Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2570
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2647
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2650 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
  -formView: Symfony\Component\Form\FormView {#2686 …}
  -form: Symfony\Component\Form\Form {#2836 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 2153
    -nom: "Introducing Kenny Cox And The Contemporary Jazz Quintet "
    -informationComplementaire: ""
    -description: """
      Many great Blue Note artists have hailed from the jazz hotbed of Detroit over the course of the label's history including Donald Byrd, Kenny Burrell, Paul Chambers, Thad Jones, Elvin Jones, Joe Henderson, and many more. Perhaps the only instance on an entire band coming out of Detroit was with Kenny Cox and The Contemporary Jazz Quintet, a fantastic but unsung combo led by pianist Kenny Cox which featured Joe Henderson's brother Leon Henderson on tenor saxophone, Charles Moore on trumpet, Ron Brooks on bass, and Danny Spencer on drums.\r\n
      \r\n
      The quintet made two excellent albums in the late 1960s including their debut album, Introducing Kenny Cox and The Contemporary Jazz Quintet, a hidden gem of the Blue Note catalog which was recorded in 1968. The band was certainly influenced by the post-bop explorations of the Miles Davis Quintet with Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams, but the CJQ exhibited its own unique sensibilities on memorable originals like "Mystique", "Trance Dance", "Diahnn", and David Durrah's beautiful piece "You".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Kenny Cox (piano), Ron Brooks (bass), Leon Henderson (tenor saxophone), Charles Moore (trumpet), Danny Spencer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0RRla1txuv4"
    -referenceProduit: "Blue Note Records 84302"
    -titreMorceau: [
      [
        "nom" => "1. Mystique "
        "ordre" => 1
      ]
      [
        "nom" => "1. Number Four "
        "ordre" => 6
      ]
      [
        "nom" => "2. Diahnn"
        "ordre" => 7
      ]
      [
        "nom" => "2. You "
        "ordre" => 2
      ]
      [
        "nom" => "3. Trance Dance "
        "ordre" => 3
      ]
      [
        "nom" => "4. Eclipse"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1635229329 {#1875
      date: 2021-10-26 06:22:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1640365137 {#1868
      date: 2021-12-24 16:58:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-introducing-kenny-cox-and-the-contemporary-jazz-quintet-blue-note-records-84302"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3111
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 2153
    -nom: "Introducing Kenny Cox And The Contemporary Jazz Quintet "
    -informationComplementaire: ""
    -description: """
      Many great Blue Note artists have hailed from the jazz hotbed of Detroit over the course of the label's history including Donald Byrd, Kenny Burrell, Paul Chambers, Thad Jones, Elvin Jones, Joe Henderson, and many more. Perhaps the only instance on an entire band coming out of Detroit was with Kenny Cox and The Contemporary Jazz Quintet, a fantastic but unsung combo led by pianist Kenny Cox which featured Joe Henderson's brother Leon Henderson on tenor saxophone, Charles Moore on trumpet, Ron Brooks on bass, and Danny Spencer on drums.\r\n
      \r\n
      The quintet made two excellent albums in the late 1960s including their debut album, Introducing Kenny Cox and The Contemporary Jazz Quintet, a hidden gem of the Blue Note catalog which was recorded in 1968. The band was certainly influenced by the post-bop explorations of the Miles Davis Quintet with Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams, but the CJQ exhibited its own unique sensibilities on memorable originals like "Mystique", "Trance Dance", "Diahnn", and David Durrah's beautiful piece "You".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Kenny Cox (piano), Ron Brooks (bass), Leon Henderson (tenor saxophone), Charles Moore (trumpet), Danny Spencer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0RRla1txuv4"
    -referenceProduit: "Blue Note Records 84302"
    -titreMorceau: [
      [
        "nom" => "1. Mystique "
        "ordre" => 1
      ]
      [
        "nom" => "1. Number Four "
        "ordre" => 6
      ]
      [
        "nom" => "2. Diahnn"
        "ordre" => 7
      ]
      [
        "nom" => "2. You "
        "ordre" => 2
      ]
      [
        "nom" => "3. Trance Dance "
        "ordre" => 3
      ]
      [
        "nom" => "4. Eclipse"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1635229329 {#1875
      date: 2021-10-26 06:22:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1640365137 {#1868
      date: 2021-12-24 16:58:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-introducing-kenny-cox-and-the-contemporary-jazz-quintet-blue-note-records-84302"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 1128
    -nom: "Someday My Prince Will Come"
    -informationComplementaire: ""
    -description: """
      Mastered from the original analog tape by Ryan K. Smith at Sterling Sound !\n
      \n
      Plated and pressed at Quality Record Pressings !\n
      \n
      "... The Analogue Productions sound is visceral and crisp in the best sense, and the quiet pressings ensure that no musical detail is even mildly obscured...with these 45 RPM LPs, if your system is up to the task, you'll hear boundless high-frequency reach and lavish dynamic nuance and harmonic delicacy". - Marc Mickelson, The Audio Beat, December 2010\n
      \n
      "... The most detailed, dynamic, and transparent version of this music that I have ever heard. All of the emotion of Davis' horn comes through in ballads, such as the title cut, and details such as the squeak of a chair or the spit on the sax's reed are revealed with an increased clarity". - My Vinyl Review, July 26, 2010\n
      \n
      A beautiful addition to the Davis canon. Recorded over the course of three days in April 1961, Someday My Prince Will Come showcases Miles' second great rhythm section, here at the absolute peak of their telepathic interplay. Wynton Kelly, Paul Chambers and Jimmy Cobb were as tight a unit as any ever formed, grooving so successfully that they went on to leave Miles and form the Wynton Kelly trio. Someday My Prince Will Come also includes some positively blistering solos from guest John Coltrane in his final recording with Miles. And Hank Mobley offers up some beautiful bluesy solos.\n
      \n
      This is a beautifully redone album, originally released in 1961.  Mastered by Ryan K. Smith at Sterling Sound, the pressing is on 200 gram vinyl by Quality Record Pressings, comes in a heavyweight tip-on jacket from Stoughton Printing. Excellent !\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Miles Davis (trumpet), John Coltrane, Hank Mobley (tenor saxophone), Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hmsNIAKp2oU"
    -referenceProduit: "AAPJ 8456"
    -titreMorceau: [
      [
        "nom" => "1. Drad Dog"
        "ordre" => 5
      ]
      [
        "nom" => "1. Someday My Prince Will Come"
        "ordre" => 1
      ]
      [
        "nom" => "2. Old Folks"
        "ordre" => 2
      ]
      [
        "nom" => "2. Teo"
        "ordre" => 6
      ]
      [
        "nom" => "3. I Thought About You"
        "ordre" => 7
      ]
      [
        "nom" => "3. Pfrancing"
        "ordre" => 3
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1487231651 {#2041
      date: 2017-02-16 07:54:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1639648675 {#2042
      date: 2021-12-16 09:57:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-someday-my-prince-will-come-aapj-8456"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3225
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 1128
    -nom: "Someday My Prince Will Come"
    -informationComplementaire: ""
    -description: """
      Mastered from the original analog tape by Ryan K. Smith at Sterling Sound !\n
      \n
      Plated and pressed at Quality Record Pressings !\n
      \n
      "... The Analogue Productions sound is visceral and crisp in the best sense, and the quiet pressings ensure that no musical detail is even mildly obscured...with these 45 RPM LPs, if your system is up to the task, you'll hear boundless high-frequency reach and lavish dynamic nuance and harmonic delicacy". - Marc Mickelson, The Audio Beat, December 2010\n
      \n
      "... The most detailed, dynamic, and transparent version of this music that I have ever heard. All of the emotion of Davis' horn comes through in ballads, such as the title cut, and details such as the squeak of a chair or the spit on the sax's reed are revealed with an increased clarity". - My Vinyl Review, July 26, 2010\n
      \n
      A beautiful addition to the Davis canon. Recorded over the course of three days in April 1961, Someday My Prince Will Come showcases Miles' second great rhythm section, here at the absolute peak of their telepathic interplay. Wynton Kelly, Paul Chambers and Jimmy Cobb were as tight a unit as any ever formed, grooving so successfully that they went on to leave Miles and form the Wynton Kelly trio. Someday My Prince Will Come also includes some positively blistering solos from guest John Coltrane in his final recording with Miles. And Hank Mobley offers up some beautiful bluesy solos.\n
      \n
      This is a beautifully redone album, originally released in 1961.  Mastered by Ryan K. Smith at Sterling Sound, the pressing is on 200 gram vinyl by Quality Record Pressings, comes in a heavyweight tip-on jacket from Stoughton Printing. Excellent !\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Miles Davis (trumpet), John Coltrane, Hank Mobley (tenor saxophone), Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hmsNIAKp2oU"
    -referenceProduit: "AAPJ 8456"
    -titreMorceau: [
      [
        "nom" => "1. Drad Dog"
        "ordre" => 5
      ]
      [
        "nom" => "1. Someday My Prince Will Come"
        "ordre" => 1
      ]
      [
        "nom" => "2. Old Folks"
        "ordre" => 2
      ]
      [
        "nom" => "2. Teo"
        "ordre" => 6
      ]
      [
        "nom" => "3. I Thought About You"
        "ordre" => 7
      ]
      [
        "nom" => "3. Pfrancing"
        "ordre" => 3
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1487231651 {#2041
      date: 2017-02-16 07:54:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1639648675 {#2042
      date: 2021-12-16 09:57:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-someday-my-prince-will-come-aapj-8456"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

[
  "produit" => App\Entity\Produit {#2063
    -id: 1129
    -nom: "Seven Steps To Heaven"
    -informationComplementaire: ""
    -description: """
      Mastered from the original analog tape by Ryan K. Smith at Sterling Sound !\n
      \n
      Plated and pressed at Quality Record Pressings !\n
      \n
      "... The Analogue Productions sound is visceral and crisp in the best sense, and the quiet pressings ensure that no musical detail is even mildly obscured...with these 45 RPM LPs, if your system is up to the task, you'll hear boundless high-frequency reach and lavish dynamic nuance and harmonic delicacy". - Marc Mickelson, The Audio Beat, December 2010\n
      \n
      In 1963, Miles Davis was at a transitional point in his career, without a regular group and wondering what his future musical direction would be. At the time he recorded the music heard on this disc, he was in the process of forming a new band, as can be seen from the personnel : tenor saxophonist George Coleman, Victor Feldman (who turned down the job) and Herbie Hancock on pianos, bassist Ron Carter, and Frank Butler and Tony Williams on drums. Recorded at two separate sessions, this set is highlighted by the classic "Seven Steps To Heaven", "Joshua" and slow passionate versions of "Basin Street Blues" and "Baby Won't You Please Come Home".\n
      \n
      A fantastic-sounding album. Mastered by Ryan K. Smith at Sterling Sound, and pressed on 200 gram vinyl by the best in the business, Quality Record Pressings. An old-style tip-on jacket by Stoughton Printing makes this one a jewel for your LP collection.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Miles Davis (trumpet), George Coleman (tenor saxophone), Herbie Hancock, Victor Feldman (piano), Ron Carter (bass), Frank Butler, Anthony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=msW13gUZRVk"
    -referenceProduit: "AAPJ 8851"
    -titreMorceau: [
      [
        "nom" => "1. Basin Street Blues"
        "ordre" => 1
      ]
      [
        "nom" => "1. So Near, So Far"
        "ordre" => 5
      ]
      [
        "nom" => "2. Baby Won't You Please Come Home"
        "ordre" => 6
      ]
      [
        "nom" => "2. Seven Steps To Heaven"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Fall In Love Too Easily"
        "ordre" => 3
      ]
      [
        "nom" => "3. Joshua"
        "ordre" => 7
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2064 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2066 …}
    -enregistreLe: DateTime @1487232324 {#2060
      date: 2017-02-16 08:05:24.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1639648626 {#2061
      date: 2021-12-16 09:57:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2068 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-seven-steps-to-heaven-aapj-8851"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3278
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2063
    -id: 1129
    -nom: "Seven Steps To Heaven"
    -informationComplementaire: ""
    -description: """
      Mastered from the original analog tape by Ryan K. Smith at Sterling Sound !\n
      \n
      Plated and pressed at Quality Record Pressings !\n
      \n
      "... The Analogue Productions sound is visceral and crisp in the best sense, and the quiet pressings ensure that no musical detail is even mildly obscured...with these 45 RPM LPs, if your system is up to the task, you'll hear boundless high-frequency reach and lavish dynamic nuance and harmonic delicacy". - Marc Mickelson, The Audio Beat, December 2010\n
      \n
      In 1963, Miles Davis was at a transitional point in his career, without a regular group and wondering what his future musical direction would be. At the time he recorded the music heard on this disc, he was in the process of forming a new band, as can be seen from the personnel : tenor saxophonist George Coleman, Victor Feldman (who turned down the job) and Herbie Hancock on pianos, bassist Ron Carter, and Frank Butler and Tony Williams on drums. Recorded at two separate sessions, this set is highlighted by the classic "Seven Steps To Heaven", "Joshua" and slow passionate versions of "Basin Street Blues" and "Baby Won't You Please Come Home".\n
      \n
      A fantastic-sounding album. Mastered by Ryan K. Smith at Sterling Sound, and pressed on 200 gram vinyl by the best in the business, Quality Record Pressings. An old-style tip-on jacket by Stoughton Printing makes this one a jewel for your LP collection.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Miles Davis (trumpet), George Coleman (tenor saxophone), Herbie Hancock, Victor Feldman (piano), Ron Carter (bass), Frank Butler, Anthony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=msW13gUZRVk"
    -referenceProduit: "AAPJ 8851"
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        "nom" => "3. Joshua"
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      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
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        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
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      date: 2021-12-16 09:57:06.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-seven-steps-to-heaven-aapj-8851"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
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[
  "produit" => App\Entity\Produit {#2076
    -id: 1527
    -nom: "Bill Evans At The Montreux Jazz Festival "
    -informationComplementaire: ""
    -description: """
      As others have noted, this album occupies a unique place in the Bill Evans discography. It's the only album to document drummer Jack DeJohnette's too-short stay in the trio. The trio's performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group.\n
      \n
      By the time this set was recorded, live in Montreux on June 15, 1968, Eddie Gomez and Evans had been playing together for two years. Gomez provided a different brand of virtuosity to that offered by Scott LaFaro in Evans's classic trio of five years earlier but he was clearly the best bass player Evans had worked with since LaFaro's tragic death. The groove between the two was deep and comfortable, so comfortable that in this set, Evans did something he hadn't done before, at least on a recording: he showcased Gomez for an entire piece, the almost seven minute long "Embraceable You".\n
      \n
      As the liner notes by Gene Lees reveal, Evans' performance at the renowned jazz festival in the nightclub of the Montreux Casino, one of the most fashionable resorts in Switzerland, was one of his best. He and Gomez played with more exuberance, more happiness and more drive. Evans' brooding, introspective musical side has been represented well on records before; the bright side has been too-little heard, but it's here in this album.\n
      \n
      At the end of each number the audience exploded in applause so stormy and extended that it had to be heavily edited for the album.\n
      \n
      Enjoy this sparkling Bill Evans piano performance, made sweeter by the expert mastering by Bernie Grundman from the original analog tape. For this edition only the best vinyl pressing would do a 200 gram super-silent luxurious-sounding platter from Quality Record Pressings, makers of the world's finest-sounding LPs. First-rate and top-notch, this album will make a superb addition to your record collection.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Bill Evans (piano), Eddie Gomez (bass), Jack DeJohnette (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Fpj7sb5VxeI"
    -referenceProduit: "AAPJ 8762"
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2078 …}
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    -modifierLe: DateTime @1639582263 {#2074
      date: 2021-12-15 15:31:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2084 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-bill-evans-at-the-montreux-jazz-festival-aapj-8762"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3324
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2076
    -id: 1527
    -nom: "Bill Evans At The Montreux Jazz Festival "
    -informationComplementaire: ""
    -description: """
      As others have noted, this album occupies a unique place in the Bill Evans discography. It's the only album to document drummer Jack DeJohnette's too-short stay in the trio. The trio's performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group.\n
      \n
      By the time this set was recorded, live in Montreux on June 15, 1968, Eddie Gomez and Evans had been playing together for two years. Gomez provided a different brand of virtuosity to that offered by Scott LaFaro in Evans's classic trio of five years earlier but he was clearly the best bass player Evans had worked with since LaFaro's tragic death. The groove between the two was deep and comfortable, so comfortable that in this set, Evans did something he hadn't done before, at least on a recording: he showcased Gomez for an entire piece, the almost seven minute long "Embraceable You".\n
      \n
      As the liner notes by Gene Lees reveal, Evans' performance at the renowned jazz festival in the nightclub of the Montreux Casino, one of the most fashionable resorts in Switzerland, was one of his best. He and Gomez played with more exuberance, more happiness and more drive. Evans' brooding, introspective musical side has been represented well on records before; the bright side has been too-little heard, but it's here in this album.\n
      \n
      At the end of each number the audience exploded in applause so stormy and extended that it had to be heavily edited for the album.\n
      \n
      Enjoy this sparkling Bill Evans piano performance, made sweeter by the expert mastering by Bernie Grundman from the original analog tape. For this edition only the best vinyl pressing would do a 200 gram super-silent luxurious-sounding platter from Quality Record Pressings, makers of the world's finest-sounding LPs. First-rate and top-notch, this album will make a superb addition to your record collection.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Bill Evans (piano), Eddie Gomez (bass), Jack DeJohnette (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=Fpj7sb5VxeI"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2078 …}
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    -modifierLe: DateTime @1639582263 {#2074
      date: 2021-12-15 15:31:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2084 …}
    -disponible: null
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    -slug: "vinyles-bill-evans-at-the-montreux-jazz-festival-aapj-8762"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
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[
  "produit" => App\Entity\Produit {#2092
    -id: 1841
    -nom: "At The Pershing - But Not For Me"
    -informationComplementaire: ""
    -description: """
      200 gram vinyl mono LP !\n
      \n
      Mastered at Sterling Sound from the original tapes !\n
      \n
      Plated and pressed at Quality Record Pressings !\n
      \n
      Stoughton Printing old-style tip-on jacket !\n
      \n
      Best-selling, highly-recommended jazz album, ranked N° 21 on Jazzwise's list of 100 Jazz Albums That Shook The World !\n
      \n
      "Jamal's ideas about integrated and disciplined trio interplay had already deeply influenced jazz's inner circle of musicians while his piano-guitar-bass trio was around throughout the early 1950s. However, things went supernova-ish when this incredible unit made and released this jazz best-seller in 1958. Nobody remained untouched by his light-but-tight approach, his winningly imaginative arrangements and his incredible attention to dynamics. The highlight may have been ‘Poinciana', but every track is an object lesson in how to draw the best from a tune. That it was no flash in the pan is shown by the music's drawing power and continuing fascination today, as well as its ability to influence every new generation of pianists". - "The 100 Jazz Albums That Shook The World" - Jazzwise.\n
      \n
      This is one of the best-selling jazz records ever. But among audiophiles, it may not be as well known as some of the other genre classics.\n
      \n
      Jazz pianist, composer, bandleader, Grammy-nominee, and Kennedy Center legend Ahmad Jamal has for five decades been one of the most successful small-group leaders in jazz and one of the genre's all-time great pianists. His artisty, talent and creative abilities have thrilled audiences and been broadly proclaimed by musician and music lover alike. At The Pershing : But Not For Me is Jamal's dazzling fountain of creative splendor in full flow.\n
      \n
      In 1956 Jamal's new trio (with Israel Crosby on bass and Vernell Fournier on drums) began a residency at Chicago's Pershing Hotel, and two years later the group recorded At The Pershing : But Not For Me, which spent 108 weeks among the Top Ten best selling albums. Recorded on Jan. 16, 1958 at the Pershing Lounge in the hotel, each set played that night was recorded for a total of 43 tracks, eight of which were selected by Jamal for the album.\n
      \n
      AllMusic rates the album 4 stars, calling it a turning point in Jamal's career. The album became one of the best-selling records in the history of the Chess Records label. Chess Records is synonymous with the Chicago electric blues scene of the 1950s, when iconic names such as Muddy Waters, Howlin' Wolf, Bo Diddley and Chuck Berry came to prominence, helping to establish Leonard and Phil Chess' Windy City indie label as one of America's leading proponents of R&B music. But it's often forgotten that a jazz pianist called Ahmad Jamal played a major role in filling up the label's coffers and widening its audience.\n
      \n
      Jamal, from Pittsburgh, was a child prodigy who started playing piano at age 3 and, as a teen, caught the ear of jazz great Art Tatum. Then, after moving to Chicago, in 1948, he was eventually discovered by visionary record producer John Hammond, the patrician entrepreneur who had brought Billie Holiday to prominence and later helped to bring Aretha Franklin and Bob Dylan to the attention of the wider world. Hammond gave Jamal his first shot at recording in 1951, but it was seven years later, when the pianist was signed to Chess Records, that his career truly skyrocketed.\n
      \n
      At The Pershing : But Not For Me topped America's jazz charts for months and established a 107-week residence in Billboard's album charts.\n
      \n
      "That album sold over one million copies and is still selling", Jamal says. He attributes its success to the power of music. "It's contagious. Music belongs to the world. So something that is of value, whether it's Ravel's Boléro or, specifically, At The Pershing, the world listens. And if it's good, you're going to get one or two listeners... and I got a few more than two" !\n
      \n
      The Analogue Productions reissue LP you hold has matchless listenability, employing steps calculated to extract the highest-quality transfer and playback from the original master tape. Mastering took place at Sterling Sound, while plating and 200 gram pressing is by our own Quality Record Pressings, where the best-sounding LPs with dead-quiet surfaces are produced. A Stoughton Printing old-style tip-on jacket completes the package.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "Ahmad Jamal (piano), Israel Crosby (bass), Vernell Fournier (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=d7Sktqhz6GI"
    -referenceProduit: "Analogue Productions AAPJ 0128"
    -titreMorceau: [
      [
        "nom" => "1. But Not For Me "
        "ordre" => 1
      ]
      [
        "nom" => "1. Poinciana "
        "ordre" => 7
      ]
      [
        "nom" => "2. Surrey With The Fringe On Top "
        "ordre" => 2
      ]
      [
        "nom" => "2. Wood'yn You "
        "ordre" => 8
      ]
      [
        "nom" => "3. Moonlight In Vermont "
        "ordre" => 3
      ]
      [
        "nom" => "3. What's New"
        "ordre" => 9
      ]
      [
        "nom" => "4. Music, Music, Music "
        "ordre" => 4
      ]
      [
        "nom" => "5. No Greater Love"
        "ordre" => 5
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2094 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
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    }
    -modifierLe: DateTime @1639582203 {#2090
      date: 2021-12-15 15:30:03.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-at-the-pershing-but-not-for-me-analogue-productions-aapj-0128"
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App\Twig\Components\GestionPanierFavoriComponents {#3375
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2092
    -id: 1841
    -nom: "At The Pershing - But Not For Me"
    -informationComplementaire: ""
    -description: """
      200 gram vinyl mono LP !\n
      \n
      Mastered at Sterling Sound from the original tapes !\n
      \n
      Plated and pressed at Quality Record Pressings !\n
      \n
      Stoughton Printing old-style tip-on jacket !\n
      \n
      Best-selling, highly-recommended jazz album, ranked N° 21 on Jazzwise's list of 100 Jazz Albums That Shook The World !\n
      \n
      "Jamal's ideas about integrated and disciplined trio interplay had already deeply influenced jazz's inner circle of musicians while his piano-guitar-bass trio was around throughout the early 1950s. However, things went supernova-ish when this incredible unit made and released this jazz best-seller in 1958. Nobody remained untouched by his light-but-tight approach, his winningly imaginative arrangements and his incredible attention to dynamics. The highlight may have been ‘Poinciana', but every track is an object lesson in how to draw the best from a tune. That it was no flash in the pan is shown by the music's drawing power and continuing fascination today, as well as its ability to influence every new generation of pianists". - "The 100 Jazz Albums That Shook The World" - Jazzwise.\n
      \n
      This is one of the best-selling jazz records ever. But among audiophiles, it may not be as well known as some of the other genre classics.\n
      \n
      Jazz pianist, composer, bandleader, Grammy-nominee, and Kennedy Center legend Ahmad Jamal has for five decades been one of the most successful small-group leaders in jazz and one of the genre's all-time great pianists. His artisty, talent and creative abilities have thrilled audiences and been broadly proclaimed by musician and music lover alike. At The Pershing : But Not For Me is Jamal's dazzling fountain of creative splendor in full flow.\n
      \n
      In 1956 Jamal's new trio (with Israel Crosby on bass and Vernell Fournier on drums) began a residency at Chicago's Pershing Hotel, and two years later the group recorded At The Pershing : But Not For Me, which spent 108 weeks among the Top Ten best selling albums. Recorded on Jan. 16, 1958 at the Pershing Lounge in the hotel, each set played that night was recorded for a total of 43 tracks, eight of which were selected by Jamal for the album.\n
      \n
      AllMusic rates the album 4 stars, calling it a turning point in Jamal's career. The album became one of the best-selling records in the history of the Chess Records label. Chess Records is synonymous with the Chicago electric blues scene of the 1950s, when iconic names such as Muddy Waters, Howlin' Wolf, Bo Diddley and Chuck Berry came to prominence, helping to establish Leonard and Phil Chess' Windy City indie label as one of America's leading proponents of R&B music. But it's often forgotten that a jazz pianist called Ahmad Jamal played a major role in filling up the label's coffers and widening its audience.\n
      \n
      Jamal, from Pittsburgh, was a child prodigy who started playing piano at age 3 and, as a teen, caught the ear of jazz great Art Tatum. Then, after moving to Chicago, in 1948, he was eventually discovered by visionary record producer John Hammond, the patrician entrepreneur who had brought Billie Holiday to prominence and later helped to bring Aretha Franklin and Bob Dylan to the attention of the wider world. Hammond gave Jamal his first shot at recording in 1951, but it was seven years later, when the pianist was signed to Chess Records, that his career truly skyrocketed.\n
      \n
      At The Pershing : But Not For Me topped America's jazz charts for months and established a 107-week residence in Billboard's album charts.\n
      \n
      "That album sold over one million copies and is still selling", Jamal says. He attributes its success to the power of music. "It's contagious. Music belongs to the world. So something that is of value, whether it's Ravel's Boléro or, specifically, At The Pershing, the world listens. And if it's good, you're going to get one or two listeners... and I got a few more than two" !\n
      \n
      The Analogue Productions reissue LP you hold has matchless listenability, employing steps calculated to extract the highest-quality transfer and playback from the original master tape. Mastering took place at Sterling Sound, while plating and 200 gram pressing is by our own Quality Record Pressings, where the best-sounding LPs with dead-quiet surfaces are produced. A Stoughton Printing old-style tip-on jacket completes the package.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "Ahmad Jamal (piano), Israel Crosby (bass), Vernell Fournier (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=d7Sktqhz6GI"
    -referenceProduit: "Analogue Productions AAPJ 0128"
    -titreMorceau: [
      [
        "nom" => "1. But Not For Me "
        "ordre" => 1
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      [
        "nom" => "1. Poinciana "
        "ordre" => 7
      ]
      [
        "nom" => "2. Surrey With The Fringe On Top "
        "ordre" => 2
      ]
      [
        "nom" => "2. Wood'yn You "
        "ordre" => 8
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        "nom" => "3. Moonlight In Vermont "
        "ordre" => 3
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        "nom" => "3. What's New"
        "ordre" => 9
      ]
      [
        "nom" => "4. Music, Music, Music "
        "ordre" => 4
      ]
      [
        "nom" => "5. No Greater Love"
        "ordre" => 5
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2094 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2098 …}
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    }
    -modifierLe: DateTime @1639582203 {#2090
      date: 2021-12-15 15:30:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2100 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-at-the-pershing-but-not-for-me-analogue-productions-aapj-0128"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

[
  "produit" => App\Entity\Produit {#2108
    -id: 2101
    -nom: "Music From The Source"
    -informationComplementaire: ""
    -description: """
      180 gram vinyl !\r\n
      \r\n
      Remastering by Cicely Baston at Alchemy / Air Mastering !\r\n
      \r\n
      Recording with a sextet at the New York jazz club Sweet Basil in August 1977, McBee's band included Chico Freeman on reeds, Dennis Moorman on piano, Joe Gardner on trumpet, Steve McCall on drums, and Famoudou Don Moye on percussion. Two complete albums of music were released by Enja Records from this engagement, the ground breaking recordings Music From the Source (1978) and Compassion (1979).\r\n
      \r\n
      "Few groups today sound as fresh, generate as high an emotional charge, or leave as lasting an impression as McBee's sextet", Chris Albertson wrote upon the release of these recordings. "It is as if each member were a unique piece of a puzzle, carefully placed to complete precisely the breath taking picture intended. The music is adventurous enough to satisfy any aural daredevil who has not completely lost his or her sense of beauty, yet all the basic jazz values have been preserved with due reverence".
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Cecil McBee (bass), Chico Freeman (tenor saxophone, flute), Joe Gordon (trumpet, flugelhorn), Dennis Moorman (piano), Don Moye (conga), Steve McCall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZHQgVlSdm0c"
    -referenceProduit: "Pure Pleasure Records 3019"
    -titreMorceau: [
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        "nom" => "1. Agnez "
        "ordre" => 1
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        "nom" => "1. God Spirit "
        "ordre" => 3
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        "nom" => "2. First Song In The Day"
        "ordre" => 4
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      [
        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "Side B : "
        "ordre" => 2
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2110 …}
    -label: Proxies\__CG__\App\Entity\Label {#2113 …}
    -style: App\Entity\Style {#1063 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3426
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
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    -id: 2101
    -nom: "Music From The Source"
    -informationComplementaire: ""
    -description: """
      180 gram vinyl !\r\n
      \r\n
      Remastering by Cicely Baston at Alchemy / Air Mastering !\r\n
      \r\n
      Recording with a sextet at the New York jazz club Sweet Basil in August 1977, McBee's band included Chico Freeman on reeds, Dennis Moorman on piano, Joe Gardner on trumpet, Steve McCall on drums, and Famoudou Don Moye on percussion. Two complete albums of music were released by Enja Records from this engagement, the ground breaking recordings Music From the Source (1978) and Compassion (1979).\r\n
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      "Few groups today sound as fresh, generate as high an emotional charge, or leave as lasting an impression as McBee's sextet", Chris Albertson wrote upon the release of these recordings. "It is as if each member were a unique piece of a puzzle, carefully placed to complete precisely the breath taking picture intended. The music is adventurous enough to satisfy any aural daredevil who has not completely lost his or her sense of beauty, yet all the basic jazz values have been preserved with due reverence".
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Cecil McBee (bass), Chico Freeman (tenor saxophone, flute), Joe Gordon (trumpet, flugelhorn), Dennis Moorman (piano), Don Moye (conga), Steve McCall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZHQgVlSdm0c"
    -referenceProduit: "Pure Pleasure Records 3019"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2110 …}
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    -style: App\Entity\Style {#1063 …}
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    }
    -modifierLe: DateTime @1639119480 {#2106
      date: 2021-12-10 06:58:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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}

[
  "produit" => App\Entity\Produit {#2127
    -id: 2161
    -nom: "Cosmic Forest : The Spiritual Sounds of MPS"
    -informationComplementaire: ""
    -description: """
      There are still little-known gems to discover within the MPS catalogue. For instance, Cosmic Forest curated by Nicola Conte.\r\n
      \r\n
      Cosmic Forest is a compilation that highlights some of the most compelling "spiritual jazz" recordings from 1965 to 1975. Conte, a world-renowned Italian musician and producer, as well as a passionate DJ and record collector, is a connoisseur of European jazz with an astounding ability to dig a little deeper when it comes to arranging such a compilation.\r\n
      \r\n
      In this case, he concentrated on the spiritual highpoints of the MPS catalogue, highlighting both well-known and obscure musical treasures, while connecting disparate pieces through a personal common thread. The choice of individual titles and the flowing character of their arrangement lend the album a quality of timelessness, while showcasing the breadth of the entire "cosmic jazz collection" within the MPS archives.\r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FxrXKSk6Yi4"
    -referenceProduit: "MPS Records 2269"
    -titreMorceau: [
      [
        "nom" => "1. El Babaku - El Babaku \t"
        "ordre" => 13
      ]
      [
        "nom" => "1. Motihar Trio/Schweizer Trio/Schoof/Wilen - Yaad \t"
        "ordre" => 5
      ]
      [
        "nom" => "1. Smoke - Shelda \t"
        "ordre" => 9
      ]
      [
        "nom" => "1. The Third Wave - Maiden Voyage \t"
        "ordre" => 1
      ]
      [
        "nom" => "2. George Gruntz - Djerbi \t"
        "ordre" => 6
      ]
      [
        "nom" => "2. Hannibal and The Sunrise Orchestra - Revelation \t"
        "ordre" => 14
      ]
      [
        "nom" => "2. Michael Naura Quartet - Soledad De Murcia \t"
        "ordre" => 10
      ]
      [
        "nom" => "2. Nathan Davis - Evolution \t"
        "ordre" => 2
      ]
      [
        "nom" => "3. Dexter Gordon & Slide Hampton - A Day In Vienna \t"
        "ordre" => 3
      ]
      [
        "nom" => "3. The Albert Mangelsdorff Quartet - Never Let It End \t"
        "ordre" => 7
      ]
      [
        "nom" => "3. The MPS Rhythm Combination & Brass - Timbales Calientes \t"
        "ordre" => 11
      ]
      [
        "nom" => "3. Tony Scott and The Indonesian Allstars - Burungkaka Tua \t"
        "ordre" => 15
      ]
      [
        "nom" => "4. Dave Pike Set - Raga Jeeva Swara "
        "ordre" => 16
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "Side B : "
        "ordre" => 4
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      [
        "nom" => "Side C : "
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        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2129 …}
    -label: Proxies\__CG__\App\Entity\Label {#2132 …}
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      date: 2021-11-24 08:49:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-cosmic-forest-the-spiritual-sounds-of-mps-mps-records-2269"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3477
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2127
    -id: 2161
    -nom: "Cosmic Forest : The Spiritual Sounds of MPS"
    -informationComplementaire: ""
    -description: """
      There are still little-known gems to discover within the MPS catalogue. For instance, Cosmic Forest curated by Nicola Conte.\r\n
      \r\n
      Cosmic Forest is a compilation that highlights some of the most compelling "spiritual jazz" recordings from 1965 to 1975. Conte, a world-renowned Italian musician and producer, as well as a passionate DJ and record collector, is a connoisseur of European jazz with an astounding ability to dig a little deeper when it comes to arranging such a compilation.\r\n
      \r\n
      In this case, he concentrated on the spiritual highpoints of the MPS catalogue, highlighting both well-known and obscure musical treasures, while connecting disparate pieces through a personal common thread. The choice of individual titles and the flowing character of their arrangement lend the album a quality of timelessness, while showcasing the breadth of the entire "cosmic jazz collection" within the MPS archives.\r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=FxrXKSk6Yi4"
    -referenceProduit: "MPS Records 2269"
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        "nom" => "3. Dexter Gordon & Slide Hampton - A Day In Vienna \t"
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      [
        "nom" => "3. The Albert Mangelsdorff Quartet - Never Let It End \t"
        "ordre" => 7
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        "nom" => "3. The MPS Rhythm Combination & Brass - Timbales Calientes \t"
        "ordre" => 11
      ]
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        "nom" => "3. Tony Scott and The Indonesian Allstars - Burungkaka Tua \t"
        "ordre" => 15
      ]
      [
        "nom" => "4. Dave Pike Set - Raga Jeeva Swara "
        "ordre" => 16
      ]
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        "nom" => "Side A : "
        "ordre" => 0
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        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2129 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2136 …}
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      date: 2021-11-24 08:45:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1637743772 {#2125
      date: 2021-11-24 08:49:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2138 …}
    -disponible: null
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    -slug: "vinyles-cosmic-forest-the-spiritual-sounds-of-mps-mps-records-2269"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

[
  "produit" => App\Entity\Produit {#2146
    -id: 1899
    -nom: "Ballads"
    -informationComplementaire: ""
    -description: """
      info@headfi.com.hk\r\n
      \r\n
      Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      John Coltrane's immortal Impulse ! records, A Love Supreme (1964) and Ballads (1963) both have drawn rave reviews since their original release. A.B. Spellman, former administrator for the National Endowment for the Arts, once described Ballads as "some of the most sensitive, heartfelt music that any lover ever sang on a horn". Put simply, most guys don't play the saxophone like John Coltrane.\r\n
      \r\n
      The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All", "What's New", "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads.\r\n
      \r\n
      While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s.\r\n
      \r\n
      Recorded December 21, 1961 and September 18 & November 13, 1962 at Rudy Van Gelder Studios.\r\n
      \r\n
      "It's impossible to sleepwalk through tracks like "You Don't Know What Love Is" and "I Wish I Knew" and impart them with even a fraction of the emotional heft that the Quartet achieves. This is the type of jazz album in which the music just washes over the listener with it's restrained grace and beauty, and while it may not have the adventurousness that some listeners think Trane should have had each and every time he recorded, I'd say it shows off a side of him that only makes us appreciate his more bold and daring albums even more". - The Jazz Record \r\n
      \r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), McCoy Tyner (piano), Jimmy Garrison (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=C5xxovnlKxo"
    -referenceProduit: "Impulse (Acoustic Sounds Series) AIMP 7801"
    -titreMorceau: [
      [
        "nom" => "1. Say It (Over and over Again)"
        "ordre" => 1
      ]
      [
        "nom" => "2. You Don't Know What Love Is"
        "ordre" => 2
      ]
      [
        "nom" => "3. Too Young to Go Steady"
        "ordre" => 3
      ]
      [
        "nom" => "4. All or Nothing at All"
        "ordre" => 4
      ]
      [
        "nom" => "5. I Wish I Knew"
        "ordre" => 6
      ]
      [
        "nom" => "6. What's New ?"
        "ordre" => 7
      ]
      [
        "nom" => "7. It's Easy to Remember"
        "ordre" => 8
      ]
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        "nom" => "8. Nancy (With the Laughing Face)"
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        "ordre" => 0
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      [
        "nom" => "Side B : "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2148 …}
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    -modifierLe: DateTime @1637741347 {#2144
      date: 2021-11-24 08:09:07.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-ballads-impulse-acoustic-sounds-series-aimp-7801"
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App\Twig\Components\GestionPanierFavoriComponents {#3528
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2146
    -id: 1899
    -nom: "Ballads"
    -informationComplementaire: ""
    -description: """
      info@headfi.com.hk\r\n
      \r\n
      Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      John Coltrane's immortal Impulse ! records, A Love Supreme (1964) and Ballads (1963) both have drawn rave reviews since their original release. A.B. Spellman, former administrator for the National Endowment for the Arts, once described Ballads as "some of the most sensitive, heartfelt music that any lover ever sang on a horn". Put simply, most guys don't play the saxophone like John Coltrane.\r\n
      \r\n
      The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All", "What's New", "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads.\r\n
      \r\n
      While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s.\r\n
      \r\n
      Recorded December 21, 1961 and September 18 & November 13, 1962 at Rudy Van Gelder Studios.\r\n
      \r\n
      "It's impossible to sleepwalk through tracks like "You Don't Know What Love Is" and "I Wish I Knew" and impart them with even a fraction of the emotional heft that the Quartet achieves. This is the type of jazz album in which the music just washes over the listener with it's restrained grace and beauty, and while it may not have the adventurousness that some listeners think Trane should have had each and every time he recorded, I'd say it shows off a side of him that only makes us appreciate his more bold and daring albums even more". - The Jazz Record \r\n
      \r\n
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -referenceProduit: "Impulse (Acoustic Sounds Series) AIMP 7801"
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        "nom" => "3. Too Young to Go Steady"
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        "ordre" => 4
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        "nom" => "5. I Wish I Knew"
        "ordre" => 6
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        "nom" => "6. What's New ?"
        "ordre" => 7
      ]
      [
        "nom" => "7. It's Easy to Remember"
        "ordre" => 8
      ]
      [
        "nom" => "8. Nancy (With the Laughing Face)"
        "ordre" => 9
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2148 …}
    -label: Proxies\__CG__\App\Entity\Label {#2151 …}
    -style: App\Entity\Style {#1063 …}
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    -modifierLe: DateTime @1637741347 {#2144
      date: 2021-11-24 08:09:07.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-ballads-impulse-acoustic-sounds-series-aimp-7801"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
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[
  "produit" => App\Entity\Produit {#2167
    -id: 2027
    -nom: "Trio '64"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      There's scarcely a more towering figure in modern jazz save Miles and Coltrane than the great Bill Evans. His relaxed and emotional style at the piano would prove influential to not only his peers but to generations of pianists who would follow him.\r\n
      \r\n
      It also doesn't hurt, points out thejazzrecord.com, that he appeared on (and had great influence over the direction of) Kind Of Blue and that the two LPs from his trio's landmark stint at the Village Vanguard in 1961 (Waltz For Debby and Sunday At The Village Vanguard) are both stone-cold classics.\r\n
      \r\n
      The excellent Trio 64 marked Evans' first trio album after a move to Verve from his previous home at Riverside Records. While the work Evans' did with his first trio featuring Scott LaFaro and Paul Motian (particularly the Village Vanguard recordings) remains by far his most popular and lauded work, even after LaFaro's tragic death in 1961 he continued to improve upon and refine his particular brand of soulful and introspective playing.\r\n
      \r\n
      Trio 64 marked a reunion with Motian and Evans' only recorded work with the talented bassist Gary Peacock. The album matches up with Evans' finest trio sessions, with his shimmering piano lines dancing between Peacock's sharp bass lines and Motian's usual sublime work on the drums. Peacock was a perfect match for Evans, he was a kindred spirit when it came to not simply following the musical trends of the day, as evidenced by his time spent with the likes of Albert Ayler and Paul Bley a few years after the recording of Trio 64.\r\n
      \r\n
      The song selection shows how Evans was able to take even the most rote pop songs of the day and transform them into unabashed works of modern jazz. Is there another pianist of the era who would attempt a take on "Santa Claus Is Coming To Town" (the album was recorded December 18th, so why not throw in a Christmas tune) or "Little Lulu" (the theme from a 1940s cartoon of the same name) and so successfully have them come off as if they were jazz standards all along ? Even more impressive is that this was the first time that Evans had played with Peacock, and yet there is no sense of hesitation in either musician's interaction with each other, it sounds like they've been playing together for years.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Bill Evans (piano), Gary Peacock (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=uVmy3Hvqfq0"
    -referenceProduit: "Acoustic Sounds Series 12301"
    -titreMorceau: [
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        "nom" => "1. I'll See You Again "
        "ordre" => 6
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        "ordre" => 1
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      [
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        "ordre" => 2
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      [
        "nom" => "2. For Heaven's Sake "
        "ordre" => 7
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      [
        "nom" => "3. Always "
        "ordre" => 3
      ]
      [
        "nom" => "3. Dancing In The Dark "
        "ordre" => 8
      ]
      [
        "nom" => "4. Everything Happens To Me"
        "ordre" => 9
      ]
      [
        "nom" => "4. Santa Claus Is Coming To Town"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2078 …}
    -label: Proxies\__CG__\App\Entity\Label {#2151 …}
    -style: App\Entity\Style {#1063 …}
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      date: 2021-11-24 08:08:00.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-trio-64-acoustic-sounds-series-12301"
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App\Twig\Components\GestionPanierFavoriComponents {#3581
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2167
    -id: 2027
    -nom: "Trio '64"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      There's scarcely a more towering figure in modern jazz save Miles and Coltrane than the great Bill Evans. His relaxed and emotional style at the piano would prove influential to not only his peers but to generations of pianists who would follow him.\r\n
      \r\n
      It also doesn't hurt, points out thejazzrecord.com, that he appeared on (and had great influence over the direction of) Kind Of Blue and that the two LPs from his trio's landmark stint at the Village Vanguard in 1961 (Waltz For Debby and Sunday At The Village Vanguard) are both stone-cold classics.\r\n
      \r\n
      The excellent Trio 64 marked Evans' first trio album after a move to Verve from his previous home at Riverside Records. While the work Evans' did with his first trio featuring Scott LaFaro and Paul Motian (particularly the Village Vanguard recordings) remains by far his most popular and lauded work, even after LaFaro's tragic death in 1961 he continued to improve upon and refine his particular brand of soulful and introspective playing.\r\n
      \r\n
      Trio 64 marked a reunion with Motian and Evans' only recorded work with the talented bassist Gary Peacock. The album matches up with Evans' finest trio sessions, with his shimmering piano lines dancing between Peacock's sharp bass lines and Motian's usual sublime work on the drums. Peacock was a perfect match for Evans, he was a kindred spirit when it came to not simply following the musical trends of the day, as evidenced by his time spent with the likes of Albert Ayler and Paul Bley a few years after the recording of Trio 64.\r\n
      \r\n
      The song selection shows how Evans was able to take even the most rote pop songs of the day and transform them into unabashed works of modern jazz. Is there another pianist of the era who would attempt a take on "Santa Claus Is Coming To Town" (the album was recorded December 18th, so why not throw in a Christmas tune) or "Little Lulu" (the theme from a 1940s cartoon of the same name) and so successfully have them come off as if they were jazz standards all along ? Even more impressive is that this was the first time that Evans had played with Peacock, and yet there is no sense of hesitation in either musician's interaction with each other, it sounds like they've been playing together for years.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Bill Evans (piano), Gary Peacock (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uVmy3Hvqfq0"
    -referenceProduit: "Acoustic Sounds Series 12301"
    -titreMorceau: [
      [
        "nom" => "1. I'll See You Again "
        "ordre" => 6
      ]
      [
        "nom" => "1. Little Lulu "
        "ordre" => 1
      ]
      [
        "nom" => "2. A Sleeping Bee "
        "ordre" => 2
      ]
      [
        "nom" => "2. For Heaven's Sake "
        "ordre" => 7
      ]
      [
        "nom" => "3. Always "
        "ordre" => 3
      ]
      [
        "nom" => "3. Dancing In The Dark "
        "ordre" => 8
      ]
      [
        "nom" => "4. Everything Happens To Me"
        "ordre" => 9
      ]
      [
        "nom" => "4. Santa Claus Is Coming To Town"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2078 …}
    -label: Proxies\__CG__\App\Entity\Label {#2151 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2175 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2168 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2170 …}
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    }
    -modifierLe: DateTime @1637741280 {#2162
      date: 2021-11-24 08:08:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2172 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-trio-64-acoustic-sounds-series-12301"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

[
  "produit" => App\Entity\Produit {#2182
    -id: 2031
    -nom: "The Black Saint And The Sinner Lady"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Charlie Mingus (bass, piano), Charlie Mariano (alto saxophone), Jerome Richardson (soprano & baritone saxophone, flute), Dick Hafer (tenor saxophone, flute), Quentin Jackson (trombone), Richard Williams, Rolf Ericson (trumpet), Don Butterfield (tuba), Jay Berliner (guitar), Jaki Byard (piano), Dannie Richmond (drums).\r\n
      \r\n
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      On January 20, 1963, bassist and composer Charles Mingus recorded in just one session astonishingly a very personal and socially conscious work he titled The Black Saint & The Sinner Lady. With liner notes written by Mingus's psychotherapist, the album uses ornate ensemble orchestration to produce a sound somewhere between jazz and folk.\r\n
      \r\n
      Released on Impulse! Records in 1963, the album consists of a single continuous composition partially written as a ballet divided into four tracks and six movements. Of his adventurous and hauntingly eloquent work, among his other creations, Mingus said : "My music is evidence of my soul's will to live".  The evidence of that life-force amounts to some of the most dramatic and powerful jazz composed in the 20th century.\r\n
      \r\n
      Mingus was born in Arizona on April 22, 1922 and raised in Los Angeles. He was taught double-bass by Red Callendar, and by the New York Philharmonic Orchestra's Herman Rheinshagen (classical music played as big a part in his compositional thinking as gospel songs and the blues). Mingus toured with New Orleans players Louis Armstrong and Kid Ory in the 40s, and later worked briefly with Lionel Hampton and Duke Ellington.\r\n
      \r\n
      If he had been an improvising instrumentalist alone, Mingus would have been a jazz legend simply for his bass playing. Yet bass-playing also gave Mingus an insight into the low sonorities and inner hamonies of jazz composition, and his melodic approach was profoundly influenced by the blues and gospel music of his childhood. 
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Charlie Mingus (bass, piano), Charlie Mariano (alto saxophone), Jerome Richardson (soprano & baritone saxophone, flute), Dick Hafer (tenor saxophone, flute), Quentin Jackson (trombone), Richard Williams, Rolf Ericson (trumpet)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zFA0FYQo0Gg"
    -referenceProduit: "Acoustic Sounds Series 60201"
    -titreMorceau: [
      [
        "nom" => "1. Solo Dancer (Stop! And Listen, Sinner Jim Whitney !)"
        "ordre" => 1
      ]
      [
        "nom" => "1. Trio And Group Dancers (Stop ! Look ! And Sing Songs Of Revolutions !)"
        "ordre" => 5
      ]
      [
        "nom" => "2. Duet Solo Dancers (Heart's Beat And Shades In Physical Embraces)"
        "ordre" => 2
      ]
      [
        "nom" => "2. Single Solos And Group Dance (Saint And Sinner Join In Merriment On Battle Front)"
        "ordre" => 6
      ]
      [
        "nom" => "3. Group And Solo Dance (Of Love, Pain, And Passioned Revolt, Then Farewell,"
        "ordre" => 7
      ]
      [
        "nom" => "3. Group Dancers (Soul Fusion Freewoman And Oh This Freedom's Slave Cries)"
        "ordre" => 3
      ]
      [
        "nom" => "My Beloved, 'til It's Freedom Day)"
        "ordre" => 8
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2184 …}
    -label: Proxies\__CG__\App\Entity\Label {#2151 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2193 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2186 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2188 …}
    -enregistreLe: DateTime @1620921610 {#2178
      date: 2021-05-13 16:00:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1637741015 {#2177
      date: 2021-11-24 08:03:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2190 …}
    -disponible: null
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    -slug: "vinyles-the-black-saint-and-the-sinner-lady-acoustic-sounds-series-60201"
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App\Twig\Components\GestionPanierFavoriComponents {#3627
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2182
    -id: 2031
    -nom: "The Black Saint And The Sinner Lady"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Charlie Mingus (bass, piano), Charlie Mariano (alto saxophone), Jerome Richardson (soprano & baritone saxophone, flute), Dick Hafer (tenor saxophone, flute), Quentin Jackson (trombone), Richard Williams, Rolf Ericson (trumpet), Don Butterfield (tuba), Jay Berliner (guitar), Jaki Byard (piano), Dannie Richmond (drums).\r\n
      \r\n
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      On January 20, 1963, bassist and composer Charles Mingus recorded in just one session astonishingly a very personal and socially conscious work he titled The Black Saint & The Sinner Lady. With liner notes written by Mingus's psychotherapist, the album uses ornate ensemble orchestration to produce a sound somewhere between jazz and folk.\r\n
      \r\n
      Released on Impulse! Records in 1963, the album consists of a single continuous composition partially written as a ballet divided into four tracks and six movements. Of his adventurous and hauntingly eloquent work, among his other creations, Mingus said : "My music is evidence of my soul's will to live".  The evidence of that life-force amounts to some of the most dramatic and powerful jazz composed in the 20th century.\r\n
      \r\n
      Mingus was born in Arizona on April 22, 1922 and raised in Los Angeles. He was taught double-bass by Red Callendar, and by the New York Philharmonic Orchestra's Herman Rheinshagen (classical music played as big a part in his compositional thinking as gospel songs and the blues). Mingus toured with New Orleans players Louis Armstrong and Kid Ory in the 40s, and later worked briefly with Lionel Hampton and Duke Ellington.\r\n
      \r\n
      If he had been an improvising instrumentalist alone, Mingus would have been a jazz legend simply for his bass playing. Yet bass-playing also gave Mingus an insight into the low sonorities and inner hamonies of jazz composition, and his melodic approach was profoundly influenced by the blues and gospel music of his childhood. 
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Charlie Mingus (bass, piano), Charlie Mariano (alto saxophone), Jerome Richardson (soprano & baritone saxophone, flute), Dick Hafer (tenor saxophone, flute), Quentin Jackson (trombone), Richard Williams, Rolf Ericson (trumpet)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zFA0FYQo0Gg"
    -referenceProduit: "Acoustic Sounds Series 60201"
    -titreMorceau: [
      [
        "nom" => "1. Solo Dancer (Stop! And Listen, Sinner Jim Whitney !)"
        "ordre" => 1
      ]
      [
        "nom" => "1. Trio And Group Dancers (Stop ! Look ! And Sing Songs Of Revolutions !)"
        "ordre" => 5
      ]
      [
        "nom" => "2. Duet Solo Dancers (Heart's Beat And Shades In Physical Embraces)"
        "ordre" => 2
      ]
      [
        "nom" => "2. Single Solos And Group Dance (Saint And Sinner Join In Merriment On Battle Front)"
        "ordre" => 6
      ]
      [
        "nom" => "3. Group And Solo Dance (Of Love, Pain, And Passioned Revolt, Then Farewell,"
        "ordre" => 7
      ]
      [
        "nom" => "3. Group Dancers (Soul Fusion Freewoman And Oh This Freedom's Slave Cries)"
        "ordre" => 3
      ]
      [
        "nom" => "My Beloved, 'til It's Freedom Day)"
        "ordre" => 8
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2184 …}
    -label: Proxies\__CG__\App\Entity\Label {#2151 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2193 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2186 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2188 …}
    -enregistreLe: DateTime @1620921610 {#2178
      date: 2021-05-13 16:00:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1637741015 {#2177
      date: 2021-11-24 08:03:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2190 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-black-saint-and-the-sinner-lady-acoustic-sounds-series-60201"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
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[
  "produit" => App\Entity\Produit {#2200
    -id: 2030
    -nom: "Mingus Mingus Mingus Mingus Mingus"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Charles Mingus (bass, piano), Jerome Richardson (baritone & soprano saxophone, flute), Dick Hafer (tenor saxophone, flute, clarinet), Charlie Mariano (alto saxophone), Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone, flute), Rolf Ericson, Richard Williams, Eddie Preston (trumpet), Quentin Jackson, Britt Woodman (trombone), Don Butterfield (contrabass trombone, tuba), Jay Berliner (guitar), Jaki Byard (piano), Dannie Richmond, Walter Perkins (drums).\r\n
      \r\n
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      "The album features the two sides of Mingus' compositional genius: the beautiful balladry that I always feel has a bit of a film-noir feel to it, alongside those joyous upbeat numbers that are filled with an organized chaos that categorizes much of the bassist's best work. ... Throw in the fact that it also features Jaki Byard (who is just phenomenal on this recording and remains criminally underrated), Booker Ervin, Dannie Richmond and Eric Dolphy and you have some of Mingus' finest sidemen driving his compositions to the fantastical places they seemed preordained to go. ... Mingus, Mingus, Mingus, Mingus, Mingus is a record that has more than stood the test of time and is an everlasting testament to the talents of Mingus and the players who had the ability to follow his musical vision". — The Jazz Record\r\n
      \r\n
      Mingus, Mingus, Mingus, Mingus, Mingus was Charles Mingus' last major studio recording of the 1960s (the solo Mingus Plays Piano would also be released the same year in 1964) and it's a real treasure in the great jazz bassist's discography\r\n
      \r\n
      Two of the tracks ("Celia" and "I X Love") were recorded at the sessions for The Black Saint And The Sinner Lady, while the rest were laid down eight months later with a group that included Booker Ervin, Eric Dolphy and Jaki Byard (Byard also played on the two earlier tracks). Both sessions featured groups of 11 players, all of whom were in top form in performing Mingus' notoriously complex compositions, writes jazzrecord.com.\r\n
      \r\n
      All but two tracks on Mingus, Mingus, Mingus, Mingus, Mingus were re-interpretations of songs from the bassist's earlier catalog, only "Celia" rates as a new original number, and "Mood Indigo" is a cover of the famous tune by Mingus's hero Duke Ellington. If you happen to have lost your Mingus decoder ring, the remaining tracks correlate to their past counterparts as such :\r\n
      \r\n
      "II B.S." = "Haitian Fight Song"\r\n
      "I X Love" = "Nouroog"\r\n
      "Better Get Hit In Yo' Soul" = "Better Git It In Yo' Soul"\r\n
      "Theme For Lester Young" = "Goodbye Pork Pie Hat"\r\n
      "Hora Decubitus" = "E's Flat Ah's Flat Too"\r\n
      \r\n
      For Mingus, Mingus, Mingus, Mingus, Mingus Mingus collaborated with arranger/orchestrator Bob Hammer to score the music for the large ensemble of brass and saxophones. Recorded January 20 and September 20, 1963 in New York City.\r\n
      \r\n
      Track :  A2 & A3 Charles Mingus (bass, piano), Jerome Richardson (baritone & soprano saxophone, flute), Dick Hafer (tenor saxophone, flute), Charlie Mariano (alto saxophone), Rolf Ericson, Richard Williams (trumpet), Quentin Jackson (trombone), Don Butterfield (contrabass trombone, tuba), Jay Berliner (guitar), Jaki Byard (piano), Dannie Richmond (drums)\r\n
      \r\n
      Track :  A2, A4, B1, B2, & B3\r\n
      Charles Mingus (bass), Dick Hafer (tenor (saxophone, flute, clarinet), Jerome Richardson (baritone & soprano saxophone, flute), Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone, flute), Eddie Preston, Richard Williams (trumpet), Britt Woodman (trombone), Don Butterfield (tuba), Jaki Byard (piano), Walter Perkins (drums)
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Charles Mingus (bass, piano), Jerome Richardson (baritone & soprano saxophone, flute), Dick Hafer (tenor saxophone, flute, clarinet), Charlie Mariano (alto saxophone), Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone, flute)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=w0E1XTqUlCc"
    -referenceProduit: "Acoustic Sounds Series 60101"
    -titreMorceau: [
      [
        "nom" => "1. Better Get Hit In Yo' Soul"
        "ordre" => 6
      ]
      [
        "nom" => "1. II B.S."
        "ordre" => 1
      ]
      [
        "nom" => "2. I X Love"
        "ordre" => 2
      ]
      [
        "nom" => "2. Theme For Lester Young"
        "ordre" => 7
      ]
      [
        "nom" => "3. Celia"
        "ordre" => 3
      ]
      [
        "nom" => "3. Hora Decubitus"
        "ordre" => 8
      ]
      [
        "nom" => "4. Mood Indigo"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2184 …}
    -label: Proxies\__CG__\App\Entity\Label {#2151 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2208 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2201 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2203 …}
    -enregistreLe: DateTime @1620919637 {#2196
      date: 2021-05-13 15:27:17.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1637740691 {#2195
      date: 2021-11-24 07:58:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2205 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mingus-mingus-mingus-mingus-mingus-acoustic-sounds-series-60101"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3680
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2200
    -id: 2030
    -nom: "Mingus Mingus Mingus Mingus Mingus"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Charles Mingus (bass, piano), Jerome Richardson (baritone & soprano saxophone, flute), Dick Hafer (tenor saxophone, flute, clarinet), Charlie Mariano (alto saxophone), Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone, flute), Rolf Ericson, Richard Williams, Eddie Preston (trumpet), Quentin Jackson, Britt Woodman (trombone), Don Butterfield (contrabass trombone, tuba), Jay Berliner (guitar), Jaki Byard (piano), Dannie Richmond, Walter Perkins (drums).\r\n
      \r\n
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      "The album features the two sides of Mingus' compositional genius: the beautiful balladry that I always feel has a bit of a film-noir feel to it, alongside those joyous upbeat numbers that are filled with an organized chaos that categorizes much of the bassist's best work. ... Throw in the fact that it also features Jaki Byard (who is just phenomenal on this recording and remains criminally underrated), Booker Ervin, Dannie Richmond and Eric Dolphy and you have some of Mingus' finest sidemen driving his compositions to the fantastical places they seemed preordained to go. ... Mingus, Mingus, Mingus, Mingus, Mingus is a record that has more than stood the test of time and is an everlasting testament to the talents of Mingus and the players who had the ability to follow his musical vision". — The Jazz Record\r\n
      \r\n
      Mingus, Mingus, Mingus, Mingus, Mingus was Charles Mingus' last major studio recording of the 1960s (the solo Mingus Plays Piano would also be released the same year in 1964) and it's a real treasure in the great jazz bassist's discography\r\n
      \r\n
      Two of the tracks ("Celia" and "I X Love") were recorded at the sessions for The Black Saint And The Sinner Lady, while the rest were laid down eight months later with a group that included Booker Ervin, Eric Dolphy and Jaki Byard (Byard also played on the two earlier tracks). Both sessions featured groups of 11 players, all of whom were in top form in performing Mingus' notoriously complex compositions, writes jazzrecord.com.\r\n
      \r\n
      All but two tracks on Mingus, Mingus, Mingus, Mingus, Mingus were re-interpretations of songs from the bassist's earlier catalog, only "Celia" rates as a new original number, and "Mood Indigo" is a cover of the famous tune by Mingus's hero Duke Ellington. If you happen to have lost your Mingus decoder ring, the remaining tracks correlate to their past counterparts as such :\r\n
      \r\n
      "II B.S." = "Haitian Fight Song"\r\n
      "I X Love" = "Nouroog"\r\n
      "Better Get Hit In Yo' Soul" = "Better Git It In Yo' Soul"\r\n
      "Theme For Lester Young" = "Goodbye Pork Pie Hat"\r\n
      "Hora Decubitus" = "E's Flat Ah's Flat Too"\r\n
      \r\n
      For Mingus, Mingus, Mingus, Mingus, Mingus Mingus collaborated with arranger/orchestrator Bob Hammer to score the music for the large ensemble of brass and saxophones. Recorded January 20 and September 20, 1963 in New York City.\r\n
      \r\n
      Track :  A2 & A3 Charles Mingus (bass, piano), Jerome Richardson (baritone & soprano saxophone, flute), Dick Hafer (tenor saxophone, flute), Charlie Mariano (alto saxophone), Rolf Ericson, Richard Williams (trumpet), Quentin Jackson (trombone), Don Butterfield (contrabass trombone, tuba), Jay Berliner (guitar), Jaki Byard (piano), Dannie Richmond (drums)\r\n
      \r\n
      Track :  A2, A4, B1, B2, & B3\r\n
      Charles Mingus (bass), Dick Hafer (tenor (saxophone, flute, clarinet), Jerome Richardson (baritone & soprano saxophone, flute), Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone, flute), Eddie Preston, Richard Williams (trumpet), Britt Woodman (trombone), Don Butterfield (tuba), Jaki Byard (piano), Walter Perkins (drums)
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Charles Mingus (bass, piano), Jerome Richardson (baritone & soprano saxophone, flute), Dick Hafer (tenor saxophone, flute, clarinet), Charlie Mariano (alto saxophone), Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone, flute)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=w0E1XTqUlCc"
    -referenceProduit: "Acoustic Sounds Series 60101"
    -titreMorceau: [
      [
        "nom" => "1. Better Get Hit In Yo' Soul"
        "ordre" => 6
      ]
      [
        "nom" => "1. II B.S."
        "ordre" => 1
      ]
      [
        "nom" => "2. I X Love"
        "ordre" => 2
      ]
      [
        "nom" => "2. Theme For Lester Young"
        "ordre" => 7
      ]
      [
        "nom" => "3. Celia"
        "ordre" => 3
      ]
      [
        "nom" => "3. Hora Decubitus"
        "ordre" => 8
      ]
      [
        "nom" => "4. Mood Indigo"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2184 …}
    -label: Proxies\__CG__\App\Entity\Label {#2151 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2208 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2201 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2203 …}
    -enregistreLe: DateTime @1620919637 {#2196
      date: 2021-05-13 15:27:17.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1637740691 {#2195
      date: 2021-11-24 07:58:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2205 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mingus-mingus-mingus-mingus-mingus-acoustic-sounds-series-60101"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

[
  "produit" => App\Entity\Produit {#2215
    -id: 1874
    -nom: "Louis Armstrong Meets Oscar Peterson"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\n
      \n
      Two monthly releases highlighting Verve's historic and best jazz records !\n
      \n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\n
      \n
      180 gram LPs pressed at Quality Record Pressings !\n
      \n
      Stoughton Printing gatefold old-style tip-on jackets !\n
      \n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\n
      \n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series will launch July 31, 2020 with inaugural releases the sensational collaborations, Stan Getz and João Gilberto's landmark Getz / Gilberto (1964) and the remarkable Louis Armstrong Meets Oscar Peterson (1959).\n
      \n
      Utilizing the skills of the top mastering engineers and the unsurpassed production craft of Quality Record Pressings, all titles will be mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases will be supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\n
      \n
      The Acoustic Sounds series will feature two releases a month highlighting a different storied label spanning Verve / UMe's extraordinarily rich archive. To begin with, the series will largely focus on some of the most popular albums from the ‘50s and ‘60s in their unmatched catalog. The July releases will celebrate two of Verve's most beloved albums, the aforementioned Getz / Gilberto and Louis Armstrong Meets Oscar Peterson, and will be followed in August by John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Two of Nina Simone's legendary Phillips albums I Put A Spell On You (1965) and Pastel Blues (1965) will come in September which will be succeeded in October by two from the EmArcy Records vault : Sarah Vaughan's self-titled 1954 album, the vocal great's sole collaboration with influential trumpeter Clifford Brown, who is also represented alongside pioneering drummer Max Roach on the hard bop classic, Study In Brown (1955). November will spotlight Decca Records with the iconic Peggy Lee's first album, Black Coffee (1956), and composer George Russell's important New York, N.Y. (1959) performed by an all-star orchestra that includes Bill Evans, John Coltrane, Art Farmer and Milt Hinton, among others. All titles and exact release dates are listed below. Additional titles will be announced as the series progresses.\n
      \n
      "We are excited to launch our Acoustic Sounds series", said Bruce Resnikoff, President & CEO of UMe. "Verve and UMe have one of the richest jazz catalogs ever recorded and our goal is to give vinyl and music lovers the best possible versions of classic albums. The Acoustic Sounds series is designed to appeal to today's most discriminating fans, and those discovering this treasured legacy for the first time, looking for the very finest in both artistic content and audio quality".\n
      \n
      "We're very honored to have Verve and UME partnering with us to create what we believe will be the highest quality reissues of some of the world's greatest jazz albums. Each step in our production process from title selection to mastering, pressing and packaging is designed to meet the highest standards, and we want everyone who hears these albums to feel the love and hard work we put into everything we do", Kassem said. "We've long had a great relationship with UME, pressing classic titles at our Quality Record Pressings from many of their highest-profile artists. We look forward to strengthening that partnership even further with these reissues from Verve, home of the world's largest jazz catalog".\n
      \n
      Louis Armstrong Meets Oscar Peterson is a brilliant undertaking in which Verve's legendary "house pianist" encountered one of jazz's most revered giants. A significant part of Peterson's genius was his ability to be an exceptional pianist and leader, while also being a perfect accompanist when the circumstance demands... and in a situation like this, to be both. Armstrong is not only recognized as one of the most innovative, singular, fascinating and beloved artists of the 20th century, but also one of the most generous in the way he embraced and stimulated his collaborators. Backed by the Oscar Peterson Trio bassist Ray Brown and guitarist Herb Ellis, and augmented by frequent fourth member Louis Bellson on drums these peerless heavyweights created an album that is utterly compelling, radiantly jubilant and consummate in artistry.\n
      \n
      The musicians provided the setting for the jewel that is Pops, with Peterson perfectly embellishing every phrase Armstrong sings or plays. The focus here is primarily upon his totally personal and thoroughly captivating vocal style, with his occasional trumpet solos limited in all but one case to a single chorus. Essentially culled from the Great American Song Book Cole Porter, the Gershwins and Harold Arlen among the songwriters the pieces range from poignant ballads and blues to effusive easy-grooved swing. Each song is an exquisitely crafted gem that will warm the heart and enrich the soul.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Louis Armstrong (trumpet, vocals), Oscar Peterson (piano), Herb Ellis (guitar), Ray Brown (double bass), Louie Bellson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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        "nom" => "2. Moon Song "
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      ]
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      ]
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        "nom" => "5. How Long Has This Been Going On ? "
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      ]
      [
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        "nom" => "6. Sweet Lorraine"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2217 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3726
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
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  +produit: App\Entity\Produit {#2215
    -id: 1874
    -nom: "Louis Armstrong Meets Oscar Peterson"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\n
      \n
      Two monthly releases highlighting Verve's historic and best jazz records !\n
      \n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\n
      \n
      180 gram LPs pressed at Quality Record Pressings !\n
      \n
      Stoughton Printing gatefold old-style tip-on jackets !\n
      \n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\n
      \n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series will launch July 31, 2020 with inaugural releases the sensational collaborations, Stan Getz and João Gilberto's landmark Getz / Gilberto (1964) and the remarkable Louis Armstrong Meets Oscar Peterson (1959).\n
      \n
      Utilizing the skills of the top mastering engineers and the unsurpassed production craft of Quality Record Pressings, all titles will be mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases will be supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\n
      \n
      The Acoustic Sounds series will feature two releases a month highlighting a different storied label spanning Verve / UMe's extraordinarily rich archive. To begin with, the series will largely focus on some of the most popular albums from the ‘50s and ‘60s in their unmatched catalog. The July releases will celebrate two of Verve's most beloved albums, the aforementioned Getz / Gilberto and Louis Armstrong Meets Oscar Peterson, and will be followed in August by John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Two of Nina Simone's legendary Phillips albums I Put A Spell On You (1965) and Pastel Blues (1965) will come in September which will be succeeded in October by two from the EmArcy Records vault : Sarah Vaughan's self-titled 1954 album, the vocal great's sole collaboration with influential trumpeter Clifford Brown, who is also represented alongside pioneering drummer Max Roach on the hard bop classic, Study In Brown (1955). November will spotlight Decca Records with the iconic Peggy Lee's first album, Black Coffee (1956), and composer George Russell's important New York, N.Y. (1959) performed by an all-star orchestra that includes Bill Evans, John Coltrane, Art Farmer and Milt Hinton, among others. All titles and exact release dates are listed below. Additional titles will be announced as the series progresses.\n
      \n
      "We are excited to launch our Acoustic Sounds series", said Bruce Resnikoff, President & CEO of UMe. "Verve and UMe have one of the richest jazz catalogs ever recorded and our goal is to give vinyl and music lovers the best possible versions of classic albums. The Acoustic Sounds series is designed to appeal to today's most discriminating fans, and those discovering this treasured legacy for the first time, looking for the very finest in both artistic content and audio quality".\n
      \n
      "We're very honored to have Verve and UME partnering with us to create what we believe will be the highest quality reissues of some of the world's greatest jazz albums. Each step in our production process from title selection to mastering, pressing and packaging is designed to meet the highest standards, and we want everyone who hears these albums to feel the love and hard work we put into everything we do", Kassem said. "We've long had a great relationship with UME, pressing classic titles at our Quality Record Pressings from many of their highest-profile artists. We look forward to strengthening that partnership even further with these reissues from Verve, home of the world's largest jazz catalog".\n
      \n
      Louis Armstrong Meets Oscar Peterson is a brilliant undertaking in which Verve's legendary "house pianist" encountered one of jazz's most revered giants. A significant part of Peterson's genius was his ability to be an exceptional pianist and leader, while also being a perfect accompanist when the circumstance demands... and in a situation like this, to be both. Armstrong is not only recognized as one of the most innovative, singular, fascinating and beloved artists of the 20th century, but also one of the most generous in the way he embraced and stimulated his collaborators. Backed by the Oscar Peterson Trio bassist Ray Brown and guitarist Herb Ellis, and augmented by frequent fourth member Louis Bellson on drums these peerless heavyweights created an album that is utterly compelling, radiantly jubilant and consummate in artistry.\n
      \n
      The musicians provided the setting for the jewel that is Pops, with Peterson perfectly embellishing every phrase Armstrong sings or plays. The focus here is primarily upon his totally personal and thoroughly captivating vocal style, with his occasional trumpet solos limited in all but one case to a single chorus. Essentially culled from the Great American Song Book Cole Porter, the Gershwins and Harold Arlen among the songwriters the pieces range from poignant ballads and blues to effusive easy-grooved swing. Each song is an exquisitely crafted gem that will warm the heart and enrich the soul.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gL9l40FqdMw"
    -referenceProduit: "Acoustic Sounds Series 68901"
    -titreMorceau: [
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        "ordre" => 8
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        "nom" => "2. Let's Fall in Love "
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        "nom" => "2. Moon Song "
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      ]
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2217 …}
    -label: Proxies\__CG__\App\Entity\Label {#2151 …}
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    }
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      date: 2021-11-23 08:03:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-louis-armstrong-meets-oscar-peterson-acoustic-sounds-series-68901"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3927
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3928 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3976 …}
  +isValidated: false
  +validatedFields: []
}