Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2625
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2702
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2705 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2704 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …}
  -formView: Symfony\Component\Form\FormView {#2741 …}
  -form: Symfony\Component\Form\Form {#2891 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 562
    -nom: "Clap Hands, Here Comes Charlie !"
    -informationComplementaire: null
    -description: """
      "Back in the 1990s original Verve pressings of this record were hot items pushed into prominence in great part by write-ups in The Absolute Sound, particularly by my friend Frank Doris. I found a few, and even a few in pretty good condition, but none of them begin to compare to this double 45 RPM set that offers more of everything, particularly transparency and instrumental separation. ...Ella's on a microphone with a slightly rising high end but if it sounds icy, don't blame the recording or the mastering. It's your system. If it's well-balanced and your cartridge is a good tracker, the vocal transparency and clarity are spooky and the sibilant articulation is precise. These double LPs cut at Sterling Sound use the original tapes, not copies of the original tapes and the clarity and transparency coupled with QRP's drop-dead silent pressings are remarkable. The original pre-MGM buyout LP has a pleasingly nostalgic quality and the added warmth produces a bit more room sound, but in my opinion it can't compare to this reissue unless you like hearing things through rose-tinted loudspeakers. Elegantly produced, arranged and recorded and easy to recommend ..." Music = 9/11; Sound = 9/11 - Michael Fremer, AnalogPlanet.com, February 15, 2013. To read Fremer's full review, click here: http://www.analogplanet.com/content/ellas-room-double-45rpm-clap-hands-here-comes-charlie-reissue-analogue-productions\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Fourteen numbers from the heyday of swing, composed sometime between 1930 and 1945 - played and sung time and time again in ballrooms, or on the radio to advertise biscuits or war bonds, were recorded by Ella in completely new and personal interpretations in 1961. No one should be put off by the rather unfortunate cover. Clap Hands... is absolutely top notch as regards musicality, perfect recording quality, superb accompaniment by a small ensemble, with room for improvisations; it offers a wonderful opportunity to discover something new in these evergreens, despite the occasionally banal lyrics. The songs of this recording conjure up bygone days, with listeners in the 21st century being offered a highly personal homage to one of the most successful periods in the 100-year history of jazz.\r\n
       \r\n
      Originally released in 1962.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), ?Herb Ellis (guitar),? Gus Johnson, Lou Levy (piano),? Wilfred Middlebrooks, Joe Mondragon (bass), Stan Levey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vdE5hfcMgtE"
    -referenceProduit: "Analogue Productions AVRJ 4053-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Night In Tunisia"
      ]
      [
        "ordre" => 2
        "nom" => "2. You're My Thrill"
      ]
      [
        "ordre" => 3
        "nom" => "3. My Reverie"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Stella My Starlight"
      ]
      [
        "ordre" => 6
        "nom" => "2. 'Round Midnite"
      ]
      [
        "ordre" => 7
        "nom" => "3. Jersey Bounce"
      ]
      [
        "ordre" => 8
        "nom" => "4. Signing Off"
      ]
      [
        "ordre" => 9
        "nom" => "Side C : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Cry Me A River"
      ]
      [
        "ordre" => 11
        "nom" => "2. This Year's Kisses"
      ]
      [
        "ordre" => 12
        "nom" => "3. Good Morning Heartache"
      ]
      [
        "ordre" => 13
        "nom" => "4. (I Was) Born To Be Blue"
      ]
      [
        "ordre" => 14
        "nom" => "Side D : "
      ]
      [
        "ordre" => 15
        "nom" => "1. Clap Hands, Here Comes Charlie!"
      ]
      [
        "ordre" => 16
        "nom" => "2. Spring Can Really Hang You Up the Most"
      ]
      [
        "ordre" => 17
        "nom" => "3. Music Goes 'Round and 'Round"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1353826832 {#1929
      date: 2012-11-25 07:00:32.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765720503 {#1922
      date: 2025-12-14 13:55:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-clap-hands-here-comes-charlie-analogue-productions-avrj-4053-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3162
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 562
    -nom: "Clap Hands, Here Comes Charlie !"
    -informationComplementaire: null
    -description: """
      "Back in the 1990s original Verve pressings of this record were hot items pushed into prominence in great part by write-ups in The Absolute Sound, particularly by my friend Frank Doris. I found a few, and even a few in pretty good condition, but none of them begin to compare to this double 45 RPM set that offers more of everything, particularly transparency and instrumental separation. ...Ella's on a microphone with a slightly rising high end but if it sounds icy, don't blame the recording or the mastering. It's your system. If it's well-balanced and your cartridge is a good tracker, the vocal transparency and clarity are spooky and the sibilant articulation is precise. These double LPs cut at Sterling Sound use the original tapes, not copies of the original tapes and the clarity and transparency coupled with QRP's drop-dead silent pressings are remarkable. The original pre-MGM buyout LP has a pleasingly nostalgic quality and the added warmth produces a bit more room sound, but in my opinion it can't compare to this reissue unless you like hearing things through rose-tinted loudspeakers. Elegantly produced, arranged and recorded and easy to recommend ..." Music = 9/11; Sound = 9/11 - Michael Fremer, AnalogPlanet.com, February 15, 2013. To read Fremer's full review, click here: http://www.analogplanet.com/content/ellas-room-double-45rpm-clap-hands-here-comes-charlie-reissue-analogue-productions\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Fourteen numbers from the heyday of swing, composed sometime between 1930 and 1945 - played and sung time and time again in ballrooms, or on the radio to advertise biscuits or war bonds, were recorded by Ella in completely new and personal interpretations in 1961. No one should be put off by the rather unfortunate cover. Clap Hands... is absolutely top notch as regards musicality, perfect recording quality, superb accompaniment by a small ensemble, with room for improvisations; it offers a wonderful opportunity to discover something new in these evergreens, despite the occasionally banal lyrics. The songs of this recording conjure up bygone days, with listeners in the 21st century being offered a highly personal homage to one of the most successful periods in the 100-year history of jazz.\r\n
       \r\n
      Originally released in 1962.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), ?Herb Ellis (guitar),? Gus Johnson, Lou Levy (piano),? Wilfred Middlebrooks, Joe Mondragon (bass), Stan Levey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vdE5hfcMgtE"
    -referenceProduit: "Analogue Productions AVRJ 4053-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Night In Tunisia"
      ]
      [
        "ordre" => 2
        "nom" => "2. You're My Thrill"
      ]
      [
        "ordre" => 3
        "nom" => "3. My Reverie"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Stella My Starlight"
      ]
      [
        "ordre" => 6
        "nom" => "2. 'Round Midnite"
      ]
      [
        "ordre" => 7
        "nom" => "3. Jersey Bounce"
      ]
      [
        "ordre" => 8
        "nom" => "4. Signing Off"
      ]
      [
        "ordre" => 9
        "nom" => "Side C : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Cry Me A River"
      ]
      [
        "ordre" => 11
        "nom" => "2. This Year's Kisses"
      ]
      [
        "ordre" => 12
        "nom" => "3. Good Morning Heartache"
      ]
      [
        "ordre" => 13
        "nom" => "4. (I Was) Born To Be Blue"
      ]
      [
        "ordre" => 14
        "nom" => "Side D : "
      ]
      [
        "ordre" => 15
        "nom" => "1. Clap Hands, Here Comes Charlie!"
      ]
      [
        "ordre" => 16
        "nom" => "2. Spring Can Really Hang You Up the Most"
      ]
      [
        "ordre" => 17
        "nom" => "3. Music Goes 'Round and 'Round"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1353826832 {#1929
      date: 2012-11-25 07:00:32.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765720503 {#1922
      date: 2025-12-14 13:55:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-clap-hands-here-comes-charlie-analogue-productions-avrj-4053-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 445
    -nom: "Let No Man Write My Epitaph"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Bernie Grundman from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Considered one of Ella's greatest recordings, she's backed on this 1960 release by pianist Paul Smith. Let No Man Write My Epitaph was a 1960 Hollywood movie featuring Fitzgerald. The album hits at a depth of emotional understanding that critics often complained was missing in Ella's reading of jazz lyrics, and once again establishes her as one of the supreme interpreters of the Great American Songbook.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Paul Smith (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=f88yoLs0yl0"
    -referenceProduit: "Acoustic Sounds Series 6901"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Black Coffee"
      ]
      [
        "ordre" => 2
        "nom" => "2. Angel Eyes"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Cried For You"
      ]
      [
        "ordre" => 4
        "nom" => "4. I Can't Give You Anything But Love"
      ]
      [
        "ordre" => 5
        "nom" => "5. Then You've Never Been Blue"
      ]
      [
        "ordre" => 6
        "nom" => "6. I Hadn't Anyone Till You"
      ]
      [
        "ordre" => 7
        "nom" => "7. My Melancholy Baby"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Misty"
      ]
      [
        "ordre" => 10
        "nom" => "2. September Song"
      ]
      [
        "ordre" => 11
        "nom" => "3. One For My Baby (And One More For The Road)"
      ]
      [
        "ordre" => 12
        "nom" => "4. Who's Sorry Now"
      ]
      [
        "ordre" => 13
        "nom" => "5. I'm Getting Sentimental Over You"
      ]
      [
        "ordre" => 14
        "nom" => "6. Reach For Tomorrow"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#2100 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2109 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2102 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2104 …}
    -enregistreLe: DateTime @1307169679 {#2095
      date: 2011-06-04 06:41:19.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765720010 {#2096
      date: 2025-12-14 13:46:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2106 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-let-no-man-write-my-epitaph-acoustic-sounds-series-6901"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3278
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 445
    -nom: "Let No Man Write My Epitaph"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Bernie Grundman from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Considered one of Ella's greatest recordings, she's backed on this 1960 release by pianist Paul Smith. Let No Man Write My Epitaph was a 1960 Hollywood movie featuring Fitzgerald. The album hits at a depth of emotional understanding that critics often complained was missing in Ella's reading of jazz lyrics, and once again establishes her as one of the supreme interpreters of the Great American Songbook.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Paul Smith (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=f88yoLs0yl0"
    -referenceProduit: "Acoustic Sounds Series 6901"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Black Coffee"
      ]
      [
        "ordre" => 2
        "nom" => "2. Angel Eyes"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Cried For You"
      ]
      [
        "ordre" => 4
        "nom" => "4. I Can't Give You Anything But Love"
      ]
      [
        "ordre" => 5
        "nom" => "5. Then You've Never Been Blue"
      ]
      [
        "ordre" => 6
        "nom" => "6. I Hadn't Anyone Till You"
      ]
      [
        "ordre" => 7
        "nom" => "7. My Melancholy Baby"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Misty"
      ]
      [
        "ordre" => 10
        "nom" => "2. September Song"
      ]
      [
        "ordre" => 11
        "nom" => "3. One For My Baby (And One More For The Road)"
      ]
      [
        "ordre" => 12
        "nom" => "4. Who's Sorry Now"
      ]
      [
        "ordre" => 13
        "nom" => "5. I'm Getting Sentimental Over You"
      ]
      [
        "ordre" => 14
        "nom" => "6. Reach For Tomorrow"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#2100 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2109 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2102 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2104 …}
    -enregistreLe: DateTime @1307169679 {#2095
      date: 2011-06-04 06:41:19.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765720010 {#2096
      date: 2025-12-14 13:46:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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[
  "produit" => App\Entity\Produit {#2114
    -id: 572
    -nom: "All Over the World : The Very Best Of Electric Light Orchestra"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Jeff Lynne (guitars, keyboards, bass, drums, vocals), Richard Tandy (keyboards, guitar), Kelly Groucutt (bass, vocals), Bev Bevan (drums, percussion), Mik Kaminski, Wilfred Gibson (violin), Hugh McDowell, Melvyn Gale, Mike Edwards, Colin Walke (cello), Mike de Albuquerque (bass), Marc Bolan (guitar).\r\n
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      First Time on LP ! 20 Tracks featuring "Don't Bring Me Down", "Telephone Line", "Mr. Blue Sky", "Shine A LIttle Love", "Evil Woman" & More !\r\n
      \r\n
      The compilation album "All Over the World: The Very Best of Electric Light Orchestra" was originally released on CD in 2005 and features "Evil Woman", "Mr. Blue Sky", "Turn To Stone" and more by Jeff Lynne and company.  The collection is now available on 150 gram Vinyl Double LP.
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1170 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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        "nom" => "2. All Over the World"
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        "nom" => "5. Ma-Ma-Ma-Belle"
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        "nom" => "Side D : "
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      [
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        "nom" => "1. Xanadu (2000 Version)"
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        "ordre" => 20
        "nom" => "2. Rockaria!"
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        "nom" => "3. Strange Magic"
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      [
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        "nom" => "4. Alright"
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        "nom" => "5. Rock ‘N’ Roll Is King"
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      [
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        "nom" => ""
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      [
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        "nom" => ""
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
    -label: Proxies\__CG__\App\Entity\Label {#2119 …}
    -style: App\Entity\Style {#1506 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3324
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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    -id: 572
    -nom: "All Over the World : The Very Best Of Electric Light Orchestra"
    -informationComplementaire: null
    -description: """
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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        "nom" => "2. All Over the World"
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        "nom" => "2. Rockaria!"
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        "nom" => ""
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2125 …}
    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …}
}

[
  "produit" => App\Entity\Produit {#2133
    -id: 2913
    -nom: "Face The Music"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Jeff Lynne (guitars, keyboards, bass, lead & backing vocals), Richard Tandy (keyboards), Kelly Groucutt (bass guitar, backing vocals), Bev Bevan (drums, percussion), Mik Kaminski, Wilf Gibson (violin), Hugh McDowell, Melvyn Gale, Colin Walker (cello).\r\n
      \r\n
      Electric Light Orchestra "Face The Music" 50th Anniversary Reissue on Vinyl LP !\r\n
      \r\n
      Celebrate 50 years of Face the Music! Originally released in 1975, this monumental album includes the legendary hits "Evil Woman", "Strange Magic" and fan-favorite "Fire on High".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Jeff Lynne (guitars, keyboards, bass, lead & backing vocals), Richard Tandy (keyboards), Kelly Groucutt (bass guitar, backing vocals), Bev Bevan (drums, percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1170 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=AciYEMH4AqY&list=RDAciYEMH4AqY&start_radio=1"
    -referenceProduit: "Legacy Records 4014"
    -titreMorceau: [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
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    -modifierLe: DateTime @1765714644 {#2131
      date: 2025-12-14 12:17:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2138 …}
    -disponible: null
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    -slug: "vinyles-face-the-music-legacy-records-4014"
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  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3377
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2133
    -id: 2913
    -nom: "Face The Music"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Jeff Lynne (guitars, keyboards, bass, lead & backing vocals), Richard Tandy (keyboards), Kelly Groucutt (bass guitar, backing vocals), Bev Bevan (drums, percussion), Mik Kaminski, Wilf Gibson (violin), Hugh McDowell, Melvyn Gale, Colin Walker (cello).\r\n
      \r\n
      Electric Light Orchestra "Face The Music" 50th Anniversary Reissue on Vinyl LP !\r\n
      \r\n
      Celebrate 50 years of Face the Music! Originally released in 1975, this monumental album includes the legendary hits "Evil Woman", "Strange Magic" and fan-favorite "Fire on High".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Jeff Lynne (guitars, keyboards, bass, lead & backing vocals), Richard Tandy (keyboards), Kelly Groucutt (bass guitar, backing vocals), Bev Bevan (drums, percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1170 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=AciYEMH4AqY&list=RDAciYEMH4AqY&start_radio=1"
    -referenceProduit: "Legacy Records 4014"
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[
  "produit" => App\Entity\Produit {#2148
    -id: 2108
    -nom: "Eldorado - UltraDisc One-Step (2 LP) 45 RPM Box Set"
    -informationComplementaire: null
    -description: """
      - Numbered, Limited Edition 45 RPM 180 gram Vinyl (2 LP) Box Set !\r\n
      - Limited to 10000 Numbered Copies !\r\n
      - MoFi SuperVinyl Pressed At RTI !\r\n
      \r\n
      A Bold Celebration of Romantics, Escapists, and Dreamers: Electric Light Orchestra's Eldorado Marries Rock and Symphonic Elements, Includes the Aptly Titled Hit "Can't Get It Out of My Head".\r\n
      \r\n
      1974 Prog-Rock Landmark Mastered from the 1/4" / 15 IPS / Dolby A Analog Master to DSD 256 to Analog Console to Lathe: Reference-Grade Mobile Fidelity UD1S 180 gram 45 RPM Vinyl (2 LP) Box Set Plays with Breathtaking Dynamics, Tones, and Colors.\r\n
      \r\n
      Beatles-Inspired Tour de Force Features Full Orchestra and Choral Section : Arrangements and Lyrics Transport the Listener to Faraway Horizons.\r\n
      \r\n
      Electric Light Orchestra leader Jeff Lynne did more than figuratively reach for the sky on Eldorado. Daring to be bold, and creating imaginative worlds that invite the listener to escape the mundane, the visionary composer-musician achieved a multidisciplinary fantasia and, in the process, a prog-rock landmark. Nearly 50 years later, the concept album's brilliance can be experienced like never before in cinematic, IMAX-worthy fashion.\r\n
      \r\n
      Mastered from the 1/4" / 15 IPS / Dolby A analog master to DSD 256, pressed on MoFi SuperVinyl vinyl at RTI, housed in a keepsake box, and limited to 10000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) set of Eldorado allows the longtime audiophile staple to resonate with reference-setting dynamics, tones, and colors. Conjuring the feeling of journeying to different horizons, the record's songs teem with layer upon layer of details, which can now be heard as the producers intended. This very special release both pays tribute to the record's merit and enhances the spectacular program for generations to come.\r\n
      \r\n
      Presenting the album with breathtaking clarity yet retaining the warmth, texture, and emotion that differentiate live music from reproduced sounds, the collectible reissue features beguiling levels of in-the-moment presence, grand-scale soundstaging, and instrumental balance. Bursting with a veritable cornucopia of stimuli, MoFi's Eldorado package also benefits from superb separation and immersive atmospherics that stem from the meticulous remastering process - as well as an ultra-low noise floor, industry-leading groove definition, and dead-quiet surfaces courtesy of the MoFi SuperVinyl properties.\r\n
      \r\n
      The premium packaging and gorgeous presentation of the UD1S Eldorado pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, the reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the iconic artwork to the meticulous finishes.\r\n
      \r\n
      An artistic breakthrough that established Electric Light Orchestra as a pioneering band (and confirmed Lynne as the leading practicing Beatles disciple), the 1974 effort remains notable for its involvement of a full orchestra and choral section, the range of which are captured with exquisite results on this LP. Eldorado distinguished itself from the band's first two works not only via Lynne's sharpened songwriting but due to the hiring of an orchestra that augmented the group's three string players. Co-arranged by Lynne and conductor Louis Clark, the symphonic movements bolster the contagious fare without ever drowning it. The accents also act as transports into the varied narrative universes.\r\n
      \r\n
      Finished as a story before Lynne put notes down on paper, Eldorado ironically owes its inspiration to Lynne's father. In response to his dad's criticisms about the band, Lynne conceived a melodic tour de force that, like The Wizard of Oz, which informs the cover art, emphasizes the power of everyday dreams and everyman heroism. It's no coincidence that the sonic journey begins with an overture punctuated by the words of a cynic who condemns "the dreamer, the unwoken fool".\r\n
      \r\n
      Beautiful yet fun, ambitious yet consistent, Eldorado proceeds to celebrate such romantics and escapists. A Technicolor escapade marked by lush melodies, fluid crescendos, and an intoxicating blend of energetic rock and sweeping orchestral elements, the album weds rich imagery and sweeping sounds in manners that make the two inseparable. In Lynne and company's hands, reality and fantasy collide, and dissolve any dividing lines. The proof is not just in the epic production, but in the timeless (and catchy) nature of songs such as the balladic "Boy Blue", power-pop packed "Illusions In G Major" and, of course, the aptly titled hit, "Can't Get It Out Of My Head".\r\n
      \r\n
      Decades later, Eldorado doubles as the equivalent of an out of body experience, an invitation to break away from monotony whether you're listening to your Mobile Fidelity reissue on a large system or an excellent pair of headphones.\r\n
      \r\n
      MoFi SuperVinyl \r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers also called "converts" are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.
      """
    -prixVente: "229.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jeff Lynne (guitar, synthesizer, vocals), Richard Tandy (piano, synthesizer, guitar, backing vocals), Michael de Albuquerque (bass), Hugh McDowell, Michael Edwards (cello), Mik Kaminski (violin), Bev Bevan (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=boeZOAX_dwY"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-015"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Eldorado Overture"
      ]
      [
        "ordre" => 1
        "nom" => "2. Can't Get It Out of My Head"
      ]
      [
        "ordre" => 2
        "nom" => "3. Boy Blue"
      ]
      [
        "ordre" => 3
        "nom" => "4. Laredo Tornado"
      ]
      [
        "ordre" => 4
        "nom" => "5. Poor Boy (The Greenwood)"
      ]
      [
        "ordre" => 5
        "nom" => "6. Mister Kingdom"
      ]
      [
        "ordre" => 6
        "nom" => "7. Nobody's Child"
      ]
      [
        "ordre" => 7
        "nom" => "8. Illusions in G Major"
      ]
      [
        "ordre" => 8
        "nom" => "9. Eldorado"
      ]
      [
        "ordre" => 9
        "nom" => "10. Eldorado Finale"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
    -label: Proxies\__CG__\App\Entity\Label {#2150 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2159 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2152 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2154 …}
    -enregistreLe: DateTime @1629442052 {#2144
      date: 2021-08-20 06:47:32.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765713680 {#2143
      date: 2025-12-14 12:01:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2156 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eldorado-ultradisc-one-step-2-lp-45-rpm-box-set-mobile-fidelity-sound-lab-ud1s-015"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3425
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2148
    -id: 2108
    -nom: "Eldorado - UltraDisc One-Step (2 LP) 45 RPM Box Set"
    -informationComplementaire: null
    -description: """
      - Numbered, Limited Edition 45 RPM 180 gram Vinyl (2 LP) Box Set !\r\n
      - Limited to 10000 Numbered Copies !\r\n
      - MoFi SuperVinyl Pressed At RTI !\r\n
      \r\n
      A Bold Celebration of Romantics, Escapists, and Dreamers: Electric Light Orchestra's Eldorado Marries Rock and Symphonic Elements, Includes the Aptly Titled Hit "Can't Get It Out of My Head".\r\n
      \r\n
      1974 Prog-Rock Landmark Mastered from the 1/4" / 15 IPS / Dolby A Analog Master to DSD 256 to Analog Console to Lathe: Reference-Grade Mobile Fidelity UD1S 180 gram 45 RPM Vinyl (2 LP) Box Set Plays with Breathtaking Dynamics, Tones, and Colors.\r\n
      \r\n
      Beatles-Inspired Tour de Force Features Full Orchestra and Choral Section : Arrangements and Lyrics Transport the Listener to Faraway Horizons.\r\n
      \r\n
      Electric Light Orchestra leader Jeff Lynne did more than figuratively reach for the sky on Eldorado. Daring to be bold, and creating imaginative worlds that invite the listener to escape the mundane, the visionary composer-musician achieved a multidisciplinary fantasia and, in the process, a prog-rock landmark. Nearly 50 years later, the concept album's brilliance can be experienced like never before in cinematic, IMAX-worthy fashion.\r\n
      \r\n
      Mastered from the 1/4" / 15 IPS / Dolby A analog master to DSD 256, pressed on MoFi SuperVinyl vinyl at RTI, housed in a keepsake box, and limited to 10000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) set of Eldorado allows the longtime audiophile staple to resonate with reference-setting dynamics, tones, and colors. Conjuring the feeling of journeying to different horizons, the record's songs teem with layer upon layer of details, which can now be heard as the producers intended. This very special release both pays tribute to the record's merit and enhances the spectacular program for generations to come.\r\n
      \r\n
      Presenting the album with breathtaking clarity yet retaining the warmth, texture, and emotion that differentiate live music from reproduced sounds, the collectible reissue features beguiling levels of in-the-moment presence, grand-scale soundstaging, and instrumental balance. Bursting with a veritable cornucopia of stimuli, MoFi's Eldorado package also benefits from superb separation and immersive atmospherics that stem from the meticulous remastering process - as well as an ultra-low noise floor, industry-leading groove definition, and dead-quiet surfaces courtesy of the MoFi SuperVinyl properties.\r\n
      \r\n
      The premium packaging and gorgeous presentation of the UD1S Eldorado pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, the reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the iconic artwork to the meticulous finishes.\r\n
      \r\n
      An artistic breakthrough that established Electric Light Orchestra as a pioneering band (and confirmed Lynne as the leading practicing Beatles disciple), the 1974 effort remains notable for its involvement of a full orchestra and choral section, the range of which are captured with exquisite results on this LP. Eldorado distinguished itself from the band's first two works not only via Lynne's sharpened songwriting but due to the hiring of an orchestra that augmented the group's three string players. Co-arranged by Lynne and conductor Louis Clark, the symphonic movements bolster the contagious fare without ever drowning it. The accents also act as transports into the varied narrative universes.\r\n
      \r\n
      Finished as a story before Lynne put notes down on paper, Eldorado ironically owes its inspiration to Lynne's father. In response to his dad's criticisms about the band, Lynne conceived a melodic tour de force that, like The Wizard of Oz, which informs the cover art, emphasizes the power of everyday dreams and everyman heroism. It's no coincidence that the sonic journey begins with an overture punctuated by the words of a cynic who condemns "the dreamer, the unwoken fool".\r\n
      \r\n
      Beautiful yet fun, ambitious yet consistent, Eldorado proceeds to celebrate such romantics and escapists. A Technicolor escapade marked by lush melodies, fluid crescendos, and an intoxicating blend of energetic rock and sweeping orchestral elements, the album weds rich imagery and sweeping sounds in manners that make the two inseparable. In Lynne and company's hands, reality and fantasy collide, and dissolve any dividing lines. The proof is not just in the epic production, but in the timeless (and catchy) nature of songs such as the balladic "Boy Blue", power-pop packed "Illusions In G Major" and, of course, the aptly titled hit, "Can't Get It Out Of My Head".\r\n
      \r\n
      Decades later, Eldorado doubles as the equivalent of an out of body experience, an invitation to break away from monotony whether you're listening to your Mobile Fidelity reissue on a large system or an excellent pair of headphones.\r\n
      \r\n
      MoFi SuperVinyl \r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers also called "converts" are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.
      """
    -prixVente: "229.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jeff Lynne (guitar, synthesizer, vocals), Richard Tandy (piano, synthesizer, guitar, backing vocals), Michael de Albuquerque (bass), Hugh McDowell, Michael Edwards (cello), Mik Kaminski (violin), Bev Bevan (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=boeZOAX_dwY"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-015"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Eldorado Overture"
      ]
      [
        "ordre" => 1
        "nom" => "2. Can't Get It Out of My Head"
      ]
      [
        "ordre" => 2
        "nom" => "3. Boy Blue"
      ]
      [
        "ordre" => 3
        "nom" => "4. Laredo Tornado"
      ]
      [
        "ordre" => 4
        "nom" => "5. Poor Boy (The Greenwood)"
      ]
      [
        "ordre" => 5
        "nom" => "6. Mister Kingdom"
      ]
      [
        "ordre" => 6
        "nom" => "7. Nobody's Child"
      ]
      [
        "ordre" => 7
        "nom" => "8. Illusions in G Major"
      ]
      [
        "ordre" => 8
        "nom" => "9. Eldorado"
      ]
      [
        "ordre" => 9
        "nom" => "10. Eldorado Finale"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
    -label: Proxies\__CG__\App\Entity\Label {#2150 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2159 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2152 …}
    -typeMasterTape: null
    -marque: null
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    -produitTestePar: null
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    -poids: null
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    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2154 …}
    -enregistreLe: DateTime @1629442052 {#2144
      date: 2021-08-20 06:47:32.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765713680 {#2143
      date: 2025-12-14 12:01:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2156 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eldorado-ultradisc-one-step-2-lp-45-rpm-box-set-mobile-fidelity-sound-lab-ud1s-015"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …}
}

[
  "produit" => App\Entity\Produit {#2166
    -id: 1050
    -nom: "Eldorado  (Numbered Limited Edition Super Vinyl)"
    -informationComplementaire: null
    -description: """
      - Numbered, limited edition 180 gram gatefold LP !\r\n
      - 1974 prog-rock landmark !\r\n
      - 1/4" / 15 ips / Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      - Pressed on Mofi Supervinyl compound !\r\n
      \r\n
      Electric Light Orchestra leader Jeff Lynne did more than figuratively reach for the sky on Eldorado. Daring to be bold, and creating imaginative worlds that invite the listener to escape the mundane, the visionary composer-musician achieved a multidisciplinary fantasia and, in the process, a prog-rock landmark. Nearly 50 years later, the concept album's brilliance can be experienced like never before in cinematic fashion.\r\n
      \r\n
      MoFi SuperVinyl is a proprietary compound developed by Neotech and RTI to address two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jeff Lynne (guitar, synthesizer, vocals), Richard Tandy (piano, synthesizer, guitar, backing vocals), Michael de Albuquerque (bass), Hugh McDowell, Michael Edwards (cello), Mik Kaminski (violin), Bev Bevan (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TevET3rUTRE&list=RDTevET3rUTRE&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL  1-001 SV"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Eldorado Overture"
      ]
      [
        "ordre" => 2
        "nom" => "2. Can't Get It Out of My Head"
      ]
      [
        "ordre" => 3
        "nom" => "3. Boy Blue"
      ]
      [
        "ordre" => 4
        "nom" => "4. Laredo Tornado"
      ]
      [
        "ordre" => 5
        "nom" => "5. Poor Boy (The Greenwood)"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Mister Kingdom"
      ]
      [
        "ordre" => 8
        "nom" => "2. Nobody's Child"
      ]
      [
        "ordre" => 9
        "nom" => "3. Illusions in G Major"
      ]
      [
        "ordre" => 10
        "nom" => "4. Eldorado"
      ]
      [
        "ordre" => 11
        "nom" => "5. Eldorado Finale"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
    -label: Proxies\__CG__\App\Entity\Label {#2150 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2174 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2167 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2169 …}
    -enregistreLe: DateTime @1474565394 {#2162
      date: 2016-09-22 17:29:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765713286 {#2161
      date: 2025-12-14 11:54:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eldorado-numbered-limited-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-001-sv"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3473
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2166
    -id: 1050
    -nom: "Eldorado  (Numbered Limited Edition Super Vinyl)"
    -informationComplementaire: null
    -description: """
      - Numbered, limited edition 180 gram gatefold LP !\r\n
      - 1974 prog-rock landmark !\r\n
      - 1/4" / 15 ips / Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      - Pressed on Mofi Supervinyl compound !\r\n
      \r\n
      Electric Light Orchestra leader Jeff Lynne did more than figuratively reach for the sky on Eldorado. Daring to be bold, and creating imaginative worlds that invite the listener to escape the mundane, the visionary composer-musician achieved a multidisciplinary fantasia and, in the process, a prog-rock landmark. Nearly 50 years later, the concept album's brilliance can be experienced like never before in cinematic fashion.\r\n
      \r\n
      MoFi SuperVinyl is a proprietary compound developed by Neotech and RTI to address two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jeff Lynne (guitar, synthesizer, vocals), Richard Tandy (piano, synthesizer, guitar, backing vocals), Michael de Albuquerque (bass), Hugh McDowell, Michael Edwards (cello), Mik Kaminski (violin), Bev Bevan (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TevET3rUTRE&list=RDTevET3rUTRE&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL  1-001 SV"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Eldorado Overture"
      ]
      [
        "ordre" => 2
        "nom" => "2. Can't Get It Out of My Head"
      ]
      [
        "ordre" => 3
        "nom" => "3. Boy Blue"
      ]
      [
        "ordre" => 4
        "nom" => "4. Laredo Tornado"
      ]
      [
        "ordre" => 5
        "nom" => "5. Poor Boy (The Greenwood)"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Mister Kingdom"
      ]
      [
        "ordre" => 8
        "nom" => "2. Nobody's Child"
      ]
      [
        "ordre" => 9
        "nom" => "3. Illusions in G Major"
      ]
      [
        "ordre" => 10
        "nom" => "4. Eldorado"
      ]
      [
        "ordre" => 11
        "nom" => "5. Eldorado Finale"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
    -label: Proxies\__CG__\App\Entity\Label {#2150 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2174 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2167 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2169 …}
    -enregistreLe: DateTime @1474565394 {#2162
      date: 2016-09-22 17:29:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765713286 {#2161
      date: 2025-12-14 11:54:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eldorado-numbered-limited-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-001-sv"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …}
}

[
  "produit" => App\Entity\Produit {#2179
    -id: 874
    -nom: "Eddie Money"
    -informationComplementaire: null
    -description: """
      - Eddie Money "Eddie Money"200 gram gatefold LP !\r\n
      - Featuring "Baby Hold On" and "Two Tickets To Paradise" !\r\n
      - Remastered by Ryan Smith at Sterling Sound !\r\n
      - Stoughton Printing old-style tip on jacket !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      Edward Joseph Mahoney, a Brooklyn-born second-generation cop who eventually ditched his badge and gun to pursue his rock star dreams as Eddie Money - struck gold right off the bat with his 1977 self-titled debut album.\r\n
      \r\n
      The record's leadoff single, "Baby Hold On", was actually its biggest hit, but the follow-up single "Two Tickets to Paradise", was a sort of spiritual cousin to Bruce Springsteen‘s "Rosalita (Come Out Tonight)". It's written from the perspective of a young guy who's desperately trying to convince his girlfriend to ignore her disapproving parents and come away with him "on a trip so far away from here". With its smooth production, urgent uptempo chorus, and insistent melodic hook, "Tickets" was a natural for late '70s FM radio - where it found an immediate home, eventually working its way all the way up to \r\n
      N° 22 on the Billboard Hot 100.\r\n
      \r\n
      Although Money might have written "Two Tickets to Paradise" to convince a specific girl to leave town with him, its title became shorthand for that end-of-the-work-week feeling you get when you've fulfilled all of your responsibilities to the Man and you're free to relax without obligations for a little while - like, say, at at an Eddie Money concert, where "Tickets" has remained a constant fixture of the set list for more than 30 years.\r\n
      \r\n
      We've done this Analogue Productions issue up right with top-of-the-line remastering from Ryan Smith at Sterling Sound - for phenomenal sonic quality - and a richly detailed, silent-background Quality Record Pressings 180 gram LP. None better.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Eddie Money (Keyboards, saxophone, vocals), Tom Scott (saxophone), Lonnie Turner, Bob ‘’Pops’’ Popwell (bass), Jimmy Lyon (guitar), Alan Pasqua, Freddy Webb, Randy Nichols (keyboards), Gary Mallaber, Gene Pardue, Kevin Calhoun (drums, percussion)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=JxcUmAVG3RQ&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 089"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Two Tickets To Paradise"
      ]
      [
        "ordre" => 2
        "nom" => "2. You’ve Really Got A Hold On Me"
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        "nom" => "3. Wanna Be A Rock ‘n’ Roll Star"
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        "ordre" => 4
        "nom" => "4. Save A Little Room In Your Heart For Me"
      ]
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        "ordre" => 5
        "nom" => "5. So Good To Be In Love Again"
      ]
      [
        "ordre" => 6
        "nom" => "Side B :"
      ]
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        "ordre" => 7
        "nom" => "6. Baby Hold On"
      ]
      [
        "ordre" => 8
        "nom" => "7. Don’t Worry"
      ]
      [
        "ordre" => 9
        "nom" => "8. Jealousys"
      ]
      [
        "ordre" => 10
        "nom" => "9. Got To Get Another Girl"
      ]
      [
        "ordre" => 11
        "nom" => "10. Gamblin Man"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2181 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1505 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2183 …}
    -typeMasterTape: null
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    -enregistreLe: DateTime @1455612728 {#2176
      date: 2016-02-16 08:52:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765710243 {#2177
      date: 2025-12-14 11:04:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2187 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eddie-money-analogue-productions-aapp-089"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3519
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2179
    -id: 874
    -nom: "Eddie Money"
    -informationComplementaire: null
    -description: """
      - Eddie Money "Eddie Money"200 gram gatefold LP !\r\n
      - Featuring "Baby Hold On" and "Two Tickets To Paradise" !\r\n
      - Remastered by Ryan Smith at Sterling Sound !\r\n
      - Stoughton Printing old-style tip on jacket !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      Edward Joseph Mahoney, a Brooklyn-born second-generation cop who eventually ditched his badge and gun to pursue his rock star dreams as Eddie Money - struck gold right off the bat with his 1977 self-titled debut album.\r\n
      \r\n
      The record's leadoff single, "Baby Hold On", was actually its biggest hit, but the follow-up single "Two Tickets to Paradise", was a sort of spiritual cousin to Bruce Springsteen‘s "Rosalita (Come Out Tonight)". It's written from the perspective of a young guy who's desperately trying to convince his girlfriend to ignore her disapproving parents and come away with him "on a trip so far away from here". With its smooth production, urgent uptempo chorus, and insistent melodic hook, "Tickets" was a natural for late '70s FM radio - where it found an immediate home, eventually working its way all the way up to \r\n
      N° 22 on the Billboard Hot 100.\r\n
      \r\n
      Although Money might have written "Two Tickets to Paradise" to convince a specific girl to leave town with him, its title became shorthand for that end-of-the-work-week feeling you get when you've fulfilled all of your responsibilities to the Man and you're free to relax without obligations for a little while - like, say, at at an Eddie Money concert, where "Tickets" has remained a constant fixture of the set list for more than 30 years.\r\n
      \r\n
      We've done this Analogue Productions issue up right with top-of-the-line remastering from Ryan Smith at Sterling Sound - for phenomenal sonic quality - and a richly detailed, silent-background Quality Record Pressings 180 gram LP. None better.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Eddie Money (Keyboards, saxophone, vocals), Tom Scott (saxophone), Lonnie Turner, Bob ‘’Pops’’ Popwell (bass), Jimmy Lyon (guitar), Alan Pasqua, Freddy Webb, Randy Nichols (keyboards), Gary Mallaber, Gene Pardue, Kevin Calhoun (drums, percussion)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=JxcUmAVG3RQ&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 089"
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        "nom" => "Side B :"
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      [
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        "nom" => "7. Don’t Worry"
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        "nom" => "8. Jealousys"
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        "nom" => "9. Got To Get Another Girl"
      ]
      [
        "ordre" => 11
        "nom" => "10. Gamblin Man"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2181 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2190 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2183 …}
    -typeMasterTape: null
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      date: 2016-02-16 08:52:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765710243 {#2177
      date: 2025-12-14 11:04:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2187 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eddie-money-analogue-productions-aapp-089"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …}
}

[
  "produit" => App\Entity\Produit {#2195
    -id: 2329
    -nom: "Cookin’ With Jaws and the Queen - (Box Set 4 LP)"
    -informationComplementaire: null
    -description: """
      - Eddie "Lockjaw" Davis with Shirley Scott "Cookin' with Jaws and the Queen"180 gram 4 LP collection !\r\n
      - Celebrating the 100th anniversary of Eddie "Lockjaw" Davis !\r\n
      - Cookin' with Jaws and the Queen : The Legendary Prestige Cookbook Albums compiles four classic soul-jazz albums featuring the tenor saxophonist's 1958 Cookbook albums with organist Shirley Scott !\r\n
      - Includes Cookbook, Vol. 1, Cookbook, Vol. 2, Cookbook, Vol. 3, and Smokin', all of which were recorded in stereo by the celebrated engineer, Rudy Van Gelder !\r\n
      - Newly remastered from the original analog tapes by Grammy-winning engineer Bernie Grundman !\r\n
      - 4 LP edition limited to 5000 copies worldwide !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Individually housed in tip-on jackets, featuring the original Prestige Records album artwork !\r\n
      \r\n
      Tenor Saxophonist's 1958 Cookbook Albums with Organist Shirley Scott Newly Remastered from the Original Analog Tapes by Bernie Grundman and Pressed on All-Analog 180 gram Vinyl 4 LP at RTI\r\n
      \r\n
      Craft Recordings celebrates the centennial of Eddie "Lockjaw" Davis with a brand-new, four-album collection, featuring the tenor saxophonist's incendiary 1958 Cookbook albums with organist Shirley Scott. Available here as a 180-gram vinyl 4 LP set, Cookin' with Jaws and the Queen : The Legendary Prestige Cookbook Albums compiles four classic soul-jazz albums: Cookbook, Vol. 1, Cookbook, Vol. 2, Cookbook, Vol. 3, and Smokin', all of which were recorded in stereo by the celebrated engineer, Rudy Van Gelder.\r\n
      \r\n
      Cookin' with Jaws and The Queen has been newly remastered from the original analog tapes by the Grammy-winning engineer, Bernie Grundman. Produced by Nick Phillips, the all-analog 4 LP edition was pressed at RTI, while each LP is individually housed in a tip-on jacket, featuring the original Prestige Records album artwork. Rounding out the vinyl package is a deluxe booklet featuring recording session photos and offering new, in-depth liner notes by jazz journalist Willard Jenkins, who serves as the artistic director for the DC Jazzfest.\r\n
      \r\n
      When tenor saxophonist Eddie "Lockjaw" Davis and Hammond B-3 organist Shirley Scott entered Rudy Van Gelder's hallowed Hackensack, NJ studio in 1958, it was clear that something special was about to take place. For roughly three years, Scott and Davis had been at the forefront of the soul-jazz sound, setting the gold standard for the tenor sax/organ combo. At 36, "Lockjaw" (also known as "Jaws"), was already a veteran of the New York City jazz scene, having spent much of the 1940s playing in the bands of Lucky Millinder, Andy Kirk, and Cootie Williams. But the horn player was also a stylistic chameleon, who straddled the line between the classic big band era and the emerging sounds of hard bop.\r\n
      \r\n
      24 year-old Shirley Scott, meanwhile, was a rising talent from Philadelphia, who stood out as one of the few female musicians in the male-dominated world of jazz. Scott, who would soon become known as the "Queen of the Organ," formed a creative partnership with Davis in 1955, and made her earliest recordings alongside the horn player. By 1958, they were a well-oiled duo. In his liner notes, Jenkins underscores this magical pairing with a quote from saxophonist James Carter: "Every successful artistic partnership has members that truly work together in simpatico towards a common goal, which in this case is groovin' and swingin' their listening audience beyond good health! [Scott] never fails...to provide the perfect underpinning for Lockjaw to either soar above or to dig into to achieve the ultimate goal of a great musical encounter every time. Lockjaw really listens to Shirley and takes his cues particularly on ballads, but she'll put some gentle, intense fire under him on up tempos and inspire the best out of Lockjaw". Jenkins adds, "This is classic Black vernacular jazz".\r\n
      \r\n
      Accompanying Davis and Scott in the studio was multi-reedist Jerome Richardson, who played the flute, baritone sax, and tenor sax. Bassist George Duvivier and drummer Arthur Edgehill rounded out the talented lineup. The sessions, which took place on June 20, September 12, and December 5, 1958, were captured by a 34 year-old Rudy Van Gelder at his Hackensack studio, while Prestige Records' Bob Weinstock and Esmond Edwards served as producers.\r\n
      \r\n
      The repertoire that comprises four albums' worth of material is a delicious combination of Davis-Scott originals and jazz standards. The Eddie "Lockjaw" Davis Cookbook, Vol. 1, originally released in June 1958, features several highlights, including the bluesy radio hit, "In the Kitchen". Clocking in at just under 13 minutes, the mid-tempo, Johnny Hodges-penned track offers plenty of time for each musician to showcase their talents. Ballad "But Beautiful", is another standout track which, Jenkins notes, is bolstered by "Lockjaw's opulently expressive tone...[and] his beautifully legato, conversational solo". Scott's solo, he adds, is "soul personified in the keys".\r\n
      \r\n
      The momentum continues with The Eddie "Lockjaw" Davis Cookbook, Vol. 2, released in December 1958, which features interpretations of the Hoagy Carmichael-Mitchell Parish standard, "Stardust", as well as originals like "Skillet" and opener "The Rev". The latter piece, as the title conveys, features an expressive, conversational delivery between the musicians, as if between a preacher and his parishioners.\r\n
      \r\n
      Cookbook, Vol. 3, which dropped in 1960, features such highlights as the George and Ira Gershwin classic, "Strike Up the Band," the Shirley Scott original "The Goose Hangs High", and the reflective "My Old Flame", which Jenkins remarks, "elicits the kind of wistful posture from Jaws that one might expect from the lament of a love lost, befitting its title. Ms. Scott enters as if embodying that lost love's farewell – ‘See ya later, baby'."\r\n
      \r\n
      The collection concludes with Smokin', an album that is also culled from the 1958 sessions but was originally released in 1964. The confident set finds the group jamming on originals like "Smoke This", "High Fry", and the self-titled "Jaws", as well as such classics as Johnny Burke-Arthur Johnston's "Pennies from Heaven," Edgar Sampson's "Blue Lou", and the George Forrest-Robert Wight tune, "It's a Blue World". The latter two tracks, Jenkins notes, exemplify Davis' unorthodox approach to balladry. "Jaws consistently displays a slightly vigorous attitude towards ballads, rarely actually luxuriating in the moment. His balladic immersion is more that of someone who's got places to go, people to see, food to cook; nonetheless his reverence for a good ballad is no less than his peers, it's just that he constantly sounds ready for a more purposeful stroll rather than a casual linger".\r\n
      \r\n
      Davis and Scott certainly did have plenty to accomplish, following these phenomenal sessions. The two musicians would continue to collaborate through the end of the decade, recording such albums as Jaws in Orbit, Bacalao (both released in 1959), and Misty (1963). Yet, despite the popularity of their work together, the artists went their separate ways, with Davis moving away entirely from the organ/tenor sound that he and Scott made famous. Scott soon joined forces with her husband, tenor saxophonist Stanley Turrentine, and recorded dozens of sessions as a leader during her lengthy career. Davis, meanwhile, would continue to toe the line between small group soul-jazz and the classic sounds of big bands, working with the likes of Count Basie, Kenny Clarke, Gene Ammons, and Johnny Griffin with whom he'd record multiple "Tough Tenors" albums. But those five years that Davis and Scott worked together were instrumental in shaping the sound of soul-jazz and these four delectable albums endure as some of their best work.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Eddie "Lockjaw" Davis (tenor saxophone), George Duvivier (bass), Jerome Richardson (tenor & bariton saxophone, flute), Shirley Scott (organ), Arthur Edgehill (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZgwYT_aYg74"
    -referenceProduit: "Concord Craft Recordings 0879"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "LP 1 - First Course - Cookbook, Vol. 1"
      ]
      [
        "ordre" => 1
        "nom" => "Side A : "
      ]
      [
        "ordre" => 2
        "nom" => "1. Have Horn, Will Blow "
      ]
      [
        "ordre" => 3
        "nom" => "2. The Chef "
      ]
      [
        "ordre" => 4
        "nom" => "3. But Beautiful"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. In The Kitchen "
      ]
      [
        "ordre" => 7
        "nom" => "2. Three Deuces"
      ]
      [
        "ordre" => 8
        "nom" => "LP 2 - Second Course - Cookbook, Vol. 2"
      ]
      [
        "ordre" => 9
        "nom" => "Side A :"
      ]
      [
        "ordre" => 10
        "nom" => "1. The Rev "
      ]
      [
        "ordre" => 11
        "nom" => "2. Stardust"
      ]
      [
        "ordre" => 12
        "nom" => "Side B : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Skillet "
      ]
      [
        "ordre" => 14
        "nom" => "2. I Surrender, Dear "
      ]
      [
        "ordre" => 15
        "nom" => "3. The Broilers"
      ]
      [
        "ordre" => 16
        "nom" => "LP 3 - Third Course - Cookbook, Vol. 3"
      ]
      [
        "ordre" => 17
        "nom" => "Side A : "
      ]
      [
        "ordre" => 18
        "nom" => "1. I'm Just A Lucky So And So "
      ]
      [
        "ordre" => 19
        "nom" => "2. Heat 'N Serve "
      ]
      [
        "ordre" => 20
        "nom" => "3. My Old Flame"
      ]
      [
        "ordre" => 21
        "nom" => "Side B : "
      ]
      [
        "ordre" => 22
        "nom" => "1. The Goose Hangs High "
      ]
      [
        "ordre" => 23
        "nom" => "2. Simmerin' "
      ]
      [
        "ordre" => 24
        "nom" => "3. Strike Up The Band"
      ]
      [
        "ordre" => 25
        "nom" => "LP 4 - Fourth Course - Smokin'"
      ]
      [
        "ordre" => 26
        "nom" => "Side A : "
      ]
      [
        "ordre" => 27
        "nom" => "1. High Fry "
      ]
      [
        "ordre" => 28
        "nom" => "2. Smoke This "
      ]
      [
        "ordre" => 29
        "nom" => "3. Pennies From Heaven"
      ]
      [
        "ordre" => 30
        "nom" => "Side B : "
      ]
      [
        "ordre" => 31
        "nom" => "1. Pots And Pans "
      ]
      [
        "ordre" => 32
        "nom" => "2. Jaws "
      ]
      [
        "ordre" => 33
        "nom" => "3. It's A Blue World "
      ]
      [
        "ordre" => 34
        "nom" => "4. Blue Lou"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2197 …}
    -label: Proxies\__CG__\App\Entity\Label {#2200 …}
    -style: App\Entity\Style {#1502 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2202 …}
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    -enregistreLe: DateTime @1669708205 {#2192
      date: 2022-11-29 07:50:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765619830 {#2193
      date: 2025-12-13 09:57:10.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2206 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3570
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2195
    -id: 2329
    -nom: "Cookin’ With Jaws and the Queen - (Box Set 4 LP)"
    -informationComplementaire: null
    -description: """
      - Eddie "Lockjaw" Davis with Shirley Scott "Cookin' with Jaws and the Queen"180 gram 4 LP collection !\r\n
      - Celebrating the 100th anniversary of Eddie "Lockjaw" Davis !\r\n
      - Cookin' with Jaws and the Queen : The Legendary Prestige Cookbook Albums compiles four classic soul-jazz albums featuring the tenor saxophonist's 1958 Cookbook albums with organist Shirley Scott !\r\n
      - Includes Cookbook, Vol. 1, Cookbook, Vol. 2, Cookbook, Vol. 3, and Smokin', all of which were recorded in stereo by the celebrated engineer, Rudy Van Gelder !\r\n
      - Newly remastered from the original analog tapes by Grammy-winning engineer Bernie Grundman !\r\n
      - 4 LP edition limited to 5000 copies worldwide !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Individually housed in tip-on jackets, featuring the original Prestige Records album artwork !\r\n
      \r\n
      Tenor Saxophonist's 1958 Cookbook Albums with Organist Shirley Scott Newly Remastered from the Original Analog Tapes by Bernie Grundman and Pressed on All-Analog 180 gram Vinyl 4 LP at RTI\r\n
      \r\n
      Craft Recordings celebrates the centennial of Eddie "Lockjaw" Davis with a brand-new, four-album collection, featuring the tenor saxophonist's incendiary 1958 Cookbook albums with organist Shirley Scott. Available here as a 180-gram vinyl 4 LP set, Cookin' with Jaws and the Queen : The Legendary Prestige Cookbook Albums compiles four classic soul-jazz albums: Cookbook, Vol. 1, Cookbook, Vol. 2, Cookbook, Vol. 3, and Smokin', all of which were recorded in stereo by the celebrated engineer, Rudy Van Gelder.\r\n
      \r\n
      Cookin' with Jaws and The Queen has been newly remastered from the original analog tapes by the Grammy-winning engineer, Bernie Grundman. Produced by Nick Phillips, the all-analog 4 LP edition was pressed at RTI, while each LP is individually housed in a tip-on jacket, featuring the original Prestige Records album artwork. Rounding out the vinyl package is a deluxe booklet featuring recording session photos and offering new, in-depth liner notes by jazz journalist Willard Jenkins, who serves as the artistic director for the DC Jazzfest.\r\n
      \r\n
      When tenor saxophonist Eddie "Lockjaw" Davis and Hammond B-3 organist Shirley Scott entered Rudy Van Gelder's hallowed Hackensack, NJ studio in 1958, it was clear that something special was about to take place. For roughly three years, Scott and Davis had been at the forefront of the soul-jazz sound, setting the gold standard for the tenor sax/organ combo. At 36, "Lockjaw" (also known as "Jaws"), was already a veteran of the New York City jazz scene, having spent much of the 1940s playing in the bands of Lucky Millinder, Andy Kirk, and Cootie Williams. But the horn player was also a stylistic chameleon, who straddled the line between the classic big band era and the emerging sounds of hard bop.\r\n
      \r\n
      24 year-old Shirley Scott, meanwhile, was a rising talent from Philadelphia, who stood out as one of the few female musicians in the male-dominated world of jazz. Scott, who would soon become known as the "Queen of the Organ," formed a creative partnership with Davis in 1955, and made her earliest recordings alongside the horn player. By 1958, they were a well-oiled duo. In his liner notes, Jenkins underscores this magical pairing with a quote from saxophonist James Carter: "Every successful artistic partnership has members that truly work together in simpatico towards a common goal, which in this case is groovin' and swingin' their listening audience beyond good health! [Scott] never fails...to provide the perfect underpinning for Lockjaw to either soar above or to dig into to achieve the ultimate goal of a great musical encounter every time. Lockjaw really listens to Shirley and takes his cues particularly on ballads, but she'll put some gentle, intense fire under him on up tempos and inspire the best out of Lockjaw". Jenkins adds, "This is classic Black vernacular jazz".\r\n
      \r\n
      Accompanying Davis and Scott in the studio was multi-reedist Jerome Richardson, who played the flute, baritone sax, and tenor sax. Bassist George Duvivier and drummer Arthur Edgehill rounded out the talented lineup. The sessions, which took place on June 20, September 12, and December 5, 1958, were captured by a 34 year-old Rudy Van Gelder at his Hackensack studio, while Prestige Records' Bob Weinstock and Esmond Edwards served as producers.\r\n
      \r\n
      The repertoire that comprises four albums' worth of material is a delicious combination of Davis-Scott originals and jazz standards. The Eddie "Lockjaw" Davis Cookbook, Vol. 1, originally released in June 1958, features several highlights, including the bluesy radio hit, "In the Kitchen". Clocking in at just under 13 minutes, the mid-tempo, Johnny Hodges-penned track offers plenty of time for each musician to showcase their talents. Ballad "But Beautiful", is another standout track which, Jenkins notes, is bolstered by "Lockjaw's opulently expressive tone...[and] his beautifully legato, conversational solo". Scott's solo, he adds, is "soul personified in the keys".\r\n
      \r\n
      The momentum continues with The Eddie "Lockjaw" Davis Cookbook, Vol. 2, released in December 1958, which features interpretations of the Hoagy Carmichael-Mitchell Parish standard, "Stardust", as well as originals like "Skillet" and opener "The Rev". The latter piece, as the title conveys, features an expressive, conversational delivery between the musicians, as if between a preacher and his parishioners.\r\n
      \r\n
      Cookbook, Vol. 3, which dropped in 1960, features such highlights as the George and Ira Gershwin classic, "Strike Up the Band," the Shirley Scott original "The Goose Hangs High", and the reflective "My Old Flame", which Jenkins remarks, "elicits the kind of wistful posture from Jaws that one might expect from the lament of a love lost, befitting its title. Ms. Scott enters as if embodying that lost love's farewell – ‘See ya later, baby'."\r\n
      \r\n
      The collection concludes with Smokin', an album that is also culled from the 1958 sessions but was originally released in 1964. The confident set finds the group jamming on originals like "Smoke This", "High Fry", and the self-titled "Jaws", as well as such classics as Johnny Burke-Arthur Johnston's "Pennies from Heaven," Edgar Sampson's "Blue Lou", and the George Forrest-Robert Wight tune, "It's a Blue World". The latter two tracks, Jenkins notes, exemplify Davis' unorthodox approach to balladry. "Jaws consistently displays a slightly vigorous attitude towards ballads, rarely actually luxuriating in the moment. His balladic immersion is more that of someone who's got places to go, people to see, food to cook; nonetheless his reverence for a good ballad is no less than his peers, it's just that he constantly sounds ready for a more purposeful stroll rather than a casual linger".\r\n
      \r\n
      Davis and Scott certainly did have plenty to accomplish, following these phenomenal sessions. The two musicians would continue to collaborate through the end of the decade, recording such albums as Jaws in Orbit, Bacalao (both released in 1959), and Misty (1963). Yet, despite the popularity of their work together, the artists went their separate ways, with Davis moving away entirely from the organ/tenor sound that he and Scott made famous. Scott soon joined forces with her husband, tenor saxophonist Stanley Turrentine, and recorded dozens of sessions as a leader during her lengthy career. Davis, meanwhile, would continue to toe the line between small group soul-jazz and the classic sounds of big bands, working with the likes of Count Basie, Kenny Clarke, Gene Ammons, and Johnny Griffin with whom he'd record multiple "Tough Tenors" albums. But those five years that Davis and Scott worked together were instrumental in shaping the sound of soul-jazz and these four delectable albums endure as some of their best work.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Eddie "Lockjaw" Davis (tenor saxophone), George Duvivier (bass), Jerome Richardson (tenor & bariton saxophone, flute), Shirley Scott (organ), Arthur Edgehill (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZgwYT_aYg74"
    -referenceProduit: "Concord Craft Recordings 0879"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "LP 1 - First Course - Cookbook, Vol. 1"
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        "ordre" => 1
        "nom" => "Side A : "
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        "ordre" => 2
        "nom" => "1. Have Horn, Will Blow "
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        "nom" => "2. The Chef "
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        "nom" => "3. But Beautiful"
      ]
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        "nom" => "1. The Rev "
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        "nom" => "Side B : "
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        "ordre" => 13
        "nom" => "1. Skillet "
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      [
        "ordre" => 14
        "nom" => "2. I Surrender, Dear "
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        "nom" => "3. The Broilers"
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      [
        "ordre" => 16
        "nom" => "LP 3 - Third Course - Cookbook, Vol. 3"
      ]
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        "nom" => "Side A : "
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        "nom" => "1. I'm Just A Lucky So And So "
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        "nom" => "3. Strike Up The Band"
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        "nom" => "3. Pennies From Heaven"
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        "nom" => "1. Pots And Pans "
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        "nom" => "4. Blue Lou"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2197 …}
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[
  "produit" => App\Entity\Produit {#2218
    -id: 1277
    -nom: "The Legendary Father of Folk Blues"
    -informationComplementaire: null
    -description: """
      - Legendary Delta bluesman's Columbia LP now a 180 gram 45 RPM (2 LP) set !\r\n
      - 45 RPM (2 LP) set includes bonus track: "Motherless Children" !\r\n
      - Lacquers cut by Ryan K. Smith at Sterling Sound from the original master tape !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Heavyweight glossy tip-on jacket by Stoughton Printing !\r\n
      \r\n
      Mississippi's Son House was already legendary for a small collection of live field recordings made by folklorist Alan Lomax in 1941 and 1942, and for having taught some important licks to both Robert Johnson and Muddy Waters before he was rediscovered by a new generation of college-age fans in 1964.\r\n
      \r\n
      The "Father of the Delta Blues" recorded this namesake LP for Columbia Records a year later in 1965. It's become, in the words of Living Blues magazine "Essential recordings by one of the greatest bluesmen ever". And now, Analogue Productions presents a reissue unmatched in sonic quality and luxury presentation. For our version we turned to Ryan Smith at Sterling Sound to remaster the recording from the original master tapes. The freshly cut lacquers for this version we've cut the album at 45 RPM for truer cartridge tracking and decreased distortion on the inner groove — were then plated and pressed on 200 gram vinyl by our own Quality Record Pressings. The Hybrid Stereo SACD version was authored for SACD by Gus Skinas at the Super Audio Center in Boulder, Colo.\r\n
      \r\n
      Son was born Eddie James House, Jr., on March 21, 1902, in Riverton, Miss. By the age of 15, he was preaching the gospel in various Baptist churches as the family seemingly wandered from one plantation to the next. He didn't even bother picking up a guitar until he turned 25; to quote House, "I didn't like no guitar when I first heard it; oh gee, I couldn't stand a guy playin' a guitar. I didn't like none of it". But if his ambivalence to the instrument was obvious, even more obvious was the simple fact that Son hated plantation labor even more and had developed a taste for corn whiskey. After drunkenly launching into a blues at a house frolic in Lyon, Miss., one night and picking up some coin for doing it, the die seemed to be cast; Son House may have been a preacher, but he was part of the blues world now.\r\n
      \r\n
      Now, sit back and enjoy one of the genere's greatest, on a reissue that's the best that's been made to date. So authentic, so real that's the Analogue Productions difference.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Eddie James House, Jr. (guitar, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tZQ6aCYyasI"
    -referenceProduit: "Analogue Productions AAPB 092-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Death Letter Blues"
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        "ordre" => 2
        "nom" => "2. Pearline"
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        "nom" => "Side B : "
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        "nom" => "1. Louise McGhee"
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        "nom" => "2. John The Revelator"
      ]
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        "ordre" => 6
        "nom" => "3. Empire State Express"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
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      [
        "ordre" => 8
        "nom" => "1. Preachin’ Blues"
      ]
      [
        "ordre" => 9
        "nom" => "2. Grinning In Your Face"
      ]
      [
        "ordre" => 10
        "nom" => "3. Sundown"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Leavee Camp Moan"
      ]
      [
        "ordre" => 13
        "nom" => "2. Motherless Children (bonus track)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2220 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1489 …}
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      date: 2025-12-13 09:48:30.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-the-legendary-father-of-folk-blues-analogue-productions-aapb-092-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3621
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
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    -id: 1277
    -nom: "The Legendary Father of Folk Blues"
    -informationComplementaire: null
    -description: """
      - Legendary Delta bluesman's Columbia LP now a 180 gram 45 RPM (2 LP) set !\r\n
      - 45 RPM (2 LP) set includes bonus track: "Motherless Children" !\r\n
      - Lacquers cut by Ryan K. Smith at Sterling Sound from the original master tape !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Heavyweight glossy tip-on jacket by Stoughton Printing !\r\n
      \r\n
      Mississippi's Son House was already legendary for a small collection of live field recordings made by folklorist Alan Lomax in 1941 and 1942, and for having taught some important licks to both Robert Johnson and Muddy Waters before he was rediscovered by a new generation of college-age fans in 1964.\r\n
      \r\n
      The "Father of the Delta Blues" recorded this namesake LP for Columbia Records a year later in 1965. It's become, in the words of Living Blues magazine "Essential recordings by one of the greatest bluesmen ever". And now, Analogue Productions presents a reissue unmatched in sonic quality and luxury presentation. For our version we turned to Ryan Smith at Sterling Sound to remaster the recording from the original master tapes. The freshly cut lacquers for this version we've cut the album at 45 RPM for truer cartridge tracking and decreased distortion on the inner groove — were then plated and pressed on 200 gram vinyl by our own Quality Record Pressings. The Hybrid Stereo SACD version was authored for SACD by Gus Skinas at the Super Audio Center in Boulder, Colo.\r\n
      \r\n
      Son was born Eddie James House, Jr., on March 21, 1902, in Riverton, Miss. By the age of 15, he was preaching the gospel in various Baptist churches as the family seemingly wandered from one plantation to the next. He didn't even bother picking up a guitar until he turned 25; to quote House, "I didn't like no guitar when I first heard it; oh gee, I couldn't stand a guy playin' a guitar. I didn't like none of it". But if his ambivalence to the instrument was obvious, even more obvious was the simple fact that Son hated plantation labor even more and had developed a taste for corn whiskey. After drunkenly launching into a blues at a house frolic in Lyon, Miss., one night and picking up some coin for doing it, the die seemed to be cast; Son House may have been a preacher, but he was part of the blues world now.\r\n
      \r\n
      Now, sit back and enjoy one of the genere's greatest, on a reissue that's the best that's been made to date. So authentic, so real that's the Analogue Productions difference.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Eddie James House, Jr. (guitar, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=tZQ6aCYyasI"
    -referenceProduit: "Analogue Productions AAPB 092-45"
    -titreMorceau: [
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        "nom" => "Side A : "
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        "nom" => "Side C : "
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        "nom" => "1. Preachin’ Blues"
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        "nom" => "Side D : "
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        "nom" => "1. Leavee Camp Moan"
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        "ordre" => 13
        "nom" => "2. Motherless Children (bonus track)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2220 …}
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[
  "produit" => App\Entity\Produit {#2234
    -id: 2311
    -nom: "Dear Old Stockholm Vol. 2"
    -informationComplementaire: null
    -description: """
      - Eddie Higgins Trio "Dear Old Stockholm Vol. 2"180 gram vinyl !\r\n
      - Mixed and mastered by Tetsuo Hara !\r\n
      - Venus Hyper Magnum Sound Direct Mix Stereo !\r\n
      - Obi strip !\r\n
      - Japanese pressing !\r\n
      - Celebrated jazz trio performs fan favorites !\r\n
      \r\n
      By the time this album was recorded in 2002, veteran pianist Eddie Higgins had become one of the most popular pianists in Japan, thanks in no small part to the independent label Venus Records. To commemorate its 10th anniversary, Venus asked its fans which songs they would like to hear the Eddie Higgins Trio perform on their new album. Higgins chose a selection of songs out of the top 25 vote getters.\r\n
      \r\n
      Featuring a lot of ballads, this is for the most part a mellow, relaxing album. Supported by the deep, tuneful bass of Jay Leonhart and sensitive drums of Joe Ascione, Higgins plays these popular songs with elegance and restrained passion. His musical ideas are always flowing and the harmonies are beautiful.\r\n
      \r\n
      Highlights include "Nardis" where the trio picks up the tempo and intensity, "Dear Old Stockholm" (the N° 1 choice of fans) and "Over The Rainbow". Great songs, wonderfully played. And as always the case with Venus Records, great sound.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Eddie Higgins (piano), Jay Leonhart (bass), Joe Ascione (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Venus Records VHJD 0236"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
      ]
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        "ordre" => 1
        "nom" => "1. You And The Night And The Music "
      ]
      [
        "ordre" => 2
        "nom" => "2. Witchcraft "
      ]
      [
        "ordre" => 3
        "nom" => "3. The Peeacocks"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Again "
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        "nom" => "4. It Never Entered My Mind"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2236 …}
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    -modifierLe: DateTime @1765619196 {#2232
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3672
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2234
    -id: 2311
    -nom: "Dear Old Stockholm Vol. 2"
    -informationComplementaire: null
    -description: """
      - Eddie Higgins Trio "Dear Old Stockholm Vol. 2"180 gram vinyl !\r\n
      - Mixed and mastered by Tetsuo Hara !\r\n
      - Venus Hyper Magnum Sound Direct Mix Stereo !\r\n
      - Obi strip !\r\n
      - Japanese pressing !\r\n
      - Celebrated jazz trio performs fan favorites !\r\n
      \r\n
      By the time this album was recorded in 2002, veteran pianist Eddie Higgins had become one of the most popular pianists in Japan, thanks in no small part to the independent label Venus Records. To commemorate its 10th anniversary, Venus asked its fans which songs they would like to hear the Eddie Higgins Trio perform on their new album. Higgins chose a selection of songs out of the top 25 vote getters.\r\n
      \r\n
      Featuring a lot of ballads, this is for the most part a mellow, relaxing album. Supported by the deep, tuneful bass of Jay Leonhart and sensitive drums of Joe Ascione, Higgins plays these popular songs with elegance and restrained passion. His musical ideas are always flowing and the harmonies are beautiful.\r\n
      \r\n
      Highlights include "Nardis" where the trio picks up the tempo and intensity, "Dear Old Stockholm" (the N° 1 choice of fans) and "Over The Rainbow". Great songs, wonderfully played. And as always the case with Venus Records, great sound.
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Eddie Higgins (piano), Jay Leonhart (bass), Joe Ascione (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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        "nom" => "1. Again "
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        "nom" => "4. It Never Entered My Mind"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2236 …}
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    -modifierLe: DateTime @1765619196 {#2232
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-dear-old-stockholm-vol-2-venus-records-vhjd-0236"
  }
  +optionPrix: null
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}

[
  "produit" => App\Entity\Produit {#2253
    -id: 2358
    -nom: "It's Magic Vol. II"
    -informationComplementaire: null
    -description: """
      - Second volume of jazzpiano classics on 180 gram vinyl !\r\n
      - Mixed and Mastered by Tetsuo Hara !\r\n
      - Venus Hyper Magnum Sound Direct Mix Stereo !\r\n
      - Obi Strip !\r\n
      - Japanese pressing !\r\n
      \r\n
      Through his numerous albums released by Venus Records, Eddie Higgins has firmly established his position as one of the most celebrated jazz pianists in Japan. For this set, Higgins was paired with two veteran horn players who share his mature, straight-ahead sensibilities: Scott Hamilton and Ken Peplowski.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Eddie Higgins (piano), Scott Hamilton (tenor saxophone), Ken Peplowski (tenor saxophone, clarinet), Jay Leonhart (bass), Ben Riley (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
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    -extraitYoutube: null
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      [
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      [
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        "nom" => "3. A Nightingale Sang In Berkley Square"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2255 …}
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]

App\Twig\Components\GestionPanierFavoriComponents {#3723
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2253
    -id: 2358
    -nom: "It's Magic Vol. II"
    -informationComplementaire: null
    -description: """
      - Second volume of jazzpiano classics on 180 gram vinyl !\r\n
      - Mixed and Mastered by Tetsuo Hara !\r\n
      - Venus Hyper Magnum Sound Direct Mix Stereo !\r\n
      - Obi Strip !\r\n
      - Japanese pressing !\r\n
      \r\n
      Through his numerous albums released by Venus Records, Eddie Higgins has firmly established his position as one of the most celebrated jazz pianists in Japan. For this set, Higgins was paired with two veteran horn players who share his mature, straight-ahead sensibilities: Scott Hamilton and Ken Peplowski.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Eddie Higgins (piano), Scott Hamilton (tenor saxophone), Ken Peplowski (tenor saxophone, clarinet), Jay Leonhart (bass), Ben Riley (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2255 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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}

[
  "produit" => App\Entity\Produit {#2269
    -id: 2357
    -nom: "My Funny Valentine Vol. 2"
    -informationComplementaire: null
    -description: """
      - 180 gram vinyl !\r\n
      - Mixed and mastered by Tetsuo Hara !\r\n
      - Venus Hyper Magnum Sound Direct Mix Stereo !\r\n
      - Obi strip !\r\n
      - Japanese pressing !\r\n
      - Celebrated jazz quartet cooks !\r\n
      \r\n
      Through his numerous releases from Venus Records, Eddie Higgins has firmly established his position as one of the most celebrated jazz pianists in Japan. Having performed and recorded with many of the biggest names in jazz, including Coleman Hawkins, Jack Teagarden, Stan Getz, Dizzy Gillespie and Wayne Shorter, his discography as a bandleader includes more than 25 recordings.\r\n
      \r\n
      Here Higgins is joined by his quartet consisting of Scott Hamilton on tenor sax, Jay Leonhart on bass, and Joe Ascione on drums.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Eddie Higgins (piano), Scott Hamilton (tenor saxophone), Jay Leonhart (bass), Joe Ascione (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ADvs2rkxPRg"
    -referenceProduit: "Venus Records VHJD 233"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
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        "ordre" => 1
        "nom" => "1. You'd Be So Nice To Come Home To"
      ]
      [
        "ordre" => 2
        "nom" => "2. I'm A Fool To Want You"
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      [
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        "nom" => "3. I Only Have Eyes For You"
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      [
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        "nom" => "Side B : "
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        "ordre" => 5
        "nom" => "1. Alone Together"
      ]
      [
        "ordre" => 6
        "nom" => "2. Don't Explain"
      ]
      [
        "ordre" => 7
        "nom" => "3. When Sunny Gets Blue"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2271 …}
    -label: Proxies\__CG__\App\Entity\Label {#2239 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2273 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3774
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2269
    -id: 2357
    -nom: "My Funny Valentine Vol. 2"
    -informationComplementaire: null
    -description: """
      - 180 gram vinyl !\r\n
      - Mixed and mastered by Tetsuo Hara !\r\n
      - Venus Hyper Magnum Sound Direct Mix Stereo !\r\n
      - Obi strip !\r\n
      - Japanese pressing !\r\n
      - Celebrated jazz quartet cooks !\r\n
      \r\n
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      \r\n
      Here Higgins is joined by his quartet consisting of Scott Hamilton on tenor sax, Jay Leonhart on bass, and Joe Ascione on drums.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Eddie Higgins (piano), Scott Hamilton (tenor saxophone), Jay Leonhart (bass), Joe Ascione (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=ADvs2rkxPRg"
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      date: 2025-12-13 09:28:16.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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  }
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}

App\Twig\Components\AjoutMailNewsletterComponent {#3975
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3976 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4024 …}
  +isValidated: false
  +validatedFields: []
}