Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2628
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2705
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2708 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
  -formView: Symfony\Component\Form\FormView {#2744 …}
  -form: Symfony\Component\Form\Form {#2894 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1873
    -id: 2611
    -nom: "The Essentials"
    -informationComplementaire: ""
    -description: """
      Anne Bisson's Compilation Album The Essentials on Numbered Limited Edition One-Step 180 gram LP. Includes 20 Page Booklet with Exclusive Color Photos and Anecdotes. Remastered by Bernie Grundman and Pressed at RTI.\r\n
      \r\n
      The Essentials features 12 of Anne Bisson's very best songs recorded over the past 15 years. Carefully selected, the tracklist includes "September in Montreal" and "Killing Me Softly", plus bonus track "Les Moulins de Mon Coeur", a French version of Michel Legrand's hit song "The Windmills of Your Mind".\r\n
      \r\n
      Remastered by Bernie Grundman and pressed at RTI, this hand-numbered, limited edition one-step pressing includes a 20 page booklet of Anne's life story along with exclusive color photos and anecdotes. Housed in a double gatefold jacket.\r\n
      \r\n
      This album was made possible thanks to Heinz Lichtenegger from Pro-Ject.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Camilio Records 7002"
    -titreMorceau: [
      [
        "nom" => "1. September in Montreal – from Blue Mind"
        "ordre" => 1
      ]
      [
        "nom" => "1. Soothing Your Soul – from Blue Mind"
        "ordre" => 8
      ]
      [
        "nom" => "2. Blue Bayou – from Be My Lover"
        "ordre" => 9
      ]
      [
        "nom" => "2. Summer Breeze – from Four Seasons in Jazz : Live at Bernie's"
        "ordre" => 2
      ]
      [
        "nom" => "3. Killing Me Soflty – from Keys to My Heart"
        "ordre" => 3
      ]
      [
        "nom" => "3. Les Moulins de mon coeur (Bonus Track)"
        "ordre" => 10
      ]
      [
        "nom" => "4. Fly Away – from Belanger & Bisson : Conversations"
        "ordre" => 4
      ]
      [
        "nom" => "4. Nature Boy – from Be My Lover"
        "ordre" => 11
      ]
      [
        "nom" => "5. Dry My tears – from Tales from the Treetops"
        "ordre" => 12
      ]
      [
        "nom" => "5. Le vent souffle encore – from Belanger & Bisson : Conversations"
        "ordre" => 5
      ]
      [
        "nom" => "6. Be My Lover – from Be My Lover"
        "ordre" => 13
      ]
      [
        "nom" => "6. Your Smile – from Tales from the Treetops"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1734717546 {#1928
      date: 2024-12-20 17:59:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1734717928 {#1921
      date: 2024-12-20 18:05:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-essentials-camilio-records-7002"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3166
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#1873
    -id: 2611
    -nom: "The Essentials"
    -informationComplementaire: ""
    -description: """
      Anne Bisson's Compilation Album The Essentials on Numbered Limited Edition One-Step 180 gram LP. Includes 20 Page Booklet with Exclusive Color Photos and Anecdotes. Remastered by Bernie Grundman and Pressed at RTI.\r\n
      \r\n
      The Essentials features 12 of Anne Bisson's very best songs recorded over the past 15 years. Carefully selected, the tracklist includes "September in Montreal" and "Killing Me Softly", plus bonus track "Les Moulins de Mon Coeur", a French version of Michel Legrand's hit song "The Windmills of Your Mind".\r\n
      \r\n
      Remastered by Bernie Grundman and pressed at RTI, this hand-numbered, limited edition one-step pressing includes a 20 page booklet of Anne's life story along with exclusive color photos and anecdotes. Housed in a double gatefold jacket.\r\n
      \r\n
      This album was made possible thanks to Heinz Lichtenegger from Pro-Ject.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Camilio Records 7002"
    -titreMorceau: [
      [
        "nom" => "1. September in Montreal – from Blue Mind"
        "ordre" => 1
      ]
      [
        "nom" => "1. Soothing Your Soul – from Blue Mind"
        "ordre" => 8
      ]
      [
        "nom" => "2. Blue Bayou – from Be My Lover"
        "ordre" => 9
      ]
      [
        "nom" => "2. Summer Breeze – from Four Seasons in Jazz : Live at Bernie's"
        "ordre" => 2
      ]
      [
        "nom" => "3. Killing Me Soflty – from Keys to My Heart"
        "ordre" => 3
      ]
      [
        "nom" => "3. Les Moulins de mon coeur (Bonus Track)"
        "ordre" => 10
      ]
      [
        "nom" => "4. Fly Away – from Belanger & Bisson : Conversations"
        "ordre" => 4
      ]
      [
        "nom" => "4. Nature Boy – from Be My Lover"
        "ordre" => 11
      ]
      [
        "nom" => "5. Dry My tears – from Tales from the Treetops"
        "ordre" => 12
      ]
      [
        "nom" => "5. Le vent souffle encore – from Belanger & Bisson : Conversations"
        "ordre" => 5
      ]
      [
        "nom" => "6. Be My Lover – from Be My Lover"
        "ordre" => 13
      ]
      [
        "nom" => "6. Your Smile – from Tales from the Treetops"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1734717546 {#1928
      date: 2024-12-20 17:59:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1734717928 {#1921
      date: 2024-12-20 18:05:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-essentials-camilio-records-7002"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

[
  "produit" => App\Entity\Produit {#2097
    -id: 2609
    -nom: "Ben Webster meets Oscar Peterson"
    -informationComplementaire: ""
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Ben Webster was, without a doubt, one of the most important and influential tenor saxophonists in jazz. Ben Webster Meets Oscar Peterson features some of his finest collaborations with Oscar Peterson, who the tenor saxophonist often stated was his favorite accompanist.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
       
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …}
    -musicienOrchestre: "Ben Webster (tenor saxophone), Oscar Peterson (piano),? Ray Brown (bass), ?Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=IphIHPRn37I"
    -referenceProduit: "Acoustic Sounds Series Verve 6114"
    -titreMorceau: [
      [
        "nom" => "1. In The Wee Small Hours Of The Morning"
        "ordre" => 6
      ]
      [
        "nom" => "1. Touch of Your Pips"
        "ordre" => 1
      ]
      [
        "nom" => "2. Sunday"
        "ordre" => 7
      ]
      [
        "nom" => "2. When Your Lover has Gone"
        "ordre" => 2
      ]
      [
        "nom" => "3. Bye Bye Blackbird"
        "ordre" => 3
      ]
      [
        "nom" => "3. This Can't Be Love"
        "ordre" => 8
      ]
      [
        "nom" => "4. How Deep Is The Ocean (How High is The Sky)"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
    -label: Proxies\__CG__\App\Entity\Label {#2102 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2111 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2104 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2106 …}
    -enregistreLe: DateTime @1733590160 {#2094
      date: 2024-12-07 16:49:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1733590559 {#2095
      date: 2024-12-07 16:55:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2108 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ben-webster-meets-oscar-peterson-acoustic-sounds-series-verve-6114"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3280
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2097
    -id: 2609
    -nom: "Ben Webster meets Oscar Peterson"
    -informationComplementaire: ""
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Ben Webster was, without a doubt, one of the most important and influential tenor saxophonists in jazz. Ben Webster Meets Oscar Peterson features some of his finest collaborations with Oscar Peterson, who the tenor saxophonist often stated was his favorite accompanist.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
       
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …}
    -musicienOrchestre: "Ben Webster (tenor saxophone), Oscar Peterson (piano),? Ray Brown (bass), ?Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=IphIHPRn37I"
    -referenceProduit: "Acoustic Sounds Series Verve 6114"
    -titreMorceau: [
      [
        "nom" => "1. In The Wee Small Hours Of The Morning"
        "ordre" => 6
      ]
      [
        "nom" => "1. Touch of Your Pips"
        "ordre" => 1
      ]
      [
        "nom" => "2. Sunday"
        "ordre" => 7
      ]
      [
        "nom" => "2. When Your Lover has Gone"
        "ordre" => 2
      ]
      [
        "nom" => "3. Bye Bye Blackbird"
        "ordre" => 3
      ]
      [
        "nom" => "3. This Can't Be Love"
        "ordre" => 8
      ]
      [
        "nom" => "4. How Deep Is The Ocean (How High is The Sky)"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
    -label: Proxies\__CG__\App\Entity\Label {#2102 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2111 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2104 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2106 …}
    -enregistreLe: DateTime @1733590160 {#2094
      date: 2024-12-07 16:49:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1733590559 {#2095
      date: 2024-12-07 16:55:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2108 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ben-webster-meets-oscar-peterson-acoustic-sounds-series-verve-6114"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

[
  "produit" => App\Entity\Produit {#2116
    -id: 2602
    -nom: "Miles '54 - The Prestige Recordings"
    -informationComplementaire: ""
    -description: """
      - 180 gram 4 LP Box Set !\r\n
      \r\n
      - Miles Davis "Miles '54 - The Prestige Recordings !"\r\n
      \r\n
      Released to celebrate the 70th Anniversary of these recordings, Miles '54 - The Prestige Recordings brings together 20 tracks recorded by the trumpet legend in 1954, across 4 LPs. Including cuts from albums released that year the collection features Sonny Rollins, Charles Mingus, Horace Silver, Art Blakey, Thelonious Monk and more. Included are new liner notes by Grammy Award-winning music historian Ashley Kahn and session notes by Grammy winner Dan Morgenstern, with mastering by Paul Blakemore.
      """
    -prixVente: "149.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uDwuM3qI0WE"
    -referenceProduit: "Concord Craft Recordings 2491"
    -titreMorceau: [
      [
        "nom" => "1. Airegin"
        "ordre" => 13
      ]
      [
        "nom" => "1. Bags' Groove (Take 2)"
        "ordre" => 21
      ]
      [
        "nom" => "1. Blue 'N' Boogie"
        "ordre" => 10
      ]
      [
        "nom" => "1. Doxy"
        "ordre" => 18
      ]
      [
        "nom" => "1. Four"
        "ordre" => 1
      ]
      [
        "nom" => "1. Swing Spring"
        "ordre" => 24
      ]
      [
        "nom" => "1. The Man I Love (Take 1)"
        "ordre" => 26
      ]
      [
        "nom" => "1. You Don't Know What Love Is"
        "ordre" => 6
      ]
      [
        "nom" => "2. Bags' Groove (Take 1)"
        "ordre" => 19
      ]
      [
        "nom" => "2. Bemsha Swing"
        "ordre" => 22
      ]
      [
        "nom" => "2. Love Me or Leave Me"
        "ordre" => 7
      ]
      [
        "nom" => "2. Old Devil"
        "ordre" => 2
      ]
      [
        "nom" => "2. Oleo"
        "ordre" => 14
      ]
      [
        "nom" => "2. The Man I Love (Take 2)"
        "ordre" => 27
      ]
      [
        "nom" => "2. Walkin'"
        "ordre" => 11
      ]
      [
        "nom" => "3. Blue"
        "ordre" => 3
      ]
      [
        "nom" => "3. But Not for Me (Take 1)"
        "ordre" => 15
      ]
      [
        "nom" => "3. I'll Remember April"
        "ordre" => 8
      ]
      [
        "nom" => "4. But Not for Me (Take 2)"
        "ordre" => 16
      ]
      [
        "nom" => "4. Solar"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "Side C : "
        "ordre" => 9
      ]
      [
        "nom" => "Side D :"
        "ordre" => 12
      ]
      [
        "nom" => "Side E : "
        "ordre" => 17
      ]
      [
        "nom" => "Side F : "
        "ordre" => 20
      ]
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App\Twig\Components\GestionPanierFavoriComponents {#3331
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      - 180 gram 4 LP Box Set !\r\n
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    -informationComplementaire: ""
    -description: """
      - THE THIRD OF FIVE ALBUMS FROM MILES DAVIS’ SECOND GREAT QUINTET: MOOD, INFLECTION, NUANCE, AND EXPRESSIONISM TAKE CENTER STAGE ON SORCERER !\r\n
      \r\n
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      \r\n
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App\Twig\Components\GestionPanierFavoriComponents {#3384
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[
  "produit" => App\Entity\Produit {#2151
    -id: 2591
    -nom: "At the Renaissance"
    -informationComplementaire: ""
    -description: """
      - Contemporary Records Acoustic Sounds Series continues in 2024 !\r\n
      \r\n
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      \r\n
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      \r\n
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      \r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
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      \r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      - Continuing Craft Recordings' celebration of seminal jazz artists from Contemporary Records !\r\n
      \r\n
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      \r\n
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App\Twig\Components\GestionPanierFavoriComponents {#3432
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2151
    -id: 2591
    -nom: "At the Renaissance"
    -informationComplementaire: ""
    -description: """
      - Contemporary Records Acoustic Sounds Series continues in 2024 !\r\n
      \r\n
      - Twelve standout albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      \r\n
      - Titles featuring Art Pepper, Sonny Rollins, Helen Humes, Ben Webster and many more !\r\n
      \r\n
      - Mastered AAA by Bernie Grundman from the original analog tapes !\r\n
      \r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      - Continuing Craft Recordings' celebration of seminal jazz artists from Contemporary Records !\r\n
      \r\n
      Recorded live at The Renaissance in Hollywood on Oct 14, 1960, this reissue of Ben Webster's At the Renaissance is a "consistently wonderful" album notes AllMusic, that finds the saxophonist "in superior and creative form". The New Yorker, for its part, has anointed Webster one of the "founding emperors of the jazz tenor saxophone". The superlative performance from the Duke Ellington Orchestra alum and his band pianist Jimmy Rowles (Sarah Vaughan, Ella Fitzgerald), guitarist Jim Hall (Jimmy Giuffre, Sonny Rollins), bassist Red Mitchell (André Previn, Billie Holliday), and drummer Frank Butler (Duke Ellington, John Coltrane) features something for everyone : from a feather-light, sentimental take on "Georgia on My Mind" to the swaggering insouciance of "Ole Miss Blues".\r\n
      \r\n
      This new edition, released as part of the Contemporary Records Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180 gram vinyl at QRP, and presented in a Stoughton Printing tip-on jacket.
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …}
    -musicienOrchestre: "Ben Webster (tenor saxophone), Jim Hall (guitar), Jimmy Rowles (piano), Red Mitchell (bass), Frank Butler (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xA5DcYzYR_w"
    -referenceProduit: "Acoustic Sounds Series Contemporary 0388"
    -titreMorceau: [
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        "nom" => "1. Caravan"
        "ordre" => 1
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        "nom" => "1. What Is This Thing Called Love"
        "ordre" => 5
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        "nom" => "2. Georgia On My Mind"
        "ordre" => 2
      ]
      [
        "nom" => "2. Stardust"
        "ordre" => 6
      ]
      [
        "nom" => "3. Mop Mop"
        "ordre" => 7
      ]
      [
        "nom" => "3. Ole Miss Blues"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
    -label: Proxies\__CG__\App\Entity\Label {#2153 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2162 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2155 …}
    -typeMasterTape: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2157 …}
    -enregistreLe: DateTime @1731225223 {#2148
      date: 2024-11-10 07:53:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1731226560 {#2149
      date: 2024-11-10 08:16:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2159 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-at-the-renaissance-acoustic-sounds-series-contemporary-0388"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

[
  "produit" => App\Entity\Produit {#2167
    -id: 463
    -nom: "Steps"
    -informationComplementaire: "Special Limited Edition N° 0955 / 5000 Copies / Direct To Disc"
    -description: """
      Musicians : \r\n
      Pat Coil (composer, piano, midi piano), Colleen Coil, Michael Ruff, Phil Perry (vocals), Dean Parks (acoustic guitar, electric guitar), Scott Henderson (electric guitar, synthesizer), Ron Komie (electric guitar), Michelle Zival-Fox, Linda Lipsett, Joel Derouin, Suzie Katayama, Clayton Haslop, Steve Richards , Haim Shtrum (strings), Bob Shepard, Tom Scott, Brandon Fields (saxophone), Michael Boddicker, Russell Ferrante (synthesizer), Paulinho Da Costa, Brad Dutz (percussion), Clydene Jackson, Phyllis Saint James, Alice Eckles, Maxi Anderson, Maxine Willard Waters, Stephanie Spruill, Myrna Matthews, Carmen Twillie (background vocals), John Patitucci (acoustic bass), John "J.R." Robinson, Peter Erskine, William Kennedy (drums).\r\n
      \r\n
      This forgettable efort from pianist Pat Coil is an example of lightweight "feelgood jazz". Virtually all of the upbeat themes sound designed for maximum airplay with no overly intense or exciting moments included so as not to offend anyone. Saxophonist Tom Scott tries to raise the heat in a few spots but he does not get enough space to increase the temperature of the lukewarm grooves. Taken one song at a time, this instrumental pop music is pleasant enough, but by the fifth piece even the most hyper individual will find it difficult to suppress a yawn.\r\n
      """
    -prixVente: "500.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1909 …}
    -musicienOrchestre: "Pat Coil (piano), Jimmy Johnson, John Patitucci, Bill Lanphier (bass), Ron Komie, Dean Parks, Scott Henderson (guitar), Michael Boddicker , Russell Ferrante (synthesizer), Tom Scott, Bob Sheppard, Brandon Fields (saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=2vhpsvgTL_g"
    -referenceProduit: "Sheffield Lab TLP 31"
    -titreMorceau: [
      [
        "nom" => "  "
        "ordre" => 10
      ]
      [
        "nom" => "1. Sierra Highways"
        "ordre" => 0
      ]
      [
        "nom" => "10. Trails of Angels "
        "ordre" => 9
      ]
      [
        "nom" => "2. Roads Less Travelled"
        "ordre" => 1
      ]
      [
        "nom" => "3. The Big Paper"
        "ordre" => 2
      ]
      [
        "nom" => "4. The Wisdom to Know "
        "ordre" => 3
      ]
      [
        "nom" => "5. Steps"
        "ordre" => 4
      ]
      [
        "nom" => "6. The Way It Looks from Here "
        "ordre" => 5
      ]
      [
        "nom" => "7. A Son's Remembrance"
        "ordre" => 6
      ]
      [
        "nom" => "8. Show Your Children Love"
        "ordre" => 7
      ]
      [
        "nom" => "9. Just for Today"
        "ordre" => 8
      ]
    ]
    -artiste: null
    -label: Proxies\__CG__\App\Entity\Label {#2169 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2178 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2171 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2173 …}
    -enregistreLe: DateTime @1316350344 {#2164
      date: 2011-09-18 12:52:24.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1730841923 {#2165
      date: 2024-11-05 21:25:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2175 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-steps-sheffield-lab-tlp-31"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3480
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2167
    -id: 463
    -nom: "Steps"
    -informationComplementaire: "Special Limited Edition N° 0955 / 5000 Copies / Direct To Disc"
    -description: """
      Musicians : \r\n
      Pat Coil (composer, piano, midi piano), Colleen Coil, Michael Ruff, Phil Perry (vocals), Dean Parks (acoustic guitar, electric guitar), Scott Henderson (electric guitar, synthesizer), Ron Komie (electric guitar), Michelle Zival-Fox, Linda Lipsett, Joel Derouin, Suzie Katayama, Clayton Haslop, Steve Richards , Haim Shtrum (strings), Bob Shepard, Tom Scott, Brandon Fields (saxophone), Michael Boddicker, Russell Ferrante (synthesizer), Paulinho Da Costa, Brad Dutz (percussion), Clydene Jackson, Phyllis Saint James, Alice Eckles, Maxi Anderson, Maxine Willard Waters, Stephanie Spruill, Myrna Matthews, Carmen Twillie (background vocals), John Patitucci (acoustic bass), John "J.R." Robinson, Peter Erskine, William Kennedy (drums).\r\n
      \r\n
      This forgettable efort from pianist Pat Coil is an example of lightweight "feelgood jazz". Virtually all of the upbeat themes sound designed for maximum airplay with no overly intense or exciting moments included so as not to offend anyone. Saxophonist Tom Scott tries to raise the heat in a few spots but he does not get enough space to increase the temperature of the lukewarm grooves. Taken one song at a time, this instrumental pop music is pleasant enough, but by the fifth piece even the most hyper individual will find it difficult to suppress a yawn.\r\n
      """
    -prixVente: "500.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1909 …}
    -musicienOrchestre: "Pat Coil (piano), Jimmy Johnson, John Patitucci, Bill Lanphier (bass), Ron Komie, Dean Parks, Scott Henderson (guitar), Michael Boddicker , Russell Ferrante (synthesizer), Tom Scott, Bob Sheppard, Brandon Fields (saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=2vhpsvgTL_g"
    -referenceProduit: "Sheffield Lab TLP 31"
    -titreMorceau: [
      [
        "nom" => "  "
        "ordre" => 10
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      [
        "nom" => "1. Sierra Highways"
        "ordre" => 0
      ]
      [
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        "ordre" => 9
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        "ordre" => 1
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        "ordre" => 2
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      [
        "nom" => "4. The Wisdom to Know "
        "ordre" => 3
      ]
      [
        "nom" => "5. Steps"
        "ordre" => 4
      ]
      [
        "nom" => "6. The Way It Looks from Here "
        "ordre" => 5
      ]
      [
        "nom" => "7. A Son's Remembrance"
        "ordre" => 6
      ]
      [
        "nom" => "8. Show Your Children Love"
        "ordre" => 7
      ]
      [
        "nom" => "9. Just for Today"
        "ordre" => 8
      ]
    ]
    -artiste: null
    -label: Proxies\__CG__\App\Entity\Label {#2169 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2178 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2171 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2173 …}
    -enregistreLe: DateTime @1316350344 {#2164
      date: 2011-09-18 12:52:24.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1730841923 {#2165
      date: 2024-11-05 21:25:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2175 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-steps-sheffield-lab-tlp-31"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

[
  "produit" => App\Entity\Produit {#2183
    -id: 888
    -nom: "The Sheffield Drum Record For Audio Component Testing and Evaluation"
    -informationComplementaire: "RARE : SUPER ANALOG PRESSING « The New State of the Art » HQ 180 DISC, Sheffield Lab 14 « It Feels Live  Because It Is Live »"
    -description: """
      Rare US Direct to disc recording. On the TAS (The Absolute Sound) List of exceptional recordings. 1981 Sheffield first pressing.\r\n
      \r\n
      Direct to disc recording by two drum legends sure to test the quality of any audio equipment. Keltner is the studio drummer supreme having played with "everybody" including George Harrison, John Lennon and being the regular drummer in The Traveling Wilburys. Ron Tutt was long-time drummer for The King, Elvis Presley !\r\n
      \r\n
      This is an original Sheffield Lab Direct-to-Disk, Limited Edition Audiophile Pressing. Sheffield are the pioneers of Direct-To-Disc recording and had much to do with the advent of the "audiophile" label put on recordings that exemplify top standards in recording, mastering and pressing. Long out of print, these original Sheffields are considered to be some of the finest recordings ever produced.\r\n
      \r\n
      This album was recorded with all tube electronics designed and built by Sheffield Lab. As on all of their classical albums, a single-point stereo microphone was employed to achieve a natural acoustic perspective. Recorded in 1981 and released in 1983, this album was produced by Lincoln Mayorga and Doug Sax with Bill Schnee.\r\n
      """
    -prixVente: "500.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1909 …}
    -musicienOrchestre: "Improvisations by Jim Keltner & Ron Tutt"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TFdhUBWEyOw"
    -referenceProduit: "Sheffield Lab 14"
    -titreMorceau: [
      [
        "nom" => "1. Improvisation By Ron Tutt"
        "ordre" => 3
      ]
      [
        "nom" => "1.Improvisation By Jim Keltner"
        "ordre" => 1
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
    ]
    -artiste: null
    -label: Proxies\__CG__\App\Entity\Label {#2169 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2191 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2184 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2186 …}
    -enregistreLe: DateTime @1457971189 {#2180
      date: 2016-03-14 15:59:49.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1730756904 {#2181
      date: 2024-11-04 21:48:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2188 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-the-sheffield-drum-record-for-audio-component-testing-and-evaluation-sheffield-lab-14"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3528
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2183
    -id: 888
    -nom: "The Sheffield Drum Record For Audio Component Testing and Evaluation"
    -informationComplementaire: "RARE : SUPER ANALOG PRESSING « The New State of the Art » HQ 180 DISC, Sheffield Lab 14 « It Feels Live  Because It Is Live »"
    -description: """
      Rare US Direct to disc recording. On the TAS (The Absolute Sound) List of exceptional recordings. 1981 Sheffield first pressing.\r\n
      \r\n
      Direct to disc recording by two drum legends sure to test the quality of any audio equipment. Keltner is the studio drummer supreme having played with "everybody" including George Harrison, John Lennon and being the regular drummer in The Traveling Wilburys. Ron Tutt was long-time drummer for The King, Elvis Presley !\r\n
      \r\n
      This is an original Sheffield Lab Direct-to-Disk, Limited Edition Audiophile Pressing. Sheffield are the pioneers of Direct-To-Disc recording and had much to do with the advent of the "audiophile" label put on recordings that exemplify top standards in recording, mastering and pressing. Long out of print, these original Sheffields are considered to be some of the finest recordings ever produced.\r\n
      \r\n
      This album was recorded with all tube electronics designed and built by Sheffield Lab. As on all of their classical albums, a single-point stereo microphone was employed to achieve a natural acoustic perspective. Recorded in 1981 and released in 1983, this album was produced by Lincoln Mayorga and Doug Sax with Bill Schnee.\r\n
      """
    -prixVente: "500.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1909 …}
    -musicienOrchestre: "Improvisations by Jim Keltner & Ron Tutt"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TFdhUBWEyOw"
    -referenceProduit: "Sheffield Lab 14"
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    -label: Proxies\__CG__\App\Entity\Label {#2169 …}
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    -photoProduit: Doctrine\ORM\PersistentCollection {#2191 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2186 …}
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      date: 2016-03-14 15:59:49.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1730756904 {#2181
      date: 2024-11-04 21:48:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2188 …}
    -disponible: null
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    -slug: "vinyles-the-sheffield-drum-record-for-audio-component-testing-and-evaluation-sheffield-lab-14"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

[
  "produit" => App\Entity\Produit {#2198
    -id: 733
    -nom: "The Complete Commodore Jazz Recordings Volume II (Box Set 23 LP)"
    -informationComplementaire: "RARE : Box Set (23 LP) 1989 - Limited Edition 2500 Copies / indissociable des volumes I et III"
    -description: """
      Various Artists : The Complete Commodore Jazz Recordings Volume II (1989) - 23 LP Box Set – Mosaic Records, Limited and Numbered Edition 2500 copies\r\n
      \r\n
      LP 1 : DeParis Brothers Orchestra, Albert Ammons\r\n
      LP 2 : Albert Ammons, Albert Ammons' Rhythm Kings\r\n
      LP 3 : Eddie Heywood and His Orchestra\r\n
      LP 4 : Hot Lips Page and His Orchestra, Eddie Heywood and His Orchestra\r\n
      LP 5 : Eddie Heywood and His Orchestra, Big Sid Catlett Quartet\r\n
      LP 6 : Billie Holiday, The Kansas City Six With Lester Young\t\r\n
      LP 7 : The Kansas City Six With Lester Young, Billie Holiday\r\n
      LP 8 : Billie Holiday, George Zack\r\n
      LP 9 : George Zack, Muggsy Spanier and His Ragtimers\r\n
      LP 10 : Muggsy Spanier and His Ragtimers, Miff Mole and His Orchestra\r\n
      LP 11 : Miff Mole and His Orchestra, Joe Bushkin\r\n
      LP 12 : Joe Bushkin, Joe Bushkin Sextet, George Zack\r\n
      LP 13 : Max Kaminsky and His Jazz Band, Edmond Hall Quartet With Teddy Wilson\r\n
      LP 14 : Edmond Hall Quartet With Teddy Wilson, George Zack\r\n
      LP 15 : Edmond Hall Quartet With Teddy Wilson, George Wettling and His Rhythm Kings\r\n
      LP 16 : George Wettling and His Rhythm Kings, Bobby Hackett and His Orchestra, Muggsy Spanier and His Ragtimers\r\n
      LP 17 : Muggsy Spanier and His Ragtimers, Hot Lips Page and His Orchestra\r\n
      LP 18 : Pee Wee Russell's Hot Four, George Zack\r\n
      LP 19 : George Zack, Red McKenzie, Jess Stacy\r\n
      LP 20 : Jess Stacy, Muggsy Spanier and His Ragtimers\r\n
      LP 21 : Jack Teagarden and His Swingin' Gates\r\n
      LP 22 : Wild Bill Davison and His Commodores\r\n
      LP 23 : George Zack\r\n
      \r\n
      The second of three "volumes" put out by Mosaic that reissues the entire Commodore catalog is, like the first, a 23 LP set; all of the music in this massive box was recorded within 13 months. The limited-edition series is a must (although it will be quite difficult to locate) for collectors of Chicago jazz and small-group swing for it is literally overflowing with classics. The first box is the most essential but Volume II is pretty close with recording sessions led by Sidney and Wilbur DeParis, Albert Ammons, Eddie Heywood, Hot Lips Page, Sid Catlett, Billie Holiday, the Kansas City Six with Lester Young, George Zack, Muggsy Spanier, Miff Mole, Joe Bushkin, Max Kaminsky, Edmond Hall, George Wettling, Bobby Hackett, Hot Lips Page, Pee Wee Russell, Red McKenzie, Jess Stacy, Jack Teagarden and Wild Bill Davison. In addition to the usual performances (many of which were previously hard-to-find), there are quite a few previously unissued alternate takes and some selections (including an entire Joe Bushkin Trio date) that were never out before. This set very researched (if it can be found) will be expensive but worth it.
      """
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        "nom" => "DEPARTS BROTHERS ORCHESTRA : 1. Change O' Key Boogie No. 3, "
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        "nom" => "MUGGSY SPANIER AND HIS RAGTIMERS : 1. Sugar No. 2,"
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        "nom" => "THE KANSAS CITY SIX WITH LESTER YOUNG  : 1. Jo Jo No. 4, 2. I Got Rhythm, "
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        "nom" => "THE KANSAS CITY SIX WITH LESTER YOUNG : 1. Three Little Words, "
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    -description: """
      Various Artists : The Complete Commodore Jazz Recordings Volume II (1989) - 23 LP Box Set – Mosaic Records, Limited and Numbered Edition 2500 copies\r\n
      \r\n
      LP 1 : DeParis Brothers Orchestra, Albert Ammons\r\n
      LP 2 : Albert Ammons, Albert Ammons' Rhythm Kings\r\n
      LP 3 : Eddie Heywood and His Orchestra\r\n
      LP 4 : Hot Lips Page and His Orchestra, Eddie Heywood and His Orchestra\r\n
      LP 5 : Eddie Heywood and His Orchestra, Big Sid Catlett Quartet\r\n
      LP 6 : Billie Holiday, The Kansas City Six With Lester Young\t\r\n
      LP 7 : The Kansas City Six With Lester Young, Billie Holiday\r\n
      LP 8 : Billie Holiday, George Zack\r\n
      LP 9 : George Zack, Muggsy Spanier and His Ragtimers\r\n
      LP 10 : Muggsy Spanier and His Ragtimers, Miff Mole and His Orchestra\r\n
      LP 11 : Miff Mole and His Orchestra, Joe Bushkin\r\n
      LP 12 : Joe Bushkin, Joe Bushkin Sextet, George Zack\r\n
      LP 13 : Max Kaminsky and His Jazz Band, Edmond Hall Quartet With Teddy Wilson\r\n
      LP 14 : Edmond Hall Quartet With Teddy Wilson, George Zack\r\n
      LP 15 : Edmond Hall Quartet With Teddy Wilson, George Wettling and His Rhythm Kings\r\n
      LP 16 : George Wettling and His Rhythm Kings, Bobby Hackett and His Orchestra, Muggsy Spanier and His Ragtimers\r\n
      LP 17 : Muggsy Spanier and His Ragtimers, Hot Lips Page and His Orchestra\r\n
      LP 18 : Pee Wee Russell's Hot Four, George Zack\r\n
      LP 19 : George Zack, Red McKenzie, Jess Stacy\r\n
      LP 20 : Jess Stacy, Muggsy Spanier and His Ragtimers\r\n
      LP 21 : Jack Teagarden and His Swingin' Gates\r\n
      LP 22 : Wild Bill Davison and His Commodores\r\n
      LP 23 : George Zack\r\n
      \r\n
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      """
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        "ordre" => 8
      ]
      [
        "nom" => "BIG SID CATLETT QUARTET : 1. Sleep No. 4, 2. Linger Awhile,"
        "ordre" => 41
      ]
      [
        "nom" => "BILLY HOLIDAY : 1. Billie's Blues No. 2, 2. Billie's Blues No. 3, "
        "ordre" => 69
      ]
      [
        "nom" => "BILLY HOLIDAY : 1. He's Funny That Way, 2. He's Funny That Way No. 2, "
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        "nom" => "BILLY HOLIDAY : 1. How Am I to Know, 2. How Am I to Know No. 2, "
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        "nom" => "BILLY HOLIDAY : 1. I'll Be Seeing You, 2. I'll Be Seeing You No. 2, 3. I'm Yours, "
        "ordre" => 59
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        "nom" => "DEPARTS BROTHERS ORCHESTRA : 1. Change O' Key Boogie No. 3, "
        "ordre" => 6
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        "nom" => "DEPARTS BROTHERS ORCHESTRA : 1. I Found A New Baby, "
        "ordre" => 2
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        "nom" => "EDDIE HEYWOOD AND HIS ORCHESTRA : 1. 'Deed I Do No. 2, 2. Lover Man, "
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      [
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        "ordre" => 28
      ]
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        "nom" => "Love With Me No. 2, 3. I Can't Believe That You're In Love With Me No. 3, "
        "ordre" => 24
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        "ordre" => 0
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        "nom" => "LP 10 :"
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        "nom" => "LP 2 :"
        "ordre" => 9
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        "nom" => "LP 3 : "
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        "nom" => "LP 4 : "
        "ordre" => 26
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        "nom" => "LP 5 : "
        "ordre" => 36
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        "nom" => "LP 6 :"
        "ordre" => 44
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        "nom" => "LP 7 : "
        "ordre" => 53
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        "nom" => "LP 8 : "
        "ordre" => 62
      ]
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        "nom" => "LP 9 : "
        "ordre" => 72
      ]
      [
        "nom" => "MIFF MOLE AND HIS ORCHESTRA : 4. St. Louis Blues, 5. St. Louis Blues No. 2"
        "ordre" => 90
      ]
      [
        "nom" => "MUGGSY SPANIER AND HIS RAGTIMERS : 1. Sugar No. 2,"
        "ordre" => 88
      ]
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        "nom" => "MUGGSY SPANIER AND HIS RAGTIMERS : 1. Sweet Lorraine,"
        "ordre" => 84
      ]
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        "nom" => "MUGGSY SPANIER AND HIS RAGTIMERS : 1. Weary Blues No. 2, 2. Snag It, "
        "ordre" => 79
      ]
      [
        "nom" => "MUGGSY SPANIER AND HIS RAGTIMERS : 5. Angry, 6. Angry No. 2, "
        "ordre" => 76
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        "nom" => "Side A : "
        "ordre" => 10
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        "nom" => "Side A : "
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        "nom" => "Side A : "
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        "nom" => "THE KANSAS CITY SIX WITH LESTER YOUNG  : 1. Jo Jo No. 4, 2. I Got Rhythm, "
        "ordre" => 55
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        "nom" => "THE KANSAS CITY SIX WITH LESTER YOUNG : 1. Three Little Words, "
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      [
        "nom" => "the Waterfront No. 2, 3. Save Your Sorrow, 4. Save Your Sorrow No. 2, "
        "ordre" => 34
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2200 …}
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[
  "produit" => App\Entity\Produit {#2217
    -id: 2587
    -nom: "Dialogue"
    -informationComplementaire: ""
    -description: """
      - 180 gram gatefold LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Recorded in 1963, The Kicker was actually vibraphonist Bobby Hutcherson's first session as a leader for Blue Note, but for reasons lost to time it was shelved, and instead Hutcherson's album Dialogue was released as his debut two years later.\r\n
      \r\n
      First released in 1999, The Kicker is a sequel to guitarist Grant Green's masterpiece Idle Moments, which was recorded one month earlier with the exact same personnel featuring Green, tenor saxophonist Joe Henderson, pianist Duke Pearson, bassist Bob Cranshaw, and drummer Al Harewood.\r\n
      \r\n
       
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …}
    -musicienOrchestre: "Bobby Hutcherson (vibraphone, marimba), Sam Rivers (teno & soprano saxophone, bass clarinet, flute), Freddie Hubbard (trumpet), Andrew Hill (piano), Richard Davis (double bass), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fiD5VI6N5h4"
    -referenceProduit: "Blue Note Tone Poet Series 84190"
    -titreMorceau: [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2219 …}
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    -modifierLe: DateTime @1730462271 {#2215
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2228 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3625
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  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2217
    -id: 2587
    -nom: "Dialogue"
    -informationComplementaire: ""
    -description: """
      - 180 gram gatefold LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
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      Recorded in 1963, The Kicker was actually vibraphonist Bobby Hutcherson's first session as a leader for Blue Note, but for reasons lost to time it was shelved, and instead Hutcherson's album Dialogue was released as his debut two years later.\r\n
      \r\n
      First released in 1999, The Kicker is a sequel to guitarist Grant Green's masterpiece Idle Moments, which was recorded one month earlier with the exact same personnel featuring Green, tenor saxophonist Joe Henderson, pianist Duke Pearson, bassist Bob Cranshaw, and drummer Al Harewood.\r\n
      \r\n
       
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …}
    -musicienOrchestre: "Bobby Hutcherson (vibraphone, marimba), Sam Rivers (teno & soprano saxophone, bass clarinet, flute), Freddie Hubbard (trumpet), Andrew Hill (piano), Richard Davis (double bass), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=fiD5VI6N5h4"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2219 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
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[
  "produit" => App\Entity\Produit {#2238
    -id: 1276
    -nom: "Pithecanthropus Erectus"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - Mingus' breakthrough album as a leader !\r\n
      \r\n
      - 180 gram mono 45 RPM double LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Pithecanthropus Erectus established Charles Mingus as a composer of boundless imagination and a fresh new voice in jazz that, despite his ambitiously modern concepts, was firmly grounded in jazz tradition.\r\n
      \r\n
      Mingus truly discovered himself after mastering the vocabularies of bop and swing, and with Pithecanthropus Erectus he began seeking new ways to increase the evocative power of the art form and challenge his musicians (who here include altoist Jackie McLean and pianist Mal Waldron) to work outside of convention.\r\n
      \r\n
      Mingus's relationship with Atlantic would yield many of his greatest recordings. Cut in 1956, Pithecanthropus Erectus was his first date for the label, and it provided something of a breakthrough for Mingus in his use of extended compositions : the 10 minute title track, and the lovely "Profile of Jackie", are among the bassist's finest recordings. The band is notable for the inclusion of the under-recorded tenor saxophonist J.R. Monterose.\r\n
      \r\n
      The Penguin Guide to Jazz gives the album a maximum four-star rating and included it in its "core collection" of essential recordings, describing it as "One of the truly great modern jazz albums". In the same review, "the all-in ensemble work" in parts of the first track, "Pithecanthropus Erectus", is described as being "absolutely crucial to the development of free collective improvisation in the following decade".\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …}
    -musicienOrchestre: "Charlie Mingus (bass), Jackie McLean (alto saxophone), J.R. Monterose (tenor saxophone), Mal Waldron (piano), Willie Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=ZB6GkA54n_Q"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 059-45"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2240 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2249 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3676
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2238
    -id: 1276
    -nom: "Pithecanthropus Erectus"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - Mingus' breakthrough album as a leader !\r\n
      \r\n
      - 180 gram mono 45 RPM double LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Pithecanthropus Erectus established Charles Mingus as a composer of boundless imagination and a fresh new voice in jazz that, despite his ambitiously modern concepts, was firmly grounded in jazz tradition.\r\n
      \r\n
      Mingus truly discovered himself after mastering the vocabularies of bop and swing, and with Pithecanthropus Erectus he began seeking new ways to increase the evocative power of the art form and challenge his musicians (who here include altoist Jackie McLean and pianist Mal Waldron) to work outside of convention.\r\n
      \r\n
      Mingus's relationship with Atlantic would yield many of his greatest recordings. Cut in 1956, Pithecanthropus Erectus was his first date for the label, and it provided something of a breakthrough for Mingus in his use of extended compositions : the 10 minute title track, and the lovely "Profile of Jackie", are among the bassist's finest recordings. The band is notable for the inclusion of the under-recorded tenor saxophonist J.R. Monterose.\r\n
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    -prixVente: "99.50"
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    -musicienOrchestre: "Charlie Mingus (bass), Jackie McLean (alto saxophone), J.R. Monterose (tenor saxophone), Mal Waldron (piano), Willie Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=ZB6GkA54n_Q"
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        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2240 …}
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[
  "produit" => App\Entity\Produit {#2257
    -id: 2274
    -nom: "Kind of Blue  (33 1/3 RPM Clarity Vinyl)"
    -informationComplementaire: ""
    -description: """
      - Miles Davis Kind of Blue meets Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      \r\n
      - Definitive handmade limited run reissue Ultra High Quality Record !\r\n
      \r\n
      - 33 1/3 RPM LP release limited to 25000 copies !\r\n
      \r\n
      - Best-selling album in jazz history; mastered directly from the original 3 Track master tapes by Bernie Grundman !\r\n
      \r\n
      - Pressed at Quality Record Pressings using Clarity Vinyl® on a manual Finebilt press !\r\n
      \r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      \r\n
      - Dream team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb make history !\r\n
      \r\n
      "...this one is speed-corrected, so you can think of it as the one to own... the booklet that accompanies this edition is so comprehensive that, should you have the patience, you might want to read it from cover to cover before letting your stylus settle into the groove. It just might prepare you for what you are about to hear, which is to my ears so far above reproach that it has joined a minuscule list of albums I would have to classify as 'perfect'." - Ken Kessler, The Vinyl Adventure. Read Kessler's entire review here.\r\n
      \r\n
      "You really do feel like you're in the recording studio with the band; the realism of the room is that stark. I've heard the UHQR called the "apex release", and can confirm this to be true. It is, simply put, a stunning record." - Eric Pye, ecoustics.com. Read Pye's entire review here.\r\n
      \r\n
      "The result (drum rolls) is the best-sounding Kind of Blue ever, superior in every way to all previous pressings, including the original. The pressing is superquiet, allowing the slightest of details to pop out from the black backdrop. Cobb's drumkit is spooky real. I've heard this album, in one version or another, hundreds of times, and there are fine touches in Cobb's snare swooshes and cymbal taps accents on accents, rhythms within rhythms that I've never heard before. Chamber's bass lines are stunningly clear: the notes he's playing, the pluck of the strings, the glow of the wood. There are also new layers of detail in Miles' mouthpiece manipulations, Evans's pedal work, and the sheer beauty of Coltrane's and Adderley's saxophones... the chase is eternal. This reissue holds the brass ring, for now". - Fred Kaplan, Stereophile, August 2021\r\n
      \r\n
      "Quite clearly and obviously this new UHQR Kind of Blue sourced from Bernie Grundman's (1997) 'live' mix from the 3-track master, directly to lacquer sounds best compared to two early '6-Eyes', Classic's own double 180 gram set and that label's single-sided 45rpm set, and Mobile Fidelity's double 45 boxed edition, to which I compared the UHQR.\r\n
      \r\n
      "Even the quietest original pressing creates a pleasing romantic blur over a soft bed of noise but compared to this issue the overall picture is distant and hazy (though the romanticized version still pulls). The UHQR offers the blackest, quietest backgrounds and unparalleled transparency, but more critically, the modified Finebuilt hand press produces unprecedented transient precision and instrumental focus and resolves low level details that will deliver surprises to even the most blasé KOB veteran, one of whom visited and exclaimed 'I've never heard that before.' This pressing allows you to see further into the mix and transports you back in time and into the 30th Street studios. I don't care what version you now have you've never heard Kind of Blue quite like this". — Music = 11/11; Sound = 11/11 Michael Fremer, AnalogPlanet.com, May 17, 2021. Read the whole review here.\r\n
      \r\n
      "Until now The Classic Records Clarity Vinyl Flat Profile version of Kind of Blue was the closest to the sound on the three track session master from which it was cut. The Analogue Productions UHQR pressing from the same metal parts has taken it up a notch and gotten us even closer to the sound on those 1/2" analog session master tapes! Buy two so you have one for a backup or to give someone the gift of music!" - Michael Hobson, founder of Classic Records\r\n
      \r\n
      Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording a five-track masterpiece of melancholy mood and melody.\r\n
      \r\n
      It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wynton Kelly playing piano on "Freddy the Freeloader".\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Kind of Blue where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl on a manual Finebilt press with attention paid to every single detail of every single record.\r\n
      \r\n
      The 200 gram records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n
      \r\n
      Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick", Davis complained in a 1958 interview for The Jazz Review. "...There will be fewer chords but infinite possibilities as to what to do with them". Kind of Blue is, in a sense, all melody and atmosphere.\r\n
      \r\n
      None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.\r\n
      \r\n
      Miles remained proud of the album, performing at least two of its tracks "So What" and "All Blues" for years after, until his musical path took him in a different direction.\r\n
      \r\n
      History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.\r\n
      \r\n
      A minor audio complication with Kind of Blue has been addressed with this UHQR edition. The motor on the studio's 3 track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue in Green," making them a barely perceptible quarter-tone sharp.This issue was finally addressed with the Classic Records reissue in 1995. This UHQR was pressed from the same parts that Bernie Grundman cut directly from the original 3-track masters for Classic in '95.\r\n
      \r\n
      Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our UHQR series the world's best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment.
      """
    -prixVente: "149.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …}
    -musicienOrchestre: "Miles Davis (trumpet), Julian "Cannonball" Adderley (alto sax), John Coltrane (tenor sax), Paul Chambers (double bass), Bill Evan, Wynton Kelly (piano), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ylXk1LBvIqU"
    -referenceProduit: "Analogue Productions AUHQR 004"
    -titreMorceau: [
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        "nom" => "1. All Blues"
        "ordre" => 5
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        "nom" => "1. So What"
        "ordre" => 1
      ]
      [
        "nom" => "2. Flamenco Sketches"
        "ordre" => 6
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      [
        "nom" => "2. Freddie Freeloader "
        "ordre" => 2
      ]
      [
        "nom" => "3. Blue In Green"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2118 …}
    -label: Proxies\__CG__\App\Entity\Label {#2259 …}
    -style: App\Entity\Style {#1116 …}
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    -modifierLe: DateTime @1728394552 {#2255
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -disponible: null
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    -slug: "vinyles-kind-of-blue-33-1-3-rpm-clarity-vinyl-analogue-productions-auhqr-004"
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App\Twig\Components\GestionPanierFavoriComponents {#3729
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2257
    -id: 2274
    -nom: "Kind of Blue  (33 1/3 RPM Clarity Vinyl)"
    -informationComplementaire: ""
    -description: """
      - Miles Davis Kind of Blue meets Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      \r\n
      - Definitive handmade limited run reissue Ultra High Quality Record !\r\n
      \r\n
      - 33 1/3 RPM LP release limited to 25000 copies !\r\n
      \r\n
      - Best-selling album in jazz history; mastered directly from the original 3 Track master tapes by Bernie Grundman !\r\n
      \r\n
      - Pressed at Quality Record Pressings using Clarity Vinyl® on a manual Finebilt press !\r\n
      \r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      \r\n
      - Dream team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb make history !\r\n
      \r\n
      "...this one is speed-corrected, so you can think of it as the one to own... the booklet that accompanies this edition is so comprehensive that, should you have the patience, you might want to read it from cover to cover before letting your stylus settle into the groove. It just might prepare you for what you are about to hear, which is to my ears so far above reproach that it has joined a minuscule list of albums I would have to classify as 'perfect'." - Ken Kessler, The Vinyl Adventure. Read Kessler's entire review here.\r\n
      \r\n
      "You really do feel like you're in the recording studio with the band; the realism of the room is that stark. I've heard the UHQR called the "apex release", and can confirm this to be true. It is, simply put, a stunning record." - Eric Pye, ecoustics.com. Read Pye's entire review here.\r\n
      \r\n
      "The result (drum rolls) is the best-sounding Kind of Blue ever, superior in every way to all previous pressings, including the original. The pressing is superquiet, allowing the slightest of details to pop out from the black backdrop. Cobb's drumkit is spooky real. I've heard this album, in one version or another, hundreds of times, and there are fine touches in Cobb's snare swooshes and cymbal taps accents on accents, rhythms within rhythms that I've never heard before. Chamber's bass lines are stunningly clear: the notes he's playing, the pluck of the strings, the glow of the wood. There are also new layers of detail in Miles' mouthpiece manipulations, Evans's pedal work, and the sheer beauty of Coltrane's and Adderley's saxophones... the chase is eternal. This reissue holds the brass ring, for now". - Fred Kaplan, Stereophile, August 2021\r\n
      \r\n
      "Quite clearly and obviously this new UHQR Kind of Blue sourced from Bernie Grundman's (1997) 'live' mix from the 3-track master, directly to lacquer sounds best compared to two early '6-Eyes', Classic's own double 180 gram set and that label's single-sided 45rpm set, and Mobile Fidelity's double 45 boxed edition, to which I compared the UHQR.\r\n
      \r\n
      "Even the quietest original pressing creates a pleasing romantic blur over a soft bed of noise but compared to this issue the overall picture is distant and hazy (though the romanticized version still pulls). The UHQR offers the blackest, quietest backgrounds and unparalleled transparency, but more critically, the modified Finebuilt hand press produces unprecedented transient precision and instrumental focus and resolves low level details that will deliver surprises to even the most blasé KOB veteran, one of whom visited and exclaimed 'I've never heard that before.' This pressing allows you to see further into the mix and transports you back in time and into the 30th Street studios. I don't care what version you now have you've never heard Kind of Blue quite like this". — Music = 11/11; Sound = 11/11 Michael Fremer, AnalogPlanet.com, May 17, 2021. Read the whole review here.\r\n
      \r\n
      "Until now The Classic Records Clarity Vinyl Flat Profile version of Kind of Blue was the closest to the sound on the three track session master from which it was cut. The Analogue Productions UHQR pressing from the same metal parts has taken it up a notch and gotten us even closer to the sound on those 1/2" analog session master tapes! Buy two so you have one for a backup or to give someone the gift of music!" - Michael Hobson, founder of Classic Records\r\n
      \r\n
      Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording a five-track masterpiece of melancholy mood and melody.\r\n
      \r\n
      It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wynton Kelly playing piano on "Freddy the Freeloader".\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Kind of Blue where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl on a manual Finebilt press with attention paid to every single detail of every single record.\r\n
      \r\n
      The 200 gram records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n
      \r\n
      Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick", Davis complained in a 1958 interview for The Jazz Review. "...There will be fewer chords but infinite possibilities as to what to do with them". Kind of Blue is, in a sense, all melody and atmosphere.\r\n
      \r\n
      None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.\r\n
      \r\n
      Miles remained proud of the album, performing at least two of its tracks "So What" and "All Blues" for years after, until his musical path took him in a different direction.\r\n
      \r\n
      History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.\r\n
      \r\n
      A minor audio complication with Kind of Blue has been addressed with this UHQR edition. The motor on the studio's 3 track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue in Green," making them a barely perceptible quarter-tone sharp.This issue was finally addressed with the Classic Records reissue in 1995. This UHQR was pressed from the same parts that Bernie Grundman cut directly from the original 3-track masters for Classic in '95.\r\n
      \r\n
      Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our UHQR series the world's best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment.
      """
    -prixVente: "149.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …}
    -musicienOrchestre: "Miles Davis (trumpet), Julian "Cannonball" Adderley (alto sax), John Coltrane (tenor sax), Paul Chambers (double bass), Bill Evan, Wynton Kelly (piano), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ylXk1LBvIqU"
    -referenceProduit: "Analogue Productions AUHQR 004"
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        "nom" => "1. All Blues"
        "ordre" => 5
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      [
        "nom" => "1. So What"
        "ordre" => 1
      ]
      [
        "nom" => "2. Flamenco Sketches"
        "ordre" => 6
      ]
      [
        "nom" => "2. Freddie Freeloader "
        "ordre" => 2
      ]
      [
        "nom" => "3. Blue In Green"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2118 …}
    -label: Proxies\__CG__\App\Entity\Label {#2259 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2268 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2261 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2263 …}
    -enregistreLe: DateTime @1663141782 {#2254
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    }
    -modifierLe: DateTime @1728394552 {#2255
      date: 2024-10-08 13:35:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2265 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kind-of-blue-33-1-3-rpm-clarity-vinyl-analogue-productions-auhqr-004"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

[
  "produit" => App\Entity\Produit {#2273
    -id: 2571
    -nom: "Booker Little 4 & Max Roach"
    -informationComplementaire: ""
    -description: """
      - 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      - Deluxe tip-on jacket !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Memphis-born trumpeter Booker Little was a bright light of the jazz world who died tragically young at age 23. A prodigiously talented hornman as well as a composer, Little first came to prominence as a member of Max Roach's band which he joined in 1956 after the death of Clifford Brown, another trumpet great gone far too soon. Little only made a handful of albums as a leader during his brief career including his astounding debut Booker Little 4 & Max Roach recorded in 1958 for United Artists when he was just 20 years old. The full breadth of Little's artistry leaps out of the grooves with his brilliant tone, astonishing technique, and inventive lines matched by Roach's fiery drums throughout this engaging set that also featured George Coleman on tenor saxophone, Tommy Flanagan on piano, and Art Davis on bass.\r\n
      \r\n
      The album opens with Miles Davis' "Milestones" and includes the standards "Sweet and Lovely" and a stunning version of "Moonlight Becomes You", but the album's centerpiece is the trio of Little originals : "Rounder's Mood", "Dungeon Waltz," and "Jewel's Tempo".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …}
    -musicienOrchestre: "Booker Little (trumpet), George Coleman (tenor saxophone), Tommy Flanagan (piano), Arthur Davis (bass), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=RkygeTi9qnY"
    -referenceProduit: "Blue Note Tone Poet Series 5034"
    -titreMorceau: [
      [
        "nom" => "1. Dungeon Waltz"
        "ordre" => 5
      ]
      [
        "nom" => "1. Milestones"
        "ordre" => 1
      ]
      [
        "nom" => "2. Jewel's Tempo"
        "ordre" => 6
      ]
      [
        "nom" => "2. Sweet And Lovely"
        "ordre" => 2
      ]
      [
        "nom" => "3. Moonlight Becomes You"
        "ordre" => 7
      ]
      [
        "nom" => "3. Rounders Mood"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2275 …}
    -label: Proxies\__CG__\App\Entity\Label {#2222 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2284 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2277 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2279 …}
    -enregistreLe: DateTime @1728285947 {#2270
      date: 2024-10-07 07:25:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1728286352 {#2271
      date: 2024-10-07 07:32:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2281 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-booker-little-4-max-roach-blue-note-tone-poet-series-5034"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3775
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2707 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2273
    -id: 2571
    -nom: "Booker Little 4 & Max Roach"
    -informationComplementaire: ""
    -description: """
      - 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      - Deluxe tip-on jacket !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Memphis-born trumpeter Booker Little was a bright light of the jazz world who died tragically young at age 23. A prodigiously talented hornman as well as a composer, Little first came to prominence as a member of Max Roach's band which he joined in 1956 after the death of Clifford Brown, another trumpet great gone far too soon. Little only made a handful of albums as a leader during his brief career including his astounding debut Booker Little 4 & Max Roach recorded in 1958 for United Artists when he was just 20 years old. The full breadth of Little's artistry leaps out of the grooves with his brilliant tone, astonishing technique, and inventive lines matched by Roach's fiery drums throughout this engaging set that also featured George Coleman on tenor saxophone, Tommy Flanagan on piano, and Art Davis on bass.\r\n
      \r\n
      The album opens with Miles Davis' "Milestones" and includes the standards "Sweet and Lovely" and a stunning version of "Moonlight Becomes You", but the album's centerpiece is the trio of Little originals : "Rounder's Mood", "Dungeon Waltz," and "Jewel's Tempo".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …}
    -musicienOrchestre: "Booker Little (trumpet), George Coleman (tenor saxophone), Tommy Flanagan (piano), Arthur Davis (bass), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=RkygeTi9qnY"
    -referenceProduit: "Blue Note Tone Poet Series 5034"
    -titreMorceau: [
      [
        "nom" => "1. Dungeon Waltz"
        "ordre" => 5
      ]
      [
        "nom" => "1. Milestones"
        "ordre" => 1
      ]
      [
        "nom" => "2. Jewel's Tempo"
        "ordre" => 6
      ]
      [
        "nom" => "2. Sweet And Lovely"
        "ordre" => 2
      ]
      [
        "nom" => "3. Moonlight Becomes You"
        "ordre" => 7
      ]
      [
        "nom" => "3. Rounders Mood"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2275 …}
    -label: Proxies\__CG__\App\Entity\Label {#2222 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2284 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2277 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2279 …}
    -enregistreLe: DateTime @1728285947 {#2270
      date: 2024-10-07 07:25:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1728286352 {#2271
      date: 2024-10-07 07:32:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2281 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-booker-little-4-max-roach-blue-note-tone-poet-series-5034"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3976
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2475 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3977 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4025 …}
  +isValidated: false
  +validatedFields: []
}