Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2630
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2707
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2710 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
  -formView: Symfony\Component\Form\FormView {#2746 …}
  -form: Symfony\Component\Form\Form {#2896 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 2708
    -nom: "Aretha Now - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Aretha Franklin (piano, lead vocals),  Spooner Oldham (organ, piano & electric piano), Tommy Cogbill  (guitar, bass), Jimmy Johnson, Bobby Womack (guitar), Jerry Jemmott (bass), The Sweet Inspirations (background vocals), Carolyn Franklin (backing vocals), Wayne Jackson, Bernie Glow, Melvin Lastie, Joe Newman (trumpet), Tony Studd (bass trombone), Tenor Saxophones: Charles (Charlie) Chalmers, Andrew Love, King Curtis, Seldon Powell (saxophone), Frank Wess (saxophone, also flute), Floyd Newman, Willie Bridges, Haywood Henry (baritone saxophone), Roger Hawkins (drums).\r\n
      \r\n
      - Aretha Franklin "Aretha Now" !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Includes the knockout anthem "Think" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Aretha Franklin had some modest success as a singer of standards and torch songs, during her tenure with Columbia Records in the early- and mid-'60s, but it wasn't until she signed with Atlantic Records in 1967 that she found her true voice, becoming, in essence, the Aretha Franklin the world came to love the Queen of Soul !\r\n
      \r\n
      1968 was a watershed year for Franklin. In January, she released Lady Soul, one of her finest and most popular albums a N° 2 record that featured her take on Carole King's "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools". She closed out the year with her first live album, Aretha In Paris, performing some of her best Atlantic material in a concert setting.\r\n
      \r\n
      Sandwiched between those two records was Aretha Now, a continuation of the great, grooving R&B she'd made her own since signing with Atlantic.\r\n
      \r\n
      Side One is a flat-out classic. It starts with "Think". the timeless empowerment anthem, with its gospel call and response and "Freedom !" refrain-truly one of the '60s great soul songs. A reinvention of the Bacharach/David hit "I Say a Little Prayer" follows, as Franklin both leads and yields to the Sweet Inspirations, whose harmonies define this new version of the Dionne Warwick hit. A slinky take on "See Saw" leads into Franklin's brassy cover of "The Night Time is the Right Time", taking the sweaty Nappy Brown/Ray Charles bedroom come-on to church, as only Franklin could do it. She also takes a spritely stroll through Sam Cooke's "You Send Me", ending the side on a romantic high.\r\n
      \r\n
      Take a breath before flipping over to Side Two you're going to need it, not just to recover from the string of knockouts on Side One, but also to marshal the energy you'll need to dance through the up-tempo stunners to come. Roger Hawkins' drums are the first thing you hear when the needle hits the groove-the count in to "You're a Sweet, Sweet Man", which gets the head bobbing. By the time Franklin sprints through the Clyde Otis tune "A Change", you'll be shimmying across whatever floor you happen to be standing on. It all leads up to the album closer, the simmering "I Can't See Myself Leaving You", an R&B chart smash with an understated vocal that should be considered among Franklin's finest performances.\r\n
      \r\n
      Aretha Now was a hit album in its own right, but it's sometimes overlooked, standing as it does in the shadow of Lady Soul. Still, Aretha Now is an effortless-sounding showcase of her range and versatility; portraying her talent for not only elevating any song she sang, but to make it completely hers in such a way that it's impossible to imagine anyone else singing it.\r\n
      \r\n
      This definitive deluxe 180 gram 45 RPM (2 LP) Analogue Productions (Atlantic 75 Series) reissue of Aretha Now, is mastered by Kevin Gray at Cohearent Audio from the original master tape, and is pressed on 180 gram double LP at Quality Record Pressings. Housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Aretha Franklin (piano, lead vocals),  Spooner Oldham (organ, piano & electric piano), Tommy Cogbill  (guitar, bass), Jimmy Johnson, Bobby Womack (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FNagYP9LIp4&list=PL2iM7JvGrAzqvZu9hGAnhbkjU9cC9VwjL"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 040-45"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Think"
        "ordre" => 1
      ]
      [
        "nom" => "2. I Say A Little Prayer"
        "ordre" => 2
      ]
      [
        "nom" => "3. See Saw"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Night Time Is The Right Time"
        "ordre" => 5
      ]
      [
        "nom" => "2. You Send Me "
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "1. You're A Sweet Sweet Man"
        "ordre" => 8
      ]
      [
        "nom" => "2. I Take What I Want"
        "ordre" => 9
      ]
      [
        "nom" => "3. Hello Sunshine"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. A Change"
        "ordre" => 12
      ]
      [
        "nom" => "2. I Can't See Myself Leaving You"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1508 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1754418364 {#1929
      date: 2025-08-05 18:26:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1754471421 {#1922
      date: 2025-08-06 09:10:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-aretha-now-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-040-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3167
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 2708
    -nom: "Aretha Now - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Aretha Franklin (piano, lead vocals),  Spooner Oldham (organ, piano & electric piano), Tommy Cogbill  (guitar, bass), Jimmy Johnson, Bobby Womack (guitar), Jerry Jemmott (bass), The Sweet Inspirations (background vocals), Carolyn Franklin (backing vocals), Wayne Jackson, Bernie Glow, Melvin Lastie, Joe Newman (trumpet), Tony Studd (bass trombone), Tenor Saxophones: Charles (Charlie) Chalmers, Andrew Love, King Curtis, Seldon Powell (saxophone), Frank Wess (saxophone, also flute), Floyd Newman, Willie Bridges, Haywood Henry (baritone saxophone), Roger Hawkins (drums).\r\n
      \r\n
      - Aretha Franklin "Aretha Now" !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Includes the knockout anthem "Think" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Aretha Franklin had some modest success as a singer of standards and torch songs, during her tenure with Columbia Records in the early- and mid-'60s, but it wasn't until she signed with Atlantic Records in 1967 that she found her true voice, becoming, in essence, the Aretha Franklin the world came to love the Queen of Soul !\r\n
      \r\n
      1968 was a watershed year for Franklin. In January, she released Lady Soul, one of her finest and most popular albums a N° 2 record that featured her take on Carole King's "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools". She closed out the year with her first live album, Aretha In Paris, performing some of her best Atlantic material in a concert setting.\r\n
      \r\n
      Sandwiched between those two records was Aretha Now, a continuation of the great, grooving R&B she'd made her own since signing with Atlantic.\r\n
      \r\n
      Side One is a flat-out classic. It starts with "Think". the timeless empowerment anthem, with its gospel call and response and "Freedom !" refrain-truly one of the '60s great soul songs. A reinvention of the Bacharach/David hit "I Say a Little Prayer" follows, as Franklin both leads and yields to the Sweet Inspirations, whose harmonies define this new version of the Dionne Warwick hit. A slinky take on "See Saw" leads into Franklin's brassy cover of "The Night Time is the Right Time", taking the sweaty Nappy Brown/Ray Charles bedroom come-on to church, as only Franklin could do it. She also takes a spritely stroll through Sam Cooke's "You Send Me", ending the side on a romantic high.\r\n
      \r\n
      Take a breath before flipping over to Side Two you're going to need it, not just to recover from the string of knockouts on Side One, but also to marshal the energy you'll need to dance through the up-tempo stunners to come. Roger Hawkins' drums are the first thing you hear when the needle hits the groove-the count in to "You're a Sweet, Sweet Man", which gets the head bobbing. By the time Franklin sprints through the Clyde Otis tune "A Change", you'll be shimmying across whatever floor you happen to be standing on. It all leads up to the album closer, the simmering "I Can't See Myself Leaving You", an R&B chart smash with an understated vocal that should be considered among Franklin's finest performances.\r\n
      \r\n
      Aretha Now was a hit album in its own right, but it's sometimes overlooked, standing as it does in the shadow of Lady Soul. Still, Aretha Now is an effortless-sounding showcase of her range and versatility; portraying her talent for not only elevating any song she sang, but to make it completely hers in such a way that it's impossible to imagine anyone else singing it.\r\n
      \r\n
      This definitive deluxe 180 gram 45 RPM (2 LP) Analogue Productions (Atlantic 75 Series) reissue of Aretha Now, is mastered by Kevin Gray at Cohearent Audio from the original master tape, and is pressed on 180 gram double LP at Quality Record Pressings. Housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Aretha Franklin (piano, lead vocals),  Spooner Oldham (organ, piano & electric piano), Tommy Cogbill  (guitar, bass), Jimmy Johnson, Bobby Womack (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FNagYP9LIp4&list=PL2iM7JvGrAzqvZu9hGAnhbkjU9cC9VwjL"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 040-45"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Think"
        "ordre" => 1
      ]
      [
        "nom" => "2. I Say A Little Prayer"
        "ordre" => 2
      ]
      [
        "nom" => "3. See Saw"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Night Time Is The Right Time"
        "ordre" => 5
      ]
      [
        "nom" => "2. You Send Me "
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "1. You're A Sweet Sweet Man"
        "ordre" => 8
      ]
      [
        "nom" => "2. I Take What I Want"
        "ordre" => 9
      ]
      [
        "nom" => "3. Hello Sunshine"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. A Change"
        "ordre" => 12
      ]
      [
        "nom" => "2. I Can't See Myself Leaving You"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1508 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1754418364 {#1929
      date: 2025-08-05 18:26:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1754471421 {#1922
      date: 2025-08-06 09:10:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-aretha-now-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-040-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 2707
    -nom: "I Never Loved A Man The Way I Love You - (2 LP) 45 RPM"
    -informationComplementaire: "AVAILABILITY : 30/09/2025 (subject Analogue Productions)"
    -description: """
      Musicians :\r\n
      Aretha Franklin (piano, lead vocals), Spooner Oldham (electric piano), Jimmy Johnson, Chips Moman (guitar), Tommy Cogbill (bass), Melvin Lastie, Wayne Jackson (trumpet), King Curtis, Charlie Chalmers, Andrew Love  (tenor saxophone),  Cissy Houston, Erma Franklin, Carolyn Franklin (backing vocals), The Swampers (rhythm section), Roger Hawkins (drums).\r\n
      \r\n
      - Aretha Franklin "I Never Loved A Man The Way I Love You" !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Includes "Respect", "Good Times", "A Change Is Gonna Come", "Soul Serenade" and more !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Aretha Franklin's I Never Loved A Man The Way I Love You is the album that contains "Soul Serenade", "Good Times", "Do Right Woman, Do Right Man", "A Change Is Gonna Come", and most importantly "Respect".\r\n
      \r\n
      This is Franklin's 11th album and her first on Atlantic Records. Prior to this album, Aretha Franklin was known for Broadway tunes and Hollywood standards. It was on this album, though, that she emerged as true force of soul.\r\n
      \r\n
      Having created her first recordings as a Gospel artist at the tender age of 14, Aretha Franklin went on to become the most charted female artist in Billboard's history. Releasing a staggering 88 charted singles on Billboard, Aretha was the winner of 18 Grammy awards including Best Female R&B Vocal Performance, Best Soul Gospel Performance and Best Rhythm & Blues Recording. Having sold more than 75 million records worldwide she is regarded as an American treasure, in 1987 becoming the first woman to be inducted in the Rock and Roll Hall of Fame.\r\n
      \r\n
      Released in 1967 I Never Loved a Man the Way I Love You was Aretha's breakthrough studio album, including the first two of Aretha's 20 N° 1 hit singles "I Never Loved a Man (The Way I Love You)" and her signature song "Respect".\r\n
      \r\n
      This definitive deluxe 180 gram 45 RPM (2 LP) Analogue Productions (Atlantic 75 Series) reissue of I Never Loved a Man the Way I Love You, is mastered by Kevin Gray at Cohearent Audio from the original master tape, and is pressed on 180 gram double LP at Quality Record Pressings. Housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing, this will be a highlight of your album collection.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Aretha Franklin (piano, lead vocals), Spooner Oldham (electric piano), Jimmy Johnson, Chips Moman (guitar), Tommy Cogbill (bass), Melvin Lastie, Wayne Jackson (trumpet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=dzIUgS3Imu0&list=RDdzIUgS3Imu0&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 016-45"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Respect"
        "ordre" => 1
      ]
      [
        "nom" => "2. Drown In My Own Tears"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Never Loved A Man (The Way I Love You)"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Soul Serenade"
        "ordre" => 5
      ]
      [
        "nom" => "2. Don't Let Me Lose This Dream"
        "ordre" => 6
      ]
      [
        "nom" => "3. Baby, Baby, Baby"
        "ordre" => 7
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Dr. Feelgood"
        "ordre" => 9
      ]
      [
        "nom" => "2. Good Times"
        "ordre" => 10
      ]
      [
        "nom" => "3. Do Right Woman - Do Right Man"
        "ordre" => 11
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
      [
        "nom" => "1. Save Me"
        "ordre" => 13
      ]
      [
        "nom" => "2. A Change Is Gonna Come"
        "ordre" => 14
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1508 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2106 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2099 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2101 …}
    -enregistreLe: DateTime @1754417841 {#2095
      date: 2025-08-05 18:17:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1754471227 {#2096
      date: 2025-08-06 09:07:07.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2103 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-i-never-loved-a-man-the-way-i-love-you-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-016-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3283
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 2707
    -nom: "I Never Loved A Man The Way I Love You - (2 LP) 45 RPM"
    -informationComplementaire: "AVAILABILITY : 30/09/2025 (subject Analogue Productions)"
    -description: """
      Musicians :\r\n
      Aretha Franklin (piano, lead vocals), Spooner Oldham (electric piano), Jimmy Johnson, Chips Moman (guitar), Tommy Cogbill (bass), Melvin Lastie, Wayne Jackson (trumpet), King Curtis, Charlie Chalmers, Andrew Love  (tenor saxophone),  Cissy Houston, Erma Franklin, Carolyn Franklin (backing vocals), The Swampers (rhythm section), Roger Hawkins (drums).\r\n
      \r\n
      - Aretha Franklin "I Never Loved A Man The Way I Love You" !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Includes "Respect", "Good Times", "A Change Is Gonna Come", "Soul Serenade" and more !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Aretha Franklin's I Never Loved A Man The Way I Love You is the album that contains "Soul Serenade", "Good Times", "Do Right Woman, Do Right Man", "A Change Is Gonna Come", and most importantly "Respect".\r\n
      \r\n
      This is Franklin's 11th album and her first on Atlantic Records. Prior to this album, Aretha Franklin was known for Broadway tunes and Hollywood standards. It was on this album, though, that she emerged as true force of soul.\r\n
      \r\n
      Having created her first recordings as a Gospel artist at the tender age of 14, Aretha Franklin went on to become the most charted female artist in Billboard's history. Releasing a staggering 88 charted singles on Billboard, Aretha was the winner of 18 Grammy awards including Best Female R&B Vocal Performance, Best Soul Gospel Performance and Best Rhythm & Blues Recording. Having sold more than 75 million records worldwide she is regarded as an American treasure, in 1987 becoming the first woman to be inducted in the Rock and Roll Hall of Fame.\r\n
      \r\n
      Released in 1967 I Never Loved a Man the Way I Love You was Aretha's breakthrough studio album, including the first two of Aretha's 20 N° 1 hit singles "I Never Loved a Man (The Way I Love You)" and her signature song "Respect".\r\n
      \r\n
      This definitive deluxe 180 gram 45 RPM (2 LP) Analogue Productions (Atlantic 75 Series) reissue of I Never Loved a Man the Way I Love You, is mastered by Kevin Gray at Cohearent Audio from the original master tape, and is pressed on 180 gram double LP at Quality Record Pressings. Housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing, this will be a highlight of your album collection.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Aretha Franklin (piano, lead vocals), Spooner Oldham (electric piano), Jimmy Johnson, Chips Moman (guitar), Tommy Cogbill (bass), Melvin Lastie, Wayne Jackson (trumpet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=dzIUgS3Imu0&list=RDdzIUgS3Imu0&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 016-45"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Respect"
        "ordre" => 1
      ]
      [
        "nom" => "2. Drown In My Own Tears"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Never Loved A Man (The Way I Love You)"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Soul Serenade"
        "ordre" => 5
      ]
      [
        "nom" => "2. Don't Let Me Lose This Dream"
        "ordre" => 6
      ]
      [
        "nom" => "3. Baby, Baby, Baby"
        "ordre" => 7
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Dr. Feelgood"
        "ordre" => 9
      ]
      [
        "nom" => "2. Good Times"
        "ordre" => 10
      ]
      [
        "nom" => "3. Do Right Woman - Do Right Man"
        "ordre" => 11
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
      [
        "nom" => "1. Save Me"
        "ordre" => 13
      ]
      [
        "nom" => "2. A Change Is Gonna Come"
        "ordre" => 14
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1508 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2106 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2099 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2101 …}
    -enregistreLe: DateTime @1754417841 {#2095
      date: 2025-08-05 18:17:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1754471227 {#2096
      date: 2025-08-06 09:07:07.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2103 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-i-never-loved-a-man-the-way-i-love-you-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-016-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2111
    -id: 2695
    -nom: "A Love Supreme"
    -informationComplementaire: null
    -description: """
      - All-Analog 180 gram Vinyl LP !\r\n
      - Remastered & Pressed at Quality Record Pressings !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound From Original Analog Tapes !\r\n
      - Michael Fremer Rated 11/11 Music, 10/11 Sonics !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 66 / 500 !\r\n
      \r\n
      Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two-and-a-half years.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets.\r\n
      \r\n
      "We are excited to launch our Acoustic Sounds series", said Bruce Resnikoff, President & CEO of UMe. "Verve and UMe have one of the richest jazz catalogs ever recorded and our goal is to give vinyl and music lovers the best possible versions of classic albums. The Acoustic Sounds series is designed to appeal to today's most discriminating fans, and those discovering this treasured legacy for the first time, looking for the very finest in both artistic content and audio quality".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), McCoy Tyner (piano), Jimmy Garrison (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ll3CMgiUPuU&list=RDll3CMgiUPuU&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series Impulse 8744"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. A Love Supreme, Pt. I – Acknowledgement (Monophonic Mix)"
        "ordre" => 1
      ]
      [
        "nom" => "2. A Love Supreme, Pt. II – Resolution (Monophonic Mix)"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. A Love Supreme, Pt. III – Pursuance (Monophonic Mix)"
        "ordre" => 4
      ]
      [
        "nom" => "2. A Love Supreme, Pt. IV – Psalm (Monophonic Mix)"
        "ordre" => 5
      ]
      [
        "nom" => ""
        "ordre" => 6
      ]
      [
        "nom" => ""
        "ordre" => 7
      ]
      [
        "nom" => ""
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2113 …}
    -label: Proxies\__CG__\App\Entity\Label {#2116 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2125 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2118 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2120 …}
    -enregistreLe: DateTime @1754343794 {#2108
      date: 2025-08-04 21:43:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1754412628 {#2109
      date: 2025-08-05 16:50:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2122 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-love-supreme-acoustic-sounds-series-impulse-8744"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3329
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2111
    -id: 2695
    -nom: "A Love Supreme"
    -informationComplementaire: null
    -description: """
      - All-Analog 180 gram Vinyl LP !\r\n
      - Remastered & Pressed at Quality Record Pressings !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound From Original Analog Tapes !\r\n
      - Michael Fremer Rated 11/11 Music, 10/11 Sonics !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 66 / 500 !\r\n
      \r\n
      Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two-and-a-half years.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets.\r\n
      \r\n
      "We are excited to launch our Acoustic Sounds series", said Bruce Resnikoff, President & CEO of UMe. "Verve and UMe have one of the richest jazz catalogs ever recorded and our goal is to give vinyl and music lovers the best possible versions of classic albums. The Acoustic Sounds series is designed to appeal to today's most discriminating fans, and those discovering this treasured legacy for the first time, looking for the very finest in both artistic content and audio quality".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), McCoy Tyner (piano), Jimmy Garrison (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ll3CMgiUPuU&list=RDll3CMgiUPuU&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series Impulse 8744"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. A Love Supreme, Pt. I – Acknowledgement (Monophonic Mix)"
        "ordre" => 1
      ]
      [
        "nom" => "2. A Love Supreme, Pt. II – Resolution (Monophonic Mix)"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. A Love Supreme, Pt. III – Pursuance (Monophonic Mix)"
        "ordre" => 4
      ]
      [
        "nom" => "2. A Love Supreme, Pt. IV – Psalm (Monophonic Mix)"
        "ordre" => 5
      ]
      [
        "nom" => ""
        "ordre" => 6
      ]
      [
        "nom" => ""
        "ordre" => 7
      ]
      [
        "nom" => ""
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2113 …}
    -label: Proxies\__CG__\App\Entity\Label {#2116 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2125 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2118 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2120 …}
    -enregistreLe: DateTime @1754343794 {#2108
      date: 2025-08-04 21:43:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1754412628 {#2109
      date: 2025-08-05 16:50:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2122 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-love-supreme-acoustic-sounds-series-impulse-8744"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2130
    -id: 2686
    -nom: "This Is Buddy Guy !"
    -informationComplementaire: null
    -description: """
      - Buddy Guy "This Is Buddy Guy !" !\r\n
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      "These LPs are a relative bargain, and both of them (This Is Buddy Guy! and Mr. Scrapper's Blues) are worthy of snapping up before they disappear, especially when compared to the cost of clean, rare originals if you can even find any OG copies of them, that is". - Music = 10/11, Sound = 8/11 - Mark Smotroff, AnalogPlanet.com, May 16, 2025.\r\n
      \r\n
      "Buddy and his band are on fire all throughout This Is Buddy Guy !, tackling some popular hits of the day but infusing them with his distinctive brand of smokin' electric blues... Ultimately, many fans like myself get into albums like this one for the guitar playing, and This Is Buddy Guy! is rich in his ripping, overdriven, natural-sounding electric guitar tone. And, as live recordings from back in the day go, it also sounds real good, all things considered. Ratings-wise, the Music on This Is Buddy Guy! gets a 10, and the Sound gets an 8. I could go on, but I think you get the idea that the Bluesville edition of This Is Buddy Guy! is a keeper for the collection". - Mark Smotroff, AnalogPlanet.com, May 16, 2025. Read the entire review, here.\r\n
      \r\n
      This is Buddy Guy !  Buddy Guy's electrifying first live album was released in 1968 on Vanguard Records. The live performance took place at New Orleans House in Berkeley, Ca. Showcasing Guy's guitar prowess and mastery of multiple styles, he plays both originals and classics such as "Knock on Wood", "I Had A Dream Last Night", and more. This newly remastered album has been pressed on 180 gram vinyl at QRP in partnership with Acoustic Sounds, and is housed in a replica tip-on jacket.\r\n
      \r\n
      George "Buddy" Guy is a blues singer and guitarist who pioneered Chicago blues in the 1950s and 1960s. He was born in 1936 and learned to play guitar on a homemade diddley bow before upgrading to his recognizable custom Fender with a polka-dot finish. Buddy Guy's career has spanned almost seven decades and he still performs regularly. An eight-time Grammy winner, Buddy Guy has influenced legendary guitarists such as Eric Clapton, John Mayer, and Jimi Hendrix.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Buddy Guy (guitar, vocals), Leslie Crawford (baritone saxophone), Jack Meyers (bass), Tim Kaihatsu (rhythm guitar), A.C. Reed, Bobby Fields tenor saxophone), George Alexander, Norman Spiller (trumpet), Glenway McTeer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CiJ-H8_qc5o&list=RDCiJ-H8_qc5o&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series Bluesville 0840"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. I Got My Eyes On You"
        "ordre" => 1
      ]
      [
        "nom" => "2. The Things I Used To Do"
        "ordre" => 2
      ]
      [
        "nom" => "3. (You Give Me) Fever"
        "ordre" => 3
      ]
      [
        "nom" => "4. Knock On Wood"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. I Had A Dream Last Night"
        "ordre" => 6
      ]
      [
        "nom" => "2. 24 Hours Of The Day"
        "ordre" => 7
      ]
      [
        "nom" => "3. You Were Wrong"
        "ordre" => 8
      ]
      [
        "nom" => "4. I'm Not The Best"
        "ordre" => 9
      ]
      [
        "nom" => ""
        "ordre" => 10
      ]
      [
        "nom" => ""
        "ordre" => 11
      ]
      [
        "nom" => ""
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …}
    -label: Proxies\__CG__\App\Entity\Label {#2135 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2144 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2137 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2139 …}
    -enregistreLe: DateTime @1754249310 {#2127
      date: 2025-08-03 19:28:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1754249907 {#2128
      date: 2025-08-03 19:38:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2141 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-this-is-buddy-guy-acoustic-sounds-series-bluesville-0840"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3380
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2130
    -id: 2686
    -nom: "This Is Buddy Guy !"
    -informationComplementaire: null
    -description: """
      - Buddy Guy "This Is Buddy Guy !" !\r\n
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      "These LPs are a relative bargain, and both of them (This Is Buddy Guy! and Mr. Scrapper's Blues) are worthy of snapping up before they disappear, especially when compared to the cost of clean, rare originals if you can even find any OG copies of them, that is". - Music = 10/11, Sound = 8/11 - Mark Smotroff, AnalogPlanet.com, May 16, 2025.\r\n
      \r\n
      "Buddy and his band are on fire all throughout This Is Buddy Guy !, tackling some popular hits of the day but infusing them with his distinctive brand of smokin' electric blues... Ultimately, many fans like myself get into albums like this one for the guitar playing, and This Is Buddy Guy! is rich in his ripping, overdriven, natural-sounding electric guitar tone. And, as live recordings from back in the day go, it also sounds real good, all things considered. Ratings-wise, the Music on This Is Buddy Guy! gets a 10, and the Sound gets an 8. I could go on, but I think you get the idea that the Bluesville edition of This Is Buddy Guy! is a keeper for the collection". - Mark Smotroff, AnalogPlanet.com, May 16, 2025. Read the entire review, here.\r\n
      \r\n
      This is Buddy Guy !  Buddy Guy's electrifying first live album was released in 1968 on Vanguard Records. The live performance took place at New Orleans House in Berkeley, Ca. Showcasing Guy's guitar prowess and mastery of multiple styles, he plays both originals and classics such as "Knock on Wood", "I Had A Dream Last Night", and more. This newly remastered album has been pressed on 180 gram vinyl at QRP in partnership with Acoustic Sounds, and is housed in a replica tip-on jacket.\r\n
      \r\n
      George "Buddy" Guy is a blues singer and guitarist who pioneered Chicago blues in the 1950s and 1960s. He was born in 1936 and learned to play guitar on a homemade diddley bow before upgrading to his recognizable custom Fender with a polka-dot finish. Buddy Guy's career has spanned almost seven decades and he still performs regularly. An eight-time Grammy winner, Buddy Guy has influenced legendary guitarists such as Eric Clapton, John Mayer, and Jimi Hendrix.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Buddy Guy (guitar, vocals), Leslie Crawford (baritone saxophone), Jack Meyers (bass), Tim Kaihatsu (rhythm guitar), A.C. Reed, Bobby Fields tenor saxophone), George Alexander, Norman Spiller (trumpet), Glenway McTeer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CiJ-H8_qc5o&list=RDCiJ-H8_qc5o&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series Bluesville 0840"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. I Got My Eyes On You"
        "ordre" => 1
      ]
      [
        "nom" => "2. The Things I Used To Do"
        "ordre" => 2
      ]
      [
        "nom" => "3. (You Give Me) Fever"
        "ordre" => 3
      ]
      [
        "nom" => "4. Knock On Wood"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. I Had A Dream Last Night"
        "ordre" => 6
      ]
      [
        "nom" => "2. 24 Hours Of The Day"
        "ordre" => 7
      ]
      [
        "nom" => "3. You Were Wrong"
        "ordre" => 8
      ]
      [
        "nom" => "4. I'm Not The Best"
        "ordre" => 9
      ]
      [
        "nom" => ""
        "ordre" => 10
      ]
      [
        "nom" => ""
        "ordre" => 11
      ]
      [
        "nom" => ""
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …}
    -label: Proxies\__CG__\App\Entity\Label {#2135 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2144 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2137 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2139 …}
    -enregistreLe: DateTime @1754249310 {#2127
      date: 2025-08-03 19:28:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1754249907 {#2128
      date: 2025-08-03 19:38:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2141 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-this-is-buddy-guy-acoustic-sounds-series-bluesville-0840"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2149
    -id: 2683
    -nom: "Memphis Slim At The Gate Of Horn"
    -informationComplementaire: null
    -description: """
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - Memphis Slim/Memphis Slim At The Gate Of Horn !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Replica tip-on jacket !\r\n
      - Obi with notes by Scott Billington !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      At The Gate of Horn was originally released in 1959 on Vee-Jay Records. It expertly showcases the songwriting prowess of the prolific blues pianist and singer, from blues ballads to upbeat numbers. Among the diverse track list is "Steppin' Out" which gained reverence among blues rockers and remains one of Slim's best-known tracks. Featuring the original liner notes written by Studs Terkel, this album has been remastered by Matthew Lutthans at The Mastering Lab and pressed on 180 gram vinyl at Quality Record Pressings in partnership with Acoustic Sounds. Housed in a replica tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Memphis Slim (piano, vocals), Willie Dixon (bass), Raymond Hill (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_HsaK-_Hb54&list=RD_HsaK-_Hb54&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series Bluesville 0841"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. The Come Back"
        "ordre" => 1
      ]
      [
        "nom" => "2. Steppin' Out"
        "ordre" => 2
      ]
      [
        "nom" => "3. Blue And Lonesome"
        "ordre" => 3
      ]
      [
        "nom" => "4. Rockin' The Blues"
        "ordre" => 4
      ]
      [
        "nom" => "5. Slim's Blues"
        "ordre" => 5
      ]
      [
        "nom" => "6. Gotta Find My Baby"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Messin' Around"
        "ordre" => 8
      ]
      [
        "nom" => "2. Wish Me Well"
        "ordre" => 9
      ]
      [
        "nom" => "3. My Gal Keeps My Crying"
        "ordre" => 10
      ]
      [
        "nom" => "4. Lend Me Your Love"
        "ordre" => 11
      ]
      [
        "nom" => "5. Sassy Mae"
        "ordre" => 12
      ]
      [
        "nom" => "6. Mother Earth"
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2151 …}
    -label: Proxies\__CG__\App\Entity\Label {#2135 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2160 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2153 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2155 …}
    -enregistreLe: DateTime @1754246840 {#2146
      date: 2025-08-03 18:47:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1754248765 {#2147
      date: 2025-08-03 19:19:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2157 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-memphis-slim-at-the-gate-of-horn-acoustic-sounds-series-bluesville-0841"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3431
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2149
    -id: 2683
    -nom: "Memphis Slim At The Gate Of Horn"
    -informationComplementaire: null
    -description: """
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - Memphis Slim/Memphis Slim At The Gate Of Horn !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Replica tip-on jacket !\r\n
      - Obi with notes by Scott Billington !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      At The Gate of Horn was originally released in 1959 on Vee-Jay Records. It expertly showcases the songwriting prowess of the prolific blues pianist and singer, from blues ballads to upbeat numbers. Among the diverse track list is "Steppin' Out" which gained reverence among blues rockers and remains one of Slim's best-known tracks. Featuring the original liner notes written by Studs Terkel, this album has been remastered by Matthew Lutthans at The Mastering Lab and pressed on 180 gram vinyl at Quality Record Pressings in partnership with Acoustic Sounds. Housed in a replica tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Memphis Slim (piano, vocals), Willie Dixon (bass), Raymond Hill (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_HsaK-_Hb54&list=RD_HsaK-_Hb54&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series Bluesville 0841"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. The Come Back"
        "ordre" => 1
      ]
      [
        "nom" => "2. Steppin' Out"
        "ordre" => 2
      ]
      [
        "nom" => "3. Blue And Lonesome"
        "ordre" => 3
      ]
      [
        "nom" => "4. Rockin' The Blues"
        "ordre" => 4
      ]
      [
        "nom" => "5. Slim's Blues"
        "ordre" => 5
      ]
      [
        "nom" => "6. Gotta Find My Baby"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Messin' Around"
        "ordre" => 8
      ]
      [
        "nom" => "2. Wish Me Well"
        "ordre" => 9
      ]
      [
        "nom" => "3. My Gal Keeps My Crying"
        "ordre" => 10
      ]
      [
        "nom" => "4. Lend Me Your Love"
        "ordre" => 11
      ]
      [
        "nom" => "5. Sassy Mae"
        "ordre" => 12
      ]
      [
        "nom" => "6. Mother Earth"
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2151 …}
    -label: Proxies\__CG__\App\Entity\Label {#2135 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2160 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2153 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2155 …}
    -enregistreLe: DateTime @1754246840 {#2146
      date: 2025-08-03 18:47:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1754248765 {#2147
      date: 2025-08-03 19:19:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2157 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-memphis-slim-at-the-gate-of-horn-acoustic-sounds-series-bluesville-0841"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2169
    -id: 2684
    -nom: "Back On My Feet Again"
    -informationComplementaire: null
    -description: """
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - Furry Lewis "Back On My Feet Again" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Replica tip-on jacket !\r\n
      - Obi with notes by Scott Billington !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      Back On My Feet Again is the 1961 album from Furry Lewis, originally released on Prestige Records. Featuring his signature finger-picking and slide guitar styles, this album sees Lewis revisiting his early classics such as "John Henry" and "Big Chief Blues", as well as traditional songs and newer compositions. This album has been remastered by Matthew Lutthans at The Mastering Lab and pressed on 180 gram vinyl at Quality Record Pressings in partnership with Acoustic Sounds. Housed in a replica tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Walter “Furry” Lewis (acoustic guitar, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cxzpT4bBJE8&list=RDcxzpT4bBJE8&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series Bluesville 0842"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. John Henry"
        "ordre" => 1
      ]
      [
        "nom" => "2. When My Baby Left Me"
        "ordre" => 2
      ]
      [
        "nom" => "3. Shake 'Em On Down"
        "ordre" => 3
      ]
      [
        "nom" => "4. Big Chief Blues"
        "ordre" => 4
      ]
      [
        "nom" => "5. Old Blue"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. I'm Going To Brownsville"
        "ordre" => 7
      ]
      [
        "nom" => "2. Back On My Feet Again"
        "ordre" => 8
      ]
      [
        "nom" => "3. White Lightnin'"
        "ordre" => 9
      ]
      [
        "nom" => "4. Roberta"
        "ordre" => 10
      ]
      [
        "nom" => "5. St. Louis Blues"
        "ordre" => 11
      ]
      [
        "nom" => ""
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#2135 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2180 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2173 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2175 …}
    -enregistreLe: DateTime @1754247568 {#2162
      date: 2025-08-03 18:59:28.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1754248752 {#2163
      date: 2025-08-03 19:19:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2177 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-back-on-my-feet-again-acoustic-sounds-series-bluesville-0842"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3482
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2169
    -id: 2684
    -nom: "Back On My Feet Again"
    -informationComplementaire: null
    -description: """
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - Furry Lewis "Back On My Feet Again" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Replica tip-on jacket !\r\n
      - Obi with notes by Scott Billington !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      Back On My Feet Again is the 1961 album from Furry Lewis, originally released on Prestige Records. Featuring his signature finger-picking and slide guitar styles, this album sees Lewis revisiting his early classics such as "John Henry" and "Big Chief Blues", as well as traditional songs and newer compositions. This album has been remastered by Matthew Lutthans at The Mastering Lab and pressed on 180 gram vinyl at Quality Record Pressings in partnership with Acoustic Sounds. Housed in a replica tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Walter “Furry” Lewis (acoustic guitar, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cxzpT4bBJE8&list=RDcxzpT4bBJE8&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series Bluesville 0842"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. John Henry"
        "ordre" => 1
      ]
      [
        "nom" => "2. When My Baby Left Me"
        "ordre" => 2
      ]
      [
        "nom" => "3. Shake 'Em On Down"
        "ordre" => 3
      ]
      [
        "nom" => "4. Big Chief Blues"
        "ordre" => 4
      ]
      [
        "nom" => "5. Old Blue"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. I'm Going To Brownsville"
        "ordre" => 7
      ]
      [
        "nom" => "2. Back On My Feet Again"
        "ordre" => 8
      ]
      [
        "nom" => "3. White Lightnin'"
        "ordre" => 9
      ]
      [
        "nom" => "4. Roberta"
        "ordre" => 10
      ]
      [
        "nom" => "5. St. Louis Blues"
        "ordre" => 11
      ]
      [
        "nom" => ""
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#2135 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2180 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2173 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2175 …}
    -enregistreLe: DateTime @1754247568 {#2162
      date: 2025-08-03 18:59:28.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1754248752 {#2163
      date: 2025-08-03 19:19:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2177 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-back-on-my-feet-again-acoustic-sounds-series-bluesville-0842"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2189
    -id: 2674
    -nom: "Rollin' With Leo"
    -informationComplementaire: ""
    -description: """
      - 180 gram gatefold LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Leo Parker was the first baritone saxophonist on the bebop scene and gained prominence in Billy Eckstine's band as a member of the "Unholy Four" saxophone section that also included Sonny Stitt, Dexter Gordon, and Gene Ammons in the mid-1940s. Personal troubles sidelined Parker in the 1950s, but in 1961 he made a tragically brief comeback on Blue Note when he recorded two excellent sessions-Let Me Tell You ‘Bout It and Rollin' With Leo-before he died of a heart attack just months later at age 36. Rollin' With Leo had been prepared for release, including an album cover design by Reid Miles, but wound up being shelved and not released until 1980 as part of the LT Series. The 8-song set includes swinging Parker originals like "The Lion's Roar" and "Jumpin' Leo" performed by a band including Dave Burns on trumpet, Bill Swindell on tenor saxophone, Johnny Acea on piano, Stan Conover and Al Lucas on bass, and Wilbert Hogan and Purnell Rice on drums.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Leo Parker (baritone saxophone), Dave Burns (trumpet), Bill Swindell (tenor saxophone), John Acea (piano), Stan Conover, Al Lucas (bass), Wilbert Hogan (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-QzHZwOCi8U"
    -referenceProduit: "Blue Note Tone Poet Series 84095"
    -titreMorceau: [
      [
        "nom" => "1. Jumpin' Leo"
        "ordre" => 6
      ]
      [
        "nom" => "1. The Lion's Roar"
        "ordre" => 1
      ]
      [
        "nom" => "2. Bad Girl"
        "ordre" => 2
      ]
      [
        "nom" => "2. Talkin' The Blues"
        "ordre" => 7
      ]
      [
        "nom" => "3. Rollin' With Leo"
        "ordre" => 3
      ]
      [
        "nom" => "3. Stuffy"
        "ordre" => 8
      ]
      [
        "nom" => "4. Mad Lad Returns"
        "ordre" => 9
      ]
      [
        "nom" => "4. Music Hall Beat"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2191 …}
    -label: Proxies\__CG__\App\Entity\Label {#2194 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2203 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2196 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2198 …}
    -enregistreLe: DateTime @1747122766 {#2182
      date: 2025-05-13 07:52:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1748680323 {#2183
      date: 2025-05-31 08:32:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2200 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rollin-with-leo-blue-note-tone-poet-series-84095"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3533
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2189
    -id: 2674
    -nom: "Rollin' With Leo"
    -informationComplementaire: ""
    -description: """
      - 180 gram gatefold LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Leo Parker was the first baritone saxophonist on the bebop scene and gained prominence in Billy Eckstine's band as a member of the "Unholy Four" saxophone section that also included Sonny Stitt, Dexter Gordon, and Gene Ammons in the mid-1940s. Personal troubles sidelined Parker in the 1950s, but in 1961 he made a tragically brief comeback on Blue Note when he recorded two excellent sessions-Let Me Tell You ‘Bout It and Rollin' With Leo-before he died of a heart attack just months later at age 36. Rollin' With Leo had been prepared for release, including an album cover design by Reid Miles, but wound up being shelved and not released until 1980 as part of the LT Series. The 8-song set includes swinging Parker originals like "The Lion's Roar" and "Jumpin' Leo" performed by a band including Dave Burns on trumpet, Bill Swindell on tenor saxophone, Johnny Acea on piano, Stan Conover and Al Lucas on bass, and Wilbert Hogan and Purnell Rice on drums.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Leo Parker (baritone saxophone), Dave Burns (trumpet), Bill Swindell (tenor saxophone), John Acea (piano), Stan Conover, Al Lucas (bass), Wilbert Hogan (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-QzHZwOCi8U"
    -referenceProduit: "Blue Note Tone Poet Series 84095"
    -titreMorceau: [
      [
        "nom" => "1. Jumpin' Leo"
        "ordre" => 6
      ]
      [
        "nom" => "1. The Lion's Roar"
        "ordre" => 1
      ]
      [
        "nom" => "2. Bad Girl"
        "ordre" => 2
      ]
      [
        "nom" => "2. Talkin' The Blues"
        "ordre" => 7
      ]
      [
        "nom" => "3. Rollin' With Leo"
        "ordre" => 3
      ]
      [
        "nom" => "3. Stuffy"
        "ordre" => 8
      ]
      [
        "nom" => "4. Mad Lad Returns"
        "ordre" => 9
      ]
      [
        "nom" => "4. Music Hall Beat"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2191 …}
    -label: Proxies\__CG__\App\Entity\Label {#2194 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2203 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2196 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2198 …}
    -enregistreLe: DateTime @1747122766 {#2182
      date: 2025-05-13 07:52:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1748680323 {#2183
      date: 2025-05-31 08:32:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2200 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rollin-with-leo-blue-note-tone-poet-series-84095"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2210
    -id: 2541
    -nom: "Burnin' Sky"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - One of the finest albums of the classic rock era !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Bad Company's Burnin' Sky, released in March 1977, continued to showcase the band's bluesy rock roots, with Paul Rodgers' soulful and powerful vocals leading the way. The album's musical style is characterized by its gritty, guitar-driven sound and blues-infused melodies.\r\n
      \r\n
      The 12 songs were recorded in France at studio Château d Hérouville, where David Bowie would record Low later that same year. The album's hit single and title track "Burnin' Sky" reached N° 78 on the U.S. Billboard pop singles chart. The album peaked at N° 15 on the Billboard 200 chart.\r\n
      \r\n
      This 180-gram 45 RPM (2 LP) of Burnin' Sky is the definitive reissue of this chart-making classic. \r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Paul Rodgers (guitar, piano, accordion, vocals), Mick Ralphs (guitar, keyboards), Boz Burrell (bass), Simon Kirke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CbOlVmuPSLQ"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 057-45"
    -titreMorceau: [
      [
        "nom" => "1. Burnin' Sky"
        "ordre" => 1
      ]
      [
        "nom" => "1. Heartbeat"
        "ordre" => 8
      ]
      [
        "nom" => "1. Leaving You"
        "ordre" => 4
      ]
      [
        "nom" => "1. Too Bad"
        "ordre" => 12
      ]
      [
        "nom" => "2. Like Water"
        "ordre" => 5
      ]
      [
        "nom" => "2. Man Needs Woman"
        "ordre" => 13
      ]
      [
        "nom" => "2. Morning Sun"
        "ordre" => 2
      ]
      [
        "nom" => "2. Peace Of Mind"
        "ordre" => 9
      ]
      [
        "nom" => "3. Everything I Need"
        "ordre" => 6
      ]
      [
        "nom" => "3. Master Of Ceremony"
        "ordre" => 14
      ]
      [
        "nom" => "3. Passing Time"
        "ordre" => 10
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2212 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2221 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2214 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2216 …}
    -enregistreLe: DateTime @1721162846 {#2206
      date: 2024-07-16 20:47:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1748616752 {#2205
      date: 2025-05-30 14:52:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2218 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-burnin-sky-analogue-productions-atlantic-75-series-aapa-057-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3584
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2210
    -id: 2541
    -nom: "Burnin' Sky"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - One of the finest albums of the classic rock era !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Bad Company's Burnin' Sky, released in March 1977, continued to showcase the band's bluesy rock roots, with Paul Rodgers' soulful and powerful vocals leading the way. The album's musical style is characterized by its gritty, guitar-driven sound and blues-infused melodies.\r\n
      \r\n
      The 12 songs were recorded in France at studio Château d Hérouville, where David Bowie would record Low later that same year. The album's hit single and title track "Burnin' Sky" reached N° 78 on the U.S. Billboard pop singles chart. The album peaked at N° 15 on the Billboard 200 chart.\r\n
      \r\n
      This 180-gram 45 RPM (2 LP) of Burnin' Sky is the definitive reissue of this chart-making classic. \r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Paul Rodgers (guitar, piano, accordion, vocals), Mick Ralphs (guitar, keyboards), Boz Burrell (bass), Simon Kirke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CbOlVmuPSLQ"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 057-45"
    -titreMorceau: [
      [
        "nom" => "1. Burnin' Sky"
        "ordre" => 1
      ]
      [
        "nom" => "1. Heartbeat"
        "ordre" => 8
      ]
      [
        "nom" => "1. Leaving You"
        "ordre" => 4
      ]
      [
        "nom" => "1. Too Bad"
        "ordre" => 12
      ]
      [
        "nom" => "2. Like Water"
        "ordre" => 5
      ]
      [
        "nom" => "2. Man Needs Woman"
        "ordre" => 13
      ]
      [
        "nom" => "2. Morning Sun"
        "ordre" => 2
      ]
      [
        "nom" => "2. Peace Of Mind"
        "ordre" => 9
      ]
      [
        "nom" => "3. Everything I Need"
        "ordre" => 6
      ]
      [
        "nom" => "3. Master Of Ceremony"
        "ordre" => 14
      ]
      [
        "nom" => "3. Passing Time"
        "ordre" => 10
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2212 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2221 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2214 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2216 …}
    -enregistreLe: DateTime @1721162846 {#2206
      date: 2024-07-16 20:47:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1748616752 {#2205
      date: 2025-05-30 14:52:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2218 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-burnin-sky-analogue-productions-atlantic-75-series-aapa-057-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2226
    -id: 2677
    -nom: "My Funny Valentine - SuperVinyl"
    -informationComplementaire: "Mastered at MoFi’s Studio in Honor of Album's 60th Anniversary, Limited to 3000 Numbered Copies, Mobile Fidelity’s 180 gram 33 RPM SuperVinyl LP Plays with Lifelike Clarity"
    -description: """
      - Miles Davis Gets Balladic on My Funny Valentine: Live Set Is Distinguished with Deep Emotions, Poetic Elegance, and Sensitive Beauty !\r\n
      \r\n
      - Mastered at MoFi’s Studio in Honor of Album's 60th Anniversary Limited to 3000 Numbered Copies, Mobile Fidelity’s 180 gram 33 RPM SuperVinyl LP Plays with Lifelike Clarity !\r\n
      \r\n
      - 1/4" / 15 IPS analog copy to DSD 64 to analog console to lathe !\r\n
      \r\n
      My Funny Valentine: Miles Davis in Concert marks several historic turning points. For Davis, the live album represents the final time on record he'd perform standards rather than original compositions. It also stands as one of the last documents made by the same band that created Seven Steps to Heaven. As such, the work teems with bebop melodicism yet steers clear of Davis’ oft-controversial avant-garde leanings. \r\n
      \r\n
      Most significantly, the richly textured set the bookend to the fast-paced Four & More captures the warm ballads and delicate pieces performed at a February 12, 1964 benefit concert at New York’s then-new Philharmonic Hall that occurred just months after President Kennedy’s assassination. Seemingly channeling divine inspiration, Davis never sounded more elegant or poetic, particularly given the uniqueness of this 60th Anniversary Edition pressing. \r\n
      \r\n
      Mastered at MoFi’s California studio, housed in a Stoughton jacket, pressed at Fideltiy Record Pressing on MoFi SuperVinyl, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180 gram 33 RPM SuperVinyl LP plays with stunning depth, presence, dynamics, clarity, and ambience. Benefitting from SuperVinyl’s low-as-possible noise floor and superb groove definition, this audiophile LP boasts balances, tonalities, and airiness that duplicate the experience of witnessing live jazz in an acoustically ideal hall. The images of each individual instrument, the decay of the notes, the inner reaches of the piano, and symmetry of the horns are rendered with palpable detail. \r\n
      \r\n
      Held as a benefit to support voter registration in the South and a fundraiser for NAACP, the Congress of Racial Equality, and SNCC the concert came amidst the height of the Civil Rights movement, a cause dear to Davis' heart. The unforeseen circumstances surrounding Kennedy’s death further raised the stakes. Having professed admiration for Kennedy years prior, Davis appears to approach the compositions on My Funny Valentine (in particular, the title track) as an homage to the fallen leader.\r\n
      \r\n
      Nearing their one-year anniversary together, he and his band turned half the event into a collective soliloquy comprised of pieces shot through with deeply emotional passages, spontaneous brilliance, sensitive beauty, and sublime poignancy. Elegiac moods permeate these performances; Davis and his Harmon mute paint with intricate brushstrokes. \r\n
      \r\n
      Pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams are their leader’s equal. They would continue with Davis until later in the decade, helping form his Second Great Quintet. But the secret weapon on My Funny Valentine arrives in the form of tenor saxophonist George Coleman, whom jazz experts Brian Morton and Richard Cook deem “one of the unsung heroes of modern jazz”. His lines are subtle and sophisticated, straight-ahead but capable of unanticipated direction. Here, Coleman comes into his own.\r\n
      \r\n
      The combination of introspective chemistry, lyrical reach, and telepathic communication demonstrated by the group on My Funny Valentine exceeds that of any of Davis' live 1960s efforts. One listen confirms something special transpiring. And on this breathtaking reissue, those properties are rendered in a manner that’s as transparent to the source. Here’s your chance to experience them again and again.\r\n
      \r\n
      MoFi SuperVinyl :\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound devised. Expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a carbonless dye (hold the disc up to the light and see) and produces ultra-quiet surfaces. This high-definition formula also allows for the creation of clean grooves that are virtually indistinguishable from the original lacquer.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Miles Davis (trumpet), Ron Carter (bass), George Coleman (tenor saxophone), Herbie Hancock (piano), Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=XdrAzpYdOYs"
    -referenceProduit: "Mobile Fidelity Sound Lab - MFSV1-520"
    -titreMorceau: [
      [
        "nom" => "1. My Funny Valentine"
        "ordre" => 1
      ]
      [
        "nom" => "1. Stella By Starlight"
        "ordre" => 4
      ]
      [
        "nom" => "2. All Blues"
        "ordre" => 5
      ]
      [
        "nom" => "2. All of You"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Thought About You"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2228 …}
    -label: Proxies\__CG__\App\Entity\Label {#2231 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2240 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2233 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2235 …}
    -enregistreLe: DateTime @1748073564 {#2223
      date: 2025-05-24 07:59:24.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1748073808 {#2224
      date: 2025-05-24 08:03:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2237 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-my-funny-valentine-supervinyl-mobile-fidelity-sound-lab-mfsv1-520"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3635
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2226
    -id: 2677
    -nom: "My Funny Valentine - SuperVinyl"
    -informationComplementaire: "Mastered at MoFi’s Studio in Honor of Album's 60th Anniversary, Limited to 3000 Numbered Copies, Mobile Fidelity’s 180 gram 33 RPM SuperVinyl LP Plays with Lifelike Clarity"
    -description: """
      - Miles Davis Gets Balladic on My Funny Valentine: Live Set Is Distinguished with Deep Emotions, Poetic Elegance, and Sensitive Beauty !\r\n
      \r\n
      - Mastered at MoFi’s Studio in Honor of Album's 60th Anniversary Limited to 3000 Numbered Copies, Mobile Fidelity’s 180 gram 33 RPM SuperVinyl LP Plays with Lifelike Clarity !\r\n
      \r\n
      - 1/4" / 15 IPS analog copy to DSD 64 to analog console to lathe !\r\n
      \r\n
      My Funny Valentine: Miles Davis in Concert marks several historic turning points. For Davis, the live album represents the final time on record he'd perform standards rather than original compositions. It also stands as one of the last documents made by the same band that created Seven Steps to Heaven. As such, the work teems with bebop melodicism yet steers clear of Davis’ oft-controversial avant-garde leanings. \r\n
      \r\n
      Most significantly, the richly textured set the bookend to the fast-paced Four & More captures the warm ballads and delicate pieces performed at a February 12, 1964 benefit concert at New York’s then-new Philharmonic Hall that occurred just months after President Kennedy’s assassination. Seemingly channeling divine inspiration, Davis never sounded more elegant or poetic, particularly given the uniqueness of this 60th Anniversary Edition pressing. \r\n
      \r\n
      Mastered at MoFi’s California studio, housed in a Stoughton jacket, pressed at Fideltiy Record Pressing on MoFi SuperVinyl, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180 gram 33 RPM SuperVinyl LP plays with stunning depth, presence, dynamics, clarity, and ambience. Benefitting from SuperVinyl’s low-as-possible noise floor and superb groove definition, this audiophile LP boasts balances, tonalities, and airiness that duplicate the experience of witnessing live jazz in an acoustically ideal hall. The images of each individual instrument, the decay of the notes, the inner reaches of the piano, and symmetry of the horns are rendered with palpable detail. \r\n
      \r\n
      Held as a benefit to support voter registration in the South and a fundraiser for NAACP, the Congress of Racial Equality, and SNCC the concert came amidst the height of the Civil Rights movement, a cause dear to Davis' heart. The unforeseen circumstances surrounding Kennedy’s death further raised the stakes. Having professed admiration for Kennedy years prior, Davis appears to approach the compositions on My Funny Valentine (in particular, the title track) as an homage to the fallen leader.\r\n
      \r\n
      Nearing their one-year anniversary together, he and his band turned half the event into a collective soliloquy comprised of pieces shot through with deeply emotional passages, spontaneous brilliance, sensitive beauty, and sublime poignancy. Elegiac moods permeate these performances; Davis and his Harmon mute paint with intricate brushstrokes. \r\n
      \r\n
      Pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams are their leader’s equal. They would continue with Davis until later in the decade, helping form his Second Great Quintet. But the secret weapon on My Funny Valentine arrives in the form of tenor saxophonist George Coleman, whom jazz experts Brian Morton and Richard Cook deem “one of the unsung heroes of modern jazz”. His lines are subtle and sophisticated, straight-ahead but capable of unanticipated direction. Here, Coleman comes into his own.\r\n
      \r\n
      The combination of introspective chemistry, lyrical reach, and telepathic communication demonstrated by the group on My Funny Valentine exceeds that of any of Davis' live 1960s efforts. One listen confirms something special transpiring. And on this breathtaking reissue, those properties are rendered in a manner that’s as transparent to the source. Here’s your chance to experience them again and again.\r\n
      \r\n
      MoFi SuperVinyl :\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound devised. Expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a carbonless dye (hold the disc up to the light and see) and produces ultra-quiet surfaces. This high-definition formula also allows for the creation of clean grooves that are virtually indistinguishable from the original lacquer.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Miles Davis (trumpet), Ron Carter (bass), George Coleman (tenor saxophone), Herbie Hancock (piano), Tony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=XdrAzpYdOYs"
    -referenceProduit: "Mobile Fidelity Sound Lab - MFSV1-520"
    -titreMorceau: [
      [
        "nom" => "1. My Funny Valentine"
        "ordre" => 1
      ]
      [
        "nom" => "1. Stella By Starlight"
        "ordre" => 4
      ]
      [
        "nom" => "2. All Blues"
        "ordre" => 5
      ]
      [
        "nom" => "2. All of You"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Thought About You"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2228 …}
    -label: Proxies\__CG__\App\Entity\Label {#2231 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2240 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2233 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2235 …}
    -enregistreLe: DateTime @1748073564 {#2223
      date: 2025-05-24 07:59:24.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1748073808 {#2224
      date: 2025-05-24 08:03:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2237 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-my-funny-valentine-supervinyl-mobile-fidelity-sound-lab-mfsv1-520"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2245
    -id: 889
    -nom: "Cheap Thrills  (45 RPM - Limited Edition)"
    -informationComplementaire: ""
    -description: """
      #338 on Rolling Stone's 500 Greatest Albums of All Time : Big Brother and Joplin Convey Fearlessness, Toughness, and Synergy on Every Note !\n
      \n
      In many facets, Big Brother and the Holding Company's Cheap Thrills is the quintessential album to spring from the outcome of the Summer of Love. Best known as Janis Joplin's major-label debut, the 1968 set arrived when the countercultural movement was in full swing and before co-optation, drugs, and violence signaled the fall of the era. Ranked #338 on Rolling Stone's 500 Greatest Albums of All Time, it puts a female singer in the prominent position traditionally given to a male and showcases a band pouring a potent cocktail of fiery psychedelic, blues, and folk sounds that informed the unfettered creativity of the San Francisco scene. Produced by John Simon, Cheap Thrills also features one of the most iconic and elaborate album covers in history.\n
      \n
      Cut at 45 RPM and pressed on dead-quiet vinyl at RTI, the iconic audiophile label's analog reissue intensifies the quintet's storied sophomore effort. Due to the wider grooves, this pressing benefits from increased spaciousness, punchiness, energy, pacing, and dynamics. Joplin's hurricane-force singing reverberates with texture, grittiness, and volume. An arresting array of instrumental colors and tones comes on with clearer separation and depth. While previous pressings find the band and Joplin's voice in competition with one another for room, both emerge as distinct entities. Always noted for its rawness, Cheap Thrills sounds as close to live as it gets, an unadulterated portrait of nervy rock n' roll delivered with exuberant enthusiasm and all-out determination. This is music at is most visceral.\n
      \n
      Having drawn national attention for their legendary performance at the Monterey International Pop Festival in 1967, Big Brother and Joplin faced huge expectations to deliver a studio set that would convey their onstage vibrancy and potency. Cheap Thrills does this and more, becoming one of 1968's most commercially successful releases that remained on the charts the week Joplin announced her separation from the ensemble. Contrary to popular belief, only one of the album's songs, "Ball and Chain", was recorded live. Everything else owes to the unhinged, spirit-elevating performances and true collaboration between vocalist and band that manifests itself throughout the record's 37 minute-plus running time. Merging biker-babe ruggedness with wounded-bird poignancy, Joplin's expressive belting, mega-watt moaning, and sensitive crooning take center stage. Yet her bandmates match every step with explosive rhythms, heavy guitar-driven blues, and assertive solos that take inspiration from free-form jazz.\n
      \n
      Indeed, Cheap Thrills still exhilarates not only due to Joplin's almighty singing but because of boundary-shredding arrangements that reflect the period's anything-is-possible mindset. More so than any other musicians Joplin encountered, the members of Big Brother pushed limits on convention via soirees into acid-dipped psychedelia and its orbiting sonic galaxies. Together, they aim and achieve an aural mythos that makes a permanent connection between artist and audience by way of eliminating traditional divisions. Such communal power is evident on the mind-bending version of Big Mama Thornton's "Ball and Chain" and insistent, sinewy "I Need a Man to Love". It's also obvious during quieter moments, whether the tripped-out, twisted, and curvaceous contours of George and Ira Gershwin's "Summertime" or restrained, throwback acoustic blues of "Turtle Blues".\n
      \n
      Yes, Joplin presents and rallies against loneliness and desperation in a cathartic language few had heard before or since. What's even more significant is the fearlessness, toughness, synergy, and sexual danger pulsing through every song, including the take-on-all-comers challenge "Piece of My Heart", which the collective attacks with career-making ferocity. Like Robert Crumb's daring pop-art illustrations that grace the cover, they simultaneously lure and dare the listener to enter a space where outsiders run free and where outlaws are heard above the mainstream din.\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Janis Joplin (vocals), James Gurley (guitar), Peter S. Albin, Sam Houston Andrew III (guitar, bass), John Simon (piano), Dave Getz (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qA78eLqHLkM"
    -referenceProduit: "MFSL 2-453"
    -titreMorceau: [
      [
        "nom" => "1. Ball and Chain"
        "ordre" => 10
      ]
      [
        "nom" => "1. Combination of The Two"
        "ordre" => 1
      ]
      [
        "nom" => "1. Summertime"
        "ordre" => 4
      ]
      [
        "nom" => "1. Turtle Blues"
        "ordre" => 7
      ]
      [
        "nom" => "2. I Need A Man To Love"
        "ordre" => 2
      ]
      [
        "nom" => "2. Oh, Sweet Mary"
        "ordre" => 8
      ]
      [
        "nom" => "2. Piece of My Heart"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C :"
        "ordre" => 6
      ]
      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2247 …}
    -label: Proxies\__CG__\App\Entity\Label {#2231 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2256 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2249 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2251 …}
    -enregistreLe: DateTime @1458075686 {#2242
      date: 2016-03-15 21:01:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1748072116 {#2243
      date: 2025-05-24 07:35:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2253 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-cheap-thrills-45-rpm-limited-edition-mfsl-2-453"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3686
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2245
    -id: 889
    -nom: "Cheap Thrills  (45 RPM - Limited Edition)"
    -informationComplementaire: ""
    -description: """
      #338 on Rolling Stone's 500 Greatest Albums of All Time : Big Brother and Joplin Convey Fearlessness, Toughness, and Synergy on Every Note !\n
      \n
      In many facets, Big Brother and the Holding Company's Cheap Thrills is the quintessential album to spring from the outcome of the Summer of Love. Best known as Janis Joplin's major-label debut, the 1968 set arrived when the countercultural movement was in full swing and before co-optation, drugs, and violence signaled the fall of the era. Ranked #338 on Rolling Stone's 500 Greatest Albums of All Time, it puts a female singer in the prominent position traditionally given to a male and showcases a band pouring a potent cocktail of fiery psychedelic, blues, and folk sounds that informed the unfettered creativity of the San Francisco scene. Produced by John Simon, Cheap Thrills also features one of the most iconic and elaborate album covers in history.\n
      \n
      Cut at 45 RPM and pressed on dead-quiet vinyl at RTI, the iconic audiophile label's analog reissue intensifies the quintet's storied sophomore effort. Due to the wider grooves, this pressing benefits from increased spaciousness, punchiness, energy, pacing, and dynamics. Joplin's hurricane-force singing reverberates with texture, grittiness, and volume. An arresting array of instrumental colors and tones comes on with clearer separation and depth. While previous pressings find the band and Joplin's voice in competition with one another for room, both emerge as distinct entities. Always noted for its rawness, Cheap Thrills sounds as close to live as it gets, an unadulterated portrait of nervy rock n' roll delivered with exuberant enthusiasm and all-out determination. This is music at is most visceral.\n
      \n
      Having drawn national attention for their legendary performance at the Monterey International Pop Festival in 1967, Big Brother and Joplin faced huge expectations to deliver a studio set that would convey their onstage vibrancy and potency. Cheap Thrills does this and more, becoming one of 1968's most commercially successful releases that remained on the charts the week Joplin announced her separation from the ensemble. Contrary to popular belief, only one of the album's songs, "Ball and Chain", was recorded live. Everything else owes to the unhinged, spirit-elevating performances and true collaboration between vocalist and band that manifests itself throughout the record's 37 minute-plus running time. Merging biker-babe ruggedness with wounded-bird poignancy, Joplin's expressive belting, mega-watt moaning, and sensitive crooning take center stage. Yet her bandmates match every step with explosive rhythms, heavy guitar-driven blues, and assertive solos that take inspiration from free-form jazz.\n
      \n
      Indeed, Cheap Thrills still exhilarates not only due to Joplin's almighty singing but because of boundary-shredding arrangements that reflect the period's anything-is-possible mindset. More so than any other musicians Joplin encountered, the members of Big Brother pushed limits on convention via soirees into acid-dipped psychedelia and its orbiting sonic galaxies. Together, they aim and achieve an aural mythos that makes a permanent connection between artist and audience by way of eliminating traditional divisions. Such communal power is evident on the mind-bending version of Big Mama Thornton's "Ball and Chain" and insistent, sinewy "I Need a Man to Love". It's also obvious during quieter moments, whether the tripped-out, twisted, and curvaceous contours of George and Ira Gershwin's "Summertime" or restrained, throwback acoustic blues of "Turtle Blues".\n
      \n
      Yes, Joplin presents and rallies against loneliness and desperation in a cathartic language few had heard before or since. What's even more significant is the fearlessness, toughness, synergy, and sexual danger pulsing through every song, including the take-on-all-comers challenge "Piece of My Heart", which the collective attacks with career-making ferocity. Like Robert Crumb's daring pop-art illustrations that grace the cover, they simultaneously lure and dare the listener to enter a space where outsiders run free and where outlaws are heard above the mainstream din.\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Janis Joplin (vocals), James Gurley (guitar), Peter S. Albin, Sam Houston Andrew III (guitar, bass), John Simon (piano), Dave Getz (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qA78eLqHLkM"
    -referenceProduit: "MFSL 2-453"
    -titreMorceau: [
      [
        "nom" => "1. Ball and Chain"
        "ordre" => 10
      ]
      [
        "nom" => "1. Combination of The Two"
        "ordre" => 1
      ]
      [
        "nom" => "1. Summertime"
        "ordre" => 4
      ]
      [
        "nom" => "1. Turtle Blues"
        "ordre" => 7
      ]
      [
        "nom" => "2. I Need A Man To Love"
        "ordre" => 2
      ]
      [
        "nom" => "2. Oh, Sweet Mary"
        "ordre" => 8
      ]
      [
        "nom" => "2. Piece of My Heart"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C :"
        "ordre" => 6
      ]
      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2247 …}
    -label: Proxies\__CG__\App\Entity\Label {#2231 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2256 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2249 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2251 …}
    -enregistreLe: DateTime @1458075686 {#2242
      date: 2016-03-15 21:01:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1748072116 {#2243
      date: 2025-05-24 07:35:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2253 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-cheap-thrills-45-rpm-limited-edition-mfsl-2-453"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2261
    -id: 790
    -nom: "Cargo"
    -informationComplementaire: "Contains Top 10 Hits “It’s A Mistake” and “Overkill”"
    -description: """
      Men at Work already had an album in the Top Ten when the Australian ensemble released Cargo, which continued the momentum gained by its record-setting debut. As ambitious and even more diversified than its initial salvo, the 1983 effort firmly established the band as new-wave pioneers - a group whose goofy playfulness, sharp hooks, brass accents, and memorable choruses helped define the decade’s landscape. Any doubts about Men At Work’s quirky sensibility were promptly answered by the iconic cover art gracing this multi-platinum set.\n
      \n
      Mastered on our world-renowned mastering system and pressed at RTI, this LP not only brings the artwork back into full-scale glory but also takes the enjoyably melodic pop-rock to new sonic heights courtesy of improved imaging, separation, and balance. Previously obscured details jump to the surface, and leader Colin Hay’s unique voice takes on life like dimensions that hover between the speakers.\n
      \n
      While remaining true to the approach that garnered them a Grammy Award for Best New Artist, Men at Work expands the creative palette on Cargo by giving guitars a more prominent role and increasing the rhythmic textures. With the sweeping ballad “Overkill” and politically savvy cynicism of “It’s a Mistake”, the band furthered their radio domination and extended their run of Top 10 singles. A third hit, “Dr. Heckyll and Mr. Jive”, cracked the Top 30. Well tailored melodies and whimsical imagination definitely had a place in the public’s consciousness, and no group understood this more.\n
      \n
      As the final album captured by the original lineup, Cargo remains an indelible piece of the 1980s audio terrain and a reminder of the era’s endless fun. Bolstered by lively saxophone solos, self-effacing humor, and instantly catchy refrains, the album is as good as excuse as any to turn on the stereo, sit down, forget your worries, and dance to leisurely pursuits so perfectly captured by this beloved group.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Colin Hay (guitar, vocals), Greg Ham (saxophone, flute, keyboards, vocals), Ron Strykert (guitar, vocals), John Rees (bass, vocals), Jerry Speiser (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FoqlJsV6Bsc"
    -referenceProduit: "MOFI 1-025"
    -titreMorceau: [
      [
        "nom" => "1. Dr. Heckyll and Mr. Jive"
        "ordre" => 1
      ]
      [
        "nom" => "1. It’s a Mistake"
        "ordre" => 7
      ]
      [
        "nom" => "2. High Wire"
        "ordre" => 8
      ]
      [
        "nom" => "2. Overkill"
        "ordre" => 2
      ]
      [
        "nom" => "3. Blue for You"
        "ordre" => 9
      ]
      [
        "nom" => "3. Settle Down My Boy"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Like To"
        "ordre" => 10
      ]
      [
        "nom" => "4. Upstairs In My House"
        "ordre" => 4
      ]
      [
        "nom" => "5. No Restrictions"
        "ordre" => 11
      ]
      [
        "nom" => "5. No Sign of Yesterday"
        "ordre" => 5
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2263 …}
    -label: Proxies\__CG__\App\Entity\Label {#2231 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2272 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2265 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2267 …}
    -enregistreLe: DateTime @1435933386 {#2258
      date: 2015-07-03 14:23:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1748072062 {#2259
      date: 2025-05-24 07:34:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2269 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-cargo-mofi-1-025"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3737
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2261
    -id: 790
    -nom: "Cargo"
    -informationComplementaire: "Contains Top 10 Hits “It’s A Mistake” and “Overkill”"
    -description: """
      Men at Work already had an album in the Top Ten when the Australian ensemble released Cargo, which continued the momentum gained by its record-setting debut. As ambitious and even more diversified than its initial salvo, the 1983 effort firmly established the band as new-wave pioneers - a group whose goofy playfulness, sharp hooks, brass accents, and memorable choruses helped define the decade’s landscape. Any doubts about Men At Work’s quirky sensibility were promptly answered by the iconic cover art gracing this multi-platinum set.\n
      \n
      Mastered on our world-renowned mastering system and pressed at RTI, this LP not only brings the artwork back into full-scale glory but also takes the enjoyably melodic pop-rock to new sonic heights courtesy of improved imaging, separation, and balance. Previously obscured details jump to the surface, and leader Colin Hay’s unique voice takes on life like dimensions that hover between the speakers.\n
      \n
      While remaining true to the approach that garnered them a Grammy Award for Best New Artist, Men at Work expands the creative palette on Cargo by giving guitars a more prominent role and increasing the rhythmic textures. With the sweeping ballad “Overkill” and politically savvy cynicism of “It’s a Mistake”, the band furthered their radio domination and extended their run of Top 10 singles. A third hit, “Dr. Heckyll and Mr. Jive”, cracked the Top 30. Well tailored melodies and whimsical imagination definitely had a place in the public’s consciousness, and no group understood this more.\n
      \n
      As the final album captured by the original lineup, Cargo remains an indelible piece of the 1980s audio terrain and a reminder of the era’s endless fun. Bolstered by lively saxophone solos, self-effacing humor, and instantly catchy refrains, the album is as good as excuse as any to turn on the stereo, sit down, forget your worries, and dance to leisurely pursuits so perfectly captured by this beloved group.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Colin Hay (guitar, vocals), Greg Ham (saxophone, flute, keyboards, vocals), Ron Strykert (guitar, vocals), John Rees (bass, vocals), Jerry Speiser (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FoqlJsV6Bsc"
    -referenceProduit: "MOFI 1-025"
    -titreMorceau: [
      [
        "nom" => "1. Dr. Heckyll and Mr. Jive"
        "ordre" => 1
      ]
      [
        "nom" => "1. It’s a Mistake"
        "ordre" => 7
      ]
      [
        "nom" => "2. High Wire"
        "ordre" => 8
      ]
      [
        "nom" => "2. Overkill"
        "ordre" => 2
      ]
      [
        "nom" => "3. Blue for You"
        "ordre" => 9
      ]
      [
        "nom" => "3. Settle Down My Boy"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Like To"
        "ordre" => 10
      ]
      [
        "nom" => "4. Upstairs In My House"
        "ordre" => 4
      ]
      [
        "nom" => "5. No Restrictions"
        "ordre" => 11
      ]
      [
        "nom" => "5. No Sign of Yesterday"
        "ordre" => 5
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2263 …}
    -label: Proxies\__CG__\App\Entity\Label {#2231 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2272 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2265 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2267 …}
    -enregistreLe: DateTime @1435933386 {#2258
      date: 2015-07-03 14:23:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1748072062 {#2259
      date: 2025-05-24 07:34:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2269 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-cargo-mofi-1-025"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

[
  "produit" => App\Entity\Produit {#2277
    -id: 2636
    -nom: "Black Beauty - Miles Davis At Fillmore West"
    -informationComplementaire: ""
    -description: """
      Recorded When Miles Davis Opened for the Grateful Dead in San Francisco at Fillmore West : Black Beauty Surges Ahead into a Future Jazz World, Features Superb Performances and Rich Colors\n
      \n
      First-Ever Domestic Vinyl Release of 1973 Live Album : Mobile Fidelity’s 180g 33RPM 2LP Set Plays with Captivating Energy, Presence, and Clarity\n
      \n
      1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe\n
      \n
      Dateline : April 10, 1970. Setting: The storied Fillmore West in San Francisco, CA. Context : Miles Davis, three days removed from his first session for Jack Johnson and, with newly recruited soprano saxophonist Steve Grossman in tow, opening shows for countercultural heroes the Grateful Dead on the latter’s home turf. Result: The initial rumblings of a thrilling era in which Davis and his cohorts would again upend jazz and popular conceptions of the genre with music steeped in groove, improvisation, and hang-on-for-your-life adventurousness. All captured on Black Beauty: Miles Davis at Fillmore West.\n
      \n
      Mastered at MoFi’s California studio, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity's numbered-edition 180 gram 33 RPM (2 LP) set helps bring what went down that spring evening in Bill Graham’s venue to your listening room with exceptional clarity, balance, and presence. Originally only released in Japan in 1973 and unavailable in the United States until the late ‘90s on compact disc, this marks the first time Black Beauty has been issued on domestic vinyl. The wait is worth it.\n
      \n
      Benefitting from quiet surfaces and excellent definition, these LPs present the band’s livewire energy and torrential storm of notes with captivating dynamics, pacing, and fullness. At its core, this audiophile reissue takes you into the walls of sound erected by a band learning on-the-fly the sheer power, will, and breadth of the electric jazz Davis was orchestrating and realizing, on the spot, would reach rock audiences that until that point had only a faint awareness of his mad-scientist experimentation. The sense of release and reach conveyed by these carefully restored records make it clear the veteran bandleader was in the process of a permanent shift that he’d chase for the next five years.\n
      \n
      Given Davis was only a few months away from releasing the pioneering double album Bitches Brew, it shouldn’t come as a surprise that much of the fare here adheres to similar explorative approaches. Turbulent rhythms, provocative trumpet passages, and rich, saturated tonal colors that seemingly splash against a blank canvas take precedence over any traditional attempts at organization and melody. Davis and Co. intentionally play everything on a line with the bandleader signaling changes with his horn via coded phrases. The group speaks a common language with each member having gone to achieve iconic status for their career contributions and technical prowess.\n
      \n
      In the company of Grossman, Chick Corea (piano), Dave Holland (bass), Jack DeJohnette (drums), and Airto Moreira (percussion), Davis constructs themes around “Directions”, “Miles Runs the Voodoo Down”, “It’s About That Time”, the title track to Bitches Brew, and more from his then most-recent studio works and the in-progress Jack Johnson. His farewell to the popular standards that for nearly two decades remained a part of his repertoire arrive via a brief dalliance with “I Fall in Love Too Easily”, a shortened albeit aggressive “Masqualero”, and the “Theme” finale of “Spanish Key”. Initially, Black Beauty lacked specific track listings due to Davis’ increasing frustration with listeners over-analyzing his music.\n
      \n
      In retrospect, it’s difficult to blame anyone for wanting to view what’s on display here with the aural equivalent of a magnifying glass. Leaning in rock directions, yet maintaining an ear for spaciousness and solos, Black Beauty survives as a snapshot of a thrilling moment amid a transitory period in which evolution came fast and furious. Just two months later, Davis would add another instrumentalist to the lineup in the form of organist Keith Jarrett, and the perpetually restless visionary would blast off to a more atmospheric and arguably more chaotic universe.\n
      \n
      Consider, then, this live document a bridge to that galaxy and a breathtaking example of the possibilities of jazz itself.\n
      \n
      Track List :\n
      - 1. Directions\n
      - 2. Miles Runs the Voodoo Down\n
      - 3. Willie Nelson\n
      - 4. I Fall in Love Too Easily\n
      - 5. Sanctuary\n
      - 6. It’s About That Time\n
      - 7. Bitches Brew\n
      - 8. Masqualero\n
      - 9. Spanish Key/The Theme
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Miles Davis (trumpet), Steve Grossman (saxophone), Chick Corea (electric piano), Dave Holland (electric bass), Airto Moreira (percussion), Jack DeJohnette (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=keORyP0Gfcw"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-568"
    -titreMorceau: [
      [
        "nom" => "1. Black Beauty Part I"
        "ordre" => 1
      ]
      [
        "nom" => "2. Black Beauty Part II"
        "ordre" => 3
      ]
      [
        "nom" => "3. Black Beauty Part III"
        "ordre" => 5
      ]
      [
        "nom" => "4. Black Beauty Part IV"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "Side C : "
        "ordre" => 4
      ]
      [
        "nom" => "Side D : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2228 …}
    -label: Proxies\__CG__\App\Entity\Label {#2231 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2285 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2278 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2280 …}
    -enregistreLe: DateTime @1739208432 {#2274
      date: 2025-02-10 17:27:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1748071007 {#2275
      date: 2025-05-24 07:16:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2282 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-black-beauty-miles-davis-at-fillmore-west-mobile-fidelity-sound-lab-mfsl-2-568"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3790
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2709 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2277
    -id: 2636
    -nom: "Black Beauty - Miles Davis At Fillmore West"
    -informationComplementaire: ""
    -description: """
      Recorded When Miles Davis Opened for the Grateful Dead in San Francisco at Fillmore West : Black Beauty Surges Ahead into a Future Jazz World, Features Superb Performances and Rich Colors\n
      \n
      First-Ever Domestic Vinyl Release of 1973 Live Album : Mobile Fidelity’s 180g 33RPM 2LP Set Plays with Captivating Energy, Presence, and Clarity\n
      \n
      1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe\n
      \n
      Dateline : April 10, 1970. Setting: The storied Fillmore West in San Francisco, CA. Context : Miles Davis, three days removed from his first session for Jack Johnson and, with newly recruited soprano saxophonist Steve Grossman in tow, opening shows for countercultural heroes the Grateful Dead on the latter’s home turf. Result: The initial rumblings of a thrilling era in which Davis and his cohorts would again upend jazz and popular conceptions of the genre with music steeped in groove, improvisation, and hang-on-for-your-life adventurousness. All captured on Black Beauty: Miles Davis at Fillmore West.\n
      \n
      Mastered at MoFi’s California studio, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity's numbered-edition 180 gram 33 RPM (2 LP) set helps bring what went down that spring evening in Bill Graham’s venue to your listening room with exceptional clarity, balance, and presence. Originally only released in Japan in 1973 and unavailable in the United States until the late ‘90s on compact disc, this marks the first time Black Beauty has been issued on domestic vinyl. The wait is worth it.\n
      \n
      Benefitting from quiet surfaces and excellent definition, these LPs present the band’s livewire energy and torrential storm of notes with captivating dynamics, pacing, and fullness. At its core, this audiophile reissue takes you into the walls of sound erected by a band learning on-the-fly the sheer power, will, and breadth of the electric jazz Davis was orchestrating and realizing, on the spot, would reach rock audiences that until that point had only a faint awareness of his mad-scientist experimentation. The sense of release and reach conveyed by these carefully restored records make it clear the veteran bandleader was in the process of a permanent shift that he’d chase for the next five years.\n
      \n
      Given Davis was only a few months away from releasing the pioneering double album Bitches Brew, it shouldn’t come as a surprise that much of the fare here adheres to similar explorative approaches. Turbulent rhythms, provocative trumpet passages, and rich, saturated tonal colors that seemingly splash against a blank canvas take precedence over any traditional attempts at organization and melody. Davis and Co. intentionally play everything on a line with the bandleader signaling changes with his horn via coded phrases. The group speaks a common language with each member having gone to achieve iconic status for their career contributions and technical prowess.\n
      \n
      In the company of Grossman, Chick Corea (piano), Dave Holland (bass), Jack DeJohnette (drums), and Airto Moreira (percussion), Davis constructs themes around “Directions”, “Miles Runs the Voodoo Down”, “It’s About That Time”, the title track to Bitches Brew, and more from his then most-recent studio works and the in-progress Jack Johnson. His farewell to the popular standards that for nearly two decades remained a part of his repertoire arrive via a brief dalliance with “I Fall in Love Too Easily”, a shortened albeit aggressive “Masqualero”, and the “Theme” finale of “Spanish Key”. Initially, Black Beauty lacked specific track listings due to Davis’ increasing frustration with listeners over-analyzing his music.\n
      \n
      In retrospect, it’s difficult to blame anyone for wanting to view what’s on display here with the aural equivalent of a magnifying glass. Leaning in rock directions, yet maintaining an ear for spaciousness and solos, Black Beauty survives as a snapshot of a thrilling moment amid a transitory period in which evolution came fast and furious. Just two months later, Davis would add another instrumentalist to the lineup in the form of organist Keith Jarrett, and the perpetually restless visionary would blast off to a more atmospheric and arguably more chaotic universe.\n
      \n
      Consider, then, this live document a bridge to that galaxy and a breathtaking example of the possibilities of jazz itself.\n
      \n
      Track List :\n
      - 1. Directions\n
      - 2. Miles Runs the Voodoo Down\n
      - 3. Willie Nelson\n
      - 4. I Fall in Love Too Easily\n
      - 5. Sanctuary\n
      - 6. It’s About That Time\n
      - 7. Bitches Brew\n
      - 8. Masqualero\n
      - 9. Spanish Key/The Theme
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1916 …}
    -musicienOrchestre: "Miles Davis (trumpet), Steve Grossman (saxophone), Chick Corea (electric piano), Dave Holland (electric bass), Airto Moreira (percussion), Jack DeJohnette (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=keORyP0Gfcw"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-568"
    -titreMorceau: [
      [
        "nom" => "1. Black Beauty Part I"
        "ordre" => 1
      ]
      [
        "nom" => "2. Black Beauty Part II"
        "ordre" => 3
      ]
      [
        "nom" => "3. Black Beauty Part III"
        "ordre" => 5
      ]
      [
        "nom" => "4. Black Beauty Part IV"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "Side C : "
        "ordre" => 4
      ]
      [
        "nom" => "Side D : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2228 …}
    -label: Proxies\__CG__\App\Entity\Label {#2231 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2285 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2278 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2280 …}
    -enregistreLe: DateTime @1739208432 {#2274
      date: 2025-02-10 17:27:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1748071007 {#2275
      date: 2025-05-24 07:16:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2282 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-black-beauty-miles-davis-at-fillmore-west-mobile-fidelity-sound-lab-mfsl-2-568"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3986
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2477 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3987 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4035 …}
  +isValidated: false
  +validatedFields: []
}