Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2558
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2635
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2638 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
  -formView: Symfony\Component\Form\FormView {#2674 …}
  -form: Symfony\Component\Form\Form {#2824 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 1298
    -nom: "The Soul Sounds Of Solomon Burke"
    -informationComplementaire: ""
    -description: """
      With his big, powerful voice and fervent but controlled emotionality, Solomon Burke was one of the early pioneers of soul music, though his contributions were not fully recognized until the new millennium, when he belatedly won his first Grammy Award.\r\n
      \r\n
      By the age of 9, Solomon Burke (b. March 21, 1940, Philadelphia, PA) was a preacher and choir soloist at his family's Philadelphia church, the House of God for All People. At 12 he began hosting his own gospel radio show, "Solomon's Temple", and touring the gospel circuits billed as the "Wonder Boy Preacher". In 1955 he began recording both religious and secular music for Apollo and Singular before signing with Atlantic Records in 1960.\r\n
      \r\n
      At Atlantic Burke made some of the first soul records by setting his gospel "preaching" style in song forms borrowed from R&B, rock & roll and other secular music styles.. He was a major influence on Mick Jagger, who covered Burke-related songs "You Can Make It If You Try", "Everybody Needs Somebody to Love", "If You Need Me" and "Cry to Me" on early Rolling Stones albums. Otis Redding also covered Burke's R&B variation on the traditional folk ballad "Down in the Valley".
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tEyLxhBiYWg"
    -referenceProduit: "Pure Pleasure Records 18158"
    -titreMorceau: [
      [
        "nom" => "1. It's Been A Change"
        "ordre" => 1
      ]
      [
        "nom" => "1. Someone Is Watching"
        "ordre" => 8
      ]
      [
        "nom" => "2. Party People"
        "ordre" => 9
      ]
      [
        "nom" => "2. Take Me (Just As I Am)"
        "ordre" => 2
      ]
      [
        "nom" => "3. Time Is A Thief"
        "ordre" => 3
      ]
      [
        "nom" => "3. When She Touches Me (Nothing Else Matters)"
        "ordre" => 10
      ]
      [
        "nom" => "4. Keep A Light In The Window"
        "ordre" => 4
      ]
      [
        "nom" => "4. Woman, How Do You Make Me Love You Like You Do"
        "ordre" => 11
      ]
      [
        "nom" => "5. Baby, Come On Home"
        "ordre" => 5
      ]
      [
        "nom" => "5. It's Just A Matter Of Time"
        "ordre" => 12
      ]
      [
        "nom" => "6. Detroit City"
        "ordre" => 6
      ]
      [
        "nom" => "6. Presents For Christmas"
        "ordre" => 13
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1436 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1525241674 {#1876
      date: 2018-05-02 06:14:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1573977627 {#1869
      date: 2019-11-17 08:00:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-soul-sounds-of-solomon-burke-pure-pleasure-records-18158"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3098
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 1298
    -nom: "The Soul Sounds Of Solomon Burke"
    -informationComplementaire: ""
    -description: """
      With his big, powerful voice and fervent but controlled emotionality, Solomon Burke was one of the early pioneers of soul music, though his contributions were not fully recognized until the new millennium, when he belatedly won his first Grammy Award.\r\n
      \r\n
      By the age of 9, Solomon Burke (b. March 21, 1940, Philadelphia, PA) was a preacher and choir soloist at his family's Philadelphia church, the House of God for All People. At 12 he began hosting his own gospel radio show, "Solomon's Temple", and touring the gospel circuits billed as the "Wonder Boy Preacher". In 1955 he began recording both religious and secular music for Apollo and Singular before signing with Atlantic Records in 1960.\r\n
      \r\n
      At Atlantic Burke made some of the first soul records by setting his gospel "preaching" style in song forms borrowed from R&B, rock & roll and other secular music styles.. He was a major influence on Mick Jagger, who covered Burke-related songs "You Can Make It If You Try", "Everybody Needs Somebody to Love", "If You Need Me" and "Cry to Me" on early Rolling Stones albums. Otis Redding also covered Burke's R&B variation on the traditional folk ballad "Down in the Valley".
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tEyLxhBiYWg"
    -referenceProduit: "Pure Pleasure Records 18158"
    -titreMorceau: [
      [
        "nom" => "1. It's Been A Change"
        "ordre" => 1
      ]
      [
        "nom" => "1. Someone Is Watching"
        "ordre" => 8
      ]
      [
        "nom" => "2. Party People"
        "ordre" => 9
      ]
      [
        "nom" => "2. Take Me (Just As I Am)"
        "ordre" => 2
      ]
      [
        "nom" => "3. Time Is A Thief"
        "ordre" => 3
      ]
      [
        "nom" => "3. When She Touches Me (Nothing Else Matters)"
        "ordre" => 10
      ]
      [
        "nom" => "4. Keep A Light In The Window"
        "ordre" => 4
      ]
      [
        "nom" => "4. Woman, How Do You Make Me Love You Like You Do"
        "ordre" => 11
      ]
      [
        "nom" => "5. Baby, Come On Home"
        "ordre" => 5
      ]
      [
        "nom" => "5. It's Just A Matter Of Time"
        "ordre" => 12
      ]
      [
        "nom" => "6. Detroit City"
        "ordre" => 6
      ]
      [
        "nom" => "6. Presents For Christmas"
        "ordre" => 13
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1436 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1525241674 {#1876
      date: 2018-05-02 06:14:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1573977627 {#1869
      date: 2019-11-17 08:00:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-soul-sounds-of-solomon-burke-pure-pleasure-records-18158"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2045
    -id: 985
    -nom: "Yeah !!!"
    -informationComplementaire: ""
    -description: """
      This 'live' nightclub date with a jazz trio, revealed to be a faked on the Columbia compilations that have since come out, is nonetheless a great LP, maybe the best single Columbia LP from Aretha. \r\n
      \r\n
      John Hammond discovered her and just wanted great music, but the label couldn't decide if she was a show tune singer, jazz or R&B and never figured out she was all of the above and deserved her own category. \r\n
      \r\n
      This is the most jazzy Aretha ever and if she'd wanted to concentrate on this one area of her talent, she would still be ruling it. Worth the buy just for the track “Without The One You Love”. - J. Ellis \r\n
      \r\n
      Review : by Ken Kessler HI-FI NEWS May Issue 2017\r\n
      \r\n
      One of the great myths in music is that Aretha didn’t blossom until she signed with Atlantic. It may be true commercially, but her ten LPs or so with Columbia are…well. this is Aretha for goodness’ sake. \r\n
      \r\n
      This set recorded live at New York’s Columbia Studios, as opposed to at a gig in a club shows her taking control of at least three genres, from blues to jazz to standards, with the emphasis on the jazz, and simply soars past Dinah, Sarah and Billie on material like `Misty’. Don’t let the pro-Atlantic mythology over shadow this superb-sounding gem from 1965, which also features Kenny Burrell on guitar is a bonus. KK\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Aretha Franklin (piano, vocals), Teddy Harris (piano), Kenny Burrell (guitar), James “Beans” Richardson (bass), Hindel Butts (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ABmTET2mV38"
    -referenceProduit: "Pure Pleasure Records PPAN CS 9151"
    -titreMorceau: [
      [
        "nom" => "1. If I Had A Hammer"
        "ordre" => 8
      ]
      [
        "nom" => "1. This Could Be The Start Of Something"
        "ordre" => 1
      ]
      [
        "nom" => "2. Impossible"
        "ordre" => 9
      ]
      [
        "nom" => "2. Once In A Lifetime"
        "ordre" => 2
      ]
      [
        "nom" => "3. Misty"
        "ordre" => 3
      ]
      [
        "nom" => "3. Today I Love Ev’rybody"
        "ordre" => 10
      ]
      [
        "nom" => "4. More"
        "ordre" => 4
      ]
      [
        "nom" => "4. Without The One You Love"
        "ordre" => 11
      ]
      [
        "nom" => "5. There Is No Greater Love"
        "ordre" => 5
      ]
      [
        "nom" => "5. Trouble In Mind"
        "ordre" => 12
      ]
      [
        "nom" => "6. Love for Sale"
        "ordre" => 13
      ]
      [
        "nom" => "6. Muddy Water"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1454 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2056 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2049 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2051 …}
    -enregistreLe: DateTime @1469567120 {#2042
      date: 2016-07-26 21:05:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1573458319 {#2043
      date: 2019-11-11 07:45:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2053 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-yeah-pure-pleasure-records-ppan-cs-9151"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3212
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2045
    -id: 985
    -nom: "Yeah !!!"
    -informationComplementaire: ""
    -description: """
      This 'live' nightclub date with a jazz trio, revealed to be a faked on the Columbia compilations that have since come out, is nonetheless a great LP, maybe the best single Columbia LP from Aretha. \r\n
      \r\n
      John Hammond discovered her and just wanted great music, but the label couldn't decide if she was a show tune singer, jazz or R&B and never figured out she was all of the above and deserved her own category. \r\n
      \r\n
      This is the most jazzy Aretha ever and if she'd wanted to concentrate on this one area of her talent, she would still be ruling it. Worth the buy just for the track “Without The One You Love”. - J. Ellis \r\n
      \r\n
      Review : by Ken Kessler HI-FI NEWS May Issue 2017\r\n
      \r\n
      One of the great myths in music is that Aretha didn’t blossom until she signed with Atlantic. It may be true commercially, but her ten LPs or so with Columbia are…well. this is Aretha for goodness’ sake. \r\n
      \r\n
      This set recorded live at New York’s Columbia Studios, as opposed to at a gig in a club shows her taking control of at least three genres, from blues to jazz to standards, with the emphasis on the jazz, and simply soars past Dinah, Sarah and Billie on material like `Misty’. Don’t let the pro-Atlantic mythology over shadow this superb-sounding gem from 1965, which also features Kenny Burrell on guitar is a bonus. KK\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Aretha Franklin (piano, vocals), Teddy Harris (piano), Kenny Burrell (guitar), James “Beans” Richardson (bass), Hindel Butts (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ABmTET2mV38"
    -referenceProduit: "Pure Pleasure Records PPAN CS 9151"
    -titreMorceau: [
      [
        "nom" => "1. If I Had A Hammer"
        "ordre" => 8
      ]
      [
        "nom" => "1. This Could Be The Start Of Something"
        "ordre" => 1
      ]
      [
        "nom" => "2. Impossible"
        "ordre" => 9
      ]
      [
        "nom" => "2. Once In A Lifetime"
        "ordre" => 2
      ]
      [
        "nom" => "3. Misty"
        "ordre" => 3
      ]
      [
        "nom" => "3. Today I Love Ev’rybody"
        "ordre" => 10
      ]
      [
        "nom" => "4. More"
        "ordre" => 4
      ]
      [
        "nom" => "4. Without The One You Love"
        "ordre" => 11
      ]
      [
        "nom" => "5. There Is No Greater Love"
        "ordre" => 5
      ]
      [
        "nom" => "5. Trouble In Mind"
        "ordre" => 12
      ]
      [
        "nom" => "6. Love for Sale"
        "ordre" => 13
      ]
      [
        "nom" => "6. Muddy Water"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1454 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2056 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2049 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2051 …}
    -enregistreLe: DateTime @1469567120 {#2042
      date: 2016-07-26 21:05:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1573458319 {#2043
      date: 2019-11-11 07:45:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2053 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-yeah-pure-pleasure-records-ppan-cs-9151"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2061
    -id: 434
    -nom: "With Strings "
    -informationComplementaire: ""
    -description: """
      This release offers a unique glimpse of a young Chet Baker in a quintet setting, complemented by a nine-piece string section. Utilizing the uniquely modern arrangements of Johnny Mandel, Marty Paich, Jack Montrose, and Shorty Rogers, this interaction of "West Coast cool" with primordial elevator music escapes many if not indeed all of the potential sonic pitfalls such a marriage might suggest. In the truest sense of the word augmentation, the string arrangements provide the desired opulence sans the heavy-handed or syrupy residual effects. \r\n
      \r\n
      Perhaps most inspiring about this outing is the success with which Baker and crew are able to thrive in this environment, providing subtle insight into the quintet's ability to simultaneously adapt and explore. "Love Walked In" incorporates a trademark volley of interaction between Baker and Sims. "Love" contains what is arguably the most successful implementation of the string section, as well as some stellar soloing by Freeman. In fact, his contributions to this particular recording rank among his finest with Baker and company. The same enthusiasm can likewise be applied to "A Little Duet for Zoot and Chet". Not only are Sims and Baker in top flight, but the string arrangement swings irresistibly as well. The easygoing and otherwise winding strings support the cool bop like a kite in a March breeze light, airy, and conspicuous only in altitude. - Lindsay Planer / AMG\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Chet Baker (trumpet), Zoot Sims (tenor saxophone), Bud Shank (alto sax, flute), S. Cytron, J. Gasselin, V. Gottlieb, G. Kast, L. Kievman, P. Robyn, E. Shapiro, P. Shure, F. Slatkin (strings), Russ Freeman (piano), Joe Mondragon (bass), Shelly Manne (drums"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=JrForBBzudA"
    -referenceProduit: "Pure Pleasure Records PPAN 549"
    -titreMorceau: [
      [
        "nom" => "1. I Love You"
        "ordre" => 10
      ]
      [
        "nom" => "1. You Don't Know What Love Is"
        "ordre" => 1
      ]
      [
        "nom" => "2. I'm Through With Love"
        "ordre" => 2
      ]
      [
        "nom" => "2. What A Diff'rence A Day Made"
        "ordre" => 11
      ]
      [
        "nom" => "3. Love Walked In"
        "ordre" => 3
      ]
      [
        "nom" => "3. Why Shouldn't I ?"
        "ordre" => 12
      ]
      [
        "nom" => "4. A Little Duet For Zoot And Chet"
        "ordre" => 13
      ]
      [
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    ]
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      date: 2019-11-10 08:40:53.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3263
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  +produit: App\Entity\Produit {#2061
    -id: 434
    -nom: "With Strings "
    -informationComplementaire: ""
    -description: """
      This release offers a unique glimpse of a young Chet Baker in a quintet setting, complemented by a nine-piece string section. Utilizing the uniquely modern arrangements of Johnny Mandel, Marty Paich, Jack Montrose, and Shorty Rogers, this interaction of "West Coast cool" with primordial elevator music escapes many if not indeed all of the potential sonic pitfalls such a marriage might suggest. In the truest sense of the word augmentation, the string arrangements provide the desired opulence sans the heavy-handed or syrupy residual effects. \r\n
      \r\n
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      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
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[
  "produit" => App\Entity\Produit {#2077
    -id: 500
    -nom: "The Sound of Jazz"
    -informationComplementaire: ""
    -description: """
      "The Sound of Jazz" is a 1957 edition of the CBS television series Seven Lively Arts, and was one of the first major programmes featuring jazz to air on American network television. \r\n
      \r\n
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        "ordre" => 7
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      [
        "nom" => "Side A : "
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    -nom: "The Sound of Jazz"
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    -description: """
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[
  "produit" => App\Entity\Produit {#2093
    -id: 759
    -nom: "Piano Concerto N° 1"
    -informationComplementaire: ""
    -description: """
      Béla Bartók : Concerto for Piano and Orchestra N° 1, Rhapsody for Piano and Orchestra, Op. 1 - Géza Anda and the Radio Symphonie Orchester Berlin conducted by Ferenc Fricsay.\r\n
      \r\n
      Between Bartók's Rhapsody for Piano and his First Piano Concerto lie 22 years of development, a struggle to find subject matter, form and his own musical language. While the Rhapsody from 1904 is dominated by a late-Romantic tone, which delights in a free, craggy and capricious feast of affable harmonies, the Piano Concerto reflects contemplation and a delving into the formal strictness of the classical three-movement concerto form. Rather less concerto-like and unconventional is, however, the use of the piano as a percussion instrument, which after just a few bars on the winds, hammers out an unrelenting staccato against the harsh and dissonant orchestra.\r\n
      \r\n
      In the slow movement too the piano is predominantly employed as a percussion instrument that, like the pendulum of a clock, rhythmically bulldozes on against the cheerless, bleak winds. Wild emotion predominates in the Finale. Stormy, insistent figures in the piano are answered by the orchestra with animated blows, but the quick flashes of melodies cannot establish themselves and are slashed to pieces as if caught in a storm.\r\n
      \r\n
      This uncompromising severity presents an enormous challenge that is mastered with aplomb by Géza Anda and the RSO Berlin under Ferenc Fricsay. Bartók's musical language is milder and more accessible in his Second and Third Piano Concertos, which are now available in a new pressing from Speakers Corner Records.\r\n
      \r\n
      Recording : October 1960 at Jesus-Christus-Kirche, Berlin, by Günter Hermanns?\r\n
      Production : Otto Gerdes\r\n
      \r\n
      """
    -prixVente: "32.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -preCommande: false
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    -extraitYoutube: ""
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        "ordre" => 5
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App\Twig\Components\GestionPanierFavoriComponents {#3365
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    -nom: "Piano Concerto N° 1"
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      Béla Bartók : Concerto for Piano and Orchestra N° 1, Rhapsody for Piano and Orchestra, Op. 1 - Géza Anda and the Radio Symphonie Orchester Berlin conducted by Ferenc Fricsay.\r\n
      \r\n
      Between Bartók's Rhapsody for Piano and his First Piano Concerto lie 22 years of development, a struggle to find subject matter, form and his own musical language. While the Rhapsody from 1904 is dominated by a late-Romantic tone, which delights in a free, craggy and capricious feast of affable harmonies, the Piano Concerto reflects contemplation and a delving into the formal strictness of the classical three-movement concerto form. Rather less concerto-like and unconventional is, however, the use of the piano as a percussion instrument, which after just a few bars on the winds, hammers out an unrelenting staccato against the harsh and dissonant orchestra.\r\n
      \r\n
      In the slow movement too the piano is predominantly employed as a percussion instrument that, like the pendulum of a clock, rhythmically bulldozes on against the cheerless, bleak winds. Wild emotion predominates in the Finale. Stormy, insistent figures in the piano are answered by the orchestra with animated blows, but the quick flashes of melodies cannot establish themselves and are slashed to pieces as if caught in a storm.\r\n
      \r\n
      This uncompromising severity presents an enormous challenge that is mastered with aplomb by Géza Anda and the RSO Berlin under Ferenc Fricsay. Bartók's musical language is milder and more accessible in his Second and Third Piano Concertos, which are now available in a new pressing from Speakers Corner Records.\r\n
      \r\n
      Recording : October 1960 at Jesus-Christus-Kirche, Berlin, by Günter Hermanns?\r\n
      Production : Otto Gerdes\r\n
      \r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Geza Anda (piano), The Radio Symphonie Orchester Berlin conducted by Ferenc Fricsay"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "DG 138708"
    -titreMorceau: [
      [
        "nom" => "1. Rhapsodie (Für Klavier Und Orchester)"
        "ordre" => 5
      ]
      [
        "nom" => "1. Satz : Allegro Moderato - Allegro"
        "ordre" => 1
      ]
      [
        "nom" => "2. Satz : Andante"
        "ordre" => 2
      ]
      [
        "nom" => "3. Satz : Allegro Molto"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2095 …}
    -label: Proxies\__CG__\App\Entity\Label {#2098 …}
    -style: App\Entity\Style {#1438 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2107 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2100 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2102 …}
    -enregistreLe: DateTime @1425834805 {#2090
      date: 2015-03-08 17:13:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1573195919 {#2091
      date: 2019-11-08 06:51:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2104 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-piano-concerto-n-1-dg-138708"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2112
    -id: 861
    -nom: "Splendido Hotel"
    -informationComplementaire: ""
    -description: """
      Just how much creative gunpowder had Al Di Meola ignited in his early career ? First of all there was the flamenco firework in the best-seller Elegant Gypsy, and secondly his mega-successful live album resulting from a summit meeting in San Francisco with Paco de Lucia and John McLaughlin. After this great start it was no wonder that such prominent colleagues as Jan Hammer, Chick Corea, Steve Gadd, Anthony Jackson and Les Paul were eager to participate in the present album Splendido Hotel. This great line-up of musicians produce a rich, saturated sound and create numerous "flavors" in this cocktail of sounds, which - as a double LP - can be likened to a fantastic long drink, as it were.\r\n
      \r\n
      Di Meola's idea of fusion starts off in the opening number as a slow, sluggish oriental-like melody, which develops to take on a rock rhythm. High-speed and lovingly detailed flamenco such as is found in "Splendido Sundance" alternates with subtle rhythms ("Two To Tango") and good-humoured lighter numbers with an electronic undertone such as "Roller Jubilee" and a funky version of Bert Kaempfert's "Spanish Eyes". With this great mix, the musicians create a wonderful atmosphere in which every Latin aficionado will feel at home.\r\n
      \r\n
      Recording : 1979 at CBS Recording and Electric Lady Studios, New York, by Dave Palmer and Love Castle Studios, Los Angeles, by Bernie Kisch.\r\n
      Production : Al Di Meola and Philip Roberge.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Al Di Meola (guitar, drums, percussion, vocals), Chick Corea (piano), Les Paul (guitar), Anthony Jackson (bass), Jan Hammer (synthesizer), Philippe Saisse (keyboard, marimba),  Mingo Lewis (conga, bongo), Eddie Colon (percussion), Steve Gadd (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CcIs-DILN7E"
    -referenceProduit: "Columbia C2X 36270"
    -titreMorceau: [
      [
        "nom" => "1. Alien Chase on Arabian Desert"
        "ordre" => 1
      ]
      [
        "nom" => "1. Dinner Music of The Gods"
        "ordre" => 8
      ]
      [
        "nom" => "1. Roller Jubilee"
        "ordre" => 4
      ]
      [
        "nom" => "1. Spanish Eyes"
        "ordre" => 12
      ]
      [
        "nom" => "2. Isfahan"
        "ordre" => 13
      ]
      [
        "nom" => "2. Silent Story in Her Eyes"
        "ordre" => 2
      ]
      [
        "nom" => "2. Splendido Sundance"
        "ordre" => 9
      ]
      [
        "nom" => "2. Two To Tango"
        "ordre" => 5
      ]
      [
        "nom" => "3. Al Di's Dream Theme"
        "ordre" => 6
      ]
      [
        "nom" => "3. Bianca's Midnight Lullaby"
        "ordre" => 14
      ]
      [
        "nom" => "3. I Can Tell"
        "ordre" => 10
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 3
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "Side D :"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2114 …}
    -label: Proxies\__CG__\App\Entity\Label {#2098 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2123 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2116 …}
    -typeMasterTape: null
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    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2118 …}
    -enregistreLe: DateTime @1453657231 {#2109
      date: 2016-01-24 17:40:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1573195505 {#2110
      date: 2019-11-08 06:45:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2120 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-splendido-hotel-columbia-c2x-36270"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3416
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2112
    -id: 861
    -nom: "Splendido Hotel"
    -informationComplementaire: ""
    -description: """
      Just how much creative gunpowder had Al Di Meola ignited in his early career ? First of all there was the flamenco firework in the best-seller Elegant Gypsy, and secondly his mega-successful live album resulting from a summit meeting in San Francisco with Paco de Lucia and John McLaughlin. After this great start it was no wonder that such prominent colleagues as Jan Hammer, Chick Corea, Steve Gadd, Anthony Jackson and Les Paul were eager to participate in the present album Splendido Hotel. This great line-up of musicians produce a rich, saturated sound and create numerous "flavors" in this cocktail of sounds, which - as a double LP - can be likened to a fantastic long drink, as it were.\r\n
      \r\n
      Di Meola's idea of fusion starts off in the opening number as a slow, sluggish oriental-like melody, which develops to take on a rock rhythm. High-speed and lovingly detailed flamenco such as is found in "Splendido Sundance" alternates with subtle rhythms ("Two To Tango") and good-humoured lighter numbers with an electronic undertone such as "Roller Jubilee" and a funky version of Bert Kaempfert's "Spanish Eyes". With this great mix, the musicians create a wonderful atmosphere in which every Latin aficionado will feel at home.\r\n
      \r\n
      Recording : 1979 at CBS Recording and Electric Lady Studios, New York, by Dave Palmer and Love Castle Studios, Los Angeles, by Bernie Kisch.\r\n
      Production : Al Di Meola and Philip Roberge.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Al Di Meola (guitar, drums, percussion, vocals), Chick Corea (piano), Les Paul (guitar), Anthony Jackson (bass), Jan Hammer (synthesizer), Philippe Saisse (keyboard, marimba),  Mingo Lewis (conga, bongo), Eddie Colon (percussion), Steve Gadd (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CcIs-DILN7E"
    -referenceProduit: "Columbia C2X 36270"
    -titreMorceau: [
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        "nom" => "1. Alien Chase on Arabian Desert"
        "ordre" => 1
      ]
      [
        "nom" => "1. Dinner Music of The Gods"
        "ordre" => 8
      ]
      [
        "nom" => "1. Roller Jubilee"
        "ordre" => 4
      ]
      [
        "nom" => "1. Spanish Eyes"
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      [
        "nom" => "2. Isfahan"
        "ordre" => 13
      ]
      [
        "nom" => "2. Silent Story in Her Eyes"
        "ordre" => 2
      ]
      [
        "nom" => "2. Splendido Sundance"
        "ordre" => 9
      ]
      [
        "nom" => "2. Two To Tango"
        "ordre" => 5
      ]
      [
        "nom" => "3. Al Di's Dream Theme"
        "ordre" => 6
      ]
      [
        "nom" => "3. Bianca's Midnight Lullaby"
        "ordre" => 14
      ]
      [
        "nom" => "3. I Can Tell"
        "ordre" => 10
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 3
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "Side D :"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2114 …}
    -label: Proxies\__CG__\App\Entity\Label {#2098 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2123 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2116 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2118 …}
    -enregistreLe: DateTime @1453657231 {#2109
      date: 2016-01-24 17:40:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1573195505 {#2110
      date: 2019-11-08 06:45:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2120 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-splendido-hotel-columbia-c2x-36270"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2128
    -id: 764
    -nom: "Lonely And Alive"
    -informationComplementaire: ""
    -description: """
      Singing actors and actresses do not always cut a good figure on the silver screen; play-acting singers, however, are all the better when they draw attention to themselves with great vocals. As did Lena Horne in the days of the black-and-white film, who, with her sultry, versatile voice, was constantly employed by Hollywood.\r\n
      \r\n
      Although she occasionally ventured into the world of jazz, and made music with Teddy Wilson and Benny Carter, she never forayed into the wide world of improvisation. Her musical home was in the American Songbook, which she approached with a natural and entertaining manner. A good example of this is the first number here the Cole Porter classic "I Concentrate On You", which swings along to the perfectly recorded big-band sound of the Marty Paich Orchestra.\r\n
      \r\n
      A surprise element is the extensive palette of vocal sound-coloring with which the diva enhances her voice to achieve the drama of a Shirley Bassey or the dusky depths of a Dinah Washington. Each and every number on this Grammy-worthy album has been thought out in great detail and guarantees sophisticated entertainment, and a hint of West Coast jazz is perceptible when Jack Sheldon treats us to the sound of his warm and dark trumpet solos.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Lena Horne (vocals), Joe Mondragon (bass), Bill Pitman (guitar), Gene DeNovi (piano), Bill Perkins, Joe Maini (saxophone), Bob Enevoldsen, Frank Rosolino (trombone), Jack Sheldon, Pete Candoli (trumpet), Frank Capp, Shelly Manne (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=L_1SEOoZ-rU"
    -referenceProduit: "RCA LSP 2587"
    -titreMorceau: [
      [
        "nom" => "1. I Concentrate On You"
        "ordre" => 1
      ]
      [
        "nom" => "1. I Surrender, Dear"
        "ordre" => 8
      ]
      [
        "nom" => "2. I Found A New Baby"
        "ordre" => 9
      ]
      [
        "nom" => "2. I Get The Blues When It Rains"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Understand"
        "ordre" => 10
      ]
      [
        "nom" => "3. I've Grown Accustomed To His Face"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Got Rhythm"
        "ordre" => 4
      ]
      [
        "nom" => "4. I Let A Song Go Out Of My Heart"
        "ordre" => 11
      ]
      [
        "nom" => "5. I An't Got Nobody (And Nobody Cares For Me)"
        "ordre" => 12
      ]
      [
        "nom" => "5. I'm Confessin' (That I Love You)"
        "ordre" => 5
      ]
      [
        "nom" => "6. I Only Have Eyes For You"
        "ordre" => 13
      ]
      [
        "nom" => "6. I Want To Be Happy"
        "ordre" => 6
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2130 …}
    -label: Proxies\__CG__\App\Entity\Label {#2098 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2139 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2132 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2134 …}
    -enregistreLe: DateTime @1426578073 {#2125
      date: 2015-03-17 07:41:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1573159069 {#2126
      date: 2019-11-07 20:37:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2136 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lonely-and-alive-rca-lsp-2587"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3467
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2128
    -id: 764
    -nom: "Lonely And Alive"
    -informationComplementaire: ""
    -description: """
      Singing actors and actresses do not always cut a good figure on the silver screen; play-acting singers, however, are all the better when they draw attention to themselves with great vocals. As did Lena Horne in the days of the black-and-white film, who, with her sultry, versatile voice, was constantly employed by Hollywood.\r\n
      \r\n
      Although she occasionally ventured into the world of jazz, and made music with Teddy Wilson and Benny Carter, she never forayed into the wide world of improvisation. Her musical home was in the American Songbook, which she approached with a natural and entertaining manner. A good example of this is the first number here the Cole Porter classic "I Concentrate On You", which swings along to the perfectly recorded big-band sound of the Marty Paich Orchestra.\r\n
      \r\n
      A surprise element is the extensive palette of vocal sound-coloring with which the diva enhances her voice to achieve the drama of a Shirley Bassey or the dusky depths of a Dinah Washington. Each and every number on this Grammy-worthy album has been thought out in great detail and guarantees sophisticated entertainment, and a hint of West Coast jazz is perceptible when Jack Sheldon treats us to the sound of his warm and dark trumpet solos.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Lena Horne (vocals), Joe Mondragon (bass), Bill Pitman (guitar), Gene DeNovi (piano), Bill Perkins, Joe Maini (saxophone), Bob Enevoldsen, Frank Rosolino (trombone), Jack Sheldon, Pete Candoli (trumpet), Frank Capp, Shelly Manne (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=L_1SEOoZ-rU"
    -referenceProduit: "RCA LSP 2587"
    -titreMorceau: [
      [
        "nom" => "1. I Concentrate On You"
        "ordre" => 1
      ]
      [
        "nom" => "1. I Surrender, Dear"
        "ordre" => 8
      ]
      [
        "nom" => "2. I Found A New Baby"
        "ordre" => 9
      ]
      [
        "nom" => "2. I Get The Blues When It Rains"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Understand"
        "ordre" => 10
      ]
      [
        "nom" => "3. I've Grown Accustomed To His Face"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Got Rhythm"
        "ordre" => 4
      ]
      [
        "nom" => "4. I Let A Song Go Out Of My Heart"
        "ordre" => 11
      ]
      [
        "nom" => "5. I An't Got Nobody (And Nobody Cares For Me)"
        "ordre" => 12
      ]
      [
        "nom" => "5. I'm Confessin' (That I Love You)"
        "ordre" => 5
      ]
      [
        "nom" => "6. I Only Have Eyes For You"
        "ordre" => 13
      ]
      [
        "nom" => "6. I Want To Be Happy"
        "ordre" => 6
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2130 …}
    -label: Proxies\__CG__\App\Entity\Label {#2098 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2139 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2132 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2134 …}
    -enregistreLe: DateTime @1426578073 {#2125
      date: 2015-03-17 07:41:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1573159069 {#2126
      date: 2019-11-07 20:37:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2136 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lonely-and-alive-rca-lsp-2587"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2144
    -id: 855
    -nom: "Chamber Music From Marlboro"
    -informationComplementaire: ""
    -description: """
      The waltz was perhaps the most important thing that the rather level-headed and conservative Johannes Brahms from Hamburg brought back with him from his sojourn in Vienna. In addition to his purely instrumental waltzes for the piano, he also composed the "Liebeslieder Waltzes" – uniquely folk like and highly original vocal joyfulness in ¾ time. The lyrics are taken from real life and tell of love, longing, desire, and suffering but also of anger and derision.\r\n
      \r\n
      Just how ideally this music fits in with the workshop atmosphere of the Marlboro Summer Music Festival is fully evident here. The musicians gathered around Rudolf Serkin sing the very finest Brahms – joyous, inspired yet completely relaxed – and reflect light upon all aspects of earthly existence. An excellent choice to complement these emotions is Schubert’s penultimate composition "The Shepherd On The Rock" D 965. This great and far-too-seldom performed lied is based on three poems, which are performed impressively and with brilliant musicality by the soloist Benita Valente. And last but not least, the addition of the clarinet, which functions both as a soloist as well as imitating the voice, lends the work its particular charm.\r\n
      \r\n
      Recording : August 1960 at Marlboro School of Music, Vermont (USA), by Fred Plaut\r\n
      Production : Howard H. Scott
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Leon Fleisher, Rudolf Serkin (piano), Harold Wright (clarinet), Marlena Kleinman (alto vocals), Martial Singher (bass vocals), Benita Valente (soprano vocals), Wayne Connor (tenor vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Columbia MS 6236"
    -titreMorceau: [
      [
        "nom" => "1. Johannes Brahms : Liebeslieder Walzer, Op. 52 (I-XII)"
        "ordre" => 1
      ]
      [
        "nom" => "1. Johannes Brahms : Liebeslieder Walzer, Op. 52 (XIII-XVIII)"
        "ordre" => 3
      ]
      [
        "nom" => "2. Franz Schubert : The Shepherd On The Rock, Op. 129"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2079 …}
    -label: Proxies\__CG__\App\Entity\Label {#2098 …}
    -style: App\Entity\Style {#1438 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2152 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2145 …}
    -typeMasterTape: null
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    }
    -modifierLe: DateTime @1573158836 {#2142
      date: 2019-11-07 20:33:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-chamber-music-from-marlboro-columbia-ms-6236"
  }
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    -id: 855
    -nom: "Chamber Music From Marlboro"
    -informationComplementaire: ""
    -description: """
      The waltz was perhaps the most important thing that the rather level-headed and conservative Johannes Brahms from Hamburg brought back with him from his sojourn in Vienna. In addition to his purely instrumental waltzes for the piano, he also composed the "Liebeslieder Waltzes" – uniquely folk like and highly original vocal joyfulness in ¾ time. The lyrics are taken from real life and tell of love, longing, desire, and suffering but also of anger and derision.\r\n
      \r\n
      Just how ideally this music fits in with the workshop atmosphere of the Marlboro Summer Music Festival is fully evident here. The musicians gathered around Rudolf Serkin sing the very finest Brahms – joyous, inspired yet completely relaxed – and reflect light upon all aspects of earthly existence. An excellent choice to complement these emotions is Schubert’s penultimate composition "The Shepherd On The Rock" D 965. This great and far-too-seldom performed lied is based on three poems, which are performed impressively and with brilliant musicality by the soloist Benita Valente. And last but not least, the addition of the clarinet, which functions both as a soloist as well as imitating the voice, lends the work its particular charm.\r\n
      \r\n
      Recording : August 1960 at Marlboro School of Music, Vermont (USA), by Fred Plaut\r\n
      Production : Howard H. Scott
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Leon Fleisher, Rudolf Serkin (piano), Harold Wright (clarinet), Marlena Kleinman (alto vocals), Martial Singher (bass vocals), Benita Valente (soprano vocals), Wayne Connor (tenor vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2079 …}
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    }
    -modifierLe: DateTime @1573158836 {#2142
      date: 2019-11-07 20:33:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -slug: "vinyles-chamber-music-from-marlboro-columbia-ms-6236"
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}

[
  "produit" => App\Entity\Produit {#2157
    -id: 734
    -nom: "Stone Flower"
    -informationComplementaire: ""
    -description: """
      Around the year 1970, almost everything appeared to have been said about the style of music over the past two decades, which was a mix of samba and cool jazz. Adventurous musicians such as Luis Bonfa, Baden Powell, Charly Byrd, João and Astrud Gilberto, and the saxophonist Stan Getz lent fire and sentiment to the “new trend”. First and foremost among them was Carlos Antonio Jobim, whose catchy tunes such as the ticking, shuffling song "Desafinado" and the genial "One Note Samba" were heard all over the globe.\r\n
      \r\n
      That the man from Ipanema still had a lot to say is proved by the present album, which presents Jobim’s creativity at the height of his maturity. Right from the very first number, where Urbie Green on the trombone 'sings' "Tereza My Love" so purely in the top register, it is clear that the late bossa with its typical rhythm is structurally far more refined than the early hot dance numbers. The melodies are woven through, as it were, with shining gold and silver threads of rhythm, and clusters of sound are light and airy. However, here and there, the musicians let their hair down, such as in the Latin classic "Brazil".\r\n
      \r\n
      With that magician of sound Deodato as arranger and conductor, and Rudy van Gelder as recording engineer, this LP is certainly a Bossa masterpiece. There’s no more to be said !\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : June 1970 at Rudy Van Gelder Studio, Englewood Cliffs, NJ, USA\r\n
      Production : Creed Taylor\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Antonio Carlos Jobim (piano, guitar, vocals), Joe Farrell (soprano saxophone), Urbie Green (trombone), Ron Carter (double bass), Harry Loofosky (violin), Airto Moreira / Everaldo Ferreira (percussion), Elumir Deadato (guitar), João Palma (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QTCUKJv_dmc"
    -referenceProduit: "CTI 6002"
    -titreMorceau: [
      [
        "nom" => "1. Stone Flower"
        "ordre" => 6
      ]
      [
        "nom" => "1. Tereza My Love"
        "ordre" => 1
      ]
      [
        "nom" => "2. Amparo"
        "ordre" => 7
      ]
      [
        "nom" => "2. Children's Games"
        "ordre" => 2
      ]
      [
        "nom" => "3. Andorinha"
        "ordre" => 8
      ]
      [
        "nom" => "3. Choro"
        "ordre" => 3
      ]
      [
        "nom" => "4. Brazil (Ary Barroso)"
        "ordre" => 4
      ]
      [
        "nom" => "4. God and the Devil in the Land of the Sun"
        "ordre" => 9
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        "nom" => "5. Sabia"
        "ordre" => 10
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      [
        "nom" => "Side A : "
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        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2159 …}
    -label: Proxies\__CG__\App\Entity\Label {#2098 …}
    -style: App\Entity\Style {#1449 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2161 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2163 …}
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    -modifierLe: DateTime @1573111598 {#2155
      date: 2019-11-07 07:26:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2165 …}
    -disponible: null
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    -slug: "vinyles-stone-flower-cti-6002"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3566
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2157
    -id: 734
    -nom: "Stone Flower"
    -informationComplementaire: ""
    -description: """
      Around the year 1970, almost everything appeared to have been said about the style of music over the past two decades, which was a mix of samba and cool jazz. Adventurous musicians such as Luis Bonfa, Baden Powell, Charly Byrd, João and Astrud Gilberto, and the saxophonist Stan Getz lent fire and sentiment to the “new trend”. First and foremost among them was Carlos Antonio Jobim, whose catchy tunes such as the ticking, shuffling song "Desafinado" and the genial "One Note Samba" were heard all over the globe.\r\n
      \r\n
      That the man from Ipanema still had a lot to say is proved by the present album, which presents Jobim’s creativity at the height of his maturity. Right from the very first number, where Urbie Green on the trombone 'sings' "Tereza My Love" so purely in the top register, it is clear that the late bossa with its typical rhythm is structurally far more refined than the early hot dance numbers. The melodies are woven through, as it were, with shining gold and silver threads of rhythm, and clusters of sound are light and airy. However, here and there, the musicians let their hair down, such as in the Latin classic "Brazil".\r\n
      \r\n
      With that magician of sound Deodato as arranger and conductor, and Rudy van Gelder as recording engineer, this LP is certainly a Bossa masterpiece. There’s no more to be said !\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : June 1970 at Rudy Van Gelder Studio, Englewood Cliffs, NJ, USA\r\n
      Production : Creed Taylor\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=QTCUKJv_dmc"
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        "nom" => "4. Brazil (Ary Barroso)"
        "ordre" => 4
      ]
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      ]
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        "nom" => "5. Sabia"
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        "ordre" => 0
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      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2159 …}
    -label: Proxies\__CG__\App\Entity\Label {#2098 …}
    -style: App\Entity\Style {#1449 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2161 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2163 …}
    -enregistreLe: DateTime @1420189989 {#2154
      date: 2015-01-02 09:13:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1573111598 {#2155
      date: 2019-11-07 07:26:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2165 …}
    -disponible: null
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    -slug: "vinyles-stone-flower-cti-6002"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2173
    -id: 312
    -nom: "Debussy : Nocturnes / Ravel : Daphnis and Chloe Suite N° 2"
    -informationComplementaire: ""
    -description: """
      With his Nocturnes, Debussy’s vision of music inspired by Nature enters a new sphere. His first multi-part orchestral work the composition was originally conceived for violin but was published as a vocal-symphonic work offers a wealth of subtleties as regards melody and sound colouring, the likes of which had never been heard before in Debussy’s oeuvre. Unlike traditional orchestral writing, the woodwinds here provide motivic vitality with a wide spectrum of tonal colouring while the strings unroll a dynamically finely graded carpet of sound. Absolutely innovative is the wordless female chorus in the third movement whose voices combine with the instruments to produce a mysterious tonal concoction.\r\n
      \r\n
      Debussy’s compatriot, Ravel, went to even greater lengths in his "Daphnis and Chloé" Suites. As the instrumental distribution leads one to suspect full orchestra plus 15 percussion instruments, chorus and wind machine, the work is a fully-fledged modern-age French choreographic symphony and one of the greatest compositions of its time. It is almost superfluous to mention that a thrilling performance of both works can only be achieved by the very best of symphony orchestras.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : March 1961 at Cass Technical High School Auditorium, Detroit (MI), USA, by Robert Eberenz\r\n
      Production : Wilma Cozart-Fine\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "The Detroit Symphony Orchestra conducted by Paul Paray"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lMm8W5199Bc"
    -referenceProduit: "Mercury SR 90281"
    -titreMorceau: [
      [
        "nom" => "1. Lever Du Jour"
        "ordre" => 7
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        "nom" => "1. Nuages (Clouds)"
        "ordre" => 2
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        "nom" => "2. Fêtes (Festivals)"
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      ]
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        "nom" => "2. Pantomime"
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      ]
      [
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        "ordre" => 4
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        "nom" => "Claude Debussy : Nocturnes For Orchestra"
        "ordre" => 1
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        "nom" => "Maurice Ravel : Daphnis Et Chloé, Suite N° 2"
        "ordre" => 6
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        "ordre" => 0
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    -artiste: null
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2178 …}
    -disponible: null
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    -slug: "vinyles-debussy-nocturnes-ravel-daphnis-and-chloe-suite-n-2-mercury-sr-90281"
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App\Twig\Components\GestionPanierFavoriComponents {#3619
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2173
    -id: 312
    -nom: "Debussy : Nocturnes / Ravel : Daphnis and Chloe Suite N° 2"
    -informationComplementaire: ""
    -description: """
      With his Nocturnes, Debussy’s vision of music inspired by Nature enters a new sphere. His first multi-part orchestral work the composition was originally conceived for violin but was published as a vocal-symphonic work offers a wealth of subtleties as regards melody and sound colouring, the likes of which had never been heard before in Debussy’s oeuvre. Unlike traditional orchestral writing, the woodwinds here provide motivic vitality with a wide spectrum of tonal colouring while the strings unroll a dynamically finely graded carpet of sound. Absolutely innovative is the wordless female chorus in the third movement whose voices combine with the instruments to produce a mysterious tonal concoction.\r\n
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      Debussy’s compatriot, Ravel, went to even greater lengths in his "Daphnis and Chloé" Suites. As the instrumental distribution leads one to suspect full orchestra plus 15 percussion instruments, chorus and wind machine, the work is a fully-fledged modern-age French choreographic symphony and one of the greatest compositions of its time. It is almost superfluous to mention that a thrilling performance of both works can only be achieved by the very best of symphony orchestras.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : March 1961 at Cass Technical High School Auditorium, Detroit (MI), USA, by Robert Eberenz\r\n
      Production : Wilma Cozart-Fine\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "The Detroit Symphony Orchestra conducted by Paul Paray"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lMm8W5199Bc"
    -referenceProduit: "Mercury SR 90281"
    -titreMorceau: [
      [
        "nom" => "1. Lever Du Jour"
        "ordre" => 7
      ]
      [
        "nom" => "1. Nuages (Clouds)"
        "ordre" => 2
      ]
      [
        "nom" => "2. Fêtes (Festivals)"
        "ordre" => 3
      ]
      [
        "nom" => "2. Pantomime"
        "ordre" => 8
      ]
      [
        "nom" => "3. Danse Générale"
        "ordre" => 9
      ]
      [
        "nom" => "3. Sirènes (Sirens)"
        "ordre" => 4
      ]
      [
        "nom" => "Claude Debussy : Nocturnes For Orchestra"
        "ordre" => 1
      ]
      [
        "nom" => "Maurice Ravel : Daphnis Et Chloé, Suite N° 2"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: null
    -label: Proxies\__CG__\App\Entity\Label {#2098 …}
    -style: App\Entity\Style {#1438 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2181 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2174 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2176 …}
    -enregistreLe: DateTime @1278690823 {#2170
      date: 2010-07-09 15:53:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1573110665 {#2171
      date: 2019-11-07 07:11:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2178 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-debussy-nocturnes-ravel-daphnis-and-chloe-suite-n-2-mercury-sr-90281"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2186
    -id: 666
    -nom: "Live At Fillmore West"
    -informationComplementaire: ""
    -description: """
      Live recordings come up with extremely different results: most of them land in the rubbish bin, some of them are available as bootleg copies when a star’s career has ended and are passed on conspiratorially from one excited collector to another. Only a very few conserve real spirit and sheer enthusiasm, which no arranger or sound mixer can conjure up in the studio. \r\n
      \r\n
      But even more sensational was Aretha Franklin’s guest appearance at the Fillmore West, the legendary concert hall in San Francisco, which closed down shortly afterwards. Everyone knew who was going to perform, and yet everything was quite different on these three nights in the spring of 1971 : her usual show band was left behind in Detroit and she appeared with King Curtis And The Kingpins one of the most impressive bands around accompanied by the trailblazers Cornel Dupree (g) and Bernard Purdie (dr). The Memphis Horns, a fantastic horn section, blast away in the background, their keen as a razor backings rising up to soaring heights. From Billy Preston’s fingertips on the organ flows an aura of spiritual energy and Ray Charles, who by chance (but how fortuitous !) was among the audience also got his appearance in the telling title "Spirit In The Dark". No words need be lost about the queen on the cover. For without the superb albums of the late Sixties, Aretha Franklin would never have become the USA’s first sister of soul nor would she have appeared in the Fillmore West.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : February 1975 live at Fillmore West, San Francisco, by Ray Thompson\r\n
      Production : Jerry Wexler and Arif Mardin\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Aretha Franklin (vocals, piano), Cornell Dupree (guitar), King Curtis (saxophone), Billy Preston (organ), Ray Charles, Truman Thomas (piano), Pancho Morales (congas), Jeremy Jemmott (bass), Bernard Purdie (drums), The Memphis Horns"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CmaM728pvc8"
    -referenceProduit: "Atlantic SD 7205"
    -titreMorceau: [
      [
        "nom" => "1. Dr. Feelgood"
        "ordre" => 8
      ]
      [
        "nom" => "1. Respect"
        "ordre" => 1
      ]
      [
        "nom" => "2. Love The One You're With"
        "ordre" => 2
      ]
      [
        "nom" => "2. Spirit In The Dark"
        "ordre" => 9
      ]
      [
        "nom" => "3. Bridge Over Troubled Water"
        "ordre" => 3
      ]
      [
        "nom" => "3. Spirit In The Dark (Reprise With Ray Charles)"
        "ordre" => 10
      ]
      [
        "nom" => "4. Eleanor Rigby"
        "ordre" => 4
      ]
      [
        "nom" => "4. Reach Out And Touch (Somebody's Hand)"
        "ordre" => 11
      ]
      [
        "nom" => "5. Make It With You"
        "ordre" => 5
      ]
      [
        "nom" => "6. Don't Play That Song"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#2098 …}
    -style: App\Entity\Style {#1454 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2194 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2187 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2189 …}
    -enregistreLe: DateTime @1389536739 {#2183
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    }
    -modifierLe: DateTime @1572987397 {#2184
      date: 2019-11-05 20:56:37.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2191 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-fillmore-west-atlantic-sd-7205"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3667
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2186
    -id: 666
    -nom: "Live At Fillmore West"
    -informationComplementaire: ""
    -description: """
      Live recordings come up with extremely different results: most of them land in the rubbish bin, some of them are available as bootleg copies when a star’s career has ended and are passed on conspiratorially from one excited collector to another. Only a very few conserve real spirit and sheer enthusiasm, which no arranger or sound mixer can conjure up in the studio. \r\n
      \r\n
      But even more sensational was Aretha Franklin’s guest appearance at the Fillmore West, the legendary concert hall in San Francisco, which closed down shortly afterwards. Everyone knew who was going to perform, and yet everything was quite different on these three nights in the spring of 1971 : her usual show band was left behind in Detroit and she appeared with King Curtis And The Kingpins one of the most impressive bands around accompanied by the trailblazers Cornel Dupree (g) and Bernard Purdie (dr). The Memphis Horns, a fantastic horn section, blast away in the background, their keen as a razor backings rising up to soaring heights. From Billy Preston’s fingertips on the organ flows an aura of spiritual energy and Ray Charles, who by chance (but how fortuitous !) was among the audience also got his appearance in the telling title "Spirit In The Dark". No words need be lost about the queen on the cover. For without the superb albums of the late Sixties, Aretha Franklin would never have become the USA’s first sister of soul nor would she have appeared in the Fillmore West.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : February 1975 live at Fillmore West, San Francisco, by Ray Thompson\r\n
      Production : Jerry Wexler and Arif Mardin\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Aretha Franklin (vocals, piano), Cornell Dupree (guitar), King Curtis (saxophone), Billy Preston (organ), Ray Charles, Truman Thomas (piano), Pancho Morales (congas), Jeremy Jemmott (bass), Bernard Purdie (drums), The Memphis Horns"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CmaM728pvc8"
    -referenceProduit: "Atlantic SD 7205"
    -titreMorceau: [
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        "nom" => "1. Dr. Feelgood"
        "ordre" => 8
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      [
        "nom" => "1. Respect"
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      ]
      [
        "nom" => "2. Love The One You're With"
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      ]
      [
        "nom" => "2. Spirit In The Dark"
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      [
        "nom" => "3. Bridge Over Troubled Water"
        "ordre" => 3
      ]
      [
        "nom" => "3. Spirit In The Dark (Reprise With Ray Charles)"
        "ordre" => 10
      ]
      [
        "nom" => "4. Eleanor Rigby"
        "ordre" => 4
      ]
      [
        "nom" => "4. Reach Out And Touch (Somebody's Hand)"
        "ordre" => 11
      ]
      [
        "nom" => "5. Make It With You"
        "ordre" => 5
      ]
      [
        "nom" => "6. Don't Play That Song"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#2098 …}
    -style: App\Entity\Style {#1454 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2194 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2187 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2189 …}
    -enregistreLe: DateTime @1389536739 {#2183
      date: 2014-01-12 14:25:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1572987397 {#2184
      date: 2019-11-05 20:56:37.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2191 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-fillmore-west-atlantic-sd-7205"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2199
    -id: 1055
    -nom: "Parallel Dreams"
    -informationComplementaire: ""
    -description: """
      Loreena`s third recording shows a marked evolution beyond the realm of traditional Celtic music and heads down the road on an eclectic musical journey.\r\n
      \r\n
      Parallel Dreams, the Canadian harpist/songwriter's 1989 quietly moving sophomore release, finds the mystical Loreena in true balladeer form. By far McKennitt's most romantic venture - the liner notes describe the project's central theme as a "yearning toward love, liberty and integration". Parallel Dreams was an emotional and career-turning point for McKennitt. \r\n
      \r\n
      This is a limited edition with beautiful artwork on 180 gram vinyl.
      """
    -prixVente: "39.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=a0TQ4lRZgmw"
    -referenceProduit: "Quinlan Road 0103"
    -titreMorceau: [
      [
        "nom" => "1. Samain Night"
        "ordre" => 1
      ]
      [
        "nom" => "1. Standing Stones"
        "ordre" => 6
      ]
      [
        "nom" => "2. Dickens' Dublin (The Palace)"
        "ordre" => 7
      ]
      [
        "nom" => "2. Moon Cradle"
        "ordre" => 2
      ]
      [
        "nom" => "3. Breaking the Silence"
        "ordre" => 8
      ]
      [
        "nom" => "3. Huron 'Beltane' Fire Dance"
        "ordre" => 3
      ]
      [
        "nom" => "4. Ancient Pines"
        "ordre" => 9
      ]
      [
        "nom" => "4. Annachie Gordon"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2201 …}
    -label: Proxies\__CG__\App\Entity\Label {#2204 …}
    -style: App\Entity\Style {#1462 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2213 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2206 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2208 …}
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      date: 2016-09-29 08:33:44.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1572866776 {#2197
      date: 2019-11-04 11:26:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2210 …}
    -disponible: null
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    -slug: "vinyles-parallel-dreams-quinlan-road-0103"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3713
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2199
    -id: 1055
    -nom: "Parallel Dreams"
    -informationComplementaire: ""
    -description: """
      Loreena`s third recording shows a marked evolution beyond the realm of traditional Celtic music and heads down the road on an eclectic musical journey.\r\n
      \r\n
      Parallel Dreams, the Canadian harpist/songwriter's 1989 quietly moving sophomore release, finds the mystical Loreena in true balladeer form. By far McKennitt's most romantic venture - the liner notes describe the project's central theme as a "yearning toward love, liberty and integration". Parallel Dreams was an emotional and career-turning point for McKennitt. \r\n
      \r\n
      This is a limited edition with beautiful artwork on 180 gram vinyl.
      """
    -prixVente: "39.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=a0TQ4lRZgmw"
    -referenceProduit: "Quinlan Road 0103"
    -titreMorceau: [
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        "ordre" => 1
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        "nom" => "1. Standing Stones"
        "ordre" => 6
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      [
        "nom" => "2. Dickens' Dublin (The Palace)"
        "ordre" => 7
      ]
      [
        "nom" => "2. Moon Cradle"
        "ordre" => 2
      ]
      [
        "nom" => "3. Breaking the Silence"
        "ordre" => 8
      ]
      [
        "nom" => "3. Huron 'Beltane' Fire Dance"
        "ordre" => 3
      ]
      [
        "nom" => "4. Ancient Pines"
        "ordre" => 9
      ]
      [
        "nom" => "4. Annachie Gordon"
        "ordre" => 4
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      [
        "nom" => "Side A : "
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      [
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        "ordre" => 5
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2201 …}
    -label: Proxies\__CG__\App\Entity\Label {#2204 …}
    -style: App\Entity\Style {#1462 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2213 …}
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    -modifierLe: DateTime @1572866776 {#2197
      date: 2019-11-04 11:26:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-parallel-dreams-quinlan-road-0103"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3914
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3915 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3963 …}
  +isValidated: false
  +validatedFields: []
}