Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2535
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2382 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2612
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2615 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2614 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2382 …}
  -formView: Symfony\Component\Form\FormView {#2651 …}
  -form: Symfony\Component\Form\Form {#2801 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 2261
    -nom: "Live At The Sands (Before Frank)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Count Basie (piano), Charlie Fowlkes (flute, baritone saxophone), Bobby Plater (flute, tenor saxophone), Freddie Green (guitar), Eddie "Lockjaw" Davis (tenor saxophone), Al Grey, Grover Mitchell, Henderson Chambers (trombone), Al Aarons, Phillip Guilbeau, George Cohn, Wallace Davenport (trumpet), Norman Keenan (bass), Bill Hughes (bass trombone), Marshall Royal (clarinet, alto saxophone),  Sonny Payne (drums).\r\n
      \r\n
      - SWINGING HARD AND HEAVY WITH ORCHESTRAL SUPPORT, RECORDED DURING WARM-UP SETS FOR SINATRA\r\n
      - Digital clone of original 1998 PCM digital master to analog console to lathe\r\n
      \r\n
      This recording was originally made on 4 track analog tape in 1966. It was not mixed until 1998, onto U-Matic tape, using the Sony 1630 PCM digital system.\r\n
      \r\n
      Count Basie and Frank Sinatra had the perfect arrangement at the Sands. Before the Chairman hit the stage in Vegas, Count Basie and his big band warmed up the already enthusiastic crowd with a brief set of their own. A dynamite entertainer, the legendary leader causes hearts to race, hips to shake, and fingers to snap with high-energy readings of his trademark swing music, taken to feverish heights by both his first-rate orchestra and the incredibly swank setting. Fortunately, the finest of Basie and Co.'s introductory performances from the historic 1966 dates have been preserved here and serve as a seminal complement to Sinatra's iconic Live at the Sands.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, our analog version of Live at the Sands (Before Frank) gives you a dead-center, eighth-row seat at the famed Sin City club. You'll just need to supply your own table and cocktail. Renowned for its sonic clarity, transparency, crispness, and punch, the record is now tremendously enhanced, with improved tonality, a deeper soundstage, correct balances, and lifelike presence. Each horn occupies its own space, and Basie's transfixing piano a focal point throughout – resonates with gorgeous detail and impeccable pacing. The collective's energy almost demands to be measured with an SPL meter.\r\n
      \r\n
      Captured in late January and early February 1966, Live at the Sands (Before Frank) contains most of Basie's signature pieces delivered with an enthusiasm, style, and brassiness that exceed that gracing nearly any of the Count's studio efforts. His band is stacked to the nines, with tenor saxophonist Eddie "Lockjaw" Davis, saxophonist/flautist Eric Dixon, and drummer "Sonny" Payne among the prized cast. The Sands dates marked the first time in years that these players, as well as trombonist Al Grey, gathered onstage together.\r\n
      \r\n
      Encouraged by Basie, the instrumentalists engage in a series of call-and-response passages and standout solos, not the least of which is Davis' turn on a white-hot "Jumpin' at the Woodside" and he and Dixon's exchanges on "This Could Be the Start of Something Big." No slouch, Basie approaches "Makin' Whoopee" with graceful playfulness, and oversees the assortment of uptempo swing numbers and mellow ballads with astute melodicism. A sublime version of the Don Gibson country standard "I Can't Stop Loving You," arranged by Quincy Jones, can almost be considered a bonus.\r\n
      \r\n
      No, it don't mean a thing if it ain't got that swing. And Basie and his mates have plenty of it on this superb outing. Big-band jazz seldom enjoyed such levels of rhythmic precision, expert charts, or unfettered joy. Unbelievably, this gem has been out of print for years, with original copies both on vinyl and CD commanding steep prices. our reissue restores not only the sonics but the record's place in jazz history.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Count Basie (piano), Charlie Fowlkes (flute, baritone saxophone), Bobby Plater (flute, tenor saxophone), Freddie Green (guitar), Eddie "Lockjaw" Davis (tenor saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8lwaENzfzXk"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-401-2"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Introduction"
        "ordre" => 1
      ]
      [
        "nom" => "2. Splanky"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Can't Stop Loving You"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Needs to Be Bee'd With"
        "ordre" => 4
      ]
      [
        "nom" => "5. Flight of the Foo Birds"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Satin Doll"
        "ordre" => 7
      ]
      [
        "nom" => "2. Makin' Whoopee!"
        "ordre" => 8
      ]
      [
        "nom" => "3. Corner Pocket"
        "ordre" => 9
      ]
      [
        "nom" => "Side C : "
        "ordre" => 10
      ]
      [
        "nom" => "1. One O'Clock Jump"
        "ordre" => 11
      ]
      [
        "nom" => "2. Hello Little Girl"
        "ordre" => 12
      ]
      [
        "nom" => "3. Whirly Bird"
        "ordre" => 13
      ]
      [
        "nom" => "Side D : "
        "ordre" => 14
      ]
      [
        "nom" => "1. Blues for Ilene"
        "ordre" => 15
      ]
      [
        "nom" => "2. This Could Be the Start of Something Big"
        "ordre" => 16
      ]
      [
        "nom" => "3. Jumpin' at the Woodside"
        "ordre" => 17
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1660984211 {#1896
      date: 2022-08-20 08:30:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763842305 {#1889
      date: 2025-11-22 20:11:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-the-sands-before-frank-mobile-fidelity-sound-lab-mfsl-2-401-2"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3076
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2614 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 2261
    -nom: "Live At The Sands (Before Frank)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Count Basie (piano), Charlie Fowlkes (flute, baritone saxophone), Bobby Plater (flute, tenor saxophone), Freddie Green (guitar), Eddie "Lockjaw" Davis (tenor saxophone), Al Grey, Grover Mitchell, Henderson Chambers (trombone), Al Aarons, Phillip Guilbeau, George Cohn, Wallace Davenport (trumpet), Norman Keenan (bass), Bill Hughes (bass trombone), Marshall Royal (clarinet, alto saxophone),  Sonny Payne (drums).\r\n
      \r\n
      - SWINGING HARD AND HEAVY WITH ORCHESTRAL SUPPORT, RECORDED DURING WARM-UP SETS FOR SINATRA\r\n
      - Digital clone of original 1998 PCM digital master to analog console to lathe\r\n
      \r\n
      This recording was originally made on 4 track analog tape in 1966. It was not mixed until 1998, onto U-Matic tape, using the Sony 1630 PCM digital system.\r\n
      \r\n
      Count Basie and Frank Sinatra had the perfect arrangement at the Sands. Before the Chairman hit the stage in Vegas, Count Basie and his big band warmed up the already enthusiastic crowd with a brief set of their own. A dynamite entertainer, the legendary leader causes hearts to race, hips to shake, and fingers to snap with high-energy readings of his trademark swing music, taken to feverish heights by both his first-rate orchestra and the incredibly swank setting. Fortunately, the finest of Basie and Co.'s introductory performances from the historic 1966 dates have been preserved here and serve as a seminal complement to Sinatra's iconic Live at the Sands.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, our analog version of Live at the Sands (Before Frank) gives you a dead-center, eighth-row seat at the famed Sin City club. You'll just need to supply your own table and cocktail. Renowned for its sonic clarity, transparency, crispness, and punch, the record is now tremendously enhanced, with improved tonality, a deeper soundstage, correct balances, and lifelike presence. Each horn occupies its own space, and Basie's transfixing piano a focal point throughout – resonates with gorgeous detail and impeccable pacing. The collective's energy almost demands to be measured with an SPL meter.\r\n
      \r\n
      Captured in late January and early February 1966, Live at the Sands (Before Frank) contains most of Basie's signature pieces delivered with an enthusiasm, style, and brassiness that exceed that gracing nearly any of the Count's studio efforts. His band is stacked to the nines, with tenor saxophonist Eddie "Lockjaw" Davis, saxophonist/flautist Eric Dixon, and drummer "Sonny" Payne among the prized cast. The Sands dates marked the first time in years that these players, as well as trombonist Al Grey, gathered onstage together.\r\n
      \r\n
      Encouraged by Basie, the instrumentalists engage in a series of call-and-response passages and standout solos, not the least of which is Davis' turn on a white-hot "Jumpin' at the Woodside" and he and Dixon's exchanges on "This Could Be the Start of Something Big." No slouch, Basie approaches "Makin' Whoopee" with graceful playfulness, and oversees the assortment of uptempo swing numbers and mellow ballads with astute melodicism. A sublime version of the Don Gibson country standard "I Can't Stop Loving You," arranged by Quincy Jones, can almost be considered a bonus.\r\n
      \r\n
      No, it don't mean a thing if it ain't got that swing. And Basie and his mates have plenty of it on this superb outing. Big-band jazz seldom enjoyed such levels of rhythmic precision, expert charts, or unfettered joy. Unbelievably, this gem has been out of print for years, with original copies both on vinyl and CD commanding steep prices. our reissue restores not only the sonics but the record's place in jazz history.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Count Basie (piano), Charlie Fowlkes (flute, baritone saxophone), Bobby Plater (flute, tenor saxophone), Freddie Green (guitar), Eddie "Lockjaw" Davis (tenor saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8lwaENzfzXk"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-401-2"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Introduction"
        "ordre" => 1
      ]
      [
        "nom" => "2. Splanky"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Can't Stop Loving You"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Needs to Be Bee'd With"
        "ordre" => 4
      ]
      [
        "nom" => "5. Flight of the Foo Birds"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Satin Doll"
        "ordre" => 7
      ]
      [
        "nom" => "2. Makin' Whoopee!"
        "ordre" => 8
      ]
      [
        "nom" => "3. Corner Pocket"
        "ordre" => 9
      ]
      [
        "nom" => "Side C : "
        "ordre" => 10
      ]
      [
        "nom" => "1. One O'Clock Jump"
        "ordre" => 11
      ]
      [
        "nom" => "2. Hello Little Girl"
        "ordre" => 12
      ]
      [
        "nom" => "3. Whirly Bird"
        "ordre" => 13
      ]
      [
        "nom" => "Side D : "
        "ordre" => 14
      ]
      [
        "nom" => "1. Blues for Ilene"
        "ordre" => 15
      ]
      [
        "nom" => "2. This Could Be the Start of Something Big"
        "ordre" => 16
      ]
      [
        "nom" => "3. Jumpin' at the Woodside"
        "ordre" => 17
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1660984211 {#1896
      date: 2022-08-20 08:30:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763842305 {#1889
      date: 2025-11-22 20:11:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-the-sands-before-frank-mobile-fidelity-sound-lab-mfsl-2-401-2"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2382 …}
}

[
  "produit" => App\Entity\Produit {#2035
    -id: 2563
    -nom: "Bookends - (Limited Numbered Edition Super Vinyl)"
    -informationComplementaire: null
    -description: """
      - Simon & Garfunkel "Bookends" 180 gram LP !\r\n
      - 1/4" / 15 ips analog copy to DSD 256 to analog console to lathe !\r\n
      - Numbered edition limited to 4000 copies !\r\n
      - Pressed at Fidelity Record Pressing on MoFi SuperVinyl !\r\n
      - Stoughton Printing gatefold jacket !\r\n
      - Hear the brilliance of the original recording sessions! Simon & Garfunkel's Bookends includes the hits "Mrs. Robinson" and "A Hazy Shade of Winter" !\r\n
      \r\n
      Concept album, career-making moment, industry-defying creation, years-long pursuit of perfection: Simon and Garfunkel's Bookends adheres to all those descriptions and more, the record at once a defining statement of the late 1960s and salient reflection on relationships, identity, society, and mortality whose enduring relevance attests to its exceptional merit. Ranked by countless sources as one of the greatest records of all time, the 1968 work transcends styles, trends, and generations.\r\n
      \r\n
      Mastered on MoFi's renowned system at the label's California studio, housed in a Stoughton jacket, pressed at Fidelity Record Pressing, and strictly limited to 4000 numbered copies, Mobile Fidelity's 180 gram SuperVinyl 33 1/3 RPM LP of Bookends presents the duo's timeless effort in reference-quality sound. Benefitting from the inherent properties of the SuperVinyl formula a nearly inaudible noise floor, superb groove definition, dead-quiet surfaces this collectible reissue magnifies the brilliance of the extended production sessions that took place over the course of 18 months at Columbia's iconic 52nd Street Studio.\r\n
      \r\n
      Simon himself said that Bookends possesses "the most use of the studio" of any Simon & Garfunkel effort. The plain truth of his observation comes to fore on this audiophile LP. The full bloom and natural decay of notes; weight and impact of low-end frequencies; lushness, breathiness, and air of the omnipresent harmonies; separation and imaging of the wood, string, and brass instruments; timbres and in-the-room realism of Simon's lead vocals these critical traits and more are rendered with elevated accuracy, detail, and presence. Bookends has never sounded more transparent, lifelike, or balanced.\r\n
      \r\n
      And that's exactly what Simon, Garfunkel, and producer Roy Halee intended while taking as many as 50 hours to nail a single track. Envisioned from the start by Simon as a way to capture the age's zeitgeist, and inspired by the broad strokes of the Beatles' Sgt. Pepper's Lonely Hearts Club Band and Bob Dylan's Blonde on Blonde, Bookends pairs its sonic flair and diverse arrangements that incorporate folk, rock, jazz, pop, and baroque elements with arresting lyrics that address restlessness, uncertainty, alienation, love, and heritage.\r\n
      \r\n
      The first half of Bookends traces the cycle of life from beginning to end, with the final words to "Bookends Theme" a call to "preserve your memories/they're all that's left you" echoing as the overarching and recurring theme of the album. Before the pair lands on that advice, Simon & Garfunkel use irony ("Save the Life of My Child"), metaphor ("America"), suggestion ("Overs"), field recordings ("Voices of Old People"), and descriptive imagery ("Old Friends") to cover everything from the loss of innocence to institutional hypocrisy and fears of loneliness.\r\n
      \r\n
      Released amid a tumultuous political and cultural climate, Bookends retains enormous significance and relevance more than five decades later in a 21st century facing many of the same issues. Its central motifs searching for meaning and identity; dealing with loss and disappointment; negotiating the split between authenticity and ersatz; reconciling with what one sacrifices over a lifetime; confronting life stages that involve sadness, bewilderment, and disappointment are universal concerns. And the "America" Simon & Garfunkel pursues remains more elusive than ever.\r\n
      \r\n
      As does our collective want for a lasting hero ("Mrs. Robinson"), tendency toward affectation ("Fakin' It"), and inclination to wishfully insert ourselves into circumstances rooted in whimsical fantasy ("Punky's Dilemma"), particularly when we need an escape. Though the songs on the album's second half were not devised as part of a unified narrative, they speak a related language steeped in disillusionment, anxiety, and doubt. None more so than on the grayscale "A Hazy Shade of Winter".\r\n
      \r\n
      "Simply pretend", Simon sings, "that you can build [hopes] again", knowing full well he's not even fooling himself. Like few albums before or since, Bookends exposes the human condition from the inside-out amid an environment that isn't what it often appears or what we originally sought.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Paul Simon (guitar, vocals), Art Garfunkel (percussion, vocals), Joe Osborn (bass guitar), Larry Knechtel (piano, keyboards, bass guitar), John Simon (synthesizer), Hal Blaine (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-wjs9Y1IEOs"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-541"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Bookends Theme"
        "ordre" => 1
      ]
      [
        "nom" => "2. Save the Life of My Child"
        "ordre" => 2
      ]
      [
        "nom" => "3. America"
        "ordre" => 3
      ]
      [
        "nom" => "4. Overs"
        "ordre" => 4
      ]
      [
        "nom" => "5. Voices of Old People"
        "ordre" => 5
      ]
      [
        "nom" => "6. Old Friends"
        "ordre" => 6
      ]
      [
        "nom" => "7. Bookends Theme (Reprise)"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Fakin’ It"
        "ordre" => 9
      ]
      [
        "nom" => "2. Punky’s Dilemma"
        "ordre" => 10
      ]
      [
        "nom" => "3. Mrs. Robinson"
        "ordre" => 11
      ]
      [
        "nom" => "4. A Hazy Shade of Winter"
        "ordre" => 12
      ]
      [
        "nom" => "5. At the Zoo"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1727683478 {#2032
      date: 2024-09-30 08:04:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763813531 {#2033
      date: 2025-11-22 12:12:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bookends-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-541"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3190
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2614 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2035
    -id: 2563
    -nom: "Bookends - (Limited Numbered Edition Super Vinyl)"
    -informationComplementaire: null
    -description: """
      - Simon & Garfunkel "Bookends" 180 gram LP !\r\n
      - 1/4" / 15 ips analog copy to DSD 256 to analog console to lathe !\r\n
      - Numbered edition limited to 4000 copies !\r\n
      - Pressed at Fidelity Record Pressing on MoFi SuperVinyl !\r\n
      - Stoughton Printing gatefold jacket !\r\n
      - Hear the brilliance of the original recording sessions! Simon & Garfunkel's Bookends includes the hits "Mrs. Robinson" and "A Hazy Shade of Winter" !\r\n
      \r\n
      Concept album, career-making moment, industry-defying creation, years-long pursuit of perfection: Simon and Garfunkel's Bookends adheres to all those descriptions and more, the record at once a defining statement of the late 1960s and salient reflection on relationships, identity, society, and mortality whose enduring relevance attests to its exceptional merit. Ranked by countless sources as one of the greatest records of all time, the 1968 work transcends styles, trends, and generations.\r\n
      \r\n
      Mastered on MoFi's renowned system at the label's California studio, housed in a Stoughton jacket, pressed at Fidelity Record Pressing, and strictly limited to 4000 numbered copies, Mobile Fidelity's 180 gram SuperVinyl 33 1/3 RPM LP of Bookends presents the duo's timeless effort in reference-quality sound. Benefitting from the inherent properties of the SuperVinyl formula a nearly inaudible noise floor, superb groove definition, dead-quiet surfaces this collectible reissue magnifies the brilliance of the extended production sessions that took place over the course of 18 months at Columbia's iconic 52nd Street Studio.\r\n
      \r\n
      Simon himself said that Bookends possesses "the most use of the studio" of any Simon & Garfunkel effort. The plain truth of his observation comes to fore on this audiophile LP. The full bloom and natural decay of notes; weight and impact of low-end frequencies; lushness, breathiness, and air of the omnipresent harmonies; separation and imaging of the wood, string, and brass instruments; timbres and in-the-room realism of Simon's lead vocals these critical traits and more are rendered with elevated accuracy, detail, and presence. Bookends has never sounded more transparent, lifelike, or balanced.\r\n
      \r\n
      And that's exactly what Simon, Garfunkel, and producer Roy Halee intended while taking as many as 50 hours to nail a single track. Envisioned from the start by Simon as a way to capture the age's zeitgeist, and inspired by the broad strokes of the Beatles' Sgt. Pepper's Lonely Hearts Club Band and Bob Dylan's Blonde on Blonde, Bookends pairs its sonic flair and diverse arrangements that incorporate folk, rock, jazz, pop, and baroque elements with arresting lyrics that address restlessness, uncertainty, alienation, love, and heritage.\r\n
      \r\n
      The first half of Bookends traces the cycle of life from beginning to end, with the final words to "Bookends Theme" a call to "preserve your memories/they're all that's left you" echoing as the overarching and recurring theme of the album. Before the pair lands on that advice, Simon & Garfunkel use irony ("Save the Life of My Child"), metaphor ("America"), suggestion ("Overs"), field recordings ("Voices of Old People"), and descriptive imagery ("Old Friends") to cover everything from the loss of innocence to institutional hypocrisy and fears of loneliness.\r\n
      \r\n
      Released amid a tumultuous political and cultural climate, Bookends retains enormous significance and relevance more than five decades later in a 21st century facing many of the same issues. Its central motifs searching for meaning and identity; dealing with loss and disappointment; negotiating the split between authenticity and ersatz; reconciling with what one sacrifices over a lifetime; confronting life stages that involve sadness, bewilderment, and disappointment are universal concerns. And the "America" Simon & Garfunkel pursues remains more elusive than ever.\r\n
      \r\n
      As does our collective want for a lasting hero ("Mrs. Robinson"), tendency toward affectation ("Fakin' It"), and inclination to wishfully insert ourselves into circumstances rooted in whimsical fantasy ("Punky's Dilemma"), particularly when we need an escape. Though the songs on the album's second half were not devised as part of a unified narrative, they speak a related language steeped in disillusionment, anxiety, and doubt. None more so than on the grayscale "A Hazy Shade of Winter".\r\n
      \r\n
      "Simply pretend", Simon sings, "that you can build [hopes] again", knowing full well he's not even fooling himself. Like few albums before or since, Bookends exposes the human condition from the inside-out amid an environment that isn't what it often appears or what we originally sought.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Paul Simon (guitar, vocals), Art Garfunkel (percussion, vocals), Joe Osborn (bass guitar), Larry Knechtel (piano, keyboards, bass guitar), John Simon (synthesizer), Hal Blaine (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-wjs9Y1IEOs"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-541"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Bookends Theme"
        "ordre" => 1
      ]
      [
        "nom" => "2. Save the Life of My Child"
        "ordre" => 2
      ]
      [
        "nom" => "3. America"
        "ordre" => 3
      ]
      [
        "nom" => "4. Overs"
        "ordre" => 4
      ]
      [
        "nom" => "5. Voices of Old People"
        "ordre" => 5
      ]
      [
        "nom" => "6. Old Friends"
        "ordre" => 6
      ]
      [
        "nom" => "7. Bookends Theme (Reprise)"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Fakin’ It"
        "ordre" => 9
      ]
      [
        "nom" => "2. Punky’s Dilemma"
        "ordre" => 10
      ]
      [
        "nom" => "3. Mrs. Robinson"
        "ordre" => 11
      ]
      [
        "nom" => "4. A Hazy Shade of Winter"
        "ordre" => 12
      ]
      [
        "nom" => "5. At the Zoo"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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[
  "produit" => App\Entity\Produit {#2051
    -id: 1595
    -nom: "Parsley, Sage, Rosemary and Thyme"
    -informationComplementaire: null
    -description: """
      - Songs for All Time: Simon and Garfunkel's Kaleidoscopic Parsley, Sage, Rosemary and Thyme Includes "Scarborough Fair/Canticle", "Homeward Bound", and "The 59th Street Bridge Song" !\r\n
      - Mastered on Mobile Fidelity's World-Renowned Mastering System: 180 gram Vinyl LP Brings to Light Meticulous Production, Harmonies, and Tones in Lifelike Clarity !\r\n
      - 1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      The liner notes pioneering writer Ralph J. Gleason penned for the back cover of Simon and Garfunkel's Parsley, Sage, Rosemary and Thyme ring as true now as they did upon the record's original release in 1966. He mused : "Today's popular music is in good shape indeed at least the portion of it represented by this album. It has strength and it has beauty, it has lyricism, meaning and, above all, that quality of broad appeal which still retains form. And its music speaks for more than the moment. The songs in this album are songs for all time". Indeed, they are, and they can now be experienced in the highest fidelity they've ever enjoyed.\r\n
      \r\n
      Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this 180 gram vinyl LP presents the famed duo's landmark third record in superlative sound. Reflecting the perfectionist-minded nature of Bob Johnston's meticulous production and the group's painstaking arrangements, Mobile Fidelity's reissue brings to light textures, nuances, details, and microdynamics obscured on prior editions. The hyper-realistic results give you a seat at the recording studio.\r\n
      \r\n
      The first Simon and Garfunkel set captured on an eight-track recorder, Parsley, Sage, Rosemary and Thyme here bursts with colors crucial to the scope of the songs. Separation between vocals and guitars, images of individual players, and the dimensions of the wide-spanning soundstages all flourish. Harmonies crest and seemingly float on bypassing clouds. Acoustic passages blossom with lifelike structure and tone. The intent of deliberate euphonic variations like those between the pair's singing and Charlie O'Donnell's spoken news report on the closing "7 O'Clock News/Silent Night," which function as both poetic and social commentary – is made clearer by way of the LP's reference-caliber transparency.\r\n
      \r\n
      Such punctiliousness is exactly what the duo pursued during their four months in the studio, considered then by record-company executives to be borderline excessive. Yet there's no arguing with the end results of a benchmark work Rolling Stone named the 202nd Greatest Album of All Time. Again, it proves wise to refer again to Gleason, whose observations about Parsley, Sage, Rosemary and Thyme's character remain spot-on.\r\n
      \r\n
      "There's a delicate musical design of almost lapidarian detail. It has vitality but it is control, the sounds being made deliberately for the artist's conscious purpose," he notes, before continuing, "Take the glorious kaleidoscope of rushing feelings, blowing winds, shifting colors, bursting moods of joy and exultation in ‘Cloudy.' The song is effervescent, one is refreshed hearing it".\r\n
      \r\n
      Revitalization and the wellspring of emotions that accompany it – endure as the most attractive aspect of Parsley, Sage, Rosemary and Thyme. Simon and Garfunkel achieve the feat time and again via interwoven harmonies, folk devices, revealing contrasts, vocal blending, spiritual imagery, and soaring melodies. The material is at once beautiful and evocative, pristine and natural, serious and joyful, pertinent and accessible. And while the individual appeal of chestnuts like "Homeward Bound", "Scarborough Fair / Canticle", "The 59th Street Bridge Song", and "For Emily, Whenever I May Find Her" remain iconic, the sum of the whole makes this 1966 masterwork a paramount expression of unbridled creativity and communal vision.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Paul Simon (guitar, vocals), Art Garfunkel (piano, vocals), Joe South (guitar), Carol Kaye (bass guitar), Eugene Wright (double bass), John Meszar (harpsichord), Charlie O'Donnell (spoken vocals), Hal Blaine, Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YzWrglfjQGo"
    -referenceProduit: "Mobile Fideliy Sound Lab MFSL 1-484"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Scarborough Fair/Canticle"
        "ordre" => 1
      ]
      [
        "nom" => "2. Patterns"
        "ordre" => 2
      ]
      [
        "nom" => "3. Cloudy"
        "ordre" => 3
      ]
      [
        "nom" => "4. Homeward Bound"
        "ordre" => 4
      ]
      [
        "nom" => "5. The Big Bright Green Pleasure Machine"
        "ordre" => 5
      ]
      [
        "nom" => "6. The 59th Street Bridge Song (Feelin' Groovy)"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. The Dangling Conversation"
        "ordre" => 8
      ]
      [
        "nom" => "2. Flowers Never Bend in the Rainfall"
        "ordre" => 9
      ]
      [
        "nom" => "3. A Simple Desultory Philppic"
        "ordre" => 10
      ]
      [
        "nom" => "4. For Emily, Whenever I May Find Her"
        "ordre" => 11
      ]
      [
        "nom" => "5. A Poem on the Underground Wall"
        "ordre" => 12
      ]
      [
        "nom" => "6. 7 O'Clock News/Silent Night"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2059 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2052 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2054 …}
    -enregistreLe: DateTime @1552034105 {#2048
      date: 2019-03-08 08:35:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763813141 {#2049
      date: 2025-11-22 12:05:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2056 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-parsley-sage-rosemary-and-thyme-mobile-fideliy-sound-lab-mfsl-1-484"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3243
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2614 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2051
    -id: 1595
    -nom: "Parsley, Sage, Rosemary and Thyme"
    -informationComplementaire: null
    -description: """
      - Songs for All Time: Simon and Garfunkel's Kaleidoscopic Parsley, Sage, Rosemary and Thyme Includes "Scarborough Fair/Canticle", "Homeward Bound", and "The 59th Street Bridge Song" !\r\n
      - Mastered on Mobile Fidelity's World-Renowned Mastering System: 180 gram Vinyl LP Brings to Light Meticulous Production, Harmonies, and Tones in Lifelike Clarity !\r\n
      - 1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      The liner notes pioneering writer Ralph J. Gleason penned for the back cover of Simon and Garfunkel's Parsley, Sage, Rosemary and Thyme ring as true now as they did upon the record's original release in 1966. He mused : "Today's popular music is in good shape indeed at least the portion of it represented by this album. It has strength and it has beauty, it has lyricism, meaning and, above all, that quality of broad appeal which still retains form. And its music speaks for more than the moment. The songs in this album are songs for all time". Indeed, they are, and they can now be experienced in the highest fidelity they've ever enjoyed.\r\n
      \r\n
      Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this 180 gram vinyl LP presents the famed duo's landmark third record in superlative sound. Reflecting the perfectionist-minded nature of Bob Johnston's meticulous production and the group's painstaking arrangements, Mobile Fidelity's reissue brings to light textures, nuances, details, and microdynamics obscured on prior editions. The hyper-realistic results give you a seat at the recording studio.\r\n
      \r\n
      The first Simon and Garfunkel set captured on an eight-track recorder, Parsley, Sage, Rosemary and Thyme here bursts with colors crucial to the scope of the songs. Separation between vocals and guitars, images of individual players, and the dimensions of the wide-spanning soundstages all flourish. Harmonies crest and seemingly float on bypassing clouds. Acoustic passages blossom with lifelike structure and tone. The intent of deliberate euphonic variations like those between the pair's singing and Charlie O'Donnell's spoken news report on the closing "7 O'Clock News/Silent Night," which function as both poetic and social commentary – is made clearer by way of the LP's reference-caliber transparency.\r\n
      \r\n
      Such punctiliousness is exactly what the duo pursued during their four months in the studio, considered then by record-company executives to be borderline excessive. Yet there's no arguing with the end results of a benchmark work Rolling Stone named the 202nd Greatest Album of All Time. Again, it proves wise to refer again to Gleason, whose observations about Parsley, Sage, Rosemary and Thyme's character remain spot-on.\r\n
      \r\n
      "There's a delicate musical design of almost lapidarian detail. It has vitality but it is control, the sounds being made deliberately for the artist's conscious purpose," he notes, before continuing, "Take the glorious kaleidoscope of rushing feelings, blowing winds, shifting colors, bursting moods of joy and exultation in ‘Cloudy.' The song is effervescent, one is refreshed hearing it".\r\n
      \r\n
      Revitalization and the wellspring of emotions that accompany it – endure as the most attractive aspect of Parsley, Sage, Rosemary and Thyme. Simon and Garfunkel achieve the feat time and again via interwoven harmonies, folk devices, revealing contrasts, vocal blending, spiritual imagery, and soaring melodies. The material is at once beautiful and evocative, pristine and natural, serious and joyful, pertinent and accessible. And while the individual appeal of chestnuts like "Homeward Bound", "Scarborough Fair / Canticle", "The 59th Street Bridge Song", and "For Emily, Whenever I May Find Her" remain iconic, the sum of the whole makes this 1966 masterwork a paramount expression of unbridled creativity and communal vision.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Paul Simon (guitar, vocals), Art Garfunkel (piano, vocals), Joe South (guitar), Carol Kaye (bass guitar), Eugene Wright (double bass), John Meszar (harpsichord), Charlie O'Donnell (spoken vocals), Hal Blaine, Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YzWrglfjQGo"
    -referenceProduit: "Mobile Fideliy Sound Lab MFSL 1-484"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Scarborough Fair/Canticle"
        "ordre" => 1
      ]
      [
        "nom" => "2. Patterns"
        "ordre" => 2
      ]
      [
        "nom" => "3. Cloudy"
        "ordre" => 3
      ]
      [
        "nom" => "4. Homeward Bound"
        "ordre" => 4
      ]
      [
        "nom" => "5. The Big Bright Green Pleasure Machine"
        "ordre" => 5
      ]
      [
        "nom" => "6. The 59th Street Bridge Song (Feelin' Groovy)"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. The Dangling Conversation"
        "ordre" => 8
      ]
      [
        "nom" => "2. Flowers Never Bend in the Rainfall"
        "ordre" => 9
      ]
      [
        "nom" => "3. A Simple Desultory Philppic"
        "ordre" => 10
      ]
      [
        "nom" => "4. For Emily, Whenever I May Find Her"
        "ordre" => 11
      ]
      [
        "nom" => "5. A Poem on the Underground Wall"
        "ordre" => 12
      ]
      [
        "nom" => "6. 7 O'Clock News/Silent Night"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2059 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2052 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2054 …}
    -enregistreLe: DateTime @1552034105 {#2048
      date: 2019-03-08 08:35:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763813141 {#2049
      date: 2025-11-22 12:05:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2056 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-parsley-sage-rosemary-and-thyme-mobile-fideliy-sound-lab-mfsl-1-484"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2382 …}
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[
  "produit" => App\Entity\Produit {#2064
    -id: 2506
    -nom: "Bridge Over Troubled Water - (Limited Numbered Edition Super Vinyl)"
    -informationComplementaire: null
    -description: """
      SIMON AND GARFUNKEL’S SWAN SONG : BRIDGE OVER TROUBLED WATER FEATURES METICULOUS PRODUCTION, GORGEOUS SONGWRITING, AND HEALING SPIRIT\r\n
      \r\n
      - Sourced from the Original Master Tapes and Limited to 4000 Numbered Copies : Mobile Fidelity’s 180 gram SuperVinyl 33 RPM LP Plays with Staggering Detail, Clarity, and Definition !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Unifying, soothing, comforting: Simon and Garfunkel's Bridge over Troubled Water quickly became the album of an era upon release in 1970, the benchmark set serving as a beacon of hope and hymn of reassurance during a time marked by polarizing changes, social unrest, uncertain politics, and the dawn of a new era. These uplifting reasons to say nothing about the gorgeous songwriting, meticulous production, and watershed performances attest to why it is more relevant than ever in our current climate. Music, Bridge over Troubled Water simultaneously suggests and proves, heals all wounds and lifts all boats.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Paul Simon (acoustic guitar, percussion, vocals), Art Garfunkel (percussion, vocals), Joe Osbor (bass guitar), Larry Knechtel (piano), Fred Carter Jr. (guitar) Pete Drake (pedal steel guitar), Los Incas Hal Blaine (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4G-YQA_bsOU"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSV1-546"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Bridge over Troubled Water"
        "ordre" => 1
      ]
      [
        "nom" => "2. El Condor Pasa (If I Could)"
        "ordre" => 2
      ]
      [
        "nom" => "3. Cecilia"
        "ordre" => 3
      ]
      [
        "nom" => "4. Keep the Customer Satisfied"
        "ordre" => 4
      ]
      [
        "nom" => "5. So Long, Frank Lloyd Wright"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. The Boxer"
        "ordre" => 7
      ]
      [
        "nom" => "2. Baby Driver"
        "ordre" => 8
      ]
      [
        "nom" => "3. The Only Boy Living in New York"
        "ordre" => 9
      ]
      [
        "nom" => "4. You Don't Write Me"
        "ordre" => 10
      ]
      [
        "nom" => "5. Bye Bye Love"
        "ordre" => 11
      ]
      [
        "nom" => "6. Song for the Asking"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2072 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2065 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2067 …}
    -enregistreLe: DateTime @1710324003 {#2061
      date: 2024-03-13 10:00:03.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763812902 {#2062
      date: 2025-11-22 12:01:42.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2069 …}
    -disponible: null
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    -slug: "vinyles-bridge-over-troubled-water-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsv1-546"
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  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3291
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2614 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2064
    -id: 2506
    -nom: "Bridge Over Troubled Water - (Limited Numbered Edition Super Vinyl)"
    -informationComplementaire: null
    -description: """
      SIMON AND GARFUNKEL’S SWAN SONG : BRIDGE OVER TROUBLED WATER FEATURES METICULOUS PRODUCTION, GORGEOUS SONGWRITING, AND HEALING SPIRIT\r\n
      \r\n
      - Sourced from the Original Master Tapes and Limited to 4000 Numbered Copies : Mobile Fidelity’s 180 gram SuperVinyl 33 RPM LP Plays with Staggering Detail, Clarity, and Definition !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Unifying, soothing, comforting: Simon and Garfunkel's Bridge over Troubled Water quickly became the album of an era upon release in 1970, the benchmark set serving as a beacon of hope and hymn of reassurance during a time marked by polarizing changes, social unrest, uncertain politics, and the dawn of a new era. These uplifting reasons to say nothing about the gorgeous songwriting, meticulous production, and watershed performances attest to why it is more relevant than ever in our current climate. Music, Bridge over Troubled Water simultaneously suggests and proves, heals all wounds and lifts all boats.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Paul Simon (acoustic guitar, percussion, vocals), Art Garfunkel (percussion, vocals), Joe Osbor (bass guitar), Larry Knechtel (piano), Fred Carter Jr. (guitar) Pete Drake (pedal steel guitar), Los Incas Hal Blaine (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4G-YQA_bsOU"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSV1-546"
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        "nom" => "Side A :"
        "ordre" => 0
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      [
        "nom" => "1. Bridge over Troubled Water"
        "ordre" => 1
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        "nom" => "2. El Condor Pasa (If I Could)"
        "ordre" => 2
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        "nom" => "3. Cecilia"
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      [
        "nom" => "4. Keep the Customer Satisfied"
        "ordre" => 4
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        "nom" => "5. So Long, Frank Lloyd Wright"
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        "ordre" => 9
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        "nom" => "4. You Don't Write Me"
        "ordre" => 10
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        "nom" => "5. Bye Bye Love"
        "ordre" => 11
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      [
        "nom" => "6. Song for the Asking"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
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[
  "produit" => App\Entity\Produit {#2077
    -id: 1087
    -nom: "Breakfast In America"
    -informationComplementaire: null
    -description: """
      Supertramp's Breakfast in America has it all : Illustrious artwork. Sing-a-long hooks. Contagious melodies. Symphonic bluster. Rhapsodic thrust. Signature Wurlitzer electric piano sounds. Two Grammy Awards, including one for Best Engineered Album. More than 20 million copies sold. Four Billboard hit singles that continue to dominate radio airplay today. Every aspect of the chart-topping art-rock set screams blockbuster, not the least of which is the production, the result of painstaking studio setups and months of mixing. Now, you can experience the sonic brilliance in unprecedented clarity on Mobile Fidelity's definitive analog reissue.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, this numbered-edition 180 gram LP wrings out the record's dynamics, colors, and tones in all their full-range glory. Absent artificial ceilings, Breakfast in America unfolds with an expansiveness and radiance that parallels the vibrancy of its iconic New York-themed cover. Crucial traits such as imaging, separation, balance, transients, and openness achieve near-epic levels of realism and presence. Songs unfold and breathe on mammoth soundstages that put the effort's legendary production and stellar playing into proper perspective. The 1979 set has been reissued multiple times in the past, but it's never sounded so engaging, lifelike, or entertaining. If you think you know the record backwards and forwards, wait until you hear this version.\r\n
      \r\n
      Indeed, aside from the undeniably catchy nature of the ten tracks, fun remains the most central element of Breakfast in America. The band even titled the record to fall in line with the overall joyful feeling of the material. About the latter : Few late 1970s rock albums feature a more cohesive, harmony-drenched parade of stunningly executed, wondrously arranged works. The collective offspring of members Rick Davies and Roger Hodgson, each tune reflects the creative pulses of each musician, with the resultant contrasts lending to their appeal. Davies' penchant for grittier, bluesy strands blends with Hodgson's witty, pop-leaning techniques. The combination proves unstoppable.\r\n
      \r\n
      Home to a quartet of commercial staples "The Logical Song", "Goodbye Stranger", "Take the Long Way Home", and the title track Breakfast in America teems with arena-sized drama, meticulous craftsmanship, and mesmerizing refrains. Shrewd lyrical turns abound, whether on the phonetic, adjective-stacked "The Logical Song", life-in-America portrait "Child of Vision", or move-to-L.A. saga "Gone Hollywood". U.S. references also dot the smash title track, which reflects the glib humor, romantic fantasies, and pop culture permeating the record.\r\n
      \r\n
      Breakfast in America also retains its vitality because of its expert instrumentation and placement. Deemed a "a textbook-perfect album of post-Beatles, keyboard-centered English art rock that strikes the shrewdest possible balance between quasi-symphonic classicism and rock & roll" by Rolling Stone shortly after its release, the record serves as a blueprint of reference-setting production and mixing. Check the scorching guitar outro on "Goodbye Stranger", gospel accents on "Lord Is It Mine", saxophone lines on "Take the Long Way Home", or chemistry of the choruses on basically every piece here. It's enough to make one long for the 70s again.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Roger Hodgson (guitars, keyboards, vocals), Rick Davies (keyboards, harmonica, vocals), John Helliwell (saxophone, woodwinds, vocals), Dougie Thomson (bass), Bob Siebenberg (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=u8pVZ5hTGJQ"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-471"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "ordre" => 1
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        "ordre" => 3
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      [
        "nom" => "4. Breakfast In America"
        "ordre" => 4
      ]
      [
        "nom" => "5. Oh Darling"
        "ordre" => 5
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      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Take the Long Way Home"
        "ordre" => 7
      ]
      [
        "nom" => "2. Lord Is It Mine"
        "ordre" => 8
      ]
      [
        "nom" => "3. Just Another Nervous Wreck"
        "ordre" => 9
      ]
      [
        "nom" => "4. Casual Conversations"
        "ordre" => 10
      ]
      [
        "nom" => "5. Child of Vision"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2079 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2088 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2081 …}
    -typeMasterTape: null
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    -modifierLe: DateTime @1763475207 {#2075
      date: 2025-11-18 14:13:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2085 …}
    -disponible: null
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    -slug: "vinyles-breakfast-in-america-mobile-fidelity-sound-lab-mfsl-1-471"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3337
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2614 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2077
    -id: 1087
    -nom: "Breakfast In America"
    -informationComplementaire: null
    -description: """
      Supertramp's Breakfast in America has it all : Illustrious artwork. Sing-a-long hooks. Contagious melodies. Symphonic bluster. Rhapsodic thrust. Signature Wurlitzer electric piano sounds. Two Grammy Awards, including one for Best Engineered Album. More than 20 million copies sold. Four Billboard hit singles that continue to dominate radio airplay today. Every aspect of the chart-topping art-rock set screams blockbuster, not the least of which is the production, the result of painstaking studio setups and months of mixing. Now, you can experience the sonic brilliance in unprecedented clarity on Mobile Fidelity's definitive analog reissue.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, this numbered-edition 180 gram LP wrings out the record's dynamics, colors, and tones in all their full-range glory. Absent artificial ceilings, Breakfast in America unfolds with an expansiveness and radiance that parallels the vibrancy of its iconic New York-themed cover. Crucial traits such as imaging, separation, balance, transients, and openness achieve near-epic levels of realism and presence. Songs unfold and breathe on mammoth soundstages that put the effort's legendary production and stellar playing into proper perspective. The 1979 set has been reissued multiple times in the past, but it's never sounded so engaging, lifelike, or entertaining. If you think you know the record backwards and forwards, wait until you hear this version.\r\n
      \r\n
      Indeed, aside from the undeniably catchy nature of the ten tracks, fun remains the most central element of Breakfast in America. The band even titled the record to fall in line with the overall joyful feeling of the material. About the latter : Few late 1970s rock albums feature a more cohesive, harmony-drenched parade of stunningly executed, wondrously arranged works. The collective offspring of members Rick Davies and Roger Hodgson, each tune reflects the creative pulses of each musician, with the resultant contrasts lending to their appeal. Davies' penchant for grittier, bluesy strands blends with Hodgson's witty, pop-leaning techniques. The combination proves unstoppable.\r\n
      \r\n
      Home to a quartet of commercial staples "The Logical Song", "Goodbye Stranger", "Take the Long Way Home", and the title track Breakfast in America teems with arena-sized drama, meticulous craftsmanship, and mesmerizing refrains. Shrewd lyrical turns abound, whether on the phonetic, adjective-stacked "The Logical Song", life-in-America portrait "Child of Vision", or move-to-L.A. saga "Gone Hollywood". U.S. references also dot the smash title track, which reflects the glib humor, romantic fantasies, and pop culture permeating the record.\r\n
      \r\n
      Breakfast in America also retains its vitality because of its expert instrumentation and placement. Deemed a "a textbook-perfect album of post-Beatles, keyboard-centered English art rock that strikes the shrewdest possible balance between quasi-symphonic classicism and rock & roll" by Rolling Stone shortly after its release, the record serves as a blueprint of reference-setting production and mixing. Check the scorching guitar outro on "Goodbye Stranger", gospel accents on "Lord Is It Mine", saxophone lines on "Take the Long Way Home", or chemistry of the choruses on basically every piece here. It's enough to make one long for the 70s again.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Roger Hodgson (guitars, keyboards, vocals), Rick Davies (keyboards, harmonica, vocals), John Helliwell (saxophone, woodwinds, vocals), Dougie Thomson (bass), Bob Siebenberg (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=u8pVZ5hTGJQ"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-471"
    -titreMorceau: [
      [
        "nom" => "Side A : "
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        "nom" => "1. Gone Hollywood"
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      [
        "nom" => "4. Breakfast In America"
        "ordre" => 4
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      [
        "nom" => "5. Oh Darling"
        "ordre" => 5
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      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Take the Long Way Home"
        "ordre" => 7
      ]
      [
        "nom" => "2. Lord Is It Mine"
        "ordre" => 8
      ]
      [
        "nom" => "3. Just Another Nervous Wreck"
        "ordre" => 9
      ]
      [
        "nom" => "4. Casual Conversations"
        "ordre" => 10
      ]
      [
        "nom" => "5. Child of Vision"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2079 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
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    }
    -modifierLe: DateTime @1763475207 {#2075
      date: 2025-11-18 14:13:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-breakfast-in-america-mobile-fidelity-sound-lab-mfsl-1-471"
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[
  "produit" => App\Entity\Produit {#2093
    -id: 1817
    -nom: "Electric Warrior"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Marc Bolan (guitar, vocals), Mickey Finn (congas, bongos, vocals), Steve Currie (bass guitar), Bill Legend (drums, tambourine), Rick Wakeman (keyboards), Ian McDonald (saxophone), Burt Collins (flugelhorn), Howard Kaylan, Mark Volman (backing vocals).\r\n
      \r\n
      T. Rex's Exotic Landmark Signals the Birth of Glam Rock, Features "Bang a Gong (Get It On)" : Electric Warrior Swaggers with Libido, Flamboyance, Fantasy, Fun, Hooks, and Theatricality \r\n
      \r\n
      Mastered on Mobile Fidelity's State-of-the-Art Mastering System : 180 gram 45 RPM Vinyl (2 LP) Set Presents the 1971 Record's Reverb, Colors, Tones, and String Arrangements in Full-Tilt Glory\r\n
      \r\n
      Bang a gong and get it on. At once sardonic, flamboyant, and trashy, T. Rex's uncommonly unique Electric Warrior catapulted leader Marc Bolan to stardom, triggered an ongoing fascination with glam rock, and launched a movement that soon involved David Bowie, Roxy Music, Mott the Hoople, and more. Yet none of those namesake artists ever released a record that out-glammed, out-innuendoed, out-thrusted, or out-camped Electric Warrior named the 160th Greatest Album of All Time by Rolling Stone and included in the celebrated book 1001 Albums You Must Hear Before You Die. \r\n
      \r\n
      Mastered on Mobile Fidelity's state-of-the-art mastering system, pressed on dead-quiet vinyl at RTI, and housed in a gatefold sleeve, the label's numbered-edition 180 gram 45 RPM 2 LP set gives the 1971 landmark the widescreen sound quality it has always deserved. Tony Visconti's warm, reverb-soaked production and Roy Thomas Baker's ace engineering remain two of the work's most famous and revered elements. Here, the production and music can be experienced in all its full-tilt glory, from the subtle albeit elegant classical touches to the instantly identifiable Les Paul guitar licks to Bolan's sensual, wispy, are-they-or-aren't-they-serious vocals.\r\n
      \r\n
      As Sean Egan wrote in the liner notes of a long-out-of-print reissue : "The sound is recognizably rock, yet a previously unheard exotic variant, almost as if concocted by inhabitants of one of the Tolkien-esque worlds common in Bolan's lyrics. The strings are overt but discreet in shape and tone, injecting just the right amount of class". All these aspects and more come to life with a realism, vibrancy, detail, and textural palpability that surpass the presentation on any prior analog edition. If you can hear colors, this audiophile version ofElectric Warrior will stimulate your inner synesthesia.\r\n
      \r\n
      At the time of the album's creation, such cosmic-related phenomenon were well within Bolan's orbit. But the differences between Electric Warrior and the singer/guitarist's earlier works are as vast as those that divide high art and low-brow culture. Chief among them : Bolan's decision to channel his acoustic hippie-inspired visions into hyper-sexualized, metaphor-rich statements that benefit from amplified foundations. And still, part of the songs' charm relates to how they tread a fine line between rock and pop. \r\n
      \r\n
      Save for the lashing out of "Rip Off", Electric Warrior retains a mellow core underlined by a gauzy tint, gossamer temperament, and crushed-velvet feel. The perception that he record contains blustery heaviness is furthered and initiated by the now-iconic album cover, which depicts a giant-sized Bolan standing in front of an equally giant amplifier stack, striking a rock-star pose and giving the impression everything within is designed to go to the proverbial 11 on the volume knob. Akin to a majority of the songs themselves, the visual functions as clever illusion, absurd humor, ostentatious simplicity, and playful pretense. \r\n
      \r\n
      Bursting with excessive fun and unchecked libido, T. Rex's catchy boogies, shuffles, and vamps scoot by on a seemingly impossible blend of concise hooks, non-sequitur fantasies, and theatrical swagger. From the chart-topping "Bang a Gong (Get It On)" to the beautiful "Life's a Gas", the R&B-stoked hit "Jeepster" to the pout of "Motivator" and galactic soul of "Planet Queen", Bolan, percussionist Mickey Finn, and boards manipulator Visconti craft a rewardingly strange, parallel universe of sound, style, and sex that still has no equal.\r\n
      \r\n
      Secure your collectible copy of Electric Warrior from Music Direct today !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Marc Bolan (guitar, vocals), Mickey Finn (congas, bongos, vocals), Steve Currie (bass guitar), Bill Legend (drums, tambourine), Rick Wakeman (keyboards), Ian McDonald (saxophone), Burt Collins (flugelhorn)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ch3N-EPNX-U"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-490"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Mambo Sun"
        "ordre" => 1
      ]
      [
        "nom" => "2. Cosmic Dancer"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Jeepster"
        "ordre" => 4
      ]
      [
        "nom" => "2. Monolith"
        "ordre" => 5
      ]
      [
        "nom" => "3. Lean Woman Blues"
        "ordre" => 6
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Bang a Gong (Get It On)"
        "ordre" => 8
      ]
      [
        "nom" => "2. Planet Queen"
        "ordre" => 9
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        "nom" => "3. Girl"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. The Motivator"
        "ordre" => 12
      ]
      [
        "nom" => "2. Life's a Gas"
        "ordre" => 13
      ]
      [
        "nom" => "3. Rip Off"
        "ordre" => 14
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2095 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2104 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2097 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2099 …}
    -enregistreLe: DateTime @1582613832 {#2090
      date: 2020-02-25 06:57:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763453009 {#2091
      date: 2025-11-18 08:03:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2101 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-electric-warrior-mobile-fidelity-sound-lab-mfsl-2-490"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3388
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2614 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2093
    -id: 1817
    -nom: "Electric Warrior"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Marc Bolan (guitar, vocals), Mickey Finn (congas, bongos, vocals), Steve Currie (bass guitar), Bill Legend (drums, tambourine), Rick Wakeman (keyboards), Ian McDonald (saxophone), Burt Collins (flugelhorn), Howard Kaylan, Mark Volman (backing vocals).\r\n
      \r\n
      T. Rex's Exotic Landmark Signals the Birth of Glam Rock, Features "Bang a Gong (Get It On)" : Electric Warrior Swaggers with Libido, Flamboyance, Fantasy, Fun, Hooks, and Theatricality \r\n
      \r\n
      Mastered on Mobile Fidelity's State-of-the-Art Mastering System : 180 gram 45 RPM Vinyl (2 LP) Set Presents the 1971 Record's Reverb, Colors, Tones, and String Arrangements in Full-Tilt Glory\r\n
      \r\n
      Bang a gong and get it on. At once sardonic, flamboyant, and trashy, T. Rex's uncommonly unique Electric Warrior catapulted leader Marc Bolan to stardom, triggered an ongoing fascination with glam rock, and launched a movement that soon involved David Bowie, Roxy Music, Mott the Hoople, and more. Yet none of those namesake artists ever released a record that out-glammed, out-innuendoed, out-thrusted, or out-camped Electric Warrior named the 160th Greatest Album of All Time by Rolling Stone and included in the celebrated book 1001 Albums You Must Hear Before You Die. \r\n
      \r\n
      Mastered on Mobile Fidelity's state-of-the-art mastering system, pressed on dead-quiet vinyl at RTI, and housed in a gatefold sleeve, the label's numbered-edition 180 gram 45 RPM 2 LP set gives the 1971 landmark the widescreen sound quality it has always deserved. Tony Visconti's warm, reverb-soaked production and Roy Thomas Baker's ace engineering remain two of the work's most famous and revered elements. Here, the production and music can be experienced in all its full-tilt glory, from the subtle albeit elegant classical touches to the instantly identifiable Les Paul guitar licks to Bolan's sensual, wispy, are-they-or-aren't-they-serious vocals.\r\n
      \r\n
      As Sean Egan wrote in the liner notes of a long-out-of-print reissue : "The sound is recognizably rock, yet a previously unheard exotic variant, almost as if concocted by inhabitants of one of the Tolkien-esque worlds common in Bolan's lyrics. The strings are overt but discreet in shape and tone, injecting just the right amount of class". All these aspects and more come to life with a realism, vibrancy, detail, and textural palpability that surpass the presentation on any prior analog edition. If you can hear colors, this audiophile version ofElectric Warrior will stimulate your inner synesthesia.\r\n
      \r\n
      At the time of the album's creation, such cosmic-related phenomenon were well within Bolan's orbit. But the differences between Electric Warrior and the singer/guitarist's earlier works are as vast as those that divide high art and low-brow culture. Chief among them : Bolan's decision to channel his acoustic hippie-inspired visions into hyper-sexualized, metaphor-rich statements that benefit from amplified foundations. And still, part of the songs' charm relates to how they tread a fine line between rock and pop. \r\n
      \r\n
      Save for the lashing out of "Rip Off", Electric Warrior retains a mellow core underlined by a gauzy tint, gossamer temperament, and crushed-velvet feel. The perception that he record contains blustery heaviness is furthered and initiated by the now-iconic album cover, which depicts a giant-sized Bolan standing in front of an equally giant amplifier stack, striking a rock-star pose and giving the impression everything within is designed to go to the proverbial 11 on the volume knob. Akin to a majority of the songs themselves, the visual functions as clever illusion, absurd humor, ostentatious simplicity, and playful pretense. \r\n
      \r\n
      Bursting with excessive fun and unchecked libido, T. Rex's catchy boogies, shuffles, and vamps scoot by on a seemingly impossible blend of concise hooks, non-sequitur fantasies, and theatrical swagger. From the chart-topping "Bang a Gong (Get It On)" to the beautiful "Life's a Gas", the R&B-stoked hit "Jeepster" to the pout of "Motivator" and galactic soul of "Planet Queen", Bolan, percussionist Mickey Finn, and boards manipulator Visconti craft a rewardingly strange, parallel universe of sound, style, and sex that still has no equal.\r\n
      \r\n
      Secure your collectible copy of Electric Warrior from Music Direct today !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Marc Bolan (guitar, vocals), Mickey Finn (congas, bongos, vocals), Steve Currie (bass guitar), Bill Legend (drums, tambourine), Rick Wakeman (keyboards), Ian McDonald (saxophone), Burt Collins (flugelhorn)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ch3N-EPNX-U"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-490"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Mambo Sun"
        "ordre" => 1
      ]
      [
        "nom" => "2. Cosmic Dancer"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Jeepster"
        "ordre" => 4
      ]
      [
        "nom" => "2. Monolith"
        "ordre" => 5
      ]
      [
        "nom" => "3. Lean Woman Blues"
        "ordre" => 6
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Bang a Gong (Get It On)"
        "ordre" => 8
      ]
      [
        "nom" => "2. Planet Queen"
        "ordre" => 9
      ]
      [
        "nom" => "3. Girl"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. The Motivator"
        "ordre" => 12
      ]
      [
        "nom" => "2. Life's a Gas"
        "ordre" => 13
      ]
      [
        "nom" => "3. Rip Off"
        "ordre" => 14
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2095 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2104 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2097 …}
    -typeMasterTape: null
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    -produitTestePar: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2099 …}
    -enregistreLe: DateTime @1582613832 {#2090
      date: 2020-02-25 06:57:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763453009 {#2091
      date: 2025-11-18 08:03:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2101 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-electric-warrior-mobile-fidelity-sound-lab-mfsl-2-490"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2382 …}
}

[
  "produit" => App\Entity\Produit {#2109
    -id: 2227
    -nom: "Eye In The Sky"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Alan Parsons, Eric Woolfson (keyboards, engineer), Ian Bairnson (acoustic & electric guitar), David Paton (bass), Mel Collins (saxophone), Colin Chambers, Hipgnosis (sleeve), Chris Rainbow, Colin Blunstone, David Paton, Elmer Gantry, Eric Woolfson, Lenny Zakatek, The English Chorale (vocals), Stuart Elliott (drums, percussion).\r\n
      \r\n
      MASTERED FROM THE ORIGINAL MASTER TAPES : 180 Gram 45 RPM (2 LP) SET PRESENTS MUSIC'S HALLMARK SMOOTHNESS, LUSHNESS, AND DETAIL IN REFERENCE SOUND\r\n
      \r\n
      1/2" / 30 IPS analog master to DSD 256 to analog console to lathe\r\n
      \r\n
      The Alan Parsons Project's Most Cohesive, Accessible, and Commercially Successful Album: Eye in the Sky Features Exquisite Arrangements, Orchestral Scope, and Pop Melodies\r\n
      \r\n
      Mastered from the Original Master Tapes : Mobile Fidelity Numbered 180g 45 RPM 2LP Set Presents Music's Hallmark Smoothness, Lushness, and Detail in Reference Sound\r\n
      \r\n
      The opening track to the Alan Parsons Project's Eye in the Sky remains the most recognized instrumental in sports – fanfare inseparably tied with introducing NBA legend Michael Jordan and his six-time world-champion Chicago Bulls mates before games, and still used by many teams as an energy-raising prelude. Indeed, the subdued grandiosity, cosmic bluster, and lights-out wonder of "Sirius" also sets the table for the band's smash 1982 album, whose hallmark smoothness, lushness, and balance reach epic heights on Mobile Fidelity's analog reissue.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, and afforded the luxurious groove space of a 45 RPM 2 LP, this numbered version of Eye in the Sky features succulent warmth, magnificent balance, low-end heft, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road. Akin to Mobile Fidelity's meticulous restoration of Parsons and company's I Robot, this super-clean edition will test the full-range capabilities of the world's finest stereo systems. In sum, there's more information, more detail, more texture, more nuance more of everything to be experienced.\r\n
      \r\n
      Boasting front-to-back depth, concert-hall-level separation, realistic presence, and bang-on accuracy, Mobile Fidelity's edition of Eye in the Sky illustrates the lasting importance of perfectionist-minded engineering and recording techniques. Few works possess such a mesmerizing blend of reference-setting sonics and commercial acumen, facets that helped earn the set a Grammy nomination for Best Engineered Album and, more than 35 years after its release, a Grammy for Best Immersive Audio Album for its surround format. Parsons' track record he sat behind the boards for the Beatles' Abbey Road and Pink Floyd's Dark Side of the Moon speaks for itself. As do the performances throughout Eye in the Sky, which features Woolfson's exquisite songwriting and memorable lead vocals on the hit title track.\r\n
      \r\n
      Bypassing the conceptual themes present on the group's other signature efforts, Eye in the Sky uses a string of seamless melodies, hooks, and mood to draw and hold listeners' attention. It survives as Parsons and Woolfson's pop triumph, full of exquisite songwriting, dreamy emotions, and soft edges that parallel an underlying orchestral scope and prog-derived drama. For example, the string- and brass-laden "Silence and I" alone qualifies as a rhapsodic symphony. The music's craftsmanship, cohesiveness, and accessibility can be attributed to Parsons and Woolfson's knack for recruiting session pros who translate the duo's visions with unquestioned emotion particularly, the assembly of star vocalists that include Elmer Gantry "Psychobabble", former Zombies frontman Colin Blunstone "Old and Wise", and soul singer Lenny Zakatek "You're Gonna Get Your Fingers Burned" and "Step by Step".\r\n
      \r\n
      As with all Parsons releases, the arrangements proverbially dot every "i" and cross every "t". Each note seems perfectly placed, every sequence painstakingly constructed. Not to mention the narratives to the surveillance-obsessed title track and pulsing "Psychobabble" carry more weight in the 21st century than they did in the early stages of the Reagan / Thatcher era. And, just as it begins, with an appropriate flourish announcing the catchiness that follows, the platinum-selling Eye on the Sky finishes with fitting sentimentality in the form of a spiraling, saxophone-led ballad "Old and Wise" that could easily fit on Pink Floyd's Wish You Were Here.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Alan Parsons, Eric Woolfson (keyboards, engineer), Ian Bairnson (acoustic & electric guitar), David Paton (bass), Mel Collins (saxophone), Colin Chambers, Hipgnosis (sleeve)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=j6Tz3LlrgTA"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-500"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Sirius"
        "ordre" => 1
      ]
      [
        "nom" => "2. Eye In The Sky"
        "ordre" => 2
      ]
      [
        "nom" => "3. Children Of The Moon"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Gemini"
        "ordre" => 5
      ]
      [
        "nom" => "2. Silence And I"
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "1. You're Gonna Get Your Fingers Burned"
        "ordre" => 8
      ]
      [
        "nom" => "2. Psychobabble"
        "ordre" => 9
      ]
      [
        "nom" => "Side D : "
        "ordre" => 10
      ]
      [
        "nom" => "1. Mammagamma"
        "ordre" => 11
      ]
      [
        "nom" => "2. Step By Step"
        "ordre" => 12
      ]
      [
        "nom" => "3. Old And Wise"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2111 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2120 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2113 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2115 …}
    -enregistreLe: DateTime @1653462070 {#2106
      date: 2022-05-25 07:01:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763019317 {#2107
      date: 2025-11-13 07:35:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2117 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eye-in-the-sky-mobile-fidelity-sound-lab-mfsl-2-500"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3439
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2614 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2109
    -id: 2227
    -nom: "Eye In The Sky"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Alan Parsons, Eric Woolfson (keyboards, engineer), Ian Bairnson (acoustic & electric guitar), David Paton (bass), Mel Collins (saxophone), Colin Chambers, Hipgnosis (sleeve), Chris Rainbow, Colin Blunstone, David Paton, Elmer Gantry, Eric Woolfson, Lenny Zakatek, The English Chorale (vocals), Stuart Elliott (drums, percussion).\r\n
      \r\n
      MASTERED FROM THE ORIGINAL MASTER TAPES : 180 Gram 45 RPM (2 LP) SET PRESENTS MUSIC'S HALLMARK SMOOTHNESS, LUSHNESS, AND DETAIL IN REFERENCE SOUND\r\n
      \r\n
      1/2" / 30 IPS analog master to DSD 256 to analog console to lathe\r\n
      \r\n
      The Alan Parsons Project's Most Cohesive, Accessible, and Commercially Successful Album: Eye in the Sky Features Exquisite Arrangements, Orchestral Scope, and Pop Melodies\r\n
      \r\n
      Mastered from the Original Master Tapes : Mobile Fidelity Numbered 180g 45 RPM 2LP Set Presents Music's Hallmark Smoothness, Lushness, and Detail in Reference Sound\r\n
      \r\n
      The opening track to the Alan Parsons Project's Eye in the Sky remains the most recognized instrumental in sports – fanfare inseparably tied with introducing NBA legend Michael Jordan and his six-time world-champion Chicago Bulls mates before games, and still used by many teams as an energy-raising prelude. Indeed, the subdued grandiosity, cosmic bluster, and lights-out wonder of "Sirius" also sets the table for the band's smash 1982 album, whose hallmark smoothness, lushness, and balance reach epic heights on Mobile Fidelity's analog reissue.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, and afforded the luxurious groove space of a 45 RPM 2 LP, this numbered version of Eye in the Sky features succulent warmth, magnificent balance, low-end heft, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road. Akin to Mobile Fidelity's meticulous restoration of Parsons and company's I Robot, this super-clean edition will test the full-range capabilities of the world's finest stereo systems. In sum, there's more information, more detail, more texture, more nuance more of everything to be experienced.\r\n
      \r\n
      Boasting front-to-back depth, concert-hall-level separation, realistic presence, and bang-on accuracy, Mobile Fidelity's edition of Eye in the Sky illustrates the lasting importance of perfectionist-minded engineering and recording techniques. Few works possess such a mesmerizing blend of reference-setting sonics and commercial acumen, facets that helped earn the set a Grammy nomination for Best Engineered Album and, more than 35 years after its release, a Grammy for Best Immersive Audio Album for its surround format. Parsons' track record he sat behind the boards for the Beatles' Abbey Road and Pink Floyd's Dark Side of the Moon speaks for itself. As do the performances throughout Eye in the Sky, which features Woolfson's exquisite songwriting and memorable lead vocals on the hit title track.\r\n
      \r\n
      Bypassing the conceptual themes present on the group's other signature efforts, Eye in the Sky uses a string of seamless melodies, hooks, and mood to draw and hold listeners' attention. It survives as Parsons and Woolfson's pop triumph, full of exquisite songwriting, dreamy emotions, and soft edges that parallel an underlying orchestral scope and prog-derived drama. For example, the string- and brass-laden "Silence and I" alone qualifies as a rhapsodic symphony. The music's craftsmanship, cohesiveness, and accessibility can be attributed to Parsons and Woolfson's knack for recruiting session pros who translate the duo's visions with unquestioned emotion particularly, the assembly of star vocalists that include Elmer Gantry "Psychobabble", former Zombies frontman Colin Blunstone "Old and Wise", and soul singer Lenny Zakatek "You're Gonna Get Your Fingers Burned" and "Step by Step".\r\n
      \r\n
      As with all Parsons releases, the arrangements proverbially dot every "i" and cross every "t". Each note seems perfectly placed, every sequence painstakingly constructed. Not to mention the narratives to the surveillance-obsessed title track and pulsing "Psychobabble" carry more weight in the 21st century than they did in the early stages of the Reagan / Thatcher era. And, just as it begins, with an appropriate flourish announcing the catchiness that follows, the platinum-selling Eye on the Sky finishes with fitting sentimentality in the form of a spiraling, saxophone-led ballad "Old and Wise" that could easily fit on Pink Floyd's Wish You Were Here.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Alan Parsons, Eric Woolfson (keyboards, engineer), Ian Bairnson (acoustic & electric guitar), David Paton (bass), Mel Collins (saxophone), Colin Chambers, Hipgnosis (sleeve)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=j6Tz3LlrgTA"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-500"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Sirius"
        "ordre" => 1
      ]
      [
        "nom" => "2. Eye In The Sky"
        "ordre" => 2
      ]
      [
        "nom" => "3. Children Of The Moon"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Gemini"
        "ordre" => 5
      ]
      [
        "nom" => "2. Silence And I"
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "1. You're Gonna Get Your Fingers Burned"
        "ordre" => 8
      ]
      [
        "nom" => "2. Psychobabble"
        "ordre" => 9
      ]
      [
        "nom" => "Side D : "
        "ordre" => 10
      ]
      [
        "nom" => "1. Mammagamma"
        "ordre" => 11
      ]
      [
        "nom" => "2. Step By Step"
        "ordre" => 12
      ]
      [
        "nom" => "3. Old And Wise"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2111 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2120 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2113 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2115 …}
    -enregistreLe: DateTime @1653462070 {#2106
      date: 2022-05-25 07:01:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763019317 {#2107
      date: 2025-11-13 07:35:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2117 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eye-in-the-sky-mobile-fidelity-sound-lab-mfsl-2-500"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2382 …}
}

[
  "produit" => App\Entity\Produit {#2125
    -id: 2237
    -nom: "I Robot (Box Set 2 LP) 45 RPM - UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES: ULTRADISC ONE-STEP SET IS THE ULTIMATE ANALOG VERSION OF 1977 AUDIOPHILE STANDARD !\r\n
      \r\n
      Audiophiles don't need any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued myriad times. Can it be improved ? Relish Mobile Fidelity's stupendous UltraDisc One-Step 180 gram 45 RPM (2 LP) box set and the question becomes irrelevant.\r\n
      \r\n
      Mastered from the original master tapes, pressed at RTI on MoFi SuperVinyl, and afforded the luxurious groove space of 45 RPM LPs, I Robot comes to life like never before on this numbered, limited-edition reissue. Boasting a nearly undetectable noise floor, immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this definitive edition is designed to demonstrate the full-range capabilities of the world's best stereo systems.\r\n
      \r\n
      Put simply, there's more music, more information, more detail, more nuance, more of everything you want. Mobile Fidelity's transcendent UD1S 45 RPM edition invites you to savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, these LPs are demonstration records for the ages—the likes of which are no longer being made. This is the very reason you own and invest in high-end audio gear.\r\n
      \r\n
      The beautiful presentation of the numbered, limited-edition UD1S I Robot pressing speaks to the music's merit. Housed in a deluxe box, the reissue features special foil-stamped jackets and faithful-to-the-original graphics. Aurally and visually, it is made for discerning listeners who prize sound quality and production, and who desire to fully immerse themselves in everything about this conceptual landmark. Parsons' most iconic record deserves nothing less.\r\n
      \r\n
      Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record extremely relevant in the 21st century. Indeed, Parsons' pinnacle creation dovetailed with the ascendency of Star Wars, which itself is experiencing a rebirth in an age of self-driving cars, smart devices, and mindless automation. Lyrically, songs such as "The Voice" call into question human behavior and their relationship to increasing robotic supremacy in everyday life. Parsons musically reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.\r\n
      \r\n
      The absorbing tunes on I Robot also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. "Some Other Time" employs two different lead vocalists and yet gives the illusion that only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace "Don't Let It Show". The origins of "Nucleus" stem from a unique analog keyboard concoction dubbed "the Projectron," devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with "Total Eclipse" arriving as a frightening track that presages the climactic "Genesis Ch. 1 V. 32".\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Eric Woolfson, Alan Parsons, Duncan Mackay (claviers), David Paton (bass & acoustic guitar), Ian Bairnson (electric & acoustic guitar), BJ. Cole (steel guitar), Allan Clarke, Jack Harris, Peter Straker, Steve & Dave Towsend, (vocals), Stuart Tosh (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=p6Fpllm1Iy8"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S 040"
    -titreMorceau: [
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        "nom" => "1. I Robot"
        "ordre" => 0
      ]
      [
        "nom" => "2. I Wouldn't Want to Be Like You"
        "ordre" => 1
      ]
      [
        "nom" => "3. Some Other Time"
        "ordre" => 2
      ]
      [
        "nom" => "4. Breakdown"
        "ordre" => 3
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      [
        "nom" => "5. Don't Let It Show"
        "ordre" => 4
      ]
      [
        "nom" => "6. The Voice"
        "ordre" => 5
      ]
      [
        "nom" => "7. Nucleus"
        "ordre" => 6
      ]
      [
        "nom" => "8. Day After Day (The Show Must Go On)"
        "ordre" => 7
      ]
      [
        "nom" => "9. Total Eclipse"
        "ordre" => 8
      ]
      [
        "nom" => "10. Genesis Ch. 1 V. 32"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2111 …}
    -label: App\Entity\Label {#1063 …}
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    }
    -modifierLe: DateTime @1763018515 {#2123
      date: 2025-11-13 07:21:55.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3492
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2614 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2125
    -id: 2237
    -nom: "I Robot (Box Set 2 LP) 45 RPM - UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES: ULTRADISC ONE-STEP SET IS THE ULTIMATE ANALOG VERSION OF 1977 AUDIOPHILE STANDARD !\r\n
      \r\n
      Audiophiles don't need any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued myriad times. Can it be improved ? Relish Mobile Fidelity's stupendous UltraDisc One-Step 180 gram 45 RPM (2 LP) box set and the question becomes irrelevant.\r\n
      \r\n
      Mastered from the original master tapes, pressed at RTI on MoFi SuperVinyl, and afforded the luxurious groove space of 45 RPM LPs, I Robot comes to life like never before on this numbered, limited-edition reissue. Boasting a nearly undetectable noise floor, immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this definitive edition is designed to demonstrate the full-range capabilities of the world's best stereo systems.\r\n
      \r\n
      Put simply, there's more music, more information, more detail, more nuance, more of everything you want. Mobile Fidelity's transcendent UD1S 45 RPM edition invites you to savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, these LPs are demonstration records for the ages—the likes of which are no longer being made. This is the very reason you own and invest in high-end audio gear.\r\n
      \r\n
      The beautiful presentation of the numbered, limited-edition UD1S I Robot pressing speaks to the music's merit. Housed in a deluxe box, the reissue features special foil-stamped jackets and faithful-to-the-original graphics. Aurally and visually, it is made for discerning listeners who prize sound quality and production, and who desire to fully immerse themselves in everything about this conceptual landmark. Parsons' most iconic record deserves nothing less.\r\n
      \r\n
      Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record extremely relevant in the 21st century. Indeed, Parsons' pinnacle creation dovetailed with the ascendency of Star Wars, which itself is experiencing a rebirth in an age of self-driving cars, smart devices, and mindless automation. Lyrically, songs such as "The Voice" call into question human behavior and their relationship to increasing robotic supremacy in everyday life. Parsons musically reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.\r\n
      \r\n
      The absorbing tunes on I Robot also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. "Some Other Time" employs two different lead vocalists and yet gives the illusion that only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace "Don't Let It Show". The origins of "Nucleus" stem from a unique analog keyboard concoction dubbed "the Projectron," devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with "Total Eclipse" arriving as a frightening track that presages the climactic "Genesis Ch. 1 V. 32".\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Eric Woolfson, Alan Parsons, Duncan Mackay (claviers), David Paton (bass & acoustic guitar), Ian Bairnson (electric & acoustic guitar), BJ. Cole (steel guitar), Allan Clarke, Jack Harris, Peter Straker, Steve & Dave Towsend, (vocals), Stuart Tosh (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=p6Fpllm1Iy8"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S 040"
    -titreMorceau: [
      [
        "nom" => "1. I Robot"
        "ordre" => 0
      ]
      [
        "nom" => "2. I Wouldn't Want to Be Like You"
        "ordre" => 1
      ]
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      [
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      ]
      [
        "nom" => "6. The Voice"
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      ]
      [
        "nom" => "7. Nucleus"
        "ordre" => 6
      ]
      [
        "nom" => "8. Day After Day (The Show Must Go On)"
        "ordre" => 7
      ]
      [
        "nom" => "9. Total Eclipse"
        "ordre" => 8
      ]
      [
        "nom" => "10. Genesis Ch. 1 V. 32"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2111 …}
    -label: App\Entity\Label {#1063 …}
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    -photoProduit: Doctrine\ORM\PersistentCollection {#2133 …}
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    }
    -modifierLe: DateTime @1763018515 {#2123
      date: 2025-11-13 07:21:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-i-robot-box-set-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-45ud1s-040"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2382 …}
}

[
  "produit" => App\Entity\Produit {#2138
    -id: 2187
    -nom: "I Robot - UltraDisc One-Step (Box Set 1 LP) 33 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES: ULTRADISC ONE-STEP SET IS THE ULTIMATE ANALOG VERSION OF 1977 AUDIOPHILE STANDARD !\r\n
      \r\n
      Audiophiles don't need any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued myriad times. Can it be improved ? Relish Mobile Fidelity's stupendous UltraDisc One-Step 180g 45RPM 2LP box set and the question becomes irrelevant.\r\n
      \r\n
      Mastered from the original master tapes, pressed at RTI on MoFi SuperVinyl, and afforded the luxurious groove space of 45 RPM LPs, I Robot comes to life like never before on this numbered, limited-edition reissue. Boasting a nearly undetectable noise floor, immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this definitive edition is designed to demonstrate the full-range capabilities of the world's best stereo systems.\r\n
      \r\n
      Put simply, there's more music, more information, more detail, more nuance, more of everything you want. Mobile Fidelity's transcendent UD1S 45RPM edition invites you to savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, these LPs are demonstration records for the ages the likes of which are no longer being made. This is the very reason you own and invest in high-end audio gear.\r\n
      \r\n
      The beautiful presentation of the numbered, limited-edition UD1S I Robot pressing speaks to the music's merit. Housed in a deluxe box, the reissue features special foil-stamped jackets and faithful-to-the-original graphics. Aurally and visually, it is made for discerning listeners who prize sound quality and production, and who desire to fully immerse themselves in everything about this conceptual landmark. Parsons' most iconic record deserves nothing less.\r\n
      \r\n
      Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record extremely relevant in the 21st century. Indeed, Parsons' pinnacle creation dovetailed with the ascendency of Star Wars, which itself is experiencing a rebirth in an age of self-driving cars, smart devices, and mindless automation. Lyrically, songs such as "The Voice" call into question human behavior and their relationship to increasing robotic supremacy in everyday life. Parsons musically reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.\r\n
      \r\n
      The absorbing tunes on I Robot also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. "Some Other Time" employs two different lead vocalists and yet gives the illusion that only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace "Don't Let It Show". The origins of "Nucleus" stem from a unique analog keyboard concoction dubbed "the Projectron", devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with "Total Eclipse" arriving as a frightening track that presages the climactic "Genesis Ch. 1 V. 32".
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Eric Woolfson, Alan Parsons, Duncan Mackay (claviers), David Paton (bass & acoustic guitar), Ian Bairnson (electric & acoustic guitar), BJ. Cole (steel guitar), Allan Clarke, Jack Harris, Peter Straker, Steve & Dave Towsend, (vocals), Stuart Tosh (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ROS-288KSnQ"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-040"
    -titreMorceau: [
      [
        "nom" => "1. I Robot"
        "ordre" => 0
      ]
      [
        "nom" => "2. I Wouldn't Want to Be Like You"
        "ordre" => 1
      ]
      [
        "nom" => "3. Some Other Time"
        "ordre" => 2
      ]
      [
        "nom" => "4. Breakdown"
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      [
        "nom" => "5. Don't Let It Show"
        "ordre" => 4
      ]
      [
        "nom" => "6. The Voice"
        "ordre" => 5
      ]
      [
        "nom" => "7. Nucleus"
        "ordre" => 6
      ]
      [
        "nom" => "8. Day After Day (The Show Must Go On)"
        "ordre" => 7
      ]
      [
        "nom" => "9. Total Eclipse"
        "ordre" => 8
      ]
      [
        "nom" => "10. Genesis Ch. 1 V. 32"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2111 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2139 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2141 …}
    -enregistreLe: DateTime @1641036928 {#2135
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    -modifierLe: DateTime @1763018096 {#2136
      date: 2025-11-13 07:14:56.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2143 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-i-robot-ultradisc-one-step-box-set-1-lp-33-rpm-mobile-fidelity-sound-lab-ud1s-040"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3540
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2614 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2138
    -id: 2187
    -nom: "I Robot - UltraDisc One-Step (Box Set 1 LP) 33 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES: ULTRADISC ONE-STEP SET IS THE ULTIMATE ANALOG VERSION OF 1977 AUDIOPHILE STANDARD !\r\n
      \r\n
      Audiophiles don't need any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued myriad times. Can it be improved ? Relish Mobile Fidelity's stupendous UltraDisc One-Step 180g 45RPM 2LP box set and the question becomes irrelevant.\r\n
      \r\n
      Mastered from the original master tapes, pressed at RTI on MoFi SuperVinyl, and afforded the luxurious groove space of 45 RPM LPs, I Robot comes to life like never before on this numbered, limited-edition reissue. Boasting a nearly undetectable noise floor, immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this definitive edition is designed to demonstrate the full-range capabilities of the world's best stereo systems.\r\n
      \r\n
      Put simply, there's more music, more information, more detail, more nuance, more of everything you want. Mobile Fidelity's transcendent UD1S 45RPM edition invites you to savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, these LPs are demonstration records for the ages the likes of which are no longer being made. This is the very reason you own and invest in high-end audio gear.\r\n
      \r\n
      The beautiful presentation of the numbered, limited-edition UD1S I Robot pressing speaks to the music's merit. Housed in a deluxe box, the reissue features special foil-stamped jackets and faithful-to-the-original graphics. Aurally and visually, it is made for discerning listeners who prize sound quality and production, and who desire to fully immerse themselves in everything about this conceptual landmark. Parsons' most iconic record deserves nothing less.\r\n
      \r\n
      Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record extremely relevant in the 21st century. Indeed, Parsons' pinnacle creation dovetailed with the ascendency of Star Wars, which itself is experiencing a rebirth in an age of self-driving cars, smart devices, and mindless automation. Lyrically, songs such as "The Voice" call into question human behavior and their relationship to increasing robotic supremacy in everyday life. Parsons musically reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.\r\n
      \r\n
      The absorbing tunes on I Robot also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. "Some Other Time" employs two different lead vocalists and yet gives the illusion that only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace "Don't Let It Show". The origins of "Nucleus" stem from a unique analog keyboard concoction dubbed "the Projectron", devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with "Total Eclipse" arriving as a frightening track that presages the climactic "Genesis Ch. 1 V. 32".
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Eric Woolfson, Alan Parsons, Duncan Mackay (claviers), David Paton (bass & acoustic guitar), Ian Bairnson (electric & acoustic guitar), BJ. Cole (steel guitar), Allan Clarke, Jack Harris, Peter Straker, Steve & Dave Towsend, (vocals), Stuart Tosh (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=ROS-288KSnQ"
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[
  "produit" => App\Entity\Produit {#2151
    -id: 866
    -nom: "I Robot"
    -informationComplementaire: null
    -description: """
      Audiophiles needn't any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued multiple times. Can it be improved ? Relish Mobile Fidelity's stupendous-sounding 180-Gram 45RPM 2LP set and the question becomes irrelevant.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, and afforded the luxurious groove space of a 45 RPM LP, I Robot comes to life like never before on this numbered limited-edition reissue. Boasting immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this super-clean edition has been lovingly restored by Mobile Fidelity engineers with the intention of demonstrating the full-range capabilities of the world's best stereo systems. Put simply, there's more music, more information, more detail, more nuance, more everything.\r\n
      \r\n
      Savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, the analog masterwork is a demonstration record for the ages – the likes of which are no longer being made. Longtime fans can finally rest assured knowing they don't have to pony up hundreds of dollars for older pressings – including three prior Mobile Fidelity versions on LP and CD. This is the very reason you own and invest in high-end audio gear.\r\n
      \r\n
      Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record increasingly relevant in the 21st century. Lyrically, songs such as "The Voice" call into question human behavior – and their relationship to increasing robotic supremacy – in everyday life. Sonically, Parsons reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.\r\n
      \r\n
      I Robot's absorbing tunes also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. "Some Other Time" employs two different lead vocalists and yet gives the illusion only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace "Don't Let It Show". The origins of "Nucleus" stem from a unique analog keyboard concoction dubbed "the Projectron", devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with "Total Eclipse" arriving as an aptly frightening track that presages the climactic "Genesis Ch. 1 V. 32".\r\n
      \r\n
      Does man or machine win in the end ? Decide with Parsons as you get lost in Mobile Fidelity's definitive pressing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ROS-288KSnQ"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-455"
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        "nom" => "1. Total Eclipse"
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        "nom" => "2. Genesis Ch. 1 V. 32"
        "ordre" => 13
      ]
    ]
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App\Twig\Components\GestionPanierFavoriComponents {#3588
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  +produit: App\Entity\Produit {#2151
    -id: 866
    -nom: "I Robot"
    -informationComplementaire: null
    -description: """
      Audiophiles needn't any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued multiple times. Can it be improved ? Relish Mobile Fidelity's stupendous-sounding 180-Gram 45RPM 2LP set and the question becomes irrelevant.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, and afforded the luxurious groove space of a 45 RPM LP, I Robot comes to life like never before on this numbered limited-edition reissue. Boasting immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this super-clean edition has been lovingly restored by Mobile Fidelity engineers with the intention of demonstrating the full-range capabilities of the world's best stereo systems. Put simply, there's more music, more information, more detail, more nuance, more everything.\r\n
      \r\n
      Savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, the analog masterwork is a demonstration record for the ages – the likes of which are no longer being made. Longtime fans can finally rest assured knowing they don't have to pony up hundreds of dollars for older pressings – including three prior Mobile Fidelity versions on LP and CD. This is the very reason you own and invest in high-end audio gear.\r\n
      \r\n
      Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record increasingly relevant in the 21st century. Lyrically, songs such as "The Voice" call into question human behavior – and their relationship to increasing robotic supremacy – in everyday life. Sonically, Parsons reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.\r\n
      \r\n
      I Robot's absorbing tunes also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. "Some Other Time" employs two different lead vocalists and yet gives the illusion only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace "Don't Let It Show". The origins of "Nucleus" stem from a unique analog keyboard concoction dubbed "the Projectron", devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with "Total Eclipse" arriving as an aptly frightening track that presages the climactic "Genesis Ch. 1 V. 32".\r\n
      \r\n
      Does man or machine win in the end ? Decide with Parsons as you get lost in Mobile Fidelity's definitive pressing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Eric Woolfson, Alan Parsons, Duncan Mackay (claviers), David Paton (bass & acoustic guitar), Ian Bairnson (electric & acoustic guitar), BJ. Cole (steel guitar), Allan Clarke, Jack Harris, Peter Straker, Steve & Dave Towsend, (vocals), Stuart Tosh (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=ROS-288KSnQ"
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      ]
    ]
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[
  "produit" => App\Entity\Produit {#2164
    -id: 840
    -nom: "Live At The Fillmore East"
    -informationComplementaire: null
    -description: """
      - The Allman Brothers Band At Fillmore East on 180 gram double LP !\r\n
      - Limited edition numbered album !\r\n
      - Ranked N° 49 on Rolling Stone's 500 Greatest Albums of All Time list !\r\n
      - Peerless Sonics : Mobile Fidelity edition provides fifth-row seat to historic March 1971 concerts !\r\n
      \r\n
      Fillmore East is synonymous with some of the greatest concerts ever staged. Yet the vaudeville venue belongs to one group : The Allman Brothers Band. This groundbreaking double album is why. As the collective's breakthrough, it broadcasts to the world wowing improvisational flights and seamless musical fusion the likes of which no one had ever heard. In communion with the crowd, the band establishes an interactive blueprint for all shows that followed, while its high-wire displays of powerhouse soloing and time-stretching arrangements remain the stuff of hall-of-fame legend.\r\n
      \r\n
      Mobile Fidelity's collectable double LP of At Fillmore East joins the reissue imprint's other Allman titles in presenting the inimitable ensemble's music in the most lifelike, uncompromising fidelity possible. Myriad versions of the 1971 set exist; it is rare to find the audiophile sensibilities found here - sonic traits that whisk the listener to the midst of the Fillmore East for four gigs performed on March 12 and 13, 1971, plunking them down in a fifth-row seat surrounded by fervent fans and a smoke-filled atmosphere. Every slippery bottleneck note, every aching vocal moan, every soulful purr from the organ, every gritty interlocking riff comes across with unfettered clarity and realism.\r\n
      \r\n
      While the record features multiple works the band never laid down in a studio, At Fillmore East is a meticulously conceived affair. The Allmans prepped rough sketches and layouts of the tunes, carving out spaces for each member's solos, and leaving the direction of such entirely up to the individual. As a result, the effort - anchored by iconic producer Tom Dowd's stellar production - presents a jazz-drifting rock band benefiting from both a sense of assured direction as well as opportunistic freedom.\r\n
      \r\n
      Indeed, At Fillmore East is the rare sounds of a group letting it all go, fearlessly maneuvering through bluesy shuffles, exquisite laments, graceful instrumental passages, and frenetic swamp-laden boogies. Achieved via a combination of virtuosic skill, visionary ambition, and natural chemistry, the six-piece burns white-hot with intensity and persuades via a padlock-tight rhythm section on which Duane's searing slide playing and Gregg's bottom-of-the-stomach vocals glide, each aural utterance coaxing on their respective mates to strive for new heights.\r\n
      \r\n
      The evidence abounds on the rollercoaster thrills of the dipping and diving "Whipping Post"; the biscuit-and-gravy purity of an aptly tempestuous "Stormy Monday", complete with harmonica from guest Tom Doucette; the flaming inertia established on the celebratory "Hot ‘Lanta"; and the jam-heavy hopscotch of an elastic "In Memory of Elizabeth Reed," one of numerous standout moments for lead guitarist Dickey Betts. It seems as if everyone knew what they were experiencing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Gregg Allman (organ, piano, vocals), Duane Allman (lead & slide guitar), Dicky Betts (lead guitar), Thom Doucette (harmonica), Berry Oakley (bass guitar), Butch Trucks, Jai Johanny Johanson (drums, percussion, congas, timbales)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=0wsUNMSiIII"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2434-45"
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        "nom" => "1. Statesboro Blues"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2166 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3634
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    -id: 840
    -nom: "Live At The Fillmore East"
    -informationComplementaire: null
    -description: """
      - The Allman Brothers Band At Fillmore East on 180 gram double LP !\r\n
      - Limited edition numbered album !\r\n
      - Ranked N° 49 on Rolling Stone's 500 Greatest Albums of All Time list !\r\n
      - Peerless Sonics : Mobile Fidelity edition provides fifth-row seat to historic March 1971 concerts !\r\n
      \r\n
      Fillmore East is synonymous with some of the greatest concerts ever staged. Yet the vaudeville venue belongs to one group : The Allman Brothers Band. This groundbreaking double album is why. As the collective's breakthrough, it broadcasts to the world wowing improvisational flights and seamless musical fusion the likes of which no one had ever heard. In communion with the crowd, the band establishes an interactive blueprint for all shows that followed, while its high-wire displays of powerhouse soloing and time-stretching arrangements remain the stuff of hall-of-fame legend.\r\n
      \r\n
      Mobile Fidelity's collectable double LP of At Fillmore East joins the reissue imprint's other Allman titles in presenting the inimitable ensemble's music in the most lifelike, uncompromising fidelity possible. Myriad versions of the 1971 set exist; it is rare to find the audiophile sensibilities found here - sonic traits that whisk the listener to the midst of the Fillmore East for four gigs performed on March 12 and 13, 1971, plunking them down in a fifth-row seat surrounded by fervent fans and a smoke-filled atmosphere. Every slippery bottleneck note, every aching vocal moan, every soulful purr from the organ, every gritty interlocking riff comes across with unfettered clarity and realism.\r\n
      \r\n
      While the record features multiple works the band never laid down in a studio, At Fillmore East is a meticulously conceived affair. The Allmans prepped rough sketches and layouts of the tunes, carving out spaces for each member's solos, and leaving the direction of such entirely up to the individual. As a result, the effort - anchored by iconic producer Tom Dowd's stellar production - presents a jazz-drifting rock band benefiting from both a sense of assured direction as well as opportunistic freedom.\r\n
      \r\n
      Indeed, At Fillmore East is the rare sounds of a group letting it all go, fearlessly maneuvering through bluesy shuffles, exquisite laments, graceful instrumental passages, and frenetic swamp-laden boogies. Achieved via a combination of virtuosic skill, visionary ambition, and natural chemistry, the six-piece burns white-hot with intensity and persuades via a padlock-tight rhythm section on which Duane's searing slide playing and Gregg's bottom-of-the-stomach vocals glide, each aural utterance coaxing on their respective mates to strive for new heights.\r\n
      \r\n
      The evidence abounds on the rollercoaster thrills of the dipping and diving "Whipping Post"; the biscuit-and-gravy purity of an aptly tempestuous "Stormy Monday", complete with harmonica from guest Tom Doucette; the flaming inertia established on the celebratory "Hot ‘Lanta"; and the jam-heavy hopscotch of an elastic "In Memory of Elizabeth Reed," one of numerous standout moments for lead guitarist Dickey Betts. It seems as if everyone knew what they were experiencing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Gregg Allman (organ, piano, vocals), Duane Allman (lead & slide guitar), Dicky Betts (lead guitar), Thom Doucette (harmonica), Berry Oakley (bass guitar), Butch Trucks, Jai Johanny Johanson (drums, percussion, congas, timbales)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0wsUNMSiIII"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2434-45"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Statesboro Blues"
        "ordre" => 1
      ]
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        "nom" => "2. Done Somebody Wrong"
        "ordre" => 2
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      [
        "nom" => "3. Stormy Monday"
        "ordre" => 3
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        "nom" => "Side B : "
        "ordre" => 4
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      [
        "nom" => "1. You Don't Love Me"
        "ordre" => 5
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      [
        "nom" => "Side C : "
        "ordre" => 6
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      [
        "nom" => "1. Hot ‘Lanta"
        "ordre" => 7
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      [
        "nom" => "2. In Memory of Elizabeth Reed"
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
      [
        "nom" => "1. Whipping Post"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2166 …}
    -label: App\Entity\Label {#1063 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-live-at-the-fillmore-east-mobile-fidelity-sound-lab-mfsl-2434-45"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2382 …}
}

[
  "produit" => App\Entity\Produit {#2180
    -id: 320
    -nom: "Wild Planet"
    -informationComplementaire: null
    -description: """
      Party out of bounds ! Not only is this sentiment one of the B-52's directives on their ceaselessly fun sophomore album, it's one of the record's hit songs, and perfectly summarizes the spirit and intent behind this new-wave classic. Completely up to task in following up their kitschy debut, the B-52's step everything up a notch : Songwriting, humor, exaggeration, melodies, hooks and group interplay. Wild Planet also finds the band embracing stronger psychedelic accents that seamlessly mesh with its lava-lamp colors and textures. What an album. \r\n
      \r\n
      Rollicking, rousing and riotous, Wild Planet soars on vocal efforts put forth by the delightfully campy chanteuses Cindy Wilson and Kate Pierson, whose innocent girly tonalities wonderfully match up with Fred Schneider's effeminate deliveries and manic presentations. While the sheer exuberance and giddy nature of the music tends to make them an afterthought, the trio's harmonies are utterly amazing. Add in Ricky Wilson's propulsive beach-bound guitar riffs, random squealing synthesizers and a surfeit of danceable rhythms and you have nothing less than a 1980s masterpiece that, due to its optimistic vibes and buoyant grooves, only gets better with time.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Kate Pierson (vocals, keyboards), Fred Schneider (vocals, percussion), Ricky Wilson (guitars), Cindy Wilson (vocals, percussion), Keith Strickland (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=MNX1knUjZl4"
    -referenceProduit: "Mobile Fidelity Sound Lab MOFI 1-014"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Party Out Of Bounds"
        "ordre" => 1
      ]
      [
        "nom" => "2. Dirty Back Road"
        "ordre" => 2
      ]
      [
        "nom" => "3. Runnin' Around"
        "ordre" => 3
      ]
      [
        "nom" => "4. Give Me Back My Man"
        "ordre" => 4
      ]
      [
        "nom" => "5. Private Idaho"
        "ordre" => 5
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
      [
        "nom" => "1. Devil In My Car"
        "ordre" => 7
      ]
      [
        "nom" => "2. Quiche Lorraine"
        "ordre" => 8
      ]
      [
        "nom" => "3. Strobe Light"
        "ordre" => 9
      ]
      [
        "nom" => "4. 53 Miles West Of Venus"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2182 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2191 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2184 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2186 …}
    -enregistreLe: DateTime @1278690877 {#2177
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    }
    -modifierLe: DateTime @1762986650 {#2178
      date: 2025-11-12 22:30:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2188 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-wild-planet-mobile-fidelity-sound-lab-mofi-1-014"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3685
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2614 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2180
    -id: 320
    -nom: "Wild Planet"
    -informationComplementaire: null
    -description: """
      Party out of bounds ! Not only is this sentiment one of the B-52's directives on their ceaselessly fun sophomore album, it's one of the record's hit songs, and perfectly summarizes the spirit and intent behind this new-wave classic. Completely up to task in following up their kitschy debut, the B-52's step everything up a notch : Songwriting, humor, exaggeration, melodies, hooks and group interplay. Wild Planet also finds the band embracing stronger psychedelic accents that seamlessly mesh with its lava-lamp colors and textures. What an album. \r\n
      \r\n
      Rollicking, rousing and riotous, Wild Planet soars on vocal efforts put forth by the delightfully campy chanteuses Cindy Wilson and Kate Pierson, whose innocent girly tonalities wonderfully match up with Fred Schneider's effeminate deliveries and manic presentations. While the sheer exuberance and giddy nature of the music tends to make them an afterthought, the trio's harmonies are utterly amazing. Add in Ricky Wilson's propulsive beach-bound guitar riffs, random squealing synthesizers and a surfeit of danceable rhythms and you have nothing less than a 1980s masterpiece that, due to its optimistic vibes and buoyant grooves, only gets better with time.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Kate Pierson (vocals, keyboards), Fred Schneider (vocals, percussion), Ricky Wilson (guitars), Cindy Wilson (vocals, percussion), Keith Strickland (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=MNX1knUjZl4"
    -referenceProduit: "Mobile Fidelity Sound Lab MOFI 1-014"
    -titreMorceau: [
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        "nom" => "1. Party Out Of Bounds"
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      [
        "nom" => "3. Runnin' Around"
        "ordre" => 3
      ]
      [
        "nom" => "4. Give Me Back My Man"
        "ordre" => 4
      ]
      [
        "nom" => "5. Private Idaho"
        "ordre" => 5
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
      [
        "nom" => "1. Devil In My Car"
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      ]
      [
        "nom" => "2. Quiche Lorraine"
        "ordre" => 8
      ]
      [
        "nom" => "3. Strobe Light"
        "ordre" => 9
      ]
      [
        "nom" => "4. 53 Miles West Of Venus"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2182 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2191 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2184 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2186 …}
    -enregistreLe: DateTime @1278690877 {#2177
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    }
    -modifierLe: DateTime @1762986650 {#2178
      date: 2025-11-12 22:30:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2188 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-wild-planet-mobile-fidelity-sound-lab-mofi-1-014"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2382 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3886
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2382 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3887 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3935 …}
  +isValidated: false
  +validatedFields: []
}