Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2408
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2255 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2485
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2488 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2487 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2061 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2255 …}
  -formView: Symfony\Component\Form\FormView {#2524 …}
  -form: Symfony\Component\Form\Form {#2674 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1885
    -id: 2999
    -nom: "Deface The Currency"
    -informationComplementaire: null
    -description: """
      The Messthetics and James Brandon Lewis "Deface The Currency"\r\n
      \r\n
      Deface the Currency is the second collaboration between The Messthetics and James Brandon Lewis. It captures the sound of what the forge of 150 shows in a year can do to a band. They have become a unit designed to destroy on stage. This record is expansive, ambitious, and spontaneous.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1833 …}
    -musicienOrchestre: "James Brandon Lewis (tenor saxophone), Joe Lally (bass guitar), Anthony Pirog (guitar), Brendan Canty (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SetqF_sDyL8&list=PLeCKLfgVbNC3QoFnmhNLsFekobIUeT_Mg&index=2"
    -referenceProduit: "Impulse Records 4366"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Deface The Currency"
      ]
      [
        "ordre" => 2
        "nom" => "2. Gestations"
      ]
      [
        "ordre" => 3
        "nom" => "3. 30 Years Of Knowing"
      ]
      [
        "ordre" => 4
        "nom" => "4. Rules Of The Game "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Universal Security"
      ]
      [
        "ordre" => 7
        "nom" => "2. Clutch"
      ]
      [
        "ordre" => 8
        "nom" => "3. Serpent Tongue (Slight Return)"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1880 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2009 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1911 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1997 …}
    -enregistreLe: DateTime @1771656398 {#1890
      date: 2026-02-21 06:46:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1771656509 {#1870
      date: 2026-02-21 06:48:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2003 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-deface-the-currency-impulse-records-4366"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2949
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2487 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2061 …}
  +produit: App\Entity\Produit {#1885
    -id: 2999
    -nom: "Deface The Currency"
    -informationComplementaire: null
    -description: """
      The Messthetics and James Brandon Lewis "Deface The Currency"\r\n
      \r\n
      Deface the Currency is the second collaboration between The Messthetics and James Brandon Lewis. It captures the sound of what the forge of 150 shows in a year can do to a band. They have become a unit designed to destroy on stage. This record is expansive, ambitious, and spontaneous.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1833 …}
    -musicienOrchestre: "James Brandon Lewis (tenor saxophone), Joe Lally (bass guitar), Anthony Pirog (guitar), Brendan Canty (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SetqF_sDyL8&list=PLeCKLfgVbNC3QoFnmhNLsFekobIUeT_Mg&index=2"
    -referenceProduit: "Impulse Records 4366"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Deface The Currency"
      ]
      [
        "ordre" => 2
        "nom" => "2. Gestations"
      ]
      [
        "ordre" => 3
        "nom" => "3. 30 Years Of Knowing"
      ]
      [
        "ordre" => 4
        "nom" => "4. Rules Of The Game "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Universal Security"
      ]
      [
        "ordre" => 7
        "nom" => "2. Clutch"
      ]
      [
        "ordre" => 8
        "nom" => "3. Serpent Tongue (Slight Return)"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1880 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2009 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1911 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1997 …}
    -enregistreLe: DateTime @1771656398 {#1890
      date: 2026-02-21 06:46:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1771656509 {#1870
      date: 2026-02-21 06:48:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2003 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-deface-the-currency-impulse-records-4366"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2255 …}
}

[
  "produit" => App\Entity\Produit {#2026
    -id: 1990
    -nom: "Music, Message and the Moment"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      John Coltrane, Max Roach, Quincy Jones, Elvin Jones, Jimmy Garrison, Charles Mingus, Shirley Scott, Yusef Lateef, Archie Shepp, Stanley Turrentine, Earl Hines, Oliver Nelson, Pharoah Sanders, The Ahmad Jamal Trio, Albert Ayler, Charlie Haden, Alice Coltrane, Michael White, Dewey Redman, Marion Brown, John Handy\r\n
      \r\n
      Deluxe Vinyl 4 LP Box Set Celebrating Impulse ! Records' Vital First Decade; Housed in a Museum Drop-Front Box Set with Magazine Style Booklet and Vinyl Slip Mat\r\n
      \r\n
      2021 marks the 60th anniversary of the legendary jazz label, Impulse ! Records home to such pioneering jazz artists as John Coltrane, Charles Mingus, Pharoah Sanders, Quincy Jones, and more. As a centerpiece to its year-long celebrations, the imprint takes a look back at its first decade with the release of Impulse Records : Music, Message & The Moment a deluxe vinyl 4 LP box set. Housed in a museum drop-front box set, Impulse Records : Music, Message & The Moment speaks to the political, social, and spiritual elements that were omnipresent in the 60s when Impulse ! and its artists were at their creative heights. In a decade marked by protests, racial and social unrest, and the dismantling of institutions, jazz was an integral part of exploring Black identity and pushing cultural and political boundaries. \r\n
      \r\n
      Orange and black. Fire and ebony. Fury and pride. Wearing its signature colors proudly and raising its exclamation point high, Impulse ! Records was the go-to label for music that harnessed the searching and political stand-taking of the Sixties. Launched in 1961, Impulse grew to become an inherent part of the era's velocity as well as its volume, pulling jazz into the age of Black Power, Afrocentricity, and Spiritual Expansion. In its balance of tradition and transition, it bridged the golden age of jazz, that brief window from the late Fifties to the Seventies when players representing every jazz era were alive and active from Louis Armstrong to Albert Ayler, from the legends of lore to a new generation of energy players. Impulse treated all its musicians as innovators, revolutionaries even  from swing and bebop, to free and Afrofuturist.\r\n
      \r\n
      The performances on Impulse Records: Music, Message & the Moment draw their staying power from a wide embrace of styles and sounds, as well as a tight focus on a historic moment when the promise of change was in the air and the message of racial harmony was in the music. Today that music has lost none of its relevance : the promise still deferred, the message still on time. The collection highlights musical conversations about civil rights echoed in such albums as John Coltrane's Alabama, Archie Shepp's Attica Blues, John and Alice Coltrane's Reverend King, Charlie Haden and the Liberation Orchestra's We Shall Overcome, and Oliver Nelson's The Rights Of All. It also focuses on themes of spirituality, transcendentalism, and Afrofuturism through the music of Albert Ayler, Pharoah Sanders, John Coltrane, and Alice Coltrane. The historical importance of social music, meanwhile, is reflected in works by artists like Quincy Jones and John Handy.\r\n
      \r\n
      Rounding out the collection are essays by poet and critic A.B. Spellman "In many ways, this collection is a mural in sound of the activist's stimulation of the Sixties and Seventies... we need this scope of sound again : We need the horns to scream of stout resistance, and we need the bands to sing to us of the righteous beauty of our souls" and critic Greg Tate "A collection celebrating Impulse's deep-digging support of artists who scored We The People's SingFight-ing for social political and artists' self-determination in a critical time of beatdowns, breakthroughs and cosmically-centered aspirations", both of whom offer vital perspectives on the importance of Impulse !, its artists, and its music particularly within the cultural backdrop of the 60s.\r\n
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "John Coltrane, Max Roach, Quincy Jones, Elvin Jones, Jimmy Garrison, Charles Mingus, Shirley Scott, Yusef Lateef, Archie Shepp, Stanley Turrentine, Earl Hines, Oliver Nelson, Pharoah Sanders, The Ahmad Jamal Trio, Albert Ayler, Charlie Haden…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=eWjhgz8bm1Q"
    -referenceProduit: "Impulse Records 71871"
    -titreMorceau: [
      [
        "nom" => "1. Africa / The John Coltrane Quartet"
        "ordre" => 1
      ]
      [
        "nom" => "1. Alabama / John Coltrane "
        "ordre" => 8
      ]
      [
        "nom" => "1. Blue Nile / Alice Coltrane"
        "ordre" => 25
      ]
      [
        "nom" => "1. Garvey's Ghost / Max Roach "
        "ordre" => 3
      ]
      [
        "nom" => "1. Imani / Dewey Redman "
        "ordre" => 30
      ]
      [
        "nom" => "1. Malcolm, Malcolm - Semper Malcolm / Archie Shepp"
        "ordre" => 13
      ]
      [
        "nom" => "1. The Awakening / The Ahmad Jamal Trio"
        "ordre" => 21
      ]
      [
        "nom" => "1. The Creator Has a Master Plan (edit) / Pharoah Sanders "
        "ordre" => 18
      ]
      [
        "nom" => "2. Astral Traveling / Pharoah Sanders"
        "ordre" => 26
      ]
      [
        "nom" => "2. Better Get Hit in Yo' Soul / Charles Mingus "
        "ordre" => 9
      ]
      [
        "nom" => "2. Bismillahi 'Rrahmani 'Rrahim / Marion Brown"
        "ordre" => 31
      ]
      [
        "nom" => "2. Good Lookin' Out / Stanley Turrentine"
        "ordre" => 14
      ]
      [
        "nom" => "2. Hard Sock Dance / Quincy Jones and his Orchestra"
        "ordre" => 4
      ]
      [
        "nom" => "2. Music Is the Healing Force of the Universe / Albert Ayler"
        "ordre" => 22
      ]
      [
        "nom" => "2. Reverend King / John Coltrane & Alice Coltrane"
        "ordre" => 19
      ]
      [
        "nom" => "3. Black and Tan Fantasy / Earl Hines "
        "ordre" => 15
      ]
      [
        "nom" => "3. Blues for Brother George Jackson / Archie Shepp "
        "ordre" => 27
      ]
      [
        "nom" => "3. Freedom Dance / Shirley Scott Trio"
        "ordre" => 10
      ]
      [
        "nom" => "3. Hard Work / John Handy "
        "ordre" => 32
      ]
      [
        "nom" => "3. Up 'Gainst the Wall / John Coltrane"
        "ordre" => 5
      ]
      [
        "nom" => "3. We Shall Overcome / Charlie Haden"
        "ordre" => 23
      ]
      [
        "nom" => "4. Just Us Blues / Elvin Jones / Jimmy Garrison Sextet"
        "ordre" => 6
      ]
      [
        "nom" => "4. Lament (Mankind) / Michael White"
        "ordre" => 28
      ]
      [
        "nom" => "4. Sister Mamie / Yusef Lateef "
        "ordre" => 11
      ]
      [
        "nom" => "4. The Rights of All / Oliver Nelson "
        "ordre" => 16
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
      [
        "nom" => "Side E : "
        "ordre" => 17
      ]
      [
        "nom" => "Side F : "
        "ordre" => 20
      ]
      [
        "nom" => "Side G : "
        "ordre" => 24
      ]
      [
        "nom" => "Side H : "
        "ordre" => 29
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2028 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2037 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2030 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2032 …}
    -enregistreLe: DateTime @1615105006 {#2023
      date: 2021-03-07 08:16:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1641112256 {#2024
      date: 2022-01-02 08:30:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2034 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-music-message-and-the-moment-impulse-records-71871"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3063
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2487 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2061 …}
  +produit: App\Entity\Produit {#2026
    -id: 1990
    -nom: "Music, Message and the Moment"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      John Coltrane, Max Roach, Quincy Jones, Elvin Jones, Jimmy Garrison, Charles Mingus, Shirley Scott, Yusef Lateef, Archie Shepp, Stanley Turrentine, Earl Hines, Oliver Nelson, Pharoah Sanders, The Ahmad Jamal Trio, Albert Ayler, Charlie Haden, Alice Coltrane, Michael White, Dewey Redman, Marion Brown, John Handy\r\n
      \r\n
      Deluxe Vinyl 4 LP Box Set Celebrating Impulse ! Records' Vital First Decade; Housed in a Museum Drop-Front Box Set with Magazine Style Booklet and Vinyl Slip Mat\r\n
      \r\n
      2021 marks the 60th anniversary of the legendary jazz label, Impulse ! Records home to such pioneering jazz artists as John Coltrane, Charles Mingus, Pharoah Sanders, Quincy Jones, and more. As a centerpiece to its year-long celebrations, the imprint takes a look back at its first decade with the release of Impulse Records : Music, Message & The Moment a deluxe vinyl 4 LP box set. Housed in a museum drop-front box set, Impulse Records : Music, Message & The Moment speaks to the political, social, and spiritual elements that were omnipresent in the 60s when Impulse ! and its artists were at their creative heights. In a decade marked by protests, racial and social unrest, and the dismantling of institutions, jazz was an integral part of exploring Black identity and pushing cultural and political boundaries. \r\n
      \r\n
      Orange and black. Fire and ebony. Fury and pride. Wearing its signature colors proudly and raising its exclamation point high, Impulse ! Records was the go-to label for music that harnessed the searching and political stand-taking of the Sixties. Launched in 1961, Impulse grew to become an inherent part of the era's velocity as well as its volume, pulling jazz into the age of Black Power, Afrocentricity, and Spiritual Expansion. In its balance of tradition and transition, it bridged the golden age of jazz, that brief window from the late Fifties to the Seventies when players representing every jazz era were alive and active from Louis Armstrong to Albert Ayler, from the legends of lore to a new generation of energy players. Impulse treated all its musicians as innovators, revolutionaries even  from swing and bebop, to free and Afrofuturist.\r\n
      \r\n
      The performances on Impulse Records: Music, Message & the Moment draw their staying power from a wide embrace of styles and sounds, as well as a tight focus on a historic moment when the promise of change was in the air and the message of racial harmony was in the music. Today that music has lost none of its relevance : the promise still deferred, the message still on time. The collection highlights musical conversations about civil rights echoed in such albums as John Coltrane's Alabama, Archie Shepp's Attica Blues, John and Alice Coltrane's Reverend King, Charlie Haden and the Liberation Orchestra's We Shall Overcome, and Oliver Nelson's The Rights Of All. It also focuses on themes of spirituality, transcendentalism, and Afrofuturism through the music of Albert Ayler, Pharoah Sanders, John Coltrane, and Alice Coltrane. The historical importance of social music, meanwhile, is reflected in works by artists like Quincy Jones and John Handy.\r\n
      \r\n
      Rounding out the collection are essays by poet and critic A.B. Spellman "In many ways, this collection is a mural in sound of the activist's stimulation of the Sixties and Seventies... we need this scope of sound again : We need the horns to scream of stout resistance, and we need the bands to sing to us of the righteous beauty of our souls" and critic Greg Tate "A collection celebrating Impulse's deep-digging support of artists who scored We The People's SingFight-ing for social political and artists' self-determination in a critical time of beatdowns, breakthroughs and cosmically-centered aspirations", both of whom offer vital perspectives on the importance of Impulse !, its artists, and its music particularly within the cultural backdrop of the 60s.\r\n
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "John Coltrane, Max Roach, Quincy Jones, Elvin Jones, Jimmy Garrison, Charles Mingus, Shirley Scott, Yusef Lateef, Archie Shepp, Stanley Turrentine, Earl Hines, Oliver Nelson, Pharoah Sanders, The Ahmad Jamal Trio, Albert Ayler, Charlie Haden…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=eWjhgz8bm1Q"
    -referenceProduit: "Impulse Records 71871"
    -titreMorceau: [
      [
        "nom" => "1. Africa / The John Coltrane Quartet"
        "ordre" => 1
      ]
      [
        "nom" => "1. Alabama / John Coltrane "
        "ordre" => 8
      ]
      [
        "nom" => "1. Blue Nile / Alice Coltrane"
        "ordre" => 25
      ]
      [
        "nom" => "1. Garvey's Ghost / Max Roach "
        "ordre" => 3
      ]
      [
        "nom" => "1. Imani / Dewey Redman "
        "ordre" => 30
      ]
      [
        "nom" => "1. Malcolm, Malcolm - Semper Malcolm / Archie Shepp"
        "ordre" => 13
      ]
      [
        "nom" => "1. The Awakening / The Ahmad Jamal Trio"
        "ordre" => 21
      ]
      [
        "nom" => "1. The Creator Has a Master Plan (edit) / Pharoah Sanders "
        "ordre" => 18
      ]
      [
        "nom" => "2. Astral Traveling / Pharoah Sanders"
        "ordre" => 26
      ]
      [
        "nom" => "2. Better Get Hit in Yo' Soul / Charles Mingus "
        "ordre" => 9
      ]
      [
        "nom" => "2. Bismillahi 'Rrahmani 'Rrahim / Marion Brown"
        "ordre" => 31
      ]
      [
        "nom" => "2. Good Lookin' Out / Stanley Turrentine"
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        "nom" => "2. Music Is the Healing Force of the Universe / Albert Ayler"
        "ordre" => 22
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        "nom" => "2. Reverend King / John Coltrane & Alice Coltrane"
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        "nom" => "3. Black and Tan Fantasy / Earl Hines "
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    ]
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[
  "produit" => App\Entity\Produit {#2042
    -id: 2121
    -nom: "A Love Supreme - Live in Seattle"
    -informationComplementaire: ""
    -description: """
      Newly Discovered Late 1965 Live Recording of Trane's Magnum Opus A Love Supreme Produced by Engineer Kevin Reeves with Extensive Liner Notes by Music Historian Ashley Kahn !\r\n
      \r\n
      After nearly six decades, a private recording of a rare, nightclub performance by John Coltrane of his magnum opus, A Love Supreme, is available for the first time on vinyl 2 LP courtesy of Impulse Records ! Recorded in late 1965 on the culminating evening of a historic week-long run at The Penthouse in Seattle, A Love Supreme: Live In Seattle is a musical revelation of historic importance, capturing Coltrane as he began to expand his classic quartet adding Pharoah Sanders on second saxophone and Donald Garrett on second bass and catapulting him into the intense, spiritually focused final phase of his career.\r\n
      \r\n
      The significance of A Love Supreme : Live In Seattle is heightened by the fact that Coltrane seldom performed his four-part suite after originally recording it in the studio in 1964. Composed and created as a public declaration of his personal spiritual beliefs and universalist sentiment, it became a best-seller and received a Grammy nod the next year. For more than six decades, it seemed the only recorded public performance of A Love Supremetook place at a French festival at Juan-Les-Pins in July 1965 and was released almost twenty years ago. The tape reels containing this performance from October 1965 sat in the private collection of Seattle saxophonist and educator Joe Brazil, heard by a few fortunate musicians and friends and largely unknown until now.\r\n
      \r\n
      A Love Supreme : Live In Seattle is a fascinating and rare performance of the full suite, marked by a looser and more improvisational approach, and a overriding sense of communal participation – much like a Sunday church service; the lineup featured John Coltrane and Pharoah Sanders on saxophones, McCoy Tyner on piano, Elvin Jones on drums, and Jimmy Garrison and Donald (Rafael) Garrett on basses. Carlos Ward, then a young saxophonist just getting started on the scene, sat in as well.\r\n
      \r\n
      As music historian Ashley Kahn puts it in the liner notes, A Love Supreme : Live In Seattle "offers the first evidence of the master of spiritual expression performing his signature work in the close confines of a jazz club... on October 2, 1965, a Saturday, in Seattle, the necessary elements were in alignment : music, players, venue, a spirit of connection, a certain political charge. Coltrane chose to perform it, and significantly, the moment was recorded". Kahn's extensive liner notes tell the story not only through the words of the musicians themselves, but also through a number of witnesses whose lives were changed by Coltrane's visit to Seattle in 1965 (his sole visit to the city as a leader), including Brazil, Ward, and bassist David Friesen, who states : "I've always pursued the spiritual aspect of the music and I still do. I remember sitting with Coltrane during one break that week and... what touched me was the way he treated other people. He showed mercy and kindness to people from what I could see around me for the week that I was there".\r\n
      \r\n
      The music on A Love Supreme : Live In Seattle was recorded with a two-microphone set-up onstage, connected to an Ampex reel-to-reel machine, and the only copies of the tapes were well cared for, yielding a remarkably clear and distortion-free recording. "What's remarkable is that tapes from this era often suffer over the years from heat or moisture damage, or simply being stacked horizontally", writes engineer Kevin Reeves who produced this release. "However, these tapes are in excellent condition... and the results are among the best amateur recordings of John Coltrane we've had the pleasure to work on".\r\n
      The story of the A Love Supreme suite is the story of John Coltrane his musical journey, and his spiritual path. It has become one of the most celebrated and influential recordings to come out of the jazz canon, revered and studied by musicians far beyond the jazz realm. Rolling Stone magazine consistently lists it among the top albums of all time. "Of his many musical creations, Coltrane looked upon A Love Supreme in a very special light", Kahn notes in the liner notes to A Love Supreme : Live In Seattle : "He called A Love Supreme a ‘humble offering to the Divine; no other composition or recording was similarly offered nor did he append his signature to any other work. A Love Supreme was as much an individual testament as it was a public statement – a sermon of universalist belief". \r\n
      \r\n
      A Love Supreme : Live In Seattle now expands the story of both a great musician and a timeless piece of music !\r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "John Coltrane (tenor & soprano saxophone), Pharoah Sanders tenor saxophone), McCoy Tyner (piano), Jimmy Garrison (double bass), Donald Garrett (clarinet, double bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CmDbJ8TrQe8"
    -referenceProduit: "Impulse Records 9101"
    -titreMorceau: [
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        "nom" => "1.  A Love Supreme, Pt. I - Acknowledgement"
        "ordre" => 1
      ]
      [
        "nom" => "1. A Love Supreme, Pt. II – Resolution"
        "ordre" => 4
      ]
      [
        "nom" => "1. A Love Supreme, Pt. III – Pursuance"
        "ordre" => 7
      ]
      [
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        "ordre" => 10
      ]
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      ]
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      ]
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      ]
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      ]
      [
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        "ordre" => 0
      ]
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        "ordre" => 3
      ]
      [
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        "ordre" => 6
      ]
      [
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        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2044 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-a-love-supreme-live-in-seattle-impulse-records-9101"
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2487 …}
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    -id: 2121
    -nom: "A Love Supreme - Live in Seattle"
    -informationComplementaire: ""
    -description: """
      Newly Discovered Late 1965 Live Recording of Trane's Magnum Opus A Love Supreme Produced by Engineer Kevin Reeves with Extensive Liner Notes by Music Historian Ashley Kahn !\r\n
      \r\n
      After nearly six decades, a private recording of a rare, nightclub performance by John Coltrane of his magnum opus, A Love Supreme, is available for the first time on vinyl 2 LP courtesy of Impulse Records ! Recorded in late 1965 on the culminating evening of a historic week-long run at The Penthouse in Seattle, A Love Supreme: Live In Seattle is a musical revelation of historic importance, capturing Coltrane as he began to expand his classic quartet adding Pharoah Sanders on second saxophone and Donald Garrett on second bass and catapulting him into the intense, spiritually focused final phase of his career.\r\n
      \r\n
      The significance of A Love Supreme : Live In Seattle is heightened by the fact that Coltrane seldom performed his four-part suite after originally recording it in the studio in 1964. Composed and created as a public declaration of his personal spiritual beliefs and universalist sentiment, it became a best-seller and received a Grammy nod the next year. For more than six decades, it seemed the only recorded public performance of A Love Supremetook place at a French festival at Juan-Les-Pins in July 1965 and was released almost twenty years ago. The tape reels containing this performance from October 1965 sat in the private collection of Seattle saxophonist and educator Joe Brazil, heard by a few fortunate musicians and friends and largely unknown until now.\r\n
      \r\n
      A Love Supreme : Live In Seattle is a fascinating and rare performance of the full suite, marked by a looser and more improvisational approach, and a overriding sense of communal participation – much like a Sunday church service; the lineup featured John Coltrane and Pharoah Sanders on saxophones, McCoy Tyner on piano, Elvin Jones on drums, and Jimmy Garrison and Donald (Rafael) Garrett on basses. Carlos Ward, then a young saxophonist just getting started on the scene, sat in as well.\r\n
      \r\n
      As music historian Ashley Kahn puts it in the liner notes, A Love Supreme : Live In Seattle "offers the first evidence of the master of spiritual expression performing his signature work in the close confines of a jazz club... on October 2, 1965, a Saturday, in Seattle, the necessary elements were in alignment : music, players, venue, a spirit of connection, a certain political charge. Coltrane chose to perform it, and significantly, the moment was recorded". Kahn's extensive liner notes tell the story not only through the words of the musicians themselves, but also through a number of witnesses whose lives were changed by Coltrane's visit to Seattle in 1965 (his sole visit to the city as a leader), including Brazil, Ward, and bassist David Friesen, who states : "I've always pursued the spiritual aspect of the music and I still do. I remember sitting with Coltrane during one break that week and... what touched me was the way he treated other people. He showed mercy and kindness to people from what I could see around me for the week that I was there".\r\n
      \r\n
      The music on A Love Supreme : Live In Seattle was recorded with a two-microphone set-up onstage, connected to an Ampex reel-to-reel machine, and the only copies of the tapes were well cared for, yielding a remarkably clear and distortion-free recording. "What's remarkable is that tapes from this era often suffer over the years from heat or moisture damage, or simply being stacked horizontally", writes engineer Kevin Reeves who produced this release. "However, these tapes are in excellent condition... and the results are among the best amateur recordings of John Coltrane we've had the pleasure to work on".\r\n
      The story of the A Love Supreme suite is the story of John Coltrane his musical journey, and his spiritual path. It has become one of the most celebrated and influential recordings to come out of the jazz canon, revered and studied by musicians far beyond the jazz realm. Rolling Stone magazine consistently lists it among the top albums of all time. "Of his many musical creations, Coltrane looked upon A Love Supreme in a very special light", Kahn notes in the liner notes to A Love Supreme : Live In Seattle : "He called A Love Supreme a ‘humble offering to the Divine; no other composition or recording was similarly offered nor did he append his signature to any other work. A Love Supreme was as much an individual testament as it was a public statement – a sermon of universalist belief". \r\n
      \r\n
      A Love Supreme : Live In Seattle now expands the story of both a great musician and a timeless piece of music !\r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "John Coltrane (tenor & soprano saxophone), Pharoah Sanders tenor saxophone), McCoy Tyner (piano), Jimmy Garrison (double bass), Donald Garrett (clarinet, double bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=CmDbJ8TrQe8"
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      ]
    ]
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2255 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3307
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2255 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3308 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3356 …}
  +isValidated: false
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}