Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2550
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2627
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2630 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2629 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …}
  -formView: Symfony\Component\Form\FormView {#2666 …}
  -form: Symfony\Component\Form\Form {#2816 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 2991
    -nom: "Sonny Rollins Brass / Sonny Rollins Trio"
    -informationComplementaire: null
    -description: """
      - Sonny Rollins Trio "Sonny Rollins Brass" !\r\n
      - Part of the Verve Vault Series !\r\n
      - 180 gram vinyl pressed at Optimal in Germany !\r\n
      \r\n
      Brass/Trio, released in 1958 on Verve Records, is an unusual two-sided statement from saxophonist Sonny Rollins pairing a full brass ensemble session on one side with a stripped-down saxophone trio on the other. The first half features Rollins with a brass ensemble arranged and conducted by Ernie Wilkins, recorded in New York in July 1958. The lineup includes trumpeter Harry "Sweets" Edison, trombonists J.J. Johnson and Jimmy Cleveland, and tuba player Don Butterfield, supported by a rhythm section of pianist Dick Katz, guitarist Rene Thomas, bassist Henry Grimes, and drummer Roy Haynes.\r\n
      \r\n
      Together, they provide a swinging, harmonically rich backdrop for Rollins on standards such as "Who Cares ?" and "Love Is A Simple Thing". The second half was recorded days later in Los Angeles with bassist Henry Grimes and drummer Specs Wright a pared-down trio setting that emphasizes Rollins' rhythmic command and melodic elasticity. Tracks such as "Raincheck", "My One and Only Love", and "Just in Time" showcase his ability to move effortlessly between ballad interpretation and fleet improvisation.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1822 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Bob Cranshaw (bass), Jimmy Cleveland (trombone), Thad Jones (trumpet), Ben Riley (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Eak-nREk508"
    -referenceProduit: "Verve Records 6301"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Who Cares ?"
      ]
      [
        "ordre" => 2
        "nom" => "2. Love Is A Simple Thing"
      ]
      [
        "ordre" => 3
        "nom" => "3. Grand Street"
      ]
      [
        "ordre" => 4
        "nom" => "4. Far Out East "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. What’s My Name ?"
      ]
      [
        "ordre" => 7
        "nom" => "2. If You Were The Only Girl In The World"
      ]
      [
        "ordre" => 8
        "nom" => "3. Manhattan"
      ]
      [
        "ordre" => 9
        "nom" => "4. Body & Soul"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1917 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1770620712 {#1896
      date: 2026-02-09 07:05:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770620846 {#1889
      date: 2026-02-09 07:07:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sonny-rollins-brass-sonny-rollins-trio-verve-records-6301"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3103
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 2991
    -nom: "Sonny Rollins Brass / Sonny Rollins Trio"
    -informationComplementaire: null
    -description: """
      - Sonny Rollins Trio "Sonny Rollins Brass" !\r\n
      - Part of the Verve Vault Series !\r\n
      - 180 gram vinyl pressed at Optimal in Germany !\r\n
      \r\n
      Brass/Trio, released in 1958 on Verve Records, is an unusual two-sided statement from saxophonist Sonny Rollins pairing a full brass ensemble session on one side with a stripped-down saxophone trio on the other. The first half features Rollins with a brass ensemble arranged and conducted by Ernie Wilkins, recorded in New York in July 1958. The lineup includes trumpeter Harry "Sweets" Edison, trombonists J.J. Johnson and Jimmy Cleveland, and tuba player Don Butterfield, supported by a rhythm section of pianist Dick Katz, guitarist Rene Thomas, bassist Henry Grimes, and drummer Roy Haynes.\r\n
      \r\n
      Together, they provide a swinging, harmonically rich backdrop for Rollins on standards such as "Who Cares ?" and "Love Is A Simple Thing". The second half was recorded days later in Los Angeles with bassist Henry Grimes and drummer Specs Wright a pared-down trio setting that emphasizes Rollins' rhythmic command and melodic elasticity. Tracks such as "Raincheck", "My One and Only Love", and "Just in Time" showcase his ability to move effortlessly between ballad interpretation and fleet improvisation.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1822 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Bob Cranshaw (bass), Jimmy Cleveland (trombone), Thad Jones (trumpet), Ben Riley (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Eak-nREk508"
    -referenceProduit: "Verve Records 6301"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Who Cares ?"
      ]
      [
        "ordre" => 2
        "nom" => "2. Love Is A Simple Thing"
      ]
      [
        "ordre" => 3
        "nom" => "3. Grand Street"
      ]
      [
        "ordre" => 4
        "nom" => "4. Far Out East "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. What’s My Name ?"
      ]
      [
        "ordre" => 7
        "nom" => "2. If You Were The Only Girl In The World"
      ]
      [
        "ordre" => 8
        "nom" => "3. Manhattan"
      ]
      [
        "ordre" => 9
        "nom" => "4. Body & Soul"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1917 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1770620712 {#1896
      date: 2026-02-09 07:05:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770620846 {#1889
      date: 2026-02-09 07:07:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sonny-rollins-brass-sonny-rollins-trio-verve-records-6301"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …}
}

[
  "produit" => App\Entity\Produit {#2035
    -id: 371
    -nom: "Now's The Time"
    -informationComplementaire: "Last copy in stock !"
    -description: """
      Theodore Walter "Sonny" Rollins (born September 7, 1930 in New York City) is an American jazz tenor saxophonist. Rollins is widely recognized as one of the most important and influential jazz musicians. A number of his compositions, including "St. Thomas", "Oleo", "Doxy", and "Airegin", have become jazz standards.\r\n
      \r\n
      Although Rollins was born in New York City, his parents were born in the United States Virgin Islands. Rollins received his first saxophone at age 13. He attended Benjamin Franklin High School in East Harlem. He said that a concert by Frank Sinatra there, accompanied by a plea for racial harmony, changed his life.\r\n
      \r\n
      Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high-school years, he played in a band with other future jazz legends Jackie McLean, Kenny Drew and Art Taylor. He was first recorded in 1949 with Babs Gonzales (J. J. Johnson was the arranger of the group). In his recordings through 1954, he played with performers such as Miles Davis, Charlie Parker and Thelonious Monk.\r\n
      \r\n
      In 1950, Rollins was arrested for armed robbery and given a sentence of three years. He spent 10 months in Rikers Island jail before he was released on parole. In 1952 he was arrested for violating the terms of his parole by using heroin. Rollins was assigned to the Federal Medical Center, Lexington, at the time the only assistance in the U.S. for drug addicts. While there he was a volunteer for then-experimental methadone therapy and was able to break his heroin habit. Rollins himself initially feared sobriety would impair his musicianship, but then went on to greater success. As a saxophonist he had initially been attracted to the jump and R&B sounds of performers like Louis Jordan, but soon became drawn into the mainstream tenor saxophone tradition. Joachim Berendt has described this tradition as sitting between the two poles of the strong sonority of Coleman Hawkins and the light flexible phrasing of Lester Young, which did so much to inspire the fleet improvisation of be-bop in the 1950s.\r\n
      \r\n
      Rollins began to make a name for himself in 1949 as he recorded with J. J. Johnson and Bud Powell what would later be called "Hard Bop", with Miles Davis in 1951, with the Modern Jazz Quartet and with Thelonious Monk in 1953, but the breakthrough arrived in 1954 when he recorded his famous compositions "Oleo" "Airegin" and "Doxy" with a quintet led by Davis. Rollins then joined the Miles Davis Quintet in the summer of 1955, but left after a short stay to deal with his drug problems. Rollins was invited later in 1955 to join the Clifford Brown–Max Roach quintet; studio recordings documenting his time in the band are the albums Clifford Brown and Max Roach at Basin Street and Sonny Rollins Plus 4. After Brown's death in 1956 Rollins began his subsequent career as a leader, his first long-playing albums released on Prestige Records. He also recorded during the 1950s for Blue Note, Riverside, and the Los Angeles label Contemporary.\r\n
      \r\n
      Now's the Time is an album by jazz saxophonist Sonny Rollins, recorded for the RCA Victor label, featuring performances by Rollins with Herbie Hancock, Thad Jones, Ron Carter, Bob Cranshaw and Roy McCurdy on several bebop tunes. \r\n
      \r\n
      Earliest (and best) version of this audiophile reissue by Classic Records - using 180 Gram pure virgin vinyl, this title is long out of print
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1878 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Herbie Hancock (piano), Thad Jones (cornet), Ron Carter, Bob Cranshaw (bass), Roy McCurdy (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=E-oCyJcOELo&list=RDE-oCyJcOELo&start_radio=1"
    -referenceProduit: "Classic Records LSP 2927"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Now's The Time"
      ]
      [
        "ordre" => 2
        "nom" => "2. Blue N? Boogie"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Remember Clifford"
      ]
      [
        "ordre" => 4
        "nom" => "4. 52nd Street Theme"
      ]
      [
        "ordre" => 5
        "nom" => "Side B :"
      ]
      [
        "ordre" => 6
        "nom" => "1. St. Thomas"
      ]
      [
        "ordre" => 7
        "nom" => "2. Round Midnight"
      ]
      [
        "ordre" => 8
        "nom" => "3. Afternoon In Paris"
      ]
      [
        "ordre" => 9
        "nom" => "4. Four"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2037 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1278691277 {#2032
      date: 2010-07-09 16:01:17.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770619555 {#2033
      date: 2026-02-09 06:45:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-now-s-the-time-classic-records-lsp-2927"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3194
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2035
    -id: 371
    -nom: "Now's The Time"
    -informationComplementaire: "Last copy in stock !"
    -description: """
      Theodore Walter "Sonny" Rollins (born September 7, 1930 in New York City) is an American jazz tenor saxophonist. Rollins is widely recognized as one of the most important and influential jazz musicians. A number of his compositions, including "St. Thomas", "Oleo", "Doxy", and "Airegin", have become jazz standards.\r\n
      \r\n
      Although Rollins was born in New York City, his parents were born in the United States Virgin Islands. Rollins received his first saxophone at age 13. He attended Benjamin Franklin High School in East Harlem. He said that a concert by Frank Sinatra there, accompanied by a plea for racial harmony, changed his life.\r\n
      \r\n
      Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high-school years, he played in a band with other future jazz legends Jackie McLean, Kenny Drew and Art Taylor. He was first recorded in 1949 with Babs Gonzales (J. J. Johnson was the arranger of the group). In his recordings through 1954, he played with performers such as Miles Davis, Charlie Parker and Thelonious Monk.\r\n
      \r\n
      In 1950, Rollins was arrested for armed robbery and given a sentence of three years. He spent 10 months in Rikers Island jail before he was released on parole. In 1952 he was arrested for violating the terms of his parole by using heroin. Rollins was assigned to the Federal Medical Center, Lexington, at the time the only assistance in the U.S. for drug addicts. While there he was a volunteer for then-experimental methadone therapy and was able to break his heroin habit. Rollins himself initially feared sobriety would impair his musicianship, but then went on to greater success. As a saxophonist he had initially been attracted to the jump and R&B sounds of performers like Louis Jordan, but soon became drawn into the mainstream tenor saxophone tradition. Joachim Berendt has described this tradition as sitting between the two poles of the strong sonority of Coleman Hawkins and the light flexible phrasing of Lester Young, which did so much to inspire the fleet improvisation of be-bop in the 1950s.\r\n
      \r\n
      Rollins began to make a name for himself in 1949 as he recorded with J. J. Johnson and Bud Powell what would later be called "Hard Bop", with Miles Davis in 1951, with the Modern Jazz Quartet and with Thelonious Monk in 1953, but the breakthrough arrived in 1954 when he recorded his famous compositions "Oleo" "Airegin" and "Doxy" with a quintet led by Davis. Rollins then joined the Miles Davis Quintet in the summer of 1955, but left after a short stay to deal with his drug problems. Rollins was invited later in 1955 to join the Clifford Brown–Max Roach quintet; studio recordings documenting his time in the band are the albums Clifford Brown and Max Roach at Basin Street and Sonny Rollins Plus 4. After Brown's death in 1956 Rollins began his subsequent career as a leader, his first long-playing albums released on Prestige Records. He also recorded during the 1950s for Blue Note, Riverside, and the Los Angeles label Contemporary.\r\n
      \r\n
      Now's the Time is an album by jazz saxophonist Sonny Rollins, recorded for the RCA Victor label, featuring performances by Rollins with Herbie Hancock, Thad Jones, Ron Carter, Bob Cranshaw and Roy McCurdy on several bebop tunes. \r\n
      \r\n
      Earliest (and best) version of this audiophile reissue by Classic Records - using 180 Gram pure virgin vinyl, this title is long out of print
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1878 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Herbie Hancock (piano), Thad Jones (cornet), Ron Carter, Bob Cranshaw (bass), Roy McCurdy (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=E-oCyJcOELo&list=RDE-oCyJcOELo&start_radio=1"
    -referenceProduit: "Classic Records LSP 2927"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Now's The Time"
      ]
      [
        "ordre" => 2
        "nom" => "2. Blue N? Boogie"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Remember Clifford"
      ]
      [
        "ordre" => 4
        "nom" => "4. 52nd Street Theme"
      ]
      [
        "ordre" => 5
        "nom" => "Side B :"
      ]
      [
        "ordre" => 6
        "nom" => "1. St. Thomas"
      ]
      [
        "ordre" => 7
        "nom" => "2. Round Midnight"
      ]
      [
        "ordre" => 8
        "nom" => "3. Afternoon In Paris"
      ]
      [
        "ordre" => 9
        "nom" => "4. Four"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2037 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1278691277 {#2032
      date: 2010-07-09 16:01:17.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770619555 {#2033
      date: 2026-02-09 06:45:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-now-s-the-time-classic-records-lsp-2927"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …}
}

[
  "produit" => App\Entity\Produit {#2051
    -id: 2837
    -nom: "Plus 4"
    -informationComplementaire: null
    -description: "Saxophonist Sonny Rollins is hands down one of the most important jazz instrumentalists of all-time and his 1956 hard bob Prestige release Plus 4 stands as one of his high-water marks. The Plus 4 in support of Rollins' daring tenor saxophone work here is the Clifford Brown/Max Roach Quintet, of which he was a member at the time, including Clifford Brown (trumpet), Richie Powell (piano), George Morrow (bass) and Max Roach (drums). Song selections include such groundbreaking Rollins originals as "Valse Hot" and "Pent-Up House" and well executed standards like "I Feel A Song Coming On" and "Count Your Blessings". Plus 4 would also serve as the last full recordings for both Powell and Brown as they perished in a car accident just three months later. This 180g LP reissue from Vinyl Lovers comes complete with the bonus track "The Scene Is Clean"."
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Clifford Brown (trumpet), Richie Powell (piano), George Morrow (bass), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=lwF81QKMpj4&list=RDlwF81QKMpj4&start_radio=1"
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App\Twig\Components\GestionPanierFavoriComponents {#3242
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    -id: 2837
    -nom: "Plus 4"
    -informationComplementaire: null
    -description: "Saxophonist Sonny Rollins is hands down one of the most important jazz instrumentalists of all-time and his 1956 hard bob Prestige release Plus 4 stands as one of his high-water marks. The Plus 4 in support of Rollins' daring tenor saxophone work here is the Clifford Brown/Max Roach Quintet, of which he was a member at the time, including Clifford Brown (trumpet), Richie Powell (piano), George Morrow (bass) and Max Roach (drums). Song selections include such groundbreaking Rollins originals as "Valse Hot" and "Pent-Up House" and well executed standards like "I Feel A Song Coming On" and "Count Your Blessings". Plus 4 would also serve as the last full recordings for both Powell and Brown as they perished in a car accident just three months later. This 180g LP reissue from Vinyl Lovers comes complete with the bonus track "The Scene Is Clean"."
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Clifford Brown (trumpet), Richie Powell (piano), George Morrow (bass), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=lwF81QKMpj4&list=RDlwF81QKMpj4&start_radio=1"
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-plus-4-concord-craft-recordings-0870"
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[
  "produit" => App\Entity\Produit {#2067
    -id: 2907
    -nom: "Way Out West - Box Set (2 LP) 45 RPM Clarity Vinyl"
    -informationComplementaire: null
    -description: """
      - Sonny Rollins' groundbreaking album Now on UHQR !!\r\n
      - 200 gram 45 RPM (2 LP) release !\r\n
      - Numbered edition limited to 2750 copies !\r\n
      - Mastered AAA by Bernie Grundman from the original analog tapes !\r\n
      - Set includes deluxe 16 page booklet telling the history of Contemporary Records together with new album liner notes by John Koenig, son of the label founder !\r\n
      - Pressed on Clarity Vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish !\r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      - A classic of the genre, Rollins' first album for the Contemporary Records label !\r\n
      \r\n
      "I really do prefer the (UHQR Stereo) version because it plays so wonderful with these very early stereo effects. ... considering the versions I have and I know of, this is the ultimate version". - Michael Ludwigs, 45 RPM Audiophile, YouTube video\r\n
      \r\n
      "Sonny's sound on the UHQR is richer, fatter and wetter than on the 2002 double 45 and more 'in the room'. Over on the other side, from the first kick drum, cymbal and snare hit, it's clear Manne's drums have greater vibrancy and Brown's bass greater power. Crank up Manne's solo half way into 'I'm An Old Cowhand' and feel the air move! Interesting when Rollins re-enters Manne's cymbal crashes pan to the right center position. I never noticed that! I went back to the 2002 double 45 and cranked up the drum solo. It got hard and a bit brittle. When Rollins re-entered the 'rich fat and wet' was absent and when Manne crashed the cymbals, because they were comparatively indistinctly positioned they didn't appear to move center / right. That was odd but repeatable. I think it's on the tape and clarified on the UHQR. And while that in and of itself is hardly important I think it points to the UHQR's overall improved transient precision both on macro and micro dynamic information. It's just better". - Music = 11/11; Sound = 10/11 - Michael Fremer, TrackingAngle.com. Read the entire review here. \r\n
      \r\n
      "The thing about this is it's cut onto Clarity Vinyl, which is significantly quieter vinyl. And that really does have an effect on the listening experience of this because it is such sparse and clean and just wonderfully clear music. ... this (the UHQR) is like your McLaren F1, five times the price... it took a vast amount of extra care and attention to detail to produce. If you want to beat what is already the best, then you really have to pull out all the stops. And you have to pay for it. You get what you pay for and this is staggering. Absolutely, utterly staggering". - Dave Denyer, YouTube video\r\n
      \r\n
      "It is a more of a robust experience in terms of the warmth, it is more of an immersive experience in terms of the ambiance, echo, and delay... The cymbal hit by Shelly Manne "I'm An Old Cowhand" has more shine, sheen and shimmer (to it)... The instruments have this ambiance to them that the 33 1/3 has, but not as much as the UHQR. The UHQR takes it to a higher level and it really enhances the listening experience." - Kenny's Audiophile Record Reviews, YouTube video\r\n
      \r\n
      Dive into the timeless brilliance of Sonny Rollins' legendary album Way Out West like never before with the Analogue Productions UHQR edition! Meticulously pressed at Quality Record Pressings, this definitive audiophile version stands as a testament to one of jazz's most formidable talents. Way Out West, his classic 1957 album, received 5 Stars from Rolling Stone's prestigious Jazz Record Guide and has prompted Pitchfork to deem it, "an album that looks like a novelty and sounds like transcendence".\r\n
      \r\n
      How Way Out West shaped jazz\r\n
      \r\n
      - Masterful Trio: The album's infamous 3 a.m. recording sessions featured Rollins' sax strolling over the contributions of onetime Ella Fitzgerald bassist Ray Brown and iconic West Coast Jazz drummer Shelly Manne, neither of whom Rollins had ever played with. An open setting gives Rollins space to be harmonically inventive. Rollins' saxophone mastery shines brightly on every track !\r\n
      \r\n
      - Musical innovation : From the swinging "I'm an Old Cowhand (From the Rio Grande)", written by Johnny Mercer and made famous by Bing Crosby skillfully mixing country and jazz, to the haunting Rollins' original composition and title track "Way Out West", the album redefines jazz improvisation.\r\n
      \r\n
      - Frequently included in "Best Saxophone Albums" and "Best Jazz Trios" lists. AllMusic rates it 5/5 Stars! Sonny Rollins' groundbreaking album is a cornerstone of jazz history.\r\n
      \r\n
      The Ultimate Listening Experience\r\n
      \r\n
      - UHQR Vinyl: Immerse yourself in unparalleled sound quality with the Acoustic Sounds UHQR pressing, crafted for audiophiles who demand the best, with attention paid to every single detail of this one-of-a-kind reissue.\r\n
      \r\n
      - Precision craftsmanship: Four glorious sides of 200 gram Clarity Vinyl from Quality Record Pressings, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process. Lastly, your record is housed in a Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish. The record and supporting materials are contained in a deluxe textured clamshell box.\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.\r\n
      \r\n
      Own a Piece of Jazz History :\r\n
      \r\n
      Rediscover Way Out West in its purest form and elevate your vinyl collection with this essential masterpiece. Limited edition reserve yours today and experience jazz like never before !
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Ray Brown (bass), Shelly Manne (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nUwKq6tryHU&list=RDnUwKq6tryHU&start_radio=1"
    -referenceProduit: "Analogue Productions UHQR 0021-45"
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    -artiste: App\Entity\Artiste {#1063 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3290
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2067
    -id: 2907
    -nom: "Way Out West - Box Set (2 LP) 45 RPM Clarity Vinyl"
    -informationComplementaire: null
    -description: """
      - Sonny Rollins' groundbreaking album Now on UHQR !!\r\n
      - 200 gram 45 RPM (2 LP) release !\r\n
      - Numbered edition limited to 2750 copies !\r\n
      - Mastered AAA by Bernie Grundman from the original analog tapes !\r\n
      - Set includes deluxe 16 page booklet telling the history of Contemporary Records together with new album liner notes by John Koenig, son of the label founder !\r\n
      - Pressed on Clarity Vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish !\r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      - A classic of the genre, Rollins' first album for the Contemporary Records label !\r\n
      \r\n
      "I really do prefer the (UHQR Stereo) version because it plays so wonderful with these very early stereo effects. ... considering the versions I have and I know of, this is the ultimate version". - Michael Ludwigs, 45 RPM Audiophile, YouTube video\r\n
      \r\n
      "Sonny's sound on the UHQR is richer, fatter and wetter than on the 2002 double 45 and more 'in the room'. Over on the other side, from the first kick drum, cymbal and snare hit, it's clear Manne's drums have greater vibrancy and Brown's bass greater power. Crank up Manne's solo half way into 'I'm An Old Cowhand' and feel the air move! Interesting when Rollins re-enters Manne's cymbal crashes pan to the right center position. I never noticed that! I went back to the 2002 double 45 and cranked up the drum solo. It got hard and a bit brittle. When Rollins re-entered the 'rich fat and wet' was absent and when Manne crashed the cymbals, because they were comparatively indistinctly positioned they didn't appear to move center / right. That was odd but repeatable. I think it's on the tape and clarified on the UHQR. And while that in and of itself is hardly important I think it points to the UHQR's overall improved transient precision both on macro and micro dynamic information. It's just better". - Music = 11/11; Sound = 10/11 - Michael Fremer, TrackingAngle.com. Read the entire review here. \r\n
      \r\n
      "The thing about this is it's cut onto Clarity Vinyl, which is significantly quieter vinyl. And that really does have an effect on the listening experience of this because it is such sparse and clean and just wonderfully clear music. ... this (the UHQR) is like your McLaren F1, five times the price... it took a vast amount of extra care and attention to detail to produce. If you want to beat what is already the best, then you really have to pull out all the stops. And you have to pay for it. You get what you pay for and this is staggering. Absolutely, utterly staggering". - Dave Denyer, YouTube video\r\n
      \r\n
      "It is a more of a robust experience in terms of the warmth, it is more of an immersive experience in terms of the ambiance, echo, and delay... The cymbal hit by Shelly Manne "I'm An Old Cowhand" has more shine, sheen and shimmer (to it)... The instruments have this ambiance to them that the 33 1/3 has, but not as much as the UHQR. The UHQR takes it to a higher level and it really enhances the listening experience." - Kenny's Audiophile Record Reviews, YouTube video\r\n
      \r\n
      Dive into the timeless brilliance of Sonny Rollins' legendary album Way Out West like never before with the Analogue Productions UHQR edition! Meticulously pressed at Quality Record Pressings, this definitive audiophile version stands as a testament to one of jazz's most formidable talents. Way Out West, his classic 1957 album, received 5 Stars from Rolling Stone's prestigious Jazz Record Guide and has prompted Pitchfork to deem it, "an album that looks like a novelty and sounds like transcendence".\r\n
      \r\n
      How Way Out West shaped jazz\r\n
      \r\n
      - Masterful Trio: The album's infamous 3 a.m. recording sessions featured Rollins' sax strolling over the contributions of onetime Ella Fitzgerald bassist Ray Brown and iconic West Coast Jazz drummer Shelly Manne, neither of whom Rollins had ever played with. An open setting gives Rollins space to be harmonically inventive. Rollins' saxophone mastery shines brightly on every track !\r\n
      \r\n
      - Musical innovation : From the swinging "I'm an Old Cowhand (From the Rio Grande)", written by Johnny Mercer and made famous by Bing Crosby skillfully mixing country and jazz, to the haunting Rollins' original composition and title track "Way Out West", the album redefines jazz improvisation.\r\n
      \r\n
      - Frequently included in "Best Saxophone Albums" and "Best Jazz Trios" lists. AllMusic rates it 5/5 Stars! Sonny Rollins' groundbreaking album is a cornerstone of jazz history.\r\n
      \r\n
      The Ultimate Listening Experience\r\n
      \r\n
      - UHQR Vinyl: Immerse yourself in unparalleled sound quality with the Acoustic Sounds UHQR pressing, crafted for audiophiles who demand the best, with attention paid to every single detail of this one-of-a-kind reissue.\r\n
      \r\n
      - Precision craftsmanship: Four glorious sides of 200 gram Clarity Vinyl from Quality Record Pressings, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process. Lastly, your record is housed in a Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish. The record and supporting materials are contained in a deluxe textured clamshell box.\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.\r\n
      \r\n
      Own a Piece of Jazz History :\r\n
      \r\n
      Rediscover Way Out West in its purest form and elevate your vinyl collection with this essential masterpiece. Limited edition reserve yours today and experience jazz like never before !
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Ray Brown (bass), Shelly Manne (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nUwKq6tryHU&list=RDnUwKq6tryHU&start_radio=1"
    -referenceProduit: "Analogue Productions UHQR 0021-45"
    -titreMorceau: [
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        "ordre" => 0
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      ]
      [
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      [
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      [
        "nom" => "1. Wagon Wheels"
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      [
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[
  "produit" => App\Entity\Produit {#2085
    -id: 383
    -nom: "Volume 2"
    -informationComplementaire: null
    -description: """
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      \r\n
      J.J. Johnson shared the front line with his tenor master for this exceptional session that features a unique reworking of "Poor Butterfly" and a great original "Why Don't I". Horace Silver is the pianist, but Thelonious Monk replaces him on "Reflections" and both pianists alternate throughout a stunning version of "Misterioso".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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        "nom" => "3. Poor Butterfly"
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    -artiste: App\Entity\Artiste {#1063 …}
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    -id: 383
    -nom: "Volume 2"
    -informationComplementaire: null
    -description: """
      Sonny Rollins, Vol. 2 brought together some of the greatest players of the post-bop era. In addition to Rollins, it featured Art Blakey on drums, Horace Silver and Thelonious Monk on piano, Paul Chambers on bass, and J.J. Johnson on trombone. This classic record is a must-have for any jazz lover.\r\n
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      """
    -prixVente: "38.00"
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[
  "produit" => App\Entity\Produit {#2101
    -id: 2025
    -nom: "On Impulse !"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      "If anything, Sonny Rollins on Impulse ! feels as if it were a recording Rollins had to get out of his system. But thank goodness for us because it's a winner through and through". - AllMusic \r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      In 1965 and 1966, tenor giant Sonny Rollins issued three albums for the Impulse ! label. They were his last until 1972 when he re-emerged from a self-imposed retirement. Here on this July 8, 1965 date, Rollins attacks five standards with a quartet that included pianist Ray Bryant, bassist Walter Booker and drummer Mickey Roker.\r\n
      \r\n
      Rollins digs deeply into pulse and rhythm, leaving melody to take care of itself. AllMusic says This is not a 'new thing' date but instead focuses on playing according to the dictates of the rhythm section and on interchanging with Booker and Roker, leaving much of the melodic aspect of these tunes to Bryant. Rollins could never quite leave the melody out of anything he played because of his intense gift as a lyrical improviser; he nonetheless stripped his approach back and played tunes like 'On Green Dolphin Street' by improvising according to theme rather than strict melody, where his interplay with the rhythm section becomes based on the dynamic and shifting times played by Roker. While things are more intimate and straight on 'Everything Happens to Me', he nonetheless plays the edges, filling the space like a drummer. Melody happens throughout, the tune is recognizable, but it is stretched in his solo to a theme set by the shimmering cymbals and brushed snare work of Roker. The oddest cuts in the set are the last two; spaced out readings of 'Blue Room', and 'Three Little Words'; they sound as if he were preparing the listener for a true change in his approach.\r\n
      "Melody gets inverted, with spaces and syncopation taking the place of notes. The swing is inherent in everything here, but it's clear that the saxophonist was hearing something else in his head, the way he squeezes notes tightly into some phrases where they might be placed elsewhere, and substitutes small, lithe lines inside Bryant's solos which dictate the harmonic intervals more conventionally with his singing approach. And speaking of rhythm, the album's hinge piece is the burning calypso 'Hold "Em Joe'. Here again, as Bryant's changes play it straight, Rollins shoves his horn inside them and draws out the beat on his horn over and over again".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=Ig0TmET6cw8"
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App\Twig\Components\GestionPanierFavoriComponents {#3386
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …}
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  +produit: App\Entity\Produit {#2101
    -id: 2025
    -nom: "On Impulse !"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
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      "If anything, Sonny Rollins on Impulse ! feels as if it were a recording Rollins had to get out of his system. But thank goodness for us because it's a winner through and through". - AllMusic \r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      In 1965 and 1966, tenor giant Sonny Rollins issued three albums for the Impulse ! label. They were his last until 1972 when he re-emerged from a self-imposed retirement. Here on this July 8, 1965 date, Rollins attacks five standards with a quartet that included pianist Ray Bryant, bassist Walter Booker and drummer Mickey Roker.\r\n
      \r\n
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      "Melody gets inverted, with spaces and syncopation taking the place of notes. The swing is inherent in everything here, but it's clear that the saxophonist was hearing something else in his head, the way he squeezes notes tightly into some phrases where they might be placed elsewhere, and substitutes small, lithe lines inside Bryant's solos which dictate the harmonic intervals more conventionally with his singing approach. And speaking of rhythm, the album's hinge piece is the burning calypso 'Hold "Em Joe'. Here again, as Bryant's changes play it straight, Rollins shoves his horn inside them and draws out the beat on his horn over and over again".
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=Ig0TmET6cw8"
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[
  "produit" => App\Entity\Produit {#2117
    -id: 2441
    -nom: "Go West ! - The Contemporary Records Albums - Box Set (3 LP)"
    -informationComplementaire: null
    -description: """
      180 gram Vinyl (3 LP) Box Set featuring Sonny Rollins' Contemporary Records Output Newly Cut from the Original Analog Tapes by Bernie Grundman and Pressed at RTI !\r\n
      \r\n
      Craft Recordings presents Go West!: The Contemporary Records Albums, a new 180 gram vinyl 3 LP collection (pressed at RTI) that explores Sonny Rollins' output for Lester Koenig's revered Los Angeles jazz label. Newly cut from the original analog tapes by Grammy-winning engineer (and former Contemporary Records studio employee) Bernie Grundman, the 20-track set presents two classic albums from the legendary saxophonist's catalog: Way Out West (recorded in March 1957) and Sonny Rollins and the Contemporary Leaders (October 1958). Adding additional context are six alternate takes, culled from both albums. Originally released in 1986 on the long-out-of-print compilation album Contemporary Alternate Takes, these tracks allow listeners to hear Rollins and his fellow musicians develop such iconic recordings as "Way Out West" and "Come, Gone." The set also includes an expanded booklet with new liner notes by the Grammy Award-winning music historian Ashley Kahn and a new interview with Rollins, conducted in August 2021. \r\n
      \r\n
      In the spring of 1957, 26-year-old Sonny Rollins was primed for a new adventure. For nearly a decade, the tenor saxophonist had worked his way up through the ranks of the New York City jazz scene. By the mid-50s, Rollins was playing alongside such stars as Miles Davis, Clifford Brown and Max Roach, and Thelonious Monk, and had released his first albums as a leader on Prestige Records. The saxophonist had also established himself as a talented composer, through such now-iconic jazz standards as "Oleo", "Airegin", "Doxy" and "St. Thomas". But while the Harlem-born artist was firmly entrenched in the East Coast hard bop scene, the opportunity to explore the sights and sounds of the West Coast (where the cool jazz movement was in full swing) had a strong appeal. Moreover, having recently concluded his contractual obligations with Prestige, Rollins was a free agent. In his new liner notes, Kahn writes, "The idea of freedom comes up often in chronicles of Rollins during this period. It's noted in the music he was creating – particularly in his decision to perform and record with piano-less rhythm accompaniment, allowing for a harmonic freedom, but also in his extended improvisations that developed into lengthy stories of their own. Rollins was developing his sound and approach on a daily basis".\r\n
      \r\n
      At the center of the West Coast jazz scene was Contemporary Records. Founded in 1951 by former screenwriter and film producer Lester Koenig, the young label was home to some of Los Angeles' most exciting artists, including Shelly Manne, Barney Kessel, Hampton Hawes, Art Pepper and André Previn. From its state-of-the-art recording facilities to its high-impact jacket art, Contemporary Records had quickly established itself as an industry tastemaker and Rollins wanted to take part in the action. Koenig, who had recently begun pairing East and West Coast musicians together, was just as eager to work with the rising star. "I think everybody on the scene knew about Contemporary Records. Contemporary had a very positive reputation, a good name," recalls Rollins, speaking to Kahn in 2021. "[Koenig] seemed to be a very resolute fellow, a no-nonsense type of guy, and a very charming person...He was very respectful and a supporter of the music. He knew the history".\r\n
      \r\n
      Rollins commemorated his inaugural trip to California with Way Out West. Recorded in the early hours of March 7 with bassist Ray Brown and drummer Shelly Manne, the album marked the saxophonist's first in a trio setting. A loose concept record, Way Out West was comprised of originals ("Come Gone" and the title track), standards (Duke Ellington's "Solitude", Isham Jones' "There Is No Greater Love") and a pair of Western classics: Johnny Mercer's "I'm an Old Cowhand" and Peter DeRose's "Wagon Wheels." Engineer Roy DuNann (whom Rollins refers to as "the Rudy Van Gelder of the West Coast") recorded the sessions. The memorable jacket art, photographed by Bill Claxton, was also conceived of by Rollins. The desert scene features the musician as a lone cowboy, drawing a saxophone from his gun holster. "I used to go to the movies every week in Harlem and I happened to be a big cowboy fan," reveals Rollins. "They were my heroes and they were always the good guys. They stood for justice. In the end, good would always win over bad".\r\n
      \r\n
      In 1958, Rollins returned to Los Angeles but this time he was a star. In the two years following his first visit, the saxophonist had released multiple albums (including the groundbreaking Freedom Suite), made his debut at Carnegie Hall and was hailed by critics as the decade's most influential tenor sax player. Rollins had also married his first wife, actress and model Dawn Finney, whom he met during his first trip to California. His follow-up for Contemporary, Sonny Rollins and the Contemporary Leaders, would bookend this eventful era marking the musician's final album of the '50s, before he embarked on his first European tour and took a three-year hiatus, ahead of his next artistic phase. Recorded over three days that October, it found the horn player primarily in a quintet setting, backed by Manne, Barney Kessell (guitar), Hampton Hawes (piano) and Leroy Vinnegar (bass), with a guest appearance by vibraphonist Victor Feldman – all of whom also recorded as leaders on the label, as the title implies. Bridging the sounds of both coasts, the album showcased the talents of each musician, as they played eight standards, including "Alone Together" (Schwartz/Dietz), "You" (Donaldson/Adamson) and "How High the Moon" (Lewis/Hamilton). "I really like the mix of tunes we did on the Leaders album, and I also like that the record shows there is a difference between the West Coast and East Coast musicians back then," notes Rollins. "The musicians out there were just like the West Coast itself beautiful landscape, beautiful weather, everything like that... East Coast jazz was more hard-edged. The bebop music we were playing at that time represented that divide I could hear the difference".\r\n
      \r\n
      Rollins' love affair with California wasn't just about the scenery, however. To him, these trips and their resulting albums represented a unique moment in his life one filled with creative exploration, a thrilling sense of opportunity and romance. "Being out West felt like new beginnings to me", he explains. "That whole experience in L.A. was a moment of growth. I'm so grateful that I've lived to the age that I am and that I could learn. I'm still learning, you know, growing and learning".
      """
    -prixVente: "149.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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      ]
      [
        "nom" => "3. I’ve Found A New Baby (Alternate Take)"
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      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2053 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3434
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  +produit: App\Entity\Produit {#2117
    -id: 2441
    -nom: "Go West ! - The Contemporary Records Albums - Box Set (3 LP)"
    -informationComplementaire: null
    -description: """
      180 gram Vinyl (3 LP) Box Set featuring Sonny Rollins' Contemporary Records Output Newly Cut from the Original Analog Tapes by Bernie Grundman and Pressed at RTI !\r\n
      \r\n
      Craft Recordings presents Go West!: The Contemporary Records Albums, a new 180 gram vinyl 3 LP collection (pressed at RTI) that explores Sonny Rollins' output for Lester Koenig's revered Los Angeles jazz label. Newly cut from the original analog tapes by Grammy-winning engineer (and former Contemporary Records studio employee) Bernie Grundman, the 20-track set presents two classic albums from the legendary saxophonist's catalog: Way Out West (recorded in March 1957) and Sonny Rollins and the Contemporary Leaders (October 1958). Adding additional context are six alternate takes, culled from both albums. Originally released in 1986 on the long-out-of-print compilation album Contemporary Alternate Takes, these tracks allow listeners to hear Rollins and his fellow musicians develop such iconic recordings as "Way Out West" and "Come, Gone." The set also includes an expanded booklet with new liner notes by the Grammy Award-winning music historian Ashley Kahn and a new interview with Rollins, conducted in August 2021. \r\n
      \r\n
      In the spring of 1957, 26-year-old Sonny Rollins was primed for a new adventure. For nearly a decade, the tenor saxophonist had worked his way up through the ranks of the New York City jazz scene. By the mid-50s, Rollins was playing alongside such stars as Miles Davis, Clifford Brown and Max Roach, and Thelonious Monk, and had released his first albums as a leader on Prestige Records. The saxophonist had also established himself as a talented composer, through such now-iconic jazz standards as "Oleo", "Airegin", "Doxy" and "St. Thomas". But while the Harlem-born artist was firmly entrenched in the East Coast hard bop scene, the opportunity to explore the sights and sounds of the West Coast (where the cool jazz movement was in full swing) had a strong appeal. Moreover, having recently concluded his contractual obligations with Prestige, Rollins was a free agent. In his new liner notes, Kahn writes, "The idea of freedom comes up often in chronicles of Rollins during this period. It's noted in the music he was creating – particularly in his decision to perform and record with piano-less rhythm accompaniment, allowing for a harmonic freedom, but also in his extended improvisations that developed into lengthy stories of their own. Rollins was developing his sound and approach on a daily basis".\r\n
      \r\n
      At the center of the West Coast jazz scene was Contemporary Records. Founded in 1951 by former screenwriter and film producer Lester Koenig, the young label was home to some of Los Angeles' most exciting artists, including Shelly Manne, Barney Kessel, Hampton Hawes, Art Pepper and André Previn. From its state-of-the-art recording facilities to its high-impact jacket art, Contemporary Records had quickly established itself as an industry tastemaker and Rollins wanted to take part in the action. Koenig, who had recently begun pairing East and West Coast musicians together, was just as eager to work with the rising star. "I think everybody on the scene knew about Contemporary Records. Contemporary had a very positive reputation, a good name," recalls Rollins, speaking to Kahn in 2021. "[Koenig] seemed to be a very resolute fellow, a no-nonsense type of guy, and a very charming person...He was very respectful and a supporter of the music. He knew the history".\r\n
      \r\n
      Rollins commemorated his inaugural trip to California with Way Out West. Recorded in the early hours of March 7 with bassist Ray Brown and drummer Shelly Manne, the album marked the saxophonist's first in a trio setting. A loose concept record, Way Out West was comprised of originals ("Come Gone" and the title track), standards (Duke Ellington's "Solitude", Isham Jones' "There Is No Greater Love") and a pair of Western classics: Johnny Mercer's "I'm an Old Cowhand" and Peter DeRose's "Wagon Wheels." Engineer Roy DuNann (whom Rollins refers to as "the Rudy Van Gelder of the West Coast") recorded the sessions. The memorable jacket art, photographed by Bill Claxton, was also conceived of by Rollins. The desert scene features the musician as a lone cowboy, drawing a saxophone from his gun holster. "I used to go to the movies every week in Harlem and I happened to be a big cowboy fan," reveals Rollins. "They were my heroes and they were always the good guys. They stood for justice. In the end, good would always win over bad".\r\n
      \r\n
      In 1958, Rollins returned to Los Angeles but this time he was a star. In the two years following his first visit, the saxophonist had released multiple albums (including the groundbreaking Freedom Suite), made his debut at Carnegie Hall and was hailed by critics as the decade's most influential tenor sax player. Rollins had also married his first wife, actress and model Dawn Finney, whom he met during his first trip to California. His follow-up for Contemporary, Sonny Rollins and the Contemporary Leaders, would bookend this eventful era marking the musician's final album of the '50s, before he embarked on his first European tour and took a three-year hiatus, ahead of his next artistic phase. Recorded over three days that October, it found the horn player primarily in a quintet setting, backed by Manne, Barney Kessell (guitar), Hampton Hawes (piano) and Leroy Vinnegar (bass), with a guest appearance by vibraphonist Victor Feldman – all of whom also recorded as leaders on the label, as the title implies. Bridging the sounds of both coasts, the album showcased the talents of each musician, as they played eight standards, including "Alone Together" (Schwartz/Dietz), "You" (Donaldson/Adamson) and "How High the Moon" (Lewis/Hamilton). "I really like the mix of tunes we did on the Leaders album, and I also like that the record shows there is a difference between the West Coast and East Coast musicians back then," notes Rollins. "The musicians out there were just like the West Coast itself beautiful landscape, beautiful weather, everything like that... East Coast jazz was more hard-edged. The bebop music we were playing at that time represented that divide I could hear the difference".\r\n
      \r\n
      Rollins' love affair with California wasn't just about the scenery, however. To him, these trips and their resulting albums represented a unique moment in his life one filled with creative exploration, a thrilling sense of opportunity and romance. "Being out West felt like new beginnings to me", he explains. "That whole experience in L.A. was a moment of growth. I'm so grateful that I've lived to the age that I am and that I could learn. I'm still learning, you know, growing and learning".
      """
    -prixVente: "149.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Ray Brown, Leroy Vinnegar (bass), Hampton Hawes (piano), Barney Kessel (guitar), Victor Feldman (vibraphone), Shelly Manne (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8jSPPz22Gko"
    -referenceProduit: "Concord Craft Recordings"
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    ]
    -artiste: App\Entity\Artiste {#1063 …}
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[
  "produit" => App\Entity\Produit {#2134
    -id: 2608
    -nom: "Way Out West"
    -informationComplementaire: null
    -description: """
      - Contemporary Records Acoustic Sounds Series continues in 2024 !\r\n
      - Twelve standout albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      - Titles featuring Art Pepper, Sonny Rollins, Helen Humes, Ben Webster and many more !\r\n
      - Mastered AAA by Bernie Grundman from the original analog tapes !\r\n
      - 180 gram LPs pressed at RTI !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      - Continuing Craft Recordings' celebration of seminal jazz artists from Contemporary Records !\r\n
      \r\n
      A classic of the genre, Way Out West was tenor saxophonist Sonny Rollins' first album for west coast label Contemporary Records. The New York Times wrote, "He is jazz's greatest living improviser, able to imbue his solos with wry humor, surprise, brilliant logical form, and profound emotion". In a genre where so much talent burned out too young, Rollins (now retired at age 93) held court as one of jazz's most formidable talents. Way Out West, his classic 1957 album, received 5 Stars from Rolling Stone's prestigious Jazz Record Guide and has prompted Pitchfork to deem it, "an album that looks like a novelty and sounds like transcendence".\r\n
      \r\n
      The album's infamous 3 a.m. recording sessions featured Rollins' sax strolling over the contributions of onetime Ella Fitzgerald bassist Ray Brown and iconic West Coast Jazz drummer Shelly Manne, neither of whom he'd ever played with. The results are incredible, with "I'm an Old Cowhand (From the Rio Grande)", a satirical song about Texas written by Johnny Mercer and made famous by Bing Crosby, skillfully merging country with jazz, while Rollins' own composition, the title track "Way Out West", reminds us of his dexterity and playful ambivalence towards time signatures.\r\n
      \r\n
      This new edition, released as part of the Contemporary Records Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180 gram vinyl at RTI, and presented in a Stoughton Printing tip-on jacket.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Ray Brown (bass), Shelly Manne (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=6DkZpXqzNLg"
    -referenceProduit: "Acoustic Sounds Series Contemporary 0434"
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        "nom" => "Side A : "
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      [
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      ]
      [
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        "ordre" => 6
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      [
        "nom" => "6. Way Out West"
        "ordre" => 7
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3482
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2134
    -id: 2608
    -nom: "Way Out West"
    -informationComplementaire: null
    -description: """
      - Contemporary Records Acoustic Sounds Series continues in 2024 !\r\n
      - Twelve standout albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      - Titles featuring Art Pepper, Sonny Rollins, Helen Humes, Ben Webster and many more !\r\n
      - Mastered AAA by Bernie Grundman from the original analog tapes !\r\n
      - 180 gram LPs pressed at RTI !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      - Continuing Craft Recordings' celebration of seminal jazz artists from Contemporary Records !\r\n
      \r\n
      A classic of the genre, Way Out West was tenor saxophonist Sonny Rollins' first album for west coast label Contemporary Records. The New York Times wrote, "He is jazz's greatest living improviser, able to imbue his solos with wry humor, surprise, brilliant logical form, and profound emotion". In a genre where so much talent burned out too young, Rollins (now retired at age 93) held court as one of jazz's most formidable talents. Way Out West, his classic 1957 album, received 5 Stars from Rolling Stone's prestigious Jazz Record Guide and has prompted Pitchfork to deem it, "an album that looks like a novelty and sounds like transcendence".\r\n
      \r\n
      The album's infamous 3 a.m. recording sessions featured Rollins' sax strolling over the contributions of onetime Ella Fitzgerald bassist Ray Brown and iconic West Coast Jazz drummer Shelly Manne, neither of whom he'd ever played with. The results are incredible, with "I'm an Old Cowhand (From the Rio Grande)", a satirical song about Texas written by Johnny Mercer and made famous by Bing Crosby, skillfully merging country with jazz, while Rollins' own composition, the title track "Way Out West", reminds us of his dexterity and playful ambivalence towards time signatures.\r\n
      \r\n
      This new edition, released as part of the Contemporary Records Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180 gram vinyl at RTI, and presented in a Stoughton Printing tip-on jacket.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Ray Brown (bass), Shelly Manne (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=6DkZpXqzNLg"
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        "nom" => "4. Wagon Wheels"
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      ]
      [
        "nom" => "5. There Is No Greater Love"
        "ordre" => 6
      ]
      [
        "nom" => "6. Way Out West"
        "ordre" => 7
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2136 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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[
  "produit" => App\Entity\Produit {#2152
    -id: 2641
    -nom: "Alfie - (Original Music From The Score)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sonny Rollins (tenor saxophone, composer), J.J. Johnson, Jimmy Cleveland (trombone), Phil Woods (alto saxophone), Bob Ashton (tenor saxophone), Danny Bank (baritone saxophone), Roger Kellaway (piano), Kenny Burrell (guitar), Walter Booker (bass), Frankie Dunlop (drums).\r\n
      \r\n
      - Sonny Rollins Original Music From The Score "Alfie" !\r\n
      - Orchestra conducted by Oliver Nelson !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - Pressed on 180 gram vinyl at Quality Record Pressings for superior sound !\r\n
      \r\n
      Sonny Rollins' classic 1966 album Alfie showcases the saxophonist performing music composed for the British film by the same name. It was arranged and conducted by Oliver Nelson and features superlative performances by the leader, who is accompanied by such co-stars as Kenny Burrell, Jimmy Cleveland, J.J. Johnson and Roger Kellaway.\r\n
      \r\n
      The album reached No. 17 on the R&B Billboard chart and was given a rating of 4½ out of five stars on AllMusic by critic Rovi Staff, who stated that "Tenor saxophonist Sonny Rollins loaned his flair for the dramatic to the score for the film Alfie, accompanying the story of what the liner notes describe as 'the involuntary education of a hipster'. Rollins attempts to capture the textures of life through his incisive and energetic playing, his coherent improvisations, and variations on musical themes".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone, composer), J.J. Johnson, Jimmy Cleveland (trombone), Phil Woods (alto saxophone), Bob Ashton (tenor saxophone), Danny Bank (baritone saxophone), Roger Kellaway (piano), Kenny Burrell (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=gLVUPFqEE_M"
    -referenceProduit: "Acoustic Sounds Series 9111"
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        "ordre" => 0
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        "ordre" => 6
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      [
        "nom" => "4. Alfie's Theme Differently"
        "ordre" => 7
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    -artiste: App\Entity\Artiste {#1063 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2157 …}
    -disponible: null
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    -slug: "vinyles-alfie-original-music-from-the-score-acoustic-sounds-series-9111"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3530
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
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    -id: 2641
    -nom: "Alfie - (Original Music From The Score)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sonny Rollins (tenor saxophone, composer), J.J. Johnson, Jimmy Cleveland (trombone), Phil Woods (alto saxophone), Bob Ashton (tenor saxophone), Danny Bank (baritone saxophone), Roger Kellaway (piano), Kenny Burrell (guitar), Walter Booker (bass), Frankie Dunlop (drums).\r\n
      \r\n
      - Sonny Rollins Original Music From The Score "Alfie" !\r\n
      - Orchestra conducted by Oliver Nelson !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - Pressed on 180 gram vinyl at Quality Record Pressings for superior sound !\r\n
      \r\n
      Sonny Rollins' classic 1966 album Alfie showcases the saxophonist performing music composed for the British film by the same name. It was arranged and conducted by Oliver Nelson and features superlative performances by the leader, who is accompanied by such co-stars as Kenny Burrell, Jimmy Cleveland, J.J. Johnson and Roger Kellaway.\r\n
      \r\n
      The album reached No. 17 on the R&B Billboard chart and was given a rating of 4½ out of five stars on AllMusic by critic Rovi Staff, who stated that "Tenor saxophonist Sonny Rollins loaned his flair for the dramatic to the score for the film Alfie, accompanying the story of what the liner notes describe as 'the involuntary education of a hipster'. Rollins attempts to capture the textures of life through his incisive and energetic playing, his coherent improvisations, and variations on musical themes".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone, composer), J.J. Johnson, Jimmy Cleveland (trombone), Phil Woods (alto saxophone), Bob Ashton (tenor saxophone), Danny Bank (baritone saxophone), Roger Kellaway (piano), Kenny Burrell (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=gLVUPFqEE_M"
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        "ordre" => 6
      ]
      [
        "nom" => "4. Alfie's Theme Differently"
        "ordre" => 7
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1468 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2155 …}
    -enregistreLe: DateTime @1739350805 {#2148
      date: 2025-02-12 09:00:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763747249 {#2147
      date: 2025-11-21 17:47:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2157 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-alfie-original-music-from-the-score-acoustic-sounds-series-9111"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …}
}

[
  "produit" => App\Entity\Produit {#2167
    -id: 2625
    -nom: "Volume 1 (Mono)"
    -informationComplementaire: null
    -description: """
      - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      - All-analog mastering from the original master tapes !\r\n
      \r\n
      After Sonny Rollins first appeared on a Blue Note session as a member of Bud Powell's Modernists in 1949, the Saxophone Colossus began building his name as a bandleader with a run of albums for Prestige before returning to make his Blue Note debut as a leader in 1956. Volume 1 hit all the marks of a classic Rollins session with four hard-swinging originals that showcased the saxophonist's robust sound and seemingly limitless improvisational creativity with a top-shelf quintet featuring Donald Byrd on trumpet, Wynton Kelly on piano, Gene Ramey on bass, and Max Roach on drums. In true Rollins fashion, the album's centerpiece is a stunning ballad performance of an unexpected song choice : "How Are Things in Glocca Morra ?" from the Broadway show Finian's Rainbow.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Donald Byrd (trumpet), Wynton Kelly (piano), Gene Ramey (bass), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hHzJjmKPPV4"
    -referenceProduit: "Blue Note Records 1542"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "ordre" => 1
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        "ordre" => 3
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      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Plain Jane"
        "ordre" => 5
      ]
      [
        "nom" => "2. Sonnysphere"
        "ordre" => 6
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2087 …}
    -style: App\Entity\Style {#1468 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2170 …}
    -enregistreLe: DateTime @1737369211 {#2163
      date: 2025-01-20 10:33:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763746705 {#2162
      date: 2025-11-21 17:38:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2172 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-volume-1-mono-blue-note-records-1542"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3578
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2167
    -id: 2625
    -nom: "Volume 1 (Mono)"
    -informationComplementaire: null
    -description: """
      - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      - All-analog mastering from the original master tapes !\r\n
      \r\n
      After Sonny Rollins first appeared on a Blue Note session as a member of Bud Powell's Modernists in 1949, the Saxophone Colossus began building his name as a bandleader with a run of albums for Prestige before returning to make his Blue Note debut as a leader in 1956. Volume 1 hit all the marks of a classic Rollins session with four hard-swinging originals that showcased the saxophonist's robust sound and seemingly limitless improvisational creativity with a top-shelf quintet featuring Donald Byrd on trumpet, Wynton Kelly on piano, Gene Ramey on bass, and Max Roach on drums. In true Rollins fashion, the album's centerpiece is a stunning ballad performance of an unexpected song choice : "How Are Things in Glocca Morra ?" from the Broadway show Finian's Rainbow.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Donald Byrd (trumpet), Wynton Kelly (piano), Gene Ramey (bass), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=hHzJjmKPPV4"
    -referenceProduit: "Blue Note Records 1542"
    -titreMorceau: [
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        "ordre" => 5
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      [
        "nom" => "2. Sonnysphere"
        "ordre" => 6
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2087 …}
    -style: App\Entity\Style {#1468 …}
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    -enregistreLe: DateTime @1737369211 {#2163
      date: 2025-01-20 10:33:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763746705 {#2162
      date: 2025-11-21 17:38:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-volume-1-mono-blue-note-records-1542"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …}
}

[
  "produit" => App\Entity\Produit {#2180
    -id: 2773
    -nom: "Freedom Weaver : The 1959 European Tour  (Limited RSD 2024 Edition)"
    -informationComplementaire: null
    -description: """
      - Sonny Rollins "Freedom Weaver : The 1959 European Tour Recordings" !\r\n
      - First official release of the 'Saxophone Colossus' Sonny Rollins' European tour in 1959 !\r\n
      - Available previously only as a bootleg release !\r\n
      - First ever release on vinyl !\r\n
      - Limited edition 180 gram (4 LP) box set mastered by Bernie Grundman and pressed at Le Vinylist !\r\n
      - Massive booklet with rare photos by Ed van der Elsken, Jean-Pierre Leloir, Bob Parent and others !\r\n
      - Interviews with Sonny Rollins, Branford Marsalis, James Carter, Joe Lovano, James Brandon Lewis, Peter Brötzmann and more !\r\n
      \r\n
      Freedom Weaver : The 1959 European Tour Recordings is the first official release of the 'Saxophone Colossus' Sonny Rollins' European tour in 1959 with bassist Henry Grimes, and drummers Pete La Roca, Kenny Clarke and Joe Harris. Available previously only as a bootleg release, this is the first official release in cooperation with Sonny Rollins and is the first release on vinyl, as a limited-edition 180 gram (4 LP) box set. Freedom Weaver includes an elaborate booklet with rare photos by Ed van der Elsken, Jean-Pierre Leloir, Bob Parent and many others; lead liners by jazz scholar Bob Blumenthal, and new interviews with Rollins himself, Branford Marsalis, James Carter, Joe Lovano, James Brandon Lewis and Peter Brötzmann. Mastered by the legendary mastering engineer Bernie Grundman.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Henry Grimes (bass), Pete La Roca, Joe Harris, Kenny Clarke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 4
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=suw2nSx_Huk&list=RDsuw2nSx_Huk&start_radio=1"
    -referenceProduit: "Resonance Records 9065"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. St. Thomas – Nalen Stockholm, March 2, 1959"
        "ordre" => 1
      ]
      [
        "nom" => "2. There Will Never Be Another You – Stockholm, Sweden, March 4, 1959"
        "ordre" => 2
      ]
      [
        "nom" => "3. Stay As Sweet As You Are – Stockholm, Sweden, March 4, 1959"
        "ordre" => 3
      ]
      [
        "nom" => "4. I’ve Told Ev’ry Little Star – Stockholm, Sweden, March 4, 1959"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. How High the Moon – Stockholm, Sweden, March 4, 1959"
        "ordre" => 6
      ]
      [
        "nom" => "2. Oleo – Stockholm, Sweden, March 4, 1959"
        "ordre" => 7
      ]
      [
        "nom" => "3. Paul's Pal – Stockholm, Sweden, March 4, 1959"
        "ordre" => 8
      ]
      [
        "nom" => "Side C :"
        "ordre" => 9
      ]
      [
        "nom" => "1. Sonny Rollins Interview - Sodra Teatern, Stockholm, Sweden, March 4, 1959"
        "ordre" => 10
      ]
      [
        "nom" => "2. It Don’t Mean a Thing #1 - Sodra Teatern, Stockholm, Sweden, March 4, 1959"
        "ordre" => 11
      ]
      [
        "nom" => "3. Paul’s Pal #2 - Sodra Teatern, Stockholm, Sweden, March 4, 1959"
        "ordre" => 12
      ]
      [
        "nom" => "4. Love Letters - Sodra Teatern, Stockholm, Sweden, March 4, 1959"
        "ordre" => 13
      ]
      [
        "nom" => "Side D : "
        "ordre" => 14
      ]
      [
        "nom" => "1. I Remember You - Zürich, Switzerland, March 5, 1959"
        "ordre" => 15
      ]
      [
        "nom" => "2. I’ve Told Ev’ry Little Star #2 - Zürich, Switzerland, March 5, 1959"
        "ordre" => 16
      ]
      [
        "nom" => "3. It Could Happen To You - Zürich, Switzerland, March 5, 1959"
        "ordre" => 17
      ]
      [
        "nom" => "4. Oleo #2 - Zürich, Switzerland, March 5, 1959"
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        "nom" => "5. Will You Still Be Mine? - Zürich, Switzerland, March 5, 1959"
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        "nom" => "6. I’ve Told Ev’ry Little Star #3 – Laren, Holland, March 7, 1959"
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      [
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      [
        "nom" => "3. It Don’t Mean a Thing #2 – Frankfurt, Germany, March 9, 1959"
        "ordre" => 24
      ]
      [
        "nom" => "4. Cocktails For Two – Frankfurt, Germany, March 9, 1959"
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        "nom" => "5. I’ve Told Ev’ry Little Star #4 – Frankfurt, Germany, March 9, 1959"
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        "ordre" => 27
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        "nom" => "Side F :"
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      ]
      [
        "nom" => "1. Woody ‘n’ You – Aix-en-Provence, France, March 11, 1959"
        "ordre" => 29
      ]
      [
        "nom" => "Side G : "
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      ]
      [
        "nom" => "1. But Not for Me – Aix-en-Provence, France, March 11, 1959"
        "ordre" => 31
      ]
      [
        "nom" => "Side H : "
        "ordre" => 32
      ]
      [
        "nom" => "1. Lady Bird – Aix-en-Provence, France, March 11, 1959"
        "ordre" => 33
      ]
      [
        "nom" => ""
        "ordre" => 34
      ]
      [
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        "ordre" => 35
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      [
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        "ordre" => 47
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      [
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        "ordre" => 48
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    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2182 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2191 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3626
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2180
    -id: 2773
    -nom: "Freedom Weaver : The 1959 European Tour  (Limited RSD 2024 Edition)"
    -informationComplementaire: null
    -description: """
      - Sonny Rollins "Freedom Weaver : The 1959 European Tour Recordings" !\r\n
      - First official release of the 'Saxophone Colossus' Sonny Rollins' European tour in 1959 !\r\n
      - Available previously only as a bootleg release !\r\n
      - First ever release on vinyl !\r\n
      - Limited edition 180 gram (4 LP) box set mastered by Bernie Grundman and pressed at Le Vinylist !\r\n
      - Massive booklet with rare photos by Ed van der Elsken, Jean-Pierre Leloir, Bob Parent and others !\r\n
      - Interviews with Sonny Rollins, Branford Marsalis, James Carter, Joe Lovano, James Brandon Lewis, Peter Brötzmann and more !\r\n
      \r\n
      Freedom Weaver : The 1959 European Tour Recordings is the first official release of the 'Saxophone Colossus' Sonny Rollins' European tour in 1959 with bassist Henry Grimes, and drummers Pete La Roca, Kenny Clarke and Joe Harris. Available previously only as a bootleg release, this is the first official release in cooperation with Sonny Rollins and is the first release on vinyl, as a limited-edition 180 gram (4 LP) box set. Freedom Weaver includes an elaborate booklet with rare photos by Ed van der Elsken, Jean-Pierre Leloir, Bob Parent and many others; lead liners by jazz scholar Bob Blumenthal, and new interviews with Rollins himself, Branford Marsalis, James Carter, Joe Lovano, James Brandon Lewis and Peter Brötzmann. Mastered by the legendary mastering engineer Bernie Grundman.
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Henry Grimes (bass), Pete La Roca, Joe Harris, Kenny Clarke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 4
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    -extraitYoutube: "https://www.youtube.com/watch?v=suw2nSx_Huk&list=RDsuw2nSx_Huk&start_radio=1"
    -referenceProduit: "Resonance Records 9065"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
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        "nom" => "1. St. Thomas – Nalen Stockholm, March 2, 1959"
        "ordre" => 1
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      [
        "nom" => "2. There Will Never Be Another You – Stockholm, Sweden, March 4, 1959"
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      [
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        "nom" => "3. Paul's Pal – Stockholm, Sweden, March 4, 1959"
        "ordre" => 8
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      [
        "nom" => "Side C :"
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      [
        "nom" => "1. Sonny Rollins Interview - Sodra Teatern, Stockholm, Sweden, March 4, 1959"
        "ordre" => 10
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      [
        "nom" => "2. It Don’t Mean a Thing #1 - Sodra Teatern, Stockholm, Sweden, March 4, 1959"
        "ordre" => 11
      ]
      [
        "nom" => "3. Paul’s Pal #2 - Sodra Teatern, Stockholm, Sweden, March 4, 1959"
        "ordre" => 12
      ]
      [
        "nom" => "4. Love Letters - Sodra Teatern, Stockholm, Sweden, March 4, 1959"
        "ordre" => 13
      ]
      [
        "nom" => "Side D : "
        "ordre" => 14
      ]
      [
        "nom" => "1. I Remember You - Zürich, Switzerland, March 5, 1959"
        "ordre" => 15
      ]
      [
        "nom" => "2. I’ve Told Ev’ry Little Star #2 - Zürich, Switzerland, March 5, 1959"
        "ordre" => 16
      ]
      [
        "nom" => "3. It Could Happen To You - Zürich, Switzerland, March 5, 1959"
        "ordre" => 17
      ]
      [
        "nom" => "4. Oleo #2 - Zürich, Switzerland, March 5, 1959"
        "ordre" => 18
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      [
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      [
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[
  "produit" => App\Entity\Produit {#2196
    -id: 2644
    -nom: "Sonny Rollins And The Contemporary Leaders"
    -informationComplementaire: null
    -description: """
      - Contemporary Records Acoustic Sounds Series continues in 2025 !\r\n
      - Mastered AAA by Bernie Grundman from the original analog tapes !\r\n
      - 180 gram LP pressed at RTI !\r\n
      - Tip-on jacket !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      - Continuing Craft Recordings' celebration of seminal jazz artists from Contemporary Records !\r\n
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3674
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
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    -nom: "Sonny Rollins And The Contemporary Leaders"
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      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
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App\Twig\Components\AjoutMailNewsletterComponent {#3866
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  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3867 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3915 …}
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  +validatedFields: []
}