Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2594
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2671
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2674 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
  -formView: Symfony\Component\Form\FormView {#2710 …}
  -form: Symfony\Component\Form\Form {#2860 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1894
    -id: 601
    -nom: "Empathy"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      This album came about through a fortuitous convergence of circumstances. Shelly Manne & His Men were appearing at New York's Village Vanguard, sharing the bill with the Bill Evans Trio. Getting Riverside's permission to let the pianist participate, Creed Taylor set up a session at Rudy Van Gelder's studio with Evans and Manne sharing top billing. Manne's bass player, Monty Budwig, made up the trio. This was a busman's holiday for Evans, who was freed from the musical parameters he had set for his then-current trio. The result is that his playing seemed lighter, freer, and more relaxed than it had for a while. The album kicks off with a jaunty version of Irving Berlin's "The Washington Twist" from the unsuccessful Mr. President with Budwig sharing the honors with Evans as much as Manne. Manne spends most of his time driving Evans into more diminished and sharper playing than was usually Evans' wont. Another relatively unfamiliar Berlin work, "Let's Go Back to the Waltz", gives full reign to Evans' lyricism. The longest tune on the set is an audacious, almost lampooned version of "With a Song in My Heart" with light chordal phrasing that pretty much characterized much of the tone coming from this session.\r\n
      \r\n
      Recorded in 1962.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1930 …}
    -musicienOrchestre: "Bill Evans (piano), Monty Budwig (bass), Shelly Manne (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ym6joRV73bE"
    -referenceProduit: "Analogue Productions AVRJ 8497-45"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. The Washington Twist"
        "ordre" => 1
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "1. Danny Boy"
        "ordre" => 3
      ]
      [
        "nom" => "2. Let's Go Back To Te Waltz"
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "1. With A Song In My Heart"
        "ordre" => 6
      ]
      [
        "nom" => "Side D :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Goodbye"
        "ordre" => 8
      ]
      [
        "nom" => "2. I Believe In You"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1970 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1973 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2059 …}
    -enregistreLe: DateTime @1367137276 {#1949
      date: 2013-04-28 08:21:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764405493 {#1942
      date: 2025-11-29 08:38:13.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2065 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-empathy-analogue-productions-avrj-8497-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3132
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#1894
    -id: 601
    -nom: "Empathy"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      This album came about through a fortuitous convergence of circumstances. Shelly Manne & His Men were appearing at New York's Village Vanguard, sharing the bill with the Bill Evans Trio. Getting Riverside's permission to let the pianist participate, Creed Taylor set up a session at Rudy Van Gelder's studio with Evans and Manne sharing top billing. Manne's bass player, Monty Budwig, made up the trio. This was a busman's holiday for Evans, who was freed from the musical parameters he had set for his then-current trio. The result is that his playing seemed lighter, freer, and more relaxed than it had for a while. The album kicks off with a jaunty version of Irving Berlin's "The Washington Twist" from the unsuccessful Mr. President with Budwig sharing the honors with Evans as much as Manne. Manne spends most of his time driving Evans into more diminished and sharper playing than was usually Evans' wont. Another relatively unfamiliar Berlin work, "Let's Go Back to the Waltz", gives full reign to Evans' lyricism. The longest tune on the set is an audacious, almost lampooned version of "With a Song in My Heart" with light chordal phrasing that pretty much characterized much of the tone coming from this session.\r\n
      \r\n
      Recorded in 1962.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1930 …}
    -musicienOrchestre: "Bill Evans (piano), Monty Budwig (bass), Shelly Manne (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ym6joRV73bE"
    -referenceProduit: "Analogue Productions AVRJ 8497-45"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. The Washington Twist"
        "ordre" => 1
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "1. Danny Boy"
        "ordre" => 3
      ]
      [
        "nom" => "2. Let's Go Back To Te Waltz"
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "1. With A Song In My Heart"
        "ordre" => 6
      ]
      [
        "nom" => "Side D :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Goodbye"
        "ordre" => 8
      ]
      [
        "nom" => "2. I Believe In You"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1970 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1973 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2059 …}
    -enregistreLe: DateTime @1367137276 {#1949
      date: 2013-04-28 08:21:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764405493 {#1942
      date: 2025-11-29 08:38:13.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2065 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-empathy-analogue-productions-avrj-8497-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "produit" => App\Entity\Produit {#2088
    -id: 817
    -nom: "Music for Bang, Baaroom, and Harp"
    -informationComplementaire: null
    -description: """
      - Released in 1958 as part of RCA’s pioneering Living Stereo series, remastered and improved !\r\n
      - Remastering and lacquer cutting by Ryan Smith at Sterling Sound from the original 3 track tapes !\r\n
      - 180 gram pressing by Quality Record Pressings !\r\n
      \r\n
      "Little did any of us who were involved in the planning and recording of Music for Bang, Baaroom and Harp know, back in 1958, what an impact this album would have on the record industry and how it would effect my career," writes Dick Schory, about the audiophile instrumental classic, the first stereophonic recording in the industry to be classified a "Best Seller".\r\n
      \r\n
      Now, revel in the enhanced clarity and sonic richness of a 200-gram pressing by Quality Record Pressings, and remastering and lacquer cutting by Ryan Smith at Sterling Sound, giving this classic a fresh, vibrant appeal. The superb remastering from the original 3 track master tapes brings out subtleties of the instruments, arrangements, performance and ambiance of Chicago's Orchestra Hall lacking from the original pressing and subsequent versions.\r\n
      \r\n
      The concept for this album is simple: Dozens of standard and exotic percussive instruments (re: manifold from a 1946 Chevrolet) were employed in original and standard tunes arranged by Schory, Bobby Christian, Mike Simpson, Willis Charkovsky and Skitch Henderson, who at the time was musical director for NBC's "Tonight Show". Three tracks are of particular note: the quirky "Tiddley Winks" and the exotic "Baia" and "Typee". The jacket, depicting Schory poking out from a pile of instruments, is a classic of LP art.\r\n
      \r\n
      The recording, utilizing RCA Victor Record's Red Seal Classical Division's equipment - the same used to record the Chicago, Philadelphia and Boston Symphony orchestras at the time was recorded in Chicago's Orchestra Hall on June 2 and 3, 1958. Two custom Ampex 300 3 half-inch 3 track tape recorders, running at 15 and 30 inches a second, captured the performances by eight percussionists together with other performers from the Chicago Symphony on piano, string bass, guitar, banjo and harp.\r\n
      \r\n
      Commercial success followed. Not only was the album an audiophile classic, it also became one of the best selling instrumental albums of the late 1950s and early '60s with Billboard, Record World and Cash Box magazines listing it on their charts for more than two years, and in the "Top 10" best sellers for more than six months. The album kicked off an era of percussion recordings that tried to duplicate the success of Music for Bang, Baaroom and Harp, with limited results.\r\n
      \r\n
      Analogue Productions and Quality Record Pressings bring you this remastered and improved pressing so that a whole new generation of audiophiles and even casual music lovers can discover for themselves the wizardry, wit and wonder that is Music for Bang, Baaroom and Harp !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Fi3OGE6t7ws"
    -referenceProduit: "Analogue Productions AAPP 1866"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. National Emblem March"
        "ordre" => 1
      ]
      [
        "nom" => "2. Baia"
        "ordre" => 2
      ]
      [
        "nom" => "3. Way Down Yonder In New Orleans"
        "ordre" => 3
      ]
      [
        "nom" => "4. Ding Dong Polka"
        "ordre" => 4
      ]
      [
        "nom" => "5. April In Paris"
        "ordre" => 5
      ]
      [
        "nom" => "6. Holiday In A Hurry"
        "ordre" => 6
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Buck Dance"
        "ordre" => 8
      ]
      [
        "nom" => "2. Duel On The Skins"
        "ordre" => 9
      ]
      [
        "nom" => "3. September In The Rain"
        "ordre" => 10
      ]
      [
        "nom" => "4. Tiddley Winks"
        "ordre" => 11
      ]
      [
        "nom" => "5. The Sheik Of Araby"
        "ordre" => 12
      ]
      [
        "nom" => "6. Typee"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2090 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2099 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2092 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2094 …}
    -enregistreLe: DateTime @1443337289 {#2085
      date: 2015-09-27 07:01:29.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764344846 {#2086
      date: 2025-11-28 15:47:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2096 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-music-for-bang-baaroom-and-harp-analogue-productions-aapp-1866"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3246
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2088
    -id: 817
    -nom: "Music for Bang, Baaroom, and Harp"
    -informationComplementaire: null
    -description: """
      - Released in 1958 as part of RCA’s pioneering Living Stereo series, remastered and improved !\r\n
      - Remastering and lacquer cutting by Ryan Smith at Sterling Sound from the original 3 track tapes !\r\n
      - 180 gram pressing by Quality Record Pressings !\r\n
      \r\n
      "Little did any of us who were involved in the planning and recording of Music for Bang, Baaroom and Harp know, back in 1958, what an impact this album would have on the record industry and how it would effect my career," writes Dick Schory, about the audiophile instrumental classic, the first stereophonic recording in the industry to be classified a "Best Seller".\r\n
      \r\n
      Now, revel in the enhanced clarity and sonic richness of a 200-gram pressing by Quality Record Pressings, and remastering and lacquer cutting by Ryan Smith at Sterling Sound, giving this classic a fresh, vibrant appeal. The superb remastering from the original 3 track master tapes brings out subtleties of the instruments, arrangements, performance and ambiance of Chicago's Orchestra Hall lacking from the original pressing and subsequent versions.\r\n
      \r\n
      The concept for this album is simple: Dozens of standard and exotic percussive instruments (re: manifold from a 1946 Chevrolet) were employed in original and standard tunes arranged by Schory, Bobby Christian, Mike Simpson, Willis Charkovsky and Skitch Henderson, who at the time was musical director for NBC's "Tonight Show". Three tracks are of particular note: the quirky "Tiddley Winks" and the exotic "Baia" and "Typee". The jacket, depicting Schory poking out from a pile of instruments, is a classic of LP art.\r\n
      \r\n
      The recording, utilizing RCA Victor Record's Red Seal Classical Division's equipment - the same used to record the Chicago, Philadelphia and Boston Symphony orchestras at the time was recorded in Chicago's Orchestra Hall on June 2 and 3, 1958. Two custom Ampex 300 3 half-inch 3 track tape recorders, running at 15 and 30 inches a second, captured the performances by eight percussionists together with other performers from the Chicago Symphony on piano, string bass, guitar, banjo and harp.\r\n
      \r\n
      Commercial success followed. Not only was the album an audiophile classic, it also became one of the best selling instrumental albums of the late 1950s and early '60s with Billboard, Record World and Cash Box magazines listing it on their charts for more than two years, and in the "Top 10" best sellers for more than six months. The album kicked off an era of percussion recordings that tried to duplicate the success of Music for Bang, Baaroom and Harp, with limited results.\r\n
      \r\n
      Analogue Productions and Quality Record Pressings bring you this remastered and improved pressing so that a whole new generation of audiophiles and even casual music lovers can discover for themselves the wizardry, wit and wonder that is Music for Bang, Baaroom and Harp !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Fi3OGE6t7ws"
    -referenceProduit: "Analogue Productions AAPP 1866"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. National Emblem March"
        "ordre" => 1
      ]
      [
        "nom" => "2. Baia"
        "ordre" => 2
      ]
      [
        "nom" => "3. Way Down Yonder In New Orleans"
        "ordre" => 3
      ]
      [
        "nom" => "4. Ding Dong Polka"
        "ordre" => 4
      ]
      [
        "nom" => "5. April In Paris"
        "ordre" => 5
      ]
      [
        "nom" => "6. Holiday In A Hurry"
        "ordre" => 6
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Buck Dance"
        "ordre" => 8
      ]
      [
        "nom" => "2. Duel On The Skins"
        "ordre" => 9
      ]
      [
        "nom" => "3. September In The Rain"
        "ordre" => 10
      ]
      [
        "nom" => "4. Tiddley Winks"
        "ordre" => 11
      ]
      [
        "nom" => "5. The Sheik Of Araby"
        "ordre" => 12
      ]
      [
        "nom" => "6. Typee"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2090 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2099 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2092 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2094 …}
    -enregistreLe: DateTime @1443337289 {#2085
      date: 2015-09-27 07:01:29.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764344846 {#2086
      date: 2025-11-28 15:47:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2096 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-music-for-bang-baaroom-and-harp-analogue-productions-aapp-1866"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "produit" => App\Entity\Produit {#2104
    -id: 765
    -nom: "Dream With Dean The Intimate Dean Martin"
    -informationComplementaire: null
    -description: """
      - Now on 45 RPM LP, mastered at Sterling Sound by Ryan Smith from the analog tapes !\r\n
      - Plated and pressed by Quality Record Pressings !\r\n
      - Deluxe "tip-on" gatefold jackets by Stoughton Printing !\r\n
      \r\n
      A profile of a rugged Dean Martin by the fireplace with a cigarette adorns the jacket of this very interesting concept album. As Stan Cornyn's liner notes explain, 'his longtime accompanist' on piano, Ken Lane, with 'three of Hollywood's most thoughtful rhythm men' - those being drummer Irv Cottler, bassist Red Mitchell, and guitarist Barney Kessel - do create a mood, Dean Martin performing as if he were a lounge singer at 1:15 a.m. as the Saturday night crowd is dwindling. His signature tune, 'Everybody Loves Somebody,' is here in a laid-back style, produced by Jimmy Bowen, who would go on to produce Reba McEntire, Kenny Rogers & the First Edition, and so many others, also the same man who was behind the 1964 N° 1 smash.\r\n
      \r\n
      This album with the original Martin recording was released after the hit single version and on the same day as the Everybody Loves Somebody LP, but how many times does the audience get a different studio reading of a seminal hit record ? Not only that, but the version that preceded the hit. The backing is so sparse it is almost a cappella, with Kessel's guitar noodlings and Ken Lane's piano. The bass is mostly invisible, coming in only when needed. It's a slow and sultry version that caps off side one.\r\n
      \r\n
      Martin is just crooning away, and if the album has one drawback, it is that the 12 songs are incessant in their providing the same atmosphere. The backing quartet does not deviate from their job, nor does producer Jimmy Bowen add any technique, other than putting Martin's voice way out in the mix. But Dream With Dean was no doubt the product of excellent research and development, as Bowen landed 11 Top 40 hits with the singer from 1964's "Everybody Loves Somebody", which evolved out of this original idea, to 1967's 'Little Old Wine Drinker, Me.' It sounds as if they tracked the album in one afternoon, and it is not only a very pleasant listening experience, it shows what a tremendous vocalist Dean Martin truly was. - AllMusic.\r\n
      \r\n
      Now Dream With Dean - The Intimate Dean Martin is back bigger and better than ever! We've gone the deluxe Analogue Productions route remastered from the original analog tape by Ryan Smith at Sterling Sound, cut at 45 RPM, plated and pressed at Quality Record Pressings. Then packaged in deluxe tip-on gatefold jackets from Stoughton Printing. A great title, a brilliant reissue. Exceptional !
      """
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[
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    -id: 616
    -nom: "Debussy : La Mer & Ibert : Ports Of Call"
    -informationComplementaire: null
    -description: """
      - RCA Living Stereo classical LPs — the gold standard for top quality orchestral performance and sound !\r\n
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      Lacquers plated by Gary Salstrom and pressed on 200 gram vinyl at Quality Record Pressings !\r\n
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      \r\n
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      \r\n
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      \r\n
      Charles Munch and the Boston Symphony perform Debussy : La Mer and Ibert : Ports Of Call. Recorded in 1958.
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App\Twig\Components\GestionPanierFavoriComponents {#3348
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    -id: 616
    -nom: "Debussy : La Mer & Ibert : Ports Of Call"
    -informationComplementaire: null
    -description: """
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      Lacquers plated by Gary Salstrom and pressed on 200 gram vinyl at Quality Record Pressings !\r\n
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[
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    -nom: "Debussy / Brahms / Bartok : Sonatas For Violin And Piano"
    -informationComplementaire: null
    -description: """
      - David Abel & Julie Steinberg "Debussy, Bartok & Brahms" 180 gram pressing !\r\n
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      \r\n
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      \r\n
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      \r\n
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      \r\n
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    -extraitYoutube: "https://www.youtube.com/watch?v=LRIyWRr8tPc&list=RDLRIyWRr8tPc&start_radio=1"
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        "nom" => "Bela Viktor Janos Bartok"
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      [
        "nom" => "4. Rumanian Folk Dances (Roman Nepi Tancok)"
        "ordre" => 11
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    ]
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App\Twig\Components\GestionPanierFavoriComponents {#3399
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    -nom: "Debussy / Brahms / Bartok : Sonatas For Violin And Piano"
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      - Plated and pressed at Quality Record Pressings !\r\n
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      "This is perhaps the most exquisitely natural recording ever made. All in all, this Wilson record is a triumph of the analog recording art". - International Audio Review.\r\n
      \r\n
      David Abel, violin. Julie Steinberg, piano. Perhaps the most transcendent of David Wilson's brilliant recordings, this remarkable album of solo violin accompanied by piano comes as close to putting the two performers in the listening room as any ever made, writes The Absolute Sound, of Sonatas for Violin & Piano.\r\n
      \r\n
      Recorded on Wilson's Ultramaster Recorder, built by John Curl, and using a spaced pair of Schoeps microphones driving vaccum tube electronics, the recording has a close perspective that heightens transparency and engagement as well as wonderfully capturing the beautiful tonality of Abel's Guarnerius violin and Steinberg's Hamburg Steinway without exaggering their size.\r\n
      \r\n
      "The duo performs these works as if they are one". - The Absolute Sound, July / August 2013
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "David Abel (violin), Julie Steinberg (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=LRIyWRr8tPc&list=RDLRIyWRr8tPc&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 8722"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Johannes Brahms - Sonata N° 1 in G Major, Op. 78"
        "ordre" => 1
      ]
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      [
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        "ordre" => 5
      ]
      [
        "nom" => "Claude Debussy - Sonata for Violin and Piano"
        "ordre" => 6
      ]
      [
        "nom" => "1. Allegro vivo play "
        "ordre" => 7
      ]
      [
        "nom" => "2. Intermede [Fantastique et leger play] "
        "ordre" => 8
      ]
      [
        "nom" => "3. Finale "
        "ordre" => 9
      ]
      [
        "nom" => "Bela Viktor Janos Bartok"
        "ordre" => 10
      ]
      [
        "nom" => "4. Rumanian Folk Dances (Roman Nepi Tancok)"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
    -label: App\Entity\Label {#1116 …}
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      date: 2025-11-24 09:28:52.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -slug: "vinyles-debussy-brahms-bartok-sonatas-for-violin-and-piano-analogue-productions-aapp-8722"
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[
  "produit" => App\Entity\Produit {#2152
    -id: 818
    -nom: "Time Out"
    -informationComplementaire: null
    -description: """
      - Analogue Productions and Quality Record Pressings present the definitive Time Out by The Dave Brubeck Quartet, now a 33 1/3 RPM LP !\r\n
      - Reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing !\r\n
      - 180 gram LP cut at 33 1/3 RPM by Bernie Grundman and pressed at Quality Record Pressings !\r\n
      - Praise for the 180 gram 45 RPM version of Analogue Productions' Time Out reissue !\r\n
      \r\n
      "The results speak for themselves: the platters from QRP are in my experience the most consistently flat and quiet being pressed today ... at least for the foreseeable here and now, Analogue Productions' newly mastered 45 RPM (Brubeck) is the edition to own. You'll hear it right from the familiar piano intro to "Blue Rondo a la Turk," where Brubeck's playing seems richer, more lyrical, more rhythmically alive. It seems to me that as our gear gets ever more quiet, these QRP LPs continue to wring more musical nuance from the finest recordings". - Music = 5/5; Sound = 5/5 - Wayne Garcia, The Absolute Sound, January 2013.\r\n
      \r\n
      “I've now heard a number of LPs from Quality Record Pressings (QRP), Chad Kassem's year-and-a-half-old record-pressing plant. Before Time Out, I would have said that some positive trends were apparent from the earlier LPs I've heard. However, this current pressing is so much better than those that came before it, which were certainly very good, that it's obvious things have improved considerably over the past year. It's a positive sign when the noise floor is defined by the hiss of the master tape, not the quality of the pressing or vinyl, and that's the case here. Having heard many, many Pallas and RTI pressings, the main competition for QRP, I would say that QRP pressings combine the strengths of both its competitors: the very low surface noise and bottom-of-the-groove quiet of Pallas LPs and the sharp delineation of musical detail of RTI". - Sound = 4.5/5; Music = 5/5 - Marc Mickelson, The Audio Beat, August 2012.\r\n
      \r\n
      Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it - for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodit", "Pleasantville" and "Constantine".\r\n
      \r\n
      The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time - so distinctive, it's a rare jazz track that became a pop hit.\r\n
      \r\n
      Including the monster hit "Take Five," the Brubeck Quartet's Time Out is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 33 1/3 RPM on 180 gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you Time Out renewed.\r\n
      \r\n
      Like its 45 RPM sibling, Time Out is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.\r\n
      \r\n
      The jacket is also special - very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic "old school" look and feel. This jacket is a beauty ! Never has Time Out's colorful iconic cover art looked so vibrant.\r\n
      \r\n
      The record label's sales executives didn't want a painting on the cover when Time Out debuted in 1959 on Columbia Records, Brubeck told an interviewer.  An entire album of originals ? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and Time Out became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.\r\n
      \r\n
      The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music.\r\n
      \r\n
      Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five", at Brubeck's urging to try and write a song in quintuple (5/4) time. \r\n
      \r\n
      "I told Paul to put a melody over (drummer) Joe Morello's beat", Brubeck explained. As a jazz pianist, Brubeck became a household name in jazz in part due to Time Out's success. Demond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing. Morello and bassist Gene Wright completed the group. The Quartet traveled and performed constantly around the world until breaking up in 1967 to pursue other musical ventures.\r\n
      \r\n
      Time Out peaked at N° 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching N° 25 on the Billboard Hot 100, and N° 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (alto saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vKNZqM0d-xo"
    -referenceProduit: "Analogue Productions AAPJ 8192"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Blue Rondo A La Turk"
        "ordre" => 1
      ]
      [
        "nom" => "2. Strange Meadow Lark"
        "ordre" => 2
      ]
      [
        "nom" => "3. Take Five"
        "ordre" => 3
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
      [
        "nom" => "1. Three To Get Ready"
        "ordre" => 5
      ]
      [
        "nom" => "2. Kathy's Waltz"
        "ordre" => 6
      ]
      [
        "nom" => "3. Everybody's Jumpin'"
        "ordre" => 7
      ]
      [
        "nom" => "4. Pick Up Sticks"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
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    -modifierLe: DateTime @1763975581 {#2150
      date: 2025-11-24 09:13:01.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-time-out-analogue-productions-aapj-8192"
  }
  "detaillePage" => false
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    -id: 818
    -nom: "Time Out"
    -informationComplementaire: null
    -description: """
      - Analogue Productions and Quality Record Pressings present the definitive Time Out by The Dave Brubeck Quartet, now a 33 1/3 RPM LP !\r\n
      - Reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing !\r\n
      - 180 gram LP cut at 33 1/3 RPM by Bernie Grundman and pressed at Quality Record Pressings !\r\n
      - Praise for the 180 gram 45 RPM version of Analogue Productions' Time Out reissue !\r\n
      \r\n
      "The results speak for themselves: the platters from QRP are in my experience the most consistently flat and quiet being pressed today ... at least for the foreseeable here and now, Analogue Productions' newly mastered 45 RPM (Brubeck) is the edition to own. You'll hear it right from the familiar piano intro to "Blue Rondo a la Turk," where Brubeck's playing seems richer, more lyrical, more rhythmically alive. It seems to me that as our gear gets ever more quiet, these QRP LPs continue to wring more musical nuance from the finest recordings". - Music = 5/5; Sound = 5/5 - Wayne Garcia, The Absolute Sound, January 2013.\r\n
      \r\n
      “I've now heard a number of LPs from Quality Record Pressings (QRP), Chad Kassem's year-and-a-half-old record-pressing plant. Before Time Out, I would have said that some positive trends were apparent from the earlier LPs I've heard. However, this current pressing is so much better than those that came before it, which were certainly very good, that it's obvious things have improved considerably over the past year. It's a positive sign when the noise floor is defined by the hiss of the master tape, not the quality of the pressing or vinyl, and that's the case here. Having heard many, many Pallas and RTI pressings, the main competition for QRP, I would say that QRP pressings combine the strengths of both its competitors: the very low surface noise and bottom-of-the-groove quiet of Pallas LPs and the sharp delineation of musical detail of RTI". - Sound = 4.5/5; Music = 5/5 - Marc Mickelson, The Audio Beat, August 2012.\r\n
      \r\n
      Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it - for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodit", "Pleasantville" and "Constantine".\r\n
      \r\n
      The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time - so distinctive, it's a rare jazz track that became a pop hit.\r\n
      \r\n
      Including the monster hit "Take Five," the Brubeck Quartet's Time Out is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 33 1/3 RPM on 180 gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you Time Out renewed.\r\n
      \r\n
      Like its 45 RPM sibling, Time Out is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.\r\n
      \r\n
      The jacket is also special - very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic "old school" look and feel. This jacket is a beauty ! Never has Time Out's colorful iconic cover art looked so vibrant.\r\n
      \r\n
      The record label's sales executives didn't want a painting on the cover when Time Out debuted in 1959 on Columbia Records, Brubeck told an interviewer.  An entire album of originals ? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and Time Out became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.\r\n
      \r\n
      The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music.\r\n
      \r\n
      Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five", at Brubeck's urging to try and write a song in quintuple (5/4) time. \r\n
      \r\n
      "I told Paul to put a melody over (drummer) Joe Morello's beat", Brubeck explained. As a jazz pianist, Brubeck became a household name in jazz in part due to Time Out's success. Demond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing. Morello and bassist Gene Wright completed the group. The Quartet traveled and performed constantly around the world until breaking up in 1967 to pursue other musical ventures.\r\n
      \r\n
      Time Out peaked at N° 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching N° 25 on the Billboard Hot 100, and N° 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (alto saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vKNZqM0d-xo"
    -referenceProduit: "Analogue Productions AAPJ 8192"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "1. Blue Rondo A La Turk"
        "ordre" => 1
      ]
      [
        "nom" => "2. Strange Meadow Lark"
        "ordre" => 2
      ]
      [
        "nom" => "3. Take Five"
        "ordre" => 3
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
      [
        "nom" => "1. Three To Get Ready"
        "ordre" => 5
      ]
      [
        "nom" => "2. Kathy's Waltz"
        "ordre" => 6
      ]
      [
        "nom" => "3. Everybody's Jumpin'"
        "ordre" => 7
      ]
      [
        "nom" => "4. Pick Up Sticks"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2163 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2156 …}
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    -modifierLe: DateTime @1763975581 {#2150
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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[
  "produit" => App\Entity\Produit {#2168
    -id: 653
    -nom: "Time Out (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions and Quality Record Pressings present the definitive Time Out by The Dave Brubeck Quartet !\r\n
      - First time reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing !\r\n
      - 180 gram, double LP set cut at 45 RPM by Bernie Grundman and pressed at Quality Record Pressings !\r\n
      \r\n
      "The results speak for themselves: the platters from QRP are in my experience the most consistently flat and quiet being pressed today ... at least for the foreseeable here and now, Analogue Productions' newly mastered 45 RPM (Brubeck) is the edition to own. You'll hear it right from the familiar piano intro to "Blue Rondo a la Turk", where Brubeck's playing seems richer, more lyrical, more rhythmically alive. It seems to me that as our gear gets ever more quiet, these QRP LPs continue to wring more musical nuance from the finest recordings". - Music = 5/5; Sound = 5/5 - Wayne Garcia, The Absolute Sound, January 2013.\r\n
      \r\n
      “I've now heard a number of LPs from Quality Record Pressings (QRP), Chad Kassem's year-and-a-half-old record-pressing plant. Before Time Out, I would have said that some positive trends were apparent from the earlier LPs I've heard. However, this current pressing is so much better than those that came before it, which were certainly very good, that it's obvious things have improved considerably over the past year. It's a positive sign when the noise floor is defined by the hiss of the master tape, not the quality of the pressing or vinyl, and that's the case here. Having heard many, many Pallas and RTI pressings, the main competition for QRP, I would say that QRP pressings combine the strengths of both its competitors: the very low surface noise and bottom-of-the-groove quiet of Pallas LPs and the sharp delineation of musical detail of RTI". - Sound = 4.5/5; Music = 5/5 - Marc Mickelson, The Audio Beat, August 2012\r\n
      \r\n
      Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodite", "Pleasantville" and "Constantine".\r\n
      The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time so distinctive, it's a rare jazz track that became a pop hit.\r\n
      \r\n
      Including the monster hit "Take Five", the Brubeck Quartet's Time Out is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 45 RPM on 180 gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you the definitive copy.\r\n
      \r\n
      Why definitive ? The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. But it's more than just the vinyl that makes this release so special. For the first time in its history, Time Out is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.\r\n
      \r\n
      The jacket is also special very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic "old school" look and feel. This jacket is a beauty! Never has Time Out's colorful iconic cover art looked so vibrant.\r\n
      \r\n
      The record label's sales executives didn't want a painting on the cover when Time Out debuted in 1959 on Columbia Records, Brubeck told an interviewer.  An entire album of originals ? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and Time Out became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.\r\n
      \r\n
      The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music.\r\n
      \r\n
      Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five", at Brubeck's urging to try and write a song in quintuple (5/4) time. \r\n
      \r\n
      "I told Paul to put a melody over (drummer) Joe Morello's beat", Brubeck explained. As a jazz pianist, Brubeck became a household name in jazz in part due to Time Out's success. Demond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing. Morello and bassist Gene Wright completed the group. The Quartet traveled and performed constantly around the world until breaking up in 1967 to pursue other musical ventures.\r\n
      \r\n
      Time Out peaked at N° 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching N° 25 on the Billboard Hot 100, and N° 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (alto saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FqPC-BkylxA&list=PLMxkpnetcodMI06cGhDnJWIu86POfn-JJ"
    -referenceProduit: "Analogue Productions AAPJ 8192-45"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Blue Rondo A La Turk"
        "ordre" => 1
      ]
      [
        "nom" => "2. Strange Meadow Lark"
        "ordre" => 2
      ]
      [
        "nom" => "Side B :"
        "ordre" => 3
      ]
      [
        "nom" => "1. Take Five"
        "ordre" => 4
      ]
      [
        "nom" => "Side C :"
        "ordre" => 5
      ]
      [
        "nom" => "1. Three To Get Ready"
        "ordre" => 6
      ]
      [
        "nom" => "2. Kathy's Waltz"
        "ordre" => 7
      ]
      [
        "nom" => "Side D :"
        "ordre" => 8
      ]
      [
        "nom" => "1. Everybody's Jumpin'"
        "ordre" => 9
      ]
      [
        "nom" => "2. Pick Up Sticks"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2176 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2169 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
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    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2171 …}
    -enregistreLe: DateTime @1379838459 {#2165
      date: 2013-09-22 08:27:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763975380 {#2166
      date: 2025-11-24 09:09:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2173 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-time-out-2-lp-45-rpm-analogue-productions-aapj-8192-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3503
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2168
    -id: 653
    -nom: "Time Out (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions and Quality Record Pressings present the definitive Time Out by The Dave Brubeck Quartet !\r\n
      - First time reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing !\r\n
      - 180 gram, double LP set cut at 45 RPM by Bernie Grundman and pressed at Quality Record Pressings !\r\n
      \r\n
      "The results speak for themselves: the platters from QRP are in my experience the most consistently flat and quiet being pressed today ... at least for the foreseeable here and now, Analogue Productions' newly mastered 45 RPM (Brubeck) is the edition to own. You'll hear it right from the familiar piano intro to "Blue Rondo a la Turk", where Brubeck's playing seems richer, more lyrical, more rhythmically alive. It seems to me that as our gear gets ever more quiet, these QRP LPs continue to wring more musical nuance from the finest recordings". - Music = 5/5; Sound = 5/5 - Wayne Garcia, The Absolute Sound, January 2013.\r\n
      \r\n
      “I've now heard a number of LPs from Quality Record Pressings (QRP), Chad Kassem's year-and-a-half-old record-pressing plant. Before Time Out, I would have said that some positive trends were apparent from the earlier LPs I've heard. However, this current pressing is so much better than those that came before it, which were certainly very good, that it's obvious things have improved considerably over the past year. It's a positive sign when the noise floor is defined by the hiss of the master tape, not the quality of the pressing or vinyl, and that's the case here. Having heard many, many Pallas and RTI pressings, the main competition for QRP, I would say that QRP pressings combine the strengths of both its competitors: the very low surface noise and bottom-of-the-groove quiet of Pallas LPs and the sharp delineation of musical detail of RTI". - Sound = 4.5/5; Music = 5/5 - Marc Mickelson, The Audio Beat, August 2012\r\n
      \r\n
      Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodite", "Pleasantville" and "Constantine".\r\n
      The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time so distinctive, it's a rare jazz track that became a pop hit.\r\n
      \r\n
      Including the monster hit "Take Five", the Brubeck Quartet's Time Out is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 45 RPM on 180 gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you the definitive copy.\r\n
      \r\n
      Why definitive ? The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. But it's more than just the vinyl that makes this release so special. For the first time in its history, Time Out is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.\r\n
      \r\n
      The jacket is also special very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic "old school" look and feel. This jacket is a beauty! Never has Time Out's colorful iconic cover art looked so vibrant.\r\n
      \r\n
      The record label's sales executives didn't want a painting on the cover when Time Out debuted in 1959 on Columbia Records, Brubeck told an interviewer.  An entire album of originals ? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and Time Out became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.\r\n
      \r\n
      The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music.\r\n
      \r\n
      Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five", at Brubeck's urging to try and write a song in quintuple (5/4) time. \r\n
      \r\n
      "I told Paul to put a melody over (drummer) Joe Morello's beat", Brubeck explained. As a jazz pianist, Brubeck became a household name in jazz in part due to Time Out's success. Demond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing. Morello and bassist Gene Wright completed the group. The Quartet traveled and performed constantly around the world until breaking up in 1967 to pursue other musical ventures.\r\n
      \r\n
      Time Out peaked at N° 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching N° 25 on the Billboard Hot 100, and N° 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (alto saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FqPC-BkylxA&list=PLMxkpnetcodMI06cGhDnJWIu86POfn-JJ"
    -referenceProduit: "Analogue Productions AAPJ 8192-45"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Blue Rondo A La Turk"
        "ordre" => 1
      ]
      [
        "nom" => "2. Strange Meadow Lark"
        "ordre" => 2
      ]
      [
        "nom" => "Side B :"
        "ordre" => 3
      ]
      [
        "nom" => "1. Take Five"
        "ordre" => 4
      ]
      [
        "nom" => "Side C :"
        "ordre" => 5
      ]
      [
        "nom" => "1. Three To Get Ready"
        "ordre" => 6
      ]
      [
        "nom" => "2. Kathy's Waltz"
        "ordre" => 7
      ]
      [
        "nom" => "Side D :"
        "ordre" => 8
      ]
      [
        "nom" => "1. Everybody's Jumpin'"
        "ordre" => 9
      ]
      [
        "nom" => "2. Pick Up Sticks"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2176 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2169 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2171 …}
    -enregistreLe: DateTime @1379838459 {#2165
      date: 2013-09-22 08:27:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763975380 {#2166
      date: 2025-11-24 09:09:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2173 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-time-out-2-lp-45-rpm-analogue-productions-aapj-8192-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "produit" => App\Entity\Produit {#2181
    -id: 1013
    -nom: "The Trinity Session"
    -informationComplementaire: null
    -description: """
      - Recorded originally at 44.1kHz / 16-bit !\r\n
      - Remastered by original recording engineer Peter Moore, and Cowboy Junkies !\r\n
      - Lacquers cut by Ryan K. Smith at Sterling Sound !\r\n
      - Expanded gatefold edition with additional photos, new cover design as the musicians / artist intended !\r\n
      - New liner notes written by author and music editor Jason Schneider !\r\n
      - Stoughton Printing old-style tip-on gatefold jacket !\r\n
      - Plated and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      \r\n
      Cowboy Junkies recorded this spectacular LP as a "live" event Nov. 27, 1987 at the Church of the Holy Trinity in Toronto. It was recorded with a digital R-Dat and using only a Calrec Ambisonic Microphone. What this means is the record sounds like the band was playing right in front of you with the perfect ambiance.\r\n
      \r\n
      Yes, this is a digital recording. True to our company principles, Analogue Productions in almost all cases reissues recordings only where the analog master tape is available. However, there are rare exceptions that whether digitally recorded or otherwise, a recording is so outstanding it's worthy of the highest quality vinyl reissue.\r\n
      \r\n
      Featuring the sultry voice of Margo Timmins, the precise musicianship of her brothers Peter (on drums) and Michael (on guitar), and bassist Alan Anton, The Trinity Session is a spare, evocative, countrified-rock classic. First released in late 1988, The Trinity Session was named "Album of the Year" by The Los Angeles Times and The New York Times described it as "a quiet, special record that challenges traditional music". Rolling Stone declared the album to be "as important as it its inspiring".\r\n
      \r\n
      Today, it remains much more than a snapshot of a single day's work captured on tape. So for this deluxe Analogue Productions reissue, we pulled out all the stops. Starting with new mastering from the original session digital tapes by the original recording engineer, Peter Moore. And lacquer cutting by Ryan K. Smith at Sterling Sound. The church where the album was recorded was selected on the basis of work Moore had done there with other jazz and classical artists. Using a single Calrec Ambisonic microphone, the results are stunning.\r\n
      \r\n
      Next, we kicked up the packaging and content several notches. You're holding a heavyweight old-style tip-on Stoughton Printing jacket, and it has brand-new liner notes by author and music editor Jason Schneider. Schneider is the author of Whispering Pines: the Northern Roots of American Music from Hank Snow to The Band. He's also the roots music editor at Exclaim! and his work has been published in Paste, The Word, The Toronto Star and other publications. The liner notes share space with additional recording session photos, inside and on the back cover. Additionally, the cover has been redesigned to remove the lettering and photo distortion originally applied and make it appear as the musicians/artist originally intended. Lastly, this sonic treasure has been pressed on 200 gram vinyl at Quality Record Pressings, maker of the world's finest LPs, with stampers plated by master plating technician Gary Salstrom.\r\n
      \r\n
      The inspired reworking of both "Blue Moon" and "Working On A Building" reveal the Timmins family to be talented interpreters and insightful neo-traditionalists. Mixing the ambitious songwriting of Margo and Michael Timmins with subdued covers of Lou Reed's "Sweet Jane" and Hank Williams' "I'm So Lonesome I Could Cry", The Trinity Session is an exquisite collection that holds up quite well under repeated listenings.\r\n
      \r\n
      "The main appeal of The Trinity Session, the Cowboy Junkies' second album, remains its lo-fi sound. The ambient buzz of Toronto's Church of the Holy Trinity, where the Junkies recorded the album around one microphone, colors every song, reinforcing the live setting and generating vinyl intimacy even on CD. It's as if the church itself was an instrument, one that Junkies could play pretty well. It allows Margo Timmins' voice to fill your field of vision, simultaneously soothing and unsettling, while her brother Michael's guitar rumbles through the songs, a little louder and sharper than anticipated". - Pitchfork
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Margo Timmins (vocals), John Timmins (guitar, vocals), Michael Timmins (guitar), Kim Deschamps (guitars), Steve Shearer (harmonica), Jeff Bird (fiddle, mandolin), Jaro Czerwinec (accordion), Alan Anton (bass), Peter Timmins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=I4hKmQpcT1k"
    -referenceProduit: "Analogue Productions AAPP 072-45"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Mining For Gold"
        "ordre" => 1
      ]
      [
        "nom" => "2. Misguided Angel"
        "ordre" => 2
      ]
      [
        "nom" => "3. Blue Moon Revisited (Song for Elvis)"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. I Don't Get It"
        "ordre" => 5
      ]
      [
        "nom" => "2. I'm So Lonesome I Could Cry"
        "ordre" => 6
      ]
      [
        "nom" => "3. To Love is to Bury"
        "ordre" => 7
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "1. 200 More Miles"
        "ordre" => 9
      ]
      [
        "nom" => "2. Dreaming My Dreams With You"
        "ordre" => 10
      ]
      [
        "nom" => "3. Working on a Building"
        "ordre" => 11
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
      [
        "nom" => "1. Sweet Jane"
        "ordre" => 13
      ]
      [
        "nom" => "2. Postcard Blues"
        "ordre" => 14
      ]
      [
        "nom" => "3. Walking After Midnight"
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2183 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1524 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2192 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2185 …}
    -typeMasterTape: null
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    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2187 …}
    -enregistreLe: DateTime @1471420650 {#2178
      date: 2016-08-17 07:57:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763914494 {#2179
      date: 2025-11-23 16:14:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2189 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-trinity-session-analogue-productions-aapp-072-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3549
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2181
    -id: 1013
    -nom: "The Trinity Session"
    -informationComplementaire: null
    -description: """
      - Recorded originally at 44.1kHz / 16-bit !\r\n
      - Remastered by original recording engineer Peter Moore, and Cowboy Junkies !\r\n
      - Lacquers cut by Ryan K. Smith at Sterling Sound !\r\n
      - Expanded gatefold edition with additional photos, new cover design as the musicians / artist intended !\r\n
      - New liner notes written by author and music editor Jason Schneider !\r\n
      - Stoughton Printing old-style tip-on gatefold jacket !\r\n
      - Plated and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      \r\n
      Cowboy Junkies recorded this spectacular LP as a "live" event Nov. 27, 1987 at the Church of the Holy Trinity in Toronto. It was recorded with a digital R-Dat and using only a Calrec Ambisonic Microphone. What this means is the record sounds like the band was playing right in front of you with the perfect ambiance.\r\n
      \r\n
      Yes, this is a digital recording. True to our company principles, Analogue Productions in almost all cases reissues recordings only where the analog master tape is available. However, there are rare exceptions that whether digitally recorded or otherwise, a recording is so outstanding it's worthy of the highest quality vinyl reissue.\r\n
      \r\n
      Featuring the sultry voice of Margo Timmins, the precise musicianship of her brothers Peter (on drums) and Michael (on guitar), and bassist Alan Anton, The Trinity Session is a spare, evocative, countrified-rock classic. First released in late 1988, The Trinity Session was named "Album of the Year" by The Los Angeles Times and The New York Times described it as "a quiet, special record that challenges traditional music". Rolling Stone declared the album to be "as important as it its inspiring".\r\n
      \r\n
      Today, it remains much more than a snapshot of a single day's work captured on tape. So for this deluxe Analogue Productions reissue, we pulled out all the stops. Starting with new mastering from the original session digital tapes by the original recording engineer, Peter Moore. And lacquer cutting by Ryan K. Smith at Sterling Sound. The church where the album was recorded was selected on the basis of work Moore had done there with other jazz and classical artists. Using a single Calrec Ambisonic microphone, the results are stunning.\r\n
      \r\n
      Next, we kicked up the packaging and content several notches. You're holding a heavyweight old-style tip-on Stoughton Printing jacket, and it has brand-new liner notes by author and music editor Jason Schneider. Schneider is the author of Whispering Pines: the Northern Roots of American Music from Hank Snow to The Band. He's also the roots music editor at Exclaim! and his work has been published in Paste, The Word, The Toronto Star and other publications. The liner notes share space with additional recording session photos, inside and on the back cover. Additionally, the cover has been redesigned to remove the lettering and photo distortion originally applied and make it appear as the musicians/artist originally intended. Lastly, this sonic treasure has been pressed on 200 gram vinyl at Quality Record Pressings, maker of the world's finest LPs, with stampers plated by master plating technician Gary Salstrom.\r\n
      \r\n
      The inspired reworking of both "Blue Moon" and "Working On A Building" reveal the Timmins family to be talented interpreters and insightful neo-traditionalists. Mixing the ambitious songwriting of Margo and Michael Timmins with subdued covers of Lou Reed's "Sweet Jane" and Hank Williams' "I'm So Lonesome I Could Cry", The Trinity Session is an exquisite collection that holds up quite well under repeated listenings.\r\n
      \r\n
      "The main appeal of The Trinity Session, the Cowboy Junkies' second album, remains its lo-fi sound. The ambient buzz of Toronto's Church of the Holy Trinity, where the Junkies recorded the album around one microphone, colors every song, reinforcing the live setting and generating vinyl intimacy even on CD. It's as if the church itself was an instrument, one that Junkies could play pretty well. It allows Margo Timmins' voice to fill your field of vision, simultaneously soothing and unsettling, while her brother Michael's guitar rumbles through the songs, a little louder and sharper than anticipated". - Pitchfork
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Margo Timmins (vocals), John Timmins (guitar, vocals), Michael Timmins (guitar), Kim Deschamps (guitars), Steve Shearer (harmonica), Jeff Bird (fiddle, mandolin), Jaro Czerwinec (accordion), Alan Anton (bass), Peter Timmins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=I4hKmQpcT1k"
    -referenceProduit: "Analogue Productions AAPP 072-45"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Mining For Gold"
        "ordre" => 1
      ]
      [
        "nom" => "2. Misguided Angel"
        "ordre" => 2
      ]
      [
        "nom" => "3. Blue Moon Revisited (Song for Elvis)"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. I Don't Get It"
        "ordre" => 5
      ]
      [
        "nom" => "2. I'm So Lonesome I Could Cry"
        "ordre" => 6
      ]
      [
        "nom" => "3. To Love is to Bury"
        "ordre" => 7
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "1. 200 More Miles"
        "ordre" => 9
      ]
      [
        "nom" => "2. Dreaming My Dreams With You"
        "ordre" => 10
      ]
      [
        "nom" => "3. Working on a Building"
        "ordre" => 11
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
      [
        "nom" => "1. Sweet Jane"
        "ordre" => 13
      ]
      [
        "nom" => "2. Postcard Blues"
        "ordre" => 14
      ]
      [
        "nom" => "3. Walking After Midnight"
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2183 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1524 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2192 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2185 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2187 …}
    -enregistreLe: DateTime @1471420650 {#2178
      date: 2016-08-17 07:57:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763914494 {#2179
      date: 2025-11-23 16:14:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2189 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-trinity-session-analogue-productions-aapp-072-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "produit" => App\Entity\Produit {#2197
    -id: 2524
    -nom: "Count Basie & His Orchestra - 88 Basie Street"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Count Basie (piano), Kenny Hing (tenor saxophone), Eric Dixon, Eric Schneider (tenor saxophone, flute), Bill Hughes, Booty Wood, Dennis Wilson, Grover Mitchell (trombone), Dale Carley, Crawford (trumpet), Bob Summers, Frank Szabo, Sonny Cohn (trumpet, flugelhorn), Joe Pass (guitar), Christopher Woods, Danny Turner (alto saxophone, flute), Johnny Williams (baritone saxophone), Cleveland Eaton (bass), Dennis Mackrel (drums).\r\n
      \r\n
      - Count Basie "88 Basie Street" 180 gram vinyl !\r\n
      - Mastered by Kevin Gray from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in Stoughton Printing tip-on single pocket jacket !\r\n
      \r\n
      One of the pieces on this album is called "The Blues Machine", which could stand as a description of the big band Count Basie operated for half a century. In the 1983 edition, Basie molded the talents of a mixture of veterans and relative youngsters to produce the immediately identifiable Basie sound and spirit.\r\n
      \r\n
      Sam Nestico's arrangements, so vital to the band in Basie's final years, are featured on four tracks. On the remaining two, Basie heads up a small unit with saxophonists Chris Woods and Kenny King, the rapidly developing young trumpeter Bob Summers, and guitar wizard Joe Pass.\r\n
      \r\n
      Mastered by Kevin Gray from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is everything jazz fans expect from an audiophile reissue. Housed in a single pocket Stoughton Printing tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Count Basie (piano), Kenny Hing (tenor saxophone), Eric Dixon, Eric Schneider (tenor saxophone, flute), Bill Hughes, Booty Wood, Dennis Wilson, Grover Mitchell (trombone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=nruo4skgSXs"
    -referenceProduit: "Analogue Productions AAPJ 156"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Bluesville "
        "ordre" => 1
      ]
      [
        "nom" => "2. 88 Basie Street"
        "ordre" => 2
      ]
      [
        "nom" => "3. Contractor's Blues"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. The Blues Machine"
        "ordre" => 5
      ]
      [
        "nom" => "2. Katy"
        "ordre" => 6
      ]
      [
        "nom" => "3. Sunday At The Savoy"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2199 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2208 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2201 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2203 …}
    -enregistreLe: DateTime @1719005265 {#2194
      date: 2024-06-21 21:27:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763911698 {#2195
      date: 2025-11-23 15:28:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2205 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-count-basie-his-orchestra-88-basie-street-analogue-productions-aapj-156"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3600
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2197
    -id: 2524
    -nom: "Count Basie & His Orchestra - 88 Basie Street"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Count Basie (piano), Kenny Hing (tenor saxophone), Eric Dixon, Eric Schneider (tenor saxophone, flute), Bill Hughes, Booty Wood, Dennis Wilson, Grover Mitchell (trombone), Dale Carley, Crawford (trumpet), Bob Summers, Frank Szabo, Sonny Cohn (trumpet, flugelhorn), Joe Pass (guitar), Christopher Woods, Danny Turner (alto saxophone, flute), Johnny Williams (baritone saxophone), Cleveland Eaton (bass), Dennis Mackrel (drums).\r\n
      \r\n
      - Count Basie "88 Basie Street" 180 gram vinyl !\r\n
      - Mastered by Kevin Gray from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in Stoughton Printing tip-on single pocket jacket !\r\n
      \r\n
      One of the pieces on this album is called "The Blues Machine", which could stand as a description of the big band Count Basie operated for half a century. In the 1983 edition, Basie molded the talents of a mixture of veterans and relative youngsters to produce the immediately identifiable Basie sound and spirit.\r\n
      \r\n
      Sam Nestico's arrangements, so vital to the band in Basie's final years, are featured on four tracks. On the remaining two, Basie heads up a small unit with saxophonists Chris Woods and Kenny King, the rapidly developing young trumpeter Bob Summers, and guitar wizard Joe Pass.\r\n
      \r\n
      Mastered by Kevin Gray from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is everything jazz fans expect from an audiophile reissue. Housed in a single pocket Stoughton Printing tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Count Basie (piano), Kenny Hing (tenor saxophone), Eric Dixon, Eric Schneider (tenor saxophone, flute), Bill Hughes, Booty Wood, Dennis Wilson, Grover Mitchell (trombone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=nruo4skgSXs"
    -referenceProduit: "Analogue Productions AAPJ 156"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Bluesville "
        "ordre" => 1
      ]
      [
        "nom" => "2. 88 Basie Street"
        "ordre" => 2
      ]
      [
        "nom" => "3. Contractor's Blues"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. The Blues Machine"
        "ordre" => 5
      ]
      [
        "nom" => "2. Katy"
        "ordre" => 6
      ]
      [
        "nom" => "3. Sunday At The Savoy"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2199 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2208 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2201 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2203 …}
    -enregistreLe: DateTime @1719005265 {#2194
      date: 2024-06-21 21:27:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763911698 {#2195
      date: 2025-11-23 15:28:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2205 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-count-basie-his-orchestra-88-basie-street-analogue-productions-aapj-156"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "produit" => App\Entity\Produit {#2213
    -id: 2523
    -nom: "Count Basie Big Band - Farmer's Market Barbecue"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Count Basie (piano), Bobby Plater, Danny Turner (alto saxophone),Johnny Williams (baritone saxophone), James Leary (bass), Freddie Green (guitar), Eric Dixon, Kenny Hing (tenor saxophone), Bill Hughes, Mitchell 'Booty' Wood, Dennis Wilson, Grover Mitchell (trombone), Bob Summers, Chris Albert, Dale Carley, Sonny Cohn (trumpet), Gregg Field (drums)\r\n
      \r\n
      - Count Basie Big Band "Farmer's Market Barbecue" 180 gram vinyl !\r\n
      - Cut from parts mastered by Doug Sax from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in Stoughton Printing tip-on single pocket jacket !\r\n
      \r\n
      From his earliest days in territory bands in the Southwest, Count Basie had a secret : How to make a collection of instrumentalists generate rhythmic thrust so irresistible that no listener's foot could remain motionless.\r\n
      \r\n
      Basie's swing was the opposite of tense. Relaxed is what it was, and powerful. Through five and a half decades, Basie never lost the ability to infect a band with his swing magic. This edition of his swing machine, recorded just a couple of years before his death, is evidence of the continuing force of that magic.\r\n
      \r\n
      Cut from metal parts mastered by Doug Sax from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a Stoughton Printing tip-on single pocket jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Count Basie (piano), Bobby Plater, Danny Turner (alto saxophone),Johnny Williams (baritone saxophone), James Leary (bass), Freddie Green (guitar), Eric Dixon, Kenny Hing (tenor saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=1QqxUshp5mY"
    -referenceProduit: "Analogue Productions AAPJ 157"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Way Out Basie"
        "ordre" => 1
      ]
      [
        "nom" => "2. St. Louis Blues"
        "ordre" => 2
      ]
      [
        "nom" => "3. Beaver Junction"
        "ordre" => 3
      ]
      [
        "nom" => "4. Lester Leaps In"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. Blues For The Barbecue"
        "ordre" => 6
      ]
      [
        "nom" => "2. I Don't Know Yet "
        "ordre" => 7
      ]
      [
        "nom" => "3. Ain't That Something"
        "ordre" => 8
      ]
      [
        "nom" => "4. Jumpin' At The Woodside"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2199 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2221 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2214 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2216 …}
    -enregistreLe: DateTime @1719004265 {#2210
      date: 2024-06-21 21:11:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763886416 {#2211
      date: 2025-11-23 08:26:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2218 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-count-basie-big-band-farmer-s-market-barbecue-analogue-productions-aapj-157"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3653
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2213
    -id: 2523
    -nom: "Count Basie Big Band - Farmer's Market Barbecue"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Count Basie (piano), Bobby Plater, Danny Turner (alto saxophone),Johnny Williams (baritone saxophone), James Leary (bass), Freddie Green (guitar), Eric Dixon, Kenny Hing (tenor saxophone), Bill Hughes, Mitchell 'Booty' Wood, Dennis Wilson, Grover Mitchell (trombone), Bob Summers, Chris Albert, Dale Carley, Sonny Cohn (trumpet), Gregg Field (drums)\r\n
      \r\n
      - Count Basie Big Band "Farmer's Market Barbecue" 180 gram vinyl !\r\n
      - Cut from parts mastered by Doug Sax from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in Stoughton Printing tip-on single pocket jacket !\r\n
      \r\n
      From his earliest days in territory bands in the Southwest, Count Basie had a secret : How to make a collection of instrumentalists generate rhythmic thrust so irresistible that no listener's foot could remain motionless.\r\n
      \r\n
      Basie's swing was the opposite of tense. Relaxed is what it was, and powerful. Through five and a half decades, Basie never lost the ability to infect a band with his swing magic. This edition of his swing machine, recorded just a couple of years before his death, is evidence of the continuing force of that magic.\r\n
      \r\n
      Cut from metal parts mastered by Doug Sax from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a Stoughton Printing tip-on single pocket jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Count Basie (piano), Bobby Plater, Danny Turner (alto saxophone),Johnny Williams (baritone saxophone), James Leary (bass), Freddie Green (guitar), Eric Dixon, Kenny Hing (tenor saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=1QqxUshp5mY"
    -referenceProduit: "Analogue Productions AAPJ 157"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Way Out Basie"
        "ordre" => 1
      ]
      [
        "nom" => "2. St. Louis Blues"
        "ordre" => 2
      ]
      [
        "nom" => "3. Beaver Junction"
        "ordre" => 3
      ]
      [
        "nom" => "4. Lester Leaps In"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. Blues For The Barbecue"
        "ordre" => 6
      ]
      [
        "nom" => "2. I Don't Know Yet "
        "ordre" => 7
      ]
      [
        "nom" => "3. Ain't That Something"
        "ordre" => 8
      ]
      [
        "nom" => "4. Jumpin' At The Woodside"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2199 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2221 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2214 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2216 …}
    -enregistreLe: DateTime @1719004265 {#2210
      date: 2024-06-21 21:11:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763886416 {#2211
      date: 2025-11-23 08:26:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2218 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-count-basie-big-band-farmer-s-market-barbecue-analogue-productions-aapj-157"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "produit" => App\Entity\Produit {#2226
    -id: 2525
    -nom: "Basie Jam"
    -informationComplementaire: null
    -description: """
      - Count Basie "Basie Jam" 180 gram vinyl !\r\n
      - Mastered by Doug Sax at The Mastering Lab from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      Basie Jam is two sides of some of the best swing ever recorded. This record was produced by Norman Granz and Pablo Records. Granz, responsible for one of the greatest jazz labels ever Verve knew what he was doing in a studio.\r\n
      \r\n
      The Big Band sound of Count Basie and the other orchestra leaders dominated dance halls and the airwaves for almost two decades. This late 1973 session features the Count with an eight-piece band. As the title indicates, this recording is like a jam session, so all the tracks are based around the blues. After a classic Basie Piano intro the first track "Doubling Blues" swings like mad, but then you notice there's something different going on when the solos start. What's different is that Basie is playing Organ for most of the rest of the track and the difference is amazing. The little Piano phrases that we're all so used to hearing Basie play aren't there. Then after six minutes the piano comes back in and we finish track with Basie as we started.\r\n
      \r\n
      For more of Basie's organ playing have a listen to "One-Nighter" a lovely medium tempo number on which he plays a restrained introductory solo, before Zoot Sims plays the opening tenor sax solo.\r\n
      \r\n
      The running time is just under 50 minutes, and with only five tracks on the album that tells you that the musicians were given plenty of opportunity to stretch out. They do, and its well worth getting a copy of this album.\r\n
      \r\n
      Mastered by Doug Sax at The Mastering Lab from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a handsome Stoughton Printing tip-on gatefold jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Count Basie (piano, organ), Eddie Davis, Zoot Sims (tenor saxophone), Ray Brown (bass), J.J. Johnson (trombone), Harry Edison (trumpet), rving Ashby (guitar), Louie Bellson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=ZOzgXG8mpbQ"
    -referenceProduit: "Analogue Productions AAPJ 155"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Doubling Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Hanging Out"
        "ordre" => 2
      ]
      [
        "nom" => "3. Red Bank Blues"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. One-Nighter"
        "ordre" => 5
      ]
      [
        "nom" => "2. Freeport Blues"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2199 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2234 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2227 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2229 …}
    -enregistreLe: DateTime @1719040326 {#2223
      date: 2024-06-22 07:12:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763885426 {#2224
      date: 2025-11-23 08:10:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2231 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-basie-jam-analogue-productions-aapj-155"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3701
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2226
    -id: 2525
    -nom: "Basie Jam"
    -informationComplementaire: null
    -description: """
      - Count Basie "Basie Jam" 180 gram vinyl !\r\n
      - Mastered by Doug Sax at The Mastering Lab from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      Basie Jam is two sides of some of the best swing ever recorded. This record was produced by Norman Granz and Pablo Records. Granz, responsible for one of the greatest jazz labels ever Verve knew what he was doing in a studio.\r\n
      \r\n
      The Big Band sound of Count Basie and the other orchestra leaders dominated dance halls and the airwaves for almost two decades. This late 1973 session features the Count with an eight-piece band. As the title indicates, this recording is like a jam session, so all the tracks are based around the blues. After a classic Basie Piano intro the first track "Doubling Blues" swings like mad, but then you notice there's something different going on when the solos start. What's different is that Basie is playing Organ for most of the rest of the track and the difference is amazing. The little Piano phrases that we're all so used to hearing Basie play aren't there. Then after six minutes the piano comes back in and we finish track with Basie as we started.\r\n
      \r\n
      For more of Basie's organ playing have a listen to "One-Nighter" a lovely medium tempo number on which he plays a restrained introductory solo, before Zoot Sims plays the opening tenor sax solo.\r\n
      \r\n
      The running time is just under 50 minutes, and with only five tracks on the album that tells you that the musicians were given plenty of opportunity to stretch out. They do, and its well worth getting a copy of this album.\r\n
      \r\n
      Mastered by Doug Sax at The Mastering Lab from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a handsome Stoughton Printing tip-on gatefold jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Count Basie (piano, organ), Eddie Davis, Zoot Sims (tenor saxophone), Ray Brown (bass), J.J. Johnson (trombone), Harry Edison (trumpet), rving Ashby (guitar), Louie Bellson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=ZOzgXG8mpbQ"
    -referenceProduit: "Analogue Productions AAPJ 155"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Doubling Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Hanging Out"
        "ordre" => 2
      ]
      [
        "nom" => "3. Red Bank Blues"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. One-Nighter"
        "ordre" => 5
      ]
      [
        "nom" => "2. Freeport Blues"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2199 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2234 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2227 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2229 …}
    -enregistreLe: DateTime @1719040326 {#2223
      date: 2024-06-22 07:12:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763885426 {#2224
      date: 2025-11-23 08:10:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2231 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-basie-jam-analogue-productions-aapj-155"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "produit" => App\Entity\Produit {#2239
    -id: 1018
    -nom: "Coleman Hawkins and Confreres"
    -informationComplementaire: null
    -description: """
      "... these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011\r\n
      \r\n
      Ben Webster had long before passed through the ranks of imitator, then pupil and finally master. His "college attendance", as one might put it, in the Duke Ellington Orchestra gave him a sureness of expression in his great showpieces and he also learned to hold his own against such musical giants as Paul Gonsalves and Jimmy Hamilton. "Hawk" was able to thoroughly enjoy his fame in numerous Jazz At The Philharmonic concerts given all over the world, where, of course, he had to assert himself against many other saxophone players. Two such JATP ensembles are to be found on the Confrères LP. The relaxed atmosphere is particularly noticeable in the title "Sunday" in which Roy Eldridge comes into the limelight with a brilliant solo. And just listen to George Buvivier's marvelous bass playing (in "Nabab!") where he certainly has no reason to hide in the shadow thrown by Ray Brown. Coleman Hawkins' voluminous, supple sound which had a great influence on the styles of musicians ranging from Dexter Gordon and Sonny Rollins up to Joe Lovano, is best heard after Roy's solo in "Honey Flower".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Coleman Hawkins, Ben Webster (tenor saxophone), Ray Brown, George Duvivier (bass), Oscar Peterson, Hank Jones (piano), Herb Ellis (guitar), Roy Eldridge (trumpet), Alvin Stoller, Mickey Sheen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xjjMGIMZNgY"
    -referenceProduit: "Analogue Productions AVRJ 6110-45"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Maria "
        "ordre" => 1
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "1. Sunday"
        "ordre" => 3
      ]
      [
        "nom" => "2. Hanid"
        "ordre" => 4
      ]
      [
        "nom" => "Side C :"
        "ordre" => 5
      ]
      [
        "nom" => "1. Honey Flower"
        "ordre" => 6
      ]
      [
        "nom" => "Side D :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Nabob"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2241 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2250 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2243 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2245 …}
    -enregistreLe: DateTime @1471673391 {#2236
      date: 2016-08-20 06:09:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763840813 {#2237
      date: 2025-11-22 19:46:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2247 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-coleman-hawkins-and-confreres-analogue-productions-avrj-6110-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3747
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2239
    -id: 1018
    -nom: "Coleman Hawkins and Confreres"
    -informationComplementaire: null
    -description: """
      "... these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011\r\n
      \r\n
      Ben Webster had long before passed through the ranks of imitator, then pupil and finally master. His "college attendance", as one might put it, in the Duke Ellington Orchestra gave him a sureness of expression in his great showpieces and he also learned to hold his own against such musical giants as Paul Gonsalves and Jimmy Hamilton. "Hawk" was able to thoroughly enjoy his fame in numerous Jazz At The Philharmonic concerts given all over the world, where, of course, he had to assert himself against many other saxophone players. Two such JATP ensembles are to be found on the Confrères LP. The relaxed atmosphere is particularly noticeable in the title "Sunday" in which Roy Eldridge comes into the limelight with a brilliant solo. And just listen to George Buvivier's marvelous bass playing (in "Nabab!") where he certainly has no reason to hide in the shadow thrown by Ray Brown. Coleman Hawkins' voluminous, supple sound which had a great influence on the styles of musicians ranging from Dexter Gordon and Sonny Rollins up to Joe Lovano, is best heard after Roy's solo in "Honey Flower".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Coleman Hawkins, Ben Webster (tenor saxophone), Ray Brown, George Duvivier (bass), Oscar Peterson, Hank Jones (piano), Herb Ellis (guitar), Roy Eldridge (trumpet), Alvin Stoller, Mickey Sheen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xjjMGIMZNgY"
    -referenceProduit: "Analogue Productions AVRJ 6110-45"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Maria "
        "ordre" => 1
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "1. Sunday"
        "ordre" => 3
      ]
      [
        "nom" => "2. Hanid"
        "ordre" => 4
      ]
      [
        "nom" => "Side C :"
        "ordre" => 5
      ]
      [
        "nom" => "1. Honey Flower"
        "ordre" => 6
      ]
      [
        "nom" => "Side D :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Nabob"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2241 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2250 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2243 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2245 …}
    -enregistreLe: DateTime @1471673391 {#2236
      date: 2016-08-20 06:09:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763840813 {#2237
      date: 2025-11-22 19:46:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2247 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-coleman-hawkins-and-confreres-analogue-productions-avrj-6110-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3948
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3949 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3997 …}
  +isValidated: false
  +validatedFields: []
}