Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2556
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2633
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2636 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
  -formView: Symfony\Component\Form\FormView {#2672 …}
  -form: Symfony\Component\Form\Form {#2822 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 1041
    -nom: "Time Further Out"
    -informationComplementaire: null
    -description: """
      Dave Brubeck and his quartet (Paul Desmond on alto-sax, Eugene Wright on bass and Joe Morello on drums) make a fine, even-more adventurous follow up to his legendary Time Outfeaturing his trademark easy-going swing arrangements in odd (9/4 !) time signatures and one amazing solo by Morello (the appropriately titled “Way More Drums”). Hits like “Unsquare Dance” and “It’s a Raggy Waltz” are augmented by “Charles Matthew Hallelujah”, “Maori Blues”, and the lovely “Blue Shadows In the Street”.\r\n
      \r\n
      IMPEX’s all-analog 180 gram pressing was mastered by George Marino at Sterling Sound in New York from the original master tapes. With RTI’s quiet surfaces and our strict attention to detail, this is a must-have for Brubeck fans (you are legion) and a great addition to any audiophile library.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=k1WFaQ70giw"
    -referenceProduit: "Impex Records IMP 6002"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. It’s a Raggy Waltz"
        "ordre" => 1
      ]
      [
        "nom" => "2. Bluette"
        "ordre" => 2
      ]
      [
        "nom" => "3. Charles Matthew Hallelujah"
        "ordre" => 3
      ]
      [
        "nom" => "4. Way More Blues"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. Far More Drums"
        "ordre" => 6
      ]
      [
        "nom" => "2. Maori Blues"
        "ordre" => 7
      ]
      [
        "nom" => "3. Unsquare Dance"
        "ordre" => 8
      ]
      [
        "nom" => "4. Bru’s Boogie Woogie"
        "ordre" => 9
      ]
      [
        "nom" => "5. Blue Shadows In the Street"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1473346969 {#1896
      date: 2016-09-08 15:02:49.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763975108 {#1889
      date: 2025-11-24 09:05:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-time-further-out-impex-records-imp-6002"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3097
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 1041
    -nom: "Time Further Out"
    -informationComplementaire: null
    -description: """
      Dave Brubeck and his quartet (Paul Desmond on alto-sax, Eugene Wright on bass and Joe Morello on drums) make a fine, even-more adventurous follow up to his legendary Time Outfeaturing his trademark easy-going swing arrangements in odd (9/4 !) time signatures and one amazing solo by Morello (the appropriately titled “Way More Drums”). Hits like “Unsquare Dance” and “It’s a Raggy Waltz” are augmented by “Charles Matthew Hallelujah”, “Maori Blues”, and the lovely “Blue Shadows In the Street”.\r\n
      \r\n
      IMPEX’s all-analog 180 gram pressing was mastered by George Marino at Sterling Sound in New York from the original master tapes. With RTI’s quiet surfaces and our strict attention to detail, this is a must-have for Brubeck fans (you are legion) and a great addition to any audiophile library.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=k1WFaQ70giw"
    -referenceProduit: "Impex Records IMP 6002"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. It’s a Raggy Waltz"
        "ordre" => 1
      ]
      [
        "nom" => "2. Bluette"
        "ordre" => 2
      ]
      [
        "nom" => "3. Charles Matthew Hallelujah"
        "ordre" => 3
      ]
      [
        "nom" => "4. Way More Blues"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. Far More Drums"
        "ordre" => 6
      ]
      [
        "nom" => "2. Maori Blues"
        "ordre" => 7
      ]
      [
        "nom" => "3. Unsquare Dance"
        "ordre" => 8
      ]
      [
        "nom" => "4. Bru’s Boogie Woogie"
        "ordre" => 9
      ]
      [
        "nom" => "5. Blue Shadows In the Street"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1473346969 {#1896
      date: 2016-09-08 15:02:49.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763975108 {#1889
      date: 2025-11-24 09:05:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-time-further-out-impex-records-imp-6002"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2035
    -id: 589
    -nom: "Hard Bop"
    -informationComplementaire: null
    -description: """
      Some of the greatest jazz musicians of all time have passed through Art Blakey’s Jazz Messengers : Horace Silver, Hank Mobley, Kenny Dorham, Wayne Shorter, and Donald Byrd, among many others. However brief their stay, working with the demanding and full-throttle drummer not only increased their visibility, but also their chops and interprative capacity. Blakey’s ability to drum up the best players in the game may have even eclipsed his superhuman ability to play drums.\r\n
      \r\n
      Altoist Jackie McLean, trumpeter Bill Hardman, bassist Spanky deBrest, and pianist Sam Dockery deliver whole-bop goodness on five propulsive, fiery tracks. True to its title, this LP bops hard, with a ferocious swing, boundless energy and telepathic communication between players especially Blakey and Hardman. Considering the rhythmic demands of Blakey’s locomotive playing style, this was an incredible achievement.\r\n
      \r\n
      Impex Records has cut this gorgeous, limited edition (2500 pressings) 180 gram LP with the original analog mono master tapes and without computer processing of any kind. You hear all the vivacious interplay that occured on that weekend in 1957 when Blakey and crew forged a bold new vision of muscular, funky jazz. And only that. This is music that still resonates over 50 years later. Not to be missed.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Art Blakey (drums), Jackie McLean (alto saxophone), Bill Hardman (trumpet), Spanky deBrest (bass), Sam Dockery (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=iG3E2Z_xaq8"
    -referenceProduit: "IMP 6016"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Cranky Spanky"
        "ordre" => 1
      ]
      [
        "nom" => "2. Stella By Starlight"
        "ordre" => 2
      ]
      [
        "nom" => "3. My Heart Stood Still "
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Little Melonae"
        "ordre" => 5
      ]
      [
        "nom" => "2. Stanley's Stiff Chickens"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1366264882 {#2032
      date: 2013-04-18 06:01:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762593028 {#2033
      date: 2025-11-08 09:10:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-hard-bop-imp-6016"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3211
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2035
    -id: 589
    -nom: "Hard Bop"
    -informationComplementaire: null
    -description: """
      Some of the greatest jazz musicians of all time have passed through Art Blakey’s Jazz Messengers : Horace Silver, Hank Mobley, Kenny Dorham, Wayne Shorter, and Donald Byrd, among many others. However brief their stay, working with the demanding and full-throttle drummer not only increased their visibility, but also their chops and interprative capacity. Blakey’s ability to drum up the best players in the game may have even eclipsed his superhuman ability to play drums.\r\n
      \r\n
      Altoist Jackie McLean, trumpeter Bill Hardman, bassist Spanky deBrest, and pianist Sam Dockery deliver whole-bop goodness on five propulsive, fiery tracks. True to its title, this LP bops hard, with a ferocious swing, boundless energy and telepathic communication between players especially Blakey and Hardman. Considering the rhythmic demands of Blakey’s locomotive playing style, this was an incredible achievement.\r\n
      \r\n
      Impex Records has cut this gorgeous, limited edition (2500 pressings) 180 gram LP with the original analog mono master tapes and without computer processing of any kind. You hear all the vivacious interplay that occured on that weekend in 1957 when Blakey and crew forged a bold new vision of muscular, funky jazz. And only that. This is music that still resonates over 50 years later. Not to be missed.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Art Blakey (drums), Jackie McLean (alto saxophone), Bill Hardman (trumpet), Spanky deBrest (bass), Sam Dockery (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=iG3E2Z_xaq8"
    -referenceProduit: "IMP 6016"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Cranky Spanky"
        "ordre" => 1
      ]
      [
        "nom" => "2. Stella By Starlight"
        "ordre" => 2
      ]
      [
        "nom" => "3. My Heart Stood Still "
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Little Melonae"
        "ordre" => 5
      ]
      [
        "nom" => "2. Stanley's Stiff Chickens"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1366264882 {#2032
      date: 2013-04-18 06:01:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762593028 {#2033
      date: 2025-11-08 09:10:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-hard-bop-imp-6016"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2051
    -id: 1999
    -nom: "The Three Blind Mice (Box Set 6 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - 180 gram 45 RPM audiophile vinyl collector's box set !\r\n
      - Mastered by Tohru Kotetsu and Kevin Gray and pressed at RTI !\r\n
      - Three of the all-time great jazz selections from Three Blind Mice a must-own collection !\r\n
      \r\n
      Finally available again after an all-too-brief release by BoxStar Records in 2012, the Three Blind Mice 45 RPM Box is the highly desirable collection of Misty, Midnight Sugar, and Blow Up in one awesome package six discs in all ! The box has received a high-classs upgrade: a full-cover box, remade LP jackets with improved clarity and color, a deluxe four-color insert with session photos and brand-new liner notes by radio personality and audio enthusiast Tom Schnabel.\r\n
      \r\n
      Due to Impex's close affiliation with Three Blind Mice, dating back to the 1990's, the label has worked dilligently to not only bring these audiophile classics back, but to do so in a super-deluxe way.\r\n
      Mastered by Tohru Kotetsu (Misty, Midnight Sugar) and Kevin Gray (Blow Up) and pressed at RTI, this limited edition surpasses all of your most demanding judgments. Just another way Impex Records is redefining definitive.\r\n
      \r\n
      These LPs preserve the original sonic magnificance while presenting the three LP sets in top-quality packaging. The jackets follow the original Cisco / TBM 45's of 2003 but have been cleaned up, clarified and color-corrected to original glory. The labels now match the accent color of the jackets. Included is a 4-page insert with archival photographs and a new essay by Schnabel (Rhythm Planet, KCRW 89.9, Los Angeles). Topping it all, literally, is a new lift-top box with black lining and special spot UV coating.\r\n
      \r\n
      Isao Suzuki's Blow Up is virtuosity and class all rolled up into one. A great combination of upbeat blues and mellow grooves! The album was awarded the Jazz of Japan Award and the Jazz Disc Award from Japan's Swing Journal in 1973.\r\n
      \r\n
      Touring with the Micky Curtis Band, Tsuyoshi Yamamoto had the chance to explore several international experiences that he would later use on his 1974 album, Misty, as he worked with this band in France, England and Switzerland. On Midnight Sugar the Tsuyoshi Yamamoto Trio plays two of Tsuyoshi's own blues improvisations followed by jazz ballads that became standards for the Trio. The combination of these titles is nothing but exceptional.\r\n
      \r\n
      The Yamamoto Trio's Midnight Sugar was recorded March 1, 1974 at Aoi Studio, Tokyo. It earned the Best Engineering Award and Jazz Disc Award from Swing Journal in 1974. It is Yamamoto's unmistakable skill and his jazz feeling which adds that certain touch of liveliness and spontaneity and makes Midnight Sugar a unique experience. This piano trio will mesmerize you with this great collection of standards, superb musicianship and awesome sonics. You are sure to listen to this one over and over.\r\n
      \r\n
      Misty also earned both the Best Engineering Award and Jazz Disc Award from Swing Journal in 1974. Recorded at Aoi Studio, Tokyo, on August 7, 1974. Tsuyoshi Yamamoto is highly musical and his expressions natural, neither overly technical nor serious, his performance is relaxed and melodious.\r\n
      \r\n
      This audiophile 180 gram 45 RPM 6 LP Collector's Box Set is an absolute must have for jazz and music lovers alike !
      """
    -prixVente: "399.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Tsuyoshi Yamamoto (piano, bass, drums),  Isao Suzuki (bass & cello), Kunihiko Sugano (piano, Fender piano), Takashi Mizuhashi, Isoo Fukui (bass), George Otsuka, Tetsujiro Obara (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 6
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=AxQA22rEjzQ&list=PLy6HULQevCs9QBFndFbRC1xY9mFiGLW-B"
    -referenceProduit: "Impex Records 6022-45"
    -titreMorceau: [
      [
        "nom" => "BLOW UP"
        "ordre" => 0
      ]
      [
        "nom" => "Side A : "
        "ordre" => 1
      ]
      [
        "nom" => "1. Agua Marine \t"
        "ordre" => 2
      ]
      [
        "nom" => "2. Everything Happens To Me "
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Blow Up "
        "ordre" => 5
      ]
      [
        "nom" => "Side C : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Like It Is \t"
        "ordre" => 7
      ]
      [
        "nom" => "2. I Can't Get Started "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
      [
        "nom" => "1. Low Flight "
        "ordre" => 10
      ]
      [
        "nom" => "MIDNIGHT SUGAR"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 12
      ]
      [
        "nom" => "1. Midnight Sugar "
        "ordre" => 13
      ]
      [
        "nom" => "Side B : "
        "ordre" => 14
      ]
      [
        "nom" => "1. I'm A Fool To Want You "
        "ordre" => 15
      ]
      [
        "nom" => "Side C : "
        "ordre" => 16
      ]
      [
        "nom" => "1. The Nearness Of You "
        "ordre" => 17
      ]
      [
        "nom" => "Side D : "
        "ordre" => 18
      ]
      [
        "nom" => "1. It Could Happen To You \t"
        "ordre" => 19
      ]
      [
        "nom" => "2. Sweet Georgia Blues "
        "ordre" => 20
      ]
      [
        "nom" => "MISTY"
        "ordre" => 21
      ]
      [
        "nom" => "Side A : "
        "ordre" => 22
      ]
      [
        "nom" => "1. Misty"
        "ordre" => 23
      ]
      [
        "nom" => "Side B : "
        "ordre" => 24
      ]
      [
        "nom" => "1. Blues \t"
        "ordre" => 25
      ]
      [
        "nom" => "2. Yesterdays "
        "ordre" => 26
      ]
      [
        "nom" => "Side C : "
        "ordre" => 27
      ]
      [
        "nom" => "1. Honey Suckle Rose \t"
        "ordre" => 28
      ]
      [
        "nom" => "2. Smoke Gets in Your Eyes "
        "ordre" => 29
      ]
      [
        "nom" => "Side D : "
        "ordre" => 30
      ]
      [
        "nom" => "1. I Didn't Know What Time It Was "
        "ordre" => 31
      ]
      [
        "nom" => "2. Angel Eyes"
        "ordre" => 32
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2053 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2062 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2055 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2057 …}
    -enregistreLe: DateTime @1616314159 {#2048
      date: 2021-03-21 08:09:19.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1759082924 {#2049
      date: 2025-09-28 18:08:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2059 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-three-blind-mice-box-set-6-lp-45-rpm-impex-records-6022-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3262
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2051
    -id: 1999
    -nom: "The Three Blind Mice (Box Set 6 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - 180 gram 45 RPM audiophile vinyl collector's box set !\r\n
      - Mastered by Tohru Kotetsu and Kevin Gray and pressed at RTI !\r\n
      - Three of the all-time great jazz selections from Three Blind Mice a must-own collection !\r\n
      \r\n
      Finally available again after an all-too-brief release by BoxStar Records in 2012, the Three Blind Mice 45 RPM Box is the highly desirable collection of Misty, Midnight Sugar, and Blow Up in one awesome package six discs in all ! The box has received a high-classs upgrade: a full-cover box, remade LP jackets with improved clarity and color, a deluxe four-color insert with session photos and brand-new liner notes by radio personality and audio enthusiast Tom Schnabel.\r\n
      \r\n
      Due to Impex's close affiliation with Three Blind Mice, dating back to the 1990's, the label has worked dilligently to not only bring these audiophile classics back, but to do so in a super-deluxe way.\r\n
      Mastered by Tohru Kotetsu (Misty, Midnight Sugar) and Kevin Gray (Blow Up) and pressed at RTI, this limited edition surpasses all of your most demanding judgments. Just another way Impex Records is redefining definitive.\r\n
      \r\n
      These LPs preserve the original sonic magnificance while presenting the three LP sets in top-quality packaging. The jackets follow the original Cisco / TBM 45's of 2003 but have been cleaned up, clarified and color-corrected to original glory. The labels now match the accent color of the jackets. Included is a 4-page insert with archival photographs and a new essay by Schnabel (Rhythm Planet, KCRW 89.9, Los Angeles). Topping it all, literally, is a new lift-top box with black lining and special spot UV coating.\r\n
      \r\n
      Isao Suzuki's Blow Up is virtuosity and class all rolled up into one. A great combination of upbeat blues and mellow grooves! The album was awarded the Jazz of Japan Award and the Jazz Disc Award from Japan's Swing Journal in 1973.\r\n
      \r\n
      Touring with the Micky Curtis Band, Tsuyoshi Yamamoto had the chance to explore several international experiences that he would later use on his 1974 album, Misty, as he worked with this band in France, England and Switzerland. On Midnight Sugar the Tsuyoshi Yamamoto Trio plays two of Tsuyoshi's own blues improvisations followed by jazz ballads that became standards for the Trio. The combination of these titles is nothing but exceptional.\r\n
      \r\n
      The Yamamoto Trio's Midnight Sugar was recorded March 1, 1974 at Aoi Studio, Tokyo. It earned the Best Engineering Award and Jazz Disc Award from Swing Journal in 1974. It is Yamamoto's unmistakable skill and his jazz feeling which adds that certain touch of liveliness and spontaneity and makes Midnight Sugar a unique experience. This piano trio will mesmerize you with this great collection of standards, superb musicianship and awesome sonics. You are sure to listen to this one over and over.\r\n
      \r\n
      Misty also earned both the Best Engineering Award and Jazz Disc Award from Swing Journal in 1974. Recorded at Aoi Studio, Tokyo, on August 7, 1974. Tsuyoshi Yamamoto is highly musical and his expressions natural, neither overly technical nor serious, his performance is relaxed and melodious.\r\n
      \r\n
      This audiophile 180 gram 45 RPM 6 LP Collector's Box Set is an absolute must have for jazz and music lovers alike !
      """
    -prixVente: "399.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Tsuyoshi Yamamoto (piano, bass, drums),  Isao Suzuki (bass & cello), Kunihiko Sugano (piano, Fender piano), Takashi Mizuhashi, Isoo Fukui (bass), George Otsuka, Tetsujiro Obara (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 6
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=AxQA22rEjzQ&list=PLy6HULQevCs9QBFndFbRC1xY9mFiGLW-B"
    -referenceProduit: "Impex Records 6022-45"
    -titreMorceau: [
      [
        "nom" => "BLOW UP"
        "ordre" => 0
      ]
      [
        "nom" => "Side A : "
        "ordre" => 1
      ]
      [
        "nom" => "1. Agua Marine \t"
        "ordre" => 2
      ]
      [
        "nom" => "2. Everything Happens To Me "
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Blow Up "
        "ordre" => 5
      ]
      [
        "nom" => "Side C : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Like It Is \t"
        "ordre" => 7
      ]
      [
        "nom" => "2. I Can't Get Started "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
      [
        "nom" => "1. Low Flight "
        "ordre" => 10
      ]
      [
        "nom" => "MIDNIGHT SUGAR"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 12
      ]
      [
        "nom" => "1. Midnight Sugar "
        "ordre" => 13
      ]
      [
        "nom" => "Side B : "
        "ordre" => 14
      ]
      [
        "nom" => "1. I'm A Fool To Want You "
        "ordre" => 15
      ]
      [
        "nom" => "Side C : "
        "ordre" => 16
      ]
      [
        "nom" => "1. The Nearness Of You "
        "ordre" => 17
      ]
      [
        "nom" => "Side D : "
        "ordre" => 18
      ]
      [
        "nom" => "1. It Could Happen To You \t"
        "ordre" => 19
      ]
      [
        "nom" => "2. Sweet Georgia Blues "
        "ordre" => 20
      ]
      [
        "nom" => "MISTY"
        "ordre" => 21
      ]
      [
        "nom" => "Side A : "
        "ordre" => 22
      ]
      [
        "nom" => "1. Misty"
        "ordre" => 23
      ]
      [
        "nom" => "Side B : "
        "ordre" => 24
      ]
      [
        "nom" => "1. Blues \t"
        "ordre" => 25
      ]
      [
        "nom" => "2. Yesterdays "
        "ordre" => 26
      ]
      [
        "nom" => "Side C : "
        "ordre" => 27
      ]
      [
        "nom" => "1. Honey Suckle Rose \t"
        "ordre" => 28
      ]
      [
        "nom" => "2. Smoke Gets in Your Eyes "
        "ordre" => 29
      ]
      [
        "nom" => "Side D : "
        "ordre" => 30
      ]
      [
        "nom" => "1. I Didn't Know What Time It Was "
        "ordre" => 31
      ]
      [
        "nom" => "2. Angel Eyes"
        "ordre" => 32
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2053 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2062 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2055 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2057 …}
    -enregistreLe: DateTime @1616314159 {#2048
      date: 2021-03-21 08:09:19.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1759082924 {#2049
      date: 2025-09-28 18:08:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2059 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-three-blind-mice-box-set-6-lp-45-rpm-impex-records-6022-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2075
    -id: 2285
    -nom: "Live at the Bon Soir"
    -informationComplementaire: ""
    -description: """
      - Celebrating the 60th Anniversary of Barbara Streisand's legendary debut recording !\r\n
      \r\n
      - 24 thrilling performances captured live at The Bon Soir nightclub in Greenwich Village, NY !\r\n
      \r\n
      - Includes "Cry Me a River", "Value", "Happy Days Are Here Again", and "A Taste of Honey" !\r\n
      \r\n
      - Mixed by Jochem van der Saag from the original analog session tapes and mastered in 24bit/96 kHz by Paul Blakemore !\r\n
      \r\n
      - Lacquer cutting by Bernie Grundman at Bernie Grundman Mastering !\r\n
      \r\n
      - Includes a gorgeous booklet with session and publicity photos, historical and technical notes, and a special note from Barbra !\r\n
      \r\n
      - The premiere New York City nightclub event of 1962 !\r\n
      \r\n
      "The Bon Soir is so dark, not even the waiters can see. They all carry tiny flashlights up their sleeves so they can determine who needs a refill, creating the effect of a room-a-twinkle with glow-worms..." - The New York Times, November 1960\r\n
      \r\n
      "The Bon Soir has swung into the new nightclub season with the find of the year. She is Barbra Streisand, a Brooklynite whose voice and poise belie her scant eighteen years. Vocally, there's range and power; style wise, there appears to be a natural gift for musical comedy, but she handles with aplomb the most meaningful ballads". - New York World-Telegram, November 1960In the fall of 1960, New York City wasn't the same urban mecca it is today. Neither was eighteen-year old Barbra Streisand, who emerged on the Greenwich Village club scene at a small, cozy venue on West 8th Street called the Bon Soir, where she received rave reviews and wooed the crowd with her incredible performances. Within two years Streisand, whose magnificent interpretations of both standards and quirky, obscure cabaret tunes was a nationwide sensation, was knocking audiences dead with her nightly performance as Miss Marmelstein in David Merrick's I Can Get It For You Wholesale on Broadway.\r\n
      \r\n
      Sixty years, multiple Grammy, Emmy, Oscar, Tony and Golden Globe awards and nearly two hundred million record sales later, Barbra has for the first time authorized the release of a major portion of her Bon Soir performances, as captured in 1962 by Columbia Records. IMPEX Records in conjunction with Sony Music Entertainment - is proud to present the audiophile 180 gram vinyl LP and SACD editions of the most sought-after recordings in Barbra's legendary career : Live at the Bon Soir: Greenwich Village, NY - November 1962. This gorgeous album features twenty-four brilliant performances personally selected by Barbra Streisand from the original Bon Soir master tapes and expertly mixed and mastered by Paul Blakemore and Jochem van der Saag, under the supervision of producers Barbra Streisand, Martin Erlichman and Jay Landers.\r\n
      \r\n
      Impex Records has created two versions of this noteworthy release: a two-LP vinyl edition and a 24 bit / 96 kHz SACD. To achieve the best fidelity possible, engineer Paul Blakemore transferred the original 3 track session tapes to high-resolution 96/24-bit digital files, which were then mixed by Jochem van der Saag. For mastering, Blakemore used an all-analog signal-processing chain in order to maintain the warmth of the original analog recordings. To master the vinyl LP edition, Impex engaged Bernie Grundman, who has mastered many of Barbra's albums over the last 60 years, to create the lacquer pressing master.\r\n
      \r\n
      Rich with the club's atmosphere, these historic, essential recordings present a warm, charming portrait of a truly important moment in New York City history and American pop culture. Several years removed from Manhattan's flourishing jazz nightclub scene, tiny clubs such as the Bon Soir began popping up, and served as both a forum and launching pad for some of the finest vocalists and musicians the East Coast had to offer.\r\n
      \r\n
      Because of Barbra's success there, Columbia Records A&R rep David Kapralik decided that the first album from his newly-signed artist would emanate from a setting in which she had become most comfortable: the small stage at the Bon Soir. Producer Mike Berniker and recording engineers Roy Halee and Adjutor "Pappy" Theroux set up the mics and recorders, and for three nights harnessed the electrifying show that Barbra had crafted.\r\n
      \r\n
      "The recordings we did at the Bon Soir were so authentically 'Barbra'. I produced her first three albums at Columbia, and while they were wonderful accomplishments, I thought that what she did each night at the Bon Soir transcended anything we ever did in the studio". - Mike Berniker\r\n
      \r\n
      Columbia ultimately decided to bring Barbra into the studio to record her first album, and except for the inclusion of several tracks on compilations through the years, the Bon Soir tapes laid dormant in the vault. Now, through this extraordinary release, everyone can at last enjoy the early sound and style of an icon in-the-making: the same brilliant artist whose performances at the Bon Soir were lauded by everyone from actress Helen Hayes to lyricists Alan and Marilyn Bergman. We invite you to join us for an evening at the fabled Bon Soir. Take a seat, order a drink and revel in the magic that is Barbra. You will not be disappointed!\r\n
      \r\n
      "She walked out and sang one note and I remember starting to cry, and I never stopped crying the entire show. Afterward, I went backstage and said to her, 'Do you know how wonderful you are ?'" - Marilyn Bergman
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Impex Records 6050"
    -titreMorceau: [
      [
        "nom" => "1. Introduction by David Kapralik / My Name Is Barbra "
        "ordre" => 0
      ]
      [
        "nom" => "10. Soon It's Gonna Rain "
        "ordre" => 9
      ]
      [
        "nom" => "11. Come to the Supermarket (In Old Peking) "
        "ordre" => 10
      ]
      [
        "nom" => "12. When the Sun Comes Out "
        "ordre" => 11
      ]
      [
        "nom" => "13. Happy Days Are Here Again "
        "ordre" => 12
      ]
      [
        "nom" => "14. Keepin' Out of Mischief Now "
        "ordre" => 13
      ]
      [
        "nom" => "15. A Sleepin' Bee "
        "ordre" => 14
      ]
      [
        "nom" => "16. I Had Myself A True Love \t"
        "ordre" => 15
      ]
      [
        "nom" => "17. Bewitched, Bothered and Bewildered "
        "ordre" => 16
      ]
      [
        "nom" => "18. Who's Afraid of the Big Bad Wolf ? "
        "ordre" => 17
      ]
      [
        "nom" => "19. I'll Tell the Man in the Street "
        "ordre" => 18
      ]
      [
        "nom" => "2. Much More "
        "ordre" => 1
      ]
      [
        "nom" => "20. A Taste of Honey "
        "ordre" => 19
      ]
      [
        "nom" => "21. Never Will I Marry "
        "ordre" => 20
      ]
      [
        "nom" => "22. Nobody's Heart Belongs to Me "
        "ordre" => 21
      ]
      [
        "nom" => "23. My Honey's Lovin' Arms "
        "ordre" => 22
      ]
      [
        "nom" => "24. I Stayed Too Long At the Fair"
        "ordre" => 23
      ]
      [
        "nom" => "3. Napoleon "
        "ordre" => 2
      ]
      [
        "nom" => "4. I Hate Music "
        "ordre" => 3
      ]
      [
        "nom" => "5. Right As the Rain "
        "ordre" => 4
      ]
      [
        "nom" => "6. Cry Me A River "
        "ordre" => 5
      ]
      [
        "nom" => "7. Value "
        "ordre" => 6
      ]
      [
        "nom" => "8. Lover, Come Back to Me "
        "ordre" => 7
      ]
      [
        "nom" => "9. Band Introductions "
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2077 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1480 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2086 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2079 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2081 …}
    -enregistreLe: DateTime @1664260878 {#2064
      date: 2022-09-27 06:41:18.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1688072766 {#2065
      date: 2023-06-29 21:06:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2083 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-the-bon-soir-impex-records-6050"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3313
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2075
    -id: 2285
    -nom: "Live at the Bon Soir"
    -informationComplementaire: ""
    -description: """
      - Celebrating the 60th Anniversary of Barbara Streisand's legendary debut recording !\r\n
      \r\n
      - 24 thrilling performances captured live at The Bon Soir nightclub in Greenwich Village, NY !\r\n
      \r\n
      - Includes "Cry Me a River", "Value", "Happy Days Are Here Again", and "A Taste of Honey" !\r\n
      \r\n
      - Mixed by Jochem van der Saag from the original analog session tapes and mastered in 24bit/96 kHz by Paul Blakemore !\r\n
      \r\n
      - Lacquer cutting by Bernie Grundman at Bernie Grundman Mastering !\r\n
      \r\n
      - Includes a gorgeous booklet with session and publicity photos, historical and technical notes, and a special note from Barbra !\r\n
      \r\n
      - The premiere New York City nightclub event of 1962 !\r\n
      \r\n
      "The Bon Soir is so dark, not even the waiters can see. They all carry tiny flashlights up their sleeves so they can determine who needs a refill, creating the effect of a room-a-twinkle with glow-worms..." - The New York Times, November 1960\r\n
      \r\n
      "The Bon Soir has swung into the new nightclub season with the find of the year. She is Barbra Streisand, a Brooklynite whose voice and poise belie her scant eighteen years. Vocally, there's range and power; style wise, there appears to be a natural gift for musical comedy, but she handles with aplomb the most meaningful ballads". - New York World-Telegram, November 1960In the fall of 1960, New York City wasn't the same urban mecca it is today. Neither was eighteen-year old Barbra Streisand, who emerged on the Greenwich Village club scene at a small, cozy venue on West 8th Street called the Bon Soir, where she received rave reviews and wooed the crowd with her incredible performances. Within two years Streisand, whose magnificent interpretations of both standards and quirky, obscure cabaret tunes was a nationwide sensation, was knocking audiences dead with her nightly performance as Miss Marmelstein in David Merrick's I Can Get It For You Wholesale on Broadway.\r\n
      \r\n
      Sixty years, multiple Grammy, Emmy, Oscar, Tony and Golden Globe awards and nearly two hundred million record sales later, Barbra has for the first time authorized the release of a major portion of her Bon Soir performances, as captured in 1962 by Columbia Records. IMPEX Records in conjunction with Sony Music Entertainment - is proud to present the audiophile 180 gram vinyl LP and SACD editions of the most sought-after recordings in Barbra's legendary career : Live at the Bon Soir: Greenwich Village, NY - November 1962. This gorgeous album features twenty-four brilliant performances personally selected by Barbra Streisand from the original Bon Soir master tapes and expertly mixed and mastered by Paul Blakemore and Jochem van der Saag, under the supervision of producers Barbra Streisand, Martin Erlichman and Jay Landers.\r\n
      \r\n
      Impex Records has created two versions of this noteworthy release: a two-LP vinyl edition and a 24 bit / 96 kHz SACD. To achieve the best fidelity possible, engineer Paul Blakemore transferred the original 3 track session tapes to high-resolution 96/24-bit digital files, which were then mixed by Jochem van der Saag. For mastering, Blakemore used an all-analog signal-processing chain in order to maintain the warmth of the original analog recordings. To master the vinyl LP edition, Impex engaged Bernie Grundman, who has mastered many of Barbra's albums over the last 60 years, to create the lacquer pressing master.\r\n
      \r\n
      Rich with the club's atmosphere, these historic, essential recordings present a warm, charming portrait of a truly important moment in New York City history and American pop culture. Several years removed from Manhattan's flourishing jazz nightclub scene, tiny clubs such as the Bon Soir began popping up, and served as both a forum and launching pad for some of the finest vocalists and musicians the East Coast had to offer.\r\n
      \r\n
      Because of Barbra's success there, Columbia Records A&R rep David Kapralik decided that the first album from his newly-signed artist would emanate from a setting in which she had become most comfortable: the small stage at the Bon Soir. Producer Mike Berniker and recording engineers Roy Halee and Adjutor "Pappy" Theroux set up the mics and recorders, and for three nights harnessed the electrifying show that Barbra had crafted.\r\n
      \r\n
      "The recordings we did at the Bon Soir were so authentically 'Barbra'. I produced her first three albums at Columbia, and while they were wonderful accomplishments, I thought that what she did each night at the Bon Soir transcended anything we ever did in the studio". - Mike Berniker\r\n
      \r\n
      Columbia ultimately decided to bring Barbra into the studio to record her first album, and except for the inclusion of several tracks on compilations through the years, the Bon Soir tapes laid dormant in the vault. Now, through this extraordinary release, everyone can at last enjoy the early sound and style of an icon in-the-making: the same brilliant artist whose performances at the Bon Soir were lauded by everyone from actress Helen Hayes to lyricists Alan and Marilyn Bergman. We invite you to join us for an evening at the fabled Bon Soir. Take a seat, order a drink and revel in the magic that is Barbra. You will not be disappointed!\r\n
      \r\n
      "She walked out and sang one note and I remember starting to cry, and I never stopped crying the entire show. Afterward, I went backstage and said to her, 'Do you know how wonderful you are ?'" - Marilyn Bergman
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Impex Records 6050"
    -titreMorceau: [
      [
        "nom" => "1. Introduction by David Kapralik / My Name Is Barbra "
        "ordre" => 0
      ]
      [
        "nom" => "10. Soon It's Gonna Rain "
        "ordre" => 9
      ]
      [
        "nom" => "11. Come to the Supermarket (In Old Peking) "
        "ordre" => 10
      ]
      [
        "nom" => "12. When the Sun Comes Out "
        "ordre" => 11
      ]
      [
        "nom" => "13. Happy Days Are Here Again "
        "ordre" => 12
      ]
      [
        "nom" => "14. Keepin' Out of Mischief Now "
        "ordre" => 13
      ]
      [
        "nom" => "15. A Sleepin' Bee "
        "ordre" => 14
      ]
      [
        "nom" => "16. I Had Myself A True Love \t"
        "ordre" => 15
      ]
      [
        "nom" => "17. Bewitched, Bothered and Bewildered "
        "ordre" => 16
      ]
      [
        "nom" => "18. Who's Afraid of the Big Bad Wolf ? "
        "ordre" => 17
      ]
      [
        "nom" => "19. I'll Tell the Man in the Street "
        "ordre" => 18
      ]
      [
        "nom" => "2. Much More "
        "ordre" => 1
      ]
      [
        "nom" => "20. A Taste of Honey "
        "ordre" => 19
      ]
      [
        "nom" => "21. Never Will I Marry "
        "ordre" => 20
      ]
      [
        "nom" => "22. Nobody's Heart Belongs to Me "
        "ordre" => 21
      ]
      [
        "nom" => "23. My Honey's Lovin' Arms "
        "ordre" => 22
      ]
      [
        "nom" => "24. I Stayed Too Long At the Fair"
        "ordre" => 23
      ]
      [
        "nom" => "3. Napoleon "
        "ordre" => 2
      ]
      [
        "nom" => "4. I Hate Music "
        "ordre" => 3
      ]
      [
        "nom" => "5. Right As the Rain "
        "ordre" => 4
      ]
      [
        "nom" => "6. Cry Me A River "
        "ordre" => 5
      ]
      [
        "nom" => "7. Value "
        "ordre" => 6
      ]
      [
        "nom" => "8. Lover, Come Back to Me "
        "ordre" => 7
      ]
      [
        "nom" => "9. Band Introductions "
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2077 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1480 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2086 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2079 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2081 …}
    -enregistreLe: DateTime @1664260878 {#2064
      date: 2022-09-27 06:41:18.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1688072766 {#2065
      date: 2023-06-29 21:06:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2083 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-the-bon-soir-impex-records-6050"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2093
    -id: 2165
    -nom: "Saturday Night In San Francisco / Live 12/06/80"
    -informationComplementaire: ""
    -description: """
      Audiophile 180 gram Vinyl LP !\r\n
      \r\n
      Long-Awaited Follow Up To Friday Night In San Francisco !\r\n
      \r\n
      Assembled From Original 16 Track Analog Live Session Tapes by Al Di Meola, Katsu Naito & Roy Hendrickson !\r\n
      \r\n
      Mastered From Analog Tapes by Bernie Grundman !\r\n
      \r\n
      Pressed at RTI !\r\n
      \r\n
      Jazz writer Walter Kolovsky has said that Friday Night In San Francisco "may be the most influential of all acoustic guitar albums". LPs of it have been a demonstration staple on turntables around the world for over 40 years. To celebrate the lasting impact of this singular album and the legendary concert that it represents, Impex Records is proud to announce the long-awaited follow up : Saturday Night In San Francisco.\r\n
      \r\n
      Working with hours of original 16-track live session tapes, Al Di Meola and his team have brilliantly curated this musical tour-de-force, bringing to life for the first time on LP, SACD-Hybrid and CD the explosively virtuosic final performance of Di Meola, John McLaughlin, and Paco De Lucia at the Warfield Theater in San Francisco, December 6, 1980. In the exclusive essay by music historian Charles L. Granata, Di Meola says of that final night : "It's exciting because the audience was right there with us, savoring every single note of music. And, we were ripping. It was crazy good !"\r\n
      \r\n
      Impex worked carefully with Di Meola, mixing engineer Roy Hendrickson (SPIN Studio), and mastering engineer Bernie Grundman to recreate the magic of Friday Night In San Francisco so these never-before-released solos and trios burst out of your system with striking clarity, dynamics and technical brilliance. "Crazy good", indeed.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "Al Di Meola, John McLaughlin, Paco De Lucia (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cFlDf7Ck-N4"
    -referenceProduit: "Impex Records 6045"
    -titreMorceau: [
      [
        "nom" => "1. Bill Graham Introduction"
        "ordre" => 1
      ]
      [
        "nom" => "1. El Pañuelo"
        "ordre" => 7
      ]
      [
        "nom" => "2. Meeting Of The Spirits"
        "ordre" => 8
      ]
      [
        "nom" => "2. Splendido Sundance"
        "ordre" => 2
      ]
      [
        "nom" => "3. One Word"
        "ordre" => 3
      ]
      [
        "nom" => "4. Trilogy Suite"
        "ordre" => 4
      ]
      [
        "nom" => "5. Monasterio de Sal"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2095 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2104 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2097 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2099 …}
    -enregistreLe: DateTime @1638805315 {#2089
      date: 2021-12-06 15:41:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1685183172 {#2088
      date: 2023-05-27 10:26:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2101 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-saturday-night-in-san-francisco-live-12-06-80-impex-records-6045"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3364
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2093
    -id: 2165
    -nom: "Saturday Night In San Francisco / Live 12/06/80"
    -informationComplementaire: ""
    -description: """
      Audiophile 180 gram Vinyl LP !\r\n
      \r\n
      Long-Awaited Follow Up To Friday Night In San Francisco !\r\n
      \r\n
      Assembled From Original 16 Track Analog Live Session Tapes by Al Di Meola, Katsu Naito & Roy Hendrickson !\r\n
      \r\n
      Mastered From Analog Tapes by Bernie Grundman !\r\n
      \r\n
      Pressed at RTI !\r\n
      \r\n
      Jazz writer Walter Kolovsky has said that Friday Night In San Francisco "may be the most influential of all acoustic guitar albums". LPs of it have been a demonstration staple on turntables around the world for over 40 years. To celebrate the lasting impact of this singular album and the legendary concert that it represents, Impex Records is proud to announce the long-awaited follow up : Saturday Night In San Francisco.\r\n
      \r\n
      Working with hours of original 16-track live session tapes, Al Di Meola and his team have brilliantly curated this musical tour-de-force, bringing to life for the first time on LP, SACD-Hybrid and CD the explosively virtuosic final performance of Di Meola, John McLaughlin, and Paco De Lucia at the Warfield Theater in San Francisco, December 6, 1980. In the exclusive essay by music historian Charles L. Granata, Di Meola says of that final night : "It's exciting because the audience was right there with us, savoring every single note of music. And, we were ripping. It was crazy good !"\r\n
      \r\n
      Impex worked carefully with Di Meola, mixing engineer Roy Hendrickson (SPIN Studio), and mastering engineer Bernie Grundman to recreate the magic of Friday Night In San Francisco so these never-before-released solos and trios burst out of your system with striking clarity, dynamics and technical brilliance. "Crazy good", indeed.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "Al Di Meola, John McLaughlin, Paco De Lucia (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cFlDf7Ck-N4"
    -referenceProduit: "Impex Records 6045"
    -titreMorceau: [
      [
        "nom" => "1. Bill Graham Introduction"
        "ordre" => 1
      ]
      [
        "nom" => "1. El Pañuelo"
        "ordre" => 7
      ]
      [
        "nom" => "2. Meeting Of The Spirits"
        "ordre" => 8
      ]
      [
        "nom" => "2. Splendido Sundance"
        "ordre" => 2
      ]
      [
        "nom" => "3. One Word"
        "ordre" => 3
      ]
      [
        "nom" => "4. Trilogy Suite"
        "ordre" => 4
      ]
      [
        "nom" => "5. Monasterio de Sal"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2095 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2104 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2097 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2099 …}
    -enregistreLe: DateTime @1638805315 {#2089
      date: 2021-12-06 15:41:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1685183172 {#2088
      date: 2023-05-27 10:26:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2101 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-saturday-night-in-san-francisco-live-12-06-80-impex-records-6045"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2109
    -id: 1216
    -nom: "Friday Night In San Francisco"
    -informationComplementaire: ""
    -description: """
      Mastered by Bernie Grundman and Bob Donnelly from the Original Analog Master Tapes ! \r\n
      \r\n
      Numbered Limited Edition 100 % Analog 180 gram Vinyl LP! Limited To Only 3000 Numbered Copies ! \r\n
      \r\n
      Friday Night In San Francisco is a 1981 live album by Al Di Meola, John McLaughlin and Paco de Lucia. It was described by jazz author and critic Walter Kolosky as "a musical event that could be compared to the Benny Goodman Band's performance at Carnegie Hall in 1938...(it) may be considered the most influential of all live acoustic guitar albums. All the tracks except Guardian Angel were recorded live at The Warfield Theatre on December 5, 1980 in San Francisco.\r\n
      \r\n
      This debut recording on Columbia Records became a landmark recording that surpassed the two million mark in sales. The three virtuosos in the Trio toured together from 1980 through 1983.\r\n
      \r\n
      Ah the Mediterranean... Filled with fine foods, wines, beautiful people, and the inspirational style of music that descended upon the able fingers of these guitar giants. This is by far one of the hottest guitar albums ever to bless sweet vinyl. Al Dimeola, John McLaughlin, & Paco Delucia play classical guitars (the kind with the nylon strings) in a flamenco / jazz style that will blow your socks off ! \r\n
      \r\n
      Paco de Lucia was a Spanish flamenco guitarist, composer and producer. A leading proponent of the New Flamenco style, he helped legitimize flamenco among the establishment in Spain, and was one of the first flamenco guitarists to have successfully crossed over into other genres of music such as classical and jazz. De Lucia was noted for his fast and fluent finger style runs. His collaborations with guitarists John McLaughlin and Al Di Meola saw him gain wider popularity outside his native Spain.\r\n
      \r\n
      Al Di Meola is an acclaimed jazz fusion and Latin jazz guitarist, composer, and record producer. With a musical career that has spanned more than three decades, he has become respected as one of the most influential guitarists in jazz to date. Albums such as Friday Night In San Francisco have earned him both artistic and commercial success with a solid fan base throughout the world. A prolific composer and prodigious six-string talent, Di Meola has amassed over 20 albums as a leader while collaborating on a dozen or so others.\r\n
      \r\n
      John McLaughlin is an English guitarist, bandleader and composer. His music includes many genres of jazz and rock, which he coupled with an interest in Indian classical music to become one of the pioneering figures in fusion. In 2010, guitarist Jeff Beck called him "the best guitarist alive." In 2003, McLaughlin was ranked 49th in Rolling Stone's "100 Greatest Guitarists of All Time". After contributing to several key British groups of the early sixties and making his first solo record, he moved to the US where he played with Tony Williams' group Lifetime and then with Miles Davis on his landmark electric-jazz fusion albums : In A Silent Way, Bitches Brew, A Tribute To Jack Johnson and On The Corner.\r\n
      \r\n
      "Loose and spontaneous, this (mainly) live album is a meeting of three of the greatest guitarists in the world for an acoustic summit the likes of which the guitar-playing community rarely sees. Broken up into three duo and two trio performances, Friday Night in San Francisco catches all three players at the peaks of their quite formidable powers". - www.allmusic.com\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "Al Di Meola, John McLaughlin, Paco de Lucía (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=oGbLEco2Ezc"
    -referenceProduit: "Impex Records IMP 6029"
    -titreMorceau: [
      [
        "nom" => "1. Frevo Rasgado"
        "ordre" => 4
      ]
      [
        "nom" => "1. Mediterranean Sundance/Rio Ancho"
        "ordre" => 1
      ]
      [
        "nom" => "2. Fantasia Suite"
        "ordre" => 5
      ]
      [
        "nom" => "2. Short Tales of the Black Forest"
        "ordre" => 2
      ]
      [
        "nom" => "3. Guardian Angel"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2095 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2117 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2110 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2112 …}
    -enregistreLe: DateTime @1504851189 {#2106
      date: 2017-09-08 06:13:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1684666473 {#2107
      date: 2023-05-21 10:54:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2114 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-friday-night-in-san-francisco-impex-records-imp-6029"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3417
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2109
    -id: 1216
    -nom: "Friday Night In San Francisco"
    -informationComplementaire: ""
    -description: """
      Mastered by Bernie Grundman and Bob Donnelly from the Original Analog Master Tapes ! \r\n
      \r\n
      Numbered Limited Edition 100 % Analog 180 gram Vinyl LP! Limited To Only 3000 Numbered Copies ! \r\n
      \r\n
      Friday Night In San Francisco is a 1981 live album by Al Di Meola, John McLaughlin and Paco de Lucia. It was described by jazz author and critic Walter Kolosky as "a musical event that could be compared to the Benny Goodman Band's performance at Carnegie Hall in 1938...(it) may be considered the most influential of all live acoustic guitar albums. All the tracks except Guardian Angel were recorded live at The Warfield Theatre on December 5, 1980 in San Francisco.\r\n
      \r\n
      This debut recording on Columbia Records became a landmark recording that surpassed the two million mark in sales. The three virtuosos in the Trio toured together from 1980 through 1983.\r\n
      \r\n
      Ah the Mediterranean... Filled with fine foods, wines, beautiful people, and the inspirational style of music that descended upon the able fingers of these guitar giants. This is by far one of the hottest guitar albums ever to bless sweet vinyl. Al Dimeola, John McLaughlin, & Paco Delucia play classical guitars (the kind with the nylon strings) in a flamenco / jazz style that will blow your socks off ! \r\n
      \r\n
      Paco de Lucia was a Spanish flamenco guitarist, composer and producer. A leading proponent of the New Flamenco style, he helped legitimize flamenco among the establishment in Spain, and was one of the first flamenco guitarists to have successfully crossed over into other genres of music such as classical and jazz. De Lucia was noted for his fast and fluent finger style runs. His collaborations with guitarists John McLaughlin and Al Di Meola saw him gain wider popularity outside his native Spain.\r\n
      \r\n
      Al Di Meola is an acclaimed jazz fusion and Latin jazz guitarist, composer, and record producer. With a musical career that has spanned more than three decades, he has become respected as one of the most influential guitarists in jazz to date. Albums such as Friday Night In San Francisco have earned him both artistic and commercial success with a solid fan base throughout the world. A prolific composer and prodigious six-string talent, Di Meola has amassed over 20 albums as a leader while collaborating on a dozen or so others.\r\n
      \r\n
      John McLaughlin is an English guitarist, bandleader and composer. His music includes many genres of jazz and rock, which he coupled with an interest in Indian classical music to become one of the pioneering figures in fusion. In 2010, guitarist Jeff Beck called him "the best guitarist alive." In 2003, McLaughlin was ranked 49th in Rolling Stone's "100 Greatest Guitarists of All Time". After contributing to several key British groups of the early sixties and making his first solo record, he moved to the US where he played with Tony Williams' group Lifetime and then with Miles Davis on his landmark electric-jazz fusion albums : In A Silent Way, Bitches Brew, A Tribute To Jack Johnson and On The Corner.\r\n
      \r\n
      "Loose and spontaneous, this (mainly) live album is a meeting of three of the greatest guitarists in the world for an acoustic summit the likes of which the guitar-playing community rarely sees. Broken up into three duo and two trio performances, Friday Night in San Francisco catches all three players at the peaks of their quite formidable powers". - www.allmusic.com\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "Al Di Meola, John McLaughlin, Paco de Lucía (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=oGbLEco2Ezc"
    -referenceProduit: "Impex Records IMP 6029"
    -titreMorceau: [
      [
        "nom" => "1. Frevo Rasgado"
        "ordre" => 4
      ]
      [
        "nom" => "1. Mediterranean Sundance/Rio Ancho"
        "ordre" => 1
      ]
      [
        "nom" => "2. Fantasia Suite"
        "ordre" => 5
      ]
      [
        "nom" => "2. Short Tales of the Black Forest"
        "ordre" => 2
      ]
      [
        "nom" => "3. Guardian Angel"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2095 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2117 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2110 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2112 …}
    -enregistreLe: DateTime @1504851189 {#2106
      date: 2017-09-08 06:13:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1684666473 {#2107
      date: 2023-05-21 10:54:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2114 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-friday-night-in-san-francisco-impex-records-imp-6029"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2122
    -id: 662
    -nom: "E.S.P. "
    -informationComplementaire: ""
    -description: "Après plusieurs groupes intermédiaires (qui présentait des géants tels que Hank Mobley, Wynton Kelly, Victor Feldman, et George Coleman), Miles Davis a composé lentement son second grand quintet sur la période 1963-1964 et rassemblé  des musiciens tels que Wayne Shorter, Herbie Hancock, Ron Carter et Tony Williams (qui était âgé de 17 ans lorsqu’il a rejoint Miles Davis). Quand Miles Davis a assemblé Wayne Shorter, Herbie Hancock, Ron Carter et Tony Williams, il y avait un groupe à cheval sur les deux traditions du jazz et les challenges qui les attendaient. En 1965, l’album « E.S.P. » a été le premier enregistrement studio qui a capturé le jeu et le potentiel créatif que le groupe était en train de développer. Les cinq membres du quintette semblaient communiquer par télépathie, inspirant le titre « E.S.P. » (perception extra-sensorielle). Comportant le morceau de blues diablement génial « Eighty One » (en fait écrit par Ron Carter, mais probablement arrangé dans le studio par Miles Davis), sur lequel les rythmes binaires et tertiaires sont alternés (écoutez les improvisations et vous comprendrez). Bien que le concept mélodique de « Agitation » a souvent été utilisé pour ouvrir les concerts jusqu'en 1969, il a montré la manière et les options de « So What » et « Flamenco Sketches » pour trouver un nouveau débouché, six ans après Kind Of Blue. Mais le retour à l'inspiration des chefs-d'œuvre de 1959, est principalement attribuable à la composition de ses jeunes compagnons, qui étaient responsables de la composition de six des sept chansons sur l'album. Surtout remarquer le jeu brillant de Wayne Shorter avec Miles à la clôture du morceau « Mood », la ballade envoûtante écrite par le bassiste Ron Carter. C’est la première réédition audiophile de l’album « E.S.P. » de Miles Davis par Impex Records, remastérisé par Chris Bellman chez Bernie Grundman Mastering à partir des bandes masters originales. Cet album est strictement réédité à 3000 exemplaires numérotés. "
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (double bass), Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=faW5IXgkMBQ"
    -referenceProduit: "IMP 6018"
    -titreMorceau: [
      [
        "nom" => "1. Agitation"
        "ordre" => 6
      ]
      [
        "nom" => "1. E.S.P."
        "ordre" => 1
      ]
      [
        "nom" => "2. Eighty-One"
        "ordre" => 2
      ]
      [
        "nom" => "2. Iris"
        "ordre" => 7
      ]
      [
        "nom" => "3. Little One"
        "ordre" => 3
      ]
      [
        "nom" => "3. Mood"
        "ordre" => 8
      ]
      [
        "nom" => "4. R.J. "
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2124 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2133 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2126 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2128 …}
    -enregistreLe: DateTime @1386935968 {#2119
      date: 2013-12-13 11:59:28.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1680034225 {#2120
      date: 2023-03-28 20:10:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2130 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-e-s-p-imp-6018"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3463
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2122
    -id: 662
    -nom: "E.S.P. "
    -informationComplementaire: ""
    -description: "Après plusieurs groupes intermédiaires (qui présentait des géants tels que Hank Mobley, Wynton Kelly, Victor Feldman, et George Coleman), Miles Davis a composé lentement son second grand quintet sur la période 1963-1964 et rassemblé  des musiciens tels que Wayne Shorter, Herbie Hancock, Ron Carter et Tony Williams (qui était âgé de 17 ans lorsqu’il a rejoint Miles Davis). Quand Miles Davis a assemblé Wayne Shorter, Herbie Hancock, Ron Carter et Tony Williams, il y avait un groupe à cheval sur les deux traditions du jazz et les challenges qui les attendaient. En 1965, l’album « E.S.P. » a été le premier enregistrement studio qui a capturé le jeu et le potentiel créatif que le groupe était en train de développer. Les cinq membres du quintette semblaient communiquer par télépathie, inspirant le titre « E.S.P. » (perception extra-sensorielle). Comportant le morceau de blues diablement génial « Eighty One » (en fait écrit par Ron Carter, mais probablement arrangé dans le studio par Miles Davis), sur lequel les rythmes binaires et tertiaires sont alternés (écoutez les improvisations et vous comprendrez). Bien que le concept mélodique de « Agitation » a souvent été utilisé pour ouvrir les concerts jusqu'en 1969, il a montré la manière et les options de « So What » et « Flamenco Sketches » pour trouver un nouveau débouché, six ans après Kind Of Blue. Mais le retour à l'inspiration des chefs-d'œuvre de 1959, est principalement attribuable à la composition de ses jeunes compagnons, qui étaient responsables de la composition de six des sept chansons sur l'album. Surtout remarquer le jeu brillant de Wayne Shorter avec Miles à la clôture du morceau « Mood », la ballade envoûtante écrite par le bassiste Ron Carter. C’est la première réédition audiophile de l’album « E.S.P. » de Miles Davis par Impex Records, remastérisé par Chris Bellman chez Bernie Grundman Mastering à partir des bandes masters originales. Cet album est strictement réédité à 3000 exemplaires numérotés. "
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (double bass), Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=faW5IXgkMBQ"
    -referenceProduit: "IMP 6018"
    -titreMorceau: [
      [
        "nom" => "1. Agitation"
        "ordre" => 6
      ]
      [
        "nom" => "1. E.S.P."
        "ordre" => 1
      ]
      [
        "nom" => "2. Eighty-One"
        "ordre" => 2
      ]
      [
        "nom" => "2. Iris"
        "ordre" => 7
      ]
      [
        "nom" => "3. Little One"
        "ordre" => 3
      ]
      [
        "nom" => "3. Mood"
        "ordre" => 8
      ]
      [
        "nom" => "4. R.J. "
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2124 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2133 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2126 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2128 …}
    -enregistreLe: DateTime @1386935968 {#2119
      date: 2013-12-13 11:59:28.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1680034225 {#2120
      date: 2023-03-28 20:10:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2130 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-e-s-p-imp-6018"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2138
    -id: 1766
    -nom: "Friday Night In San Francisco"
    -informationComplementaire: ""
    -description: """
      Numbered Limited Edition 3000 Copies ! \r\n
      \r\n
      All-Analog 180 gram 45 RPM Vinyl Edition !\r\n
      \r\n
      Mastered by Bernie Grundman Mastering From Original Analog Master Tapes !\r\n
      \r\n
      Every note.\r\n
      Every lightning strum.\r\n
      Every impossibly perfect run.\r\n
      Every dynamic blast.\r\n
      Every tonal nuance.\r\n
      Every staccato reverberation.\r\n
      Every unexpected moment of towering virtuosity.\r\n
      Every caught breath.\r\n
      Every thunderous applause.\r\n
      \r\n
      Everything you’ve loved about this iconic, reference-defining recording is laid bare, reproduced with stunning fidelity and nuance. Featuring all-analog mastering by Bernie Grundman Mastering and an exclusive foil-stamped jacket for this very special release. This Di Meola-McLaughlin-De Lucia classic could only come from the LP fetishists at Impex Records.\r\n
      \r\n
      Listen as Impex’s 180 gram vinyl, spinning at 45 revolutions per minute, reveals everything to your hungry, deep-listening ears. Ready to redefine definitive again.\r\n
      \r\n
      Listen as Impex’s 180 gram vinyl, spinning at 45 revolutions per minute, reveals everything to your hungry, deep-listening ears. Ready to redefine definitive again.\r\n
      \r\n
      Friday Night In San Francisco is a 1981 live album by Al Di Meola, John McLaughlin and Paco de Lucia. It was described by jazz author and critic Walter Kolosky as “a musical event that could be compared to the Benny Goodman Band’s performance at Carnegie Hall in 1938…[it] may be considered the most influential of all live acoustic guitar albums. All the tracks except Guardian Angel were recorded live at The Warfield Theatre on December 5, 1980 in San Francisco.\r\n
      This debut recording on Columbia Records became a landmark recording that surpassed the two million mark in sales. The three virtuosos in the Trio toured together from 1980 through 1983.\r\n
      \r\n
      Paco de Lucia was a Spanish flamenco guitarist, composer and producer. A leading proponent of the New Flamenco style, he helped legitimize flamenco among the establishment in Spain, and was one of the first flamenco guitarists to have successfully crossed over into other genres of music such as classical and jazz. De Lucia was noted for his fast and fluent finger style runs. His collaborations with guitarists John McLaughlin and Al Di Meola saw him gain wider popularity outside his native Spain.\r\n
      \r\n
      Al Di Meola is an acclaimed jazz fusion and Latin jazz guitarist, composer, and record producer. With a musical career that has spanned more than three decades, he has become respected as one of the most influential guitarists in jazz to date. Albums such as Friday Night In San Francisco have earned him both artistic and commercial success with a solid fan base throughout the world. A prolific composer and prodigious six-string talent, Di Meola has amassed over 20 albums as a leader while collaborating on a dozen or so others.\r\n
      \r\n
      John McLaughlin is an English guitarist, bandleader and composer. His music includes many genres of jazz and rock, which he coupled with an interest in Indian classical music to become one of the pioneering figures in fusion. In 2010, guitarist Jeff Beck called him “the best guitarist alive”. In 2003, McLaughlin was ranked 49th in Rolling Stone’s “100 Greatest Guitarists of All Time”. After contributing to several key British groups of the early sixties and making his first solo record, he moved to the US where he played with Tony Williams’ group Lifetime and then with Miles Davis on his landmark electric-jazz fusion albums: In A Silent Way, Bitches Brew, A Tribute To Jack Johnson and On The Corner.\r\n
      \r\n
      “Loose and spontaneous, this (mainly) live album is a meeting of three of the greatest guitarists in the world for an acoustic summit the likes of which the guitar-playing community rarely sees. Broken up into three duo and two trio performances, Friday Night in San Francisco catches all three players at the peaks of their quite formidable powers”. – www.allmusic.com\r\n
      Features:\r\n
      \r\n
      • Mastered by Bernie Grundman from the Original Analog Master Tapes !\r\n
      • Numbered Limited Edition 100 % Analog 180 gram Vinyl LP !\r\n
      • Limited To Only 3000 Numbered Copies !\r\n
      • Plated and pressed at RTI, supervised by Rick Hashimoto\r\n
      \r\n
      \r\n
      \r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Al Di Meola, John McLaughlin, Paco de Lucía (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=oGbLEco2Ezc"
    -referenceProduit: "Impex Records 6031-45"
    -titreMorceau: [
      [
        "nom" => "1. Fantasia Suite"
        "ordre" => 7
      ]
      [
        "nom" => "1. Frevo Rasgado"
        "ordre" => 5
      ]
      [
        "nom" => "1. Mediterranean Sundance / Rio Ancho"
        "ordre" => 1
      ]
      [
        "nom" => "1. Short Tales of the Black Forest"
        "ordre" => 3
      ]
      [
        "nom" => "2. Guardian Angel"
        "ordre" => 8
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "Side C : "
        "ordre" => 4
      ]
      [
        "nom" => "Side D : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2095 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2146 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2139 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2141 …}
    -enregistreLe: DateTime @1572937235 {#2135
      date: 2019-11-05 07:00:35.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1673079879 {#2136
      date: 2023-01-07 08:24:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2143 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-friday-night-in-san-francisco-impex-records-6031-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3516
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2138
    -id: 1766
    -nom: "Friday Night In San Francisco"
    -informationComplementaire: ""
    -description: """
      Numbered Limited Edition 3000 Copies ! \r\n
      \r\n
      All-Analog 180 gram 45 RPM Vinyl Edition !\r\n
      \r\n
      Mastered by Bernie Grundman Mastering From Original Analog Master Tapes !\r\n
      \r\n
      Every note.\r\n
      Every lightning strum.\r\n
      Every impossibly perfect run.\r\n
      Every dynamic blast.\r\n
      Every tonal nuance.\r\n
      Every staccato reverberation.\r\n
      Every unexpected moment of towering virtuosity.\r\n
      Every caught breath.\r\n
      Every thunderous applause.\r\n
      \r\n
      Everything you’ve loved about this iconic, reference-defining recording is laid bare, reproduced with stunning fidelity and nuance. Featuring all-analog mastering by Bernie Grundman Mastering and an exclusive foil-stamped jacket for this very special release. This Di Meola-McLaughlin-De Lucia classic could only come from the LP fetishists at Impex Records.\r\n
      \r\n
      Listen as Impex’s 180 gram vinyl, spinning at 45 revolutions per minute, reveals everything to your hungry, deep-listening ears. Ready to redefine definitive again.\r\n
      \r\n
      Listen as Impex’s 180 gram vinyl, spinning at 45 revolutions per minute, reveals everything to your hungry, deep-listening ears. Ready to redefine definitive again.\r\n
      \r\n
      Friday Night In San Francisco is a 1981 live album by Al Di Meola, John McLaughlin and Paco de Lucia. It was described by jazz author and critic Walter Kolosky as “a musical event that could be compared to the Benny Goodman Band’s performance at Carnegie Hall in 1938…[it] may be considered the most influential of all live acoustic guitar albums. All the tracks except Guardian Angel were recorded live at The Warfield Theatre on December 5, 1980 in San Francisco.\r\n
      This debut recording on Columbia Records became a landmark recording that surpassed the two million mark in sales. The three virtuosos in the Trio toured together from 1980 through 1983.\r\n
      \r\n
      Paco de Lucia was a Spanish flamenco guitarist, composer and producer. A leading proponent of the New Flamenco style, he helped legitimize flamenco among the establishment in Spain, and was one of the first flamenco guitarists to have successfully crossed over into other genres of music such as classical and jazz. De Lucia was noted for his fast and fluent finger style runs. His collaborations with guitarists John McLaughlin and Al Di Meola saw him gain wider popularity outside his native Spain.\r\n
      \r\n
      Al Di Meola is an acclaimed jazz fusion and Latin jazz guitarist, composer, and record producer. With a musical career that has spanned more than three decades, he has become respected as one of the most influential guitarists in jazz to date. Albums such as Friday Night In San Francisco have earned him both artistic and commercial success with a solid fan base throughout the world. A prolific composer and prodigious six-string talent, Di Meola has amassed over 20 albums as a leader while collaborating on a dozen or so others.\r\n
      \r\n
      John McLaughlin is an English guitarist, bandleader and composer. His music includes many genres of jazz and rock, which he coupled with an interest in Indian classical music to become one of the pioneering figures in fusion. In 2010, guitarist Jeff Beck called him “the best guitarist alive”. In 2003, McLaughlin was ranked 49th in Rolling Stone’s “100 Greatest Guitarists of All Time”. After contributing to several key British groups of the early sixties and making his first solo record, he moved to the US where he played with Tony Williams’ group Lifetime and then with Miles Davis on his landmark electric-jazz fusion albums: In A Silent Way, Bitches Brew, A Tribute To Jack Johnson and On The Corner.\r\n
      \r\n
      “Loose and spontaneous, this (mainly) live album is a meeting of three of the greatest guitarists in the world for an acoustic summit the likes of which the guitar-playing community rarely sees. Broken up into three duo and two trio performances, Friday Night in San Francisco catches all three players at the peaks of their quite formidable powers”. – www.allmusic.com\r\n
      Features:\r\n
      \r\n
      • Mastered by Bernie Grundman from the Original Analog Master Tapes !\r\n
      • Numbered Limited Edition 100 % Analog 180 gram Vinyl LP !\r\n
      • Limited To Only 3000 Numbered Copies !\r\n
      • Plated and pressed at RTI, supervised by Rick Hashimoto\r\n
      \r\n
      \r\n
      \r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Al Di Meola, John McLaughlin, Paco de Lucía (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=oGbLEco2Ezc"
    -referenceProduit: "Impex Records 6031-45"
    -titreMorceau: [
      [
        "nom" => "1. Fantasia Suite"
        "ordre" => 7
      ]
      [
        "nom" => "1. Frevo Rasgado"
        "ordre" => 5
      ]
      [
        "nom" => "1. Mediterranean Sundance / Rio Ancho"
        "ordre" => 1
      ]
      [
        "nom" => "1. Short Tales of the Black Forest"
        "ordre" => 3
      ]
      [
        "nom" => "2. Guardian Angel"
        "ordre" => 8
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "Side C : "
        "ordre" => 4
      ]
      [
        "nom" => "Side D : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2095 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2146 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2139 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2141 …}
    -enregistreLe: DateTime @1572937235 {#2135
      date: 2019-11-05 07:00:35.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1673079879 {#2136
      date: 2023-01-07 08:24:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2143 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-friday-night-in-san-francisco-impex-records-6031-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2153
    -id: 2067
    -nom: "Both Sides Now"
    -informationComplementaire: ""
    -description: """
      Glasgow's First Lady of Jazz Carol Kidd, whose string of successful Linn recordings in the 1980's have made her a staple of international audiophile artists, returns with an all-new collection of delectable jazz and pop standards delivered in her inimitably smooth and heartfelt style.\r\n
      \r\n
      Kidd has always been an artist celebrated for her cool, controlled phrasing and easy-going balladry, and her lovely new recording, BOTH SIDES NOW, is replete with her trademark inflection and warmth spread over classic songs by everyone from Rodgers & Hammerstein, Billy Joel, Joni Mitchell, and Richard Thompson. A songwriter of note, Kidd herself contributes two new tracks co-authored with Chris Anthony.\r\n
      \r\n
      Impex's exclusive 180 gram 33 RPM LP, mastered by the superlative Kevin Gray at Cohearent Audio, features brilliantly detailed mid-tones, effortlessly stable bottom end, and crisp overtones. RTI's peerless pressing brings it all together for your listening pleasure.\r\n
      \r\n
      Carol Kidd is an international award winning singer. She has been named 'Best Vocalist' at the British Jazz Awards on four occasions and was appointed MBE for Services to Jazz. In 2006, Carol was a winner of the prestigious Nordoff-Robbins Tartan Clef Music Award and in 2017 she received a Lifetime Achievement Award at the Scottish Jazz Awards. Renowned for her impeccable phrasing and delivery along with an unforgettable ability to breathe fresh life into any jazz standard, Carol has cut a distinctive path through the Great American Songbook throughout her career with orchestral and trio backing, as well as performing as a unique and intimate duo with guitarist Nigel Clark.\r\n
      \r\n
      A long line of admirers has included Tony Bennett, Vic Damone and Frank Sinatra, who invited her to open for him at a stadium concert where he remarked that, "Carol Kidd is the best kept secret of British jazz". After a sensational performance at the Tribute to Johnny Mercer show at the Royal Concert Hall in Glasgow, Sir Michael Parkinson observed from the stage that "If there is a better jazz singer out there I have yet to hear them !" Luminaries who have performed alongside Carol as her guests include George Shearing, Georgie Fame, Annie Ross, Benny Carter, Joe Temperley, Bobby Watson and Martin Taylor.\r\n
      \r\n
      Following a battle with cancer, Carol returned to the stage triumphant in the summer of 2013 to give a powerful, emotional performance at the Glasgow Jazz Festival. In the wake of this homecoming, it is impossible to deny that Kidd is one of the most remarkable artists and performers of our time.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "Carol Kidd (vocals), Paul Harrison (piano), Seonaid Aitkin (violin & viola), Christoff Fourie (cello), Graeme Duffin (guitar, bass, drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tevsG0w_pGA"
    -referenceProduit: "Impex Records IMP 6040"
    -titreMorceau: [
      [
        "nom" => "1. And So It Goes"
        "ordre" => 1
      ]
      [
        "nom" => "1. When I Dream"
        "ordre" => 7
      ]
      [
        "nom" => "2. If I Had Any Pride Left At All"
        "ordre" => 8
      ]
      [
        "nom" => "2. The Dimming Of The Day"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Let My Burden Go"
        "ordre" => 9
      ]
      [
        "nom" => "3. Talking To The Moon"
        "ordre" => 3
      ]
      [
        "nom" => "4. Bla Bla Bla"
        "ordre" => 4
      ]
      [
        "nom" => "4. Something Wonderful"
        "ordre" => 10
      ]
      [
        "nom" => "5. A Rock And A Hard Place"
        "ordre" => 11
      ]
      [
        "nom" => "5. Both Sides Now"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2155 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2164 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2157 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2159 …}
    -enregistreLe: DateTime @1623738778 {#2149
      date: 2021-06-15 06:32:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1667548586 {#2148
      date: 2022-11-04 07:56:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2161 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-both-sides-now-impex-records-imp-6040"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3562
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2153
    -id: 2067
    -nom: "Both Sides Now"
    -informationComplementaire: ""
    -description: """
      Glasgow's First Lady of Jazz Carol Kidd, whose string of successful Linn recordings in the 1980's have made her a staple of international audiophile artists, returns with an all-new collection of delectable jazz and pop standards delivered in her inimitably smooth and heartfelt style.\r\n
      \r\n
      Kidd has always been an artist celebrated for her cool, controlled phrasing and easy-going balladry, and her lovely new recording, BOTH SIDES NOW, is replete with her trademark inflection and warmth spread over classic songs by everyone from Rodgers & Hammerstein, Billy Joel, Joni Mitchell, and Richard Thompson. A songwriter of note, Kidd herself contributes two new tracks co-authored with Chris Anthony.\r\n
      \r\n
      Impex's exclusive 180 gram 33 RPM LP, mastered by the superlative Kevin Gray at Cohearent Audio, features brilliantly detailed mid-tones, effortlessly stable bottom end, and crisp overtones. RTI's peerless pressing brings it all together for your listening pleasure.\r\n
      \r\n
      Carol Kidd is an international award winning singer. She has been named 'Best Vocalist' at the British Jazz Awards on four occasions and was appointed MBE for Services to Jazz. In 2006, Carol was a winner of the prestigious Nordoff-Robbins Tartan Clef Music Award and in 2017 she received a Lifetime Achievement Award at the Scottish Jazz Awards. Renowned for her impeccable phrasing and delivery along with an unforgettable ability to breathe fresh life into any jazz standard, Carol has cut a distinctive path through the Great American Songbook throughout her career with orchestral and trio backing, as well as performing as a unique and intimate duo with guitarist Nigel Clark.\r\n
      \r\n
      A long line of admirers has included Tony Bennett, Vic Damone and Frank Sinatra, who invited her to open for him at a stadium concert where he remarked that, "Carol Kidd is the best kept secret of British jazz". After a sensational performance at the Tribute to Johnny Mercer show at the Royal Concert Hall in Glasgow, Sir Michael Parkinson observed from the stage that "If there is a better jazz singer out there I have yet to hear them !" Luminaries who have performed alongside Carol as her guests include George Shearing, Georgie Fame, Annie Ross, Benny Carter, Joe Temperley, Bobby Watson and Martin Taylor.\r\n
      \r\n
      Following a battle with cancer, Carol returned to the stage triumphant in the summer of 2013 to give a powerful, emotional performance at the Glasgow Jazz Festival. In the wake of this homecoming, it is impossible to deny that Kidd is one of the most remarkable artists and performers of our time.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "Carol Kidd (vocals), Paul Harrison (piano), Seonaid Aitkin (violin & viola), Christoff Fourie (cello), Graeme Duffin (guitar, bass, drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tevsG0w_pGA"
    -referenceProduit: "Impex Records IMP 6040"
    -titreMorceau: [
      [
        "nom" => "1. And So It Goes"
        "ordre" => 1
      ]
      [
        "nom" => "1. When I Dream"
        "ordre" => 7
      ]
      [
        "nom" => "2. If I Had Any Pride Left At All"
        "ordre" => 8
      ]
      [
        "nom" => "2. The Dimming Of The Day"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Let My Burden Go"
        "ordre" => 9
      ]
      [
        "nom" => "3. Talking To The Moon"
        "ordre" => 3
      ]
      [
        "nom" => "4. Bla Bla Bla"
        "ordre" => 4
      ]
      [
        "nom" => "4. Something Wonderful"
        "ordre" => 10
      ]
      [
        "nom" => "5. A Rock And A Hard Place"
        "ordre" => 11
      ]
      [
        "nom" => "5. Both Sides Now"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2155 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2164 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2157 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2159 …}
    -enregistreLe: DateTime @1623738778 {#2149
      date: 2021-06-15 06:32:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1667548586 {#2148
      date: 2022-11-04 07:56:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2161 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-both-sides-now-impex-records-imp-6040"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2169
    -id: 2270
    -nom: "Hard Bop"
    -informationComplementaire: ""
    -description: """
      After the dissolution of the original Jazz Messengers, Art Blakey formed a new edition with Jackie McLean, Bill Hardman, Sam Dockery and Spanky De Brest. It's fitting that their first album would carry the title Hard Bop because that is what they and every subsequent lineup of the Jazz Messengers came to typify.\r\n
      \r\n
      Beyond Blakey's always magnificent and contoured drumming, this quintet's strongest asset was the beautiful, tart blend of Jackie McLean's alto sax and Bill Hardman's trumpet. They phrased together with a forward thrust and their brash, peppery tones created a distinctive front line sound.\r\n
      \r\n
      Repertoire was always an important factor in the Jazz Messengers' sound, and this hard-swinging session of December 12 and 13, 1956, mixed excellent originals by McLean and Hardman with jazz tunes by Mal Waldron and Gigi Gryce, two standards and a Gershwin medley. \r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "Art Blakey (drums), Jackie McLean (alto saxophone), Bill Hardman (trumpet), Spanky deBrest (bass), Sam Dockery (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=auV0IpVkZsE"
    -referenceProduit: "Impex Records 6016"
    -titreMorceau: [
      [
        "nom" => "1. Cranky Spanky "
        "ordre" => 1
      ]
      [
        "nom" => "1. Little Melonie "
        "ordre" => 5
      ]
      [
        "nom" => "2. Stanley’s Stiff Chickens"
        "ordre" => 6
      ]
      [
        "nom" => "2. Stella by Starlight "
        "ordre" => 2
      ]
      [
        "nom" => "3. My Heart Stood Still "
        "ordre" => 3
      ]
      [
        "nom" => "Sde B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2180 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2173 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2175 …}
    -enregistreLe: DateTime @1662795852 {#2166
      date: 2022-09-10 07:44:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1667548335 {#2167
      date: 2022-11-04 07:52:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2177 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-hard-bop-impex-records-6016"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3613
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2169
    -id: 2270
    -nom: "Hard Bop"
    -informationComplementaire: ""
    -description: """
      After the dissolution of the original Jazz Messengers, Art Blakey formed a new edition with Jackie McLean, Bill Hardman, Sam Dockery and Spanky De Brest. It's fitting that their first album would carry the title Hard Bop because that is what they and every subsequent lineup of the Jazz Messengers came to typify.\r\n
      \r\n
      Beyond Blakey's always magnificent and contoured drumming, this quintet's strongest asset was the beautiful, tart blend of Jackie McLean's alto sax and Bill Hardman's trumpet. They phrased together with a forward thrust and their brash, peppery tones created a distinctive front line sound.\r\n
      \r\n
      Repertoire was always an important factor in the Jazz Messengers' sound, and this hard-swinging session of December 12 and 13, 1956, mixed excellent originals by McLean and Hardman with jazz tunes by Mal Waldron and Gigi Gryce, two standards and a Gershwin medley. \r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "Art Blakey (drums), Jackie McLean (alto saxophone), Bill Hardman (trumpet), Spanky deBrest (bass), Sam Dockery (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=auV0IpVkZsE"
    -referenceProduit: "Impex Records 6016"
    -titreMorceau: [
      [
        "nom" => "1. Cranky Spanky "
        "ordre" => 1
      ]
      [
        "nom" => "1. Little Melonie "
        "ordre" => 5
      ]
      [
        "nom" => "2. Stanley’s Stiff Chickens"
        "ordre" => 6
      ]
      [
        "nom" => "2. Stella by Starlight "
        "ordre" => 2
      ]
      [
        "nom" => "3. My Heart Stood Still "
        "ordre" => 3
      ]
      [
        "nom" => "Sde B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2180 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2173 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2175 …}
    -enregistreLe: DateTime @1662795852 {#2166
      date: 2022-09-10 07:44:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1667548335 {#2167
      date: 2022-11-04 07:52:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2177 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-hard-bop-impex-records-6016"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2185
    -id: 881
    -nom: "A Whisper Of Love"
    -informationComplementaire: ""
    -description: """
      Returning to her early Three Blind Mice period form, Ayako Hosokawa delivered one of her most popular albums ever in 1993 with A Whisper of Love. Working with a fine ensemble of American jazz players (along with pianist Shota Osabe on two tracks), her delivery had developed a quiet confidence: relaxed and playful. Available for the first time ever on 180 gram vinyl LP, this great set of classic torch songs gives Ms. Hosokawa a matchless showcase for her melifluous tone and buttery delivery. We have tightened up the running order for a more focused listening experience, including all the best tracks from the original CD.\r\n
      \r\n
      Cut by Kevin Gray at Cohearent Audio, you can once again enjoy one of TBM's most popular singers in your listening room with the assurance of quality Impex is heralded for. Quiet surfaces allow the crystal clear tone to shine every time you play the LP, again and again.\r\n
      \r\n
      We created a new design for the back of the jacket, including new design elements and photos from the Three Blind Mice archive. The iconic front cover was left intact. Come experience anew this great TBM classic in its vital new form.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Ayak Hosokawa (vocals), Tee Carson, Shota Osabe (piano), John Hettel (bass), Ray Loeckle (reeds), Jimmie Smith (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=b7gimGQUP9M"
    -referenceProduit: "IMP 6023"
    -titreMorceau: [
      [
        "nom" => "1. Dream A Little Dream of Me"
        "ordre" => 1
      ]
      [
        "nom" => "1. Tea For Two"
        "ordre" => 6
      ]
      [
        "nom" => "2. These Foolish Things"
        "ordre" => 7
      ]
      [
        "nom" => "2. Too Young"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Wish You Love"
        "ordre" => 8
      ]
      [
        "nom" => "3. Sea of Love"
        "ordre" => 3
      ]
      [
        "nom" => "4. It's All in the Game"
        "ordre" => 9
      ]
      [
        "nom" => "4. That's All"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2187 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2196 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2189 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2191 …}
    -enregistreLe: DateTime @1456906781 {#2182
      date: 2016-03-02 08:19:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1653892345 {#2183
      date: 2022-05-30 06:32:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2193 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-whisper-of-love-imp-6023"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3664
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2185
    -id: 881
    -nom: "A Whisper Of Love"
    -informationComplementaire: ""
    -description: """
      Returning to her early Three Blind Mice period form, Ayako Hosokawa delivered one of her most popular albums ever in 1993 with A Whisper of Love. Working with a fine ensemble of American jazz players (along with pianist Shota Osabe on two tracks), her delivery had developed a quiet confidence: relaxed and playful. Available for the first time ever on 180 gram vinyl LP, this great set of classic torch songs gives Ms. Hosokawa a matchless showcase for her melifluous tone and buttery delivery. We have tightened up the running order for a more focused listening experience, including all the best tracks from the original CD.\r\n
      \r\n
      Cut by Kevin Gray at Cohearent Audio, you can once again enjoy one of TBM's most popular singers in your listening room with the assurance of quality Impex is heralded for. Quiet surfaces allow the crystal clear tone to shine every time you play the LP, again and again.\r\n
      \r\n
      We created a new design for the back of the jacket, including new design elements and photos from the Three Blind Mice archive. The iconic front cover was left intact. Come experience anew this great TBM classic in its vital new form.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Ayak Hosokawa (vocals), Tee Carson, Shota Osabe (piano), John Hettel (bass), Ray Loeckle (reeds), Jimmie Smith (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=b7gimGQUP9M"
    -referenceProduit: "IMP 6023"
    -titreMorceau: [
      [
        "nom" => "1. Dream A Little Dream of Me"
        "ordre" => 1
      ]
      [
        "nom" => "1. Tea For Two"
        "ordre" => 6
      ]
      [
        "nom" => "2. These Foolish Things"
        "ordre" => 7
      ]
      [
        "nom" => "2. Too Young"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Wish You Love"
        "ordre" => 8
      ]
      [
        "nom" => "3. Sea of Love"
        "ordre" => 3
      ]
      [
        "nom" => "4. It's All in the Game"
        "ordre" => 9
      ]
      [
        "nom" => "4. That's All"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2187 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2196 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2189 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2191 …}
    -enregistreLe: DateTime @1456906781 {#2182
      date: 2016-03-02 08:19:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1653892345 {#2183
      date: 2022-05-30 06:32:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2193 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-whisper-of-love-imp-6023"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2201
    -id: 1260
    -nom: "Matador"
    -informationComplementaire: ""
    -description: """
      “Dorham and McLean, two of jazz’s most passionate and lyrical players, are in very good form here. Helped by a varied set of material and an energized Timmons, they have fashioned an album of surpassing interest”. – Ira Gitler, Downbeat Magazine, April 1963\r\n
      \r\n
      Sometimes in the course of our exploration of potential titles to reissue, we come across a true gem that somehow escaped mainstream popularity. Our all-analog HQ-180 gram LP of Matador by trumpeter Kenny Dorham and his quintet is the latest and perhaps most crystalline example of this. There has never been a single 180 gram pressing available. It has only been reissued (officially) once in 50 years. When you hear it, you’ll scratch your head raw that this under-appreciated gem has been missing for so long.\r\n
      \r\n
      Working with a soulful Jackie McLean on alto, a loose and swinging Bobby Timmons on piano, and the locked-in rhythm section of Teddy Smith on bass and J.C. Moses on drums, the playing is spontaneous, energetic, and expressive. Check out the frenetic interplay between Timmons and Moses during the long trailing section of “Melanie”.\r\n
      \r\n
      Recorded in a single day in 1962, Matador contains the sprawling epic McLean-penned “Melanie” (a suite in three parts), as well as Dorham’s smoldering “El Matador” and a stirring take on “Beautiful Love”. Throughout the session, Timmons, Smith, and Moses provide sublime support while Dorham and McLean trade sinewy solos. Emotional musical exploration ties to a readily approachable post-bop structure that makes for a snappy, yet heady, mix of tunes that put a tap in your foot while engaging your head and heart.\r\n
      \r\n
      Chris Bellman cut Matador from the original analog master tape and the sound is revelatory! Tight acoustics of the Soundmaker Studios provide tightened bass, crystal-clear drums, and beautifully rounded tones from Dorham’s and McLean’s horns. This is another fine example of Impex Records cutting through the fat of modern music-making to reveal the very essence of the music and the giant talents who created it. We are elated to bring this sadly-neglected classic back for true believers to add to their collection and (maybe more importantly) to a whole new generation to discover for the first time.\r\n
      \r\n
      “Kenny Dorham’s Matador can safely claim the all too common distinction of being a classic among jazz connoisseurs while virtually unknown to the casual listener… A fantastic session by any standard”. - Brandon Burke, AllMusic Guide\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), Bobby Timmons (piano), Jackie McLean (alto saxophone), Teddy Smith (bass), J.C. Moses (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=H00K-Si5ah8"
    -referenceProduit: "Impex Records IMP 6042"
    -titreMorceau: [
      [
        "nom" => "1. El Matador"
        "ordre" => 1
      ]
      [
        "nom" => "1. Smile"
        "ordre" => 6
      ]
      [
        "nom" => "2. Beautiful Love"
        "ordre" => 7
      ]
      [
        "nom" => "2. Melanie – Part 1"
        "ordre" => 2
      ]
      [
        "nom" => "3. Melanie – Part 2"
        "ordre" => 3
      ]
      [
        "nom" => "3. Prelude"
        "ordre" => 8
      ]
      [
        "nom" => "4. Melanie – Part 3"
        "ordre" => 4
      ]
      [
        "nom" => "4. There Goes My Heart"
        "ordre" => 9
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2203 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2212 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2205 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2207 …}
    -enregistreLe: DateTime @1513323025 {#2198
      date: 2017-12-15 07:30:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1653891769 {#2199
      date: 2022-05-30 06:22:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2209 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-matador-impex-records-imp-6042"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3715
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2201
    -id: 1260
    -nom: "Matador"
    -informationComplementaire: ""
    -description: """
      “Dorham and McLean, two of jazz’s most passionate and lyrical players, are in very good form here. Helped by a varied set of material and an energized Timmons, they have fashioned an album of surpassing interest”. – Ira Gitler, Downbeat Magazine, April 1963\r\n
      \r\n
      Sometimes in the course of our exploration of potential titles to reissue, we come across a true gem that somehow escaped mainstream popularity. Our all-analog HQ-180 gram LP of Matador by trumpeter Kenny Dorham and his quintet is the latest and perhaps most crystalline example of this. There has never been a single 180 gram pressing available. It has only been reissued (officially) once in 50 years. When you hear it, you’ll scratch your head raw that this under-appreciated gem has been missing for so long.\r\n
      \r\n
      Working with a soulful Jackie McLean on alto, a loose and swinging Bobby Timmons on piano, and the locked-in rhythm section of Teddy Smith on bass and J.C. Moses on drums, the playing is spontaneous, energetic, and expressive. Check out the frenetic interplay between Timmons and Moses during the long trailing section of “Melanie”.\r\n
      \r\n
      Recorded in a single day in 1962, Matador contains the sprawling epic McLean-penned “Melanie” (a suite in three parts), as well as Dorham’s smoldering “El Matador” and a stirring take on “Beautiful Love”. Throughout the session, Timmons, Smith, and Moses provide sublime support while Dorham and McLean trade sinewy solos. Emotional musical exploration ties to a readily approachable post-bop structure that makes for a snappy, yet heady, mix of tunes that put a tap in your foot while engaging your head and heart.\r\n
      \r\n
      Chris Bellman cut Matador from the original analog master tape and the sound is revelatory! Tight acoustics of the Soundmaker Studios provide tightened bass, crystal-clear drums, and beautifully rounded tones from Dorham’s and McLean’s horns. This is another fine example of Impex Records cutting through the fat of modern music-making to reveal the very essence of the music and the giant talents who created it. We are elated to bring this sadly-neglected classic back for true believers to add to their collection and (maybe more importantly) to a whole new generation to discover for the first time.\r\n
      \r\n
      “Kenny Dorham’s Matador can safely claim the all too common distinction of being a classic among jazz connoisseurs while virtually unknown to the casual listener… A fantastic session by any standard”. - Brandon Burke, AllMusic Guide\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), Bobby Timmons (piano), Jackie McLean (alto saxophone), Teddy Smith (bass), J.C. Moses (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=H00K-Si5ah8"
    -referenceProduit: "Impex Records IMP 6042"
    -titreMorceau: [
      [
        "nom" => "1. El Matador"
        "ordre" => 1
      ]
      [
        "nom" => "1. Smile"
        "ordre" => 6
      ]
      [
        "nom" => "2. Beautiful Love"
        "ordre" => 7
      ]
      [
        "nom" => "2. Melanie – Part 1"
        "ordre" => 2
      ]
      [
        "nom" => "3. Melanie – Part 2"
        "ordre" => 3
      ]
      [
        "nom" => "3. Prelude"
        "ordre" => 8
      ]
      [
        "nom" => "4. Melanie – Part 3"
        "ordre" => 4
      ]
      [
        "nom" => "4. There Goes My Heart"
        "ordre" => 9
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2203 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2212 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2205 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2207 …}
    -enregistreLe: DateTime @1513323025 {#2198
      date: 2017-12-15 07:30:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1653891769 {#2199
      date: 2022-05-30 06:22:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2209 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-matador-impex-records-imp-6042"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3913
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3914 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3962 …}
  +isValidated: false
  +validatedFields: []
}