Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2485
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2332 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2562
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2565 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2564 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2138 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2332 …}
  -formView: Symfony\Component\Form\FormView {#2601 …}
  -form: Symfony\Component\Form\Form {#2751 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1932
    -id: 1420
    -nom: "Moon Beams"
    -informationComplementaire: "Redécouvrez "Moon Beams" dans une somptueuse édition (2 LP) 45 RPM signée Analogue Productions. Le Bill Evans Trio y déploie toute sa finesse, sublimée par une qualité sonore exceptionnelle."
    -description: """
      Enregistré en 1962 pour le label Riverside Records, "Moon Beams" marque une période charnière dans la carrière de Bill Evans, avec l’arrivée du bassiste Chuck Israels aux côtés du batteur Paul Motian. L’album déploie un univers introspectif, fait de ballades aériennes et de silences habités, où chaque note semble suspendue dans le temps.\r\n
      \r\n
      Cette réédition Analogue Productions (Fantasy Series) restitue l’enregistrement original avec une fidélité remarquable, grâce à un mastering audiophile et un pressage en 45 RPM sur deux disques. Ce format permet d’élargir la dynamique sonore, d’améliorer la précision des timbres et d’offrir une scène sonore d’une transparence exceptionnelle.\r\n
      \r\n
      Présenté dans un élégant gatefold, ce double vinyle est une pièce de collection autant qu’un objet d’écoute ultime. Chaque détail, du toucher du piano d’Evans aux nuances subtiles de la section rythmique est magnifié, pour une immersion totale dans l’un des albums les plus sensibles du pianiste.\r\n
      \r\n
      - Bill Evans Trio "Moon Beams" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering (AAA) analog from original master tapes !\r\n
      - Praise for our Riverside Recordings LP Box Set from Analogue Productions !\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception. While I don't own the original releases, the 45 rpm reissues are clearly better, even after VTA adjustments, the later OJC reissues or the earlier 33 1/3 rpm Analogue Productions releases. The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out !" Myles Astor, Positive-Feedback Online, Issue 34, www.positive-feedback.com\r\n
      \r\n
      Bill Evans was left reeling by the accidental death of his brilliant bassist Scott LaFaro in mid-1961 and didn't feel ready to record with his new bassist until nearly a year later. When he did go into the studio in May and June of 1962 with Chuck Israels and drummer Paul Motian, the "second trio" produced material for two albums that were to be among Evans's most popular.\r\n
      \r\n
      Moonbeams includes ballad material from the sessions. The rest of the music from the sessions is in How My Heart Sings ! In Moonbeams, Evans did some of his most introspective playing, his sense of loss apparent but relieved by Israels' power and empathy. "Polka Dots and Moonbeams", "If You Could See Me Now", and the others represent Evans at his best, his lyricism underlaid with rhythmic firmness even in the extraordinarily slow "In Love in Vain".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1888 …}
    -musicienOrchestre: "Bill Evans (piano), Chuck Israels (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ChQZMCuasJc&list=RDChQZMCuasJc&start_radio=1"
    -referenceProduit: "Analogue Productions (Fantasy) AJAZ 9428"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Re : Person I Knew"
      ]
      [
        "ordre" => 2
        "nom" => "2. Polka Dots And Moonbeams"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. I Fall In Love Too Easily"
      ]
      [
        "ordre" => 5
        "nom" => "2. Stairway To The Stars"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. If You Could See Me Know"
      ]
      [
        "ordre" => 8
        "nom" => "2. It Might As Well Be Spring"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. In Love In Vain"
      ]
      [
        "ordre" => 11
        "nom" => "2. Very Early"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2064 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1966 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2052 …}
    -enregistreLe: DateTime @1542092144 {#1947
      date: 2018-11-13 06:55:44.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777356544 {#1777
      date: 2026-04-28 06:09:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2058 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-moon-beams-analogue-productions-fantasy-ajaz-9428"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3035
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2564 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2138 …}
  +produit: App\Entity\Produit {#1932
    -id: 1420
    -nom: "Moon Beams"
    -informationComplementaire: "Redécouvrez "Moon Beams" dans une somptueuse édition (2 LP) 45 RPM signée Analogue Productions. Le Bill Evans Trio y déploie toute sa finesse, sublimée par une qualité sonore exceptionnelle."
    -description: """
      Enregistré en 1962 pour le label Riverside Records, "Moon Beams" marque une période charnière dans la carrière de Bill Evans, avec l’arrivée du bassiste Chuck Israels aux côtés du batteur Paul Motian. L’album déploie un univers introspectif, fait de ballades aériennes et de silences habités, où chaque note semble suspendue dans le temps.\r\n
      \r\n
      Cette réédition Analogue Productions (Fantasy Series) restitue l’enregistrement original avec une fidélité remarquable, grâce à un mastering audiophile et un pressage en 45 RPM sur deux disques. Ce format permet d’élargir la dynamique sonore, d’améliorer la précision des timbres et d’offrir une scène sonore d’une transparence exceptionnelle.\r\n
      \r\n
      Présenté dans un élégant gatefold, ce double vinyle est une pièce de collection autant qu’un objet d’écoute ultime. Chaque détail, du toucher du piano d’Evans aux nuances subtiles de la section rythmique est magnifié, pour une immersion totale dans l’un des albums les plus sensibles du pianiste.\r\n
      \r\n
      - Bill Evans Trio "Moon Beams" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering (AAA) analog from original master tapes !\r\n
      - Praise for our Riverside Recordings LP Box Set from Analogue Productions !\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception. While I don't own the original releases, the 45 rpm reissues are clearly better, even after VTA adjustments, the later OJC reissues or the earlier 33 1/3 rpm Analogue Productions releases. The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out !" Myles Astor, Positive-Feedback Online, Issue 34, www.positive-feedback.com\r\n
      \r\n
      Bill Evans was left reeling by the accidental death of his brilliant bassist Scott LaFaro in mid-1961 and didn't feel ready to record with his new bassist until nearly a year later. When he did go into the studio in May and June of 1962 with Chuck Israels and drummer Paul Motian, the "second trio" produced material for two albums that were to be among Evans's most popular.\r\n
      \r\n
      Moonbeams includes ballad material from the sessions. The rest of the music from the sessions is in How My Heart Sings ! In Moonbeams, Evans did some of his most introspective playing, his sense of loss apparent but relieved by Israels' power and empathy. "Polka Dots and Moonbeams", "If You Could See Me Now", and the others represent Evans at his best, his lyricism underlaid with rhythmic firmness even in the extraordinarily slow "In Love in Vain".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1888 …}
    -musicienOrchestre: "Bill Evans (piano), Chuck Israels (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ChQZMCuasJc&list=RDChQZMCuasJc&start_radio=1"
    -referenceProduit: "Analogue Productions (Fantasy) AJAZ 9428"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Re : Person I Knew"
      ]
      [
        "ordre" => 2
        "nom" => "2. Polka Dots And Moonbeams"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. I Fall In Love Too Easily"
      ]
      [
        "ordre" => 5
        "nom" => "2. Stairway To The Stars"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. If You Could See Me Know"
      ]
      [
        "ordre" => 8
        "nom" => "2. It Might As Well Be Spring"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. In Love In Vain"
      ]
      [
        "ordre" => 11
        "nom" => "2. Very Early"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2064 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1966 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2052 …}
    -enregistreLe: DateTime @1542092144 {#1947
      date: 2018-11-13 06:55:44.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777356544 {#1777
      date: 2026-04-28 06:09:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2058 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-moon-beams-analogue-productions-fantasy-ajaz-9428"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2332 …}
}

[
  "produit" => App\Entity\Produit {#2081
    -id: 2034
    -nom: "Explorations"
    -informationComplementaire: "Plongez dans l’un des sommets du jazz moderne : "Explorations". Entre lyrisme et interaction télépathique, le trio de Bill Evans redéfinit l’art du dialogue musical. Un disque intemporel, d’une élégance rare, où chaque note respire."
    -description: """
      Enregistré en 1961, "Explorations" capture le Bill Evans Trio à son apogée, avec Scott LaFaro à la contrebasse et Paul Motian à la batterie. Plus qu’un simple enregistrement, cet album est une conversation musicale d’une rare intensité, où chaque musicien s’affranchit de son rôle traditionnel pour créer un équilibre collectif unique.\r\n
      \r\n
      Le toucher délicat et introspectif d’Evans dialogue librement avec les lignes mélodiques audacieuses de LaFaro, tandis que Motian colore l’espace avec une sensibilité presque impressionniste. Loin d’une hiérarchie classique : "piano, basse, batterie", le trio explore une approche profondément interactive, où le silence et la nuance ont autant d’importance que les notes elles-mêmes.\r\n
      \r\n
      De standards revisités avec une finesse inouïe à des compositions plus modales comme Nardis, "Explorations" incarne une esthétique raffinée, à la fois intellectuelle et profondément émotive. Cet album reste aujourd’hui une référence incontournable pour les amateurs de jazz, mais aussi une porte d’entrée idéale vers un univers sonore subtil et immersif.\r\n
      \r\n
      - Bill Evans Trio "Explorations" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes \r\n
      \r\n
      "Bill Evans' Explorations... the most lyrically riveting piano trio in jazz history, playing near-peak... Explorations sounds wonderful. All the tones, overtones, and rhythmic subtleties are vivid, present, and true". Fred Kaplan, The Absolute Sound, February / March 2005\r\n
      \r\n
      The second album by the original Bill Evans group was recorded after the pianist, bassist Scott LaFaro, and drummer Paul Motian had spent a year working together and honing the telepathy that established a new standard for trio interaction. Featuring intimate readings of several standards, plus three compositions from the jazz world that became synonymous with the trio’s sounds, and with ample space for LaFaro’s virtuosity to shine, the album was cited by Evans years later as among his own favorite recordings.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1888 …}
    -musicienOrchestre: "Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0M-mQyJ_6Hc&list=RD0M-mQyJ_6Hc&start_radio=1"
    -referenceProduit: "Analogue Productions (Fantazy) AJAZ 9351"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Israel"
      ]
      [
        "ordre" => 2
        "nom" => "2. Haunted Heart"
      ]
      [
        "ordre" => 3
        "nom" => "3. Beautiful Love"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Elsa"
      ]
      [
        "ordre" => 6
        "nom" => "2. Nardis"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. How Deep Is the Ocean ?"
      ]
      [
        "ordre" => 9
        "nom" => "2. I Wish I Knew"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Sweet and Lovely"
      ]
      [
        "ordre" => 12
        "nom" => "2. The Boy Next Door"
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2089 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2082 …}
    -typeMasterTape: null
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    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2084 …}
    -enregistreLe: DateTime @1620981120 {#2078
      date: 2021-05-14 08:32:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776928712 {#2079
      date: 2026-04-23 07:18:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2086 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-explorations-analogue-productions-fantazy-ajaz-9351"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3126
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2564 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2138 …}
  +produit: App\Entity\Produit {#2081
    -id: 2034
    -nom: "Explorations"
    -informationComplementaire: "Plongez dans l’un des sommets du jazz moderne : "Explorations". Entre lyrisme et interaction télépathique, le trio de Bill Evans redéfinit l’art du dialogue musical. Un disque intemporel, d’une élégance rare, où chaque note respire."
    -description: """
      Enregistré en 1961, "Explorations" capture le Bill Evans Trio à son apogée, avec Scott LaFaro à la contrebasse et Paul Motian à la batterie. Plus qu’un simple enregistrement, cet album est une conversation musicale d’une rare intensité, où chaque musicien s’affranchit de son rôle traditionnel pour créer un équilibre collectif unique.\r\n
      \r\n
      Le toucher délicat et introspectif d’Evans dialogue librement avec les lignes mélodiques audacieuses de LaFaro, tandis que Motian colore l’espace avec une sensibilité presque impressionniste. Loin d’une hiérarchie classique : "piano, basse, batterie", le trio explore une approche profondément interactive, où le silence et la nuance ont autant d’importance que les notes elles-mêmes.\r\n
      \r\n
      De standards revisités avec une finesse inouïe à des compositions plus modales comme Nardis, "Explorations" incarne une esthétique raffinée, à la fois intellectuelle et profondément émotive. Cet album reste aujourd’hui une référence incontournable pour les amateurs de jazz, mais aussi une porte d’entrée idéale vers un univers sonore subtil et immersif.\r\n
      \r\n
      - Bill Evans Trio "Explorations" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes \r\n
      \r\n
      "Bill Evans' Explorations... the most lyrically riveting piano trio in jazz history, playing near-peak... Explorations sounds wonderful. All the tones, overtones, and rhythmic subtleties are vivid, present, and true". Fred Kaplan, The Absolute Sound, February / March 2005\r\n
      \r\n
      The second album by the original Bill Evans group was recorded after the pianist, bassist Scott LaFaro, and drummer Paul Motian had spent a year working together and honing the telepathy that established a new standard for trio interaction. Featuring intimate readings of several standards, plus three compositions from the jazz world that became synonymous with the trio’s sounds, and with ample space for LaFaro’s virtuosity to shine, the album was cited by Evans years later as among his own favorite recordings.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1888 …}
    -musicienOrchestre: "Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0M-mQyJ_6Hc&list=RD0M-mQyJ_6Hc&start_radio=1"
    -referenceProduit: "Analogue Productions (Fantazy) AJAZ 9351"
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    -artiste: App\Entity\Artiste {#1116 …}
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[
  "produit" => App\Entity\Produit {#2096
    -id: 838
    -nom: "At Shelly's Manne-Hole (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Bill Evans "At Shelly's Mann-Hole" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes !\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception. While I don't own the original releases, the 45 RPM reissues clearly better, even after VTA adjustments, the later OJC reissues or the earlier 33 1/3 rpm Analogue Productions releases. The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out". – Myles Astor, Positive Feedback Online, Issue 34, \r\n
      \r\n
      This is the last album Bill Evans made for his first label. That fact alone would give this at least historical significance; and there is surely also some importance to its being one of only two occasions on which the pianist was recorded for Riverside during "live" performance (the other, of course, resulted in the classic pair of Village Vanguard albums). But above all, these two nights at Shelly Manne's club in Hollywood marked the only recording by the excellent but short-term third trio; after the death of Scott LaFaro, bassist Chuck Israels joined Bill and Paul Motian; then in 1963 Los Angeles studio-stalwart drummer Larry Bunker made this brief but noteworthy contribution to the Evans legend.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1888 …}
    -musicienOrchestre: "Bill Evans (piano), Chuck Israels (bass), Larry Bunker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=DHMKhWQufg0&list=PLfJndz0utgOOv4mnKZVq6PnyKDTZoveYj"
    -referenceProduit: "Analogue Productions AAPP 9487"
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      ]
      [
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        "nom" => "2. Blues In "F""
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    ]
    -artiste: App\Entity\Artiste {#1116 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2564 …}
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  +produit: App\Entity\Produit {#2096
    -id: 838
    -nom: "At Shelly's Manne-Hole (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Bill Evans "At Shelly's Mann-Hole" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes !\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception. While I don't own the original releases, the 45 RPM reissues clearly better, even after VTA adjustments, the later OJC reissues or the earlier 33 1/3 rpm Analogue Productions releases. The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out". – Myles Astor, Positive Feedback Online, Issue 34, \r\n
      \r\n
      This is the last album Bill Evans made for his first label. That fact alone would give this at least historical significance; and there is surely also some importance to its being one of only two occasions on which the pianist was recorded for Riverside during "live" performance (the other, of course, resulted in the classic pair of Village Vanguard albums). But above all, these two nights at Shelly Manne's club in Hollywood marked the only recording by the excellent but short-term third trio; after the death of Scott LaFaro, bassist Chuck Israels joined Bill and Paul Motian; then in 1963 Los Angeles studio-stalwart drummer Larry Bunker made this brief but noteworthy contribution to the Evans legend.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1888 …}
    -musicienOrchestre: "Bill Evans (piano), Chuck Israels (bass), Larry Bunker (drums)"
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      [
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        "nom" => "2. Blues In "F""
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -slug: "vinyles-at-shelly-s-manne-hole-2-lp-45-rpm-analogue-productions-aapp-9487"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2332 …}
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[
  "produit" => App\Entity\Produit {#2113
    -id: 2562
    -nom: "Sunday At The Village Vanguard  (45 RPM 200 Gram Clarity Vinyl)"
    -informationComplementaire: ""
    -description: """
      - The Bill Evans Trio's Sunday At The Village Vanguard on Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      \r\n
      - The definitive version of one of the most classic jazz recordings of all time and a regular on most best-of jazz lists !\r\n
      \r\n
      - 200 gram 45 RPM 2 LP release limited to 5000 copies !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      \r\n
      - Set includes 8-page booklet with liner notes by renowned jazz critic Bob Blumenthal !\r\n
      \r\n
      - Pressed on Clarity Vinyl at Quality Record Pressings !\r\n
      \r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      \r\n
      "On the UHQR there's a real band playing together making sense in a real space with a real kind of interaction between them and it just sounds natural open and free. And the Mofi, you know, don't get me wrong it sounds wonderful but up against this it sounds slightly disjointed not as - you know -definitely not as natural, a little bit forced and a little bit sucked out at the same time". - The Bill Evans Trio - Sunday at the Village Vanguard Ultimate AAA Showdown : UHQR vs MOFI One-Step, Dave Dener, YouTube video.\r\n
      \r\n
      "These are a vinyl revival dream demo pair to show off what records can do to hearts and minds... As well-pressed as the OJC versions are, there are definitely quieter backgrounds here. Even the most cynical among you would notice if your system was up to the quiet. Out of that comes an even more "tape like" rendering of the tape. Wisely it doesn't sound as if Kevin Gray changed anything from however he set things up for the OJC series so the basic sound is not at all different from the OJC but what is different is an even more subtle attack precision, and the quiet and 45 RPM speed produces lingering sustain and noticeably more generous decay. The differences aren't revelatory there's only so much that can be pulled from these tapes but they are there especiallyl if you're listening as "one large ear, equipped only with a psyche" and not as someone trying to analyze individual elements. Plus the sound is more uniform because the stylus stays away from the most inner grooves. These more "tape like." If we gave out 12s, these would have to get 12s but we only go up to 11." — Music = 11/11; Sound = 11/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      Widely regarded as one of the greatest live jazz recordings of all time, Sunday At The Village Vanguard from the Bill Evans Trio, captures a remarkable performance by pianist Bill Evans, bassist Scott LaFaro, and drummer Paul Motian at the Village Vanguard jazz club in New York City on June 25, 1961.\r\n
      \r\n
      The album features a selection of jazz standards and original compositions, showcasing the exceptional musicianship and improvisational prowess of the trio. The interplay between Evans, LaFaro, and Motian is extraordinary, with each musician seamlessly complementing and responding to one another.\r\n
      \r\n
      The record showed how Evans had refined an approach to solo improvisation in which the pulse was not as obvious as it had been in swing and bop approaches. And his extraordinarily high standards required that each improvised melodic idea be extensively developed, resulting in more continuity and pacing than was common to any previous modern style.\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Sunday At The Village Vanguard where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of this one-of-a-kind reissue.\r\n
      \r\n
      Four glorious sides of 200-gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases, with attention paied to every single detail. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process.\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.\r\n
      \r\n
      One of the standout tracks on this album is the rendition of the jazz standard "Gloria's Step". Evans' delicate touch and lyrical piano playing shine through, while LaFaro's inventive and melodic bass lines add depth and richness to the sound. The trio's chemistry is evident as they navigate through intricate musical passages and engage in spontaneous musical conversations.\r\n
      \r\n
      Another notable track is "Alice in Wonderland", an original composition by Evans. It highlights his unique approach to harmony and melody, characterized by introspection, elegance, and a delicate touch. The trio's interpretation of this piece is enchanting and showcases their ability to create a magical atmosphere through their collective musical expression.\r\n
      \r\n
      Sunday at the Village Vanguard is celebrated not only for its exceptional music but also for its exceptional sound quality. The recording captures the intimate ambiance of the Vanguard, allowing listeners to experience the energy and intimacy of a live jazz performance.\r\n
      \r\n
       
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1891 …}
    -musicienOrchestre: "Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4F1kIvIPK9Y"
    -referenceProduit: "Analogue Productions AUHQR 0017-45"
    -titreMorceau: [
      [
        "nom" => "1. Alice In Wonderland"
        "ordre" => 6
      ]
      [
        "nom" => "1. All Of You"
        "ordre" => 8
      ]
      [
        "nom" => "1. Gloria's Step"
        "ordre" => 1
      ]
      [
        "nom" => "1. Solar "
        "ordre" => 4
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      [
        "nom" => "2. My Man's Gone Now "
        "ordre" => 2
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
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      [
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      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "Side D :"
        "ordre" => 7
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2121 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2114 …}
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    }
    -modifierLe: DateTime @1727336933 {#2107
      date: 2024-09-26 07:48:53.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2118 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3222
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2564 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2138 …}
  +produit: App\Entity\Produit {#2113
    -id: 2562
    -nom: "Sunday At The Village Vanguard  (45 RPM 200 Gram Clarity Vinyl)"
    -informationComplementaire: ""
    -description: """
      - The Bill Evans Trio's Sunday At The Village Vanguard on Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      \r\n
      - The definitive version of one of the most classic jazz recordings of all time and a regular on most best-of jazz lists !\r\n
      \r\n
      - 200 gram 45 RPM 2 LP release limited to 5000 copies !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      \r\n
      - Set includes 8-page booklet with liner notes by renowned jazz critic Bob Blumenthal !\r\n
      \r\n
      - Pressed on Clarity Vinyl at Quality Record Pressings !\r\n
      \r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      \r\n
      "On the UHQR there's a real band playing together making sense in a real space with a real kind of interaction between them and it just sounds natural open and free. And the Mofi, you know, don't get me wrong it sounds wonderful but up against this it sounds slightly disjointed not as - you know -definitely not as natural, a little bit forced and a little bit sucked out at the same time". - The Bill Evans Trio - Sunday at the Village Vanguard Ultimate AAA Showdown : UHQR vs MOFI One-Step, Dave Dener, YouTube video.\r\n
      \r\n
      "These are a vinyl revival dream demo pair to show off what records can do to hearts and minds... As well-pressed as the OJC versions are, there are definitely quieter backgrounds here. Even the most cynical among you would notice if your system was up to the quiet. Out of that comes an even more "tape like" rendering of the tape. Wisely it doesn't sound as if Kevin Gray changed anything from however he set things up for the OJC series so the basic sound is not at all different from the OJC but what is different is an even more subtle attack precision, and the quiet and 45 RPM speed produces lingering sustain and noticeably more generous decay. The differences aren't revelatory there's only so much that can be pulled from these tapes but they are there especiallyl if you're listening as "one large ear, equipped only with a psyche" and not as someone trying to analyze individual elements. Plus the sound is more uniform because the stylus stays away from the most inner grooves. These more "tape like." If we gave out 12s, these would have to get 12s but we only go up to 11." — Music = 11/11; Sound = 11/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      Widely regarded as one of the greatest live jazz recordings of all time, Sunday At The Village Vanguard from the Bill Evans Trio, captures a remarkable performance by pianist Bill Evans, bassist Scott LaFaro, and drummer Paul Motian at the Village Vanguard jazz club in New York City on June 25, 1961.\r\n
      \r\n
      The album features a selection of jazz standards and original compositions, showcasing the exceptional musicianship and improvisational prowess of the trio. The interplay between Evans, LaFaro, and Motian is extraordinary, with each musician seamlessly complementing and responding to one another.\r\n
      \r\n
      The record showed how Evans had refined an approach to solo improvisation in which the pulse was not as obvious as it had been in swing and bop approaches. And his extraordinarily high standards required that each improvised melodic idea be extensively developed, resulting in more continuity and pacing than was common to any previous modern style.\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Sunday At The Village Vanguard where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of this one-of-a-kind reissue.\r\n
      \r\n
      Four glorious sides of 200-gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases, with attention paied to every single detail. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process.\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.\r\n
      \r\n
      One of the standout tracks on this album is the rendition of the jazz standard "Gloria's Step". Evans' delicate touch and lyrical piano playing shine through, while LaFaro's inventive and melodic bass lines add depth and richness to the sound. The trio's chemistry is evident as they navigate through intricate musical passages and engage in spontaneous musical conversations.\r\n
      \r\n
      Another notable track is "Alice in Wonderland", an original composition by Evans. It highlights his unique approach to harmony and melody, characterized by introspection, elegance, and a delicate touch. The trio's interpretation of this piece is enchanting and showcases their ability to create a magical atmosphere through their collective musical expression.\r\n
      \r\n
      Sunday at the Village Vanguard is celebrated not only for its exceptional music but also for its exceptional sound quality. The recording captures the intimate ambiance of the Vanguard, allowing listeners to experience the energy and intimacy of a live jazz performance.\r\n
      \r\n
       
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1891 …}
    -musicienOrchestre: "Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4F1kIvIPK9Y"
    -referenceProduit: "Analogue Productions AUHQR 0017-45"
    -titreMorceau: [
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        "nom" => "1. Gloria's Step"
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      ]
      [
        "nom" => "Side D :"
        "ordre" => 7
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2121 …}
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    }
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2118 …}
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    -slug: "vinyles-sunday-at-the-village-vanguard-45-rpm-200-gram-clarity-vinyl-analogue-productions-auhqr-0017-45"
  }
  +optionPrix: null
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[
  "produit" => App\Entity\Produit {#2126
    -id: 2561
    -nom: "Waltz For Debby  (45 RPM 200 Gram Clarity Vinyl)"
    -informationComplementaire: ""
    -description: """
      - An All-Time Jazz Audiophile Masterpiece - Now on UHQR !\r\n
      \r\n
      - 200 gram 45 RPM 2 LP release limited to 5000 copies !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      \r\n
      - Set includes 8-page booklet with liner notes by renowned jazz critic Bob Blumenthal !\r\n
      \r\n
      - Pressed on Clarity Vinyl at Quality Record Pressings !\r\n
      \r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      \r\n
      - One of the most classic jazz albums and live recordings, a regular on most best-of jazz lists !\r\n
      \r\n
      "Overall, this UHQR presentation is a more detailed, more refined presentation of the record in my opinion. This one really extracts the beauty and the ambiance and the texture and the emotion of the live recording". - Kenny's Audiophile Record Reviews YouTube video.\r\n
      \r\n
      "These are a vinyl revival dream demo pair to show off what records can do to hearts and minds... As well-pressed as the OJC versions are, there are definitely quieter backgrounds here. Even the most cynical among you would notice if your system was up to the quiet. Out of that comes an even more "tape like" rendering of the tape. Wisely it doesn't sound as if Kevin Gray changed anything from however he set things up for the OJC series so the basic sound is not at all different from the OJC but what is different is an even more subtle attack precision, and the quiet and 45 RPM speed produces lingering sustain and noticeably more generous decay. The differences aren't revelatory there's only so much that can be pulled from these tapes but they are there especiallyl if you're listening as "one large ear, equipped only with a psyche" and not as someone trying to analyze individual elements. Plus the sound is more uniform because the stylus stays away from the most inner grooves. These more "tape like". If we gave out 12s, these would have to get 12s but we only go up to 11", - Music = 11/11; Sound = 11/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      The fourth and final album by one of the most influential groups in jazz history, the Bill Evans Trio album Waltz For Debby was originally released in 1962 as a companion to Sunday At The Village Vanguard. It captures the mesmerizing and intimate live performances of Evans and his trio at the Village Vanguard in New York City. The album showcases Evans' unique approach to jazz piano, characterized by delicate touch, introspective improvisation, and profound musicality.\r\n
      \r\n
      The title track, "Waltz for Debby", serves as the centerpiece of the album. It is a hauntingly beautiful composition penned by Evans himself as a tribute to his niece, Debby. The waltz unfolds with a graceful and melancholic melody, carried by Evans' masterful piano playing.\r\n
      \r\n
      Throughout the album, Evans and his trio venture into other classic jazz standards, including "My Foolish Heart", "Detour Ahead", and "Milestones". With each performance, they delve deep into the heart of the music, exploring its nuances and improvising with a profound sense of lyricism. Evans' introspective style shines through, as he delicately navigates the harmonies, unveiling layers of emotion and introspection.\r\n
      \r\n
      The beauty of "Waltz for Debby" lies not only in the musicianship but also in the intimate atmosphere it creates. The live recording captures the ambiance of the Village Vanguard, with the audience's presence adding an extra dimension to the music. The subtle clinks of glasses, the occasional applause, and the hushed whispers become a part of the experience, enhancing the authenticity and charm of the album.\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is creating the definitive Waltz For Debby reissue: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of this one-of-a-kind reissue.\r\n
      \r\n
      Four glorious sides of 200 gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases, with attention paied to every single detail. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process.\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.\r\n
      \r\n
      Waltz for Debby stands as a testament to Bill Evans' genius as a pianist and composer. It is a profound and evocative exploration of melody, harmony, and improvisation, revealing the depths of emotion and the artistry that Evans brought to his music. The album remains a beloved gem in the jazz canon, cherished by fans and musicians alike for its timeless beauty and the lasting impact it has had on the genre.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1891 …}
    -musicienOrchestre: "Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gk4D7N0pzGs"
    -referenceProduit: "Analogue Productions AUHQR 0018-45"
    -titreMorceau: [
      [
        "nom" => "1. Detour Ahead "
        "ordre" => 4
      ]
      [
        "nom" => "1. My Foolish Heart"
        "ordre" => 1
      ]
      [
        "nom" => "1. My Romance"
        "ordre" => 6
      ]
      [
        "nom" => "1. Some Other Time"
        "ordre" => 8
      ]
      [
        "nom" => "2. Milestones (6:37)"
        "ordre" => 9
      ]
      [
        "nom" => "2. Waltz For Debby (6:54)"
        "ordre" => 2
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "Side D : "
        "ordre" => 7
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2134 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2127 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2129 …}
    -enregistreLe: DateTime @1727335515 {#2123
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    }
    -modifierLe: DateTime @1727336243 {#2124
      date: 2024-09-26 07:37:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2131 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-waltz-for-debby-45-rpm-200-gram-clarity-vinyl-analogue-productions-auhqr-0018-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3270
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2564 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2138 …}
  +produit: App\Entity\Produit {#2126
    -id: 2561
    -nom: "Waltz For Debby  (45 RPM 200 Gram Clarity Vinyl)"
    -informationComplementaire: ""
    -description: """
      - An All-Time Jazz Audiophile Masterpiece - Now on UHQR !\r\n
      \r\n
      - 200 gram 45 RPM 2 LP release limited to 5000 copies !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      \r\n
      - Set includes 8-page booklet with liner notes by renowned jazz critic Bob Blumenthal !\r\n
      \r\n
      - Pressed on Clarity Vinyl at Quality Record Pressings !\r\n
      \r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      \r\n
      - One of the most classic jazz albums and live recordings, a regular on most best-of jazz lists !\r\n
      \r\n
      "Overall, this UHQR presentation is a more detailed, more refined presentation of the record in my opinion. This one really extracts the beauty and the ambiance and the texture and the emotion of the live recording". - Kenny's Audiophile Record Reviews YouTube video.\r\n
      \r\n
      "These are a vinyl revival dream demo pair to show off what records can do to hearts and minds... As well-pressed as the OJC versions are, there are definitely quieter backgrounds here. Even the most cynical among you would notice if your system was up to the quiet. Out of that comes an even more "tape like" rendering of the tape. Wisely it doesn't sound as if Kevin Gray changed anything from however he set things up for the OJC series so the basic sound is not at all different from the OJC but what is different is an even more subtle attack precision, and the quiet and 45 RPM speed produces lingering sustain and noticeably more generous decay. The differences aren't revelatory there's only so much that can be pulled from these tapes but they are there especiallyl if you're listening as "one large ear, equipped only with a psyche" and not as someone trying to analyze individual elements. Plus the sound is more uniform because the stylus stays away from the most inner grooves. These more "tape like". If we gave out 12s, these would have to get 12s but we only go up to 11", - Music = 11/11; Sound = 11/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.\r\n
      \r\n
      The fourth and final album by one of the most influential groups in jazz history, the Bill Evans Trio album Waltz For Debby was originally released in 1962 as a companion to Sunday At The Village Vanguard. It captures the mesmerizing and intimate live performances of Evans and his trio at the Village Vanguard in New York City. The album showcases Evans' unique approach to jazz piano, characterized by delicate touch, introspective improvisation, and profound musicality.\r\n
      \r\n
      The title track, "Waltz for Debby", serves as the centerpiece of the album. It is a hauntingly beautiful composition penned by Evans himself as a tribute to his niece, Debby. The waltz unfolds with a graceful and melancholic melody, carried by Evans' masterful piano playing.\r\n
      \r\n
      Throughout the album, Evans and his trio venture into other classic jazz standards, including "My Foolish Heart", "Detour Ahead", and "Milestones". With each performance, they delve deep into the heart of the music, exploring its nuances and improvising with a profound sense of lyricism. Evans' introspective style shines through, as he delicately navigates the harmonies, unveiling layers of emotion and introspection.\r\n
      \r\n
      The beauty of "Waltz for Debby" lies not only in the musicianship but also in the intimate atmosphere it creates. The live recording captures the ambiance of the Village Vanguard, with the audience's presence adding an extra dimension to the music. The subtle clinks of glasses, the occasional applause, and the hushed whispers become a part of the experience, enhancing the authenticity and charm of the album.\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is creating the definitive Waltz For Debby reissue: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of this one-of-a-kind reissue.\r\n
      \r\n
      Four glorious sides of 200 gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases, with attention paied to every single detail. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process.\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.\r\n
      \r\n
      Waltz for Debby stands as a testament to Bill Evans' genius as a pianist and composer. It is a profound and evocative exploration of melody, harmony, and improvisation, revealing the depths of emotion and the artistry that Evans brought to his music. The album remains a beloved gem in the jazz canon, cherished by fans and musicians alike for its timeless beauty and the lasting impact it has had on the genre.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1891 …}
    -musicienOrchestre: "Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gk4D7N0pzGs"
    -referenceProduit: "Analogue Productions AUHQR 0018-45"
    -titreMorceau: [
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        "nom" => "1. Detour Ahead "
        "ordre" => 4
      ]
      [
        "nom" => "1. My Foolish Heart"
        "ordre" => 1
      ]
      [
        "nom" => "1. My Romance"
        "ordre" => 6
      ]
      [
        "nom" => "1. Some Other Time"
        "ordre" => 8
      ]
      [
        "nom" => "2. Milestones (6:37)"
        "ordre" => 9
      ]
      [
        "nom" => "2. Waltz For Debby (6:54)"
        "ordre" => 2
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "Side D : "
        "ordre" => 7
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2134 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2127 …}
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    }
    -modifierLe: DateTime @1727336243 {#2124
      date: 2024-09-26 07:37:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2131 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-waltz-for-debby-45-rpm-200-gram-clarity-vinyl-analogue-productions-auhqr-0018-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2332 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3462
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2332 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3463 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3511 …}
  +isValidated: false
  +validatedFields: []
}