Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2628
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2705
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2708 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
  -formView: Symfony\Component\Form\FormView {#2744 …}
  -form: Symfony\Component\Form\Form {#2894 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 657
    -nom: "Sho’ Nuff"
    -informationComplementaire: null
    -description: """
      Willie Dixon once told Wild Child Butler, "You are the moan of the suffering woman, the groan of the dying man. You ain't nothing but the blues".\r\n
      \r\n
      Here's a man who's been heavily praised by Dixon, Muddy Waters, Howlin' Wolf and Jimmy Rogers just to name a few; a man who those blues legends were proud to accompany. As traditional as the blues on this album are, there's no mistaking a Wild Child tune. They can't be played this way by anyone else not so boisterous, not so Wild Child. His blues sometimes sound angry and raw, other times soft and country-polished. \r\n
      \r\n
      This release offers a fine mix of Wild Child's down-home acoustic sound, his slow, muscular blues and his up-tempo shuffle or snapping blues. As Wild Child himself said, "If you can't dig these blues, you got a hole in your soul [to borrow from a Jimmy Rogers saying]. Talkin' 'bout sho' 'nuff".\r\n
      \r\n
      "George 'Wild Child' Butler is one of the last original, hard-workin' delta bluesmen. Although his career started not until the 1960s, the old times' tradition is still clearly heard on his music. You may call it blues, you may call it southern soul, you may even call it rock 'n' roll, but you just can't categorize him to any particular field. There's just one George Butler, and then there are the others". - "Butcher Pete" Hoppula, Wang Dang Dula!... It's Time To Rock'n'rolla !
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "George Wild Child Butler (harmonica, vocals), Jimmy D. Lane (acoustic & electric guitars), Bob Stroger (bass), Jimmie Lee Robinson (acoustic guitar),  Sam Lay (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Y3YUByPDHfk"
    -referenceProduit: "APO Records 2015-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Open Up Baby"
      ]
      [
        "ordre" => 2
        "nom" => "2. You Had To Quit Me"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. I Got To Go (Sweet Daddy-O)"
      ]
      [
        "ordre" => 5
        "nom" => "2. Can You Use A Man Like Me ?"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Moaning Morning"
      ]
      [
        "ordre" => 8
        "nom" => "2. Slippin' In"
      ]
      [
        "ordre" => 9
        "nom" => "3. Funky Things"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. It's All Over"
      ]
      [
        "ordre" => 12
        "nom" => "2. I Changed"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1381915395 {#1929
      date: 2013-10-16 09:23:15.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769948307 {#1922
      date: 2026-02-01 12:18:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sho-nuff-apo-records-2015-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3165
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 657
    -nom: "Sho’ Nuff"
    -informationComplementaire: null
    -description: """
      Willie Dixon once told Wild Child Butler, "You are the moan of the suffering woman, the groan of the dying man. You ain't nothing but the blues".\r\n
      \r\n
      Here's a man who's been heavily praised by Dixon, Muddy Waters, Howlin' Wolf and Jimmy Rogers just to name a few; a man who those blues legends were proud to accompany. As traditional as the blues on this album are, there's no mistaking a Wild Child tune. They can't be played this way by anyone else not so boisterous, not so Wild Child. His blues sometimes sound angry and raw, other times soft and country-polished. \r\n
      \r\n
      This release offers a fine mix of Wild Child's down-home acoustic sound, his slow, muscular blues and his up-tempo shuffle or snapping blues. As Wild Child himself said, "If you can't dig these blues, you got a hole in your soul [to borrow from a Jimmy Rogers saying]. Talkin' 'bout sho' 'nuff".\r\n
      \r\n
      "George 'Wild Child' Butler is one of the last original, hard-workin' delta bluesmen. Although his career started not until the 1960s, the old times' tradition is still clearly heard on his music. You may call it blues, you may call it southern soul, you may even call it rock 'n' roll, but you just can't categorize him to any particular field. There's just one George Butler, and then there are the others". - "Butcher Pete" Hoppula, Wang Dang Dula!... It's Time To Rock'n'rolla !
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "George Wild Child Butler (harmonica, vocals), Jimmy D. Lane (acoustic & electric guitars), Bob Stroger (bass), Jimmie Lee Robinson (acoustic guitar),  Sam Lay (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Y3YUByPDHfk"
    -referenceProduit: "APO Records 2015-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Open Up Baby"
      ]
      [
        "ordre" => 2
        "nom" => "2. You Had To Quit Me"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. I Got To Go (Sweet Daddy-O)"
      ]
      [
        "ordre" => 5
        "nom" => "2. Can You Use A Man Like Me ?"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Moaning Morning"
      ]
      [
        "ordre" => 8
        "nom" => "2. Slippin' In"
      ]
      [
        "ordre" => 9
        "nom" => "3. Funky Things"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. It's All Over"
      ]
      [
        "ordre" => 12
        "nom" => "2. I Changed"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1381915395 {#1929
      date: 2013-10-16 09:23:15.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769948307 {#1922
      date: 2026-02-01 12:18:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sho-nuff-apo-records-2015-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 789
    -nom: "Stardust (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Willie's 1978 take on his favorite pop standards !\r\n
      - Includes his classic versions of "Stardust" "Georgia On My Mind" and others !\r\n
      - Mastered from the original analog tapes by Bernie Grundman !\r\n
      - 180 gram double LPs plated and pressed by Quality Record Pressings !\r\n
      - Heavyweight gatefold tip-on old-style jacket from Stoughton Printing !\r\n
      \r\n
      "While more expensive, Analogue Productions' 45RPM reissue makes the piano seem more life-sized and restores all the overtones missing from the earlier reissues all the while delivering enhanced percussion detail and tauter bass. I'm certain that somewhere ahead of the master tape, recording engineers Bradley Hartman and Donivan Cowart slowed down the tape in places for effect. Listen to the opening bars of 'September Song' where the knobs got turned a little too slow. No matter. Analogue Productions' Stardust again earns a super disc designation by today's higher standards". - 5/5 stars, Dennis Davis, vinylreviews.com. Read the whole review here.\r\n
      \r\n
      "This is a vocal record that even opera lovers treasure... these were unexpected vocal knockouts from a shaggy source... The 45 RPM pressing on 180 gram vinyl shows the impeccable care that Analogue Productions lavishes on all its reissues. The higher speed means shorter sides (in this case, 45 minutes of music spread over two discs), and while it may be an audio mirage, the sound is more alive, more present than on a 33 1/3 RPM LP". - Editor's Pick, Recording Of The Month - Performance = 5/5, Sonics = 5/5 - Robert Baird, Stereophile, March 2018\r\n
      \r\n
      Willie Nelson has long been honored as a genuine legend, and his songs and concerts are loved worldwide. Though his roots are in country, Willie's musical influences are as broad as the Texas skies, unlimited to any one genre.\r\n
      \r\n
      "These are my favorite songs. My favorite all-time songs," Willie says". I knew there were millions of people who liked these songs and would love to hear them again. I grew up with them... they're some of the first songs I learned to play".\r\n
      \r\n
      Here is the familiar Stardust, yet in a way so striking from any versions that have come before. For starters, for this Analogue Productions reissue we turned to the masters, literally. We insisted on the master tapes and no less a skilled mastering engineer than the award-winning Bernie Grundman to cut the lacquers for this project. Then, naturally, we put Gary Salstrom and his crew at Quality Record Pressings to work to plate and press the finest-sounding 180-gram LPs. We bring them to you housed in a heavyweight tip-on, old style gatefold jacket from Stoughton Printing. Unmatched quality; unmatched sound that's the way Analogue Productions rolls.\r\n
      \r\n
      It turned out that Willie had some convincing to do to get his record label on board with Stardust. "Why be predictable ?" Willie asked Columbia Records executive Nick Blackburn, after the latter resisted the Red Headed Strangers decision to make an album of classic pop tunes.\r\n
      \r\n
      Willie ultimately scored big-time with this quintessential addition to his album catalog. The songs Moonlight in Vermont, All of Me, Don't Get Around Much Anymore are lovingly arranged here by Booker T. Jones of Green Onions fame and recorded in Nelson's inimitable style in Emmylou Harris' house.\r\n
      \r\n
      Booker T's trademark sound set the mood for the sessions. Willie and cohorts mine a mellow groove here, sounding as if Willie is at home, sitting on his porch overlooking the beautiful Texas hill country.\r\n
      \r\n
      Nelson's Stardust remains a genius-level creation as well as the icon's most commercially successful release, a truly gorgeous record infused with ultimate respect for composers and lyrics and many of the finest performances of Willie's career.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Willie Nelson (guitar, vocals), Bobbie Nelson (piano), Bee Spears, Chris Ethridge (bass), Jody Payne (guitar), Booker T. Jones (organ, piano), Paul English, Rex Ludwig (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_T6WKdrxzyY"
    -referenceProduit: "Analogue Productions AAPP 116-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Stardust"
      ]
      [
        "ordre" => 2
        "nom" => "2. Georgia On My Mind"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Blue Skies"
      ]
      [
        "ordre" => 5
        "nom" => "2. All of Me"
      ]
      [
        "ordre" => 6
        "nom" => "3. Unchained Melody"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. September Song"
      ]
      [
        "ordre" => 9
        "nom" => "2. On the Sunny Side of the Street"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Moonlight In Vermont"
      ]
      [
        "ordre" => 12
        "nom" => "2. Don’t Get Around Much Anymore"
      ]
      [
        "ordre" => 13
        "nom" => "3. Someone to Watch Over Me"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1435932133 {#2095
      date: 2015-07-03 14:02:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769948105 {#2096
      date: 2026-02-01 12:15:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stardust-2-lp-45-rpm-analogue-productions-aapp-116-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3279
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 789
    -nom: "Stardust (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Willie's 1978 take on his favorite pop standards !\r\n
      - Includes his classic versions of "Stardust" "Georgia On My Mind" and others !\r\n
      - Mastered from the original analog tapes by Bernie Grundman !\r\n
      - 180 gram double LPs plated and pressed by Quality Record Pressings !\r\n
      - Heavyweight gatefold tip-on old-style jacket from Stoughton Printing !\r\n
      \r\n
      "While more expensive, Analogue Productions' 45RPM reissue makes the piano seem more life-sized and restores all the overtones missing from the earlier reissues all the while delivering enhanced percussion detail and tauter bass. I'm certain that somewhere ahead of the master tape, recording engineers Bradley Hartman and Donivan Cowart slowed down the tape in places for effect. Listen to the opening bars of 'September Song' where the knobs got turned a little too slow. No matter. Analogue Productions' Stardust again earns a super disc designation by today's higher standards". - 5/5 stars, Dennis Davis, vinylreviews.com. Read the whole review here.\r\n
      \r\n
      "This is a vocal record that even opera lovers treasure... these were unexpected vocal knockouts from a shaggy source... The 45 RPM pressing on 180 gram vinyl shows the impeccable care that Analogue Productions lavishes on all its reissues. The higher speed means shorter sides (in this case, 45 minutes of music spread over two discs), and while it may be an audio mirage, the sound is more alive, more present than on a 33 1/3 RPM LP". - Editor's Pick, Recording Of The Month - Performance = 5/5, Sonics = 5/5 - Robert Baird, Stereophile, March 2018\r\n
      \r\n
      Willie Nelson has long been honored as a genuine legend, and his songs and concerts are loved worldwide. Though his roots are in country, Willie's musical influences are as broad as the Texas skies, unlimited to any one genre.\r\n
      \r\n
      "These are my favorite songs. My favorite all-time songs," Willie says". I knew there were millions of people who liked these songs and would love to hear them again. I grew up with them... they're some of the first songs I learned to play".\r\n
      \r\n
      Here is the familiar Stardust, yet in a way so striking from any versions that have come before. For starters, for this Analogue Productions reissue we turned to the masters, literally. We insisted on the master tapes and no less a skilled mastering engineer than the award-winning Bernie Grundman to cut the lacquers for this project. Then, naturally, we put Gary Salstrom and his crew at Quality Record Pressings to work to plate and press the finest-sounding 180-gram LPs. We bring them to you housed in a heavyweight tip-on, old style gatefold jacket from Stoughton Printing. Unmatched quality; unmatched sound that's the way Analogue Productions rolls.\r\n
      \r\n
      It turned out that Willie had some convincing to do to get his record label on board with Stardust. "Why be predictable ?" Willie asked Columbia Records executive Nick Blackburn, after the latter resisted the Red Headed Strangers decision to make an album of classic pop tunes.\r\n
      \r\n
      Willie ultimately scored big-time with this quintessential addition to his album catalog. The songs Moonlight in Vermont, All of Me, Don't Get Around Much Anymore are lovingly arranged here by Booker T. Jones of Green Onions fame and recorded in Nelson's inimitable style in Emmylou Harris' house.\r\n
      \r\n
      Booker T's trademark sound set the mood for the sessions. Willie and cohorts mine a mellow groove here, sounding as if Willie is at home, sitting on his porch overlooking the beautiful Texas hill country.\r\n
      \r\n
      Nelson's Stardust remains a genius-level creation as well as the icon's most commercially successful release, a truly gorgeous record infused with ultimate respect for composers and lyrics and many of the finest performances of Willie's career.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Willie Nelson (guitar, vocals), Bobbie Nelson (piano), Bee Spears, Chris Ethridge (bass), Jody Payne (guitar), Booker T. Jones (organ, piano), Paul English, Rex Ludwig (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_T6WKdrxzyY"
    -referenceProduit: "Analogue Productions AAPP 116-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Stardust"
      ]
      [
        "ordre" => 2
        "nom" => "2. Georgia On My Mind"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Blue Skies"
      ]
      [
        "ordre" => 5
        "nom" => "2. All of Me"
      ]
      [
        "ordre" => 6
        "nom" => "3. Unchained Melody"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. September Song"
      ]
      [
        "ordre" => 9
        "nom" => "2. On the Sunny Side of the Street"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Moonlight In Vermont"
      ]
      [
        "ordre" => 12
        "nom" => "2. Don’t Get Around Much Anymore"
      ]
      [
        "ordre" => 13
        "nom" => "3. Someone to Watch Over Me"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
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[
  "produit" => App\Entity\Produit {#2117
    -id: 2558
    -nom: "Shotgun Willie (2 LP) 45 RPM"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Willie Nelson's breakthrough solo album !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Before Shotgun Willie, Willie Nelson had struggled to gain widespread recognition as a solo artist, despite having written many successful songs for other artists. Nelson's big break came when he signed with Atlantic Records in 1973. The pivotal moment in his career came after Atlantic Records executive Jerry Wexler, known for his work with artists like Ray Charles and Aretha Franklin, took an interest in Nelson's music. Wexler saw potential in Nelson's unique approach to country music and signed him to the label. With the creative freedom offered by Atlantic Records, Nelson was able to record Shotgun Willie with the artistic freedom he had long desired. The album's unconventional sound and honest lyrics resonated with both critics and fans.\r\n
      \r\n
      Shotgun Willie marked a new beginning for Willie Nelson's career, and it set the stage for his subsequent albums and his emergence as one of the most influential and iconic figures in the history of country music. The recording was one of the first albums of outlaw country a new subgenre of country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time\r\n
      \r\n
      The album the first to feature Nelson with long hair and a beard on the cover gained him the interest of younger audiences. It peaked at No. 41 on Billboard's Top Country Albums and the songs "Shotgun Willie" and "Stay All Night (Stay A Little Longer)" peaked at N° 60 and 22 on Hot Country Songs respectively.\r\n
      \r\n
      We are so pleased to bring you this deluxe 180 gram 45 RPM 2 LP Analogue Productions (Atlantic 75 Series) reissue of the timeless Willie Nelson classic, Shotgun Willie. Cue it up and prepare to be transported !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Willie Nelson (guitar, vocals), Bobbie Nelson (piano), Jody Payne (guitar), Bee Spears (bass), Mickey Raphael (harmonica), Waylon Jennings (vocals), Paul English (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DzVDEUR7mx4"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 045-45"
    -titreMorceau: [
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        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Shotgun Willie"
      ]
      [
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        "nom" => "2. Whiskey River"
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        "nom" => "Side C : "
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      [
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        "nom" => "3. A Song For You"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
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  +produit: App\Entity\Produit {#2117
    -id: 2558
    -nom: "Shotgun Willie (2 LP) 45 RPM"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Willie Nelson's breakthrough solo album !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Before Shotgun Willie, Willie Nelson had struggled to gain widespread recognition as a solo artist, despite having written many successful songs for other artists. Nelson's big break came when he signed with Atlantic Records in 1973. The pivotal moment in his career came after Atlantic Records executive Jerry Wexler, known for his work with artists like Ray Charles and Aretha Franklin, took an interest in Nelson's music. Wexler saw potential in Nelson's unique approach to country music and signed him to the label. With the creative freedom offered by Atlantic Records, Nelson was able to record Shotgun Willie with the artistic freedom he had long desired. The album's unconventional sound and honest lyrics resonated with both critics and fans.\r\n
      \r\n
      Shotgun Willie marked a new beginning for Willie Nelson's career, and it set the stage for his subsequent albums and his emergence as one of the most influential and iconic figures in the history of country music. The recording was one of the first albums of outlaw country a new subgenre of country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time\r\n
      \r\n
      The album the first to feature Nelson with long hair and a beard on the cover gained him the interest of younger audiences. It peaked at No. 41 on Billboard's Top Country Albums and the songs "Shotgun Willie" and "Stay All Night (Stay A Little Longer)" peaked at N° 60 and 22 on Hot Country Songs respectively.\r\n
      \r\n
      We are so pleased to bring you this deluxe 180 gram 45 RPM 2 LP Analogue Productions (Atlantic 75 Series) reissue of the timeless Willie Nelson classic, Shotgun Willie. Cue it up and prepare to be transported !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Willie Nelson (guitar, vocals), Bobbie Nelson (piano), Jody Payne (guitar), Bee Spears (bass), Mickey Raphael (harmonica), Waylon Jennings (vocals), Paul English (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
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    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DzVDEUR7mx4"
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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[
  "produit" => App\Entity\Produit {#2133
    -id: 2171
    -nom: "And Then I Wrote (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Willie Nelson's iconic 1962 debut album! Now a 45 RPM Analogue Productions reissue !\r\n
      ... and then I wrote includes "Crazy," "Hello Walls," "Funny How Time Slips Away" and more !\r\n
      - 180 gram 2 LP vinyl by Quality Record Pressings !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab by Acoustic Sounds from the original analog tape !\r\n
      - Sleeved in a deluxe Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      "Hello Walls", "Crazy", "Funny How Time Slips Away". These are some of the most memorable hits in the Willie Nelson songwriting canon. One of the most important musical artists in American history, a first-name giant like Elvis and Ella, Willie scored these and more hits with his debut album... and then I wrote. (Texas Monthly magazine ranks it N° 4 on their ranked list of all 145 Willie Nelson albums).\r\n
      \r\n
      In 1961 Willie Nelson was finally in Nashville and tasting success after years of scraping by in various locales, on his gift for making heartaches and memories rhyme. Nelson's songs "Crazy", "Hello Walls" and "Funny How Time Slips Away" bcame huge hits for Patsy Cline, Faron Young and Billy Walker, respectively. The royalty checks fat ones were rolling in.\r\n
      \r\n
      But Willie wanted more. These songs were his essence, and he wanted country music fans to know they poured out of his soul. The next fall, in 1962, he debuted his first full-length album with Liberty Records, and called it... and then I wrote. It was perhaps the most accomplished debut album in history.\r\n
      \r\n
      "For many of us born in the six decades since, it's impossible to imagine a world in which these songs didn't exist. If you grew up in Texas, they were likely just about everywhere: at ballgames and cookouts and weddings and funerals, on road trips and the radio and every jukebox you've ever flipped through", writes Texas Monthly.\r\n
      \r\n
      How best to apply the Analogue Productions reissue treatment to such a historic veteran country classic? Well, for starters, there was no doubt this classic deserved the wider-spaced grooves, improved cartridge tracking, and noticable reductions in distortion and high frequency loss that are testament to a 45 RPM four-sided AP reissue. So four glorious sides of 180 gram dead-silent vinyl pressed by our own Quality Record Pressings it would have to be. And the mastering ? Top-notch marks there as well. The capable hands of our engineer Matthew Lutthans at The Mastering Lab by Acoustic Sounds working with the original master tape sounds amazing. The Mastering Lab by Acoustic Sounds upholds the quality standard achieved by the late Grammy-winning mastering engineer Doug Sax that made the brand famous.\r\n
      \r\n
      It wasn't just the songs on the album that ascended to the country canon, including the three previously mentioned hits that appear back-to-back, but the deep cuts like "Mr. Record Man", "Undo the Right", and "Wake Me When It's Over"... and then I wrote isn't just one of the greatest debuts of all time it's one of the best singer-songwriter records ever recorded.\r\n
      \r\n
      The sheen of the Nashville sound on this record is mercifully dialed down. It was produced by the head of Liberty's country division, Joe Allison, partly in Music Row's famous Quonset Hut studio and partly in Hollywood. Allison appreciated Willie's idiosyncratic singing style and kept his vocals out front, dropping the glossy chorus back in the mix and eschewing strings altogether.\r\n
      \r\n
      The album produced one Top Ten single "Touch Me", yet none of the other three singles made the charts. Yet if it were released today, people would mistake it for a Willie's Greatest Hits record. Patsy Cline released her definitive version of "Crazy" in 1961, and in the years since it's been recorded by dozens of artists, from Linda Ronstadt to Chaka Khan to Austin emo band Mineral to, for the first time on this record, Willie himself.\r\n
      \r\n
      It's the song that would take him from poet-picker to a composer worthy of inclusion in the Great American Songbook. The Analogue Productions reissue of... and then I wrote will find its place of honor at the top of the most cherished LPs in your music collection.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Willie Nelson (acoustic guitar, vocals), Billy Strange, Roy Nichol, Johnny Western (guitar), B. J. Baker (backing vocals), Earl Palmer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=AU3qCSi2Wjw"
    -referenceProduit: "Analogue Productions AAPP 133-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Touch Me "
      ]
      [
        "ordre" => 2
        "nom" => "2. Wake Me When It's Over "
      ]
      [
        "ordre" => 3
        "nom" => "3. Hello Walls"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Funny How Time Slips Away "
      ]
      [
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        "nom" => "2. Crazy "
      ]
      [
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        "nom" => "3. The Part Where I Cry"
      ]
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        "nom" => "Side C :"
      ]
      [
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        "nom" => "1. Mr. Record Man "
      ]
      [
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        "nom" => "2. Three Days "
      ]
      [
        "ordre" => 11
        "nom" => "3. One Step Beyond"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Undo the Right "
      ]
      [
        "ordre" => 14
        "nom" => "2. Darkness On the Face of the Earth "
      ]
      [
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        "nom" => "3. Where My House Lives"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
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    }
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      date: 2026-02-01 12:06:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2138 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3380
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2133
    -id: 2171
    -nom: "And Then I Wrote (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Willie Nelson's iconic 1962 debut album! Now a 45 RPM Analogue Productions reissue !\r\n
      ... and then I wrote includes "Crazy," "Hello Walls," "Funny How Time Slips Away" and more !\r\n
      - 180 gram 2 LP vinyl by Quality Record Pressings !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab by Acoustic Sounds from the original analog tape !\r\n
      - Sleeved in a deluxe Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      "Hello Walls", "Crazy", "Funny How Time Slips Away". These are some of the most memorable hits in the Willie Nelson songwriting canon. One of the most important musical artists in American history, a first-name giant like Elvis and Ella, Willie scored these and more hits with his debut album... and then I wrote. (Texas Monthly magazine ranks it N° 4 on their ranked list of all 145 Willie Nelson albums).\r\n
      \r\n
      In 1961 Willie Nelson was finally in Nashville and tasting success after years of scraping by in various locales, on his gift for making heartaches and memories rhyme. Nelson's songs "Crazy", "Hello Walls" and "Funny How Time Slips Away" bcame huge hits for Patsy Cline, Faron Young and Billy Walker, respectively. The royalty checks fat ones were rolling in.\r\n
      \r\n
      But Willie wanted more. These songs were his essence, and he wanted country music fans to know they poured out of his soul. The next fall, in 1962, he debuted his first full-length album with Liberty Records, and called it... and then I wrote. It was perhaps the most accomplished debut album in history.\r\n
      \r\n
      "For many of us born in the six decades since, it's impossible to imagine a world in which these songs didn't exist. If you grew up in Texas, they were likely just about everywhere: at ballgames and cookouts and weddings and funerals, on road trips and the radio and every jukebox you've ever flipped through", writes Texas Monthly.\r\n
      \r\n
      How best to apply the Analogue Productions reissue treatment to such a historic veteran country classic? Well, for starters, there was no doubt this classic deserved the wider-spaced grooves, improved cartridge tracking, and noticable reductions in distortion and high frequency loss that are testament to a 45 RPM four-sided AP reissue. So four glorious sides of 180 gram dead-silent vinyl pressed by our own Quality Record Pressings it would have to be. And the mastering ? Top-notch marks there as well. The capable hands of our engineer Matthew Lutthans at The Mastering Lab by Acoustic Sounds working with the original master tape sounds amazing. The Mastering Lab by Acoustic Sounds upholds the quality standard achieved by the late Grammy-winning mastering engineer Doug Sax that made the brand famous.\r\n
      \r\n
      It wasn't just the songs on the album that ascended to the country canon, including the three previously mentioned hits that appear back-to-back, but the deep cuts like "Mr. Record Man", "Undo the Right", and "Wake Me When It's Over"... and then I wrote isn't just one of the greatest debuts of all time it's one of the best singer-songwriter records ever recorded.\r\n
      \r\n
      The sheen of the Nashville sound on this record is mercifully dialed down. It was produced by the head of Liberty's country division, Joe Allison, partly in Music Row's famous Quonset Hut studio and partly in Hollywood. Allison appreciated Willie's idiosyncratic singing style and kept his vocals out front, dropping the glossy chorus back in the mix and eschewing strings altogether.\r\n
      \r\n
      The album produced one Top Ten single "Touch Me", yet none of the other three singles made the charts. Yet if it were released today, people would mistake it for a Willie's Greatest Hits record. Patsy Cline released her definitive version of "Crazy" in 1961, and in the years since it's been recorded by dozens of artists, from Linda Ronstadt to Chaka Khan to Austin emo band Mineral to, for the first time on this record, Willie himself.\r\n
      \r\n
      It's the song that would take him from poet-picker to a composer worthy of inclusion in the Great American Songbook. The Analogue Productions reissue of... and then I wrote will find its place of honor at the top of the most cherished LPs in your music collection.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Willie Nelson (acoustic guitar, vocals), Billy Strange, Roy Nichol, Johnny Western (guitar), B. J. Baker (backing vocals), Earl Palmer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=AU3qCSi2Wjw"
    -referenceProduit: "Analogue Productions AAPP 133-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Touch Me "
      ]
      [
        "ordre" => 2
        "nom" => "2. Wake Me When It's Over "
      ]
      [
        "ordre" => 3
        "nom" => "3. Hello Walls"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Funny How Time Slips Away "
      ]
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        "ordre" => 6
        "nom" => "2. Crazy "
      ]
      [
        "ordre" => 7
        "nom" => "3. The Part Where I Cry"
      ]
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        "nom" => "Side C :"
      ]
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        "ordre" => 9
        "nom" => "1. Mr. Record Man "
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        "nom" => "2. Three Days "
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        "nom" => "3. One Step Beyond"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Undo the Right "
      ]
      [
        "ordre" => 14
        "nom" => "2. Darkness On the Face of the Earth "
      ]
      [
        "ordre" => 15
        "nom" => "3. Where My House Lives"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
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    }
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[
  "produit" => App\Entity\Produit {#2146
    -id: 1724
    -nom: "Red Headed Stranger"
    -informationComplementaire: null
    -description: """
      - Concept Album Reissued On Vinyl LP !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 237/500 !\r\n
      \r\n
      Willie Nelson's 1975 concept album, with its mystic and religious overtones, broke all of the traditional rules of country music and helped establish Austin, Texas, as ground zero of the "Outlaw" movement ! Nelson's self-financed, surprise double-platinum smash helped him reach by far his largest audience and yielded the N° 1 country single (and Top 20 pop hit) Blues Eyes Crying in the Rain.\r\n
      \r\n
      Willie Nelson has been part of our collective consciousness far longer than his legendary status as a performer. Long before the formally pony-tailed master of song was singing “Stardust”, “Always On My Mind”, and “Blue Eyes Crying In The Rain” (none of which he wrote) Nelson was a master lyricist for some of country music’s greatest stars. Among the hits he wrote are Patsy Cline’s “Crazy”, Roy Orbison’s “Pretty Paper” and the autobiographical “Night Life” for Ray Price.\r\n
      \r\n
      Following the brilliant Phases And Stages Willie’s debut for Columbia is a brilliant concept album (nearly unheard of in country music) based around the song and story of the “Red Headed Stranger”. Although the song had been previously recorded by Eddy Arnold, it was Willie who would take the song to a much higher level by putting together an entire cycle of songs based around the tragic story of the Red Headed Stranger. Nelson’s album is a stunning mix of original and classic songs. Among the highlights are his heart-felt interpretations of “Blue Eyes Crying In The Rain”, “Time Of The Preacher” and “Can I Sleep In Your Arms” by the prolific song writer Hank Cochran.\r\n
      \r\n
      Red Headed Stranger also features Willie’s Family, his band, featuring his sister Bobbie (piano), Jody Payne (guitar, mandolin), the impeccable harmonica of Mickey Raphael, and the ever flawless Billy English on drums. \r\n
      \r\n
      "Newly signed to Columbia, Nelson was feeling ambitious. "It was the first time I had 'artistic control'" he recalled. "So I thought I would just start writing". Nelson had penned the song "Red Headed Stranger" years before; on a drive back to Austin after a Colorado ski trip, he fleshed out the yarn his wife, Connie, writing down the lyrics as they came out of his mouth. He kept the arrangements extremely spare, in sharp contrast to the gussied-up music coming out of Nashville at the time. The songs locked together to tell a tale of murder and infidelity, and the concept album became one of Nelson's biggest hits". - www.rollingstone.com \r\n
      \r\n
      "Nelson had gotten his start writing hits like 'Crazy' for Patsy Cline, but his own breakthrough was a cover of an old country standard written by Rose in 1945 and originally recorded by Roy Acuff. Delivered with Nelson’s jazz-singer phrasing, it’s the beating heart of Red Headed Stranger, his 1975 concept album about love and death in the Old West". - Rolling Stone
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Willie Nelson (guitar, vocals), Jody Payne (guitar, mandolin), Bee Spears (bass), Bobbie Nelson (piano), Mickey Raphael (harmonica), Bucky Meadows (guitar), Paul English, Billy English (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ieFkYPOawro&list=RDieFkYPOawro&start_radio=1"
    -referenceProduit: "Legacy Records 8951"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. Time Of The Preacher"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Couldn't Believe It Was True"
      ]
      [
        "ordre" => 3
        "nom" => "3. Time Of The Preacher Theme"
      ]
      [
        "ordre" => 4
        "nom" => "4. Medley :"
      ]
      [
        "ordre" => 5
        "nom" => "Blue Rock Montana"
      ]
      [
        "ordre" => 6
        "nom" => "Red Headed Stranger"
      ]
      [
        "ordre" => 7
        "nom" => "5. Blue Eyes Crying In The Rain"
      ]
      [
        "ordre" => 8
        "nom" => "6. Red Headed Stranger"
      ]
      [
        "ordre" => 9
        "nom" => "7. Time Of The Preacher Theme"
      ]
      [
        "ordre" => 10
        "nom" => "8. Just As I Am"
      ]
      [
        "ordre" => 11
        "nom" => "Side B : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Denver"
      ]
      [
        "ordre" => 13
        "nom" => "2. O'er The Waves"
      ]
      [
        "ordre" => 14
        "nom" => "3. Down Yonder"
      ]
      [
        "ordre" => 15
        "nom" => "4. Can I Sleep In Your Arms"
      ]
      [
        "ordre" => 16
        "nom" => "5. Remember Me (When The Candle Lights Are Gleaming)"
      ]
      [
        "ordre" => 17
        "nom" => "6. Hands On The Wheel"
      ]
      [
        "ordre" => 18
        "nom" => "7. Bandera"
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
      [
        "ordre" => 21
        "nom" => ""
      ]
      [
        "ordre" => 22
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2148 …}
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    -modifierLe: DateTime @1769947390 {#2144
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-red-headed-stranger-legacy-records-8951"
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App\Twig\Components\GestionPanierFavoriComponents {#3428
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2146
    -id: 1724
    -nom: "Red Headed Stranger"
    -informationComplementaire: null
    -description: """
      - Concept Album Reissued On Vinyl LP !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 237/500 !\r\n
      \r\n
      Willie Nelson's 1975 concept album, with its mystic and religious overtones, broke all of the traditional rules of country music and helped establish Austin, Texas, as ground zero of the "Outlaw" movement ! Nelson's self-financed, surprise double-platinum smash helped him reach by far his largest audience and yielded the N° 1 country single (and Top 20 pop hit) Blues Eyes Crying in the Rain.\r\n
      \r\n
      Willie Nelson has been part of our collective consciousness far longer than his legendary status as a performer. Long before the formally pony-tailed master of song was singing “Stardust”, “Always On My Mind”, and “Blue Eyes Crying In The Rain” (none of which he wrote) Nelson was a master lyricist for some of country music’s greatest stars. Among the hits he wrote are Patsy Cline’s “Crazy”, Roy Orbison’s “Pretty Paper” and the autobiographical “Night Life” for Ray Price.\r\n
      \r\n
      Following the brilliant Phases And Stages Willie’s debut for Columbia is a brilliant concept album (nearly unheard of in country music) based around the song and story of the “Red Headed Stranger”. Although the song had been previously recorded by Eddy Arnold, it was Willie who would take the song to a much higher level by putting together an entire cycle of songs based around the tragic story of the Red Headed Stranger. Nelson’s album is a stunning mix of original and classic songs. Among the highlights are his heart-felt interpretations of “Blue Eyes Crying In The Rain”, “Time Of The Preacher” and “Can I Sleep In Your Arms” by the prolific song writer Hank Cochran.\r\n
      \r\n
      Red Headed Stranger also features Willie’s Family, his band, featuring his sister Bobbie (piano), Jody Payne (guitar, mandolin), the impeccable harmonica of Mickey Raphael, and the ever flawless Billy English on drums. \r\n
      \r\n
      "Newly signed to Columbia, Nelson was feeling ambitious. "It was the first time I had 'artistic control'" he recalled. "So I thought I would just start writing". Nelson had penned the song "Red Headed Stranger" years before; on a drive back to Austin after a Colorado ski trip, he fleshed out the yarn his wife, Connie, writing down the lyrics as they came out of his mouth. He kept the arrangements extremely spare, in sharp contrast to the gussied-up music coming out of Nashville at the time. The songs locked together to tell a tale of murder and infidelity, and the concept album became one of Nelson's biggest hits". - www.rollingstone.com \r\n
      \r\n
      "Nelson had gotten his start writing hits like 'Crazy' for Patsy Cline, but his own breakthrough was a cover of an old country standard written by Rose in 1945 and originally recorded by Roy Acuff. Delivered with Nelson’s jazz-singer phrasing, it’s the beating heart of Red Headed Stranger, his 1975 concept album about love and death in the Old West". - Rolling Stone
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Willie Nelson (guitar, vocals), Jody Payne (guitar, mandolin), Bee Spears (bass), Bobbie Nelson (piano), Mickey Raphael (harmonica), Bucky Meadows (guitar), Paul English, Billy English (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ieFkYPOawro&list=RDieFkYPOawro&start_radio=1"
    -referenceProduit: "Legacy Records 8951"
    -titreMorceau: [
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        "nom" => "1. Time Of The Preacher"
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      [
        "ordre" => 2
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        "ordre" => 3
        "nom" => "3. Time Of The Preacher Theme"
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        "ordre" => 4
        "nom" => "4. Medley :"
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      [
        "ordre" => 5
        "nom" => "Blue Rock Montana"
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      [
        "ordre" => 6
        "nom" => "Red Headed Stranger"
      ]
      [
        "ordre" => 7
        "nom" => "5. Blue Eyes Crying In The Rain"
      ]
      [
        "ordre" => 8
        "nom" => "6. Red Headed Stranger"
      ]
      [
        "ordre" => 9
        "nom" => "7. Time Of The Preacher Theme"
      ]
      [
        "ordre" => 10
        "nom" => "8. Just As I Am"
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      [
        "ordre" => 11
        "nom" => "Side B : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Denver"
      ]
      [
        "ordre" => 13
        "nom" => "2. O'er The Waves"
      ]
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        "nom" => "3. Down Yonder"
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        "ordre" => 15
        "nom" => "4. Can I Sleep In Your Arms"
      ]
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        "nom" => "5. Remember Me (When The Candle Lights Are Gleaming)"
      ]
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        "nom" => "6. Hands On The Wheel"
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        "nom" => "7. Bandera"
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
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    -style: App\Entity\Style {#1492 …}
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    -modifierLe: DateTime @1769947390 {#2144
      date: 2026-02-01 12:03:10.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2154 …}
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    -slug: "vinyles-red-headed-stranger-legacy-records-8951"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

[
  "produit" => App\Entity\Produit {#2162
    -id: 854
    -nom: "My Way"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Willie Nelson (acoustic guitar, vocals), Dean Parks (acoustic & electric guitar), David Piltch (acoustic bass), Mickey Raphael (harmonica), Paul Franklin (steel guitar), Jeff Coffin (alto saxophone), Doug Moffet (baritone saxophone), Denis Solee (tenor saxophone), Barry Green, Chris McDonald (trombone), Mike Haynes, Steve Patrick (trumpet), Alicia Enstrom, Anthony La Marchina, Betsy Lamb, Carole Rabinowitz, Conni Ellisor, David Davidson, Janet Darnall, Karen Winkelmann, Monisa\u{202F}Angell (strings section), Matt Rollings (piano, Wurlitzer electric piano, B‑3 organ), Jay Bellerose (drums).\r\n
      \r\n
      - 2019 Grammy Winner - Best Traditional Pop Vocal Album !\r\n
      - New album covers Sinatra's famed songbook !\r\n
      - Recorded in the tradition of 1978's legendary Stardust and 2016's Grammy Award-winning Summertime : Willie Nelson Sings Gershwin !\r\n
      \r\n
      In the wake of the wonderfully-received album of originals Last Man Standing earlier this year, the ever-prolific Willie Nelson is ready to announce his next project and it's one incredibly close to his heart. Coming September 14, the album is titled My Way and is an album of songs made famous by Frank Sinatra. Willie Nelson and Frank Sinatra are both defining avatars of American popular music. Hearing Willie's freewheeling roadhouse rave-ups and Frank's smoky, cosmopolitan songs, one may assume they sat on different sides of the fence but they had an enduring friendship and great respect for each other's craft.\r\n
      \r\n
      My Way, Willie Nelson's new album, explores his admiration and connection to Sinatra's art and artistry across 11 fresh, intoxicating takes on songs made famous by the Chairman of the Board. Recorded in the tradition of 1978's legendary Stardust and 2016's Grammy Award-winning Summertime: Willie Nelson Sings Gershwin, My Way is a warm and personal nod from one icon to another.\r\n
      \r\n
      Like Sinatra, Willie is a vocalist who imbues every song with a myriad of impressionistic sonic signatures. "I learned a lot about phrasing listening to Frank", Willie said in a 2018 interview. "He didn't worry about behind the beat or in front of the beat, or whatever he could sing it either way, and that's the feel you have to have". Such is the spirit of My Way's smooth approach to timeless tunes such as "Summer Wind", "It Was A Very Good Year", "I'll Be Around", "Fly Me To The Moon", "What Is This Thing Called Love" (cast as a duet with fellow Grammy winner Norah Jones) and, of course, the anthemic "My Way". Add Willie's stalwart backing band, plus lush string and horn arrangements all produced by Grammy winners Buddy Cannon and Matt Rollings and you've got an album that's as cool as it gets.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Willie Nelson (acoustic guitar, vocals), Dean Parks (acoustic & electric guitar), David Piltch (acoustic bass), Mickey Raphael (harmonica), Paul Franklin (steel guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TcbUHJ-j4kE&list=RDTcbUHJ-j4kE&start_radio=1"
    -referenceProduit: "Legacy Records 5118"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. Fly Me To The Moon"
      ]
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        "ordre" => 2
        "nom" => "2. Summer Wind"
      ]
      [
        "ordre" => 3
        "nom" => "3. One For My Baby (And One More For The Road)"
      ]
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        "ordre" => 4
        "nom" => "4. A Foggy Day"
      ]
      [
        "ordre" => 5
        "nom" => "5. It Was A Very Good Year"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Blue Moon"
      ]
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        "ordre" => 8
        "nom" => "2. I'll Be Around"
      ]
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        "ordre" => 9
        "nom" => "3. Night And Day"
      ]
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        "ordre" => 10
        "nom" => "4. What Is This Thing Called Love (with Norah Jones)"
      ]
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        "ordre" => 11
        "nom" => "5. Young At Heart"
      ]
      [
        "ordre" => 12
        "nom" => "6. My Way"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2148 …}
    -style: App\Entity\Style {#1492 …}
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    }
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      date: 2026-02-01 12:02:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2167 …}
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    -slug: "vinyles-my-way-legacy-records-5118"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3476
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2162
    -id: 854
    -nom: "My Way"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Willie Nelson (acoustic guitar, vocals), Dean Parks (acoustic & electric guitar), David Piltch (acoustic bass), Mickey Raphael (harmonica), Paul Franklin (steel guitar), Jeff Coffin (alto saxophone), Doug Moffet (baritone saxophone), Denis Solee (tenor saxophone), Barry Green, Chris McDonald (trombone), Mike Haynes, Steve Patrick (trumpet), Alicia Enstrom, Anthony La Marchina, Betsy Lamb, Carole Rabinowitz, Conni Ellisor, David Davidson, Janet Darnall, Karen Winkelmann, Monisa\u{202F}Angell (strings section), Matt Rollings (piano, Wurlitzer electric piano, B‑3 organ), Jay Bellerose (drums).\r\n
      \r\n
      - 2019 Grammy Winner - Best Traditional Pop Vocal Album !\r\n
      - New album covers Sinatra's famed songbook !\r\n
      - Recorded in the tradition of 1978's legendary Stardust and 2016's Grammy Award-winning Summertime : Willie Nelson Sings Gershwin !\r\n
      \r\n
      In the wake of the wonderfully-received album of originals Last Man Standing earlier this year, the ever-prolific Willie Nelson is ready to announce his next project and it's one incredibly close to his heart. Coming September 14, the album is titled My Way and is an album of songs made famous by Frank Sinatra. Willie Nelson and Frank Sinatra are both defining avatars of American popular music. Hearing Willie's freewheeling roadhouse rave-ups and Frank's smoky, cosmopolitan songs, one may assume they sat on different sides of the fence but they had an enduring friendship and great respect for each other's craft.\r\n
      \r\n
      My Way, Willie Nelson's new album, explores his admiration and connection to Sinatra's art and artistry across 11 fresh, intoxicating takes on songs made famous by the Chairman of the Board. Recorded in the tradition of 1978's legendary Stardust and 2016's Grammy Award-winning Summertime: Willie Nelson Sings Gershwin, My Way is a warm and personal nod from one icon to another.\r\n
      \r\n
      Like Sinatra, Willie is a vocalist who imbues every song with a myriad of impressionistic sonic signatures. "I learned a lot about phrasing listening to Frank", Willie said in a 2018 interview. "He didn't worry about behind the beat or in front of the beat, or whatever he could sing it either way, and that's the feel you have to have". Such is the spirit of My Way's smooth approach to timeless tunes such as "Summer Wind", "It Was A Very Good Year", "I'll Be Around", "Fly Me To The Moon", "What Is This Thing Called Love" (cast as a duet with fellow Grammy winner Norah Jones) and, of course, the anthemic "My Way". Add Willie's stalwart backing band, plus lush string and horn arrangements all produced by Grammy winners Buddy Cannon and Matt Rollings and you've got an album that's as cool as it gets.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Willie Nelson (acoustic guitar, vocals), Dean Parks (acoustic & electric guitar), David Piltch (acoustic bass), Mickey Raphael (harmonica), Paul Franklin (steel guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TcbUHJ-j4kE&list=RDTcbUHJ-j4kE&start_radio=1"
    -referenceProduit: "Legacy Records 5118"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. Fly Me To The Moon"
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        "ordre" => 2
        "nom" => "2. Summer Wind"
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        "ordre" => 3
        "nom" => "3. One For My Baby (And One More For The Road)"
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        "nom" => "1. Blue Moon"
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        "nom" => "2. I'll Be Around"
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        "ordre" => 9
        "nom" => "3. Night And Day"
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        "nom" => "4. What Is This Thing Called Love (with Norah Jones)"
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      [
        "ordre" => 11
        "nom" => "5. Young At Heart"
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      [
        "ordre" => 12
        "nom" => "6. My Way"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
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      date: 2026-02-01 12:02:21.0 UTC (+00:00)
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    -disponible: null
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[
  "produit" => App\Entity\Produit {#2175
    -id: 1971
    -nom: "The Exciting Wilson Pickett"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Wilson Pickett (vocals), Albert "Junior" Lowe, Donald Dunn (bass guitar), Steve Cropper, Jimmy Johnson, Chips Moman, Tommy Cogbill (guitar), Isaac Hayes, Spooner Oldham, Joe Hall (piano), Wayne Jackson, Gene "Bowlegs" Miller (trumpet), Charles "Packy" Axton, Andrew Love, Charles Chalmers (tenor saxophone), Floyd Newman (baritone saxophone),  Roger Hawkins, Al Jackson Jr. (drums).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - R&B, soul singer Wilson Pickett's classic third album !\r\n
      - Features "In the Midnight Hour", "Land of a Thousand Dances" and "Ninety-nine and a Half (Won't Do)" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Matthew Lutthans at Cohearent Audio from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      The Exciting Wilson Pickett, released in 1966, was R&B and soul singer Wilson Pickett's third album, charting at N° 3 on the U.S. Billboard R&B albums chart and N° 21 on the popular albums chart, becoming the highest-charting studio album of Pickett's career.\r\n
      \r\n
      The making of the album saw Pickett end his relationship with Stax Studios in Memphis, Tennessee, where he had cut his early singles, and move to Fame Studios in Muscle Shoals, Alabama, where he would record for the next two years. According to AllMusic, this album firmly established Picket's "stature as a major '60s soul man," launching four major crossover hits.\r\n
      \r\n
      The chart-toppers include "In the Midnight Hour" reached N° 1 on the Billboard R&B singles chart and N° 21 on the pop singles chart. "Land of a Thousand Dances" reached N° 1 and N° 6 respectively, his biggest pop hit. "Ninety-nine and a Half (Won't Do)" reached N° 13 and No. 53. "634-5789 (Soulsville, U.S.A.)", a song which Pickett had not on first hearing liked, reached N° 1 and N° 13.\r\n
      \r\n
      The deeper album cuts hold significant appeal as well and include standards "Something You Got", "Barefootin'" and "Mercy Mercy" as well as several original tunes with Memphis Soul greats Steve Cropper, Eddie Floyd, and David Porter.\r\n
      \r\n
      Mastered by Matthew Lutthans at Cohearent Audio in Los Angeles from the original master tape. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Wilson Pickett (vocals), Albert "Junior" Lowe, Donald Dunn (bass guitar), Steve Cropper, Jimmy Johnson, Chips Moman, Tommy Cogbill (guitar), Isaac Hayes, Spooner Oldham, Joe Hall (piano)..."
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lFhtdJ-CEBU"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 025-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. Land of 1000 Dances "
      ]
      [
        "ordre" => 2
        "nom" => "2. Something You Got "
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      [
        "ordre" => 3
        "nom" => "3. 634-5789 (Soulsville, U.S.A.) "
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      [
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        "nom" => "Side B : "
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        "nom" => "1. Barefootin' "
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      [
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        "nom" => "2. Mercy, Mercy "
      ]
      [
        "ordre" => 7
        "nom" => "3. You're so Fine"
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        "nom" => "1. In the Midnight Hour "
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        "nom" => "2. Ninety-Nine and One-Half (Won't Do) "
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      [
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        "nom" => "3. Danger Zone "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
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      [
        "ordre" => 13
        "nom" => "1. I'm Drifting "
      ]
      [
        "ordre" => 14
        "nom" => "2. It's All Over "
      ]
      [
        "ordre" => 15
        "nom" => "3. She's so Good to Me "
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2177 …}
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    -modifierLe: DateTime @1769946883 {#2173
      date: 2026-02-01 11:54:43.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-the-exciting-wilson-pickett-analogue-productions-atlantic-75-series-025-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3522
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
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  +produit: App\Entity\Produit {#2175
    -id: 1971
    -nom: "The Exciting Wilson Pickett"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Wilson Pickett (vocals), Albert "Junior" Lowe, Donald Dunn (bass guitar), Steve Cropper, Jimmy Johnson, Chips Moman, Tommy Cogbill (guitar), Isaac Hayes, Spooner Oldham, Joe Hall (piano), Wayne Jackson, Gene "Bowlegs" Miller (trumpet), Charles "Packy" Axton, Andrew Love, Charles Chalmers (tenor saxophone), Floyd Newman (baritone saxophone),  Roger Hawkins, Al Jackson Jr. (drums).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - R&B, soul singer Wilson Pickett's classic third album !\r\n
      - Features "In the Midnight Hour", "Land of a Thousand Dances" and "Ninety-nine and a Half (Won't Do)" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Matthew Lutthans at Cohearent Audio from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      The Exciting Wilson Pickett, released in 1966, was R&B and soul singer Wilson Pickett's third album, charting at N° 3 on the U.S. Billboard R&B albums chart and N° 21 on the popular albums chart, becoming the highest-charting studio album of Pickett's career.\r\n
      \r\n
      The making of the album saw Pickett end his relationship with Stax Studios in Memphis, Tennessee, where he had cut his early singles, and move to Fame Studios in Muscle Shoals, Alabama, where he would record for the next two years. According to AllMusic, this album firmly established Picket's "stature as a major '60s soul man," launching four major crossover hits.\r\n
      \r\n
      The chart-toppers include "In the Midnight Hour" reached N° 1 on the Billboard R&B singles chart and N° 21 on the pop singles chart. "Land of a Thousand Dances" reached N° 1 and N° 6 respectively, his biggest pop hit. "Ninety-nine and a Half (Won't Do)" reached N° 13 and No. 53. "634-5789 (Soulsville, U.S.A.)", a song which Pickett had not on first hearing liked, reached N° 1 and N° 13.\r\n
      \r\n
      The deeper album cuts hold significant appeal as well and include standards "Something You Got", "Barefootin'" and "Mercy Mercy" as well as several original tunes with Memphis Soul greats Steve Cropper, Eddie Floyd, and David Porter.\r\n
      \r\n
      Mastered by Matthew Lutthans at Cohearent Audio in Los Angeles from the original master tape. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Wilson Pickett (vocals), Albert "Junior" Lowe, Donald Dunn (bass guitar), Steve Cropper, Jimmy Johnson, Chips Moman, Tommy Cogbill (guitar), Isaac Hayes, Spooner Oldham, Joe Hall (piano)..."
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lFhtdJ-CEBU"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 025-45"
    -titreMorceau: [
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      [
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        "nom" => "2. It's All Over "
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        "nom" => "3. She's so Good to Me "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2177 …}
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    -modifierLe: DateTime @1769946883 {#2173
      date: 2026-02-01 11:54:43.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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[
  "produit" => App\Entity\Produit {#2191
    -id: 2696
    -nom: "Smokin' At The Half Note"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      "Wes Montgomery remains one of the undisputed greats of Modern Jazz guitar. To hear the man at his best is to luxuriate in the elevated energies of 'Smokin’ at the Half Note,' an LP co-billing him with the impeccable trio of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb. That set has been freshly reissued in Verve/UMe’s Acoustic Sound Series, and for consumers of vinyl with a passion for post-bop jazz, its acquisition is absolutely essential". - Joseph Neff, The Vinyl District, May 16, 2023. Read the entire review here.\r\n
      \r\n
      This important historic jazz record pairs guitar virtuoso Wes Montgomery with Miles Davis' rhythm section featuring Paul Chambers on bass, Jimmy Cobb on drums and Wynton Kelly on piano.\r\n
      \r\n
      This is timeless music that has inspired innumerable jazz guitarists and aficionados. In fact, jazz guitar great Pat Metheny has said, "I learned to play listening to Wes Montgomery's Smokin' At The Half Note". Metheny additionally said that the solo on "If You Could See Me Now" is his favorite of all time.\r\n
      \r\n
      This legendary session was recorded at a New York nightclub. It captures Montgomery at the height of his improvisational powers. Many consider it the best performance on record by one of the most inventive guitarists in jazz history.\r\n
      \r\n
      Highlights include the Miles Davis opener, "No Blues" and the following track, Tadd Dameron's "If You Could See Me Now". And the album's versions of "Unit 7" and "Four On Six" have helped to establish these songs as jazz standards.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Wynton Kelly (piano), Wes Montgomery (guitar), Paul Chambers (bass), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4TeENJhJh0w&list=RD4TeENJhJh0w&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series Verve  2901"
    -titreMorceau: [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2193 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3573
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  +produit: App\Entity\Produit {#2191
    -id: 2696
    -nom: "Smokin' At The Half Note"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      "Wes Montgomery remains one of the undisputed greats of Modern Jazz guitar. To hear the man at his best is to luxuriate in the elevated energies of 'Smokin’ at the Half Note,' an LP co-billing him with the impeccable trio of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb. That set has been freshly reissued in Verve/UMe’s Acoustic Sound Series, and for consumers of vinyl with a passion for post-bop jazz, its acquisition is absolutely essential". - Joseph Neff, The Vinyl District, May 16, 2023. Read the entire review here.\r\n
      \r\n
      This important historic jazz record pairs guitar virtuoso Wes Montgomery with Miles Davis' rhythm section featuring Paul Chambers on bass, Jimmy Cobb on drums and Wynton Kelly on piano.\r\n
      \r\n
      This is timeless music that has inspired innumerable jazz guitarists and aficionados. In fact, jazz guitar great Pat Metheny has said, "I learned to play listening to Wes Montgomery's Smokin' At The Half Note". Metheny additionally said that the solo on "If You Could See Me Now" is his favorite of all time.\r\n
      \r\n
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      \r\n
      Highlights include the Miles Davis opener, "No Blues" and the following track, Tadd Dameron's "If You Could See Me Now". And the album's versions of "Unit 7" and "Four On Six" have helped to establish these songs as jazz standards.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
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[
  "produit" => App\Entity\Produit {#2212
    -id: 2782
    -nom: "Tchaikovsky - The Seasons"
    -informationComplementaire: null
    -description: """
      Yunchan Lim "Tchaikovsky - The Seasons" !\r\n
      \r\n
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      \r\n
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      """
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App\Twig\Components\GestionPanierFavoriComponents {#3624
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[
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    -id: 2423
    -nom: "Eastern Sounds"
    -informationComplementaire: null
    -description: """
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      \r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      \r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
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      - Presented in tip-on jackets with OBI strip !\r\n
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      \r\n
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      """
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3675
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      Its goal was simple: to reissue influential jazz albums with the utmost care and reverence for the originals from the cover art and liner notes to the audio recordings themselves. Given Craft Recordings' shared passion for meticulous preservation and quality, it is a natural step to relaunch Original Jazz Classics as part of the Craft family.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Yusef Lateef (tenor saxophone, oboe, flute), Barry Harris (piano), Ernie Farrow (bass, rabat), Lex Humphries (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=njYOB_2cNFY"
    -referenceProduit: "Concord Craft Recordings CR 00615"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Plum Blossom "
      ]
      [
        "ordre" => 2
        "nom" => "2. Blues For The Orient "
      ]
      [
        "ordre" => 3
        "nom" => "3. Ching Miau "
      ]
      [
        "ordre" => 4
        "nom" => "4. Don’t Blame Me "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Love Theme From Spartacus "
      ]
      [
        "ordre" => 7
        "nom" => "2. Snafu "
      ]
      [
        "ordre" => 8
        "nom" => "3. Purple Flower "
      ]
      [
        "ordre" => 9
        "nom" => "4. Love Theme From Robe "
      ]
      [
        "ordre" => 10
        "nom" => "5. The Three Faces Of Balal"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2235 …}
    -label: Proxies\__CG__\App\Entity\Label {#2238 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2247 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2240 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2242 …}
    -enregistreLe: DateTime @1684218890 {#2229
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    }
    -modifierLe: DateTime @1769941585 {#2228
      date: 2026-02-01 10:26:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2244 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eastern-sounds-concord-craft-recordings-cr-00615"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

[
  "produit" => App\Entity\Produit {#2252
    -id: 2841
    -nom: "Jazz Mood"
    -informationComplementaire: null
    -description: """
      Original Jazz Classic Series Reissue of Yusef Lateef's Jazz Mood on 180g LP. Cut from the Original Master Tapes (AAA) by Kevin Gray at Cohearent Audio and Pressed at RTI.\r\n
      The debut album from jazz multi-instrumentalist Yusef Lateef, Jazz Mood was originally released in 1957 on New Jersey's Savoy label. Featuring five Lateef originals the album included Curtis Fuller (trombone), Hugh Lawson (piano), Ernie Farrow (bass), and Louis Hayes (drums).\r\n
      \r\n
      This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Yusef Lateef (tenor saxophone, flute, argol, scraper), Curtis Fuller (trombone, tambourine, finger cymbals), Hugh Lawson (piano Ernie), Farrow (bass), Rabat Louis Hayes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WFzSKNCPzRY&list=RDWFzSKNCPzRY&start_radio=1"
    -referenceProduit: "Concord Craft Recordings 0866"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "ordre" => 1
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      [
        "ordre" => 2
        "nom" => "2. Yusef's Mood"
      ]
      [
        "ordre" => 3
        "nom" => "3. The Beginning"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Morning"
      ]
      [
        "ordre" => 6
        "nom" => "2. Blues In Space"
      ]
      [
        "ordre" => 7
        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2235 …}
    -label: Proxies\__CG__\App\Entity\Label {#2238 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2260 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2253 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2255 …}
    -enregistreLe: DateTime @1758403865 {#2249
      date: 2025-09-20 21:31:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769941537 {#2250
      date: 2026-02-01 10:25:37.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2257 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-jazz-mood-concord-craft-recordings-0866"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3728
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2252
    -id: 2841
    -nom: "Jazz Mood"
    -informationComplementaire: null
    -description: """
      Original Jazz Classic Series Reissue of Yusef Lateef's Jazz Mood on 180g LP. Cut from the Original Master Tapes (AAA) by Kevin Gray at Cohearent Audio and Pressed at RTI.\r\n
      The debut album from jazz multi-instrumentalist Yusef Lateef, Jazz Mood was originally released in 1957 on New Jersey's Savoy label. Featuring five Lateef originals the album included Curtis Fuller (trombone), Hugh Lawson (piano), Ernie Farrow (bass), and Louis Hayes (drums).\r\n
      \r\n
      This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Yusef Lateef (tenor saxophone, flute, argol, scraper), Curtis Fuller (trombone, tambourine, finger cymbals), Hugh Lawson (piano Ernie), Farrow (bass), Rabat Louis Hayes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WFzSKNCPzRY&list=RDWFzSKNCPzRY&start_radio=1"
    -referenceProduit: "Concord Craft Recordings 0866"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "ordre" => 1
        "nom" => "1. Metaphor"
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      [
        "ordre" => 2
        "nom" => "2. Yusef's Mood"
      ]
      [
        "ordre" => 3
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        "nom" => ""
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        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2235 …}
    -label: Proxies\__CG__\App\Entity\Label {#2238 …}
    -style: App\Entity\Style {#1502 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2255 …}
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    }
    -modifierLe: DateTime @1769941537 {#2250
      date: 2026-02-01 10:25:37.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2257 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-jazz-mood-concord-craft-recordings-0866"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

[
  "produit" => App\Entity\Produit {#2269
    -id: 2854
    -nom: "Tommy - Half-Speed Mastered"
    -informationComplementaire: null
    -description: """
      - Limited edition reissue !\r\n
      - Mastered by long-time Who engineer Jon Astley at Close To the Edge !\r\n
      - Cut for vinyl by Miles Showell at Abbey Road Studios at half-speed for superior sound !\r\n
      - Packaged in a reproduced original jacket with obi strips and an Abbey Road Studios Half-Speed Mastering Certificate !\r\n
      \r\n
      The Who's Tommy 1969 concept album is a full-blown rock opera about a deaf, dumb and blind boy that launched the band to international superstardom and recognizing them as a serious "albums band". It regularly turns up on lists of the most influential albums of all time.\r\n
      \r\n
      Originally banned by the BBC and by some U.S. radio stations, the underlying child abuse and molestation theme in the tale of the "deaf, dumb and blind" Tommy Walker was a startling, darker side to the former mod-rockers from Shepherds Bush. The album peaked at N° 4 on the Billboard chart. Townshend proved to himself and the world he could still attempt such libretto and still rock. It spawned such Who staples as "Pinball Wizard", "The Acid Queen", "I'm Free" and "We're Not Gonna Take It / See Me, Feel Me".
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Roger Daltrey (vocals), Pete Townshend (guitar, vocals), John Entwistle (bass), Keith Moon (drums, percussions), Paul Townshend, Simon Townshend (chœurs)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QhNawCtaffw&list=OLAK5uy_mE7mv6Mr5CZxclWLHAf4o-g-alrFcXjN4&index=2"
    -referenceProduit: "Polydor Records 9988"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Overture"
      ]
      [
        "ordre" => 2
        "nom" => "2. It's a Boy"
      ]
      [
        "ordre" => 3
        "nom" => "3. 1921"
      ]
      [
        "ordre" => 4
        "nom" => "4. Amazing Journey"
      ]
      [
        "ordre" => 5
        "nom" => "5. Sparks"
      ]
      [
        "ordre" => 6
        "nom" => "6. Eyesight for the Blind (The Hawker)"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Christmas"
      ]
      [
        "ordre" => 9
        "nom" => "2. Cousin Kevin"
      ]
      [
        "ordre" => 10
        "nom" => "3. The Acid Queen 4. Underture"
      ]
      [
        "ordre" => 11
        "nom" => "Side C :"
      ]
      [
        "ordre" => 12
        "nom" => "1. Do You Think It's Alright ?"
      ]
      [
        "ordre" => 13
        "nom" => "2. Fiddle About"
      ]
      [
        "ordre" => 14
        "nom" => "3. Pinball Wizard"
      ]
      [
        "ordre" => 15
        "nom" => "4. There's a Doctor"
      ]
      [
        "ordre" => 16
        "nom" => "5. Go to the Mirror !"
      ]
      [
        "ordre" => 17
        "nom" => "6. Tommy, Can You Hear Me ?"
      ]
      [
        "ordre" => 18
        "nom" => "7. Smash the Mirror"
      ]
      [
        "ordre" => 19
        "nom" => "8. Sensation"
      ]
      [
        "ordre" => 20
        "nom" => "Side D : "
      ]
      [
        "ordre" => 21
        "nom" => "1. Miracle Cure"
      ]
      [
        "ordre" => 22
        "nom" => "2. Sally Simpson"
      ]
      [
        "ordre" => 23
        "nom" => "3. I'm Free"
      ]
      [
        "ordre" => 24
        "nom" => "4. Welcome"
      ]
      [
        "ordre" => 25
        "nom" => "5. Tommy's Holiday Camp"
      ]
      [
        "ordre" => 26
        "nom" => "6. We're Not Gonna Take It"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2271 …}
    -label: Proxies\__CG__\App\Entity\Label {#2274 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2283 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2276 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2278 …}
    -enregistreLe: DateTime @1758956902 {#2262
      date: 2025-09-27 07:08:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769941411 {#2263
      date: 2026-02-01 10:23:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2280 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tommy-half-speed-mastered-polydor-records-9988"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3774
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2269
    -id: 2854
    -nom: "Tommy - Half-Speed Mastered"
    -informationComplementaire: null
    -description: """
      - Limited edition reissue !\r\n
      - Mastered by long-time Who engineer Jon Astley at Close To the Edge !\r\n
      - Cut for vinyl by Miles Showell at Abbey Road Studios at half-speed for superior sound !\r\n
      - Packaged in a reproduced original jacket with obi strips and an Abbey Road Studios Half-Speed Mastering Certificate !\r\n
      \r\n
      The Who's Tommy 1969 concept album is a full-blown rock opera about a deaf, dumb and blind boy that launched the band to international superstardom and recognizing them as a serious "albums band". It regularly turns up on lists of the most influential albums of all time.\r\n
      \r\n
      Originally banned by the BBC and by some U.S. radio stations, the underlying child abuse and molestation theme in the tale of the "deaf, dumb and blind" Tommy Walker was a startling, darker side to the former mod-rockers from Shepherds Bush. The album peaked at N° 4 on the Billboard chart. Townshend proved to himself and the world he could still attempt such libretto and still rock. It spawned such Who staples as "Pinball Wizard", "The Acid Queen", "I'm Free" and "We're Not Gonna Take It / See Me, Feel Me".
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Roger Daltrey (vocals), Pete Townshend (guitar, vocals), John Entwistle (bass), Keith Moon (drums, percussions), Paul Townshend, Simon Townshend (chœurs)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QhNawCtaffw&list=OLAK5uy_mE7mv6Mr5CZxclWLHAf4o-g-alrFcXjN4&index=2"
    -referenceProduit: "Polydor Records 9988"
    -titreMorceau: [
      [
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        "nom" => "Side A :"
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        "ordre" => 1
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      ]
      [
        "ordre" => 2
        "nom" => "2. It's a Boy"
      ]
      [
        "ordre" => 3
        "nom" => "3. 1921"
      ]
      [
        "ordre" => 4
        "nom" => "4. Amazing Journey"
      ]
      [
        "ordre" => 5
        "nom" => "5. Sparks"
      ]
      [
        "ordre" => 6
        "nom" => "6. Eyesight for the Blind (The Hawker)"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Christmas"
      ]
      [
        "ordre" => 9
        "nom" => "2. Cousin Kevin"
      ]
      [
        "ordre" => 10
        "nom" => "3. The Acid Queen 4. Underture"
      ]
      [
        "ordre" => 11
        "nom" => "Side C :"
      ]
      [
        "ordre" => 12
        "nom" => "1. Do You Think It's Alright ?"
      ]
      [
        "ordre" => 13
        "nom" => "2. Fiddle About"
      ]
      [
        "ordre" => 14
        "nom" => "3. Pinball Wizard"
      ]
      [
        "ordre" => 15
        "nom" => "4. There's a Doctor"
      ]
      [
        "ordre" => 16
        "nom" => "5. Go to the Mirror !"
      ]
      [
        "ordre" => 17
        "nom" => "6. Tommy, Can You Hear Me ?"
      ]
      [
        "ordre" => 18
        "nom" => "7. Smash the Mirror"
      ]
      [
        "ordre" => 19
        "nom" => "8. Sensation"
      ]
      [
        "ordre" => 20
        "nom" => "Side D : "
      ]
      [
        "ordre" => 21
        "nom" => "1. Miracle Cure"
      ]
      [
        "ordre" => 22
        "nom" => "2. Sally Simpson"
      ]
      [
        "ordre" => 23
        "nom" => "3. I'm Free"
      ]
      [
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        "nom" => "4. Welcome"
      ]
      [
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        "nom" => "5. Tommy's Holiday Camp"
      ]
      [
        "ordre" => 26
        "nom" => "6. We're Not Gonna Take It"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2271 …}
    -label: Proxies\__CG__\App\Entity\Label {#2274 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2283 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2276 …}
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    }
    -modifierLe: DateTime @1769941411 {#2263
      date: 2026-02-01 10:23:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2280 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tommy-half-speed-mastered-polydor-records-9988"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3975
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3976 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4024 …}
  +isValidated: false
  +validatedFields: []
}