Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2616
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2693
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2696 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
  -formView: Symfony\Component\Form\FormView {#2732 …}
  -form: Symfony\Component\Form\Form {#2882 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 2404
    -nom: "Historically Speaking : The Duke"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Johnny Hodges (alto saxophone), Russell Procope (alto saxophone, clarinet), Harry Carney (baritone saxophone, bass clarinet), Jimmy Woode (bass), Paul Gonsalves (tenor saxophone), Jimmy Hamilton (tenor saxophone, clarinet), Britt Woodman, John Sanders, Quentin Jackson (trombone), Cat Anderson, Clark Terry, Ray Nance, Willie Cooke (trumpet), Sam Woodyard (drums).\r\n
      \r\n
      Recorded for Bethlehem Records in 1956, Duke Ellington's Historically Speaking is an album of updated arrangements of earlier Duke classics, including "East St. Louis Toodle-Oo", "In a Mellow Tone," and "Creole Love Call". The orchestra, with the recent return of saxophonist Johnny Hodges to the Ellington fold and the modernizing influence of drummer Sam Woodyard on drums, sounds rejuvenated, making this album a strong contender for one of Ellington's finer efforts of the 1950's. Personnel includes: Duke Ellington (conductor, piano); Russell Procope (clarinet, alto saxophone); Jimmy Hamilton (clarinet, tenor saxophone); Johnny Hodges (alto saxophone); Paul Gonsalves (tenor saxophone); Harry Carney (bass saxophone); Cat Anderson, Willie Cook, Clark Terry (trumpet); Ray Nance, Britt Woodman, John Saunders, Quentin Jackson (trombone); Jimmy Woode (bass); Sam Woodyard (drums). Remastered on 180 gram vinyl LP.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges (alto saxophone), Russell Procope (alto saxophone, clarinet), Harry Carney (baritone saxophone, bass clarinet), Jimmy Woode (bass), Paul Gonsalves (tenor saxophone), Jimmy Hamilton (tenor saxophone, clarinet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=VBzumDmjMCo"
    -referenceProduit: "Bethlehem Records 0138"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. East St. Louis Toodle-O (2014 Remastered Version) "
      ]
      [
        "ordre" => 2
        "nom" => "2. Creole Love Call (2014 Remastered Version) "
      ]
      [
        "ordre" => 3
        "nom" => "3. Stompy Jones (2014 Remastered Version) "
      ]
      [
        "ordre" => 4
        "nom" => "4. The Jeep Is Jumpin' (2014 Remastered Version) "
      ]
      [
        "ordre" => 5
        "nom" => "5. Jack the Bear (2014 Remastered Version) "
      ]
      [
        "ordre" => 6
        "nom" => "6. In a Mellow Tone (2014 Remastered Version)"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Ko-Ko (2014 Remastered Version) "
      ]
      [
        "ordre" => 9
        "nom" => "2. Midriff (2014 Remastered Version) "
      ]
      [
        "ordre" => 10
        "nom" => "3. Stomp Look and Listen (2014 Remastered Version) "
      ]
      [
        "ordre" => 11
        "nom" => "4. Unbooted Character (2014 Remastered Version) "
      ]
      [
        "ordre" => 12
        "nom" => "5. Lonesome Lullaby (2014 Remastered Version) "
      ]
      [
        "ordre" => 13
        "nom" => "6. Upper Manhattan Medical Group (2014 Remastered Version)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1680847924 {#1929
      date: 2023-04-07 06:12:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764865962 {#1922
      date: 2025-12-04 16:32:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-historically-speaking-the-duke-bethlehem-records-0138"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3153
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 2404
    -nom: "Historically Speaking : The Duke"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Johnny Hodges (alto saxophone), Russell Procope (alto saxophone, clarinet), Harry Carney (baritone saxophone, bass clarinet), Jimmy Woode (bass), Paul Gonsalves (tenor saxophone), Jimmy Hamilton (tenor saxophone, clarinet), Britt Woodman, John Sanders, Quentin Jackson (trombone), Cat Anderson, Clark Terry, Ray Nance, Willie Cooke (trumpet), Sam Woodyard (drums).\r\n
      \r\n
      Recorded for Bethlehem Records in 1956, Duke Ellington's Historically Speaking is an album of updated arrangements of earlier Duke classics, including "East St. Louis Toodle-Oo", "In a Mellow Tone," and "Creole Love Call". The orchestra, with the recent return of saxophonist Johnny Hodges to the Ellington fold and the modernizing influence of drummer Sam Woodyard on drums, sounds rejuvenated, making this album a strong contender for one of Ellington's finer efforts of the 1950's. Personnel includes: Duke Ellington (conductor, piano); Russell Procope (clarinet, alto saxophone); Jimmy Hamilton (clarinet, tenor saxophone); Johnny Hodges (alto saxophone); Paul Gonsalves (tenor saxophone); Harry Carney (bass saxophone); Cat Anderson, Willie Cook, Clark Terry (trumpet); Ray Nance, Britt Woodman, John Saunders, Quentin Jackson (trombone); Jimmy Woode (bass); Sam Woodyard (drums). Remastered on 180 gram vinyl LP.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges (alto saxophone), Russell Procope (alto saxophone, clarinet), Harry Carney (baritone saxophone, bass clarinet), Jimmy Woode (bass), Paul Gonsalves (tenor saxophone), Jimmy Hamilton (tenor saxophone, clarinet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=VBzumDmjMCo"
    -referenceProduit: "Bethlehem Records 0138"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. East St. Louis Toodle-O (2014 Remastered Version) "
      ]
      [
        "ordre" => 2
        "nom" => "2. Creole Love Call (2014 Remastered Version) "
      ]
      [
        "ordre" => 3
        "nom" => "3. Stompy Jones (2014 Remastered Version) "
      ]
      [
        "ordre" => 4
        "nom" => "4. The Jeep Is Jumpin' (2014 Remastered Version) "
      ]
      [
        "ordre" => 5
        "nom" => "5. Jack the Bear (2014 Remastered Version) "
      ]
      [
        "ordre" => 6
        "nom" => "6. In a Mellow Tone (2014 Remastered Version)"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Ko-Ko (2014 Remastered Version) "
      ]
      [
        "ordre" => 9
        "nom" => "2. Midriff (2014 Remastered Version) "
      ]
      [
        "ordre" => 10
        "nom" => "3. Stomp Look and Listen (2014 Remastered Version) "
      ]
      [
        "ordre" => 11
        "nom" => "4. Unbooted Character (2014 Remastered Version) "
      ]
      [
        "ordre" => 12
        "nom" => "5. Lonesome Lullaby (2014 Remastered Version) "
      ]
      [
        "ordre" => 13
        "nom" => "6. Upper Manhattan Medical Group (2014 Remastered Version)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1680847924 {#1929
      date: 2023-04-07 06:12:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764865962 {#1922
      date: 2025-12-04 16:32:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-historically-speaking-the-duke-bethlehem-records-0138"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 570
    -nom: "Ellington at Newport"
    -informationComplementaire: "Re-release"
    -description: """
      Musicians :\r\n
      Duke Ellington (piano), Cat Anderson, Willie Cook, Clark Terry  (trumpet), Ray Nance (trumpet, vocals), Quentin Jackson,  Lawrence Brown, John Sanders, Britt Woodman (trombone), Johnny Hodges (alto saxophone), Russell Procope (alto saxophone, clarinet), Paul Gonsalves (tenor saxophone), Harry Carney (baritone saxophone), Jimmy Hamilton (clarinet), Jimmy Woode (double bass), Al Lucas (bass), Jimmy Grissom (vocals), Sam Woodyard (drums).\r\n
      \r\n
      Pandemonium : Historic 1956 Live Set Triggered Spontaneous Audience Outburst That Fed Directly into Feel, Outcome of Performance !\r\n
      \r\n
      DUKE ELLINGTON'S HISTORIC LIVE SET TRIGGERED SPONTANEOUS AUDIENCE OUTBURST THAT FED DIRECTLY INTO THE FEEL AND OUTCOME OF HIS PERFORMANCE\r\n
      \r\n
      - 1/2" / 30 IPS analog copy to analog console to lathe !\r\n
      \r\n
      It spurred Duke Ellington's comeback into the mainstream. It captures a performance so energetic, wild, unexpected, and unprecedented that the music literally caused thousands of people to jump up and stand on their chairs, worrying officials that a riot might ensue. It is jazz of the highest order, played at an almost rock n' roll pace, and with an enthusiastic pep that confirms Ellington and his ensemble fed off the crowd's reaction as the collective lit into each new stanza. It is Ellington's best-selling album. It is Ellington at Newport.\r\n
      \r\n
      Like few records before or since, the 1956 set owes as much to context and circumstance as it does instrumental execution. Years prior to his appearance in Rhode Island, Ellington had suffered lackadaisical record sales and a falling out of the public eye, as bop and hard bop supplanted tradition big bands. Yet in preparation for the event, Ellington worked on experimental ideas and a reshaping of some of his standards.\r\n
      \r\n
      The iconic arranger/composer's foresight comes into fruition throughout the white-hot set, never more so than on "Diminuendo and Crescendo In Blue", on which tenor saxophonist Paul Gonsalves erases all rules and outlays a 27 chorus solo that left everyone in awe and prompted them to stand on chairs, dance feverishly, and hoot and holler to an extent that caused Ellington to ultimately cool things off. The improvisational flight epitomizes boldness, freedom, risk, and, to the bandleader, an assuredly loud response to the critics that had believed his well was tapped.\r\n
      \r\n
      The songs in advance of the climactic moment are no less exciting; Ellington and his 15-piece collective manhandle notes with ease, swinging and sliding through "Festival Junction" with a requisite balance of poise and panache, and kicking heels on "Newport Up" via Ellington's spry piano riffs, Jimmy Hamilton's spicy clarinet feeds, and Clark Terry's trumpet runs. In every way, Ellington at Newport is as quintessential as Kind of Blue, Giant Steps, and Way Out West.\r\n
      \r\n
      And now, the 1956 classic can be experienced in a fidelity never before as authentic or transparent on any pressing. Mastered on Mobile Fidelity's renowned mastering system and pressed at Fidelity Record Pressing, this numbered-edition Silver Label Series LP of Ellington's triumph boasts tremendous separation, deeper low frequencies, clearer highs, and front-to-back dynamics. Horns blare with multi-hued color, the Duke's 88s ring out with treble finesse, and the rhythm section claims an added presence buried on previous editions.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Duke Ellington (piano), Cat Anderson, Willie Cook, Clark Terry  (trumpet), Ray Nance (trumpet, vocals), Quentin Jackson,  Lawrence Brown, John Sanders, Britt Woodman (trombone), Johnny Hodges (alto saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Cyyud_-h-8w"
    -referenceProduit: "Mobile Fidelity Sound Lab MOFI 1-035"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Festival Junction"
      ]
      [
        "ordre" => 2
        "nom" => "2. Blues to Be There"
      ]
      [
        "ordre" => 3
        "nom" => "3. Newport Up"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Jeep’s Blues"
      ]
      [
        "ordre" => 6
        "nom" => "2. Diminuendo and Crescendo In Blue"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#2100 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2109 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2102 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2104 …}
    -enregistreLe: DateTime @1359617127 {#2095
      date: 2013-01-31 07:25:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764865771 {#2096
      date: 2025-12-04 16:29:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2106 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ellington-at-newport-mobile-fidelity-sound-lab-mofi-1-035"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3269
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 570
    -nom: "Ellington at Newport"
    -informationComplementaire: "Re-release"
    -description: """
      Musicians :\r\n
      Duke Ellington (piano), Cat Anderson, Willie Cook, Clark Terry  (trumpet), Ray Nance (trumpet, vocals), Quentin Jackson,  Lawrence Brown, John Sanders, Britt Woodman (trombone), Johnny Hodges (alto saxophone), Russell Procope (alto saxophone, clarinet), Paul Gonsalves (tenor saxophone), Harry Carney (baritone saxophone), Jimmy Hamilton (clarinet), Jimmy Woode (double bass), Al Lucas (bass), Jimmy Grissom (vocals), Sam Woodyard (drums).\r\n
      \r\n
      Pandemonium : Historic 1956 Live Set Triggered Spontaneous Audience Outburst That Fed Directly into Feel, Outcome of Performance !\r\n
      \r\n
      DUKE ELLINGTON'S HISTORIC LIVE SET TRIGGERED SPONTANEOUS AUDIENCE OUTBURST THAT FED DIRECTLY INTO THE FEEL AND OUTCOME OF HIS PERFORMANCE\r\n
      \r\n
      - 1/2" / 30 IPS analog copy to analog console to lathe !\r\n
      \r\n
      It spurred Duke Ellington's comeback into the mainstream. It captures a performance so energetic, wild, unexpected, and unprecedented that the music literally caused thousands of people to jump up and stand on their chairs, worrying officials that a riot might ensue. It is jazz of the highest order, played at an almost rock n' roll pace, and with an enthusiastic pep that confirms Ellington and his ensemble fed off the crowd's reaction as the collective lit into each new stanza. It is Ellington's best-selling album. It is Ellington at Newport.\r\n
      \r\n
      Like few records before or since, the 1956 set owes as much to context and circumstance as it does instrumental execution. Years prior to his appearance in Rhode Island, Ellington had suffered lackadaisical record sales and a falling out of the public eye, as bop and hard bop supplanted tradition big bands. Yet in preparation for the event, Ellington worked on experimental ideas and a reshaping of some of his standards.\r\n
      \r\n
      The iconic arranger/composer's foresight comes into fruition throughout the white-hot set, never more so than on "Diminuendo and Crescendo In Blue", on which tenor saxophonist Paul Gonsalves erases all rules and outlays a 27 chorus solo that left everyone in awe and prompted them to stand on chairs, dance feverishly, and hoot and holler to an extent that caused Ellington to ultimately cool things off. The improvisational flight epitomizes boldness, freedom, risk, and, to the bandleader, an assuredly loud response to the critics that had believed his well was tapped.\r\n
      \r\n
      The songs in advance of the climactic moment are no less exciting; Ellington and his 15-piece collective manhandle notes with ease, swinging and sliding through "Festival Junction" with a requisite balance of poise and panache, and kicking heels on "Newport Up" via Ellington's spry piano riffs, Jimmy Hamilton's spicy clarinet feeds, and Clark Terry's trumpet runs. In every way, Ellington at Newport is as quintessential as Kind of Blue, Giant Steps, and Way Out West.\r\n
      \r\n
      And now, the 1956 classic can be experienced in a fidelity never before as authentic or transparent on any pressing. Mastered on Mobile Fidelity's renowned mastering system and pressed at Fidelity Record Pressing, this numbered-edition Silver Label Series LP of Ellington's triumph boasts tremendous separation, deeper low frequencies, clearer highs, and front-to-back dynamics. Horns blare with multi-hued color, the Duke's 88s ring out with treble finesse, and the rhythm section claims an added presence buried on previous editions.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Duke Ellington (piano), Cat Anderson, Willie Cook, Clark Terry  (trumpet), Ray Nance (trumpet, vocals), Quentin Jackson,  Lawrence Brown, John Sanders, Britt Woodman (trombone), Johnny Hodges (alto saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Cyyud_-h-8w"
    -referenceProduit: "Mobile Fidelity Sound Lab MOFI 1-035"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Festival Junction"
      ]
      [
        "ordre" => 2
        "nom" => "2. Blues to Be There"
      ]
      [
        "ordre" => 3
        "nom" => "3. Newport Up"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Jeep’s Blues"
      ]
      [
        "ordre" => 6
        "nom" => "2. Diminuendo and Crescendo In Blue"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#2100 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2109 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2102 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2104 …}
    -enregistreLe: DateTime @1359617127 {#2095
      date: 2013-01-31 07:25:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764865771 {#2096
      date: 2025-12-04 16:29:31.0 UTC (+00:00)
    }
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[
  "produit" => App\Entity\Produit {#2114
    -id: 508
    -nom: "Indigos"
    -informationComplementaire: null
    -description: """
      180 Gram pressing mastered from the original analog tapes by Kevin Gray !\r\n
      \r\n
      Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed.\r\n
      \r\n
      An all-analog shot of pure Duke at his most soulfully nocturnal. From the cats who brought you Time Further Out and Friday and Saturday Nights At the Blackhawk. Impex Records is making your nights a little cooler.\r\n
      \r\n
      The dancing mood of the album should not prevent us from attentively listening to these exceptional recordings. After all, this is the Ellington orchestra and all the arrangements are full of new twists and innovative voices and improvisations.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Duke Ellington and His Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=5rt8H4jWnyE&list=PLPRYDN3eHzakszGqEjurkseY7Oq7pZg3B&index=3"
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        "nom" => "4. Dancing In the Dark"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
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    -modifierLe: DateTime @1764837549 {#2112
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App\Twig\Components\GestionPanierFavoriComponents {#3317
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
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    -nom: "Indigos"
    -informationComplementaire: null
    -description: """
      180 Gram pressing mastered from the original analog tapes by Kevin Gray !\r\n
      \r\n
      Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed.\r\n
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[
  "produit" => App\Entity\Produit {#2130
    -id: 748
    -nom: "Ellington Indigos (2LP) 45 RPM - (Indigo Purple Vinyl)"
    -informationComplementaire: "65th Anniversary (Limited Numbered Edition)"
    -description: """
      - Ellington Indigos 65th Anniversary Edition !\r\n
      - First time on Impex 180 gram 45 RPM (2 LP) !\r\n
      - All-analog mastering by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Pressed at RTI !\r\n
      - Four bonus tracks !\r\n
      - 16 page booklet with new notes and archival photos !\r\n
      - Strictly limited to 3000 numbered copies !\r\n
      \r\n
      Duke Ellington's gorgeous 1958 release, already an audiophile stand out on Impex 33 1/3 RPM vinyl and 24k Gold CD, gets all the stops pulled out on this 65th Anniversary 45 RPM (2 LP) ! Exclusive new packaging and all-analog mastering provides experiential and immersive musical engagement that has The Absolute Sound's Wayne Garcia calling it "A musical masterpiece, sonic knockout. What a record !" - 5/5 music - 5/5 sonics\r\n
      \r\n
      Impex is also debuting a super-quiet, super-limited-edition solid Indigo purple vinyl edition! Made in collaboration with our friends at the Los Angeles Orange County Audio Society in honor of their 30th Anniversary, we carefully selected vinyl chips, with help from the vinyl gurus at RTI, to craft one of the quietest color LPs ever made without dramatically changing the tonal excellence of the original recording !\r\n
      \r\n
      Strictly limited to 3000 standard black HQ 180 gram pressings, Ellington Indigos on 45 RPM HQ 180 will once again redefine definitive for this timeless jazz orchestra standard !
      """
    -prixVente: "159.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Duke Ellington and His Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=8-2UKI6vIv4&list=PLPRYDN3eHzakszGqEjurkseY7Oq7pZg3B"
    -referenceProduit: "Impex Records IMP 6058-45"
    -titreMorceau: [
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        "nom" => "1. Autumn Leaves"
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        "nom" => "2. Prelude To a Kiss"
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      [
        "ordre" => 7
        "nom" => "3. Willow Weep for Me"
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        "ordre" => 8
        "nom" => "Side C :"
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        "ordre" => 9
        "nom" => "1. Tenderly"
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        "ordre" => 10
        "nom" => "2. Dancing In the Dark"
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        "ordre" => 11
        "nom" => "3. Night and Day"
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        "ordre" => 12
        "nom" => "Side D : "
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        "nom" => "1. All the Things You Are"
      ]
      [
        "ordre" => 14
        "nom" => "2. The Sky Fell Down"
      ]
      [
        "ordre" => 15
        "nom" => "3. Love (My Heart, My Mind, My Everything)"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#2116 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2133 …}
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    }
    -modifierLe: DateTime @1764837416 {#2128
      date: 2025-12-04 08:36:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2135 …}
    -disponible: null
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    -slug: "vinyles-ellington-indigos-2lp-45-rpm-indigo-purple-vinyl-impex-records-imp-6058-45"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3365
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2130
    -id: 748
    -nom: "Ellington Indigos (2LP) 45 RPM - (Indigo Purple Vinyl)"
    -informationComplementaire: "65th Anniversary (Limited Numbered Edition)"
    -description: """
      - Ellington Indigos 65th Anniversary Edition !\r\n
      - First time on Impex 180 gram 45 RPM (2 LP) !\r\n
      - All-analog mastering by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Pressed at RTI !\r\n
      - Four bonus tracks !\r\n
      - 16 page booklet with new notes and archival photos !\r\n
      - Strictly limited to 3000 numbered copies !\r\n
      \r\n
      Duke Ellington's gorgeous 1958 release, already an audiophile stand out on Impex 33 1/3 RPM vinyl and 24k Gold CD, gets all the stops pulled out on this 65th Anniversary 45 RPM (2 LP) ! Exclusive new packaging and all-analog mastering provides experiential and immersive musical engagement that has The Absolute Sound's Wayne Garcia calling it "A musical masterpiece, sonic knockout. What a record !" - 5/5 music - 5/5 sonics\r\n
      \r\n
      Impex is also debuting a super-quiet, super-limited-edition solid Indigo purple vinyl edition! Made in collaboration with our friends at the Los Angeles Orange County Audio Society in honor of their 30th Anniversary, we carefully selected vinyl chips, with help from the vinyl gurus at RTI, to craft one of the quietest color LPs ever made without dramatically changing the tonal excellence of the original recording !\r\n
      \r\n
      Strictly limited to 3000 standard black HQ 180 gram pressings, Ellington Indigos on 45 RPM HQ 180 will once again redefine definitive for this timeless jazz orchestra standard !
      """
    -prixVente: "159.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Duke Ellington and His Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=8-2UKI6vIv4&list=PLPRYDN3eHzakszGqEjurkseY7Oq7pZg3B"
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        "ordre" => 7
        "nom" => "3. Willow Weep for Me"
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        "nom" => "Side C :"
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        "nom" => "1. Tenderly"
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        "nom" => "2. Dancing In the Dark"
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        "nom" => "Side D : "
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        "nom" => "2. The Sky Fell Down"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
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      date: 2025-12-04 08:36:56.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2147
    -id: 726
    -nom: "Masterpieces by Ellington (Mono)"
    -informationComplementaire: null
    -description: """
      - A historic record - recorded just four years removed from the dawn of the analog tape era !\r\n
      - Remastered by Ryan Smith at Sterling Sound from the original analog tapes !\r\n
      - Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second !\r\n
      - Gatefold old-school "tip-on" on jacket by Stoughton Printing !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Most highly recommended (the record is now on the QRP presses). It's one of my 'Records to Die For' in the February 2015 Stereophile. You won't have to die to get a copy. $30 will do and it's well worth the money. A true classic both musically and sonically and a historical work of art you can now own". — Music = 11/11; Sound = 11/11 — Michael Fremer, AnalogPlanet.com. Read the whole review here.\r\n
      Masterpieces By Ellington shines from an astonishingly brief period of history that gave the recording industry two of its greatest achievements — the introduction of magnetic tape recording and the 33 1/3 LP, or long-playing record.\r\n
      Four years. That's all it took to go from the discovery by Americans, of German advancements in the field of sound recording, to the marketing of tape decks in the U.S. by the Ampex company, to Columbia's unveiling of its 12” LP, and the first long-playing record to be sold to consumers.\r\n
      \r\n
      The four selections contained here catapulted the Maestro Ellington into the LP era, as the great composer/arranger/pianist and his matchless orchestra took full advantage of the possibilities afforded by magnetic tape recording and the still-new 33 1/3 RPM LP to, for the first time, capture uncut concert arrangements of their signature songs.\r\n
      \r\n
      This album wouldn't have been possible without a chain of events starting at the end of World War II. Recorded in December 1950, just five years after Germany fell to the Allies, revealing the Germans' advances in magnetic tape recording, Ellington's master work holds its wonder still today and the recording quality hands-down betters the sound of many modern-day albums.\r\n
      \r\n
      1944-45 : Magnetic tape for sound recording spread to America after an American soldier, Jack Mullin, serving with the U.S. Army Signal Corps in the final months of WW II, received two suitcased-sized AEG 'Magnetophon' high-fidelity recorders and 50 reels of Farben recording tape that had fallen into American hands via the capture of a German radio station at Bad Nauheim. German engineers had perfected the technique of using Alternating Current bias — the addition of an inaudible high-fequency signal (from 40 to 150kHz) to improve the sound quality of most audio recordings by reducing distortion and noise.\r\n
      \r\n
      1947 : Mullin became an American pioneer in the field of magnetic tape sound recording, after working to modify and improve the machines. He gave two demonstrations of the recorders at Radio Center in Hollywood in October 1947. A later demonstration for singer/entertainer Bing Crosby led to the use of magnetic tape for recording Crosby's radio programs. Crosby became the first star to use tape to pre-record radio broadcasts.\r\n
      \r\n
      1948 : Crosby invested $50,000 in local electronics firm, Ampex, and the tiny six-man concern soon became the world leader in the development of tape recording. Ampex revolutionized the radio and recording industry with its famous Model 200 tape deck, developed directly from Mullin's modified Magnetophones. Units marked serial No. 1 and 2 were delivered in April 1948 in time to record and edit the 27th Bing Crosby show of the 1947-48 season. A 200A at the time retailed for $4,000 nearly as much as a standard single-family home.\r\n
      \r\n
      Crosby gave one of the first production tape decks to musician Les Paul, which led to Paul's invention of multitrack recording. The first production model 200A recorders are delivered to ABC and placed in service across the country. This marked the first widespread professional use of magnetic tape recording. Working with Mullin, Ampex rapidly developed 2 track stereo and then 3-track recorders. Mullin and Ampex developed a working monochrome videotape recorder by 1956.\r\n
      \r\n
      Here's where it gets really interesting, as The Duke and history made matchless audiophile magic. It took Columbia Records until December 1950 two years into the LP era, and the transition from disc to magnetic tape recording, to get Duke Ellington and his orchestra into the recording studio to cut a long-playing record.\r\n
      \r\n
      June 1948 : Vinyl LPs had taken over as the standard for pressing records by the 1940s; in 1948 Columbia Records introduced its 12-inch Microgroove LP or Long Play record, which could hold at least 20 minutes per side. The first classical long-playing record, and the first 12" LP of any kind catalog no. Columbia Masterworks Set ML 4001 was Mendelssohn's Concerto in E Minor for Violin and Orchestra, Op. 64, played by violinist Nathan Milstein with the Philharmonic Symphony Orchestra of New York, conducted by Bruno Walter.\r\n
      \r\n
      December 19, 1950. Masterpieces by Ellington recorded at Columbia's 30th Street Studio. Released in 1951. Recording engineers Fred Plaut and Harold Chapman. Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second. (3M-111 tape was also introduced in 1948, the year the Model 200 debuted).\r\n
      \r\n
      Suddenly, for the first time in his career, Ellington was able to forgo the 3 minutes-and-change restrictions afforded by the short running time of the 78 RPM disc. He and his band rose to the occasion with extended (11-minute plus) 'uncut concert arrangements' of three of his signature songs “Mood Indigo”, “Sophisticated Lady”, with evocative vocals by Yvonne Lanauze, as well as “Solitude”. Masterpieces was also notable for the debut of the full-bodied, surprise-laden “The Tattooed Bride”, and for the swansongs of three Ellintonian giants of longstanding: drummer Sonny Greer, trombonist Lawrence Brown and alto saxist Johnny Hodges (the latter two would eventually return to the fold).\r\n
      \r\n
      Masterpieces is a revelation and a throwback to a golden recording age. So much history and so much luck combined make this album truly special.\r\n
      \r\n
      "Even in this august company, 'The Tattooed Bride' is a swinging virtuoso piece that, as everyone present must have known, couldn't possibly have been captured in this manner in any era before this session this was also one of the last sessions to feature the classic Ellington lineup with Johnny Hodges, Lawrence Brown, and Sonny Greer, before their exodus altered the band's sound, and so it's a doubly precious piece (as is the whole album), among the last written specifically for this lineup". - AllMusic.com
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Billy Strayhorn, Duke Ellington (piano), Jimmy Hamilton, Johnny Hodges, Paul Gonzales, Russel Procope (saxophone), Wendell Marshall (bass), Mercer Ellington (horn, Flugelhorn), Lawrence Brow, Quentin Jackson (trombone), Andrew Ford, , Sonny Greer (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=txEuMLvRclw&list=RDtxEuMLvRclw&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 4418"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "nom" => "1. Mood Indigo"
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        "ordre" => 2
        "nom" => "2. Sophisticated Lady"
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      [
        "ordre" => 3
        "nom" => "Side B : "
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      [
        "ordre" => 4
        "nom" => "1. The Tattooed Bride"
      ]
      [
        "ordre" => 5
        "nom" => "2. Solitude"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#2149 …}
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    -modifierLe: DateTime @1764836036 {#2141
      date: 2025-12-04 08:13:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3413
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2147
    -id: 726
    -nom: "Masterpieces by Ellington (Mono)"
    -informationComplementaire: null
    -description: """
      - A historic record - recorded just four years removed from the dawn of the analog tape era !\r\n
      - Remastered by Ryan Smith at Sterling Sound from the original analog tapes !\r\n
      - Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second !\r\n
      - Gatefold old-school "tip-on" on jacket by Stoughton Printing !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Most highly recommended (the record is now on the QRP presses). It's one of my 'Records to Die For' in the February 2015 Stereophile. You won't have to die to get a copy. $30 will do and it's well worth the money. A true classic both musically and sonically and a historical work of art you can now own". — Music = 11/11; Sound = 11/11 — Michael Fremer, AnalogPlanet.com. Read the whole review here.\r\n
      Masterpieces By Ellington shines from an astonishingly brief period of history that gave the recording industry two of its greatest achievements — the introduction of magnetic tape recording and the 33 1/3 LP, or long-playing record.\r\n
      Four years. That's all it took to go from the discovery by Americans, of German advancements in the field of sound recording, to the marketing of tape decks in the U.S. by the Ampex company, to Columbia's unveiling of its 12” LP, and the first long-playing record to be sold to consumers.\r\n
      \r\n
      The four selections contained here catapulted the Maestro Ellington into the LP era, as the great composer/arranger/pianist and his matchless orchestra took full advantage of the possibilities afforded by magnetic tape recording and the still-new 33 1/3 RPM LP to, for the first time, capture uncut concert arrangements of their signature songs.\r\n
      \r\n
      This album wouldn't have been possible without a chain of events starting at the end of World War II. Recorded in December 1950, just five years after Germany fell to the Allies, revealing the Germans' advances in magnetic tape recording, Ellington's master work holds its wonder still today and the recording quality hands-down betters the sound of many modern-day albums.\r\n
      \r\n
      1944-45 : Magnetic tape for sound recording spread to America after an American soldier, Jack Mullin, serving with the U.S. Army Signal Corps in the final months of WW II, received two suitcased-sized AEG 'Magnetophon' high-fidelity recorders and 50 reels of Farben recording tape that had fallen into American hands via the capture of a German radio station at Bad Nauheim. German engineers had perfected the technique of using Alternating Current bias — the addition of an inaudible high-fequency signal (from 40 to 150kHz) to improve the sound quality of most audio recordings by reducing distortion and noise.\r\n
      \r\n
      1947 : Mullin became an American pioneer in the field of magnetic tape sound recording, after working to modify and improve the machines. He gave two demonstrations of the recorders at Radio Center in Hollywood in October 1947. A later demonstration for singer/entertainer Bing Crosby led to the use of magnetic tape for recording Crosby's radio programs. Crosby became the first star to use tape to pre-record radio broadcasts.\r\n
      \r\n
      1948 : Crosby invested $50,000 in local electronics firm, Ampex, and the tiny six-man concern soon became the world leader in the development of tape recording. Ampex revolutionized the radio and recording industry with its famous Model 200 tape deck, developed directly from Mullin's modified Magnetophones. Units marked serial No. 1 and 2 were delivered in April 1948 in time to record and edit the 27th Bing Crosby show of the 1947-48 season. A 200A at the time retailed for $4,000 nearly as much as a standard single-family home.\r\n
      \r\n
      Crosby gave one of the first production tape decks to musician Les Paul, which led to Paul's invention of multitrack recording. The first production model 200A recorders are delivered to ABC and placed in service across the country. This marked the first widespread professional use of magnetic tape recording. Working with Mullin, Ampex rapidly developed 2 track stereo and then 3-track recorders. Mullin and Ampex developed a working monochrome videotape recorder by 1956.\r\n
      \r\n
      Here's where it gets really interesting, as The Duke and history made matchless audiophile magic. It took Columbia Records until December 1950 two years into the LP era, and the transition from disc to magnetic tape recording, to get Duke Ellington and his orchestra into the recording studio to cut a long-playing record.\r\n
      \r\n
      June 1948 : Vinyl LPs had taken over as the standard for pressing records by the 1940s; in 1948 Columbia Records introduced its 12-inch Microgroove LP or Long Play record, which could hold at least 20 minutes per side. The first classical long-playing record, and the first 12" LP of any kind catalog no. Columbia Masterworks Set ML 4001 was Mendelssohn's Concerto in E Minor for Violin and Orchestra, Op. 64, played by violinist Nathan Milstein with the Philharmonic Symphony Orchestra of New York, conducted by Bruno Walter.\r\n
      \r\n
      December 19, 1950. Masterpieces by Ellington recorded at Columbia's 30th Street Studio. Released in 1951. Recording engineers Fred Plaut and Harold Chapman. Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second. (3M-111 tape was also introduced in 1948, the year the Model 200 debuted).\r\n
      \r\n
      Suddenly, for the first time in his career, Ellington was able to forgo the 3 minutes-and-change restrictions afforded by the short running time of the 78 RPM disc. He and his band rose to the occasion with extended (11-minute plus) 'uncut concert arrangements' of three of his signature songs “Mood Indigo”, “Sophisticated Lady”, with evocative vocals by Yvonne Lanauze, as well as “Solitude”. Masterpieces was also notable for the debut of the full-bodied, surprise-laden “The Tattooed Bride”, and for the swansongs of three Ellintonian giants of longstanding: drummer Sonny Greer, trombonist Lawrence Brown and alto saxist Johnny Hodges (the latter two would eventually return to the fold).\r\n
      \r\n
      Masterpieces is a revelation and a throwback to a golden recording age. So much history and so much luck combined make this album truly special.\r\n
      \r\n
      "Even in this august company, 'The Tattooed Bride' is a swinging virtuoso piece that, as everyone present must have known, couldn't possibly have been captured in this manner in any era before this session this was also one of the last sessions to feature the classic Ellington lineup with Johnny Hodges, Lawrence Brown, and Sonny Greer, before their exodus altered the band's sound, and so it's a doubly precious piece (as is the whole album), among the last written specifically for this lineup". - AllMusic.com
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Billy Strayhorn, Duke Ellington (piano), Jimmy Hamilton, Johnny Hodges, Paul Gonzales, Russel Procope (saxophone), Wendell Marshall (bass), Mercer Ellington (horn, Flugelhorn), Lawrence Brow, Quentin Jackson (trombone), Andrew Ford, , Sonny Greer (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=txEuMLvRclw&list=RDtxEuMLvRclw&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 4418"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "ordre" => 1
        "nom" => "1. Mood Indigo"
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        "ordre" => 2
        "nom" => "2. Sophisticated Lady"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
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      [
        "ordre" => 4
        "nom" => "1. The Tattooed Bride"
      ]
      [
        "ordre" => 5
        "nom" => "2. Solitude"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#2149 …}
    -style: App\Entity\Style {#1502 …}
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    }
    -modifierLe: DateTime @1764836036 {#2141
      date: 2025-12-04 08:13:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-masterpieces-by-ellington-mono-analogue-productions-aapj-4418"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "produit" => App\Entity\Produit {#2163
    -id: 2349
    -nom: "Duke Ellington Presents..."
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Johnny Hodges (alto saxophone), Jimmy Woode (bass), Harry Carney (bass clarinet, baritone saxophone), Russell Procope (clarinet, alto saxophone), Jimmy Hamilton (clarinet, tenor saxophone), Paul Gonsalves (tenor saxophone), Britt Woodman, John Saunders, Quentin Jackson (trombone), Cat Anderson, Clark Terry, Willie Cook (trumpet), Ray Nance (trumpet, violin), Sam Woodyard (drums.\r\n
      \r\n
      - 180 gram vinyl reissue !\r\n
      - New 2022 DMM cut utilizing remastered audio files from 2014 !\r\n
      - Duke Ellington's big band classic on Bethlehem !\r\n
      - Pressed at Precision Record Pressing in Canada !\r\n
      \r\n
      Legendary American pianist, composer and bandleader Duke Ellington recorded this album for the Bethlehem label in 1956. AllMusic rated the album 21/2 stars, and stated "... the music is quite enjoyable and it is interesting to hear Duke Ellington playing such tunes as "Laura", "My Funny Valentine", and "Indian Summer".\r\n
      \r\n
      The remastered 96kHz / 24-bit audio files used for this pressing were from a 2014 remastering. A new Direct Metal Mastering cut in 2022 utilizing those files produced the pressing stampers.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges (alto saxophone), Jimmy Woode (bass), Harry Carney (bass clarinet, baritone saxophone), Russell Procope (clarinet, alto saxophone), Jimmy Hamilton (clarinet, tenor saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YUf_Jcm9j7E"
    -referenceProduit: "Bethlehem Records 6174"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Summertime "
      ]
      [
        "ordre" => 2
        "nom" => "2. Laura "
      ]
      [
        "ordre" => 3
        "nom" => "3. I Can't Get Started "
      ]
      [
        "ordre" => 4
        "nom" => "4. My Funny Valentine "
      ]
      [
        "ordre" => 5
        "nom" => "5. Everything but You "
      ]
      [
        "ordre" => 6
        "nom" => "6. Frustration"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Cotton Tail "
      ]
      [
        "ordre" => 9
        "nom" => "2. Day Dream "
      ]
      [
        "ordre" => 10
        "nom" => "3. Deep Purple "
      ]
      [
        "ordre" => 11
        "nom" => "4. Indian Summer "
      ]
      [
        "ordre" => 12
        "nom" => "5. Blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2171 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2164 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2166 …}
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      date: 2023-01-19 08:34:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764835613 {#2161
      date: 2025-12-04 08:06:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2168 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-duke-ellington-presents-bethlehem-records-6174"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3461
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2163
    -id: 2349
    -nom: "Duke Ellington Presents..."
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Johnny Hodges (alto saxophone), Jimmy Woode (bass), Harry Carney (bass clarinet, baritone saxophone), Russell Procope (clarinet, alto saxophone), Jimmy Hamilton (clarinet, tenor saxophone), Paul Gonsalves (tenor saxophone), Britt Woodman, John Saunders, Quentin Jackson (trombone), Cat Anderson, Clark Terry, Willie Cook (trumpet), Ray Nance (trumpet, violin), Sam Woodyard (drums.\r\n
      \r\n
      - 180 gram vinyl reissue !\r\n
      - New 2022 DMM cut utilizing remastered audio files from 2014 !\r\n
      - Duke Ellington's big band classic on Bethlehem !\r\n
      - Pressed at Precision Record Pressing in Canada !\r\n
      \r\n
      Legendary American pianist, composer and bandleader Duke Ellington recorded this album for the Bethlehem label in 1956. AllMusic rated the album 21/2 stars, and stated "... the music is quite enjoyable and it is interesting to hear Duke Ellington playing such tunes as "Laura", "My Funny Valentine", and "Indian Summer".\r\n
      \r\n
      The remastered 96kHz / 24-bit audio files used for this pressing were from a 2014 remastering. A new Direct Metal Mastering cut in 2022 utilizing those files produced the pressing stampers.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges (alto saxophone), Jimmy Woode (bass), Harry Carney (bass clarinet, baritone saxophone), Russell Procope (clarinet, alto saxophone), Jimmy Hamilton (clarinet, tenor saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YUf_Jcm9j7E"
    -referenceProduit: "Bethlehem Records 6174"
    -titreMorceau: [
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        "ordre" => 0
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        "nom" => "6. Frustration"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
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        "nom" => "1. Cotton Tail "
      ]
      [
        "ordre" => 9
        "nom" => "2. Day Dream "
      ]
      [
        "ordre" => 10
        "nom" => "3. Deep Purple "
      ]
      [
        "ordre" => 11
        "nom" => "4. Indian Summer "
      ]
      [
        "ordre" => 12
        "nom" => "5. Blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
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      date: 2023-01-19 08:34:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764835613 {#2161
      date: 2025-12-04 08:06:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2168 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-duke-ellington-presents-bethlehem-records-6174"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "produit" => App\Entity\Produit {#2176
    -id: 2763
    -nom: "Money Jungle"
    -informationComplementaire: null
    -description: """
      - 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      In 1962 Duke Ellington, Charles Mingus and Max Roach recorded Money Jungle, one of the most celebrated jazz trio albums of all time. Generational and stylistic differences between the three created fearless music. The album features some of Ellington's indelible compositions including "Caravan," "Solitude", and a stunning version of "Le Fleurs Africaines (African Flower)." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Duke Ellington (piano), Charles Mingus (bass), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=z9CfWuUIhvk&list=PLL-NbN8uTOijEsoYqLkgqDYeAaN1OLGRo"
    -referenceProduit: "Blue Note Tone Poet Series 6101"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Money Jungle"
      ]
      [
        "ordre" => 2
        "nom" => "2. Le Fleurs Africaines (African Flower)"
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        "nom" => "3. Very Special"
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      [
        "ordre" => 4
        "nom" => "4. Warm Valley"
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        "nom" => "Side B : "
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        "nom" => "1. Wig Wise"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3509
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2176
    -id: 2763
    -nom: "Money Jungle"
    -informationComplementaire: null
    -description: """
      - 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      In 1962 Duke Ellington, Charles Mingus and Max Roach recorded Money Jungle, one of the most celebrated jazz trio albums of all time. Generational and stylistic differences between the three created fearless music. The album features some of Ellington's indelible compositions including "Caravan," "Solitude", and a stunning version of "Le Fleurs Africaines (African Flower)." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Duke Ellington (piano), Charles Mingus (bass), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
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      date: 2025-12-04 08:02:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-money-jungle-blue-note-tone-poet-series-6101"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
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[
  "produit" => App\Entity\Produit {#2194
    -id: 1846
    -nom: "All In My Mind"
    -informationComplementaire: null
    -description: """
      - Dr. Lonnie Smith "All In My Mind" 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      After his return to Blue Note where he first made a name for himself with a run of classic soul jazz albums between 1968-70, Hammond B-3 organ legend Dr. Lonnie Smith recorded All In My Mind during his 75th birthday celebration at the Jazz Standard in New York City with guitarist Jonathan Kreisberg and drummer Jonathan Blake. For the first time on vinyl, this five-song Tone Poet Edition features spirited interpretations of songs by Wayne Shorter, Freddie Hubbard, Paul Simon and more.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Lonnie Smith (organ Hammond B3, keyboards, vocals), Jonathan Kreisberg (guitar), Johnathan Blake (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=xRr6Tyiulvk"
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        "nom" => "3. Up Jumped Spring (Live)"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3555
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2194
    -id: 1846
    -nom: "All In My Mind"
    -informationComplementaire: null
    -description: """
      - Dr. Lonnie Smith "All In My Mind" 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      After his return to Blue Note where he first made a name for himself with a run of classic soul jazz albums between 1968-70, Hammond B-3 organ legend Dr. Lonnie Smith recorded All In My Mind during his 75th birthday celebration at the Jazz Standard in New York City with guitarist Jonathan Kreisberg and drummer Jonathan Blake. For the first time on vinyl, this five-song Tone Poet Edition features spirited interpretations of songs by Wayne Shorter, Freddie Hubbard, Paul Simon and more.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Lonnie Smith (organ Hammond B3, keyboards, vocals), Jonathan Kreisberg (guitar), Johnathan Blake (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xRr6Tyiulvk"
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        "nom" => "3. Up Jumped Spring (Live)"
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2196 …}
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    -modifierLe: DateTime @1764835029 {#2189
      date: 2025-12-04 07:57:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-all-in-my-mind-blue-note-tone-poet-57601"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "produit" => App\Entity\Produit {#2210
    -id: 2175
    -nom: "Breathe"
    -informationComplementaire: null
    -description: "Hammond B-3 organ legend Dr. Lonnie Smith recorded live at the Jazz Standard in New York City during his 75th birthday celebration in 2017, the same week he recorded his acclaimed trio album All In My Mind. Two additional studio tracks that open and close the album present the unique collaboration between Doc and Iggy Pop including a cover of Donovan's 1966 hit "Sunshine Superman". Double LP contains additional bonus track "Move Your Hand", a third collaboration between the legendary Hammond B-3 organist & Iggy Pop."
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dr. Lonnie Smith (organ Hammond B-3), Jonathan Kreisberg (guitar), Johnathan Blake (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZL-Za6G-gAo"
    -referenceProduit: "Blue Note Records 5501"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Why Can't We Live Together (feat. Iggy Pop) "
      ]
      [
        "ordre" => 2
        "nom" => "2. Bright Eyes (Live)"
      ]
      [
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        "nom" => "Side B : "
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      [
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        "nom" => "1. Too Damn Hot (Live) "
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      ]
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        "nom" => "2. Epistrophy (Live) "
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      [
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        "nom" => "3. Move Your Hand (feat. Iggy Pop)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2196 …}
    -label: Proxies\__CG__\App\Entity\Label {#2212 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3608
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2210
    -id: 2175
    -nom: "Breathe"
    -informationComplementaire: null
    -description: "Hammond B-3 organ legend Dr. Lonnie Smith recorded live at the Jazz Standard in New York City during his 75th birthday celebration in 2017, the same week he recorded his acclaimed trio album All In My Mind. Two additional studio tracks that open and close the album present the unique collaboration between Doc and Iggy Pop including a cover of Donovan's 1966 hit "Sunshine Superman". Double LP contains additional bonus track "Move Your Hand", a third collaboration between the legendary Hammond B-3 organist & Iggy Pop."
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dr. Lonnie Smith (organ Hammond B-3), Jonathan Kreisberg (guitar), Johnathan Blake (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=ZL-Za6G-gAo"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2196 …}
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    }
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      date: 2025-12-04 07:53:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2218 …}
    -disponible: null
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    -slug: "vinyles-breathe-blue-note-records-5501"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "produit" => App\Entity\Produit {#2226
    -id: 2552
    -nom: "Watkins At Large"
    -informationComplementaire: null
    -description: """
      - Doug Watkins "Watkins At Large" 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Recorded in 1956 for producer Tom Wilson's short-lived Boston-based label Transition Records, Watkins At Large was the first of only two albums that the great bassist Doug Watkins would make as a leader. The Detroit native had moved to New York and begun to garner recognition for his contributions to the Art Blakey-Horace Silver co-led iteration of the Jazz Messengers as well as Bud Powell's trio when Wilson decided to give him the opportunity to front his own recording date.\r\n
      \r\n
      Along with a first-rate ensemble featuring trumpeter Donald Byrd, tenor saxophonist Hank Mobley, guitarist Kenny Burrell, pianist Duke Jordan, and drummer Art Taylor, Watkins swings through a stellar set of blues, ballads, and more including originals written by Jordan, Burrell, and Thad Jones.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Doug Watkins (bass), Hank Mobley (tenor saxophone), Donald Byrd (trumpet), Duke Jordan (piano), Kenny Burrell (guitar), Arthur Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=0gXFtfTTlpw"
    -referenceProduit: "Blue Note Tone Poet Series 3807"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Return to Paradise"
      ]
      [
        "ordre" => 2
        "nom" => "2. Phinupi"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Phil T. McNasty's Blues"
      ]
      [
        "ordre" => 5
        "nom" => "2. More of the Same"
      ]
      [
        "ordre" => 6
        "nom" => "3. Panonica"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2228 …}
    -label: Proxies\__CG__\App\Entity\Label {#2178 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2237 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2230 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
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    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2232 …}
    -enregistreLe: DateTime @1723364598 {#2223
      date: 2024-08-11 08:23:18.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764834216 {#2224
      date: 2025-12-04 07:43:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2234 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-watkins-at-large-blue-note-tone-poet-series-3807"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3654
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2226
    -id: 2552
    -nom: "Watkins At Large"
    -informationComplementaire: null
    -description: """
      - Doug Watkins "Watkins At Large" 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Recorded in 1956 for producer Tom Wilson's short-lived Boston-based label Transition Records, Watkins At Large was the first of only two albums that the great bassist Doug Watkins would make as a leader. The Detroit native had moved to New York and begun to garner recognition for his contributions to the Art Blakey-Horace Silver co-led iteration of the Jazz Messengers as well as Bud Powell's trio when Wilson decided to give him the opportunity to front his own recording date.\r\n
      \r\n
      Along with a first-rate ensemble featuring trumpeter Donald Byrd, tenor saxophonist Hank Mobley, guitarist Kenny Burrell, pianist Duke Jordan, and drummer Art Taylor, Watkins swings through a stellar set of blues, ballads, and more including originals written by Jordan, Burrell, and Thad Jones.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Doug Watkins (bass), Hank Mobley (tenor saxophone), Donald Byrd (trumpet), Duke Jordan (piano), Kenny Burrell (guitar), Arthur Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=0gXFtfTTlpw"
    -referenceProduit: "Blue Note Tone Poet Series 3807"
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        "nom" => "Side A : "
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        "ordre" => 3
        "nom" => "Side B : "
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      [
        "ordre" => 4
        "nom" => "1. Phil T. McNasty's Blues"
      ]
      [
        "ordre" => 5
        "nom" => "2. More of the Same"
      ]
      [
        "ordre" => 6
        "nom" => "3. Panonica"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2228 …}
    -label: Proxies\__CG__\App\Entity\Label {#2178 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2237 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2230 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2232 …}
    -enregistreLe: DateTime @1723364598 {#2223
      date: 2024-08-11 08:23:18.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764834216 {#2224
      date: 2025-12-04 07:43:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2234 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-watkins-at-large-blue-note-tone-poet-series-3807"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "produit" => App\Entity\Produit {#2244
    -id: 948
    -nom: "Dr John's Gumbo"
    -informationComplementaire: null
    -description: """
      - N° 404 on Rolling Stone's list of 500 Greatest Albums of All Time !\r\n
      - Remastered by Kevin Gray at Cohearant Audio, from the original analog tapes !\r\n
      - 180 gram vinyl plated and pressed by Quality Record Pressings !\r\n
      - Tip-on style gatefold jacket by Stoughton Printing !\r\n
      \r\n
      Dr. John's Gumbo is the fifth album by New Orleans singer and pianist Dr. John, a tribute to the music of his native city. The album is a collection of covers of New Orleans classics, played by a major figure in the city's music.\r\n
      \r\n
      Dr John's Gumbo was released in 1972 and is in many ways a tribute by Dr. John, aka the Night Tripper, to his hometown New Orleans. It features excellent interpretations of New Orleans traditionals ("Iko Iko", "Tipitina", "Junko Partner" and "Stack-O-Lee") and contemporary R&B written or played by the likes of Huey Piano Smith ("Blow Wind Blow" and "Huey Smith Medley") Earl King and Earl Gaines ("Big Chief", "Let The Good Times Roll" and "Lonely Lonely Nights").\r\n
      \r\n
      Dr. John delivers a strong set of infectious songs drenched in good vibes and spiced with a pinch of voodoo. His eccentric (stage) appearance adds unique color to his stature as master of the ivories and as an entertainer.\r\n
      \r\n
      This great album receives the full Analogue Productions reissue treatment here, starting with Kevin Gray's remaster from the original analogue tapes. Then we back that up with 180 gram plating and pressing on super-silent vinyl by our own Quality Record Pressings. Finally it's all housed in a tip-on gatefold jacket from Stoughton Printing. Deluxe all the way; you'll be estatic with the results !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dr. John (guitar, piano, cornet, vocals), Jimmy Calhoun (bass), Alvin Robinson, Ken Klimak (guitar), Ronnie Barron (electric piano, organ), David Lastie, Harold Battiste, Lee Allen, Moe Bachamin (saxophone), Streamline (trombone), Freddie Staehle (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=F9uaODHE1Rk"
    -referenceProduit: "Analogue Productions AAPP 093"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Iko Iko"
      ]
      [
        "ordre" => 2
        "nom" => "2. Blow Wind Blow"
      ]
      [
        "ordre" => 3
        "nom" => "3. Big Chief"
      ]
      [
        "ordre" => 4
        "nom" => "4. Somebody Changed The Lock"
      ]
      [
        "ordre" => 5
        "nom" => "5. Mess Around"
      ]
      [
        "ordre" => 6
        "nom" => "6. Let The Good Times Roll"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Junko Partner"
      ]
      [
        "ordre" => 9
        "nom" => "2. Stack-A-Lee"
      ]
      [
        "ordre" => 10
        "nom" => "3. Tipitina"
      ]
      [
        "ordre" => 11
        "nom" => "4. Those Lonely Lonely Nights"
      ]
      [
        "ordre" => 12
        "nom" => "5. Huey Smith Medley (High Blood Pressure / Don't You Just Know It /"
      ]
      [
        "ordre" => 13
        "nom" => "Well I'll Be John Brown)"
      ]
      [
        "ordre" => 14
        "nom" => "6. Little Liza Jane"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2246 …}
    -label: Proxies\__CG__\App\Entity\Label {#2149 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2255 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2248 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2250 …}
    -enregistreLe: DateTime @1466403433 {#2240
      date: 2016-06-20 06:17:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764833754 {#2239
      date: 2025-12-04 07:35:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2252 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dr-john-s-gumbo-analogue-productions-aapp-093"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3705
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2244
    -id: 948
    -nom: "Dr John's Gumbo"
    -informationComplementaire: null
    -description: """
      - N° 404 on Rolling Stone's list of 500 Greatest Albums of All Time !\r\n
      - Remastered by Kevin Gray at Cohearant Audio, from the original analog tapes !\r\n
      - 180 gram vinyl plated and pressed by Quality Record Pressings !\r\n
      - Tip-on style gatefold jacket by Stoughton Printing !\r\n
      \r\n
      Dr. John's Gumbo is the fifth album by New Orleans singer and pianist Dr. John, a tribute to the music of his native city. The album is a collection of covers of New Orleans classics, played by a major figure in the city's music.\r\n
      \r\n
      Dr John's Gumbo was released in 1972 and is in many ways a tribute by Dr. John, aka the Night Tripper, to his hometown New Orleans. It features excellent interpretations of New Orleans traditionals ("Iko Iko", "Tipitina", "Junko Partner" and "Stack-O-Lee") and contemporary R&B written or played by the likes of Huey Piano Smith ("Blow Wind Blow" and "Huey Smith Medley") Earl King and Earl Gaines ("Big Chief", "Let The Good Times Roll" and "Lonely Lonely Nights").\r\n
      \r\n
      Dr. John delivers a strong set of infectious songs drenched in good vibes and spiced with a pinch of voodoo. His eccentric (stage) appearance adds unique color to his stature as master of the ivories and as an entertainer.\r\n
      \r\n
      This great album receives the full Analogue Productions reissue treatment here, starting with Kevin Gray's remaster from the original analogue tapes. Then we back that up with 180 gram plating and pressing on super-silent vinyl by our own Quality Record Pressings. Finally it's all housed in a tip-on gatefold jacket from Stoughton Printing. Deluxe all the way; you'll be estatic with the results !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dr. John (guitar, piano, cornet, vocals), Jimmy Calhoun (bass), Alvin Robinson, Ken Klimak (guitar), Ronnie Barron (electric piano, organ), David Lastie, Harold Battiste, Lee Allen, Moe Bachamin (saxophone), Streamline (trombone), Freddie Staehle (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=F9uaODHE1Rk"
    -referenceProduit: "Analogue Productions AAPP 093"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Iko Iko"
      ]
      [
        "ordre" => 2
        "nom" => "2. Blow Wind Blow"
      ]
      [
        "ordre" => 3
        "nom" => "3. Big Chief"
      ]
      [
        "ordre" => 4
        "nom" => "4. Somebody Changed The Lock"
      ]
      [
        "ordre" => 5
        "nom" => "5. Mess Around"
      ]
      [
        "ordre" => 6
        "nom" => "6. Let The Good Times Roll"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Junko Partner"
      ]
      [
        "ordre" => 9
        "nom" => "2. Stack-A-Lee"
      ]
      [
        "ordre" => 10
        "nom" => "3. Tipitina"
      ]
      [
        "ordre" => 11
        "nom" => "4. Those Lonely Lonely Nights"
      ]
      [
        "ordre" => 12
        "nom" => "5. Huey Smith Medley (High Blood Pressure / Don't You Just Know It /"
      ]
      [
        "ordre" => 13
        "nom" => "Well I'll Be John Brown)"
      ]
      [
        "ordre" => 14
        "nom" => "6. Little Liza Jane"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2246 …}
    -label: Proxies\__CG__\App\Entity\Label {#2149 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2255 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2248 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2250 …}
    -enregistreLe: DateTime @1466403433 {#2240
      date: 2016-06-20 06:17:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764833754 {#2239
      date: 2025-12-04 07:35:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2252 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dr-john-s-gumbo-analogue-productions-aapp-093"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

[
  "produit" => App\Entity\Produit {#2260
    -id: 2489
    -nom: "In the Right Place"
    -informationComplementaire: null
    -description: """
      Mac Rebennack (piano, organ, percussion, vocals), Allen Toussaint (piano & electric piano, acoustic guitar, congas, tambourine), Gary Brown (saxophone), David Spinozza (electric guitar), Ralph MacDonald (percussion), Leo Nocentelli (lead guitar), Art Neville (organ), George Porter Jr. (bass guitar), Joseph Modeliste (drums).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series)\r\n
      - Celebrating the 75th Anniversary of Atlantic Records!\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Gatefold  jacket by Stoughton Printing !\r\n
      \r\n
      In The Right Place is the sixth, and biggest-selling album of the late iconic music legend, six-time Grammy-winner, and Rock And Roll Hall of Fame inductee, Dr. John. Dr. John, the stage name of Malcolm John Rebennack, Jr., was one of the most original, distinctive and influential voices to ever come out of New Orleans. His career spanned six decades as a songwriter, composer, producer and performer. His unique blend of music carried his hometown of New Orleans at its heart.\r\n
      \r\n
      His colorful musical career began in the 1950s when he wrote and played guitar on some of the greatest records to come out of the Crescent City, including recordings by Professor Longhair, Art Neville, Joe Tex, Frankie Ford and Allen Toussaint. Dr. John headed west in the 1960s, where he continued to be in demand as a session musician, playing keyboards on records by Sonny and Cher, Van Morrison, Aretha Franklin and The Rolling Stones' Exile On Main St. During that time he launched his solo career, developing the charismatic persona of Dr. John The Nite Tripper. A legend was born with his breakthrough 1968 album Gris-Gris, which introduced to the world his unique blend of voodoo mysticism, funk, rhythm & blues, psychedelic rock and Creole roots.\r\n
      \r\n
      1973's In The Right Place contained the chart hits "Right Place Wrong Time" and "Such A Night". In addition to his six Grammy wins (1989, 1992, 1996, 2000, 2008 and 2013), he has received six other Grammy nominations over the years. In 2007 he was nominated for "Sippiana Hericane", his Hurricane Katrina benefit disc.\r\n
      \r\n
      AllMusic says that with In The Right Place, Dr. John struck mainstream paydirt, especially with his hit single "Right Place Wrong Time" bounding up the charts and initiating listeners into New Orleans-style rock (the song hit No. 9 in 1973 on the Billboard Hot 100 songs chart).\r\n
      \r\n
      Also including Allen Toussaint's "Life", and a funky little number entitled "Traveling Mood", which shows off the good doctor's fine piano styling, and with able help from the Meters as backup group, In the Right Place is still a fine collection to own.\r\n
      \r\n
      With mastering by Sterling Sound's Ryan K. Smith direct from the original tape, and two sides of premium 180-gram vinyl (pressed by the best Quality Record Pressings and RTI), our 45 RPM edition of In The Right Place emphasizes Dr. John's gravelly bayou drawl and sonically creates the hoodoo-infused stage persona he brought to his performances.\r\n
      \r\n
      After Hurricane Katrina Dr. John immediately stepped up to the plate with generous relief fund-raising concerts and recordings. In 2007 he was inducted into the Louisiana Music Hall of Fame and Blues Hall of Fame. In 2008 he released City That Care Forgot, winning him a Grammy for Best Contemporary Blues Album.\r\n
      \r\n
      His numerous other awards included the Louie Award from the Louis Armstrong House Museum and the Jazz Foundation of America's Hank Jones Award, presented in October 2016 at "A Great Night in Harlem" which pleged $1 million to help musicians recovering from the 2016 Louisiana flood.\r\n
      \r\n
      We are so pleased to bring you this deluxe 180 gram 45 RPM 2 LP Analogue Productions (Atlantic Series) reissue of the timeless Dr. John classic In The Right Place. Cue it up and prepare to be transported.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Mac Rebennack (piano, organ, percussion, vocals), Allen Toussaint (piano & electric piano, acoustic guitar, congas, tambourine), Gary Brown (saxophone), David Spinozza (electric guitar), Ralph MacDonald (percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xdyNV9VhzF4"
    -referenceProduit: "Analogue Productions AAPA 006-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Right Place, Wrong Time"
      ]
      [
        "ordre" => 2
        "nom" => "2. Same Old Same Old"
      ]
      [
        "ordre" => 3
        "nom" => "3. Just The Same"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Qualified"
      ]
      [
        "ordre" => 6
        "nom" => "2. Traveling Mood"
      ]
      [
        "ordre" => 7
        "nom" => "3. Peace Brother Peace"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Life"
      ]
      [
        "ordre" => 10
        "nom" => "2. Such A Night"
      ]
      [
        "ordre" => 11
        "nom" => "3. Shoo Fly Marches On"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. I Been Hoodood"
      ]
      [
        "ordre" => 14
        "nom" => "2. Cold Cold Cold"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2246 …}
    -label: Proxies\__CG__\App\Entity\Label {#2262 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2271 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2264 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2266 …}
    -enregistreLe: DateTime @1704645405 {#2257
      date: 2024-01-07 16:36:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764833612 {#2258
      date: 2025-12-04 07:33:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2268 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-in-the-right-place-analogue-productions-aapa-006-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3758
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2695 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2260
    -id: 2489
    -nom: "In the Right Place"
    -informationComplementaire: null
    -description: """
      Mac Rebennack (piano, organ, percussion, vocals), Allen Toussaint (piano & electric piano, acoustic guitar, congas, tambourine), Gary Brown (saxophone), David Spinozza (electric guitar), Ralph MacDonald (percussion), Leo Nocentelli (lead guitar), Art Neville (organ), George Porter Jr. (bass guitar), Joseph Modeliste (drums).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series)\r\n
      - Celebrating the 75th Anniversary of Atlantic Records!\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Gatefold  jacket by Stoughton Printing !\r\n
      \r\n
      In The Right Place is the sixth, and biggest-selling album of the late iconic music legend, six-time Grammy-winner, and Rock And Roll Hall of Fame inductee, Dr. John. Dr. John, the stage name of Malcolm John Rebennack, Jr., was one of the most original, distinctive and influential voices to ever come out of New Orleans. His career spanned six decades as a songwriter, composer, producer and performer. His unique blend of music carried his hometown of New Orleans at its heart.\r\n
      \r\n
      His colorful musical career began in the 1950s when he wrote and played guitar on some of the greatest records to come out of the Crescent City, including recordings by Professor Longhair, Art Neville, Joe Tex, Frankie Ford and Allen Toussaint. Dr. John headed west in the 1960s, where he continued to be in demand as a session musician, playing keyboards on records by Sonny and Cher, Van Morrison, Aretha Franklin and The Rolling Stones' Exile On Main St. During that time he launched his solo career, developing the charismatic persona of Dr. John The Nite Tripper. A legend was born with his breakthrough 1968 album Gris-Gris, which introduced to the world his unique blend of voodoo mysticism, funk, rhythm & blues, psychedelic rock and Creole roots.\r\n
      \r\n
      1973's In The Right Place contained the chart hits "Right Place Wrong Time" and "Such A Night". In addition to his six Grammy wins (1989, 1992, 1996, 2000, 2008 and 2013), he has received six other Grammy nominations over the years. In 2007 he was nominated for "Sippiana Hericane", his Hurricane Katrina benefit disc.\r\n
      \r\n
      AllMusic says that with In The Right Place, Dr. John struck mainstream paydirt, especially with his hit single "Right Place Wrong Time" bounding up the charts and initiating listeners into New Orleans-style rock (the song hit No. 9 in 1973 on the Billboard Hot 100 songs chart).\r\n
      \r\n
      Also including Allen Toussaint's "Life", and a funky little number entitled "Traveling Mood", which shows off the good doctor's fine piano styling, and with able help from the Meters as backup group, In the Right Place is still a fine collection to own.\r\n
      \r\n
      With mastering by Sterling Sound's Ryan K. Smith direct from the original tape, and two sides of premium 180-gram vinyl (pressed by the best Quality Record Pressings and RTI), our 45 RPM edition of In The Right Place emphasizes Dr. John's gravelly bayou drawl and sonically creates the hoodoo-infused stage persona he brought to his performances.\r\n
      \r\n
      After Hurricane Katrina Dr. John immediately stepped up to the plate with generous relief fund-raising concerts and recordings. In 2007 he was inducted into the Louisiana Music Hall of Fame and Blues Hall of Fame. In 2008 he released City That Care Forgot, winning him a Grammy for Best Contemporary Blues Album.\r\n
      \r\n
      His numerous other awards included the Louie Award from the Louis Armstrong House Museum and the Jazz Foundation of America's Hank Jones Award, presented in October 2016 at "A Great Night in Harlem" which pleged $1 million to help musicians recovering from the 2016 Louisiana flood.\r\n
      \r\n
      We are so pleased to bring you this deluxe 180 gram 45 RPM 2 LP Analogue Productions (Atlantic Series) reissue of the timeless Dr. John classic In The Right Place. Cue it up and prepare to be transported.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Mac Rebennack (piano, organ, percussion, vocals), Allen Toussaint (piano & electric piano, acoustic guitar, congas, tambourine), Gary Brown (saxophone), David Spinozza (electric guitar), Ralph MacDonald (percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xdyNV9VhzF4"
    -referenceProduit: "Analogue Productions AAPA 006-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Right Place, Wrong Time"
      ]
      [
        "ordre" => 2
        "nom" => "2. Same Old Same Old"
      ]
      [
        "ordre" => 3
        "nom" => "3. Just The Same"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Qualified"
      ]
      [
        "ordre" => 6
        "nom" => "2. Traveling Mood"
      ]
      [
        "ordre" => 7
        "nom" => "3. Peace Brother Peace"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Life"
      ]
      [
        "ordre" => 10
        "nom" => "2. Such A Night"
      ]
      [
        "ordre" => 11
        "nom" => "3. Shoo Fly Marches On"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. I Been Hoodood"
      ]
      [
        "ordre" => 14
        "nom" => "2. Cold Cold Cold"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2246 …}
    -label: Proxies\__CG__\App\Entity\Label {#2262 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2271 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2264 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2266 …}
    -enregistreLe: DateTime @1704645405 {#2257
      date: 2024-01-07 16:36:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764833612 {#2258
      date: 2025-12-04 07:33:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2268 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-in-the-right-place-analogue-productions-aapa-006-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3954
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2463 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3955 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4003 …}
  +isValidated: false
  +validatedFields: []
}