Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2617
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2464 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2694
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2697 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2696 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2464 …}
  -formView: Symfony\Component\Form\FormView {#2733 …}
  -form: Symfony\Component\Form\Form {#2883 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1873
    -id: 1846
    -nom: "All In My Mind"
    -informationComplementaire: null
    -description: """
      - Dr. Lonnie Smith "All In My Mind" 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      After his return to Blue Note where he first made a name for himself with a run of classic soul jazz albums between 1968-70, Hammond B-3 organ legend Dr. Lonnie Smith recorded All In My Mind during his 75th birthday celebration at the Jazz Standard in New York City with guitarist Jonathan Kreisberg and drummer Jonathan Blake. For the first time on vinyl, this five-song Tone Poet Edition features spirited interpretations of songs by Wayne Shorter, Freddie Hubbard, Paul Simon and more.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Lonnie Smith (organ Hammond B3, keyboards, vocals), Jonathan Kreisberg (guitar), Johnathan Blake (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xRr6Tyiulvk"
    -referenceProduit: "Blue Note Tone Poet 57601"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. JuJu (Live) "
      ]
      [
        "ordre" => 2
        "nom" => "2. Devika (Live)"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. 50 Ways To Leave Your Lover (Live) "
      ]
      [
        "ordre" => 5
        "nom" => "2. On A Misty Night (Live) "
      ]
      [
        "ordre" => 6
        "nom" => "3. Up Jumped Spring (Live)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1587019502 {#1928
      date: 2020-04-16 06:45:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764835029 {#1921
      date: 2025-12-04 07:57:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-all-in-my-mind-blue-note-tone-poet-57601"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3155
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2696 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#1873
    -id: 1846
    -nom: "All In My Mind"
    -informationComplementaire: null
    -description: """
      - Dr. Lonnie Smith "All In My Mind" 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      After his return to Blue Note where he first made a name for himself with a run of classic soul jazz albums between 1968-70, Hammond B-3 organ legend Dr. Lonnie Smith recorded All In My Mind during his 75th birthday celebration at the Jazz Standard in New York City with guitarist Jonathan Kreisberg and drummer Jonathan Blake. For the first time on vinyl, this five-song Tone Poet Edition features spirited interpretations of songs by Wayne Shorter, Freddie Hubbard, Paul Simon and more.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Lonnie Smith (organ Hammond B3, keyboards, vocals), Jonathan Kreisberg (guitar), Johnathan Blake (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xRr6Tyiulvk"
    -referenceProduit: "Blue Note Tone Poet 57601"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. JuJu (Live) "
      ]
      [
        "ordre" => 2
        "nom" => "2. Devika (Live)"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. 50 Ways To Leave Your Lover (Live) "
      ]
      [
        "ordre" => 5
        "nom" => "2. On A Misty Night (Live) "
      ]
      [
        "ordre" => 6
        "nom" => "3. Up Jumped Spring (Live)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1587019502 {#1928
      date: 2020-04-16 06:45:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764835029 {#1921
      date: 2025-12-04 07:57:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-all-in-my-mind-blue-note-tone-poet-57601"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2464 …}
}

[
  "produit" => App\Entity\Produit {#2097
    -id: 2175
    -nom: "Breathe"
    -informationComplementaire: null
    -description: "Hammond B-3 organ legend Dr. Lonnie Smith recorded live at the Jazz Standard in New York City during his 75th birthday celebration in 2017, the same week he recorded his acclaimed trio album All In My Mind. Two additional studio tracks that open and close the album present the unique collaboration between Doc and Iggy Pop including a cover of Donovan's 1966 hit "Sunshine Superman". Double LP contains additional bonus track "Move Your Hand", a third collaboration between the legendary Hammond B-3 organist & Iggy Pop."
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Dr. Lonnie Smith (organ Hammond B-3), Jonathan Kreisberg (guitar), Johnathan Blake (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZL-Za6G-gAo"
    -referenceProduit: "Blue Note Records 5501"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Why Can't We Live Together (feat. Iggy Pop) "
      ]
      [
        "ordre" => 2
        "nom" => "2. Bright Eyes (Live)"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Too Damn Hot (Live) "
      ]
      [
        "ordre" => 5
        "nom" => "2. Track 9 (Live)"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. World Weeps (Live) "
      ]
      [
        "ordre" => 8
        "nom" => "2. Pilgrimage (Live)"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Sunshine Superman (feat. Iggy Pop) "
      ]
      [
        "ordre" => 11
        "nom" => "2. Epistrophy (Live) "
      ]
      [
        "ordre" => 12
        "nom" => "3. Move Your Hand (feat. Iggy Pop)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2108 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2101 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2103 …}
    -enregistreLe: DateTime @1640366342 {#2094
      date: 2021-12-24 17:19:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764834788 {#2095
      date: 2025-12-04 07:53:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2105 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-breathe-blue-note-records-5501"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3271
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2696 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2097
    -id: 2175
    -nom: "Breathe"
    -informationComplementaire: null
    -description: "Hammond B-3 organ legend Dr. Lonnie Smith recorded live at the Jazz Standard in New York City during his 75th birthday celebration in 2017, the same week he recorded his acclaimed trio album All In My Mind. Two additional studio tracks that open and close the album present the unique collaboration between Doc and Iggy Pop including a cover of Donovan's 1966 hit "Sunshine Superman". Double LP contains additional bonus track "Move Your Hand", a third collaboration between the legendary Hammond B-3 organist & Iggy Pop."
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Dr. Lonnie Smith (organ Hammond B-3), Jonathan Kreisberg (guitar), Johnathan Blake (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZL-Za6G-gAo"
    -referenceProduit: "Blue Note Records 5501"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Why Can't We Live Together (feat. Iggy Pop) "
      ]
      [
        "ordre" => 2
        "nom" => "2. Bright Eyes (Live)"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Too Damn Hot (Live) "
      ]
      [
        "ordre" => 5
        "nom" => "2. Track 9 (Live)"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. World Weeps (Live) "
      ]
      [
        "ordre" => 8
        "nom" => "2. Pilgrimage (Live)"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Sunshine Superman (feat. Iggy Pop) "
      ]
      [
        "ordre" => 11
        "nom" => "2. Epistrophy (Live) "
      ]
      [
        "ordre" => 12
        "nom" => "3. Move Your Hand (feat. Iggy Pop)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2108 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2101 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2103 …}
    -enregistreLe: DateTime @1640366342 {#2094
      date: 2021-12-24 17:19:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764834788 {#2095
      date: 2025-12-04 07:53:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2105 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-breathe-blue-note-records-5501"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2464 …}
}

[
  "produit" => App\Entity\Produit {#2113
    -id: 2552
    -nom: "Watkins At Large"
    -informationComplementaire: null
    -description: """
      - Doug Watkins "Watkins At Large" 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Recorded in 1956 for producer Tom Wilson's short-lived Boston-based label Transition Records, Watkins At Large was the first of only two albums that the great bassist Doug Watkins would make as a leader. The Detroit native had moved to New York and begun to garner recognition for his contributions to the Art Blakey-Horace Silver co-led iteration of the Jazz Messengers as well as Bud Powell's trio when Wilson decided to give him the opportunity to front his own recording date.\r\n
      \r\n
      Along with a first-rate ensemble featuring trumpeter Donald Byrd, tenor saxophonist Hank Mobley, guitarist Kenny Burrell, pianist Duke Jordan, and drummer Art Taylor, Watkins swings through a stellar set of blues, ballads, and more including originals written by Jordan, Burrell, and Thad Jones.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Doug Watkins (bass), Hank Mobley (tenor saxophone), Donald Byrd (trumpet), Duke Jordan (piano), Kenny Burrell (guitar), Arthur Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1185 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=0gXFtfTTlpw"
    -referenceProduit: "Blue Note Tone Poet Series 3807"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Return to Paradise"
      ]
      [
        "ordre" => 2
        "nom" => "2. Phinupi"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Phil T. McNasty's Blues"
      ]
      [
        "ordre" => 5
        "nom" => "2. More of the Same"
      ]
      [
        "ordre" => 6
        "nom" => "3. Panonica"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2115 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2124 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2117 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2119 …}
    -enregistreLe: DateTime @1723364598 {#2110
      date: 2024-08-11 08:23:18.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764834216 {#2111
      date: 2025-12-04 07:43:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2121 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-watkins-at-large-blue-note-tone-poet-series-3807"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3317
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2696 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2113
    -id: 2552
    -nom: "Watkins At Large"
    -informationComplementaire: null
    -description: """
      - Doug Watkins "Watkins At Large" 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Recorded in 1956 for producer Tom Wilson's short-lived Boston-based label Transition Records, Watkins At Large was the first of only two albums that the great bassist Doug Watkins would make as a leader. The Detroit native had moved to New York and begun to garner recognition for his contributions to the Art Blakey-Horace Silver co-led iteration of the Jazz Messengers as well as Bud Powell's trio when Wilson decided to give him the opportunity to front his own recording date.\r\n
      \r\n
      Along with a first-rate ensemble featuring trumpeter Donald Byrd, tenor saxophonist Hank Mobley, guitarist Kenny Burrell, pianist Duke Jordan, and drummer Art Taylor, Watkins swings through a stellar set of blues, ballads, and more including originals written by Jordan, Burrell, and Thad Jones.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Doug Watkins (bass), Hank Mobley (tenor saxophone), Donald Byrd (trumpet), Duke Jordan (piano), Kenny Burrell (guitar), Arthur Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1185 …}
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[
  "produit" => App\Entity\Produit {#2131
    -id: 603
    -nom: "There's A Time"
    -informationComplementaire: null
    -description: """
      - Half-Speed Mastered 45 RPM 200 gram Virgin Vinyl !\r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      Reference Recordings is back in the swing of things ! Creating LPs that is.   \r\n
      For many years, RR has been searching the world over for the best possible vinyl mastering, plating and pressing facilities so they could re-enter the LP market. They now have a production chain that allow them to produce LPs to meet their high standards and satisfy their customers' demands, who have been waiting for these LPs for a long time !\r\n
      \r\n
      Assembling the Team\r\n
      Disc mastering is done at half-speed to insure maximum accuracy. The lathe system has custom electronics by Nelson Pass. The simple signal path contains no compression, equalization or unnecessary circuitry. RR Chief Engineer and Technical Director, "Prof". Keith Johnson consulted on the design of the system and helped with the rebuilding of the lathe and electronics, which is owned and operated by long-time mastering expert Paul Stubblebine. "Prof". Johnson has pronounced it equal to the challenge of our master tapes !\r\n
      \r\n
      Once successful results were achieved in disc mastering, Reference Recordings faced the difficult task of choosing the best plating and pressing facility to manufacture the discs. Fortunately, the new Quality Record Pressings plant in Salina, Kansas was coming on line, and they felt that waiting for this plant to open was well worth it. A crack team of experts was assembled to design and run the plant, employing many unique techniques and features that clearly set QRP apart from all other pressing plants. The 180 gram deluxe vinyl pressings from QRP are truly exceptional.\r\n
      \r\n
      Multiple Configurations for Reference Mastercuts\r\n
      Depending on program lengths, some releases are cut at 45 RPM, some at 33-1/3 rpm. Some are single discs, some double. All feature deluxe gate-fold jackets crafted by Stoughton Printing. An unusual feature of new RR masterings is called the "FDS finish" : the end of each side will have a 30-second band of silent grooves before the "pull-away". No one today uses a record changer, and the silent grooves allow time to lift the arm before the always-somewhat-noisy tie-off. (Some 1950s vintage Capitol Full Dimensional Sound pressings sported this feature.) RR founder, J. Tamblyn (Tam) Henderson deserves special recognition for identifying the value of this unique production feature and reintroducing it with the new Mastercuts.\r\n
      \r\n
      Note : Half-speed Mastering involves a capturing process in which the original recording master is played back at exactly half of the recorded speed. A sequenced cutting lathe is then timed at exactly half of the playback speed. This process allows twice as much time to carve a groove that accurately represents the sound on the master tape. Half-speed mastering allows for cleaner reproduction and also permits extended high frequency response, extending into the ultrasonic region.\r\n
      \r\n
      'Prof'. Keith Johnson's First Blues Recording ! 13 new MacLeod originals highlight this richly detailed recording, done at Skywalker Sound in Marin County, CA. by Reference Recording's Grammy® winning engineer.\r\n
      \r\n
      Produced by Doug MacLeod and Janice Mancuso the 13 tracks on "There's A Time" showcase his soulful vocals and trademark guitar sound backed by Denny Croy on bass and Jimi Bott, one of the most recorded, awarded and respected blues drummers in the world.\r\n
      \r\n
      Doug says : "Making this album was different than any other one I've done in the past", recalls MacLeod about the sessions. "They put Jimi, Denny and me on this huge soundstage at Skywalker Sound in Marin County and we sat around in a circle where we could see each other. We played live, no overdubs, just three guys playing some music together".\r\n
      \r\n
      "Simply put, Jimi and Denny are two of the finest musicians I have ever had the pleasure to make music with. I've been known to change arrangements on the spot : add a bar here, take away a bar there. I go with the feeling of the moment. Both Jimi and Denny have this uncanny ability to follow that - even under what could have been pressure circumstances for other musicians".\r\n
      \r\n
      A perennial Blues Music Award nominee, MacLeod has been nominated for Acoustic Artist of the Year. (Drummer Jimi Bott is also a BMA nominee).\r\n
      \r\n
      Doug is a throwback musicians in the great tradition of the traveling bluesman from the genre's classic era, having apprenticed with some of the best as a sideman with such legends as Big Joe Turner, Pee Wee Crayton, Eddie "Cleanhead" Vinson, Big Mama Thornton and George "Harmonica" Smith. During that time, he developed his unique, unorthodox and powerfully rhythmic acoustic guitar style, which he puts to great use on "There's A Time" playing on a variety of guitars with such pet names as "Moon" (a National M-1 Tricone), Little Bit (a Gibson C-100 FE) and "Owl" (a National Style "O"), plus a National El Trovador 12-String.\r\n
      \r\n
      The other element of Doug's style is his remarkable ability as a storyteller, another trademark of the classic itinerant blues musician. Listening to the songs on There's A Time is like attending a master class on storytelling, as MacLeod weaves tales that are visceral, insightful and often humorous.\r\n
      \r\n
      Like the old masters who taught him, MacLeod's songs are based primarily on his own life and experiences, instilled with the spirit one particular influential bluesman once told him : "Never play a note you don't believe, and never write or sing about what you don't know".\r\n
      \r\n
      In a career that spans over 30 years, Doug's songs have been covered by such artists as Albert King, Albert Collins, Joe Louis walker, and Eva Cassidy. Two of his songs were on Grammy-nominated albums by King and Collins. He's co-written tunes with Dave Alvin and Coco Montoya, and his songs have been featured in many TV movies, as well as the hit TV series "In The Heat of the Night".\r\n
      "It's simple music, performed with love... What a performance it is too, haunting and powerful, with dynamics that emphasize the drama in the stories of the songs. Its unrushed, unhurried nature lets it sit like a warm blanket wrapping you in the imagery it calls to mind... The songs are not hidden, the playing is not either and everyone is on top form, something special is going on here and as a listener you feel part of the magic... Part of the magic is down to the quality of the sound... the sound has real presence and a sense of space, it has punch and power aplenty... This is as near to a faultless disc as I have heard in a long time. From Dougs high-toned voice that calls to mind Robert Johnson, to the choice of the right instrument for the song, to the attention to detail in the recording, every care has been taken to make sure that this is the best album it could be. It’s alive, honest and moving and as a blues fan I can ask for nothing more". - Ian McHugh, UKjazzradio.com host\r\n
      \r\n
      "There's A Time is his moment. Recorded live with no overdubs at George Lucas' Skywalker Sound, this intimate audiophile quality recording (with bassist Denny Croy and drummer Jim Bott) is a mostly laidback affair that finds MacLeod imparting a timeless quality to a baker's dozen originals. His expressive vocals are almost Skip James wistful. On guitar, he strums and slides through an apocrypha of alternative tunings played on a rich cache of classic six- and twelve-string acoustics. This master storyteller has a knack for exploring the space between the notes, delivering quiet, thoughtful asides and blues sermons, sometimes saturated in Jack and Coke or steeped in the swampy mysticism of the Delta blues tradition. Fans of John Hammond Jr., Chris Thomas King, and Eric Bibb take note". - Greg Cahill, The Absolute Sound, May / June 2013, Music 4/5, Sonics, 4.5/5  \r\n
      \r\n
      "As if great music alone were not quite enough, the quality of the sound is equally impressive... This is the first blues release by Reference Recordings, and it’s quite an accomplishment for a freshman effort. I’ve heard most of Reference Recordings' LPs over the years, and for my money this is the best-sounding yet. Forget the ones on your personal list; I’ll wager that you will find the sound of this new release to be even better. It’s just MacLeod solo on one of several guitars, with bass and drum accompaniment on a few tracks. The background is dead silent, allowing you to hear every low-level sound. The foldout cover describes and provides pictures of the Gibson and National guitars MacLeod plays, and they are so well captured that I found myself listening over and over again just to soak up the individual character of each instrument". - Dennis Davis, theaudiobeat.com, Music 4.5/5, Sound 5/5\r\n
      \r\n
      "Recording engineer Keith O. Johnson, best known for the spacious, wide sound stages and thunderous dynamics found on References classical music recordings, shows here that he can capture the enormous Skywalker space without losing the players in a watery reverb grave. Yes, you'll see and feel the vast space referenced in the room's reverb but the images are stable and sufficiently intimate to sound close by. Johnson is well known for capturing an orchestra's lower registers. Here he perfectly gets the string pluck and body of Croy's 1948 Kay double bass as well as the punch of Bott's kick drum. The bottom end of this recording is positively awesome. If it sounds muddy, blame your system not Johnson's recording". - Michael Fremer, analogplanet.com, Music 9/10, Sound 10/10
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Doug MacLeod (guitar, vocals), Denny Croy (bass), Jimi Bott (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=eZL6eB-PFTg"
    -referenceProduit: "Reference Recordings RM 2507-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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        "nom" => "1. Rosa Lee"
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        "nom" => "1. Ghost "
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        "ordre" => 6
        "nom" => "2. My Inlaws Are Outlaws"
      ]
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        "ordre" => 7
        "nom" => "3. The Entitled Few"
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        "nom" => "Side C : "
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        "ordre" => 9
        "nom" => "1. A Ticket Out"
      ]
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        "ordre" => 10
        "nom" => "2. Run With The Devil"
      ]
      [
        "ordre" => 11
        "nom" => "3. St. Elmo's Rooms and Pool"
      ]
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        "ordre" => 12
        "nom" => "4. I'll Be Walking On"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. East Carolina Woman"
      ]
      [
        "ordre" => 15
        "nom" => "2. The Night of The Devil's Road"
      ]
      [
        "ordre" => 16
        "nom" => "3. Dubb's Talking Religion Blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2696 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2131
    -id: 603
    -nom: "There's A Time"
    -informationComplementaire: null
    -description: """
      - Half-Speed Mastered 45 RPM 200 gram Virgin Vinyl !\r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      Reference Recordings is back in the swing of things ! Creating LPs that is.   \r\n
      For many years, RR has been searching the world over for the best possible vinyl mastering, plating and pressing facilities so they could re-enter the LP market. They now have a production chain that allow them to produce LPs to meet their high standards and satisfy their customers' demands, who have been waiting for these LPs for a long time !\r\n
      \r\n
      Assembling the Team\r\n
      Disc mastering is done at half-speed to insure maximum accuracy. The lathe system has custom electronics by Nelson Pass. The simple signal path contains no compression, equalization or unnecessary circuitry. RR Chief Engineer and Technical Director, "Prof". Keith Johnson consulted on the design of the system and helped with the rebuilding of the lathe and electronics, which is owned and operated by long-time mastering expert Paul Stubblebine. "Prof". Johnson has pronounced it equal to the challenge of our master tapes !\r\n
      \r\n
      Once successful results were achieved in disc mastering, Reference Recordings faced the difficult task of choosing the best plating and pressing facility to manufacture the discs. Fortunately, the new Quality Record Pressings plant in Salina, Kansas was coming on line, and they felt that waiting for this plant to open was well worth it. A crack team of experts was assembled to design and run the plant, employing many unique techniques and features that clearly set QRP apart from all other pressing plants. The 180 gram deluxe vinyl pressings from QRP are truly exceptional.\r\n
      \r\n
      Multiple Configurations for Reference Mastercuts\r\n
      Depending on program lengths, some releases are cut at 45 RPM, some at 33-1/3 rpm. Some are single discs, some double. All feature deluxe gate-fold jackets crafted by Stoughton Printing. An unusual feature of new RR masterings is called the "FDS finish" : the end of each side will have a 30-second band of silent grooves before the "pull-away". No one today uses a record changer, and the silent grooves allow time to lift the arm before the always-somewhat-noisy tie-off. (Some 1950s vintage Capitol Full Dimensional Sound pressings sported this feature.) RR founder, J. Tamblyn (Tam) Henderson deserves special recognition for identifying the value of this unique production feature and reintroducing it with the new Mastercuts.\r\n
      \r\n
      Note : Half-speed Mastering involves a capturing process in which the original recording master is played back at exactly half of the recorded speed. A sequenced cutting lathe is then timed at exactly half of the playback speed. This process allows twice as much time to carve a groove that accurately represents the sound on the master tape. Half-speed mastering allows for cleaner reproduction and also permits extended high frequency response, extending into the ultrasonic region.\r\n
      \r\n
      'Prof'. Keith Johnson's First Blues Recording ! 13 new MacLeod originals highlight this richly detailed recording, done at Skywalker Sound in Marin County, CA. by Reference Recording's Grammy® winning engineer.\r\n
      \r\n
      Produced by Doug MacLeod and Janice Mancuso the 13 tracks on "There's A Time" showcase his soulful vocals and trademark guitar sound backed by Denny Croy on bass and Jimi Bott, one of the most recorded, awarded and respected blues drummers in the world.\r\n
      \r\n
      Doug says : "Making this album was different than any other one I've done in the past", recalls MacLeod about the sessions. "They put Jimi, Denny and me on this huge soundstage at Skywalker Sound in Marin County and we sat around in a circle where we could see each other. We played live, no overdubs, just three guys playing some music together".\r\n
      \r\n
      "Simply put, Jimi and Denny are two of the finest musicians I have ever had the pleasure to make music with. I've been known to change arrangements on the spot : add a bar here, take away a bar there. I go with the feeling of the moment. Both Jimi and Denny have this uncanny ability to follow that - even under what could have been pressure circumstances for other musicians".\r\n
      \r\n
      A perennial Blues Music Award nominee, MacLeod has been nominated for Acoustic Artist of the Year. (Drummer Jimi Bott is also a BMA nominee).\r\n
      \r\n
      Doug is a throwback musicians in the great tradition of the traveling bluesman from the genre's classic era, having apprenticed with some of the best as a sideman with such legends as Big Joe Turner, Pee Wee Crayton, Eddie "Cleanhead" Vinson, Big Mama Thornton and George "Harmonica" Smith. During that time, he developed his unique, unorthodox and powerfully rhythmic acoustic guitar style, which he puts to great use on "There's A Time" playing on a variety of guitars with such pet names as "Moon" (a National M-1 Tricone), Little Bit (a Gibson C-100 FE) and "Owl" (a National Style "O"), plus a National El Trovador 12-String.\r\n
      \r\n
      The other element of Doug's style is his remarkable ability as a storyteller, another trademark of the classic itinerant blues musician. Listening to the songs on There's A Time is like attending a master class on storytelling, as MacLeod weaves tales that are visceral, insightful and often humorous.\r\n
      \r\n
      Like the old masters who taught him, MacLeod's songs are based primarily on his own life and experiences, instilled with the spirit one particular influential bluesman once told him : "Never play a note you don't believe, and never write or sing about what you don't know".\r\n
      \r\n
      In a career that spans over 30 years, Doug's songs have been covered by such artists as Albert King, Albert Collins, Joe Louis walker, and Eva Cassidy. Two of his songs were on Grammy-nominated albums by King and Collins. He's co-written tunes with Dave Alvin and Coco Montoya, and his songs have been featured in many TV movies, as well as the hit TV series "In The Heat of the Night".\r\n
      "It's simple music, performed with love... What a performance it is too, haunting and powerful, with dynamics that emphasize the drama in the stories of the songs. Its unrushed, unhurried nature lets it sit like a warm blanket wrapping you in the imagery it calls to mind... The songs are not hidden, the playing is not either and everyone is on top form, something special is going on here and as a listener you feel part of the magic... Part of the magic is down to the quality of the sound... the sound has real presence and a sense of space, it has punch and power aplenty... This is as near to a faultless disc as I have heard in a long time. From Dougs high-toned voice that calls to mind Robert Johnson, to the choice of the right instrument for the song, to the attention to detail in the recording, every care has been taken to make sure that this is the best album it could be. It’s alive, honest and moving and as a blues fan I can ask for nothing more". - Ian McHugh, UKjazzradio.com host\r\n
      \r\n
      "There's A Time is his moment. Recorded live with no overdubs at George Lucas' Skywalker Sound, this intimate audiophile quality recording (with bassist Denny Croy and drummer Jim Bott) is a mostly laidback affair that finds MacLeod imparting a timeless quality to a baker's dozen originals. His expressive vocals are almost Skip James wistful. On guitar, he strums and slides through an apocrypha of alternative tunings played on a rich cache of classic six- and twelve-string acoustics. This master storyteller has a knack for exploring the space between the notes, delivering quiet, thoughtful asides and blues sermons, sometimes saturated in Jack and Coke or steeped in the swampy mysticism of the Delta blues tradition. Fans of John Hammond Jr., Chris Thomas King, and Eric Bibb take note". - Greg Cahill, The Absolute Sound, May / June 2013, Music 4/5, Sonics, 4.5/5  \r\n
      \r\n
      "As if great music alone were not quite enough, the quality of the sound is equally impressive... This is the first blues release by Reference Recordings, and it’s quite an accomplishment for a freshman effort. I’ve heard most of Reference Recordings' LPs over the years, and for my money this is the best-sounding yet. Forget the ones on your personal list; I’ll wager that you will find the sound of this new release to be even better. It’s just MacLeod solo on one of several guitars, with bass and drum accompaniment on a few tracks. The background is dead silent, allowing you to hear every low-level sound. The foldout cover describes and provides pictures of the Gibson and National guitars MacLeod plays, and they are so well captured that I found myself listening over and over again just to soak up the individual character of each instrument". - Dennis Davis, theaudiobeat.com, Music 4.5/5, Sound 5/5\r\n
      \r\n
      "Recording engineer Keith O. Johnson, best known for the spacious, wide sound stages and thunderous dynamics found on References classical music recordings, shows here that he can capture the enormous Skywalker space without losing the players in a watery reverb grave. Yes, you'll see and feel the vast space referenced in the room's reverb but the images are stable and sufficiently intimate to sound close by. Johnson is well known for capturing an orchestra's lower registers. Here he perfectly gets the string pluck and body of Croy's 1948 Kay double bass as well as the punch of Bott's kick drum. The bottom end of this recording is positively awesome. If it sounds muddy, blame your system not Johnson's recording". - Michael Fremer, analogplanet.com, Music 9/10, Sound 10/10
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Doug MacLeod (guitar, vocals), Denny Croy (bass), Jimi Bott (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=eZL6eB-PFTg"
    -referenceProduit: "Reference Recordings RM 2507-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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        "nom" => "1. Rosa Lee"
      ]
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        "ordre" => 2
        "nom" => "2. Black Nights"
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        "ordre" => 3
        "nom" => "3. The Up Song"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Ghost "
      ]
      [
        "ordre" => 6
        "nom" => "2. My Inlaws Are Outlaws"
      ]
      [
        "ordre" => 7
        "nom" => "3. The Entitled Few"
      ]
      [
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        "nom" => "Side C : "
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      [
        "ordre" => 9
        "nom" => "1. A Ticket Out"
      ]
      [
        "ordre" => 10
        "nom" => "2. Run With The Devil"
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      [
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        "nom" => "3. St. Elmo's Rooms and Pool"
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      [
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        "nom" => "4. I'll Be Walking On"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. East Carolina Woman"
      ]
      [
        "ordre" => 15
        "nom" => "2. The Night of The Devil's Road"
      ]
      [
        "ordre" => 16
        "nom" => "3. Dubb's Talking Religion Blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …}
    -label: Proxies\__CG__\App\Entity\Label {#2136 …}
    -style: App\Entity\Style {#1116 …}
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    -modifierLe: DateTime @1764833033 {#2126
      date: 2025-12-04 07:23:53.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2142 …}
    -disponible: null
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    -slug: "vinyles-there-s-a-time-reference-recordings-rm-2507-45"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2464 …}
}

[
  "produit" => App\Entity\Produit {#2150
    -id: 2407
    -nom: "The Rubaiyat Of Dorothy Ashby"
    -informationComplementaire: null
    -description: "The Rubaiyat Of Dorothy Ashby, released on Cadet Records in 1970, is a wonderous mix of spiritual and funky jazz with unique instrumentation that defies categorization. Harpist Ashby adds the koto, a 13 string Japanese instrument, to her arsenal and her longtime arranger Richard Evans blends flutes, vibraphone, oboe, kalimba and Ashby's own vocals into a singular, soul-affirming set. Verve By Request Series features transfers from the analog tapes remastered on 180 gram vinyl."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Dorothy Ashby (harp, koto, vocals), Lenny Druss (flute, oboe, piccolo flute), Cliff Davis (alto saxophone), Stu Katz (vibraphone), Cash McCall (guitar), Fred Katz (kalimba), Ed Green (violin)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=w8gWmMP7IVc"
    -referenceProduit: "Verve Records 9071"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Myself When Young "
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        "nom" => "2. For Some We Loved "
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        "nom" => "3. Wax And Wane "
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        "nom" => "4. Drink "
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        "nom" => "5. Wine"
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        "nom" => "Side B : "
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        "ordre" => 7
        "nom" => "1. Dust "
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        "nom" => "2. Joyful Grass And Grape \t"
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        "nom" => "3. Shadow Shapes "
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        "ordre" => 10
        "nom" => "4. Heaven And Hell "
      ]
      [
        "ordre" => 11
        "nom" => "5. The Moving Finger"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2152 …}
    -label: Proxies\__CG__\App\Entity\Label {#2155 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2159 …}
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    -modifierLe: DateTime @1764830035 {#2148
      date: 2025-12-04 06:33:55.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2161 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3419
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2696 …}
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    -id: 2407
    -nom: "The Rubaiyat Of Dorothy Ashby"
    -informationComplementaire: null
    -description: "The Rubaiyat Of Dorothy Ashby, released on Cadet Records in 1970, is a wonderous mix of spiritual and funky jazz with unique instrumentation that defies categorization. Harpist Ashby adds the koto, a 13 string Japanese instrument, to her arsenal and her longtime arranger Richard Evans blends flutes, vibraphone, oboe, kalimba and Ashby's own vocals into a singular, soul-affirming set. Verve By Request Series features transfers from the analog tapes remastered on 180 gram vinyl."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Dorothy Ashby (harp, koto, vocals), Lenny Druss (flute, oboe, piccolo flute), Cliff Davis (alto saxophone), Stu Katz (vibraphone), Cash McCall (guitar), Fred Katz (kalimba), Ed Green (violin)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
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    -limitedEdition: true
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    -extraitYoutube: "https://www.youtube.com/watch?v=w8gWmMP7IVc"
    -referenceProduit: "Verve Records 9071"
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        "nom" => "5. The Moving Finger"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2152 …}
    -label: Proxies\__CG__\App\Entity\Label {#2155 …}
    -style: App\Entity\Style {#1116 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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}

[
  "produit" => App\Entity\Produit {#2169
    -id: 2909
    -nom: "At The Half Note Cafe, Vol. 2"
    -informationComplementaire: null
    -description: """
      - Donald Byrd "At The Half Note Cafe, Vol. 2" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Trumpeter Donald Byrd was only two years into his two-decade-long Blue Note recording career when he brought his quintet into Manhattan's Half Note Café in November 1960 to record this soulful, swinging, and highly enjoyable live set of hard bop featuring Pepper Adams on baritone saxophone, Duke Pearson on piano, Laymon Jackson on bass, and Lex Humphries on drums.\r\n
      \r\n
      Byrd had already established himself as a leading trumpeter on the scene and was riding high on a creative hot streak that produced the studio albums Off To The Races, Byrd In Hand, Fuego, and Byrd In Flight. At The Half Note Café, Vol. 2 jumps right into Pearson's brightly swinging "Jeannine" and includes two Byrd tunes-an extended take of the band's bluesy theme song "Pure D. Funk" & the hard-grooving "Kimyas"-as well as a lilting take on the standard "When Sonny Gets Blue".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Pepper Adams\t(baritone saxophone), Duke Pearson (piano), Laymon Jackson (bass), Lex Humphries (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_xqQu1k5JHo&list=RD_xqQu1k5JHo&start_radio=1&t=125s"
    -referenceProduit: "Blue Note Tone Poet Series 0823"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Jeannine"
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        "nom" => "2. Pure D. Funk"
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        "nom" => "2. When Sunny Gets Blue"
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        "nom" => ""
      ]
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        "nom" => ""
      ]
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2173 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2175 …}
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    }
    -modifierLe: DateTime @1764749960 {#2167
      date: 2025-12-03 08:19:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2177 …}
    -disponible: null
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    -slug: "vinyles-at-the-half-note-cafe-vol-2-blue-note-tone-poet-series-0823"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3470
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2696 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2169
    -id: 2909
    -nom: "At The Half Note Cafe, Vol. 2"
    -informationComplementaire: null
    -description: """
      - Donald Byrd "At The Half Note Cafe, Vol. 2" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Trumpeter Donald Byrd was only two years into his two-decade-long Blue Note recording career when he brought his quintet into Manhattan's Half Note Café in November 1960 to record this soulful, swinging, and highly enjoyable live set of hard bop featuring Pepper Adams on baritone saxophone, Duke Pearson on piano, Laymon Jackson on bass, and Lex Humphries on drums.\r\n
      \r\n
      Byrd had already established himself as a leading trumpeter on the scene and was riding high on a creative hot streak that produced the studio albums Off To The Races, Byrd In Hand, Fuego, and Byrd In Flight. At The Half Note Café, Vol. 2 jumps right into Pearson's brightly swinging "Jeannine" and includes two Byrd tunes-an extended take of the band's bluesy theme song "Pure D. Funk" & the hard-grooving "Kimyas"-as well as a lilting take on the standard "When Sonny Gets Blue".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Pepper Adams\t(baritone saxophone), Duke Pearson (piano), Laymon Jackson (bass), Lex Humphries (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=_xqQu1k5JHo&list=RD_xqQu1k5JHo&start_radio=1&t=125s"
    -referenceProduit: "Blue Note Tone Poet Series 0823"
    -titreMorceau: [
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      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2175 …}
    -enregistreLe: DateTime @1764749842 {#2166
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    -modifierLe: DateTime @1764749960 {#2167
      date: 2025-12-03 08:19:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2177 …}
    -disponible: null
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    -slug: "vinyles-at-the-half-note-cafe-vol-2-blue-note-tone-poet-series-0823"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2464 …}
}

[
  "produit" => App\Entity\Produit {#2187
    -id: 1698
    -nom: "Ethiopian Knights"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Donald Byrd (trumpet), Thurman Green (trombone), Harold Land (tenor saxophone), Bobby Hutcherson (vibes), Joe Sample (organ), Bill Henderson III (electric piano), Don Peake, Greg Poree, David T. Walker (guitar), Wilton Felder (electric bass), Bobbye Porter Hall (congas, tambourine), Ed Greene (drums).\r\n
      \r\n
      Blue Note 80 Vinyl Reissue Series Curated by Don Was and Cem Kurosman; Blue Grooves (Part 2) Themed Installment Presented on 180 gram Vinyl LP !\r\n
      \r\n
      In honor of Blue Note Records' 80th Anniversary, the legendary jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this second series curated by Don Was and Cem Kurosman features 180 gram vinyl LP releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. The series resumes in August 2019 with Part 2 of the Blue Grooves theme - Lou Donaldson Alligator Bogaloo (1967), Donald Byrd Ethiopian Knights (1972) and John Scofield Hand Jive (1994) and will continue with three albums released each month for the coming year.\r\n
      \r\n
      Trumpet titan Donald Byrd gained his greatest fame in the 1970s when he recorded a series of commercially successful funk / R&B albums for Blue Note. 1972's Ethiopian Knights is the culmination of the innovative sound that Byrd put forth on Fancy Free, Electric Byrd and Kofi. Combining L.A. studio musicians with Bobby Hutchersonand Harold Land and the Jazz Crusaders' Joe Sample and Wilton Felder, Byrd paints sonic pictures that draw from the textures of Miles Davis's In a Silent Way and African music as well as jazz, funk and fusion. These colorful performance sound as lively, lyrical and hip today as they did nearly half century ago.\r\n
      \r\n
      This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Thurman Green (trombone), Harold Land (tenor saxophone), Bobby Hutcherson (vibes), Joe Sample (organ), Bill Henderson III (electric piano), Don Peake, Greg Poree, David T. Walker (guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZEXF7w7KOQ4&list=RDZEXF7w7KOQ4&start_radio=1"
    -referenceProduit: "Blue Note Records 9664"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. The Emperor"
        "ordre" => 1
      ]
      [
        "nom" => "2. Jamie"
        "ordre" => 2
      ]
      [
        "nom" => "Side B :"
        "ordre" => 3
      ]
      [
        "nom" => "1. The Little Rasti"
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#2189 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2198 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2191 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2193 …}
    -enregistreLe: DateTime @1561442901 {#2183
      date: 2019-06-25 06:08:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764542207 {#2182
      date: 2025-11-30 22:36:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2195 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-ethiopian-knights-blue-note-records-9664"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3523
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2696 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2187
    -id: 1698
    -nom: "Ethiopian Knights"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Donald Byrd (trumpet), Thurman Green (trombone), Harold Land (tenor saxophone), Bobby Hutcherson (vibes), Joe Sample (organ), Bill Henderson III (electric piano), Don Peake, Greg Poree, David T. Walker (guitar), Wilton Felder (electric bass), Bobbye Porter Hall (congas, tambourine), Ed Greene (drums).\r\n
      \r\n
      Blue Note 80 Vinyl Reissue Series Curated by Don Was and Cem Kurosman; Blue Grooves (Part 2) Themed Installment Presented on 180 gram Vinyl LP !\r\n
      \r\n
      In honor of Blue Note Records' 80th Anniversary, the legendary jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this second series curated by Don Was and Cem Kurosman features 180 gram vinyl LP releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. The series resumes in August 2019 with Part 2 of the Blue Grooves theme - Lou Donaldson Alligator Bogaloo (1967), Donald Byrd Ethiopian Knights (1972) and John Scofield Hand Jive (1994) and will continue with three albums released each month for the coming year.\r\n
      \r\n
      Trumpet titan Donald Byrd gained his greatest fame in the 1970s when he recorded a series of commercially successful funk / R&B albums for Blue Note. 1972's Ethiopian Knights is the culmination of the innovative sound that Byrd put forth on Fancy Free, Electric Byrd and Kofi. Combining L.A. studio musicians with Bobby Hutchersonand Harold Land and the Jazz Crusaders' Joe Sample and Wilton Felder, Byrd paints sonic pictures that draw from the textures of Miles Davis's In a Silent Way and African music as well as jazz, funk and fusion. These colorful performance sound as lively, lyrical and hip today as they did nearly half century ago.\r\n
      \r\n
      This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Thurman Green (trombone), Harold Land (tenor saxophone), Bobby Hutcherson (vibes), Joe Sample (organ), Bill Henderson III (electric piano), Don Peake, Greg Poree, David T. Walker (guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZEXF7w7KOQ4&list=RDZEXF7w7KOQ4&start_radio=1"
    -referenceProduit: "Blue Note Records 9664"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. The Emperor"
        "ordre" => 1
      ]
      [
        "nom" => "2. Jamie"
        "ordre" => 2
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      [
        "nom" => "Side B :"
        "ordre" => 3
      ]
      [
        "nom" => "1. The Little Rasti"
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#2189 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2198 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2191 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2193 …}
    -enregistreLe: DateTime @1561442901 {#2183
      date: 2019-06-25 06:08:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764542207 {#2182
      date: 2025-11-30 22:36:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2195 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ethiopian-knights-blue-note-records-9664"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2464 …}
}

[
  "produit" => App\Entity\Produit {#2205
    -id: 2138
    -nom: "Places and Spaces"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Donald Byrd (trumpet, flugelhorn, vocals), Tyree Glenn, Jr. (tenor saxophone), Chuck Rainey (bass), George Bohanon (trombone), Raymond Brown (trumpet), Fonce Mizell (clavinet, trumpet), King Errisson (congas), Skip Scarborough (electric piano Fender Rhodes), Craig McMullen, John Rowin (guitar), Larry Mizell (acoustic piano), Mayuto Correa (congas, percussion), Harvey Mason (drums).\r\n
      \r\n
      Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany !\r\n
      \r\n
      Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180 gram vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label's eight-decade history presented by themes: Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.\r\n
      \r\n
      Donald Byrd's 1975 fusion classic Places and Spaces was the culmination of the legendary trumpeter's vibrant latter Blue Note years. Byrd had begun recording for Blue Note in 1958, and over two decades evolved from a top-notch hard bop trumpeter into a pioneer of R&B/funk fusion, leading the label's own creative direction along a similar path. Byrd had begun to introduce elements of fusion to his music with his 1969 album Fancy Free and shadowed Miles Davis early-1970s moves with experimental sessions like Electric Byrd and Ethiopian Knights.\r\n
      \r\n
      It wasn't until Byrd hooked up with visionary producer Larry Mizell for his 1972 album Black Byrd that a new sound coalesced: funky and sultry, sophisticated yet accessible, with intricate arrangements that allowed Byrd's trumpet to soar over top. A string of commercial successes followed, reaching a creative peak with Places and Spaces, the fifth Byrd-Mizell collaboration which was co-produced by Larry and his brother Fonce Mizell. The album featured some of the most enduring hits this legendary creative team conjured up including "Wind Parade", "Dominoes", and "Places and Spaces", all of which were sampled heavily by hip hop artists in the decades that followed.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Donald Byrd (trumpet, flugelhorn, vocals), Tyree Glenn, Jr. (tenor saxophone), Chuck Rainey (bass), George Bohanon (trombone), Raymond Brown (trumpet), Fonce Mizell (clavinet, trumpet), King Errisson (congas)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=M1vDcSPs_6I"
    -referenceProduit: "Blue Note Records 8001"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Change (Makes You Want To Hustle) "
        "ordre" => 1
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      [
        "nom" => "2. Wind Parade "
        "ordre" => 2
      ]
      [
        "nom" => "3. Dominoes"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Places And Spaces "
        "ordre" => 5
      ]
      [
        "nom" => "2. You And Music "
        "ordre" => 6
      ]
      [
        "nom" => "3. Night Whistler "
        "ordre" => 7
      ]
      [
        "nom" => "4. Just My Imagination"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2213 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2206 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2208 …}
    -enregistreLe: DateTime @1633067304 {#2201
      date: 2021-10-01 05:48:24.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764541785 {#2200
      date: 2025-11-30 22:29:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2210 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-places-and-spaces-blue-note-records-8001"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3571
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2696 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2205
    -id: 2138
    -nom: "Places and Spaces"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Donald Byrd (trumpet, flugelhorn, vocals), Tyree Glenn, Jr. (tenor saxophone), Chuck Rainey (bass), George Bohanon (trombone), Raymond Brown (trumpet), Fonce Mizell (clavinet, trumpet), King Errisson (congas), Skip Scarborough (electric piano Fender Rhodes), Craig McMullen, John Rowin (guitar), Larry Mizell (acoustic piano), Mayuto Correa (congas, percussion), Harvey Mason (drums).\r\n
      \r\n
      Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany !\r\n
      \r\n
      Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180 gram vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label's eight-decade history presented by themes: Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.\r\n
      \r\n
      Donald Byrd's 1975 fusion classic Places and Spaces was the culmination of the legendary trumpeter's vibrant latter Blue Note years. Byrd had begun recording for Blue Note in 1958, and over two decades evolved from a top-notch hard bop trumpeter into a pioneer of R&B/funk fusion, leading the label's own creative direction along a similar path. Byrd had begun to introduce elements of fusion to his music with his 1969 album Fancy Free and shadowed Miles Davis early-1970s moves with experimental sessions like Electric Byrd and Ethiopian Knights.\r\n
      \r\n
      It wasn't until Byrd hooked up with visionary producer Larry Mizell for his 1972 album Black Byrd that a new sound coalesced: funky and sultry, sophisticated yet accessible, with intricate arrangements that allowed Byrd's trumpet to soar over top. A string of commercial successes followed, reaching a creative peak with Places and Spaces, the fifth Byrd-Mizell collaboration which was co-produced by Larry and his brother Fonce Mizell. The album featured some of the most enduring hits this legendary creative team conjured up including "Wind Parade", "Dominoes", and "Places and Spaces", all of which were sampled heavily by hip hop artists in the decades that followed.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Donald Byrd (trumpet, flugelhorn, vocals), Tyree Glenn, Jr. (tenor saxophone), Chuck Rainey (bass), George Bohanon (trombone), Raymond Brown (trumpet), Fonce Mizell (clavinet, trumpet), King Errisson (congas)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=M1vDcSPs_6I"
    -referenceProduit: "Blue Note Records 8001"
    -titreMorceau: [
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      [
        "nom" => "2. Wind Parade "
        "ordre" => 2
      ]
      [
        "nom" => "3. Dominoes"
        "ordre" => 3
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      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Places And Spaces "
        "ordre" => 5
      ]
      [
        "nom" => "2. You And Music "
        "ordre" => 6
      ]
      [
        "nom" => "3. Night Whistler "
        "ordre" => 7
      ]
      [
        "nom" => "4. Just My Imagination"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2213 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2206 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2208 …}
    -enregistreLe: DateTime @1633067304 {#2201
      date: 2021-10-01 05:48:24.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764541785 {#2200
      date: 2025-11-30 22:29:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2210 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-places-and-spaces-blue-note-records-8001"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2464 …}
}

[
  "produit" => App\Entity\Produit {#2218
    -id: 1927
    -nom: "Byrd in Flight"
    -informationComplementaire: null
    -description: """
      All-Analog 180 gram Vinyl LP of Donald Byrd's Byrd in Flight Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI : Reference Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley !\r\n
      \r\n
      Blue Note was very lucky to have their Three Trumpeteers; Donald Byrd, Lee Morgan and Freddie Hubbard on the roster at the same time. Their combined, prolific output of albums, many of which attained classic status, is legendary. One constantly near the top of most lists is 1960's Byrd In Flight. Byrd decided to mix it up, with Jackie McLean (alto) on one date and Hank Mobley (tenor) on the second. Duke Pearson's signature smooth piano work appears across the board as does the reliable drumming of Lex Humphries. Reggie Workman and Doug Watkins split duties on bass. Both sessions resulted in classic be-bop romps, mostly on originals such as Byrd's Afro-Cuban tinged "Ghana" and "Lex", a song dedicated to drummer Humphries. Pearson contributes three solid cuts with "Gate City", "Bo and My Girl Shirl". The lone standard tackled, "Little Boy Blue" is given an intelligent yet playful injection of the quintet's personalities. \r\n
      \r\n
      Blue Note Records has announced the continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series in 2020. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180 gram audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note / Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Hank Mobley (tenor saxophone), Jackie McLean (alto saxophone),  Duke Pearson (piano), Doug Watkins, Reginald Workman (bass), Lex Humphries (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8Hi8_R6gvlY"
    -referenceProduit: "Blue Note Tone Poet Series 35008"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Ghana"
        "ordre" => 1
      ]
      [
        "nom" => "2. Little Boy Blue"
        "ordre" => 2
      ]
      [
        "nom" => "3. Gate City"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Lex"
        "ordre" => 5
      ]
      [
        "nom" => "2. Bo"
        "ordre" => 6
      ]
      [
        "nom" => "3. My Girl Shirl"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2226 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2219 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2221 …}
    -enregistreLe: DateTime @1601223183 {#2215
      date: 2020-09-27 16:13:03.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764541586 {#2216
      date: 2025-11-30 22:26:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2223 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-byrd-in-flight-blue-note-tone-poet-series-35008"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3619
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2696 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2218
    -id: 1927
    -nom: "Byrd in Flight"
    -informationComplementaire: null
    -description: """
      All-Analog 180 gram Vinyl LP of Donald Byrd's Byrd in Flight Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI : Reference Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley !\r\n
      \r\n
      Blue Note was very lucky to have their Three Trumpeteers; Donald Byrd, Lee Morgan and Freddie Hubbard on the roster at the same time. Their combined, prolific output of albums, many of which attained classic status, is legendary. One constantly near the top of most lists is 1960's Byrd In Flight. Byrd decided to mix it up, with Jackie McLean (alto) on one date and Hank Mobley (tenor) on the second. Duke Pearson's signature smooth piano work appears across the board as does the reliable drumming of Lex Humphries. Reggie Workman and Doug Watkins split duties on bass. Both sessions resulted in classic be-bop romps, mostly on originals such as Byrd's Afro-Cuban tinged "Ghana" and "Lex", a song dedicated to drummer Humphries. Pearson contributes three solid cuts with "Gate City", "Bo and My Girl Shirl". The lone standard tackled, "Little Boy Blue" is given an intelligent yet playful injection of the quintet's personalities. \r\n
      \r\n
      Blue Note Records has announced the continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series in 2020. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180 gram audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note / Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Hank Mobley (tenor saxophone), Jackie McLean (alto saxophone),  Duke Pearson (piano), Doug Watkins, Reginald Workman (bass), Lex Humphries (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=8Hi8_R6gvlY"
    -referenceProduit: "Blue Note Tone Poet Series 35008"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "1. Ghana"
        "ordre" => 1
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        "nom" => "2. Little Boy Blue"
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      [
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      [
        "nom" => "3. My Girl Shirl"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2226 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2219 …}
    -typeMasterTape: null
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    -modifierLe: DateTime @1764541586 {#2216
      date: 2025-11-30 22:26:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2223 …}
    -disponible: null
    -terminer: null
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    -slug: "vinyles-byrd-in-flight-blue-note-tone-poet-series-35008"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2464 …}
}

[
  "produit" => App\Entity\Produit {#2235
    -id: 1710
    -nom: "Chant"
    -informationComplementaire: null
    -description: """
      Trumpeter Donald Byrd and baritone saxophonist Pepper Adams had a formidable partnership throughout the early 1960s, making a series of highly regarded hard bop albums. Yet somehow this masterful quintet session from April 1961 (which also features Herbie Hancock, sounding exceptionally fine on his very first Blue Note recording session) remained unreleased for nearly 20 years. Of particular note are Herbie’s playing on “Great God” and the sophisticated excellence the entire ensemble brings.\r\n
      \r\n
      Tone Poet Audiophile Vinyl Reissue Series : "Tone Poet" Joe Harley co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog. \r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder’s studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. "Every aspect of these Blue Note releases is done to the highest possible standard", he says. "It means that you will never find a superior version".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1909 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Pepper Adams (baritone saxophone), Herbie Hancock (piano), Doug Watkins (bass), Teddy Robinson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=AlHCuMFMNms"
    -referenceProduit: "Blue Note Tone Poet Series 66136"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. I'm An Old Cowhand"
        "ordre" => 1
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      [
        "nom" => "2. You're Next"
        "ordre" => 2
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      [
        "nom" => "3. Chant"
        "ordre" => 3
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      [
        "nom" => "Side B :"
        "ordre" => 4
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      [
        "nom" => "1. That's All"
        "ordre" => 5
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      [
        "nom" => "2. Great God"
        "ordre" => 6
      ]
      [
        "nom" => "3. Sophisticated Lady"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2243 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2236 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2238 …}
    -enregistreLe: DateTime @1563601805 {#2228
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    }
    -modifierLe: DateTime @1764541119 {#2229
      date: 2025-11-30 22:18:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2240 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-chant-blue-note-tone-poet-series-66136"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3667
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2696 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2235
    -id: 1710
    -nom: "Chant"
    -informationComplementaire: null
    -description: """
      Trumpeter Donald Byrd and baritone saxophonist Pepper Adams had a formidable partnership throughout the early 1960s, making a series of highly regarded hard bop albums. Yet somehow this masterful quintet session from April 1961 (which also features Herbie Hancock, sounding exceptionally fine on his very first Blue Note recording session) remained unreleased for nearly 20 years. Of particular note are Herbie’s playing on “Great God” and the sophisticated excellence the entire ensemble brings.\r\n
      \r\n
      Tone Poet Audiophile Vinyl Reissue Series : "Tone Poet" Joe Harley co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog. \r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder’s studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. "Every aspect of these Blue Note releases is done to the highest possible standard", he says. "It means that you will never find a superior version".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1909 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Pepper Adams (baritone saxophone), Herbie Hancock (piano), Doug Watkins (bass), Teddy Robinson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=AlHCuMFMNms"
    -referenceProduit: "Blue Note Tone Poet Series 66136"
    -titreMorceau: [
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        "nom" => "3. Chant"
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        "nom" => "2. Great God"
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      [
        "nom" => "3. Sophisticated Lady"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2243 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2236 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2238 …}
    -enregistreLe: DateTime @1563601805 {#2228
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    -modifierLe: DateTime @1764541119 {#2229
      date: 2025-11-30 22:18:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2240 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-chant-blue-note-tone-poet-series-66136"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2464 …}
}

[
  "produit" => App\Entity\Produit {#2248
    -id: 2324
    -nom: "Live : Cookin' with Blue Note at Montreux"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Donald Byrd (trumpet, flugelhorn, vocals), Fonce Mizell (trumpet, vocals), Allan Barnes (tenor saxophone, flute), Nathan Davis (tenor & soprano saxophone), Kevin Toney (electric piano), Larry Mizell (synthesizers), Barney Perry (electric guitar), Henry Franklin (electric bass), Ray Armando (congas, percussion), Keith Killgo (drums, vocals).\r\n
      \r\n
      - Original recordings produced by George Butler\r\n
      - Recorded live by Chris Penycote at Montreux Jazz Festival, Montreux, Switzerland, July 5, 1973\r\n
      - Mixed by Qmillion at EastWest Studios\r\n
      - Vinyl mastered by Kevin Gray at Cohearant Audio\r\n
      \r\n
      A first-ever official release of Donald Byrd's Live : Cookin' with Blue Note at Montreux on what would have been the legendary trumpeter's 90th birthday. In July 1973, Blue Note Records headed to Switzerland to showcase several of the label's stars at the Montreux Jazz Festival. Live albums in the Cookin' with Blue Note at Montreux series followed from Bobby Hutcherson, Ronnie Foster, Bobbi Humphrey and Marlena Shaw, but Byrd's remained unreleased, until now. 180 gram LP.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Donald Byrd (trumpet, flugelhorn, vocals), Fonce Mizell (trumpet, vocals), Allan Barnes (tenor saxophone, flute), Nathan Davis (tenor & soprano saxophone), Kevin Toney (electric piano), Larry Mizell (synthesizers)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=PRJkVyafteA"
    -referenceProduit: "Blue Note Records 5701"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Black Byrd "
        "ordre" => 1
      ]
      [
        "nom" => "2. You've Got It Bad Girl \t"
        "ordre" => 2
      ]
      [
        "nom" => "3. The East"
        "ordre" => 3
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      [
        "nom" => "Side B : "
        "ordre" => 4
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      [
        "nom" => "1. Introductions "
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        "nom" => "2. Kwame "
        "ordre" => 6
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      [
        "nom" => "3. Poco-Mania"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2256 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2249 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2251 …}
    -enregistreLe: DateTime @1668495766 {#2245
      date: 2022-11-15 07:02:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764540746 {#2246
      date: 2025-11-30 22:12:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2253 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-cookin-with-blue-note-at-montreux-blue-note-records-5701"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3715
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2696 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2248
    -id: 2324
    -nom: "Live : Cookin' with Blue Note at Montreux"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Donald Byrd (trumpet, flugelhorn, vocals), Fonce Mizell (trumpet, vocals), Allan Barnes (tenor saxophone, flute), Nathan Davis (tenor & soprano saxophone), Kevin Toney (electric piano), Larry Mizell (synthesizers), Barney Perry (electric guitar), Henry Franklin (electric bass), Ray Armando (congas, percussion), Keith Killgo (drums, vocals).\r\n
      \r\n
      - Original recordings produced by George Butler\r\n
      - Recorded live by Chris Penycote at Montreux Jazz Festival, Montreux, Switzerland, July 5, 1973\r\n
      - Mixed by Qmillion at EastWest Studios\r\n
      - Vinyl mastered by Kevin Gray at Cohearant Audio\r\n
      \r\n
      A first-ever official release of Donald Byrd's Live : Cookin' with Blue Note at Montreux on what would have been the legendary trumpeter's 90th birthday. In July 1973, Blue Note Records headed to Switzerland to showcase several of the label's stars at the Montreux Jazz Festival. Live albums in the Cookin' with Blue Note at Montreux series followed from Bobby Hutcherson, Ronnie Foster, Bobbi Humphrey and Marlena Shaw, but Byrd's remained unreleased, until now. 180 gram LP.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Donald Byrd (trumpet, flugelhorn, vocals), Fonce Mizell (trumpet, vocals), Allan Barnes (tenor saxophone, flute), Nathan Davis (tenor & soprano saxophone), Kevin Toney (electric piano), Larry Mizell (synthesizers)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=PRJkVyafteA"
    -referenceProduit: "Blue Note Records 5701"
    -titreMorceau: [
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        "nom" => "1. Black Byrd "
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      [
        "nom" => "3. The East"
        "ordre" => 3
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        "nom" => "Side B : "
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      [
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      ]
      [
        "nom" => "3. Poco-Mania"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2256 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2249 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2251 …}
    -enregistreLe: DateTime @1668495766 {#2245
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    }
    -modifierLe: DateTime @1764540746 {#2246
      date: 2025-11-30 22:12:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2253 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-cookin-with-blue-note-at-montreux-blue-note-records-5701"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2464 …}
}

[
  "produit" => App\Entity\Produit {#2261
    -id: 2326
    -nom: "At the Half Note Cafe, Vol. 1"
    -informationComplementaire: null
    -description: """
      - Donald Byrd "At the Half Note Cafe, Vol. 1" 180 gram Vinyl LP !\r\n
      - Tone Poet Audiophile Vinyl Reissue Series !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from Original Analog Tapes !\r\n
      - Produced by Music Matters' Joe Harley !\r\n
      - Pressed at RTI !\r\n
      \r\n
      Trumpeter Donald Byrd was just two years into his two-decade-long Blue Note recording career when he brought his quintet in to Manhattan's Half Note Café in November 1960 to record this soulful, swinging, and highly enjoyable live set of hard bop featuring Pepper Adams on baritone saxophone, Duke Pearson on piano, Laymon Jackson on bass, and Lex Humphries on drums. Byrd had already established himself as a leading trumpeter on the scene and was riding high on a creative hot streak that produced the studio albums Off to the Races, Byrd in Hand, Fuego, and Byrd in Flight. After an introduction by WOV disc jockey Ruth Mason (who would later become Ruth Lion, wife of Blue Note founder Alfred Lion), the band hits the ground running on Pearson's up-tempo "My Girl Shirl" before downshifting into Byrd's blues "Soulful Kiddy". Side 2 opens with a beautiful ballad performance of "A Portrait of Jennie" before stretching out on another original blues by Byrd titled "Cecile" and concluding Volume 1 with the band's theme "Pure D. Funk".\r\n
      \r\n
      The Tone Poet Audiophile Vinyl Reissue Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley, a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Pepper Adams (baritone saxophone),  Laymon Jackson (bass), Duke Pearson (piano), Lex Humphries (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FfCyd-UL3ow"
    -referenceProduit: "Blue Note Tone Poet Series BN 4060"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. My Girl Shirl "
        "ordre" => 1
      ]
      [
        "nom" => "2. Soulful Kiddy"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. A Portrait Of Jennie "
        "ordre" => 4
      ]
      [
        "nom" => "2. Cecile "
        "ordre" => 5
      ]
      [
        "nom" => "3. The Theme"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2269 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2262 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2264 …}
    -enregistreLe: DateTime @1669191475 {#2258
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    }
    -modifierLe: DateTime @1764540443 {#2259
      date: 2025-11-30 22:07:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2266 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-at-the-half-note-cafe-vol-1-blue-note-tone-poet-series-bn-4060"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3763
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2696 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2261
    -id: 2326
    -nom: "At the Half Note Cafe, Vol. 1"
    -informationComplementaire: null
    -description: """
      - Donald Byrd "At the Half Note Cafe, Vol. 1" 180 gram Vinyl LP !\r\n
      - Tone Poet Audiophile Vinyl Reissue Series !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from Original Analog Tapes !\r\n
      - Produced by Music Matters' Joe Harley !\r\n
      - Pressed at RTI !\r\n
      \r\n
      Trumpeter Donald Byrd was just two years into his two-decade-long Blue Note recording career when he brought his quintet in to Manhattan's Half Note Café in November 1960 to record this soulful, swinging, and highly enjoyable live set of hard bop featuring Pepper Adams on baritone saxophone, Duke Pearson on piano, Laymon Jackson on bass, and Lex Humphries on drums. Byrd had already established himself as a leading trumpeter on the scene and was riding high on a creative hot streak that produced the studio albums Off to the Races, Byrd in Hand, Fuego, and Byrd in Flight. After an introduction by WOV disc jockey Ruth Mason (who would later become Ruth Lion, wife of Blue Note founder Alfred Lion), the band hits the ground running on Pearson's up-tempo "My Girl Shirl" before downshifting into Byrd's blues "Soulful Kiddy". Side 2 opens with a beautiful ballad performance of "A Portrait of Jennie" before stretching out on another original blues by Byrd titled "Cecile" and concluding Volume 1 with the band's theme "Pure D. Funk".\r\n
      \r\n
      The Tone Poet Audiophile Vinyl Reissue Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley, a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
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    -musicienOrchestre: "Donald Byrd (trumpet), Pepper Adams (baritone saxophone),  Laymon Jackson (bass), Duke Pearson (piano), Lex Humphries (drums)"
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    -extraitYoutube: "https://www.youtube.com/watch?v=FfCyd-UL3ow"
    -referenceProduit: "Blue Note Tone Poet Series BN 4060"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
      ]
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        "nom" => "1. My Girl Shirl "
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      ]
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        "nom" => "2. Soulful Kiddy"
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        "nom" => "Side B : "
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        "nom" => "1. A Portrait Of Jennie "
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      ]
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        "nom" => "2. Cecile "
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      ]
      [
        "nom" => "3. The Theme"
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      ]
    ]
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    -typeMasterTape: null
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    -enregistreLe: DateTime @1669191475 {#2258
      date: 2022-11-23 08:17:55.0 UTC (+00:00)
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      date: 2025-11-30 22:07:23.0 UTC (+00:00)
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    -slug: "vinyles-at-the-half-note-cafe-vol-1-blue-note-tone-poet-series-bn-4060"
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}

App\Twig\Components\AjoutMailNewsletterComponent {#3959
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}