Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2577
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2654
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2657 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
  -formView: Symfony\Component\Form\FormView {#2693 …}
  -form: Symfony\Component\Form\Form {#2843 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 352
    -nom: "Casino Royale Soundtrack - (Box Set 4 LP Clarity Vinyl SV-P II 45 RPM Series)"
    -informationComplementaire: "Last copy in stock ! Classic Records Special Edition Clarity Vinyl SV-P 45 RPM"
    -description: "L’un des titres les plus discutés et rechercher par les audiophiles, Casino Roya le à été dans la liste du « Top 10 » de cette décennie. Cette musique du film excentrique, avec un James Bond tout aussi loufoque, présente une musique composée et arrangée par le vrai Burt Bacharach. Le thème d’ouverture (interprété par Herb Alpert And The Tijuana Brass) reste en ce sens emblématique de ce que la musique populaire peut atteindre comme efficience sans sombrer dans la mièvrerie. Et « The Look of Love », immortalisé ici par Dusty Springfield, constitue l’un des sommets des carrières, et du musicien, et de son interprète. Le son capturé par le jeune ingénieur (et bientôt formidable producteur, Phil Ramone) et toujours aussi étourdissant 30 ans plus tard. Pour la première fois, ce merveilleux album et maintenant disponible dans un magnifique coffret 4 disques en version 45 tr-mn sur notre support vinyle Clarity Q uiex SV-P 200g."
    -prixVente: "599.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1850 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=EhmZULZXxWc"
    -referenceProduit: "Classic Records COSO 5005-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Casino Royale Theme (Main Title)"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Look Of Love (Vocal)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Money Penny Goes For Broke"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. The Chiffre’s Torture Of The Mind"
      ]
      [
        "ordre" => 6
        "nom" => "2. Home James, Don’t Spare The Horses"
      ]
      [
        "ordre" => 7
        "nom" => "3. Sir James Trip To Find Mata"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Look Of Love (Instrumental)"
      ]
      [
        "ordre" => 10
        "nom" => "2. Hi There Miss Goodthights"
      ]
      [
        "ordre" => 11
        "nom" => "3. Little French Boy"
      ]
      [
        "ordre" => 12
        "nom" => "4. Flying Saucer - First Stop Berlin"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Venerable Sir James Bond"
      ]
      [
        "ordre" => 15
        "nom" => "2. Dream On James, You’re Winning"
      ]
      [
        "ordre" => 16
        "nom" => "3. Big Cowboys and Indians Fight At Casino Royale,  Casino Royale Theme (Reprise)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1460 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1278691089 {#1876
      date: 2010-07-09 15:58:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765443161 {#1869
      date: 2025-12-11 08:52:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-casino-royale-soundtrack-box-set-4-lp-clarity-vinyl-sv-p-ii-45-rpm-series-classic-records-coso-5005-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3117
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 352
    -nom: "Casino Royale Soundtrack - (Box Set 4 LP Clarity Vinyl SV-P II 45 RPM Series)"
    -informationComplementaire: "Last copy in stock ! Classic Records Special Edition Clarity Vinyl SV-P 45 RPM"
    -description: "L’un des titres les plus discutés et rechercher par les audiophiles, Casino Roya le à été dans la liste du « Top 10 » de cette décennie. Cette musique du film excentrique, avec un James Bond tout aussi loufoque, présente une musique composée et arrangée par le vrai Burt Bacharach. Le thème d’ouverture (interprété par Herb Alpert And The Tijuana Brass) reste en ce sens emblématique de ce que la musique populaire peut atteindre comme efficience sans sombrer dans la mièvrerie. Et « The Look of Love », immortalisé ici par Dusty Springfield, constitue l’un des sommets des carrières, et du musicien, et de son interprète. Le son capturé par le jeune ingénieur (et bientôt formidable producteur, Phil Ramone) et toujours aussi étourdissant 30 ans plus tard. Pour la première fois, ce merveilleux album et maintenant disponible dans un magnifique coffret 4 disques en version 45 tr-mn sur notre support vinyle Clarity Q uiex SV-P 200g."
    -prixVente: "599.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1850 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=EhmZULZXxWc"
    -referenceProduit: "Classic Records COSO 5005-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Casino Royale Theme (Main Title)"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Look Of Love (Vocal)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Money Penny Goes For Broke"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. The Chiffre’s Torture Of The Mind"
      ]
      [
        "ordre" => 6
        "nom" => "2. Home James, Don’t Spare The Horses"
      ]
      [
        "ordre" => 7
        "nom" => "3. Sir James Trip To Find Mata"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Look Of Love (Instrumental)"
      ]
      [
        "ordre" => 10
        "nom" => "2. Hi There Miss Goodthights"
      ]
      [
        "ordre" => 11
        "nom" => "3. Little French Boy"
      ]
      [
        "ordre" => 12
        "nom" => "4. Flying Saucer - First Stop Berlin"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Venerable Sir James Bond"
      ]
      [
        "ordre" => 15
        "nom" => "2. Dream On James, You’re Winning"
      ]
      [
        "ordre" => 16
        "nom" => "3. Big Cowboys and Indians Fight At Casino Royale,  Casino Royale Theme (Reprise)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1460 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1278691089 {#1876
      date: 2010-07-09 15:58:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765443161 {#1869
      date: 2025-12-11 08:52:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-casino-royale-soundtrack-box-set-4-lp-clarity-vinyl-sv-p-ii-45-rpm-series-classic-records-coso-5005-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2047
    -id: 1498
    -nom: "Stereo '57"
    -informationComplementaire: null
    -description: """
      - Nearly lost to history, Elvis 2 track masters saved by chance !\r\n
      - Now presented as a double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Mastered at Sterling Sound !\r\n
      - Deluxe gatefold jacket !\r\n
      \r\n
      The discovery of these 2 track masters comprising Stereo ‘57 - The Essential Elvis Volume 2, is nothing short of a miracle, and this 180 gram pressing cut at 45 RPM from Quality Record Pressings sounds so astonishing, your jaw will hit the floor!\r\n
      \r\n
      From the moment Elvis began working with a new song, sound engineer Thorne Norgar had the 15 ips mono tape machine rolling simultaneously with a 2 track protection copy. The machines weren't switched to pause until Elvis was satisfied with the take.\r\n
      \r\n
      A couple of years before the advent of the stereo LP in mid-1958, major record companies were experimenting with stereophonic recordings, often refered to then as binaural. Studios were using the new Ampex 2 track tape recorders for other purposes, such as for recording session back-ups. But few Elvis fans know how close history came to permanently losing these precious audio glimpses of a young Elvis engrossed in the creative process.\r\n
      \r\n
      Founded in 1933, Radio Recorders of Los Angeles was the preeminent recording studio of its day, and its director of recording, long-time engineer Thorne Nogar, engineered all of the Elvis sessions from 1955 to 1961. Some of popular music's greatest hits : "Jailhouse Rock", "All Shook Up", "Loving You", and "Teddy Bear", are just a few of the blockbusters that Nogar oversaw Elvis record at the studios, located at 7000 Santa Monica Blvd.\r\n
      \r\n
      Elvis would be right in the center of everything, at every recording session, Nogar would later recall. "Like with the Jordanaires when he sang, we would set it up with a unidirectional mike, so he would be standing right in front of them, facing them, and they would have their own directional microphone and they would be singing to one another".\r\n
      \r\n
      The 2-tracks from which this record was pressed could not have sounded better, and there was no one more careful, more experienced and technically skilled to record these historic sessions than Nogar, says Acoustic Sounds' founder and CEO Chad Kassem.\r\n
      \r\n
      Yet one day years later when Thorne was "cleaning out" his tapes closet, remarkably, he set these 2-track backup tapes aside, intending to dispose of them. Noted producer Bones Howe had worked for Nogar as a tape operator at Radio Recorders, and thanks to him the tapes were saved from a final resting place in the trash can. Bones took the tapes home with him. He'd put them safely away in a bank vault.\r\n
      \r\n
      These 2 tracks have "erase" clearly written on the master log sheets. They're from January 1957 sessions at which Presley produced material for two EPs and the film "Loving You" soundtrack. They're the only known ones surviving from the pre-stereo era.\r\n
      \r\n
      RCA's Essential Elvis series was a vehicle for the release of Presley's alternate takes. On this double LP set, listeners hear Presley at work, refining band arrangements and working through the nuances of his vocal performance. The LP reveals the Jordanaires voices' sparkling with a natural lifelike sound that's both sonically rich and detailed.\r\n
      \r\n
      The Jordanaires, a vocal quartet originally formed as a gospel group in 1948, gained fame largely for being Elvis' background singers, both in live appearances and recordings, from 1956 to 1972. If discovering these rare, almost lost recorded treasures weren't enough, the sound reproduction puts this release over the top! When the Jordanaires sing "Peace in the Valley," you'll swear you're hearing a melody sent from heaven. An audiophile's prayer come true!\r\n
      \r\n
      There are a number of first and second takes, during which Presley and his backing musicians make tentative passes at the material. As the record progresses, arrangements take shape and Presley, growing more confident that a keeper take is imminent, sings with more enthusiasm. Throughout, Presley is heard directing the proceedings and demonstrating a lot of "aw shucks" charm in the process, goofing with band members and laughing through his and others', flubs.\r\n
      \r\n
      Like other reissues pressed by QRP, this magnificent 180 gram LP is notable for its absolutely silent background. The vocal harmonies are tingle-inducing, life-sized and utterly natural.\r\n
      \r\n
      For serious Elvis fans and anyone else interested in the creative process, Volume 2 meets the first definition of "essential" as well as the second: it's indispensable stuff.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Elvis Presley (rhythm guitar, vocals), Scotty Moore (electric guitar),  Howard Roberts (rhythm guitar), Bill Black (upright bass), Gordon Stoker (piano), D.J. Fontana (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WK8NfSCkmJk&list=RDWK8NfSCkmJk&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 054-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. I Beg of You (Take 1)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Is It So Strange (Take 1)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Have I Told You Lately That I Love You (Take 2)"
      ]
      [
        "ordre" => 4
        "nom" => "4. It Is No Secret (What God Can Do) [Takes 1,2,3]"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Blueberry Hill (Take 2)"
      ]
      [
        "ordre" => 7
        "nom" => "2. Mean Woman Blues (Take 14)"
      ]
      [
        "ordre" => 8
        "nom" => "3. There'll Be Peace in the Valley (Takes 2,3)"
      ]
      [
        "ordre" => 9
        "nom" => "4. Have I Told You Lately That I Love You (Take 6)"
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. Blueberry Hill (Take 7)"
      ]
      [
        "ordre" => 12
        "nom" => "2. That's When Your Heartaches Begin (Takes 4,5,6)"
      ]
      [
        "ordre" => 13
        "nom" => "3. Is It So Strange (Takes 7,11)"
      ]
      [
        "ordre" => 14
        "nom" => "Side D : "
      ]
      [
        "ordre" => 15
        "nom" => "1. I Beg of You (Takes 6,8)"
      ]
      [
        "ordre" => 16
        "nom" => "2. There'll Be Peace in the Valley (Take 7)"
      ]
      [
        "ordre" => 17
        "nom" => "3. Have I Told You Lately That I Love You (Takes 12,13)"
      ]
      [
        "ordre" => 18
        "nom" => "4. I Beg of You (Take 12)"
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2049 …}
    -label: Proxies\__CG__\App\Entity\Label {#2052 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2061 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2054 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2056 …}
    -enregistreLe: DateTime @1546505803 {#2043
      date: 2019-01-03 08:56:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765377842 {#2042
      date: 2025-12-10 14:44:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2058 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stereo-57-analogue-productions-aapp-054-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3231
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2047
    -id: 1498
    -nom: "Stereo '57"
    -informationComplementaire: null
    -description: """
      - Nearly lost to history, Elvis 2 track masters saved by chance !\r\n
      - Now presented as a double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Mastered at Sterling Sound !\r\n
      - Deluxe gatefold jacket !\r\n
      \r\n
      The discovery of these 2 track masters comprising Stereo ‘57 - The Essential Elvis Volume 2, is nothing short of a miracle, and this 180 gram pressing cut at 45 RPM from Quality Record Pressings sounds so astonishing, your jaw will hit the floor!\r\n
      \r\n
      From the moment Elvis began working with a new song, sound engineer Thorne Norgar had the 15 ips mono tape machine rolling simultaneously with a 2 track protection copy. The machines weren't switched to pause until Elvis was satisfied with the take.\r\n
      \r\n
      A couple of years before the advent of the stereo LP in mid-1958, major record companies were experimenting with stereophonic recordings, often refered to then as binaural. Studios were using the new Ampex 2 track tape recorders for other purposes, such as for recording session back-ups. But few Elvis fans know how close history came to permanently losing these precious audio glimpses of a young Elvis engrossed in the creative process.\r\n
      \r\n
      Founded in 1933, Radio Recorders of Los Angeles was the preeminent recording studio of its day, and its director of recording, long-time engineer Thorne Nogar, engineered all of the Elvis sessions from 1955 to 1961. Some of popular music's greatest hits : "Jailhouse Rock", "All Shook Up", "Loving You", and "Teddy Bear", are just a few of the blockbusters that Nogar oversaw Elvis record at the studios, located at 7000 Santa Monica Blvd.\r\n
      \r\n
      Elvis would be right in the center of everything, at every recording session, Nogar would later recall. "Like with the Jordanaires when he sang, we would set it up with a unidirectional mike, so he would be standing right in front of them, facing them, and they would have their own directional microphone and they would be singing to one another".\r\n
      \r\n
      The 2-tracks from which this record was pressed could not have sounded better, and there was no one more careful, more experienced and technically skilled to record these historic sessions than Nogar, says Acoustic Sounds' founder and CEO Chad Kassem.\r\n
      \r\n
      Yet one day years later when Thorne was "cleaning out" his tapes closet, remarkably, he set these 2-track backup tapes aside, intending to dispose of them. Noted producer Bones Howe had worked for Nogar as a tape operator at Radio Recorders, and thanks to him the tapes were saved from a final resting place in the trash can. Bones took the tapes home with him. He'd put them safely away in a bank vault.\r\n
      \r\n
      These 2 tracks have "erase" clearly written on the master log sheets. They're from January 1957 sessions at which Presley produced material for two EPs and the film "Loving You" soundtrack. They're the only known ones surviving from the pre-stereo era.\r\n
      \r\n
      RCA's Essential Elvis series was a vehicle for the release of Presley's alternate takes. On this double LP set, listeners hear Presley at work, refining band arrangements and working through the nuances of his vocal performance. The LP reveals the Jordanaires voices' sparkling with a natural lifelike sound that's both sonically rich and detailed.\r\n
      \r\n
      The Jordanaires, a vocal quartet originally formed as a gospel group in 1948, gained fame largely for being Elvis' background singers, both in live appearances and recordings, from 1956 to 1972. If discovering these rare, almost lost recorded treasures weren't enough, the sound reproduction puts this release over the top! When the Jordanaires sing "Peace in the Valley," you'll swear you're hearing a melody sent from heaven. An audiophile's prayer come true!\r\n
      \r\n
      There are a number of first and second takes, during which Presley and his backing musicians make tentative passes at the material. As the record progresses, arrangements take shape and Presley, growing more confident that a keeper take is imminent, sings with more enthusiasm. Throughout, Presley is heard directing the proceedings and demonstrating a lot of "aw shucks" charm in the process, goofing with band members and laughing through his and others', flubs.\r\n
      \r\n
      Like other reissues pressed by QRP, this magnificent 180 gram LP is notable for its absolutely silent background. The vocal harmonies are tingle-inducing, life-sized and utterly natural.\r\n
      \r\n
      For serious Elvis fans and anyone else interested in the creative process, Volume 2 meets the first definition of "essential" as well as the second: it's indispensable stuff.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Elvis Presley (rhythm guitar, vocals), Scotty Moore (electric guitar),  Howard Roberts (rhythm guitar), Bill Black (upright bass), Gordon Stoker (piano), D.J. Fontana (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WK8NfSCkmJk&list=RDWK8NfSCkmJk&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 054-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. I Beg of You (Take 1)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Is It So Strange (Take 1)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Have I Told You Lately That I Love You (Take 2)"
      ]
      [
        "ordre" => 4
        "nom" => "4. It Is No Secret (What God Can Do) [Takes 1,2,3]"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Blueberry Hill (Take 2)"
      ]
      [
        "ordre" => 7
        "nom" => "2. Mean Woman Blues (Take 14)"
      ]
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        "ordre" => 8
        "nom" => "3. There'll Be Peace in the Valley (Takes 2,3)"
      ]
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        "ordre" => 9
        "nom" => "4. Have I Told You Lately That I Love You (Take 6)"
      ]
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        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. Blueberry Hill (Take 7)"
      ]
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        "ordre" => 12
        "nom" => "2. That's When Your Heartaches Begin (Takes 4,5,6)"
      ]
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        "nom" => "3. Is It So Strange (Takes 7,11)"
      ]
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        "nom" => "Side D : "
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        "nom" => "1. I Beg of You (Takes 6,8)"
      ]
      [
        "ordre" => 16
        "nom" => "2. There'll Be Peace in the Valley (Take 7)"
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        "ordre" => 17
        "nom" => "3. Have I Told You Lately That I Love You (Takes 12,13)"
      ]
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        "nom" => "4. I Beg of You (Take 12)"
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        "ordre" => 19
        "nom" => ""
      ]
    ]
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[
  "produit" => App\Entity\Produit {#2066
    -id: 271
    -nom: "Elvis Is Back !"
    -informationComplementaire: null
    -description: """
      - Elvis Presley "Elvis Is Back !" 200 gram 45 RPM double LP set !\r\n
      - Mastered from the original analog tapes by George Marino at Sterling Sound !\r\n
      - 1960 studio album is Presley's best full-length effort !\r\n
      \r\n
      "...His voice was in superb form, he was backed by the most sympathetic line-up in his career - including Scotty Moore, the Jordanaires, Hank Garland and DJ Fontana and the repertoire included 'Fever', 'The Girl Of My Best Friend', 'Reconsider Baby', 'Such A Night'." Sound Quality = 95% out of 100% - Ken Kessler, Hi-Fi News, December 2010\r\n
      \r\n
      "...This 45 RPM mastering by George Marino at Sterling Sound is astonishing. Yes, the double 45 RPM format is bound to yield a sonic improvement and I'd never bet against Kevin Gray and Steve Hoffman at AcousTech, but this sounds so far superior in almost every way". Music = 10/11; Sound = 10/11 - Michael Fremer, musicangle\r\n
      \r\n
      The ultra-hyped, hugely celebrated return of the King most certainly did not disappoint. Elvis Presley's first full-length release after leaving the Army, aptly titled Elvis Is Back! was the answer to Elvis fans waiting anxiously for new material. Record label executives worried about whether he'd still be able to crank out the hits. Radio stations were dying for something new for their most requested playlist. It all combined to mount tremendous pressure on Elvis and all involved to deliver something that lived up to expectations. As it turned out, it was worthy of a giant yellow exclamation point on the front cover!\r\n
      \r\n
      Almost immediately after his service time had ended, Elvis entered the studio in March 1960 to record a batch of songs that would go on to become monumental worldwide hits. The singles "Are You Lonesome Tonight" and "It's Now Or Never" created a tidal wave of excitement. And the LP tracks like "Fever", "The Thrill Of Your Love", "Dirty, Dirty Feeling" and "Like A Baby" confirmed that the King was still able to deliver a whole program worth of incomparable material. Listen to "Fever" at 45 RPM if you want to show someone what this hobby of yours is all about. Just vocals, bass and finger-snapping, it sounds so dark and haunting. It's worth the price of admission for just this one track alone.\r\n
      \r\n
      While Presley's records, in the eyes of some reviewers, yielded inconsistencies (mostly songs he recorded at the suggestion of others to appeal to a certain audience or tie-in with a film), there's not one example of musical filler or a single forgettable performance on this 1960 gem.\r\n
      \r\n
      Until now, Elvis fans have satiated their desires with the prized DCC double LP edition (regularly commanding upwards of $200 on eBay) as well as the DCC gold disc (a rare find fetching $150 and more). Now no longer do you have to pay a premium to enjoy the magic of Presley's voice, rhythms and foundation-paving melodies. Mastered by George Marino, the King's best work has never sounded so intimate, detailed, present and alive. Images are true, tones are balanced, and the unbeatable warmth that only analog provides comes through unabated on every cut.\r\n
      \r\n
      Recorded over the course of two marathon sessions (one taking place in Hollywood and the other in Nashville), the sound is wonderfully natural and present. Every alluring shade, texture, and contour of Presley's voice comes into your room with sheer transparency.\r\n
      \r\n
      Buy a copy and order another to keep sealed as an investment for when these sought-after platters go out of print. You won't be sorry.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Elvis Presley (guitar, vocals), Scotty Moore, Hank Garland (guitar), Floyd Cramer (piano), Bob Moore (bass), Homer "Boots" Randolph (saxophone), D.J. Fontana, Murray Harman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=U54D660U648&list=PLvDaQTRzMiRqlrvX4a2_ynOuIPW84dfZJ"
    -referenceProduit: "Analogue Productions AAPP 2231-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "1. Make Me Know It"
      ]
      [
        "ordre" => 1
        "nom" => "2. Fever"
      ]
      [
        "ordre" => 2
        "nom" => "3. The Girl of My Best Friend"
      ]
      [
        "ordre" => 3
        "nom" => "4. I Will Be Home Again"
      ]
      [
        "ordre" => 4
        "nom" => "5. Dirty, Dirty Feeling"
      ]
      [
        "ordre" => 5
        "nom" => "6. The Thrill of Your Love"
      ]
      [
        "ordre" => 6
        "nom" => "7. Soldier Boy"
      ]
      [
        "ordre" => 7
        "nom" => "8. Such a Night"
      ]
      [
        "ordre" => 8
        "nom" => "9. It Feels So Right"
      ]
      [
        "ordre" => 9
        "nom" => "10. Girl Next Door Went A'Walkig"
      ]
      [
        "ordre" => 10
        "nom" => "11. Like a Baby"
      ]
      [
        "ordre" => 11
        "nom" => "12. Reconsider Baby"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2049 …}
    -label: Proxies\__CG__\App\Entity\Label {#2052 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2074 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2067 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1278690536 {#2063
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    }
    -modifierLe: DateTime @1765371197 {#2064
      date: 2025-12-10 12:53:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2071 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-elvis-is-back-analogue-productions-aapp-2231-45"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3284
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2066
    -id: 271
    -nom: "Elvis Is Back !"
    -informationComplementaire: null
    -description: """
      - Elvis Presley "Elvis Is Back !" 200 gram 45 RPM double LP set !\r\n
      - Mastered from the original analog tapes by George Marino at Sterling Sound !\r\n
      - 1960 studio album is Presley's best full-length effort !\r\n
      \r\n
      "...His voice was in superb form, he was backed by the most sympathetic line-up in his career - including Scotty Moore, the Jordanaires, Hank Garland and DJ Fontana and the repertoire included 'Fever', 'The Girl Of My Best Friend', 'Reconsider Baby', 'Such A Night'." Sound Quality = 95% out of 100% - Ken Kessler, Hi-Fi News, December 2010\r\n
      \r\n
      "...This 45 RPM mastering by George Marino at Sterling Sound is astonishing. Yes, the double 45 RPM format is bound to yield a sonic improvement and I'd never bet against Kevin Gray and Steve Hoffman at AcousTech, but this sounds so far superior in almost every way". Music = 10/11; Sound = 10/11 - Michael Fremer, musicangle\r\n
      \r\n
      The ultra-hyped, hugely celebrated return of the King most certainly did not disappoint. Elvis Presley's first full-length release after leaving the Army, aptly titled Elvis Is Back! was the answer to Elvis fans waiting anxiously for new material. Record label executives worried about whether he'd still be able to crank out the hits. Radio stations were dying for something new for their most requested playlist. It all combined to mount tremendous pressure on Elvis and all involved to deliver something that lived up to expectations. As it turned out, it was worthy of a giant yellow exclamation point on the front cover!\r\n
      \r\n
      Almost immediately after his service time had ended, Elvis entered the studio in March 1960 to record a batch of songs that would go on to become monumental worldwide hits. The singles "Are You Lonesome Tonight" and "It's Now Or Never" created a tidal wave of excitement. And the LP tracks like "Fever", "The Thrill Of Your Love", "Dirty, Dirty Feeling" and "Like A Baby" confirmed that the King was still able to deliver a whole program worth of incomparable material. Listen to "Fever" at 45 RPM if you want to show someone what this hobby of yours is all about. Just vocals, bass and finger-snapping, it sounds so dark and haunting. It's worth the price of admission for just this one track alone.\r\n
      \r\n
      While Presley's records, in the eyes of some reviewers, yielded inconsistencies (mostly songs he recorded at the suggestion of others to appeal to a certain audience or tie-in with a film), there's not one example of musical filler or a single forgettable performance on this 1960 gem.\r\n
      \r\n
      Until now, Elvis fans have satiated their desires with the prized DCC double LP edition (regularly commanding upwards of $200 on eBay) as well as the DCC gold disc (a rare find fetching $150 and more). Now no longer do you have to pay a premium to enjoy the magic of Presley's voice, rhythms and foundation-paving melodies. Mastered by George Marino, the King's best work has never sounded so intimate, detailed, present and alive. Images are true, tones are balanced, and the unbeatable warmth that only analog provides comes through unabated on every cut.\r\n
      \r\n
      Recorded over the course of two marathon sessions (one taking place in Hollywood and the other in Nashville), the sound is wonderfully natural and present. Every alluring shade, texture, and contour of Presley's voice comes into your room with sheer transparency.\r\n
      \r\n
      Buy a copy and order another to keep sealed as an investment for when these sought-after platters go out of print. You won't be sorry.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Elvis Presley (guitar, vocals), Scotty Moore, Hank Garland (guitar), Floyd Cramer (piano), Bob Moore (bass), Homer "Boots" Randolph (saxophone), D.J. Fontana, Murray Harman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=U54D660U648&list=PLvDaQTRzMiRqlrvX4a2_ynOuIPW84dfZJ"
    -referenceProduit: "Analogue Productions AAPP 2231-45"
    -titreMorceau: [
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        "nom" => "1. Make Me Know It"
      ]
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      ]
      [
        "ordre" => 5
        "nom" => "6. The Thrill of Your Love"
      ]
      [
        "ordre" => 6
        "nom" => "7. Soldier Boy"
      ]
      [
        "ordre" => 7
        "nom" => "8. Such a Night"
      ]
      [
        "ordre" => 8
        "nom" => "9. It Feels So Right"
      ]
      [
        "ordre" => 9
        "nom" => "10. Girl Next Door Went A'Walkig"
      ]
      [
        "ordre" => 10
        "nom" => "11. Like a Baby"
      ]
      [
        "ordre" => 11
        "nom" => "12. Reconsider Baby"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2049 …}
    -label: Proxies\__CG__\App\Entity\Label {#2052 …}
    -style: App\Entity\Style {#1453 …}
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    }
    -modifierLe: DateTime @1765371197 {#2064
      date: 2025-12-10 12:53:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2071 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-elvis-is-back-analogue-productions-aapp-2231-45"
  }
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[
  "produit" => App\Entity\Produit {#2079
    -id: 2186
    -nom: "From Elvis In Memphis - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Elvis Presley (guitar, piano, vocals), John Hughey (guitar Pedal Steel), Ed Kollis (harmonica), Bobby Emmons (organ), Bobby Wood (piano), Andrew Love, Glen Spreen, J.P. Luper, Jackie Thomas (saxophone), Ed Logan, Gerald Richardson, Jack Hale  (trombone), Dick Steff, R.F. Taylor, Wayne Jackson (trumpet), Mike Leech, Tommy Cogbill (bass), Dan Penn, Reggie Young (electric guitar), Joe D'Gerolamo, Tony Cason (french Horn), Gene Chrisman (drums), Charlie Hodge, Dolores Edgin, Donna Thatcher, Ginger Holladay, Hurschel Wiginton*, Joe Babcock, June Page, Mary Greene, Mary Holladay, Millie Kirkham, Ronnie Milsap, Sandy Posey, Sonja Montgomery, Susan Pilkington (backing vocals).\r\n
      \r\n
      MASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 10000 NUMBERED COPIES !\r\n
      \r\n
      From Elvis in Memphis retains the distinction of being the most cohesive, passionate, mature, and emotionally invested record Elvis Presley ever made. Named one of the 500 Greatest Albums of All Time by Rolling Stone, the white-soul landmark features backing by "The "Memphis Boys" and teems with rhythm-heavy country, gospel, R&B, and blues. Lauded for its natural, open sonics, the 1969 set now comes across with remarkable clarity, presence, and warmth courtesy of a premium restoration befitting a king.\r\n
      \r\n
      Mastered from the original master tapes, pressed on MoFi SuperVinyl at RTI, and strictly limited to 10000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP box set of From Elvis in Memphis unearths the ravishing inner detail, sticky rhythms, and brilliant arrangements of Chips Moman's inspired production. In short, this unparalleled reissue unlocks the spirit and gestalt of the recording and takes you inside American Sound Studio. It also brings you up close and personal with Presley's singing – widely considered by many to represent the finest of his career located dead-center amidst the instrumental hurricane. Equally impressive are the contributions of the aforementioned Boys, and how their Southern-brewed playing a balance of leisure with swiftness, grandiosity with concision, freedom with control dovetails with Presley's vernacular.\r\n
      \r\n
      The lavish packaging and gorgeous presentation of the UD1S From Elvis in Memphis pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, pored over, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the finishes.\r\n
      \r\n
      Sharing much in common with the full, rich, orchestrated Stax Records sound, From Elvis in Memphis oozes with choice nuances and distinctive flourishes that on this ultra-hi-fi edition not only arise with previously unheard transparency and sharpness, but complement and serve the whole. Take the specific tonalities and blending of violas, cellos, and horns that communicate mood and serve as counterpoints. Or lively performances of the backing quintet, and how the piano and Hammond organ trace the lines of the melodies and Presley's lead. Listen to the uplifting support provided by the cadre of backing vocalists (more than a dozen credited), unrivaled in Presley's canon and a precursor to the approach he'd soon adopt in Las Vegas.\r\n
      \r\n
      Of course, From Elvis in Memphis precedes the icon's transition into his glitzy jumpsuit phase and follows his merciful move away from the hoary soundtrack work that consumed nearly a decade of his creative life and prompted a rebirth that began in 1968. As the bridge between eras, the record seizes on Presley's rejuvenated attitude and commitment to quality, facets that drip from the fervency with which he delivers every word. For the same reasons, and for the fact it traces back to Presley's original roots and hip-shaking guise, the album further remains a cornerstone of American music history.\r\n
      \r\n
      Writing about the work's 40th anniversary for Rolling Stone, James Hunter correctly observed : "From Elvis in Memphis represented the full-on immersion in the Memphis idea of Elvis Presley, the American singer second only to Frank Sinatra for the ability to conjure a particular sonic universe with his merest vocal utterance. And from the album's first song, in which a bluesy Elvis espies a woman 'Wearin' That Loved On Look,' to its last, in which a more straight-up-pop Elvis regrets the injustices of life 'In the Ghetto,' his fully engaged, newly energized voice finds its most logical album setting in years".\r\n
      \r\n
      Incredibly, Presley and company completed more than two dozen cuts for From Elvis in Memphis. One, "Suspicious Minds", turned into the vocalist's final chart-topping single and lingers as one of his most beloved rock n' roll numbers. Even though it never formally appeared on the record, the non-album song is included here as a bonus track and attains newfound depth, energy, and swagger. Coupled with the other dozen tracks including the sultry "Power of My Love", balladic take of Dallas Frazier's "True Love Travels on a Gravel Road", and driving cover of Hank Snow's "I'm Moving On" it makes for the finest Elvis listening experience available.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Elvis Presley (guitar, piano, vocals), John Hughey (guitar Pedal Steel), Ed Kollis (harmonica), Bobby Emmons (organ), Bobby Wood (piano), Andrew Love, Glen Spreen, J.P. Luper, Jackie Thomas (saxophone), Ed Logan, Gerald Richardson, Jack Hale  (trombone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mtv3chIAjug"
    -referenceProduit: "Mobile Fidelity Sound Lab US1S-017"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Wearin' That Loved On Look"
      ]
      [
        "ordre" => 1
        "nom" => "2. Only the Strong Survive"
      ]
      [
        "ordre" => 2
        "nom" => "3. I'll Hold You in My Heart (Till I Can Hold You in My Arms)"
      ]
      [
        "ordre" => 3
        "nom" => "4. Long Black Limousine"
      ]
      [
        "ordre" => 4
        "nom" => "5. It Keeps Right On A-Hurtin'"
      ]
      [
        "ordre" => 5
        "nom" => "6. I'm Movin' On"
      ]
      [
        "ordre" => 6
        "nom" => "7. Power of My Love"
      ]
      [
        "ordre" => 7
        "nom" => "8. Gentle on My Mind"
      ]
      [
        "ordre" => 8
        "nom" => "9. After Loving You"
      ]
      [
        "ordre" => 9
        "nom" => "10. True Love Travels on a Gravel Road"
      ]
      [
        "ordre" => 10
        "nom" => "11. Any Day Now"
      ]
      [
        "ordre" => 11
        "nom" => "12. In the Ghetto"
      ]
      [
        "ordre" => 12
        "nom" => "13. Suspicious Minds"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2049 …}
    -label: Proxies\__CG__\App\Entity\Label {#2081 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2090 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2083 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2085 …}
    -enregistreLe: DateTime @1641035422 {#2076
      date: 2022-01-01 11:10:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765370242 {#2077
      date: 2025-12-10 12:37:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2087 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-from-elvis-in-memphis-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-us1s-017"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3332
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2079
    -id: 2186
    -nom: "From Elvis In Memphis - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Elvis Presley (guitar, piano, vocals), John Hughey (guitar Pedal Steel), Ed Kollis (harmonica), Bobby Emmons (organ), Bobby Wood (piano), Andrew Love, Glen Spreen, J.P. Luper, Jackie Thomas (saxophone), Ed Logan, Gerald Richardson, Jack Hale  (trombone), Dick Steff, R.F. Taylor, Wayne Jackson (trumpet), Mike Leech, Tommy Cogbill (bass), Dan Penn, Reggie Young (electric guitar), Joe D'Gerolamo, Tony Cason (french Horn), Gene Chrisman (drums), Charlie Hodge, Dolores Edgin, Donna Thatcher, Ginger Holladay, Hurschel Wiginton*, Joe Babcock, June Page, Mary Greene, Mary Holladay, Millie Kirkham, Ronnie Milsap, Sandy Posey, Sonja Montgomery, Susan Pilkington (backing vocals).\r\n
      \r\n
      MASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 10000 NUMBERED COPIES !\r\n
      \r\n
      From Elvis in Memphis retains the distinction of being the most cohesive, passionate, mature, and emotionally invested record Elvis Presley ever made. Named one of the 500 Greatest Albums of All Time by Rolling Stone, the white-soul landmark features backing by "The "Memphis Boys" and teems with rhythm-heavy country, gospel, R&B, and blues. Lauded for its natural, open sonics, the 1969 set now comes across with remarkable clarity, presence, and warmth courtesy of a premium restoration befitting a king.\r\n
      \r\n
      Mastered from the original master tapes, pressed on MoFi SuperVinyl at RTI, and strictly limited to 10000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP box set of From Elvis in Memphis unearths the ravishing inner detail, sticky rhythms, and brilliant arrangements of Chips Moman's inspired production. In short, this unparalleled reissue unlocks the spirit and gestalt of the recording and takes you inside American Sound Studio. It also brings you up close and personal with Presley's singing – widely considered by many to represent the finest of his career located dead-center amidst the instrumental hurricane. Equally impressive are the contributions of the aforementioned Boys, and how their Southern-brewed playing a balance of leisure with swiftness, grandiosity with concision, freedom with control dovetails with Presley's vernacular.\r\n
      \r\n
      The lavish packaging and gorgeous presentation of the UD1S From Elvis in Memphis pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, pored over, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the finishes.\r\n
      \r\n
      Sharing much in common with the full, rich, orchestrated Stax Records sound, From Elvis in Memphis oozes with choice nuances and distinctive flourishes that on this ultra-hi-fi edition not only arise with previously unheard transparency and sharpness, but complement and serve the whole. Take the specific tonalities and blending of violas, cellos, and horns that communicate mood and serve as counterpoints. Or lively performances of the backing quintet, and how the piano and Hammond organ trace the lines of the melodies and Presley's lead. Listen to the uplifting support provided by the cadre of backing vocalists (more than a dozen credited), unrivaled in Presley's canon and a precursor to the approach he'd soon adopt in Las Vegas.\r\n
      \r\n
      Of course, From Elvis in Memphis precedes the icon's transition into his glitzy jumpsuit phase and follows his merciful move away from the hoary soundtrack work that consumed nearly a decade of his creative life and prompted a rebirth that began in 1968. As the bridge between eras, the record seizes on Presley's rejuvenated attitude and commitment to quality, facets that drip from the fervency with which he delivers every word. For the same reasons, and for the fact it traces back to Presley's original roots and hip-shaking guise, the album further remains a cornerstone of American music history.\r\n
      \r\n
      Writing about the work's 40th anniversary for Rolling Stone, James Hunter correctly observed : "From Elvis in Memphis represented the full-on immersion in the Memphis idea of Elvis Presley, the American singer second only to Frank Sinatra for the ability to conjure a particular sonic universe with his merest vocal utterance. And from the album's first song, in which a bluesy Elvis espies a woman 'Wearin' That Loved On Look,' to its last, in which a more straight-up-pop Elvis regrets the injustices of life 'In the Ghetto,' his fully engaged, newly energized voice finds its most logical album setting in years".\r\n
      \r\n
      Incredibly, Presley and company completed more than two dozen cuts for From Elvis in Memphis. One, "Suspicious Minds", turned into the vocalist's final chart-topping single and lingers as one of his most beloved rock n' roll numbers. Even though it never formally appeared on the record, the non-album song is included here as a bonus track and attains newfound depth, energy, and swagger. Coupled with the other dozen tracks including the sultry "Power of My Love", balladic take of Dallas Frazier's "True Love Travels on a Gravel Road", and driving cover of Hank Snow's "I'm Moving On" it makes for the finest Elvis listening experience available.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Elvis Presley (guitar, piano, vocals), John Hughey (guitar Pedal Steel), Ed Kollis (harmonica), Bobby Emmons (organ), Bobby Wood (piano), Andrew Love, Glen Spreen, J.P. Luper, Jackie Thomas (saxophone), Ed Logan, Gerald Richardson, Jack Hale  (trombone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mtv3chIAjug"
    -referenceProduit: "Mobile Fidelity Sound Lab US1S-017"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Wearin' That Loved On Look"
      ]
      [
        "ordre" => 1
        "nom" => "2. Only the Strong Survive"
      ]
      [
        "ordre" => 2
        "nom" => "3. I'll Hold You in My Heart (Till I Can Hold You in My Arms)"
      ]
      [
        "ordre" => 3
        "nom" => "4. Long Black Limousine"
      ]
      [
        "ordre" => 4
        "nom" => "5. It Keeps Right On A-Hurtin'"
      ]
      [
        "ordre" => 5
        "nom" => "6. I'm Movin' On"
      ]
      [
        "ordre" => 6
        "nom" => "7. Power of My Love"
      ]
      [
        "ordre" => 7
        "nom" => "8. Gentle on My Mind"
      ]
      [
        "ordre" => 8
        "nom" => "9. After Loving You"
      ]
      [
        "ordre" => 9
        "nom" => "10. True Love Travels on a Gravel Road"
      ]
      [
        "ordre" => 10
        "nom" => "11. Any Day Now"
      ]
      [
        "ordre" => 11
        "nom" => "12. In the Ghetto"
      ]
      [
        "ordre" => 12
        "nom" => "13. Suspicious Minds"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2049 …}
    -label: Proxies\__CG__\App\Entity\Label {#2081 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2090 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2083 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2085 …}
    -enregistreLe: DateTime @1641035422 {#2076
      date: 2022-01-01 11:10:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765370242 {#2077
      date: 2025-12-10 12:37:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2087 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-from-elvis-in-memphis-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-us1s-017"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2095
    -id: 2799
    -nom: "Emerson, Lake & Palmer  (Limited Numbered Edition)"
    -informationComplementaire: null
    -description: """
      - Emerson, Lake & Palmer "Emerson, Lake & Palmer" !\r\n
      - Supergroup takes hold with an extraordinary blend of vision and verve, lays foundation of progressive rock !\r\n
      - 180 gram 331/3 RPM (2 LP) brings to light the 1970 album's epic scope, tonal depth\r\n
      - 1/4" 15 ips analog copy to DSD 256 to analog console to lathe !\r\n
      - Pressed at Fidelity Record Pressings for superior sound !\r\n
      \r\n
      Supergroups existed before Emerson, Lake & Palmer formed in 1970. And, as we all know well, many came after. But few, if any, matched the English trio's chemistry and its elevated combination of virtuosity, vision, and verve. Having influenced a multitude of followers, ELP's prowess was obvious from the start. The band's self-titled debut stands as a towering statement of creative imagination, execution, and discipline more than five decades after its original release.\r\n
      \r\n
      Mastered at MoFi's California studio, housed in a Stoughton jacket, and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180 gram 33 1/3 RPM LP of Emerson, Lake & Palmer presents the benchmark album in audiophile sound. Clear, dynamic, and balanced, this collectible edition honors the perfectionist approaches that both informed the playing and recording of the record.\r\n
      \r\n
      Distinguished with black backgrounds, this reissue brings to light the epic scope, tonal depth, and mind-bending degrees of musicianship on display. Aspects textures, nuances, effects, melodies, tempo changes that go hand-in-hand with the trio's compositions and interplay are rendered amid broad soundstages and delivered with pinpoint detail. Whether you've owned multiple copies of this touchstone or seeking out your first version, you'll relish the presence, separation, imaging, and crispness that help make every song come across as if the group has set up shop in your listening space.\r\n
      \r\n
      Opening the door to the seemingly infinite possibilities of progressive rock while steering clear of excess, Emerson, Lake & Palmer achieved a rare feat in that its complex, cerebral music didn't prevent it from attaining mainstream success. The gold-certified effort launched the career of a band that would sell tens of millions of records. It also landed a Top 50 single in the form of the ballad "Lucky Man", whose vocal harmonies, folksy strumming, multi-tracked instrumentation, and breakthrough Moog solo almost feel quaint in the face of the other fare on the album.\r\n
      \r\n
      Comprised of genre-defying originals and hybrid arrangements of two classical pieces, the album Rolling Stone originally and rightly said is "best heard as a whole" matches outrageous ambition with the otherworldly skills of three musicians who remain among the finest to ever pick up their respective instruments. While Emerson soon drew the lion's share of headlines for his ability on keys clavinet, Moog, piano, Hammond organ, and pipe organ included Greg Lake's aptitude on guitar and bass, along with well as Carl Palmer's monster talents behind the kit, created a three-headed hydra that devoured everything in front of it.\r\n
      \r\n
      That extends to the radical reinterpretation of Bela Bartok's "The Barbarian" that begins the LP, a performance that in less than four-and-a-half minutes runs the gamut from distorted to churchy to angular and blustery. More classical flourishes, keyboard wizardry, hard-rock heaviness, and gothic signatures emerge throughout "Knife-Edge", which reimagines music by Leos Janacek and J.S. Bach - and ultimately invites you to explore a cathedral of sound teeming with separate bursts of keys and percussion.\r\n
      \r\n
      And did someone say "drumming" ? Check out Palmer's monster salvo on "Tank", a rhythmic showcase that marches out with knee-bent notes and mirror-reflected passages. Or dive into the mythological suite "The Three Fates". Replete with three parts and Emerson playing the pipe organ at Royal Festival Hall, it shoots off sonic fireworks via sophisticated arpeggios, jazz improvisations, dancing counter-meters, sizzling chords, and a few explosions. Please don't hold anyone at MoFi responsible if your system cannot handle it; this is heady stuff.\r\n
      \r\n
      Indeed, everything on Emerson, Lake & Palmer is there for a purpose. Whether you aim to attempt to dissect all of the notes, shifts, and polyrhythmic bluster or just want to absorb this album as one living, breathing organism, this version invites you to do both as many times as you desire.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Keith Emerson (keyboards, Hammond organ, Moog synthesizer, piano),  Greg Lake (bass guitar, acoustic & electric guitar, lead vocals), Carl Palmer (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ao8VE79zjrk&list=PLhSg_4fG0FIyPico_S5XQ4XdQiBWdSwhV"
    -referenceProduit: "AMOB 576"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Barbarian"
      ]
      [
        "ordre" => 2
        "nom" => "2. Take a Pebble"
      ]
      [
        "ordre" => 3
        "nom" => "3. Knife-Edge"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. The Three Fates (a. Clotho b. Lachesis c. Atropos)"
      ]
      [
        "ordre" => 6
        "nom" => "2. Tank"
      ]
      [
        "ordre" => 7
        "nom" => "3. Lucky Man"
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2097 …}
    -label: Proxies\__CG__\App\Entity\Label {#2081 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2106 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2099 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2101 …}
    -enregistreLe: DateTime @1756658044 {#2092
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    }
    -modifierLe: DateTime @1765369768 {#2093
      date: 2025-12-10 12:29:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2103 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-emerson-lake-palmer-limited-numbered-edition-amob-576"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3378
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2095
    -id: 2799
    -nom: "Emerson, Lake & Palmer  (Limited Numbered Edition)"
    -informationComplementaire: null
    -description: """
      - Emerson, Lake & Palmer "Emerson, Lake & Palmer" !\r\n
      - Supergroup takes hold with an extraordinary blend of vision and verve, lays foundation of progressive rock !\r\n
      - 180 gram 331/3 RPM (2 LP) brings to light the 1970 album's epic scope, tonal depth\r\n
      - 1/4" 15 ips analog copy to DSD 256 to analog console to lathe !\r\n
      - Pressed at Fidelity Record Pressings for superior sound !\r\n
      \r\n
      Supergroups existed before Emerson, Lake & Palmer formed in 1970. And, as we all know well, many came after. But few, if any, matched the English trio's chemistry and its elevated combination of virtuosity, vision, and verve. Having influenced a multitude of followers, ELP's prowess was obvious from the start. The band's self-titled debut stands as a towering statement of creative imagination, execution, and discipline more than five decades after its original release.\r\n
      \r\n
      Mastered at MoFi's California studio, housed in a Stoughton jacket, and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180 gram 33 1/3 RPM LP of Emerson, Lake & Palmer presents the benchmark album in audiophile sound. Clear, dynamic, and balanced, this collectible edition honors the perfectionist approaches that both informed the playing and recording of the record.\r\n
      \r\n
      Distinguished with black backgrounds, this reissue brings to light the epic scope, tonal depth, and mind-bending degrees of musicianship on display. Aspects textures, nuances, effects, melodies, tempo changes that go hand-in-hand with the trio's compositions and interplay are rendered amid broad soundstages and delivered with pinpoint detail. Whether you've owned multiple copies of this touchstone or seeking out your first version, you'll relish the presence, separation, imaging, and crispness that help make every song come across as if the group has set up shop in your listening space.\r\n
      \r\n
      Opening the door to the seemingly infinite possibilities of progressive rock while steering clear of excess, Emerson, Lake & Palmer achieved a rare feat in that its complex, cerebral music didn't prevent it from attaining mainstream success. The gold-certified effort launched the career of a band that would sell tens of millions of records. It also landed a Top 50 single in the form of the ballad "Lucky Man", whose vocal harmonies, folksy strumming, multi-tracked instrumentation, and breakthrough Moog solo almost feel quaint in the face of the other fare on the album.\r\n
      \r\n
      Comprised of genre-defying originals and hybrid arrangements of two classical pieces, the album Rolling Stone originally and rightly said is "best heard as a whole" matches outrageous ambition with the otherworldly skills of three musicians who remain among the finest to ever pick up their respective instruments. While Emerson soon drew the lion's share of headlines for his ability on keys clavinet, Moog, piano, Hammond organ, and pipe organ included Greg Lake's aptitude on guitar and bass, along with well as Carl Palmer's monster talents behind the kit, created a three-headed hydra that devoured everything in front of it.\r\n
      \r\n
      That extends to the radical reinterpretation of Bela Bartok's "The Barbarian" that begins the LP, a performance that in less than four-and-a-half minutes runs the gamut from distorted to churchy to angular and blustery. More classical flourishes, keyboard wizardry, hard-rock heaviness, and gothic signatures emerge throughout "Knife-Edge", which reimagines music by Leos Janacek and J.S. Bach - and ultimately invites you to explore a cathedral of sound teeming with separate bursts of keys and percussion.\r\n
      \r\n
      And did someone say "drumming" ? Check out Palmer's monster salvo on "Tank", a rhythmic showcase that marches out with knee-bent notes and mirror-reflected passages. Or dive into the mythological suite "The Three Fates". Replete with three parts and Emerson playing the pipe organ at Royal Festival Hall, it shoots off sonic fireworks via sophisticated arpeggios, jazz improvisations, dancing counter-meters, sizzling chords, and a few explosions. Please don't hold anyone at MoFi responsible if your system cannot handle it; this is heady stuff.\r\n
      \r\n
      Indeed, everything on Emerson, Lake & Palmer is there for a purpose. Whether you aim to attempt to dissect all of the notes, shifts, and polyrhythmic bluster or just want to absorb this album as one living, breathing organism, this version invites you to do both as many times as you desire.
      """
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    -musicienOrchestre: "Keith Emerson (keyboards, Hammond organ, Moog synthesizer, piano),  Greg Lake (bass guitar, acoustic & electric guitar, lead vocals), Carl Palmer (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=Ao8VE79zjrk&list=PLhSg_4fG0FIyPico_S5XQ4XdQiBWdSwhV"
    -referenceProduit: "AMOB 576"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2097 …}
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    -description: """
      - The Beatles "Anthology 4" !\r\n
      - 180 gram triple LP vinyl !\r\n
      - Featuring 13 Previously Unreleased 1963–1969 Session Outtakes !\r\n
      - 26 Tracks on Vinyl for the First Time !\r\n
      \r\n
      The new volume from The Beatles Anthology Collection. Anthology 4 is newly curated by Giles Martin, including 13 previously unreleased session outtakes dating from 1963 to 1969. It also includes the band's final single, "Now And Then", released in 2023, and new mixes of The Beatles' Anthology-associated hit singles : the Grammy-winning "Free As A Bird" and "Real Love", given new life by their original producer, Jeff Lynne, using de-mixed John Lennon vocals.\r\n
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 3
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App\Twig\Components\GestionPanierFavoriComponents {#3429
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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    -id: 2833
    -nom: "Anthology 4"
    -informationComplementaire: null
    -description: """
      - The Beatles "Anthology 4" !\r\n
      - 180 gram triple LP vinyl !\r\n
      - Featuring 13 Previously Unreleased 1963–1969 Session Outtakes !\r\n
      - 26 Tracks on Vinyl for the First Time !\r\n
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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[
  "produit" => App\Entity\Produit {#2132
    -id: 1053
    -nom: "Crazy and Mixed Up"
    -informationComplementaire: null
    -description: """
      - Sarah Vaughan "Crazy and Mixed Up" 180 gram vinyl !\r\n
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      - Housed in a Stoughton Printing tip-on jacket !\r\n
      \r\n
      The Penguin Guide to Jazz Recordings considers Crazy and Mixed Up to be possibly Sarah Vaughan's best album for the Pablo label. Vaughan was nominated for the Grammy Award for Best Jazz Vocal Performance, Female at the 26th Annual Grammy Awards for her performance. This release is an essential addition to any serious jazz collection, captivating audiophiles and music lovers alike.\r\n
      \r\n
      This album blends her impeccable phrasing with inventive, boundary-pushing jazz arrangements, making it a must-have for those who appreciate vocal jazz that transcends the genre. Vaughan's impeccable sense of timing and emotional depth, paired with the intricate instrumental backing, elevate these tracks into an extraordinary listening experience.\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a Stoughton Printing tip-on single pocket jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sarah Vaughan\t(vocals), Roland Hanna (piano), Andy Simpkins (bass), Joe Pass (guitar), Harold Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cFpl82wjwVk&list=PLfJndz0utgONBSvc5PnDgxEiA4qxHUYx5"
    -referenceProduit: "Analogue Productions (Pablo) AAPJ 191"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
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        "ordre" => 1
        "nom" => "1. I Didn't KNow What Time It Was"
      ]
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        "ordre" => 2
        "nom" => "2. That's All"
      ]
      [
        "ordre" => 3
        "nom" => "3. Autumn Leaves"
      ]
      [
        "ordre" => 4
        "nom" => "4. Love Dance"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. The Island"
      ]
      [
        "ordre" => 7
        "nom" => "2. Seasons"
      ]
      [
        "ordre" => 8
        "nom" => "3. In Love In Vain"
      ]
      [
        "ordre" => 9
        "nom" => "4. You Are Too Beautiful"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2134 …}
    -label: Proxies\__CG__\App\Entity\Label {#2137 …}
    -style: App\Entity\Style {#1449 …}
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    }
    -modifierLe: DateTime @1765353843 {#2127
      date: 2025-12-10 08:04:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2143 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-crazy-and-mixed-up-analogue-productions-pablo-aapj-191"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3480
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2132
    -id: 1053
    -nom: "Crazy and Mixed Up"
    -informationComplementaire: null
    -description: """
      - Sarah Vaughan "Crazy and Mixed Up" 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on jacket !\r\n
      \r\n
      The Penguin Guide to Jazz Recordings considers Crazy and Mixed Up to be possibly Sarah Vaughan's best album for the Pablo label. Vaughan was nominated for the Grammy Award for Best Jazz Vocal Performance, Female at the 26th Annual Grammy Awards for her performance. This release is an essential addition to any serious jazz collection, captivating audiophiles and music lovers alike.\r\n
      \r\n
      This album blends her impeccable phrasing with inventive, boundary-pushing jazz arrangements, making it a must-have for those who appreciate vocal jazz that transcends the genre. Vaughan's impeccable sense of timing and emotional depth, paired with the intricate instrumental backing, elevate these tracks into an extraordinary listening experience.\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a Stoughton Printing tip-on single pocket jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sarah Vaughan\t(vocals), Roland Hanna (piano), Andy Simpkins (bass), Joe Pass (guitar), Harold Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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    -limitedEdition: true
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    -extraitYoutube: "https://www.youtube.com/watch?v=cFpl82wjwVk&list=PLfJndz0utgONBSvc5PnDgxEiA4qxHUYx5"
    -referenceProduit: "Analogue Productions (Pablo) AAPJ 191"
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        "nom" => "2. Seasons"
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      ]
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        "nom" => "4. You Are Too Beautiful"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2134 …}
    -label: Proxies\__CG__\App\Entity\Label {#2137 …}
    -style: App\Entity\Style {#1449 …}
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    -typeMasterTape: null
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    }
    -modifierLe: DateTime @1765353843 {#2127
      date: 2025-12-10 08:04:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2143 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-crazy-and-mixed-up-analogue-productions-pablo-aapj-191"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2151
    -id: 2868
    -nom: "Mussorgsky - Pictures at an Exhibition / Prokofieff - Symphonie Classique"
    -informationComplementaire: null
    -description: """
      - 100 % Pure Analogue 180 gram Virgin Vinyl LP !\r\n
      - DG's The Original Source Series !\r\n
      - Remastered from the Original 4- & 8 Track Recordings at Emil Berliner Studios !\r\n
      - No Tape Copies Used, No Unnecessary Devices in the Signal Path, No Digital Sound Processing !\r\n
      - Pressed by Optimal !\r\n
      - Numbered, Limited Edition !\r\n
      \r\n
      An art exhibition in honor of his friend, the painter Victor Hartmann, inspired Mussorgsky to compose his piano cycle in 1874, the idea of which is as simple as it is obvious: a kind of 'first-person narrator' wanders through the gallery and looks at ten paintings in great detail. Maurice Ravel orchestrated them for orchestra in 1922. Giulini's performance with the Chicago Symphony Orchestra is widely regarded as a reference recording.\r\n
      \r\n
      Prokofiev wrote his first symphony in the middle of the First World War. In sound and form, it differs from other works by the composer. No gigantic late romantic orchestra, no performance time of an hour, but a classical orchestra, and only fifteen minutes are needed for his Symphony No. 1, which was written in 1916/17.\r\n
      \r\n
      The audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\r\n
      \r\n
      The copies of this series will be released in a limited and numbered edition on 180 gram vinyl and in a deluxe gatefold sleeve with original covers and lyrics, accompanied by additional photos and facsimiles of the recording notes and tape box.\r\n
      \r\n
      The Original Source Series :\r\n
      \r\n
      The Original Source is one of several new initiatives introduced by Deutsche Grammophon in 2023 as part of its 125th-anniversary celebrations. The Original Source draws on the technical innovation that has been part of the label's identity ever since it was founded in 1898 by Emil Berliner, inventor of the gramophone.\r\n
      \r\n
      Deutsche Grammophon's distinctive nature was forged by iconic classical artists of the past, whose recordings are of timeless quality," notes Dr. Clemens Trautmann, President of Deutsche Grammophon. "Everything we do today is embedded in the wonderful 125 years of history we're celebrating this year and, in this new series, exceptional creative content goes hand in hand with the finest engineering techniques. We're delighted to present great music to our listeners in a unique audio format that will invite them to engage in a conscious listening experience".\r\n
      \r\n
      Rainer Maillard, recording producer and managing director of Emil Berliner Studios, explains more about the process involved in creating The Original Source series:\r\n
      \r\n
      Sometimes many years have to pass before old treasures are rediscovered. For its 125th anniversary in 2023, DG will be reissuing a series of legendary recordings from the 1970s, cut for the first time directly from the 4-track ½-inch masters, rather than the stereo ¼-inch tape copies. The result will be the highest possible, audiophile quality, giving listeners the chance to enjoy this repertoire as never before.\r\n
      \r\n
      In order to better understand the background to this extraordinary series, it is worth looking at DG's technical developments in sound recording. It started recording for quadraphonic surround sound as early as 1970. The format was 4 track analogue tape, with left, right, front and rear channels. After the recording was finished, the 4 track tapes were edited in the studio at DG's site in Hannover. The various takes were cut with scissors and joined together again with sticky tape.\r\n
      \r\n
      Back then, however, there was no consumer format ready for quadraphonic playback, so DG was producing for the future. The label did release these recordings on regular vinyl LPs in stereo, of course, which meant the engineers had to create a stereo downmix of the 4 track master tape. For international distribution, DG made copies of this copy and sent them around the world for local manufacturing.\r\n
      \r\n
      A tape copy can never sound as good as the original master tape, so the idea was born to make a product of the highest quality by using the original 4-track masters instead of the 2 track copies for lacquer cutting. They sound sensational, thanks to the expert team involved back in the day, and the analogue recording technology they were using.\r\n
      \r\n
      For the new releases, two technical aspects have to be taken into account. Firstly, 4 track tape is twice as wide as the usual 2-track tape, therefore we need a special tape machine. This has to be able to deliver a so-called preview signal, which allows the disc-cutting lathe to etch a perfect groove on the disc. Our tape machine had to be modified for this purpose and is probably the only one of its kind in the world right now. Secondly, we need to mix the front and rear channels down to stereo in real time. A completely new, custom-built mixing desk was required for this project. Emil Berliner Studios have designed a passive mixer, which renders the highest quality without introducing any additional noise to the signal.\r\n
      \r\n
      The Original Source Series means: no tape copies used, no unnecessary devices in the signal path and, of course, no digital sound processing. This is the shortest possible way from the original master to the cutter head.\r\n
      \r\n
      "Compared to the original releases, the advantages in sound for the vinyl reissues are outstanding : greater clarity, more details and a better frequency response; less noise, less distortion, less compression… Enjoy !".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Carlo Maria Giulini conducts the Chicago Symphony Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9bFLOwtbt-0&list=RD9bFLOwtbt-0&start_radio=1"
    -referenceProduit: "Deutsche Grammophon Records 2530783"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "Mussorgsky : Pictures at an Exhibition"
      ]
      [
        "ordre" => 2
        "nom" => "1. Promenade 1"
      ]
      [
        "ordre" => 3
        "nom" => "2. I. Gnomus"
      ]
      [
        "ordre" => 4
        "nom" => "3. Promenade 2"
      ]
      [
        "ordre" => 5
        "nom" => "4. II. The Old Castle"
      ]
      [
        "ordre" => 6
        "nom" => "5. Promenade 3"
      ]
      [
        "ordre" => 7
        "nom" => "6. III. Tuileries"
      ]
      [
        "ordre" => 8
        "nom" => "7. IV. Bydlo 'The Oxcart'"
      ]
      [
        "ordre" => 9
        "nom" => "8. Promenade 4"
      ]
      [
        "ordre" => 10
        "nom" => "9. V. Ballet of the Unhatched Chicks"
      ]
      [
        "ordre" => 11
        "nom" => "10. VI. Samuel Goldenberg and Schmuÿle"
      ]
      [
        "ordre" => 12
        "nom" => "11. VII. The Market at Limoges"
      ]
      [
        "ordre" => 13
        "nom" => "12. VIIIa. Catacombae 'Sepulcrum romanum'"
      ]
      [
        "ordre" => 14
        "nom" => "13. VIIIb. Cum mortuis in lingua mortua"
      ]
      [
        "ordre" => 15
        "nom" => "14. IX. The Hut on Fowl's Legs 'Baba-Yaga'"
      ]
      [
        "ordre" => 16
        "nom" => "15. X. The Great Gates of Kyiv"
      ]
      [
        "ordre" => 17
        "nom" => "Side : B"
      ]
      [
        "ordre" => 18
        "nom" => "Prokofieff : Symphony N° 1 in D Major, Op. 25 'Classical Symphony'"
      ]
      [
        "ordre" => 19
        "nom" => "1. I. Allegro"
      ]
      [
        "ordre" => 20
        "nom" => "2. II. Larghetto"
      ]
      [
        "ordre" => 21
        "nom" => "3. III. Gavotte. Non troppo allegro"
      ]
      [
        "ordre" => 22
        "nom" => "4. IV. Finale. Molto vivace"
      ]
      [
        "ordre" => 23
        "nom" => ""
      ]
      [
        "ordre" => 24
        "nom" => ""
      ]
      [
        "ordre" => 25
        "nom" => ""
      ]
      [
        "ordre" => 26
        "nom" => ""
      ]
      [
        "ordre" => 27
        "nom" => ""
      ]
      [
        "ordre" => 28
        "nom" => ""
      ]
      [
        "ordre" => 29
        "nom" => ""
      ]
      [
        "ordre" => 30
        "nom" => ""
      ]
      [
        "ordre" => 31
        "nom" => ""
      ]
      [
        "ordre" => 32
        "nom" => ""
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      [
        "ordre" => 33
        "nom" => ""
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        "nom" => ""
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      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 39
        "nom" => ""
      ]
      [
        "ordre" => 40
        "nom" => ""
      ]
      [
        "ordre" => 41
        "nom" => ""
      ]
      [
        "ordre" => 42
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 44
        "nom" => ""
      ]
      [
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        "nom" => ""
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      [
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        "nom" => ""
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      [
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      [
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      [
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        "nom" => ""
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      [
        "ordre" => 52
        "nom" => ""
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2153 …}
    -label: Proxies\__CG__\App\Entity\Label {#2156 …}
    -style: App\Entity\Style {#1438 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2165 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2158 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2160 …}
    -enregistreLe: DateTime @1759395305 {#2148
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    -modifierLe: DateTime @1765312212 {#2149
      date: 2025-12-09 20:30:12.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2162 …}
    -disponible: null
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    -slug: "vinyles-mussorgsky-pictures-at-an-exhibition-prokofieff-symphonie-classique-deutsche-grammophon-records-2530783"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3531
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2151
    -id: 2868
    -nom: "Mussorgsky - Pictures at an Exhibition / Prokofieff - Symphonie Classique"
    -informationComplementaire: null
    -description: """
      - 100 % Pure Analogue 180 gram Virgin Vinyl LP !\r\n
      - DG's The Original Source Series !\r\n
      - Remastered from the Original 4- & 8 Track Recordings at Emil Berliner Studios !\r\n
      - No Tape Copies Used, No Unnecessary Devices in the Signal Path, No Digital Sound Processing !\r\n
      - Pressed by Optimal !\r\n
      - Numbered, Limited Edition !\r\n
      \r\n
      An art exhibition in honor of his friend, the painter Victor Hartmann, inspired Mussorgsky to compose his piano cycle in 1874, the idea of which is as simple as it is obvious: a kind of 'first-person narrator' wanders through the gallery and looks at ten paintings in great detail. Maurice Ravel orchestrated them for orchestra in 1922. Giulini's performance with the Chicago Symphony Orchestra is widely regarded as a reference recording.\r\n
      \r\n
      Prokofiev wrote his first symphony in the middle of the First World War. In sound and form, it differs from other works by the composer. No gigantic late romantic orchestra, no performance time of an hour, but a classical orchestra, and only fifteen minutes are needed for his Symphony No. 1, which was written in 1916/17.\r\n
      \r\n
      The audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\r\n
      \r\n
      The copies of this series will be released in a limited and numbered edition on 180 gram vinyl and in a deluxe gatefold sleeve with original covers and lyrics, accompanied by additional photos and facsimiles of the recording notes and tape box.\r\n
      \r\n
      The Original Source Series :\r\n
      \r\n
      The Original Source is one of several new initiatives introduced by Deutsche Grammophon in 2023 as part of its 125th-anniversary celebrations. The Original Source draws on the technical innovation that has been part of the label's identity ever since it was founded in 1898 by Emil Berliner, inventor of the gramophone.\r\n
      \r\n
      Deutsche Grammophon's distinctive nature was forged by iconic classical artists of the past, whose recordings are of timeless quality," notes Dr. Clemens Trautmann, President of Deutsche Grammophon. "Everything we do today is embedded in the wonderful 125 years of history we're celebrating this year and, in this new series, exceptional creative content goes hand in hand with the finest engineering techniques. We're delighted to present great music to our listeners in a unique audio format that will invite them to engage in a conscious listening experience".\r\n
      \r\n
      Rainer Maillard, recording producer and managing director of Emil Berliner Studios, explains more about the process involved in creating The Original Source series:\r\n
      \r\n
      Sometimes many years have to pass before old treasures are rediscovered. For its 125th anniversary in 2023, DG will be reissuing a series of legendary recordings from the 1970s, cut for the first time directly from the 4-track ½-inch masters, rather than the stereo ¼-inch tape copies. The result will be the highest possible, audiophile quality, giving listeners the chance to enjoy this repertoire as never before.\r\n
      \r\n
      In order to better understand the background to this extraordinary series, it is worth looking at DG's technical developments in sound recording. It started recording for quadraphonic surround sound as early as 1970. The format was 4 track analogue tape, with left, right, front and rear channels. After the recording was finished, the 4 track tapes were edited in the studio at DG's site in Hannover. The various takes were cut with scissors and joined together again with sticky tape.\r\n
      \r\n
      Back then, however, there was no consumer format ready for quadraphonic playback, so DG was producing for the future. The label did release these recordings on regular vinyl LPs in stereo, of course, which meant the engineers had to create a stereo downmix of the 4 track master tape. For international distribution, DG made copies of this copy and sent them around the world for local manufacturing.\r\n
      \r\n
      A tape copy can never sound as good as the original master tape, so the idea was born to make a product of the highest quality by using the original 4-track masters instead of the 2 track copies for lacquer cutting. They sound sensational, thanks to the expert team involved back in the day, and the analogue recording technology they were using.\r\n
      \r\n
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      \r\n
      The Original Source Series means: no tape copies used, no unnecessary devices in the signal path and, of course, no digital sound processing. This is the shortest possible way from the original master to the cutter head.\r\n
      \r\n
      "Compared to the original releases, the advantages in sound for the vinyl reissues are outstanding : greater clarity, more details and a better frequency response; less noise, less distortion, less compression… Enjoy !".
      """
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[
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    -id: 2867
    -nom: "Chopin : Sonate Op. 65, Polonaise Op. 3 / Schumann : Adagio & Allegro Op.70"
    -informationComplementaire: null
    -description: """
      - 100 % Pure Analogue 180 gram Virgin Vinyl LP !\r\n
      - DG's The Original Source Series !\r\n
      - Remastered from the Original 4 Track Recordings at Emil Berliner Studios !\r\n
      - No Tape Copies Used, No Unnecessary Devices in the Signal Path, No Digital Sound Processing !\r\n
      - Pressed by Optimal !\r\n
      - Numbered, Limited Edition !\r\n
      \r\n
      Chopin's four-movement Cello Sonata Op. 65 dates from 1845/46 and combines all the attractions of his richly ornamented writing for piano, here largely free from reminiscences of his native folk music. With an astonishing understanding of the individual character of the cello, one forgets that, at the outset, his creative concepts had been wholly pianistic in origin.\r\n
      \r\n
      Schumann wrote few works for cello and piano, but those few are of considerable importance. The Adagio and Allegro Op. 70 for cello and piano of 1849 is characteristic of Schumann's personal and unmistakable blend of eloquent melancholy with spontaneous naturalness, while the piano part, especially in the Allegro, is marked by subtly brilliant virtuosity. Perfect understanding and harmony mark this extraordinary recording by Argerich and Rostropovich.\r\n
      \r\n
      The audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\r\n
      \r\n
      On 180 gram vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and band boxes.\r\n
      \r\n
      The Original Source Series :\r\n
      \r\n
      The Original Source is one of several new initiatives introduced by Deutsche Grammophon in 2023 as part of its 125th-anniversary celebrations. The Original Source draws on the technical innovation that has been part of the label's identity ever since it was founded in 1898 by Emil Berliner, inventor of the gramophone.\r\n
      \r\n
      "Deutsche Grammophon's distinctive nature was forged by iconic classical artists of the past, whose recordings are of timeless quality," notes Dr. Clemens Trautmann, President of Deutsche Grammophon. "Everything we do today is embedded in the wonderful 125 years of history we're celebrating this year and, in this new series, exceptional creative content goes hand in hand with the finest engineering techniques. We're delighted to present great music to our listeners in a unique audio format that will invite them to engage in a conscious listening experience".\r\n
      \r\n
      Rainer Maillard, recording producer and managing director of Emil Berliner Studios, explains more about the process involved in creating The Original Source series:\r\n
      \r\n
      Sometimes many years have to pass before old treasures are rediscovered. For its 125th anniversary in 2023, DG will be reissuing a series of legendary recordings from the 1970s, cut for the first time directly from the 4-track ½-inch masters, rather than the stereo ¼-inch tape copies. The result will be the highest possible, audiophile quality, giving listeners the chance to enjoy this repertoire as never before.\r\n
      \r\n
      In order to better understand the background to this extraordinary series, it is worth looking at DG's technical developments in sound recording. It started recording for quadraphonic surround sound as early as 1970. The format was 4 track analogue tape, with left, right, front and rear channels. After the recording was finished, the 4 track tapes were edited in the studio at DG's site in Hannover. The various takes were cut with scissors and joined together again with sticky tape.\r\n
      \r\n
      Back then, however, there was no consumer format ready for quadraphonic playback, so DG was producing for the future. The label did release these recordings on regular vinyl LPs in stereo, of course, which meant the engineers had to create a stereo downmix of the 4 track master tape. For international distribution, DG made copies of this copy and sent them around the world for local manufacturing.\r\n
      \r\n
      A tape copy can never sound as good as the original master tape, so the idea was born to make a product of the highest quality by using the original 4 track masters instead of the 2 track copies for lacquer cutting. They sound sensational, thanks to the expert team involved back in the day, and the analogue recording technology they were using.\r\n
      \r\n
      For the new releases, two technical aspects have to be taken into account. Firstly, 4 track tape is twice as wide as the usual 2 track tape, therefore we need a special tape machine. This has to be able to deliver a so-called preview signal, which allows the disc-cutting lathe to etch a perfect groove on the disc. Our tape machine had to be modified for this purpose and is probably the only one of its kind in the world right now. Secondly, we need to mix the front and rear channels down to stereo in real time. A completely new, custom-built mixing desk was required for this project. Emil Berliner Studios have designed a passive mixer, which renders the highest quality without introducing any additional noise to the signal.\r\n
      \r\n
      The Original Source Series means: no tape copies used, no unnecessary devices in the signal path and, of course, no digital sound processing. This is the shortest possible way from the original master to the cutter head.\r\n
      \r\n
      "Compared to the original releases, the advantages in sound for the vinyl reissues are outstanding: greater clarity, more details and a better frequency response; less noise, less distortion, less compression… Enjoy !".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Martha Argerich (piano), Mstislav Rostropovich (cello)"
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    -extraitYoutube: "https://www.youtube.com/watch?v=lkd7kIjdpTM&list=RDlkd7kIjdpTM&start_radio=1"
    -referenceProduit: "Deutsche Grammophon Records 2531201"
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        "nom" => "Chopin : Cello Sonata in G Minor, Op. 65"
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      ]
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        "nom" => "Side B : "
      ]
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        "nom" => "Schumann : Adagio & Allegro in A-Flat Major, Op. 70 - Version for Cello"
      ]
      [
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        "nom" => "1. I. Adagio – II. Allegro"
      ]
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        "nom" => "Chopin : Introduction & Polonaise brillante, Op. 3"
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    -id: 2867
    -nom: "Chopin : Sonate Op. 65, Polonaise Op. 3 / Schumann : Adagio & Allegro Op.70"
    -informationComplementaire: null
    -description: """
      - 100 % Pure Analogue 180 gram Virgin Vinyl LP !\r\n
      - DG's The Original Source Series !\r\n
      - Remastered from the Original 4 Track Recordings at Emil Berliner Studios !\r\n
      - No Tape Copies Used, No Unnecessary Devices in the Signal Path, No Digital Sound Processing !\r\n
      - Pressed by Optimal !\r\n
      - Numbered, Limited Edition !\r\n
      \r\n
      Chopin's four-movement Cello Sonata Op. 65 dates from 1845/46 and combines all the attractions of his richly ornamented writing for piano, here largely free from reminiscences of his native folk music. With an astonishing understanding of the individual character of the cello, one forgets that, at the outset, his creative concepts had been wholly pianistic in origin.\r\n
      \r\n
      Schumann wrote few works for cello and piano, but those few are of considerable importance. The Adagio and Allegro Op. 70 for cello and piano of 1849 is characteristic of Schumann's personal and unmistakable blend of eloquent melancholy with spontaneous naturalness, while the piano part, especially in the Allegro, is marked by subtly brilliant virtuosity. Perfect understanding and harmony mark this extraordinary recording by Argerich and Rostropovich.\r\n
      \r\n
      The audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four- and eight-track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\r\n
      \r\n
      On 180 gram vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and band boxes.\r\n
      \r\n
      The Original Source Series :\r\n
      \r\n
      The Original Source is one of several new initiatives introduced by Deutsche Grammophon in 2023 as part of its 125th-anniversary celebrations. The Original Source draws on the technical innovation that has been part of the label's identity ever since it was founded in 1898 by Emil Berliner, inventor of the gramophone.\r\n
      \r\n
      "Deutsche Grammophon's distinctive nature was forged by iconic classical artists of the past, whose recordings are of timeless quality," notes Dr. Clemens Trautmann, President of Deutsche Grammophon. "Everything we do today is embedded in the wonderful 125 years of history we're celebrating this year and, in this new series, exceptional creative content goes hand in hand with the finest engineering techniques. We're delighted to present great music to our listeners in a unique audio format that will invite them to engage in a conscious listening experience".\r\n
      \r\n
      Rainer Maillard, recording producer and managing director of Emil Berliner Studios, explains more about the process involved in creating The Original Source series:\r\n
      \r\n
      Sometimes many years have to pass before old treasures are rediscovered. For its 125th anniversary in 2023, DG will be reissuing a series of legendary recordings from the 1970s, cut for the first time directly from the 4-track ½-inch masters, rather than the stereo ¼-inch tape copies. The result will be the highest possible, audiophile quality, giving listeners the chance to enjoy this repertoire as never before.\r\n
      \r\n
      In order to better understand the background to this extraordinary series, it is worth looking at DG's technical developments in sound recording. It started recording for quadraphonic surround sound as early as 1970. The format was 4 track analogue tape, with left, right, front and rear channels. After the recording was finished, the 4 track tapes were edited in the studio at DG's site in Hannover. The various takes were cut with scissors and joined together again with sticky tape.\r\n
      \r\n
      Back then, however, there was no consumer format ready for quadraphonic playback, so DG was producing for the future. The label did release these recordings on regular vinyl LPs in stereo, of course, which meant the engineers had to create a stereo downmix of the 4 track master tape. For international distribution, DG made copies of this copy and sent them around the world for local manufacturing.\r\n
      \r\n
      A tape copy can never sound as good as the original master tape, so the idea was born to make a product of the highest quality by using the original 4 track masters instead of the 2 track copies for lacquer cutting. They sound sensational, thanks to the expert team involved back in the day, and the analogue recording technology they were using.\r\n
      \r\n
      For the new releases, two technical aspects have to be taken into account. Firstly, 4 track tape is twice as wide as the usual 2 track tape, therefore we need a special tape machine. This has to be able to deliver a so-called preview signal, which allows the disc-cutting lathe to etch a perfect groove on the disc. Our tape machine had to be modified for this purpose and is probably the only one of its kind in the world right now. Secondly, we need to mix the front and rear channels down to stereo in real time. A completely new, custom-built mixing desk was required for this project. Emil Berliner Studios have designed a passive mixer, which renders the highest quality without introducing any additional noise to the signal.\r\n
      \r\n
      The Original Source Series means: no tape copies used, no unnecessary devices in the signal path and, of course, no digital sound processing. This is the shortest possible way from the original master to the cutter head.\r\n
      \r\n
      "Compared to the original releases, the advantages in sound for the vinyl reissues are outstanding: greater clarity, more details and a better frequency response; less noise, less distortion, less compression… Enjoy !".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Martha Argerich (piano), Mstislav Rostropovich (cello)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=lkd7kIjdpTM&list=RDlkd7kIjdpTM&start_radio=1"
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        "nom" => "Schumann : Adagio & Allegro in A-Flat Major, Op. 70 - Version for Cello"
      ]
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        "nom" => "1. I. Adagio – II. Allegro"
      ]
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[
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    -description: "Saxophonist Sonny Rollins is hands down one of the most important jazz instrumentalists of all-time and his 1956 hard bob Prestige release Plus 4 stands as one of his high-water marks. The Plus 4 in support of Rollins' daring tenor saxophone work here is the Clifford Brown/Max Roach Quintet, of which he was a member at the time, including Clifford Brown (trumpet), Richie Powell (piano), George Morrow (bass) and Max Roach (drums). Song selections include such groundbreaking Rollins originals as "Valse Hot" and "Pent-Up House" and well executed standards like "I Feel A Song Coming On" and "Count Your Blessings". Plus 4 would also serve as the last full recordings for both Powell and Brown as they perished in a car accident just three months later. This 180g LP reissue from Vinyl Lovers comes complete with the bonus track "The Scene Is Clean"."
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Clifford Brown (trumpet), Richie Powell (piano), George Morrow (bass), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -id: 2837
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    -description: "Saxophonist Sonny Rollins is hands down one of the most important jazz instrumentalists of all-time and his 1956 hard bob Prestige release Plus 4 stands as one of his high-water marks. The Plus 4 in support of Rollins' daring tenor saxophone work here is the Clifford Brown/Max Roach Quintet, of which he was a member at the time, including Clifford Brown (trumpet), Richie Powell (piano), George Morrow (bass) and Max Roach (drums). Song selections include such groundbreaking Rollins originals as "Valse Hot" and "Pent-Up House" and well executed standards like "I Feel A Song Coming On" and "Count Your Blessings". Plus 4 would also serve as the last full recordings for both Powell and Brown as they perished in a car accident just three months later. This 180g LP reissue from Vinyl Lovers comes complete with the bonus track "The Scene Is Clean"."
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    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Clifford Brown (trumpet), Richie Powell (piano), George Morrow (bass), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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[
  "produit" => App\Entity\Produit {#2205
    -id: 2838
    -nom: "Boss Guitar"
    -informationComplementaire: null
    -description: """
      Original Jazz Classic Series Reissue of Wes Montgomery's Boss Guitar on 180 gram LP. Cut from the Original Master Tapes (AAA) by Kevin Gray at Cohearent Audio and Pressed at RTI.\r\n
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      \r\n
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      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Wes Montgomery (guitar), Melvine Rhyne (organ), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3684
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  +produit: App\Entity\Produit {#2205
    -id: 2838
    -nom: "Boss Guitar"
    -informationComplementaire: null
    -description: """
      Original Jazz Classic Series Reissue of Wes Montgomery's Boss Guitar on 180 gram LP. Cut from the Original Master Tapes (AAA) by Kevin Gray at Cohearent Audio and Pressed at RTI.\r\n
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      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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[
  "produit" => App\Entity\Produit {#2221
    -id: 2836
    -nom: "Surf Ride"
    -informationComplementaire: null
    -description: """
      Original Jazz Classic Series Reissue of Art Pepper's Surf Ride on 180 gram LP. Cut from the Original Master Tapes (AAA) by Kevin Gray at Cohearent Audio and Pressed at RTI.\r\n
      \r\n
      Including sessions recorded by Art Pepper for Savoy from 1952-54 Surf Ride was originally released in 1956. Featuring three groups of players, the album collects twelve, mostly Pepper composed, cuts including “Holiday Flight” with Pepper’s playing throughout on superior form. Features Jack Montrose (tenor saxophone), Russ Freeman (piano), Hampton Hawes (piano), Claude Williamson (piano), Monty Budwig (bass), Joe Mondragon (bass), Bob Whitlock (bass), Larry Bunker (drums) and Bobby White (drums).\r\n
      \r\n
      This new edition of the album is released as part of the Original Jazz Classics Series on 180 gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Art Pepper (alto saxophone), Jack Montrose (tenor saxophone), Russ Freeman, Hampton Hawes, Claude Williamson (piano), Monty Budwig, Joe Mondragon, Bob Whitlock (bass), Larry Bunker, Bobby White (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=DcR-V-UUsvU&list=PLWtfynEH40s3_uJtHKKPTI2Y8-DEWzjbp"
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        "nom" => "2. Chili Pepper"
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    ]
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