Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2572
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2419 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2649
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2652 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2651 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2419 …}
  -formView: Symfony\Component\Form\FormView {#2688 …}
  -form: Symfony\Component\Form\Form {#2838 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 1420
    -nom: "Moon Beams"
    -informationComplementaire: "Redécouvrez "Moon Beams" dans une somptueuse édition (2 LP) 45 RPM signée Analogue Productions. Le Bill Evans Trio y déploie toute sa finesse, sublimée par une qualité sonore exceptionnelle."
    -description: """
      Enregistré en 1962 pour le label Riverside Records, "Moon Beams" marque une période charnière dans la carrière de Bill Evans, avec l’arrivée du bassiste Chuck Israels aux côtés du batteur Paul Motian. L’album déploie un univers introspectif, fait de ballades aériennes et de silences habités, où chaque note semble suspendue dans le temps.\r\n
      \r\n
      Cette réédition Analogue Productions (Fantasy Series) restitue l’enregistrement original avec une fidélité remarquable, grâce à un mastering audiophile et un pressage en 45 RPM sur deux disques. Ce format permet d’élargir la dynamique sonore, d’améliorer la précision des timbres et d’offrir une scène sonore d’une transparence exceptionnelle.\r\n
      \r\n
      Présenté dans un élégant gatefold, ce double vinyle est une pièce de collection autant qu’un objet d’écoute ultime. Chaque détail, du toucher du piano d’Evans aux nuances subtiles de la section rythmique est magnifié, pour une immersion totale dans l’un des albums les plus sensibles du pianiste.\r\n
      \r\n
      - Bill Evans Trio "Moon Beams" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering (AAA) analog from original master tapes !\r\n
      - Praise for our Riverside Recordings LP Box Set from Analogue Productions !\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception. While I don't own the original releases, the 45 rpm reissues are clearly better, even after VTA adjustments, the later OJC reissues or the earlier 33 1/3 rpm Analogue Productions releases. The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out !" Myles Astor, Positive-Feedback Online, Issue 34, www.positive-feedback.com\r\n
      \r\n
      Bill Evans was left reeling by the accidental death of his brilliant bassist Scott LaFaro in mid-1961 and didn't feel ready to record with his new bassist until nearly a year later. When he did go into the studio in May and June of 1962 with Chuck Israels and drummer Paul Motian, the "second trio" produced material for two albums that were to be among Evans's most popular.\r\n
      \r\n
      Moonbeams includes ballad material from the sessions. The rest of the music from the sessions is in How My Heart Sings ! In Moonbeams, Evans did some of his most introspective playing, his sense of loss apparent but relieved by Israels' power and empathy. "Polka Dots and Moonbeams", "If You Could See Me Now", and the others represent Evans at his best, his lyricism underlaid with rhythmic firmness even in the extraordinarily slow "In Love in Vain".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Bill Evans (piano), Chuck Israels (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ChQZMCuasJc&list=RDChQZMCuasJc&start_radio=1"
    -referenceProduit: "Analogue Productions (Fantasy) AJAZ 9428"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Re : Person I Knew"
      ]
      [
        "ordre" => 2
        "nom" => "2. Polka Dots And Moonbeams"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. I Fall In Love Too Easily"
      ]
      [
        "ordre" => 5
        "nom" => "2. Stairway To The Stars"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. If You Could See Me Know"
      ]
      [
        "ordre" => 8
        "nom" => "2. It Might As Well Be Spring"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. In Love In Vain"
      ]
      [
        "ordre" => 11
        "nom" => "2. Very Early"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1542092144 {#1896
      date: 2018-11-13 06:55:44.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777356544 {#1889
      date: 2026-04-28 06:09:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-moon-beams-analogue-productions-fantasy-ajaz-9428"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3113
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2651 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 1420
    -nom: "Moon Beams"
    -informationComplementaire: "Redécouvrez "Moon Beams" dans une somptueuse édition (2 LP) 45 RPM signée Analogue Productions. Le Bill Evans Trio y déploie toute sa finesse, sublimée par une qualité sonore exceptionnelle."
    -description: """
      Enregistré en 1962 pour le label Riverside Records, "Moon Beams" marque une période charnière dans la carrière de Bill Evans, avec l’arrivée du bassiste Chuck Israels aux côtés du batteur Paul Motian. L’album déploie un univers introspectif, fait de ballades aériennes et de silences habités, où chaque note semble suspendue dans le temps.\r\n
      \r\n
      Cette réédition Analogue Productions (Fantasy Series) restitue l’enregistrement original avec une fidélité remarquable, grâce à un mastering audiophile et un pressage en 45 RPM sur deux disques. Ce format permet d’élargir la dynamique sonore, d’améliorer la précision des timbres et d’offrir une scène sonore d’une transparence exceptionnelle.\r\n
      \r\n
      Présenté dans un élégant gatefold, ce double vinyle est une pièce de collection autant qu’un objet d’écoute ultime. Chaque détail, du toucher du piano d’Evans aux nuances subtiles de la section rythmique est magnifié, pour une immersion totale dans l’un des albums les plus sensibles du pianiste.\r\n
      \r\n
      - Bill Evans Trio "Moon Beams" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering (AAA) analog from original master tapes !\r\n
      - Praise for our Riverside Recordings LP Box Set from Analogue Productions !\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception. While I don't own the original releases, the 45 rpm reissues are clearly better, even after VTA adjustments, the later OJC reissues or the earlier 33 1/3 rpm Analogue Productions releases. The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out !" Myles Astor, Positive-Feedback Online, Issue 34, www.positive-feedback.com\r\n
      \r\n
      Bill Evans was left reeling by the accidental death of his brilliant bassist Scott LaFaro in mid-1961 and didn't feel ready to record with his new bassist until nearly a year later. When he did go into the studio in May and June of 1962 with Chuck Israels and drummer Paul Motian, the "second trio" produced material for two albums that were to be among Evans's most popular.\r\n
      \r\n
      Moonbeams includes ballad material from the sessions. The rest of the music from the sessions is in How My Heart Sings ! In Moonbeams, Evans did some of his most introspective playing, his sense of loss apparent but relieved by Israels' power and empathy. "Polka Dots and Moonbeams", "If You Could See Me Now", and the others represent Evans at his best, his lyricism underlaid with rhythmic firmness even in the extraordinarily slow "In Love in Vain".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Bill Evans (piano), Chuck Israels (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ChQZMCuasJc&list=RDChQZMCuasJc&start_radio=1"
    -referenceProduit: "Analogue Productions (Fantasy) AJAZ 9428"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Re : Person I Knew"
      ]
      [
        "ordre" => 2
        "nom" => "2. Polka Dots And Moonbeams"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. I Fall In Love Too Easily"
      ]
      [
        "ordre" => 5
        "nom" => "2. Stairway To The Stars"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. If You Could See Me Know"
      ]
      [
        "ordre" => 8
        "nom" => "2. It Might As Well Be Spring"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. In Love In Vain"
      ]
      [
        "ordre" => 11
        "nom" => "2. Very Early"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1542092144 {#1896
      date: 2018-11-13 06:55:44.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777356544 {#1889
      date: 2026-04-28 06:09:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-moon-beams-analogue-productions-fantasy-ajaz-9428"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2419 …}
}

[
  "produit" => App\Entity\Produit {#2035
    -id: 373
    -nom: "24 Karat Hits !"
    -informationComplementaire: "Avec "24 Karat Hits !", plongez dans l’essence même du King, sublimée par un pressage audiophile d’exception. Chaque note, chaque souffle de Elvis Presley reprend vie avec une richesse sonore incomparable."
    -description: """
      Avec "24 Karat Hits !", redécouvrez toute la puissance et l’élégance du répertoire de Elvis Presley dans une édition audiophile d’exception. Cet album (3 LP) en 45 RPM a été conçu pour offrir une restitution sonore d’une précision remarquable, bien au-delà des pressages vinyles traditionnels.\r\n
      \r\n
      Regroupant les titres les plus emblématiques du King, cette compilation met en lumière l’étendue de son talent, du rock’n’roll énergique aux ballades empreintes d’émotion. Chaque morceau a bénéficié d’un remastering minutieux, permettant de révéler toute la richesse des enregistrements originaux avec une voix plus présente, des instruments mieux définis, et une scène sonore plus large.\r\n
      \r\n
      Le choix du format 45 RPM n’est pas anodin. Il permet une lecture plus fidèle des sillons, offrant ainsi une dynamique accrue, une meilleure séparation des instruments et une clarté sonore impressionnante. Répartis sur trois vinyles, les titres disposent de davantage d’espace, ce qui réduit la compression et améliore considérablement la qualité d’écoute.\r\n
      \r\n
      Pensé pour les audiophiles comme pour les collectionneurs exigeants, cet album s’impose comme une référence incontournable. Que ce soit pour redécouvrir Elvis Presley ou pour enrichir une collection de vinyles haut de gamme, "24 Karat Hits !" offre une immersion sonore rare, au plus près de l’intention artistique originale.\r\n
      \r\n
      - Elvis Presley "24 Karat Hits", 180 gram, 45 RPM three LP set !\r\n
      - Mastered from the original analog tapes by George Marino at Sterling Sound !\r\n
      - An audiophile dream set; the best sounding Elvis record ever pressed !\r\n
      - Includes every one of the King's all-time greatest singles !\r\n
      \r\n
      "Thick vinyl rotating at 45 RPM, two dozen certified Presley masterpieces, mastered by George Marino at Sterling Sound from the original 1, 2 and 3 track masters : it doesn't get any better than this, musically or sonically". Sound Quality : 90 % - Ken Kessler, Hi-Fi News, March 2011.\r\n
      \r\n
      "All I can say is this set is an Elvis fan's dream come true... destined to be a collector's item." Music = 9/11; Sound = 9/11 - Michael Fremer, musicangle.\r\n
      \r\n
      It's no understatement to call Evis Presley the chief catalyst of the rock 'n' roll era. Presley earned his nickname "The King" by releasing dozens of course-altering singles over the course of his influential career; during the 1950s Presley's records spent a collective 53 weeks in the N° 1 chart position. Almost everything you could want from Elvis is in one towering collection "24 Karat Hits", now a brilliant 45 RPM, three LP set released by Analogue Productions !\r\n
      \r\n
      Elvis' 24 greatest recordings here are painstakingly compiled and remastered from the original 1, 2 and 3 track master tapes lovingly stored in the vaults of RCA-Victor. All the hits are here from 1956's "Heartbreak Hotel" to 1969's "Suspicious Minds". This three LP Fort Knox of music is mandatory for every music lover, let alone Presley diehards and record collectors. A long-out-of-print audiophile favorite known for its first-rate sound quality it gets the royal treatment here on six wide-grooved sides of 45 RPM 180 gram super-silent vinyl. Incredible !\r\n
      \r\n
      Until now, Elvis fans have satiated their desires with the prized DCC double LP edition (reaching prices upwards of $ 350 on eBay) as well as the DCC gold disc (a rare find fetching $ 150 and more). Now no longer do you have to pay a premium to enjoy the magic of Presley's voice, rhythms and foundation-paving melodies. Mastered by George Marino, the King's best work has never sounded so intimate, detailed, present and alive. Images are true, tones are balanced, and the unbeatable warmth that only analog provides comes through unabated on every cut.\r\n
      \r\n
      Contained in the grooves of this album are some of the best rock 'n' roll cuts recorded in the last 50 years. Had Elvis Presley done nothing else but record "That's Alright, Mama", his place in pop music history would be secure. Presley fused rhythm and blues with country and legitimized beat music for white audiences. On 24 Karat Hits, every memorable facet of Presley's multiple personas is represented:The hip-shaking rebel "Jailhouse Rock", sensitive balladeer "Can't Help Falling in Love", beckoning romantic "Are You Lonesome Tonight", teen idol "Let Me Be Your Teddy Bear", socially conscious soul man "In the Ghetto", and passionate loverman "Suspicious Minds". The two dozen songs on this golden compilation read like a history of pop music and play like it is unfolding before our very eyes. There's no substitution for the experience this set provides.\r\n
      \r\n
      Do not miss the chance to own part of American history in unsurpassed fidelity that brings the cream of Elvis' music into your room, in stunning clarity.\r\n
      \r\n
      This release is a gem to treat your ears !!!
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YEqTWMvfIBo"
    -referenceProduit: "AAPJ 2040-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Heartbreak Hotel"
      ]
      [
        "ordre" => 2
        "nom" => "2. Love Me"
      ]
      [
        "ordre" => 3
        "nom" => "3. Don't Be Cruel"
      ]
      [
        "ordre" => 4
        "nom" => "4. Hound Dog"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. A Big Hunk"
      ]
      [
        "ordre" => 7
        "nom" => "2. All Shook Up"
      ]
      [
        "ordre" => 8
        "nom" => "3. (Let Me Be Your) Teddy Bear"
      ]
      [
        "ordre" => 9
        "nom" => "4. Jailhouse Rock"
      ]
      [
        "ordre" => 10
        "nom" => "5. Wear My Ring Around Your Neck"
      ]
      [
        "ordre" => 11
        "nom" => "Side C :  "
      ]
      [
        "ordre" => 12
        "nom" => "1. Love Me tender"
      ]
      [
        "ordre" => 13
        "nom" => "2. Stuck On You"
      ]
      [
        "ordre" => 14
        "nom" => "3. It's Now or Never"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. Are You Lonesome Tonight"
      ]
      [
        "ordre" => 17
        "nom" => "2. Surrender"
      ]
      [
        "ordre" => 18
        "nom" => "3. (Marie's The Name) His Latest Flame"
      ]
      [
        "ordre" => 19
        "nom" => "4. Little Sister"
      ]
      [
        "ordre" => 20
        "nom" => "Side E : "
      ]
      [
        "ordre" => 21
        "nom" => "1. Can't Help Falling In Love"
      ]
      [
        "ordre" => 22
        "nom" => "2. Good Luck Charm"
      ]
      [
        "ordre" => 23
        "nom" => "3. She's Not You"
      ]
      [
        "ordre" => 24
        "nom" => "4. Return To Sender"
      ]
      [
        "ordre" => 25
        "nom" => "Side F : "
      ]
      [
        "ordre" => 26
        "nom" => "1. (You're The) Devil In Disguise"
      ]
      [
        "ordre" => 27
        "nom" => "2. Crying In The Chapel"
      ]
      [
        "ordre" => 28
        "nom" => "3. In The Ghetto"
      ]
      [
        "ordre" => 29
        "nom" => "4. Suspicious Minds"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1476 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
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    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1278691290 {#2032
      date: 2010-07-09 16:01:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777115264 {#2033
      date: 2026-04-25 11:07:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3227
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  +produit: App\Entity\Produit {#2035
    -id: 373
    -nom: "24 Karat Hits !"
    -informationComplementaire: "Avec "24 Karat Hits !", plongez dans l’essence même du King, sublimée par un pressage audiophile d’exception. Chaque note, chaque souffle de Elvis Presley reprend vie avec une richesse sonore incomparable."
    -description: """
      Avec "24 Karat Hits !", redécouvrez toute la puissance et l’élégance du répertoire de Elvis Presley dans une édition audiophile d’exception. Cet album (3 LP) en 45 RPM a été conçu pour offrir une restitution sonore d’une précision remarquable, bien au-delà des pressages vinyles traditionnels.\r\n
      \r\n
      Regroupant les titres les plus emblématiques du King, cette compilation met en lumière l’étendue de son talent, du rock’n’roll énergique aux ballades empreintes d’émotion. Chaque morceau a bénéficié d’un remastering minutieux, permettant de révéler toute la richesse des enregistrements originaux avec une voix plus présente, des instruments mieux définis, et une scène sonore plus large.\r\n
      \r\n
      Le choix du format 45 RPM n’est pas anodin. Il permet une lecture plus fidèle des sillons, offrant ainsi une dynamique accrue, une meilleure séparation des instruments et une clarté sonore impressionnante. Répartis sur trois vinyles, les titres disposent de davantage d’espace, ce qui réduit la compression et améliore considérablement la qualité d’écoute.\r\n
      \r\n
      Pensé pour les audiophiles comme pour les collectionneurs exigeants, cet album s’impose comme une référence incontournable. Que ce soit pour redécouvrir Elvis Presley ou pour enrichir une collection de vinyles haut de gamme, "24 Karat Hits !" offre une immersion sonore rare, au plus près de l’intention artistique originale.\r\n
      \r\n
      - Elvis Presley "24 Karat Hits", 180 gram, 45 RPM three LP set !\r\n
      - Mastered from the original analog tapes by George Marino at Sterling Sound !\r\n
      - An audiophile dream set; the best sounding Elvis record ever pressed !\r\n
      - Includes every one of the King's all-time greatest singles !\r\n
      \r\n
      "Thick vinyl rotating at 45 RPM, two dozen certified Presley masterpieces, mastered by George Marino at Sterling Sound from the original 1, 2 and 3 track masters : it doesn't get any better than this, musically or sonically". Sound Quality : 90 % - Ken Kessler, Hi-Fi News, March 2011.\r\n
      \r\n
      "All I can say is this set is an Elvis fan's dream come true... destined to be a collector's item." Music = 9/11; Sound = 9/11 - Michael Fremer, musicangle.\r\n
      \r\n
      It's no understatement to call Evis Presley the chief catalyst of the rock 'n' roll era. Presley earned his nickname "The King" by releasing dozens of course-altering singles over the course of his influential career; during the 1950s Presley's records spent a collective 53 weeks in the N° 1 chart position. Almost everything you could want from Elvis is in one towering collection "24 Karat Hits", now a brilliant 45 RPM, three LP set released by Analogue Productions !\r\n
      \r\n
      Elvis' 24 greatest recordings here are painstakingly compiled and remastered from the original 1, 2 and 3 track master tapes lovingly stored in the vaults of RCA-Victor. All the hits are here from 1956's "Heartbreak Hotel" to 1969's "Suspicious Minds". This three LP Fort Knox of music is mandatory for every music lover, let alone Presley diehards and record collectors. A long-out-of-print audiophile favorite known for its first-rate sound quality it gets the royal treatment here on six wide-grooved sides of 45 RPM 180 gram super-silent vinyl. Incredible !\r\n
      \r\n
      Until now, Elvis fans have satiated their desires with the prized DCC double LP edition (reaching prices upwards of $ 350 on eBay) as well as the DCC gold disc (a rare find fetching $ 150 and more). Now no longer do you have to pay a premium to enjoy the magic of Presley's voice, rhythms and foundation-paving melodies. Mastered by George Marino, the King's best work has never sounded so intimate, detailed, present and alive. Images are true, tones are balanced, and the unbeatable warmth that only analog provides comes through unabated on every cut.\r\n
      \r\n
      Contained in the grooves of this album are some of the best rock 'n' roll cuts recorded in the last 50 years. Had Elvis Presley done nothing else but record "That's Alright, Mama", his place in pop music history would be secure. Presley fused rhythm and blues with country and legitimized beat music for white audiences. On 24 Karat Hits, every memorable facet of Presley's multiple personas is represented:The hip-shaking rebel "Jailhouse Rock", sensitive balladeer "Can't Help Falling in Love", beckoning romantic "Are You Lonesome Tonight", teen idol "Let Me Be Your Teddy Bear", socially conscious soul man "In the Ghetto", and passionate loverman "Suspicious Minds". The two dozen songs on this golden compilation read like a history of pop music and play like it is unfolding before our very eyes. There's no substitution for the experience this set provides.\r\n
      \r\n
      Do not miss the chance to own part of American history in unsurpassed fidelity that brings the cream of Elvis' music into your room, in stunning clarity.\r\n
      \r\n
      This release is a gem to treat your ears !!!
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=YEqTWMvfIBo"
    -referenceProduit: "AAPJ 2040-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Heartbreak Hotel"
      ]
      [
        "ordre" => 2
        "nom" => "2. Love Me"
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      [
        "ordre" => 3
        "nom" => "3. Don't Be Cruel"
      ]
      [
        "ordre" => 4
        "nom" => "4. Hound Dog"
      ]
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        "nom" => "Side B : "
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      [
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        "nom" => "1. A Big Hunk"
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        "nom" => "2. All Shook Up"
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        "nom" => "3. (Let Me Be Your) Teddy Bear"
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        "nom" => "4. Jailhouse Rock"
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        "nom" => "5. Wear My Ring Around Your Neck"
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        "nom" => "Side C :  "
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        "nom" => "1. Love Me tender"
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        "nom" => "2. Stuck On You"
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        "nom" => "3. It's Now or Never"
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        "nom" => "Side D : "
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        "nom" => "1. Are You Lonesome Tonight"
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        "nom" => "2. Surrender"
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        "nom" => "3. (Marie's The Name) His Latest Flame"
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        "nom" => "4. Little Sister"
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        "nom" => "Side E : "
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        "nom" => "1. Can't Help Falling In Love"
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        "nom" => "2. Good Luck Charm"
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        "nom" => "4. Return To Sender"
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        "nom" => "Side F : "
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        "nom" => "1. (You're The) Devil In Disguise"
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        "nom" => "2. Crying In The Chapel"
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        "nom" => "3. In The Ghetto"
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        "nom" => "4. Suspicious Minds"
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    ]
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      date: 2026-04-25 11:07:44.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2051
    -id: 2034
    -nom: "Explorations"
    -informationComplementaire: "Plongez dans l’un des sommets du jazz moderne : "Explorations". Entre lyrisme et interaction télépathique, le trio de Bill Evans redéfinit l’art du dialogue musical. Un disque intemporel, d’une élégance rare, où chaque note respire."
    -description: """
      Enregistré en 1961, "Explorations" capture le Bill Evans Trio à son apogée, avec Scott LaFaro à la contrebasse et Paul Motian à la batterie. Plus qu’un simple enregistrement, cet album est une conversation musicale d’une rare intensité, où chaque musicien s’affranchit de son rôle traditionnel pour créer un équilibre collectif unique.\r\n
      \r\n
      Le toucher délicat et introspectif d’Evans dialogue librement avec les lignes mélodiques audacieuses de LaFaro, tandis que Motian colore l’espace avec une sensibilité presque impressionniste. Loin d’une hiérarchie classique : "piano, basse, batterie", le trio explore une approche profondément interactive, où le silence et la nuance ont autant d’importance que les notes elles-mêmes.\r\n
      \r\n
      De standards revisités avec une finesse inouïe à des compositions plus modales comme Nardis, "Explorations" incarne une esthétique raffinée, à la fois intellectuelle et profondément émotive. Cet album reste aujourd’hui une référence incontournable pour les amateurs de jazz, mais aussi une porte d’entrée idéale vers un univers sonore subtil et immersif.\r\n
      \r\n
      - Bill Evans Trio "Explorations" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes \r\n
      \r\n
      "Bill Evans' Explorations... the most lyrically riveting piano trio in jazz history, playing near-peak... Explorations sounds wonderful. All the tones, overtones, and rhythmic subtleties are vivid, present, and true". Fred Kaplan, The Absolute Sound, February / March 2005\r\n
      \r\n
      The second album by the original Bill Evans group was recorded after the pianist, bassist Scott LaFaro, and drummer Paul Motian had spent a year working together and honing the telepathy that established a new standard for trio interaction. Featuring intimate readings of several standards, plus three compositions from the jazz world that became synonymous with the trio’s sounds, and with ample space for LaFaro’s virtuosity to shine, the album was cited by Evans years later as among his own favorite recordings.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0M-mQyJ_6Hc&list=RD0M-mQyJ_6Hc&start_radio=1"
    -referenceProduit: "Analogue Productions (Fantazy) AJAZ 9351"
    -titreMorceau: [
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        "nom" => "1. Israel"
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        "nom" => "3. Beautiful Love"
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        "nom" => "Side B : "
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        "nom" => "1. Elsa"
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        "ordre" => 6
        "nom" => "2. Nardis"
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        "ordre" => 7
        "nom" => "Side C :"
      ]
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        "ordre" => 8
        "nom" => "1. How Deep Is the Ocean ?"
      ]
      [
        "ordre" => 9
        "nom" => "2. I Wish I Knew"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Sweet and Lovely"
      ]
      [
        "ordre" => 12
        "nom" => "2. The Boy Next Door"
      ]
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        "nom" => ""
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3280
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2651 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2051
    -id: 2034
    -nom: "Explorations"
    -informationComplementaire: "Plongez dans l’un des sommets du jazz moderne : "Explorations". Entre lyrisme et interaction télépathique, le trio de Bill Evans redéfinit l’art du dialogue musical. Un disque intemporel, d’une élégance rare, où chaque note respire."
    -description: """
      Enregistré en 1961, "Explorations" capture le Bill Evans Trio à son apogée, avec Scott LaFaro à la contrebasse et Paul Motian à la batterie. Plus qu’un simple enregistrement, cet album est une conversation musicale d’une rare intensité, où chaque musicien s’affranchit de son rôle traditionnel pour créer un équilibre collectif unique.\r\n
      \r\n
      Le toucher délicat et introspectif d’Evans dialogue librement avec les lignes mélodiques audacieuses de LaFaro, tandis que Motian colore l’espace avec une sensibilité presque impressionniste. Loin d’une hiérarchie classique : "piano, basse, batterie", le trio explore une approche profondément interactive, où le silence et la nuance ont autant d’importance que les notes elles-mêmes.\r\n
      \r\n
      De standards revisités avec une finesse inouïe à des compositions plus modales comme Nardis, "Explorations" incarne une esthétique raffinée, à la fois intellectuelle et profondément émotive. Cet album reste aujourd’hui une référence incontournable pour les amateurs de jazz, mais aussi une porte d’entrée idéale vers un univers sonore subtil et immersif.\r\n
      \r\n
      - Bill Evans Trio "Explorations" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes \r\n
      \r\n
      "Bill Evans' Explorations... the most lyrically riveting piano trio in jazz history, playing near-peak... Explorations sounds wonderful. All the tones, overtones, and rhythmic subtleties are vivid, present, and true". Fred Kaplan, The Absolute Sound, February / March 2005\r\n
      \r\n
      The second album by the original Bill Evans group was recorded after the pianist, bassist Scott LaFaro, and drummer Paul Motian had spent a year working together and honing the telepathy that established a new standard for trio interaction. Featuring intimate readings of several standards, plus three compositions from the jazz world that became synonymous with the trio’s sounds, and with ample space for LaFaro’s virtuosity to shine, the album was cited by Evans years later as among his own favorite recordings.
      """
    -prixVente: "99.50"
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    -extraitYoutube: "https://www.youtube.com/watch?v=0M-mQyJ_6Hc&list=RD0M-mQyJ_6Hc&start_radio=1"
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[
  "produit" => App\Entity\Produit {#2066
    -id: 3071
    -nom: "Tres Hombres (2 LP) 45 RPM - Clarity Vinyl"
    -informationComplementaire: "Plongez dans la chaleur du blues texan avec "Tres Hombres" en Clarity Vinyl 45 RPM, une expérience sonore pure, intense et résolument vintage, qui révèle toute la puissance et la finesse de ZZ Top comme jamais auparavant."
    -description: """
      Redécouvrez "Tres Hombres", l’album culte de ZZ Top, dans une édition audiophile d’exception, en 45 RPM Clarity Vinyl. Véritable référence du blues-rock texan, cet opus de 1973 renferme des classiques intemporels comme "La Grange", portés par le groove inimitable du trio Billy Gibbons, Dusty Hill et Frank Beard.\r\n
      \r\n
      Pressé sur un vinyle Clarity Vinyl translucide de très haute pureté, ce double LP en 45 tours offre une restitution sonore exceptionnelle, dynamique accrue, détails sublimés et scène sonore élargie. Chaque note respire avec une précision remarquable, pour une immersion totale au cœur du son brut et authentique de ZZ Top.\r\n
      \r\n
      Cette édition premium est pensée pour les audiophiles et collectionneurs exigeants, avec une fabrication soignée et un rendu sonore qui magnifie chaque riff, chaque ligne de basse et chaque frappe de batterie.\r\n
      \r\n
      - "Tres Hombres" ZZ-Top's 1973 breakthrough album on UHQR !\r\n
      - Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl !\r\n
      - 45 RPM (2 LP) release limited to 5000 numbered copies !\r\n
      - Features lead single "La Grange" !\r\n
      - Rolling Stone's 500 Greatest Albums of All Time ranked No. 490/500 (2012) !\r\n
      - Named Best Boogie Rock album ever by the Houston Chronicle !\r\n
      - Mastered by Matthew Luthans at The Mastering Lab from the original analog tape !\r\n
      - Pressed at Quality Record Pressings using 200 gram Clarity Vinyl® !\r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      - Tip-on old style gatefold double pocket jackets with scuff resistant finish by Stoughton Printing !\r\n
      \r\n
      The breakthrough album that defined Texas blues rock! One of the world's greatest rock 'n' roll bands ever to strut the 50 States, these sharp-dressed Texas titans Billy F. Gibbons, Frank Beard, and Dusty Hill are a righteously hell rain' power trio boasting a 30-plus year hit-making legacy, both in the studio and at concert arenas.\r\n
      \r\n
      With their revved up blues 'n' boogie, they always make the most of their Texas birthright with with a distinctive sound that shakes up rock, blues, soul, garage-funk, Americana, and more. Nowhere is their force of nature musicianship better displayed than their 1973 classic Tres Hombres. Packed with swagger, grit, and some of the most infectious guitar grooves ever recorded, Tres Hombres cemented the band's signature sound raw, greasy, and undeniably cool.\r\n
      \r\n
      One of rock's greatest anthems "La Grange" swaggers! That iconic opening boogie riff ? Instantly recognizable. The groove ? Absolutely irresistible. "La Grange" is a masterclass in blues-based rock perfection. And beyond ? Whether it's the slow-burning "Hot, Blue and Righteous", the funky "Move Me on Down the Line", or the driving "Waitin' for the Bus / Jesus Just Left Chicago" combo, every track grooves with unmistakable attitude.\r\n
      \r\n
      ZZ Top fans will instantly recognize Tres Hombres as the album that shaped the band's legend. It's loud, it's bluesy, and it's packed with riffs that demand to be cranked up !\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records. This definitive reissue of "Tres Hombres" is limited to 5000 numbered copies! Pressed on four glorious sides of 200-gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process. Lastly, your records are housed in archival quality Stoughton Printing tip-on gatefold jackets with a scuff-resistant finish, for a truly premium product.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Billy Gibbons (guitar, lead vocals), Dusty Hill (bass guitar, backing vocals), Frank Beard (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2068 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3326
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  +produit: App\Entity\Produit {#2066
    -id: 3071
    -nom: "Tres Hombres (2 LP) 45 RPM - Clarity Vinyl"
    -informationComplementaire: "Plongez dans la chaleur du blues texan avec "Tres Hombres" en Clarity Vinyl 45 RPM, une expérience sonore pure, intense et résolument vintage, qui révèle toute la puissance et la finesse de ZZ Top comme jamais auparavant."
    -description: """
      Redécouvrez "Tres Hombres", l’album culte de ZZ Top, dans une édition audiophile d’exception, en 45 RPM Clarity Vinyl. Véritable référence du blues-rock texan, cet opus de 1973 renferme des classiques intemporels comme "La Grange", portés par le groove inimitable du trio Billy Gibbons, Dusty Hill et Frank Beard.\r\n
      \r\n
      Pressé sur un vinyle Clarity Vinyl translucide de très haute pureté, ce double LP en 45 tours offre une restitution sonore exceptionnelle, dynamique accrue, détails sublimés et scène sonore élargie. Chaque note respire avec une précision remarquable, pour une immersion totale au cœur du son brut et authentique de ZZ Top.\r\n
      \r\n
      Cette édition premium est pensée pour les audiophiles et collectionneurs exigeants, avec une fabrication soignée et un rendu sonore qui magnifie chaque riff, chaque ligne de basse et chaque frappe de batterie.\r\n
      \r\n
      - "Tres Hombres" ZZ-Top's 1973 breakthrough album on UHQR !\r\n
      - Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl !\r\n
      - 45 RPM (2 LP) release limited to 5000 numbered copies !\r\n
      - Features lead single "La Grange" !\r\n
      - Rolling Stone's 500 Greatest Albums of All Time ranked No. 490/500 (2012) !\r\n
      - Named Best Boogie Rock album ever by the Houston Chronicle !\r\n
      - Mastered by Matthew Luthans at The Mastering Lab from the original analog tape !\r\n
      - Pressed at Quality Record Pressings using 200 gram Clarity Vinyl® !\r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      - Tip-on old style gatefold double pocket jackets with scuff resistant finish by Stoughton Printing !\r\n
      \r\n
      The breakthrough album that defined Texas blues rock! One of the world's greatest rock 'n' roll bands ever to strut the 50 States, these sharp-dressed Texas titans Billy F. Gibbons, Frank Beard, and Dusty Hill are a righteously hell rain' power trio boasting a 30-plus year hit-making legacy, both in the studio and at concert arenas.\r\n
      \r\n
      With their revved up blues 'n' boogie, they always make the most of their Texas birthright with with a distinctive sound that shakes up rock, blues, soul, garage-funk, Americana, and more. Nowhere is their force of nature musicianship better displayed than their 1973 classic Tres Hombres. Packed with swagger, grit, and some of the most infectious guitar grooves ever recorded, Tres Hombres cemented the band's signature sound raw, greasy, and undeniably cool.\r\n
      \r\n
      One of rock's greatest anthems "La Grange" swaggers! That iconic opening boogie riff ? Instantly recognizable. The groove ? Absolutely irresistible. "La Grange" is a masterclass in blues-based rock perfection. And beyond ? Whether it's the slow-burning "Hot, Blue and Righteous", the funky "Move Me on Down the Line", or the driving "Waitin' for the Bus / Jesus Just Left Chicago" combo, every track grooves with unmistakable attitude.\r\n
      \r\n
      ZZ Top fans will instantly recognize Tres Hombres as the album that shaped the band's legend. It's loud, it's bluesy, and it's packed with riffs that demand to be cranked up !\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records. This definitive reissue of "Tres Hombres" is limited to 5000 numbered copies! Pressed on four glorious sides of 200-gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process. Lastly, your records are housed in archival quality Stoughton Printing tip-on gatefold jackets with a scuff-resistant finish, for a truly premium product.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Billy Gibbons (guitar, lead vocals), Dusty Hill (bass guitar, backing vocals), Frank Beard (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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[
  "produit" => App\Entity\Produit {#2082
    -id: 1662
    -nom: "The Tony Bennett & Bill Evans Album"
    -informationComplementaire: "Quand la voix de Tony Bennett effleure les notes sensibles de Bill Evans, le monde s’efface. Il ne reste que l’essentiel, deux âmes musicales qui se répondent, dans un murmure intime et hors du temps."
    -description: """
      Sorti en 1975, "The Tony Bennett & Bill Evans Album" est une œuvre d’une sobriété et d’une élégance exceptionnelles. Loin des grandes orchestrations habituelles, cet enregistrement repose sur une formule minimaliste, une voix et un piano. Mais entre les mains de Tony Bennett et Bill Evans, cette simplicité devient pure magie.\r\n
      \r\n
      Le chant de Tony Bennett, profondément expressif et nuancé, trouve dans le jeu de Bill Evans un écrin d’une délicatesse rare. Le pianiste, connu pour son toucher impressionniste et ses harmonies raffinées, accompagne sans jamais dominer, laissant respirer chaque mot, chaque silence.\r\n
      \r\n
      Le répertoire mêle standards du jazz et ballades intemporelles, revisitées avec une sensibilité presque introspective. Chaque morceau semble capturer un moment fragile, comme suspendu, où l’émotion prime sur la performance.\r\n
      \r\n
      Cet album n’est pas seulement une collaboration, c’est une conversation musicale, intime et sincère, entre deux artistes au sommet de leur art. Une œuvre essentielle pour les amateurs de jazz vocal et de piano, et une invitation à redécouvrir la beauté de l’épure.\r\n
      \r\n
      - Tony Bennett & Bill Evans "The Tony Bennett & Bill Evans Album" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Step right up, jazz aficionados, and feast your ears on The Tony Bennett & Bill Evans Album (1975), a jazz gem that's as smooth as a martini and twice as intoxicating! This isn't just any album it's a legendary collaboration between the velvet-voiced crooner Tony Bennett and the piano wizard Bill Evans, two titans who decided to waltz into a studio and create pure magic. Spoiler alert: they nailed it.\r\n
      \r\n
      This album was a critical darling, earning rave reviews for its intimate, stripped-down vibe. It charted respectably, but its real triumph lies in its enduring legacy decades later, it's still a go-to for jazz lovers who crave soulful authenticity. Bennett's warm, storytelling vocals paired with Evans' lyrical, impressionistic piano work made this a standout in both their discographies.\r\n
      \r\n
      The Personnel :\r\n
      \r\n
      Tony Bennett : The man with a voice like buttered velvet, turning standards into heartfelt confessions.\r\n
      Bill Evans : The piano poet, whose delicate touch and harmonic genius could make a metronome weep.\r\n
      \r\n
      Recorded in a cozy, no-frills session at Fantasy Studios, with just the two of them (and a trusty engineer, Helen Keane, keeping the vibes pristine). No big band, no overdubs-just raw, unfiltered artistry.\r\n
      \r\n
      This album is a masterclass in less-is-more. Recorded live in the studio with minimal takes, it captures the spontaneity of two masters riffing off each other like old friends at a late-night jam. The production is crystal-clear, letting Bennett's nuanced phrasing and Evans' shimmering chords breathe. Evans' harmonic choices-think lush, unexpected chord voicings-add a layer of sophistication, while Bennett's impeccable timing keeps it grounded. The balance between voice and piano is so perfect, you'd think they shared a telepathic link. Plus, the song selection standards like "My Foolish Heart" and "The Touch of Your Lips" is a love letter to the Great American Songbook.\r\n
      \r\n
      Why Jazz Fans Need This in Their Collection\r\n
      \r\n
      If your record shelf is craving a dose of elegance, this album is your ticket. It's intimate enough to feel like a private concert but profound enough to reveal new layers with every spin. For fans of vocal jazz, Bennett's delivery is a masterclass in emotion without excess. For piano nerds, Evans' introspective solos are practically a spiritual experience.\r\n
      \r\n
      Grab The Tony Bennett & Bill Evans Album and let these two charmers remind you why jazz is the coolest kid on the musical block. Your turntable (and your soul) will thank you !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Tony Bennett (vocals), Bill Evans (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=e-vzGxp8388"
    -referenceProduit: "Analogue Productions AAPJ 207-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 2
        "nom" => "2. The Touch of Your Lips"
      ]
      [
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        "nom" => "Side B :"
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        "nom" => "1. Some Other Time"
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        "nom" => "2. When in Rome"
      ]
      [
        "ordre" => 6
        "nom" => "3. We'll Be Together Again"
      ]
      [
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        "nom" => "Side C :"
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        "nom" => "1. My Foolish Heart"
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        "nom" => "2. Waltz for Debby"
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        "nom" => "Side D : "
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        "nom" => "1. But Beautiful"
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        "nom" => "2. Days of Wine and Roses"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2084 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3377
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2651 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2082
    -id: 1662
    -nom: "The Tony Bennett & Bill Evans Album"
    -informationComplementaire: "Quand la voix de Tony Bennett effleure les notes sensibles de Bill Evans, le monde s’efface. Il ne reste que l’essentiel, deux âmes musicales qui se répondent, dans un murmure intime et hors du temps."
    -description: """
      Sorti en 1975, "The Tony Bennett & Bill Evans Album" est une œuvre d’une sobriété et d’une élégance exceptionnelles. Loin des grandes orchestrations habituelles, cet enregistrement repose sur une formule minimaliste, une voix et un piano. Mais entre les mains de Tony Bennett et Bill Evans, cette simplicité devient pure magie.\r\n
      \r\n
      Le chant de Tony Bennett, profondément expressif et nuancé, trouve dans le jeu de Bill Evans un écrin d’une délicatesse rare. Le pianiste, connu pour son toucher impressionniste et ses harmonies raffinées, accompagne sans jamais dominer, laissant respirer chaque mot, chaque silence.\r\n
      \r\n
      Le répertoire mêle standards du jazz et ballades intemporelles, revisitées avec une sensibilité presque introspective. Chaque morceau semble capturer un moment fragile, comme suspendu, où l’émotion prime sur la performance.\r\n
      \r\n
      Cet album n’est pas seulement une collaboration, c’est une conversation musicale, intime et sincère, entre deux artistes au sommet de leur art. Une œuvre essentielle pour les amateurs de jazz vocal et de piano, et une invitation à redécouvrir la beauté de l’épure.\r\n
      \r\n
      - Tony Bennett & Bill Evans "The Tony Bennett & Bill Evans Album" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Step right up, jazz aficionados, and feast your ears on The Tony Bennett & Bill Evans Album (1975), a jazz gem that's as smooth as a martini and twice as intoxicating! This isn't just any album it's a legendary collaboration between the velvet-voiced crooner Tony Bennett and the piano wizard Bill Evans, two titans who decided to waltz into a studio and create pure magic. Spoiler alert: they nailed it.\r\n
      \r\n
      This album was a critical darling, earning rave reviews for its intimate, stripped-down vibe. It charted respectably, but its real triumph lies in its enduring legacy decades later, it's still a go-to for jazz lovers who crave soulful authenticity. Bennett's warm, storytelling vocals paired with Evans' lyrical, impressionistic piano work made this a standout in both their discographies.\r\n
      \r\n
      The Personnel :\r\n
      \r\n
      Tony Bennett : The man with a voice like buttered velvet, turning standards into heartfelt confessions.\r\n
      Bill Evans : The piano poet, whose delicate touch and harmonic genius could make a metronome weep.\r\n
      \r\n
      Recorded in a cozy, no-frills session at Fantasy Studios, with just the two of them (and a trusty engineer, Helen Keane, keeping the vibes pristine). No big band, no overdubs-just raw, unfiltered artistry.\r\n
      \r\n
      This album is a masterclass in less-is-more. Recorded live in the studio with minimal takes, it captures the spontaneity of two masters riffing off each other like old friends at a late-night jam. The production is crystal-clear, letting Bennett's nuanced phrasing and Evans' shimmering chords breathe. Evans' harmonic choices-think lush, unexpected chord voicings-add a layer of sophistication, while Bennett's impeccable timing keeps it grounded. The balance between voice and piano is so perfect, you'd think they shared a telepathic link. Plus, the song selection standards like "My Foolish Heart" and "The Touch of Your Lips" is a love letter to the Great American Songbook.\r\n
      \r\n
      Why Jazz Fans Need This in Their Collection\r\n
      \r\n
      If your record shelf is craving a dose of elegance, this album is your ticket. It's intimate enough to feel like a private concert but profound enough to reveal new layers with every spin. For fans of vocal jazz, Bennett's delivery is a masterclass in emotion without excess. For piano nerds, Evans' introspective solos are practically a spiritual experience.\r\n
      \r\n
      Grab The Tony Bennett & Bill Evans Album and let these two charmers remind you why jazz is the coolest kid on the musical block. Your turntable (and your soul) will thank you !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Tony Bennett (vocals), Bill Evans (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=e-vzGxp8388"
    -referenceProduit: "Analogue Productions AAPJ 207-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. Young and Foolish"
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      [
        "ordre" => 2
        "nom" => "2. The Touch of Your Lips"
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        "nom" => "Side B :"
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        "nom" => "1. Some Other Time"
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        "ordre" => 5
        "nom" => "2. When in Rome"
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        "ordre" => 6
        "nom" => "3. We'll Be Together Again"
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        "nom" => "Side C :"
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        "nom" => "1. My Foolish Heart"
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      [
        "ordre" => 9
        "nom" => "2. Waltz for Debby"
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        "nom" => "Side D : "
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        "ordre" => 11
        "nom" => "1. But Beautiful"
      ]
      [
        "ordre" => 12
        "nom" => "2. Days of Wine and Roses"
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      [
        "ordre" => 13
        "nom" => ""
      ]
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        "nom" => ""
      ]
      [
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        "nom" => ""
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      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2084 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-the-tony-bennett-bill-evans-album-analogue-productions-aapj-207-45"
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[
  "produit" => App\Entity\Produit {#2098
    -id: 2943
    -nom: "Quintessence"
    -informationComplementaire: "Avec "Quintessence", Bill Evans quitte l’intimité du trio pour une exploration sonore plus ample, sans jamais perdre la poésie qui le caractérise. Porté par un quintette d’exception, cet album dévoile un jazz lumineux, sensible et profondément humain."
    -description: """
      Sorti en 1976, "Quintessence" marque une parenthèse singulière dans la carrière du pianiste Bill Evans. Connu pour ses trios intimistes, Evans explore ici une formation élargie en quintette, enrichissant son univers harmonique d’une palette sonore plus dense et expressive.\r\n
      \r\n
      Entouré de musiciens d’exception comme Harold Land, Kenny Burrell, Ray Brown et Philly Joe Jones, Evans signe un album à la fois subtil et vibrant. L’interaction entre les instruments y est particulièrement riche, oscillant entre lyrisme, swing maîtrisé et improvisations élégantes.\r\n
      \r\n
      Chaque morceau révèle une écriture raffinée et une écoute collective remarquable, faisant de "Quintessence" une œuvre à part dans sa discographie, où la délicatesse du piano dialogue avec la chaleur du saxophone et la finesse de la guitare.\r\n
      \r\n
      - Bill Evans "Quintessence" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Ready yourselves, jazz aficionados, for modal piano brilliance, Bill Evans style! Released in 1977, Bill Evans "Quintessence", has the maestro diving headfirst into a lush, melodic hornscape an elegant, smoky surprise.\r\n
      \r\n
      Let's start with the man himself. By 1977, Bill Evans was less of a pianist and more of a philosopher with 88 keys. His technique? Still gentle, still whispery, still capable of melting diamonds. But here, he brings his lyrical poetry into a new context: a quintet. That's right not just his beloved trio format, but a quintet, people.\r\n
      \r\n
      No safety net. No piano bench to hide behind. Just sheer harmonic magic.\r\n
      \r\n
      The Evans dream team of supporting players was a stellar lineup. Starting with Harold Land (tenor sax) The West Coast legend whose tone is so smooth it could pass as jazz-flavored gelato. Warm, reflective, and the perfect foil to Evans' crystalline touch. Next, there's Kenny Burrell (guitar). Playing with such subtlety you'd swear he was painting chords with a sable brush. Never flashy, always perfect. On bass, Ray Brown The anchor of jazz itself. You want groove ? He'll give you groove. You want soul ? He's got that in spades too. And on drums, Philly Joe Jones. Because if you're gonna swing, you call the guy who made Miles Davis' band sweat.\r\n
      \r\n
      Together, they form a unit so tight it's basically a telepathic jazz circle. They're not just supporting Bill they're expanding him !\r\n
      \r\n
      What's On the Menu ?\r\n
      \r\n
      "Sweet Dulcinea" A tune that proves you don't need to play fast to say something profound.\r\n
      \r\n
      "Bass Face" Ray Brown gets the spotlight, and boy does he shine.\r\n
      \r\n
      "Martina" A waltz so beautiful it should come with a warning label: may cause reflective gazing into middle distance.\r\n
      \r\n
      "Second Time Around" A standard for an album that's all about elegance, subtle swing, and refined musicianship.\r\n
      \r\n
      "A Child Is Born" The kind of rendition that makes you think maybe the world isn't so bad after all.\r\n
      \r\n
      So why add Quintessence to your collection ?\r\n
      \r\n
      Because this is Bill Evans unplugged from the trio comfort zone, letting his lush harmonic sensibilities dance with top-tier horn players and rhythm gods. This album is meditative but never sleepy, introspective but never self-indulgent. It's rich, warm, and brimming with the quiet confidence of a master stretching his wings just because he can.\r\n
      \r\n
      This reissue brims with superior quality. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      Bottom line, if your jazz collection is missing Quintessence, it's like owning a Picasso with a blank corner. This is the kind of record that sneaks up on you not flashy, but unforgettable. Go ahead. You deserve this kind of quintet magic.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Bill Evans (piano), Harold Land (tenor saxophone), Kenny Burrell (guitar), Ray Brown (double bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hZzt_bhpHIM&list=RDhZzt_bhpHIM&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 208-45"
    -titreMorceau: [
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        "nom" => "Side A : "
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        "nom" => "1. Sweet Dulcinea"
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        "nom" => "Side C :"
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        "nom" => "1. A Child Is Born"
      ]
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        "nom" => "Side D : "
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        "nom" => "1. Bass Face"
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3428
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2651 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
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    -id: 2943
    -nom: "Quintessence"
    -informationComplementaire: "Avec "Quintessence", Bill Evans quitte l’intimité du trio pour une exploration sonore plus ample, sans jamais perdre la poésie qui le caractérise. Porté par un quintette d’exception, cet album dévoile un jazz lumineux, sensible et profondément humain."
    -description: """
      Sorti en 1976, "Quintessence" marque une parenthèse singulière dans la carrière du pianiste Bill Evans. Connu pour ses trios intimistes, Evans explore ici une formation élargie en quintette, enrichissant son univers harmonique d’une palette sonore plus dense et expressive.\r\n
      \r\n
      Entouré de musiciens d’exception comme Harold Land, Kenny Burrell, Ray Brown et Philly Joe Jones, Evans signe un album à la fois subtil et vibrant. L’interaction entre les instruments y est particulièrement riche, oscillant entre lyrisme, swing maîtrisé et improvisations élégantes.\r\n
      \r\n
      Chaque morceau révèle une écriture raffinée et une écoute collective remarquable, faisant de "Quintessence" une œuvre à part dans sa discographie, où la délicatesse du piano dialogue avec la chaleur du saxophone et la finesse de la guitare.\r\n
      \r\n
      - Bill Evans "Quintessence" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Ready yourselves, jazz aficionados, for modal piano brilliance, Bill Evans style! Released in 1977, Bill Evans "Quintessence", has the maestro diving headfirst into a lush, melodic hornscape an elegant, smoky surprise.\r\n
      \r\n
      Let's start with the man himself. By 1977, Bill Evans was less of a pianist and more of a philosopher with 88 keys. His technique? Still gentle, still whispery, still capable of melting diamonds. But here, he brings his lyrical poetry into a new context: a quintet. That's right not just his beloved trio format, but a quintet, people.\r\n
      \r\n
      No safety net. No piano bench to hide behind. Just sheer harmonic magic.\r\n
      \r\n
      The Evans dream team of supporting players was a stellar lineup. Starting with Harold Land (tenor sax) The West Coast legend whose tone is so smooth it could pass as jazz-flavored gelato. Warm, reflective, and the perfect foil to Evans' crystalline touch. Next, there's Kenny Burrell (guitar). Playing with such subtlety you'd swear he was painting chords with a sable brush. Never flashy, always perfect. On bass, Ray Brown The anchor of jazz itself. You want groove ? He'll give you groove. You want soul ? He's got that in spades too. And on drums, Philly Joe Jones. Because if you're gonna swing, you call the guy who made Miles Davis' band sweat.\r\n
      \r\n
      Together, they form a unit so tight it's basically a telepathic jazz circle. They're not just supporting Bill they're expanding him !\r\n
      \r\n
      What's On the Menu ?\r\n
      \r\n
      "Sweet Dulcinea" A tune that proves you don't need to play fast to say something profound.\r\n
      \r\n
      "Bass Face" Ray Brown gets the spotlight, and boy does he shine.\r\n
      \r\n
      "Martina" A waltz so beautiful it should come with a warning label: may cause reflective gazing into middle distance.\r\n
      \r\n
      "Second Time Around" A standard for an album that's all about elegance, subtle swing, and refined musicianship.\r\n
      \r\n
      "A Child Is Born" The kind of rendition that makes you think maybe the world isn't so bad after all.\r\n
      \r\n
      So why add Quintessence to your collection ?\r\n
      \r\n
      Because this is Bill Evans unplugged from the trio comfort zone, letting his lush harmonic sensibilities dance with top-tier horn players and rhythm gods. This album is meditative but never sleepy, introspective but never self-indulgent. It's rich, warm, and brimming with the quiet confidence of a master stretching his wings just because he can.\r\n
      \r\n
      This reissue brims with superior quality. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      Bottom line, if your jazz collection is missing Quintessence, it's like owning a Picasso with a blank corner. This is the kind of record that sneaks up on you not flashy, but unforgettable. Go ahead. You deserve this kind of quintet magic.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Bill Evans (piano), Harold Land (tenor saxophone), Kenny Burrell (guitar), Ray Brown (double bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2106 …}
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[
  "produit" => App\Entity\Produit {#2114
    -id: 1855
    -nom: "Count Basie Hand His Orchestra - Me And You"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Count Basie (piano), Sonny Cohn, Dale Carley, Steven Furtado, Bob Summers, Frank Szabo (trumpet), Bill Hughes, Grover Mitchell, Dennis Wilson, Mitchell “Booty” Wood (trombone), Danny Turner, Chris Woods (alto saxophone),Eric Dixon, Eric Schneider (tenor saxophone), Johnny Williams (baritone saxophone), Freddie Green (guitar), Cleveland Eaton (double bass), Dennis Mackrel (drums), Ernie Wilkins (conductor).\r\n
      \r\n
      - Count Basie "Me And You" 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on jacket !\r\n
      \r\n
      Virtually to the end, Count Basie was at the piano in front of the band that was his natural environment for more than half a century, inspiring music that defined the verb "to swing". In this collection recorded a little more than a year before he died, Basie divided the performances between the big band and a small group. In his last couple of decades, Basie went into the Pablo studios frequently with combos ranging in size from two (the pianist and Zoot Sims) to the octet heard here.\r\n
      \r\n
      In this case, the small group came out of the big band and featured the bright young trumpeter Bob Summers along with veteran trombonist Booty Wood and saxophonists Eric Dixon and Chris Woods. In large group or small, Basie and guitarist Freddie Green were at the heart of the rhythm, lifting the proceedings to a rarified plane of swing never to be duplicated after they were gone.\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a Stoughton Printing tip-on single pocket jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Count Basie (piano), Sonny Cohn, Dale Carley, Steven Furtado, Bob Summers, Frank Szabo (trumpet), Bill Hughes, Grover Mitchell, Dennis Wilson, Mitchell “Booty” Wood (trombone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=3iK0dD_nD3A&list=RD3iK0dD_nD3A&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 0193"
    -titreMorceau: [
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        "nom" => "1. Mr. Softie"
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        "nom" => "4. Right On, Right On"
      ]
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        "nom" => "Side B : "
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        "ordre" => 6
        "nom" => "1. Me And You"
      ]
      [
        "ordre" => 7
        "nom" => "2. Crip"
      ]
      [
        "ordre" => 8
        "nom" => "3. Bridge Work"
      ]
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        "ordre" => 9
        "nom" => "4. Easy Living"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2125 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2120 …}
    -enregistreLe: DateTime @1589869577 {#2111
      date: 2020-05-19 06:26:17.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1771221531 {#2112
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2122 …}
    -disponible: null
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    -infoMasterTape: null
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App\Twig\Components\GestionPanierFavoriComponents {#3479
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2651 …}
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  +produit: App\Entity\Produit {#2114
    -id: 1855
    -nom: "Count Basie Hand His Orchestra - Me And You"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Count Basie (piano), Sonny Cohn, Dale Carley, Steven Furtado, Bob Summers, Frank Szabo (trumpet), Bill Hughes, Grover Mitchell, Dennis Wilson, Mitchell “Booty” Wood (trombone), Danny Turner, Chris Woods (alto saxophone),Eric Dixon, Eric Schneider (tenor saxophone), Johnny Williams (baritone saxophone), Freddie Green (guitar), Cleveland Eaton (double bass), Dennis Mackrel (drums), Ernie Wilkins (conductor).\r\n
      \r\n
      - Count Basie "Me And You" 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on jacket !\r\n
      \r\n
      Virtually to the end, Count Basie was at the piano in front of the band that was his natural environment for more than half a century, inspiring music that defined the verb "to swing". In this collection recorded a little more than a year before he died, Basie divided the performances between the big band and a small group. In his last couple of decades, Basie went into the Pablo studios frequently with combos ranging in size from two (the pianist and Zoot Sims) to the octet heard here.\r\n
      \r\n
      In this case, the small group came out of the big band and featured the bright young trumpeter Bob Summers along with veteran trombonist Booty Wood and saxophonists Eric Dixon and Chris Woods. In large group or small, Basie and guitarist Freddie Green were at the heart of the rhythm, lifting the proceedings to a rarified plane of swing never to be duplicated after they were gone.\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a Stoughton Printing tip-on single pocket jacket.
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
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[
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    -nom: "At Shelly's Manne-Hole (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Bill Evans "At Shelly's Mann-Hole" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes !\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception. While I don't own the original releases, the 45 RPM reissues clearly better, even after VTA adjustments, the later OJC reissues or the earlier 33 1/3 rpm Analogue Productions releases. The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out". – Myles Astor, Positive Feedback Online, Issue 34, \r\n
      \r\n
      This is the last album Bill Evans made for his first label. That fact alone would give this at least historical significance; and there is surely also some importance to its being one of only two occasions on which the pianist was recorded for Riverside during "live" performance (the other, of course, resulted in the classic pair of Village Vanguard albums). But above all, these two nights at Shelly Manne's club in Hollywood marked the only recording by the excellent but short-term third trio; after the death of Scott LaFaro, bassist Chuck Israels joined Bill and Paul Motian; then in 1963 Los Angeles studio-stalwart drummer Larry Bunker made this brief but noteworthy contribution to the Evans legend.
      """
    -prixVente: "99.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3532
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  +produit: App\Entity\Produit {#2134
    -id: 838
    -nom: "At Shelly's Manne-Hole (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Bill Evans "At Shelly's Mann-Hole" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes !\r\n
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      \r\n
      This is the last album Bill Evans made for his first label. That fact alone would give this at least historical significance; and there is surely also some importance to its being one of only two occasions on which the pianist was recorded for Riverside during "live" performance (the other, of course, resulted in the classic pair of Village Vanguard albums). But above all, these two nights at Shelly Manne's club in Hollywood marked the only recording by the excellent but short-term third trio; after the death of Scott LaFaro, bassist Chuck Israels joined Bill and Paul Motian; then in 1963 Los Angeles studio-stalwart drummer Larry Bunker made this brief but noteworthy contribution to the Evans legend.
      """
    -prixVente: "99.50"
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        "nom" => "2. Blues In "F""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-at-shelly-s-manne-hole-2-lp-45-rpm-analogue-productions-aapp-9487"
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[
  "produit" => App\Entity\Produit {#2151
    -id: 2902
    -nom: "Live At The Aquarius Theatre - The First Performance"
    -informationComplementaire: null
    -description: """
      - The Doors "Live At The Aquarius Theatre : The First Performance" !\r\n
      - Numbered edition limited to 2000 copies !\r\n
      - 180 gram 3LP set !\r\n
      - 2016 mix by The Doors engineer Bruce Botnick !\r\n
      - Features private sound check recorded at the Aquarius the day after the concert !\r\n
      - Pressed at Quality Record Pressings on 180 gram vinyl !\r\n
      - Housed in a 3-Pocket M-Pack Tip-On Jacket from Stoughton Printing !\r\n
      \r\n
      This (3 LP) set features The Doors' first set at the Aquarius Theatre on Sunset Boulevard in Los Angeles, California on July 21, 1969. \r\n
      \r\n
      At the intimate Aquarius Theatre, The Doors took the stage for what would become one of their most captivating and underrated live recordings. Live at the Aquarius Theatre: The First Performance captures Morrison and company in rare form: loose, loud, and locked in, delivering a set that was equal parts dark poetry and rock 'n' roll exorcism.\r\n
      \r\n
      The setlist is a fiery blend of hits, deep cuts, and blues workouts, from a swaggering "Back Door Man" to a hypnotic "The End" that slithers like a fever dream through your speakers. Jim Morrison teeters between mystic shaman and cheeky frontman, while Robby Krieger's guitar cuts through the psychedelic fog with razor-sharp precision. Ray Manzarek's keyboards are their usual haunted carnival ride, and John Densmore's drumming is the glue holding together the madness.\r\n
      \r\n
      "The Doors' first show at the Aquarius that you have on vinyl is an entirely new mix. When it came time to make the lacquer masters... the only option was to remix the show, which turned out to be beneficial in the long run as it gave us an opportunity to do a new High-Resolution archive of the 8 track analogue masters to 192/24. Also, using new tools available to us that we didn't have in 2001, we were able to remove most, it not all, of the hum and buzz which permeated the show. The new mix, which was done on an Avid Icon digital console, is a revelation, as it is so clear that it's almost like hearing the show for the first time... the resulting complete show was broken up into the five sides that comprise the show for the lacquer mastering.\r\n
      \r\n
      "In the interest of giving something new that you may never have heard before, side six is from the soundcheck. It isn't all that long, but it has some good moments for you to enjoy". - Bruce Botnick, Jan. 7, 2016, from the liner notes\r\n
      \r\n
      The Doors "Live at the Aquarius Theatre : The First Performance" isn't just a concert recording it's a time machine.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (keyboards), Robby Krieger (guitar), John Densmore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=csl1mZvgdbU&list=PLO3z44dxr38j7FLR4nJv1425tb-_dIO9l&index=3"
    -referenceProduit: "Analogue Productions AAPP 220"
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        "nom" => "4. Break On Through"
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        "ordre" => 5
        "nom" => "5. What Do We Do Next ?"
      ]
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        "ordre" => 6
        "nom" => "6. Soul Kitchen"
      ]
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        "nom" => "Side B : "
      ]
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        "ordre" => 8
        "nom" => "1. You Make Me Real"
      ]
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        "nom" => "2. Tuning"
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        "ordre" => 10
        "nom" => "3. I Will Never Be Untrue"
      ]
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        "ordre" => 11
        "nom" => "4. The Crowd Humbly Requests"
      ]
      [
        "ordre" => 12
        "nom" => "5. When The Music's Over"
      ]
      [
        "ordre" => 13
        "nom" => "Side C :"
      ]
      [
        "ordre" => 14
        "nom" => "1. Universal Mind"
      ]
      [
        "ordre" => 15
        "nom" => "2. The Crowd Requests Their Favorites And Tuning"
      ]
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        "nom" => "3. Mystery Train / Crossroads"
      ]
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        "nom" => "4. Build Me A Woman"
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      [
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        "nom" => "Side D : "
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        "nom" => "1. Tuning"
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        "nom" => "4. Light My Fire"
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    ]
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App\Twig\Components\GestionPanierFavoriComponents {#3578
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    -id: 2902
    -nom: "Live At The Aquarius Theatre - The First Performance"
    -informationComplementaire: null
    -description: """
      - The Doors "Live At The Aquarius Theatre : The First Performance" !\r\n
      - Numbered edition limited to 2000 copies !\r\n
      - 180 gram 3LP set !\r\n
      - 2016 mix by The Doors engineer Bruce Botnick !\r\n
      - Features private sound check recorded at the Aquarius the day after the concert !\r\n
      - Pressed at Quality Record Pressings on 180 gram vinyl !\r\n
      - Housed in a 3-Pocket M-Pack Tip-On Jacket from Stoughton Printing !\r\n
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      This (3 LP) set features The Doors' first set at the Aquarius Theatre on Sunset Boulevard in Los Angeles, California on July 21, 1969. \r\n
      \r\n
      At the intimate Aquarius Theatre, The Doors took the stage for what would become one of their most captivating and underrated live recordings. Live at the Aquarius Theatre: The First Performance captures Morrison and company in rare form: loose, loud, and locked in, delivering a set that was equal parts dark poetry and rock 'n' roll exorcism.\r\n
      \r\n
      The setlist is a fiery blend of hits, deep cuts, and blues workouts, from a swaggering "Back Door Man" to a hypnotic "The End" that slithers like a fever dream through your speakers. Jim Morrison teeters between mystic shaman and cheeky frontman, while Robby Krieger's guitar cuts through the psychedelic fog with razor-sharp precision. Ray Manzarek's keyboards are their usual haunted carnival ride, and John Densmore's drumming is the glue holding together the madness.\r\n
      \r\n
      "The Doors' first show at the Aquarius that you have on vinyl is an entirely new mix. When it came time to make the lacquer masters... the only option was to remix the show, which turned out to be beneficial in the long run as it gave us an opportunity to do a new High-Resolution archive of the 8 track analogue masters to 192/24. Also, using new tools available to us that we didn't have in 2001, we were able to remove most, it not all, of the hum and buzz which permeated the show. The new mix, which was done on an Avid Icon digital console, is a revelation, as it is so clear that it's almost like hearing the show for the first time... the resulting complete show was broken up into the five sides that comprise the show for the lacquer mastering.\r\n
      \r\n
      "In the interest of giving something new that you may never have heard before, side six is from the soundcheck. It isn't all that long, but it has some good moments for you to enjoy". - Bruce Botnick, Jan. 7, 2016, from the liner notes\r\n
      \r\n
      The Doors "Live at the Aquarius Theatre : The First Performance" isn't just a concert recording it's a time machine.
      """
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[
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    -nom: "Blue Gene (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Gene Ammons "Blue Gene" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Jazz lovers and sonic thrill seekers here's a horn-heavy hangout starring the smooth, swaggering Gene Ammons and a dream team of mid-century jazz legends. Think of it as a top-shelf jam session that someone wisely remembered to hit "record" on.\r\n
      \r\n
      This 1958 Prestige gem is bluesy by name and bluesier by nature three of the four tracks ride those familiar blues changes like a Cadillac with velvet seats. But don't get too comfortable, because pianist Mal Waldron penned the entire setlist, including the haunting, minor-key ballad "Hip Tip", just to keep your ears on their toes.\r\n
      \r\n
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      \r\n
      Every player on this date had already jammed with Gene before, so the chemistry is tighter than a snare drum. It's the kind of session where everyone shows up knowing it's about to go down and it does.\r\n
      \r\n
      The vinyl reissue is par excellence: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      Blue Gene is a must-have slice of golden-era jazz equal parts brains, brawn, and bluesy brilliance. File it under "Instant Vibe".
      """
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App\Twig\Components\GestionPanierFavoriComponents {#3629
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    -nom: "Blue Gene (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Gene Ammons "Blue Gene" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
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      \r\n
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[
  "produit" => App\Entity\Produit {#2193
    -id: 2926
    -nom: "In New York (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Chet Baker "In New York" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      On Chet Baker In New York, Chet plays like an angel with a muted trumpet. In New York captures the moody prince of cool stepping into the East Coast hard bop ring and holding his own with charm, tone, and those impossibly lyrical lines that seem to float above the beat like cigarette smoke in a club basement.\r\n
      \r\n
      Chet Baker didn't play the trumpet. He seduced it. His tone ? So velvety, you might try spreading it on toast. His solos ? Like a conversation with someone who never raises their voice but always gets the last word. On In New York, Chet proves that his famously fragile persona belied a rock-solid sense of melody, timing, and understated swagger.\r\n
      \r\n
      Chet may be the name on the cover, but he came to town with some serious firepower. Johnny Griffin (tenor sax), known as the "Little Giant" brings a big sound and a bebop bite, pushing Chet into edgier territory and yes, it works. Al Haig (piano), is bebop royalty. Cool, crisp, and a perfect harmonic foil for Baker's phrasing. Paul Chambers (bass), is from Miles' first-call list. He doesn't just walk the bass he struts. Lastly, Philly Joe Jones (drums) swings so hard, it's a wonder the studio walls didn't cave in. This lineup turns In New York from a moody trumpet feature into a full-on jazz heavyweight bout, where elegance and energy shake hands for 42 glorious minutes.\r\n
      \r\n
      Among the tracks, "Fair Weather" opens like a sigh and builds to a gorgeous melodic statement. Chet's tone is so pure, you'll swear it's whispering secrets. "Solar" is the Miles Davis tune. Chet steps into the master's world and makes it his own. Confident, cool, and swinging. "Polka Dots and Moonbeams" is a ballad done Baker-style: Romantic, vulnerable, and smoother than a vintage Cadillac. These are just a taste of the treasures that await on In New York.\r\n
      \r\n
      This vinyl reissue is par excellence: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      This is an album that deserves space in every jazz fan's collection. It captures a unique moment in Chet's career between the breezy West Coast cool and the rawer later years. It's a must-have for any jazz collector who values tone, taste, and a little touch of trumpet romance. Add to cart. Drop the needle. Cue the cool.
      """
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App\Twig\Components\GestionPanierFavoriComponents {#3680
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    -description: """
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      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
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      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
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      On Chet Baker In New York, Chet plays like an angel with a muted trumpet. In New York captures the moody prince of cool stepping into the East Coast hard bop ring and holding his own with charm, tone, and those impossibly lyrical lines that seem to float above the beat like cigarette smoke in a club basement.\r\n
      \r\n
      Chet Baker didn't play the trumpet. He seduced it. His tone ? So velvety, you might try spreading it on toast. His solos ? Like a conversation with someone who never raises their voice but always gets the last word. On In New York, Chet proves that his famously fragile persona belied a rock-solid sense of melody, timing, and understated swagger.\r\n
      \r\n
      Chet may be the name on the cover, but he came to town with some serious firepower. Johnny Griffin (tenor sax), known as the "Little Giant" brings a big sound and a bebop bite, pushing Chet into edgier territory and yes, it works. Al Haig (piano), is bebop royalty. Cool, crisp, and a perfect harmonic foil for Baker's phrasing. Paul Chambers (bass), is from Miles' first-call list. He doesn't just walk the bass he struts. Lastly, Philly Joe Jones (drums) swings so hard, it's a wonder the studio walls didn't cave in. This lineup turns In New York from a moody trumpet feature into a full-on jazz heavyweight bout, where elegance and energy shake hands for 42 glorious minutes.\r\n
      \r\n
      Among the tracks, "Fair Weather" opens like a sigh and builds to a gorgeous melodic statement. Chet's tone is so pure, you'll swear it's whispering secrets. "Solar" is the Miles Davis tune. Chet steps into the master's world and makes it his own. Confident, cool, and swinging. "Polka Dots and Moonbeams" is a ballad done Baker-style: Romantic, vulnerable, and smoother than a vintage Cadillac. These are just a taste of the treasures that await on In New York.\r\n
      \r\n
      This vinyl reissue is par excellence: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      This is an album that deserves space in every jazz fan's collection. It captures a unique moment in Chet's career between the breezy West Coast cool and the rawer later years. It's a must-have for any jazz collector who values tone, taste, and a little touch of trumpet romance. Add to cart. Drop the needle. Cue the cool.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Chet Baker (trumpet), Johnny Griffin (tenor saxophone), Al Haig (piano), Paul Chambers (bass), Philly Joe Jones (drums), Zoot Sims (tenor saxophone), Bob Corwin (piano), Charlie Smith (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=NTU08M3t3Ww&list=RDNTU08M3t3Ww&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 206-45"
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        "nom" => "2. Polka Dots And Moonbeams"
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        "nom" => "1. Hotel 49"
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        "nom" => "1. Solar"
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        "nom" => "1. When Lights Are Low"
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[
  "produit" => App\Entity\Produit {#2213
    -id: 2958
    -nom: "Kaya (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Bob Marley (rhythm guitar, lead vocals), Rita Marley, Judy Mowatt, Marcia Griffiths (backing vocals), Junior Marvin, Al Anderson (lead guitar), Aston Barrett (bass guitar), Tyrone Downie, Earl Lindo (keyboards), Alvin Patterson (percussion), Carlton Barrett (drums).\r\n
      \r\n
      - Bob Marley & The Wailers "Kaya" !\r\n
      - Mastered by Frank Arkwright and Ryan K. Smith at Abbey Road Studios in London from the original master tape !\r\n
      - Two 45 RPM LPs pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Deluxe Old-Style Tip-On Stoughton Printing gatefold jacket !\r\n
      \r\n
      Kaya, released in 1978, was the tenth studio album by the Jamaican band Bob Marley & The Wailers, comprising tracks recorded alongside those released on the Exodus album. On Kaya, the band continued what has become an unspoken tradition in the evolution of Bob Marley & The Wailers discography blending western sounds and motifs with the icons and traditions from the very core of Jamaican society.\r\n
      \r\n
      Released in 1978, Kaya wasn't necessarily made with American tastes in mind, but it was an album that presented a more accessible version of Bob Marley. Lyrically, the songs avoided the political commentary or Rastafarian philosophizing that was at the forefront of Natty Dread and Rastaman Vibration, and instead emphasized tunes about love and ganga, such as "Easy Skanking" and the title cut. And the palpable musical tension that simmered beneath the surface on the Wailers' earlier material gave way to a more laid-back riddim that was more comfortable but a bit less demanding. Kaya presented a gentler and friendlier version of Bob Marley & the Wailers, but it also documented Marley and his group at the peak of their abilities.\r\n
      \r\n
      Likewise, Kaya could also be easily construed as an open love letter or musical paean to the lifestyle that Marley so eagerly embraced and promoted. Evidence that the spirituality that permeates the Wailers music is real and not lip service.\r\n
      \r\n
      Now, Analogue Productions presents Kaya in sonic perfection featured on 180 gram vinyl pressed at 45 RPM at Quality Record Pressings. Housed in a deluxe Old Style Tip-On Jacket from Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Bob Marley (rhythm guitar, lead vocals), Rita Marley, Judy Mowatt, Marcia Griffiths (backing vocals), Junior Marvin, Al Anderson (lead guitar), Aston Barrett (bass guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=vbED91NU4vE&list=RDvbED91NU4vE&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 181-45"
    -titreMorceau: [
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        "nom" => "1. Easy Skanking"
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        "nom" => "3. Is This Love "
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        "nom" => "1. Sun Is Shining"
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      [
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        "nom" => "2. Satisfy My Soul "
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        "nom" => "Side C :"
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        "nom" => "1. She's Gone"
      ]
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        "nom" => "2. Misty Morning"
      ]
      [
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        "nom" => "3. Crisis "
      ]
      [
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        "nom" => "Side D : "
      ]
      [
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        "nom" => "1. Running Away"
      ]
      [
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        "nom" => "2. Time Will Tell"
      ]
      [
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        "nom" => ""
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        "nom" => ""
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      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2215 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1475 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2224 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2217 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2219 …}
    -enregistreLe: DateTime @1770065381 {#2206
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    }
    -modifierLe: DateTime @1770102405 {#2207
      date: 2026-02-03 07:06:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2221 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-kaya-2-lp-45-rpm-analogue-productions-aapp-181-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3731
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2651 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2213
    -id: 2958
    -nom: "Kaya (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Bob Marley (rhythm guitar, lead vocals), Rita Marley, Judy Mowatt, Marcia Griffiths (backing vocals), Junior Marvin, Al Anderson (lead guitar), Aston Barrett (bass guitar), Tyrone Downie, Earl Lindo (keyboards), Alvin Patterson (percussion), Carlton Barrett (drums).\r\n
      \r\n
      - Bob Marley & The Wailers "Kaya" !\r\n
      - Mastered by Frank Arkwright and Ryan K. Smith at Abbey Road Studios in London from the original master tape !\r\n
      - Two 45 RPM LPs pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Deluxe Old-Style Tip-On Stoughton Printing gatefold jacket !\r\n
      \r\n
      Kaya, released in 1978, was the tenth studio album by the Jamaican band Bob Marley & The Wailers, comprising tracks recorded alongside those released on the Exodus album. On Kaya, the band continued what has become an unspoken tradition in the evolution of Bob Marley & The Wailers discography blending western sounds and motifs with the icons and traditions from the very core of Jamaican society.\r\n
      \r\n
      Released in 1978, Kaya wasn't necessarily made with American tastes in mind, but it was an album that presented a more accessible version of Bob Marley. Lyrically, the songs avoided the political commentary or Rastafarian philosophizing that was at the forefront of Natty Dread and Rastaman Vibration, and instead emphasized tunes about love and ganga, such as "Easy Skanking" and the title cut. And the palpable musical tension that simmered beneath the surface on the Wailers' earlier material gave way to a more laid-back riddim that was more comfortable but a bit less demanding. Kaya presented a gentler and friendlier version of Bob Marley & the Wailers, but it also documented Marley and his group at the peak of their abilities.\r\n
      \r\n
      Likewise, Kaya could also be easily construed as an open love letter or musical paean to the lifestyle that Marley so eagerly embraced and promoted. Evidence that the spirituality that permeates the Wailers music is real and not lip service.\r\n
      \r\n
      Now, Analogue Productions presents Kaya in sonic perfection featured on 180 gram vinyl pressed at 45 RPM at Quality Record Pressings. Housed in a deluxe Old Style Tip-On Jacket from Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Bob Marley (rhythm guitar, lead vocals), Rita Marley, Judy Mowatt, Marcia Griffiths (backing vocals), Junior Marvin, Al Anderson (lead guitar), Aston Barrett (bass guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vbED91NU4vE&list=RDvbED91NU4vE&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 181-45"
    -titreMorceau: [
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        "ordre" => 1
        "nom" => "1. Easy Skanking"
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        "nom" => "2. Satisfy My Soul "
      ]
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        "nom" => "Side C :"
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      ]
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        "nom" => "2. Misty Morning"
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        "nom" => "3. Crisis "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2215 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2419 …}
}