Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2547
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2624
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2627 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
  -formView: Symfony\Component\Form\FormView {#2663 …}
  -form: Symfony\Component\Form\Form {#2813 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 1788
    -nom: "Violin Concertos"
    -informationComplementaire: ""
    -description: """
      When sound recordings of important works from the early years of stereophony still remain significant to this day, then one really ought to investigate the audible reasons for their durability. Hereby, it is unnecessary to comment on the importance of Bach’s masterworks for violin and orchestra. Rather more, the music lover is invited to listen to the passionately fervent performer Yehudi Menuhin. Just how the soloist and Festival Chamber Orchestra succeed in transforming the score into unreservedly impressive music is absolutely unique. Menuhin’s violin sings out bright and clear, without seeming cool, and remains powerful even in the piano passages. In the A minor Concerto the soloist and lively, circling continuo are well balanced and attuned to one another, and carry the musical proceedings along together. Christian Ferras proves himself to be on a par with Menuhin in the Double Concerto, in which the violins play along in a lively chiaroscuro. Instinctively the protagonists discover an ideal rapprochement between romantic emotion and baroque directness, which makes this recording so valuable and timeless. Two top EMI employees  producer Peter Andry and sound engineer Robert Gooch must be expressly named here for setting down so authentically this event in London’s Kingsway Hall for posterity.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : October 1958, September and December 1959 by Neville Boyling\r\n
      Production : Peter Andry\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Yehudi Menuhin, Christian Ferras (violin), Festival Chamber Orchestra / Robert Masters Chamber Orchestra conducted by Yehudi Menuhin"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "EMI ASD 346"
    -titreMorceau: [
      [
        "nom" => "1. Allegro"
        "ordre" => 2
      ]
      [
        "nom" => "1. Allegro"
        "ordre" => 9
      ]
      [
        "nom" => "2. Allegro"
        "ordre" => 11
      ]
      [
        "nom" => "2. Andante"
        "ordre" => 3
      ]
      [
        "nom" => "3. Adagio"
        "ordre" => 12
      ]
      [
        "nom" => "3. Allegro Assai"
        "ordre" => 4
      ]
      [
        "nom" => "4. Allegro Assai"
        "ordre" => 13
      ]
      [
        "nom" => "4. Vivace"
        "ordre" => 6
      ]
      [
        "nom" => "5. Largo Ma Non Tanto"
        "ordre" => 7
      ]
      [
        "nom" => "Concerto In E Major, BWV 1042"
        "ordre" => 10
      ]
      [
        "nom" => "Double Concerto In D Minor, BWV 1043"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "Violin Concerto In A Minor, BWV 1041"
        "ordre" => 1
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1579163958 {#1896
      date: 2020-01-16 08:39:18.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1580455628 {#1889
      date: 2020-01-31 07:27:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-violin-concertos-emi-asd-346"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3088
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 1788
    -nom: "Violin Concertos"
    -informationComplementaire: ""
    -description: """
      When sound recordings of important works from the early years of stereophony still remain significant to this day, then one really ought to investigate the audible reasons for their durability. Hereby, it is unnecessary to comment on the importance of Bach’s masterworks for violin and orchestra. Rather more, the music lover is invited to listen to the passionately fervent performer Yehudi Menuhin. Just how the soloist and Festival Chamber Orchestra succeed in transforming the score into unreservedly impressive music is absolutely unique. Menuhin’s violin sings out bright and clear, without seeming cool, and remains powerful even in the piano passages. In the A minor Concerto the soloist and lively, circling continuo are well balanced and attuned to one another, and carry the musical proceedings along together. Christian Ferras proves himself to be on a par with Menuhin in the Double Concerto, in which the violins play along in a lively chiaroscuro. Instinctively the protagonists discover an ideal rapprochement between romantic emotion and baroque directness, which makes this recording so valuable and timeless. Two top EMI employees  producer Peter Andry and sound engineer Robert Gooch must be expressly named here for setting down so authentically this event in London’s Kingsway Hall for posterity.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : October 1958, September and December 1959 by Neville Boyling\r\n
      Production : Peter Andry\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Yehudi Menuhin, Christian Ferras (violin), Festival Chamber Orchestra / Robert Masters Chamber Orchestra conducted by Yehudi Menuhin"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "EMI ASD 346"
    -titreMorceau: [
      [
        "nom" => "1. Allegro"
        "ordre" => 2
      ]
      [
        "nom" => "1. Allegro"
        "ordre" => 9
      ]
      [
        "nom" => "2. Allegro"
        "ordre" => 11
      ]
      [
        "nom" => "2. Andante"
        "ordre" => 3
      ]
      [
        "nom" => "3. Adagio"
        "ordre" => 12
      ]
      [
        "nom" => "3. Allegro Assai"
        "ordre" => 4
      ]
      [
        "nom" => "4. Allegro Assai"
        "ordre" => 13
      ]
      [
        "nom" => "4. Vivace"
        "ordre" => 6
      ]
      [
        "nom" => "5. Largo Ma Non Tanto"
        "ordre" => 7
      ]
      [
        "nom" => "Concerto In E Major, BWV 1042"
        "ordre" => 10
      ]
      [
        "nom" => "Double Concerto In D Minor, BWV 1043"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "Violin Concerto In A Minor, BWV 1041"
        "ordre" => 1
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1579163958 {#1896
      date: 2020-01-16 08:39:18.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1580455628 {#1889
      date: 2020-01-31 07:27:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-violin-concertos-emi-asd-346"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2035
    -id: 301
    -nom: "A Liszt Recital"
    -informationComplementaire: ""
    -description: """
      Modesty is a virtue, it is said. And that is precisely what DECCA must have had in mind when they entitled the present Liszt recording “A Recital”. More fitting and in no way over-exaggerated would have been “Essential Liszt”, for all the works on the present recording are true highlights.\r\n
      \r\n
      The B minor Sonata is not only considered Liszt’s most important piano composition but is moreover among the most magnificent and powerful piano works ever written. Clifford Curzon performs this work with amazing sovereignity, working his way through the work’s rugged intricacies safely and surely, never missing even the tiniest motivic fragment.\r\n
      \r\n
      After a short pause to draw one’s breath, we move on to enjoy the famous Liebestraum with its passionate recurring theme. The spirited and vigorous Valse oubliée is followed by the dazzling Gnomenreigen taken at a pace which almost verges on folly. This virtuosic firework display is brought to a contemplative close with the lyrical Berceuse in a masterly performance full of inner peace and clarity. \r\n
      This recording is perfect in every sense, both musically and technically, and is therefore recommended not only to confirmed lovers of Liszt but to those who are just beginning their love affair with him.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : September 1963 at Sofiensaal, Vienna by Roy Wallace Production : Michael Brenner\r\n
      \r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Clifford Curzon (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CmcgJKQci6I"
    -referenceProduit: "Decca SXL 6076"
    -titreMorceau: [
      [
        "nom" => "1. Liebestraum N° 3"
        "ordre" => 3
      ]
      [
        "nom" => "1. Sonata in B Minor (in one movement)"
        "ordre" => 1
      ]
      [
        "nom" => "2. Valse Oubliée N° 1"
        "ordre" => 4
      ]
      [
        "nom" => "3. Gnomenreigen"
        "ordre" => 5
      ]
      [
        "nom" => "4. Berceuse"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 2
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
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    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1278690760 {#2032
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    }
    -modifierLe: DateTime @1577025364 {#2033
      date: 2019-12-22 14:36:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-liszt-recital-decca-sxl-6076"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3202
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2035
    -id: 301
    -nom: "A Liszt Recital"
    -informationComplementaire: ""
    -description: """
      Modesty is a virtue, it is said. And that is precisely what DECCA must have had in mind when they entitled the present Liszt recording “A Recital”. More fitting and in no way over-exaggerated would have been “Essential Liszt”, for all the works on the present recording are true highlights.\r\n
      \r\n
      The B minor Sonata is not only considered Liszt’s most important piano composition but is moreover among the most magnificent and powerful piano works ever written. Clifford Curzon performs this work with amazing sovereignity, working his way through the work’s rugged intricacies safely and surely, never missing even the tiniest motivic fragment.\r\n
      \r\n
      After a short pause to draw one’s breath, we move on to enjoy the famous Liebestraum with its passionate recurring theme. The spirited and vigorous Valse oubliée is followed by the dazzling Gnomenreigen taken at a pace which almost verges on folly. This virtuosic firework display is brought to a contemplative close with the lyrical Berceuse in a masterly performance full of inner peace and clarity. \r\n
      This recording is perfect in every sense, both musically and technically, and is therefore recommended not only to confirmed lovers of Liszt but to those who are just beginning their love affair with him.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : September 1963 at Sofiensaal, Vienna by Roy Wallace Production : Michael Brenner\r\n
      \r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Clifford Curzon (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CmcgJKQci6I"
    -referenceProduit: "Decca SXL 6076"
    -titreMorceau: [
      [
        "nom" => "1. Liebestraum N° 3"
        "ordre" => 3
      ]
      [
        "nom" => "1. Sonata in B Minor (in one movement)"
        "ordre" => 1
      ]
      [
        "nom" => "2. Valse Oubliée N° 1"
        "ordre" => 4
      ]
      [
        "nom" => "3. Gnomenreigen"
        "ordre" => 5
      ]
      [
        "nom" => "4. Berceuse"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 2
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1278690760 {#2032
      date: 2010-07-09 15:52:40.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1577025364 {#2033
      date: 2019-12-22 14:36:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-liszt-recital-decca-sxl-6076"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2051
    -id: 1283
    -nom: "Sings Bessie Smith"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      LaVern baker (vocals), Nat Pierce (piano), Paul Quinichette (tenor saxophone), Buck Clayton (trumpet), Jimmy Cleveland, Urbie Green, Vic Dickenson (trombone), Wendell Marshall (bass), Danny Baker (guitar), Jerome Richardson, Sahib Shihab (baritone saxophone), Joe Marshall (drums)\r\n
      \r\n
      It was 1958 when a passably successful R&B singer entered the recording studio with an all-star band to tape a dozen songs from the global repertoire of a legendary blues vocalist. The old-fashioned style in LaVern Baker’s tribute to Bessie Smith might seem somewhat strange in the midst of popular R&B numbers and the growing productivity of the Motown hit machines, but it certainly found favour with the public. And for a very good reason too! Right from the very first number, "Gimme A Pigfoot", the snappy bass line conjures up the ballroom atmosphere of the Twenties. A bluesy dialogue with the trumpet ("Baby Doll", "I Ain’t Gonna Play No Second Fiddle"), alternating with robustly orchestrated swing rhythms ("On Revival Day"), and time and again cool, faltering blues ("Black Water Blues") guarantee great listening and entertainment. The great names in the band read like a Who Is Who of outstanding musicians – Nat Pierce, Buck Clayton, Paul Quinichette, Urbie Green and Jimmy Cleveland, all who crown the fantastic sound of their performance with relaxed and easy-going solos and finely balanced background playing that would hardly be more authentic on a live stage. And by the way, fans of traditional big-band swing will love this album too. \r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : 1958 by Tom Dowd\r\n
      Production : Nesuhi Ertegun
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "LaVern baker (vocals), Nat Pierce (piano), Paul Quinichette (tenor saxophone), Buck Clayton (trumpet), Jimmy Cleveland, Urbie Green, Vic Dickenson (trombone), Wendell Marshall (bass), Danny Baker (guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=K19BW-tM904"
    -referenceProduit: "Atlantic SD 1281"
    -titreMorceau: [
      [
        "nom" => "1. Empty Bed Blues"
        "ordre" => 8
      ]
      [
        "nom" => "1. Gimme A Pigfoot"
        "ordre" => 1
      ]
      [
        "nom" => "2. Baby Doll"
        "ordre" => 2
      ]
      [
        "nom" => "2. There'll Be A Hot Time In the Old Town Tonight"
        "ordre" => 9
      ]
      [
        "nom" => "3. Nobody Knows You When You're Down and Out"
        "ordre" => 10
      ]
      [
        "nom" => "3. On Revival Day"
        "ordre" => 3
      ]
      [
        "nom" => "4. After You've Gone"
        "ordre" => 11
      ]
      [
        "nom" => "4. Money Blues"
        "ordre" => 4
      ]
      [
        "nom" => "5. I Ain't Gonna Play No Second Fiddle"
        "ordre" => 5
      ]
      [
        "nom" => "5. Young Woman's Blues"
        "ordre" => 12
      ]
      [
        "nom" => "6. Backwater Blues"
        "ordre" => 6
      ]
      [
        "nom" => "6. Preaching the Blues"
        "ordre" => 13
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2053 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
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      date: 2019-12-19 18:52:02.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3253
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    -id: 1283
    -nom: "Sings Bessie Smith"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      LaVern baker (vocals), Nat Pierce (piano), Paul Quinichette (tenor saxophone), Buck Clayton (trumpet), Jimmy Cleveland, Urbie Green, Vic Dickenson (trombone), Wendell Marshall (bass), Danny Baker (guitar), Jerome Richardson, Sahib Shihab (baritone saxophone), Joe Marshall (drums)\r\n
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      It was 1958 when a passably successful R&B singer entered the recording studio with an all-star band to tape a dozen songs from the global repertoire of a legendary blues vocalist. The old-fashioned style in LaVern Baker’s tribute to Bessie Smith might seem somewhat strange in the midst of popular R&B numbers and the growing productivity of the Motown hit machines, but it certainly found favour with the public. And for a very good reason too! Right from the very first number, "Gimme A Pigfoot", the snappy bass line conjures up the ballroom atmosphere of the Twenties. A bluesy dialogue with the trumpet ("Baby Doll", "I Ain’t Gonna Play No Second Fiddle"), alternating with robustly orchestrated swing rhythms ("On Revival Day"), and time and again cool, faltering blues ("Black Water Blues") guarantee great listening and entertainment. The great names in the band read like a Who Is Who of outstanding musicians – Nat Pierce, Buck Clayton, Paul Quinichette, Urbie Green and Jimmy Cleveland, all who crown the fantastic sound of their performance with relaxed and easy-going solos and finely balanced background playing that would hardly be more authentic on a live stage. And by the way, fans of traditional big-band swing will love this album too. \r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : 1958 by Tom Dowd\r\n
      Production : Nesuhi Ertegun
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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        "nom" => "2. Baby Doll"
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        "ordre" => 10
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        "nom" => "4. After You've Gone"
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        "nom" => "5. I Ain't Gonna Play No Second Fiddle"
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        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2053 …}
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[
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    -id: 759
    -nom: "Piano Concerto N° 1"
    -informationComplementaire: ""
    -description: """
      Béla Bartók : Concerto for Piano and Orchestra N° 1, Rhapsody for Piano and Orchestra, Op. 1 - Géza Anda and the Radio Symphonie Orchester Berlin conducted by Ferenc Fricsay.\r\n
      \r\n
      Between Bartók's Rhapsody for Piano and his First Piano Concerto lie 22 years of development, a struggle to find subject matter, form and his own musical language. While the Rhapsody from 1904 is dominated by a late-Romantic tone, which delights in a free, craggy and capricious feast of affable harmonies, the Piano Concerto reflects contemplation and a delving into the formal strictness of the classical three-movement concerto form. Rather less concerto-like and unconventional is, however, the use of the piano as a percussion instrument, which after just a few bars on the winds, hammers out an unrelenting staccato against the harsh and dissonant orchestra.\r\n
      \r\n
      In the slow movement too the piano is predominantly employed as a percussion instrument that, like the pendulum of a clock, rhythmically bulldozes on against the cheerless, bleak winds. Wild emotion predominates in the Finale. Stormy, insistent figures in the piano are answered by the orchestra with animated blows, but the quick flashes of melodies cannot establish themselves and are slashed to pieces as if caught in a storm.\r\n
      \r\n
      This uncompromising severity presents an enormous challenge that is mastered with aplomb by Géza Anda and the RSO Berlin under Ferenc Fricsay. Bartók's musical language is milder and more accessible in his Second and Third Piano Concertos, which are now available in a new pressing from Speakers Corner Records.\r\n
      \r\n
      Recording : October 1960 at Jesus-Christus-Kirche, Berlin, by Günter Hermanns?\r\n
      Production : Otto Gerdes\r\n
      \r\n
      """
    -prixVente: "32.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3304
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
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    -id: 759
    -nom: "Piano Concerto N° 1"
    -informationComplementaire: ""
    -description: """
      Béla Bartók : Concerto for Piano and Orchestra N° 1, Rhapsody for Piano and Orchestra, Op. 1 - Géza Anda and the Radio Symphonie Orchester Berlin conducted by Ferenc Fricsay.\r\n
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      Between Bartók's Rhapsody for Piano and his First Piano Concerto lie 22 years of development, a struggle to find subject matter, form and his own musical language. While the Rhapsody from 1904 is dominated by a late-Romantic tone, which delights in a free, craggy and capricious feast of affable harmonies, the Piano Concerto reflects contemplation and a delving into the formal strictness of the classical three-movement concerto form. Rather less concerto-like and unconventional is, however, the use of the piano as a percussion instrument, which after just a few bars on the winds, hammers out an unrelenting staccato against the harsh and dissonant orchestra.\r\n
      \r\n
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      \r\n
      This uncompromising severity presents an enormous challenge that is mastered with aplomb by Géza Anda and the RSO Berlin under Ferenc Fricsay. Bartók's musical language is milder and more accessible in his Second and Third Piano Concertos, which are now available in a new pressing from Speakers Corner Records.\r\n
      \r\n
      Recording : October 1960 at Jesus-Christus-Kirche, Berlin, by Günter Hermanns?\r\n
      Production : Otto Gerdes\r\n
      \r\n
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    -prixVente: "32.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2069 …}
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}

[
  "produit" => App\Entity\Produit {#2083
    -id: 861
    -nom: "Splendido Hotel"
    -informationComplementaire: ""
    -description: """
      Just how much creative gunpowder had Al Di Meola ignited in his early career ? First of all there was the flamenco firework in the best-seller Elegant Gypsy, and secondly his mega-successful live album resulting from a summit meeting in San Francisco with Paco de Lucia and John McLaughlin. After this great start it was no wonder that such prominent colleagues as Jan Hammer, Chick Corea, Steve Gadd, Anthony Jackson and Les Paul were eager to participate in the present album Splendido Hotel. This great line-up of musicians produce a rich, saturated sound and create numerous "flavors" in this cocktail of sounds, which - as a double LP - can be likened to a fantastic long drink, as it were.\r\n
      \r\n
      Di Meola's idea of fusion starts off in the opening number as a slow, sluggish oriental-like melody, which develops to take on a rock rhythm. High-speed and lovingly detailed flamenco such as is found in "Splendido Sundance" alternates with subtle rhythms ("Two To Tango") and good-humoured lighter numbers with an electronic undertone such as "Roller Jubilee" and a funky version of Bert Kaempfert's "Spanish Eyes". With this great mix, the musicians create a wonderful atmosphere in which every Latin aficionado will feel at home.\r\n
      \r\n
      Recording : 1979 at CBS Recording and Electric Lady Studios, New York, by Dave Palmer and Love Castle Studios, Los Angeles, by Bernie Kisch.\r\n
      Production : Al Di Meola and Philip Roberge.
      """
    -prixVente: "69.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CcIs-DILN7E"
    -referenceProduit: "Columbia C2X 36270"
    -titreMorceau: [
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        "nom" => "1. Alien Chase on Arabian Desert"
        "ordre" => 1
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        "nom" => "1. Dinner Music of The Gods"
        "ordre" => 8
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        "nom" => "1. Roller Jubilee"
        "ordre" => 4
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        "nom" => "1. Spanish Eyes"
        "ordre" => 12
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        "ordre" => 11
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
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      date: 2019-11-08 06:45:05.0 UTC (+00:00)
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    -slug: "vinyles-splendido-hotel-columbia-c2x-36270"
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App\Twig\Components\GestionPanierFavoriComponents {#3355
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2083
    -id: 861
    -nom: "Splendido Hotel"
    -informationComplementaire: ""
    -description: """
      Just how much creative gunpowder had Al Di Meola ignited in his early career ? First of all there was the flamenco firework in the best-seller Elegant Gypsy, and secondly his mega-successful live album resulting from a summit meeting in San Francisco with Paco de Lucia and John McLaughlin. After this great start it was no wonder that such prominent colleagues as Jan Hammer, Chick Corea, Steve Gadd, Anthony Jackson and Les Paul were eager to participate in the present album Splendido Hotel. This great line-up of musicians produce a rich, saturated sound and create numerous "flavors" in this cocktail of sounds, which - as a double LP - can be likened to a fantastic long drink, as it were.\r\n
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      \r\n
      Recording : 1979 at CBS Recording and Electric Lady Studios, New York, by Dave Palmer and Love Castle Studios, Los Angeles, by Bernie Kisch.\r\n
      Production : Al Di Meola and Philip Roberge.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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      [
        "nom" => "3. I Can Tell"
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        "nom" => "Side B :"
        "ordre" => 3
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      [
        "nom" => "Side D :"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2094 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2087 …}
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    -enregistreLe: DateTime @1453657231 {#2080
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    }
    -modifierLe: DateTime @1573195505 {#2081
      date: 2019-11-08 06:45:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2099
    -id: 764
    -nom: "Lonely And Alive"
    -informationComplementaire: ""
    -description: """
      Singing actors and actresses do not always cut a good figure on the silver screen; play-acting singers, however, are all the better when they draw attention to themselves with great vocals. As did Lena Horne in the days of the black-and-white film, who, with her sultry, versatile voice, was constantly employed by Hollywood.\r\n
      \r\n
      Although she occasionally ventured into the world of jazz, and made music with Teddy Wilson and Benny Carter, she never forayed into the wide world of improvisation. Her musical home was in the American Songbook, which she approached with a natural and entertaining manner. A good example of this is the first number here the Cole Porter classic "I Concentrate On You", which swings along to the perfectly recorded big-band sound of the Marty Paich Orchestra.\r\n
      \r\n
      A surprise element is the extensive palette of vocal sound-coloring with which the diva enhances her voice to achieve the drama of a Shirley Bassey or the dusky depths of a Dinah Washington. Each and every number on this Grammy-worthy album has been thought out in great detail and guarantees sophisticated entertainment, and a hint of West Coast jazz is perceptible when Jack Sheldon treats us to the sound of his warm and dark trumpet solos.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Lena Horne (vocals), Joe Mondragon (bass), Bill Pitman (guitar), Gene DeNovi (piano), Bill Perkins, Joe Maini (saxophone), Bob Enevoldsen, Frank Rosolino (trombone), Jack Sheldon, Pete Candoli (trumpet), Frank Capp, Shelly Manne (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=L_1SEOoZ-rU"
    -referenceProduit: "RCA LSP 2587"
    -titreMorceau: [
      [
        "nom" => "1. I Concentrate On You"
        "ordre" => 1
      ]
      [
        "nom" => "1. I Surrender, Dear"
        "ordre" => 8
      ]
      [
        "nom" => "2. I Found A New Baby"
        "ordre" => 9
      ]
      [
        "nom" => "2. I Get The Blues When It Rains"
        "ordre" => 2
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      [
        "nom" => "3. I Understand"
        "ordre" => 10
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      [
        "nom" => "3. I've Grown Accustomed To His Face"
        "ordre" => 3
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      [
        "nom" => "4. I Got Rhythm"
        "ordre" => 4
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      [
        "nom" => "4. I Let A Song Go Out Of My Heart"
        "ordre" => 11
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      [
        "nom" => "5. I An't Got Nobody (And Nobody Cares For Me)"
        "ordre" => 12
      ]
      [
        "nom" => "5. I'm Confessin' (That I Love You)"
        "ordre" => 5
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      [
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        "ordre" => 13
      ]
      [
        "nom" => "6. I Want To Be Happy"
        "ordre" => 6
      ]
      [
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        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2101 …}
    -label: App\Entity\Label {#1063 …}
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      date: 2019-11-07 20:37:49.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3406
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  +produit: App\Entity\Produit {#2099
    -id: 764
    -nom: "Lonely And Alive"
    -informationComplementaire: ""
    -description: """
      Singing actors and actresses do not always cut a good figure on the silver screen; play-acting singers, however, are all the better when they draw attention to themselves with great vocals. As did Lena Horne in the days of the black-and-white film, who, with her sultry, versatile voice, was constantly employed by Hollywood.\r\n
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      Although she occasionally ventured into the world of jazz, and made music with Teddy Wilson and Benny Carter, she never forayed into the wide world of improvisation. Her musical home was in the American Songbook, which she approached with a natural and entertaining manner. A good example of this is the first number here the Cole Porter classic "I Concentrate On You", which swings along to the perfectly recorded big-band sound of the Marty Paich Orchestra.\r\n
      \r\n
      A surprise element is the extensive palette of vocal sound-coloring with which the diva enhances her voice to achieve the drama of a Shirley Bassey or the dusky depths of a Dinah Washington. Each and every number on this Grammy-worthy album has been thought out in great detail and guarantees sophisticated entertainment, and a hint of West Coast jazz is perceptible when Jack Sheldon treats us to the sound of his warm and dark trumpet solos.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Lena Horne (vocals), Joe Mondragon (bass), Bill Pitman (guitar), Gene DeNovi (piano), Bill Perkins, Joe Maini (saxophone), Bob Enevoldsen, Frank Rosolino (trombone), Jack Sheldon, Pete Candoli (trumpet), Frank Capp, Shelly Manne (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=L_1SEOoZ-rU"
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        "ordre" => 4
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      [
        "nom" => "5. I'm Confessin' (That I Love You)"
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      ]
      [
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      ]
      [
        "nom" => "6. I Want To Be Happy"
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      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2101 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
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    -modifierLe: DateTime @1573159069 {#2097
      date: 2019-11-07 20:37:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-lonely-and-alive-rca-lsp-2587"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
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[
  "produit" => App\Entity\Produit {#2115
    -id: 855
    -nom: "Chamber Music From Marlboro"
    -informationComplementaire: ""
    -description: """
      The waltz was perhaps the most important thing that the rather level-headed and conservative Johannes Brahms from Hamburg brought back with him from his sojourn in Vienna. In addition to his purely instrumental waltzes for the piano, he also composed the "Liebeslieder Waltzes" – uniquely folk like and highly original vocal joyfulness in ¾ time. The lyrics are taken from real life and tell of love, longing, desire, and suffering but also of anger and derision.\r\n
      \r\n
      Just how ideally this music fits in with the workshop atmosphere of the Marlboro Summer Music Festival is fully evident here. The musicians gathered around Rudolf Serkin sing the very finest Brahms – joyous, inspired yet completely relaxed – and reflect light upon all aspects of earthly existence. An excellent choice to complement these emotions is Schubert’s penultimate composition "The Shepherd On The Rock" D 965. This great and far-too-seldom performed lied is based on three poems, which are performed impressively and with brilliant musicality by the soloist Benita Valente. And last but not least, the addition of the clarinet, which functions both as a soloist as well as imitating the voice, lends the work its particular charm.\r\n
      \r\n
      Recording : August 1960 at Marlboro School of Music, Vermont (USA), by Fred Plaut\r\n
      Production : Howard H. Scott
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Leon Fleisher, Rudolf Serkin (piano), Harold Wright (clarinet), Marlena Kleinman (alto vocals), Martial Singher (bass vocals), Benita Valente (soprano vocals), Wayne Connor (tenor vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Columbia MS 6236"
    -titreMorceau: [
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        "nom" => "1. Johannes Brahms : Liebeslieder Walzer, Op. 52 (I-XII)"
        "ordre" => 1
      ]
      [
        "nom" => "1. Johannes Brahms : Liebeslieder Walzer, Op. 52 (XIII-XVIII)"
        "ordre" => 3
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      [
        "nom" => "2. Franz Schubert : The Shepherd On The Rock, Op. 129"
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      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …}
    -label: App\Entity\Label {#1063 …}
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    }
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      date: 2019-11-07 20:33:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-chamber-music-from-marlboro-columbia-ms-6236"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3457
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2115
    -id: 855
    -nom: "Chamber Music From Marlboro"
    -informationComplementaire: ""
    -description: """
      The waltz was perhaps the most important thing that the rather level-headed and conservative Johannes Brahms from Hamburg brought back with him from his sojourn in Vienna. In addition to his purely instrumental waltzes for the piano, he also composed the "Liebeslieder Waltzes" – uniquely folk like and highly original vocal joyfulness in ¾ time. The lyrics are taken from real life and tell of love, longing, desire, and suffering but also of anger and derision.\r\n
      \r\n
      Just how ideally this music fits in with the workshop atmosphere of the Marlboro Summer Music Festival is fully evident here. The musicians gathered around Rudolf Serkin sing the very finest Brahms – joyous, inspired yet completely relaxed – and reflect light upon all aspects of earthly existence. An excellent choice to complement these emotions is Schubert’s penultimate composition "The Shepherd On The Rock" D 965. This great and far-too-seldom performed lied is based on three poems, which are performed impressively and with brilliant musicality by the soloist Benita Valente. And last but not least, the addition of the clarinet, which functions both as a soloist as well as imitating the voice, lends the work its particular charm.\r\n
      \r\n
      Recording : August 1960 at Marlboro School of Music, Vermont (USA), by Fred Plaut\r\n
      Production : Howard H. Scott
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Leon Fleisher, Rudolf Serkin (piano), Harold Wright (clarinet), Marlena Kleinman (alto vocals), Martial Singher (bass vocals), Benita Valente (soprano vocals), Wayne Connor (tenor vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: ""
    -referenceProduit: "Columbia MS 6236"
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        "nom" => "1. Johannes Brahms : Liebeslieder Walzer, Op. 52 (I-XII)"
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        "nom" => "1. Johannes Brahms : Liebeslieder Walzer, Op. 52 (XIII-XVIII)"
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      [
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        "ordre" => 0
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      [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …}
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    }
    -modifierLe: DateTime @1573158836 {#2113
      date: 2019-11-07 20:33:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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}

[
  "produit" => App\Entity\Produit {#2131
    -id: 734
    -nom: "Stone Flower"
    -informationComplementaire: ""
    -description: """
      Around the year 1970, almost everything appeared to have been said about the style of music over the past two decades, which was a mix of samba and cool jazz. Adventurous musicians such as Luis Bonfa, Baden Powell, Charly Byrd, João and Astrud Gilberto, and the saxophonist Stan Getz lent fire and sentiment to the “new trend”. First and foremost among them was Carlos Antonio Jobim, whose catchy tunes such as the ticking, shuffling song "Desafinado" and the genial "One Note Samba" were heard all over the globe.\r\n
      \r\n
      That the man from Ipanema still had a lot to say is proved by the present album, which presents Jobim’s creativity at the height of his maturity. Right from the very first number, where Urbie Green on the trombone 'sings' "Tereza My Love" so purely in the top register, it is clear that the late bossa with its typical rhythm is structurally far more refined than the early hot dance numbers. The melodies are woven through, as it were, with shining gold and silver threads of rhythm, and clusters of sound are light and airy. However, here and there, the musicians let their hair down, such as in the Latin classic "Brazil".\r\n
      \r\n
      With that magician of sound Deodato as arranger and conductor, and Rudy van Gelder as recording engineer, this LP is certainly a Bossa masterpiece. There’s no more to be said !\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : June 1970 at Rudy Van Gelder Studio, Englewood Cliffs, NJ, USA\r\n
      Production : Creed Taylor\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Antonio Carlos Jobim (piano, guitar, vocals), Joe Farrell (soprano saxophone), Urbie Green (trombone), Ron Carter (double bass), Harry Loofosky (violin), Airto Moreira / Everaldo Ferreira (percussion), Elumir Deadato (guitar), João Palma (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QTCUKJv_dmc"
    -referenceProduit: "CTI 6002"
    -titreMorceau: [
      [
        "nom" => "1. Stone Flower"
        "ordre" => 6
      ]
      [
        "nom" => "1. Tereza My Love"
        "ordre" => 1
      ]
      [
        "nom" => "2. Amparo"
        "ordre" => 7
      ]
      [
        "nom" => "2. Children's Games"
        "ordre" => 2
      ]
      [
        "nom" => "3. Andorinha"
        "ordre" => 8
      ]
      [
        "nom" => "3. Choro"
        "ordre" => 3
      ]
      [
        "nom" => "4. Brazil (Ary Barroso)"
        "ordre" => 4
      ]
      [
        "nom" => "4. God and the Devil in the Land of the Sun"
        "ordre" => 9
      ]
      [
        "nom" => "5. Sabia"
        "ordre" => 10
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …}
    -label: App\Entity\Label {#1063 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2137 …}
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    -modifierLe: DateTime @1573111598 {#2129
      date: 2019-11-07 07:26:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-stone-flower-cti-6002"
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App\Twig\Components\GestionPanierFavoriComponents {#3508
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2131
    -id: 734
    -nom: "Stone Flower"
    -informationComplementaire: ""
    -description: """
      Around the year 1970, almost everything appeared to have been said about the style of music over the past two decades, which was a mix of samba and cool jazz. Adventurous musicians such as Luis Bonfa, Baden Powell, Charly Byrd, João and Astrud Gilberto, and the saxophonist Stan Getz lent fire and sentiment to the “new trend”. First and foremost among them was Carlos Antonio Jobim, whose catchy tunes such as the ticking, shuffling song "Desafinado" and the genial "One Note Samba" were heard all over the globe.\r\n
      \r\n
      That the man from Ipanema still had a lot to say is proved by the present album, which presents Jobim’s creativity at the height of his maturity. Right from the very first number, where Urbie Green on the trombone 'sings' "Tereza My Love" so purely in the top register, it is clear that the late bossa with its typical rhythm is structurally far more refined than the early hot dance numbers. The melodies are woven through, as it were, with shining gold and silver threads of rhythm, and clusters of sound are light and airy. However, here and there, the musicians let their hair down, such as in the Latin classic "Brazil".\r\n
      \r\n
      With that magician of sound Deodato as arranger and conductor, and Rudy van Gelder as recording engineer, this LP is certainly a Bossa masterpiece. There’s no more to be said !\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : June 1970 at Rudy Van Gelder Studio, Englewood Cliffs, NJ, USA\r\n
      Production : Creed Taylor\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Antonio Carlos Jobim (piano, guitar, vocals), Joe Farrell (soprano saxophone), Urbie Green (trombone), Ron Carter (double bass), Harry Loofosky (violin), Airto Moreira / Everaldo Ferreira (percussion), Elumir Deadato (guitar), João Palma (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QTCUKJv_dmc"
    -referenceProduit: "CTI 6002"
    -titreMorceau: [
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        "nom" => "1. Stone Flower"
        "ordre" => 6
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      [
        "nom" => "1. Tereza My Love"
        "ordre" => 1
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      [
        "nom" => "2. Amparo"
        "ordre" => 7
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      [
        "nom" => "2. Children's Games"
        "ordre" => 2
      ]
      [
        "nom" => "3. Andorinha"
        "ordre" => 8
      ]
      [
        "nom" => "3. Choro"
        "ordre" => 3
      ]
      [
        "nom" => "4. Brazil (Ary Barroso)"
        "ordre" => 4
      ]
      [
        "nom" => "4. God and the Devil in the Land of the Sun"
        "ordre" => 9
      ]
      [
        "nom" => "5. Sabia"
        "ordre" => 10
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2142 …}
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      date: 2019-11-07 07:26:38.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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[
  "produit" => App\Entity\Produit {#2147
    -id: 312
    -nom: "Debussy : Nocturnes / Ravel : Daphnis and Chloe Suite N° 2"
    -informationComplementaire: ""
    -description: """
      With his Nocturnes, Debussy’s vision of music inspired by Nature enters a new sphere. His first multi-part orchestral work the composition was originally conceived for violin but was published as a vocal-symphonic work offers a wealth of subtleties as regards melody and sound colouring, the likes of which had never been heard before in Debussy’s oeuvre. Unlike traditional orchestral writing, the woodwinds here provide motivic vitality with a wide spectrum of tonal colouring while the strings unroll a dynamically finely graded carpet of sound. Absolutely innovative is the wordless female chorus in the third movement whose voices combine with the instruments to produce a mysterious tonal concoction.\r\n
      \r\n
      Debussy’s compatriot, Ravel, went to even greater lengths in his "Daphnis and Chloé" Suites. As the instrumental distribution leads one to suspect full orchestra plus 15 percussion instruments, chorus and wind machine, the work is a fully-fledged modern-age French choreographic symphony and one of the greatest compositions of its time. It is almost superfluous to mention that a thrilling performance of both works can only be achieved by the very best of symphony orchestras.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : March 1961 at Cass Technical High School Auditorium, Detroit (MI), USA, by Robert Eberenz\r\n
      Production : Wilma Cozart-Fine\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "The Detroit Symphony Orchestra conducted by Paul Paray"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lMm8W5199Bc"
    -referenceProduit: "Mercury SR 90281"
    -titreMorceau: [
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        "nom" => "1. Lever Du Jour"
        "ordre" => 7
      ]
      [
        "nom" => "1. Nuages (Clouds)"
        "ordre" => 2
      ]
      [
        "nom" => "2. Fêtes (Festivals)"
        "ordre" => 3
      ]
      [
        "nom" => "2. Pantomime"
        "ordre" => 8
      ]
      [
        "nom" => "3. Danse Générale"
        "ordre" => 9
      ]
      [
        "nom" => "3. Sirènes (Sirens)"
        "ordre" => 4
      ]
      [
        "nom" => "Claude Debussy : Nocturnes For Orchestra"
        "ordre" => 1
      ]
      [
        "nom" => "Maurice Ravel : Daphnis Et Chloé, Suite N° 2"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: null
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2155 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2148 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2150 …}
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    }
    -modifierLe: DateTime @1573110665 {#2145
      date: 2019-11-07 07:11:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2152 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-debussy-nocturnes-ravel-daphnis-and-chloe-suite-n-2-mercury-sr-90281"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3561
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2147
    -id: 312
    -nom: "Debussy : Nocturnes / Ravel : Daphnis and Chloe Suite N° 2"
    -informationComplementaire: ""
    -description: """
      With his Nocturnes, Debussy’s vision of music inspired by Nature enters a new sphere. His first multi-part orchestral work the composition was originally conceived for violin but was published as a vocal-symphonic work offers a wealth of subtleties as regards melody and sound colouring, the likes of which had never been heard before in Debussy’s oeuvre. Unlike traditional orchestral writing, the woodwinds here provide motivic vitality with a wide spectrum of tonal colouring while the strings unroll a dynamically finely graded carpet of sound. Absolutely innovative is the wordless female chorus in the third movement whose voices combine with the instruments to produce a mysterious tonal concoction.\r\n
      \r\n
      Debussy’s compatriot, Ravel, went to even greater lengths in his "Daphnis and Chloé" Suites. As the instrumental distribution leads one to suspect full orchestra plus 15 percussion instruments, chorus and wind machine, the work is a fully-fledged modern-age French choreographic symphony and one of the greatest compositions of its time. It is almost superfluous to mention that a thrilling performance of both works can only be achieved by the very best of symphony orchestras.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : March 1961 at Cass Technical High School Auditorium, Detroit (MI), USA, by Robert Eberenz\r\n
      Production : Wilma Cozart-Fine\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "The Detroit Symphony Orchestra conducted by Paul Paray"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lMm8W5199Bc"
    -referenceProduit: "Mercury SR 90281"
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        "nom" => "1. Lever Du Jour"
        "ordre" => 7
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      [
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      [
        "nom" => "Claude Debussy : Nocturnes For Orchestra"
        "ordre" => 1
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      [
        "nom" => "Maurice Ravel : Daphnis Et Chloé, Suite N° 2"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: null
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2155 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2148 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2150 …}
    -enregistreLe: DateTime @1278690823 {#2144
      date: 2010-07-09 15:53:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1573110665 {#2145
      date: 2019-11-07 07:11:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2152 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-debussy-nocturnes-ravel-daphnis-and-chloe-suite-n-2-mercury-sr-90281"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2160
    -id: 666
    -nom: "Live At Fillmore West"
    -informationComplementaire: ""
    -description: """
      Live recordings come up with extremely different results: most of them land in the rubbish bin, some of them are available as bootleg copies when a star’s career has ended and are passed on conspiratorially from one excited collector to another. Only a very few conserve real spirit and sheer enthusiasm, which no arranger or sound mixer can conjure up in the studio. \r\n
      \r\n
      But even more sensational was Aretha Franklin’s guest appearance at the Fillmore West, the legendary concert hall in San Francisco, which closed down shortly afterwards. Everyone knew who was going to perform, and yet everything was quite different on these three nights in the spring of 1971 : her usual show band was left behind in Detroit and she appeared with King Curtis And The Kingpins one of the most impressive bands around accompanied by the trailblazers Cornel Dupree (g) and Bernard Purdie (dr). The Memphis Horns, a fantastic horn section, blast away in the background, their keen as a razor backings rising up to soaring heights. From Billy Preston’s fingertips on the organ flows an aura of spiritual energy and Ray Charles, who by chance (but how fortuitous !) was among the audience also got his appearance in the telling title "Spirit In The Dark". No words need be lost about the queen on the cover. For without the superb albums of the late Sixties, Aretha Franklin would never have become the USA’s first sister of soul nor would she have appeared in the Fillmore West.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : February 1975 live at Fillmore West, San Francisco, by Ray Thompson\r\n
      Production : Jerry Wexler and Arif Mardin\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Aretha Franklin (vocals, piano), Cornell Dupree (guitar), King Curtis (saxophone), Billy Preston (organ), Ray Charles, Truman Thomas (piano), Pancho Morales (congas), Jeremy Jemmott (bass), Bernard Purdie (drums), The Memphis Horns"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CmaM728pvc8"
    -referenceProduit: "Atlantic SD 7205"
    -titreMorceau: [
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        "nom" => "1. Dr. Feelgood"
        "ordre" => 8
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      [
        "nom" => "1. Respect"
        "ordre" => 1
      ]
      [
        "nom" => "2. Love The One You're With"
        "ordre" => 2
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      [
        "nom" => "2. Spirit In The Dark"
        "ordre" => 9
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      [
        "nom" => "3. Bridge Over Troubled Water"
        "ordre" => 3
      ]
      [
        "nom" => "3. Spirit In The Dark (Reprise With Ray Charles)"
        "ordre" => 10
      ]
      [
        "nom" => "4. Eleanor Rigby"
        "ordre" => 4
      ]
      [
        "nom" => "4. Reach Out And Touch (Somebody's Hand)"
        "ordre" => 11
      ]
      [
        "nom" => "5. Make It With You"
        "ordre" => 5
      ]
      [
        "nom" => "6. Don't Play That Song"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2162 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1473 …}
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    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2166 …}
    -enregistreLe: DateTime @1389536739 {#2157
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    -modifierLe: DateTime @1572987397 {#2158
      date: 2019-11-05 20:56:37.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2168 …}
    -disponible: null
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    -slug: "vinyles-live-at-fillmore-west-atlantic-sd-7205"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3607
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2160
    -id: 666
    -nom: "Live At Fillmore West"
    -informationComplementaire: ""
    -description: """
      Live recordings come up with extremely different results: most of them land in the rubbish bin, some of them are available as bootleg copies when a star’s career has ended and are passed on conspiratorially from one excited collector to another. Only a very few conserve real spirit and sheer enthusiasm, which no arranger or sound mixer can conjure up in the studio. \r\n
      \r\n
      But even more sensational was Aretha Franklin’s guest appearance at the Fillmore West, the legendary concert hall in San Francisco, which closed down shortly afterwards. Everyone knew who was going to perform, and yet everything was quite different on these three nights in the spring of 1971 : her usual show band was left behind in Detroit and she appeared with King Curtis And The Kingpins one of the most impressive bands around accompanied by the trailblazers Cornel Dupree (g) and Bernard Purdie (dr). The Memphis Horns, a fantastic horn section, blast away in the background, their keen as a razor backings rising up to soaring heights. From Billy Preston’s fingertips on the organ flows an aura of spiritual energy and Ray Charles, who by chance (but how fortuitous !) was among the audience also got his appearance in the telling title "Spirit In The Dark". No words need be lost about the queen on the cover. For without the superb albums of the late Sixties, Aretha Franklin would never have become the USA’s first sister of soul nor would she have appeared in the Fillmore West.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : February 1975 live at Fillmore West, San Francisco, by Ray Thompson\r\n
      Production : Jerry Wexler and Arif Mardin\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Aretha Franklin (vocals, piano), Cornell Dupree (guitar), King Curtis (saxophone), Billy Preston (organ), Ray Charles, Truman Thomas (piano), Pancho Morales (congas), Jeremy Jemmott (bass), Bernard Purdie (drums), The Memphis Horns"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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        "nom" => "2. Love The One You're With"
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        "nom" => "2. Spirit In The Dark"
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        "nom" => "3. Bridge Over Troubled Water"
        "ordre" => 3
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      [
        "nom" => "3. Spirit In The Dark (Reprise With Ray Charles)"
        "ordre" => 10
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      [
        "nom" => "4. Eleanor Rigby"
        "ordre" => 4
      ]
      [
        "nom" => "4. Reach Out And Touch (Somebody's Hand)"
        "ordre" => 11
      ]
      [
        "nom" => "5. Make It With You"
        "ordre" => 5
      ]
      [
        "nom" => "6. Don't Play That Song"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2162 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1473 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2171 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2164 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2166 …}
    -enregistreLe: DateTime @1389536739 {#2157
      date: 2014-01-12 14:25:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1572987397 {#2158
      date: 2019-11-05 20:56:37.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2176
    -id: 809
    -nom: "Liza With A "Z""
    -informationComplementaire: ""
    -description: """
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      """
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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        "ordre" => 2
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        "nom" => "3. Say Liza (Liza With a “Z”)"
        "ordre" => 3
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      [
        "nom" => "3. You’ve Let Yourself Go"
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        "nom" => "4. It Was a Good Time"
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -nom: "Liza With A "Z""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2178 …}
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[
  "produit" => App\Entity\Produit {#2192
    -id: 300
    -nom: "Spartacus Gayaneh"
    -informationComplementaire: ""
    -description: """
      Aram Khachaturian, the most well-known of all Armenian composers, believed that art should be closely bound to the people and indeed it was a pre-requisite for his own creative inspiration. Largely uninfluenced by the manifold trends of the 20th century, Khachaturian’s works reflect the folk heritage of his native country. In the two richly orchestrated ballets, which he himself later arranged into suites, we find the musical spirit and customs of an ancient culture. In particular the unrestrained exuberance of the Sabre Dance from Gayaneh has contributed to the immense popularity of this suite. The ballet Spartacus could be described as a monumental historical drama and made Khachaturian one of the Soviet Union’s most highly honoured composers.\r\n
      \r\n
      That a slave uprising can not only be expressed in music but can also take place on an international dimension is admirably demonstrated by the maestro personally in this recording where Khachaturian takes on the role of leader of the Vienna Philharmonic Orchestra.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
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      Production : Erik Smith\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Vienna Philharmonic Orchestra conducted by Aram Khachaturian"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=of5ebCY5__Q"
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        "nom" => "GAYANEH"
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        "ordre" => 0
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        "ordre" => 6
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      [
        "nom" => "SPARTACUS"
        "ordre" => 1
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2194 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3709
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  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2192
    -id: 300
    -nom: "Spartacus Gayaneh"
    -informationComplementaire: ""
    -description: """
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        "nom" => "SPARTACUS"
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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}

App\Twig\Components\AjoutMailNewsletterComponent {#3907
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3908 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3956 …}
  +isValidated: false
  +validatedFields: []
}