Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2585
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2662
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2665 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
  -formView: Symfony\Component\Form\FormView {#2701 …}
  -form: Symfony\Component\Form\Form {#2851 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1894
    -id: 1038
    -nom: "Couldn't Stand The Weather"
    -informationComplementaire: null
    -description: """
      - Mastered from the original analog tapes by Ryan K. Smith at Sterling Sound !\r\n
      - Cut at 45 RPM, 180 gram pressing by Quality Record Pressings !\r\n
      \r\n
      "The new remastering sounds amazing. Better than it ever did. I'm happy and pleasantly surprised". - Chris "Whipper" Layton\r\n
      \r\n
      The 45 RPM Analogue Productions reissue of Stevie Ray Vaughan's Couldn't Stand The Weather is so good, as are its 45 RPM companions - Texas Flood and Soul To Soul - that they truly represent what Gregg Geller, producer and A&R representative described as "the best replication of the master tapes to date".\r\n
      \r\n
      We've already brought you the 33 1/3 RPM box set Texas Hurricane featuring the greatest Stevie Ray Vaughan tribute ever reissued - six of Vaughan's most classic album titles remastered for ultimate blues and guitar fanatics. We've now taken the extra step and done 45 RPM versions of these three standout LPs.\r\n
      \r\n
      We've used the original 30 inches-per-second, half-inch analog master tapes for all of these albums. Ryan K. Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at our Quality Record Pressings, maker of the world's finest-sounding LPs. \r\n
      \r\n
      Couldn’t Stand The Weather is the remarkable sophomore album by Stevie Ray Vaughan and Double Trouble. It follows their critically acclaimed debut, Texas Flood. Incorporating the same winning formula of musicianship and songwriting, Couldn’t Stand The Weather cemented Vaughan’s place as one of music’s greatest. It is their first to earn gold certification and their first platinum-seller. It includes breathtaking renditions of Clark’s “Cold Shot” and Hendrix’s “Voodoo Child”. A staple on the Billboard charts, this definitive masterpiece received praise from Entertainment Weekly, Q, Down Beat and many others.\r\n
      \r\n
      There's not a link in this production chain that wasn't absolute first-rate. The absolute best that money can buy.\r\n
      \r\n
      But beyond that we've poured our passion into this project. Acoustic Sounds is a big fan of the blues and Stevie Ray Vaughan. It's a big dream come true to work on this project and to make these records sound and look the best they ever have.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Tommy Shannon (bass), Stan Harrison (tenor saxophone), Chris Layton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nO23B5C_Mcw"
    -referenceProduit: "Analogue Productions AAPP 097-45"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Scuttle Buttin' "
        "ordre" => 1
      ]
      [
        "nom" => "2. Couldn't Stand The Weather "
        "ordre" => 2
      ]
      [
        "nom" => "3. The Things (That) I Used To Do "
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Voodoo Child (Slight Return) "
        "ordre" => 5
      ]
      [
        "nom" => "2. Cold Shot"
        "ordre" => 6
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Tin Pan Alley"
        "ordre" => 8
      ]
      [
        "nom" => "Side D :"
        "ordre" => 9
      ]
      [
        "nom" => "2. Honey Bee "
        "ordre" => 10
      ]
      [
        "nom" => "3. Stang's Swang"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1970 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1508 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1973 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2059 …}
    -enregistreLe: DateTime @1473162523 {#1949
      date: 2016-09-06 11:48:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763477117 {#1942
      date: 2025-11-18 14:45:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2065 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-couldn-t-stand-the-weather-analogue-productions-aapp-097-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3123
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#1894
    -id: 1038
    -nom: "Couldn't Stand The Weather"
    -informationComplementaire: null
    -description: """
      - Mastered from the original analog tapes by Ryan K. Smith at Sterling Sound !\r\n
      - Cut at 45 RPM, 180 gram pressing by Quality Record Pressings !\r\n
      \r\n
      "The new remastering sounds amazing. Better than it ever did. I'm happy and pleasantly surprised". - Chris "Whipper" Layton\r\n
      \r\n
      The 45 RPM Analogue Productions reissue of Stevie Ray Vaughan's Couldn't Stand The Weather is so good, as are its 45 RPM companions - Texas Flood and Soul To Soul - that they truly represent what Gregg Geller, producer and A&R representative described as "the best replication of the master tapes to date".\r\n
      \r\n
      We've already brought you the 33 1/3 RPM box set Texas Hurricane featuring the greatest Stevie Ray Vaughan tribute ever reissued - six of Vaughan's most classic album titles remastered for ultimate blues and guitar fanatics. We've now taken the extra step and done 45 RPM versions of these three standout LPs.\r\n
      \r\n
      We've used the original 30 inches-per-second, half-inch analog master tapes for all of these albums. Ryan K. Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at our Quality Record Pressings, maker of the world's finest-sounding LPs. \r\n
      \r\n
      Couldn’t Stand The Weather is the remarkable sophomore album by Stevie Ray Vaughan and Double Trouble. It follows their critically acclaimed debut, Texas Flood. Incorporating the same winning formula of musicianship and songwriting, Couldn’t Stand The Weather cemented Vaughan’s place as one of music’s greatest. It is their first to earn gold certification and their first platinum-seller. It includes breathtaking renditions of Clark’s “Cold Shot” and Hendrix’s “Voodoo Child”. A staple on the Billboard charts, this definitive masterpiece received praise from Entertainment Weekly, Q, Down Beat and many others.\r\n
      \r\n
      There's not a link in this production chain that wasn't absolute first-rate. The absolute best that money can buy.\r\n
      \r\n
      But beyond that we've poured our passion into this project. Acoustic Sounds is a big fan of the blues and Stevie Ray Vaughan. It's a big dream come true to work on this project and to make these records sound and look the best they ever have.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Tommy Shannon (bass), Stan Harrison (tenor saxophone), Chris Layton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nO23B5C_Mcw"
    -referenceProduit: "Analogue Productions AAPP 097-45"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Scuttle Buttin' "
        "ordre" => 1
      ]
      [
        "nom" => "2. Couldn't Stand The Weather "
        "ordre" => 2
      ]
      [
        "nom" => "3. The Things (That) I Used To Do "
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Voodoo Child (Slight Return) "
        "ordre" => 5
      ]
      [
        "nom" => "2. Cold Shot"
        "ordre" => 6
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Tin Pan Alley"
        "ordre" => 8
      ]
      [
        "nom" => "Side D :"
        "ordre" => 9
      ]
      [
        "nom" => "2. Honey Bee "
        "ordre" => 10
      ]
      [
        "nom" => "3. Stang's Swang"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1970 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1508 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1973 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2059 …}
    -enregistreLe: DateTime @1473162523 {#1949
      date: 2016-09-06 11:48:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763477117 {#1942
      date: 2025-11-18 14:45:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2065 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-couldn-t-stand-the-weather-analogue-productions-aapp-097-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2088
    -id: 1065
    -nom: "Labor of Love"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Taj Mahal (guitar, slide guitar, bass, vocals), Neal Pattman (harmonica, vocals), Algia Mae Hinton (twelve string guitar, vocals), John Dee Holeman (guitar, vocals), Cootie Stark (guitar, vocals), Etta Baker (guitar), Cool John Ferguson (electric guitar), Ardie Dean (drums).\r\n
      \r\n
      - Previously unreleased late 1990s recordings !\r\n
      - Taj Mahal, loose and casual in informal recording sessions with peers !\r\n
      - Taj performs with guest artists : John Dee Holeman, Cool John Ferguson, Cootie Stark and Algia Mae Hinton.\r\n
      \r\n
      The blues live on because the blues give people life, not the other way around. Talk about the blues with Grammy winning singer-songwriter and composer Taj Mahal, or Tim Duffy, founder of the Music Maker Relief Foundation, and you'll quickly understand how deeply they grasp this. So it's no surprise that their shared love of blues has created a special vinyl-only album release that's got the loose, easy feel of a porch-sitting guitar strum, sipping sweet tea on a warm summer day.\r\n
      \r\n
      Labor of Love comprises recordings made by Tim Duffy, hanging out with Taj and other artists in a Houston hotel room and during visits to the Music Maker Relief Foundation headquarters in Hillsborough, North Carolina.\r\n
      \r\n
      Taj and Tim first connected in the mid-1990s as Tim was establishing the foundation. The foundation is dedicated to preserving Southern roots music by directly supporting senior artists in need, while documenting their music and sharing their stage and recording talents with the world.\r\n
      \r\n
      A CD collection released by the foundation featuring Music Maker artists caught Taj's attention. Tim invited Taj to his place in rural Pinnacle, N.C., where he hung out with several of the artists. Taj loved how they played and sang, but he especially loved "getting to know their lives and how they made things work".\r\n
      \r\n
      Not much time passed before a performing tour was launched, with Taj as the headliner. Meanwhile, Tim, sensing an incredibly rich opportunity, was hauling along with the tour, high-end recording gear. He set it up in hotel rooms hoping to capture an impromptu session. One night in Houston, magic happened. A few senior bluesmen, Tim, Taj and the daughter of Katie Mae, immortalized in the Lightin' Hopkins classic "Katie Mae Blues" hung out together in a hotel room in Houston. Taj picked up an acoustic guitar and started in on classic tunes - "Stack-O-Lee", "Walking Blues", and more. The tape was rolling.\r\n
      \r\n
      During the time of the tour, Taj was also visiting during hang-out, barbecue and recording sessions at Music Maker's new North Carolina headquarters in Hillsborough. When the music got going, Taj would play some piano, bass, harp, banjo, mandolin and whatever else was needed.\r\n
      \r\n
      Now is the time for these immortalized sessions to be heard. So here they are on a solid piece of wax. And what wax it is - a full-on 180 gram vinyl Analogue Productions masterpiece plated and pressed at Quality Record Pressings, maker of the world's best-sounding LPs. Packaged in a Stoughton Printing tip-on gatefold jacket. You won't find a more intimate portrayal of Taj as a freewheeling, fun-loving, always-in-the-pocket sideman.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Taj Mahal (guitar, slide guitar, bass, vocals), Neal Pattman (harmonica, vocals), Algia Mae Hinton (twelve string guitar, vocals), John Dee Holeman (guitar, vocals), Cootie Stark (guitar, vocals), Etta Baker (guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=2nqJxaW3Y5w"
    -referenceProduit: "Analogue Productions AAPB 0113"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Stagger Lee"
        "ordre" => 1
      ]
      [
        "nom" => "2. Shortnin' Bread (With Neal Pattman)"
        "ordre" => 2
      ]
      [
        "nom" => "3. My Creole Belle"
        "ordre" => 3
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
      [
        "nom" => "1. I Ain't the One You Love (With Algie Mae Hinton)"
        "ordre" => 5
      ]
      [
        "nom" => "2. Fishin' Blues"
        "ordre" => 6
      ]
      [
        "nom" => "3. Mistreated Blues (With John Dee Holeman)"
        "ordre" => 7
      ]
      [
        "nom" => "4. Zanzibar"
        "ordre" => 8
      ]
      [
        "nom" => "Side C :"
        "ordre" => 9
      ]
      [
        "nom" => "1. So Sweet (With Cootie Stark)"
        "ordre" => 10
      ]
      [
        "nom" => "2. Spike Drivers Blues"
        "ordre" => 11
      ]
      [
        "nom" => "3. Hambone (With John Dee Holeman)"
        "ordre" => 12
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
      [
        "nom" => "1. Walking Blues"
        "ordre" => 14
      ]
      [
        "nom" => "2. John Henry (With Etta Baker)"
        "ordre" => 15
      ]
      [
        "nom" => "3. Song For Brenda (With Cool John Ferguson)"
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2090 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1508 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2099 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2092 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2094 …}
    -enregistreLe: DateTime @1477553434 {#2085
      date: 2016-10-27 07:30:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763452547 {#2086
      date: 2025-11-18 07:55:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2096 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-labor-of-love-analogue-productions-aapb-0113"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3237
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2088
    -id: 1065
    -nom: "Labor of Love"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Taj Mahal (guitar, slide guitar, bass, vocals), Neal Pattman (harmonica, vocals), Algia Mae Hinton (twelve string guitar, vocals), John Dee Holeman (guitar, vocals), Cootie Stark (guitar, vocals), Etta Baker (guitar), Cool John Ferguson (electric guitar), Ardie Dean (drums).\r\n
      \r\n
      - Previously unreleased late 1990s recordings !\r\n
      - Taj Mahal, loose and casual in informal recording sessions with peers !\r\n
      - Taj performs with guest artists : John Dee Holeman, Cool John Ferguson, Cootie Stark and Algia Mae Hinton.\r\n
      \r\n
      The blues live on because the blues give people life, not the other way around. Talk about the blues with Grammy winning singer-songwriter and composer Taj Mahal, or Tim Duffy, founder of the Music Maker Relief Foundation, and you'll quickly understand how deeply they grasp this. So it's no surprise that their shared love of blues has created a special vinyl-only album release that's got the loose, easy feel of a porch-sitting guitar strum, sipping sweet tea on a warm summer day.\r\n
      \r\n
      Labor of Love comprises recordings made by Tim Duffy, hanging out with Taj and other artists in a Houston hotel room and during visits to the Music Maker Relief Foundation headquarters in Hillsborough, North Carolina.\r\n
      \r\n
      Taj and Tim first connected in the mid-1990s as Tim was establishing the foundation. The foundation is dedicated to preserving Southern roots music by directly supporting senior artists in need, while documenting their music and sharing their stage and recording talents with the world.\r\n
      \r\n
      A CD collection released by the foundation featuring Music Maker artists caught Taj's attention. Tim invited Taj to his place in rural Pinnacle, N.C., where he hung out with several of the artists. Taj loved how they played and sang, but he especially loved "getting to know their lives and how they made things work".\r\n
      \r\n
      Not much time passed before a performing tour was launched, with Taj as the headliner. Meanwhile, Tim, sensing an incredibly rich opportunity, was hauling along with the tour, high-end recording gear. He set it up in hotel rooms hoping to capture an impromptu session. One night in Houston, magic happened. A few senior bluesmen, Tim, Taj and the daughter of Katie Mae, immortalized in the Lightin' Hopkins classic "Katie Mae Blues" hung out together in a hotel room in Houston. Taj picked up an acoustic guitar and started in on classic tunes - "Stack-O-Lee", "Walking Blues", and more. The tape was rolling.\r\n
      \r\n
      During the time of the tour, Taj was also visiting during hang-out, barbecue and recording sessions at Music Maker's new North Carolina headquarters in Hillsborough. When the music got going, Taj would play some piano, bass, harp, banjo, mandolin and whatever else was needed.\r\n
      \r\n
      Now is the time for these immortalized sessions to be heard. So here they are on a solid piece of wax. And what wax it is - a full-on 180 gram vinyl Analogue Productions masterpiece plated and pressed at Quality Record Pressings, maker of the world's best-sounding LPs. Packaged in a Stoughton Printing tip-on gatefold jacket. You won't find a more intimate portrayal of Taj as a freewheeling, fun-loving, always-in-the-pocket sideman.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Taj Mahal (guitar, slide guitar, bass, vocals), Neal Pattman (harmonica, vocals), Algia Mae Hinton (twelve string guitar, vocals), John Dee Holeman (guitar, vocals), Cootie Stark (guitar, vocals), Etta Baker (guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=2nqJxaW3Y5w"
    -referenceProduit: "Analogue Productions AAPB 0113"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Stagger Lee"
        "ordre" => 1
      ]
      [
        "nom" => "2. Shortnin' Bread (With Neal Pattman)"
        "ordre" => 2
      ]
      [
        "nom" => "3. My Creole Belle"
        "ordre" => 3
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
      [
        "nom" => "1. I Ain't the One You Love (With Algie Mae Hinton)"
        "ordre" => 5
      ]
      [
        "nom" => "2. Fishin' Blues"
        "ordre" => 6
      ]
      [
        "nom" => "3. Mistreated Blues (With John Dee Holeman)"
        "ordre" => 7
      ]
      [
        "nom" => "4. Zanzibar"
        "ordre" => 8
      ]
      [
        "nom" => "Side C :"
        "ordre" => 9
      ]
      [
        "nom" => "1. So Sweet (With Cootie Stark)"
        "ordre" => 10
      ]
      [
        "nom" => "2. Spike Drivers Blues"
        "ordre" => 11
      ]
      [
        "nom" => "3. Hambone (With John Dee Holeman)"
        "ordre" => 12
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
      [
        "nom" => "1. Walking Blues"
        "ordre" => 14
      ]
      [
        "nom" => "2. John Henry (With Etta Baker)"
        "ordre" => 15
      ]
      [
        "nom" => "3. Song For Brenda (With Cool John Ferguson)"
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2090 …}
    -label: App\Entity\Label {#1116 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2092 …}
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    -enregistreLe: DateTime @1477553434 {#2085
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    }
    -modifierLe: DateTime @1763452547 {#2086
      date: 2025-11-18 07:55:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2096 …}
    -disponible: null
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  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2104
    -id: 1157
    -nom: "Ted Nugent"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      - Mastered by Ryan Smith at Sterling Sound using legendary mastering engineer George Marino's notes from his original mastering sessions with the original analog tapes !\r\n
      - Remastered by Smith in George's mixing room using Marino's VMS 80 lathe !\r\n
      - 180 gram vinyl plated by Gary Salstrom and pressed at Quality Record Pressings, the world's finest LP maker !\r\n
      - Self-titled album made Nugent and his gonzo guitar a rock icon !\r\n
      \r\n
      "There was a moment, in 1975 to be exact, when Ted Nugent was taken very seriously. As a musician. Before he decided to become whatever it is that he is now. ... Let’s think back to 1975 when Ted was just a sex–crazed rock star who made a killer self–titled debut solo record that has now been remastered and reissued as a gatefold, by Chad Kassem’s Analogue Productions and Quality Record Pressings. While his songwriting interests have never really changed, these were the best takes on all those ideas that Nugent would from this point on build his career on. ... on Ted Nugent his guitar riffs were never sharper, his playing never less indulgent. This is a record where even the inner cuts like 'Just What the Doctor Ordered' and 'Queen of the Forest' were good to great". - Robert Baird, Stereophile. \r\n
      \r\n
      We were fortunate with this one. Fortunate you say ? How so? Well for starters, the late and lauded mastering engineer George Marino at Sterling Sound mastered and cut the original 1975 release of Ted Nugent. Almost 40 years later, after some digging by George's protege, Ryan Smith, on behalf of this Analogue Productions reissue - lo and behold — George's mastering notes resurfaced as well as the original analog tape masters.\r\n
      \r\n
      With the release of Ted Nugent, the self-proclaimed Motor City Madman and god of gonzo guitar became not just a star, but one of rock 'n' roll's icons. The songs "Motor City Madhouse" and "Just What The Doctor Ordered" would become two of many of Ted's road anthems. These and the other 10 monster tracks on Ted Nugent were clear evidence that Ted was an artist to be reckoned with.\r\n
      \r\n
      Ted Nugent still likes to reflect back on what his critics were saying as he put his band, the Amboy Dukes, to rest and started the next phase of his career-one that would be under his own vision, his own direction and most importantly, his own name.\r\n
      \r\n
      "I remember some of the more creative writers of the ilk claimed it would be 'the final nail in my coffin' - quote, unquote", Nugent says with a redemptive laugh. "I knew better".\r\n
      \r\n
      The mention of Ted's name elicits different reactions from rock fans today in different parts of the country. Nods of familiarity on both coasts, and clenched fists and knowing grins in the vast Midwest and South. He's sold millions of albums. Rock radio couldn't play enough of him - and neither could promoters, who made him the hardest-working and top-grossing gunslinger of the mid- and late-'70s. While most other rockers posed with their sleek Stratocasters and Les Pauls, there was Nugent, whipping his mane of hair around his head as he cranked out sound on his big Gibson Birdland, a hog of a guitar with rich, thick and creamy tones - clearly not something to be trusted to amateurs. But in Nugent's hands it screamed, squealed and cried, providing a vivid 3-D voice for the monster crunch of "Stranglehold", the menacing stomp of "Stormtroopin" and the fiery boogie of "Hey Baby", "Motor City Madhouse" and "Snakeskin Cowboys".\r\n
      \r\n
      We feel this is Ted's finest recording by far. And here, you'll hear this classic more clearly and vividly than ever before. This reissue was remastered by Smith in the late George Marino's mixing room at Sterling Sound using Marino's VMS 80 lathe and an ATR 102 tape machine modified by Mike Spitz—the only one of its kind in the world.. Then this 180 gram vinyl beauty was pressed by Quality Record Pressings, makers of the world's finest LPs, where it was plated for vinyl by Gary Salstrom, QRP's master plating technician and general manager. The power burned into these grooves is difficult to find anywhere else this side of the Atlantic, and indeed it remains a rare commodity anywhere in the world.\r\n
      \r\n
      As Ted himself proclaims : "If anyone wanted to know what rock 'n' roll was all about, this is the only album they'll need".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1930 …}
    -musicienOrchestre: "Ted Nugent (lead & rhythm guitar, vocals, bass guitar, percussion), Derek St. Holmes (vocals, rythm guitar), Rob Grange (bass guitar), Steve McRay (keyboards), Cliff Davies (drums, vibraphone, backing vocals), Brian Staffeld, Tom Werman (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=01vXSgoLsWM"
    -referenceProduit: "Analogue Productions AAPP 33692-45"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Stranglehold"
        "ordre" => 1
      ]
      [
        "nom" => "Side B :"
        "ordre" => 2
      ]
      [
        "nom" => "1. Stormtroopin'"
        "ordre" => 3
      ]
      [
        "nom" => "2. Hey Baby"
        "ordre" => 4
      ]
      [
        "nom" => "3. Just What the Doctor Ordered"
        "ordre" => 5
      ]
      [
        "nom" => "Side C :"
        "ordre" => 6
      ]
      [
        "nom" => "1. Snakeskin Cowboys"
        "ordre" => 7
      ]
      [
        "nom" => "2. Motor City Madhouse"
        "ordre" => 8
      ]
      [
        "nom" => "Side D :"
        "ordre" => 9
      ]
      [
        "nom" => "1. Where Have You Been All My Life"
        "ordre" => 10
      ]
      [
        "nom" => "2. You Make Me Feel Right At Home"
        "ordre" => 11
      ]
      [
        "nom" => "3. Queen of the Forest"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2106 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1525 …}
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    }
    -modifierLe: DateTime @1763139816 {#2102
      date: 2025-11-14 17:03:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2112 …}
    -disponible: null
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    -slug: "vinyles-ted-nugent-analogue-productions-aapp-33692-45"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3288
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2104
    -id: 1157
    -nom: "Ted Nugent"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      - Mastered by Ryan Smith at Sterling Sound using legendary mastering engineer George Marino's notes from his original mastering sessions with the original analog tapes !\r\n
      - Remastered by Smith in George's mixing room using Marino's VMS 80 lathe !\r\n
      - 180 gram vinyl plated by Gary Salstrom and pressed at Quality Record Pressings, the world's finest LP maker !\r\n
      - Self-titled album made Nugent and his gonzo guitar a rock icon !\r\n
      \r\n
      "There was a moment, in 1975 to be exact, when Ted Nugent was taken very seriously. As a musician. Before he decided to become whatever it is that he is now. ... Let’s think back to 1975 when Ted was just a sex–crazed rock star who made a killer self–titled debut solo record that has now been remastered and reissued as a gatefold, by Chad Kassem’s Analogue Productions and Quality Record Pressings. While his songwriting interests have never really changed, these were the best takes on all those ideas that Nugent would from this point on build his career on. ... on Ted Nugent his guitar riffs were never sharper, his playing never less indulgent. This is a record where even the inner cuts like 'Just What the Doctor Ordered' and 'Queen of the Forest' were good to great". - Robert Baird, Stereophile. \r\n
      \r\n
      We were fortunate with this one. Fortunate you say ? How so? Well for starters, the late and lauded mastering engineer George Marino at Sterling Sound mastered and cut the original 1975 release of Ted Nugent. Almost 40 years later, after some digging by George's protege, Ryan Smith, on behalf of this Analogue Productions reissue - lo and behold — George's mastering notes resurfaced as well as the original analog tape masters.\r\n
      \r\n
      With the release of Ted Nugent, the self-proclaimed Motor City Madman and god of gonzo guitar became not just a star, but one of rock 'n' roll's icons. The songs "Motor City Madhouse" and "Just What The Doctor Ordered" would become two of many of Ted's road anthems. These and the other 10 monster tracks on Ted Nugent were clear evidence that Ted was an artist to be reckoned with.\r\n
      \r\n
      Ted Nugent still likes to reflect back on what his critics were saying as he put his band, the Amboy Dukes, to rest and started the next phase of his career-one that would be under his own vision, his own direction and most importantly, his own name.\r\n
      \r\n
      "I remember some of the more creative writers of the ilk claimed it would be 'the final nail in my coffin' - quote, unquote", Nugent says with a redemptive laugh. "I knew better".\r\n
      \r\n
      The mention of Ted's name elicits different reactions from rock fans today in different parts of the country. Nods of familiarity on both coasts, and clenched fists and knowing grins in the vast Midwest and South. He's sold millions of albums. Rock radio couldn't play enough of him - and neither could promoters, who made him the hardest-working and top-grossing gunslinger of the mid- and late-'70s. While most other rockers posed with their sleek Stratocasters and Les Pauls, there was Nugent, whipping his mane of hair around his head as he cranked out sound on his big Gibson Birdland, a hog of a guitar with rich, thick and creamy tones - clearly not something to be trusted to amateurs. But in Nugent's hands it screamed, squealed and cried, providing a vivid 3-D voice for the monster crunch of "Stranglehold", the menacing stomp of "Stormtroopin" and the fiery boogie of "Hey Baby", "Motor City Madhouse" and "Snakeskin Cowboys".\r\n
      \r\n
      We feel this is Ted's finest recording by far. And here, you'll hear this classic more clearly and vividly than ever before. This reissue was remastered by Smith in the late George Marino's mixing room at Sterling Sound using Marino's VMS 80 lathe and an ATR 102 tape machine modified by Mike Spitz—the only one of its kind in the world.. Then this 180 gram vinyl beauty was pressed by Quality Record Pressings, makers of the world's finest LPs, where it was plated for vinyl by Gary Salstrom, QRP's master plating technician and general manager. The power burned into these grooves is difficult to find anywhere else this side of the Atlantic, and indeed it remains a rare commodity anywhere in the world.\r\n
      \r\n
      As Ted himself proclaims : "If anyone wanted to know what rock 'n' roll was all about, this is the only album they'll need".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1930 …}
    -musicienOrchestre: "Ted Nugent (lead & rhythm guitar, vocals, bass guitar, percussion), Derek St. Holmes (vocals, rythm guitar), Rob Grange (bass guitar), Steve McRay (keyboards), Cliff Davies (drums, vibraphone, backing vocals), Brian Staffeld, Tom Werman (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=01vXSgoLsWM"
    -referenceProduit: "Analogue Productions AAPP 33692-45"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Stranglehold"
        "ordre" => 1
      ]
      [
        "nom" => "Side B :"
        "ordre" => 2
      ]
      [
        "nom" => "1. Stormtroopin'"
        "ordre" => 3
      ]
      [
        "nom" => "2. Hey Baby"
        "ordre" => 4
      ]
      [
        "nom" => "3. Just What the Doctor Ordered"
        "ordre" => 5
      ]
      [
        "nom" => "Side C :"
        "ordre" => 6
      ]
      [
        "nom" => "1. Snakeskin Cowboys"
        "ordre" => 7
      ]
      [
        "nom" => "2. Motor City Madhouse"
        "ordre" => 8
      ]
      [
        "nom" => "Side D :"
        "ordre" => 9
      ]
      [
        "nom" => "1. Where Have You Been All My Life"
        "ordre" => 10
      ]
      [
        "nom" => "2. You Make Me Feel Right At Home"
        "ordre" => 11
      ]
      [
        "nom" => "3. Queen of the Forest"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2106 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1525 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2108 …}
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    }
    -modifierLe: DateTime @1763139816 {#2102
      date: 2025-11-14 17:03:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2112 …}
    -disponible: null
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    -slug: "vinyles-ted-nugent-analogue-productions-aapp-33692-45"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2120
    -id: 677
    -nom: "Ted Nugent"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      - Mastered by Ryan Smith at Sterling Sound using legendary mastering engineer George Marino's notes from his original mastering sessions with the original analog tapes !\r\n
      - Remastered by Smith in George's mixing room using Marino's VMS 80 lathe !\r\n
      - 180 gram vinyl plated by Gary Salstrom and pressed at Quality Record Pressings, the world's finest LP maker !\r\n
      - Self-titled album made Nugent and his gonzo guitar a rock icon !\r\n
      \r\n
      "There was a moment, in 1975 to be exact, when Ted Nugent was taken very seriously. As a musician. Before he decided to become whatever it is that he is now. ... Let’s think back to 1975 when Ted was just a sex–crazed rock star who made a killer self–titled debut solo record thathas now been remastered and reissued as a gatefold, by Chad Kassem’s Analogue Productions and Quality Record Pressings. While his songwriting interests have never really changed, these were the best takes on all those ideas that Nugent would from this point on build his career on. ... on Ted Nugent his guitar riffs were never sharper, his playing never less indulgent. This is a record where even the inner cuts like 'Just What the Doctor Ordered' and 'Queen of the Forest' were good to great". - Robert Baird, Stereophile, May 201. Read the whole review. http://www.stereophile.com/content/billion-dollar-babies \r\n
      \r\n
      We were fortunate with this one. Fortunate you say ? How so ? Well for starters, the late and lauded mastering engineer George Marino at Sterling Sound mastered and cut the original 1975 release of Ted Nugent. Almost 40 years later, after some digging by George's protege, Ryan Smith, on behalf of this Analogue Productions reissue lo and behold George's mastering notes resurfaced as well as the original analog tape masters.\r\n
      \r\n
      With the release of Ted Nugent, the self-proclaimed Motor City Madman and god of gonzo guitar became not just a star, but one of rock 'n' roll's icons. The songs "Motor City Madhouse" and "Just What The Doctor Ordered" would become two of many of Ted's road anthems. These and the other 10 monster tracks on Ted Nugent were clear evidence that Ted was an artist to be reckoned with.\r\n
      \r\n
      Ted Nugent still likes to reflect back on what his critics were saying as he put his band, the Amboy Dukes, to rest and started the next phase of his career one that would be under his own vision, his own direction and most importantly, his own name.\r\n
      \r\n
      "I remember some of the more creative writers of the ilk claimed it would be 'the final nail in my coffin' — quote, unquote," Nugent says with a redemptive laugh. "I knew better".\r\n
      \r\n
      The mention of Ted's name elicits different reactions from rock fans today in different parts of the country. Nods of familiarity on both coasts, and clenched fists and knowing grins in the vast Midwest and South. He's sold millions of albums. Rock radio couldn't play enough of him and neither could promoters, who made him the hardest-working and top-grossing gunslinger of the mid- and late-'70s. While most other rockers posed with their sleek Stratocasters and Les Pauls, there was Nugent, whipping his mane of hair around his head as he cranked out sound on his big Gibson Birdland, a hog of a guitar with rich, thick and creamy tones clearly not something to be trusted to amateurs. But in Nugent's hands it screamed, squealed and cried, providing a vivid 3-D voice for the monster crunch of "Stranglehold", the menacing stomp of "Stormtroopin" and the fiery boogie of "Hey Baby", "Motor City Madhouse" and "Snakeskin Cowboys".\r\n
      \r\n
      We feel this is Ted's finest recording by far. And here, you'll hear this classic more clearly and vividly than ever before. This reissue was remastered by Smith in the late George Marino's mixing room at Sterling Sound using Marino's VMS 80 lathe and an ATR 102 tape machine modified by Mike Spitz the only one of its kind in the world… Then this 200 gram vinyl beauty was pressed by Quality Record Pressings, makers of the world's finest LPs, where it was plated for vinyl by Gary Salstrom, QRP's master plating technician and general manager. The power burned into these grooves is difficult to find anywhere else this side of the Atlantic, and indeed it remains a rare commodity anywhere in the world.\r\n
      \r\n
      As Ted himself proclaims : "If anyone wanted to know what rock 'n' roll was all about, this is the only album they'll need".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1930 …}
    -musicienOrchestre: "Ted Nugent (lead & rhythm guitar, vocals, bass guitar, percussion), Derek St. Holmes (vocals, rythm guitar), Rob Grange (bass guitar), Steve McRay (keyboards), Cliff Davies (drums, vibraphone, backing vocals), Brian Staffeld, Tom Werman (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0c3d7QgZr7g"
    -referenceProduit: "Analogue Productions AAPB 33692"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Stranglehold"
        "ordre" => 1
      ]
      [
        "nom" => "2. Stormtroopin'"
        "ordre" => 2
      ]
      [
        "nom" => "3. Hey Baby"
        "ordre" => 3
      ]
      [
        "nom" => "4. Just What The Doctor Ordered"
        "ordre" => 4
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
      [
        "nom" => "1. Snakeskin Cowboys"
        "ordre" => 6
      ]
      [
        "nom" => "2. Motor City Madhouse"
        "ordre" => 7
      ]
      [
        "nom" => "3. Where Have You Been All My Life"
        "ordre" => 8
      ]
      [
        "nom" => "4. You Make Me Feel Right At Home"
        "ordre" => 9
      ]
      [
        "nom" => "5. Queen Of The Forest"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2106 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1525 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2128 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2121 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2123 …}
    -enregistreLe: DateTime @1398152998 {#2117
      date: 2014-04-22 07:49:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763139688 {#2118
      date: 2025-11-14 17:01:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2125 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-ted-nugent-analogue-productions-aapb-33692"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3341
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2120
    -id: 677
    -nom: "Ted Nugent"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      - Mastered by Ryan Smith at Sterling Sound using legendary mastering engineer George Marino's notes from his original mastering sessions with the original analog tapes !\r\n
      - Remastered by Smith in George's mixing room using Marino's VMS 80 lathe !\r\n
      - 180 gram vinyl plated by Gary Salstrom and pressed at Quality Record Pressings, the world's finest LP maker !\r\n
      - Self-titled album made Nugent and his gonzo guitar a rock icon !\r\n
      \r\n
      "There was a moment, in 1975 to be exact, when Ted Nugent was taken very seriously. As a musician. Before he decided to become whatever it is that he is now. ... Let’s think back to 1975 when Ted was just a sex–crazed rock star who made a killer self–titled debut solo record thathas now been remastered and reissued as a gatefold, by Chad Kassem’s Analogue Productions and Quality Record Pressings. While his songwriting interests have never really changed, these were the best takes on all those ideas that Nugent would from this point on build his career on. ... on Ted Nugent his guitar riffs were never sharper, his playing never less indulgent. This is a record where even the inner cuts like 'Just What the Doctor Ordered' and 'Queen of the Forest' were good to great". - Robert Baird, Stereophile, May 201. Read the whole review. http://www.stereophile.com/content/billion-dollar-babies \r\n
      \r\n
      We were fortunate with this one. Fortunate you say ? How so ? Well for starters, the late and lauded mastering engineer George Marino at Sterling Sound mastered and cut the original 1975 release of Ted Nugent. Almost 40 years later, after some digging by George's protege, Ryan Smith, on behalf of this Analogue Productions reissue lo and behold George's mastering notes resurfaced as well as the original analog tape masters.\r\n
      \r\n
      With the release of Ted Nugent, the self-proclaimed Motor City Madman and god of gonzo guitar became not just a star, but one of rock 'n' roll's icons. The songs "Motor City Madhouse" and "Just What The Doctor Ordered" would become two of many of Ted's road anthems. These and the other 10 monster tracks on Ted Nugent were clear evidence that Ted was an artist to be reckoned with.\r\n
      \r\n
      Ted Nugent still likes to reflect back on what his critics were saying as he put his band, the Amboy Dukes, to rest and started the next phase of his career one that would be under his own vision, his own direction and most importantly, his own name.\r\n
      \r\n
      "I remember some of the more creative writers of the ilk claimed it would be 'the final nail in my coffin' — quote, unquote," Nugent says with a redemptive laugh. "I knew better".\r\n
      \r\n
      The mention of Ted's name elicits different reactions from rock fans today in different parts of the country. Nods of familiarity on both coasts, and clenched fists and knowing grins in the vast Midwest and South. He's sold millions of albums. Rock radio couldn't play enough of him and neither could promoters, who made him the hardest-working and top-grossing gunslinger of the mid- and late-'70s. While most other rockers posed with their sleek Stratocasters and Les Pauls, there was Nugent, whipping his mane of hair around his head as he cranked out sound on his big Gibson Birdland, a hog of a guitar with rich, thick and creamy tones clearly not something to be trusted to amateurs. But in Nugent's hands it screamed, squealed and cried, providing a vivid 3-D voice for the monster crunch of "Stranglehold", the menacing stomp of "Stormtroopin" and the fiery boogie of "Hey Baby", "Motor City Madhouse" and "Snakeskin Cowboys".\r\n
      \r\n
      We feel this is Ted's finest recording by far. And here, you'll hear this classic more clearly and vividly than ever before. This reissue was remastered by Smith in the late George Marino's mixing room at Sterling Sound using Marino's VMS 80 lathe and an ATR 102 tape machine modified by Mike Spitz the only one of its kind in the world… Then this 200 gram vinyl beauty was pressed by Quality Record Pressings, makers of the world's finest LPs, where it was plated for vinyl by Gary Salstrom, QRP's master plating technician and general manager. The power burned into these grooves is difficult to find anywhere else this side of the Atlantic, and indeed it remains a rare commodity anywhere in the world.\r\n
      \r\n
      As Ted himself proclaims : "If anyone wanted to know what rock 'n' roll was all about, this is the only album they'll need".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1930 …}
    -musicienOrchestre: "Ted Nugent (lead & rhythm guitar, vocals, bass guitar, percussion), Derek St. Holmes (vocals, rythm guitar), Rob Grange (bass guitar), Steve McRay (keyboards), Cliff Davies (drums, vibraphone, backing vocals), Brian Staffeld, Tom Werman (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    ]
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[
  "produit" => App\Entity\Produit {#2133
    -id: 1827
    -nom: "Country Hits... Feelin' Blue"
    -informationComplementaire: null
    -description: """
      Country Hits... Feelin' Blue, released by Tennessee Ernie Ford in 1964, is a throwback or as the liner notes to this country classic (perhaps Ford's best) say, "You don't hear much singing like this nowadays just a voice with easy guitar and bass accompaniment". But oh, what a voice. Ford's resonant-voiced baritone might be best known for his 1955 cover of Merle Travis' grim coal-mining song "Sixteen Tons", with sales topping 4 million copies. The hit cemented Ford's place as one of America's top entertainers a singer and TV host who enjoyed success during the 1950s, '60s and '70s in multiple musical genres country, pop, and gospel.\r\n
      \r\n
      He first guested on the Grand Ole Opry in 1950, and in 1953 he became the first country singer to appear at London's prestigious Palladium. Soon NBC hired him to emcee the television game show Kollege of Musical Knowledge, and also to host his own weekday program. His subsequent prime-time network variety programs made "Bless your little pea-pickin' hearts" a household catch phrase and provided wide exposure for his musical renditions of great country and gospel favorites.\r\n
      \r\n
      The songs chosen by Ford for Country Hits... Feelin' Blue are all favorites, some of the best tunes from the inspired pens of such country composers as Hank Williams, Fred Rose, Jenny Lou Carson, Willie Nelson, and Don Gibson. The album (one of Ford's favorite LPs) was recorded with backup provided by just two musicians; guitarist Billy Strange and bassist John Mosher.\r\n
      \r\n
      Some of these songs go back to the start of Ford's career when he and Strange were working together as cast members of Los Angeles's Hometown Jamboree country music radio show. Mosher was a member of Ford's TV show band since its inception. Strange created the musical arrangements for Country Hits... Feelin' Blue a quiet, simple get-together with the songs they had been playing and singing down through the years. That's why it's more than just another album. You can hear the affection and understanding coming through.\r\n
      \r\n
      For this Analogue Productions reissue they turned to the experts who once again bring their stellar craftsmanship to the creation of a phenomenal-sounding release. Lacquers were cut by Kevin Gray at Cohearent Audio who mastered the LP from the original tape. Plating and 200 gram pressing was by Quality Record Pressings, noted for their superior sonics and silent backgrounds. And nothing less than a Stoughton Printing old-style tip-on jacket would suit such a great LP.\r\n
      \r\n
      Albums have been made with lots more people and lots more sound. But quantity never did mean quality. This is just a simple, great album. Great voice, great guitar and bass, and great songs the best of each.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Tennessee Ernie Ford (vocals), Billy Strange (guitar), John Mosher (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xHElnHHgd8U"
    -referenceProduit: "Analogue Production AAPP 0126"
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        "ordre" => 0
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    ]
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    -id: 1827
    -nom: "Country Hits... Feelin' Blue"
    -informationComplementaire: null
    -description: """
      Country Hits... Feelin' Blue, released by Tennessee Ernie Ford in 1964, is a throwback or as the liner notes to this country classic (perhaps Ford's best) say, "You don't hear much singing like this nowadays just a voice with easy guitar and bass accompaniment". But oh, what a voice. Ford's resonant-voiced baritone might be best known for his 1955 cover of Merle Travis' grim coal-mining song "Sixteen Tons", with sales topping 4 million copies. The hit cemented Ford's place as one of America's top entertainers a singer and TV host who enjoyed success during the 1950s, '60s and '70s in multiple musical genres country, pop, and gospel.\r\n
      \r\n
      He first guested on the Grand Ole Opry in 1950, and in 1953 he became the first country singer to appear at London's prestigious Palladium. Soon NBC hired him to emcee the television game show Kollege of Musical Knowledge, and also to host his own weekday program. His subsequent prime-time network variety programs made "Bless your little pea-pickin' hearts" a household catch phrase and provided wide exposure for his musical renditions of great country and gospel favorites.\r\n
      \r\n
      The songs chosen by Ford for Country Hits... Feelin' Blue are all favorites, some of the best tunes from the inspired pens of such country composers as Hank Williams, Fred Rose, Jenny Lou Carson, Willie Nelson, and Don Gibson. The album (one of Ford's favorite LPs) was recorded with backup provided by just two musicians; guitarist Billy Strange and bassist John Mosher.\r\n
      \r\n
      Some of these songs go back to the start of Ford's career when he and Strange were working together as cast members of Los Angeles's Hometown Jamboree country music radio show. Mosher was a member of Ford's TV show band since its inception. Strange created the musical arrangements for Country Hits... Feelin' Blue a quiet, simple get-together with the songs they had been playing and singing down through the years. That's why it's more than just another album. You can hear the affection and understanding coming through.\r\n
      \r\n
      For this Analogue Productions reissue they turned to the experts who once again bring their stellar craftsmanship to the creation of a phenomenal-sounding release. Lacquers were cut by Kevin Gray at Cohearent Audio who mastered the LP from the original tape. Plating and 200 gram pressing was by Quality Record Pressings, noted for their superior sonics and silent backgrounds. And nothing less than a Stoughton Printing old-style tip-on jacket would suit such a great LP.\r\n
      \r\n
      Albums have been made with lots more people and lots more sound. But quantity never did mean quality. This is just a simple, great album. Great voice, great guitar and bass, and great songs the best of each.
      """
    -prixVente: "60.00"
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    -musicienOrchestre: "Tennessee Ernie Ford (vocals), Billy Strange (guitar), John Mosher (bass)"
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    -extraitYoutube: "https://www.youtube.com/watch?v=xHElnHHgd8U"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
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[
  "produit" => App\Entity\Produit {#2149
    -id: 754
    -nom: "Waiting For The Sun"
    -informationComplementaire: null
    -description: """
      - Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer / engineer !\r\n
      - Two 45 rpm LPs pressed on 180-gram vinyl at Quality Record Pressings / Also on Hybrid Multichannel SACD !\r\n
      - Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings !\r\n
      - Waiting For The Sun, The Doors’ third album and its first chart-topper, delivered the N° 1 signature smash “Hello, I Love You” and the Top 40 hit “The Unknown Soldier”.\r\n
      \r\n
      Slant Magazine proclaims that Waiting For The Sun contains some of The Doors’ prettiest, most genial lilts: “Love Street”, a fictionalized sketch of the Bohemian street where Morrison lived with his wife, Pamela Courson; the wistful “Summer's Almost Gone”, which includes the lovely refrain, “Morning found us calmly unaware / Noon burned gold into our hair”; and the placid piano ballad “Yes, The River Knows”. More and more, says Slant, Morrison was starting to emulate one of his idols, Frank Sinatra “after all, they had an insatiable taste for women and alcohol in common”.\r\n
      \r\n
      Waiting For The Sun was also some of The Doors' most combative, political work. "The Unknown Soldier" was a barefaced antiwar attack, a reaction to the Vietnam-era hostilities brewing on the home front.\r\n
      \r\n
      Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman are featured on 180 gram vinyl, pressed at 45 rpm. All six titles are also available on Multichannel SACD ! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.\r\n
      \r\n
      A truly authentic reissue project, the masters were recorded on tube equipment, and the tape machine used for the transfer of these releases is a tube machine, as is the cutting system. Tubes baby !\r\n
      \r\n
      This is no time to wallow in the mire. The Doors are on Analogue Productions !\r\n
      \r\n
      Originally released in 1968.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (keyboards), Robby Krieger (guitar), John Densmore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
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    -lpsMusic: 2
    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=MY0xkq8J59c&list=PL6YSUYlSemJM2k1U7EjsyfN1MyeAFFn-j&index=1"
    -referenceProduit: "Analogue Productions AAPP 4024-45"
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        "nom" => "Side A :"
        "ordre" => 0
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        "nom" => "1. Hello, I Love You"
        "ordre" => 1
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        "nom" => "2. Love Street"
        "ordre" => 2
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      [
        "nom" => "3. Not To Touch The Earth"
        "ordre" => 3
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      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Summer's Almost Gone"
        "ordre" => 5
      ]
      [
        "nom" => "2. Wintertime Love"
        "ordre" => 6
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      [
        "nom" => "3. The Unknown Soldier"
        "ordre" => 7
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      [
        "nom" => "Side C :"
        "ordre" => 8
      ]
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        "nom" => "1. Spanish Caravan"
        "ordre" => 9
      ]
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        "nom" => "2. My Wild Love"
        "ordre" => 10
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      [
        "nom" => "3. We Could Be So Good Together"
        "ordre" => 11
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
      [
        "nom" => "1. Yes, The River Knows"
        "ordre" => 13
      ]
      [
        "nom" => "2. Five To One"
        "ordre" => 14
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2151 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2149
    -id: 754
    -nom: "Waiting For The Sun"
    -informationComplementaire: null
    -description: """
      - Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer / engineer !\r\n
      - Two 45 rpm LPs pressed on 180-gram vinyl at Quality Record Pressings / Also on Hybrid Multichannel SACD !\r\n
      - Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings !\r\n
      - Waiting For The Sun, The Doors’ third album and its first chart-topper, delivered the N° 1 signature smash “Hello, I Love You” and the Top 40 hit “The Unknown Soldier”.\r\n
      \r\n
      Slant Magazine proclaims that Waiting For The Sun contains some of The Doors’ prettiest, most genial lilts: “Love Street”, a fictionalized sketch of the Bohemian street where Morrison lived with his wife, Pamela Courson; the wistful “Summer's Almost Gone”, which includes the lovely refrain, “Morning found us calmly unaware / Noon burned gold into our hair”; and the placid piano ballad “Yes, The River Knows”. More and more, says Slant, Morrison was starting to emulate one of his idols, Frank Sinatra “after all, they had an insatiable taste for women and alcohol in common”.\r\n
      \r\n
      Waiting For The Sun was also some of The Doors' most combative, political work. "The Unknown Soldier" was a barefaced antiwar attack, a reaction to the Vietnam-era hostilities brewing on the home front.\r\n
      \r\n
      Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman are featured on 180 gram vinyl, pressed at 45 rpm. All six titles are also available on Multichannel SACD ! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.\r\n
      \r\n
      A truly authentic reissue project, the masters were recorded on tube equipment, and the tape machine used for the transfer of these releases is a tube machine, as is the cutting system. Tubes baby !\r\n
      \r\n
      This is no time to wallow in the mire. The Doors are on Analogue Productions !\r\n
      \r\n
      Originally released in 1968.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (keyboards), Robby Krieger (guitar), John Densmore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
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    -referenceProduit: "Analogue Productions AAPP 4024-45"
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        "ordre" => 0
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        "nom" => "1. Hello, I Love You"
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        "nom" => "2. Love Street"
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        "nom" => "3. Not To Touch The Earth"
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        "nom" => "1. Spanish Caravan"
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        "nom" => "2. My Wild Love"
        "ordre" => 10
      ]
      [
        "nom" => "3. We Could Be So Good Together"
        "ordre" => 11
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
      [
        "nom" => "1. Yes, The River Knows"
        "ordre" => 13
      ]
      [
        "nom" => "2. Five To One"
        "ordre" => 14
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2151 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1525 …}
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    }
    -modifierLe: DateTime @1762815240 {#2147
      date: 2025-11-10 22:54:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2157 …}
    -disponible: null
    -terminer: null
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    -slug: "vinyles-waiting-for-the-sun-analogue-productions-aapp-4024-45"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2165
    -id: 1348
    -nom: "Morrison Hotel"
    -informationComplementaire: null
    -description: """
      - Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer / engineer !\r\n
      - Two 45 RPM LPs pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings !\r\n
      \r\n
      Rolling Stone proclaimed that Morrison Hotel opens “with a powerful blast of raw funk called ‘Roadhouse Blues’. It features jagged barrelhouse piano, fierce guitar, and one of the most convincing raunchy vocals Jim Morrison has ever recorded”.\r\n
      \r\n
      In short, the harsh brilliance of “Roadhouse Blues” was its angry hard rock manner, brought to fore in brooding fashion with a chillingly true Morrison lyric: "I woke up this morning and I got myself a beer / The future's uncertain and the end is always near".\r\n
      \r\n
      Making it one of The Doors’ best-ever tracks, “Roadhouse Blues” was joined as praise-worthy in Rolling Stones’ review by the buoyant catchiness of another Morrison Hotel single, “Land Ho”. “A chanty that sets you rocking and swaying on first listen and never fails to bring a smile every time it's repeated”.\r\n
      \r\n
      Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman are featured on 180 gram vinyl, pressed at 45 RPM. All six titles are also available on Multichannel SACD ! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.\r\n
      \r\n
      This is no time to wallow in the mire. The Doors are on Analogue Productions !\r\n
      \r\n
      Originally released in 1970
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (piano, organ), Robby Krieger (guitar), John Densmore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
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    -lpsMusic: 2
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    -referenceProduit: "Analogue Productions AAPP 5007-45"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
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        "nom" => "1. Roadhouse Blues"
        "ordre" => 1
      ]
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        "nom" => "3. You Make Me Real"
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        "ordre" => 5
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        "nom" => "2. Blue Sunday"
        "ordre" => 6
      ]
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        "nom" => "3. Ship of Fools"
        "ordre" => 7
      ]
      [
        "nom" => "Side C :"
        "ordre" => 8
      ]
      [
        "nom" => "1. Land Ho !"
        "ordre" => 9
      ]
      [
        "nom" => "2. The Spy"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
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      ]
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        "nom" => "1. Queen of the Highway"
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      ]
      [
        "nom" => "2. Indian Summer"
        "ordre" => 13
      ]
      [
        "nom" => "3. Maggie M'Gill"
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      ]
      [
        "nom" => ""
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      [
        "nom" => ""
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      [
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2151 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1525 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2166 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2168 …}
    -enregistreLe: DateTime @1538460402 {#2162
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    }
    -modifierLe: DateTime @1762813190 {#2163
      date: 2025-11-10 22:19:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2170 …}
    -disponible: null
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    -slug: "vinyles-morrison-hotel-analogue-productions-aapp-5007-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3491
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2165
    -id: 1348
    -nom: "Morrison Hotel"
    -informationComplementaire: null
    -description: """
      - Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer / engineer !\r\n
      - Two 45 RPM LPs pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings !\r\n
      \r\n
      Rolling Stone proclaimed that Morrison Hotel opens “with a powerful blast of raw funk called ‘Roadhouse Blues’. It features jagged barrelhouse piano, fierce guitar, and one of the most convincing raunchy vocals Jim Morrison has ever recorded”.\r\n
      \r\n
      In short, the harsh brilliance of “Roadhouse Blues” was its angry hard rock manner, brought to fore in brooding fashion with a chillingly true Morrison lyric: "I woke up this morning and I got myself a beer / The future's uncertain and the end is always near".\r\n
      \r\n
      Making it one of The Doors’ best-ever tracks, “Roadhouse Blues” was joined as praise-worthy in Rolling Stones’ review by the buoyant catchiness of another Morrison Hotel single, “Land Ho”. “A chanty that sets you rocking and swaying on first listen and never fails to bring a smile every time it's repeated”.\r\n
      \r\n
      Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman are featured on 180 gram vinyl, pressed at 45 RPM. All six titles are also available on Multichannel SACD ! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.\r\n
      \r\n
      This is no time to wallow in the mire. The Doors are on Analogue Productions !\r\n
      \r\n
      Originally released in 1970
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (piano, organ), Robby Krieger (guitar), John Densmore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
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    -referenceProduit: "Analogue Productions AAPP 5007-45"
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        "ordre" => 17
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2151 …}
    -label: App\Entity\Label {#1116 …}
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    -modifierLe: DateTime @1762813190 {#2163
      date: 2025-11-10 22:19:50.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -disponible: null
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}

[
  "produit" => App\Entity\Produit {#2178
    -id: 1076
    -nom: "The Soft Parade"
    -informationComplementaire: null
    -description: """
      - Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer / engineer !\r\n
      - Two 45 RPM LPs pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings !\r\n
      \r\n
      About Soft Parade, Rolling Stone described two songs written by guitarist Robby Krieger, “Touch Me” and “Follow Me Down” as horn-string showpieces for the resonant baritone of Jim Morrison.\r\n
      \r\n
      Described as among the cleanest, most solid and, above all, most recognizable sounds in rock, the distinctive Doors’ sound was no doubt due to the Morrison power, but the other Doors were equally responsible. Ray Manzarek brought virtuosic keyboard tapestries, Krieger gritty, expressive fretwork, and Densmore dynamically rich percussion grooves. \r\n
      \r\n
      Half of the songs on Soft Parade, The Doors’ fourth LP, were written by Morrison and the other half by guitarist Krieger. “Touch Me” became one of The Doors’ most popular singles. Released as a single in December 1968, the song reached No. 3 on the Billboard Hot 100 and N° 1 in the Cashbox Top 100 in early 1969. It was the band’s third American N° 1 single.\r\n
      \r\n
      Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman are featured on 180 gram vinyl, pressed at 45 RPM. All six are also available on Multichannel SACD ! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.\r\n
      \r\n
      This is no time to wallow in the mire. The Doors are on Analogue Productions !\r\n
      \r\n
      Originally released in 1969
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (keyboards), Robby Krieger (guitar), John Densmore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=4YWPhmduSDQ&list=RD4YWPhmduSDQ&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP5005-45"
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        "nom" => "6. Wild Child"
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        "nom" => "7. Runnin' Blue"
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      [
        "nom" => "8. Wishful Sinful"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2151 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3539
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2178
    -id: 1076
    -nom: "The Soft Parade"
    -informationComplementaire: null
    -description: """
      - Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer / engineer !\r\n
      - Two 45 RPM LPs pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings !\r\n
      \r\n
      About Soft Parade, Rolling Stone described two songs written by guitarist Robby Krieger, “Touch Me” and “Follow Me Down” as horn-string showpieces for the resonant baritone of Jim Morrison.\r\n
      \r\n
      Described as among the cleanest, most solid and, above all, most recognizable sounds in rock, the distinctive Doors’ sound was no doubt due to the Morrison power, but the other Doors were equally responsible. Ray Manzarek brought virtuosic keyboard tapestries, Krieger gritty, expressive fretwork, and Densmore dynamically rich percussion grooves. \r\n
      \r\n
      Half of the songs on Soft Parade, The Doors’ fourth LP, were written by Morrison and the other half by guitarist Krieger. “Touch Me” became one of The Doors’ most popular singles. Released as a single in December 1968, the song reached No. 3 on the Billboard Hot 100 and N° 1 in the Cashbox Top 100 in early 1969. It was the band’s third American N° 1 single.\r\n
      \r\n
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      \r\n
      This is no time to wallow in the mire. The Doors are on Analogue Productions !\r\n
      \r\n
      Originally released in 1969
      """
    -prixVente: "99.50"
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    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (keyboards), Robby Krieger (guitar), John Densmore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=4YWPhmduSDQ&list=RD4YWPhmduSDQ&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP5005-45"
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      [
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2151 …}
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[
  "produit" => App\Entity\Produit {#2191
    -id: 1064
    -nom: "The Chirping Crickets  (Mono Version)"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      - Rolling Stone's 500 Greatest Albums of All time - N° 420 / 500 !\r\n
      - Country, rockabillly and R&B fused into epochal rock 'n' roll !\r\n
      - Remastered by Kevin Gray at Coherent Audio !\r\n
      - Plating and 180 gram vinyl pressing by Quality Record Pressings !\r\n
      - Old-style tip-on gatefold jacket from Stoughton Printing !\r\n
      \r\n
      One of rock's greatest albums, this is the debut album by the Crickets and the only one featuring Buddy Holly released during his lifetime. The Chirping Crickets contains the group's number one single "That'll Be the Day" and its Top Ten hit "Oh, Boy !". Other Crickets classics include "Not Fade Away", "Maybe Baby", and "I'm Looking for Someone to Love".\r\n
      \r\n
      These are among the best rock 'n' roll songs of the 1950s or ever, making this one of the most significant album debuts in rock 'n' roll history - "ranking with Elvis Presley and Meet the Beatles", writes AllMusic.\r\n
      \r\n
      What has Analogue Productions done to kick this classic album up a notch? For starters, our version features stellar remastering by Keving Gray at Cohearent Audio. Followed by state-of-the-art plating and pressing on 200 gram heavyweight vinyl at Quality Record Pressings, maker of the world's finest-sounding LPs. Stoughton Printing provides a sturdy old-style tip-on jacket to round out the package.\r\n
      \r\n
      Born Charles Hardin Holley on September 7, 1936, in Lubbock, Texas, Holly was nicknamed "Buddy" by his mother. She felt that his given name was too big for her little boy. "Holly", the altered form of his last name, would later result from a misspelling in his first recording contract. Holly learned to play piano and fiddle at an early age, while his older brothers taught him the basics of guitar.\r\n
      \r\n
      In early 1956, Holly and his band began recording demos and singles in Nashville under the name Buddy Holly and the Three Tunes, but the group's lineup was later revised and dubbed The Crickets. Holly wrote and recorded his breakthrough hit, "That'll Be the Day", with The Crickets in 1957. The song's title and refrain are a reference to a line uttered by John Wayne in the 1956 film "The Searchers". Between August 1957 and August 1958, Holly and the Crickets charted seven different Top 40 singles.\r\n
      \r\n
      Composer and singer John Fogerty, of Creedence Clearwater Revival fame, inducted Buddy Holly into the Rock And Roll Hall of Fame at the 1986 Hall of Fame induction ceremony. What Buddy Holly meant to him, Fogerty said, was destiny calling. Fogerty, 12, bought "That'll Be The Day" and soon began dreaming of forming his own combo, like the group of musicians - The Crickets - he saw on the album cover. And in Liverpool, England, "the same thing was going on with four other guys. They named their group The Beatles, because Buddy Holly's group was called The Crickets.\r\n
      \r\n
      "We are, each of us, made up of the people we love and the people we admire", Fogerty, said. "We take those reflections, and hopefully, grow".\r\n
      \r\n
      Holly's talented life was cut short in a plane crash on Feb. 3, 1959, that also claimed the lives of Ritchie Valens and J.P. "The Big Bopper" Richardson. This album is a tribute to what was, and what might have been a lengthy pioneering musical career.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1930 …}
    -musicienOrchestre: "Buddy Holly (acoustic & lead guitar, vocals), Niki Sullivan (rhythm guitar, backing vocals), Joe B. Mauldin (contrabass),Jerry Allison (drums, percussion, backing vocals), Larry Welborn (contrabass), The Picks, Ramona and Gary Tollett (backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1185 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=5gzmWqAauSI&list=PLL-NbN8uTOigd2fEuBmSgoOm2xV5wVQZr"
    -referenceProduit: "Analogue Productions AAPP 0109"
    -titreMorceau: [
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        "ordre" => 0
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        "nom" => "2. Not Fade Away"
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        "nom" => "3. You've Got Love"
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        "nom" => "4. Maybe Baby"
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        "nom" => "6. Tell Me How"
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        "nom" => "4. Send Me Some Lovin'"
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      [
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        "nom" => "6. Rock Me My Baby"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2193 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3585
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2191
    -id: 1064
    -nom: "The Chirping Crickets  (Mono Version)"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      - Rolling Stone's 500 Greatest Albums of All time - N° 420 / 500 !\r\n
      - Country, rockabillly and R&B fused into epochal rock 'n' roll !\r\n
      - Remastered by Kevin Gray at Coherent Audio !\r\n
      - Plating and 180 gram vinyl pressing by Quality Record Pressings !\r\n
      - Old-style tip-on gatefold jacket from Stoughton Printing !\r\n
      \r\n
      One of rock's greatest albums, this is the debut album by the Crickets and the only one featuring Buddy Holly released during his lifetime. The Chirping Crickets contains the group's number one single "That'll Be the Day" and its Top Ten hit "Oh, Boy !". Other Crickets classics include "Not Fade Away", "Maybe Baby", and "I'm Looking for Someone to Love".\r\n
      \r\n
      These are among the best rock 'n' roll songs of the 1950s or ever, making this one of the most significant album debuts in rock 'n' roll history - "ranking with Elvis Presley and Meet the Beatles", writes AllMusic.\r\n
      \r\n
      What has Analogue Productions done to kick this classic album up a notch? For starters, our version features stellar remastering by Keving Gray at Cohearent Audio. Followed by state-of-the-art plating and pressing on 200 gram heavyweight vinyl at Quality Record Pressings, maker of the world's finest-sounding LPs. Stoughton Printing provides a sturdy old-style tip-on jacket to round out the package.\r\n
      \r\n
      Born Charles Hardin Holley on September 7, 1936, in Lubbock, Texas, Holly was nicknamed "Buddy" by his mother. She felt that his given name was too big for her little boy. "Holly", the altered form of his last name, would later result from a misspelling in his first recording contract. Holly learned to play piano and fiddle at an early age, while his older brothers taught him the basics of guitar.\r\n
      \r\n
      In early 1956, Holly and his band began recording demos and singles in Nashville under the name Buddy Holly and the Three Tunes, but the group's lineup was later revised and dubbed The Crickets. Holly wrote and recorded his breakthrough hit, "That'll Be the Day", with The Crickets in 1957. The song's title and refrain are a reference to a line uttered by John Wayne in the 1956 film "The Searchers". Between August 1957 and August 1958, Holly and the Crickets charted seven different Top 40 singles.\r\n
      \r\n
      Composer and singer John Fogerty, of Creedence Clearwater Revival fame, inducted Buddy Holly into the Rock And Roll Hall of Fame at the 1986 Hall of Fame induction ceremony. What Buddy Holly meant to him, Fogerty said, was destiny calling. Fogerty, 12, bought "That'll Be The Day" and soon began dreaming of forming his own combo, like the group of musicians - The Crickets - he saw on the album cover. And in Liverpool, England, "the same thing was going on with four other guys. They named their group The Beatles, because Buddy Holly's group was called The Crickets.\r\n
      \r\n
      "We are, each of us, made up of the people we love and the people we admire", Fogerty, said. "We take those reflections, and hopefully, grow".\r\n
      \r\n
      Holly's talented life was cut short in a plane crash on Feb. 3, 1959, that also claimed the lives of Ritchie Valens and J.P. "The Big Bopper" Richardson. This album is a tribute to what was, and what might have been a lengthy pioneering musical career.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1930 …}
    -musicienOrchestre: "Buddy Holly (acoustic & lead guitar, vocals), Niki Sullivan (rhythm guitar, backing vocals), Joe B. Mauldin (contrabass),Jerry Allison (drums, percussion, backing vocals), Larry Welborn (contrabass), The Picks, Ramona and Gary Tollett (backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1185 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5gzmWqAauSI&list=PLL-NbN8uTOigd2fEuBmSgoOm2xV5wVQZr"
    -referenceProduit: "Analogue Productions AAPP 0109"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "1. Oh, Boy!"
        "ordre" => 1
      ]
      [
        "nom" => "2. Not Fade Away"
        "ordre" => 2
      ]
      [
        "nom" => "3. You've Got Love"
        "ordre" => 3
      ]
      [
        "nom" => "4. Maybe Baby"
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      [
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        "ordre" => 5
      ]
      [
        "nom" => "6. Tell Me How"
        "ordre" => 6
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      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. That'll Be the Day"
        "ordre" => 8
      ]
      [
        "nom" => "2. I'm Looking For Someone To Love"
        "ordre" => 9
      ]
      [
        "nom" => "3. An Empty Cup (And A Broken Date)"
        "ordre" => 10
      ]
      [
        "nom" => "4. Send Me Some Lovin'"
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      ]
      [
        "nom" => "5. Last Night"
        "ordre" => 12
      ]
      [
        "nom" => "6. Rock Me My Baby"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2193 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1525 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2195 …}
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    -modifierLe: DateTime @1762762509 {#2189
      date: 2025-11-10 08:15:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2199 …}
    -disponible: null
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    -slug: "vinyles-the-chirping-crickets-mono-version-analogue-productions-aapp-0109"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2207
    -id: 1125
    -nom: "Buddy Holly"
    -informationComplementaire: null
    -description: """
      - Pioneer of rock 'n' roll in his solo album debut !\r\n
      - Remastered by Kevin Gray at Cohearent Audio from the original analog master tapes !\r\n
      - Plating and 180 gram vinyl pressing by Quality Record Pressings !\r\n
      - Old-style tip-on gatefold jacket from Stoughton Printing !\r\n
      \r\n
      Rock 'n' roll legend Buddy Holly produced some of the most distinctive and influential music of his era. Three months after the release of The Chirping Crickets came this self-titled 1958 classic, Buddy's last album released prior to the plane crash in Iowa that struck him down in 1959 at age 22.\r\n
      \r\n
      What has Analogue Productions done to kick this classic album up a notch? For starters, our version features stellar remastering by Kevin Gray at Cohearent Audio from the original analog master tapes. Followed by state-of-the-art plating and pressing on 200 gram heavyweight vinyl at Quality Record Pressings, maker of the world's finest-sounding LPs. Stoughton Printing provides a sturdy old-style tip-on gatefold jacket with added photos to round out the package.\r\n
      \r\n
      Born on Sept. 7, 1936 in Lubbock, Texas, Buddy Holly was well-versed in several music styles and was a seasoned performer by age 16.\r\n
      \r\n
      When Buddy Holly & the Crickets broke through nationally in 1957, they were marketed by Decca Records as two different acts whose records were released on two different Decca subsidiaries - Brunswick for Crickets records, Coral for Holly records. But there was no real musical distinction between the two, except perhaps that the "Crickets" sides had more prominent backup vocals.\r\n
      \r\n
      This reissue marks the debut album credited to Buddy Holly. It features Holly's Top Ten single "Peggy Sue" plus several songs that have turned out to be standards : "I'm Gonna Love You Too", "Listen to Me", "Everyday", "Words of Love", and "Rave On".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Buddy Holly (guitar, vocals), Joe B. Mauldin (bass), Niki Sullivan (rhythm guitar), Jerry Allison (drums), Norman Petty (organ), Vi Petty (piano, celesta), C.W. Kendall Jr (piano), Al Caiola, Donald Arnone (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=HtfXBxLzlFU"
    -referenceProduit: "Analogue Productions AAPP 0107"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. I'm Gonna Love You Too "
        "ordre" => 1
      ]
      [
        "nom" => "2. Peggy Sue "
        "ordre" => 2
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        "nom" => "3. Look at Me "
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      [
        "nom" => "2. Mailman, Bring Me No More Blues "
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      [
        "nom" => "3. Words of Love "
        "ordre" => 10
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      [
        "nom" => "4. (You're So Square) Baby I Don't Care "
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      [
        "nom" => "5. Rave On "
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      [
        "nom" => "6. Little Baby"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2193 …}
    -label: App\Entity\Label {#1116 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3638
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2207
    -id: 1125
    -nom: "Buddy Holly"
    -informationComplementaire: null
    -description: """
      - Pioneer of rock 'n' roll in his solo album debut !\r\n
      - Remastered by Kevin Gray at Cohearent Audio from the original analog master tapes !\r\n
      - Plating and 180 gram vinyl pressing by Quality Record Pressings !\r\n
      - Old-style tip-on gatefold jacket from Stoughton Printing !\r\n
      \r\n
      Rock 'n' roll legend Buddy Holly produced some of the most distinctive and influential music of his era. Three months after the release of The Chirping Crickets came this self-titled 1958 classic, Buddy's last album released prior to the plane crash in Iowa that struck him down in 1959 at age 22.\r\n
      \r\n
      What has Analogue Productions done to kick this classic album up a notch? For starters, our version features stellar remastering by Kevin Gray at Cohearent Audio from the original analog master tapes. Followed by state-of-the-art plating and pressing on 200 gram heavyweight vinyl at Quality Record Pressings, maker of the world's finest-sounding LPs. Stoughton Printing provides a sturdy old-style tip-on gatefold jacket with added photos to round out the package.\r\n
      \r\n
      Born on Sept. 7, 1936 in Lubbock, Texas, Buddy Holly was well-versed in several music styles and was a seasoned performer by age 16.\r\n
      \r\n
      When Buddy Holly & the Crickets broke through nationally in 1957, they were marketed by Decca Records as two different acts whose records were released on two different Decca subsidiaries - Brunswick for Crickets records, Coral for Holly records. But there was no real musical distinction between the two, except perhaps that the "Crickets" sides had more prominent backup vocals.\r\n
      \r\n
      This reissue marks the debut album credited to Buddy Holly. It features Holly's Top Ten single "Peggy Sue" plus several songs that have turned out to be standards : "I'm Gonna Love You Too", "Listen to Me", "Everyday", "Words of Love", and "Rave On".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Buddy Holly (guitar, vocals), Joe B. Mauldin (bass), Niki Sullivan (rhythm guitar), Jerry Allison (drums), Norman Petty (organ), Vi Petty (piano, celesta), C.W. Kendall Jr (piano), Al Caiola, Donald Arnone (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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        "ordre" => 0
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        "nom" => "2. Mailman, Bring Me No More Blues "
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        "nom" => "3. Words of Love "
        "ordre" => 10
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        "nom" => "4. (You're So Square) Baby I Don't Care "
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      [
        "nom" => "5. Rave On "
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      [
        "nom" => "6. Little Baby"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2193 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2220
    -id: 2057
    -nom: "Strange Days"
    -informationComplementaire: null
    -description: """
      - Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer / engineer !\r\n
      - Two 45 RPM LPs pressed on 180-gram vinyl at Quality Record Pressings / Also on Hybrid Multichannel SACD !\r\n
      - Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings !\r\n
      \r\n
      Sinister, beguiling... these were words reviewers used to describe The Door’s melodic psychedelic-era genre-blending sound. A mix of blues, Eastern music, classical and pop fueled hits such as the bluesy “Love Me Two Times” and “People Are Strange” from The Door’s debut follow-up, Strange Days.\r\n
      \r\n
      Strange Days featured a smattering of edgy recitations (“Horse Latitudes”) and smoky rockers (“My Eyes Have Seen You”). Morrison’s rallying cry “We want the world, and we want it now !” from the ambitious extended track, “When the Music’s Over", marked a touchstone for that era’s counterculture movement. Rolling Stone described Strange Days as having “all the power and energy of the first LP, but (it’s) more subtle, more intricate and much more effective”.\r\n
      \r\n
      Analogue Productions and Quality Record Pressings are proud to announce that these six studio LP titles The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman - are featured on 180 gram vinyl, pressed at 45 RPM. Also, all six titles are available on Multichannel SACD ! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best tape copy.\r\n
      \r\n
      A truly authentic reissue project, the masters were recorded on tube equipment, and the tape machine used for the transfer of these releases is a tube machine, as is the cutting system. Tubes baby !\r\n
      \r\n
      This is no time to wallow in the mire. The Doors are on Analogue Productions !\r\n
      \r\n
      "Though it lacks a song as captivating as "Light My Fire", the Doors' second album is nearly as strong as their debut, The Doors, released earlier the same year. A mood of alienation, evident on "Strange Days" and "People Are Strange", carries through to the lengthy closer, "When the Music's Over". - www.rollingstone.com \r\n
      \r\n
      “'Strange Days' was the perfect album for its time. For music lovers at a time when records were the main means by which a generation communicated with its culture, the title, cover art, music and sound resonated with the meaning of the fall of 1967 (even though the album was recorded the previous spring at L.A.’s Sunset Sound). 1967’s 'Summer of Love' with 'Light My Fire' from The Doors’ debut album (recorded the previous summer) as its musical anthem had just passed. It was an innocent, celebratory time. Everyone knew something special had happened that summer and the stirrings of further, perhaps momentus change was in the air". - Michael Fremer, analogplanet, Music 10/11. Sound 10/11
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (keyboards), Robby Krieger (guitar), John Densmore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-NyC6mrutj0&list=PL2PQ6C9BImBBJwLPcfVbaokcAWyn6JQF1"
    -referenceProduit: "Analogue Productions 4014-45"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Strange Days"
        "ordre" => 1
      ]
      [
        "nom" => "2. You're Lost Little Girl"
        "ordre" => 2
      ]
      [
        "nom" => "3. Love Me Two Times"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Unhappy Girl"
        "ordre" => 5
      ]
      [
        "nom" => "2. Horse Latitudes"
        "ordre" => 6
      ]
      [
        "nom" => "3. Moonlight Drive"
        "ordre" => 7
      ]
      [
        "nom" => "Side C :"
        "ordre" => 8
      ]
      [
        "nom" => "1. People Are Strange"
        "ordre" => 9
      ]
      [
        "nom" => "2. My Eyes Have Seen You"
        "ordre" => 10
      ]
      [
        "nom" => "3. I Can't See Your Face in My Mind"
        "ordre" => 11
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
      [
        "nom" => "1. When the Music's Over"
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2151 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1525 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2228 …}
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    }
    -modifierLe: DateTime @1762761496 {#2218
      date: 2025-11-10 07:58:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2225 …}
    -disponible: null
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    -slug: "vinyles-strange-days-analogue-productions-4014-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3686
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2220
    -id: 2057
    -nom: "Strange Days"
    -informationComplementaire: null
    -description: """
      - Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer / engineer !\r\n
      - Two 45 RPM LPs pressed on 180-gram vinyl at Quality Record Pressings / Also on Hybrid Multichannel SACD !\r\n
      - Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings !\r\n
      \r\n
      Sinister, beguiling... these were words reviewers used to describe The Door’s melodic psychedelic-era genre-blending sound. A mix of blues, Eastern music, classical and pop fueled hits such as the bluesy “Love Me Two Times” and “People Are Strange” from The Door’s debut follow-up, Strange Days.\r\n
      \r\n
      Strange Days featured a smattering of edgy recitations (“Horse Latitudes”) and smoky rockers (“My Eyes Have Seen You”). Morrison’s rallying cry “We want the world, and we want it now !” from the ambitious extended track, “When the Music’s Over", marked a touchstone for that era’s counterculture movement. Rolling Stone described Strange Days as having “all the power and energy of the first LP, but (it’s) more subtle, more intricate and much more effective”.\r\n
      \r\n
      Analogue Productions and Quality Record Pressings are proud to announce that these six studio LP titles The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman - are featured on 180 gram vinyl, pressed at 45 RPM. Also, all six titles are available on Multichannel SACD ! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best tape copy.\r\n
      \r\n
      A truly authentic reissue project, the masters were recorded on tube equipment, and the tape machine used for the transfer of these releases is a tube machine, as is the cutting system. Tubes baby !\r\n
      \r\n
      This is no time to wallow in the mire. The Doors are on Analogue Productions !\r\n
      \r\n
      "Though it lacks a song as captivating as "Light My Fire", the Doors' second album is nearly as strong as their debut, The Doors, released earlier the same year. A mood of alienation, evident on "Strange Days" and "People Are Strange", carries through to the lengthy closer, "When the Music's Over". - www.rollingstone.com \r\n
      \r\n
      “'Strange Days' was the perfect album for its time. For music lovers at a time when records were the main means by which a generation communicated with its culture, the title, cover art, music and sound resonated with the meaning of the fall of 1967 (even though the album was recorded the previous spring at L.A.’s Sunset Sound). 1967’s 'Summer of Love' with 'Light My Fire' from The Doors’ debut album (recorded the previous summer) as its musical anthem had just passed. It was an innocent, celebratory time. Everyone knew something special had happened that summer and the stirrings of further, perhaps momentus change was in the air". - Michael Fremer, analogplanet, Music 10/11. Sound 10/11
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (keyboards), Robby Krieger (guitar), John Densmore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-NyC6mrutj0&list=PL2PQ6C9BImBBJwLPcfVbaokcAWyn6JQF1"
    -referenceProduit: "Analogue Productions 4014-45"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "nom" => "1. Strange Days"
        "ordre" => 1
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      [
        "nom" => "2. You're Lost Little Girl"
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      [
        "nom" => "3. Love Me Two Times"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
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      [
        "nom" => "1. Unhappy Girl"
        "ordre" => 5
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      [
        "nom" => "2. Horse Latitudes"
        "ordre" => 6
      ]
      [
        "nom" => "3. Moonlight Drive"
        "ordre" => 7
      ]
      [
        "nom" => "Side C :"
        "ordre" => 8
      ]
      [
        "nom" => "1. People Are Strange"
        "ordre" => 9
      ]
      [
        "nom" => "2. My Eyes Have Seen You"
        "ordre" => 10
      ]
      [
        "nom" => "3. I Can't See Your Face in My Mind"
        "ordre" => 11
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
      [
        "nom" => "1. When the Music's Over"
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2151 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1525 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2228 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2221 …}
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    }
    -modifierLe: DateTime @1762761496 {#2218
      date: 2025-11-10 07:58:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2225 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-strange-days-analogue-productions-4014-45"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2233
    -id: 1196
    -nom: "The Doors"
    -informationComplementaire: null
    -description: """
      - Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer / engineer !\r\n
      - Two 45 RPM LPs pressed on 180-gram vinyl at Quality Record Pressings Also on Hybrid Multichannel SACD !\r\n
      - Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings !\r\n
      - The Doors self-titled 1967 release famously contains some incorrect speed and pitch issues. While there have been "corrected" versions made, in the interests of being historically accurate, this Analogue Productions reissue was cut without speed or pitch correction !\r\n
      \r\n
      "The clarity, the vivid detail you're getting starts with Robbie's guitar playing on the right it's got that droning effect ... really crisp guitar on the right, then the drums start on the left again so so flipping clear the bass comes in and fills out the rest of the sounds stage and then you've got that tambourine on the left, right and it is the most vivid realistic tambourine I've ever heard in my life, I wanted to reach out and grab it... This thing was incredible. I couldn't have been happier with this purchase of $60, it was well worth it for me". - Mark, The Modest Audiophile, YouTube video\r\n
      \r\n
      "...it's just more immersive, like the sound is wrapping around you like you're live in the studio. And that's something I really want to get when I hear a Doors album. I want to feel that 'live' feeling. And this one has it in spades. Very, very impressive". - Scott Wilson, The Pressing Matters, YouTube video\r\n
      \r\n
      "...To be honest, these are better than I ever dreamed rock music from the sixties could sound. I want to thank everyone at Analogue Productions for bringing me such sweet sounds from some of my favorite music ever. My highest recommendation !" - Jack Roberts, dagogo.com, September 2012\r\n
      \r\n
      One of rock music’s most famous debuts, The Doors self-titled 1967 smash is legend. And now it becomes the kick-off for a positively stunning reissue series from Analogue Productions and Quality Record Pressings !\r\n
      \r\n
      The Doors was born after Jim Morrison and Ray Manzarek who'd met at UCLA's film school met again, unexpectedly, on the beach in Venice, CA, during the summer of 1965. Although he'd never intended to be a singer, Morrison was invited to join Manzarek's group Rick and the Ravens on the strength of his poetry. The group later changed its moniker, taking their name from Aldous Huxley's psychotropic monograph "The Doors of Perception." The band signed to Elektra Records following a now-legendary gig at the Whisky-a-Go-Go on the Sunset Strip.\r\n
      \r\n
      The Doors' arrival on the rock scene produced a string of hit singles and albums destined to become clasics. Belting out a standard like “Back Door Man” or talk-singing such originals as “The Crystal Ship”, and “I Looked at You,” one reviewer wrote that leather-clad frontman Morrison exuded “both sensuality and menace”.\r\n
      \r\n
      The Doors reached Billboard’s N° 2 slot and delivered the No. 1 signature smash “Light My Fire” plus “Break On Through”, “The Crystal Ship”, and “The End”.\r\n
      \r\n
      Analogue Productions and Quality Record Pressings are proud to announce that these six studio LP titles — The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman are featured on 180 gram vinyl, pressed at 45 RPM. All six are also available on Multichannel SACD ! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.\r\n
      \r\n
      A truly authentic reissue project, the masters were recorded on tube equipment, and the tape machine used for the transfer of these releases is a tube machine, as is the cutting system. Tubes baby !\r\n
      \r\n
      This is no time to wallow in the mire. The Doors are on Analogue Productions !\r\n
      \r\n
      Originally released in 1967
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (keyboards), Robby Krieger (guitar), John Densmore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=BXqPNlng6uI&list=PLiN-7mukU_RHopba7ndH5EMvoac_iOeqv"
    -referenceProduit: "Analogue Productions AAPP 4007-45"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Break On Through (To The Other Side)"
        "ordre" => 1
      ]
      [
        "nom" => "2. Soul Kitchen"
        "ordre" => 2
      ]
      [
        "nom" => "3. The Crystal Ship"
        "ordre" => 3
      ]
      [
        "nom" => "4. Twentieth Century Fox"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. Alabama Song (Whisky Bar)"
        "ordre" => 6
      ]
      [
        "nom" => "2. Light My Fire"
        "ordre" => 7
      ]
      [
        "nom" => "Side C :"
        "ordre" => 8
      ]
      [
        "nom" => "1. Back Door Man"
        "ordre" => 9
      ]
      [
        "nom" => "2. I Looked At You"
        "ordre" => 10
      ]
      [
        "nom" => "3. End Of The Night"
        "ordre" => 11
      ]
      [
        "nom" => "4. Take It As It Comes"
        "ordre" => 12
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
      [
        "nom" => "1. The End"
        "ordre" => 14
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2151 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1525 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2234 …}
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    }
    -modifierLe: DateTime @1762687340 {#2231
      date: 2025-11-09 11:22:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2238 …}
    -disponible: null
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    -slug: "vinyles-the-doors-analogue-productions-aapp-4007-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3734
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2233
    -id: 1196
    -nom: "The Doors"
    -informationComplementaire: null
    -description: """
      - Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer / engineer !\r\n
      - Two 45 RPM LPs pressed on 180-gram vinyl at Quality Record Pressings Also on Hybrid Multichannel SACD !\r\n
      - Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings !\r\n
      - The Doors self-titled 1967 release famously contains some incorrect speed and pitch issues. While there have been "corrected" versions made, in the interests of being historically accurate, this Analogue Productions reissue was cut without speed or pitch correction !\r\n
      \r\n
      "The clarity, the vivid detail you're getting starts with Robbie's guitar playing on the right it's got that droning effect ... really crisp guitar on the right, then the drums start on the left again so so flipping clear the bass comes in and fills out the rest of the sounds stage and then you've got that tambourine on the left, right and it is the most vivid realistic tambourine I've ever heard in my life, I wanted to reach out and grab it... This thing was incredible. I couldn't have been happier with this purchase of $60, it was well worth it for me". - Mark, The Modest Audiophile, YouTube video\r\n
      \r\n
      "...it's just more immersive, like the sound is wrapping around you like you're live in the studio. And that's something I really want to get when I hear a Doors album. I want to feel that 'live' feeling. And this one has it in spades. Very, very impressive". - Scott Wilson, The Pressing Matters, YouTube video\r\n
      \r\n
      "...To be honest, these are better than I ever dreamed rock music from the sixties could sound. I want to thank everyone at Analogue Productions for bringing me such sweet sounds from some of my favorite music ever. My highest recommendation !" - Jack Roberts, dagogo.com, September 2012\r\n
      \r\n
      One of rock music’s most famous debuts, The Doors self-titled 1967 smash is legend. And now it becomes the kick-off for a positively stunning reissue series from Analogue Productions and Quality Record Pressings !\r\n
      \r\n
      The Doors was born after Jim Morrison and Ray Manzarek who'd met at UCLA's film school met again, unexpectedly, on the beach in Venice, CA, during the summer of 1965. Although he'd never intended to be a singer, Morrison was invited to join Manzarek's group Rick and the Ravens on the strength of his poetry. The group later changed its moniker, taking their name from Aldous Huxley's psychotropic monograph "The Doors of Perception." The band signed to Elektra Records following a now-legendary gig at the Whisky-a-Go-Go on the Sunset Strip.\r\n
      \r\n
      The Doors' arrival on the rock scene produced a string of hit singles and albums destined to become clasics. Belting out a standard like “Back Door Man” or talk-singing such originals as “The Crystal Ship”, and “I Looked at You,” one reviewer wrote that leather-clad frontman Morrison exuded “both sensuality and menace”.\r\n
      \r\n
      The Doors reached Billboard’s N° 2 slot and delivered the No. 1 signature smash “Light My Fire” plus “Break On Through”, “The Crystal Ship”, and “The End”.\r\n
      \r\n
      Analogue Productions and Quality Record Pressings are proud to announce that these six studio LP titles — The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman are featured on 180 gram vinyl, pressed at 45 RPM. All six are also available on Multichannel SACD ! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.\r\n
      \r\n
      A truly authentic reissue project, the masters were recorded on tube equipment, and the tape machine used for the transfer of these releases is a tube machine, as is the cutting system. Tubes baby !\r\n
      \r\n
      This is no time to wallow in the mire. The Doors are on Analogue Productions !\r\n
      \r\n
      Originally released in 1967
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (keyboards), Robby Krieger (guitar), John Densmore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=BXqPNlng6uI&list=PLiN-7mukU_RHopba7ndH5EMvoac_iOeqv"
    -referenceProduit: "Analogue Productions AAPP 4007-45"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Break On Through (To The Other Side)"
        "ordre" => 1
      ]
      [
        "nom" => "2. Soul Kitchen"
        "ordre" => 2
      ]
      [
        "nom" => "3. The Crystal Ship"
        "ordre" => 3
      ]
      [
        "nom" => "4. Twentieth Century Fox"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. Alabama Song (Whisky Bar)"
        "ordre" => 6
      ]
      [
        "nom" => "2. Light My Fire"
        "ordre" => 7
      ]
      [
        "nom" => "Side C :"
        "ordre" => 8
      ]
      [
        "nom" => "1. Back Door Man"
        "ordre" => 9
      ]
      [
        "nom" => "2. I Looked At You"
        "ordre" => 10
      ]
      [
        "nom" => "3. End Of The Night"
        "ordre" => 11
      ]
      [
        "nom" => "4. Take It As It Comes"
        "ordre" => 12
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
      [
        "nom" => "1. The End"
        "ordre" => 14
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2151 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1525 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2241 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2234 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2236 …}
    -enregistreLe: DateTime @1501567862 {#2230
      date: 2017-08-01 06:11:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762687340 {#2231
      date: 2025-11-09 11:22:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2238 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-doors-analogue-productions-aapp-4007-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3930
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3931 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3979 …}
  +isValidated: false
  +validatedFields: []
}