Her Face"
        "ordre" => 7
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      [
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        "ordre" => 3
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2267 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2276 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2269 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2271 …}
    -enregistreLe: DateTime @1681821391 {#2262
      date: 2023-04-18 12:36:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1685688577 {#2263
      date: 2023-06-02 06:49:37.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2273 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-time-for-tyner-blue-note-tone-poet-series-8406"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2487 …}
}

[
  "produit" => App\Entity\Produit {#2281
    -id: 1052
    -nom: "Bob Dylan"
    -informationComplementaire: "Reissue 2023"
    -description: """
      Bob Dylan "Bob Dylan" on Numbered Limited Edition 180 gram 45 RPM 2 LP (Mono and Stereo).\r\n
      \r\n
      Understated 1962 Debut Launched Immeasurably Influential Career.\r\n
      \r\n
      Bob Dylan’s self-titled 1962 debut is as understated of an entrance as any significant musician as ever made. Already well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of our contemporary songs and styles. Free of ego, and performed with masterful conviction, Bob Dylan ranks with the debut efforts of similar artistic giants Elvis Presley and the Rolling Stones.\r\n
      \r\n
      Much has been made of the commercial indifference that greeted the album upon its low-key release. Yet focusing on sales figures and the reaction of a public not yet hip to Dylan’s name or music is to miss the forest for the trees. Distinguished from the era’s other folk efforts by way of the determination, brazenness, and lived-through-this worldliness Dylan approaches the material and sings the songs, Dylan lays the groundwork for the path he’d soon trailblaze and everyone else would follow.\r\n
      \r\n
      By nodding to Woody Guthrie at the same time he completely re-imagines a sobering tune such as Blind Lemon Jefferson’s “See That My Grave Is Kept Clean”, Dylan straddles the past and future. He also displays, with challenging authority and savant-like expertise, the ability to handle weighty topics such as death, sorrow, and lamentation with the vaudeville flair, bluesy mannerisms, and poignant command of an artist three times his age.\r\n
      \r\n
      As Dylan scholar and pop-culture critic Greil Marcus observed in 2010, “Everybody knew Joan Baez and the Kingston Trio; if you knew Bob Dylan, you knew something other people didn’t, something that soon enough everybody had to know. Within a year, an album could put an adjective in front of the singer’s name as if it were already common coin”. It all starts here.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Bob Dylan (acoustic guitar, harmonica, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ACla5QpZSyU"
    -referenceProduit: "MFSL 0420-45"
    -titreMorceau: [
      [
        "nom" => "1. Fixin' to Die"
        "ordre" => 6
      ]
      [
        "nom" => "1. Freight Train Blues"
        "ordre" => 14
      ]
      [
        "nom" => "1. Gospel Plow"
        "ordre" => 10
      ]
      [
        "nom" => "1. You're No Good"
        "ordre" => 1
      ]
      [
        "nom" => "2. Baby, Let Me Follow You Down"
        "ordre" => 11
      ]
      [
        "nom" => "2. Pretty Peggy-O"
        "ordre" => 7
      ]
      [
        "nom" => "2. Song to Woody"
        "ordre" => 15
      ]
      [
        "nom" => "2. Talkin' New York"
        "ordre" => 2
      ]
      [
        "nom" => "3. Highway 51"
        "ordre" => 8
      ]
      [
        "nom" => "3. House of the Risin' Sun"
        "ordre" => 12
      ]
      [
        "nom" => "3. In My Time of Dyin'"
        "ordre" => 3
      ]
      [
        "nom" => "3. See That My Grave Is Kept Clean"
        "ordre" => 16
      ]
      [
        "nom" => "4. Man of Constant Sorrow"
        "ordre" => 4
      ]
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        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "Side C : "
        "ordre" => 9
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2283 …}
    -label: Proxies\__CG__\App\Entity\Label {#2286 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2295 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2288 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2290 …}
    -enregistreLe: DateTime @1474653555 {#2278
      date: 2016-09-23 17:59:15.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1685688449 {#2279
      date: 2023-06-02 06:47:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2292 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bob-dylan-mfsl-0420-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3798
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2719 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2281
    -id: 1052
    -nom: "Bob Dylan"
    -informationComplementaire: "Reissue 2023"
    -description: """
      Bob Dylan "Bob Dylan" on Numbered Limited Edition 180 gram 45 RPM 2 LP (Mono and Stereo).\r\n
      \r\n
      Understated 1962 Debut Launched Immeasurably Influential Career.\r\n
      \r\n
      Bob Dylan’s self-titled 1962 debut is as understated of an entrance as any significant musician as ever made. Already well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of our contemporary songs and styles. Free of ego, and performed with masterful conviction, Bob Dylan ranks with the debut efforts of similar artistic giants Elvis Presley and the Rolling Stones.\r\n
      \r\n
      Much has been made of the commercial indifference that greeted the album upon its low-key release. Yet focusing on sales figures and the reaction of a public not yet hip to Dylan’s name or music is to miss the forest for the trees. Distinguished from the era’s other folk efforts by way of the determination, brazenness, and lived-through-this worldliness Dylan approaches the material and sings the songs, Dylan lays the groundwork for the path he’d soon trailblaze and everyone else would follow.\r\n
      \r\n
      By nodding to Woody Guthrie at the same time he completely re-imagines a sobering tune such as Blind Lemon Jefferson’s “See That My Grave Is Kept Clean”, Dylan straddles the past and future. He also displays, with challenging authority and savant-like expertise, the ability to handle weighty topics such as death, sorrow, and lamentation with the vaudeville flair, bluesy mannerisms, and poignant command of an artist three times his age.\r\n
      \r\n
      As Dylan scholar and pop-culture critic Greil Marcus observed in 2010, “Everybody knew Joan Baez and the Kingston Trio; if you knew Bob Dylan, you knew something other people didn’t, something that soon enough everybody had to know. Within a year, an album could put an adjective in front of the singer’s name as if it were already common coin”. It all starts here.\r\n
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Bob Dylan (acoustic guitar, harmonica, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ACla5QpZSyU"
    -referenceProduit: "MFSL 0420-45"
    -titreMorceau: [
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        "ordre" => 6
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        "ordre" => 14
      ]
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        "nom" => "1. Gospel Plow"
        "ordre" => 10
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        "nom" => "1. You're No Good"
        "ordre" => 1
      ]
      [
        "nom" => "2. Baby, Let Me Follow You Down"
        "ordre" => 11
      ]
      [
        "nom" => "2. Pretty Peggy-O"
        "ordre" => 7
      ]
      [
        "nom" => "2. Song to Woody"
        "ordre" => 15
      ]
      [
        "nom" => "2. Talkin' New York"
        "ordre" => 2
      ]
      [
        "nom" => "3. Highway 51"
        "ordre" => 8
      ]
      [
        "nom" => "3. House of the Risin' Sun"
        "ordre" => 12
      ]
      [
        "nom" => "3. In My Time of Dyin'"
        "ordre" => 3
      ]
      [
        "nom" => "3. See That My Grave Is Kept Clean"
        "ordre" => 16
      ]
      [
        "nom" => "4. Man of Constant Sorrow"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "Side C : "
        "ordre" => 9
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2283 …}
    -label: Proxies\__CG__\App\Entity\Label {#2286 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2295 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2288 …}
    -typeMasterTape: null
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    -produitTestePar: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2290 …}
    -enregistreLe: DateTime @1474653555 {#2278
      date: 2016-09-23 17:59:15.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1685688449 {#2279
      date: 2023-06-02 06:47:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2292 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bob-dylan-mfsl-0420-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2487 …}
}