Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2597
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2444 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2674
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2677 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2676 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2444 …}
  -formView: Symfony\Component\Form\FormView {#2713 …}
  -form: Symfony\Component\Form\Form {#2863 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1894
    -id: 978
    -nom: "Mouth Harp Blues"
    -informationComplementaire: null
    -description: """
      Shakey Jake - Mouth Harp Blues The late James Harris earned the moniker "Shakey Jake" due to his proficiency at dice, but he was equally adept at the blues game. The Arkansas-born, Chicago-based singer and harmonica blower traveled to Rudy Van Gelder's New Jersey studio in November 1960 to record this, his second album for the Bluesville label. Jake brought along Jimmie Lee Robinson, the brilliant, fast-fingered guitarist best known for his work with Little Walter's band. Also making tasty contributions to the session was Robert Banks, the New York R&B and gospel studio organist who, in this case, ably appointed himself as a two-fisted blues piano stylist. Among the 10 selections is the distinctively loping "Easy Baby," a tune also associated with Jake's nephew Magic Sam. \r\n
      \r\n
      Guitarist Jimmie Lee Robinson, who died in 2002, was the soul of Acoustic Sounds' own APO Records. He was the first to record at Blue Heaven Studios, having made three records (one still unreleased) in the converted church, and he was there several more times to perform. A Chicago native and lifelong resident, Robinson began playing guitar in the open-air market on Maxwell Street in 1942 with the likes of Big Bill Broonzy and Robert Nighthawk. He later teamed with Freddie King for a four-year partnership and went on to play guitar and bass with Little Walter, Howlin' Wolf, Eddie Taylor, Elmore James, Jimmy Rogers, Jimmy Reed, Magic Sam and of course Shakey Jake.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "James "Shakey Jake" Harris (harmonica, vocals), Jimmie Lee (guitar), Robert Banks (piano), Leonard Gaskin (bass), Junior Blackmon (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_-xsmL6GK6Y"
    -referenceProduit: "Analogue Productions AAPP 1027-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Mouth Harp Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Love My Baby"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Jake's Cha Cha"
      ]
      [
        "ordre" => 5
        "nom" => "2. Gimme A Smile"
      ]
      [
        "ordre" => 6
        "nom" => "3. My Broken Heart"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Angry Lover"
      ]
      [
        "ordre" => 9
        "nom" => "2. Things Is Alright"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Easy Baby"
      ]
      [
        "ordre" => 12
        "nom" => "2. Things Are Different Baby"
      ]
      [
        "ordre" => 13
        "nom" => "3. It Won't Happen Again"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1970 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1508 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1973 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2059 …}
    -enregistreLe: DateTime @1468738827 {#1949
      date: 2016-07-17 07:00:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765112665 {#1942
      date: 2025-12-07 13:04:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2065 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mouth-harp-blues-analogue-productions-aapp-1027-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3135
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2676 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#1894
    -id: 978
    -nom: "Mouth Harp Blues"
    -informationComplementaire: null
    -description: """
      Shakey Jake - Mouth Harp Blues The late James Harris earned the moniker "Shakey Jake" due to his proficiency at dice, but he was equally adept at the blues game. The Arkansas-born, Chicago-based singer and harmonica blower traveled to Rudy Van Gelder's New Jersey studio in November 1960 to record this, his second album for the Bluesville label. Jake brought along Jimmie Lee Robinson, the brilliant, fast-fingered guitarist best known for his work with Little Walter's band. Also making tasty contributions to the session was Robert Banks, the New York R&B and gospel studio organist who, in this case, ably appointed himself as a two-fisted blues piano stylist. Among the 10 selections is the distinctively loping "Easy Baby," a tune also associated with Jake's nephew Magic Sam. \r\n
      \r\n
      Guitarist Jimmie Lee Robinson, who died in 2002, was the soul of Acoustic Sounds' own APO Records. He was the first to record at Blue Heaven Studios, having made three records (one still unreleased) in the converted church, and he was there several more times to perform. A Chicago native and lifelong resident, Robinson began playing guitar in the open-air market on Maxwell Street in 1942 with the likes of Big Bill Broonzy and Robert Nighthawk. He later teamed with Freddie King for a four-year partnership and went on to play guitar and bass with Little Walter, Howlin' Wolf, Eddie Taylor, Elmore James, Jimmy Rogers, Jimmy Reed, Magic Sam and of course Shakey Jake.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "James "Shakey Jake" Harris (harmonica, vocals), Jimmie Lee (guitar), Robert Banks (piano), Leonard Gaskin (bass), Junior Blackmon (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_-xsmL6GK6Y"
    -referenceProduit: "Analogue Productions AAPP 1027-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Mouth Harp Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Love My Baby"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Jake's Cha Cha"
      ]
      [
        "ordre" => 5
        "nom" => "2. Gimme A Smile"
      ]
      [
        "ordre" => 6
        "nom" => "3. My Broken Heart"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Angry Lover"
      ]
      [
        "ordre" => 9
        "nom" => "2. Things Is Alright"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Easy Baby"
      ]
      [
        "ordre" => 12
        "nom" => "2. Things Are Different Baby"
      ]
      [
        "ordre" => 13
        "nom" => "3. It Won't Happen Again"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1970 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1508 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1973 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2059 …}
    -enregistreLe: DateTime @1468738827 {#1949
      date: 2016-07-17 07:00:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765112665 {#1942
      date: 2025-12-07 13:04:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2065 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mouth-harp-blues-analogue-productions-aapp-1027-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2444 …}
}

[
  "produit" => App\Entity\Produit {#2088
    -id: 480
    -nom: "Body And Soul"
    -informationComplementaire: null
    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Small jazz groups brought out the best in Billie Holiday especially groups as good as the one heard on this classic 1957 recording. Ben Webster, Harry "Sweets" Edison and the other members of this stellar ensemble were not just gifted soloists but sensitive accompanists as well. Lady Day was rarely more ably supported than she was on this program of sturdy standards, including three gems by the Gershwin brothers -and she rarely sounded more luminous.\r\n
      \r\n
       Originally released in 1957.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1931 …}
    -musicienOrchestre: "Billie Holiday (vocals),? Ben Webster (tenor sax),? Harry "Sweets" Edision (trumpet),? Jimmy Rowles (piano), ?Barney Kessel (guitar), ?Red Mitchell (bass), Alvin Stoller &?Larry Bunker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1185 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=c4cbyvMr8ZE"
    -referenceProduit: "Analogue Productions AVRJ 8197-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Body And Soul"
      ]
      [
        "ordre" => 2
        "nom" => "2. They Can't Take That Away From Me"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Darn That Dream"
      ]
      [
        "ordre" => 5
        "nom" => "2. Let's Call The Whole Thing Off"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Comes Love"
      ]
      [
        "ordre" => 8
        "nom" => "2. Gee, Baby, Ain't I Good To You"
      ]
      [
        "ordre" => 9
        "nom" => "Side D :"
      ]
      [
        "ordre" => 10
        "nom" => "1. Embraceable You"
      ]
      [
        "ordre" => 11
        "nom" => "2. Moonlight In Vermont"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2090 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2099 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2092 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2094 …}
    -enregistreLe: DateTime @1322947752 {#2085
      date: 2011-12-03 21:29:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764930064 {#2086
      date: 2025-12-05 10:21:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2096 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-body-and-soul-analogue-productions-avrj-8197-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3249
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2676 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2088
    -id: 480
    -nom: "Body And Soul"
    -informationComplementaire: null
    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Small jazz groups brought out the best in Billie Holiday especially groups as good as the one heard on this classic 1957 recording. Ben Webster, Harry "Sweets" Edison and the other members of this stellar ensemble were not just gifted soloists but sensitive accompanists as well. Lady Day was rarely more ably supported than she was on this program of sturdy standards, including three gems by the Gershwin brothers -and she rarely sounded more luminous.\r\n
      \r\n
       Originally released in 1957.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1931 …}
    -musicienOrchestre: "Billie Holiday (vocals),? Ben Webster (tenor sax),? Harry "Sweets" Edision (trumpet),? Jimmy Rowles (piano), ?Barney Kessel (guitar), ?Red Mitchell (bass), Alvin Stoller &?Larry Bunker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1185 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=c4cbyvMr8ZE"
    -referenceProduit: "Analogue Productions AVRJ 8197-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Body And Soul"
      ]
      [
        "ordre" => 2
        "nom" => "2. They Can't Take That Away From Me"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Darn That Dream"
      ]
      [
        "ordre" => 5
        "nom" => "2. Let's Call The Whole Thing Off"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Comes Love"
      ]
      [
        "ordre" => 8
        "nom" => "2. Gee, Baby, Ain't I Good To You"
      ]
      [
        "ordre" => 9
        "nom" => "Side D :"
      ]
      [
        "ordre" => 10
        "nom" => "1. Embraceable You"
      ]
      [
        "ordre" => 11
        "nom" => "2. Moonlight In Vermont"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2090 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2099 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2092 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2094 …}
    -enregistreLe: DateTime @1322947752 {#2085
      date: 2011-12-03 21:29:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764930064 {#2086
      date: 2025-12-05 10:21:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2096 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-body-and-soul-analogue-productions-avrj-8197-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2444 …}
}

[
  "produit" => App\Entity\Produit {#2104
    -id: 1037
    -nom: "Texas Flood"
    -informationComplementaire: null
    -description: """
      - Mastered from the original analog tapes by Ryan K. Smith at Sterling Sound !\r\n
      - Cut at 45 RPM, 180 gram pressing by Quality Record Pressings !\r\n
      \r\n
      "The new remastering sounds amazing. Better than it ever did. I'm happy and pleasantly surprised". - Chris "Whipper" Layton\r\n
      \r\n
      The 45 RPM Analogue Productions reissue of Stevie Ray Vaughan's Texas Flood is so good, as are its 45 RPM companions - Couldn't Stand The Weather and Soul To Soul - that they truly represent what Gregg Geller, producer and A&R representative described as "the best replication of the master tapes to date".\r\n
      \r\n
      We've already brought you the 33 1/3 RPM box set Texas Hurricane featuring the greatest Stevie Ray Vaughan tribute ever reissued - six of Vaughan's most classic album titles remastered for ultimate blues and guitar fanatics. We've now taken the extra step and done 45 RPM versions of these three standout LPs.\r\n
      \r\n
      We've used the original 30 inches-per-second, half-inch analog master tapes for all of these albums. Ryan K. Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at our Quality Record Pressings, maker of the world's finest-sounding LPs. \r\n
      \r\n
      Stevie Ray Vaughan's 1983 debut album, Texas Flood, was a phenomenal success, climbing into the Top 40 and spending over half a year on the charts, which was practically unheard of for a blues recording. The record plays like a dynamite club show, filled with crowd-pleasing originals and covers, all performed with unbridled enthusiasm. Texas Flood was certified gold on August 13, 1990, and certified platinum on January 22, 1992.\r\n
      \r\n
      There's not a link in this production chain that wasn't absolute first-rate. The absolute best that money can buy.\r\n
      \r\n
      But beyond that we've poured our passion into this project. Acoustic Sounds is a big fan of the blues and Stevie Ray Vaughan. It's a big dream come true to work on this project and to make these records sound and look the best they ever have.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1931 …}
    -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Tommy Shannon (bass), Chris Layton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=m3159YIe2OU"
    -referenceProduit: "Analogue Productions AAPP 096-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Love Struck Baby "
      ]
      [
        "ordre" => 2
        "nom" => "2. Pride and Joy "
      ]
      [
        "ordre" => 3
        "nom" => "3. Texas Flood "
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Tell Me "
      ]
      [
        "ordre" => 6
        "nom" => "2. Testify "
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Rude Mood "
      ]
      [
        "ordre" => 9
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      - Mastered from the original analog tapes by Ryan K. Smith at Sterling Sound !\r\n
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      \r\n
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      \r\n
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      \r\n
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      \r\n
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      \r\n
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      \r\n
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      \r\n
      But beyond that we've poured our passion into this project. Acoustic Sounds is a big fan of the blues and Stevie Ray Vaughan. It's a big dream come true to work on this project and to make these records sound and look the best they ever have.
      """
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    -id: 2501
    -nom: "Know What I Mean ?"
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    -description: """
      - Cannonball Adderley with Bill Evans "Know What I Mean ?" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP pressed at RTI !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes !\r\n
      - Praise for our Riverside Recordings LP Box Set from Analogue Productions !\r\n
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      \r\n
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      \r\n
      In a remarkable display of their musical range and sensitivity, the buoyant alto sax of Cannonball Adderley and introspective piano of Bill Evans move effortlessly toward a middle ground here that shows both to great advantage. Recorded in 1961, the sound quality of these master tapes is breathtaking: a real audiophile dream disc! Featuring Percy Heath on bass and Connie Kay on drums.\r\n
      \r\n
      Originally released in 1961.
      """
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        "nom" => "8. Know What I Mean ? (re-take 7)"
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    ]
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    -id: 2501
    -nom: "Know What I Mean ?"
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    -description: """
      - Cannonball Adderley with Bill Evans "Know What I Mean ?" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP pressed at RTI !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes !\r\n
      - Praise for our Riverside Recordings LP Box Set from Analogue Productions !\r\n
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      \r\n
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      \r\n
      In a remarkable display of their musical range and sensitivity, the buoyant alto sax of Cannonball Adderley and introspective piano of Bill Evans move effortlessly toward a middle ground here that shows both to great advantage. Recorded in 1961, the sound quality of these master tapes is breathtaking: a real audiophile dream disc! Featuring Percy Heath on bass and Connie Kay on drums.\r\n
      \r\n
      Originally released in 1961.
      """
    -prixVente: "99.50"
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      ]
    ]
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[
  "produit" => App\Entity\Produit {#2136
    -id: 2028
    -nom: "Everybody Digs Bill Evan"
    -informationComplementaire: null
    -description: """
      - Bill Evans "Everybody Digs Bill Evans" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes !\r\n
      - Praise for our Riverside Recordings LP Box Set from Analogue Productions !\r\n
      \r\n
      "These are, for the most part, extraordinary-sounding recordings, better than any you're likely to find. If you love the music, you should consider the purchase". - Fred Kaplan, Stereophile, Nov. 1, 2017\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception... The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out!" Myles Astor, Positive-Feedback Online, Issue 34\r\n
      \r\n
      Of everything Analogue Productions has reissued, few titles have sparked the accolades accorded our 45 RPM versions of Bill Evans titles from his Riverside catalog. Now, we're breaking the titles out from that terrific set for individual sale. These are the audiophile jazz fan's definitive releases for your collection ! \r\n
      \r\n
      The legend of Bill Evans really begins with this album, his second. The pianist had just spent most of 1958 as part of one of the major units in jazz history : The Miles Davis Sextet that also featured John Coltrane and Cannonball Adderley. His fellow musicians already knew his worth (the album title was almost literally accurate, and the four endorsements on the cover, which embarrassed Bill, could easily have been greatly multiplied). With this record, the jazz public began to follow their lead.\r\n
      \r\n
      Here, joined by bassist Sam Jones and drummer Philly Joe Jones, Evans delivers some of his most fluid, swinging trio performances elegant, lyrical, and rhythmically alive. Yet it's the solo improvisation "Peace Piece" that forever marked his arrival. Built on two hypnotic chords, it unfolds with a quiet intensity that feels both spontaneous and transcendent a glimpse into the meditative, deeply personal world Evans would explore for the rest of his career.\r\n
      \r\n
      For collectors, Everybody Digs Bill Evans captures that pivotal moment when a brilliant accompanist became an icon in his own right. It's the bridge between promise and legend, a record that doesn't just showcase Evans' genius it invites you into it.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Bill Evans (piano), Sam Jones (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=3Ny3xNW28lA&list=RD3Ny3xNW28lA&start_radio=1"
    -referenceProduit: "Analogue Productions AJAZ 1129"
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3402
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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    -id: 2028
    -nom: "Everybody Digs Bill Evan"
    -informationComplementaire: null
    -description: """
      - Bill Evans "Everybody Digs Bill Evans" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes !\r\n
      - Praise for our Riverside Recordings LP Box Set from Analogue Productions !\r\n
      \r\n
      "These are, for the most part, extraordinary-sounding recordings, better than any you're likely to find. If you love the music, you should consider the purchase". - Fred Kaplan, Stereophile, Nov. 1, 2017\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception... The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out!" Myles Astor, Positive-Feedback Online, Issue 34\r\n
      \r\n
      Of everything Analogue Productions has reissued, few titles have sparked the accolades accorded our 45 RPM versions of Bill Evans titles from his Riverside catalog. Now, we're breaking the titles out from that terrific set for individual sale. These are the audiophile jazz fan's definitive releases for your collection ! \r\n
      \r\n
      The legend of Bill Evans really begins with this album, his second. The pianist had just spent most of 1958 as part of one of the major units in jazz history : The Miles Davis Sextet that also featured John Coltrane and Cannonball Adderley. His fellow musicians already knew his worth (the album title was almost literally accurate, and the four endorsements on the cover, which embarrassed Bill, could easily have been greatly multiplied). With this record, the jazz public began to follow their lead.\r\n
      \r\n
      Here, joined by bassist Sam Jones and drummer Philly Joe Jones, Evans delivers some of his most fluid, swinging trio performances elegant, lyrical, and rhythmically alive. Yet it's the solo improvisation "Peace Piece" that forever marked his arrival. Built on two hypnotic chords, it unfolds with a quiet intensity that feels both spontaneous and transcendent a glimpse into the meditative, deeply personal world Evans would explore for the rest of his career.\r\n
      \r\n
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    -nom: "Back To Back"
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    -description: """
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[
  "produit" => App\Entity\Produit {#2168
    -id: 894
    -nom: "Blues In Orbit"
    -informationComplementaire: null
    -description: """
      - Remastered by Bernie Grundman from the original analog tapes !\r\n
      - Gatefold old-school "tip-on" on jacket by Stoughton Printing !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
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      \r\n
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      \r\n
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      """
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3504
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2444 …}
}

[
  "produit" => App\Entity\Produit {#2184
    -id: 1111
    -nom: "Jazz Party In Stereo"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Duke Ellington, Jimmy Jones (piano), Jimmy Woode (bass), Jimmy Rushing (vocals), Harry Carney, Jimmy Hamilton, Johnny Hodges, Paul Gonzalves, Russell Procope (saxophone), Britt Woodman, John Sanders, Quentin Jackson (trombone), Andres Ford, Cat Anderson, Clark Terry, Dizzy Gillespie, Shorty Baker, Ray Nance (trumpet), Robert M. Rosengarden, Bradley Spinney, Chauncey Morehouse, Elden C. Balley, George Gaber, Harry Breuer, Milton Schlesinger, Morris Goldenberg, Walter E. Rosenberger (percussion), Sam Woodyard (drums)\r\n
      \r\n
      - Duke Ellington "Jazz Party In Stereo" 180 Gram LP !\r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      - Housed in a tip-on gatefold jacket (from Stoughton Printing) for the first time !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      Ellington soars to unmatched artistic heights alongside impressive jazz stars including Dizzy Gillespie, Johnny Hodges and Jimmy Rushing !\r\n
      \r\n
      The tremendously detailed audio effect achieved by Columbia's engineers is brought back to life on this 200-gram LP from Analogue Productions. You want Duke and his men at their best, this is it !\r\n
      \r\n
      Duke Ellington called his music "American Music" rather than jazz, and liked to describe those who impressed him as "beyond category". He remains one of the most influential figures in jazz, if not in all American music and is widely considered as one of the 20th century's best known African American personalites. He received 13 Grammy Awards and was honored with the French Legion of Honor in 1973. Posthumous recognition of his work include a special award citation from the Pulitzer Prize Board.\r\n
      \r\n
      Dizzy's spectacular trumpet blooms here amidst the Ellingtonian aggregate. The sometimes tender, sometimes shouting blues style of Jimmy Rushing provides nice contrast in one of the most varied and satisfying Ellington recordings ever. Originally released on Columbia Records in 1959, Jazz Party In Stereo contains a formidable gallery of jazz stars including Dizzy Gillespie, Jimmy Rushing, Johnny Hodges, Clark Terry, Paul Gonsalves, and more!\r\n
      \r\n
      So what have we done to perfect this brilliant reissue? Mastering by Bernie Grundman from the original analog tape, for starters. Naturally we turned to our own Quality Record Pressings for the finest 200 Gram, dead-silent background pressing. Top it off with a Stoughton Printing gatefold tip-on jacket with beautiful full-size inner pictures and you've got an audiophile's dream. A can't miss for your collection !\r\n
      \r\n
      "This most unusual Duke Ellington record includes two selections featuring nine symphonic percussionists on timpani, vibes, marimbas, and xylophones. Dizzy Gillespie makes a historic appearance with Ellington's orchestra on 'U.M.M.G.' (a meeting that should have been repeated often but sadly never was), Jimmy Rushing (Count Basie's former vocalist) sings 'Hello Little Girl,' and both Johnny Hodges ('All of Me') and Paul Gonsalves ('Ready Go!') have chances to blow". - AllMusic
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Duke Ellington, Jimmy Jones (piano), Jimmy Woode (bass), Jimmy Rushing (vocals), Harry Carney, Jimmy Hamilton, Johnny Hodges, Paul Gonzalves, Russell Procope (saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=eY2YKrE8idA&list=RDeY2YKrE8idA&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 8127"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Malletoba Spank"
      ]
      [
        "ordre" => 2
        "nom" => "2. Red Garter (Toot Suite, Pt. I)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Red Shoes (Toot Suite, Pt. II)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Red Carpet (Toot Suite, Pt. III)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Ready, Go! (Toot Suite, Pt. IV)"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. U.M.M.G. (Upper Manhattan Medical Group)"
      ]
      [
        "ordre" => 8
        "nom" => "2. All of Me"
      ]
      [
        "ordre" => 9
        "nom" => "3. Tymperturbably Blue"
      ]
      [
        "ordre" => 10
        "nom" => "4. Hello Little Girl"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2192 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2185 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2187 …}
    -enregistreLe: DateTime @1484238345 {#2181
      date: 2017-01-12 16:25:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764866413 {#2182
      date: 2025-12-04 16:40:13.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2189 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-jazz-party-in-stereo-analogue-productions-aapp-8127"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3557
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2676 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2184
    -id: 1111
    -nom: "Jazz Party In Stereo"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Duke Ellington, Jimmy Jones (piano), Jimmy Woode (bass), Jimmy Rushing (vocals), Harry Carney, Jimmy Hamilton, Johnny Hodges, Paul Gonzalves, Russell Procope (saxophone), Britt Woodman, John Sanders, Quentin Jackson (trombone), Andres Ford, Cat Anderson, Clark Terry, Dizzy Gillespie, Shorty Baker, Ray Nance (trumpet), Robert M. Rosengarden, Bradley Spinney, Chauncey Morehouse, Elden C. Balley, George Gaber, Harry Breuer, Milton Schlesinger, Morris Goldenberg, Walter E. Rosenberger (percussion), Sam Woodyard (drums)\r\n
      \r\n
      - Duke Ellington "Jazz Party In Stereo" 180 Gram LP !\r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      - Housed in a tip-on gatefold jacket (from Stoughton Printing) for the first time !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      Ellington soars to unmatched artistic heights alongside impressive jazz stars including Dizzy Gillespie, Johnny Hodges and Jimmy Rushing !\r\n
      \r\n
      The tremendously detailed audio effect achieved by Columbia's engineers is brought back to life on this 200-gram LP from Analogue Productions. You want Duke and his men at their best, this is it !\r\n
      \r\n
      Duke Ellington called his music "American Music" rather than jazz, and liked to describe those who impressed him as "beyond category". He remains one of the most influential figures in jazz, if not in all American music and is widely considered as one of the 20th century's best known African American personalites. He received 13 Grammy Awards and was honored with the French Legion of Honor in 1973. Posthumous recognition of his work include a special award citation from the Pulitzer Prize Board.\r\n
      \r\n
      Dizzy's spectacular trumpet blooms here amidst the Ellingtonian aggregate. The sometimes tender, sometimes shouting blues style of Jimmy Rushing provides nice contrast in one of the most varied and satisfying Ellington recordings ever. Originally released on Columbia Records in 1959, Jazz Party In Stereo contains a formidable gallery of jazz stars including Dizzy Gillespie, Jimmy Rushing, Johnny Hodges, Clark Terry, Paul Gonsalves, and more!\r\n
      \r\n
      So what have we done to perfect this brilliant reissue? Mastering by Bernie Grundman from the original analog tape, for starters. Naturally we turned to our own Quality Record Pressings for the finest 200 Gram, dead-silent background pressing. Top it off with a Stoughton Printing gatefold tip-on jacket with beautiful full-size inner pictures and you've got an audiophile's dream. A can't miss for your collection !\r\n
      \r\n
      "This most unusual Duke Ellington record includes two selections featuring nine symphonic percussionists on timpani, vibes, marimbas, and xylophones. Dizzy Gillespie makes a historic appearance with Ellington's orchestra on 'U.M.M.G.' (a meeting that should have been repeated often but sadly never was), Jimmy Rushing (Count Basie's former vocalist) sings 'Hello Little Girl,' and both Johnny Hodges ('All of Me') and Paul Gonsalves ('Ready Go!') have chances to blow". - AllMusic
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Duke Ellington, Jimmy Jones (piano), Jimmy Woode (bass), Jimmy Rushing (vocals), Harry Carney, Jimmy Hamilton, Johnny Hodges, Paul Gonzalves, Russell Procope (saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=eY2YKrE8idA&list=RDeY2YKrE8idA&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 8127"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Malletoba Spank"
      ]
      [
        "ordre" => 2
        "nom" => "2. Red Garter (Toot Suite, Pt. I)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Red Shoes (Toot Suite, Pt. II)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Red Carpet (Toot Suite, Pt. III)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Ready, Go! (Toot Suite, Pt. IV)"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. U.M.M.G. (Upper Manhattan Medical Group)"
      ]
      [
        "ordre" => 8
        "nom" => "2. All of Me"
      ]
      [
        "ordre" => 9
        "nom" => "3. Tymperturbably Blue"
      ]
      [
        "ordre" => 10
        "nom" => "4. Hello Little Girl"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2192 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2185 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2187 …}
    -enregistreLe: DateTime @1484238345 {#2181
      date: 2017-01-12 16:25:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764866413 {#2182
      date: 2025-12-04 16:40:13.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2189 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-jazz-party-in-stereo-analogue-productions-aapp-8127"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2444 …}
}

[
  "produit" => App\Entity\Produit {#2197
    -id: 726
    -nom: "Masterpieces by Ellington (Mono)"
    -informationComplementaire: null
    -description: """
      - A historic record - recorded just four years removed from the dawn of the analog tape era !\r\n
      - Remastered by Ryan Smith at Sterling Sound from the original analog tapes !\r\n
      - Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second !\r\n
      - Gatefold old-school "tip-on" on jacket by Stoughton Printing !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Most highly recommended (the record is now on the QRP presses). It's one of my 'Records to Die For' in the February 2015 Stereophile. You won't have to die to get a copy. $30 will do and it's well worth the money. A true classic both musically and sonically and a historical work of art you can now own". — Music = 11/11; Sound = 11/11 — Michael Fremer, AnalogPlanet.com. Read the whole review here.\r\n
      Masterpieces By Ellington shines from an astonishingly brief period of history that gave the recording industry two of its greatest achievements — the introduction of magnetic tape recording and the 33 1/3 LP, or long-playing record.\r\n
      Four years. That's all it took to go from the discovery by Americans, of German advancements in the field of sound recording, to the marketing of tape decks in the U.S. by the Ampex company, to Columbia's unveiling of its 12” LP, and the first long-playing record to be sold to consumers.\r\n
      \r\n
      The four selections contained here catapulted the Maestro Ellington into the LP era, as the great composer/arranger/pianist and his matchless orchestra took full advantage of the possibilities afforded by magnetic tape recording and the still-new 33 1/3 RPM LP to, for the first time, capture uncut concert arrangements of their signature songs.\r\n
      \r\n
      This album wouldn't have been possible without a chain of events starting at the end of World War II. Recorded in December 1950, just five years after Germany fell to the Allies, revealing the Germans' advances in magnetic tape recording, Ellington's master work holds its wonder still today and the recording quality hands-down betters the sound of many modern-day albums.\r\n
      \r\n
      1944-45 : Magnetic tape for sound recording spread to America after an American soldier, Jack Mullin, serving with the U.S. Army Signal Corps in the final months of WW II, received two suitcased-sized AEG 'Magnetophon' high-fidelity recorders and 50 reels of Farben recording tape that had fallen into American hands via the capture of a German radio station at Bad Nauheim. German engineers had perfected the technique of using Alternating Current bias — the addition of an inaudible high-fequency signal (from 40 to 150kHz) to improve the sound quality of most audio recordings by reducing distortion and noise.\r\n
      \r\n
      1947 : Mullin became an American pioneer in the field of magnetic tape sound recording, after working to modify and improve the machines. He gave two demonstrations of the recorders at Radio Center in Hollywood in October 1947. A later demonstration for singer/entertainer Bing Crosby led to the use of magnetic tape for recording Crosby's radio programs. Crosby became the first star to use tape to pre-record radio broadcasts.\r\n
      \r\n
      1948 : Crosby invested $50,000 in local electronics firm, Ampex, and the tiny six-man concern soon became the world leader in the development of tape recording. Ampex revolutionized the radio and recording industry with its famous Model 200 tape deck, developed directly from Mullin's modified Magnetophones. Units marked serial No. 1 and 2 were delivered in April 1948 in time to record and edit the 27th Bing Crosby show of the 1947-48 season. A 200A at the time retailed for $4,000 nearly as much as a standard single-family home.\r\n
      \r\n
      Crosby gave one of the first production tape decks to musician Les Paul, which led to Paul's invention of multitrack recording. The first production model 200A recorders are delivered to ABC and placed in service across the country. This marked the first widespread professional use of magnetic tape recording. Working with Mullin, Ampex rapidly developed 2 track stereo and then 3-track recorders. Mullin and Ampex developed a working monochrome videotape recorder by 1956.\r\n
      \r\n
      Here's where it gets really interesting, as The Duke and history made matchless audiophile magic. It took Columbia Records until December 1950 two years into the LP era, and the transition from disc to magnetic tape recording, to get Duke Ellington and his orchestra into the recording studio to cut a long-playing record.\r\n
      \r\n
      June 1948 : Vinyl LPs had taken over as the standard for pressing records by the 1940s; in 1948 Columbia Records introduced its 12-inch Microgroove LP or Long Play record, which could hold at least 20 minutes per side. The first classical long-playing record, and the first 12" LP of any kind catalog no. Columbia Masterworks Set ML 4001 was Mendelssohn's Concerto in E Minor for Violin and Orchestra, Op. 64, played by violinist Nathan Milstein with the Philharmonic Symphony Orchestra of New York, conducted by Bruno Walter.\r\n
      \r\n
      December 19, 1950. Masterpieces by Ellington recorded at Columbia's 30th Street Studio. Released in 1951. Recording engineers Fred Plaut and Harold Chapman. Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second. (3M-111 tape was also introduced in 1948, the year the Model 200 debuted).\r\n
      \r\n
      Suddenly, for the first time in his career, Ellington was able to forgo the 3 minutes-and-change restrictions afforded by the short running time of the 78 RPM disc. He and his band rose to the occasion with extended (11-minute plus) 'uncut concert arrangements' of three of his signature songs “Mood Indigo”, “Sophisticated Lady”, with evocative vocals by Yvonne Lanauze, as well as “Solitude”. Masterpieces was also notable for the debut of the full-bodied, surprise-laden “The Tattooed Bride”, and for the swansongs of three Ellintonian giants of longstanding: drummer Sonny Greer, trombonist Lawrence Brown and alto saxist Johnny Hodges (the latter two would eventually return to the fold).\r\n
      \r\n
      Masterpieces is a revelation and a throwback to a golden recording age. So much history and so much luck combined make this album truly special.\r\n
      \r\n
      "Even in this august company, 'The Tattooed Bride' is a swinging virtuoso piece that, as everyone present must have known, couldn't possibly have been captured in this manner in any era before this session this was also one of the last sessions to feature the classic Ellington lineup with Johnny Hodges, Lawrence Brown, and Sonny Greer, before their exodus altered the band's sound, and so it's a doubly precious piece (as is the whole album), among the last written specifically for this lineup". - AllMusic.com
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Billy Strayhorn, Duke Ellington (piano), Jimmy Hamilton, Johnny Hodges, Paul Gonzales, Russel Procope (saxophone), Wendell Marshall (bass), Mercer Ellington (horn, Flugelhorn), Lawrence Brow, Quentin Jackson (trombone), Andrew Ford, , Sonny Greer (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1185 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=txEuMLvRclw&list=RDtxEuMLvRclw&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 4418"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Mood Indigo"
      ]
      [
        "ordre" => 2
        "nom" => "2. Sophisticated Lady"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. The Tattooed Bride"
      ]
      [
        "ordre" => 5
        "nom" => "2. Solitude"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2205 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2198 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2200 …}
    -enregistreLe: DateTime @1418728487 {#2194
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    }
    -modifierLe: DateTime @1764836036 {#2195
      date: 2025-12-04 08:13:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2202 …}
    -disponible: null
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    -slug: "vinyles-masterpieces-by-ellington-mono-analogue-productions-aapj-4418"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3605
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2676 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2197
    -id: 726
    -nom: "Masterpieces by Ellington (Mono)"
    -informationComplementaire: null
    -description: """
      - A historic record - recorded just four years removed from the dawn of the analog tape era !\r\n
      - Remastered by Ryan Smith at Sterling Sound from the original analog tapes !\r\n
      - Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second !\r\n
      - Gatefold old-school "tip-on" on jacket by Stoughton Printing !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Most highly recommended (the record is now on the QRP presses). It's one of my 'Records to Die For' in the February 2015 Stereophile. You won't have to die to get a copy. $30 will do and it's well worth the money. A true classic both musically and sonically and a historical work of art you can now own". — Music = 11/11; Sound = 11/11 — Michael Fremer, AnalogPlanet.com. Read the whole review here.\r\n
      Masterpieces By Ellington shines from an astonishingly brief period of history that gave the recording industry two of its greatest achievements — the introduction of magnetic tape recording and the 33 1/3 LP, or long-playing record.\r\n
      Four years. That's all it took to go from the discovery by Americans, of German advancements in the field of sound recording, to the marketing of tape decks in the U.S. by the Ampex company, to Columbia's unveiling of its 12” LP, and the first long-playing record to be sold to consumers.\r\n
      \r\n
      The four selections contained here catapulted the Maestro Ellington into the LP era, as the great composer/arranger/pianist and his matchless orchestra took full advantage of the possibilities afforded by magnetic tape recording and the still-new 33 1/3 RPM LP to, for the first time, capture uncut concert arrangements of their signature songs.\r\n
      \r\n
      This album wouldn't have been possible without a chain of events starting at the end of World War II. Recorded in December 1950, just five years after Germany fell to the Allies, revealing the Germans' advances in magnetic tape recording, Ellington's master work holds its wonder still today and the recording quality hands-down betters the sound of many modern-day albums.\r\n
      \r\n
      1944-45 : Magnetic tape for sound recording spread to America after an American soldier, Jack Mullin, serving with the U.S. Army Signal Corps in the final months of WW II, received two suitcased-sized AEG 'Magnetophon' high-fidelity recorders and 50 reels of Farben recording tape that had fallen into American hands via the capture of a German radio station at Bad Nauheim. German engineers had perfected the technique of using Alternating Current bias — the addition of an inaudible high-fequency signal (from 40 to 150kHz) to improve the sound quality of most audio recordings by reducing distortion and noise.\r\n
      \r\n
      1947 : Mullin became an American pioneer in the field of magnetic tape sound recording, after working to modify and improve the machines. He gave two demonstrations of the recorders at Radio Center in Hollywood in October 1947. A later demonstration for singer/entertainer Bing Crosby led to the use of magnetic tape for recording Crosby's radio programs. Crosby became the first star to use tape to pre-record radio broadcasts.\r\n
      \r\n
      1948 : Crosby invested $50,000 in local electronics firm, Ampex, and the tiny six-man concern soon became the world leader in the development of tape recording. Ampex revolutionized the radio and recording industry with its famous Model 200 tape deck, developed directly from Mullin's modified Magnetophones. Units marked serial No. 1 and 2 were delivered in April 1948 in time to record and edit the 27th Bing Crosby show of the 1947-48 season. A 200A at the time retailed for $4,000 nearly as much as a standard single-family home.\r\n
      \r\n
      Crosby gave one of the first production tape decks to musician Les Paul, which led to Paul's invention of multitrack recording. The first production model 200A recorders are delivered to ABC and placed in service across the country. This marked the first widespread professional use of magnetic tape recording. Working with Mullin, Ampex rapidly developed 2 track stereo and then 3-track recorders. Mullin and Ampex developed a working monochrome videotape recorder by 1956.\r\n
      \r\n
      Here's where it gets really interesting, as The Duke and history made matchless audiophile magic. It took Columbia Records until December 1950 two years into the LP era, and the transition from disc to magnetic tape recording, to get Duke Ellington and his orchestra into the recording studio to cut a long-playing record.\r\n
      \r\n
      June 1948 : Vinyl LPs had taken over as the standard for pressing records by the 1940s; in 1948 Columbia Records introduced its 12-inch Microgroove LP or Long Play record, which could hold at least 20 minutes per side. The first classical long-playing record, and the first 12" LP of any kind catalog no. Columbia Masterworks Set ML 4001 was Mendelssohn's Concerto in E Minor for Violin and Orchestra, Op. 64, played by violinist Nathan Milstein with the Philharmonic Symphony Orchestra of New York, conducted by Bruno Walter.\r\n
      \r\n
      December 19, 1950. Masterpieces by Ellington recorded at Columbia's 30th Street Studio. Released in 1951. Recording engineers Fred Plaut and Harold Chapman. Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second. (3M-111 tape was also introduced in 1948, the year the Model 200 debuted).\r\n
      \r\n
      Suddenly, for the first time in his career, Ellington was able to forgo the 3 minutes-and-change restrictions afforded by the short running time of the 78 RPM disc. He and his band rose to the occasion with extended (11-minute plus) 'uncut concert arrangements' of three of his signature songs “Mood Indigo”, “Sophisticated Lady”, with evocative vocals by Yvonne Lanauze, as well as “Solitude”. Masterpieces was also notable for the debut of the full-bodied, surprise-laden “The Tattooed Bride”, and for the swansongs of three Ellintonian giants of longstanding: drummer Sonny Greer, trombonist Lawrence Brown and alto saxist Johnny Hodges (the latter two would eventually return to the fold).\r\n
      \r\n
      Masterpieces is a revelation and a throwback to a golden recording age. So much history and so much luck combined make this album truly special.\r\n
      \r\n
      "Even in this august company, 'The Tattooed Bride' is a swinging virtuoso piece that, as everyone present must have known, couldn't possibly have been captured in this manner in any era before this session this was also one of the last sessions to feature the classic Ellington lineup with Johnny Hodges, Lawrence Brown, and Sonny Greer, before their exodus altered the band's sound, and so it's a doubly precious piece (as is the whole album), among the last written specifically for this lineup". - AllMusic.com
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Billy Strayhorn, Duke Ellington (piano), Jimmy Hamilton, Johnny Hodges, Paul Gonzales, Russel Procope (saxophone), Wendell Marshall (bass), Mercer Ellington (horn, Flugelhorn), Lawrence Brow, Quentin Jackson (trombone), Andrew Ford, , Sonny Greer (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1185 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=txEuMLvRclw&list=RDtxEuMLvRclw&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 4418"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "ordre" => 1
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      ]
      [
        "ordre" => 2
        "nom" => "2. Sophisticated Lady"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. The Tattooed Bride"
      ]
      [
        "ordre" => 5
        "nom" => "2. Solitude"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2205 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2198 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2200 …}
    -enregistreLe: DateTime @1418728487 {#2194
      date: 2014-12-16 11:14:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764836036 {#2195
      date: 2025-12-04 08:13:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2202 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-masterpieces-by-ellington-mono-analogue-productions-aapj-4418"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2444 …}
}

[
  "produit" => App\Entity\Produit {#2210
    -id: 948
    -nom: "Dr John's Gumbo"
    -informationComplementaire: null
    -description: """
      - N° 404 on Rolling Stone's list of 500 Greatest Albums of All Time !\r\n
      - Remastered by Kevin Gray at Cohearant Audio, from the original analog tapes !\r\n
      - 180 gram vinyl plated and pressed by Quality Record Pressings !\r\n
      - Tip-on style gatefold jacket by Stoughton Printing !\r\n
      \r\n
      Dr. John's Gumbo is the fifth album by New Orleans singer and pianist Dr. John, a tribute to the music of his native city. The album is a collection of covers of New Orleans classics, played by a major figure in the city's music.\r\n
      \r\n
      Dr John's Gumbo was released in 1972 and is in many ways a tribute by Dr. John, aka the Night Tripper, to his hometown New Orleans. It features excellent interpretations of New Orleans traditionals ("Iko Iko", "Tipitina", "Junko Partner" and "Stack-O-Lee") and contemporary R&B written or played by the likes of Huey Piano Smith ("Blow Wind Blow" and "Huey Smith Medley") Earl King and Earl Gaines ("Big Chief", "Let The Good Times Roll" and "Lonely Lonely Nights").\r\n
      \r\n
      Dr. John delivers a strong set of infectious songs drenched in good vibes and spiced with a pinch of voodoo. His eccentric (stage) appearance adds unique color to his stature as master of the ivories and as an entertainer.\r\n
      \r\n
      This great album receives the full Analogue Productions reissue treatment here, starting with Kevin Gray's remaster from the original analogue tapes. Then we back that up with 180 gram plating and pressing on super-silent vinyl by our own Quality Record Pressings. Finally it's all housed in a tip-on gatefold jacket from Stoughton Printing. Deluxe all the way; you'll be estatic with the results !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Dr. John (guitar, piano, cornet, vocals), Jimmy Calhoun (bass), Alvin Robinson, Ken Klimak (guitar), Ronnie Barron (electric piano, organ), David Lastie, Harold Battiste, Lee Allen, Moe Bachamin (saxophone), Streamline (trombone), Freddie Staehle (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=F9uaODHE1Rk"
    -referenceProduit: "Analogue Productions AAPP 093"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Iko Iko"
      ]
      [
        "ordre" => 2
        "nom" => "2. Blow Wind Blow"
      ]
      [
        "ordre" => 3
        "nom" => "3. Big Chief"
      ]
      [
        "ordre" => 4
        "nom" => "4. Somebody Changed The Lock"
      ]
      [
        "ordre" => 5
        "nom" => "5. Mess Around"
      ]
      [
        "ordre" => 6
        "nom" => "6. Let The Good Times Roll"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Junko Partner"
      ]
      [
        "ordre" => 9
        "nom" => "2. Stack-A-Lee"
      ]
      [
        "ordre" => 10
        "nom" => "3. Tipitina"
      ]
      [
        "ordre" => 11
        "nom" => "4. Those Lonely Lonely Nights"
      ]
      [
        "ordre" => 12
        "nom" => "5. Huey Smith Medley (High Blood Pressure / Don't You Just Know It /"
      ]
      [
        "ordre" => 13
        "nom" => "Well I'll Be John Brown)"
      ]
      [
        "ordre" => 14
        "nom" => "6. Little Liza Jane"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2212 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1524 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2221 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2214 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2216 …}
    -enregistreLe: DateTime @1466403433 {#2207
      date: 2016-06-20 06:17:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764833754 {#2208
      date: 2025-12-04 07:35:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2218 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dr-john-s-gumbo-analogue-productions-aapp-093"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3651
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2676 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2210
    -id: 948
    -nom: "Dr John's Gumbo"
    -informationComplementaire: null
    -description: """
      - N° 404 on Rolling Stone's list of 500 Greatest Albums of All Time !\r\n
      - Remastered by Kevin Gray at Cohearant Audio, from the original analog tapes !\r\n
      - 180 gram vinyl plated and pressed by Quality Record Pressings !\r\n
      - Tip-on style gatefold jacket by Stoughton Printing !\r\n
      \r\n
      Dr. John's Gumbo is the fifth album by New Orleans singer and pianist Dr. John, a tribute to the music of his native city. The album is a collection of covers of New Orleans classics, played by a major figure in the city's music.\r\n
      \r\n
      Dr John's Gumbo was released in 1972 and is in many ways a tribute by Dr. John, aka the Night Tripper, to his hometown New Orleans. It features excellent interpretations of New Orleans traditionals ("Iko Iko", "Tipitina", "Junko Partner" and "Stack-O-Lee") and contemporary R&B written or played by the likes of Huey Piano Smith ("Blow Wind Blow" and "Huey Smith Medley") Earl King and Earl Gaines ("Big Chief", "Let The Good Times Roll" and "Lonely Lonely Nights").\r\n
      \r\n
      Dr. John delivers a strong set of infectious songs drenched in good vibes and spiced with a pinch of voodoo. His eccentric (stage) appearance adds unique color to his stature as master of the ivories and as an entertainer.\r\n
      \r\n
      This great album receives the full Analogue Productions reissue treatment here, starting with Kevin Gray's remaster from the original analogue tapes. Then we back that up with 180 gram plating and pressing on super-silent vinyl by our own Quality Record Pressings. Finally it's all housed in a tip-on gatefold jacket from Stoughton Printing. Deluxe all the way; you'll be estatic with the results !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Dr. John (guitar, piano, cornet, vocals), Jimmy Calhoun (bass), Alvin Robinson, Ken Klimak (guitar), Ronnie Barron (electric piano, organ), David Lastie, Harold Battiste, Lee Allen, Moe Bachamin (saxophone), Streamline (trombone), Freddie Staehle (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=F9uaODHE1Rk"
    -referenceProduit: "Analogue Productions AAPP 093"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Iko Iko"
      ]
      [
        "ordre" => 2
        "nom" => "2. Blow Wind Blow"
      ]
      [
        "ordre" => 3
        "nom" => "3. Big Chief"
      ]
      [
        "ordre" => 4
        "nom" => "4. Somebody Changed The Lock"
      ]
      [
        "ordre" => 5
        "nom" => "5. Mess Around"
      ]
      [
        "ordre" => 6
        "nom" => "6. Let The Good Times Roll"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Junko Partner"
      ]
      [
        "ordre" => 9
        "nom" => "2. Stack-A-Lee"
      ]
      [
        "ordre" => 10
        "nom" => "3. Tipitina"
      ]
      [
        "ordre" => 11
        "nom" => "4. Those Lonely Lonely Nights"
      ]
      [
        "ordre" => 12
        "nom" => "5. Huey Smith Medley (High Blood Pressure / Don't You Just Know It /"
      ]
      [
        "ordre" => 13
        "nom" => "Well I'll Be John Brown)"
      ]
      [
        "ordre" => 14
        "nom" => "6. Little Liza Jane"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2212 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1524 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2221 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2214 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2216 …}
    -enregistreLe: DateTime @1466403433 {#2207
      date: 2016-06-20 06:17:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764833754 {#2208
      date: 2025-12-04 07:35:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2218 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dr-john-s-gumbo-analogue-productions-aapp-093"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2444 …}
}

[
  "produit" => App\Entity\Produit {#2226
    -id: 1869
    -nom: "Come To Find"
    -informationComplementaire: null
    -description: """
      - It's an album of killers ! The sound is spectacular and first-rate, that goes without saying with the quality of the pressing. It's even better than the Muddy Waters "Folk Singer", do not miss it !\r\n
      - 180 gram vinyl by Quality Record Pressings Now a (2 LP) at 45 RPM !\r\n
      - Doug MacLeod's ode to acoustic blues, a consummate bluesman channeling his focus !\r\n
      - Mastered from the original analog tapes by Kevin Gray !\r\n
      - Tip-on, thick cardboard gatefold jacket !\r\n
      \r\n
      Spend any time around Doug MacLeod and the stories from his years of road time with the likes of Big Joe Turner and Pee Wee Crayton start to flow as easily as a brook tickled by a breeze. And you know you're getting to the good part, the climax if you will, when Doug's eyes start to twinkle, his grin grows broader and out of his mouth pop the words "Come to find ..."\r\n
      \r\n
      MacLeod was a widely acknowledged electric blues guitarist for many years, and the leader of his own band, yielding a number of U.S. and European tours and several albums to his credit. Doug disbanded the group to focus all his energies on his first love, acoustic blues.\r\n
      \r\n
      Come To Find is the debut fruit of that effort. And now it's made even more remarkable, with this 45 RPM 200 gram reissue by Analogue Productions. The dead-quiet double LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
      The pressing sounds spectacular. You're holding a hefty 180 gram masterpiece from our own Quality Record Pressings, our state-of-the-art LP pressing plant. And the gatefold jacket from Stoughton Printing is hard-core, old-school style thick cardboard, tip-on, with additional photos and liner notes inside. Sweet.\r\n
      \r\n
      Come To Find is the sound of a consummate bluesman touching the core of his art in a program featuring ten originals by Doug. He is beautifully supported in this intimate setting by harmonica ace Charlie Musselwhite and the Mighty Flyer rhythm section, Jimi Bott and Bill Stuve. This is the album that deserves a place of honor in the music collections of even casual blues fans. And for those who love blues already, this is one of the best-sounding, most original works you'll ever hear.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Doug MacLeod (guitar, vocals), Bill Stuve (acoustic bass), Black Cherry (backing vocals), Charlie Musselwhite (harmonica), Jimi Bott (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=VnzHFpMXIF0&list=RDVnzHFpMXIF0&start_radio=1"
    -referenceProduit: "Analogue Productions AAPB 1027-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Bring It On Home \t"
      ]
      [
        "ordre" => 2
        "nom" => "2. Since I Left St. Louis \t"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Mystery Woman \t"
      ]
      [
        "ordre" => 5
        "nom" => "2. Come To Find \t"
      ]
      [
        "ordre" => 6
        "nom" => "3. Old Virginia Stomp \t"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Master's Plan \t"
      ]
      [
        "ordre" => 9
        "nom" => "2. Ain't No Grave \t"
      ]
      [
        "ordre" => 10
        "nom" => "3. Lost Something This Morning \t"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Rollin' & Tumblin' \t"
      ]
      [
        "ordre" => 13
        "nom" => "2. Any Port In A Storm \t"
      ]
      [
        "ordre" => 14
        "nom" => "3. When I Left Missouri "
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2228 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1508 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2237 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2230 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2232 …}
    -enregistreLe: DateTime @1591344922 {#2223
      date: 2020-06-05 08:15:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764830753 {#2224
      date: 2025-12-04 06:45:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2234 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-come-to-find-analogue-productions-aapb-1027-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3702
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2676 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2226
    -id: 1869
    -nom: "Come To Find"
    -informationComplementaire: null
    -description: """
      - It's an album of killers ! The sound is spectacular and first-rate, that goes without saying with the quality of the pressing. It's even better than the Muddy Waters "Folk Singer", do not miss it !\r\n
      - 180 gram vinyl by Quality Record Pressings Now a (2 LP) at 45 RPM !\r\n
      - Doug MacLeod's ode to acoustic blues, a consummate bluesman channeling his focus !\r\n
      - Mastered from the original analog tapes by Kevin Gray !\r\n
      - Tip-on, thick cardboard gatefold jacket !\r\n
      \r\n
      Spend any time around Doug MacLeod and the stories from his years of road time with the likes of Big Joe Turner and Pee Wee Crayton start to flow as easily as a brook tickled by a breeze. And you know you're getting to the good part, the climax if you will, when Doug's eyes start to twinkle, his grin grows broader and out of his mouth pop the words "Come to find ..."\r\n
      \r\n
      MacLeod was a widely acknowledged electric blues guitarist for many years, and the leader of his own band, yielding a number of U.S. and European tours and several albums to his credit. Doug disbanded the group to focus all his energies on his first love, acoustic blues.\r\n
      \r\n
      Come To Find is the debut fruit of that effort. And now it's made even more remarkable, with this 45 RPM 200 gram reissue by Analogue Productions. The dead-quiet double LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
      The pressing sounds spectacular. You're holding a hefty 180 gram masterpiece from our own Quality Record Pressings, our state-of-the-art LP pressing plant. And the gatefold jacket from Stoughton Printing is hard-core, old-school style thick cardboard, tip-on, with additional photos and liner notes inside. Sweet.\r\n
      \r\n
      Come To Find is the sound of a consummate bluesman touching the core of his art in a program featuring ten originals by Doug. He is beautifully supported in this intimate setting by harmonica ace Charlie Musselwhite and the Mighty Flyer rhythm section, Jimi Bott and Bill Stuve. This is the album that deserves a place of honor in the music collections of even casual blues fans. And for those who love blues already, this is one of the best-sounding, most original works you'll ever hear.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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        "nom" => "1. Rollin' & Tumblin' \t"
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        "nom" => "2. Any Port In A Storm \t"
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        "nom" => "3. When I Left Missouri "
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[
  "produit" => App\Entity\Produit {#2242
    -id: 503
    -nom: "Just A Little Lovin'"
    -informationComplementaire: null
    -description: """
      - Now on 45 RPM, the sound quality is incredible !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - 180 gram vinyl plated and pressed by Quality Record Pressings !\r\n
      - Cut to LP by Doug Sax from analog master sources !\r\n
      - Stoughton Printing glossy gatefold jacket !\r\n
      \r\n
      "...She's enough of a talent to serve up nine of Dusty's (plus one original) with reverence rather than mimicry, while avoiding the obvious songs. But the hook is the sound : it ranks with any 'audiophile' LP you can name." Sound Quality : 90 %, Hi-Fi News Album Choice - Ken Kessler, Hi-Fi News, September 2012\r\n
      \r\n
      "I heard the music in an entirely new way... the recording is so good, and the Analogue Productions mastering brings such new life to this LP... Mastered by Doug Sax, this explodes off your turntable". Recording = 10/10, Music = 9.5/10 - Dennis D. Davis, Hi-Fi +, Issue 89 \r\n
      \r\n
      "it is simply hard to believe how good this LP sounds, the backgrounds are as quiet as any of the famous UHQR pressings. Lynne's voice simply comes out of silence and a real space. It is rich, detailed, and most of all, unbelievably alive sounding. This recording is so good that I swear it sounds like she sings better than she did on the original... This is an LP that every vinyl lover must have in their collection!" - Jack Roberts, Dagogo\r\n
      \r\n
      "the first truly all-analog version... a tad warmer tonally, goes even deeper in the lower bass, and has an overall ease to the presentation that makes it the best version yet of this record. In fact, the super-silent 180 gram vinyl surfaces particularly benefit an ultra-dynamic recording such as this, so that previously unheard details such as the lightest cymbal flourishes can now be heard. While it isn't fully clear whether it was the mastering - or the plating and pressing that was responsible for the improvement, there's no doubt that there is one...Highly Recommended". - My Vinyl Review, March 18, 2012.\r\n
      \r\n
      "all I can say is THIS IS INCREDIBLE !!! The sonics are spectacular and the pressing quality is as good as has ever been pressed in my opinion. The backgrounds are dead, black, silent the way Japanese pressings used to come on JVC 'Supervinyl!' and believe me it doesn't get any better than that, though this may even be richer, darker and blacker." Music = 9/11, Sound = 11/11 - Michael Fremer, MusicAngle.com\r\n
      \r\n
      "Despite the album's AAA pedigree, and Lynne's stating her preference for analog and for vinyl which created a press buzz of its own, particularly after she memorably made the case for the format by saying 'You can't roll a joint on an iPod' the original vinyl release was a fiasco... Enter Chad Kassem's Analogue Productions. Kassem knew the history and he knew how much better Just A Little Lovin' could sound. So he licensed the title for vinyl and SACD, acquired the master tapes and had them shipped to Doug Sax at The Mastering Lab. The songs arrived on individual reels that had to be spooled off and spliced together to create each side's running master". - Andre Marc, MusicAngle.com\r\n
      \r\n
      To read MusicAngle.com's interview with Shelby Lynne, click here: http://musicangle.com/feat.php?id=198\r\n
      \r\n
      One of the most incredible sounding records we've ever heard. It's exactly what audiophiles dream about. A mixture of great music, great performances and a great recording all with air to breathe. Show-stopping sound !\r\n
      \r\n
      "There's nothing we've offered that I'm more excited about and that I'm more confident will just blow people away". - Chad Kassem, Acoustic Sounds, Inc. CEO\r\n
      \r\n
      Released originally by Lost Highway Records in 2008, Just A Little Lovin' is Shelby Lynne's stirring, emphatic tribute to the late British singer Dusty Springfield. It is to date the highest charting album of Lynne's career, reaching N° 41 on the Billboard 200. The producer is veteran Phil Ramone the engineer for Springfield's original recording of "The Look Of Love".\r\n
      \r\n
      Reissuing this masterpiece to our Analogue Productions standards was an enormous and expensive undertaking. Keep in mind that almost without exception, for every pop record recorded after 1992, even if it's recorded to analog tape like this one, the songs are stored individually. That means that there is never an actual complete album master compiled. So to cut an LP from tape, we had to have mastering engineer Doug Sax assemble an analog master in order so that he could then cut the record to LP, using his famed tube electronics. This involves a lot of extra cost and work. But, since this is such an incredible album, we went all the way. Also, we should mention that Shelby Lynne herself is reportedly a big fan of vinyl.\r\n
      \r\n
      As for the quality of the record itself, the name says it all. This heavyweight platter from Quality Record Pressings is dead quiet and smooth. Plating was also done in-house at QRP by Gary Salstrom.\r\n
      \r\n
      Right on the heels of our Analogue Productions reissue of Dusty Springfield's Dusty In Memphis, which was named Stereophile's Recording of the Month for February 2012, the timing couldn't be more perfect.\r\n
      \r\n
      In addition to the Springfield tracks, Lynne also covers Tony Joe White's "Willie and Laura Mae Jones." In fact, given the style of music and sound quality, we'd recommend that anyone who likes this record also check out our reissue of Tony Joe White's Homemade Ice Cream (https://store.acousticsounds.com/d/75086/Tony_Joe_White-Homemade_Ice_Cream-200_Gram_Vinyl_Record) and our reissue of Dusty Springfield's Dusty In Memphis (https://store.acousticsounds.com/d/73767/Dusty_Springfield-Dusty_In_Memphis-45_RPM_Vinyl_Record). And if you like either of those two records, we think you're gonna like this one.\r\n
      \r\n
      PopMatters' review of Just A Little Lovin' wrote "Lynne has crafted a disc that while not exactly transcendent still manages to go to emotional places that remain unattainable to your run-of-the-mill pop vocalists". Some of Dusty's biggest hits are covered here including "You Don't Have To Say You Love Me", "I Only Want To Be With You", and "How Can I Be Sure".\r\n
      \r\n
      Let Shelby Lynne give you Just A Little Lovin' it'll make your day !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Shelby Lynne (guitar, vocals), Rob Mathes (keyboards), Dean Parks (guitar), Gregg Field (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
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        "nom" => "Side D : "
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      [
        "nom" => "8. I Don't Want To Hear It Anymore"
        "ordre" => 11
      ]
      [
        "nom" => "9. Pretend"
        "ordre" => 12
      ]
      [
        "nom" => "10. How Can I Be Sure"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2244 …}
    -label: App\Entity\Label {#1116 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -slug: "vinyles-just-a-little-lovin-analogue-productions-aapp-041-45"
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    -id: 503
    -nom: "Just A Little Lovin'"
    -informationComplementaire: null
    -description: """
      - Now on 45 RPM, the sound quality is incredible !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - 180 gram vinyl plated and pressed by Quality Record Pressings !\r\n
      - Cut to LP by Doug Sax from analog master sources !\r\n
      - Stoughton Printing glossy gatefold jacket !\r\n
      \r\n
      "...She's enough of a talent to serve up nine of Dusty's (plus one original) with reverence rather than mimicry, while avoiding the obvious songs. But the hook is the sound : it ranks with any 'audiophile' LP you can name." Sound Quality : 90 %, Hi-Fi News Album Choice - Ken Kessler, Hi-Fi News, September 2012\r\n
      \r\n
      "I heard the music in an entirely new way... the recording is so good, and the Analogue Productions mastering brings such new life to this LP... Mastered by Doug Sax, this explodes off your turntable". Recording = 10/10, Music = 9.5/10 - Dennis D. Davis, Hi-Fi +, Issue 89 \r\n
      \r\n
      "it is simply hard to believe how good this LP sounds, the backgrounds are as quiet as any of the famous UHQR pressings. Lynne's voice simply comes out of silence and a real space. It is rich, detailed, and most of all, unbelievably alive sounding. This recording is so good that I swear it sounds like she sings better than she did on the original... This is an LP that every vinyl lover must have in their collection!" - Jack Roberts, Dagogo\r\n
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      "the first truly all-analog version... a tad warmer tonally, goes even deeper in the lower bass, and has an overall ease to the presentation that makes it the best version yet of this record. In fact, the super-silent 180 gram vinyl surfaces particularly benefit an ultra-dynamic recording such as this, so that previously unheard details such as the lightest cymbal flourishes can now be heard. While it isn't fully clear whether it was the mastering - or the plating and pressing that was responsible for the improvement, there's no doubt that there is one...Highly Recommended". - My Vinyl Review, March 18, 2012.\r\n
      \r\n
      "all I can say is THIS IS INCREDIBLE !!! The sonics are spectacular and the pressing quality is as good as has ever been pressed in my opinion. The backgrounds are dead, black, silent the way Japanese pressings used to come on JVC 'Supervinyl!' and believe me it doesn't get any better than that, though this may even be richer, darker and blacker." Music = 9/11, Sound = 11/11 - Michael Fremer, MusicAngle.com\r\n
      \r\n
      "Despite the album's AAA pedigree, and Lynne's stating her preference for analog and for vinyl which created a press buzz of its own, particularly after she memorably made the case for the format by saying 'You can't roll a joint on an iPod' the original vinyl release was a fiasco... Enter Chad Kassem's Analogue Productions. Kassem knew the history and he knew how much better Just A Little Lovin' could sound. So he licensed the title for vinyl and SACD, acquired the master tapes and had them shipped to Doug Sax at The Mastering Lab. The songs arrived on individual reels that had to be spooled off and spliced together to create each side's running master". - Andre Marc, MusicAngle.com\r\n
      \r\n
      To read MusicAngle.com's interview with Shelby Lynne, click here: http://musicangle.com/feat.php?id=198\r\n
      \r\n
      One of the most incredible sounding records we've ever heard. It's exactly what audiophiles dream about. A mixture of great music, great performances and a great recording all with air to breathe. Show-stopping sound !\r\n
      \r\n
      "There's nothing we've offered that I'm more excited about and that I'm more confident will just blow people away". - Chad Kassem, Acoustic Sounds, Inc. CEO\r\n
      \r\n
      Released originally by Lost Highway Records in 2008, Just A Little Lovin' is Shelby Lynne's stirring, emphatic tribute to the late British singer Dusty Springfield. It is to date the highest charting album of Lynne's career, reaching N° 41 on the Billboard 200. The producer is veteran Phil Ramone the engineer for Springfield's original recording of "The Look Of Love".\r\n
      \r\n
      Reissuing this masterpiece to our Analogue Productions standards was an enormous and expensive undertaking. Keep in mind that almost without exception, for every pop record recorded after 1992, even if it's recorded to analog tape like this one, the songs are stored individually. That means that there is never an actual complete album master compiled. So to cut an LP from tape, we had to have mastering engineer Doug Sax assemble an analog master in order so that he could then cut the record to LP, using his famed tube electronics. This involves a lot of extra cost and work. But, since this is such an incredible album, we went all the way. Also, we should mention that Shelby Lynne herself is reportedly a big fan of vinyl.\r\n
      \r\n
      As for the quality of the record itself, the name says it all. This heavyweight platter from Quality Record Pressings is dead quiet and smooth. Plating was also done in-house at QRP by Gary Salstrom.\r\n
      \r\n
      Right on the heels of our Analogue Productions reissue of Dusty Springfield's Dusty In Memphis, which was named Stereophile's Recording of the Month for February 2012, the timing couldn't be more perfect.\r\n
      \r\n
      In addition to the Springfield tracks, Lynne also covers Tony Joe White's "Willie and Laura Mae Jones." In fact, given the style of music and sound quality, we'd recommend that anyone who likes this record also check out our reissue of Tony Joe White's Homemade Ice Cream (https://store.acousticsounds.com/d/75086/Tony_Joe_White-Homemade_Ice_Cream-200_Gram_Vinyl_Record) and our reissue of Dusty Springfield's Dusty In Memphis (https://store.acousticsounds.com/d/73767/Dusty_Springfield-Dusty_In_Memphis-45_RPM_Vinyl_Record). And if you like either of those two records, we think you're gonna like this one.\r\n
      \r\n
      PopMatters' review of Just A Little Lovin' wrote "Lynne has crafted a disc that while not exactly transcendent still manages to go to emotional places that remain unattainable to your run-of-the-mill pop vocalists". Some of Dusty's biggest hits are covered here including "You Don't Have To Say You Love Me", "I Only Want To Be With You", and "How Can I Be Sure".\r\n
      \r\n
      Let Shelby Lynne give you Just A Little Lovin' it'll make your day !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Shelby Lynne (guitar, vocals), Rob Mathes (keyboards), Dean Parks (guitar), Gregg Field (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3955 …}
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}