Components
4
Twig Components
15
Render Count
9
ms
Render Time
8.0
MiB
Memory Usage
Components
| Name | Metadata | Render Count | Render Time |
|---|---|---|---|
| GestionPanierFavoriComponents |
"App\Twig\Components\GestionPanierFavoriComponents"components/GestionPanierFavoriComponents.html.twig |
12 | 4.89ms |
| GestionEntetePageComponents |
"App\Twig\Components\GestionEntetePageComponents"components/GestionEntetePageComponents.html.twig |
1 | 2.93ms |
| ListePanier |
"App\Twig\Components\ListePanier"components/ListePanier.html.twig |
1 | 1.33ms |
| AjoutMailNewsletterComponent |
"App\Twig\Components\AjoutMailNewsletterComponent"components/AjoutMailNewsletterComponent.html.twig |
1 | 0.24ms |
Render calls
| GestionEntetePageComponents | App\Twig\Components\GestionEntetePageComponents | 8.0 MiB | 2.93 ms | |
|---|---|---|---|---|
| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionEntetePageComponents {#2574 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …} } |
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| ListePanier | App\Twig\Components\ListePanier | 8.0 MiB | 1.33 ms | |
|---|---|---|---|---|
| Input props | [ "listeModal" => true "categorieProduitEnum" => [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] ] |
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| Attributes | [] |
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| Component | App\Twig\Components\ListePanier {#2651 #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2654 …} -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -gestionPanier: App\Service\FrontGestionPanierFavori {#2653 …} -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +listePanier: null +listeModal: true +paysForme: null +paysSelectionne: null +selectedPays: null +fraisLivraison: 17.5 +montantTotal: 35.0 +tempsLivraison: 0 +quantite: 0 +categorieProduitEnum: [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …} -formView: Symfony\Component\Form\FormView {#2690 …} -form: Symfony\Component\Form\Form {#2840 …} +formName: "pays" +formValues: [ "nom" => "" ] +isValidated: false +validatedFields: [] -shouldAutoSubmitForm: true } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.69 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#1821 -id: 2874 -nom: "Judgement !" -informationComplementaire: null -description: """ - Blue Note Classic Vinyl Reissue Series !\r\n - 180 gram Vinyl LP !\r\n - Mastered by Kevin Gray from Original Analog Tapes !\r\n Pressed at Optimal !\r\n \r\n Alfred Lion considered pianist/composer Andrew Hill as unique as Thelonious Monk and documented Hill's music with a fervor. Recorded in 1964 with a quartet of modern jazz visionaries Bobby Hutcherson, Richard Davis and Elvin Jones Judgment ! was the third classic album Hill recorded in a five-month period that also produced Black Fire and Point of Departure.\r\n \r\n This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Andrew Hill (piano), Bobby Hutcherson (vibraphone), Richard Davis (bass), Elvin Jones (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=rkzazhbDUw8&list=PLx_OwX8qVcoul6kc7faF4NdHlj13Phckx" -referenceProduit: "Blue Note Records 0479" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Siete Ocho" ] [ "ordre" => 2 "nom" => "2. Flea Flop" ] [ "ordre" => 3 "nom" => "3. Yokada Yokada" ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Alfred" ] [ "ordre" => 6 "nom" => "2. Reconciliation" ] [ "ordre" => 7 "nom" => "3. Judgment" ] [ "ordre" => 8 "nom" => "" ] [ "ordre" => 9 "nom" => "" ] [ "ordre" => 10 "nom" => "" ] [ "ordre" => 11 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …} -label: Proxies\__CG__\App\Entity\Label {#1911 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …} -enregistreLe: DateTime @1760555474 {#1876 : 2025-10-15 19:11:14.0 UTC (+00:00) } -modifierLe: DateTime @1765290097 {#1869 : 2025-12-09 14:21:37.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-judgement-blue-note-records-0479" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3114 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#1821 -id: 2874 -nom: "Judgement !" -informationComplementaire: null -description: """ - Blue Note Classic Vinyl Reissue Series !\r\n - 180 gram Vinyl LP !\r\n - Mastered by Kevin Gray from Original Analog Tapes !\r\n Pressed at Optimal !\r\n \r\n Alfred Lion considered pianist/composer Andrew Hill as unique as Thelonious Monk and documented Hill's music with a fervor. Recorded in 1964 with a quartet of modern jazz visionaries Bobby Hutcherson, Richard Davis and Elvin Jones Judgment ! was the third classic album Hill recorded in a five-month period that also produced Black Fire and Point of Departure.\r\n \r\n This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Andrew Hill (piano), Bobby Hutcherson (vibraphone), Richard Davis (bass), Elvin Jones (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=rkzazhbDUw8&list=PLx_OwX8qVcoul6kc7faF4NdHlj13Phckx" -referenceProduit: "Blue Note Records 0479" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Siete Ocho" ] [ "ordre" => 2 "nom" => "2. Flea Flop" ] [ "ordre" => 3 "nom" => "3. Yokada Yokada" ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Alfred" ] [ "ordre" => 6 "nom" => "2. Reconciliation" ] [ "ordre" => 7 "nom" => "3. Judgment" ] [ "ordre" => 8 "nom" => "" ] [ "ordre" => 9 "nom" => "" ] [ "ordre" => 10 "nom" => "" ] [ "ordre" => 11 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …} -label: Proxies\__CG__\App\Entity\Label {#1911 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …} -enregistreLe: DateTime @1760555474 {#1876 : 2025-10-15 19:11:14.0 UTC (+00:00) } -modifierLe: DateTime @1765290097 {#1869 : 2025-12-09 14:21:37.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-judgement-blue-note-records-0479" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.36 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2045 -id: 2886 -nom: "Jazz by Sun Ra, Vol 2. + (16 page booklet)" -informationComplementaire: null -description: """ Musicians : \r\n Sun Ra (Hammond B-3 organ, piano), Art Hoyle, Dave Young (trumpet), John Avant (trombone), Pat Patrick (alto & baritone saxophone), John Gilmore (tenor saxophone), Charles Davis (baritone saxophone), Victor Sproles (electric bass, tambourine), Jim Herndon (tympani, timbales, bells), William ‘Bugs’ Cochran (drums, percussion).\r\n \r\n - Limited Edition 1000 copies !\r\n - Mastering by François Lê Xuân, Studio 101 !\r\n - Cut by Kevin Gray at Cohearent Audio !\r\n - Pressed by Garcia & Co, Marciac, France !\r\n - Tip-on jacket screen-printed by Pozzoli, Italy !\r\n - 16 page booklet !\r\n - Produced by François Lê Xuân and Fred Thomas for Sam Records /Saga !\r\n - Under licence from Delmark Records !\r\n - Each record has been visually checked to prevent defects !\r\n \r\n Premium historical reissues !\r\n \r\n Recorded in July 1956 and released in 1957, Jazz by Sun Ra Vol. 1 is known to be the first LP by Sun Ra. The album showcases all the musical ideas the musician had previously experimented with : advanced time signatures coupled with harmonic scales based on mathematical equations, all in the service of a clever mix of hard bop, swing and African influences.\r\n \r\n Following on this first volume, a new session was recorded by Tom Wilson in December 1956 in Chicago. Although scheduled for release, Jazz by Sun Ra Vol. 2 would never be issued on Transition, as the label had to close doors during the year 1957. The album was only be released in 1968 by Delmark under the title Sound of Joy.\r\n \r\n Jazz by Sun Ra Vol. 1 and Vol. 2 may be the most accessible work in the Sun Ra catalogue, as well as one of the most enjoyable to listen to. The two volumes are now reunited and available together for the first time, as originally planned ! """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Sun Ra (Hammond B-3 organ, piano), Art Hoyle, Dave Young (trumpet), John Avant (trombone), Pat Patrick (alto & baritone saxophone), John Gilmore (tenor saxophone)..." -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: null -referenceProduit: "Sam Records" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. El Is A Sound Of Joy (Sun Ra) " ] [ "ordre" => 2 "nom" => "2. Overtones Of China (Sun Ra) " ] [ "ordre" => 3 "nom" => "3. Two Tones (Davis – Patrick) " ] [ "ordre" => 4 "nom" => "4. Paradise (Sun Ra) " ] [ "ordre" => 5 "nom" => "5. Planet Earth (Sun Ra) " ] [ "ordre" => 6 "nom" => "Side B : " ] [ "ordre" => 7 "nom" => "1. Ankh (Sun Ra)" ] [ "ordre" => 8 "nom" => "2. Saturn (Sun Ra)" ] [ "ordre" => 9 "nom" => "3. Reflections In Blue (Sun Ra)" ] [ "ordre" => 10 "nom" => "4. El Viktor (Sun Ra) " ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …} -label: Proxies\__CG__\App\Entity\Label {#2050 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2059 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2052 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2054 …} -enregistreLe: DateTime @1761348066 {#2042 : 2025-10-24 23:21:06.0 UTC (+00:00) } -modifierLe: DateTime @1765289535 {#2043 : 2025-12-09 14:12:15.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2056 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-jazz-by-sun-ra-vol-2-16-page-booklet-sam-records" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3228 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2045 -id: 2886 -nom: "Jazz by Sun Ra, Vol 2. + (16 page booklet)" -informationComplementaire: null -description: """ Musicians : \r\n Sun Ra (Hammond B-3 organ, piano), Art Hoyle, Dave Young (trumpet), John Avant (trombone), Pat Patrick (alto & baritone saxophone), John Gilmore (tenor saxophone), Charles Davis (baritone saxophone), Victor Sproles (electric bass, tambourine), Jim Herndon (tympani, timbales, bells), William ‘Bugs’ Cochran (drums, percussion).\r\n \r\n - Limited Edition 1000 copies !\r\n - Mastering by François Lê Xuân, Studio 101 !\r\n - Cut by Kevin Gray at Cohearent Audio !\r\n - Pressed by Garcia & Co, Marciac, France !\r\n - Tip-on jacket screen-printed by Pozzoli, Italy !\r\n - 16 page booklet !\r\n - Produced by François Lê Xuân and Fred Thomas for Sam Records /Saga !\r\n - Under licence from Delmark Records !\r\n - Each record has been visually checked to prevent defects !\r\n \r\n Premium historical reissues !\r\n \r\n Recorded in July 1956 and released in 1957, Jazz by Sun Ra Vol. 1 is known to be the first LP by Sun Ra. The album showcases all the musical ideas the musician had previously experimented with : advanced time signatures coupled with harmonic scales based on mathematical equations, all in the service of a clever mix of hard bop, swing and African influences.\r\n \r\n Following on this first volume, a new session was recorded by Tom Wilson in December 1956 in Chicago. Although scheduled for release, Jazz by Sun Ra Vol. 2 would never be issued on Transition, as the label had to close doors during the year 1957. The album was only be released in 1968 by Delmark under the title Sound of Joy.\r\n \r\n Jazz by Sun Ra Vol. 1 and Vol. 2 may be the most accessible work in the Sun Ra catalogue, as well as one of the most enjoyable to listen to. The two volumes are now reunited and available together for the first time, as originally planned ! """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Sun Ra (Hammond B-3 organ, piano), Art Hoyle, Dave Young (trumpet), John Avant (trombone), Pat Patrick (alto & baritone saxophone), John Gilmore (tenor saxophone)..." -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: null -referenceProduit: "Sam Records" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. El Is A Sound Of Joy (Sun Ra) " ] [ "ordre" => 2 "nom" => "2. Overtones Of China (Sun Ra) " ] [ "ordre" => 3 "nom" => "3. Two Tones (Davis – Patrick) " ] [ "ordre" => 4 "nom" => "4. Paradise (Sun Ra) " ] [ "ordre" => 5 "nom" => "5. Planet Earth (Sun Ra) " ] [ "ordre" => 6 "nom" => "Side B : " ] [ "ordre" => 7 "nom" => "1. Ankh (Sun Ra)" ] [ "ordre" => 8 "nom" => "2. Saturn (Sun Ra)" ] [ "ordre" => 9 "nom" => "3. Reflections In Blue (Sun Ra)" ] [ "ordre" => 10 "nom" => "4. El Viktor (Sun Ra) " ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …} -label: Proxies\__CG__\App\Entity\Label {#2050 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2059 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2052 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2054 …} -enregistreLe: DateTime @1761348066 {#2042 : 2025-10-24 23:21:06.0 UTC (+00:00) } -modifierLe: DateTime @1765289535 {#2043 : 2025-12-09 14:12:15.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2056 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-jazz-by-sun-ra-vol-2-16-page-booklet-sam-records" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.35 ms | |
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| Input props | [ "produit" => App\Entity\Produit {#2066 -id: 2885 -nom: "Jazz by Sun Ra, Vol. 1 + (24 page booklet)" -informationComplementaire: null -description: """ Musicians : \r\n Sun Ra (Hammond B-3 organ, piano), Art Hoyle (trumpet, percussion), Dave Young (trumpet, percussion), Julian Priester (trombone, percussion), James Scales (alto saxophone), John Gilmore (tenor saxophone, percussion), Pat Patrick (baritone saxophone, percussion), Richard Evans (bass), Wilburn Green (electric bass, tambourine), Jim Herndon (tympani, timbales, bells), Robert Barry (drums, percussion).\r\n \r\n - Sun Ra "Jazz By Sun Ra Vol. 1" + booklet !\r\n - Deluxe Edition limited to 1000 copies !\r\n - Mastering by François Lê Xuân, Studio 101 !\r\n - Cut by Kevin Gray at Cohearent Audio !\r\n - 180 gram LP pressed by Garcia & Co., Marciac, France !\r\n - Tip-on jacket screen printed by Pozzoli, Italy !\r\n - Includes 24 page booklet !\r\n - Produced by François Lê Xuan and Fred Thomas for Sam Records / Saga !\r\n \r\n Recorded in July 1956 and released in 1957, Jazz by Sun Ra Vol. 1 is known to be the first LP by Sun Ra. The album showcases all the musical ideas the musician had previously experimented with: advanced time signatures coupled with harmonic scales based on mathematical equations, all in the service of a clever mix of hard bop, swing and African influences.\r\n \r\n Following on from this first volume, a new session was recorded by Tom Wilson in December 1956 in Chicago. Although scheduled for release, Jazz by Sun Ra Vol. 2 would never be issued on Transition, as the label had to close doors during the year 1957.\r\n \r\n The album was only be released in 1968 by Delmark under the title Sound of Joy. Jazz by Sun Ra Vol. 1 and Vol. 2 may be the most accessible work in the Sun Ra catalog, as well as one of the most enjoyable to listen to. The two volumes are now reunited and available together for the first time, as originally planned ! """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Sun Ra (Hammond B-3 organ, piano), Art Hoyle (trumpet, percussion), Dave Young (trumpet, percussion), Julian Priester (trombone, percussion), James Scales (alto saxophone)..." -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=E8o8ueQ_l7g&list=PLpszlaVYHIX73j_6LtnE_7xbcIZ4FBOsn" -referenceProduit: "Sam Records 006" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Brainville (Sun Ra)" ] [ "ordre" => 2 "nom" => "2. Call For All Demons (Sun Ra)" ] [ "ordre" => 3 "nom" => "3. Transition (Sun Ra)" ] [ "ordre" => 4 "nom" => "4. Possession (Harry Revell)" ] [ "ordre" => 5 "nom" => "5. Street Named Hell (Sun Ra)" ] [ "ordre" => 6 "nom" => "Side B : " ] [ "ordre" => 7 "nom" => "1. Lullaby For Realville (Richard Evans)" ] [ "ordre" => 8 "nom" => "2. Future (Sun Ra)" ] [ "ordre" => 9 "nom" => "3. New Horizons (Sun Ra)" ] [ "ordre" => 10 "nom" => "4. Fall Off The Log (Sun Ra)" ] [ "ordre" => 11 "nom" => "5. Sun Song (Sun Ra)" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …} -label: Proxies\__CG__\App\Entity\Label {#2050 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2074 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2067 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …} -enregistreLe: DateTime @1761347233 {#2062 : 2025-10-24 23:07:13.0 UTC (+00:00) } -modifierLe: DateTime @1765289491 {#2061 : 2025-12-09 14:11:31.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2071 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-jazz-by-sun-ra-vol-1-24-page-booklet-sam-records-006" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3281 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2066 -id: 2885 -nom: "Jazz by Sun Ra, Vol. 1 + (24 page booklet)" -informationComplementaire: null -description: """ Musicians : \r\n Sun Ra (Hammond B-3 organ, piano), Art Hoyle (trumpet, percussion), Dave Young (trumpet, percussion), Julian Priester (trombone, percussion), James Scales (alto saxophone), John Gilmore (tenor saxophone, percussion), Pat Patrick (baritone saxophone, percussion), Richard Evans (bass), Wilburn Green (electric bass, tambourine), Jim Herndon (tympani, timbales, bells), Robert Barry (drums, percussion).\r\n \r\n - Sun Ra "Jazz By Sun Ra Vol. 1" + booklet !\r\n - Deluxe Edition limited to 1000 copies !\r\n - Mastering by François Lê Xuân, Studio 101 !\r\n - Cut by Kevin Gray at Cohearent Audio !\r\n - 180 gram LP pressed by Garcia & Co., Marciac, France !\r\n - Tip-on jacket screen printed by Pozzoli, Italy !\r\n - Includes 24 page booklet !\r\n - Produced by François Lê Xuan and Fred Thomas for Sam Records / Saga !\r\n \r\n Recorded in July 1956 and released in 1957, Jazz by Sun Ra Vol. 1 is known to be the first LP by Sun Ra. The album showcases all the musical ideas the musician had previously experimented with: advanced time signatures coupled with harmonic scales based on mathematical equations, all in the service of a clever mix of hard bop, swing and African influences.\r\n \r\n Following on from this first volume, a new session was recorded by Tom Wilson in December 1956 in Chicago. Although scheduled for release, Jazz by Sun Ra Vol. 2 would never be issued on Transition, as the label had to close doors during the year 1957.\r\n \r\n The album was only be released in 1968 by Delmark under the title Sound of Joy. Jazz by Sun Ra Vol. 1 and Vol. 2 may be the most accessible work in the Sun Ra catalog, as well as one of the most enjoyable to listen to. The two volumes are now reunited and available together for the first time, as originally planned ! """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Sun Ra (Hammond B-3 organ, piano), Art Hoyle (trumpet, percussion), Dave Young (trumpet, percussion), Julian Priester (trombone, percussion), James Scales (alto saxophone)..." -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=E8o8ueQ_l7g&list=PLpszlaVYHIX73j_6LtnE_7xbcIZ4FBOsn" -referenceProduit: "Sam Records 006" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Brainville (Sun Ra)" ] [ "ordre" => 2 "nom" => "2. Call For All Demons (Sun Ra)" ] [ "ordre" => 3 "nom" => "3. Transition (Sun Ra)" ] [ "ordre" => 4 "nom" => "4. Possession (Harry Revell)" ] [ "ordre" => 5 "nom" => "5. Street Named Hell (Sun Ra)" ] [ "ordre" => 6 "nom" => "Side B : " ] [ "ordre" => 7 "nom" => "1. Lullaby For Realville (Richard Evans)" ] [ "ordre" => 8 "nom" => "2. Future (Sun Ra)" ] [ "ordre" => 9 "nom" => "3. New Horizons (Sun Ra)" ] [ "ordre" => 10 "nom" => "4. Fall Off The Log (Sun Ra)" ] [ "ordre" => 11 "nom" => "5. Sun Song (Sun Ra)" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …} -label: Proxies\__CG__\App\Entity\Label {#2050 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2074 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2067 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …} -enregistreLe: DateTime @1761347233 {#2062 : 2025-10-24 23:07:13.0 UTC (+00:00) } -modifierLe: DateTime @1765289491 {#2061 : 2025-12-09 14:11:31.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2071 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-jazz-by-sun-ra-vol-1-24-page-booklet-sam-records-006" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.34 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2081 -id: 2912 -nom: "'Satch' and 'Josh'" -informationComplementaire: null -description: """ - Count Basie encounters Oscar Peterson -"Satch' and Josh" 180 gram vinyl !\r\n - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tape !\r\n - Pressed at Quality Record Pressings !\r\n - Housed in Stoughton Printing tip-on jacket !\r\n \r\n A beautiful pairing of two legendary pianists Count Basie and Oscar Peterson heard late in Basie's career, in a setting that lets both of them open up nicely! Basie also plays a bit of organ. Freddie Green, Basie's longtime guitarist in his band he stayed 50 years with Basie cannot be missed on this recording. 10 track stereo LP.\r\n \r\n Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180 gram reissue sounds exceptional! Housed in a gatefold Stoughton Printing tip-on jacket. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Count Basie, Oscar Peterson (piano), Freddie Green (guitar), Ray Brown (double bass), Louie Bellson (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Qo1fkjnKVsw&list=RDQo1fkjnKVsw&start_radio=1" -referenceProduit: "Analogue Productions (Pablo) AAPJ 189" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Buns" ] [ "ordre" => 2 "nom" => "2. These Foolish Things" ] [ "ordre" => 3 "nom" => "3. "RB"" ] [ "ordre" => 4 "nom" => "4. Burning" ] [ "ordre" => 5 "nom" => "5. Exactly Like You" ] [ "ordre" => 6 "nom" => "Side B : " ] [ "ordre" => 7 "nom" => "1. Jumping At The Woodside" ] [ "ordre" => 8 "nom" => "2. Louie B" ] [ "ordre" => 9 "nom" => "3. Lester Leaps In" ] [ "ordre" => 10 "nom" => "4. Big Stockings" ] [ "ordre" => 11 "nom" => "5. S & J Blues" ] [ "ordre" => 12 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2083 …} -label: Proxies\__CG__\App\Entity\Label {#2086 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2095 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2088 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2090 …} -enregistreLe: DateTime @1765289139 {#2077 : 2025-12-09 14:05:39.0 UTC (+00:00) } -modifierLe: DateTime @1765289239 {#2076 : 2025-12-09 14:07:19.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2092 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-satch-and-josh-analogue-productions-pablo-aapj-189" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3327 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2081 -id: 2912 -nom: "'Satch' and 'Josh'" -informationComplementaire: null -description: """ - Count Basie encounters Oscar Peterson -"Satch' and Josh" 180 gram vinyl !\r\n - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tape !\r\n - Pressed at Quality Record Pressings !\r\n - Housed in Stoughton Printing tip-on jacket !\r\n \r\n A beautiful pairing of two legendary pianists Count Basie and Oscar Peterson heard late in Basie's career, in a setting that lets both of them open up nicely! Basie also plays a bit of organ. Freddie Green, Basie's longtime guitarist in his band he stayed 50 years with Basie cannot be missed on this recording. 10 track stereo LP.\r\n \r\n Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180 gram reissue sounds exceptional! Housed in a gatefold Stoughton Printing tip-on jacket. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Count Basie, Oscar Peterson (piano), Freddie Green (guitar), Ray Brown (double bass), Louie Bellson (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Qo1fkjnKVsw&list=RDQo1fkjnKVsw&start_radio=1" -referenceProduit: "Analogue Productions (Pablo) AAPJ 189" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Buns" ] [ "ordre" => 2 "nom" => "2. These Foolish Things" ] [ "ordre" => 3 "nom" => "3. "RB"" ] [ "ordre" => 4 "nom" => "4. Burning" ] [ "ordre" => 5 "nom" => "5. Exactly Like You" ] [ "ordre" => 6 "nom" => "Side B : " ] [ "ordre" => 7 "nom" => "1. Jumping At The Woodside" ] [ "ordre" => 8 "nom" => "2. Louie B" ] [ "ordre" => 9 "nom" => "3. Lester Leaps In" ] [ "ordre" => 10 "nom" => "4. Big Stockings" ] [ "ordre" => 11 "nom" => "5. S & J Blues" ] [ "ordre" => 12 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2083 …} -label: Proxies\__CG__\App\Entity\Label {#2086 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2095 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2088 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2090 …} -enregistreLe: DateTime @1765289139 {#2077 : 2025-12-09 14:05:39.0 UTC (+00:00) } -modifierLe: DateTime @1765289239 {#2076 : 2025-12-09 14:07:19.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2092 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-satch-and-josh-analogue-productions-pablo-aapj-189" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.34 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2100 -id: 2873 -nom: "Kind Of Blue (Corrected Speed)" -informationComplementaire: null -description: """ - 180 gram double LP 33 1/3 edition (Side 4 will be 45 RPM) !\r\n - Side 1 Speed Corrected for recording adjustment !\r\n - Pressed at Quality Record Pressings using Classic Records parts that were mastered by Bernie Grundman from the original master tape !\r\n - Includes 4 panel insert with corrected speed information and liner notes by Robert Palmer !\r\n - Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish !\r\n - Standard black vinyl pressing !\r\n - Also available as a limited edition blue vinyl pressing !\r\n \r\n A minor audio complication with Kind of Blue has been addressed with our UHQR edition, and now with this 331/3 RPM double LP reissue.\r\n \r\n The motor on the studio's 3 track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue in Green", making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records or their latter-day parent, Sony Music on a CD reissue in the late '90s. This edition also contains on Side 4 "Flamenco Sketches (alternate take)" cut at 45 RPM.\r\n \r\n Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording - a five-track masterpiece of melancholy mood and melody.\r\n \r\n It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wynton Kelly playing piano on "Freddy the Freeloader."\r\n \r\n Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick", Davis complained in a 1958 interview for The Jazz Review. "... There will be fewer chords but infinite possibilities as to what to do with them". Kind of Blue is, in a sense, all melody and atmosphere.\r\n \r\n None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.\r\n \r\n Miles remained proud of the album, performing at least two of its tracks "So What" and "All Blues" for years after, until his musical path took him in a different direction.\r\n \r\n History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.\r\n \r\n This LP bridges the time span since the album's original recording in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment. """ -prixVente: "129.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Miles Davis (trumpet), Julian "Cannonball" Adderley (alto sax), John Coltrane (tenor sax), Paul Chambers (double bass), Bill Evan, Wynton Kelly (piano), Jimmy Cobb (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=TpMzD8Q1fQg&list=RDTpMzD8Q1fQg&start_radio=1" -referenceProduit: "Analogue Productions AAPJ 8163" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. So What - (Corrected Speed) - 33-1/3 RPM" ] [ "ordre" => 2 "nom" => "2. Freddie Freeloader - (Corrected Speed) - 33-1/3 RPM" ] [ "ordre" => 3 "nom" => "3. Blue In Green - (Corrected Speed) - 33-1/3 RPM" ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. All Blues " ] [ "ordre" => 6 "nom" => "2. Flamenco Sketches " ] [ "ordre" => 7 "nom" => "Side C :" ] [ "ordre" => 8 "nom" => "1. So What - (Original Speed) - 33-1/3 RPM" ] [ "ordre" => 9 "nom" => "2. Freddie Freeloader - (Original Speed) - 33-1/3 RPM" ] [ "ordre" => 10 "nom" => "3. Blue In Green - (Original Speed) - 33-1/3 RPM" ] [ "ordre" => 11 "nom" => "Side D : " ] [ "ordre" => 12 "nom" => "1. Flamenco Sketches (alternate take) - 45 RPM" ] [ "ordre" => 13 "nom" => "" ] [ "ordre" => 14 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2102 …} -label: Proxies\__CG__\App\Entity\Label {#2105 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2114 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2107 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2109 …} -enregistreLe: DateTime @1760554324 {#2097 : 2025-10-15 18:52:04.0 UTC (+00:00) } -modifierLe: DateTime @1765288228 {#2098 : 2025-12-09 13:50:28.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2111 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-kind-of-blue-corrected-speed-analogue-productions-aapj-8163" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3378 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2100 -id: 2873 -nom: "Kind Of Blue (Corrected Speed)" -informationComplementaire: null -description: """ - 180 gram double LP 33 1/3 edition (Side 4 will be 45 RPM) !\r\n - Side 1 Speed Corrected for recording adjustment !\r\n - Pressed at Quality Record Pressings using Classic Records parts that were mastered by Bernie Grundman from the original master tape !\r\n - Includes 4 panel insert with corrected speed information and liner notes by Robert Palmer !\r\n - Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish !\r\n - Standard black vinyl pressing !\r\n - Also available as a limited edition blue vinyl pressing !\r\n \r\n A minor audio complication with Kind of Blue has been addressed with our UHQR edition, and now with this 331/3 RPM double LP reissue.\r\n \r\n The motor on the studio's 3 track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue in Green", making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records or their latter-day parent, Sony Music on a CD reissue in the late '90s. This edition also contains on Side 4 "Flamenco Sketches (alternate take)" cut at 45 RPM.\r\n \r\n Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording - a five-track masterpiece of melancholy mood and melody.\r\n \r\n It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wynton Kelly playing piano on "Freddy the Freeloader."\r\n \r\n Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick", Davis complained in a 1958 interview for The Jazz Review. "... There will be fewer chords but infinite possibilities as to what to do with them". Kind of Blue is, in a sense, all melody and atmosphere.\r\n \r\n None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.\r\n \r\n Miles remained proud of the album, performing at least two of its tracks "So What" and "All Blues" for years after, until his musical path took him in a different direction.\r\n \r\n History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.\r\n \r\n This LP bridges the time span since the album's original recording in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment. """ -prixVente: "129.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Miles Davis (trumpet), Julian "Cannonball" Adderley (alto sax), John Coltrane (tenor sax), Paul Chambers (double bass), Bill Evan, Wynton Kelly (piano), Jimmy Cobb (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=TpMzD8Q1fQg&list=RDTpMzD8Q1fQg&start_radio=1" -referenceProduit: "Analogue Productions AAPJ 8163" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. So What - (Corrected Speed) - 33-1/3 RPM" ] [ "ordre" => 2 "nom" => "2. Freddie Freeloader - (Corrected Speed) - 33-1/3 RPM" ] [ "ordre" => 3 "nom" => "3. Blue In Green - (Corrected Speed) - 33-1/3 RPM" ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. All Blues " ] [ "ordre" => 6 "nom" => "2. Flamenco Sketches " ] [ "ordre" => 7 "nom" => "Side C :" ] [ "ordre" => 8 "nom" => "1. So What - (Original Speed) - 33-1/3 RPM" ] [ "ordre" => 9 "nom" => "2. Freddie Freeloader - (Original Speed) - 33-1/3 RPM" ] [ "ordre" => 10 "nom" => "3. Blue In Green - (Original Speed) - 33-1/3 RPM" ] [ "ordre" => 11 "nom" => "Side D : " ] [ "ordre" => 12 "nom" => "1. Flamenco Sketches (alternate take) - 45 RPM" ] [ "ordre" => 13 "nom" => "" ] [ "ordre" => 14 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2102 …} -label: Proxies\__CG__\App\Entity\Label {#2105 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2114 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2107 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2109 …} -enregistreLe: DateTime @1760554324 {#2097 : 2025-10-15 18:52:04.0 UTC (+00:00) } -modifierLe: DateTime @1765288228 {#2098 : 2025-12-09 13:50:28.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2111 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-kind-of-blue-corrected-speed-analogue-productions-aapj-8163" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.53 ms | |
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| Input props | [ "produit" => App\Entity\Produit {#2121 -id: 1916 -nom: "This Far - (Box Set 6 LP)" -informationComplementaire: null -description: """ - Complete Collection of Studio Work On 180 gram Vinyl 6 LP Box Set !\r\n - All 6 Studio Albums To Date Remastered At Half-Speed at Abbey Road Studios !\r\n \r\n This box set features remastered versions of all of Sade's studio albums to date, on pure 180 gram black vinyl the first complete collection of their studio work up to the present day. All six of the band's acclaimed albums Diamond Life (1984), Promise (1985), Stronger Than Pride (1988), Love Deluxe (1992), Lovers Rock (2000) and Soldier Of Love (2010) are packaged into the beautifully finished, white case-bound box.\r\n \r\n The close band of four : Sade (vocals), Stuart Matthewman (saxophone, guitar), Andrew Hale (keyboards) and Paul Spencer Denman (bass), were intimately involved in the process, spending time at Abbey Road Studios alongside acclaimed mastering engineer Miles Showell, and the band's longtime co-producer Mike Pela.\r\n \r\n The box set title, This Far, suggests that the band's studio work may not yet be fully complete, but this new highly collectable release brings together a canon of work previously difficult to source in its original format.\r\n \r\n Revisiting the audio, the band and Miles Showell at Abbey Road Studios worked from high resolution digital transfers of the stereo master mixes, from the original studio recordings, remastered at half-speed using Miles' own unique restored Neumann VMS80 cutting lathe, to perform the 12 sides of vinyl lacquer cuts. The elaborate, half-speed mastering process produced exceptionally clean and detailed audio whilst remaining faithful to the band's intended sound. No additional digital limiting was used in the mastering process, so the six albums benefit from the advantage of extra clarity and pure fidelity, preserving the dynamic range of the original mixes for the very first time.\r\n \r\n The six album sleeves have been meticulously reproduced in exact detail with authentic paper and printing methods, perfectly replicated for the first time since their original release, and assembled in the outer box which was designed by Tom Hingston Studios in London.\r\n \r\n Over an exceptional career spanning more than three decades, Sade's six albums have amassed a cool 60 million worldwide sales and have been certified platinum 24 times over. Producing singles such as "Your Love Is King", "Smooth Operator", and "By Your Side", Sade have gone on to achieve Number 1 albums across the world, collected several Grammys, MTV Video Music Awards, and a BRIT Award along the way, quietly taking their "place in the pantheon of cultural influence" (New York Times, October 2017). Their most recent studio album, Soldier Of Love, charted at number one in 15 countries, including the US, upon release in 2010.\r\n \r\n Commanding high praise from all genres of the global musical landscape Sade continue to leave their mark, engraved as a strong influence to some of today's most successful artists. The band are frequently cited as having inspired a younger generation of musicians, including Beyoncé, Drake, Kanye West, and Missy Elliot, to the freshest young blood of Christine and the Queens, Dua Lipa, FKA Twigs, Mabel, and Taylor Swift. Hip-hop luminaries have sampled from Sade's work creating new club classics, and their timeless tracks have been covered by Deftones, Donna Summer, Frank Ocean, Herbie Hancock, Jason Mraz, Lauryn Hill, LeAnn Rimes, Marsha Ambrosius featuring Dr. Dre, Prince, The 1975, Tori Amos, and You + Me, amongst others.\r\n \r\n Sade herself, universally lauded as "notoriously elusive", made her mark as a style icon after gracing the covers of The Face, Time, Rolling Stone, Billboard, i-D, Fader, Elle France, Cosmopolitan, NME, Melody Maker, Smash Hits, Essence, Ebony, Pride, Interview, and more throughout the band's illustrious career.\r\n \r\n Live, the band have toured all corners of the globe, including a notable 1985 performance at Live Aid, Wembley Stadium, when Sade Adu was the only African-born artist to appear in front of the live audience of 75000, plus an estimated worldwide television audience of 1,4 billion in 170 countries. The band's most recent 2011 tour performed 106 epic shows across four continents, experienced by 800000 fans, and was cited as "visually stunning" by Billboard with an "exquisite production", and an "adventure at the polar extremes of dynamics".\r\n A true testament to a body of work that through its evolution has captured hearts irrespective of age or creed, Sade's box set delivers and celebrates the band's legacy this far in a pure vinyl format. """ -prixVente: "259.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: null -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 6 -setBoxMusic: true -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Fh8ntMhUZHw" -referenceProduit: "Sony Records 56121" -titreMorceau: [ [ "ordre" => 0 "nom" => "DIANOND LIFE (1984)" ] [ "ordre" => 1 "nom" => "Side A : " ] [ "ordre" => 2 "nom" => "1. Smooth Operator" ] [ "ordre" => 3 "nom" => "2. Your Love Is King" ] [ "ordre" => 4 "nom" => "3. Hang On To Your Love" ] [ "ordre" => 5 "nom" => "4. Frankie's First Affair" ] [ "ordre" => 6 "nom" => "5. When Am I Going To Make A Living" ] [ "ordre" => 7 "nom" => "Side B : " ] [ "ordre" => 8 "nom" => "1. Cherry Pie" ] [ "ordre" => 9 "nom" => "2. Sally" ] [ "ordre" => 10 "nom" => "3. I Will Be Your Friend" ] [ "ordre" => 11 "nom" => "4. Why Can't We Live Together" ] [ "ordre" => 12 "nom" => "PROMISE (1985)" ] [ "ordre" => 13 "nom" => "Side A : " ] [ "ordre" => 14 "nom" => "1. Is It A Crime" ] [ "ordre" => 15 "nom" => "2. The Sweetest Taboo" ] [ "ordre" => 16 "nom" => "3. War Of The Hearts" ] [ "ordre" => 17 "nom" => "4. Jezebel" ] [ "ordre" => 18 "nom" => "Side B : " ] [ "ordre" => 19 "nom" => "1. Mr Wrong" ] [ "ordre" => 20 "nom" => "2. Never As Good As The First Time" ] [ "ordre" => 21 "nom" => "3. Fear" ] [ "ordre" => 22 "nom" => "4. Tar Baby" ] [ "ordre" => 23 "nom" => "5. Maureen" ] [ "ordre" => 24 "nom" => "STRONGER THAN PRIDE (1988)" ] [ "ordre" => 25 "nom" => "Side A : " ] [ "ordre" => 26 "nom" => "1. Love Is Stronger Than Pride " ] [ "ordre" => 27 "nom" => "2. Paradise " ] [ "ordre" => 28 "nom" => "3. Nothing Can Come Between Us " ] [ "ordre" => 29 "nom" => "4. Haunt Me " ] [ "ordre" => 30 "nom" => "5. Turn My Back On You" ] [ "ordre" => 31 "nom" => "Side B : " ] [ "ordre" => 32 "nom" => "1. Keep Looking " ] [ "ordre" => 33 "nom" => "2. Clean Heart " ] [ "ordre" => 34 "nom" => "3. Give It Up " ] [ "ordre" => 35 "nom" => "4. I Never Thought I’d See The Day " ] [ "ordre" => 36 "nom" => "5. Siempre Hay Esperanza " ] [ "ordre" => 37 "nom" => "LOVE DELUXE (1992)" ] [ "ordre" => 38 "nom" => "Side A : " ] [ "ordre" => 39 "nom" => "1. No Ordinary Love" ] [ "ordre" => 40 "nom" => "2. Feel No Pain" ] [ "ordre" => 41 "nom" => "3. I Couldn't Love You More" ] [ "ordre" => 42 "nom" => "4. Like A Tattoo" ] [ "ordre" => 43 "nom" => "Side B : " ] [ "ordre" => 44 "nom" => "1. Kiss Of Life" ] [ "ordre" => 45 "nom" => "2. Cherish The Day" ] [ "ordre" => 46 "nom" => "3. Pearls" ] [ "ordre" => 47 "nom" => "4. Bullet Proof Soul" ] [ "ordre" => 48 "nom" => "5. Mermaid" ] [ "ordre" => 49 "nom" => "LOVERS ROCK (2000)" ] [ "ordre" => 50 "nom" => "Side A : " ] [ "ordre" => 51 "nom" => "1. By Your Side " ] [ "ordre" => 52 "nom" => "2. Flow " ] [ "ordre" => 53 "nom" => "3. King of Sorrow " ] [ "ordre" => 54 "nom" => "4. Somebody Already Broke My Heart " ] [ "ordre" => 55 "nom" => "5. All About Our Love " ] [ "ordre" => 56 "nom" => "6. Slave Song " ] [ "ordre" => 57 "nom" => "Side B : " ] [ "ordre" => 58 "nom" => "1. The Sweetest Gift " ] [ "ordre" => 59 "nom" => "2. Every Word " ] [ "ordre" => 60 "nom" => "3. Immigrant " ] [ "ordre" => 61 "nom" => "4. Lovers Rock " ] [ "ordre" => 62 "nom" => "5. It's Only Love That Gets You Through " ] [ "ordre" => 63 "nom" => "SOLDIER OF LOVE (2010)" ] [ "ordre" => 64 "nom" => "Side A : " ] [ "ordre" => 65 "nom" => "1. The Moon And The Sky " ] [ "ordre" => 66 "nom" => "2. Soldier Of Love " ] [ "ordre" => 67 "nom" => "3. Morning Bird " ] [ "ordre" => 68 "nom" => "4. Babyfather " ] [ "ordre" => 69 "nom" => "5. Long Hard Road " ] [ "ordre" => 70 "nom" => "Side B : " ] [ "ordre" => 71 "nom" => "1. Be That Easy " ] [ "ordre" => 72 "nom" => "2. Bring Me Home " ] [ "ordre" => 73 "nom" => "3. In Another Time " ] [ "ordre" => 74 "nom" => "4. Skin " ] [ "ordre" => 75 "nom" => "5. The Safest Place " ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2123 …} -label: Proxies\__CG__\App\Entity\Label {#2126 …} -style: App\Entity\Style {#1452 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2135 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2128 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2130 …} -enregistreLe: DateTime @1599895862 {#2117 : 2020-09-12 07:31:02.0 UTC (+00:00) } -modifierLe: DateTime @1765215784 {#2116 : 2025-12-08 17:43:04.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2132 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-this-far-box-set-6-lp-sony-records-56121" } "detaillePage" => false ] |
|||
| Attributes | [] |
|||
| Component | App\Twig\Components\GestionPanierFavoriComponents {#3429 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2121 -id: 1916 -nom: "This Far - (Box Set 6 LP)" -informationComplementaire: null -description: """ - Complete Collection of Studio Work On 180 gram Vinyl 6 LP Box Set !\r\n - All 6 Studio Albums To Date Remastered At Half-Speed at Abbey Road Studios !\r\n \r\n This box set features remastered versions of all of Sade's studio albums to date, on pure 180 gram black vinyl the first complete collection of their studio work up to the present day. All six of the band's acclaimed albums Diamond Life (1984), Promise (1985), Stronger Than Pride (1988), Love Deluxe (1992), Lovers Rock (2000) and Soldier Of Love (2010) are packaged into the beautifully finished, white case-bound box.\r\n \r\n The close band of four : Sade (vocals), Stuart Matthewman (saxophone, guitar), Andrew Hale (keyboards) and Paul Spencer Denman (bass), were intimately involved in the process, spending time at Abbey Road Studios alongside acclaimed mastering engineer Miles Showell, and the band's longtime co-producer Mike Pela.\r\n \r\n The box set title, This Far, suggests that the band's studio work may not yet be fully complete, but this new highly collectable release brings together a canon of work previously difficult to source in its original format.\r\n \r\n Revisiting the audio, the band and Miles Showell at Abbey Road Studios worked from high resolution digital transfers of the stereo master mixes, from the original studio recordings, remastered at half-speed using Miles' own unique restored Neumann VMS80 cutting lathe, to perform the 12 sides of vinyl lacquer cuts. The elaborate, half-speed mastering process produced exceptionally clean and detailed audio whilst remaining faithful to the band's intended sound. No additional digital limiting was used in the mastering process, so the six albums benefit from the advantage of extra clarity and pure fidelity, preserving the dynamic range of the original mixes for the very first time.\r\n \r\n The six album sleeves have been meticulously reproduced in exact detail with authentic paper and printing methods, perfectly replicated for the first time since their original release, and assembled in the outer box which was designed by Tom Hingston Studios in London.\r\n \r\n Over an exceptional career spanning more than three decades, Sade's six albums have amassed a cool 60 million worldwide sales and have been certified platinum 24 times over. Producing singles such as "Your Love Is King", "Smooth Operator", and "By Your Side", Sade have gone on to achieve Number 1 albums across the world, collected several Grammys, MTV Video Music Awards, and a BRIT Award along the way, quietly taking their "place in the pantheon of cultural influence" (New York Times, October 2017). Their most recent studio album, Soldier Of Love, charted at number one in 15 countries, including the US, upon release in 2010.\r\n \r\n Commanding high praise from all genres of the global musical landscape Sade continue to leave their mark, engraved as a strong influence to some of today's most successful artists. The band are frequently cited as having inspired a younger generation of musicians, including Beyoncé, Drake, Kanye West, and Missy Elliot, to the freshest young blood of Christine and the Queens, Dua Lipa, FKA Twigs, Mabel, and Taylor Swift. Hip-hop luminaries have sampled from Sade's work creating new club classics, and their timeless tracks have been covered by Deftones, Donna Summer, Frank Ocean, Herbie Hancock, Jason Mraz, Lauryn Hill, LeAnn Rimes, Marsha Ambrosius featuring Dr. Dre, Prince, The 1975, Tori Amos, and You + Me, amongst others.\r\n \r\n Sade herself, universally lauded as "notoriously elusive", made her mark as a style icon after gracing the covers of The Face, Time, Rolling Stone, Billboard, i-D, Fader, Elle France, Cosmopolitan, NME, Melody Maker, Smash Hits, Essence, Ebony, Pride, Interview, and more throughout the band's illustrious career.\r\n \r\n Live, the band have toured all corners of the globe, including a notable 1985 performance at Live Aid, Wembley Stadium, when Sade Adu was the only African-born artist to appear in front of the live audience of 75000, plus an estimated worldwide television audience of 1,4 billion in 170 countries. The band's most recent 2011 tour performed 106 epic shows across four continents, experienced by 800000 fans, and was cited as "visually stunning" by Billboard with an "exquisite production", and an "adventure at the polar extremes of dynamics".\r\n A true testament to a body of work that through its evolution has captured hearts irrespective of age or creed, Sade's box set delivers and celebrates the band's legacy this far in a pure vinyl format. """ -prixVente: "259.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: null -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 6 -setBoxMusic: true -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Fh8ntMhUZHw" -referenceProduit: "Sony Records 56121" -titreMorceau: [ [ "ordre" => 0 "nom" => "DIANOND LIFE (1984)" ] [ "ordre" => 1 "nom" => "Side A : " ] [ "ordre" => 2 "nom" => "1. Smooth Operator" ] [ "ordre" => 3 "nom" => "2. Your Love Is King" ] [ "ordre" => 4 "nom" => "3. Hang On To Your Love" ] [ "ordre" => 5 "nom" => "4. Frankie's First Affair" ] [ "ordre" => 6 "nom" => "5. When Am I Going To Make A Living" ] [ "ordre" => 7 "nom" => "Side B : " ] [ "ordre" => 8 "nom" => "1. Cherry Pie" ] [ "ordre" => 9 "nom" => "2. Sally" ] [ "ordre" => 10 "nom" => "3. I Will Be Your Friend" ] [ "ordre" => 11 "nom" => "4. Why Can't We Live Together" ] [ "ordre" => 12 "nom" => "PROMISE (1985)" ] [ "ordre" => 13 "nom" => "Side A : " ] [ "ordre" => 14 "nom" => "1. Is It A Crime" ] [ "ordre" => 15 "nom" => "2. The Sweetest Taboo" ] [ "ordre" => 16 "nom" => "3. War Of The Hearts" ] [ "ordre" => 17 "nom" => "4. Jezebel" ] [ "ordre" => 18 "nom" => "Side B : " ] [ "ordre" => 19 "nom" => "1. Mr Wrong" ] [ "ordre" => 20 "nom" => "2. Never As Good As The First Time" ] [ "ordre" => 21 "nom" => "3. Fear" ] [ "ordre" => 22 "nom" => "4. Tar Baby" ] [ "ordre" => 23 "nom" => "5. Maureen" ] [ "ordre" => 24 "nom" => "STRONGER THAN PRIDE (1988)" ] [ "ordre" => 25 "nom" => "Side A : " ] [ "ordre" => 26 "nom" => "1. Love Is Stronger Than Pride " ] [ "ordre" => 27 "nom" => "2. Paradise " ] [ "ordre" => 28 "nom" => "3. Nothing Can Come Between Us " ] [ "ordre" => 29 "nom" => "4. Haunt Me " ] [ "ordre" => 30 "nom" => "5. Turn My Back On You" ] [ "ordre" => 31 "nom" => "Side B : " ] [ "ordre" => 32 "nom" => "1. Keep Looking " ] [ "ordre" => 33 "nom" => "2. Clean Heart " ] [ "ordre" => 34 "nom" => "3. Give It Up " ] [ "ordre" => 35 "nom" => "4. I Never Thought I’d See The Day " ] [ "ordre" => 36 "nom" => "5. Siempre Hay Esperanza " ] [ "ordre" => 37 "nom" => "LOVE DELUXE (1992)" ] [ "ordre" => 38 "nom" => "Side A : " ] [ "ordre" => 39 "nom" => "1. No Ordinary Love" ] [ "ordre" => 40 "nom" => "2. Feel No Pain" ] [ "ordre" => 41 "nom" => "3. I Couldn't Love You More" ] [ "ordre" => 42 "nom" => "4. Like A Tattoo" ] [ "ordre" => 43 "nom" => "Side B : " ] [ "ordre" => 44 "nom" => "1. Kiss Of Life" ] [ "ordre" => 45 "nom" => "2. Cherish The Day" ] [ "ordre" => 46 "nom" => "3. Pearls" ] [ "ordre" => 47 "nom" => "4. Bullet Proof Soul" ] [ "ordre" => 48 "nom" => "5. Mermaid" ] [ "ordre" => 49 "nom" => "LOVERS ROCK (2000)" ] [ "ordre" => 50 "nom" => "Side A : " ] [ "ordre" => 51 "nom" => "1. By Your Side " ] [ "ordre" => 52 "nom" => "2. Flow " ] [ "ordre" => 53 "nom" => "3. King of Sorrow " ] [ "ordre" => 54 "nom" => "4. Somebody Already Broke My Heart " ] [ "ordre" => 55 "nom" => "5. All About Our Love " ] [ "ordre" => 56 "nom" => "6. Slave Song " ] [ "ordre" => 57 "nom" => "Side B : " ] [ "ordre" => 58 "nom" => "1. The Sweetest Gift " ] [ "ordre" => 59 "nom" => "2. Every Word " ] [ "ordre" => 60 "nom" => "3. Immigrant " ] [ "ordre" => 61 "nom" => "4. Lovers Rock " ] [ "ordre" => 62 "nom" => "5. It's Only Love That Gets You Through " ] [ "ordre" => 63 "nom" => "SOLDIER OF LOVE (2010)" ] [ "ordre" => 64 "nom" => "Side A : " ] [ "ordre" => 65 "nom" => "1. The Moon And The Sky " ] [ "ordre" => 66 "nom" => "2. Soldier Of Love " ] [ "ordre" => 67 "nom" => "3. Morning Bird " ] [ "ordre" => 68 "nom" => "4. Babyfather " ] [ "ordre" => 69 "nom" => "5. Long Hard Road " ] [ "ordre" => 70 "nom" => "Side B : " ] [ "ordre" => 71 "nom" => "1. Be That Easy " ] [ "ordre" => 72 "nom" => "2. Bring Me Home " ] [ "ordre" => 73 "nom" => "3. In Another Time " ] [ "ordre" => 74 "nom" => "4. Skin " ] [ "ordre" => 75 "nom" => "5. The Safest Place " ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2123 …} -label: Proxies\__CG__\App\Entity\Label {#2126 …} -style: App\Entity\Style {#1452 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2135 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2128 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2130 …} -enregistreLe: DateTime @1599895862 {#2117 : 2020-09-12 07:31:02.0 UTC (+00:00) } -modifierLe: DateTime @1765215784 {#2116 : 2025-12-08 17:43:04.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2132 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-this-far-box-set-6-lp-sony-records-56121" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.46 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2142 -id: 628 -nom: "Love Deluxe - Half-Speed Mastered" -informationComplementaire: null -description: """ Sade "The Best Of Sade" 180 gram gatefold double LP !\r\n \r\n By the time this was released in 1994, something unexpected happened. Sade's early work became classic and the later additions boasted even better vocals and songs that nicely improved on the theme. The timeless sound and class always exhibited makes Sade Adu and her band a no-brainer for an appealing compilation. Like Al Green's Greatest Hits, The Best of Sade doesn't detract from the original albums and is a marker of time, not the end of the act.\r\n \r\n The ice-princess demeanor and detached vocals worked perfectly for the mid-'80s singles and radio samples "Smooth Operator" and "Your Love Is King." The tracks from the make-or-break second album, Promise, seem less dolorous propped up and sequenced for a compilation. The sensual-to-a-fault "The Sweetest Taboo" and "Never As Good As the First Time" both retain their strength here. The songs from Stronger Than Pride "Love Is Stronger Than Pride", "Nothing Can Come Between Us", and the great "Paradise" all benefit from Ian Cooper's mastering job.\r\n \r\n This set also includes tracks from Sade's "comeback" CD, Love Deluxe, including "Kiss of Life" and "No Ordinary Love". As a bonus, The Best of Sade also includes a rare cover of "Please Send Me Someone to Love" from the Philadelphia soundtrack. """ -prixVente: "69.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: null -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=c_lgse6-JKo&list=PLRkE5-eyt9iVY7n9jJJtAJazzM-F6DASg" -referenceProduit: "Legacy Records 0591" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Your Love Is King" ] [ "ordre" => 2 "nom" => "2. Hang On To Your Love" ] [ "ordre" => 3 "nom" => "3. Smooth Operator" ] [ "ordre" => 4 "nom" => "4. Jezebel" ] [ "ordre" => 5 "nom" => "Side B : " ] [ "ordre" => 6 "nom" => "1. The Sweetest Taboo" ] [ "ordre" => 7 "nom" => "2. Is It A Crime" ] [ "ordre" => 8 "nom" => "3. Never As Good As The First Time" ] [ "ordre" => 9 "nom" => "4. Love Is Stronger Than Pride" ] [ "ordre" => 10 "nom" => "Side C :" ] [ "ordre" => 11 "nom" => "1. Paradise" ] [ "ordre" => 12 "nom" => "2. Nothing Can Come Between Us" ] [ "ordre" => 13 "nom" => "3. No Ordinary Love" ] [ "ordre" => 14 "nom" => "4. Like A Tattoo" ] [ "ordre" => 15 "nom" => "Side D : " ] [ "ordre" => 16 "nom" => "1. Kiss Of Life" ] [ "ordre" => 17 "nom" => "2. Please Send Me Someone To Love" ] [ "ordre" => 18 "nom" => "3. Cherish The Day" ] [ "ordre" => 19 "nom" => "4. Pearls" ] [ "ordre" => 20 "nom" => "" ] [ "ordre" => 21 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2123 …} -label: Proxies\__CG__\App\Entity\Label {#2144 …} -style: App\Entity\Style {#1438 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2153 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2146 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2148 …} -enregistreLe: DateTime @1368978370 {#2138 : 2013-05-19 15:46:10.0 UTC (+00:00) } -modifierLe: DateTime @1765215296 {#2137 : 2025-12-08 17:34:56.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2150 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-love-deluxe-half-speed-mastered-legacy-records-0591" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3482 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2142 -id: 628 -nom: "Love Deluxe - Half-Speed Mastered" -informationComplementaire: null -description: """ Sade "The Best Of Sade" 180 gram gatefold double LP !\r\n \r\n By the time this was released in 1994, something unexpected happened. Sade's early work became classic and the later additions boasted even better vocals and songs that nicely improved on the theme. The timeless sound and class always exhibited makes Sade Adu and her band a no-brainer for an appealing compilation. Like Al Green's Greatest Hits, The Best of Sade doesn't detract from the original albums and is a marker of time, not the end of the act.\r\n \r\n The ice-princess demeanor and detached vocals worked perfectly for the mid-'80s singles and radio samples "Smooth Operator" and "Your Love Is King." The tracks from the make-or-break second album, Promise, seem less dolorous propped up and sequenced for a compilation. The sensual-to-a-fault "The Sweetest Taboo" and "Never As Good As the First Time" both retain their strength here. The songs from Stronger Than Pride "Love Is Stronger Than Pride", "Nothing Can Come Between Us", and the great "Paradise" all benefit from Ian Cooper's mastering job.\r\n \r\n This set also includes tracks from Sade's "comeback" CD, Love Deluxe, including "Kiss of Life" and "No Ordinary Love". As a bonus, The Best of Sade also includes a rare cover of "Please Send Me Someone to Love" from the Philadelphia soundtrack. """ -prixVente: "69.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: null -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=c_lgse6-JKo&list=PLRkE5-eyt9iVY7n9jJJtAJazzM-F6DASg" -referenceProduit: "Legacy Records 0591" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Your Love Is King" ] [ "ordre" => 2 "nom" => "2. Hang On To Your Love" ] [ "ordre" => 3 "nom" => "3. Smooth Operator" ] [ "ordre" => 4 "nom" => "4. Jezebel" ] [ "ordre" => 5 "nom" => "Side B : " ] [ "ordre" => 6 "nom" => "1. The Sweetest Taboo" ] [ "ordre" => 7 "nom" => "2. Is It A Crime" ] [ "ordre" => 8 "nom" => "3. Never As Good As The First Time" ] [ "ordre" => 9 "nom" => "4. Love Is Stronger Than Pride" ] [ "ordre" => 10 "nom" => "Side C :" ] [ "ordre" => 11 "nom" => "1. Paradise" ] [ "ordre" => 12 "nom" => "2. Nothing Can Come Between Us" ] [ "ordre" => 13 "nom" => "3. No Ordinary Love" ] [ "ordre" => 14 "nom" => "4. Like A Tattoo" ] [ "ordre" => 15 "nom" => "Side D : " ] [ "ordre" => 16 "nom" => "1. Kiss Of Life" ] [ "ordre" => 17 "nom" => "2. Please Send Me Someone To Love" ] [ "ordre" => 18 "nom" => "3. Cherish The Day" ] [ "ordre" => 19 "nom" => "4. Pearls" ] [ "ordre" => 20 "nom" => "" ] [ "ordre" => 21 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2123 …} -label: Proxies\__CG__\App\Entity\Label {#2144 …} -style: App\Entity\Style {#1438 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2153 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2146 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2148 …} -enregistreLe: DateTime @1368978370 {#2138 : 2013-05-19 15:46:10.0 UTC (+00:00) } -modifierLe: DateTime @1765215296 {#2137 : 2025-12-08 17:34:56.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2150 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-love-deluxe-half-speed-mastered-legacy-records-0591" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.35 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2158 -id: 2337 -nom: "Raising Hell - SuperVinyl LP 180 gram Numbered Limited Edition" -informationComplementaire: null -description: """ - 1985 ALBUM ESTABLISHED HIP-HOP'S MODERN BLUEPRINT AND MAINSTREAM CURRENCY !\r\n - Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated !\r\n \r\n Run-D.M.C. leaves no doubt about its intent on King of Rock. The New York trio's hard-hitting sophomore album begins with a statement of purpose ("Rock the House") that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage. "It's not Michael Jackson / And this is not Thriller", the group broadcasts early on in the record. Truer words and music recorded with such honesty, pride, rawness, and integrity have seldom been committed to tape.\r\n \r\n Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180 gram SuperVinyl 33 RPM LP is the definitive-sounding version of this monumental recording.\r\n \r\n MoFi SuperVinyl\r\n \r\n Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: null -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=qXzWlPL_TKw" -referenceProduit: "Mobile Fidelity Sound Lab MFSV 1-535" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Rock the House " ] [ "ordre" => 2 "nom" => "2. King of Rock " ] [ "ordre" => 3 "nom" => "3. You Talk Too Much " ] [ "ordre" => 4 "nom" => "4. Jam-Master Jammin' " ] [ "ordre" => 5 "nom" => "5. Roots, Rap, Reggae " ] [ "ordre" => 6 "nom" => "Side B : " ] [ "ordre" => 7 "nom" => "1. Can You Rock It Like This " ] [ "ordre" => 8 "nom" => "2. You're Blind " ] [ "ordre" => 9 "nom" => "3. It's Not Funny " ] [ "ordre" => 10 "nom" => "4. Daryll and Joe (Krush-Groove 3)" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2160 …} -label: Proxies\__CG__\App\Entity\Label {#2163 …} -style: App\Entity\Style {#1448 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2172 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2165 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2167 …} -enregistreLe: DateTime @1671351847 {#2155 : 2022-12-18 08:24:07.0 UTC (+00:00) } -modifierLe: DateTime @1765214298 {#2156 : 2025-12-08 17:18:18.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2169 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-raising-hell-supervinyl-lp-180-gram-numbered-limited-edition-mobile-fidelity-sound-lab-mfsv-1-535" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3528 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2158 -id: 2337 -nom: "Raising Hell - SuperVinyl LP 180 gram Numbered Limited Edition" -informationComplementaire: null -description: """ - 1985 ALBUM ESTABLISHED HIP-HOP'S MODERN BLUEPRINT AND MAINSTREAM CURRENCY !\r\n - Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated !\r\n \r\n Run-D.M.C. leaves no doubt about its intent on King of Rock. The New York trio's hard-hitting sophomore album begins with a statement of purpose ("Rock the House") that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage. "It's not Michael Jackson / And this is not Thriller", the group broadcasts early on in the record. Truer words and music recorded with such honesty, pride, rawness, and integrity have seldom been committed to tape.\r\n \r\n Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180 gram SuperVinyl 33 RPM LP is the definitive-sounding version of this monumental recording.\r\n \r\n MoFi SuperVinyl\r\n \r\n Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: null -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=qXzWlPL_TKw" -referenceProduit: "Mobile Fidelity Sound Lab MFSV 1-535" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Rock the House " ] [ "ordre" => 2 "nom" => "2. King of Rock " ] [ "ordre" => 3 "nom" => "3. You Talk Too Much " ] [ "ordre" => 4 "nom" => "4. Jam-Master Jammin' " ] [ "ordre" => 5 "nom" => "5. Roots, Rap, Reggae " ] [ "ordre" => 6 "nom" => "Side B : " ] [ "ordre" => 7 "nom" => "1. Can You Rock It Like This " ] [ "ordre" => 8 "nom" => "2. You're Blind " ] [ "ordre" => 9 "nom" => "3. It's Not Funny " ] [ "ordre" => 10 "nom" => "4. Daryll and Joe (Krush-Groove 3)" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2160 …} -label: Proxies\__CG__\App\Entity\Label {#2163 …} -style: App\Entity\Style {#1448 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2172 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2165 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2167 …} -enregistreLe: DateTime @1671351847 {#2155 : 2022-12-18 08:24:07.0 UTC (+00:00) } -modifierLe: DateTime @1765214298 {#2156 : 2025-12-08 17:18:18.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2169 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-raising-hell-supervinyl-lp-180-gram-numbered-limited-edition-mobile-fidelity-sound-lab-mfsv-1-535" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.35 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2177 -id: 1891 -nom: "Raising Hell" -informationComplementaire: null -description: """ - SOURCED FROM THE ORIGINAL MASTER TAPES AND PRESSED ON MOFI SUPERVINYL !\r\n - 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n \r\n Run-D.M.C.'s Raising Hell remains the turning point at which hip-hop crashed through mainstream barriers and never left. Anchored by the crossover smash "Walk This Way", the 1986 blockbuster still sounds like a revolution unfolding in real time. It has everything – hard-rock riffs, turntable scratching, itchy rhythms, hit singles not the least of which are the trio's invigorating raps and inseparable chemistry. And now it's the first rap record afforded audiophile treatment, courtesy of Mobile Fidelity's simply illin' edition.\r\n \r\n Sourced from the original master tapes and pressed on MoFi SuperVinyl, the reissue label's numbered-edition 180 gram 33 RPM SuperVinyl LP elevates Raising Hell to sonic heights on par with its musical and cultural significance. Ranked the 123rd Greatest Album of All Time by Rolling Stone, 43rd on Pitchfork's Greatest Albums of the 1980s, one of the Top 100 Albums of All Time by TIME and included on "Best of" lists by Spin, Paste, XXL, Entertainment Weekly, and basically every other significant media outlet the triple-platinum effort rocks the house.\r\n \r\n Benefitting from the ultra-low noise floor and groove definition of SuperVinyl, Raising Hell unleashes a torrent of massive dynamics and tsunami of frequency-plumbing details underlined by Rick Rubin's taut, crisp, albeit raw and streetwise production. Just as the Queens-based group both defined what hip-hop could represent and displayed just how big it could get Rubin's work melded ear-worm hooks, savvy drum loops, metal-leaning guitars, and, of course, Run and D.M.C.'s cross-fire lyrical interplay into watertight frameworks bursting with ideas, tones, samples, and beats. Heard anew on Mobile Fidelity vinyl, Raising Hell is in every regard the aural equivalent of a direct-to-console 1970s classic. And it sounds as fresh as hell.\r\n \r\n As for the music, it ranks among the most influential, inventive, and invigorating ever released rap or otherwise. Vanguard artists such as Ice-T, Eminem, Jay-Z, and Public Enemy's Chuck D who declared it his all-time favorite and "the first record that made me realize this was an album-oriented genre" have testified on behalf of its brilliance. And never mind the presence of the Top 5 single "Walk This Way", whose power helped make Aerosmith's Steven Tyler and Joe Perry relevant for the first time in nearly a decade and literally put Run-D.M.C. in bedrooms ranging from the Bronx to Bartlett to Bad Axe.\r\n \r\n Look instead to the rest of the entirely filler-free set, be it the corkscrew turns, slippery wordplay, and "My Sharona" -meets-"Mickey" mixology of the boisterous "It's Tricky", the fat-but-minimized bass grooves and warped turntable wobble of the hysterical "You Be Illin'", chimes-accented inertia and boombox-on- shoulder thunder of the now-iconic "Peter Piper," or voice-as-percussion attack of the funky "Is It Live". With Raising Hell, the answer to the question is always affirmative a sensation bolstered by the fact the group always had something to say.\r\n \r\n The definition of Golden Age Hip-Hop in every way, Run-D.M.C. avoids the negativity and misogyny that later plagued the style, spinning assertive tales about identity (the biographical and culture-changing "My Adidas"), work ethics ("Perfection"), and, most notably, pride (the Harriet Tubman- and Malcom X.-referencing "Proud to Be Black"). Pavement-packed inner cities, tree-lined suburbs, and cornfield-rimmed rural areas would never again be the same. And rocking a rhyme that's right on time would become trickier than ever. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Darryl McDaniels (vocals), Jason Mizell, Joseph Simmons (keyboards, percussion, vocals), Joe Perry, Rick Rubin (guitar), Daniel Shulman (bass), Steven Tyler (vocals), Sam Sever (drums programming)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=l-O5IHVhWj0" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-494" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Peter Piper" ] [ "ordre" => 2 "nom" => "2. It's Tricky" ] [ "ordre" => 3 "nom" => "3. My Adidas" ] [ "ordre" => 4 "nom" => "Side B :" ] [ "ordre" => 5 "nom" => "1. Walk This Way" ] [ "ordre" => 6 "nom" => "2. Is It Live" ] [ "ordre" => 7 "nom" => "3. Perfection" ] [ "ordre" => 8 "nom" => "Side C :" ] [ "ordre" => 9 "nom" => "1. Hit It Run" ] [ "ordre" => 10 "nom" => "2. Raising Hell" ] [ "ordre" => 11 "nom" => "3. You Be Illin'" ] [ "ordre" => 12 "nom" => "Side D : " ] [ "ordre" => 13 "nom" => "1. Dumb Girl" ] [ "ordre" => 14 "nom" => "2. Son of Byford" ] [ "ordre" => 15 "nom" => "3. Proud to Be Black" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2160 …} -label: Proxies\__CG__\App\Entity\Label {#2163 …} -style: App\Entity\Style {#1448 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2185 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2178 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2180 …} -enregistreLe: DateTime @1595918289 {#2174 : 2020-07-28 06:38:09.0 UTC (+00:00) } -modifierLe: DateTime @1765213964 {#2175 : 2025-12-08 17:12:44.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2182 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-raising-hell-mobile-fidelity-sound-lab-mfsl-2-494" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3581 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2177 -id: 1891 -nom: "Raising Hell" -informationComplementaire: null -description: """ - SOURCED FROM THE ORIGINAL MASTER TAPES AND PRESSED ON MOFI SUPERVINYL !\r\n - 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n \r\n Run-D.M.C.'s Raising Hell remains the turning point at which hip-hop crashed through mainstream barriers and never left. Anchored by the crossover smash "Walk This Way", the 1986 blockbuster still sounds like a revolution unfolding in real time. It has everything – hard-rock riffs, turntable scratching, itchy rhythms, hit singles not the least of which are the trio's invigorating raps and inseparable chemistry. And now it's the first rap record afforded audiophile treatment, courtesy of Mobile Fidelity's simply illin' edition.\r\n \r\n Sourced from the original master tapes and pressed on MoFi SuperVinyl, the reissue label's numbered-edition 180 gram 33 RPM SuperVinyl LP elevates Raising Hell to sonic heights on par with its musical and cultural significance. Ranked the 123rd Greatest Album of All Time by Rolling Stone, 43rd on Pitchfork's Greatest Albums of the 1980s, one of the Top 100 Albums of All Time by TIME and included on "Best of" lists by Spin, Paste, XXL, Entertainment Weekly, and basically every other significant media outlet the triple-platinum effort rocks the house.\r\n \r\n Benefitting from the ultra-low noise floor and groove definition of SuperVinyl, Raising Hell unleashes a torrent of massive dynamics and tsunami of frequency-plumbing details underlined by Rick Rubin's taut, crisp, albeit raw and streetwise production. Just as the Queens-based group both defined what hip-hop could represent and displayed just how big it could get Rubin's work melded ear-worm hooks, savvy drum loops, metal-leaning guitars, and, of course, Run and D.M.C.'s cross-fire lyrical interplay into watertight frameworks bursting with ideas, tones, samples, and beats. Heard anew on Mobile Fidelity vinyl, Raising Hell is in every regard the aural equivalent of a direct-to-console 1970s classic. And it sounds as fresh as hell.\r\n \r\n As for the music, it ranks among the most influential, inventive, and invigorating ever released rap or otherwise. Vanguard artists such as Ice-T, Eminem, Jay-Z, and Public Enemy's Chuck D who declared it his all-time favorite and "the first record that made me realize this was an album-oriented genre" have testified on behalf of its brilliance. And never mind the presence of the Top 5 single "Walk This Way", whose power helped make Aerosmith's Steven Tyler and Joe Perry relevant for the first time in nearly a decade and literally put Run-D.M.C. in bedrooms ranging from the Bronx to Bartlett to Bad Axe.\r\n \r\n Look instead to the rest of the entirely filler-free set, be it the corkscrew turns, slippery wordplay, and "My Sharona" -meets-"Mickey" mixology of the boisterous "It's Tricky", the fat-but-minimized bass grooves and warped turntable wobble of the hysterical "You Be Illin'", chimes-accented inertia and boombox-on- shoulder thunder of the now-iconic "Peter Piper," or voice-as-percussion attack of the funky "Is It Live". With Raising Hell, the answer to the question is always affirmative a sensation bolstered by the fact the group always had something to say.\r\n \r\n The definition of Golden Age Hip-Hop in every way, Run-D.M.C. avoids the negativity and misogyny that later plagued the style, spinning assertive tales about identity (the biographical and culture-changing "My Adidas"), work ethics ("Perfection"), and, most notably, pride (the Harriet Tubman- and Malcom X.-referencing "Proud to Be Black"). Pavement-packed inner cities, tree-lined suburbs, and cornfield-rimmed rural areas would never again be the same. And rocking a rhyme that's right on time would become trickier than ever. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Darryl McDaniels (vocals), Jason Mizell, Joseph Simmons (keyboards, percussion, vocals), Joe Perry, Rick Rubin (guitar), Daniel Shulman (bass), Steven Tyler (vocals), Sam Sever (drums programming)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=l-O5IHVhWj0" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-494" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Peter Piper" ] [ "ordre" => 2 "nom" => "2. It's Tricky" ] [ "ordre" => 3 "nom" => "3. My Adidas" ] [ "ordre" => 4 "nom" => "Side B :" ] [ "ordre" => 5 "nom" => "1. Walk This Way" ] [ "ordre" => 6 "nom" => "2. Is It Live" ] [ "ordre" => 7 "nom" => "3. Perfection" ] [ "ordre" => 8 "nom" => "Side C :" ] [ "ordre" => 9 "nom" => "1. Hit It Run" ] [ "ordre" => 10 "nom" => "2. Raising Hell" ] [ "ordre" => 11 "nom" => "3. You Be Illin'" ] [ "ordre" => 12 "nom" => "Side D : " ] [ "ordre" => 13 "nom" => "1. Dumb Girl" ] [ "ordre" => 14 "nom" => "2. Son of Byford" ] [ "ordre" => 15 "nom" => "3. Proud to Be Black" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2160 …} -label: Proxies\__CG__\App\Entity\Label {#2163 …} -style: App\Entity\Style {#1448 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2185 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2178 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2180 …} -enregistreLe: DateTime @1595918289 {#2174 : 2020-07-28 06:38:09.0 UTC (+00:00) } -modifierLe: DateTime @1765213964 {#2175 : 2025-12-08 17:12:44.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2182 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-raising-hell-mobile-fidelity-sound-lab-mfsl-2-494" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.34 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2190 -id: 2338 -nom: "Run DMC - (Limited Numbered Edition Super Vinyl)" -informationComplementaire: null -description: """ - RUN-D.M.C.'S PATHBREAKING SELF-TITLED DEBUT BENEFITS FROM DEFINITIVE RESTORATIVE TREATMENT !\r\n - Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated !\r\n \r\n The impact, influence, and importance of Run-D.M.C.'s self-titled debut – the album that invented hardcore hip-hop and bridged rap, rock, and funk in then-unparalleled ways cannot be measured. The first full-length record released by Profile Records, the 1984 set permanently changed the sound of music, broadcast streetwise wisdom to every corner of the country, and made the notion of a one-man band a distinct reality. Produced by Russell Simmons and Larry Smith – and bolstered by an incendiary blend of staccato deliveries, stark beats, aggressive exchanges, evocative hooks, and socially conscious messages Run-D.M.C. still hits listeners in the jaw with the same intensity it did nearly 40 years ago when it could be heard booming from ghetto blasters carried around city blocks nationwide.\r\n \r\n Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180 gram SuperVinyl 33 RPM LP is the definitive-sounding version of this groundbreaking work.\r\n \r\n MoFi SuperVinyl\r\n \r\n Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: null -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=tpKw-eYbNG8" -referenceProduit: "Mobile Fidelity Sound Lab MFSV 1-533" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Hard Times \t" ] [ "ordre" => 2 "nom" => "2. Rock Box " ] [ "ordre" => 3 "nom" => "3. Jam-Master Jay " ] [ "ordre" => 4 "nom" => "4. Hollis Crew (Krush-Groove 2) " ] [ "ordre" => 5 "nom" => "5. Sucker M.C.'s (Krush-Groove 1) " ] [ "ordre" => 6 "nom" => "Side B : " ] [ "ordre" => 7 "nom" => "1. It's Like That " ] [ "ordre" => 8 "nom" => "2. Wake Up " ] [ "ordre" => 9 "nom" => "3. 30 Days " ] [ "ordre" => 10 "nom" => "4. Jay's Game" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2160 …} -label: Proxies\__CG__\App\Entity\Label {#2163 …} -style: App\Entity\Style {#1448 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2198 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2191 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2193 …} -enregistreLe: DateTime @1671353442 {#2187 : 2022-12-18 08:50:42.0 UTC (+00:00) } -modifierLe: DateTime @1765213628 {#2188 : 2025-12-08 17:07:08.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2195 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-run-dmc-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsv-1-533" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3629 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2190 -id: 2338 -nom: "Run DMC - (Limited Numbered Edition Super Vinyl)" -informationComplementaire: null -description: """ - RUN-D.M.C.'S PATHBREAKING SELF-TITLED DEBUT BENEFITS FROM DEFINITIVE RESTORATIVE TREATMENT !\r\n - Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated !\r\n \r\n The impact, influence, and importance of Run-D.M.C.'s self-titled debut – the album that invented hardcore hip-hop and bridged rap, rock, and funk in then-unparalleled ways cannot be measured. The first full-length record released by Profile Records, the 1984 set permanently changed the sound of music, broadcast streetwise wisdom to every corner of the country, and made the notion of a one-man band a distinct reality. Produced by Russell Simmons and Larry Smith – and bolstered by an incendiary blend of staccato deliveries, stark beats, aggressive exchanges, evocative hooks, and socially conscious messages Run-D.M.C. still hits listeners in the jaw with the same intensity it did nearly 40 years ago when it could be heard booming from ghetto blasters carried around city blocks nationwide.\r\n \r\n Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180 gram SuperVinyl 33 RPM LP is the definitive-sounding version of this groundbreaking work.\r\n \r\n MoFi SuperVinyl\r\n \r\n Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: null -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=tpKw-eYbNG8" -referenceProduit: "Mobile Fidelity Sound Lab MFSV 1-533" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Hard Times \t" ] [ "ordre" => 2 "nom" => "2. Rock Box " ] [ "ordre" => 3 "nom" => "3. Jam-Master Jay " ] [ "ordre" => 4 "nom" => "4. Hollis Crew (Krush-Groove 2) " ] [ "ordre" => 5 "nom" => "5. Sucker M.C.'s (Krush-Groove 1) " ] [ "ordre" => 6 "nom" => "Side B : " ] [ "ordre" => 7 "nom" => "1. It's Like That " ] [ "ordre" => 8 "nom" => "2. Wake Up " ] [ "ordre" => 9 "nom" => "3. 30 Days " ] [ "ordre" => 10 "nom" => "4. Jay's Game" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2160 …} -label: Proxies\__CG__\App\Entity\Label {#2163 …} -style: App\Entity\Style {#1448 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2198 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2191 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2193 …} -enregistreLe: DateTime @1671353442 {#2187 : 2022-12-18 08:50:42.0 UTC (+00:00) } -modifierLe: DateTime @1765213628 {#2188 : 2025-12-08 17:07:08.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2195 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-run-dmc-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsv-1-533" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.34 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2203 -id: 2483 -nom: "Rock & Roll" -informationComplementaire: "Limited to 2000 numbered copies !" -description: """ Musicians : \r\n Ruth Brown (vocals), Rector Bailey, Mickey Baker, John Collins, Eddie Condon (guitar), Joe Bushkin, Ernie Hayes, John Lewis, Bu Pleasant, Harry Van Walls (piano), Ernie Caceres, Haywood Henry, Sylvester Thomas, Paul Williams (baritone saxophone), Dick Cary (alto horn), Bobby Hackett, Taft Jordan, Ed "Tiger" Lewis (trumpet), Will Bradley, Richard Harris (trombone), Peanuts Hucko (clarinet, tenor saxophone), Arnett Cobb, Willis Jackson, Sam Taylor (tenor saxophone), George Duvivier, Jack Lesberg, Benny Moten, Lloyd Trotman (bass), The Delta Rhythm Boys, The Rhythmakers (backing vocals), Sidney Catlett, Connie Kay, Joe Marshall, Noruddin Zafer (drums).\r\n \r\n - 180-gram mono LP !\r\n - 1/4" / 15 IPS to DSD 256 to analog console to lathe !\r\n - Pressed at RTI !\r\n - Limited to 2000 numbered copies !\r\n - Reissued in partnership with Atlantic Records' 75th Anniversary !\r\n \r\n Rock & Roll, indeed. Ruth Brown's sizzling full-length debut also known by its eponymous title symbolizes what was exciting, fresh, invigorating, and raw about the burgeoning style in its halcyon days. Originally released in 1957, and reissued here in audiophile quality for the first time in partnership with Atlantic Records' 75th anniversary, the set remains a testament to one of the most pioneering and talented vocalists to ever command a stage.\r\n \r\n Mastered on Mobile Fidelity Sound Lab's renowned mastering system in California, pressed at RTI, housed in a Stoughton jacket, and strictly limited to 2000 numbered copies, Mobile Fidelity's 180 gram mono LP of Rock & Roll plays with an immediacy, vibrancy, and fullness that showcase the reach, power, and emotionalism of Brown's voice. The sound of her support musicians brassy horns, swinging rhythm combos, echoing backing vocalists, rollicking pianists, jaunty guitarists is made clear and vivid, helping the upbeat fare to jump, juke, and jive with newfound energy and exuberance. In a related manner, Brown's slower, more understated material crackles with an intimacy and passion that let you know you're in the presence of a woman who has lived what she sings. The longtime Rock and Roll Hall of Fame member deserves nothing less.\r\n \r\n In an era dominated by big-throated vocalists, few if any came grander than Brown. The singer, whose repeat million-selling ‘50s success with Atlantic Records led many to call the then-indie label "The House That Ruth Built," charted two dozen R&B hits in the span of a decade for the fledgling imprint. Rightly coined "Miss Rhythm", the extroverted Brown put Atlantic on the national map, became the best-selling female musician of the ‘50s, and established a precedent that would ultimately lead to Grammy and Tony Awards. Her early works have lost none of their fire or flair.\r\n \r\n Akin to many full-length LPs of its era, Rock & Roll doubles as a collection. Its 14 tracks comprise some of the more famous sides Brown recorded for Atlantic, beginning in 1949 with the all-time-great rendition of the ballad "So Long", and continuing through 1956. After the song caught the public's ear, the Virginia native briefly became known for her smoldering style with lovelorn material and torch songs, approaching them (see "Oh What a Dream," "Old Man River") with a combination of pained sadness and hardened resilience that had no contemporary equal. Encouraged to pursue the style by Atlantic Records co-founder Ahmt Ertegun, her R&B-driven material soon made her a constant chart presence.\r\n \r\n Demonstrating what fellow legend Bonnie Raitt deemed "sex with class and dignity", Brown merges blues and jazz, swing and gospel in electrifying fashion. She dares you not to move, dance, and get on your feet. A majority of Rock & Roll explodes with uptempo runs and jaunty readings of hot-blooded R&B numbers. Sweaty and sultry, bawdy and bold, Brown eclipses the anthemic blare of the saxophones and joyful clatter of the 88s, singing with a slight catch in her voice and hurricane-gale force that threatens to blow the roof off whatever room her voice occupies.\r\n \r\n Evidence abounds. Listen to her prod the band and encourage the band members to blow a fuse on a sizzling "Hello Little Boy", complete with cries and wails; stretch her phrasing to the heavens on the swaying "Wild Wild Young Men", laden with romp-and-stomp beats; plead and persuade on the snaking "5-10-15 Hours", which flips the script on the age's notions of dominance; use her raspy tones, high notes, and breath control to mesmerizing effect on the smash "Mama He Treats Your Daughter Mean", recorded with a group led by Ray Charles; survey the scene and take charge on the steaming "As Long as I'm Moving"; and tap a classy albeit flirtatious vein on "Lucky Lips", which dented the pop charts as her first crossover hit.\r\n \r\n Throughout Rock & Roll, Brown knows the lyrical connotations and spirited architecture of the songs inside-out. Her assertive voice never harsh, strident, or false is the epitome of the passionate desires and sonic strains that turned into nascent rock 'n' roll. Brown played a pivotal role in helping the style develop, the record a timeless reminder of a lasting legacy that will never be forgotten. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Ruth Brown (vocals), Rector Bailey, Mickey Baker, John Collins, Eddie Condon (guitar), Joe Bushkin, Ernie Hayes, John Lewis, Bu Pleasant, Harry Van Walls (piano), Ernie Caceres, Haywood Henry, Sylvester Thomas, Paul Williams (baritone saxophone)..." -sonMusic: App\Enum\SonMusicEnum {#1113 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=jxn_T-Ix-M8" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-548" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Lucky Lips" ] [ "ordre" => 2 "nom" => "2. As Long As I'm Moving" ] [ "ordre" => 3 "nom" => "3. Wild Wild Young Men" ] [ "ordre" => 4 "nom" => "4. Daddy Daddy" ] [ "ordre" => 5 "nom" => "5. Mambo Baby" ] [ "ordre" => 6 "nom" => "6. Teardrops From My Eyes" ] [ "ordre" => 7 "nom" => "7. Hello Little Bo" ] [ "ordre" => 8 "nom" => "Side B : " ] [ "ordre" => 9 "nom" => "1. Mama Treats Your Daughter Mean" ] [ "ordre" => 10 "nom" => "2. 5-10-15 Hours" ] [ "ordre" => 11 "nom" => "3. It's Love Baby" ] [ "ordre" => 12 "nom" => "4. Sentimental Journey" ] [ "ordre" => 13 "nom" => "5. Old Man River" ] [ "ordre" => 14 "nom" => "6. So Long" ] [ "ordre" => 15 "nom" => "7. Oh What A Dream" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2205 …} -label: Proxies\__CG__\App\Entity\Label {#2163 …} -style: App\Entity\Style {#1452 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2214 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2207 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2209 …} -enregistreLe: DateTime @1703435102 {#2200 : 2023-12-24 16:25:02.0 UTC (+00:00) } -modifierLe: DateTime @1765213370 {#2201 : 2025-12-08 17:02:50.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2211 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-rock-roll-mobile-fidelity-sound-lab-mfsl-1-548" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3675 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2203 -id: 2483 -nom: "Rock & Roll" -informationComplementaire: "Limited to 2000 numbered copies !" -description: """ Musicians : \r\n Ruth Brown (vocals), Rector Bailey, Mickey Baker, John Collins, Eddie Condon (guitar), Joe Bushkin, Ernie Hayes, John Lewis, Bu Pleasant, Harry Van Walls (piano), Ernie Caceres, Haywood Henry, Sylvester Thomas, Paul Williams (baritone saxophone), Dick Cary (alto horn), Bobby Hackett, Taft Jordan, Ed "Tiger" Lewis (trumpet), Will Bradley, Richard Harris (trombone), Peanuts Hucko (clarinet, tenor saxophone), Arnett Cobb, Willis Jackson, Sam Taylor (tenor saxophone), George Duvivier, Jack Lesberg, Benny Moten, Lloyd Trotman (bass), The Delta Rhythm Boys, The Rhythmakers (backing vocals), Sidney Catlett, Connie Kay, Joe Marshall, Noruddin Zafer (drums).\r\n \r\n - 180-gram mono LP !\r\n - 1/4" / 15 IPS to DSD 256 to analog console to lathe !\r\n - Pressed at RTI !\r\n - Limited to 2000 numbered copies !\r\n - Reissued in partnership with Atlantic Records' 75th Anniversary !\r\n \r\n Rock & Roll, indeed. Ruth Brown's sizzling full-length debut also known by its eponymous title symbolizes what was exciting, fresh, invigorating, and raw about the burgeoning style in its halcyon days. Originally released in 1957, and reissued here in audiophile quality for the first time in partnership with Atlantic Records' 75th anniversary, the set remains a testament to one of the most pioneering and talented vocalists to ever command a stage.\r\n \r\n Mastered on Mobile Fidelity Sound Lab's renowned mastering system in California, pressed at RTI, housed in a Stoughton jacket, and strictly limited to 2000 numbered copies, Mobile Fidelity's 180 gram mono LP of Rock & Roll plays with an immediacy, vibrancy, and fullness that showcase the reach, power, and emotionalism of Brown's voice. The sound of her support musicians brassy horns, swinging rhythm combos, echoing backing vocalists, rollicking pianists, jaunty guitarists is made clear and vivid, helping the upbeat fare to jump, juke, and jive with newfound energy and exuberance. In a related manner, Brown's slower, more understated material crackles with an intimacy and passion that let you know you're in the presence of a woman who has lived what she sings. The longtime Rock and Roll Hall of Fame member deserves nothing less.\r\n \r\n In an era dominated by big-throated vocalists, few if any came grander than Brown. The singer, whose repeat million-selling ‘50s success with Atlantic Records led many to call the then-indie label "The House That Ruth Built," charted two dozen R&B hits in the span of a decade for the fledgling imprint. Rightly coined "Miss Rhythm", the extroverted Brown put Atlantic on the national map, became the best-selling female musician of the ‘50s, and established a precedent that would ultimately lead to Grammy and Tony Awards. Her early works have lost none of their fire or flair.\r\n \r\n Akin to many full-length LPs of its era, Rock & Roll doubles as a collection. Its 14 tracks comprise some of the more famous sides Brown recorded for Atlantic, beginning in 1949 with the all-time-great rendition of the ballad "So Long", and continuing through 1956. After the song caught the public's ear, the Virginia native briefly became known for her smoldering style with lovelorn material and torch songs, approaching them (see "Oh What a Dream," "Old Man River") with a combination of pained sadness and hardened resilience that had no contemporary equal. Encouraged to pursue the style by Atlantic Records co-founder Ahmt Ertegun, her R&B-driven material soon made her a constant chart presence.\r\n \r\n Demonstrating what fellow legend Bonnie Raitt deemed "sex with class and dignity", Brown merges blues and jazz, swing and gospel in electrifying fashion. She dares you not to move, dance, and get on your feet. A majority of Rock & Roll explodes with uptempo runs and jaunty readings of hot-blooded R&B numbers. Sweaty and sultry, bawdy and bold, Brown eclipses the anthemic blare of the saxophones and joyful clatter of the 88s, singing with a slight catch in her voice and hurricane-gale force that threatens to blow the roof off whatever room her voice occupies.\r\n \r\n Evidence abounds. Listen to her prod the band and encourage the band members to blow a fuse on a sizzling "Hello Little Boy", complete with cries and wails; stretch her phrasing to the heavens on the swaying "Wild Wild Young Men", laden with romp-and-stomp beats; plead and persuade on the snaking "5-10-15 Hours", which flips the script on the age's notions of dominance; use her raspy tones, high notes, and breath control to mesmerizing effect on the smash "Mama He Treats Your Daughter Mean", recorded with a group led by Ray Charles; survey the scene and take charge on the steaming "As Long as I'm Moving"; and tap a classy albeit flirtatious vein on "Lucky Lips", which dented the pop charts as her first crossover hit.\r\n \r\n Throughout Rock & Roll, Brown knows the lyrical connotations and spirited architecture of the songs inside-out. Her assertive voice never harsh, strident, or false is the epitome of the passionate desires and sonic strains that turned into nascent rock 'n' roll. Brown played a pivotal role in helping the style develop, the record a timeless reminder of a lasting legacy that will never be forgotten. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Ruth Brown (vocals), Rector Bailey, Mickey Baker, John Collins, Eddie Condon (guitar), Joe Bushkin, Ernie Hayes, John Lewis, Bu Pleasant, Harry Van Walls (piano), Ernie Caceres, Haywood Henry, Sylvester Thomas, Paul Williams (baritone saxophone)..." -sonMusic: App\Enum\SonMusicEnum {#1113 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=jxn_T-Ix-M8" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-548" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Lucky Lips" ] [ "ordre" => 2 "nom" => "2. As Long As I'm Moving" ] [ "ordre" => 3 "nom" => "3. Wild Wild Young Men" ] [ "ordre" => 4 "nom" => "4. Daddy Daddy" ] [ "ordre" => 5 "nom" => "5. Mambo Baby" ] [ "ordre" => 6 "nom" => "6. Teardrops From My Eyes" ] [ "ordre" => 7 "nom" => "7. Hello Little Bo" ] [ "ordre" => 8 "nom" => "Side B : " ] [ "ordre" => 9 "nom" => "1. Mama Treats Your Daughter Mean" ] [ "ordre" => 10 "nom" => "2. 5-10-15 Hours" ] [ "ordre" => 11 "nom" => "3. It's Love Baby" ] [ "ordre" => 12 "nom" => "4. Sentimental Journey" ] [ "ordre" => 13 "nom" => "5. Old Man River" ] [ "ordre" => 14 "nom" => "6. So Long" ] [ "ordre" => 15 "nom" => "7. Oh What A Dream" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2205 …} -label: Proxies\__CG__\App\Entity\Label {#2163 …} -style: App\Entity\Style {#1452 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2214 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2207 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2209 …} -enregistreLe: DateTime @1703435102 {#2200 : 2023-12-24 16:25:02.0 UTC (+00:00) } -modifierLe: DateTime @1765213370 {#2201 : 2025-12-08 17:02:50.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2211 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-rock-roll-mobile-fidelity-sound-lab-mfsl-1-548" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.45 ms | |
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| Input props | [ "produit" => App\Entity\Produit {#2219 -id: 1461 -nom: "Lovers Rock (Half-Speed Master)" -informationComplementaire: null -description: """ - Sade "Lovers Rock" (Half-Speed Master)180 gram vinyl !\r\n - Sade's fifth album featuring "By Your Side" and "King Of Sorrow" !\r\n - Pressed from high-resolution digital transfers of the stereo master mixes from the original studio recordings, remastered at half speed at Abbey Road Studios !\r\n \r\n Legacy Recordings announces the long-awaited individual catalog releases from Sade. Previously these six albums had only been reissued as part of a larger box set collection, This Far, but will now become available individually.\r\n \r\n Lovers Rock (2000) is Sade's fifth album, featuring the singles "By Your Side" and "King Of Sorrow". The album was recorded at Sarm Hook End (England), El Cortijo (Spain), and Deliverance Studios (England).\r\n \r\n The vinyl audio uses high resolution digital transfers of the stereo master mixes, from the original studio recordings, remastered at half-speed at Abbey Road Studios. The elaborate, half-speed mastering process has produced exceptionally clean and detailed audio whilst remaining faithful to the band's intended sound. No additional digital limiting was used in the mastering process, so the album benefits from the advantage of extra clarity and pure fidelity, preserving the dynamic range of the original mixes, presented on pure 180-gram heavyweight black vinyl.\r\n \r\n The original album sleeve and packaging elements have been meticulously reproduced in exact detail with authentic paper and printing methods. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Sade (vocals), Paul S. Denman (bass), Leroy Osbourne (backing vocals), Stuart Matthewman (guitar, woodwind), Andrew Hale (keyboards), Karl Van Den Bossche (percussion)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=CkaLfNLOzBA&list=RDCkaLfNLOzBA&start_radio=1" -referenceProduit: "Legacy Records 8415" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. By Your Side" ] [ "ordre" => 2 "nom" => "2. Flow" ] [ "ordre" => 3 "nom" => "3. King Of Sorrow" ] [ "ordre" => 4 "nom" => "4. Somebody Already Broke My Heart" ] [ "ordre" => 5 "nom" => "5. All About Our Love" ] [ "ordre" => 6 "nom" => "6. Slave Song" ] [ "ordre" => 7 "nom" => "Side B : " ] [ "ordre" => 8 "nom" => "1. The Sweetest Gift" ] [ "ordre" => 9 "nom" => "2. Every Word" ] [ "ordre" => 10 "nom" => "3. Immigrant" ] [ "ordre" => 11 "nom" => "4. Lovers Rock" ] [ "ordre" => 12 "nom" => "5. It's Only Love That Gets You Through" ] [ "ordre" => 13 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2123 …} -label: Proxies\__CG__\App\Entity\Label {#2144 …} -style: App\Entity\Style {#1455 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2227 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2220 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2222 …} -enregistreLe: DateTime @1544252183 {#2216 : 2018-12-08 06:56:23.0 UTC (+00:00) } -modifierLe: DateTime @1765179301 {#2217 : 2025-12-08 07:35:01.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2224 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-lovers-rock-half-speed-master-legacy-records-8415" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3728 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2219 -id: 1461 -nom: "Lovers Rock (Half-Speed Master)" -informationComplementaire: null -description: """ - Sade "Lovers Rock" (Half-Speed Master)180 gram vinyl !\r\n - Sade's fifth album featuring "By Your Side" and "King Of Sorrow" !\r\n - Pressed from high-resolution digital transfers of the stereo master mixes from the original studio recordings, remastered at half speed at Abbey Road Studios !\r\n \r\n Legacy Recordings announces the long-awaited individual catalog releases from Sade. Previously these six albums had only been reissued as part of a larger box set collection, This Far, but will now become available individually.\r\n \r\n Lovers Rock (2000) is Sade's fifth album, featuring the singles "By Your Side" and "King Of Sorrow". The album was recorded at Sarm Hook End (England), El Cortijo (Spain), and Deliverance Studios (England).\r\n \r\n The vinyl audio uses high resolution digital transfers of the stereo master mixes, from the original studio recordings, remastered at half-speed at Abbey Road Studios. The elaborate, half-speed mastering process has produced exceptionally clean and detailed audio whilst remaining faithful to the band's intended sound. No additional digital limiting was used in the mastering process, so the album benefits from the advantage of extra clarity and pure fidelity, preserving the dynamic range of the original mixes, presented on pure 180-gram heavyweight black vinyl.\r\n \r\n The original album sleeve and packaging elements have been meticulously reproduced in exact detail with authentic paper and printing methods. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Sade (vocals), Paul S. Denman (bass), Leroy Osbourne (backing vocals), Stuart Matthewman (guitar, woodwind), Andrew Hale (keyboards), Karl Van Den Bossche (percussion)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=CkaLfNLOzBA&list=RDCkaLfNLOzBA&start_radio=1" -referenceProduit: "Legacy Records 8415" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. By Your Side" ] [ "ordre" => 2 "nom" => "2. Flow" ] [ "ordre" => 3 "nom" => "3. King Of Sorrow" ] [ "ordre" => 4 "nom" => "4. Somebody Already Broke My Heart" ] [ "ordre" => 5 "nom" => "5. All About Our Love" ] [ "ordre" => 6 "nom" => "6. Slave Song" ] [ "ordre" => 7 "nom" => "Side B : " ] [ "ordre" => 8 "nom" => "1. The Sweetest Gift" ] [ "ordre" => 9 "nom" => "2. Every Word" ] [ "ordre" => 10 "nom" => "3. Immigrant" ] [ "ordre" => 11 "nom" => "4. Lovers Rock" ] [ "ordre" => 12 "nom" => "5. It's Only Love That Gets You Through" ] [ "ordre" => 13 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2123 …} -label: Proxies\__CG__\App\Entity\Label {#2144 …} -style: App\Entity\Style {#1455 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2227 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2220 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2222 …} -enregistreLe: DateTime @1544252183 {#2216 : 2018-12-08 06:56:23.0 UTC (+00:00) } -modifierLe: DateTime @1765179301 {#2217 : 2025-12-08 07:35:01.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2224 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-lovers-rock-half-speed-master-legacy-records-8415" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …} } |
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| AjoutMailNewsletterComponent | App\Twig\Components\AjoutMailNewsletterComponent | 8.0 MiB | 0.24 ms | |
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| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\AjoutMailNewsletterComponent {#3924 +email: "" -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …} -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3925 …} -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3973 …} +isValidated: false +validatedFields: [] } |
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