Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2618
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2695
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2698 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2697 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
  -formView: Symfony\Component\Form\FormView {#2734 …}
  -form: Symfony\Component\Form\Form {#2884 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1873
    -id: 938
    -nom: "Take Me To The Alley"
    -informationComplementaire: null
    -description: """
      Gregory Porter returns with Take Me To The Alley.\r\n
      \r\n
      An artist whose music is at once timeless yet utterly of its time, Gregory Porter solidifies his standing as his generation's most soulful jazz singer-songwriter with the May 6 release of Take Me to the Alley, the much-anticipated follow-up to his million-selling Grammy-winning 2013 Blue Note debut Liquid Spirit.\r\n
      \r\n
      The lead single "Holding On" finds Porter presenting his decidedly different version of the Disclosure single that he was the featured vocalist on and co-wrote for their album Caracal. "I decided to do the song the way that I would have recorded it on my record," Porter says. "It's a way of saying that a song is a song is a song. The lyrics and the intention of the song come through no matter what kind of bells and whistles are going on". The rousing, bluesy stomp "Don't Lose Your Steam" is dedicated to Porter's three-year-old son with encouraging lyrics about staying committed one's goals regardless of hardship.\r\n
      \r\n
      Reinforcing their well-honed rapport is the return of Porter's core accompanying musicians - pianist and music director Chip Crawford, bassist Aaron James, drummer Emanuel Harrold, alto saxophonist Yosuke Sato, and tenor saxophonist Tivon Pennicott. Singer Alicia Olatuja, trumpeter Keyon Harrold, and organist Ondrej Pivec also make appearances throughout.\r\n
      \r\n
      Liquid Spirit - which followed Porter’s critically-acclaimed and GRAMMY-nominated albums Water (2010) and Be Good (2012) - was released in the Fall of 2013 and quickly grew into a global phenomenon, selling a million albums worldwide and becoming the most streamed jazz album of all-time with more than 20 million streams. The album sold platinum in the U.K. and Germany, and in the U.S. Porter made his first-ever national TV appearances on "The Tonight Show" and "Jimmy Kimmel Live" while Esquire and NPR Music both declared him “America’s Next Great Jazz Singer”. Liquid Spirit also won Porter his first Grammy Award in 2014 for Best Jazz Vocal Album while also earning him a Best Traditional R&B Performance nomination for his affecting ballad “Hey Laura”.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Gregory Porter (vocals), Chip Crawford (piano), Aaron James (bass), Yosuke Sato (alto saxophone), Tivon Pennicott tenor saxophone), Alicia Olatuja (singer), Keyon Harrold (trumpet), Ondrej Pivec (organist), Emanuel Harrold (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=EEZyB4Bxrxg"
    -referenceProduit: "Blue Note Records 81445"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Holding On"
      ]
      [
        "ordre" => 2
        "nom" => "2. Don't Lose Your Steam"
      ]
      [
        "ordre" => 3
        "nom" => "3. Take Me To the Alley"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Day Dream"
      ]
      [
        "ordre" => 6
        "nom" => "2. Consequence of Love"
      ]
      [
        "ordre" => 7
        "nom" => "3. In Fashion"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. More Than A Woman"
      ]
      [
        "ordre" => 10
        "nom" => "2. In Heaven"
      ]
      [
        "ordre" => 11
        "nom" => "3. Insanity"
      ]
      [
        "ordre" => 12
        "nom" => "Side D :"
      ]
      [
        "ordre" => 13
        "nom" => "1. Don't Be A Fool"
      ]
      [
        "ordre" => 14
        "nom" => "2. Fan the Flames"
      ]
      [
        "ordre" => 15
        "nom" => "3. French African Queen"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1464031499 {#1928
      date: 2016-05-23 19:24:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769166519 {#1921
      date: 2026-01-23 11:08:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-take-me-to-the-alley-blue-note-records-81445"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3156
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2697 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#1873
    -id: 938
    -nom: "Take Me To The Alley"
    -informationComplementaire: null
    -description: """
      Gregory Porter returns with Take Me To The Alley.\r\n
      \r\n
      An artist whose music is at once timeless yet utterly of its time, Gregory Porter solidifies his standing as his generation's most soulful jazz singer-songwriter with the May 6 release of Take Me to the Alley, the much-anticipated follow-up to his million-selling Grammy-winning 2013 Blue Note debut Liquid Spirit.\r\n
      \r\n
      The lead single "Holding On" finds Porter presenting his decidedly different version of the Disclosure single that he was the featured vocalist on and co-wrote for their album Caracal. "I decided to do the song the way that I would have recorded it on my record," Porter says. "It's a way of saying that a song is a song is a song. The lyrics and the intention of the song come through no matter what kind of bells and whistles are going on". The rousing, bluesy stomp "Don't Lose Your Steam" is dedicated to Porter's three-year-old son with encouraging lyrics about staying committed one's goals regardless of hardship.\r\n
      \r\n
      Reinforcing their well-honed rapport is the return of Porter's core accompanying musicians - pianist and music director Chip Crawford, bassist Aaron James, drummer Emanuel Harrold, alto saxophonist Yosuke Sato, and tenor saxophonist Tivon Pennicott. Singer Alicia Olatuja, trumpeter Keyon Harrold, and organist Ondrej Pivec also make appearances throughout.\r\n
      \r\n
      Liquid Spirit - which followed Porter’s critically-acclaimed and GRAMMY-nominated albums Water (2010) and Be Good (2012) - was released in the Fall of 2013 and quickly grew into a global phenomenon, selling a million albums worldwide and becoming the most streamed jazz album of all-time with more than 20 million streams. The album sold platinum in the U.K. and Germany, and in the U.S. Porter made his first-ever national TV appearances on "The Tonight Show" and "Jimmy Kimmel Live" while Esquire and NPR Music both declared him “America’s Next Great Jazz Singer”. Liquid Spirit also won Porter his first Grammy Award in 2014 for Best Jazz Vocal Album while also earning him a Best Traditional R&B Performance nomination for his affecting ballad “Hey Laura”.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Gregory Porter (vocals), Chip Crawford (piano), Aaron James (bass), Yosuke Sato (alto saxophone), Tivon Pennicott tenor saxophone), Alicia Olatuja (singer), Keyon Harrold (trumpet), Ondrej Pivec (organist), Emanuel Harrold (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=EEZyB4Bxrxg"
    -referenceProduit: "Blue Note Records 81445"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Holding On"
      ]
      [
        "ordre" => 2
        "nom" => "2. Don't Lose Your Steam"
      ]
      [
        "ordre" => 3
        "nom" => "3. Take Me To the Alley"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Day Dream"
      ]
      [
        "ordre" => 6
        "nom" => "2. Consequence of Love"
      ]
      [
        "ordre" => 7
        "nom" => "3. In Fashion"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. More Than A Woman"
      ]
      [
        "ordre" => 10
        "nom" => "2. In Heaven"
      ]
      [
        "ordre" => 11
        "nom" => "3. Insanity"
      ]
      [
        "ordre" => 12
        "nom" => "Side D :"
      ]
      [
        "ordre" => 13
        "nom" => "1. Don't Be A Fool"
      ]
      [
        "ordre" => 14
        "nom" => "2. Fan the Flames"
      ]
      [
        "ordre" => 15
        "nom" => "3. French African Queen"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1464031499 {#1928
      date: 2016-05-23 19:24:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769166519 {#1921
      date: 2026-01-23 11:08:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-take-me-to-the-alley-blue-note-records-81445"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
}

[
  "produit" => App\Entity\Produit {#2097
    -id: 2177
    -nom: "Still Rising"
    -informationComplementaire: null
    -description: """
      Two-time Grammy-winning jazz vocalist Gregory Porter's new release Still Rising, is an exquisite collection of musical delights. This LP features the tracks, "I Will", "Real Good Hands", "My Babe", "It's Probably Me", "No Love Dying", "Bad Girl Gone", and "Why Does My Heart Feel So Bad ?" pressed on 180 gram heavy vinyl.\r\n
      \r\n
      Not only is it Porter's first compilation, but the album includes five brand new tracks and two new arrangements, alongside existing favorites, covers and duets.\r\n
      \r\n
      This is my music up until now, but it's not a ‘Greatest Hits,' says Porter. They often come at the end of someone's career, and I still feel new and young in mine. I have much more to say. There is always something in an artist's career that people don't know about; I wanted to bring it to their attention.\r\n
      \r\n
      "The album title echoes my last one, All Rise, because I am reiterating something evident in my music and the new songs here this upward-looking optimism about life and love. It's an unfinished story for me, both musically and personally. And I'm still learning how to do this. Still rising".\r\n
      \r\n
      The five new tracks are led by the new single "Dry Bones", written & produced by Troy Miller (Diana Ross, Rag'n'Bone Man, Emeli Sandé). Those are joined by two new arrangements and nine of Porter's best-loved songs. Also featured are songs with Paloma Faith, Moby, Jamie Cullum, Jeff Goldblum, Ella Fitzgerald, and many more.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Gregory Porter (vocals), Chip Crawford (piano), (tenor saxophone), Jahmal Nichols (bass), Emanuel Harrold (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZA8bKTu_75A"
    -referenceProduit: "Blue Note Records 8301"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. I Will \t"
      ]
      [
        "ordre" => 2
        "nom" => "2. Real Good Hands \t"
      ]
      [
        "ordre" => 3
        "nom" => "3. My Babe \t"
      ]
      [
        "ordre" => 4
        "nom" => "4. It's Probably Me "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. No Love Dying "
      ]
      [
        "ordre" => 7
        "nom" => "2. Bad Girl Love "
      ]
      [
        "ordre" => 8
        "nom" => "3. Why Does Heart Feel So Bad ?"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2105 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2098 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2100 …}
    -enregistreLe: DateTime @1640368732 {#2094
      date: 2021-12-24 17:58:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769166173 {#2095
      date: 2026-01-23 11:02:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2102 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-still-rising-blue-note-records-8301"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3272
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2697 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2097
    -id: 2177
    -nom: "Still Rising"
    -informationComplementaire: null
    -description: """
      Two-time Grammy-winning jazz vocalist Gregory Porter's new release Still Rising, is an exquisite collection of musical delights. This LP features the tracks, "I Will", "Real Good Hands", "My Babe", "It's Probably Me", "No Love Dying", "Bad Girl Gone", and "Why Does My Heart Feel So Bad ?" pressed on 180 gram heavy vinyl.\r\n
      \r\n
      Not only is it Porter's first compilation, but the album includes five brand new tracks and two new arrangements, alongside existing favorites, covers and duets.\r\n
      \r\n
      This is my music up until now, but it's not a ‘Greatest Hits,' says Porter. They often come at the end of someone's career, and I still feel new and young in mine. I have much more to say. There is always something in an artist's career that people don't know about; I wanted to bring it to their attention.\r\n
      \r\n
      "The album title echoes my last one, All Rise, because I am reiterating something evident in my music and the new songs here this upward-looking optimism about life and love. It's an unfinished story for me, both musically and personally. And I'm still learning how to do this. Still rising".\r\n
      \r\n
      The five new tracks are led by the new single "Dry Bones", written & produced by Troy Miller (Diana Ross, Rag'n'Bone Man, Emeli Sandé). Those are joined by two new arrangements and nine of Porter's best-loved songs. Also featured are songs with Paloma Faith, Moby, Jamie Cullum, Jeff Goldblum, Ella Fitzgerald, and many more.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Gregory Porter (vocals), Chip Crawford (piano), (tenor saxophone), Jahmal Nichols (bass), Emanuel Harrold (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZA8bKTu_75A"
    -referenceProduit: "Blue Note Records 8301"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. I Will \t"
      ]
      [
        "ordre" => 2
        "nom" => "2. Real Good Hands \t"
      ]
      [
        "ordre" => 3
        "nom" => "3. My Babe \t"
      ]
      [
        "ordre" => 4
        "nom" => "4. It's Probably Me "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. No Love Dying "
      ]
      [
        "ordre" => 7
        "nom" => "2. Bad Girl Love "
      ]
      [
        "ordre" => 8
        "nom" => "3. Why Does Heart Feel So Bad ?"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2105 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2098 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2100 …}
    -enregistreLe: DateTime @1640368732 {#2094
      date: 2021-12-24 17:58:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769166173 {#2095
      date: 2026-01-23 11:02:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2102 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-still-rising-blue-note-records-8301"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
}

[
  "produit" => App\Entity\Produit {#2110
    -id: 1725
    -nom: "Born To Be Blue"
    -informationComplementaire: null
    -description: """
      - Grant Green "Born To Be Blue" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Grant Green's 1962 album Born To Be Blue featuring Ike Quebec is often thought of as the sister album to Quebec's classic Blue and Sentimental, which was recorded for Blue Note just three months prior and also showcased the deep chemistry between the soulful guitarist and tenor saxophonist. Quebec's deep, soul-drenched tenor sound matches beautifully with hard bop masters Green and pianist Sonny Clark, along with the tried-and-true rhythm section team of Sam Jones and Louis Hayes.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Grant Green (guitar), Ike Quebec (tenor saxophone), Sonny Clark (piano), Sam Jones (bass), Louis Hayes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
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    -referenceProduit: "Blue Note Tone Poet Series 8601"
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        "nom" => "2. My One And Only Love"
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        "nom" => ""
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        "nom" => ""
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …}
    -label: Proxies\__CG__\App\Entity\Label {#2115 …}
    -style: App\Entity\Style {#1116 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3318
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  +produit: App\Entity\Produit {#2110
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    -nom: "Born To Be Blue"
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    -description: """
      - Grant Green "Born To Be Blue" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Grant Green's 1962 album Born To Be Blue featuring Ike Quebec is often thought of as the sister album to Quebec's classic Blue and Sentimental, which was recorded for Blue Note just three months prior and also showcased the deep chemistry between the soulful guitarist and tenor saxophonist. Quebec's deep, soul-drenched tenor sound matches beautifully with hard bop masters Green and pianist Sonny Clark, along with the tried-and-true rhythm section team of Sam Jones and Louis Hayes.
      """
    -prixVente: "60.00"
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    -musicienOrchestre: "Grant Green (guitar), Ike Quebec (tenor saxophone), Sonny Clark (piano), Sam Jones (bass), Louis Hayes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
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    -lpsMusic: 1
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[
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    -id: 2889
    -nom: "Solid"
    -informationComplementaire: null
    -description: """
      - Grant Green "Solid" !\r\n
      - Blue Note Classic Vinyl Edition on 180 -gram LP !\r\n
      - All-analog mastering from the original master tapes ! \r\n
      \r\n
      In Spring 1964, guitarist Grant Green recorded two blazing post-bop albums Matador and Solid both of which would go unreleased for more than a decade as Blue Note instead decided to release the guitarist's organ-based soul jazz outings of the time. Green had hinted at this post-bop direction on his 1963 masterpiece Idle Moments, and for the Matador session assembled a quartet with pianist McCoy Tyner, bassist Bob Cranshaw, and Elvin Jones.\r\n
      \r\n
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      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=mqUpGcoVdUE&list=RDmqUpGcoVdUE&start_radio=1"
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App\Twig\Components\GestionPanierFavoriComponents {#3371
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    -id: 2889
    -nom: "Solid"
    -informationComplementaire: null
    -description: """
      - Grant Green "Solid" !\r\n
      - Blue Note Classic Vinyl Edition on 180 -gram LP !\r\n
      - All-analog mastering from the original master tapes ! \r\n
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      In Spring 1964, guitarist Grant Green recorded two blazing post-bop albums Matador and Solid both of which would go unreleased for more than a decade as Blue Note instead decided to release the guitarist's organ-based soul jazz outings of the time. Green had hinted at this post-bop direction on his 1963 masterpiece Idle Moments, and for the Matador session assembled a quartet with pianist McCoy Tyner, bassist Bob Cranshaw, and Elvin Jones.\r\n
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      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -slug: "vinyles-solid-blue-note-records-4013"
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[
  "produit" => App\Entity\Produit {#2144
    -id: 1646
    -nom: "Grant's First Stand"
    -informationComplementaire: null
    -description: """
      - Grant Green "Grant's First Stand" From the Blue Note 80 Vinyl Reissue Series !\r\n
      - Curated by Don Was and Cem Kurosman !\r\n
      - Mastered by Kevin Gray from the original master tapes !\r\n
      - 180 gram LP pressed at Optimal in Germany !\r\n
      \r\n
      Had organist Baby Face Willette stayed in New York and on track, Grant Green, Willette, and Ben Dixon would have become one of the premier organ trios in jazz. From the first note of "Miss Ann's Tempo", they establish a groove, and swing like hell through two standards and four originals. This may have been Grant Green's debut album, but all three of these musicians share equal responsibility in this magnificent January 28, 1961 date. \r\n
      \r\n
      This Blue Note 80 vinyl edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal in Germany.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Grant Green (guitar), Baby Face Willette (organ), Ben Dixon (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
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    -limitedEdition: true
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    -extraitYoutube: "https://www.youtube.com/watch?v=2aiw_MDVgtQ"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3419
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2697 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2144
    -id: 1646
    -nom: "Grant's First Stand"
    -informationComplementaire: null
    -description: """
      - Grant Green "Grant's First Stand" From the Blue Note 80 Vinyl Reissue Series !\r\n
      - Curated by Don Was and Cem Kurosman !\r\n
      - Mastered by Kevin Gray from the original master tapes !\r\n
      - 180 gram LP pressed at Optimal in Germany !\r\n
      \r\n
      Had organist Baby Face Willette stayed in New York and on track, Grant Green, Willette, and Ben Dixon would have become one of the premier organ trios in jazz. From the first note of "Miss Ann's Tempo", they establish a groove, and swing like hell through two standards and four originals. This may have been Grant Green's debut album, but all three of these musicians share equal responsibility in this magnificent January 28, 1961 date. \r\n
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      """
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
}

[
  "produit" => App\Entity\Produit {#2160
    -id: 2213
    -nom: "Nigeria"
    -informationComplementaire: null
    -description: """
      - Grant Green "Nigeria" 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Grant Green's Nigeria is an underrated gem in the guitarist's remarkable Blue Note catalog. Recorded in 1962, and released in 1980, the album features a top-shelf band with Sonny Clark on piano, Sam Jones on bass, and powerhouse Art Blakey on drums. The groove is deep right from the start, highlighting timeless renditions of the classic tracks. Blue Note's Tone Poet Audiophile Vinyl Reissue Series features 180 gram vinyl in deluxe gatefold packaging.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Grant Green (guitar), Sonny Clark (piano), Sam Jones (bass), Louis Hayes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=m-mHo8A4x-E"
    -referenceProduit: "Blue Note Tone Poet Series 9901"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Airegin"
      ]
      [
        "ordre" => 2
        "nom" => "2. It Ain't Necessarily So "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
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      [
        "ordre" => 4
        "nom" => "1. I Concentrate On You"
      ]
      [
        "ordre" => 5
        "nom" => "2. The Things We Did Last Summer"
      ]
      [
        "ordre" => 6
        "nom" => "3. The Song Is You"
      ]
      [
        "ordre" => 7
        "nom" => ""
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …}
    -label: Proxies\__CG__\App\Entity\Label {#2115 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2168 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2161 …}
    -typeMasterTape: null
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    -typeMateriel: null
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    -adresseInternetTest: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2163 …}
    -enregistreLe: DateTime @1650784958 {#2157
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    }
    -modifierLe: DateTime @1769158794 {#2158
      date: 2026-01-23 08:59:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2165 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-nigeria-blue-note-tone-poet-series-9901"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3467
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2697 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2160
    -id: 2213
    -nom: "Nigeria"
    -informationComplementaire: null
    -description: """
      - Grant Green "Nigeria" 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Grant Green's Nigeria is an underrated gem in the guitarist's remarkable Blue Note catalog. Recorded in 1962, and released in 1980, the album features a top-shelf band with Sonny Clark on piano, Sam Jones on bass, and powerhouse Art Blakey on drums. The groove is deep right from the start, highlighting timeless renditions of the classic tracks. Blue Note's Tone Poet Audiophile Vinyl Reissue Series features 180 gram vinyl in deluxe gatefold packaging.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Grant Green (guitar), Sonny Clark (piano), Sam Jones (bass), Louis Hayes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=m-mHo8A4x-E"
    -referenceProduit: "Blue Note Tone Poet Series 9901"
    -titreMorceau: [
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        "nom" => "1. I Concentrate On You"
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        "nom" => ""
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        "nom" => ""
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        "ordre" => 10
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …}
    -label: Proxies\__CG__\App\Entity\Label {#2115 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2168 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2161 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2163 …}
    -enregistreLe: DateTime @1650784958 {#2157
      date: 2022-04-24 07:22:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769158794 {#2158
      date: 2026-01-23 08:59:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2165 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-nigeria-blue-note-tone-poet-series-9901"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
}

[
  "produit" => App\Entity\Produit {#2175
    -id: 2481
    -nom: "I Want To Hold Your Hand"
    -informationComplementaire: null
    -description: """
      - Grant Green "I Want To Hold Your Hand" 180 gram vinyl !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The trio of guitarist Grant Green, organist Larry Young, and drummer Elvin Jones had a unique alchemy from the first time they got together on Green's 1964 album Talkin' About. A couple months later the trio reconvened as a quartet with vibraphonist Bobby Hutcherson to record Street of Dreams. For 1965's I Want To Hold Your Hand they subtly changed their palette again by adding tenor saxophonist Hank Mobley into the mix. The result was another simmering set imbued with sophisticated soul.\r\n
      \r\n
      The quartet elevates a collection of well-known songs with their easy-going elegance from a surprisingly successful bossa reinvention of the title track by The Beatles to the bona fide bossa nova classic "Corcovado" by Antonio Carlos Jobim. The set also includes unforgettable renditions of standards including Kurt Weill's "Speak Low", Victor Young's "Stella By Starlight", and Cole Porter's "At Long Last Love". I Want To Hold Your Hand capped off an extraordinarily prolific five-year run for Green that saw him record more than 20 hard bop and soul jazz sessions for Blue Note. When the guitarist returned to the label in 1969 his style had evolved into the jazz-funk that would characterize his late career.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Grant Green (guitar), Larry Young (organ), Hank Mobley (tenor saxophone), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=BwVZnvW55So"
    -referenceProduit: "Blue Note Tone Poet Series 84202"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. I Want To Hold Your Hand"
      ]
      [
        "ordre" => 2
        "nom" => "2. Speak Low"
      ]
      [
        "ordre" => 3
        "nom" => "3. Stella By Starlight"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Corcovado (Quiet Nights)"
      ]
      [
        "ordre" => 6
        "nom" => "2. This Could Be The Start Of Something"
      ]
      [
        "ordre" => 7
        "nom" => "3. At Long Last Love"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …}
    -label: Proxies\__CG__\App\Entity\Label {#2115 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2183 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2176 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2178 …}
    -enregistreLe: DateTime @1701938236 {#2171
      date: 2023-12-07 08:37:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769157919 {#2170
      date: 2026-01-23 08:45:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2180 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-i-want-to-hold-your-hand-blue-note-tone-poet-series-84202"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3515
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2697 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2175
    -id: 2481
    -nom: "I Want To Hold Your Hand"
    -informationComplementaire: null
    -description: """
      - Grant Green "I Want To Hold Your Hand" 180 gram vinyl !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The trio of guitarist Grant Green, organist Larry Young, and drummer Elvin Jones had a unique alchemy from the first time they got together on Green's 1964 album Talkin' About. A couple months later the trio reconvened as a quartet with vibraphonist Bobby Hutcherson to record Street of Dreams. For 1965's I Want To Hold Your Hand they subtly changed their palette again by adding tenor saxophonist Hank Mobley into the mix. The result was another simmering set imbued with sophisticated soul.\r\n
      \r\n
      The quartet elevates a collection of well-known songs with their easy-going elegance from a surprisingly successful bossa reinvention of the title track by The Beatles to the bona fide bossa nova classic "Corcovado" by Antonio Carlos Jobim. The set also includes unforgettable renditions of standards including Kurt Weill's "Speak Low", Victor Young's "Stella By Starlight", and Cole Porter's "At Long Last Love". I Want To Hold Your Hand capped off an extraordinarily prolific five-year run for Green that saw him record more than 20 hard bop and soul jazz sessions for Blue Note. When the guitarist returned to the label in 1969 his style had evolved into the jazz-funk that would characterize his late career.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Grant Green (guitar), Larry Young (organ), Hank Mobley (tenor saxophone), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=BwVZnvW55So"
    -referenceProduit: "Blue Note Tone Poet Series 84202"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. I Want To Hold Your Hand"
      ]
      [
        "ordre" => 2
        "nom" => "2. Speak Low"
      ]
      [
        "ordre" => 3
        "nom" => "3. Stella By Starlight"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Corcovado (Quiet Nights)"
      ]
      [
        "ordre" => 6
        "nom" => "2. This Could Be The Start Of Something"
      ]
      [
        "ordre" => 7
        "nom" => "3. At Long Last Love"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …}
    -label: Proxies\__CG__\App\Entity\Label {#2115 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2183 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2176 …}
    -typeMasterTape: null
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    -produitTestePar: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2178 …}
    -enregistreLe: DateTime @1701938236 {#2171
      date: 2023-12-07 08:37:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769157919 {#2170
      date: 2026-01-23 08:45:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2180 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-i-want-to-hold-your-hand-blue-note-tone-poet-series-84202"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
}

[
  "produit" => App\Entity\Produit {#2190
    -id: 1633
    -nom: "Legrand Jazz"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Miles Davis, Art Farmer, Donald Byrd, Ernie Royal, Joe Wilder (trumpet), John Coltrane, Ben Webster (Seldon Powell (tenor saxophone), Bill Evans, Hank Jones, Nat Pierce (piano), Phil Woods, Gene Quill (alto saxophone), Teo Macero, Jerome Richardson (baritone saxophone, bass clarinet), George Duvivier, Milt Hinton, Paul Chambers (bass), Herbie Mann (flute), Major Holley (bass, tuba), James Buffington (french horn), Barry Galbraith (guitar), Betty Glamann (harp), Billy Byers, Eddie Bert, Frank Rehak, Jimmy Cleveland (trombone), Don Elliot, Eddie costa (vibraphone), Don Lamond, Kenny Dennis, Osie Johnson (drums).\r\n
      \r\n
      Brand New All-Analog Mastering by Chris Bellman at Bernie Grundman Mastering! Hear this album as it was meant to be heard! Absolutely Stunning !\r\n
      \r\n
      This item not eligible for any further discount offers !\r\n
      \r\n
      The greatest assembly of musical talent ever on one album! Features Performances by John Coltrane, Miles Davis, Bill Evans, Ben Webster & 27 More Jazz Greats !\r\n
      \r\n
      Pressed at Record technology for silent surfaces and true fidelity to the analog source.\r\n
      \r\n
      Exclusive large-format booklet with new art and an appreciation by Tom Schnabel (Rhythm Planet & KCRW).\r\n
      \r\n
      Academy and Grammy ® Award-winning composer/arranger Michel Legrand (The Umbrellas of Cherbourg, Summer of '42, The Thomas Crown Affair) was not a household name in America in 1958, but he was renowned among musicians and a life-long fanatic of American jazz and its players. Legrand Jazz is the result of Legrand traveling to America and using his Columbia Records contract to enlist label mates (and soon to be legends) Miles Davis, John Coltrane, Bill Evans, Paul Chambers, Ben Webster, Hank Jones, Herbie Mann, Phil Woods, Donald Byrd, Art Farmer, Sheldon Powell, Teo Macero, Milt Hinton, Jimmy Cleveland, and others to record his fantastical reimagining of 11 jazz standards. Not merely content to lay down another Parisian hard-bop play-along, the 27 year old worked against type and expectations at every turn, creating a moody, idiosyncratic landscape for unusual call-and-response chase solos, washes of harp and vibes, and sultry horn canvases. Davis, Coltrane and the others manage to fall in with the diverse, mellow flow of Legrand's arrangements while keeping their unique musical voices.\r\n
      \r\n
      Impex's pristine release was mastered by Chris Bellman on Bernie Grundman's All-Tube cutting lathe from a 2 track, all-analog mix down of the original studio work prints, made especially for Impex Records by Mark Wilder at Battery Studios in New York. The results are revelatory. The large recording space is captured in every detail, while Davis' full force dynamic variations come through with incredible veracity. The gentle ebb-and-flow of Legrand's parts highlight microtonal fluctuations on every track. You are along for a magic carpet ride of large jazz ensemble recording when you drop the needle into these grooves.\r\n
      \r\n
      Packaged in meticulously recreated outer jacket in a gatefold with an original photo montage inside honoring Michel Legrand's masterpiece of reinvention and focused fan-boy enthusiasm. This release will be individually numbered up to 3000 !\r\n
      \r\n
      The sound of Impex's all-analog LP preserves the wide soundstage of late 1950's Columbia recordings while creating intimate spaces between players on the stage for maximum definition. On 33 RPM, this rare, highly-praised recording had never sounded so good. Now that it's on 45 RPM double LP ? Even Better !!! Go big with Legrand Jazz.\r\n
      \r\n
      "With superb performances, exquisite surfaces, perfect LP cutting and pressing, and Impex Records’ extremely high production standards, Legrand Jazz is in my current estimation the ultimate reissue ever. Legrand Jazz is a true reference LP and worth including in any top-notch record library for the jazz aficionado or devoted audiophile". - Robert H. Levi, Positive Feedback Online, August 29, 2017 (about 33 RPM version).\r\n
      \r\n
      "This IMPEX reissue is sourced from an 'analog mix-down transfer of the original 1958 work tape by Mark Wilder at Battery Studios' and cut by Chris Bellman and Bob Donnelly at Bernie Grundman Mastering on Grundman's all-tube mastering system. I have a clean, original 6 Eye pressing that this superbly pressed reissue betters in every way. This will make both your stereo and your heart sing. Some of the greatest jazz musicians of that or any era wailing and clearly having a Legrand time. Limited to 3000 numbered copies. Don't miss it!" - Michael Fremer, Analog Planet (about 33 RPM version).
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Miles Davis, Art Farmer, Donald Byrd, Ernie Roya\tl, Joe Wilder (trumpet), John Coltrane, Ben Webster (Seldon Powell (tenor saxophone), Bill Evans, Hank Jones, Nat Pierce (piano), Phil Woods, Gene Quill (alto saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=K3UM4skVf0I"
    -referenceProduit: "Impex Records IMP 6030-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Jitterbug Waltz (Fats Waller)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Nuages (Django Reinhardt)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Night In Tunisia (Dizzy Gillespie)"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Blue And Sentimental (Count Basie)"
      ]
      [
        "ordre" => 6
        "nom" => "2. Stompin' At The Savoy (Benny Goodman)"
      ]
      [
        "ordre" => 7
        "nom" => "3. Django (John Lewis)"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Wild Man Blues (Jelly Roll Morton)"
      ]
      [
        "ordre" => 10
        "nom" => "2. Rosetta (Earl Hines)"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. 'Round Midnight (Thelonious Monk)"
      ]
      [
        "ordre" => 13
        "nom" => "2. Don't Get Around Much Anymore (Duke Ellington)"
      ]
      [
        "ordre" => 14
        "nom" => "3. In A Mist (Bix Beiderbecke)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2192 …}
    -label: Proxies\__CG__\App\Entity\Label {#2195 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3561
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  +produit: App\Entity\Produit {#2190
    -id: 1633
    -nom: "Legrand Jazz"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Miles Davis, Art Farmer, Donald Byrd, Ernie Royal, Joe Wilder (trumpet), John Coltrane, Ben Webster (Seldon Powell (tenor saxophone), Bill Evans, Hank Jones, Nat Pierce (piano), Phil Woods, Gene Quill (alto saxophone), Teo Macero, Jerome Richardson (baritone saxophone, bass clarinet), George Duvivier, Milt Hinton, Paul Chambers (bass), Herbie Mann (flute), Major Holley (bass, tuba), James Buffington (french horn), Barry Galbraith (guitar), Betty Glamann (harp), Billy Byers, Eddie Bert, Frank Rehak, Jimmy Cleveland (trombone), Don Elliot, Eddie costa (vibraphone), Don Lamond, Kenny Dennis, Osie Johnson (drums).\r\n
      \r\n
      Brand New All-Analog Mastering by Chris Bellman at Bernie Grundman Mastering! Hear this album as it was meant to be heard! Absolutely Stunning !\r\n
      \r\n
      This item not eligible for any further discount offers !\r\n
      \r\n
      The greatest assembly of musical talent ever on one album! Features Performances by John Coltrane, Miles Davis, Bill Evans, Ben Webster & 27 More Jazz Greats !\r\n
      \r\n
      Pressed at Record technology for silent surfaces and true fidelity to the analog source.\r\n
      \r\n
      Exclusive large-format booklet with new art and an appreciation by Tom Schnabel (Rhythm Planet & KCRW).\r\n
      \r\n
      Academy and Grammy ® Award-winning composer/arranger Michel Legrand (The Umbrellas of Cherbourg, Summer of '42, The Thomas Crown Affair) was not a household name in America in 1958, but he was renowned among musicians and a life-long fanatic of American jazz and its players. Legrand Jazz is the result of Legrand traveling to America and using his Columbia Records contract to enlist label mates (and soon to be legends) Miles Davis, John Coltrane, Bill Evans, Paul Chambers, Ben Webster, Hank Jones, Herbie Mann, Phil Woods, Donald Byrd, Art Farmer, Sheldon Powell, Teo Macero, Milt Hinton, Jimmy Cleveland, and others to record his fantastical reimagining of 11 jazz standards. Not merely content to lay down another Parisian hard-bop play-along, the 27 year old worked against type and expectations at every turn, creating a moody, idiosyncratic landscape for unusual call-and-response chase solos, washes of harp and vibes, and sultry horn canvases. Davis, Coltrane and the others manage to fall in with the diverse, mellow flow of Legrand's arrangements while keeping their unique musical voices.\r\n
      \r\n
      Impex's pristine release was mastered by Chris Bellman on Bernie Grundman's All-Tube cutting lathe from a 2 track, all-analog mix down of the original studio work prints, made especially for Impex Records by Mark Wilder at Battery Studios in New York. The results are revelatory. The large recording space is captured in every detail, while Davis' full force dynamic variations come through with incredible veracity. The gentle ebb-and-flow of Legrand's parts highlight microtonal fluctuations on every track. You are along for a magic carpet ride of large jazz ensemble recording when you drop the needle into these grooves.\r\n
      \r\n
      Packaged in meticulously recreated outer jacket in a gatefold with an original photo montage inside honoring Michel Legrand's masterpiece of reinvention and focused fan-boy enthusiasm. This release will be individually numbered up to 3000 !\r\n
      \r\n
      The sound of Impex's all-analog LP preserves the wide soundstage of late 1950's Columbia recordings while creating intimate spaces between players on the stage for maximum definition. On 33 RPM, this rare, highly-praised recording had never sounded so good. Now that it's on 45 RPM double LP ? Even Better !!! Go big with Legrand Jazz.\r\n
      \r\n
      "With superb performances, exquisite surfaces, perfect LP cutting and pressing, and Impex Records’ extremely high production standards, Legrand Jazz is in my current estimation the ultimate reissue ever. Legrand Jazz is a true reference LP and worth including in any top-notch record library for the jazz aficionado or devoted audiophile". - Robert H. Levi, Positive Feedback Online, August 29, 2017 (about 33 RPM version).\r\n
      \r\n
      "This IMPEX reissue is sourced from an 'analog mix-down transfer of the original 1958 work tape by Mark Wilder at Battery Studios' and cut by Chris Bellman and Bob Donnelly at Bernie Grundman Mastering on Grundman's all-tube mastering system. I have a clean, original 6 Eye pressing that this superbly pressed reissue betters in every way. This will make both your stereo and your heart sing. Some of the greatest jazz musicians of that or any era wailing and clearly having a Legrand time. Limited to 3000 numbered copies. Don't miss it!" - Michael Fremer, Analog Planet (about 33 RPM version).
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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[
  "produit" => App\Entity\Produit {#2209
    -id: 1107
    -nom: "Legrand Jazz"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Miles Davis, Art Farmer, Donald Byrd, Ernie Royal, Joe Wilder (trumpet), John Coltrane, Ben Webster (Seldon Powell (tenor saxophone), Bill Evans, Hank Jones, Nat Pierce (piano), Phil Woods, Gene Quill (alto saxophone), Teo Macero, Jerome Richardson (baritone saxophone, bass clarinet), George Duvivier, Milt Hinton, Paul Chambers (bass), Herbie Mann (flute), Major Holley (bass, tuba), James Buffington (french horn), Barry Galbraith (guitar), Betty Glamann (harp), Billy Byers, Eddie Bert, Frank Rehak, Jimmy Cleveland (trombone), Don Elliot, Eddie costa (vibraphone), Don Lamond, Kenny Dennis, Osie Johnson (drums)\r\n
      \r\n
      100 % Analog 180 gram Vinyl LP Features Performances by John Coltrane, Miles Davis, Herbie Mann, Bill Evans & More ! \r\n
      \r\n
      Legrand Jazz features Michel Legrand with 31 of America's greatest jazzmen featuring Miles Davis.\r\n
      \r\n
      In 1962, the best jazz musicians in America were brought together by a 27-year old French compositional prodigy. The record they made is a legendary mix of Gaelic lyricism and a simmering jazz soul.\r\n
      \r\n
      Legrand Jazz was greeted by an enthusiastic review in the magazine Down Beat. Dom Cerulli awarded it five stars out of a possible five.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
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    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=K3UM4skVf0I"
    -referenceProduit: "Impex Records IMP 6028"
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        "nom" => "2. Rosetta (Earl Hines)"
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      [
        "ordre" => 11
        "nom" => "4. Don't Get Around Much Anymore (Duke Ellington)"
      ]
      [
        "ordre" => 12
        "nom" => "5. In A Mist (Bix Beiderbecke)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2192 …}
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      date: 2026-01-22 18:22:50.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3614
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2697 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2209
    -id: 1107
    -nom: "Legrand Jazz"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Miles Davis, Art Farmer, Donald Byrd, Ernie Royal, Joe Wilder (trumpet), John Coltrane, Ben Webster (Seldon Powell (tenor saxophone), Bill Evans, Hank Jones, Nat Pierce (piano), Phil Woods, Gene Quill (alto saxophone), Teo Macero, Jerome Richardson (baritone saxophone, bass clarinet), George Duvivier, Milt Hinton, Paul Chambers (bass), Herbie Mann (flute), Major Holley (bass, tuba), James Buffington (french horn), Barry Galbraith (guitar), Betty Glamann (harp), Billy Byers, Eddie Bert, Frank Rehak, Jimmy Cleveland (trombone), Don Elliot, Eddie costa (vibraphone), Don Lamond, Kenny Dennis, Osie Johnson (drums)\r\n
      \r\n
      100 % Analog 180 gram Vinyl LP Features Performances by John Coltrane, Miles Davis, Herbie Mann, Bill Evans & More ! \r\n
      \r\n
      Legrand Jazz features Michel Legrand with 31 of America's greatest jazzmen featuring Miles Davis.\r\n
      \r\n
      In 1962, the best jazz musicians in America were brought together by a 27-year old French compositional prodigy. The record they made is a legendary mix of Gaelic lyricism and a simmering jazz soul.\r\n
      \r\n
      Legrand Jazz was greeted by an enthusiastic review in the magazine Down Beat. Dom Cerulli awarded it five stars out of a possible five.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Miles Davis, Art Farmer, Donald Byrd, Ernie Roya\tl, Joe Wilder (trumpet), John Coltrane, Ben Webster (Seldon Powell (tenor saxophone), Bill Evans, Hank Jones, Nat Pierce (piano), Phil Woods, Gene Quill (alto saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=K3UM4skVf0I"
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        "nom" => "2. Rosetta (Earl Hines)"
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        "ordre" => 11
        "nom" => "4. Don't Get Around Much Anymore (Duke Ellington)"
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      [
        "ordre" => 12
        "nom" => "5. In A Mist (Bix Beiderbecke)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2192 …}
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[
  "produit" => App\Entity\Produit {#2222
    -id: 2400
    -nom: "The Montreux Years"
    -informationComplementaire: null
    -description: """
      - The finest performances from 4 legendary concerts !\r\n
      - Rare and previously unreleased material from the private collection of Claude Nobs, founder and general manager of the Montreux Jazz Festival !\r\n
      - Remastered in superlative audio !\r\n
      - 180 gram gatefold double LP on heavyweight vinyl !\r\n
      - Exclusive liner notes and previously unseen photography !\r\n
      \r\n
      A collection of some of French jazz pianist Michel Petrucciani's best Montreux Jazz Festival live performances! The Montreux Years is released on 2 LP heavyweight vinyl and includes brand new liner notes, as well as rare photos from the festival.\r\n
      \r\n
      The Montreux Years is a Montreux Jazz Festival and BMG collection series. The collections uncover legendary performances by the world's most iconic artists alongside rare and never-before-released recordings from the festival's rich 55-year history, remastered in superlative audio. Each collection is accompanied by exclusive liner notes and previously unseen photography.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Michel Petrucciani (piano), Miroslav Vitouš (double bass), Anthony Jackson (electric bass), Stefano Di Battista (alto saxophone),  Flavio Boltro (trumpet), Denis Leloup (trombone), Eddy Louiss (organ), Steve Gadd (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=B6F9FNbfLUE"
    -referenceProduit: "BMG Records 581 DLP"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. 35 Seconds of Music and More (Live - Montreux Jazz Festival 1998) "
      ]
      [
        "ordre" => 2
        "nom" => "Michel Petrucciani Sextet"
      ]
      [
        "ordre" => 3
        "nom" => "2. Estate (Live - Montreux Jazz Festival 1990) - Michel Petrucciani Quartet"
      ]
      [
        "ordre" => 4
        "nom" => "3. Little Peace in C for U (Live - Montreux Jazz Festival 1998) "
      ]
      [
        "ordre" => 5
        "nom" => "Michel Petrucciani Sextet"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Autumn Leaves (Live - Montreux Jazz Festival 1996) "
      ]
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        "ordre" => 8
        "nom" => "Michel Petrucciani & Miroslav Vitous"
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      [
        "ordre" => 9
        "nom" => "2. My Funny Valentine (Live - Montreux Jazz Festival 1996) "
      ]
      [
        "ordre" => 10
        "nom" => "Michel Petrucciani & Miroslav Vitous"
      ]
      [
        "ordre" => 11
        "nom" => "Side C : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Miles Davis Licks (Live - Montreux Jazz Festival 1990) - Michel Petrucciani Quartet"
      ]
      [
        "ordre" => 13
        "nom" => "2. Summertime (Live - Montreux Jazz Festival 1993)"
      ]
      [
        "ordre" => 14
        "nom" => "3. Take the 'A' Train (Live - Montreux Jazz Festival 1993)"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. So What (Live - Montreux Jazz Festival 1996) - Michel Petrucciani & Miroslav Vitous"
      ]
      [
        "ordre" => 17
        "nom" => "2. You Are My Waltz (Live - Montreux Jazz Festival 1993)"
      ]
      [
        "ordre" => 18
        "nom" => "3. Rachid (Live - Montreux Jazz Festival 1990) - Michel Petrucciani Quartet"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2224 …}
    -label: Proxies\__CG__\App\Entity\Label {#2227 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3660
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    -id: 2400
    -nom: "The Montreux Years"
    -informationComplementaire: null
    -description: """
      - The finest performances from 4 legendary concerts !\r\n
      - Rare and previously unreleased material from the private collection of Claude Nobs, founder and general manager of the Montreux Jazz Festival !\r\n
      - Remastered in superlative audio !\r\n
      - 180 gram gatefold double LP on heavyweight vinyl !\r\n
      - Exclusive liner notes and previously unseen photography !\r\n
      \r\n
      A collection of some of French jazz pianist Michel Petrucciani's best Montreux Jazz Festival live performances! The Montreux Years is released on 2 LP heavyweight vinyl and includes brand new liner notes, as well as rare photos from the festival.\r\n
      \r\n
      The Montreux Years is a Montreux Jazz Festival and BMG collection series. The collections uncover legendary performances by the world's most iconic artists alongside rare and never-before-released recordings from the festival's rich 55-year history, remastered in superlative audio. Each collection is accompanied by exclusive liner notes and previously unseen photography.
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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        "nom" => "1. Miles Davis Licks (Live - Montreux Jazz Festival 1990) - Michel Petrucciani Quartet"
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[
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    -id: 1327
    -nom: "Miles Smiles - SuperVinyl LP"
    -informationComplementaire: null
    -description: """
      The clarity afforded by history proves Miles Davis' second great quintet vying for the unofficial honor of being the finest small jazz combo to ever record to tape. Originally released in 1966, Miles Smiles is largely responsible for the feat, as it commences a series of five groundbreaking albums chronologically rounded out by Sorcerer, Nefertiti, Miles in the Sky, and Filles de Kilimanjaro – guided not by chordal patterns but open responses to melodies. Music would never again be the same. Neither will experiencing Miles Smiles once you hear this definitive-sounding vinyl reissue.\r\n
      \r\n
      - FIRST IN A SERIES OF MODAL ALBUMS THAT CHANGED JAZZ : MILES SMILES FEATURES THE MOST BRILLIANT PLAYING OF MILES DAVIS' SECOND GREAT QUINTET, BURSTS WITH VITALITY AND SPIRIT\r\n
      - Sourced from the Original Master Tapes: Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM SuperVinyl LP Plays with Reference-Setting Sound, Features Stunning Transparency !\r\n
      - 1/4” / 15 IPS / Dolby SR analog remix master to DSD 256 to analog console to lathe !\r\n
      \r\n
      The clarity afforded by history proves Miles Davis' Second Great Quintet vying for the unofficial honor of being the finest small jazz combo to ever record to tape. Originally released in 1967, Miles Smiles is largely responsible for the feat, as it commences a series of five groundbreaking albums chronologically rounded out by Sorcerer, Nefertiti, Miles in the Sky, and Filles de Kilimanjaro guided not by chordal patterns but open responses to melodies. Music would never again be the same. Neither will Miles Smiles once you hear this reference-setting pressing.\r\n
      \r\n
      Sourced from the original master tapes and pressed at Fidelity Record Pressing on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180 gram 33 RPM SuperVinyl LP takes the landmark effort into new sonic territory. Davis and company play against backgrounds that serve to illuminate every detail, texture, and nuance. Realistic separation and plentiful air allow instruments to fully blossom, effectively taking you into Columbia's 30th Street Studio to watch the sessions transpire before your eyes. MoFi’s SuperVinyl profile means the noise floor is practically nonexistent, an advantage that works in tandem with the formula’s pristine transparency, stunningly quiet surfaces, and superb groove definition to bring you “there.”\r\n
      \r\n
      Like the other Davis titles in Mobile Fidelity's reissue series, this collectible version puts a premium on tonality and preservation of notes, which arc and decay with uncanny realism. The brilliance of Teo Macero's original production springs forth from every passage. Experience this standard-setting record burst with a verve, energy, and spirit you can feel. Davis and Wayne Shorter's horns crackle with electricity. Ron Carter's bass attains unprecedented fluidity and dimensionality. Tony Williams' drums pop, splash, and swing with terrific fervor. Herbie Hancock's 88s dance with a communal dynamic.\r\n
      \r\n
      Despite all the headway the ensemble made on its subsequent albums, many jazz cognoscenti and Davis diehards believe the Grammy-nominated Miles Smiles remains the apex of the group’s time together. The evidence is found within the thrills, adventurousness, and curiosities tied to each composition. Accessible and unpredictable, songs reflect an ever-changing mentality, edgy moodiness, and triumphant will with each corner the band rounds a new opportunity to integrate and interact, anticipate and respond, investigate open spaces and establish contagious, broad, striding grooves.\r\n
      \r\n
      For Davis and the music world at large the importance of Miles Smiles cannot be overstated. "The synthesis of complete abstraction with more or less straightforward blues-playing was to sustain [Davis] right through the darkness of the 1970s bands to the later period", write experts Richard Cook and Brian Morton. To their point, everyone from DownBeat to Q to TIME have deemed "Footprints" as one of the greatest compositions of the 20th century.\r\n
      \r\n
      Everywhere you turn, genius abounds on Miles Smiles. Right out of the starting gate, "Orbits" swirls with hard-driving rhythms and Davis' untethered soloing. "Delores" likewise steams and cooks, retaining a tuneful allure all the while speaking with a streetwise swagger. Anchored in part by Hancock's radiant piano lines, the ballad "Circle" moves gently and expresses a romantic elegance via its superb lyrical poise.\r\n
      \r\n
      Throughout Miles Smiles, the band simply has and does it all. There’s also Williams displaying newfound power with his move to heavier sticks; Hancock, via Davis’ direction, playing chords only with his right hand to free up the left to get creative; Shorter juggling time signatures and driving the band forward; and Davis… Well, one close listen to this reference version, and you’ll hear his indescribable genius and want to try and chart it yourself.
      """
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    -musicienOrchestre: "Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Ron Carter (bass), Herbie Hancock (piano), Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=5SKymH9fO1s"
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App\Twig\Components\GestionPanierFavoriComponents {#3711
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    -id: 1327
    -nom: "Miles Smiles - SuperVinyl LP"
    -informationComplementaire: null
    -description: """
      The clarity afforded by history proves Miles Davis' second great quintet vying for the unofficial honor of being the finest small jazz combo to ever record to tape. Originally released in 1966, Miles Smiles is largely responsible for the feat, as it commences a series of five groundbreaking albums chronologically rounded out by Sorcerer, Nefertiti, Miles in the Sky, and Filles de Kilimanjaro – guided not by chordal patterns but open responses to melodies. Music would never again be the same. Neither will experiencing Miles Smiles once you hear this definitive-sounding vinyl reissue.\r\n
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      - FIRST IN A SERIES OF MODAL ALBUMS THAT CHANGED JAZZ : MILES SMILES FEATURES THE MOST BRILLIANT PLAYING OF MILES DAVIS' SECOND GREAT QUINTET, BURSTS WITH VITALITY AND SPIRIT\r\n
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      \r\n
      Sourced from the original master tapes and pressed at Fidelity Record Pressing on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180 gram 33 RPM SuperVinyl LP takes the landmark effort into new sonic territory. Davis and company play against backgrounds that serve to illuminate every detail, texture, and nuance. Realistic separation and plentiful air allow instruments to fully blossom, effectively taking you into Columbia's 30th Street Studio to watch the sessions transpire before your eyes. MoFi’s SuperVinyl profile means the noise floor is practically nonexistent, an advantage that works in tandem with the formula’s pristine transparency, stunningly quiet surfaces, and superb groove definition to bring you “there.”\r\n
      \r\n
      Like the other Davis titles in Mobile Fidelity's reissue series, this collectible version puts a premium on tonality and preservation of notes, which arc and decay with uncanny realism. The brilliance of Teo Macero's original production springs forth from every passage. Experience this standard-setting record burst with a verve, energy, and spirit you can feel. Davis and Wayne Shorter's horns crackle with electricity. Ron Carter's bass attains unprecedented fluidity and dimensionality. Tony Williams' drums pop, splash, and swing with terrific fervor. Herbie Hancock's 88s dance with a communal dynamic.\r\n
      \r\n
      Despite all the headway the ensemble made on its subsequent albums, many jazz cognoscenti and Davis diehards believe the Grammy-nominated Miles Smiles remains the apex of the group’s time together. The evidence is found within the thrills, adventurousness, and curiosities tied to each composition. Accessible and unpredictable, songs reflect an ever-changing mentality, edgy moodiness, and triumphant will with each corner the band rounds a new opportunity to integrate and interact, anticipate and respond, investigate open spaces and establish contagious, broad, striding grooves.\r\n
      \r\n
      For Davis and the music world at large the importance of Miles Smiles cannot be overstated. "The synthesis of complete abstraction with more or less straightforward blues-playing was to sustain [Davis] right through the darkness of the 1970s bands to the later period", write experts Richard Cook and Brian Morton. To their point, everyone from DownBeat to Q to TIME have deemed "Footprints" as one of the greatest compositions of the 20th century.\r\n
      \r\n
      Everywhere you turn, genius abounds on Miles Smiles. Right out of the starting gate, "Orbits" swirls with hard-driving rhythms and Davis' untethered soloing. "Delores" likewise steams and cooks, retaining a tuneful allure all the while speaking with a streetwise swagger. Anchored in part by Hancock's radiant piano lines, the ballad "Circle" moves gently and expresses a romantic elegance via its superb lyrical poise.\r\n
      \r\n
      Throughout Miles Smiles, the band simply has and does it all. There’s also Williams displaying newfound power with his move to heavier sticks; Hancock, via Davis’ direction, playing chords only with his right hand to free up the left to get creative; Shorter juggling time signatures and driving the band forward; and Davis… Well, one close listen to this reference version, and you’ll hear his indescribable genius and want to try and chart it yourself.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Ron Carter (bass), Herbie Hancock (piano), Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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[
  "produit" => App\Entity\Produit {#2260
    -id: 1341
    -nom: "Here Swings The Judge"
    -informationComplementaire: null
    -description: """
      - Remastered for vinyl at Infrasonic Mastering !\r\n
      - Pressed on audiophile-grade vinyl at Pallas in Germany !\r\n
      - Historic recordings, perfect for jazz vinyl collectors !\r\n
       \r\n
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      \r\n
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      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1188 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=Xb2Wss5GSd8"
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  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2697 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2260
    -id: 1341
    -nom: "Here Swings The Judge"
    -informationComplementaire: null
    -description: """
      - Remastered for vinyl at Infrasonic Mastering !\r\n
      - Pressed on audiophile-grade vinyl at Pallas in Germany !\r\n
      - Historic recordings, perfect for jazz vinyl collectors !\r\n
       \r\n
      Here Swings The Judge is Milt Hinton's first LP as a band leader, and includes intimate, private recordings featuring Ben Webster on tenor saxophone before his departure to Europe in 1964. The remaining tracks consist of dynamic studio recordings produced by Harry Lim, and feature prominent players such as Jon Faddis and Budd Johnson.\r\n
      \r\n
      These sessions range from the swinging "Blue Skies," to the slow, serene blues of "Blues for the Judge". This is truly an impressive collection of recordings from the group of early jazz musicians.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Milt Hinton (bass), John Bunch (piano), Ben Webster (tenor saxophone, piano), Frank Wess (tenor saxophone), Budd Johnson (tenor & baritone saxophone), Jon Faddis (trumpet), Jo Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1188 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Xb2Wss5GSd8"
    -referenceProduit: "ORG Music 2107"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Blue Skies "
      ]
      [
        "ordre" => 2
        "nom" => "2. Blues For The Judge "
      ]
      [
        "ordre" => 3
        "nom" => "3. It Had To Be You"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Sophisticated Lady "
      ]
      [
        "ordre" => 6
        "nom" => "2. Stridin’ With Ben "
      ]
      [
        "ordre" => 7
        "nom" => "3. All The Things You Are"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2262 …}
    -label: Proxies\__CG__\App\Entity\Label {#2265 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2274 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2267 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2269 …}
    -enregistreLe: DateTime @1537688202 {#2257
      date: 2018-09-23 07:36:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769103474 {#2258
      date: 2026-01-22 17:37:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2271 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-here-swings-the-judge-org-music-2107"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3963
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3964 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4012 …}
  +isValidated: false
  +validatedFields: []
}