Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2576
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2423 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2653
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2656 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2423 …}
  -formView: Symfony\Component\Form\FormView {#2692 …}
  -form: Symfony\Component\Form\Form {#2842 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 1824
    -nom: "Rit's House"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Lee Ritenour (guitar), George Duke, John Beasley (fender Rhodes), Marcus Miller, Melvin Davis (bass), Dave Carpenter (acoustic bass), Mitch Holder (acoustic guitar), Joey Defrancesco, Mark Stephens (organ B-3), John Beasley, Alan Pasqua (piano, organ B-3), Ernie Watts (tenor saxophone), Gary Grant (trumpet), Jerry Hey (flugelhorn, trumpet), Dan Higgins (tenor saxophone, flute & alto flute, indian flute), Bill Reichenbach (trombone), Jochem Van Der Saag (keybords, synthesizers, percussion), Rendy Kerber (synthesizer, strings), Michael McDonald (lead & background vocals), Paulinho Da Costa (percussion), Vinnie Colaiuta, Will Kennedy, Byron Landham, Peter Erskine (drums).\r\n
      \r\n
      Rit's House, released in 2002, is an instrumental album except for the Ritenour & McDonald version of the Police's '81 hit song "Every Little Thing She Does Is Magic". Ritenour and the former Doobie Brothers vocalist transform the song into an adult contemporary / quiet storm ballad.\r\n
      \r\n
      Recorded on 180 gram heavy-weight vinyl to ensure quality sound, packaged in gatefold cover, and covered by premium protective vinyl outer sleeve.\r\n
      \r\n
      The 'Play 33 1/3 LP Series' is a 1st LP issue project of the masterpiece albums which have never been released on vinyl LP. The albums are released by Universal Music Korea and the heavyweight vinyl LP is pressed in Germany. Khiov designs the project, reforms the original artworks for the LP size and produces the sleeves precisely by handmade. You will have a chance to experience great analogue sounds and to enjoy splendid artworks through the series.\r\n
      \r\n
      "Creatively, Lee Ritenour has had his ups and downs over the years. Many of the guitarist's commercial pop-jazz efforts have wasted his skills as an improviser; when Ritenour is catering to NAC/smooth jazz radio, improvisation is the usually the first thing to go. But when Ritenour does have a chance to stretch out, he can be an appealing improviser. Although quite accessible, Rit's House is among his more memorable and substantial efforts. This 2002 release has a soul-jazz / post-bop outlook that often recalls the late '60s and early '70s; for the most part, it is the sort of album that guitarist Grant Green would have been comfortable recording during that era. But Ritenour's guitar playing owes a lot more to Wes Montgomery, who is obviously his primary influence on Gabor Szabo's "Mizrab", as well as original tunes like "78th & 3rd" (which features organist Joey DeFrancesco) and the dusky "Olinda". One of the album's best tracks has nothing to do with jazz : "Every Little Thing She Does Is Magic". Featuring former Doobie Brothers vocalist Michael McDonald, this interesting remake of the Police's 1981 hit is not only a departure from the rest of the album it is also a big departure from the original version. While the Police's version was up-tempo pop / rock, Ritenour and McDonald transform "Every Little Thing She Does Is Magic" into an adult contemporary / quiet storm ballad. That track is the album's only vocal offering; the rest of Rit's House is instrumental. Arguably, 1992's Wes Bound is still Ritenour's best studio album certainly from a jazz perspective. But this album is also respectable, and those who enjoyed hearing the guitarist stretching out on that mostly straightahead disc will also find a lot to enjoy about Rit's House". - Alex Henderson\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Lee Ritenour (guitar), George Duke, John Beasley (fender Rhodes), Marcus Miller, Melvin Davis (bass), Dave Carpenter (acoustic bass), Mitch Holder (acoustic guitar), Joey Defrancesco, Mark Stephens (organ B-3)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=enu30Ou5j2s"
    -referenceProduit: "Universal Play 33 1/3 43146"
    -titreMorceau: [
      [
        "nom" => "1. 78th & 3rd"
        "ordre" => 5
      ]
      [
        "nom" => "1. Every Little Thing She Does Is Magic"
        "ordre" => 9
      ]
      [
        "nom" => "1. Module 105"
        "ordre" => 1
      ]
      [
        "nom" => "1. Night Owl"
        "ordre" => 13
      ]
      [
        "nom" => "2. Condor"
        "ordre" => 10
      ]
      [
        "nom" => "2. Party Time"
        "ordre" => 14
      ]
      [
        "nom" => "2. Rit's House"
        "ordre" => 6
      ]
      [
        "nom" => "2. "13""
        "ordre" => 2
      ]
      [
        "nom" => "3. A Little Dolphin Dreamin'"
        "ordre" => 7
      ]
      [
        "nom" => "3. Just Listen"
        "ordre" => 15
      ]
      [
        "nom" => "3. Mizrab"
        "ordre" => 3
      ]
      [
        "nom" => "3. Olinda"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1583392010 {#1875
      date: 2020-03-05 07:06:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1593944940 {#1868
      date: 2020-07-05 10:29:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rit-s-house-universal-play-33-1-3-43146"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3117
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 1824
    -nom: "Rit's House"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Lee Ritenour (guitar), George Duke, John Beasley (fender Rhodes), Marcus Miller, Melvin Davis (bass), Dave Carpenter (acoustic bass), Mitch Holder (acoustic guitar), Joey Defrancesco, Mark Stephens (organ B-3), John Beasley, Alan Pasqua (piano, organ B-3), Ernie Watts (tenor saxophone), Gary Grant (trumpet), Jerry Hey (flugelhorn, trumpet), Dan Higgins (tenor saxophone, flute & alto flute, indian flute), Bill Reichenbach (trombone), Jochem Van Der Saag (keybords, synthesizers, percussion), Rendy Kerber (synthesizer, strings), Michael McDonald (lead & background vocals), Paulinho Da Costa (percussion), Vinnie Colaiuta, Will Kennedy, Byron Landham, Peter Erskine (drums).\r\n
      \r\n
      Rit's House, released in 2002, is an instrumental album except for the Ritenour & McDonald version of the Police's '81 hit song "Every Little Thing She Does Is Magic". Ritenour and the former Doobie Brothers vocalist transform the song into an adult contemporary / quiet storm ballad.\r\n
      \r\n
      Recorded on 180 gram heavy-weight vinyl to ensure quality sound, packaged in gatefold cover, and covered by premium protective vinyl outer sleeve.\r\n
      \r\n
      The 'Play 33 1/3 LP Series' is a 1st LP issue project of the masterpiece albums which have never been released on vinyl LP. The albums are released by Universal Music Korea and the heavyweight vinyl LP is pressed in Germany. Khiov designs the project, reforms the original artworks for the LP size and produces the sleeves precisely by handmade. You will have a chance to experience great analogue sounds and to enjoy splendid artworks through the series.\r\n
      \r\n
      "Creatively, Lee Ritenour has had his ups and downs over the years. Many of the guitarist's commercial pop-jazz efforts have wasted his skills as an improviser; when Ritenour is catering to NAC/smooth jazz radio, improvisation is the usually the first thing to go. But when Ritenour does have a chance to stretch out, he can be an appealing improviser. Although quite accessible, Rit's House is among his more memorable and substantial efforts. This 2002 release has a soul-jazz / post-bop outlook that often recalls the late '60s and early '70s; for the most part, it is the sort of album that guitarist Grant Green would have been comfortable recording during that era. But Ritenour's guitar playing owes a lot more to Wes Montgomery, who is obviously his primary influence on Gabor Szabo's "Mizrab", as well as original tunes like "78th & 3rd" (which features organist Joey DeFrancesco) and the dusky "Olinda". One of the album's best tracks has nothing to do with jazz : "Every Little Thing She Does Is Magic". Featuring former Doobie Brothers vocalist Michael McDonald, this interesting remake of the Police's 1981 hit is not only a departure from the rest of the album it is also a big departure from the original version. While the Police's version was up-tempo pop / rock, Ritenour and McDonald transform "Every Little Thing She Does Is Magic" into an adult contemporary / quiet storm ballad. That track is the album's only vocal offering; the rest of Rit's House is instrumental. Arguably, 1992's Wes Bound is still Ritenour's best studio album certainly from a jazz perspective. But this album is also respectable, and those who enjoyed hearing the guitarist stretching out on that mostly straightahead disc will also find a lot to enjoy about Rit's House". - Alex Henderson\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Lee Ritenour (guitar), George Duke, John Beasley (fender Rhodes), Marcus Miller, Melvin Davis (bass), Dave Carpenter (acoustic bass), Mitch Holder (acoustic guitar), Joey Defrancesco, Mark Stephens (organ B-3)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=enu30Ou5j2s"
    -referenceProduit: "Universal Play 33 1/3 43146"
    -titreMorceau: [
      [
        "nom" => "1. 78th & 3rd"
        "ordre" => 5
      ]
      [
        "nom" => "1. Every Little Thing She Does Is Magic"
        "ordre" => 9
      ]
      [
        "nom" => "1. Module 105"
        "ordre" => 1
      ]
      [
        "nom" => "1. Night Owl"
        "ordre" => 13
      ]
      [
        "nom" => "2. Condor"
        "ordre" => 10
      ]
      [
        "nom" => "2. Party Time"
        "ordre" => 14
      ]
      [
        "nom" => "2. Rit's House"
        "ordre" => 6
      ]
      [
        "nom" => "2. "13""
        "ordre" => 2
      ]
      [
        "nom" => "3. A Little Dolphin Dreamin'"
        "ordre" => 7
      ]
      [
        "nom" => "3. Just Listen"
        "ordre" => 15
      ]
      [
        "nom" => "3. Mizrab"
        "ordre" => 3
      ]
      [
        "nom" => "3. Olinda"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1583392010 {#1875
      date: 2020-03-05 07:06:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1593944940 {#1868
      date: 2020-07-05 10:29:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rit-s-house-universal-play-33-1-3-43146"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2423 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 1831
    -nom: "Smoke Stack "
    -informationComplementaire: ""
    -description: """
      Blue Note 80 Vinyl Reissue Series Curated by Don Was and Cem Kurosman; Great Reid Miles Covers (Part 4) Themed Installment Presented On 180 gram Vinyl LP !\r\n
      \r\n
      In honor of Blue Note Records' 80th Anniversary, the legendary jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this second series curated by Don Was and Cem Kurosman features 180 gram vinyl LP releases in standard packaging with albums spanning the many eras of the label's history presented by themes : Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. The series resumes in May 2020 with Part 4 of the Great Reid Miles Covers theme Larry Young "Into Somethin'" (1964), Kenny Dorham "Trompeta Toccata" (1965), and Andrew Hill "Smoke Stack" (1966).\r\n
      \r\n
      On his second Blue Note album Smoke Stack (1966), pianist and composer Andrew Hill used an unusual line-up of two bassists (Richard Davis and Eddie Khan) along with the masterful Roy Haynes on drums. Blue Note founder Alfred Lion considered Hill to have as distinct and important a compositional voice as Thelonious Monk, and the seven Hill compositions that the quartet explore here contain all the rare beauty to be found in his music. Designer Reid Miles photographed Hill himself for the striking album cover design.\r\n
      \r\n
      This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Andrew Hill (piano), Eddie Khan, Richard Davis (bass), Roy Haynes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gTuwaKHJLi0"
    -referenceProduit: "Blue Note Records 52544"
    -titreMorceau: [
      [
        "nom" => "1. Not So"
        "ordre" => 6
      ]
      [
        "nom" => "1. Smoke Stack"
        "ordre" => 1
      ]
      [
        "nom" => "2. The Day After"
        "ordre" => 2
      ]
      [
        "nom" => "2. Verne"
        "ordre" => 7
      ]
      [
        "nom" => "3. 30 Pier Avenue"
        "ordre" => 8
      ]
      [
        "nom" => "3. Wailing Wall"
        "ordre" => 3
      ]
      [
        "nom" => "4. Ode to Von"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1585037078 {#2041
      date: 2020-03-24 08:04:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1592991280 {#2042
      date: 2020-06-24 09:34:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-smoke-stack-blue-note-records-52544"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3231
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 1831
    -nom: "Smoke Stack "
    -informationComplementaire: ""
    -description: """
      Blue Note 80 Vinyl Reissue Series Curated by Don Was and Cem Kurosman; Great Reid Miles Covers (Part 4) Themed Installment Presented On 180 gram Vinyl LP !\r\n
      \r\n
      In honor of Blue Note Records' 80th Anniversary, the legendary jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this second series curated by Don Was and Cem Kurosman features 180 gram vinyl LP releases in standard packaging with albums spanning the many eras of the label's history presented by themes : Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. The series resumes in May 2020 with Part 4 of the Great Reid Miles Covers theme Larry Young "Into Somethin'" (1964), Kenny Dorham "Trompeta Toccata" (1965), and Andrew Hill "Smoke Stack" (1966).\r\n
      \r\n
      On his second Blue Note album Smoke Stack (1966), pianist and composer Andrew Hill used an unusual line-up of two bassists (Richard Davis and Eddie Khan) along with the masterful Roy Haynes on drums. Blue Note founder Alfred Lion considered Hill to have as distinct and important a compositional voice as Thelonious Monk, and the seven Hill compositions that the quartet explore here contain all the rare beauty to be found in his music. Designer Reid Miles photographed Hill himself for the striking album cover design.\r\n
      \r\n
      This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Andrew Hill (piano), Eddie Khan, Richard Davis (bass), Roy Haynes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gTuwaKHJLi0"
    -referenceProduit: "Blue Note Records 52544"
    -titreMorceau: [
      [
        "nom" => "1. Not So"
        "ordre" => 6
      ]
      [
        "nom" => "1. Smoke Stack"
        "ordre" => 1
      ]
      [
        "nom" => "2. The Day After"
        "ordre" => 2
      ]
      [
        "nom" => "2. Verne"
        "ordre" => 7
      ]
      [
        "nom" => "3. 30 Pier Avenue"
        "ordre" => 8
      ]
      [
        "nom" => "3. Wailing Wall"
        "ordre" => 3
      ]
      [
        "nom" => "4. Ode to Von"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1585037078 {#2041
      date: 2020-03-24 08:04:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1592991280 {#2042
      date: 2020-06-24 09:34:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-smoke-stack-blue-note-records-52544"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2423 …}
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[
  "produit" => App\Entity\Produit {#2063
    -id: 559
    -nom: "The Song Book "
    -informationComplementaire: ""
    -description: """
      Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3 and also released on Hybrid SACD !\r\n
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      \r\n
      Of Booker Ervin's nine Prestige albums, this one is special because it presents him exclusively in the contexts of standard songs. Ervin's aggressiveness, his ferocity, his incomparable Texas spaciousness of sound and style, are undiminished. But the compositions provide familiar guideposts by which to track his explorations, which were unfailingly full of adventure and daring. In his only recorded appearance with Ervin, pianist Tommy Flanagan balances the music with his customary elegance. On bass and drums are Ervin's frequent recording companions Richard Davis and Alan Dawson.\r\n
      """
    -prixVente: "75.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Booker Ervin (tenor sax), Tommy Flanagan (piano), Richard Davis (bass), Alan Dawson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=q9PbjTdiuDY"
    -referenceProduit: "APRJ 7318"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …}
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    -nom: "The Song Book "
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    -description: """
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[
  "produit" => App\Entity\Produit {#2082
    -id: 555
    -nom: "Exultation"
    -informationComplementaire: ""
    -description: """
      Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3 and also released on Hybrid SACD !\r\n
      \r\n
      All mastered from the original analog master tapes by mastering maestro Kevin Gray. 200 gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom !\r\n
      \r\n
      Deep groove label pressings, tip-on jackets on thick cardboard stock !\r\n
      \r\n
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      \r\n
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      \r\n
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      \r\n
      In addition to four inspiring originals by Ervin and drummer Walter Perkins, the session features an eloquent reading of Fats Waller’s immortal "Black and Blue" and an exploration of the show tune "Just in Time". Both the latter and "No Land’s Man" are included in two versions, the shorter of which were cut for release as a 45 single.\r\n
      \r\n
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    -prixVente: "75.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Booker Ervin (tenor saxophone), Frank Strozier (alto saxophone), Horace Parlan (piano), Butch Warren (bass), Walter Perkins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=T3_W9msVNKg"
    -referenceProduit: "APRJ 7293"
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-exultation-aprj-7293"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3335
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
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  +produit: App\Entity\Produit {#2082
    -id: 555
    -nom: "Exultation"
    -informationComplementaire: ""
    -description: """
      Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3 and also released on Hybrid SACD !\r\n
      \r\n
      All mastered from the original analog master tapes by mastering maestro Kevin Gray. 200 gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom !\r\n
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    -prixVente: "75.00"
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[
  "produit" => App\Entity\Produit {#2095
    -id: 857
    -nom: "Louis Armstrong Plays W. C. Handy"
    -informationComplementaire: ""
    -description: """
      "The excellence of Louis' band is so high and so consistent that every man deserves commendation for his part in making this remarkably fine record. Trummy Young particularly should be singled out for his driving solos and for the way his 'boots' Louis in the final ensembles. The way I fell about this record can be summed up in this way. When I die, I want people to say, 'That's the guy that if it hadn't been for him and Louis Armstrong and W.C. Handy, there wouldn't have been that great record, Louis Armstrong Plays W.C. Handy". – excerpt from the sleeve notes by George Avakian\r\n
      \r\n
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      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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        "nom" => "1. St Louis Blues"
        "ordre" => 1
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        "ordre" => 15
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    ]
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App\Twig\Components\GestionPanierFavoriComponents {#3381
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    -id: 857
    -nom: "Louis Armstrong Plays W. C. Handy"
    -informationComplementaire: ""
    -description: """
      "The excellence of Louis' band is so high and so consistent that every man deserves commendation for his part in making this remarkably fine record. Trummy Young particularly should be singled out for his driving solos and for the way his 'boots' Louis in the final ensembles. The way I fell about this record can be summed up in this way. When I die, I want people to say, 'That's the guy that if it hadn't been for him and Louis Armstrong and W.C. Handy, there wouldn't have been that great record, Louis Armstrong Plays W.C. Handy". – excerpt from the sleeve notes by George Avakian\r\n
      \r\n
      "Pure Pleasure has remastered one of my desert island discs – my favorite Armstrong recording and one that shows him at his best musically and sonically…How does this new release stack up against the original maroon label Columbia vinyl ? Almost from the moment that the stylus first touched down, I heard subtle and not so subtle details that I had never noticed before, and I have listened to this recording in various incarnations hundreds of times. Add to that fact that the harmonic texture is captured spot on, and this new re-issue is an instant candidate for my Record of the Year…don't miss it !" Recording = 10/10; Music = 10/10 – Dennis D. Davis, Hi-Fi+, Issue 45
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Louis Armstrong (trumpet, vocals), Trummy Young (trombone), Barney Bigard (clarinet), Billy Kyle (piano), Arvell Shaw (bass), Velma Middleton (vocals), Barrett Deems (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uPEVmBOfiC8"
    -referenceProduit: "Pure Pleasure Records PPAN CL 591"
    -titreMorceau: [
      [
        "nom" => "1. Chantez Les Bas (Sing ‘Em Low)"
        "ordre" => 11
      ]
      [
        "nom" => "1. Long Gone (From Bowling Green)"
        "ordre" => 6
      ]
      [
        "nom" => "1. Loveless Love (rehearsal sequence)"
        "ordre" => 16
      ]
      [
        "nom" => "1. St Louis Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Hesitating Blues (rehearsal sequence)"
        "ordre" => 17
      ]
      [
        "nom" => "2. Hesitating Blues"
        "ordre" => 12
      ]
      [
        "nom" => "2. Memphis Blues"
        "ordre" => 7
      ]
      [
        "nom" => "2. Yellow Dog Blues"
        "ordre" => 2
      ]
      [
        "nom" => "3. Alligator Story"
        "ordre" => 18
      ]
      [
        "nom" => "3. Atlanta Blues (Make Me One Pallet On Your Floor)"
        "ordre" => 13
      ]
      [
        "nom" => "3. Beale Street Blues"
        "ordre" => 8
      ]
      [
        "nom" => "3. Loveless Love"
        "ordre" => 3
      ]
      [
        "nom" => "4. Aunt Hagar’s Blues"
        "ordre" => 4
      ]
      [
        "nom" => "4. George Avakian’s Interview With W.C. Handy"
        "ordre" => 14
      ]
      [
        "nom" => "4. Long Gone (From Bowling Green) (rehearsal sequence)"
        "ordre" => 19
      ]
      [
        "nom" => "4. Ole Miss"
        "ordre" => 9
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
      [
        "nom" => "Side C :"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2097 …}
    -label: Proxies\__CG__\App\Entity\Label {#2100 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2109 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2102 …}
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      date: 2020-06-16 07:24:48.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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[
  "produit" => App\Entity\Produit {#2114
    -id: 1174
    -nom: "Masterpieces By Ellington"
    -informationComplementaire: ""
    -description: """
      A historic record recorded just four years removed from the dawn of the analog tape era !\r\n
      \r\n
      200 gram double LP set remastered by Ryan K. Smith at Sterling Sound from the original analog tapes and cut at 45 RPM !\r\n
      \r\n
      Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second.\r\n
      \r\n
      Gatefold old-style "tip-on" on jacket by Stoughton Printing.\r\n
      \r\n
      Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Remastered by Ryan Smith at Sterling Sound from the original analog tapes, the record was plated and pressed at Quality Record Pressings. The depth and space when those rich chromatic harmonies create a wide and well-defined soundscape, the timbre of the orchestra as a whole as well as individual instruments, and the thick, wooden sound of Wendell Marshall's bass are among the aural pleasures provided when you drop a needle on this platter; expect goose bumps". - Music = 5/5; Sonics = 4.5/5 - Jeff Wilson, The Absolute Sound, May-June 2015.\r\n
      \r\n
      "I chose the CD reissue of this album as one of my R2D4s for 2012, but now from Chad Kassem's Analogue Productions comes this QRP LP, and it's an occasion for popping corks. Released in 1950, this was Ellington's first LP, and he used the new medium to stretch out four of his biggest hits. The arrangements are jaw-droppingly gorgeous and the sound just slightly less so. Recorded by Fred Plaut, who later miked Kind of Blue and other Columbia classics, it has the dynamics, depth, and in-your-face tonal realism of a modern (mono) audiophile thumper. Among the best jazz albums ever. How about a 45 RPM pressing, Chad ?" - Fred Kaplan, for Stereophile - "Records To Die For" - February 2015.\r\n
      \r\n
      "Among the first recordings arranged and produced to take advantage of the LP's longer playing time, this album was released in 1950 on Columbia Records' classical imprint, Masterworks, with a whimsical cover by Stan Fraydas (author of Hoppy, the Curious Kangaroo) that's reproduced for this edition. (Columbia soon replaced it with an image more "modern" and more mundane.)... Freed from the 78 RPM single's three-minute constraint, Ellington could score and record concert-length arrangements similar to those enjoyed by his concert audiences. Three of the four selections, including 'Mood Indigo' and 'Sophisticated Lady,' are familiar Ellington classics stretched and elasticized to luxurious effect. The harmonically saturated, transparent mono sound is astonishing for any era of recording. It's sure to leave you swooning, and wondering how and why recorded sound has since gone so far south." - Michael Fremer, for Stereophile - "Records To Die For" - February 2015.\r\n
      \r\n
      "I have recently been obsessed with Masterpieces by Ellington, one of the best records I have ever heard in terms of music and production. I can now see Ellington in full technicolor glory !" - Colleen ‘Cosmo' Murphy, Classic Album Sundays.\r\n
      \r\n
      "Chad Kassem's Analogue Productions, in conjunction with Ryan Smith of Sterling Sound mastering studio have produced an LP that equals and in some way exceeds the sound of a pristine original pressing properly equalized. The perfectly quiet vinyl and exemplary packaging add up to one of the best reissues of the century". Recording = 10/10; Music = 10/10 - Dennis D. Davis, Hi-Fi +, Issue 120\r\n
      \r\n
      "This new re-issue slays my vintage copy in every way. Every dimension of the recording was much better...dynamics, harmonics, frequency response, detail, jump...all just leaped out at me! The recording sounded like it had been made that morning...absolutely fresh-sounding. No veiling. No roll-off. In fact, it's so good that it doesn't matter that this is a mono recording ! Listen to it on a great turntable...you'll hear mono that fools you into thinking that it's not mono. Just wait until you hear Yvonne Lanauze sing, "Mood Indigo" amigos, after a long instrumental build-up...she'll take you there !... The pressing itself was impeccable : flat, and free of noise, tics and pops... a genuine masterpiece of the pressing-plant arts. The Hyperion OCL, the finest cartridge that I've ever heard, revealed how superbly these grooves were carved! Commendable, reference-grade analog...very, very close to master tape sound. Very damned close ! Kissing cousins close ! Hell, maybe even closer than that. In fact, I now consider the Analogue Productions re-issue of Masterpieces by Ellington to be one of the very finest Jazz records ever released. (Sorry Miles! Move over, Kind of Blue!)". - David W. Robinson, editor-in-chief, Positive Feedback Online.\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Billy Strayhorn, Duke Ellington (piano), Jimmy Hamilton, Johnny Hodges, Paul Gonzales, Russel Procope (saxophone), Wendell Marshall (bass), Mercer Ellington (horn, Flugelhorn), Lawrence Brow, Quentin Jackson (trombone), Andrew Ford, , Sonny Greer (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8heLkixbh9w"
    -referenceProduit: "AAPJ 4418-45"
    -titreMorceau: [
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        "nom" => "1. Mood Indigo"
        "ordre" => 1
      ]
      [
        "nom" => "1. Solitude"
        "ordre" => 7
      ]
      [
        "nom" => "1. Sophisticated Lady"
        "ordre" => 3
      ]
      [
        "nom" => "1. The Tattooed Bride"
        "ordre" => 5
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "Side C :"
        "ordre" => 4
      ]
      [
        "nom" => "Side D : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
    -label: Proxies\__CG__\App\Entity\Label {#2119 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2128 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2121 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2123 …}
    -enregistreLe: DateTime @1493831845 {#2111
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    }
    -modifierLe: DateTime @1591342784 {#2112
      date: 2020-06-05 07:39:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2125 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-masterpieces-by-ellington-aapj-4418-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3432
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2114
    -id: 1174
    -nom: "Masterpieces By Ellington"
    -informationComplementaire: ""
    -description: """
      A historic record recorded just four years removed from the dawn of the analog tape era !\r\n
      \r\n
      200 gram double LP set remastered by Ryan K. Smith at Sterling Sound from the original analog tapes and cut at 45 RPM !\r\n
      \r\n
      Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second.\r\n
      \r\n
      Gatefold old-style "tip-on" on jacket by Stoughton Printing.\r\n
      \r\n
      Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Remastered by Ryan Smith at Sterling Sound from the original analog tapes, the record was plated and pressed at Quality Record Pressings. The depth and space when those rich chromatic harmonies create a wide and well-defined soundscape, the timbre of the orchestra as a whole as well as individual instruments, and the thick, wooden sound of Wendell Marshall's bass are among the aural pleasures provided when you drop a needle on this platter; expect goose bumps". - Music = 5/5; Sonics = 4.5/5 - Jeff Wilson, The Absolute Sound, May-June 2015.\r\n
      \r\n
      "I chose the CD reissue of this album as one of my R2D4s for 2012, but now from Chad Kassem's Analogue Productions comes this QRP LP, and it's an occasion for popping corks. Released in 1950, this was Ellington's first LP, and he used the new medium to stretch out four of his biggest hits. The arrangements are jaw-droppingly gorgeous and the sound just slightly less so. Recorded by Fred Plaut, who later miked Kind of Blue and other Columbia classics, it has the dynamics, depth, and in-your-face tonal realism of a modern (mono) audiophile thumper. Among the best jazz albums ever. How about a 45 RPM pressing, Chad ?" - Fred Kaplan, for Stereophile - "Records To Die For" - February 2015.\r\n
      \r\n
      "Among the first recordings arranged and produced to take advantage of the LP's longer playing time, this album was released in 1950 on Columbia Records' classical imprint, Masterworks, with a whimsical cover by Stan Fraydas (author of Hoppy, the Curious Kangaroo) that's reproduced for this edition. (Columbia soon replaced it with an image more "modern" and more mundane.)... Freed from the 78 RPM single's three-minute constraint, Ellington could score and record concert-length arrangements similar to those enjoyed by his concert audiences. Three of the four selections, including 'Mood Indigo' and 'Sophisticated Lady,' are familiar Ellington classics stretched and elasticized to luxurious effect. The harmonically saturated, transparent mono sound is astonishing for any era of recording. It's sure to leave you swooning, and wondering how and why recorded sound has since gone so far south." - Michael Fremer, for Stereophile - "Records To Die For" - February 2015.\r\n
      \r\n
      "I have recently been obsessed with Masterpieces by Ellington, one of the best records I have ever heard in terms of music and production. I can now see Ellington in full technicolor glory !" - Colleen ‘Cosmo' Murphy, Classic Album Sundays.\r\n
      \r\n
      "Chad Kassem's Analogue Productions, in conjunction with Ryan Smith of Sterling Sound mastering studio have produced an LP that equals and in some way exceeds the sound of a pristine original pressing properly equalized. The perfectly quiet vinyl and exemplary packaging add up to one of the best reissues of the century". Recording = 10/10; Music = 10/10 - Dennis D. Davis, Hi-Fi +, Issue 120\r\n
      \r\n
      "This new re-issue slays my vintage copy in every way. Every dimension of the recording was much better...dynamics, harmonics, frequency response, detail, jump...all just leaped out at me! The recording sounded like it had been made that morning...absolutely fresh-sounding. No veiling. No roll-off. In fact, it's so good that it doesn't matter that this is a mono recording ! Listen to it on a great turntable...you'll hear mono that fools you into thinking that it's not mono. Just wait until you hear Yvonne Lanauze sing, "Mood Indigo" amigos, after a long instrumental build-up...she'll take you there !... The pressing itself was impeccable : flat, and free of noise, tics and pops... a genuine masterpiece of the pressing-plant arts. The Hyperion OCL, the finest cartridge that I've ever heard, revealed how superbly these grooves were carved! Commendable, reference-grade analog...very, very close to master tape sound. Very damned close ! Kissing cousins close ! Hell, maybe even closer than that. In fact, I now consider the Analogue Productions re-issue of Masterpieces by Ellington to be one of the very finest Jazz records ever released. (Sorry Miles! Move over, Kind of Blue!)". - David W. Robinson, editor-in-chief, Positive Feedback Online.\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Billy Strayhorn, Duke Ellington (piano), Jimmy Hamilton, Johnny Hodges, Paul Gonzales, Russel Procope (saxophone), Wendell Marshall (bass), Mercer Ellington (horn, Flugelhorn), Lawrence Brow, Quentin Jackson (trombone), Andrew Ford, , Sonny Greer (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8heLkixbh9w"
    -referenceProduit: "AAPJ 4418-45"
    -titreMorceau: [
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        "ordre" => 1
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        "ordre" => 7
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      [
        "nom" => "1. Sophisticated Lady"
        "ordre" => 3
      ]
      [
        "nom" => "1. The Tattooed Bride"
        "ordre" => 5
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "Side C :"
        "ordre" => 4
      ]
      [
        "nom" => "Side D : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
    -label: Proxies\__CG__\App\Entity\Label {#2119 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2128 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2121 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2123 …}
    -enregistreLe: DateTime @1493831845 {#2111
      date: 2017-05-03 17:17:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1591342784 {#2112
      date: 2020-06-05 07:39:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2125 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-masterpieces-by-ellington-aapj-4418-45"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2423 …}
}

[
  "produit" => App\Entity\Produit {#2133
    -id: 1134
    -nom: "The Wildest"
    -informationComplementaire: "Out of Print ! 1 copie"
    -description: "A tireless showman and an underrated musical talent, Louis Prima swung his way to icon status thanks to an irresistible, infectious sound whose appeal translated across generations. Normally a swing artist, Prima's distinctive sound also encompassed New Orleans-style jazz, boogie-woogie, jump blues, R&B, early rock and roll, and even the occasional Italian tarantella. Regardless of what form his music took, it swung hard and fast, with a rolling, up-tempo shuffle beat. His greatest period of popularity coincided with his marriage to singer Keely Smith, whose coolly sophisticated vocals and detached stage manner made a perfect counterpoint to Prima's boisterous presence. A veritable greatest-hits album, The Wildest! is a gem of Louis Prima's catalog. \r\n"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Louis Prima (trumpet, vocals), Keely Smith (vocals), Amato Rodriguez (bass), Jack Marshall (guitar), Willie McCumber Jr. (piano), Sam Butera (tenor saxophone), James Blount (trombone), Bobby Morris (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Kkrb4h4weW4"
    -referenceProduit: "Pure Pleasure Records PPAN T755"
    -titreMorceau: [
      [
        "nom" => "1. Basin Street Blues "
        "ordre" => 8
      ]
      [
        "nom" => "1. Just A Gigolo "
        "ordre" => 1
      ]
      [
        "nom" => "2. I Ain’t Got Nobody "
        "ordre" => 2
      ]
      [
        "nom" => "2. When It’s Sleepy Time Down South"
        "ordre" => 9
      ]
      [
        "nom" => "3. (Nothing’s Too Good) For My Baby "
        "ordre" => 3
      ]
      [
        "nom" => "3. Jump, Jive And Wail "
        "ordre" => 10
      ]
      [
        "nom" => "4. Buona Sera "
        "ordre" => 11
      ]
      [
        "nom" => "4. The Lip "
        "ordre" => 4
      ]
      [
        "nom" => "5. Body And Soul "
        "ordre" => 5
      ]
      [
        "nom" => "5. Night Train "
        "ordre" => 12
      ]
      [
        "nom" => "6. Oh Marie"
        "ordre" => 6
      ]
      [
        "nom" => "6. You Rascal You"
        "ordre" => 13
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
    -label: Proxies\__CG__\App\Entity\Label {#2100 …}
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      date: 2020-05-30 07:24:02.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2141 …}
    -disponible: null
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    -slug: "vinyles-the-wildest-pure-pleasure-records-ppan-t755"
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App\Twig\Components\GestionPanierFavoriComponents {#3483
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2133
    -id: 1134
    -nom: "The Wildest"
    -informationComplementaire: "Out of Print ! 1 copie"
    -description: "A tireless showman and an underrated musical talent, Louis Prima swung his way to icon status thanks to an irresistible, infectious sound whose appeal translated across generations. Normally a swing artist, Prima's distinctive sound also encompassed New Orleans-style jazz, boogie-woogie, jump blues, R&B, early rock and roll, and even the occasional Italian tarantella. Regardless of what form his music took, it swung hard and fast, with a rolling, up-tempo shuffle beat. His greatest period of popularity coincided with his marriage to singer Keely Smith, whose coolly sophisticated vocals and detached stage manner made a perfect counterpoint to Prima's boisterous presence. A veritable greatest-hits album, The Wildest! is a gem of Louis Prima's catalog. \r\n"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Louis Prima (trumpet, vocals), Keely Smith (vocals), Amato Rodriguez (bass), Jack Marshall (guitar), Willie McCumber Jr. (piano), Sam Butera (tenor saxophone), James Blount (trombone), Bobby Morris (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=Kkrb4h4weW4"
    -referenceProduit: "Pure Pleasure Records PPAN T755"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
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}

[
  "produit" => App\Entity\Produit {#2149
    -id: 450
    -nom: "The Complete Billie Holiday On Verve 1946-1959 -  (Box Set 10 LP +  Booklet 36 pages)"
    -informationComplementaire: "VERY RARE : THE COMPLETE BILLIE HOLIDAY ON VERVE 1946-1959 - SEALED"
    -description: """
      - BILLIE HOLIDAY – THE COMPLETE BILLIE HOLIDAY ON VERVE 1946-1959\r\n
      - Deluxe 10 LP Box Set\r\n
      - 4 Newly Discovered Performances\r\n
      - Pressed on Virgin Vinyl\r\n
      - 36 Page Booklet Including Complete Billie Holiday Discography\r\n
      - Imported from Japan\r\n
      \r\n
      This beautiful blue box set (which contains 10 LPs) was unbeatable in documenting the second half of Billie Holiday's career. Its packaging actually tops its CD counterpart with a booklet that has a complete discography of Lady Day's entire career and cardboard reproductions of Holiday's rare 10-inch Verve LPs. The music consists of all of her 1952-57 jazz-oriented studio sessions, her 1946 and 1947 appearances at Jazz at the Philharmonic affairs, her Carnegie Hall concert of 1956, two live cuts from 1958 and Holiday's final studio album, an overproduced and rather sad affair from 1959.
      """
    -prixVente: "750.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 10
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ntDnwBiORu8"
    -referenceProduit: "Verve Records OOMJ 3480/9"
    -titreMorceau: [
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        "nom" => "(Remind Me Of You), 7. I Only Have Eyes For You, 8. Solitude"
        "ordre" => 5
      ]
      [
        "nom" => "1. All The Way, 2. It's Not For Me To Say, 3. I'll Never Smile Again,"
        "ordre" => 59
      ]
      [
        "nom" => "1. Body And Soul, 2. Stars Fell On Alabama, 3. Say It Isn't So,"
        "ordre" => 52
      ]
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        "nom" => "1. Body And Soul, 2. Strange Fruit, 3. Trav'lin Light, 4. He's Funny That Way, \t"
        "ordre" => 68
      ]
      [
        "nom" => "1. Do Nothin' Till You Hear From Me, 2. Cheek To Cheek, 3. Ill Wind, 4. Speak Low,"
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        "nom" => "1. Do Nothing Till You Hear From Me, 2. Ain't Misbehavin' (I'm Savin' My Love"
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        "nom" => "1. East Of The Sun (West Of The Moon), 2. Blue Moon\t, 3. You Go To My Head, \t"
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        "nom" => "1. Everything I Have Is Yours, 2. Love For Sale, 3. Moonglow, 4. Tenderly, \t"
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      ]
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        "nom" => "1. Gone With The Wind, 2. Please Don't Talk About Me When I'm Gone, 3. It Had To "
        "ordre" => 29
      ]
      [
        "nom" => "1. How Deep Is The Ocean (How High Is The Sky), 2. What A Little Moonlight Can Do,"
        "ordre" => 15
      ]
      [
        "nom" => "1. Just One Of Those Things, 2. Comes Love, 3. Day In, Day Out,"
        "ordre" => 48
      ]
      [
        "nom" => "1. My Man, 2. Lover Come Back To Me, 3. Stormy Weather, 4. Yesterdays, "
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        "nom" => "1. Nice Work If You Can Get It, 2. Willow Weep For Me, 3. My Man, "
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      ]
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        "nom" => "1. Say It Isn't So, 2. I've Got My Love To Keep Me Warm, 3. I Wished On The Moon, "
        "ordre" => 21
      ]
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        "nom" => "1. Sometimes I'm Happy, 2. You Took Advantage Of Me, 3. There'll Be Some"
        "ordre" => 63
      ]
      [
        "nom" => "1. Sophisticated Lady, 2. April In Paris, 3. I Wished On The Moon,"
        "ordre" => 45
      ]
      [
        "nom" => "1. They Can't Take That Away From Me, 2. Embraceable You,"
        "ordre" => 55
      ]
      [
        "nom" => "1. Trav'lin' Light, 2. I Must Have That Man, 3. Some Other Spring,"
        "ordre" => 37
      ]
      [
        "nom" => "1. What's New, 2. A Fine Romance, 3. I Hadn't Anyone Till You, 4. I Get A Kick Out"
        "ordre" => 33
      ]
      [
        "nom" => "1. Yesterday's, 2. Please Don't Talk About Me When I'm Gone, 3. I'll Be Seeing You, "
        "ordre" => 76
      ]
      [
        "nom" => "1. You Better Go Now, 2. You're Driving Me Crazy, 3. There Is No Greater Love,"
        "ordre" => 71
      ]
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        "nom" => "10. Stormy Blues"
        "ordre" => 18
      ]
      [
        "nom" => "3. I Cried For You, 4. Love Me Or Leave Me, 5. P.S. I Love You, 6. Too Marvelous"
        "ordre" => 16
      ]
      [
        "nom" => "3. Let's Call The Whole Thing Off, 4. Gee Baby Ain't I Good To You"
        "ordre" => 56
      ]
      [
        "nom" => "4. Always, 5. Everything Happens To Me"
        "ordre" => 22
      ]
      [
        "nom" => "4. Darn That Dream, 5. But Not For Me"
        "ordre" => 49
      ]
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        "nom" => "4. I Cover The Waterfront, 5. Lady Sings The Blues, 6. It Ain't Nobody's Business,"
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      ]
      [
        "nom" => "4. Just One More Chance, 5. When It's Sleepy Time Down South,"
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      ]
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        "ordre" => 38
      ]
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        "nom" => "4. Love Is Here To Stay, 5. One For My Baby (And One More For The Road)"
        "ordre" => 53
      ]
      [
        "nom" => "4. Lover Come Back To Me, 5. Lady Sings The Blues, 6. What A Little Moonlight"
        "ordre" => 81
      ]
      [
        "nom" => "4. Moonlight In Vermont, 5. A Foggy Day, 6. I Didn't Know What Time It Was"
        "ordre" => 46
      ]
      [
        "nom" => "4. My Man, 5. I Cried For You, 6. Fine And Mellow, 7. I Cover The Waterfront, "
        "ordre" => 77
      ]
      [
        "nom" => "4. You Turned The Tables On Me, 5. Easy To Love, 6. These Foolish Things"
        "ordre" => 4
      ]
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        "nom" => "5. He's Funny That Way, 6. I Can't Face The Music"
        "ordre" => 13
      ]
      [
        "nom" => "5. If The Moon Turns Green, 6. Remember, 7. Autumn In New York (Alternate Take), \t"
        "ordre" => 8
      ]
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        "nom" => "5. The Man I Love, 6. Gee, Baby Ain't I Good To You, 7. All Of Me, 8. Billie's Blues"
        "ordre" => 69
      ]
      [
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        "ordre" => 42
      ]
      [
        "nom" => "6. Don't Worry About Me"
        "ordre" => 61
      ]
      [
        "nom" => "7. Good Morning Heartache, 8. No Good Man"
        "ordre" => 39
      ]
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        "nom" => "7. I Love My Man (Billie's Blues), 8. Body And Soul, 9. Don't Explain"
        "ordre" => 73
      ]
      [
        "nom" => "8. Autumn In New York (Original Take, Take 7)"
        "ordre" => 9
      ]
      [
        "nom" => "8. What A Little Moonlight Can Do"
        "ordre" => 78
      ]
      [
        "nom" => "Be You, 4. Nice Work If You Can Get It, 5. Come Rain Or Come Shine, 6. I Gotta"
        "ordre" => 30
      ]
      [
        "nom" => "BILLIE HOLIDAY - FROM LIVE SESSIONS"
        "ordre" => 65
      ]
      [
        "nom" => "BILLIE HOLIDAY - FROM STUDIO SESSION"
        "ordre" => 0
      ]
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        "nom" => "Can Do, 7. I Wished On The Moon, 8. Lover Man (Oh Where Can You Be)"
        "ordre" => 82
      ]
      [
        "nom" => "Changes Made, 4. 'Deed I Do, 5. All Of You,  6. Baby Won't You Please Come Home"
        "ordre" => 64
      ]
      [
        "nom" => "For Words, 7. Softly, 8. I Thought About You, 9. Willow Weep For Me,"
        "ordre" => 17
      ]
      [
        "nom" => "For You),\t3. I Don't Want To Cry Anymore, 4. Prelude To A Kiss, 5. I Don't Stand A"
        "ordre" => 25
      ]
      [
        "nom" => "Ghost Of A Chance, 6. When Your Lover Has Gone"
        "ordre" => 26
      ]
      [
        "nom" => "LP 1 :"
        "ordre" => 1
      ]
      [
        "nom" => "LP 10 : "
        "ordre" => 74
      ]
      [
        "nom" => "LP 2 :"
        "ordre" => 10
      ]
      [
        "nom" => "LP 3 : "
        "ordre" => 19
      ]
      [
        "nom" => "LP 4 : "
        "ordre" => 27
      ]
      [
        "nom" => "LP 5 :"
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        "nom" => "LP 6 : "
        "ordre" => 43
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        "nom" => "LP 7 :"
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        "nom" => "LP 8 : "
        "ordre" => 57
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        "nom" => "LP 9 : "
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      ]
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        "nom" => "Of You, 5. Everything I Have Is Yours, 6. Isn't This A Lovely Day"
        "ordre" => 34
      ]
      [
        "nom" => "Right To Sing The Blues"
        "ordre" => 31
      ]
      [
        "nom" => "Side A : "
        "ordre" => 11
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        "nom" => "Side A : "
        "ordre" => 20
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        "nom" => "Side A : "
        "ordre" => 28
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        "ordre" => 70
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2151 …}
    -label: Proxies\__CG__\App\Entity\Label {#2154 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2163 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2156 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2158 …}
    -enregistreLe: DateTime @1312907571 {#2146
      date: 2011-08-09 16:32:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1587884716 {#2147
      date: 2020-04-26 07:05:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2160 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-the-complete-billie-holiday-on-verve-1946-1959-box-set-10-lp-booklet-36-pages-verve-records-oomj-3480-9"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3534
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2149
    -id: 450
    -nom: "The Complete Billie Holiday On Verve 1946-1959 -  (Box Set 10 LP +  Booklet 36 pages)"
    -informationComplementaire: "VERY RARE : THE COMPLETE BILLIE HOLIDAY ON VERVE 1946-1959 - SEALED"
    -description: """
      - BILLIE HOLIDAY – THE COMPLETE BILLIE HOLIDAY ON VERVE 1946-1959\r\n
      - Deluxe 10 LP Box Set\r\n
      - 4 Newly Discovered Performances\r\n
      - Pressed on Virgin Vinyl\r\n
      - 36 Page Booklet Including Complete Billie Holiday Discography\r\n
      - Imported from Japan\r\n
      \r\n
      This beautiful blue box set (which contains 10 LPs) was unbeatable in documenting the second half of Billie Holiday's career. Its packaging actually tops its CD counterpart with a booklet that has a complete discography of Lady Day's entire career and cardboard reproductions of Holiday's rare 10-inch Verve LPs. The music consists of all of her 1952-57 jazz-oriented studio sessions, her 1946 and 1947 appearances at Jazz at the Philharmonic affairs, her Carnegie Hall concert of 1956, two live cuts from 1958 and Holiday's final studio album, an overproduced and rather sad affair from 1959.
      """
    -prixVente: "750.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 10
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ntDnwBiORu8"
    -referenceProduit: "Verve Records OOMJ 3480/9"
    -titreMorceau: [
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        "ordre" => 59
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        "nom" => "1. What's New, 2. A Fine Romance, 3. I Hadn't Anyone Till You, 4. I Get A Kick Out"
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        "nom" => "1. You Better Go Now, 2. You're Driving Me Crazy, 3. There Is No Greater Love,"
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        "nom" => "3. I Cried For You, 4. Love Me Or Leave Me, 5. P.S. I Love You, 6. Too Marvelous"
        "ordre" => 16
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      [
        "nom" => "3. Let's Call The Whole Thing Off, 4. Gee Baby Ain't I Good To You"
        "ordre" => 56
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      [
        "nom" => "4. Darn That Dream, 5. But Not For Me"
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      ]
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      ]
      [
        "nom" => "4. Just One More Chance, 5. When It's Sleepy Time Down South,"
        "ordre" => 60
      ]
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        "nom" => "4. Lady Sings The Blues, 5. Strange Fruit, 6. God Bless The Child,"
        "ordre" => 38
      ]
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        "nom" => "4. Love Is Here To Stay, 5. One For My Baby (And One More For The Road)"
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        "nom" => "4. Lover Come Back To Me, 5. Lady Sings The Blues, 6. What A Little Moonlight"
        "ordre" => 81
      ]
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        "ordre" => 46
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    -id: 1321
    -nom: "Both Directions at Once : The Lost Album Deluxe"
    -informationComplementaire: ""
    -description: """
      Previously Unheard John Coltrane Recordings from 1963 with McCoy Tyner, Jimmy Garrison, and Elvin Jones : Both Sides at Once: The Lost Album Deluxe Ed. 2 LP Set Includes 7 Bonus Tracks.\r\n
      \r\n
      Sonny Rollins nails the significance and thrill of Both Sides at Once: The Lost Album, a previously unheard John Coltrane recording captured at Van Gelder Studios at the end of a two-week stint at Birdland in 1963 : "[It's] like find a new room in the Great Pyramid", he says in the liner notes. Once you experience Coltrane, McCoy Tyner, Jimmy Garrison, and Elvin Jones in peak form, you're certain to agree. Unknown until 2004 and unheard until now, the music on this album represents one of the most influential groups in music history both performing in a musical style it had perfected. Coltrane personally decided to stash away the material, which was ultimately lost to time until it was discovered by the family of his first wife and brought to the attention of Impulse! It is impossible to overstate the breadth, spirit, musicianship, and sound of these recordings, two of which are originals that were captured on tape here and here alone. The Deluxe Edition of the album also includes seven alternate takes of the tracks from the same session, including four renditions of "Impressions".\r\n
      \r\n
      The first week of March in 1963 was busy for John Coltrane. He was in the midst of a two-week run at Birdland and was gearing up to record the famed John Coltrane and Johnny Hartman album, which he did on March 7. But there was a session the day before that was the stuff of legend, until now.\r\n
      \r\n
      On Wednesday, March 6, Coltrane and the quartet went to Van Gelder Studios in Englewood, NJ and cut a complete album's worth of material, including several original compositions that were never recorded elsewhere. They spent the day committing these to tape, taking time with some, rehearsing them two, three times, playing them in different ways and in different configurations.\r\n
      \r\n
      At the end of the day, Coltrane left Van Gelder Studios with a reference tape and brought it to the home in Queens that he shared with his wife, Naima. These tapes remained untouched for the next 54 years until Impulse! approached the family about finally releasing this lost album. Though the master tape was never found – Rudy Van Gelder wasn't one for clutter the reference tape was discovered to be in excellent condition.\r\n
      \r\n
      On this album, there are two completely unknown and never-before-heard originals. "Untitled Original 11383" and "Untitled Original 11386", both played on soprano sax. "11383" features an arco bass solo by Jimmy Garrison, a relative rarity, and "11386" marks a significant structural change for the quartet, in that they keep returning to the theme between solos, not typical in the quartet's repertoire.\r\n
      \r\n
      In addition to the two unheard originals, "One Up, One Down" released previously only on a bootleg recording from Birdland is heard here as a studio recording for the first and only time. It contains a fascinating exchange between Elvin Jones and Coltrane.\r\n
      \r\n
      "Impressions", one of Coltrane's most famous and oft-recorded compositions, is played here in a piano-less trio. In fact, McCoy Tyner lays out a number of times during this recording session. It's one of the more interesting aspects of this session and reflects the harmonic possibilities that Coltrane was known to be discussing regularly with Ornette Coleman around this time.\r\n
      \r\n
      This studio session also yielded Coltrane's first recording of "Nature Boy", which he would record again in 1965, and the two versions differ greatly. The one we know is exploratory, meandering. This version is tight, solo-less and clocking in at just over three minutes. The other non-original composition on the album is "Vilia", from Franz Lehár's operetta "The Merry Widow". The soprano version on the Deluxe Edition is the only track from this session to have been previously released.\r\n
      \r\n
      This incredible, once-in-a-lifetime discovery reveals a number of creative balances at work, like developing original melodies while rethinking familiar standards. Trying out some tunes first on tenor saxophone, then on soprano. Using older techniques like the arpeggio runs of his "sheets of sound" while experimenting with false fingerings and other newer sounds. This session was pivotal, though to call it such overlooks the fact Coltrane was ever on pivot, always pushing the pedal down while still calling on older, tested ideas and devices.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Coltrane (saxophone), McCoy Tyner (piano), Jimmy Garrison(double bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1136 …}
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=q7X2X7LDFok"
    -referenceProduit: "Impulse Records 49301"
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    -nom: "Both Directions at Once : The Lost Album Deluxe"
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    -description: """
      Previously Unheard John Coltrane Recordings from 1963 with McCoy Tyner, Jimmy Garrison, and Elvin Jones : Both Sides at Once: The Lost Album Deluxe Ed. 2 LP Set Includes 7 Bonus Tracks.\r\n
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      Sonny Rollins nails the significance and thrill of Both Sides at Once: The Lost Album, a previously unheard John Coltrane recording captured at Van Gelder Studios at the end of a two-week stint at Birdland in 1963 : "[It's] like find a new room in the Great Pyramid", he says in the liner notes. Once you experience Coltrane, McCoy Tyner, Jimmy Garrison, and Elvin Jones in peak form, you're certain to agree. Unknown until 2004 and unheard until now, the music on this album represents one of the most influential groups in music history both performing in a musical style it had perfected. Coltrane personally decided to stash away the material, which was ultimately lost to time until it was discovered by the family of his first wife and brought to the attention of Impulse! It is impossible to overstate the breadth, spirit, musicianship, and sound of these recordings, two of which are originals that were captured on tape here and here alone. The Deluxe Edition of the album also includes seven alternate takes of the tracks from the same session, including four renditions of "Impressions".\r\n
      \r\n
      The first week of March in 1963 was busy for John Coltrane. He was in the midst of a two-week run at Birdland and was gearing up to record the famed John Coltrane and Johnny Hartman album, which he did on March 7. But there was a session the day before that was the stuff of legend, until now.\r\n
      \r\n
      On Wednesday, March 6, Coltrane and the quartet went to Van Gelder Studios in Englewood, NJ and cut a complete album's worth of material, including several original compositions that were never recorded elsewhere. They spent the day committing these to tape, taking time with some, rehearsing them two, three times, playing them in different ways and in different configurations.\r\n
      \r\n
      At the end of the day, Coltrane left Van Gelder Studios with a reference tape and brought it to the home in Queens that he shared with his wife, Naima. These tapes remained untouched for the next 54 years until Impulse! approached the family about finally releasing this lost album. Though the master tape was never found – Rudy Van Gelder wasn't one for clutter the reference tape was discovered to be in excellent condition.\r\n
      \r\n
      On this album, there are two completely unknown and never-before-heard originals. "Untitled Original 11383" and "Untitled Original 11386", both played on soprano sax. "11383" features an arco bass solo by Jimmy Garrison, a relative rarity, and "11386" marks a significant structural change for the quartet, in that they keep returning to the theme between solos, not typical in the quartet's repertoire.\r\n
      \r\n
      In addition to the two unheard originals, "One Up, One Down" released previously only on a bootleg recording from Birdland is heard here as a studio recording for the first and only time. It contains a fascinating exchange between Elvin Jones and Coltrane.\r\n
      \r\n
      "Impressions", one of Coltrane's most famous and oft-recorded compositions, is played here in a piano-less trio. In fact, McCoy Tyner lays out a number of times during this recording session. It's one of the more interesting aspects of this session and reflects the harmonic possibilities that Coltrane was known to be discussing regularly with Ornette Coleman around this time.\r\n
      \r\n
      This studio session also yielded Coltrane's first recording of "Nature Boy", which he would record again in 1965, and the two versions differ greatly. The one we know is exploratory, meandering. This version is tight, solo-less and clocking in at just over three minutes. The other non-original composition on the album is "Vilia", from Franz Lehár's operetta "The Merry Widow". The soprano version on the Deluxe Edition is the only track from this session to have been previously released.\r\n
      \r\n
      This incredible, once-in-a-lifetime discovery reveals a number of creative balances at work, like developing original melodies while rethinking familiar standards. Trying out some tunes first on tenor saxophone, then on soprano. Using older techniques like the arpeggio runs of his "sheets of sound" while experimenting with false fingerings and other newer sounds. This session was pivotal, though to call it such overlooks the fact Coltrane was ever on pivot, always pushing the pedal down while still calling on older, tested ideas and devices.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Coltrane (saxophone), McCoy Tyner (piano), Jimmy Garrison(double bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2186
    -id: 1273
    -nom: "Jazz at the Philharmonic : Carnegie Blues"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Buck Clayton, Joe Guy (trumpet), Lester Young, Coleman Hawkins, Illinois Jacquet, Flip Phillips (tenor saxophone), Kenny Kersey, Oscar Peterson (piano), Al McKibbon, Ray Brown (bass), John Collins, Herb Ellis (guitar),  Trummy Young (trombone), J.C. Heard, Jo Jones (drums).\r\n
      \r\n
      Jazz At The Philharmonic began on July 2, 1944 when jazz entrepreneur Norman Granz staged a benefit concert at Philharmonic Hall in Los Angeles. It was an overwhelming critical and commercial success, and spawned more concerts. Eventually a series of national and international tours were organized, Granz decided to record them for posterity knowing that the jazz public would want to relive the historic sounds of JATP for years to come. He handpicked the musicians for JATP, and they were indeed the cream-of-the-crop. This fine installment from saxophonist Lester 'Prez' Young features material recorded in May and June of 1946 at Carnegie Hall, September of 1953 at Carnegie Hall and October of 1957 at the Chicago Civic Opera House and includes stellar accompaniment from the likes of jazz greats like Coleman Hawkins, Illinois Jacquet, Oscar Peterson, Ray Brown and Herb Ellis among others. Unparalleled live jazz !
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Buck Clayton, Joe Guy (trumpet), Lester Young, Coleman Hawkins, Illinois Jacquet, Flip Phillips (tenor saxophone), Kenny Kersey, Oscar Peterson (piano), Al McKibbon, Ray Brown (bass), John Collins, Herb Ellis (guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=MzhPLZjTA84"
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    -titreMorceau: [
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App\Twig\Components\GestionPanierFavoriComponents {#3636
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    -id: 1273
    -nom: "Jazz at the Philharmonic : Carnegie Blues"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Buck Clayton, Joe Guy (trumpet), Lester Young, Coleman Hawkins, Illinois Jacquet, Flip Phillips (tenor saxophone), Kenny Kersey, Oscar Peterson (piano), Al McKibbon, Ray Brown (bass), John Collins, Herb Ellis (guitar),  Trummy Young (trombone), J.C. Heard, Jo Jones (drums).\r\n
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    -disponible: null
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}

[
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    -id: 1601
    -nom: "Goin' Home"
    -informationComplementaire: ""
    -description: "Archie Shepp's two duet albums with pianist Horace Parlan on SteepleChase (the other one is 1980's Trouble in Mind) both find the innovative avant-garde tenor in relaxed and melodic form, respectfully interpreting music of the 1920s and before. Goin' Home features Shepp (who doubles on soprano) and Parlan playing tasteful versions of nine ancient black folk melodies including "Swing Low, Sweet Chariot", "Nobody Knows the Troubles I've Seen" and "Deep River". Those listeners only familiar with Shepp's earlier Fire Music will find these compelling performances to be a revelation. - All Music Guide\r\n"
    -prixVente: "48.00"
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    -musicienOrchestre: "Archie Shepp (soprano & tenor saxophone), Horace Parlan (piano)"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3687
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2202
    -id: 1601
    -nom: "Goin' Home"
    -informationComplementaire: ""
    -description: "Archie Shepp's two duet albums with pianist Horace Parlan on SteepleChase (the other one is 1980's Trouble in Mind) both find the innovative avant-garde tenor in relaxed and melodic form, respectfully interpreting music of the 1920s and before. Goin' Home features Shepp (who doubles on soprano) and Parlan playing tasteful versions of nine ancient black folk melodies including "Swing Low, Sweet Chariot", "Nobody Knows the Troubles I've Seen" and "Deep River". Those listeners only familiar with Shepp's earlier Fire Music will find these compelling performances to be a revelation. - All Music Guide\r\n"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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}

[
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    -id: 1544
    -nom: "This Is Always"
    -informationComplementaire: ""
    -description: "Pedersen is a strong and supportive accompanist who easily adds his own style in playing a singing and melodic bass, Raney is setting accents on his guitar and shows the work of a highly insensitive listener, and Baker creates his pictures that still escapes explanation. Shepp made a record called There Is a Trumpet in My Soul-Well. This Is Always sounds like that. "
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Chet Baker (trumpet, vocals), Niels-Henning Ørsted Pedersen (bass), Doug Raney (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=T_BFdu7PehM"
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        "ordre" => 1
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App\Twig\Components\GestionPanierFavoriComponents {#3738
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    -id: 1544
    -nom: "This Is Always"
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    -description: "Pedersen is a strong and supportive accompanist who easily adds his own style in playing a singing and melodic bass, Raney is setting accents on his guitar and shows the work of a highly insensitive listener, and Baker creates his pictures that still escapes explanation. Shepp made a record called There Is a Trumpet in My Soul-Well. This Is Always sounds like that. "
    -prixVente: "48.00"
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}

App\Twig\Components\AjoutMailNewsletterComponent {#3939
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2423 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3940 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3988 …}
  +isValidated: false
  +validatedFields: []
}