Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2636
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2483 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2713
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2716 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2715 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2483 …}
  -formView: Symfony\Component\Form\FormView {#2752 …}
  -form: Symfony\Component\Form\Form {#2902 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1873
    -id: 3071
    -nom: "Tres Hombres (2 LP) 45 RPM - Clarity Vinyl"
    -informationComplementaire: "Plongez dans la chaleur du blues texan avec "Tres Hombres" en Clarity Vinyl 45 RPM, une expérience sonore pure, intense et résolument vintage, qui révèle toute la puissance et la finesse de ZZ Top comme jamais auparavant."
    -description: """
      Redécouvrez "Tres Hombres", l’album culte de ZZ Top, dans une édition audiophile d’exception, en 45 RPM Clarity Vinyl. Véritable référence du blues-rock texan, cet opus de 1973 renferme des classiques intemporels comme "La Grange", portés par le groove inimitable du trio Billy Gibbons, Dusty Hill et Frank Beard.\r\n
      \r\n
      Pressé sur un vinyle Clarity Vinyl translucide de très haute pureté, ce double LP en 45 tours offre une restitution sonore exceptionnelle, dynamique accrue, détails sublimés et scène sonore élargie. Chaque note respire avec une précision remarquable, pour une immersion totale au cœur du son brut et authentique de ZZ Top.\r\n
      \r\n
      Cette édition premium est pensée pour les audiophiles et collectionneurs exigeants, avec une fabrication soignée et un rendu sonore qui magnifie chaque riff, chaque ligne de basse et chaque frappe de batterie.\r\n
      \r\n
      - "Tres Hombres" ZZ-Top's 1973 breakthrough album on UHQR !\r\n
      - Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl !\r\n
      - 45 RPM (2 LP) release limited to 5000 numbered copies !\r\n
      - Features lead single "La Grange" !\r\n
      - Rolling Stone's 500 Greatest Albums of All Time ranked No. 490/500 (2012) !\r\n
      - Named Best Boogie Rock album ever by the Houston Chronicle !\r\n
      - Mastered by Matthew Luthans at The Mastering Lab from the original analog tape !\r\n
      - Pressed at Quality Record Pressings using 200 gram Clarity Vinyl® !\r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      - Tip-on old style gatefold double pocket jackets with scuff resistant finish by Stoughton Printing !\r\n
      \r\n
      The breakthrough album that defined Texas blues rock! One of the world's greatest rock 'n' roll bands ever to strut the 50 States, these sharp-dressed Texas titans Billy F. Gibbons, Frank Beard, and Dusty Hill are a righteously hell rain' power trio boasting a 30-plus year hit-making legacy, both in the studio and at concert arenas.\r\n
      \r\n
      With their revved up blues 'n' boogie, they always make the most of their Texas birthright with with a distinctive sound that shakes up rock, blues, soul, garage-funk, Americana, and more. Nowhere is their force of nature musicianship better displayed than their 1973 classic Tres Hombres. Packed with swagger, grit, and some of the most infectious guitar grooves ever recorded, Tres Hombres cemented the band's signature sound raw, greasy, and undeniably cool.\r\n
      \r\n
      One of rock's greatest anthems "La Grange" swaggers! That iconic opening boogie riff ? Instantly recognizable. The groove ? Absolutely irresistible. "La Grange" is a masterclass in blues-based rock perfection. And beyond ? Whether it's the slow-burning "Hot, Blue and Righteous", the funky "Move Me on Down the Line", or the driving "Waitin' for the Bus / Jesus Just Left Chicago" combo, every track grooves with unmistakable attitude.\r\n
      \r\n
      ZZ Top fans will instantly recognize Tres Hombres as the album that shaped the band's legend. It's loud, it's bluesy, and it's packed with riffs that demand to be cranked up !\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records. This definitive reissue of "Tres Hombres" is limited to 5000 numbered copies! Pressed on four glorious sides of 200-gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process. Lastly, your records are housed in archival quality Stoughton Printing tip-on gatefold jackets with a scuff-resistant finish, for a truly premium product.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Billy Gibbons (guitar, lead vocals), Dusty Hill (bass guitar, backing vocals), Frank Beard (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_w-i7LwoAIo&list=RD_w-i7LwoAIo&start_radio=1"
    -referenceProduit: "Analogue Productions UHQR 0023-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Waitin' For The Bus"
      ]
      [
        "ordre" => 2
        "nom" => "2. Jesus Just Left Chicago"
      ]
      [
        "ordre" => 3
        "nom" => "3. Beer Drinkers & Hell Raisers "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Master Of Sparks"
      ]
      [
        "ordre" => 6
        "nom" => "2. Hot, Blue And Righteous "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Move Me On Down The Line"
      ]
      [
        "ordre" => 9
        "nom" => "2. Precious And Grace"
      ]
      [
        "ordre" => 10
        "nom" => "3. La Grange "
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Shiek"
      ]
      [
        "ordre" => 13
        "nom" => "2. Have You Heard ?"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1776889453 {#1928
      date: 2026-04-22 20:24:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776889826 {#1921
      date: 2026-04-22 20:30:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tres-hombres-2-lp-45-rpm-clarity-vinyl-analogue-productions-uhqr-0023-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3174
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2715 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#1873
    -id: 3071
    -nom: "Tres Hombres (2 LP) 45 RPM - Clarity Vinyl"
    -informationComplementaire: "Plongez dans la chaleur du blues texan avec "Tres Hombres" en Clarity Vinyl 45 RPM, une expérience sonore pure, intense et résolument vintage, qui révèle toute la puissance et la finesse de ZZ Top comme jamais auparavant."
    -description: """
      Redécouvrez "Tres Hombres", l’album culte de ZZ Top, dans une édition audiophile d’exception, en 45 RPM Clarity Vinyl. Véritable référence du blues-rock texan, cet opus de 1973 renferme des classiques intemporels comme "La Grange", portés par le groove inimitable du trio Billy Gibbons, Dusty Hill et Frank Beard.\r\n
      \r\n
      Pressé sur un vinyle Clarity Vinyl translucide de très haute pureté, ce double LP en 45 tours offre une restitution sonore exceptionnelle, dynamique accrue, détails sublimés et scène sonore élargie. Chaque note respire avec une précision remarquable, pour une immersion totale au cœur du son brut et authentique de ZZ Top.\r\n
      \r\n
      Cette édition premium est pensée pour les audiophiles et collectionneurs exigeants, avec une fabrication soignée et un rendu sonore qui magnifie chaque riff, chaque ligne de basse et chaque frappe de batterie.\r\n
      \r\n
      - "Tres Hombres" ZZ-Top's 1973 breakthrough album on UHQR !\r\n
      - Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl !\r\n
      - 45 RPM (2 LP) release limited to 5000 numbered copies !\r\n
      - Features lead single "La Grange" !\r\n
      - Rolling Stone's 500 Greatest Albums of All Time ranked No. 490/500 (2012) !\r\n
      - Named Best Boogie Rock album ever by the Houston Chronicle !\r\n
      - Mastered by Matthew Luthans at The Mastering Lab from the original analog tape !\r\n
      - Pressed at Quality Record Pressings using 200 gram Clarity Vinyl® !\r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      - Tip-on old style gatefold double pocket jackets with scuff resistant finish by Stoughton Printing !\r\n
      \r\n
      The breakthrough album that defined Texas blues rock! One of the world's greatest rock 'n' roll bands ever to strut the 50 States, these sharp-dressed Texas titans Billy F. Gibbons, Frank Beard, and Dusty Hill are a righteously hell rain' power trio boasting a 30-plus year hit-making legacy, both in the studio and at concert arenas.\r\n
      \r\n
      With their revved up blues 'n' boogie, they always make the most of their Texas birthright with with a distinctive sound that shakes up rock, blues, soul, garage-funk, Americana, and more. Nowhere is their force of nature musicianship better displayed than their 1973 classic Tres Hombres. Packed with swagger, grit, and some of the most infectious guitar grooves ever recorded, Tres Hombres cemented the band's signature sound raw, greasy, and undeniably cool.\r\n
      \r\n
      One of rock's greatest anthems "La Grange" swaggers! That iconic opening boogie riff ? Instantly recognizable. The groove ? Absolutely irresistible. "La Grange" is a masterclass in blues-based rock perfection. And beyond ? Whether it's the slow-burning "Hot, Blue and Righteous", the funky "Move Me on Down the Line", or the driving "Waitin' for the Bus / Jesus Just Left Chicago" combo, every track grooves with unmistakable attitude.\r\n
      \r\n
      ZZ Top fans will instantly recognize Tres Hombres as the album that shaped the band's legend. It's loud, it's bluesy, and it's packed with riffs that demand to be cranked up !\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records. This definitive reissue of "Tres Hombres" is limited to 5000 numbered copies! Pressed on four glorious sides of 200-gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process. Lastly, your records are housed in archival quality Stoughton Printing tip-on gatefold jackets with a scuff-resistant finish, for a truly premium product.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Billy Gibbons (guitar, lead vocals), Dusty Hill (bass guitar, backing vocals), Frank Beard (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_w-i7LwoAIo&list=RD_w-i7LwoAIo&start_radio=1"
    -referenceProduit: "Analogue Productions UHQR 0023-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Waitin' For The Bus"
      ]
      [
        "ordre" => 2
        "nom" => "2. Jesus Just Left Chicago"
      ]
      [
        "ordre" => 3
        "nom" => "3. Beer Drinkers & Hell Raisers "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Master Of Sparks"
      ]
      [
        "ordre" => 6
        "nom" => "2. Hot, Blue And Righteous "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Move Me On Down The Line"
      ]
      [
        "ordre" => 9
        "nom" => "2. Precious And Grace"
      ]
      [
        "ordre" => 10
        "nom" => "3. La Grange "
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Shiek"
      ]
      [
        "ordre" => 13
        "nom" => "2. Have You Heard ?"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1776889453 {#1928
      date: 2026-04-22 20:24:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776889826 {#1921
      date: 2026-04-22 20:30:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tres-hombres-2-lp-45-rpm-clarity-vinyl-analogue-productions-uhqr-0023-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2483 …}
}

[
  "produit" => App\Entity\Produit {#2097
    -id: 2910
    -nom: "St. Louis To Liverpool"
    -informationComplementaire: "St. Louis to Liverpool marque le retour de Chuck Berry en 1964 et confirme son statut de maître du rock’n’roll. Avec des titres comme "You Never Can Tell" et "No Particular Place to Go", il réaffirme son influence majeure sur la génération suivante."
    -description: """
      St. Louis to Liverpool est le 7ème album studio de Chuck Berry, sorti en novembre 1964 chez Chess Records. Il marque un moment clé de sa carrière : c’est l’album qui accompagne son retour après 20 mois de prison et qui le remet au premier plan du rock’n’roll au moment de la British Invasion (Beatles, Rolling Stones, etc.), des groupes qui s’inspiraient déjà beaucoup de lui.\r\n
      \r\n
      L’album rassemble principalement des singles sortis en 1964 et quelques titres plus anciens ou inédits. Malgré ce caractère un peu compilatoire, il est souvent considéré comme l’un des grands disques du rock classique, certains critiques l’ont même décrit comme "un des plus grands albums de rock’n’roll".\r\n
      \r\n
      Musicians : \r\n
      Chuck Berry (electric guitar, vocals), Matt “Guitar” Murphy (electric guitar), Johnnie Johnson, Lafayette Leake, Paul Williams (piano), Willie Dixon, Louis Satterfield (bass), Leroy C. Davis, James Robinson (tenor saxophone), Odie Payne, Fred Below, Ebby Hardy, Jaspar Thomas (drums).\r\n
      \r\n
      - Chuck Berry "St. Louis To Liverpool" !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Contains four of the five 1964 Chuck Berry charting singles : "No Particular Place to Go", "You Never Can Tell," "Promised Land", and "Little Marie" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Rock & Roll Pioneer's 7th Studio Album on Limited Edition Vinyl LP !\r\n
      \r\n
      The seventh studio album by rock & roll master Chuck Berry, St. Louis to Liverpool was issued by Chess Records in 1964 and peaked at #124 on the US Billboard album chart, the first of his studio LPs to appear on the chart. Contains four of the five 1964 Chuck Berry charting singles : "No Particular Place to Go", "You Never Can Tell", "Promised Land", and "Little Marie". "You Never Can Tell" gained new fame after being danced by John Travolta and Uma Thurman on Tarantino's 1994 film Pulp Fiction.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Chuck Berry (electric guitar, vocals), Matt “Guitar” Murphy (electric guitar), Johnnie Johnson, Lafayette Leake, Paul Williams (piano)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=4AxDm5FxjvI&list=RD4AxDm5FxjvI&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series (Chess Records) 8126"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Little Marie"
      ]
      [
        "ordre" => 2
        "nom" => "2. Our Little Rendezvous"
      ]
      [
        "ordre" => 3
        "nom" => "3. No Particular Place To Go"
      ]
      [
        "ordre" => 4
        "nom" => "4. You Two"
      ]
      [
        "ordre" => 5
        "nom" => "5. Promised Land"
      ]
      [
        "ordre" => 6
        "nom" => "6. You Never Can Tell"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Go Bobby Soxer"
      ]
      [
        "ordre" => 9
        "nom" => "2. The Things I Used To Do"
      ]
      [
        "ordre" => 10
        "nom" => "3. Liverpool Drive"
      ]
      [
        "ordre" => 11
        "nom" => "4. Night Beat"
      ]
      [
        "ordre" => 12
        "nom" => "5. Merry Christmas Baby"
      ]
      [
        "ordre" => 13
        "nom" => "6. Brenda Lee"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
    -label: Proxies\__CG__\App\Entity\Label {#2102 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2111 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2104 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2106 …}
    -enregistreLe: DateTime @1764751605 {#2094
      date: 2025-12-03 08:46:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776803146 {#2095
      date: 2026-04-21 20:25:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2108 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-st-louis-to-liverpool-acoustic-sounds-series-chess-records-8126"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3288
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2715 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2097
    -id: 2910
    -nom: "St. Louis To Liverpool"
    -informationComplementaire: "St. Louis to Liverpool marque le retour de Chuck Berry en 1964 et confirme son statut de maître du rock’n’roll. Avec des titres comme "You Never Can Tell" et "No Particular Place to Go", il réaffirme son influence majeure sur la génération suivante."
    -description: """
      St. Louis to Liverpool est le 7ème album studio de Chuck Berry, sorti en novembre 1964 chez Chess Records. Il marque un moment clé de sa carrière : c’est l’album qui accompagne son retour après 20 mois de prison et qui le remet au premier plan du rock’n’roll au moment de la British Invasion (Beatles, Rolling Stones, etc.), des groupes qui s’inspiraient déjà beaucoup de lui.\r\n
      \r\n
      L’album rassemble principalement des singles sortis en 1964 et quelques titres plus anciens ou inédits. Malgré ce caractère un peu compilatoire, il est souvent considéré comme l’un des grands disques du rock classique, certains critiques l’ont même décrit comme "un des plus grands albums de rock’n’roll".\r\n
      \r\n
      Musicians : \r\n
      Chuck Berry (electric guitar, vocals), Matt “Guitar” Murphy (electric guitar), Johnnie Johnson, Lafayette Leake, Paul Williams (piano), Willie Dixon, Louis Satterfield (bass), Leroy C. Davis, James Robinson (tenor saxophone), Odie Payne, Fred Below, Ebby Hardy, Jaspar Thomas (drums).\r\n
      \r\n
      - Chuck Berry "St. Louis To Liverpool" !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Contains four of the five 1964 Chuck Berry charting singles : "No Particular Place to Go", "You Never Can Tell," "Promised Land", and "Little Marie" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Rock & Roll Pioneer's 7th Studio Album on Limited Edition Vinyl LP !\r\n
      \r\n
      The seventh studio album by rock & roll master Chuck Berry, St. Louis to Liverpool was issued by Chess Records in 1964 and peaked at #124 on the US Billboard album chart, the first of his studio LPs to appear on the chart. Contains four of the five 1964 Chuck Berry charting singles : "No Particular Place to Go", "You Never Can Tell", "Promised Land", and "Little Marie". "You Never Can Tell" gained new fame after being danced by John Travolta and Uma Thurman on Tarantino's 1994 film Pulp Fiction.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Chuck Berry (electric guitar, vocals), Matt “Guitar” Murphy (electric guitar), Johnnie Johnson, Lafayette Leake, Paul Williams (piano)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
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    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=4AxDm5FxjvI&list=RD4AxDm5FxjvI&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series (Chess Records) 8126"
    -titreMorceau: [
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        "nom" => "1. Little Marie"
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        "ordre" => 2
        "nom" => "2. Our Little Rendezvous"
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        "nom" => "4. You Two"
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        "nom" => "6. You Never Can Tell"
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        "nom" => "1. Go Bobby Soxer"
      ]
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        "ordre" => 9
        "nom" => "2. The Things I Used To Do"
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        "nom" => "3. Liverpool Drive"
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        "nom" => "4. Night Beat"
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        "ordre" => 12
        "nom" => "5. Merry Christmas Baby"
      ]
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        "ordre" => 13
        "nom" => "6. Brenda Lee"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
    -label: Proxies\__CG__\App\Entity\Label {#2102 …}
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[
  "produit" => App\Entity\Produit {#2116
    -id: 2957
    -nom: "My Morning Jacket Z -  (Box Set 2 LP) UltraDisc One-Step 45 RPM"
    -informationComplementaire: null
    -description: """
      - My Morning Jacket Explores Cosmic Frontiers on Z: Rolling Stone Ranks the Band's Fourth Effort as One of the 500 Greatest Albums of All Time ! \r\n
      \r\n
      - Experience the 2005 Record in Audiophile Sound for the First Time : Strictly Limited to 2500 Numbered Copies, Mobile Fidelity’s UltraDisc One-Step 180 gram 45 RPM (2 LP) Box Set Includes a Bonus Track and Custom Art !\r\n
      \r\n
      - 1/2” / 15 IPS / Dolby SR analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      My Morning Jacket found itself at a crossroads as it prepared to create the record that would become its breakthrough. Two members had amicably departed on a prior tour, and their replacements were settling into the group’s chemistry. The Kentucky ensemble also felt a desire to change up the approaches that served it so well on its first three LPs. Getting out of that comfort zone, making great use of the recent recruits, and inviting a professional producer into the fold paid immense dividends in the form of the critically revered Z.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, and strictly limited to 2500 numbered copies, Mobile Fidelity’s UltraDisc One-Step 180 gram 45 RPM (2 LP) box set of Z presents the 2005 effort ranked by Rolling Stone as one of the 500 Greatest Albums of All Time  in audiophile-grade sound for the first time. A considerable part of the record’s celebrated appeal and success John Leckie’s outstanding production, which tamps down the group’s signature reverb and washes the music with organic warmth and cosmic textures emerges with previously unheard openness, presence, and grandness. \r\n
      \r\n
      Benefitting from an ultra-low noise floor, superior groove definition, and dead-quiet surfaces, this collectible edition frames leader Jim James and company’s fare amid deep-black backgrounds and expansive soundstages. Songs feel natural, golden, and seemingly endless in scope. The extent of the dynamic breadth and accuracy of detail you sense will likely only be limited by the capacity of your stereo. You’ll hear the subtle nuances and smooth falsetto of James’ voice; liveliness of the studio environment; atmospheric flourishes of the effects pedals; wet splash and pounce of the percussion; soft sparkle of the keyboards; and the near-infinite tonality of the guitars like never before. Those benefits extend to the bonus track “Where to Begin”.\r\n
      \r\n
      The deluxe packaging of Mobile Fidelity’s Z UD1S set celebrates the work’s distinguished status with unique art developed in collaboration with the band. Housed in a slipcase, the LPs come in special foil-stamped jackets. You also get two inserts devised by the group for this release. Aurally and visually, this reissue is for listeners who want to engage in everything involved with the album, including Kathleen Lolley’s striking cover art. It depicts a trio of avian surgeons operating on one of their own a bird that happens to have a city inside his belly. James chose the image because of the way it represents the world within all of us and suggests the need to block out exterior noise and focus on your surroundings. \r\n
      \r\n
      Following its own advice, My Morning Jacket concentrates on the matters at hand throughout Z. Zooming beyond the Southern-styled rock and rustic balladry of its earlier LPs, the quintet invigorated by newcomers Carl Broemel on guitar and Bo Koster on keyboards invites exotic vocabularies and psychedelic ambience into its wheelhouse all the while tightening up structures and building upon past achievements. A conscious decision to ensconce itself in a studio that would eliminate distractions led the group to a remote area of the Catskill Mountains and away from its usual confines of Louisville, Kentucky. The final piece that locked everything into place? Co-producer Leckie. \r\n
      \r\n
      A veteran of Abbey Road Studios who worked in various capacities on albums by the likes of George Harrison, Pink Floyd and Wings, Leckie touted an impressive engineering and production resume that included efforts by the Stone Roses, XTC, Muse, and Radiohead by the time James met him before the sessions began. Leckie’s outsider perspective helped spur My Morning Jacket to glorious heights and change how the band operated.\r\n
      \r\n
      Z testifies on behalf of the brilliance of that collaboration, with adventurous arrangements and forays into reggae, R&B, and soul-jazz taking listeners on wondrous journeys into outer galaxies. The burbling undercurrents and calming bass lines on the opening “Wordless Chorus” a song true to its name plunges you into the depths of a vast ocean. James’ rising “aaaah” releases ultimately give way to “whooo” howls that speak to the liberating feelings at hand. A quick coda that nicks Elton John’s “Bennie and the Jets” underlines the mood.\r\n
      \r\n
      From there, Z continues to delight and surprise. Songs evoke rays of light pouring through a prism and projecting wide spectrums of color; the majestic glow of the flashing aurora borealis on a crisp night; the vast expanse of desert-plains horizons and towering sight of a tree-dense forest. As much about settings and transformation as melody, Z pulls you into its crevices, mysteries, and chasms. As tour guides and groove sorcerers, James and friends don tophats and wave magic wands. \r\n
      \r\n
      Surrender to the teeter-totter variations of the sincere “It Beats 4 U”, an ode complete with whistling from multi-hyphenate musician Andrew Bird. Shimmy and shake as “What a Wonderful Man” sparks with lightning-strike joy and dials up the crunch. Bob to the hypnotic reggae riffs and springboard rhythms of “Off the Record” as it casts out gloom and rejoices with happiness, the song’s second half even hinting at the Rolling Stones’ “Can’t You Hear Me Knocking” as it dives down an experimental black hole. Embrace the miniature piano ballet that is “Knot Comes Loose”, delivered by James in a churchy voice. \r\n
      \r\n
      “Listen, listen” he enthusiastically instructs on the building “Gideon” Fantastic advice for an album that never repeats itself or grows stale.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Jim James (guitar, lead vocals), Tom Blankenship (bass guitar), Bo Koster (keyboards), Carl Broemel (guitar, pedal steel, saxophone, backing vocals), Patrick Hallahan (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=q15sZK-8sPw&list=PLNPGM2D7aODd0OlYnfgHnUn4NniZD3_xU&index=2"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S 2-074"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
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      ]
      [
        "ordre" => 2
        "nom" => "2. It Beats 4 U"
      ]
      [
        "ordre" => 3
        "nom" => "3. Gideon"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. What a Wonderful Man"
      ]
      [
        "ordre" => 6
        "nom" => "2. Off the Record"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Anytime"
      ]
      [
        "ordre" => 9
        "nom" => "2. Laylow"
      ]
      [
        "ordre" => 10
        "nom" => "3. Knot Comes Loose"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Dondante"
      ]
      [
        "ordre" => 13
        "nom" => "2. Where to Begin"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2118 …}
    -label: Proxies\__CG__\App\Entity\Label {#2121 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -disponible: null
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    -slug: "vinyles-my-morning-jacket-z-box-set-2-lp-ultradisc-one-step-45-rpm-mobile-fidelity-sound-lab-mfsl-45ud1s-2-074"
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App\Twig\Components\GestionPanierFavoriComponents {#3339
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2715 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2116
    -id: 2957
    -nom: "My Morning Jacket Z -  (Box Set 2 LP) UltraDisc One-Step 45 RPM"
    -informationComplementaire: null
    -description: """
      - My Morning Jacket Explores Cosmic Frontiers on Z: Rolling Stone Ranks the Band's Fourth Effort as One of the 500 Greatest Albums of All Time ! \r\n
      \r\n
      - Experience the 2005 Record in Audiophile Sound for the First Time : Strictly Limited to 2500 Numbered Copies, Mobile Fidelity’s UltraDisc One-Step 180 gram 45 RPM (2 LP) Box Set Includes a Bonus Track and Custom Art !\r\n
      \r\n
      - 1/2” / 15 IPS / Dolby SR analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      My Morning Jacket found itself at a crossroads as it prepared to create the record that would become its breakthrough. Two members had amicably departed on a prior tour, and their replacements were settling into the group’s chemistry. The Kentucky ensemble also felt a desire to change up the approaches that served it so well on its first three LPs. Getting out of that comfort zone, making great use of the recent recruits, and inviting a professional producer into the fold paid immense dividends in the form of the critically revered Z.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, and strictly limited to 2500 numbered copies, Mobile Fidelity’s UltraDisc One-Step 180 gram 45 RPM (2 LP) box set of Z presents the 2005 effort ranked by Rolling Stone as one of the 500 Greatest Albums of All Time  in audiophile-grade sound for the first time. A considerable part of the record’s celebrated appeal and success John Leckie’s outstanding production, which tamps down the group’s signature reverb and washes the music with organic warmth and cosmic textures emerges with previously unheard openness, presence, and grandness. \r\n
      \r\n
      Benefitting from an ultra-low noise floor, superior groove definition, and dead-quiet surfaces, this collectible edition frames leader Jim James and company’s fare amid deep-black backgrounds and expansive soundstages. Songs feel natural, golden, and seemingly endless in scope. The extent of the dynamic breadth and accuracy of detail you sense will likely only be limited by the capacity of your stereo. You’ll hear the subtle nuances and smooth falsetto of James’ voice; liveliness of the studio environment; atmospheric flourishes of the effects pedals; wet splash and pounce of the percussion; soft sparkle of the keyboards; and the near-infinite tonality of the guitars like never before. Those benefits extend to the bonus track “Where to Begin”.\r\n
      \r\n
      The deluxe packaging of Mobile Fidelity’s Z UD1S set celebrates the work’s distinguished status with unique art developed in collaboration with the band. Housed in a slipcase, the LPs come in special foil-stamped jackets. You also get two inserts devised by the group for this release. Aurally and visually, this reissue is for listeners who want to engage in everything involved with the album, including Kathleen Lolley’s striking cover art. It depicts a trio of avian surgeons operating on one of their own a bird that happens to have a city inside his belly. James chose the image because of the way it represents the world within all of us and suggests the need to block out exterior noise and focus on your surroundings. \r\n
      \r\n
      Following its own advice, My Morning Jacket concentrates on the matters at hand throughout Z. Zooming beyond the Southern-styled rock and rustic balladry of its earlier LPs, the quintet invigorated by newcomers Carl Broemel on guitar and Bo Koster on keyboards invites exotic vocabularies and psychedelic ambience into its wheelhouse all the while tightening up structures and building upon past achievements. A conscious decision to ensconce itself in a studio that would eliminate distractions led the group to a remote area of the Catskill Mountains and away from its usual confines of Louisville, Kentucky. The final piece that locked everything into place? Co-producer Leckie. \r\n
      \r\n
      A veteran of Abbey Road Studios who worked in various capacities on albums by the likes of George Harrison, Pink Floyd and Wings, Leckie touted an impressive engineering and production resume that included efforts by the Stone Roses, XTC, Muse, and Radiohead by the time James met him before the sessions began. Leckie’s outsider perspective helped spur My Morning Jacket to glorious heights and change how the band operated.\r\n
      \r\n
      Z testifies on behalf of the brilliance of that collaboration, with adventurous arrangements and forays into reggae, R&B, and soul-jazz taking listeners on wondrous journeys into outer galaxies. The burbling undercurrents and calming bass lines on the opening “Wordless Chorus” a song true to its name plunges you into the depths of a vast ocean. James’ rising “aaaah” releases ultimately give way to “whooo” howls that speak to the liberating feelings at hand. A quick coda that nicks Elton John’s “Bennie and the Jets” underlines the mood.\r\n
      \r\n
      From there, Z continues to delight and surprise. Songs evoke rays of light pouring through a prism and projecting wide spectrums of color; the majestic glow of the flashing aurora borealis on a crisp night; the vast expanse of desert-plains horizons and towering sight of a tree-dense forest. As much about settings and transformation as melody, Z pulls you into its crevices, mysteries, and chasms. As tour guides and groove sorcerers, James and friends don tophats and wave magic wands. \r\n
      \r\n
      Surrender to the teeter-totter variations of the sincere “It Beats 4 U”, an ode complete with whistling from multi-hyphenate musician Andrew Bird. Shimmy and shake as “What a Wonderful Man” sparks with lightning-strike joy and dials up the crunch. Bob to the hypnotic reggae riffs and springboard rhythms of “Off the Record” as it casts out gloom and rejoices with happiness, the song’s second half even hinting at the Rolling Stones’ “Can’t You Hear Me Knocking” as it dives down an experimental black hole. Embrace the miniature piano ballet that is “Knot Comes Loose”, delivered by James in a churchy voice. \r\n
      \r\n
      “Listen, listen” he enthusiastically instructs on the building “Gideon” Fantastic advice for an album that never repeats itself or grows stale.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Jim James (guitar, lead vocals), Tom Blankenship (bass guitar), Bo Koster (keyboards), Carl Broemel (guitar, pedal steel, saxophone, backing vocals), Patrick Hallahan (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=q15sZK-8sPw&list=PLNPGM2D7aODd0OlYnfgHnUn4NniZD3_xU&index=2"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S 2-074"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Wordless Chorus"
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      [
        "ordre" => 2
        "nom" => "2. It Beats 4 U"
      ]
      [
        "ordre" => 3
        "nom" => "3. Gideon"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. What a Wonderful Man"
      ]
      [
        "ordre" => 6
        "nom" => "2. Off the Record"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Anytime"
      ]
      [
        "ordre" => 9
        "nom" => "2. Laylow"
      ]
      [
        "ordre" => 10
        "nom" => "3. Knot Comes Loose"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
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        "nom" => "1. Dondante"
      ]
      [
        "ordre" => 13
        "nom" => "2. Where to Begin"
      ]
      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2118 …}
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    }
    -modifierLe: DateTime @1776403266 {#2114
      date: 2026-04-17 05:21:06.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2483 …}
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[
  "produit" => App\Entity\Produit {#2135
    -id: 3066
    -nom: "N° 4"
    -informationComplementaire: "Plongez dans l’intensité brute de "N° 4", l’un des albums les plus puissants de Stone Temple Pilots. Entre riffs tranchants, mélodies envoûtantes et énergie alternative des années 90, ce disque incarne toute la tension et le génie du groupe à son apogée."
    -description: """
      Sorti en 1999, "N° 4" de Stone Temple Pilots marque un retour aux racines rock du groupe après des expérimentations plus psychédéliques. Porté par la voix charismatique de Scott Weiland, l’album mêle habilement puissance grunge, influences hard rock et touches mélodiques plus subtiles.\r\n
      \r\n
      La section rythmique solide formée par Robert DeLeo et Eric Kretz soutient les guitares incisives et créatives de Dean DeLeo, donnant naissance à des titres emblématiques comme “Down”, “Heaven & Hot Rods” ou encore la ballade sombre “Atlanta”.\r\n
      \r\n
      Entre rage contenue et moments de fragilité, "N° 4" reflète aussi une période turbulente pour le groupe, ce qui confère à l’album une authenticité et une intensité rares. C’est un disque à la fois brut, mélodique et profondément humain, devenu incontournable dans la discographie du rock alternatif.\r\n
      \r\n
      Musicians :\r\n
      Scott Weiland (vocals, organ), Dean DeLeo (electric & acoustic guitars,  lap steel and six-string bass), Robert DeLeo (bass, percussion, guitar, fuzz bass, and zither, backing vocals), Eric Kretz (drums, percussion), Brendan O’Brien (keyboards, piano, percussion, backing vocals), David Campbell (string arrangement), Suzie Katayama, Larry Corbett (cello), Joel Derouin (concertmaster), Evan Wilson (violin, strings), Barrett Martin (bass marimba). \r\n
      \r\n
      - Stone Temple Pilots Return to Their Hard-Rock Roots on the Heavy "N° 4" : Brendan O’Brien-Produced Album Explores Dark Themes, Includes the Hit Single “Sour Girl” !\r\n
      \r\n
      - Hear the 1999 Record in Audiophile Sound : Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Plays with Stellar Dynamics, Comes Housed in a Stoughton Gatefold Jacket !\r\n
      \r\n
      - 1/2” / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Vengeance is sweet. Dismissed by some insiders due to vocalist Scott Weiland’s legal issues, and viewed by many critics as a band that rode the coattails of its predecessors, Stone Temple Pilots fired a loud shot across the bow in 1999 in the form of N° 4. Blending the strengths of the quartet’s three prior LPs while marking a return to its hard-rock roots, the platinum-certified record stands as the heaviest and edgiest of the California ensemble’s career. That it succeeded while flying in the face of prevailing trends underlines its historic significance and appeal.\r\n
      \r\n
      Sourced from the original analog tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set presents N° 4. in audiophile sound for the first time on vinyl. With exceptional groove definition, quiet surfaces, and black backgrounds, this collectible edition plays with enhanced liveliness, balance, and solidity that raise the profile of an album that doubled down on rock during a time when most of the style’s practitioners abandoned it in favor of electronic elements or quit the scene entirely. \r\n
      \r\n
      Helmed by the band’s go-to producer, Brendan O’Brien, "N° 4" makes a big noise. The thick crunch of the guitars, bang and crash of the drums, fluid textures of the bass, and lingering echo of the studio space: All are conveyed with newly revealed immediacy, presence, and scope on this reissue, which also delivers the music’s punch and power with visceral impact. Other aspects that tremendously benefit from the restoration: The tenor, attitude, grain, and pitch of Weiland’s versatile voice. While partially obscured or collapsed on prior pressings, imaging and separation come into full view on this version.\r\n
      \r\n
      Despite its general back-to-basics nature, "N° 4" contains a wealth of colors, dynamics, and subtle accents that demand careful unpacking and transparent resolution. Nothing more so than the wide-spanning sounds and sizable footprints of the guitars and percussion. Massive riffs drive sledgehammer tracks such as the grinding “Down”, stormy “Heaven & Hot Rods”, stomping “No Way Out”, and vitriolic “Sex & Violence”. The latter is as close as Stone Temple Pilots ever came to garage-rock territory. The aforementioned cuts and several others bulldoze and plow, their muscular arrangements caked with rich sludge and aluminum tones, their sinister moods draped in distortion. \r\n
      \r\n
      Even as they embrace aggression and toughness, Stone Temple Pilots don’t overlook the importance of sticky hooks and accessible melodies. The springboard motions of the pop-streaked “Church on Sunday” and shuffling patterns of the dreamy “Sour Girl”, the group’s biggest-ever Billboard single, spotlight the ace songwriting chemistry between Weiland and guitarist Robert DeLeo. Ditto the lush “Glide”, a spacy nod to the ‘70s glam movement. It features Weiland singing at the top of his range and, for good measure, a folksy outro steered by an otherworldly zither. And let’s not forget the closing “Atlanta”, a mini-epic complete with a formal string section and spry tunefulness that echoes the Rodgers and Hammerstein standard “My Favorite Things”. \r\n
      \r\n
      Stone Temple Pilots also briefly dial it back and hint at optimism on “I Got You”, a country-tinged ditty sent up with pedal-steel guitar, six-string bass, and piano. Yet N° 4 unmistakably remains a creation of its circumstances. While the album’s edgy sonic character speaks to the gaping holes left by artists who abandoned rock to chase the latest crazes, the lyrical themes relate to Weiland’s problems and addictions. \r\n
      \r\n
      Recorded after the singer spent time in jail for drug violations, N° 4 doesn’t shy from dark desires or wallowing despair. Most narratives seemingly read as confessions and pleas. They concern personal loss, chemical abuse, toxic impulses, and desperate struggles. Weiland addresses everything head on without gloss or protective shielding, the painful disclosures “I used to love me but I hate me now”; “troubled times, when my mind begins to wander to the spoon”; “ I got the message but I lost the race”; “son of a bitch, I know what the itch is like”; “keep it away now, motherfucker, keep it away” - jibing with the band’s omnipresent snarl. \r\n
      \r\n
      Having climbed to N° 6 on the charts amid a de-fanged mainstream era that rewarded boy bands and pin-up pop stars, "N° 4" may not be Stone Temple Pilots’ most commercially successful effort. But it remains their most uncompromising. And that status that arguably carries more weight than any other.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1854 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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        "ordre" => 3
        "nom" => "3. Pruno "
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        "nom" => "3. Glide "
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        "nom" => "Side D : "
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        "nom" => "1. I Got You"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2137 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3390
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2715 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2135
    -id: 3066
    -nom: "N° 4"
    -informationComplementaire: "Plongez dans l’intensité brute de "N° 4", l’un des albums les plus puissants de Stone Temple Pilots. Entre riffs tranchants, mélodies envoûtantes et énergie alternative des années 90, ce disque incarne toute la tension et le génie du groupe à son apogée."
    -description: """
      Sorti en 1999, "N° 4" de Stone Temple Pilots marque un retour aux racines rock du groupe après des expérimentations plus psychédéliques. Porté par la voix charismatique de Scott Weiland, l’album mêle habilement puissance grunge, influences hard rock et touches mélodiques plus subtiles.\r\n
      \r\n
      La section rythmique solide formée par Robert DeLeo et Eric Kretz soutient les guitares incisives et créatives de Dean DeLeo, donnant naissance à des titres emblématiques comme “Down”, “Heaven & Hot Rods” ou encore la ballade sombre “Atlanta”.\r\n
      \r\n
      Entre rage contenue et moments de fragilité, "N° 4" reflète aussi une période turbulente pour le groupe, ce qui confère à l’album une authenticité et une intensité rares. C’est un disque à la fois brut, mélodique et profondément humain, devenu incontournable dans la discographie du rock alternatif.\r\n
      \r\n
      Musicians :\r\n
      Scott Weiland (vocals, organ), Dean DeLeo (electric & acoustic guitars,  lap steel and six-string bass), Robert DeLeo (bass, percussion, guitar, fuzz bass, and zither, backing vocals), Eric Kretz (drums, percussion), Brendan O’Brien (keyboards, piano, percussion, backing vocals), David Campbell (string arrangement), Suzie Katayama, Larry Corbett (cello), Joel Derouin (concertmaster), Evan Wilson (violin, strings), Barrett Martin (bass marimba). \r\n
      \r\n
      - Stone Temple Pilots Return to Their Hard-Rock Roots on the Heavy "N° 4" : Brendan O’Brien-Produced Album Explores Dark Themes, Includes the Hit Single “Sour Girl” !\r\n
      \r\n
      - Hear the 1999 Record in Audiophile Sound : Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Plays with Stellar Dynamics, Comes Housed in a Stoughton Gatefold Jacket !\r\n
      \r\n
      - 1/2” / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Vengeance is sweet. Dismissed by some insiders due to vocalist Scott Weiland’s legal issues, and viewed by many critics as a band that rode the coattails of its predecessors, Stone Temple Pilots fired a loud shot across the bow in 1999 in the form of N° 4. Blending the strengths of the quartet’s three prior LPs while marking a return to its hard-rock roots, the platinum-certified record stands as the heaviest and edgiest of the California ensemble’s career. That it succeeded while flying in the face of prevailing trends underlines its historic significance and appeal.\r\n
      \r\n
      Sourced from the original analog tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set presents N° 4. in audiophile sound for the first time on vinyl. With exceptional groove definition, quiet surfaces, and black backgrounds, this collectible edition plays with enhanced liveliness, balance, and solidity that raise the profile of an album that doubled down on rock during a time when most of the style’s practitioners abandoned it in favor of electronic elements or quit the scene entirely. \r\n
      \r\n
      Helmed by the band’s go-to producer, Brendan O’Brien, "N° 4" makes a big noise. The thick crunch of the guitars, bang and crash of the drums, fluid textures of the bass, and lingering echo of the studio space: All are conveyed with newly revealed immediacy, presence, and scope on this reissue, which also delivers the music’s punch and power with visceral impact. Other aspects that tremendously benefit from the restoration: The tenor, attitude, grain, and pitch of Weiland’s versatile voice. While partially obscured or collapsed on prior pressings, imaging and separation come into full view on this version.\r\n
      \r\n
      Despite its general back-to-basics nature, "N° 4" contains a wealth of colors, dynamics, and subtle accents that demand careful unpacking and transparent resolution. Nothing more so than the wide-spanning sounds and sizable footprints of the guitars and percussion. Massive riffs drive sledgehammer tracks such as the grinding “Down”, stormy “Heaven & Hot Rods”, stomping “No Way Out”, and vitriolic “Sex & Violence”. The latter is as close as Stone Temple Pilots ever came to garage-rock territory. The aforementioned cuts and several others bulldoze and plow, their muscular arrangements caked with rich sludge and aluminum tones, their sinister moods draped in distortion. \r\n
      \r\n
      Even as they embrace aggression and toughness, Stone Temple Pilots don’t overlook the importance of sticky hooks and accessible melodies. The springboard motions of the pop-streaked “Church on Sunday” and shuffling patterns of the dreamy “Sour Girl”, the group’s biggest-ever Billboard single, spotlight the ace songwriting chemistry between Weiland and guitarist Robert DeLeo. Ditto the lush “Glide”, a spacy nod to the ‘70s glam movement. It features Weiland singing at the top of his range and, for good measure, a folksy outro steered by an otherworldly zither. And let’s not forget the closing “Atlanta”, a mini-epic complete with a formal string section and spry tunefulness that echoes the Rodgers and Hammerstein standard “My Favorite Things”. \r\n
      \r\n
      Stone Temple Pilots also briefly dial it back and hint at optimism on “I Got You”, a country-tinged ditty sent up with pedal-steel guitar, six-string bass, and piano. Yet N° 4 unmistakably remains a creation of its circumstances. While the album’s edgy sonic character speaks to the gaping holes left by artists who abandoned rock to chase the latest crazes, the lyrical themes relate to Weiland’s problems and addictions. \r\n
      \r\n
      Recorded after the singer spent time in jail for drug violations, N° 4 doesn’t shy from dark desires or wallowing despair. Most narratives seemingly read as confessions and pleas. They concern personal loss, chemical abuse, toxic impulses, and desperate struggles. Weiland addresses everything head on without gloss or protective shielding, the painful disclosures “I used to love me but I hate me now”; “troubled times, when my mind begins to wander to the spoon”; “ I got the message but I lost the race”; “son of a bitch, I know what the itch is like”; “keep it away now, motherfucker, keep it away” - jibing with the band’s omnipresent snarl. \r\n
      \r\n
      Having climbed to N° 6 on the charts amid a de-fanged mainstream era that rewarded boy bands and pin-up pop stars, "N° 4" may not be Stone Temple Pilots’ most commercially successful effort. But it remains their most uncompromising. And that status that arguably carries more weight than any other.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1854 …}
    -musicienOrchestre: "Scott Weiland (vocals, organ), Dean DeLeo (electric & acoustic guitars,  lap steel and six-string bass), Robert DeLeo (bass, percussion, guitar, fuzz bass, and zither, backing vocals), Eric Kretz (drums, percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zDQr4cPahXo&list=RDzDQr4cPahXo&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab 2-595"
    -titreMorceau: [
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        "nom" => "3. Pruno "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2137 …}
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[
  "produit" => App\Entity\Produit {#2151
    -id: 3053
    -nom: "Heart Shaped World - Box Set (2 LP) 45 RPM UltraDisc One-Step"
    -informationComplementaire: "Plongez dans l’atmosphère envoûtante de Heart Shaped World de Chris Isaak. Porté par le mythique "Wicked Game", cet album mêle mélancolie et sensualité dans un son à la fois rétro et intemporel."
    -description: """
      Sorti en 1989, "Heart Shaped World" est l’album qui révèle pleinement Chris Isaak au grand public. Entre rock, rockabilly et ambiances dream pop, il développe une identité sonore immédiatement reconnaissable, guitares réverbérées, rythmiques épurées et voix habitée.\r\n
      \r\n
      Porté par le succès planétaire de "Wicked Game", l’album s’impose comme une œuvre à la fois intime et cinématographique. Chaque morceau explore des thèmes universels, le désir, la solitude, l’amour impossible, dans une atmosphère nocturne et élégante.\r\n
      \r\n
      La guitare aérienne de James Calvin Wilsey joue un rôle central, créant un paysage sonore hypnotique qui enveloppe l’auditeur. L’ensemble donne un disque intemporel, à la croisée des influences vintage et d’une sensibilité moderne.\r\n
      \r\n
      - Chris Isaak’s Heart Shaped World Is a Mood Masterpiece : Double-Platinum Album Features the Smash “Wicked Game”, Brilliant Singing, and Extraordinary Guitar Tones\r\n
      \r\n
      - Experience the Brooding 1989 Album in Definitive Sound : Mobile Fidelity’s UltraDisc 180 gram 45 RPM (2 LP) Box Set Is Strictly Limited to 3000 Numbered Copies and Includes the Bonus Track “Diddley Daddy” !\r\n
      \r\n
      - 1/2” 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      There was nothing in contemporary music like Chris Isaak’s Heart Shaped World when it hit shelves in June 1989. More than three decades later, the singer-songwriter’s third album still sounds unique and claims a backstory nearly as fascinating as the retro-leaning material and standout performances that propelled it to sales of more than 2.5 million copies. Home to the Top 10 smash “Wicked Game”, the set remains a masterful mood piece that invites you to pour a late-night drink, sit in a dimmed room, and relish Isaak’s elegant albeit raw ruminations on love, relationships, and questionable decisions. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, strictly limited to 3000 numbered copies, and featuring the bonus track “Diddley Daddy”, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) box set of Heart Shaped World unearths the staggering inner details, saturated tones, and brilliant atmospherics of the crisp production. It brings you up close and personal with Isaak’s spectacular singing impeccably controlled, tense, brooding, steamy, smoldering, haunted situated amidst stripped-down backdrops that allow every note to fully bloom and decay. \r\n
      \r\n
      While Isaak’s ever-steady baritone remains the anchor, the contributions of his trusty backing band, the aptly named Silvertone, come across with just as much cool, command, and realism. The indispensable playing of guitarist James Calvin Wilsey particularly emerges with superb clarity and dimensionality. The character of his 1965 Fender Stratocaster, shivering twang of his spring-coiled fills, and his signature use of reverb, delay, and vibrato seamlessly match Isaak's patient deliveries and the band’s unhurried rhythms. Experienced on UD1S with ultra-black backgrounds and a nearly invisible noise floor, Heart Shaped World is in every regard a demonstration disc. \r\n
      \r\n
      The premium packaging of this UD1S pressing befits its elevated status. Housed in a deluxe slipcase, it features foil-stamped jackets and faithful-to-the-original graphics. Aurally and visually, this reissue is for discerning listeners who desire to immerse themselves in everything involved with the album, not the least of which is the cover art depicting a lost-in-thought Isaak staring ahead and sitting in what appears to be an efficiency apartment. The image epitomizes the record’s lonesome temperaments and pensive themes.\r\n
      \r\n
      Of course, if not for director David Lynch hand-picking two cuts from Heart Shaped World for his 1990 film Wild at Heart, the record would’ve probably suffered the same fate as Isaak’s prior efforts and gone unnoticed by the mainstream. Despite receiving raves from outlets such as NME, Chicago Tribune, and Rolling Stone upon its original release, the album stalled in the lower quadrants of the Billboard charts and, after a few weeks, dropped off. \r\n
      \r\n
      Cue the ear of Lee Chesnut. Then the music director for a large Atlanta radio station, Chesnut heard the instrumental version of “Wicked Game” on Lynch’s soundtrack and started airing the album rendition at all hours of the day. Aided by a sensual video featuring Isaak and supermodel Helena Christensen, the song found its way into the public consciousness by early ‘91 and helped make Isaak a most unlikely mainstream star in an era where his techniques had little to nothing in common with popular tastes. \r\n
      \r\n
      Despite its vintage vibes and shared DNA with legends such as Roy Orbison, Chet Baker, and Glen Campbell, Heart Shaped World transcends nostalgia, rockabilly, and throwback tropes. For all the melodrama and sadness at hand, Isaak’s gorgeously transparent singing dives deep underneath emotional surfaces. He mines subtleties that indicate his feelings go beyond heartbreak and anguish, and occasionally suggest frustration, menace, and anger. You can hear it in his quivering falsetto, and the slow and methodical ways he allows delicate whispers to break into shadowy phrasing that crosses over to the darker sides of romance and desire.\r\n
      \r\n
      That approach bolsters the title track, which suggests calm yet moves on ominous currents its simmering pace and snare-drum snappiness foreshadowing Isaak raising the volume and urgency during the coda. The southwestern-tinged “Wrong to Love You” plays with similar concepts of hesitation, unease, and discord, Isaak careful never to fully erupt and give anything away. His poised deliveries offer a master class in the art of insinuation and hurt on “Nothing’s Changed”, sent up with a wordless backing chorus and crackling guitar lines straight out of a Memphis blues joint. \r\n
      \r\n
      Heart Shaped World further boosts its merit via its abundant stylistic variations, from the upbeat country-and-western trot of “I’m Not Waiting” and Spanish acoustic shimmer of the jazz-based ballad “Blue Spanish Sky” to the swinging horn-accompanied grooves of “Don’t Make Me Love You” and desert smokiness of the understated “Kings of the Highway”. On the latter, Isaak comes across as resigned and absolute. His singing and pain worm their way into your soul, and echo akin to the way the music prepares to strike when you least expect. \r\n
      \r\n
      “Trouble going 'round”, Isaak croons right as the album begins. “Trouble going down”. Damn straight.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1854 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=jd-qI62gNJM&list=OLAK5uy_mCikd-mLC4SYxsssIh394kKCcHtfs-vpo"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL MFSL 45UD1S 2-075"
    -titreMorceau: [
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        "ordre" => 0
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        "ordre" => 1
        "nom" => "1. Heart Shaped World"
      ]
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        "nom" => "2. I'm Not Waiting"
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        "ordre" => 3
        "nom" => "3. Don't Make Me Dream About You"
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        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Kings Of The Highway"
      ]
      [
        "ordre" => 6
        "nom" => "2. Wicked Game "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
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        "ordre" => 8
        "nom" => "1. Blue Spanish Sky"
      ]
      [
        "ordre" => 9
        "nom" => "2. Wrong To Love You"
      ]
      [
        "ordre" => 10
        "nom" => "3. Forever Young"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Nothing's Changed"
      ]
      [
        "ordre" => 13
        "nom" => "2. In The Heat Of The Jungle"
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        "ordre" => 14
        "nom" => "3. Diddley Daddy"
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        "nom" => ""
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      [
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2153 …}
    -label: Proxies\__CG__\App\Entity\Label {#2121 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2162 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2155 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2157 …}
    -enregistreLe: DateTime @1775497125 {#2148
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    -modifierLe: DateTime @1775497125 {#2149
      date: 2026-04-06 17:38:45.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2159 …}
    -disponible: null
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    -slug: "vinyles-heart-shaped-world-box-set-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-mfsl-45ud1s-2-075"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3441
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2715 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2151
    -id: 3053
    -nom: "Heart Shaped World - Box Set (2 LP) 45 RPM UltraDisc One-Step"
    -informationComplementaire: "Plongez dans l’atmosphère envoûtante de Heart Shaped World de Chris Isaak. Porté par le mythique "Wicked Game", cet album mêle mélancolie et sensualité dans un son à la fois rétro et intemporel."
    -description: """
      Sorti en 1989, "Heart Shaped World" est l’album qui révèle pleinement Chris Isaak au grand public. Entre rock, rockabilly et ambiances dream pop, il développe une identité sonore immédiatement reconnaissable, guitares réverbérées, rythmiques épurées et voix habitée.\r\n
      \r\n
      Porté par le succès planétaire de "Wicked Game", l’album s’impose comme une œuvre à la fois intime et cinématographique. Chaque morceau explore des thèmes universels, le désir, la solitude, l’amour impossible, dans une atmosphère nocturne et élégante.\r\n
      \r\n
      La guitare aérienne de James Calvin Wilsey joue un rôle central, créant un paysage sonore hypnotique qui enveloppe l’auditeur. L’ensemble donne un disque intemporel, à la croisée des influences vintage et d’une sensibilité moderne.\r\n
      \r\n
      - Chris Isaak’s Heart Shaped World Is a Mood Masterpiece : Double-Platinum Album Features the Smash “Wicked Game”, Brilliant Singing, and Extraordinary Guitar Tones\r\n
      \r\n
      - Experience the Brooding 1989 Album in Definitive Sound : Mobile Fidelity’s UltraDisc 180 gram 45 RPM (2 LP) Box Set Is Strictly Limited to 3000 Numbered Copies and Includes the Bonus Track “Diddley Daddy” !\r\n
      \r\n
      - 1/2” 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      There was nothing in contemporary music like Chris Isaak’s Heart Shaped World when it hit shelves in June 1989. More than three decades later, the singer-songwriter’s third album still sounds unique and claims a backstory nearly as fascinating as the retro-leaning material and standout performances that propelled it to sales of more than 2.5 million copies. Home to the Top 10 smash “Wicked Game”, the set remains a masterful mood piece that invites you to pour a late-night drink, sit in a dimmed room, and relish Isaak’s elegant albeit raw ruminations on love, relationships, and questionable decisions. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, strictly limited to 3000 numbered copies, and featuring the bonus track “Diddley Daddy”, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) box set of Heart Shaped World unearths the staggering inner details, saturated tones, and brilliant atmospherics of the crisp production. It brings you up close and personal with Isaak’s spectacular singing impeccably controlled, tense, brooding, steamy, smoldering, haunted situated amidst stripped-down backdrops that allow every note to fully bloom and decay. \r\n
      \r\n
      While Isaak’s ever-steady baritone remains the anchor, the contributions of his trusty backing band, the aptly named Silvertone, come across with just as much cool, command, and realism. The indispensable playing of guitarist James Calvin Wilsey particularly emerges with superb clarity and dimensionality. The character of his 1965 Fender Stratocaster, shivering twang of his spring-coiled fills, and his signature use of reverb, delay, and vibrato seamlessly match Isaak's patient deliveries and the band’s unhurried rhythms. Experienced on UD1S with ultra-black backgrounds and a nearly invisible noise floor, Heart Shaped World is in every regard a demonstration disc. \r\n
      \r\n
      The premium packaging of this UD1S pressing befits its elevated status. Housed in a deluxe slipcase, it features foil-stamped jackets and faithful-to-the-original graphics. Aurally and visually, this reissue is for discerning listeners who desire to immerse themselves in everything involved with the album, not the least of which is the cover art depicting a lost-in-thought Isaak staring ahead and sitting in what appears to be an efficiency apartment. The image epitomizes the record’s lonesome temperaments and pensive themes.\r\n
      \r\n
      Of course, if not for director David Lynch hand-picking two cuts from Heart Shaped World for his 1990 film Wild at Heart, the record would’ve probably suffered the same fate as Isaak’s prior efforts and gone unnoticed by the mainstream. Despite receiving raves from outlets such as NME, Chicago Tribune, and Rolling Stone upon its original release, the album stalled in the lower quadrants of the Billboard charts and, after a few weeks, dropped off. \r\n
      \r\n
      Cue the ear of Lee Chesnut. Then the music director for a large Atlanta radio station, Chesnut heard the instrumental version of “Wicked Game” on Lynch’s soundtrack and started airing the album rendition at all hours of the day. Aided by a sensual video featuring Isaak and supermodel Helena Christensen, the song found its way into the public consciousness by early ‘91 and helped make Isaak a most unlikely mainstream star in an era where his techniques had little to nothing in common with popular tastes. \r\n
      \r\n
      Despite its vintage vibes and shared DNA with legends such as Roy Orbison, Chet Baker, and Glen Campbell, Heart Shaped World transcends nostalgia, rockabilly, and throwback tropes. For all the melodrama and sadness at hand, Isaak’s gorgeously transparent singing dives deep underneath emotional surfaces. He mines subtleties that indicate his feelings go beyond heartbreak and anguish, and occasionally suggest frustration, menace, and anger. You can hear it in his quivering falsetto, and the slow and methodical ways he allows delicate whispers to break into shadowy phrasing that crosses over to the darker sides of romance and desire.\r\n
      \r\n
      That approach bolsters the title track, which suggests calm yet moves on ominous currents its simmering pace and snare-drum snappiness foreshadowing Isaak raising the volume and urgency during the coda. The southwestern-tinged “Wrong to Love You” plays with similar concepts of hesitation, unease, and discord, Isaak careful never to fully erupt and give anything away. His poised deliveries offer a master class in the art of insinuation and hurt on “Nothing’s Changed”, sent up with a wordless backing chorus and crackling guitar lines straight out of a Memphis blues joint. \r\n
      \r\n
      Heart Shaped World further boosts its merit via its abundant stylistic variations, from the upbeat country-and-western trot of “I’m Not Waiting” and Spanish acoustic shimmer of the jazz-based ballad “Blue Spanish Sky” to the swinging horn-accompanied grooves of “Don’t Make Me Love You” and desert smokiness of the understated “Kings of the Highway”. On the latter, Isaak comes across as resigned and absolute. His singing and pain worm their way into your soul, and echo akin to the way the music prepares to strike when you least expect. \r\n
      \r\n
      “Trouble going 'round”, Isaak croons right as the album begins. “Trouble going down”. Damn straight.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1854 …}
    -musicienOrchestre: "Chris Isaak (guitar, vocals), James Calvin Wilsey (lead guitar), Rowland Salley (bass), Kenney Dale Johnson (drums), John Shanks (guitar, keyboards), Jeff Watson (guitar), Greg Leisz (pedal steel guitar)."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=jd-qI62gNJM&list=OLAK5uy_mCikd-mLC4SYxsssIh394kKCcHtfs-vpo"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL MFSL 45UD1S 2-075"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
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        "ordre" => 1
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        "nom" => "3. Don't Make Me Dream About You"
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        "nom" => "Side B : "
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        "nom" => "1. Kings Of The Highway"
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        "nom" => "2. Wicked Game "
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        "nom" => "Side C :"
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        "nom" => ""
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2153 …}
    -label: Proxies\__CG__\App\Entity\Label {#2121 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2157 …}
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    -modifierLe: DateTime @1775497125 {#2149
      date: 2026-04-06 17:38:45.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -disponible: null
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  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2483 …}
}

[
  "produit" => App\Entity\Produit {#2167
    -id: 3051
    -nom: "The Pet Sounds Sessions Highlights"
    -informationComplementaire: "Plongez au cœur de "Pet Sounds", l’album mythique qui a redéfini la pop moderne. Harmonies envoûtantes, arrangements audacieux et innovations sonores au service d’une œuvre unique."
    -description: """
      The Pet Sounds Sessions Highlights de The Beach Boys offre une plongée captivante dans l’un des albums les plus influents de l’histoire de la musique. Porté par la vision créative de Brian Wilson, à la fois compositeur, producteur et chanteur, ce projet met en lumière la richesse des harmonies vocales et l’innovation sonore qui ont redéfini la pop des années 1960.\r\n
      \r\n
      Entouré des membres du groupe, Carl Wilson, Dennis Wilson, Mike Love, Al Jardine et Bruce Johnston et soutenu par les talentueux musiciens de The Wrecking Crew, "Pet Sounds" se distingue par des arrangements audacieux, des textures inédites et une sensibilité émotionnelle rare.\r\n
      \r\n
      Cette sélection de moments forts révèle les coulisses d’un chef-d’œuvre intemporel, entre expérimentations en studio et perfectionnisme artistique.\r\n
      \r\n
      Musicians : \r\n
      Brian Wilson (bass, keyboards, vocals), Carl Wilson (lead guitar, vocals), Dennis Wilson (drums, vocals), Mike Love (lead vocals), Al Jardine (rhythm guitar, vocals), Bruce Johnston (keyboards, vocals), The Wrecking Crew : Hal Blaine (drums), Carol Kaye (bass), Glen Campbell (guitar).\r\n
      \r\n
      - The Beach Boys "Pet Sounds" 60th Anniversary !\r\n
      - Double LP 180 gram Vinyl  !\r\n
      - All Tracks on Vinyl for the First Time !\r\n
      - New Liner Notes !\r\n
      - "I'm Waiting for the Day (Vocals Only)" Appears on Both LP 1 & LP 2 !\r\n
      \r\n
      Celebrating the 60th anniversary of the Beach Boys' legendary masterpiece, The Pet Sounds Sessions Highlights (2 LP) 180 gram features selections from the 1997 Grammy®-nominated 4CD box set The Pet Sounds Sessions. It includes 25 Pet Sounds a cappellas, alternate versions and tracking sessions (all on vinyl for the first time), along with new liner notes. Released on May 16, 1966, Pet Sounds was produced and primarily composed by Brian Wilson and is considered a masterpiece of pop music and one of the most influential albums in history. It features the classic singles "God Only Knows," "Sloop John B," and "Wouldn't It Be Nice." Note: "I'm Waiting for the Day (Vocals Only)" is included on both LP1 and LP2.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1854 …}
    -musicienOrchestre: "Brian Wilson (bass, keyboards, vocals), Carl Wilson (lead guitar, vocals), Dennis Wilson (drums, vocals), Mike Love (lead vocals), Al Jardine (rhythm guitar, vocals), Bruce Johnston (keyboards, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_pO1xeRh0Ro&list=PLndw0FTo-j_Tt6mTAvSXcD36XgBZvZdyV"
    -referenceProduit: "Capitol Records 0141"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Wouldn’t It Be Nice (Vocals Only)"
      ]
      [
        "ordre" => 2
        "nom" => "2. You Still Believe in Me (Vocals Only)"
      ]
      [
        "ordre" => 3
        "nom" => "3. I’m Waiting for the Day (Vocals Only)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Sloop John B. (Vocals Only)"
      ]
      [
        "ordre" => 5
        "nom" => "5. God Only Knows (Vocals Only)"
      ]
      [
        "ordre" => 6
        "nom" => "6. Here Today (Vocals Only)"
      ]
      [
        "ordre" => 7
        "nom" => "7. I Just Wasn’t Made for These Times (Vocals Only)"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Wouldn’t It Be Nice (Stereo Track and Backing Vocals)"
      ]
      [
        "ordre" => 10
        "nom" => "2. Don't Talk (Put Your Head on My Shoulder) (Brian Wilson’s"
      ]
      [
        "ordre" => 11
        "nom" => " Instrumental Demo)"
      ]
      [
        "ordre" => 12
        "nom" => "3. I'm Waiting for the Day (Mike Sings Lead)"
      ]
      [
        "ordre" => 13
        "nom" => "4. Sloop John B. (Carl Sings First Verse)"
      ]
      [
        "ordre" => 14
        "nom" => "5. God Only Knows (Sax Solo, Alternate Version)"
      ]
      [
        "ordre" => 15
        "nom" => "6. Hang on to Your Ego (Alternate Mix)"
      ]
      [
        "ordre" => 16
        "nom" => "7. Here Today (Alternate Version)"
      ]
      [
        "ordre" => 17
        "nom" => "Side C :"
      ]
      [
        "ordre" => 18
        "nom" => "1. Wouldn't It Be Nice (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 19
        "nom" => "2. Trombone Dixie (Highlights from Tracking Date)"
      ]
      [
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        "nom" => "3. Don't Talk (Put Your Head on My Shoulder) (Vocal Snippet)"
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        "nom" => "4. Don't Talk (Put Your Head on My Shoulder) (Vocals Only)"
      ]
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        "nom" => "5. That's Not Me (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 23
        "nom" => "6. Here Today (Stereo Backing Track)"
      ]
      [
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        "nom" => "Side D : "
      ]
      [
        "ordre" => 25
        "nom" => "1. I'm Waiting for the Day (Vocals Only)"
      ]
      [
        "ordre" => 26
        "nom" => "2. Caroline, No (Stereo Mix, Original Speed)"
      ]
      [
        "ordre" => 27
        "nom" => "3. God Only Knows (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 28
        "nom" => "4. Good Vibrations (Highlights from Tracking Date)"
      ]
      [
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        "nom" => "5. Good Vibrations (Stereo Backing Track)"
      ]
      [
        "ordre" => 30
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2169 …}
    -label: Proxies\__CG__\App\Entity\Label {#2172 …}
    -style: App\Entity\Style {#1116 …}
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    -modifierLe: DateTime @1775462572 {#2165
      date: 2026-04-06 08:02:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2178 …}
    -disponible: null
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    -slug: "vinyles-the-pet-sounds-sessions-highlights-capitol-records-0141"
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App\Twig\Components\GestionPanierFavoriComponents {#3492
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2715 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2167
    -id: 3051
    -nom: "The Pet Sounds Sessions Highlights"
    -informationComplementaire: "Plongez au cœur de "Pet Sounds", l’album mythique qui a redéfini la pop moderne. Harmonies envoûtantes, arrangements audacieux et innovations sonores au service d’une œuvre unique."
    -description: """
      The Pet Sounds Sessions Highlights de The Beach Boys offre une plongée captivante dans l’un des albums les plus influents de l’histoire de la musique. Porté par la vision créative de Brian Wilson, à la fois compositeur, producteur et chanteur, ce projet met en lumière la richesse des harmonies vocales et l’innovation sonore qui ont redéfini la pop des années 1960.\r\n
      \r\n
      Entouré des membres du groupe, Carl Wilson, Dennis Wilson, Mike Love, Al Jardine et Bruce Johnston et soutenu par les talentueux musiciens de The Wrecking Crew, "Pet Sounds" se distingue par des arrangements audacieux, des textures inédites et une sensibilité émotionnelle rare.\r\n
      \r\n
      Cette sélection de moments forts révèle les coulisses d’un chef-d’œuvre intemporel, entre expérimentations en studio et perfectionnisme artistique.\r\n
      \r\n
      Musicians : \r\n
      Brian Wilson (bass, keyboards, vocals), Carl Wilson (lead guitar, vocals), Dennis Wilson (drums, vocals), Mike Love (lead vocals), Al Jardine (rhythm guitar, vocals), Bruce Johnston (keyboards, vocals), The Wrecking Crew : Hal Blaine (drums), Carol Kaye (bass), Glen Campbell (guitar).\r\n
      \r\n
      - The Beach Boys "Pet Sounds" 60th Anniversary !\r\n
      - Double LP 180 gram Vinyl  !\r\n
      - All Tracks on Vinyl for the First Time !\r\n
      - New Liner Notes !\r\n
      - "I'm Waiting for the Day (Vocals Only)" Appears on Both LP 1 & LP 2 !\r\n
      \r\n
      Celebrating the 60th anniversary of the Beach Boys' legendary masterpiece, The Pet Sounds Sessions Highlights (2 LP) 180 gram features selections from the 1997 Grammy®-nominated 4CD box set The Pet Sounds Sessions. It includes 25 Pet Sounds a cappellas, alternate versions and tracking sessions (all on vinyl for the first time), along with new liner notes. Released on May 16, 1966, Pet Sounds was produced and primarily composed by Brian Wilson and is considered a masterpiece of pop music and one of the most influential albums in history. It features the classic singles "God Only Knows," "Sloop John B," and "Wouldn't It Be Nice." Note: "I'm Waiting for the Day (Vocals Only)" is included on both LP1 and LP2.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1854 …}
    -musicienOrchestre: "Brian Wilson (bass, keyboards, vocals), Carl Wilson (lead guitar, vocals), Dennis Wilson (drums, vocals), Mike Love (lead vocals), Al Jardine (rhythm guitar, vocals), Bruce Johnston (keyboards, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_pO1xeRh0Ro&list=PLndw0FTo-j_Tt6mTAvSXcD36XgBZvZdyV"
    -referenceProduit: "Capitol Records 0141"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Wouldn’t It Be Nice (Vocals Only)"
      ]
      [
        "ordre" => 2
        "nom" => "2. You Still Believe in Me (Vocals Only)"
      ]
      [
        "ordre" => 3
        "nom" => "3. I’m Waiting for the Day (Vocals Only)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Sloop John B. (Vocals Only)"
      ]
      [
        "ordre" => 5
        "nom" => "5. God Only Knows (Vocals Only)"
      ]
      [
        "ordre" => 6
        "nom" => "6. Here Today (Vocals Only)"
      ]
      [
        "ordre" => 7
        "nom" => "7. I Just Wasn’t Made for These Times (Vocals Only)"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Wouldn’t It Be Nice (Stereo Track and Backing Vocals)"
      ]
      [
        "ordre" => 10
        "nom" => "2. Don't Talk (Put Your Head on My Shoulder) (Brian Wilson’s"
      ]
      [
        "ordre" => 11
        "nom" => " Instrumental Demo)"
      ]
      [
        "ordre" => 12
        "nom" => "3. I'm Waiting for the Day (Mike Sings Lead)"
      ]
      [
        "ordre" => 13
        "nom" => "4. Sloop John B. (Carl Sings First Verse)"
      ]
      [
        "ordre" => 14
        "nom" => "5. God Only Knows (Sax Solo, Alternate Version)"
      ]
      [
        "ordre" => 15
        "nom" => "6. Hang on to Your Ego (Alternate Mix)"
      ]
      [
        "ordre" => 16
        "nom" => "7. Here Today (Alternate Version)"
      ]
      [
        "ordre" => 17
        "nom" => "Side C :"
      ]
      [
        "ordre" => 18
        "nom" => "1. Wouldn't It Be Nice (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 19
        "nom" => "2. Trombone Dixie (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 20
        "nom" => "3. Don't Talk (Put Your Head on My Shoulder) (Vocal Snippet)"
      ]
      [
        "ordre" => 21
        "nom" => "4. Don't Talk (Put Your Head on My Shoulder) (Vocals Only)"
      ]
      [
        "ordre" => 22
        "nom" => "5. That's Not Me (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 23
        "nom" => "6. Here Today (Stereo Backing Track)"
      ]
      [
        "ordre" => 24
        "nom" => "Side D : "
      ]
      [
        "ordre" => 25
        "nom" => "1. I'm Waiting for the Day (Vocals Only)"
      ]
      [
        "ordre" => 26
        "nom" => "2. Caroline, No (Stereo Mix, Original Speed)"
      ]
      [
        "ordre" => 27
        "nom" => "3. God Only Knows (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 28
        "nom" => "4. Good Vibrations (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 29
        "nom" => "5. Good Vibrations (Stereo Backing Track)"
      ]
      [
        "ordre" => 30
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2169 …}
    -label: Proxies\__CG__\App\Entity\Label {#2172 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2181 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2174 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2176 …}
    -enregistreLe: DateTime @1775462572 {#2164
      date: 2026-04-06 08:02:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775462572 {#2165
      date: 2026-04-06 08:02:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2178 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-pet-sounds-sessions-highlights-capitol-records-0141"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2483 …}
}

[
  "produit" => App\Entity\Produit {#2188
    -id: 2904
    -nom: "No Secrets"
    -informationComplementaire: "Plongez dans l’univers intime de Carly Simon avec "No Secrets", un album culte où se mêlent émotions à vif, élégance musicale et chansons devenues légendaires."
    -description: """
      Sorti en 1972, "No Secrets" marque un tournant majeur dans la carrière de Carly Simon et s’impose comme l’un des albums emblématiques du singer-songwriter américain des années 70. Porté par le succès phénoménal du titre "You're So Vain", l’album mêle introspection, ironie et élégance musicale.\r\n
      \r\n
      À travers des arrangements raffinés et une écriture profondément personnelle, Carly Simon explore les thèmes de l’amour, de la désillusion, de la célébrité et de l’identité. Sa voix, à la fois douce et affirmée, donne vie à des compositions sensibles où chaque mot semble pesé avec justesse.\r\n
      \r\n
      Produit par Richard Perry, "No Secrets" bénéficie d’une production chaleureuse et organique, typique de son époque, tout en conservant une modernité qui le rend toujours pertinent aujourd’hui.\r\n
      \r\n
      Cet album est bien plus qu’un simple succès commercial, c’est une œuvre introspective qui a marqué toute une génération et continue d’influencer les artistes contemporains. Une pièce essentielle pour tous les amateurs de musique authentique et intemporelle.\r\n
      \r\n
      Musicians : \r\n
      Carly Simon (piano, vocals), James Taylor (acoustic guitar, backing vocals), Paul McCartney (vocals), Lowell George (electric guitar), Klaus Voormann, Lee Sklar, Klaus Voormann (bass), Nicky Hopkins (piano, keyboards), Andrew Gold (guitar, backing vocals), Jimmy Ryan, Danny Kortchmar (guitar), Ben Taylor, Jacob Brackman (handclaps), Bobby Keys (saxophone), Jim Price (trumpet, trombone), Mick Jagger (backing vocals), Nicky Hopkins (piano), Jim Gordon, Russ Kunkel, (drums).\r\n
      \r\n
      - Carly Simon Turns Candid : Platinum-Certified No Secrets Features an All-Star Cast and the N° 1 Hit “You’re So Vain”, Ranked by Rolling Stone Among the 500 Greatest Songs of All Time !\r\n
      - 1972 Album Available on 180 graù 45 RPM (2 LP) for the First Time: Strictly Limited to 3000 Numbered Copies, Mobile Fidelity's Reissue Plays with Wide Soundstages and Balanced Tones !\r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Carly Simon’s N° 1 smash “You’re So Vain” lingers as one of the most clever and famous songs ever recorded. The subject of mass speculation ever since its release, soon after which it occupied the top spot on multiple Billboard charts for weeks, the anthem kept a captive public guessing at the identity of its smug subject for decades. The question surrounding the protagonist’s identity remained perhaps the only mystery on the otherwise sexually open and autobiographically daring No Secrets, Simon’s commercial breakthrough and ‘70s singer-songwriter staple. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, strictly limited to 3,000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set affords the platinum-certified 1972 effort the finest sonic treatment it’s received on vinyl. Helmed by Richard Perry and recorded at London’s Trident Studios where Beatles, David Bowie, and Elton John captured landmark LPs No Secrets touts exceptional production qualities highlighted by this restorative reissue.\r\n
      \r\n
      Audiophiles and record collectors, take note: This is the first time No Secrets has been available on 45 RPM. The wider grooves and dead-quiet surfaces pay instant dividends. Simple, elegant, and disarming, songs seemingly float amid wide, deep soundstages. Simon’s voice takes on a confident, assertive tenor that emerges with accurate imaging, balanced tonality, and palpable presence. String arrangements and backing vocals come through with similar realism. \r\n
      \r\n
      Enhanced by an all-star cast Simon’s then-husband James Taylor, Paul and Linda McCartney, Mick Jagger, Lowell George, Klaus Voorman, Bobby Keys, Jim Keltner, Nicky Hopkins, and Bonnie Bramlett are among the renowned musicians who lend a hand No Secrets advances Simon’s themes of personal introspectiveness, no-holds-barred reflectiveness, and feminist-inspired boldness. She makes every moment of No Secrets worth savoring. Simon invests her all in the songs, handling beautiful ballads, sassy folk-rock numbers, and bluesy fare with calm, composure, and candor. \r\n
      \r\n
      While acknowledging her own regrets “You’re So Vain” and loss “The Carter Family”, Simon champions the highs “The Right Thing to Do” and pains “His Friends Are More Than Fond of Robin” of love in a sincere manner indicative of her maturity as both an artist and singer. The New York native distinguishes “When You Close Your Eyes” with deep-rooted spirituality, recalls childhood joys via charming sentimentality on “It Was So Easy”, and and takes ownership of her persona on a cover of Taylor’s “Night Owl”.\r\n
      \r\n
      “We have no secrets
We tell each other everything”, Simon sings at the record’s midpoint, encapsulating both the themes and bravura of an effort that was nominated for four Grammy Awards and saw her write or co-write every song but one. Combined with Perry’s savvy instrumental arrangements, her self-assured performances and forthright lyrics grant No Secrets an edginess and relevance immune to the ravages of time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Carly Simon (piano, vocals), James Taylor (acoustic guitar, backing vocals), Paul McCartney (vocals), Lowell George (electric guitar), Klaus Voormann, Lee Sklar, Klaus Voormann (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4aMGK19UlmA&list=RD4aMGK19UlmA&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-607"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Right Thing To Do"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Carter Family"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. You're So Vain"
      ]
      [
        "ordre" => 5
        "nom" => "2. His Friends Are More Than Fond Of Robin"
      ]
      [
        "ordre" => 6
        "nom" => "3. We Have No Secrets "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Embrace Me, You Child"
      ]
      [
        "ordre" => 9
        "nom" => "2. Waited So Long"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. It Was So Easy"
      ]
      [
        "ordre" => 12
        "nom" => "2. Night Owl"
      ]
      [
        "ordre" => 13
        "nom" => "3. When You Close Your Eyes"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2190 …}
    -label: Proxies\__CG__\App\Entity\Label {#2121 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2199 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2192 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2194 …}
    -enregistreLe: DateTime @1763406434 {#2184
      date: 2025-11-17 19:07:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775121522 {#2183
      date: 2026-04-02 09:18:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2196 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-no-secrets-mobile-fidelity-sound-lab-mfsl-2-607"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3543
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2715 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2188
    -id: 2904
    -nom: "No Secrets"
    -informationComplementaire: "Plongez dans l’univers intime de Carly Simon avec "No Secrets", un album culte où se mêlent émotions à vif, élégance musicale et chansons devenues légendaires."
    -description: """
      Sorti en 1972, "No Secrets" marque un tournant majeur dans la carrière de Carly Simon et s’impose comme l’un des albums emblématiques du singer-songwriter américain des années 70. Porté par le succès phénoménal du titre "You're So Vain", l’album mêle introspection, ironie et élégance musicale.\r\n
      \r\n
      À travers des arrangements raffinés et une écriture profondément personnelle, Carly Simon explore les thèmes de l’amour, de la désillusion, de la célébrité et de l’identité. Sa voix, à la fois douce et affirmée, donne vie à des compositions sensibles où chaque mot semble pesé avec justesse.\r\n
      \r\n
      Produit par Richard Perry, "No Secrets" bénéficie d’une production chaleureuse et organique, typique de son époque, tout en conservant une modernité qui le rend toujours pertinent aujourd’hui.\r\n
      \r\n
      Cet album est bien plus qu’un simple succès commercial, c’est une œuvre introspective qui a marqué toute une génération et continue d’influencer les artistes contemporains. Une pièce essentielle pour tous les amateurs de musique authentique et intemporelle.\r\n
      \r\n
      Musicians : \r\n
      Carly Simon (piano, vocals), James Taylor (acoustic guitar, backing vocals), Paul McCartney (vocals), Lowell George (electric guitar), Klaus Voormann, Lee Sklar, Klaus Voormann (bass), Nicky Hopkins (piano, keyboards), Andrew Gold (guitar, backing vocals), Jimmy Ryan, Danny Kortchmar (guitar), Ben Taylor, Jacob Brackman (handclaps), Bobby Keys (saxophone), Jim Price (trumpet, trombone), Mick Jagger (backing vocals), Nicky Hopkins (piano), Jim Gordon, Russ Kunkel, (drums).\r\n
      \r\n
      - Carly Simon Turns Candid : Platinum-Certified No Secrets Features an All-Star Cast and the N° 1 Hit “You’re So Vain”, Ranked by Rolling Stone Among the 500 Greatest Songs of All Time !\r\n
      - 1972 Album Available on 180 graù 45 RPM (2 LP) for the First Time: Strictly Limited to 3000 Numbered Copies, Mobile Fidelity's Reissue Plays with Wide Soundstages and Balanced Tones !\r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Carly Simon’s N° 1 smash “You’re So Vain” lingers as one of the most clever and famous songs ever recorded. The subject of mass speculation ever since its release, soon after which it occupied the top spot on multiple Billboard charts for weeks, the anthem kept a captive public guessing at the identity of its smug subject for decades. The question surrounding the protagonist’s identity remained perhaps the only mystery on the otherwise sexually open and autobiographically daring No Secrets, Simon’s commercial breakthrough and ‘70s singer-songwriter staple. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, strictly limited to 3,000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set affords the platinum-certified 1972 effort the finest sonic treatment it’s received on vinyl. Helmed by Richard Perry and recorded at London’s Trident Studios where Beatles, David Bowie, and Elton John captured landmark LPs No Secrets touts exceptional production qualities highlighted by this restorative reissue.\r\n
      \r\n
      Audiophiles and record collectors, take note: This is the first time No Secrets has been available on 45 RPM. The wider grooves and dead-quiet surfaces pay instant dividends. Simple, elegant, and disarming, songs seemingly float amid wide, deep soundstages. Simon’s voice takes on a confident, assertive tenor that emerges with accurate imaging, balanced tonality, and palpable presence. String arrangements and backing vocals come through with similar realism. \r\n
      \r\n
      Enhanced by an all-star cast Simon’s then-husband James Taylor, Paul and Linda McCartney, Mick Jagger, Lowell George, Klaus Voorman, Bobby Keys, Jim Keltner, Nicky Hopkins, and Bonnie Bramlett are among the renowned musicians who lend a hand No Secrets advances Simon’s themes of personal introspectiveness, no-holds-barred reflectiveness, and feminist-inspired boldness. She makes every moment of No Secrets worth savoring. Simon invests her all in the songs, handling beautiful ballads, sassy folk-rock numbers, and bluesy fare with calm, composure, and candor. \r\n
      \r\n
      While acknowledging her own regrets “You’re So Vain” and loss “The Carter Family”, Simon champions the highs “The Right Thing to Do” and pains “His Friends Are More Than Fond of Robin” of love in a sincere manner indicative of her maturity as both an artist and singer. The New York native distinguishes “When You Close Your Eyes” with deep-rooted spirituality, recalls childhood joys via charming sentimentality on “It Was So Easy”, and and takes ownership of her persona on a cover of Taylor’s “Night Owl”.\r\n
      \r\n
      “We have no secrets
We tell each other everything”, Simon sings at the record’s midpoint, encapsulating both the themes and bravura of an effort that was nominated for four Grammy Awards and saw her write or co-write every song but one. Combined with Perry’s savvy instrumental arrangements, her self-assured performances and forthright lyrics grant No Secrets an edginess and relevance immune to the ravages of time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Carly Simon (piano, vocals), James Taylor (acoustic guitar, backing vocals), Paul McCartney (vocals), Lowell George (electric guitar), Klaus Voormann, Lee Sklar, Klaus Voormann (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4aMGK19UlmA&list=RD4aMGK19UlmA&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-607"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Right Thing To Do"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Carter Family"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. You're So Vain"
      ]
      [
        "ordre" => 5
        "nom" => "2. His Friends Are More Than Fond Of Robin"
      ]
      [
        "ordre" => 6
        "nom" => "3. We Have No Secrets "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Embrace Me, You Child"
      ]
      [
        "ordre" => 9
        "nom" => "2. Waited So Long"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. It Was So Easy"
      ]
      [
        "ordre" => 12
        "nom" => "2. Night Owl"
      ]
      [
        "ordre" => 13
        "nom" => "3. When You Close Your Eyes"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2190 …}
    -label: Proxies\__CG__\App\Entity\Label {#2121 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2199 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2192 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2194 …}
    -enregistreLe: DateTime @1763406434 {#2184
      date: 2025-11-17 19:07:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775121522 {#2183
      date: 2026-04-02 09:18:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2196 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-no-secrets-mobile-fidelity-sound-lab-mfsl-2-607"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2483 …}
}

[
  "produit" => App\Entity\Produit {#2204
    -id: 2969
    -nom: "America (2 LP) 45 RPM"
    -informationComplementaire: "Entre grands espaces et rêveries solitaires, "America" vous invite à un voyage hors du temps. Porté par des harmonies envoûtantes et une douceur folk inimitable, cet album culte capture l’essence d’une époque en quête de liberté."
    -description: """
      Sorti en 1971, "America" est le premier album du trio folk-rock du même nom. Porté par des harmonies vocales douces et des mélodies épurées, cet opus incarne parfaitement l’esprit du début des années 70, une quête de liberté, d’introspection et d’évasion.\r\n
      \r\n
      L’album s’inscrit dans la lignée du folk américain, tout en y apportant une sensibilité pop accessible et atmosphérique. Les guitares acoustiques dominent, soutenues par des arrangements subtils qui laissent respirer les morceaux.\r\n
      \r\n
      Le titre emblématique "A Horse with No Name" a largement contribué au succès du disque. Avec son ambiance hypnotique et désertique, il est devenu un classique intemporel. D’autres morceaux comme "I Need You" ou "Sandman" renforcent cette atmosphère contemplative et mélancolique.\r\n
      \r\n
      Ce premier album impose immédiatement la signature sonore d’America, une musique à la fois simple, élégante et profondément évocatrice.\r\n
      \r\n
      - America "America" !\r\n
      - 1971 Classic defined a generation !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      When America released their self-titled album debut in the U.S. in January 1972, few could have predicted just how perfectly this young trio would capture the sound of an era. With shimmering acoustic guitars, golden harmonies, and songs that seemed tailor-made for open highways and endless skies, America became one of the defining folk-rock albums of the 1970s.\r\n
      \r\n
      From the instantly recognizable strum of "A Horse with No Name" to the wistful beauty of "I Need You" and "Sandman", this is the album that launched the band's career and helped set the tone for the decade's laid-back West Coast sound. It's a record that feels both intimate and expansive, full of youthful wonder and a timeless sense of melody.\r\n
      \r\n
      America earned the band a Grammy Award for Best New Artist, went multi-platinum, and remains a touchstone for generations of songwriters and listeners alike. Collectors continue to prize early pressings for their warmth and musicality and now, this definitive audiophile edition delivers the album with greater depth, detail, and realism than ever before.\r\n
      \r\n
      Cut from the original tape with meticulous care by Matthew Lutthans at The Mastering Lab, and pressed on ultra-quiet, perfectly flat vinyl by Quality Record Pressings, America has never sounded so alive. Every guitar shimmer, every breath of harmony, every heartbeat of Dewey Bunnell, Gerry Beckley, and Dan Peek's chemistry is restored with breathtaking clarity.\r\n
      \r\n
      America is a cornerstone of early '70s acoustic rock. It's evergreen magic, lovingly revived.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Dewey Bunnell (guitars, lead vocals), Gerry Beckley (guitars, keyboards, bass, vocals), Dan Peek (guitar, bass, keyboards, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mSZXWdKSQNM&list=PLJfwklRIOOp2L9C87C0H-9qSZYYiOQtRS&index=5"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 001-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Riverside"
      ]
      [
        "ordre" => 2
        "nom" => "2. Sandman"
      ]
      [
        "ordre" => 3
        "nom" => "3. Three Roses "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Children"
      ]
      [
        "ordre" => 6
        "nom" => "2. A Horse With No Name"
      ]
      [
        "ordre" => 7
        "nom" => "3. Here "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. I Need You"
      ]
      [
        "ordre" => 10
        "nom" => "2. Rainy Day"
      ]
      [
        "ordre" => 11
        "nom" => "3. Never Found The Time "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Clarice"
      ]
      [
        "ordre" => 14
        "nom" => "2. Donkey Jaw"
      ]
      [
        "ordre" => 15
        "nom" => "3. Pigeon Song"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2206 …}
    -label: Proxies\__CG__\App\Entity\Label {#2209 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2218 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2211 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2213 …}
    -enregistreLe: DateTime @1770187024 {#2201
      date: 2026-02-04 06:37:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775118914 {#2202
      date: 2026-04-02 08:35:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2215 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-america-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-001-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3594
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2715 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2204
    -id: 2969
    -nom: "America (2 LP) 45 RPM"
    -informationComplementaire: "Entre grands espaces et rêveries solitaires, "America" vous invite à un voyage hors du temps. Porté par des harmonies envoûtantes et une douceur folk inimitable, cet album culte capture l’essence d’une époque en quête de liberté."
    -description: """
      Sorti en 1971, "America" est le premier album du trio folk-rock du même nom. Porté par des harmonies vocales douces et des mélodies épurées, cet opus incarne parfaitement l’esprit du début des années 70, une quête de liberté, d’introspection et d’évasion.\r\n
      \r\n
      L’album s’inscrit dans la lignée du folk américain, tout en y apportant une sensibilité pop accessible et atmosphérique. Les guitares acoustiques dominent, soutenues par des arrangements subtils qui laissent respirer les morceaux.\r\n
      \r\n
      Le titre emblématique "A Horse with No Name" a largement contribué au succès du disque. Avec son ambiance hypnotique et désertique, il est devenu un classique intemporel. D’autres morceaux comme "I Need You" ou "Sandman" renforcent cette atmosphère contemplative et mélancolique.\r\n
      \r\n
      Ce premier album impose immédiatement la signature sonore d’America, une musique à la fois simple, élégante et profondément évocatrice.\r\n
      \r\n
      - America "America" !\r\n
      - 1971 Classic defined a generation !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      When America released their self-titled album debut in the U.S. in January 1972, few could have predicted just how perfectly this young trio would capture the sound of an era. With shimmering acoustic guitars, golden harmonies, and songs that seemed tailor-made for open highways and endless skies, America became one of the defining folk-rock albums of the 1970s.\r\n
      \r\n
      From the instantly recognizable strum of "A Horse with No Name" to the wistful beauty of "I Need You" and "Sandman", this is the album that launched the band's career and helped set the tone for the decade's laid-back West Coast sound. It's a record that feels both intimate and expansive, full of youthful wonder and a timeless sense of melody.\r\n
      \r\n
      America earned the band a Grammy Award for Best New Artist, went multi-platinum, and remains a touchstone for generations of songwriters and listeners alike. Collectors continue to prize early pressings for their warmth and musicality and now, this definitive audiophile edition delivers the album with greater depth, detail, and realism than ever before.\r\n
      \r\n
      Cut from the original tape with meticulous care by Matthew Lutthans at The Mastering Lab, and pressed on ultra-quiet, perfectly flat vinyl by Quality Record Pressings, America has never sounded so alive. Every guitar shimmer, every breath of harmony, every heartbeat of Dewey Bunnell, Gerry Beckley, and Dan Peek's chemistry is restored with breathtaking clarity.\r\n
      \r\n
      America is a cornerstone of early '70s acoustic rock. It's evergreen magic, lovingly revived.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Dewey Bunnell (guitars, lead vocals), Gerry Beckley (guitars, keyboards, bass, vocals), Dan Peek (guitar, bass, keyboards, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mSZXWdKSQNM&list=PLJfwklRIOOp2L9C87C0H-9qSZYYiOQtRS&index=5"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 001-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Riverside"
      ]
      [
        "ordre" => 2
        "nom" => "2. Sandman"
      ]
      [
        "ordre" => 3
        "nom" => "3. Three Roses "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Children"
      ]
      [
        "ordre" => 6
        "nom" => "2. A Horse With No Name"
      ]
      [
        "ordre" => 7
        "nom" => "3. Here "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. I Need You"
      ]
      [
        "ordre" => 10
        "nom" => "2. Rainy Day"
      ]
      [
        "ordre" => 11
        "nom" => "3. Never Found The Time "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Clarice"
      ]
      [
        "ordre" => 14
        "nom" => "2. Donkey Jaw"
      ]
      [
        "ordre" => 15
        "nom" => "3. Pigeon Song"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2206 …}
    -label: Proxies\__CG__\App\Entity\Label {#2209 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2218 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2211 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2213 …}
    -enregistreLe: DateTime @1770187024 {#2201
      date: 2026-02-04 06:37:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775118914 {#2202
      date: 2026-04-02 08:35:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2215 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-america-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-001-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2483 …}
}

[
  "produit" => App\Entity\Produit {#2225
    -id: 3037
    -nom: "Marquee Moon - Box Set (2 LP) 45 RPM UltraDisc One-Step"
    -informationComplementaire: "Plongez dans "Marquee Moon", le chef-d’œuvre de Television : une explosion de guitares entrelacées, d’énergie brute et d’élégance sonore. Un album culte qui redéfinit le rock et continue d’inspirer, près de 50 ans après sa sortie."
    -description: """
      Sorti en 1977, Marquee Moon de Television s’impose comme l’un des albums les plus influents de la scène rock new-yorkaise. À contre-courant du punk brut de l’époque, le groupe propose une musique sophistiquée, mêlant énergie nerveuse et finesse instrumentale.\r\n
      \r\n
      Porté par la voix singulière et le jeu de guitare tranchant de Tom Verlaine, l’album se distingue surtout par le dialogue fascinant entre deux guitares. Avec Richard Lloyd, Television développe un style unique fait de lignes mélodiques entrelacées, créant une tension constante et hypnotique. La section rythmique, assurée par Fred Smith à la basse et Billy Ficca à la batterie, apporte une précision presque jazz qui renforce la profondeur sonore de l’ensemble.\r\n
      \r\n
      Le morceau-titre, long de plus de dix minutes, est devenu emblématique pour ses envolées guitaristiques et son atmosphère envoûtante. Marquee Moon est aujourd’hui considéré comme un pilier de l’art rock et une référence incontournable pour des générations de musiciens.\r\n
      \r\n
      - Television Reimagines Guitar Rock on Marquee Moon: Band’s 1977 Debut Is Ranked the 107th Greatest Album of All Time by Rolling Stone and Cited on Virtually Every Major “Best” List\r\n
      \r\n
      - Experience the Pioneering Record in Definitive Sound : Mobile Fidelity’s UltraDisc One-Step 180 gram 45 RPM (2 LP) Box Set Is Strictly Limited to 3000 Numbered Copies and Reveals Brilliant Dynamics, Textures, and Tones\r\n
      \r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe\r\n
      \r\n
      Television’s Marquee Moon reimagines guitar rock in such original, pioneering ways that critics and fans still struggle to describe its essence five decades after its original release. Made after the band cut its teeth for four years amid New York’s thriving arts scene, the 1977 album blends the inimitable interplay of guitarists Tom Verlaine and Richard Lloyd; spontaneous and precise approaches; and winding arrangements that draw as much from classical, jazz, and psychedelia as the punk ethos to which the album is often linked. \r\n
      \r\n
      Available as a 45 RPM edition for the first time, Marquee Moon reaches a new sonic pinnacle on Mobile Fidelity’s UltraDisc One-Step 180 gram (2 LP) box set. Strictly limited to 3000 numbered copies and pressed at Fidelity Record Pressing in California, this deluxe reissue of the effort Pitchfork named the third greatest of the entire 1970s plays with incredible detail, dynamics, and definition. The presence, emotionalism, warmth, and dimensionality of the textures alone make this premium reissue a treat for both listeners who know the record inside-out and for audiophiles embarking on Television’s incomparable journeys for perhaps the first time. \r\n
      \r\n
      Mobile Fidelity Sound Lab’s deluxe, industry-leading packaging adds to the set’s desirability and collectibility. Housed in a gorgeous slipcase, it features foil-stamped jackets and faithful-to-the-original graphics. This keepsake is for those who want to immerse themselves in everything involved with the Marquee Moon from the now-iconic front cover depicting a Xeroxed color print of a Robert Mapplethorpe photo of the quartet to the rear image showcasing what Verlaine described as a “weird spirally shape” that visually captures the inertia, vibe, and patterns of the songs.\r\n
      \r\n
      So distinctive are Television’s styles, arrangements, and chemistry that producer Andy Johns repeatedly had to ask Verlaine and company about their aesthetic. Recording in a small room at A & R Studios, a space selected due to its resemblance to what the band used to rehearse, Johns initially recoiled from the retro setup complete with an all-tube board. Johns also misread Television’s desire for a dry sound at odds with the big, meaty acoustic that carried the day. He spent a day working on the drum kit to engineer effects in line with those he’d achieved with Led Zeppelin and the Rolling Stones. Only to tear it apart once Television expressed a desire for a basic, reverb-free perspective. \r\n
      \r\n
      You can hear that direct, focused, straight-line sound like never before here, and how it illustrates the clean contours, tones, and shapes of every note committed to tape. And how it relates to the relatively minimal overdubs (piano, vocals) the band laid down after barely a week of main sessions with Johns, whose fanciest implementation involved swinging a vintage microphone like a lasso over his head as Lloyd double-tracked the solo to “Elevation”.\r\n
      \r\n
      Johns returned a few months later to mix. By that point, his take on Marquee Moon had shifted from arms-length curiosity to wholesale adoration. His change of heart is easy to understand. It would dovetail with the opinions of nearly everyone who spent time with the strange, beautiful, seemingly contradictory record shortly after it hit in early 1977. Few albums of that era as well as any before or since combine such high-wire technical prowess, back-to-basics architecture, jam-band improvisation, narrative mysticism, delicate finesse, hook-laden catchiness, and excess-free exploration. \r\n
      \r\n
      Another principal reason Marquee Moon remains distinctive ? Verlaine’s playing and lyrics, sure, but also his interests and background. Unlike archetypal guitar heroes, let alone first-wave punk practitioners, he first fell in love with classical music before gravitating to jazz and the saxophone. Having changed his last name to honor that of the 19th century French poet, Verlaine prized responsiveness and intricacy over density, speed, and volume. He recognized that fills, harmonics, and accents allowed for as many if not more opportunities for communicative colors and commentaries as solos do.  \r\n
      \r\n
      Verlaine’s incisive ingenuity, discipline, and feel emerge throughout Marquee Moon, and are part and parcel of the impressionistic six-string dialogues with Lloyd. Their push-and-pull subverts expectations and creates new, hard-to-decipher languages strung together with vocabularies comprised of wondrous melodies, modes, bridges, scales, vamps, and tunings. Lloyd would aptly describe the duo’s results as analogous to putting together pieces in a jigsaw puzzle. The pair’s exploratory vision and economical nature further accounts for why Marquee Moon defies age and trends. \r\n
      \r\n
      As do the hands-off, syncopated rhythms generated by bassist Fred Smith and jazz-based drummer Billy Ficca. Akin to their mates, each are dialed-in from the extended period of woodshedding Television enjoyed before hitting the studio. Together, the four members achieve blends of virtuosic tightness, chromatism, expressionism, and moodiness that exist in gray areas between garage rock, punk, prog, and free-jazz disciplines. No wonder Marquee Moon proved a major influence on the new wave, experimental rock, art pop, and so-called “alt rock” subgenres that followed.\r\n
      \r\n
      Allergic to bombast, repetition, and convention, all eight songs function as individual highlight reels that simultaneously feed an inter-related, organic whole. And yet everything revolves around the epic title track, Ranked by Rolling Stone as the 173rd Greatest Song of All Time, it’s distinguished by a a double-stop guitar intro, dramatic jam section, and a climactic coda that encapsulates what makes Television unique — and Marquee Moon a landmark of conception, composition, and execution.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1854 …}
    -musicienOrchestre: "Tom Verlaine (lead guitar, vocals), Richard Lloyd (lead guitar, backing vocals), Fred Smith (bass guitar, backing vocals), Billy Ficca (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=g4myghLPLZc&list=RDg4myghLPLZc&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S 2-064"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. See No Evil"
      ]
      [
        "ordre" => 2
        "nom" => "2. Venus"
      ]
      [
        "ordre" => 3
        "nom" => "3. Friction "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Marquee Moon "
      ]
      [
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        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Elevation"
      ]
      [
        "ordre" => 8
        "nom" => "2. Guiding Light "
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Prove It"
      ]
      [
        "ordre" => 11
        "nom" => "2. Torn Curtain"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
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      [
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      [
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2227 …}
    -label: Proxies\__CG__\App\Entity\Label {#2121 …}
    -style: App\Entity\Style {#1116 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2229 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2231 …}
    -enregistreLe: DateTime @1775112158 {#2221
      date: 2026-04-02 06:42:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775112582 {#2220
      date: 2026-04-02 06:49:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2233 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-marquee-moon-box-set-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-45ud1s-2-064"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3645
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2715 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2225
    -id: 3037
    -nom: "Marquee Moon - Box Set (2 LP) 45 RPM UltraDisc One-Step"
    -informationComplementaire: "Plongez dans "Marquee Moon", le chef-d’œuvre de Television : une explosion de guitares entrelacées, d’énergie brute et d’élégance sonore. Un album culte qui redéfinit le rock et continue d’inspirer, près de 50 ans après sa sortie."
    -description: """
      Sorti en 1977, Marquee Moon de Television s’impose comme l’un des albums les plus influents de la scène rock new-yorkaise. À contre-courant du punk brut de l’époque, le groupe propose une musique sophistiquée, mêlant énergie nerveuse et finesse instrumentale.\r\n
      \r\n
      Porté par la voix singulière et le jeu de guitare tranchant de Tom Verlaine, l’album se distingue surtout par le dialogue fascinant entre deux guitares. Avec Richard Lloyd, Television développe un style unique fait de lignes mélodiques entrelacées, créant une tension constante et hypnotique. La section rythmique, assurée par Fred Smith à la basse et Billy Ficca à la batterie, apporte une précision presque jazz qui renforce la profondeur sonore de l’ensemble.\r\n
      \r\n
      Le morceau-titre, long de plus de dix minutes, est devenu emblématique pour ses envolées guitaristiques et son atmosphère envoûtante. Marquee Moon est aujourd’hui considéré comme un pilier de l’art rock et une référence incontournable pour des générations de musiciens.\r\n
      \r\n
      - Television Reimagines Guitar Rock on Marquee Moon: Band’s 1977 Debut Is Ranked the 107th Greatest Album of All Time by Rolling Stone and Cited on Virtually Every Major “Best” List\r\n
      \r\n
      - Experience the Pioneering Record in Definitive Sound : Mobile Fidelity’s UltraDisc One-Step 180 gram 45 RPM (2 LP) Box Set Is Strictly Limited to 3000 Numbered Copies and Reveals Brilliant Dynamics, Textures, and Tones\r\n
      \r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe\r\n
      \r\n
      Television’s Marquee Moon reimagines guitar rock in such original, pioneering ways that critics and fans still struggle to describe its essence five decades after its original release. Made after the band cut its teeth for four years amid New York’s thriving arts scene, the 1977 album blends the inimitable interplay of guitarists Tom Verlaine and Richard Lloyd; spontaneous and precise approaches; and winding arrangements that draw as much from classical, jazz, and psychedelia as the punk ethos to which the album is often linked. \r\n
      \r\n
      Available as a 45 RPM edition for the first time, Marquee Moon reaches a new sonic pinnacle on Mobile Fidelity’s UltraDisc One-Step 180 gram (2 LP) box set. Strictly limited to 3000 numbered copies and pressed at Fidelity Record Pressing in California, this deluxe reissue of the effort Pitchfork named the third greatest of the entire 1970s plays with incredible detail, dynamics, and definition. The presence, emotionalism, warmth, and dimensionality of the textures alone make this premium reissue a treat for both listeners who know the record inside-out and for audiophiles embarking on Television’s incomparable journeys for perhaps the first time. \r\n
      \r\n
      Mobile Fidelity Sound Lab’s deluxe, industry-leading packaging adds to the set’s desirability and collectibility. Housed in a gorgeous slipcase, it features foil-stamped jackets and faithful-to-the-original graphics. This keepsake is for those who want to immerse themselves in everything involved with the Marquee Moon from the now-iconic front cover depicting a Xeroxed color print of a Robert Mapplethorpe photo of the quartet to the rear image showcasing what Verlaine described as a “weird spirally shape” that visually captures the inertia, vibe, and patterns of the songs.\r\n
      \r\n
      So distinctive are Television’s styles, arrangements, and chemistry that producer Andy Johns repeatedly had to ask Verlaine and company about their aesthetic. Recording in a small room at A & R Studios, a space selected due to its resemblance to what the band used to rehearse, Johns initially recoiled from the retro setup complete with an all-tube board. Johns also misread Television’s desire for a dry sound at odds with the big, meaty acoustic that carried the day. He spent a day working on the drum kit to engineer effects in line with those he’d achieved with Led Zeppelin and the Rolling Stones. Only to tear it apart once Television expressed a desire for a basic, reverb-free perspective. \r\n
      \r\n
      You can hear that direct, focused, straight-line sound like never before here, and how it illustrates the clean contours, tones, and shapes of every note committed to tape. And how it relates to the relatively minimal overdubs (piano, vocals) the band laid down after barely a week of main sessions with Johns, whose fanciest implementation involved swinging a vintage microphone like a lasso over his head as Lloyd double-tracked the solo to “Elevation”.\r\n
      \r\n
      Johns returned a few months later to mix. By that point, his take on Marquee Moon had shifted from arms-length curiosity to wholesale adoration. His change of heart is easy to understand. It would dovetail with the opinions of nearly everyone who spent time with the strange, beautiful, seemingly contradictory record shortly after it hit in early 1977. Few albums of that era as well as any before or since combine such high-wire technical prowess, back-to-basics architecture, jam-band improvisation, narrative mysticism, delicate finesse, hook-laden catchiness, and excess-free exploration. \r\n
      \r\n
      Another principal reason Marquee Moon remains distinctive ? Verlaine’s playing and lyrics, sure, but also his interests and background. Unlike archetypal guitar heroes, let alone first-wave punk practitioners, he first fell in love with classical music before gravitating to jazz and the saxophone. Having changed his last name to honor that of the 19th century French poet, Verlaine prized responsiveness and intricacy over density, speed, and volume. He recognized that fills, harmonics, and accents allowed for as many if not more opportunities for communicative colors and commentaries as solos do.  \r\n
      \r\n
      Verlaine’s incisive ingenuity, discipline, and feel emerge throughout Marquee Moon, and are part and parcel of the impressionistic six-string dialogues with Lloyd. Their push-and-pull subverts expectations and creates new, hard-to-decipher languages strung together with vocabularies comprised of wondrous melodies, modes, bridges, scales, vamps, and tunings. Lloyd would aptly describe the duo’s results as analogous to putting together pieces in a jigsaw puzzle. The pair’s exploratory vision and economical nature further accounts for why Marquee Moon defies age and trends. \r\n
      \r\n
      As do the hands-off, syncopated rhythms generated by bassist Fred Smith and jazz-based drummer Billy Ficca. Akin to their mates, each are dialed-in from the extended period of woodshedding Television enjoyed before hitting the studio. Together, the four members achieve blends of virtuosic tightness, chromatism, expressionism, and moodiness that exist in gray areas between garage rock, punk, prog, and free-jazz disciplines. No wonder Marquee Moon proved a major influence on the new wave, experimental rock, art pop, and so-called “alt rock” subgenres that followed.\r\n
      \r\n
      Allergic to bombast, repetition, and convention, all eight songs function as individual highlight reels that simultaneously feed an inter-related, organic whole. And yet everything revolves around the epic title track, Ranked by Rolling Stone as the 173rd Greatest Song of All Time, it’s distinguished by a a double-stop guitar intro, dramatic jam section, and a climactic coda that encapsulates what makes Television unique — and Marquee Moon a landmark of conception, composition, and execution.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1854 …}
    -musicienOrchestre: "Tom Verlaine (lead guitar, vocals), Richard Lloyd (lead guitar, backing vocals), Fred Smith (bass guitar, backing vocals), Billy Ficca (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=g4myghLPLZc&list=RDg4myghLPLZc&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S 2-064"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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        "ordre" => 1
        "nom" => "1. See No Evil"
      ]
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        "ordre" => 2
        "nom" => "2. Venus"
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      [
        "ordre" => 3
        "nom" => "3. Friction "
      ]
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        "ordre" => 4
        "nom" => "Side B : "
      ]
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        "ordre" => 5
        "nom" => "1. Marquee Moon "
      ]
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        "nom" => "Side C : "
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        "nom" => "1. Elevation"
      ]
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        "nom" => "2. Guiding Light "
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        "nom" => "Side D : "
      ]
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        "ordre" => 10
        "nom" => "1. Prove It"
      ]
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        "ordre" => 11
        "nom" => "2. Torn Curtain"
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[
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    -id: 1433
    -nom: "Bo Diddley"
    -informationComplementaire: "Avant le rock tel qu’on le connaît, il y avait Bo Diddley. Un groove hypnotique, une guitare tranchante, une attitude inimitable, découvrez l’album qui a posé les bases de tout ce qui allait suivre."
    -description: """
      Bo Diddley est le premier album du légendaire Bo Diddley, une figure majeure de la naissance du rock’n’roll.\r\n
      \r\n
      Paru en 1958 sur Chess Records, cet album rassemble certains de ses titres les plus emblématiques, dont “Bo Diddley” et “I’m a Man”. On y retrouve son fameux rythme syncopé le “Bo Diddley beat” qui a profondément influencé des générations d’artistes.\r\n
      \r\n
      La pochette iconique met en scène l’artiste dans une posture dynamique, guitare à la main, incarnant toute l’énergie brute et l’attitude novatrice du rock des années 50.\r\n
      \r\n
      Un disque essentiel pour les amateurs de blues électrique, de rhythm & blues et de rock originel.\r\n
      \r\n
      - Bo Diddley "Bo Diddley" !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Debut album includes "I'm A Man", "Hey! Bo Diddley" and "Who Do You Love ?" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Rolling Stone's 500 Greatest Albums of All Time rated N° 455/500 !\r\n
      \r\n
      Bo Diddley's influence on rock 'n' roll is inestimable, writes Rolling Stone, from the off-kilter rhythmic thump of "Pretty Thing" to his revved-up take on singing the blues. His signature rollicking beat is mirrored by many popular artists, from Bruce Springsteen on Born To Run's "She's the One", to George Michael on "Faith". \r\n
      \r\n
      Diddley born Ellas Bates McDaniel wasn't just another guitar-slinger in the mid-'50s; he was the spark that helped push the instrument from its blues roots straight into the heart of rock 'n' roll. His 1958 Chess Records LP, Bo Diddley, captures that seismic moment in real time. Drawn from a run of groundbreaking singles released between 1955 and 1958, the album plays like a blueprint for the next two decades of popular music.\r\n
      \r\n
      What you get here is a string of genre-defining sides: the hypnotic shave-and-a-haircut thump of "Bo Diddley", the swaggering blues strut of "I'm a Man," the irresistible drive of "Diddley Daddy", and the razor-edged storytelling of "Who Do You Love ?" Add in essentials like "Hey! Bo Diddley", "Before You Accuse Me", and "Bring It To Jerome", and it's clear why this LP has long been viewed as one of rock's foundational texts.\r\n
      \r\n
      For collectors, this isn't just an early rock 'n' roll album, it's the source code. The signature beat, the raw guitar attack, the attitude that influenced everyone from Buddy Holly to the Rolling Stones - it all starts here. Bo Diddley remains a must-have for fans of blues, early rock, and any vinyl lover who wants the sound of a revolution beginning right in their hands.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Bo Diddley (guitar, vocals), Billy Boy Arnold (harmonica), Jerome Green (maracas), Clifton James (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xvlvrXkeBkM&list=RDxvlvrXkeBkM&start_radio=1"
    -referenceProduit: "Acoustic Sounds Serie (Chess Records) 8128"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Bo Diddley"
      ]
      [
        "ordre" => 2
        "nom" => "2. I'm A Man"
      ]
      [
        "ordre" => 3
        "nom" => "3. Bring It To Jerome"
      ]
      [
        "ordre" => 4
        "nom" => "4. Before You Accuse Me"
      ]
      [
        "ordre" => 5
        "nom" => "5. Hey' Bo Diddley"
      ]
      [
        "ordre" => 6
        "nom" => "6. Dearest Darling "
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Hush Your Mouth"
      ]
      [
        "ordre" => 9
        "nom" => "2. Say Boss Man"
      ]
      [
        "ordre" => 10
        "nom" => "3. Diddley Daddy"
      ]
      [
        "ordre" => 11
        "nom" => "4. Diddey Wah Diddey"
      ]
      [
        "ordre" => 12
        "nom" => "5. Who Do You Love"
      ]
      [
        "ordre" => 13
        "nom" => "6. Pretty Thing"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2243 …}
    -label: Proxies\__CG__\App\Entity\Label {#2102 …}
    -style: App\Entity\Style {#1116 …}
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    }
    -modifierLe: DateTime @1774769590 {#2239
      date: 2026-03-29 07:33:10.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2249 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3696
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2715 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2241
    -id: 1433
    -nom: "Bo Diddley"
    -informationComplementaire: "Avant le rock tel qu’on le connaît, il y avait Bo Diddley. Un groove hypnotique, une guitare tranchante, une attitude inimitable, découvrez l’album qui a posé les bases de tout ce qui allait suivre."
    -description: """
      Bo Diddley est le premier album du légendaire Bo Diddley, une figure majeure de la naissance du rock’n’roll.\r\n
      \r\n
      Paru en 1958 sur Chess Records, cet album rassemble certains de ses titres les plus emblématiques, dont “Bo Diddley” et “I’m a Man”. On y retrouve son fameux rythme syncopé le “Bo Diddley beat” qui a profondément influencé des générations d’artistes.\r\n
      \r\n
      La pochette iconique met en scène l’artiste dans une posture dynamique, guitare à la main, incarnant toute l’énergie brute et l’attitude novatrice du rock des années 50.\r\n
      \r\n
      Un disque essentiel pour les amateurs de blues électrique, de rhythm & blues et de rock originel.\r\n
      \r\n
      - Bo Diddley "Bo Diddley" !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Debut album includes "I'm A Man", "Hey! Bo Diddley" and "Who Do You Love ?" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Rolling Stone's 500 Greatest Albums of All Time rated N° 455/500 !\r\n
      \r\n
      Bo Diddley's influence on rock 'n' roll is inestimable, writes Rolling Stone, from the off-kilter rhythmic thump of "Pretty Thing" to his revved-up take on singing the blues. His signature rollicking beat is mirrored by many popular artists, from Bruce Springsteen on Born To Run's "She's the One", to George Michael on "Faith". \r\n
      \r\n
      Diddley born Ellas Bates McDaniel wasn't just another guitar-slinger in the mid-'50s; he was the spark that helped push the instrument from its blues roots straight into the heart of rock 'n' roll. His 1958 Chess Records LP, Bo Diddley, captures that seismic moment in real time. Drawn from a run of groundbreaking singles released between 1955 and 1958, the album plays like a blueprint for the next two decades of popular music.\r\n
      \r\n
      What you get here is a string of genre-defining sides: the hypnotic shave-and-a-haircut thump of "Bo Diddley", the swaggering blues strut of "I'm a Man," the irresistible drive of "Diddley Daddy", and the razor-edged storytelling of "Who Do You Love ?" Add in essentials like "Hey! Bo Diddley", "Before You Accuse Me", and "Bring It To Jerome", and it's clear why this LP has long been viewed as one of rock's foundational texts.\r\n
      \r\n
      For collectors, this isn't just an early rock 'n' roll album, it's the source code. The signature beat, the raw guitar attack, the attitude that influenced everyone from Buddy Holly to the Rolling Stones - it all starts here. Bo Diddley remains a must-have for fans of blues, early rock, and any vinyl lover who wants the sound of a revolution beginning right in their hands.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Bo Diddley (guitar, vocals), Billy Boy Arnold (harmonica), Jerome Green (maracas), Clifton James (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xvlvrXkeBkM&list=RDxvlvrXkeBkM&start_radio=1"
    -referenceProduit: "Acoustic Sounds Serie (Chess Records) 8128"
    -titreMorceau: [
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        "ordre" => 5
        "nom" => "5. Hey' Bo Diddley"
      ]
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        "nom" => "6. Dearest Darling "
      ]
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      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2243 …}
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    -modifierLe: DateTime @1774769590 {#2239
      date: 2026-03-29 07:33:10.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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[
  "produit" => App\Entity\Produit {#2259
    -id: 2720
    -nom: "- Crisis ? What Crisis ?  (Half-Speed Master)"
    -informationComplementaire: "Entre douceur et lucidité, "Crisis ? What Crisis ?" dévoile un Supertramp plus subtil, où mélodies lumineuses et regards critiques s’entrelacent avec élégance."
    -description: """
      Sorti en 1975, "Crisis ? What Crisis ?" s’inscrit dans la continuité du succès de Crime of the Century, tout en dévoilant une facette plus nuancée de Supertramp. Conçu dans un contexte de pression après leur percée internationale, l’album mélange habilement légèreté apparente et profondeur thématique.\r\n
      \r\n
      Toujours porté par le tandem Rick Davies et Roger Hodgson, le disque explore des sujets comme le désenchantement, la solitude et les contradictions du monde moderne, souvent avec une touche d’ironie subtile.\r\n
      \r\n
      Musicalement, on retrouve la signature du groupe, un équilibre entre rock progressif et pop mélodique, enrichi de claviers élégants, de guitares expressives et d’arrangements raffinés. Des morceaux comme “Easy Does It”, “Sister Moonshine”, “Lady” ou “Another Man’s Woman” illustrent cette diversité, oscillant entre douceur introspective et énergie maîtrisée.\r\n
      \r\n
      Moins immédiat que son prédécesseur, l’album séduit par sa cohérence et sa richesse, offrant une écoute plus intime mais tout aussi captivante.\r\n
      \r\n
      - Supertramp "Crisis ? What Crisis ?" !\r\n
      - 180 gram vinyl !\r\n
      - Half-speed mastered at Abbey Road Studios !\r\n
      \r\n
      Originally released on November 28, 1975, Crisis ? What Crisis ? was written and recorded in arguably the busiest period of the band's career and released just 13 months after Crime of the Century. Now regarded by many as the bridge from their earlier prog records to their more commercially successful period, Crisis ? What Crisis ? is a significant and vital part of the bands musical journey.\r\n
      \r\n
      With oversight of the band and co-producer Ken Scott, these 50th Anniversary reissues have been remastered at half-speed by Miles Showell at Abbey Road Studios giving them greater detail and the best possible clarity.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Rick Davies (keyboards, harmonica, vocals), Roger Hodgson (guitar, keyboards, vocals), John Helliwell (saxophones, clarinet, backing vocals), Dougie Thomson (bass guitar), Bob C. Benberg (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YGX7IMJGy5Y&list=PLqZ5e2x0Y_GSlDG0KIPH0ljtVTLniDOI_"
    -referenceProduit: "A&M Records 9539"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side : A"
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        "nom" => "1. Easy Does It"
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        "nom" => "3. Ain't Nobody But Me"
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        "nom" => "4. A Soapbox Opera"
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        "nom" => "5. Another Man's Woman"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2261 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3747
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2715 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2259
    -id: 2720
    -nom: "- Crisis ? What Crisis ?  (Half-Speed Master)"
    -informationComplementaire: "Entre douceur et lucidité, "Crisis ? What Crisis ?" dévoile un Supertramp plus subtil, où mélodies lumineuses et regards critiques s’entrelacent avec élégance."
    -description: """
      Sorti en 1975, "Crisis ? What Crisis ?" s’inscrit dans la continuité du succès de Crime of the Century, tout en dévoilant une facette plus nuancée de Supertramp. Conçu dans un contexte de pression après leur percée internationale, l’album mélange habilement légèreté apparente et profondeur thématique.\r\n
      \r\n
      Toujours porté par le tandem Rick Davies et Roger Hodgson, le disque explore des sujets comme le désenchantement, la solitude et les contradictions du monde moderne, souvent avec une touche d’ironie subtile.\r\n
      \r\n
      Musicalement, on retrouve la signature du groupe, un équilibre entre rock progressif et pop mélodique, enrichi de claviers élégants, de guitares expressives et d’arrangements raffinés. Des morceaux comme “Easy Does It”, “Sister Moonshine”, “Lady” ou “Another Man’s Woman” illustrent cette diversité, oscillant entre douceur introspective et énergie maîtrisée.\r\n
      \r\n
      Moins immédiat que son prédécesseur, l’album séduit par sa cohérence et sa richesse, offrant une écoute plus intime mais tout aussi captivante.\r\n
      \r\n
      - Supertramp "Crisis ? What Crisis ?" !\r\n
      - 180 gram vinyl !\r\n
      - Half-speed mastered at Abbey Road Studios !\r\n
      \r\n
      Originally released on November 28, 1975, Crisis ? What Crisis ? was written and recorded in arguably the busiest period of the band's career and released just 13 months after Crime of the Century. Now regarded by many as the bridge from their earlier prog records to their more commercially successful period, Crisis ? What Crisis ? is a significant and vital part of the bands musical journey.\r\n
      \r\n
      With oversight of the band and co-producer Ken Scott, these 50th Anniversary reissues have been remastered at half-speed by Miles Showell at Abbey Road Studios giving them greater detail and the best possible clarity.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Rick Davies (keyboards, harmonica, vocals), Roger Hodgson (guitar, keyboards, vocals), John Helliwell (saxophones, clarinet, backing vocals), Dougie Thomson (bass guitar), Bob C. Benberg (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=YGX7IMJGy5Y&list=PLqZ5e2x0Y_GSlDG0KIPH0ljtVTLniDOI_"
    -referenceProduit: "A&M Records 9539"
    -titreMorceau: [
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        "nom" => "Side : A"
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        "nom" => "5. Another Man's Woman"
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        "nom" => "Side : B"
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        "nom" => "1. Lady"
      ]
      [
        "ordre" => 8
        "nom" => "2. Poor Boy"
      ]
      [
        "ordre" => 9
        "nom" => "3. Just a Normal Day"
      ]
      [
        "ordre" => 10
        "nom" => "4. The Meaning"
      ]
      [
        "ordre" => 11
        "nom" => "5. Two of Us"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2261 …}
    -label: Proxies\__CG__\App\Entity\Label {#2264 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2273 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2266 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2268 …}
    -enregistreLe: DateTime @1754512762 {#2255
      date: 2025-08-06 20:39:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1774721888 {#2254
      date: 2026-03-28 18:18:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2270 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-crisis-what-crisis-half-speed-master-a-m-records-9539"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2483 …}
}

[
  "produit" => App\Entity\Produit {#2282
    -id: 2721
    -nom: "Crime Of The Century  (Half-Speed Master)"
    -informationComplementaire: "Un voyage intense entre rock et introspection, "Crime of the Century" révèle toute la profondeur et la puissance sonore de Supertramp dans un classique aussi captivant qu’intemporel."
    -description: """
      Sorti en 1974, Crime of the Century marque la véritable percée de Supertramp et s’impose comme un classique du rock progressif. Porté par le duo créatif Rick Davies et Roger Hodgson, l’album explore des thèmes profonds comme l’aliénation, la société moderne et la quête d’identité.\r\n
      \r\n
      Musicalement, il se distingue par un mélange sophistiqué de rock, de pop et de touches progressives, enrichi par des arrangements soignés et une production d’une grande précision. Le son du piano, les harmonies vocales et les ambiances cinématographiques donnent à l’ensemble une atmosphère à la fois mélancolique et puissante.\r\n
      \r\n
      Des titres emblématiques comme “Dreamer”, “Bloody Well Right” et “School” illustrent parfaitement l’identité du groupe, une alternance entre énergie rock et introspection. L’album se clôt sur la pièce éponyme “Crime of the Century”, véritable montée en intensité, souvent considérée comme l’un des sommets du disque.\r\n
      \r\n
      - Supertramp "Crime Of The Century" !\r\n
      - 180 gram vinyl !\r\n
      - Half-speed mastered at Abbey Road Studios !\r\n
      \r\n
      Supertramp's Third Studio Album Crime of the Century Reissued for Its 50th Anniversary Edition on 180 gram LP. Remastered at Half-Speed by Miles Showell at Abbey Road Studios.\r\n
      \r\n
      Crime of the Century was Supertramp's era-defining third album that catapulted them to global success, breaking them into the UK top five and U.S. Billboard top 40 album charts for the first time.\r\n
      \r\n
      Featuring the cream of Rick Davies' and Roger Hodgson's songwriting, Supertramp's 1974 masterwork Crime of the Century was the first of the many peaks in the band's illustrious career; an album that had everything to prove and tunes that effortlessly straddled the world of pure pop and progressive rock. The significant change that happened with Supertramp on this album was that Hodgson and Davies had each found their strength as songwriters and were writing alone.\r\n
      \r\n
      With the unmistakable blend of the two songwriters work, it married the sweetness of Hodgson's "Dreamer" the band's first big hit single with the grit of Davies' similarly beloved "Bloody Well Right". In "School, ,"Rudy" and the title track, the band Davies, Hodgson, John Helliwell, Bob Siebenberg and Dougie Thomson helped define what would soon be known as 'Adult Oriented Rock'. This was and is - not just an album that showed Supertramp's increased maturity, but a timeless gem marked by the incredible melodies and thoughtful lyrics of Hodgson and Davies.\r\n
      \r\n
      With oversight of the band and co-producer Ken Scott, this 50th anniversary reissue has been remastered at half-speed by Miles Showell at Abbey Road Studios giving the 1974 album greater detail and the best possible clarity.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Rick Davies (keyboards, harmonica, vocals), Roger Hodgson (guitar, keyboards), John Helliwell (saxophones, clarinet, backing vocals, spoken word), Dougie Thomson (bass guitar), Bob Siebenberg (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=y7R_gflT8tg&list=PLqZ5e2x0Y_GRvTmb3A1t0tm1I6kdBPn7g"
    -referenceProduit: "A&M Records 9538"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side : A"
      ]
      [
        "ordre" => 1
        "nom" => "1. School"
      ]
      [
        "ordre" => 2
        "nom" => "2. Bloody Well Right"
      ]
      [
        "ordre" => 3
        "nom" => "3. Hide in Your Shell"
      ]
      [
        "ordre" => 4
        "nom" => "4. Asylum"
      ]
      [
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        "nom" => "Side : B"
      ]
      [
        "ordre" => 6
        "nom" => "1. Dreamer"
      ]
      [
        "ordre" => 7
        "nom" => "2. Rudy"
      ]
      [
        "ordre" => 8
        "nom" => "3. If Everyone Was Listening"
      ]
      [
        "ordre" => 9
        "nom" => "4. Crime of the Century"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2261 …}
    -label: Proxies\__CG__\App\Entity\Label {#2264 …}
    -style: App\Entity\Style {#1116 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2285 …}
    -enregistreLe: DateTime @1754513337 {#2275
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    -modifierLe: DateTime @1774721621 {#2276
      date: 2026-03-28 18:13:41.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2287 …}
    -disponible: null
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    -slug: "vinyles-crime-of-the-century-half-speed-master-a-m-records-9538"
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