Components
4
Twig Components
8
Render Count
6
ms
Render Time
8.0
MiB
Memory Usage
Components
| Name | Metadata | Render Count | Render Time |
|---|---|---|---|
| GestionPanierFavoriComponents |
"App\Twig\Components\GestionPanierFavoriComponents"components/GestionPanierFavoriComponents.html.twig |
5 | 1.96ms |
| GestionEntetePageComponents |
"App\Twig\Components\GestionEntetePageComponents"components/GestionEntetePageComponents.html.twig |
1 | 2.80ms |
| ListePanier |
"App\Twig\Components\ListePanier"components/ListePanier.html.twig |
1 | 1.31ms |
| AjoutMailNewsletterComponent |
"App\Twig\Components\AjoutMailNewsletterComponent"components/AjoutMailNewsletterComponent.html.twig |
1 | 0.23ms |
Render calls
| GestionEntetePageComponents | App\Twig\Components\GestionEntetePageComponents | 8.0 MiB | 2.80 ms | |
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| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionEntetePageComponents {#2435 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2282 …} } |
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| ListePanier | App\Twig\Components\ListePanier | 8.0 MiB | 1.31 ms | |
|---|---|---|---|---|
| Input props | [ "listeModal" => true "categorieProduitEnum" => [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] ] |
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| Attributes | [] |
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| Component | App\Twig\Components\ListePanier {#2512 #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2515 …} -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -gestionPanier: App\Service\FrontGestionPanierFavori {#2514 …} -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#2088 …} +listePanier: null +listeModal: true +paysForme: null +paysSelectionne: null +selectedPays: null +fraisLivraison: 17.5 +montantTotal: 35.0 +tempsLivraison: 0 +quantite: 0 +categorieProduitEnum: [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2282 …} -formView: Symfony\Component\Form\FormView {#2551 …} -form: Symfony\Component\Form\Form {#2701 …} +formName: "pays" +formValues: [ "nom" => "" ] +isValidated: false +validatedFields: [] -shouldAutoSubmitForm: true } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.68 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#1879 -id: 2556 -nom: "Oh Yeah" -informationComplementaire: "" -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n \r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n \r\n - A powerful, passionate and expressive album !\r\n \r\n - 180 gram 45 RPM double LP !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original analog master tape !\r\n \r\n - Pressed at Quality Record Pressings !\r\n \r\n - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n \r\n After several sessions with Columbia and Candid, Charles Mingus briefly returned to Atlantic and cut the freewheeling Oh Yeah, which AllMusic says has to rank as the wildest of all his classic albums. Mingus displays all of his vigorous jazz feeling on this album; he plays no bass whatsoever, hiring Doug Watkins to fill in while he accompanies the group on piano and contributes bluesy vocals to several tracks (while shouting encouragement on nearly all of them).\r\n \r\n One of the really fine things about Mingus is that he always seems to keep an earthy touch no matter how wild the harmonies get, and that genius comes across with power here. Some of the colorful titles are "Devil Woman", "Eat That Chicken", and "Hog Callin' Blues".\r\n \r\n Mingus' vocal selections radiate the same dementia, whether it's the stream-of-consciousness blues couplets on "Devil Woman", the dark-humored modern-day spiritual "Oh Lord Don't Let Them Drop That Atomic Bomb on Me", or the dadaist stride piano bounce of "Eat That Chicken", a nod to Fats Waller's comic novelties.\r\n \r\n Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with film lamination by Stought """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1838 …} -musicienOrchestre: "Charles Mingus (piano, vocals), Booker Ervin (tenor saxophone), Roland Kirk (flute, tenor saxophone, siren, manzello, stritch) Jimmy Knepper (trombone), Doug Watkins (bass), Dannie Richmond (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=3Rxcj6hEib8" -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 039-45" -titreMorceau: [ [ "nom" => "1. Devil Woman" "ordre" => 3 ] [ "nom" => "1. Eat That Chicken" "ordre" => 9 ] [ "nom" => "1. Ecclusiastics" "ordre" => 6 ] [ "nom" => "1. Hog Callin' Blues" "ordre" => 1 ] [ "nom" => "2. Oh Lord Don't Let Them Drop That Atomic Bomb On Me" "ordre" => 7 ] [ "nom" => "2. Passions Of A Man" "ordre" => 10 ] [ "nom" => "2. Wham Bam Thank You Ma'am" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 2 ] [ "nom" => "Side C : " "ordre" => 5 ] [ "nom" => "Side D : " "ordre" => 8 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1910 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1468 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2011 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1913 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#1999 …} -enregistreLe: DateTime @1727122244 {#1894 : 2024-09-23 20:10:44.0 UTC (+00:00) } -modifierLe: DateTime @1727122440 {#1724 : 2024-09-23 20:14:00.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2005 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-oh-yeah-analogue-productions-atlantic-75-series-aapa-039-45" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#2976 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2514 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#2088 …} +produit: App\Entity\Produit {#1879 -id: 2556 -nom: "Oh Yeah" -informationComplementaire: "" -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n \r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n \r\n - A powerful, passionate and expressive album !\r\n \r\n - 180 gram 45 RPM double LP !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original analog master tape !\r\n \r\n - Pressed at Quality Record Pressings !\r\n \r\n - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n \r\n After several sessions with Columbia and Candid, Charles Mingus briefly returned to Atlantic and cut the freewheeling Oh Yeah, which AllMusic says has to rank as the wildest of all his classic albums. Mingus displays all of his vigorous jazz feeling on this album; he plays no bass whatsoever, hiring Doug Watkins to fill in while he accompanies the group on piano and contributes bluesy vocals to several tracks (while shouting encouragement on nearly all of them).\r\n \r\n One of the really fine things about Mingus is that he always seems to keep an earthy touch no matter how wild the harmonies get, and that genius comes across with power here. Some of the colorful titles are "Devil Woman", "Eat That Chicken", and "Hog Callin' Blues".\r\n \r\n Mingus' vocal selections radiate the same dementia, whether it's the stream-of-consciousness blues couplets on "Devil Woman", the dark-humored modern-day spiritual "Oh Lord Don't Let Them Drop That Atomic Bomb on Me", or the dadaist stride piano bounce of "Eat That Chicken", a nod to Fats Waller's comic novelties.\r\n \r\n Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with film lamination by Stought """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1838 …} -musicienOrchestre: "Charles Mingus (piano, vocals), Booker Ervin (tenor saxophone), Roland Kirk (flute, tenor saxophone, siren, manzello, stritch) Jimmy Knepper (trombone), Doug Watkins (bass), Dannie Richmond (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=3Rxcj6hEib8" -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 039-45" -titreMorceau: [ [ "nom" => "1. Devil Woman" "ordre" => 3 ] [ "nom" => "1. Eat That Chicken" "ordre" => 9 ] [ "nom" => "1. Ecclusiastics" "ordre" => 6 ] [ "nom" => "1. Hog Callin' Blues" "ordre" => 1 ] [ "nom" => "2. Oh Lord Don't Let Them Drop That Atomic Bomb On Me" "ordre" => 7 ] [ "nom" => "2. Passions Of A Man" "ordre" => 10 ] [ "nom" => "2. Wham Bam Thank You Ma'am" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 2 ] [ "nom" => "Side C : " "ordre" => 5 ] [ "nom" => "Side D : " "ordre" => 8 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1910 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1468 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2011 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1913 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#1999 …} -enregistreLe: DateTime @1727122244 {#1894 : 2024-09-23 20:10:44.0 UTC (+00:00) } -modifierLe: DateTime @1727122440 {#1724 : 2024-09-23 20:14:00.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2005 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-oh-yeah-analogue-productions-atlantic-75-series-aapa-039-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2282 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.33 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2028 -id: 2538 -nom: "Bad Company" -informationComplementaire: "" -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n \r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n \r\n - Bad Company's eponymous 1974 debut featuring "Ready for Love" !\r\n \r\n - 180 gram 45 RPM double LP !\r\n \r\n - Mastered and cut to lacquer from a 1/4" flat tape copy of the original master tape by Ryan K. Smith at Sterling Sound !\r\n \r\n - Pressed at Quality Record Pressings !\r\n \r\n - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n \r\n Scott Wilson, YouTube Bad Company Analogue Productions Atlantic 75 Series vs. US Original video\r\n \r\n Dave Denyer, YouTube "Mind-blowingly good ! Bad Company Bad Co". YouTube video\r\n \r\n Michael Ludwigs, 45 RPM Audiophile 'Atlantic 75 : Genesis, Bad Company, Phil Collins Against the Original Pressings'. YouTube video\r\n \r\n "The instrumentation separation is unbeatable, particularly the auxiliary percussion (tambourine, claves, and cowbell) on 'Rock Steady,' coming across more prominently than before... Like all Atlantic 75 pressings done by Analogue Productions, this 45 RPM cut by Ryan K. Smith will reign as the finest this album ever sounded". - Music = 9/11; Sound = 10/11 - Dylan Peggin, TrackingAngle.com. Read the entire review here.\r\n \r\n From the wreckage of Free came Bad Company, the English hard rock supergroup fronted by singer Paul Rodgers and featuring his drummer bandmate Simon Kirke, Mott the Hoople guitarist Mick Ralphs, and King Crimson bassist Boz Burrell. Peter Grant, who managed the rock band Led Zeppelin, also managed Bad Company until 1982.\r\n \r\n The group's eponymous 1974 album debut decidedly proves the band is proudly not progressive the details make a difference, as do the pastoral acoustics of the closing "Seagull" reducing their rock 'n' roll to a strong, heavy crunch; compare "Ready for Love", a tune Ralphs brought over from Mott the Hoople, to the original to see how these quartet members keep their heads down as they do their business. Appropriately enough given their name, there's a sense of slow, churning menace to Bad Company, writes AllMusic reviewer Stephen Thomas Erlewine.\r\n \r\n Their first three albums, Bad Company (1974), Straight Shooter (1975), and Run with the Pack (1976), reached the Top Five in the album charts in both the U.K. and the U.S.. Many of their singles and songs, such as "Bad Company", "Can't Get Enough", "Good Lovin' Gone Bad", "Feel Like Makin' Love", "Ready for Love", "Shooting Star", and "Rock 'n' Roll Fantasy", remain staples of classic rock radio. They have sold 20 million RIAA certified albums in the U.S. and 40 millon worldwide.\r\n \r\n The self-titled debut album was recorded at Headley Grange, Hampshire, in Ronnie Lane's Mobile Studio. The album reached N° 1 on the Billboard 200 in the U.S, and N° 3 on the U.K. Albums Chart, spending 25 weeks on the U.K. charts. The album has been certified five times platinum in the U.S., and became the 46th-best-selling album of the 1970s. The singles "Can't Get Enough" and "Movin' On" reached N° 5 and N° 19 on the Billboard Hot 10.\r\n \r\n All the hallmarks of a top-notch Analogue Productions reissue are here for your pleasure: Mastered and cut to lacquer at 45 RPM from a 1/4" flat tape copy of the original master tape by Ryan K. Smith at Sterling Sound. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1838 …} -musicienOrchestre: "Paul Rodgers (vocals), Mick Ralphs (guitar), Boz Burrell (bass), Simon Kirke (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=rClS2ANayh8" -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 009-45" -titreMorceau: [ [ "nom" => " 1. Can't Get Enough" "ordre" => 1 ] [ "nom" => "1. Bad Company" "ordre" => 7 ] [ "nom" => "1. Movin' On" "ordre" => 10 ] [ "nom" => "1. Ready For Love" "ordre" => 4 ] [ "nom" => "2. Don't Let Me Down" "ordre" => 5 ] [ "nom" => "2. Rock Steady" "ordre" => 2 ] [ "nom" => "2. Seagull" "ordre" => 11 ] [ "nom" => "2. The Way I Choose" "ordre" => 8 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 3 ] [ "nom" => "Side C : " "ordre" => 6 ] [ "nom" => "Side D :" "ordre" => 9 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2030 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1471 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2039 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2032 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2034 …} -enregistreLe: DateTime @1720943853 {#2025 : 2024-07-14 07:57:33.0 UTC (+00:00) } -modifierLe: DateTime @1720944494 {#2026 : 2024-07-14 08:08:14.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2036 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-bad-company-analogue-productions-atlantic-75-series-aapa-009-45" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3090 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2514 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#2088 …} +produit: App\Entity\Produit {#2028 -id: 2538 -nom: "Bad Company" -informationComplementaire: "" -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n \r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n \r\n - Bad Company's eponymous 1974 debut featuring "Ready for Love" !\r\n \r\n - 180 gram 45 RPM double LP !\r\n \r\n - Mastered and cut to lacquer from a 1/4" flat tape copy of the original master tape by Ryan K. Smith at Sterling Sound !\r\n \r\n - Pressed at Quality Record Pressings !\r\n \r\n - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n \r\n Scott Wilson, YouTube Bad Company Analogue Productions Atlantic 75 Series vs. US Original video\r\n \r\n Dave Denyer, YouTube "Mind-blowingly good ! Bad Company Bad Co". YouTube video\r\n \r\n Michael Ludwigs, 45 RPM Audiophile 'Atlantic 75 : Genesis, Bad Company, Phil Collins Against the Original Pressings'. YouTube video\r\n \r\n "The instrumentation separation is unbeatable, particularly the auxiliary percussion (tambourine, claves, and cowbell) on 'Rock Steady,' coming across more prominently than before... Like all Atlantic 75 pressings done by Analogue Productions, this 45 RPM cut by Ryan K. Smith will reign as the finest this album ever sounded". - Music = 9/11; Sound = 10/11 - Dylan Peggin, TrackingAngle.com. Read the entire review here.\r\n \r\n From the wreckage of Free came Bad Company, the English hard rock supergroup fronted by singer Paul Rodgers and featuring his drummer bandmate Simon Kirke, Mott the Hoople guitarist Mick Ralphs, and King Crimson bassist Boz Burrell. Peter Grant, who managed the rock band Led Zeppelin, also managed Bad Company until 1982.\r\n \r\n The group's eponymous 1974 album debut decidedly proves the band is proudly not progressive the details make a difference, as do the pastoral acoustics of the closing "Seagull" reducing their rock 'n' roll to a strong, heavy crunch; compare "Ready for Love", a tune Ralphs brought over from Mott the Hoople, to the original to see how these quartet members keep their heads down as they do their business. Appropriately enough given their name, there's a sense of slow, churning menace to Bad Company, writes AllMusic reviewer Stephen Thomas Erlewine.\r\n \r\n Their first three albums, Bad Company (1974), Straight Shooter (1975), and Run with the Pack (1976), reached the Top Five in the album charts in both the U.K. and the U.S.. Many of their singles and songs, such as "Bad Company", "Can't Get Enough", "Good Lovin' Gone Bad", "Feel Like Makin' Love", "Ready for Love", "Shooting Star", and "Rock 'n' Roll Fantasy", remain staples of classic rock radio. They have sold 20 million RIAA certified albums in the U.S. and 40 millon worldwide.\r\n \r\n The self-titled debut album was recorded at Headley Grange, Hampshire, in Ronnie Lane's Mobile Studio. The album reached N° 1 on the Billboard 200 in the U.S, and N° 3 on the U.K. Albums Chart, spending 25 weeks on the U.K. charts. The album has been certified five times platinum in the U.S., and became the 46th-best-selling album of the 1970s. The singles "Can't Get Enough" and "Movin' On" reached N° 5 and N° 19 on the Billboard Hot 10.\r\n \r\n All the hallmarks of a top-notch Analogue Productions reissue are here for your pleasure: Mastered and cut to lacquer at 45 RPM from a 1/4" flat tape copy of the original master tape by Ryan K. Smith at Sterling Sound. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1838 …} -musicienOrchestre: "Paul Rodgers (vocals), Mick Ralphs (guitar), Boz Burrell (bass), Simon Kirke (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=rClS2ANayh8" -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 009-45" -titreMorceau: [ [ "nom" => " 1. Can't Get Enough" "ordre" => 1 ] [ "nom" => "1. Bad Company" "ordre" => 7 ] [ "nom" => "1. Movin' On" "ordre" => 10 ] [ "nom" => "1. Ready For Love" "ordre" => 4 ] [ "nom" => "2. Don't Let Me Down" "ordre" => 5 ] [ "nom" => "2. Rock Steady" "ordre" => 2 ] [ "nom" => "2. Seagull" "ordre" => 11 ] [ "nom" => "2. The Way I Choose" "ordre" => 8 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 3 ] [ "nom" => "Side C : " "ordre" => 6 ] [ "nom" => "Side D :" "ordre" => 9 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2030 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1471 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2039 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2032 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2034 …} -enregistreLe: DateTime @1720943853 {#2025 : 2024-07-14 07:57:33.0 UTC (+00:00) } -modifierLe: DateTime @1720944494 {#2026 : 2024-07-14 08:08:14.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2036 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-bad-company-analogue-productions-atlantic-75-series-aapa-009-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2282 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2044 -id: 2496 -nom: "Yourself Or Someone Like You" -informationComplementaire: "" -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n \r\n - Celebrating the 75th Anniversary of Atlantic Records!\r\n \r\n Yourself Or Someone Like You Matchbox Twenty's diamond certified debut album !\r\n \r\n - 180 gram 45 RPM double LP !\r\n \r\n - Mastered directly from the original master tape by Ryan K. Smith !\r\n \r\n - Pressed at Quality Record Pressings !\r\n \r\n - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n \r\n Described by AllMusic as the standard-bearer for post-alternative rock 'n' roll because of its '90s production dynamics, while still holding true to its classic rock core, Yourself or Someone Like You the debut album from Matchbox Twenty features sturdy songs and fairly strong hooks, all delivered forcefully with lead singer-songwriter Rob Thomas's distinctive bravado.\r\n \r\n Musically not flashy, nor as ingratiating as Third Eye Blind's pop instincts, the album is solid, American rock, reminiscent of a blend of Tom Petty and Pearl Jam. So it shouldn't have been surprising when the album found a wide audience.\r\n \r\n Yourself Or Someone Like You went on to sell more than 15 million copies worldwide. The band was a mainstream staple of the mid- to late-'90s with its light rock songs about loneliness, depression, anger, and alcoholism, and successful albums followed such as Mad Season and More Than You Think You Are. Band members reunited in 2012 for North.\r\n \r\n Thomas says he wrote the songs for Yourself Or Someone Like You in a five or six-month period before the band recorded it. He felt driven to create new songs, he says, because of a contentious relationship with a previous band he had left, and the motivation to be ready and prepared when it came time for Matchbox Twenty to record its debut album.\r\n \r\n The album's second single "Push" released in 1997 topped the U.S. Modern Rock Tracks chart and became one of the band's signature songs. Thomas wrote the lyrics to "Push" with Matt Serletic. The lyrics dealt with the stress of falling in and out of love.\r\n \r\n In Birmingham, Alabama, the band was playing a thousand-seat club and there was a line of patrons outside the door clamoring to get in. Matchbox Twenty was the opening act that night for The Lemonheads.\r\n \r\n "We thought, 'Wow, The Lemonheads are having a good night.' Then we found out it was because that town was the only one playing 'Push' on the radio and it was the biggest hit in Birmingham, and they were all there for us. It was a huge change. We were so used to playing to 20 people, or sometimes to six people and most of the time they were people from the other band (that was playing) that night; we would just play for each other. So, it was a really big change that all of a sudden, people we didn't know were lining up to see us", Thomas told the AV Club.\r\n \r\n All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n \r\n """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …} -musicienOrchestre: "Rob Thomas (vocals), Kyle Cook (lead guitar, backing vocals), Brian Yale (bass), Adam Gaynor, Matt Serletic (keyboards, percussion), Paul Doucette (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=GUa_AJa7uOc" -referenceProduit: "Analogue Productions (Atlantic 75 Series)" -titreMorceau: [ [ "nom" => "1. Busted" "ordre" => 13 ] [ "nom" => "1. Damn" "ordre" => 9 ] [ "nom" => "1. Push" "ordre" => 5 ] [ "nom" => "1. Real world" "ordre" => 1 ] [ "nom" => "2. Argue" "ordre" => 10 ] [ "nom" => "2. Girl like that " "ordre" => 6 ] [ "nom" => "2. Long day" "ordre" => 2 ] [ "nom" => "2. Shame" "ordre" => 14 ] [ "nom" => "3. 3 am" "ordre" => 3 ] [ "nom" => "3. Back 2 good" "ordre" => 7 ] [ "nom" => "3. Hang" "ordre" => 15 ] [ "nom" => "3. Kody" "ordre" => 11 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] [ "nom" => "Side C : " "ordre" => 8 ] [ "nom" => "Side D : " "ordre" => 12 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1471 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2055 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2048 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2050 …} -enregistreLe: DateTime @1707033656 {#2041 : 2024-02-04 08:00:56.0 UTC (+00:00) } -modifierLe: DateTime @1719218910 {#2042 : 2024-06-24 08:48:30.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2052 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-yourself-or-someone-like-you-analogue-productions-atlantic-75-series" } "detaillePage" => false ] |
|||
| Attributes | [] |
|||
| Component | App\Twig\Components\GestionPanierFavoriComponents {#3141 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2514 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#2088 …} +produit: App\Entity\Produit {#2044 -id: 2496 -nom: "Yourself Or Someone Like You" -informationComplementaire: "" -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n \r\n - Celebrating the 75th Anniversary of Atlantic Records!\r\n \r\n Yourself Or Someone Like You Matchbox Twenty's diamond certified debut album !\r\n \r\n - 180 gram 45 RPM double LP !\r\n \r\n - Mastered directly from the original master tape by Ryan K. Smith !\r\n \r\n - Pressed at Quality Record Pressings !\r\n \r\n - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n \r\n Described by AllMusic as the standard-bearer for post-alternative rock 'n' roll because of its '90s production dynamics, while still holding true to its classic rock core, Yourself or Someone Like You the debut album from Matchbox Twenty features sturdy songs and fairly strong hooks, all delivered forcefully with lead singer-songwriter Rob Thomas's distinctive bravado.\r\n \r\n Musically not flashy, nor as ingratiating as Third Eye Blind's pop instincts, the album is solid, American rock, reminiscent of a blend of Tom Petty and Pearl Jam. So it shouldn't have been surprising when the album found a wide audience.\r\n \r\n Yourself Or Someone Like You went on to sell more than 15 million copies worldwide. The band was a mainstream staple of the mid- to late-'90s with its light rock songs about loneliness, depression, anger, and alcoholism, and successful albums followed such as Mad Season and More Than You Think You Are. Band members reunited in 2012 for North.\r\n \r\n Thomas says he wrote the songs for Yourself Or Someone Like You in a five or six-month period before the band recorded it. He felt driven to create new songs, he says, because of a contentious relationship with a previous band he had left, and the motivation to be ready and prepared when it came time for Matchbox Twenty to record its debut album.\r\n \r\n The album's second single "Push" released in 1997 topped the U.S. Modern Rock Tracks chart and became one of the band's signature songs. Thomas wrote the lyrics to "Push" with Matt Serletic. The lyrics dealt with the stress of falling in and out of love.\r\n \r\n In Birmingham, Alabama, the band was playing a thousand-seat club and there was a line of patrons outside the door clamoring to get in. Matchbox Twenty was the opening act that night for The Lemonheads.\r\n \r\n "We thought, 'Wow, The Lemonheads are having a good night.' Then we found out it was because that town was the only one playing 'Push' on the radio and it was the biggest hit in Birmingham, and they were all there for us. It was a huge change. We were so used to playing to 20 people, or sometimes to six people and most of the time they were people from the other band (that was playing) that night; we would just play for each other. So, it was a really big change that all of a sudden, people we didn't know were lining up to see us", Thomas told the AV Club.\r\n \r\n All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n \r\n """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …} -musicienOrchestre: "Rob Thomas (vocals), Kyle Cook (lead guitar, backing vocals), Brian Yale (bass), Adam Gaynor, Matt Serletic (keyboards, percussion), Paul Doucette (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=GUa_AJa7uOc" -referenceProduit: "Analogue Productions (Atlantic 75 Series)" -titreMorceau: [ [ "nom" => "1. Busted" "ordre" => 13 ] [ "nom" => "1. Damn" "ordre" => 9 ] [ "nom" => "1. Push" "ordre" => 5 ] [ "nom" => "1. Real world" "ordre" => 1 ] [ "nom" => "2. Argue" "ordre" => 10 ] [ "nom" => "2. Girl like that " "ordre" => 6 ] [ "nom" => "2. Long day" "ordre" => 2 ] [ "nom" => "2. Shame" "ordre" => 14 ] [ "nom" => "3. 3 am" "ordre" => 3 ] [ "nom" => "3. Back 2 good" "ordre" => 7 ] [ "nom" => "3. Hang" "ordre" => 15 ] [ "nom" => "3. Kody" "ordre" => 11 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] [ "nom" => "Side C : " "ordre" => 8 ] [ "nom" => "Side D : " "ordre" => 12 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1471 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2055 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2048 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2050 …} -enregistreLe: DateTime @1707033656 {#2041 : 2024-02-04 08:00:56.0 UTC (+00:00) } -modifierLe: DateTime @1719218910 {#2042 : 2024-06-24 08:48:30.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2052 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-yourself-or-someone-like-you-analogue-productions-atlantic-75-series" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2282 …} } |
|||
| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2060 -id: 2510 -nom: "My Favorite Things" -informationComplementaire: "" -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n \r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n \r\n - John Coltrane's seminal 1961 release featuring "Everytime We Say Goodbye" !\r\n \r\n - 180 gram 45 RPM double LP !\r\n \r\n - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n \r\n - Pressed at Quality Record Pressings !\r\n \r\n - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n \r\n John Coltrane's landmark 1961 jazz album My Favorite Things was born of the same recording sessions that yielded a majority of the albums Coltrane Plays the Blues (1962), Coltrane's Sound (1964), and Coltrane Legacy. That My Favorite Things was recorded in less than three days was in itself, remarkable.\r\n \r\n This record marked a significant turning point in Coltrane's career and showcased his distinctive playing style, which continues to inspire and influence musicians to this day. Coltrane's playing on My Favorite Things can be described as innovative, exploratory, and deeply emotive. The unforced, practically casual soloing styles of the assembled quartet which includes Coltrane (soprano / tenor saxophone), McCoy Tyner (piano), Steve Davis (bass), and Elvin Jones (drums) allow for tastefully executed passages à la the Miles Davis Quintet, a trait Coltrane no doubt honed during his tenure in that band, notes AllMusic.\r\n \r\n Coltrane was known for pushing the boundaries of jazz and expanding the possibilities of the saxophone as an instrument. Throughout the album, Coltrane's improvisations are characterized by their intensity, virtuosity, and sheer creativity. The title track is a modal rendition of the Rodgers and Hammerstein song "My Favorite Things" from The Sound of Music. Coltrane's use of modal playing made him a pioneer modal jazz emphasizes improvisation over specific chord progressions. Coltrane's modal approach allowed him to explore a broader range of tonal colors and to create more open and expansive musical landscapes.\r\n \r\n Each track of this album is a joy to revisit. The ultimate listenability may reside in this quartet's capacity to not be overwhelmed by the soloist. As a soloist, the definitive soprano sax runs during the Cole Porter standard "Everytime We Say Goodbye" and tenor solos on "But Not for Me" easily establish Coltrane as a pioneer of both instruments.\r\n \r\n In 1998, My Favorite Things received the Grammy Hall of Fame award. The album attained gold record certified status in 2018, having sold 500000 copies.\r\n \r\n We've given this definitive reissue of such a landmark album the presentation it deserves: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …} -musicienOrchestre: "Coltrane (soprano & tenor saxophone), McCoy Tyner (piano), Steve Davis (bass), Elvin Jones (drums) " -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=JQvc-Gkwhow" -referenceProduit: "Analogue Productions (Atlantic 75 Series)" -titreMorceau: [ [ "nom" => "1. My Favorite Things" "ordre" => 1 ] [ "nom" => "2. Everytime We Say Goodbye" "ordre" => 3 ] [ "nom" => "3. Summertime" "ordre" => 5 ] [ "nom" => "4. But Not for Me" "ordre" => 7 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 2 ] [ "nom" => "Side C : " "ordre" => 4 ] [ "nom" => "Side D : " "ordre" => 6 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1468 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2064 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2066 …} -enregistreLe: DateTime @1711960381 {#2057 : 2024-04-01 08:33:01.0 UTC (+00:00) } -modifierLe: DateTime @1711960759 {#2058 : 2024-04-01 08:39:19.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2068 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-my-favorite-things-analogue-productions-atlantic-75-series" } "detaillePage" => false ] |
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| Attributes | [] |
|||
| Component | App\Twig\Components\GestionPanierFavoriComponents {#3192 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2514 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#2088 …} +produit: App\Entity\Produit {#2060 -id: 2510 -nom: "My Favorite Things" -informationComplementaire: "" -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n \r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n \r\n - John Coltrane's seminal 1961 release featuring "Everytime We Say Goodbye" !\r\n \r\n - 180 gram 45 RPM double LP !\r\n \r\n - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n \r\n - Pressed at Quality Record Pressings !\r\n \r\n - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n \r\n John Coltrane's landmark 1961 jazz album My Favorite Things was born of the same recording sessions that yielded a majority of the albums Coltrane Plays the Blues (1962), Coltrane's Sound (1964), and Coltrane Legacy. That My Favorite Things was recorded in less than three days was in itself, remarkable.\r\n \r\n This record marked a significant turning point in Coltrane's career and showcased his distinctive playing style, which continues to inspire and influence musicians to this day. Coltrane's playing on My Favorite Things can be described as innovative, exploratory, and deeply emotive. The unforced, practically casual soloing styles of the assembled quartet which includes Coltrane (soprano / tenor saxophone), McCoy Tyner (piano), Steve Davis (bass), and Elvin Jones (drums) allow for tastefully executed passages à la the Miles Davis Quintet, a trait Coltrane no doubt honed during his tenure in that band, notes AllMusic.\r\n \r\n Coltrane was known for pushing the boundaries of jazz and expanding the possibilities of the saxophone as an instrument. Throughout the album, Coltrane's improvisations are characterized by their intensity, virtuosity, and sheer creativity. The title track is a modal rendition of the Rodgers and Hammerstein song "My Favorite Things" from The Sound of Music. Coltrane's use of modal playing made him a pioneer modal jazz emphasizes improvisation over specific chord progressions. Coltrane's modal approach allowed him to explore a broader range of tonal colors and to create more open and expansive musical landscapes.\r\n \r\n Each track of this album is a joy to revisit. The ultimate listenability may reside in this quartet's capacity to not be overwhelmed by the soloist. As a soloist, the definitive soprano sax runs during the Cole Porter standard "Everytime We Say Goodbye" and tenor solos on "But Not for Me" easily establish Coltrane as a pioneer of both instruments.\r\n \r\n In 1998, My Favorite Things received the Grammy Hall of Fame award. The album attained gold record certified status in 2018, having sold 500000 copies.\r\n \r\n We've given this definitive reissue of such a landmark album the presentation it deserves: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …} -musicienOrchestre: "Coltrane (soprano & tenor saxophone), McCoy Tyner (piano), Steve Davis (bass), Elvin Jones (drums) " -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=JQvc-Gkwhow" -referenceProduit: "Analogue Productions (Atlantic 75 Series)" -titreMorceau: [ [ "nom" => "1. My Favorite Things" "ordre" => 1 ] [ "nom" => "2. Everytime We Say Goodbye" "ordre" => 3 ] [ "nom" => "3. Summertime" "ordre" => 5 ] [ "nom" => "4. But Not for Me" "ordre" => 7 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 2 ] [ "nom" => "Side C : " "ordre" => 4 ] [ "nom" => "Side D : " "ordre" => 6 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1468 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2064 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2066 …} -enregistreLe: DateTime @1711960381 {#2057 : 2024-04-01 08:33:01.0 UTC (+00:00) } -modifierLe: DateTime @1711960759 {#2058 : 2024-04-01 08:39:19.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2068 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-my-favorite-things-analogue-productions-atlantic-75-series" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2282 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2076 -id: 2509 -nom: "Giant Steps" -informationComplementaire: "" -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n \r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n \r\n - John Coltrane's watershed 1960 release featuring the iconic title track and "Naima" !\r\n \r\n - One of the most influential jazz albums of all time !\r\n \r\n - 180 gram 45 RPM double LP !\r\n \r\n - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n \r\n - Pressed at Quality Record Pressings !\r\n \r\n - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n \r\n Released in 1960, Giant Steps was a watershed album for John Coltrane, solidifying the saxophone legend's reputation as one of the most influential and innovative musicians in jazz history, as well as delivering jazz to an increasingly mainstream audience, while garnering significant critical acclaim.\r\n \r\n Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one.\r\n \r\n Coltrane (tenor sax) is flanked here by essentially two different trios. Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan (piano) and Art Taylor (drums), as well as Paul Chambers — who was the only bandmember other than Coltrane to have performed on every date. When recording resumed in December of that year, Wynton Kelly (piano) and Jimmy Cobb (drums) were instated replicating the alternate non-Bill Evans lineup featured on "Freddie the Freeloader" on Kind of Blue, sans Miles Davis of course. At the heart of these recordings, however, is the laser-beam focus of Coltrane's tenor solos.\r\n \r\n All seven pieces issued on the original Giant Steps are Coltrane compositions. He was, in essence, beginning to rewrite the jazz canon with material that would be centered on solos enabling the solo to become infinitely more compelling. This would culminate in a frenetic performance style using melodic phrasing that noted jazz journalist Ira Gitler accurately dubbed "sheets of sound".\r\n \r\n The Giant Steps chord progression consists of a distinctive set of chords that create key centers a major third apart. Jazz musicians ever since have used it as a practice piece, its difficult chord changes presenting a "kind of ultimate harmonic challenge", and serving as a gateway into modern jazz improvisation. Several pieces on this album went on to become jazz standards, most prominently "Naima" and "Giant Steps".\r\n \r\n The Penguin Guide to Jazz selected this album as part of its suggested "Core Collection" calling it "Trane's first genuinely iconic record." In 2003, the album was ranked N° 102 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time, 103 in a 2012 revised list, and 232 in a 2020 revised list.\r\n \r\n Undeniable music perfection deserves definitive sound and top-notch packaging. This reissue was mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n \r\n Overall, Giant Steps is not only a critical triumph but also a defining moment in John Coltrane's career. Its innovative compositions, masterful performances, and profound influence on jazz make it an essential entry in Coltrane's discography and a timeless masterpiece in the history of the genre. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …} -musicienOrchestre: "John Coltrane (tenor saxophone), Paul Chambers (bass), Tommy Flanagan, Wynton Kelly (piano), Art Taylor, Jimmy Cobb (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=g8QnKWPYRCs" -referenceProduit: "Analogue Productions (Atlantic 75 Series) SD 1311" -titreMorceau: [ [ "nom" => "1. Countdown" "ordre" => 4 ] [ "nom" => "1. Giant Steps" "ordre" => 1 ] [ "nom" => "1. Naima" "ordre" => 9 ] [ "nom" => "1. Syeeda's Song Flute" "ordre" => 7 ] [ "nom" => "2. Cousin Mary" "ordre" => 2 ] [ "nom" => "2. Mr. P.C." "ordre" => 10 ] [ "nom" => "2. Spiral" "ordre" => 5 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 3 ] [ "nom" => "Side C : " "ordre" => 6 ] [ "nom" => "Side D : " "ordre" => 8 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1468 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2084 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2077 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2079 …} -enregistreLe: DateTime @1711701369 {#2073 : 2024-03-29 08:36:09.0 UTC (+00:00) } -modifierLe: DateTime @1711701760 {#2074 : 2024-03-29 08:42:40.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2081 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-giant-steps-analogue-productions-atlantic-75-series-sd-1311" } "detaillePage" => false ] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3245 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2514 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#2088 …} +produit: App\Entity\Produit {#2076 -id: 2509 -nom: "Giant Steps" -informationComplementaire: "" -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n \r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n \r\n - John Coltrane's watershed 1960 release featuring the iconic title track and "Naima" !\r\n \r\n - One of the most influential jazz albums of all time !\r\n \r\n - 180 gram 45 RPM double LP !\r\n \r\n - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n \r\n - Pressed at Quality Record Pressings !\r\n \r\n - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n \r\n Released in 1960, Giant Steps was a watershed album for John Coltrane, solidifying the saxophone legend's reputation as one of the most influential and innovative musicians in jazz history, as well as delivering jazz to an increasingly mainstream audience, while garnering significant critical acclaim.\r\n \r\n Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one.\r\n \r\n Coltrane (tenor sax) is flanked here by essentially two different trios. Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan (piano) and Art Taylor (drums), as well as Paul Chambers — who was the only bandmember other than Coltrane to have performed on every date. When recording resumed in December of that year, Wynton Kelly (piano) and Jimmy Cobb (drums) were instated replicating the alternate non-Bill Evans lineup featured on "Freddie the Freeloader" on Kind of Blue, sans Miles Davis of course. At the heart of these recordings, however, is the laser-beam focus of Coltrane's tenor solos.\r\n \r\n All seven pieces issued on the original Giant Steps are Coltrane compositions. He was, in essence, beginning to rewrite the jazz canon with material that would be centered on solos enabling the solo to become infinitely more compelling. This would culminate in a frenetic performance style using melodic phrasing that noted jazz journalist Ira Gitler accurately dubbed "sheets of sound".\r\n \r\n The Giant Steps chord progression consists of a distinctive set of chords that create key centers a major third apart. Jazz musicians ever since have used it as a practice piece, its difficult chord changes presenting a "kind of ultimate harmonic challenge", and serving as a gateway into modern jazz improvisation. Several pieces on this album went on to become jazz standards, most prominently "Naima" and "Giant Steps".\r\n \r\n The Penguin Guide to Jazz selected this album as part of its suggested "Core Collection" calling it "Trane's first genuinely iconic record." In 2003, the album was ranked N° 102 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time, 103 in a 2012 revised list, and 232 in a 2020 revised list.\r\n \r\n Undeniable music perfection deserves definitive sound and top-notch packaging. This reissue was mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n \r\n Overall, Giant Steps is not only a critical triumph but also a defining moment in John Coltrane's career. Its innovative compositions, masterful performances, and profound influence on jazz make it an essential entry in Coltrane's discography and a timeless masterpiece in the history of the genre. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …} -musicienOrchestre: "John Coltrane (tenor saxophone), Paul Chambers (bass), Tommy Flanagan, Wynton Kelly (piano), Art Taylor, Jimmy Cobb (drums)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=g8QnKWPYRCs" -referenceProduit: "Analogue Productions (Atlantic 75 Series) SD 1311" -titreMorceau: [ [ "nom" => "1. Countdown" "ordre" => 4 ] [ "nom" => "1. Giant Steps" "ordre" => 1 ] [ "nom" => "1. Naima" "ordre" => 9 ] [ "nom" => "1. Syeeda's Song Flute" "ordre" => 7 ] [ "nom" => "2. Cousin Mary" "ordre" => 2 ] [ "nom" => "2. Mr. P.C." "ordre" => 10 ] [ "nom" => "2. Spiral" "ordre" => 5 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 3 ] [ "nom" => "Side C : " "ordre" => 6 ] [ "nom" => "Side D : " "ordre" => 8 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1468 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2084 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2077 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2079 …} -enregistreLe: DateTime @1711701369 {#2073 : 2024-03-29 08:36:09.0 UTC (+00:00) } -modifierLe: DateTime @1711701760 {#2074 : 2024-03-29 08:42:40.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2081 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-giant-steps-analogue-productions-atlantic-75-series-sd-1311" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2282 …} } |
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| AjoutMailNewsletterComponent | App\Twig\Components\AjoutMailNewsletterComponent | 8.0 MiB | 0.23 ms | |
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| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\AjoutMailNewsletterComponent {#3439 +email: "" -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2282 …} -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3440 …} -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3488 …} +isValidated: false +validatedFields: [] } |
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