Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2595
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2442 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2672
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2675 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1850 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2442 …}
  -formView: Symfony\Component\Form\FormView {#2711 …}
  -form: Symfony\Component\Form\Form {#2861 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1886
    -id: 2905
    -nom: "This Is Clarence Carter"
    -informationComplementaire: "Plongez dans la soul authentique avec "This Is Clarence Carter". Porté par la voix intense de Clarence Carter et le mythique “Slip Away”, cet album capture toute l’émotion brute et le groove des années 60. Un classique incontournable."
    -description: """
      Sorti en 1968, "This Is Clarence Carter" est le premier album studio de Clarence Carter, une figure emblématique de la soul sudiste. Porté par la chaleur brute de sa voix et une sincérité désarmante, cet album incarne à la perfection l’esprit de la musique soul de la fin des années 60.\r\n
      \r\n
      On y retrouve un savant mélange de blues, de rhythm & blues et de soul profonde, avec des arrangements sobres mais efficaces qui mettent en avant l’émotion pure. L’album contient notamment le titre culte “Slip Away”, qui deviendra un classique instantané et propulsera Carter sur le devant de la scène. Chaque morceau raconte une histoire, oscillant entre amour, désir, vulnérabilité et intensité émotionnelle.\r\n
      \r\n
      This Is Clarence Carter n’est pas seulement un premier album, c’est une déclaration d’identité artistique, brute et authentique, qui pose les bases d’une carrière marquante dans la soul américaine.\r\n
      \r\n
      Musicians : \r\n
      Clarence Carter (guitar, vocals), Jimmy Johnson, Eddie Hinton (guitar), Linden Oldham (piano), Aaron Varnell, Charles Chalmers (tenor saxophone), Floyd Newman (baritone saxophone), Gene Miller (trumpet), Barry Beckett (piano, electric piano, Hammond organ), David Hood (bass), Roger Hawkins (drums).\r\n
      \r\n
      Clarence Carter, blind from birth, was a blues singer with lascivious wit, a talented guitarist, a songwriter with a twinkle in his eye, and a champion of down-to-earth soul grooves who taught himself to play the guitar. He sang in a gospel choir, completed a degree in music, and grounded the duo Clarence & Calvin but was not however very successful. After a car crash involving Calvin Scott, Carter started on a solo career and signed a contract with Rick Hall and the Fame label as a soloist. Among the earliest singles recorded at the Muscle Shoals studio were a few hits. After leaving Fame for Atlantic, he managed to enter the Top 20 of the R & B charts with "Looking For A Fox". His breakthrough came with "Slip Away", which sold a million copies and was awarded a Gold Record.\r\n
      \r\n
      The legendary Fame Studios in Muscle Shoals remained the home basis, as it were, for Carter during his career with Atlantic. "This Is…" begins with a contemplative, soft sound. "Do What You Gotta Do", written by Jim Webb, is a lovely, melancholic mid-tempo ballad, saturated with Barry Beckett’s keyboard and smothered by lush, plaintive winds. But the man is primarily funky here… as three danceable, finger-snapping tracks prove; "Wind It Up", with further witty improvisations and a fervid organ solo, the highly syncopated, playful "Thread The Needle", and the smoky, irresistible "Funky Fever" all written by Carter himself. Dan Penn’s and Spooner Oldham’s "Slippin’ Around" has an unorthodox bossa nova-like beat that is reminiscent of Ray Charles’s "What’d I Say", while Carter’s unmistakable chuckle is to be heard for the first time on the riotous funk-rock number "I’m Qualified", which has the very same unique, infectious groove as was to be heard on Wilson Pickett’s "In The Midnight Hour". "She Ain’t Gonna Do Right", composed by the same man, brings more Alabama Country to the mix, whereby Beckett contributes a catchy, persistent organ riff in the refrain. Soul, blues, funk, R & B a gigantic album from a giant of the genre.\r\n
      \r\n
      Recording: \u{FEFF}1968 at Fame Studios, Muscle Shoals, AL, by Rick Hall\r\n
      Production: Rick Hall
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1926 …}
    -musicienOrchestre: "Clarence Carter (guitar, vocals), Jimmy Johnson, Eddie Hinton (guitar), Linden Oldham (piano), Aaron Varnell, Charles Chalmers (tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=Phqe9vBsThs&list=OLAK5uy_lkdMKLgHD3C8EAPN8_RjgI9aSGgdWWgv8&index=8"
    -referenceProduit: "Atlantic SD 8192"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Do What You Gotta Do"
      ]
      [
        "ordre" => 2
        "nom" => "2. Looking for a Fox"
      ]
      [
        "ordre" => 3
        "nom" => "3. Slippin' Around"
      ]
      [
        "ordre" => 4
        "nom" => "4. I'm Qualified"
      ]
      [
        "ordre" => 5
        "nom" => "5. I Can't See Myself"
      ]
      [
        "ordre" => 6
        "nom" => "6. Wind It Up"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Part Time Love"
      ]
      [
        "ordre" => 9
        "nom" => "2. Thread the Needle"
      ]
      [
        "ordre" => 10
        "nom" => "3. Slip Away"
      ]
      [
        "ordre" => 11
        "nom" => "4. Funky Fever"
      ]
      [
        "ordre" => 12
        "nom" => "5. She Ain't Gonna Do Right"
      ]
      [
        "ordre" => 13
        "nom" => "6. Set Me Free"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1947 …}
    -label: Proxies\__CG__\App\Entity\Label {#1961 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2078 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1952 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2066 …}
    -enregistreLe: DateTime @1763664369 {#1904
      date: 2025-11-20 18:46:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777113246 {#1883
      date: 2026-04-25 10:34:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2072 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-this-is-clarence-carter-atlantic-sd-8192"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3133
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1850 …}
  +produit: App\Entity\Produit {#1886
    -id: 2905
    -nom: "This Is Clarence Carter"
    -informationComplementaire: "Plongez dans la soul authentique avec "This Is Clarence Carter". Porté par la voix intense de Clarence Carter et le mythique “Slip Away”, cet album capture toute l’émotion brute et le groove des années 60. Un classique incontournable."
    -description: """
      Sorti en 1968, "This Is Clarence Carter" est le premier album studio de Clarence Carter, une figure emblématique de la soul sudiste. Porté par la chaleur brute de sa voix et une sincérité désarmante, cet album incarne à la perfection l’esprit de la musique soul de la fin des années 60.\r\n
      \r\n
      On y retrouve un savant mélange de blues, de rhythm & blues et de soul profonde, avec des arrangements sobres mais efficaces qui mettent en avant l’émotion pure. L’album contient notamment le titre culte “Slip Away”, qui deviendra un classique instantané et propulsera Carter sur le devant de la scène. Chaque morceau raconte une histoire, oscillant entre amour, désir, vulnérabilité et intensité émotionnelle.\r\n
      \r\n
      This Is Clarence Carter n’est pas seulement un premier album, c’est une déclaration d’identité artistique, brute et authentique, qui pose les bases d’une carrière marquante dans la soul américaine.\r\n
      \r\n
      Musicians : \r\n
      Clarence Carter (guitar, vocals), Jimmy Johnson, Eddie Hinton (guitar), Linden Oldham (piano), Aaron Varnell, Charles Chalmers (tenor saxophone), Floyd Newman (baritone saxophone), Gene Miller (trumpet), Barry Beckett (piano, electric piano, Hammond organ), David Hood (bass), Roger Hawkins (drums).\r\n
      \r\n
      Clarence Carter, blind from birth, was a blues singer with lascivious wit, a talented guitarist, a songwriter with a twinkle in his eye, and a champion of down-to-earth soul grooves who taught himself to play the guitar. He sang in a gospel choir, completed a degree in music, and grounded the duo Clarence & Calvin but was not however very successful. After a car crash involving Calvin Scott, Carter started on a solo career and signed a contract with Rick Hall and the Fame label as a soloist. Among the earliest singles recorded at the Muscle Shoals studio were a few hits. After leaving Fame for Atlantic, he managed to enter the Top 20 of the R & B charts with "Looking For A Fox". His breakthrough came with "Slip Away", which sold a million copies and was awarded a Gold Record.\r\n
      \r\n
      The legendary Fame Studios in Muscle Shoals remained the home basis, as it were, for Carter during his career with Atlantic. "This Is…" begins with a contemplative, soft sound. "Do What You Gotta Do", written by Jim Webb, is a lovely, melancholic mid-tempo ballad, saturated with Barry Beckett’s keyboard and smothered by lush, plaintive winds. But the man is primarily funky here… as three danceable, finger-snapping tracks prove; "Wind It Up", with further witty improvisations and a fervid organ solo, the highly syncopated, playful "Thread The Needle", and the smoky, irresistible "Funky Fever" all written by Carter himself. Dan Penn’s and Spooner Oldham’s "Slippin’ Around" has an unorthodox bossa nova-like beat that is reminiscent of Ray Charles’s "What’d I Say", while Carter’s unmistakable chuckle is to be heard for the first time on the riotous funk-rock number "I’m Qualified", which has the very same unique, infectious groove as was to be heard on Wilson Pickett’s "In The Midnight Hour". "She Ain’t Gonna Do Right", composed by the same man, brings more Alabama Country to the mix, whereby Beckett contributes a catchy, persistent organ riff in the refrain. Soul, blues, funk, R & B a gigantic album from a giant of the genre.\r\n
      \r\n
      Recording: \u{FEFF}1968 at Fame Studios, Muscle Shoals, AL, by Rick Hall\r\n
      Production: Rick Hall
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1926 …}
    -musicienOrchestre: "Clarence Carter (guitar, vocals), Jimmy Johnson, Eddie Hinton (guitar), Linden Oldham (piano), Aaron Varnell, Charles Chalmers (tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=Phqe9vBsThs&list=OLAK5uy_lkdMKLgHD3C8EAPN8_RjgI9aSGgdWWgv8&index=8"
    -referenceProduit: "Atlantic SD 8192"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Do What You Gotta Do"
      ]
      [
        "ordre" => 2
        "nom" => "2. Looking for a Fox"
      ]
      [
        "ordre" => 3
        "nom" => "3. Slippin' Around"
      ]
      [
        "ordre" => 4
        "nom" => "4. I'm Qualified"
      ]
      [
        "ordre" => 5
        "nom" => "5. I Can't See Myself"
      ]
      [
        "ordre" => 6
        "nom" => "6. Wind It Up"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Part Time Love"
      ]
      [
        "ordre" => 9
        "nom" => "2. Thread the Needle"
      ]
      [
        "ordre" => 10
        "nom" => "3. Slip Away"
      ]
      [
        "ordre" => 11
        "nom" => "4. Funky Fever"
      ]
      [
        "ordre" => 12
        "nom" => "5. She Ain't Gonna Do Right"
      ]
      [
        "ordre" => 13
        "nom" => "6. Set Me Free"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1947 …}
    -label: Proxies\__CG__\App\Entity\Label {#1961 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2078 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1952 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2066 …}
    -enregistreLe: DateTime @1763664369 {#1904
      date: 2025-11-20 18:46:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777113246 {#1883
      date: 2026-04-25 10:34:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2072 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-this-is-clarence-carter-atlantic-sd-8192"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2442 …}
}

[
  "produit" => App\Entity\Produit {#2095
    -id: 2023
    -nom: "Back At The Chicken Shack"
    -informationComplementaire: null
    -description: """
      - Blue Note Classic Vinyl Reissue Series, 180 gram !\r\n
      - All-Analog Pressing, Mastered by Kevin Gray at Cohearent Audio from original analog tapes !\r\n
      \r\n
      Jimmy Smith was a self-taught pianist who abandoned the instrument in 1954 in favor of the Hammond B3 organ, renting a Philadelphia warehouse and woodshedding for a year until he emerged with a revolutionary style that immediately caught the ear of Alfred Lion. The Blue Note boss dubbed him The Incredible Jimmy Smith and recorded the B3 innovator as frequently as he could between 1956 and 1963.\r\n
      \r\n
      It's a testament to Smith's volcanic creativity that he recorded not one but two soul jazz classics "Midnight Special" and "Back at the Chicken Shack" when he entered Rudy Van Gelder's studio on April 25, 1960 with Stanley Turrentine on tenor saxophone, Kenny Burrell on guitar, and Donald Bailey on drums.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1926 …}
    -musicienOrchestre: "Jimmy Smith (organ Hammond B3), Stanley Turrentine (tenor saxophone), Kenny Burrell (guitar), Donald Bailey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SuMd8ldLqxo"
    -referenceProduit: "Blue Note Records 84117"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Back At The Chicken Shack "
      ]
      [
        "ordre" => 2
        "nom" => "2. When I Grow Too Old To Dream"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Minor Chant "
      ]
      [
        "ordre" => 5
        "nom" => "2. Messy Bessie"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2097 …}
    -label: Proxies\__CG__\App\Entity\Label {#2100 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2109 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2102 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2104 …}
    -enregistreLe: DateTime @1620799243 {#2092
      date: 2021-05-12 06:00:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769690766 {#2093
      date: 2026-01-29 12:46:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2106 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-back-at-the-chicken-shack-blue-note-records-84117"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3247
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1850 …}
  +produit: App\Entity\Produit {#2095
    -id: 2023
    -nom: "Back At The Chicken Shack"
    -informationComplementaire: null
    -description: """
      - Blue Note Classic Vinyl Reissue Series, 180 gram !\r\n
      - All-Analog Pressing, Mastered by Kevin Gray at Cohearent Audio from original analog tapes !\r\n
      \r\n
      Jimmy Smith was a self-taught pianist who abandoned the instrument in 1954 in favor of the Hammond B3 organ, renting a Philadelphia warehouse and woodshedding for a year until he emerged with a revolutionary style that immediately caught the ear of Alfred Lion. The Blue Note boss dubbed him The Incredible Jimmy Smith and recorded the B3 innovator as frequently as he could between 1956 and 1963.\r\n
      \r\n
      It's a testament to Smith's volcanic creativity that he recorded not one but two soul jazz classics "Midnight Special" and "Back at the Chicken Shack" when he entered Rudy Van Gelder's studio on April 25, 1960 with Stanley Turrentine on tenor saxophone, Kenny Burrell on guitar, and Donald Bailey on drums.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1926 …}
    -musicienOrchestre: "Jimmy Smith (organ Hammond B3), Stanley Turrentine (tenor saxophone), Kenny Burrell (guitar), Donald Bailey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SuMd8ldLqxo"
    -referenceProduit: "Blue Note Records 84117"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Back At The Chicken Shack "
      ]
      [
        "ordre" => 2
        "nom" => "2. When I Grow Too Old To Dream"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Minor Chant "
      ]
      [
        "ordre" => 5
        "nom" => "2. Messy Bessie"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2097 …}
    -label: Proxies\__CG__\App\Entity\Label {#2100 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2109 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2102 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2104 …}
    -enregistreLe: DateTime @1620799243 {#2092
      date: 2021-05-12 06:00:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769690766 {#2093
      date: 2026-01-29 12:46:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2106 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-back-at-the-chicken-shack-blue-note-records-84117"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2442 …}
}

[
  "produit" => App\Entity\Produit {#2114
    -id: 2398
    -nom: "First Take (Clear Vinyl)"
    -informationComplementaire: null
    -description: """
      - Limited Edition Crystal Clear Vinyl LP !\r\n
      - Timeless 1969 Solo Debut Featuring "The First Time Ever I Saw Your Face" & More !\r\n
      - One-Time Pressing! Part of Atlantic Records' 75th Anniversary Vinyl Collection !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 451/500 !\r\n
      \r\n
      "At the peak of psychedelic soul music, Roberta Flack debuted with a classy quietude and thoughtful grace, recording with jazz musicians and complex horn and string arrangements. Her record was widely admired, but it didn't become popular until three years later, after her pained version of Ewan MacColl's 1950s folk ballad, 'The First Time Ever I Saw Your Face', scored a love scene in Clint Eastwood's movie Play Misty for Me, and the song spent six weeks atop the Billboard Hot 100 chart". - Rolling Stone, The 500 Greatest Albums of All Time\r\n
      \r\n
      Roberta Flack's First Take album is pressed on a single clear LP and is a one-time pressing.\r\n
      \r\n
      This vinyl release is a part of Atlantic Records' 75th Anniversary vinyl collection.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1926 …}
    -musicienOrchestre: "Roberta Flack (piano, vocals), John Pizzarelli (guitar), Ron Carter (bass), Ray Lucas (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=XG_RvYTfDk8"
    -referenceProduit: "Atlantic Records 8230"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Compared to What "
      ]
      [
        "ordre" => 2
        "nom" => "2. Angelitos Negros "
      ]
      [
        "ordre" => 3
        "nom" => "3. Our Ages or Our Hearts "
      ]
      [
        "ordre" => 4
        "nom" => "4. I Told Jesus"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Hey, That's No Way to Say Goodbye "
      ]
      [
        "ordre" => 7
        "nom" => "2. The First Time Ever I Saw Your Face "
      ]
      [
        "ordre" => 8
        "nom" => "3. Tryin' Times "
      ]
      [
        "ordre" => 9
        "nom" => "4. Ballad of the Sad Young Men"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
    -label: Proxies\__CG__\App\Entity\Label {#2119 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2128 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2121 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2123 …}
    -enregistreLe: DateTime @1679902491 {#2111
      date: 2023-03-27 07:34:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768660515 {#2112
      date: 2026-01-17 14:35:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2125 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-first-take-clear-vinyl-atlantic-records-8230"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3298
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1850 …}
  +produit: App\Entity\Produit {#2114
    -id: 2398
    -nom: "First Take (Clear Vinyl)"
    -informationComplementaire: null
    -description: """
      - Limited Edition Crystal Clear Vinyl LP !\r\n
      - Timeless 1969 Solo Debut Featuring "The First Time Ever I Saw Your Face" & More !\r\n
      - One-Time Pressing! Part of Atlantic Records' 75th Anniversary Vinyl Collection !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 451/500 !\r\n
      \r\n
      "At the peak of psychedelic soul music, Roberta Flack debuted with a classy quietude and thoughtful grace, recording with jazz musicians and complex horn and string arrangements. Her record was widely admired, but it didn't become popular until three years later, after her pained version of Ewan MacColl's 1950s folk ballad, 'The First Time Ever I Saw Your Face', scored a love scene in Clint Eastwood's movie Play Misty for Me, and the song spent six weeks atop the Billboard Hot 100 chart". - Rolling Stone, The 500 Greatest Albums of All Time\r\n
      \r\n
      Roberta Flack's First Take album is pressed on a single clear LP and is a one-time pressing.\r\n
      \r\n
      This vinyl release is a part of Atlantic Records' 75th Anniversary vinyl collection.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1926 …}
    -musicienOrchestre: "Roberta Flack (piano, vocals), John Pizzarelli (guitar), Ron Carter (bass), Ray Lucas (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=XG_RvYTfDk8"
    -referenceProduit: "Atlantic Records 8230"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Compared to What "
      ]
      [
        "ordre" => 2
        "nom" => "2. Angelitos Negros "
      ]
      [
        "ordre" => 3
        "nom" => "3. Our Ages or Our Hearts "
      ]
      [
        "ordre" => 4
        "nom" => "4. I Told Jesus"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Hey, That's No Way to Say Goodbye "
      ]
      [
        "ordre" => 7
        "nom" => "2. The First Time Ever I Saw Your Face "
      ]
      [
        "ordre" => 8
        "nom" => "3. Tryin' Times "
      ]
      [
        "ordre" => 9
        "nom" => "4. Ballad of the Sad Young Men"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
    -label: Proxies\__CG__\App\Entity\Label {#2119 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2128 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2121 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2123 …}
    -enregistreLe: DateTime @1679902491 {#2111
      date: 2023-03-27 07:34:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768660515 {#2112
      date: 2026-01-17 14:35:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2125 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-first-take-clear-vinyl-atlantic-records-8230"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2442 …}
}

[
  "produit" => App\Entity\Produit {#2135
    -id: 1373
    -nom: "GRIS-gris"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Dr. John (keyboards, percussion, vocals), Harold Battiste (bass, clarinet, percussion, arranged), Govenor Plas Johnson (saxophone), Lonnie Boulden (flute), Steve Mann (guitar, banjo), Richard Washington (percussion), Bob West (bass), Mo "Dido" Pedido (congas), John Boudreaux (drums)\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - From the king of the psychedelic bayou, Dr. John !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      - Rolling Stone's 500 Greatest Albums of All Time rated N° 356 in the 2020 edition\r\n
      \r\n
      The debut album from the king of the psychedelic bayou the hypnotic, mystical and powerful sound of the swamp coming to life. As he became Dr. John (real name Mac Rebennack), it was his L.A. session work with musicians such as Sonny & Cher, Canned Heat, and Zappa that allowed him to start conjuring up his visions of guitar psych-pop to walk alongside his authentic New Orleans upbringing.\r\n
      \r\n
      Gris-Gris was released on Atco Records, a sub label of Atlantic, in 1968. The musical style of Gris-Gris is a hybrid of New Orleans rhythm and blues and psychedelic rock. The album introduced Rebennack's Dr. John character, inspired by a reputed 19th century voodoo doctor.\r\n
      \r\n
      The album was taken under the wing of a small percentage of the "underground" upon its release in 1968 and did not find a true following for years.\r\n
      \r\n
      Allmusic gave the album five out of five stars, referring to it as "The most exploratory and psychedelic outing of Dr. John's career" and "that it "sounds like a post-midnight ceremony recorded in the bayou swamp", naming it "among the most enduring recordings of the psychedelic era; it sounds as mysterious and spooky in the 21st century as it did in 1968".\r\n
      \r\n
      Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1926 …}
    -musicienOrchestre: "Dr. John (keyboards, percussion, vocals), Harold Battiste (bass, clarinet, percussion, arranged), Govenor Plas Johnson (saxophone), Lonnie Boulden (flute), Steve Mann (guitar, banjo), Richard Washington (percussion), Bob West (bass)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=XdfnsrlnB9s"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 048-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Gris-Gris Gumbo Ya Ya"
      ]
      [
        "ordre" => 2
        "nom" => "2. Danse Kalinda Ba Doom"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Mama Roux"
      ]
      [
        "ordre" => 5
        "nom" => "2. Danse Fambeaux"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Croker Courtbullion"
      ]
      [
        "ordre" => 8
        "nom" => "2. Jump Sturdy"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. I Walk On Guilded Splinters"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2137 …}
    -label: Proxies\__CG__\App\Entity\Label {#2140 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2149 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2142 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2144 …}
    -enregistreLe: DateTime @1540068895 {#2131
      date: 2018-10-20 20:54:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764833447 {#2130
      date: 2025-12-04 07:30:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2146 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-gris-gris-analogue-productions-atlantic-75-series-048-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3349
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1850 …}
  +produit: App\Entity\Produit {#2135
    -id: 1373
    -nom: "GRIS-gris"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Dr. John (keyboards, percussion, vocals), Harold Battiste (bass, clarinet, percussion, arranged), Govenor Plas Johnson (saxophone), Lonnie Boulden (flute), Steve Mann (guitar, banjo), Richard Washington (percussion), Bob West (bass), Mo "Dido" Pedido (congas), John Boudreaux (drums)\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - From the king of the psychedelic bayou, Dr. John !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      - Rolling Stone's 500 Greatest Albums of All Time rated N° 356 in the 2020 edition\r\n
      \r\n
      The debut album from the king of the psychedelic bayou the hypnotic, mystical and powerful sound of the swamp coming to life. As he became Dr. John (real name Mac Rebennack), it was his L.A. session work with musicians such as Sonny & Cher, Canned Heat, and Zappa that allowed him to start conjuring up his visions of guitar psych-pop to walk alongside his authentic New Orleans upbringing.\r\n
      \r\n
      Gris-Gris was released on Atco Records, a sub label of Atlantic, in 1968. The musical style of Gris-Gris is a hybrid of New Orleans rhythm and blues and psychedelic rock. The album introduced Rebennack's Dr. John character, inspired by a reputed 19th century voodoo doctor.\r\n
      \r\n
      The album was taken under the wing of a small percentage of the "underground" upon its release in 1968 and did not find a true following for years.\r\n
      \r\n
      Allmusic gave the album five out of five stars, referring to it as "The most exploratory and psychedelic outing of Dr. John's career" and "that it "sounds like a post-midnight ceremony recorded in the bayou swamp", naming it "among the most enduring recordings of the psychedelic era; it sounds as mysterious and spooky in the 21st century as it did in 1968".\r\n
      \r\n
      Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1926 …}
    -musicienOrchestre: "Dr. John (keyboards, percussion, vocals), Harold Battiste (bass, clarinet, percussion, arranged), Govenor Plas Johnson (saxophone), Lonnie Boulden (flute), Steve Mann (guitar, banjo), Richard Washington (percussion), Bob West (bass)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=XdfnsrlnB9s"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 048-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Gris-Gris Gumbo Ya Ya"
      ]
      [
        "ordre" => 2
        "nom" => "2. Danse Kalinda Ba Doom"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Mama Roux"
      ]
      [
        "ordre" => 5
        "nom" => "2. Danse Fambeaux"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Croker Courtbullion"
      ]
      [
        "ordre" => 8
        "nom" => "2. Jump Sturdy"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. I Walk On Guilded Splinters"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2137 …}
    -label: Proxies\__CG__\App\Entity\Label {#2140 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2149 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2142 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2144 …}
    -enregistreLe: DateTime @1540068895 {#2131
      date: 2018-10-20 20:54:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764833447 {#2130
      date: 2025-12-04 07:30:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2146 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-gris-gris-analogue-productions-atlantic-75-series-048-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2442 …}
}

[
  "produit" => App\Entity\Produit {#2154
    -id: 1427
    -nom: "Lady Soul - (LP Clear Vinyl) 75th Anniversary"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Aretha Franklin (piano, vocals), Carolyn Franklin (backing vocals), Haywood Henry (baritone saxophone), Tom Cogbill (bass), Tony Studd (bass trombone), Spooner Oldham (electric piano, organ), Bobby Womack, Jimmy Johnson, Joe South (guitar), King Curtis (tenor saxophone), Frank Wess, Seldon Powell (tenor saxophone, flute), Bernie Glow, Joe Newman, Mel Lastie (trumpet), Warren Smith (vibraphone), Roger Hawkins (drums).\r\n
      \r\n
      - Limited Edition Crystal Clear Vinyl LP !\r\n
      - 1968 Southern Soul Masterpiece Featuring "(You Make Me Feel Like) A Natural Woman", "Chain of Fools" & More !\r\n
      - One-Time Pressing! Part of Atlantic Records' 75th Anniversary Vinyl Collection !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 75/500 !\r\n
      \r\n
      "Aretha Franklin's third Atlantic album in less than two years is another classic, with '(You Make Me Feel Like) A Natural Woman', 'Ain't No Way', and a slinky version of the Rascals' 'Groovin''. It was a year of triumph and turbulence for Franklin: Although she made the cover of Time, the magazine reported details of her rocky marriage to Ted White, then her manager. But Franklin channeled that frenzy into performances of funky pride and magisterial hurt. Among the best : the grand-prayer treatment of Curtis Mayfield's 'People Get Ready' and her explosive anguish on the hit 'Chain of Fools'".  - Rolling Stone, The 500 Greatest Albums of All Time\r\n
      \r\n
      Aretha Franklin's Lady Soul album is pressed on a single clear LP and is a one-time pressing.\r\n
      \r\n
      This vinyl release is a part of Atlantic Records' 75th Anniversary vinyl collection.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1926 …}
    -musicienOrchestre: "Aretha Franklin (piano, vocals), Carolyn Franklin (backing vocals), Haywood Henry (baritone saxophone), Tom Cogbill (bass), Tony Studd (bass trombone), Spooner Oldham (electric piano, organ), Bobby Womack, Jimmy Johnson, Joe South (guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=o0s5CP2kXsc"
    -referenceProduit: "Atlantic Records 1760"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Chain Of Fools"
        "ordre" => 1
      ]
      [
        "nom" => "2. Money Won't Change You"
        "ordre" => 2
      ]
      [
        "nom" => "3. People Get Ready"
        "ordre" => 3
      ]
      [
        "nom" => "4. Niki Hoeky"
        "ordre" => 4
      ]
      [
        "nom" => "5. (You Make Me Feel Like) A Natural Woman"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Since You've Been Gone (Sweet Sweet Baby)"
        "ordre" => 7
      ]
      [
        "nom" => "2. Good To Me As I Am To You"
        "ordre" => 8
      ]
      [
        "nom" => "3. Come Back Baby"
        "ordre" => 9
      ]
      [
        "nom" => "4. Groovin'"
        "ordre" => 10
      ]
      [
        "nom" => "5. Ain't No Way"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2156 …}
    -label: Proxies\__CG__\App\Entity\Label {#2119 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2165 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2158 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2160 …}
    -enregistreLe: DateTime @1542275008 {#2151
      date: 2018-11-15 09:43:28.0 UTC (+00:00)
    }
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3400
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  -gestionSaleSetting: App\Service\GestionSaleSetting {#1850 …}
  +produit: App\Entity\Produit {#2154
    -id: 1427
    -nom: "Lady Soul - (LP Clear Vinyl) 75th Anniversary"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Aretha Franklin (piano, vocals), Carolyn Franklin (backing vocals), Haywood Henry (baritone saxophone), Tom Cogbill (bass), Tony Studd (bass trombone), Spooner Oldham (electric piano, organ), Bobby Womack, Jimmy Johnson, Joe South (guitar), King Curtis (tenor saxophone), Frank Wess, Seldon Powell (tenor saxophone, flute), Bernie Glow, Joe Newman, Mel Lastie (trumpet), Warren Smith (vibraphone), Roger Hawkins (drums).\r\n
      \r\n
      - Limited Edition Crystal Clear Vinyl LP !\r\n
      - 1968 Southern Soul Masterpiece Featuring "(You Make Me Feel Like) A Natural Woman", "Chain of Fools" & More !\r\n
      - One-Time Pressing! Part of Atlantic Records' 75th Anniversary Vinyl Collection !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 75/500 !\r\n
      \r\n
      "Aretha Franklin's third Atlantic album in less than two years is another classic, with '(You Make Me Feel Like) A Natural Woman', 'Ain't No Way', and a slinky version of the Rascals' 'Groovin''. It was a year of triumph and turbulence for Franklin: Although she made the cover of Time, the magazine reported details of her rocky marriage to Ted White, then her manager. But Franklin channeled that frenzy into performances of funky pride and magisterial hurt. Among the best : the grand-prayer treatment of Curtis Mayfield's 'People Get Ready' and her explosive anguish on the hit 'Chain of Fools'".  - Rolling Stone, The 500 Greatest Albums of All Time\r\n
      \r\n
      Aretha Franklin's Lady Soul album is pressed on a single clear LP and is a one-time pressing.\r\n
      \r\n
      This vinyl release is a part of Atlantic Records' 75th Anniversary vinyl collection.
      """
    -prixVente: "38.00"
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    -extraitYoutube: "https://www.youtube.com/watch?v=o0s5CP2kXsc"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2156 …}
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  "produit" => App\Entity\Produit {#2172
    -id: 2341
    -nom: "Still Bill"
    -informationComplementaire: "AVAILABILITY : 31/01/2023 (subject Mobile Fidelity Sound Lab)"
    -description: """
      - MASTERED ON MOBILE FIDELITY'S RENOWNED MASTERING SYSTEM AND PRESSED AT RTI FOR DEFINITIVE SOUND !\r\n
      \r\n
      - 1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      As it celebrates its 50th anniversary, Bill Withers' Still Bill remains true to its title and stands as the greatest male-fronted soul album not made by a singer named Marvin, Al, Sam, James, or Ray. Though the saying "keeping it real" did not exist in popular parlance when Withers released his sophomore effort on Sussex Records, no words better capture the music's approach, mindset, and value. Every facet of Still Bill radiates honesty, truth, and emotion. These characteristics along with Withers' strong singing, hybrid arrangements, and deceptively simple songwriting have allowed the album to endure to the point where it sounds as fresh today as in 1972.\r\n
      \r\n
      Mastered on Mobile Fidelity's renowned mastering system and pressed on 180 gram vinyl at RTI, Mobile Fidelity's numbered-edition LP of Still Bill gives this lush classic the luxe treatment it has always deserved. Replete with intoxicating detail and depth, the collectible reissue zeroes in on the music's crux Withers' unique, rich, West Virginia-accented voice while clearing a true-to-the-source path to the extraordinary backing he receives from members of the Watts 103rd Street Rhythm Band. The diverse spectrum of colors, textures, and tones Withers captured at the Record Plant can now be experienced for the first time outside the L.A. studio. And the lifelike presence and directness of his singing, as well as the smooth glide of his phrasing, further elevate the magnificence of the music and underscore why the record Rolling Stone named the 303rd Greatest Album of All Time continues to escalate in stature.\r\n
      \r\n
      After rising into the Top 5 of the Billboard Album charts and attaining gold status within a year of release, Still Bill has long been evaluated not by sales but according to its merit, spirit, and agelessness. Included by The Guardian on its "1,000 Albums to Hear Before You Die" list (2007) as well as in Tom Moon's 1000 Recordings to Hear Before You Die book (2008), its contemporary standing as one of history's most venerated soul efforts eclipses the positive reception it enjoyed in the early ‘70s. Still Bill walks the same hallowed ground as What's Going On, Call Me, Night Beat, and Genius + Soul = Jazz. Like those landmarks, Still Bill plays with a mix of consistency, effortlessness, and complexity that rewards repeat listening and transcends categorization.\r\n
      \r\n
      In combining four of the era's predominant styles – Philly soul, sweaty funk, Southern-reared blues, acoustic-based folk and melding them with standout production borrowed from both minimalist affairs and sophisticated singer-songwriter albums, Still Bill occupies a distinct universe. Its rhythmic fare is equally laidback and invigorating; relaxing and rollicking; eloquent and muscular; soft and tough. Withers' calm, self-assured voice hovers above it all, doubling as a warm blanket that adds comfort and grace to lyrics steeped in maturity, perspective, and compassion. Withers' balanced outlook on human desires, needs, and situations stem from his own existence as a former blue-collar employee who believed his time as a musician would soon end. That grounding forever separates Withers from other contemporary soul greats and stamps Still Bill with a conversational nature and egoless approachability.\r\n
      \r\n
      "I mean look, I'm really a factory worker," said Withers in 1972. "That's a real job". There's that word again : real. The songs on Still Bill are tethered to modesty and actuality, wedded to a belief in simplicity, and connected to universal truths that link us all independent of our economic or social standing. No track better exemplifies those principles than "Lean on Me," a feel-good paean to brotherhood and community that hit No. 1 on the pop and R&B charts en route to becoming a mainstream staple. Withers approaches the plainspoken insight on "Lonely Town, Lonely Street" and heartbreaking vulnerability of "I Don't Want You on My Mind" with similar sincerity and straightforwardness. His proclivity for authenticity extends to the record's other big hit: the sexual, funk-laden "Use Me", which reached N° 2 and reflects the singer's everyman persona. It's an identity couched in keeping it real, the very inclination that ultimately led Withers to retire in the mid-'80s rather than bend to industry pressures or risk credibility.\r\n
      \r\n
      That commitment to truthfulness and realism helps make Still Bill feel as unaffected as the air we breathe. Looking back on "Lean on Me" years later, Withers said it seemed like "something that was there before I got here" the kind of song that could be 100 or 10 years old, or one we encounter anew 10 years into the future. The same can be said for every note on Still Bill.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1852 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=h-UT7nnX4c4"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL1-525"
    -titreMorceau: [
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        "nom" => "1. Lonely Town, Lonely Street "
        "ordre" => 0
      ]
      [
        "nom" => "10. Take It All in and Check It Out"
        "ordre" => 9
      ]
      [
        "nom" => "2. Let Me in Your Life "
        "ordre" => 1
      ]
      [
        "nom" => "3. Who Is He (And What Is He to You) ? "
        "ordre" => 2
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      [
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        "ordre" => 3
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      [
        "nom" => "5. Lean on Me "
        "ordre" => 4
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      [
        "nom" => "6. Kissing My Love "
        "ordre" => 5
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      [
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        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2174 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3451
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
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    -id: 2341
    -nom: "Still Bill"
    -informationComplementaire: "AVAILABILITY : 31/01/2023 (subject Mobile Fidelity Sound Lab)"
    -description: """
      - MASTERED ON MOBILE FIDELITY'S RENOWNED MASTERING SYSTEM AND PRESSED AT RTI FOR DEFINITIVE SOUND !\r\n
      \r\n
      - 1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      As it celebrates its 50th anniversary, Bill Withers' Still Bill remains true to its title and stands as the greatest male-fronted soul album not made by a singer named Marvin, Al, Sam, James, or Ray. Though the saying "keeping it real" did not exist in popular parlance when Withers released his sophomore effort on Sussex Records, no words better capture the music's approach, mindset, and value. Every facet of Still Bill radiates honesty, truth, and emotion. These characteristics along with Withers' strong singing, hybrid arrangements, and deceptively simple songwriting have allowed the album to endure to the point where it sounds as fresh today as in 1972.\r\n
      \r\n
      Mastered on Mobile Fidelity's renowned mastering system and pressed on 180 gram vinyl at RTI, Mobile Fidelity's numbered-edition LP of Still Bill gives this lush classic the luxe treatment it has always deserved. Replete with intoxicating detail and depth, the collectible reissue zeroes in on the music's crux Withers' unique, rich, West Virginia-accented voice while clearing a true-to-the-source path to the extraordinary backing he receives from members of the Watts 103rd Street Rhythm Band. The diverse spectrum of colors, textures, and tones Withers captured at the Record Plant can now be experienced for the first time outside the L.A. studio. And the lifelike presence and directness of his singing, as well as the smooth glide of his phrasing, further elevate the magnificence of the music and underscore why the record Rolling Stone named the 303rd Greatest Album of All Time continues to escalate in stature.\r\n
      \r\n
      After rising into the Top 5 of the Billboard Album charts and attaining gold status within a year of release, Still Bill has long been evaluated not by sales but according to its merit, spirit, and agelessness. Included by The Guardian on its "1,000 Albums to Hear Before You Die" list (2007) as well as in Tom Moon's 1000 Recordings to Hear Before You Die book (2008), its contemporary standing as one of history's most venerated soul efforts eclipses the positive reception it enjoyed in the early ‘70s. Still Bill walks the same hallowed ground as What's Going On, Call Me, Night Beat, and Genius + Soul = Jazz. Like those landmarks, Still Bill plays with a mix of consistency, effortlessness, and complexity that rewards repeat listening and transcends categorization.\r\n
      \r\n
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      \r\n
      "I mean look, I'm really a factory worker," said Withers in 1972. "That's a real job". There's that word again : real. The songs on Still Bill are tethered to modesty and actuality, wedded to a belief in simplicity, and connected to universal truths that link us all independent of our economic or social standing. No track better exemplifies those principles than "Lean on Me," a feel-good paean to brotherhood and community that hit No. 1 on the pop and R&B charts en route to becoming a mainstream staple. Withers approaches the plainspoken insight on "Lonely Town, Lonely Street" and heartbreaking vulnerability of "I Don't Want You on My Mind" with similar sincerity and straightforwardness. His proclivity for authenticity extends to the record's other big hit: the sexual, funk-laden "Use Me", which reached N° 2 and reflects the singer's everyman persona. It's an identity couched in keeping it real, the very inclination that ultimately led Withers to retire in the mid-'80s rather than bend to industry pressures or risk credibility.\r\n
      \r\n
      That commitment to truthfulness and realism helps make Still Bill feel as unaffected as the air we breathe. Looking back on "Lean on Me" years later, Withers said it seemed like "something that was there before I got here" the kind of song that could be 100 or 10 years old, or one we encounter anew 10 years into the future. The same can be said for every note on Still Bill.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1852 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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[
  "produit" => App\Entity\Produit {#2191
    -id: 1088
    -nom: "Aretha's Gold "
    -informationComplementaire: ""
    -description: """
      Aretha Franklin Aretha's Gold on Numbered Limited Edition 180 gram 45 RPM 2 LP from Mobile Fidelity !\r\n
      \r\n
      Mastered From Original Master Tapes & Pressed at RTI !\r\n
      \r\n
      Astonishing Collection of The Queen of Soul's Greatest Songs for Atlantic Records: Aretha's Gold Includes Nine Top Ten Hits : "Respect", "Chain of Fools", and "Think" Among Them.\r\n
      \r\n
      Aretha Franklin made her Hall of Fame reputation at Atlantic Records between 1967-1968. This astonishing two-year period witnessed the singer score nine Top 10 hits and define soul music, a era chronicled on Aretha's Gold. Pairing with producer Jerry Wexler and a flawless Muscle Shoals studio band, Franklin unleashed bolder sides of her artistry kept under wraps during her tenure at Columbia. The rest is history – a history that, until now, has never been in heard in true audiophile sound. And if there's any voice you want to experience to the most realistic extent, it's that of the vocalist Rolling Stone crowned the Greatest Singer of All Time.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP of Aretha's Gold presents Franklin's most seminal early Atlantic songs with reference-standard sonics. Finally, hear the full range of the Queen of Soul's depth, reach, and expressiveness. Complementing her timeless classics with tremendous dynamics, restored balances, and stunning clarity, this collectable analog set sheds new light on Franklin's power and technique, honesty and confidence, enunciation and directness.\r\n
      \r\n
      Hear why Franklin is even better than you likely think or remember. You just haven't been able to hear the Detroit native on a format that mirrors exactly what went down in the studios when she recorded songs that, to this day, remain the bar by which all other singers are measured. The same goes for Franklin's backing band, known as the Swampers, whose instrumental savvy, feel, and textures are so unique, the group is credited with creating its own style : The Muscle Shoals Sound. On this vinyl edition of Aretha's Gold, experience every picked guitar note, brushed snare, and fluid bass line. Seldom has a band and vocalist ever made a more formidable, memorable, and emotional combination.\r\n
      \r\n
      The evidence plays out across these 14 songs, each a soul landmark, each unforgettable thanks to Franklin's impassioned performances and empowering attitude. The Sweet Impressions (Franklin's backing vocalists) and sweeping string arrangements bolster the foundation, but the material belongs to Franklin. A veritable hit parade, the track listing on Aretha's Gold reads like a dictionary of soul.\r\n
      \r\n
      "I Never Loved a Man (The Way I Loved You)", "Respect", "(You Make Me Feel Like) A Natural Woman", "Chain of Fools", "Since You've Been Gone (Sweet Sweet Baby)", "Think", "The House That Jack Built", "I Say a Little Prayer", "Baby I Love You" : All Top 10 hits. Plus five more tunes, including a riveting cover of Sam Cooke's "You Send Me", that charted.\r\n
      \r\n
      You know the songs by heart. You know the voice by memory. But you've never quite known them so intimately. Aretha's Gold on Mobile Fidelity gives the Queen the royal treatment she deserves.
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1909 …}
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    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=5nlGnclNsr0"
    -referenceProduit: "MFSL 2-479"
    -titreMorceau: [
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        "ordre" => 1
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        "nom" => "2. (You Make Me Feel Like) A Natural Woman"
        "ordre" => 7
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      [
        "nom" => "2. Do Right Woman-Do Right Man"
        "ordre" => 2
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        "ordre" => 16
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2156 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3504
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    -id: 1088
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      Mastered From Original Master Tapes & Pressed at RTI !\r\n
      \r\n
      Astonishing Collection of The Queen of Soul's Greatest Songs for Atlantic Records: Aretha's Gold Includes Nine Top Ten Hits : "Respect", "Chain of Fools", and "Think" Among Them.\r\n
      \r\n
      Aretha Franklin made her Hall of Fame reputation at Atlantic Records between 1967-1968. This astonishing two-year period witnessed the singer score nine Top 10 hits and define soul music, a era chronicled on Aretha's Gold. Pairing with producer Jerry Wexler and a flawless Muscle Shoals studio band, Franklin unleashed bolder sides of her artistry kept under wraps during her tenure at Columbia. The rest is history – a history that, until now, has never been in heard in true audiophile sound. And if there's any voice you want to experience to the most realistic extent, it's that of the vocalist Rolling Stone crowned the Greatest Singer of All Time.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP of Aretha's Gold presents Franklin's most seminal early Atlantic songs with reference-standard sonics. Finally, hear the full range of the Queen of Soul's depth, reach, and expressiveness. Complementing her timeless classics with tremendous dynamics, restored balances, and stunning clarity, this collectable analog set sheds new light on Franklin's power and technique, honesty and confidence, enunciation and directness.\r\n
      \r\n
      Hear why Franklin is even better than you likely think or remember. You just haven't been able to hear the Detroit native on a format that mirrors exactly what went down in the studios when she recorded songs that, to this day, remain the bar by which all other singers are measured. The same goes for Franklin's backing band, known as the Swampers, whose instrumental savvy, feel, and textures are so unique, the group is credited with creating its own style : The Muscle Shoals Sound. On this vinyl edition of Aretha's Gold, experience every picked guitar note, brushed snare, and fluid bass line. Seldom has a band and vocalist ever made a more formidable, memorable, and emotional combination.\r\n
      \r\n
      The evidence plays out across these 14 songs, each a soul landmark, each unforgettable thanks to Franklin's impassioned performances and empowering attitude. The Sweet Impressions (Franklin's backing vocalists) and sweeping string arrangements bolster the foundation, but the material belongs to Franklin. A veritable hit parade, the track listing on Aretha's Gold reads like a dictionary of soul.\r\n
      \r\n
      "I Never Loved a Man (The Way I Loved You)", "Respect", "(You Make Me Feel Like) A Natural Woman", "Chain of Fools", "Since You've Been Gone (Sweet Sweet Baby)", "Think", "The House That Jack Built", "I Say a Little Prayer", "Baby I Love You" : All Top 10 hits. Plus five more tunes, including a riveting cover of Sam Cooke's "You Send Me", that charted.\r\n
      \r\n
      You know the songs by heart. You know the voice by memory. But you've never quite known them so intimately. Aretha's Gold on Mobile Fidelity gives the Queen the royal treatment she deserves.
      """
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    -musicienOrchestre: "Aretha Franklin (piano, vocals)"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2156 …}
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[
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    -id: 2149
    -nom: "What's Going On (50th Anniversary)"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Marvin Gaye (piano, keyboards, drums, vocals), Angelo Carlisi, Eli Fountain (alto saxophone), Tate Houston (baritone saxophone), Bob Babbit, James Jamerson (bass), Earl DeRouen, Eddie Brown (bongos), John Trudell, Maurice Davis (trumpet), Larry Nozero (soprano saxophone), Earl DeRouen, Eddie Brown (congas), Dayna Hartwick, William Perich (flute), Joe Messina, Robert White, Earl Van Dyke (guitar), Max Janowsky (string bass), William "Wild Bill" Moore, George Benson (tenor saxophone), Jack Ashford (tambourine), Carl Raetz (trombone), Jack Brokensha (vibraphone), Johnny Griffith (celesta), Carole Crosby (harp), Elgie Stover, Lem Barney, Mel Farr, Bobby Rodgers, The Andantes (backing vocals), David Ireland, Edouard Kesner, Meyer Shapiro, Nathan Gordon (viola), Alvin Score, Beatriz Budinszky, Felix Resnick, Gordon Staples, James Waring, Lillian Downs, Richard Margitza, Virginia Halfmann, Zinovi Bistritzky (violin), Edward Korkigian, Italo Babini, Thaddeus Markiewicz (cello), Jack Ashford (percussion), Chet Forest (drums).\r\n
      \r\n
      50th Anniversary Edition On 180 gram Double LP !\r\n
      \r\n
      Direct-To-Analog Mastering From The Original Tape Reels By Kevin Gray !\r\n
      \r\n
      Rare & Previously Unreleased Cuts, Mono Singles, B-Sides & More !\r\n
      \r\n
      Rolling Stone 500 Greatest Albums of All Time - Rated 1/500 !\r\n
      \r\n
      This premium vinyl release features direct-to-analog mastering from the original primary album tape reels by acclaimed engineer Kevin Gray, one of the first times this has been done since 1971, offering an undeniably authentic listening experience.\r\n
      \r\n
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      \r\n
      The main essay was written by acclaimed author and poet Hanif Abdurraqib who was just named one of the 25 recipients of the 2021 MacArthur "Genius" Grant.
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=H-kA3UtBj4M"
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App\Twig\Components\GestionPanierFavoriComponents {#3550
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  +produit: App\Entity\Produit {#2204
    -id: 2149
    -nom: "What's Going On (50th Anniversary)"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Marvin Gaye (piano, keyboards, drums, vocals), Angelo Carlisi, Eli Fountain (alto saxophone), Tate Houston (baritone saxophone), Bob Babbit, James Jamerson (bass), Earl DeRouen, Eddie Brown (bongos), John Trudell, Maurice Davis (trumpet), Larry Nozero (soprano saxophone), Earl DeRouen, Eddie Brown (congas), Dayna Hartwick, William Perich (flute), Joe Messina, Robert White, Earl Van Dyke (guitar), Max Janowsky (string bass), William "Wild Bill" Moore, George Benson (tenor saxophone), Jack Ashford (tambourine), Carl Raetz (trombone), Jack Brokensha (vibraphone), Johnny Griffith (celesta), Carole Crosby (harp), Elgie Stover, Lem Barney, Mel Farr, Bobby Rodgers, The Andantes (backing vocals), David Ireland, Edouard Kesner, Meyer Shapiro, Nathan Gordon (viola), Alvin Score, Beatriz Budinszky, Felix Resnick, Gordon Staples, James Waring, Lillian Downs, Richard Margitza, Virginia Halfmann, Zinovi Bistritzky (violin), Edward Korkigian, Italo Babini, Thaddeus Markiewicz (cello), Jack Ashford (percussion), Chet Forest (drums).\r\n
      \r\n
      50th Anniversary Edition On 180 gram Double LP !\r\n
      \r\n
      Direct-To-Analog Mastering From The Original Tape Reels By Kevin Gray !\r\n
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      Rare & Previously Unreleased Cuts, Mono Singles, B-Sides & More !\r\n
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      This premium vinyl release features direct-to-analog mastering from the original primary album tape reels by acclaimed engineer Kevin Gray, one of the first times this has been done since 1971, offering an undeniably authentic listening experience.\r\n
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=H-kA3UtBj4M"
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        "ordre" => 10
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        "nom" => "3. What’s Going On rhythm & strings instrumental mix \t"
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        "ordre" => 0
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        "ordre" => 16
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2206 …}
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      date: 2022-05-31 07:15:49.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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[
  "produit" => App\Entity\Produit {#2225
    -id: 1358
    -nom: "Atlantic Records 1960s Collection (Box Set 6 LP)"
    -informationComplementaire: ""
    -description: """
      She is known the world over by her first name and as the undisputed "Queen Of Soul" Aretha Franklin is peerless. Her ever-distinctive soulful, to-the-bone vocal style graced the music charts for over four decades and while her 'live' performances touched the hearts of literally millions since she began her musical journey as a gospel-singing child prodigy, it is her rich legacy of recordings that are a testament to the power, majesty and genius of this one-of-a-kind artist of the first order.\r\n
      \r\n
      The Atlantic Records 1960s Collection includes 5 studio albums plus 1 LP of rare studio tracks. Contains the albums I Never Loved a Man the Way I Love You (1967), Aretha Arrives (1967), Lady Soul (1968), Aretha Now (1968), Soul '69 (1969), and a Bonus Material disc (first 12 tracks from Rare & Unreleased).\r\n
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        "ordre" => 60
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        "nom" => "5. Don't Let Me Lose This Dream"
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        "nom" => "5. I Can't See Myself Leaving You"
        "ordre" => 53
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        "nom" => "6. Baby Baby Baby"
        "ordre" => 7
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        "nom" => "6. Night Life"
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      [
        "nom" => "LP 1 - I NEVER LOVED A MAN THE WAY I LOVE YOU (1967)"
        "ordre" => 0
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        "nom" => "LP 2 - ARETHA ARRIVES (1967)"
        "ordre" => 14
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2156 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3603
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  +produit: App\Entity\Produit {#2225
    -id: 1358
    -nom: "Atlantic Records 1960s Collection (Box Set 6 LP)"
    -informationComplementaire: ""
    -description: """
      She is known the world over by her first name and as the undisputed "Queen Of Soul" Aretha Franklin is peerless. Her ever-distinctive soulful, to-the-bone vocal style graced the music charts for over four decades and while her 'live' performances touched the hearts of literally millions since she began her musical journey as a gospel-singing child prodigy, it is her rich legacy of recordings that are a testament to the power, majesty and genius of this one-of-a-kind artist of the first order.\r\n
      \r\n
      The Atlantic Records 1960s Collection includes 5 studio albums plus 1 LP of rare studio tracks. Contains the albums I Never Loved a Man the Way I Love You (1967), Aretha Arrives (1967), Lady Soul (1968), Aretha Now (1968), Soul '69 (1969), and a Bonus Material disc (first 12 tracks from Rare & Unreleased).\r\n
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[
  "produit" => App\Entity\Produit {#2238
    -id: 1492
    -nom: "Tobacco Road"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Jack McDuff (organ, arranger), Fred Berry, King Kolax (trumpet), John Watson (trombone), Red Holloway (tenor saxophone), Danny Turner (tenor saxophone, flute), Lonnie Simmons (baritone saxophone), Bobby Christian (vibraphone, percussion), Roland Faulkner), Calvin Green (guitar), Loyal J. Gresham (electric bass), Joe Dukes, Bob Guthrie (drums), J. J. Jackson (conductor, arranger).\r\n
      \r\n
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       \r\n
      Brother Jack McDuff did plenty of copying and refined the good old standards on his Tobacco Road and made them blossom anew. Jack taught himself to play the organ and went on to transform the popular melody "Alexander's Ragtime Band" into what one might call roughened up ball house jazz, were it not for the contrary saxophone, which soars over rasping organ clusters. For Brother Jack such spiritual sounds as in "And The Angels Sing" and his somewhat slanted version of the musing, dreamy "Wade In The Water" were an absolute must. It really rocks in "Can't Get Satisfied", a gospel-like and delicately instrumentalised version of the blues evergreen. The organ does not necessarily always have the last word in this colorful mixture, but it is always very present as regards the sound and the distribution of the parts. And just once does McDuff let the instrument sing out on its glassy top register in "The Shadow Of Your Smile".\r\n
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      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. \r\n
      All royalties and mechanical rights have been paid.\r\n
       \r\n
      Recording : August 1966 at Chess Studios, Chicago\r\n
      Production : Lew Futterman\r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
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      \r\n
      \r\n
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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        "ordre" => 6
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2240 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3649
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  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2674 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1850 …}
  +produit: App\Entity\Produit {#2238
    -id: 1492
    -nom: "Tobacco Road"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Jack McDuff (organ, arranger), Fred Berry, King Kolax (trumpet), John Watson (trombone), Red Holloway (tenor saxophone), Danny Turner (tenor saxophone, flute), Lonnie Simmons (baritone saxophone), Bobby Christian (vibraphone, percussion), Roland Faulkner), Calvin Green (guitar), Loyal J. Gresham (electric bass), Joe Dukes, Bob Guthrie (drums), J. J. Jackson (conductor, arranger).\r\n
      \r\n
      With these three words the great Clark Terry summed up the art of leaning musical improvisation. Salvador Dalí, the artist who melted time in his colorful and bizarre works, stated radically that a person who didn't want to copy others would never manage to accomplish anything at all.\r\n
       \r\n
      Brother Jack McDuff did plenty of copying and refined the good old standards on his Tobacco Road and made them blossom anew. Jack taught himself to play the organ and went on to transform the popular melody "Alexander's Ragtime Band" into what one might call roughened up ball house jazz, were it not for the contrary saxophone, which soars over rasping organ clusters. For Brother Jack such spiritual sounds as in "And The Angels Sing" and his somewhat slanted version of the musing, dreamy "Wade In The Water" were an absolute must. It really rocks in "Can't Get Satisfied", a gospel-like and delicately instrumentalised version of the blues evergreen. The organ does not necessarily always have the last word in this colorful mixture, but it is always very present as regards the sound and the distribution of the parts. And just once does McDuff let the instrument sing out on its glassy top register in "The Shadow Of Your Smile".\r\n
       \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. \r\n
      All royalties and mechanical rights have been paid.\r\n
       \r\n
      Recording : August 1966 at Chess Studios, Chicago\r\n
      Production : Lew Futterman\r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1926 …}
    -musicienOrchestre: "Jack McDuff (organ, arranger), Fred Berry, King Kolax (trumpet), John Watson (trombone), Red Holloway (tenor saxophone), Danny Turner (tenor saxophone, flute), Lonnie Simmons (baritone saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CSdoJ6C9K-g"
    -referenceProduit: "Atlantic SD 1472"
    -titreMorceau: [
      [
        "nom" => "1. And The Angels Sing"
        "ordre" => 7
      ]
      [
        "nom" => "1. Teardrops From My Eyes"
        "ordre" => 1
      ]
      [
        "nom" => "2. This Bitter Earth"
        "ordre" => 8
      ]
      [
        "nom" => "2. Tobacco Road"
        "ordre" => 2
      ]
      [
        "nom" => "3. Alexander's Ragtime Band"
        "ordre" => 9
      ]
      [
        "nom" => "3. The Shadow of Your Smile"
        "ordre" => 3
      ]
      [
        "nom" => "4. Can't Get Satisfied"
        "ordre" => 4
      ]
      [
        "nom" => "4. Wade In The Water"
        "ordre" => 10
      ]
      [
        "nom" => "5. Blowin' In The Wind"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2240 …}
    -label: Proxies\__CG__\App\Entity\Label {#1961 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2249 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2242 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2244 …}
    -enregistreLe: DateTime @1546168647 {#2235
      date: 2018-12-30 11:17:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1570438599 {#2236
      date: 2019-10-07 08:56:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2246 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tobacco-road-atlantic-sd-1472"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2442 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3842
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2442 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3843 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3891 …}
  +isValidated: false
  +validatedFields: []
}