Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2547
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2624
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2627 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
  -formView: Symfony\Component\Form\FormView {#2663 …}
  -form: Symfony\Component\Form\Form {#2813 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 622
    -nom: "Bruch : Scottish Fantasy / Vieuxtemps : Concerto N° 5"
    -informationComplementaire: ""
    -description: """
      RCA Living Stereo 200 Gram Vinyl !\n
      \n
      Remastered and Cut at 33 1/3 rpm by Ryan Smith at Sterling Sound !\n
      \n
      Cut from the Original 2-Track Session Tapes ! \n
      \n
      Pressed at Quality Record Pressings & Plated by Gary Salstrom !  \n
      \n
      RCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound !\n
      \n
      Stunning performances of Heifetz showpieces with Sir Malcolm Sargent and the New Symphony Orchestra of London. Recorded in May 1962 by Kenneth Wilkinson and the Decca Recording team at Walthamstow Hall. This is a must have for all audiophiles! The original 2 track session tapes were used in mastering for this LP in the Analogue Productions reissue series.\n
      \n
      "...I'd have to say that the usual stumbling blocks have been sidestepped. Great care has been taken to do the right things, starting with the way the decision to remaster these RCAs was made". - Jonathan Valin, The Absolute Sound.com, June 11, 2013 \n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "Sir Malcolm Sargent leads the New Symphony Orchestra Of London, Jascha Heifetz (violin)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "AAPC 2603"
    -titreMorceau: [
      [
        "nom" => "1. Henri Vieuxtemps : Concerto N° 5 in A minor, Op. 37"
        "ordre" => 3
      ]
      [
        "nom" => "1. Max Bruch : Scottish Fantasy, Op. 46"
        "ordre" => 1
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1368857218 {#1896
      date: 2013-05-18 06:06:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1639582347 {#1889
      date: 2021-12-15 15:32:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bruch-scottish-fantasy-vieuxtemps-concerto-n-5-aapc-2603"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3088
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 622
    -nom: "Bruch : Scottish Fantasy / Vieuxtemps : Concerto N° 5"
    -informationComplementaire: ""
    -description: """
      RCA Living Stereo 200 Gram Vinyl !\n
      \n
      Remastered and Cut at 33 1/3 rpm by Ryan Smith at Sterling Sound !\n
      \n
      Cut from the Original 2-Track Session Tapes ! \n
      \n
      Pressed at Quality Record Pressings & Plated by Gary Salstrom !  \n
      \n
      RCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound !\n
      \n
      Stunning performances of Heifetz showpieces with Sir Malcolm Sargent and the New Symphony Orchestra of London. Recorded in May 1962 by Kenneth Wilkinson and the Decca Recording team at Walthamstow Hall. This is a must have for all audiophiles! The original 2 track session tapes were used in mastering for this LP in the Analogue Productions reissue series.\n
      \n
      "...I'd have to say that the usual stumbling blocks have been sidestepped. Great care has been taken to do the right things, starting with the way the decision to remaster these RCAs was made". - Jonathan Valin, The Absolute Sound.com, June 11, 2013 \n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "Sir Malcolm Sargent leads the New Symphony Orchestra Of London, Jascha Heifetz (violin)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "AAPC 2603"
    -titreMorceau: [
      [
        "nom" => "1. Henri Vieuxtemps : Concerto N° 5 in A minor, Op. 37"
        "ordre" => 3
      ]
      [
        "nom" => "1. Max Bruch : Scottish Fantasy, Op. 46"
        "ordre" => 1
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1368857218 {#1896
      date: 2013-05-18 06:06:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1639582347 {#1889
      date: 2021-12-15 15:32:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bruch-scottish-fantasy-vieuxtemps-concerto-n-5-aapc-2603"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2035
    -id: 1527
    -nom: "Bill Evans At The Montreux Jazz Festival "
    -informationComplementaire: ""
    -description: """
      As others have noted, this album occupies a unique place in the Bill Evans discography. It's the only album to document drummer Jack DeJohnette's too-short stay in the trio. The trio's performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group.\n
      \n
      By the time this set was recorded, live in Montreux on June 15, 1968, Eddie Gomez and Evans had been playing together for two years. Gomez provided a different brand of virtuosity to that offered by Scott LaFaro in Evans's classic trio of five years earlier but he was clearly the best bass player Evans had worked with since LaFaro's tragic death. The groove between the two was deep and comfortable, so comfortable that in this set, Evans did something he hadn't done before, at least on a recording: he showcased Gomez for an entire piece, the almost seven minute long "Embraceable You".\n
      \n
      As the liner notes by Gene Lees reveal, Evans' performance at the renowned jazz festival in the nightclub of the Montreux Casino, one of the most fashionable resorts in Switzerland, was one of his best. He and Gomez played with more exuberance, more happiness and more drive. Evans' brooding, introspective musical side has been represented well on records before; the bright side has been too-little heard, but it's here in this album.\n
      \n
      At the end of each number the audience exploded in applause so stormy and extended that it had to be heavily edited for the album.\n
      \n
      Enjoy this sparkling Bill Evans piano performance, made sweeter by the expert mastering by Bernie Grundman from the original analog tape. For this edition only the best vinyl pressing would do a 200 gram super-silent luxurious-sounding platter from Quality Record Pressings, makers of the world's finest-sounding LPs. First-rate and top-notch, this album will make a superb addition to your record collection.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "Bill Evans (piano), Eddie Gomez (bass), Jack DeJohnette (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Fpj7sb5VxeI"
    -referenceProduit: "AAPJ 8762"
    -titreMorceau: [
      [
        "nom" => "1. I Love You Porgy"
        "ordre" => 6
      ]
      [
        "nom" => "1. One For Helen"
        "ordre" => 1
      ]
      [
        "nom" => "2. A Sleeping Bee"
        "ordre" => 2
      ]
      [
        "nom" => "2. The Touch Of Your Lips"
        "ordre" => 7
      ]
      [
        "nom" => "3. Embraceable You"
        "ordre" => 8
      ]
      [
        "nom" => "3. Mother Of Earl"
        "ordre" => 3
      ]
      [
        "nom" => "4. Nardis"
        "ordre" => 4
      ]
      [
        "nom" => "4. Someday My Prince Will Come"
        "ordre" => 9
      ]
      [
        "nom" => "5. Walkin' Up"
        "ordre" => 10
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1547976241 {#2032
      date: 2019-01-20 09:24:01.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1639582263 {#2033
      date: 2021-12-15 15:31:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bill-evans-at-the-montreux-jazz-festival-aapj-8762"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3202
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2035
    -id: 1527
    -nom: "Bill Evans At The Montreux Jazz Festival "
    -informationComplementaire: ""
    -description: """
      As others have noted, this album occupies a unique place in the Bill Evans discography. It's the only album to document drummer Jack DeJohnette's too-short stay in the trio. The trio's performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group.\n
      \n
      By the time this set was recorded, live in Montreux on June 15, 1968, Eddie Gomez and Evans had been playing together for two years. Gomez provided a different brand of virtuosity to that offered by Scott LaFaro in Evans's classic trio of five years earlier but he was clearly the best bass player Evans had worked with since LaFaro's tragic death. The groove between the two was deep and comfortable, so comfortable that in this set, Evans did something he hadn't done before, at least on a recording: he showcased Gomez for an entire piece, the almost seven minute long "Embraceable You".\n
      \n
      As the liner notes by Gene Lees reveal, Evans' performance at the renowned jazz festival in the nightclub of the Montreux Casino, one of the most fashionable resorts in Switzerland, was one of his best. He and Gomez played with more exuberance, more happiness and more drive. Evans' brooding, introspective musical side has been represented well on records before; the bright side has been too-little heard, but it's here in this album.\n
      \n
      At the end of each number the audience exploded in applause so stormy and extended that it had to be heavily edited for the album.\n
      \n
      Enjoy this sparkling Bill Evans piano performance, made sweeter by the expert mastering by Bernie Grundman from the original analog tape. For this edition only the best vinyl pressing would do a 200 gram super-silent luxurious-sounding platter from Quality Record Pressings, makers of the world's finest-sounding LPs. First-rate and top-notch, this album will make a superb addition to your record collection.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "Bill Evans (piano), Eddie Gomez (bass), Jack DeJohnette (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Fpj7sb5VxeI"
    -referenceProduit: "AAPJ 8762"
    -titreMorceau: [
      [
        "nom" => "1. I Love You Porgy"
        "ordre" => 6
      ]
      [
        "nom" => "1. One For Helen"
        "ordre" => 1
      ]
      [
        "nom" => "2. A Sleeping Bee"
        "ordre" => 2
      ]
      [
        "nom" => "2. The Touch Of Your Lips"
        "ordre" => 7
      ]
      [
        "nom" => "3. Embraceable You"
        "ordre" => 8
      ]
      [
        "nom" => "3. Mother Of Earl"
        "ordre" => 3
      ]
      [
        "nom" => "4. Nardis"
        "ordre" => 4
      ]
      [
        "nom" => "4. Someday My Prince Will Come"
        "ordre" => 9
      ]
      [
        "nom" => "5. Walkin' Up"
        "ordre" => 10
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1547976241 {#2032
      date: 2019-01-20 09:24:01.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1639582263 {#2033
      date: 2021-12-15 15:31:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bill-evans-at-the-montreux-jazz-festival-aapj-8762"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2051
    -id: 488
    -nom: "Bend Like Steel"
    -informationComplementaire: ""
    -description: """
      "...this set, though delicate as gossamer, is heart-ripped-open raw. Closely mic'd to perfection, the anguished interpretation of Simon and Garfunkel's normally jolly 'Cecilia' will turn your head around". Hi-Fi News Album Of The Month - Ken Kessler, Hi-Fi News\n
      \n
      Best known for "Killing Me Softly", written during her Troubadour days in Los Angeles when she saw Don McLean in concert, Lori Lieberman has now recorded 14 LPs and CDs for Capitol Records, Pope Music and Drive On Records. She has gleaned the respect of an industry and a devoted base of fans worldwide. \n
      \n
      Bend Like Steel is Lieberman's most personal record to date, and she stated, "The more I said, the more I felt I had to say". The songs were arranged by Lieberman and feature her on guitar and piano with guest artists that include guitarist Lyle Workman (Sting, Beck) and mastered by Gavin Lurssen (Alison Kraus/Robert Plant). \n
      \n
      "Bend Like Steel is some of the best work you've done. It's tied in my estimation with Home Of Whispers, and you known in what high esteem I hold that CD. Beautiful, beautiful work. And your voice has never sounded better". - Rich Warren, WFMT Midnight Special, Chicago\n
      \n
      Lieberman's early music history formed in California in the seventies on the Sunset Strip and the West Coast club scene circuit that included singer-songwriters such as Joni Mitchell, Jackson Browne and the Eagles. As one of Capitol Records' premier artists, she worked with some of the leading studio musicians a young Larry Carlton, members of the L.A. Express, Sneaky Pete and pianist Joe Sample. She toured the U.S. and Europe with Randy Newman, Billy Joel, Leonard Cohen, John Sebastian and Rick Nelson, to name a few. \n
      \n
      Lieberman was nominated for the Golden Note Award for excellence with A Thousand Dreamson Pope Music, and two CDs followed - Home Of Whispers and Gone Is The Girl, which featured her stunning songs, warm vocals and rich orchestrations.\n
      \n
      "I have conducted many A+B comparisons over the years as one of the founders of the late Cello Music and Film with Mark Levinson, and now as a professional recording engineer I spend a great deal of time comparing tracks, mixes and fine tuning mastered material. Recently we decided to release two collections of Lori Lieberman's on vinyl and ordered Test Pressings from another source. When you told me about QRP I was very interested and excited to have our material pressed at your remarkable facility. But I had no idea what a dramatic difference could be made by just the pressing technique. Both sets of lacquers were prepared by Kevin Gray so all conditions were equal. The depth of the stage, clarity and detail of our mixes, and in particular the air surrounding Lori's voice, representative of what I hear in our studio was remarkable. This was not subtle. The material lives as pressed by QRP. You would have thought I changed phono cartridges, turntables or phono preamp. Congratulations. Your pressing plant is the finest anywhere and we will continue to only press Lori's albums exclusively with QRP. I can't wait till we have the opportunity to do a Direct To Disc and press those at QRP". - Joseph Cali, Recording Engineer of Lori Lieberman's Bend Like Steel and Gun Metal Sky\n
       \n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "Lori Lieberman (acoustic guitar, piano, vocals),? Stefanie Fife (cello),? Eugene Ruffolo (acoustic guitar, background vocals), ?Monty Byrom (vocals), Trey Henry (acoustic bass),? Brian Kilgore (percussion), ?Lyle Workman (electric guitars)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=X4AqLFzPgy8"
    -referenceProduit: "AAPP 10"
    -titreMorceau: [
      [
        "nom" => "1. For More"
        "ordre" => 7
      ]
      [
        "nom" => "1. If Not Now"
        "ordre" => 1
      ]
      [
        "nom" => "2. Mr. And Mrs. Make-Believe"
        "ordre" => 2
      ]
      [
        "nom" => "2. My Sister's Boyfriend"
        "ordre" => 8
      ]
      [
        "nom" => "3. Cup Of Girl"
        "ordre" => 3
      ]
      [
        "nom" => "3. Steady Heart"
        "ordre" => 9
      ]
      [
        "nom" => "4. Bend Like Steel"
        "ordre" => 4
      ]
      [
        "nom" => "4. These Things"
        "ordre" => 10
      ]
      [
        "nom" => "5. Cecilia"
        "ordre" => 5
      ]
      [
        "nom" => "5. Netherlands"
        "ordre" => 11
      ]
      [
        "nom" => "6. There's A Harbor"
        "ordre" => 12
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2053 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1480 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2062 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2055 …}
    -typeMasterTape: null
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App\Twig\Components\GestionPanierFavoriComponents {#3253
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  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
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  +produit: App\Entity\Produit {#2051
    -id: 488
    -nom: "Bend Like Steel"
    -informationComplementaire: ""
    -description: """
      "...this set, though delicate as gossamer, is heart-ripped-open raw. Closely mic'd to perfection, the anguished interpretation of Simon and Garfunkel's normally jolly 'Cecilia' will turn your head around". Hi-Fi News Album Of The Month - Ken Kessler, Hi-Fi News\n
      \n
      Best known for "Killing Me Softly", written during her Troubadour days in Los Angeles when she saw Don McLean in concert, Lori Lieberman has now recorded 14 LPs and CDs for Capitol Records, Pope Music and Drive On Records. She has gleaned the respect of an industry and a devoted base of fans worldwide. \n
      \n
      Bend Like Steel is Lieberman's most personal record to date, and she stated, "The more I said, the more I felt I had to say". The songs were arranged by Lieberman and feature her on guitar and piano with guest artists that include guitarist Lyle Workman (Sting, Beck) and mastered by Gavin Lurssen (Alison Kraus/Robert Plant). \n
      \n
      "Bend Like Steel is some of the best work you've done. It's tied in my estimation with Home Of Whispers, and you known in what high esteem I hold that CD. Beautiful, beautiful work. And your voice has never sounded better". - Rich Warren, WFMT Midnight Special, Chicago\n
      \n
      Lieberman's early music history formed in California in the seventies on the Sunset Strip and the West Coast club scene circuit that included singer-songwriters such as Joni Mitchell, Jackson Browne and the Eagles. As one of Capitol Records' premier artists, she worked with some of the leading studio musicians a young Larry Carlton, members of the L.A. Express, Sneaky Pete and pianist Joe Sample. She toured the U.S. and Europe with Randy Newman, Billy Joel, Leonard Cohen, John Sebastian and Rick Nelson, to name a few. \n
      \n
      Lieberman was nominated for the Golden Note Award for excellence with A Thousand Dreamson Pope Music, and two CDs followed - Home Of Whispers and Gone Is The Girl, which featured her stunning songs, warm vocals and rich orchestrations.\n
      \n
      "I have conducted many A+B comparisons over the years as one of the founders of the late Cello Music and Film with Mark Levinson, and now as a professional recording engineer I spend a great deal of time comparing tracks, mixes and fine tuning mastered material. Recently we decided to release two collections of Lori Lieberman's on vinyl and ordered Test Pressings from another source. When you told me about QRP I was very interested and excited to have our material pressed at your remarkable facility. But I had no idea what a dramatic difference could be made by just the pressing technique. Both sets of lacquers were prepared by Kevin Gray so all conditions were equal. The depth of the stage, clarity and detail of our mixes, and in particular the air surrounding Lori's voice, representative of what I hear in our studio was remarkable. This was not subtle. The material lives as pressed by QRP. You would have thought I changed phono cartridges, turntables or phono preamp. Congratulations. Your pressing plant is the finest anywhere and we will continue to only press Lori's albums exclusively with QRP. I can't wait till we have the opportunity to do a Direct To Disc and press those at QRP". - Joseph Cali, Recording Engineer of Lori Lieberman's Bend Like Steel and Gun Metal Sky\n
       \n
      """
    -prixVente: "60.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
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    -id: 1841
    -nom: "At The Pershing - But Not For Me"
    -informationComplementaire: ""
    -description: """
      200 gram vinyl mono LP !\n
      \n
      Mastered at Sterling Sound from the original tapes !\n
      \n
      Plated and pressed at Quality Record Pressings !\n
      \n
      Stoughton Printing old-style tip-on jacket !\n
      \n
      Best-selling, highly-recommended jazz album, ranked N° 21 on Jazzwise's list of 100 Jazz Albums That Shook The World !\n
      \n
      "Jamal's ideas about integrated and disciplined trio interplay had already deeply influenced jazz's inner circle of musicians while his piano-guitar-bass trio was around throughout the early 1950s. However, things went supernova-ish when this incredible unit made and released this jazz best-seller in 1958. Nobody remained untouched by his light-but-tight approach, his winningly imaginative arrangements and his incredible attention to dynamics. The highlight may have been ‘Poinciana', but every track is an object lesson in how to draw the best from a tune. That it was no flash in the pan is shown by the music's drawing power and continuing fascination today, as well as its ability to influence every new generation of pianists". - "The 100 Jazz Albums That Shook The World" - Jazzwise.\n
      \n
      This is one of the best-selling jazz records ever. But among audiophiles, it may not be as well known as some of the other genre classics.\n
      \n
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      \n
      In 1956 Jamal's new trio (with Israel Crosby on bass and Vernell Fournier on drums) began a residency at Chicago's Pershing Hotel, and two years later the group recorded At The Pershing : But Not For Me, which spent 108 weeks among the Top Ten best selling albums. Recorded on Jan. 16, 1958 at the Pershing Lounge in the hotel, each set played that night was recorded for a total of 43 tracks, eight of which were selected by Jamal for the album.\n
      \n
      AllMusic rates the album 4 stars, calling it a turning point in Jamal's career. The album became one of the best-selling records in the history of the Chess Records label. Chess Records is synonymous with the Chicago electric blues scene of the 1950s, when iconic names such as Muddy Waters, Howlin' Wolf, Bo Diddley and Chuck Berry came to prominence, helping to establish Leonard and Phil Chess' Windy City indie label as one of America's leading proponents of R&B music. But it's often forgotten that a jazz pianist called Ahmad Jamal played a major role in filling up the label's coffers and widening its audience.\n
      \n
      Jamal, from Pittsburgh, was a child prodigy who started playing piano at age 3 and, as a teen, caught the ear of jazz great Art Tatum. Then, after moving to Chicago, in 1948, he was eventually discovered by visionary record producer John Hammond, the patrician entrepreneur who had brought Billie Holiday to prominence and later helped to bring Aretha Franklin and Bob Dylan to the attention of the wider world. Hammond gave Jamal his first shot at recording in 1951, but it was seven years later, when the pianist was signed to Chess Records, that his career truly skyrocketed.\n
      \n
      At The Pershing : But Not For Me topped America's jazz charts for months and established a 107-week residence in Billboard's album charts.\n
      \n
      "That album sold over one million copies and is still selling", Jamal says. He attributes its success to the power of music. "It's contagious. Music belongs to the world. So something that is of value, whether it's Ravel's Boléro or, specifically, At The Pershing, the world listens. And if it's good, you're going to get one or two listeners... and I got a few more than two" !\n
      \n
      The Analogue Productions reissue LP you hold has matchless listenability, employing steps calculated to extract the highest-quality transfer and playback from the original master tape. Mastering took place at Sterling Sound, while plating and 200 gram pressing is by our own Quality Record Pressings, where the best-sounding LPs with dead-quiet surfaces are produced. A Stoughton Printing old-style tip-on jacket completes the package.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Ahmad Jamal (piano), Israel Crosby (bass), Vernell Fournier (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
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    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=d7Sktqhz6GI"
    -referenceProduit: "Analogue Productions AAPJ 0128"
    -titreMorceau: [
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        "nom" => "1. But Not For Me "
        "ordre" => 1
      ]
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        "nom" => "1. Poinciana "
        "ordre" => 7
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        "ordre" => 2
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      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2069 …}
    -label: App\Entity\Label {#1063 …}
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    -slug: "vinyles-at-the-pershing-but-not-for-me-analogue-productions-aapj-0128"
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App\Twig\Components\GestionPanierFavoriComponents {#3304
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2067
    -id: 1841
    -nom: "At The Pershing - But Not For Me"
    -informationComplementaire: ""
    -description: """
      200 gram vinyl mono LP !\n
      \n
      Mastered at Sterling Sound from the original tapes !\n
      \n
      Plated and pressed at Quality Record Pressings !\n
      \n
      Stoughton Printing old-style tip-on jacket !\n
      \n
      Best-selling, highly-recommended jazz album, ranked N° 21 on Jazzwise's list of 100 Jazz Albums That Shook The World !\n
      \n
      "Jamal's ideas about integrated and disciplined trio interplay had already deeply influenced jazz's inner circle of musicians while his piano-guitar-bass trio was around throughout the early 1950s. However, things went supernova-ish when this incredible unit made and released this jazz best-seller in 1958. Nobody remained untouched by his light-but-tight approach, his winningly imaginative arrangements and his incredible attention to dynamics. The highlight may have been ‘Poinciana', but every track is an object lesson in how to draw the best from a tune. That it was no flash in the pan is shown by the music's drawing power and continuing fascination today, as well as its ability to influence every new generation of pianists". - "The 100 Jazz Albums That Shook The World" - Jazzwise.\n
      \n
      This is one of the best-selling jazz records ever. But among audiophiles, it may not be as well known as some of the other genre classics.\n
      \n
      Jazz pianist, composer, bandleader, Grammy-nominee, and Kennedy Center legend Ahmad Jamal has for five decades been one of the most successful small-group leaders in jazz and one of the genre's all-time great pianists. His artisty, talent and creative abilities have thrilled audiences and been broadly proclaimed by musician and music lover alike. At The Pershing : But Not For Me is Jamal's dazzling fountain of creative splendor in full flow.\n
      \n
      In 1956 Jamal's new trio (with Israel Crosby on bass and Vernell Fournier on drums) began a residency at Chicago's Pershing Hotel, and two years later the group recorded At The Pershing : But Not For Me, which spent 108 weeks among the Top Ten best selling albums. Recorded on Jan. 16, 1958 at the Pershing Lounge in the hotel, each set played that night was recorded for a total of 43 tracks, eight of which were selected by Jamal for the album.\n
      \n
      AllMusic rates the album 4 stars, calling it a turning point in Jamal's career. The album became one of the best-selling records in the history of the Chess Records label. Chess Records is synonymous with the Chicago electric blues scene of the 1950s, when iconic names such as Muddy Waters, Howlin' Wolf, Bo Diddley and Chuck Berry came to prominence, helping to establish Leonard and Phil Chess' Windy City indie label as one of America's leading proponents of R&B music. But it's often forgotten that a jazz pianist called Ahmad Jamal played a major role in filling up the label's coffers and widening its audience.\n
      \n
      Jamal, from Pittsburgh, was a child prodigy who started playing piano at age 3 and, as a teen, caught the ear of jazz great Art Tatum. Then, after moving to Chicago, in 1948, he was eventually discovered by visionary record producer John Hammond, the patrician entrepreneur who had brought Billie Holiday to prominence and later helped to bring Aretha Franklin and Bob Dylan to the attention of the wider world. Hammond gave Jamal his first shot at recording in 1951, but it was seven years later, when the pianist was signed to Chess Records, that his career truly skyrocketed.\n
      \n
      At The Pershing : But Not For Me topped America's jazz charts for months and established a 107-week residence in Billboard's album charts.\n
      \n
      "That album sold over one million copies and is still selling", Jamal says. He attributes its success to the power of music. "It's contagious. Music belongs to the world. So something that is of value, whether it's Ravel's Boléro or, specifically, At The Pershing, the world listens. And if it's good, you're going to get one or two listeners... and I got a few more than two" !\n
      \n
      The Analogue Productions reissue LP you hold has matchless listenability, employing steps calculated to extract the highest-quality transfer and playback from the original master tape. Mastering took place at Sterling Sound, while plating and 200 gram pressing is by our own Quality Record Pressings, where the best-sounding LPs with dead-quiet surfaces are produced. A Stoughton Printing old-style tip-on jacket completes the package.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Ahmad Jamal (piano), Israel Crosby (bass), Vernell Fournier (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
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    ]
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    -slug: "vinyles-at-the-pershing-but-not-for-me-analogue-productions-aapj-0128"
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[
  "produit" => App\Entity\Produit {#2083
    -id: 485
    -nom: "Ben Webster meets Oscar Peterson"
    -informationComplementaire: ""
    -description: """
      "I just picked up your new AP pressing of Ben Webster Meets Oscar Peterson and it sounds amazing. QRP is doing it right !" - Matthew Block, Acoustic Sounds customer\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss... most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      "...this LP is from the stereo tapes. While I've always preferred the original in its mono version, that preference no longer stands. The stereo image is stunning, with good center fill, decent depth and no sense that instruments are stuck in the speaker locations in other words all of the attributes of the best mono recordings with the advantages of stereo spread. You'll use this record to show your doubting friends just how much better (vinyl) can sound than any digital format". Recording = 10/10; Music = 10/10 - Dennis D. Davis, Hi-Fi +, Issue 87\r\n
       \r\n
      Ben Webster Meets Oscar Peterson brings together two of the greatest stylists American music has produced. Here, in a program of timeless songs, pianist Oscar Peterson is the perfect foil his effortless swing an excellent set-up for the unhurried scoops, slurs, and bent notes of tenor saxophone balladeer Ben Webster just the way he liked it.\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Ben Webster (tenor saxophone), Oscar Peterson (piano),? Ray Brown (bass), ?Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=4VZB44awF70"
    -referenceProduit: "AVRJ 6114"
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    -description: """
      200 gram vinyl by Quality Record Pressings Now a 2LP at 45 RPM !\r\n
      \r\n
      Stoughton Printing tip-on gatefold jacket with new images !\r\n
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      Remastered by Kevin Gray at Cohearent Audio from the original analog tape !\r\n
      \r\n
      200 gram pressing by Quality Record Pressings !\r\n
      \r\n
      Praise for our 33 1/3 Analogue Productions reissue !\r\n
      \r\n
      Positive Feedback magazine Writer's Choice Awards for 2017 !\r\n
      \r\n
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    -nom: "Winds Of War and Peace"
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      \r\n
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      \r\n
      Remastered by Kevin Gray at Cohearent Audio from the original analog tape !\r\n
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      200 gram pressing by Quality Record Pressings !\r\n
      \r\n
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      Positive Feedback magazine Writer's Choice Awards for 2017 !\r\n
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      \r\n
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-winds-of-war-and-peace-analogue-productions-aapc-8823-45"
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[
  "produit" => App\Entity\Produit {#2131
    -id: 406
    -nom: "Whistle Stop"
    -informationComplementaire: "OUT OF PRINT ! 45 RPM Limited Edition N° 1736"
    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award ! \r\n
      \r\n
      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52\r\n
      \r\n
      "These are simply amazing pressings. I have no regrets whatsoever about signing up for this subscription. The folks I'd invited over last Saturday are by no means audiophiles, but they couldn't believe that they were listening to vinyl, or that recordings that were 40+ years old could sound so good. I'm working hard to turn them into vinyl converts. These discs are the icing on the cake !" – Tim Bingaman, Acoustic Sounds customer\r\n
      \r\n
      "…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands… Back home a month later, I unpack some test pressings Chad Kassem has sent me… I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud". – Jason Victor Serinus, Stereophile, April 2008\r\n
      \r\n
      "...these first five Acoustic Sounds Blue Note re-issues are pure bop genius...The best news is that Kevin Gray and Steve Hoffman were keen enough to do nothing more than gently clean up the masters, bringing us even closer to the hard bop edge. The 45 RPM pressings that I received were all super quiet with every last drop of resolution from the master tapes. I had almost forgotten just how good Paul Chambers and Phil Joe were together as the backbone of these groups. I've always loved this music but I didn't remember it sounding this good ! Hank Mobley offers us some brilliant sax bits on one of Kenny Dorham's finest recordings, Whistle Stop and Dexter Gordon's performance blew me away as well. The biggest surprise were the Lee Morgan records. I suggest turning these up loud, since they possess unlimited energy and some hooks that will knock you out. Amazing! Just a small warning: Once you start playing these Blue Note recordings you will be hooked. The good news is that Acoustic Sounds is working on at least 20 more of these jazz gems. So make sure your turntable has a setting for 45 RPM, clean your stylus occassionally, and get ready to be transported to nirvana". - Dan Babineau, Tone Audio, N° 14 2008, www.tonepublications.com\r\n
      \r\n
      Rightfully considered one of Kenny Dorham's best, this album features great originals and great trumpet playing. The superb cast consists of Hank Mobley, Kenny Drew, Paul Chambers and Philly Joe Jones. The title tune and "Philly Twist" are often heard, but the entire album represents a great composing achievement for KD.\r\n
      \r\n
      Recorded in 1961.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), Hank Mobley (tenor saxophone), Kenny Drew (piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=EMpkHkvDBMY"
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      [
        "nom" => "2. Sunrise in Mexico"
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        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
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    -modifierLe: DateTime @1621598735 {#2129
      date: 2021-05-21 12:05:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-whistle-stop-abnj-84063"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3508
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
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    -id: 406
    -nom: "Whistle Stop"
    -informationComplementaire: "OUT OF PRINT ! 45 RPM Limited Edition N° 1736"
    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award ! \r\n
      \r\n
      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52\r\n
      \r\n
      "These are simply amazing pressings. I have no regrets whatsoever about signing up for this subscription. The folks I'd invited over last Saturday are by no means audiophiles, but they couldn't believe that they were listening to vinyl, or that recordings that were 40+ years old could sound so good. I'm working hard to turn them into vinyl converts. These discs are the icing on the cake !" – Tim Bingaman, Acoustic Sounds customer\r\n
      \r\n
      "…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands… Back home a month later, I unpack some test pressings Chad Kassem has sent me… I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud". – Jason Victor Serinus, Stereophile, April 2008\r\n
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      \r\n
      Rightfully considered one of Kenny Dorham's best, this album features great originals and great trumpet playing. The superb cast consists of Hank Mobley, Kenny Drew, Paul Chambers and Philly Joe Jones. The title tune and "Philly Twist" are often heard, but the entire album represents a great composing achievement for KD.\r\n
      \r\n
      Recorded in 1961.\r\n
      """
    -prixVente: "99.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=EMpkHkvDBMY"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2147
    -id: 1868
    -nom: "Center Stage"
    -informationComplementaire: ""
    -description: """
      200 gram vinyl by Quality Record Pressings Now a 2 LP at 45 RPM !\r\n
      \r\n
      Stoughton Printing tip-on gatefold jacket with new images !\r\n
      \r\n
      Remastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      \r\n
      Lowell Graham conducts the National Symphonic Winds !\r\n
      \r\n
      Recorded to 2 track, half-inch 30 inch-per-second tape via modified Studer tape deck !\r\n
      \r\n
      Selections from the stage, screen and Olympic Fanfare !\r\n
      \r\n
      From Wilson Audiophile Recordings comes Center Stage, featuring Lowell Graham conducting the National Symphonic Winds.  \r\n
      \r\n
      These recordings were made in a historic concert hall on the campus of Hampton University in Hampton Roads, Va. The history of the hall parallels somewhat New York's Carnegie Hall. The musicians in the National Symphonic Winds come from the premier military bands of the United States as well as the Virginia Symphony Orchestra. The result was a superb mix of seasoned and assured professionals for this single, five-hour recording session.\r\n
      \r\n
      Those who have already enjoyed the 33 1/3 Analogue Productions reissue of Center Stage know why it is an exceptional-sounding audiophile record. Now, cut at 45 RPM, and with wider grooves, you'll hear sound that's upgraded from exceptional, to brilliant. There's more depth and space to the orchestra as a whole, as well as individual instruments. This disc sports more detail, more human presence, more of what we as audiophiles, listen for.\r\n
      \r\n
      Lowell Graham, a graduate of the University of Northern Colorado, was also the first to be awarded the Doctor of Musical Arts degree in orchestral conducting from the Catholic University of America. He has led orchestras and bands in performances throughout the world, and he's the current conductor and commander of the United States Air Force Tactical Air Command Band.\r\n
      \r\n
      Recorded with minimal miking (Sennheiser), directly to 2 track half-inch, 30 ips tape using arguably the finest 2 track analog recorder in the world the Wilson Ultramaster a highly-modified Studer tape deck with custom-designed electronics designed by John Curl. To accomplish this difficult, time pressure recording, the recording engineering skills of the renowned Bruce Leek were employed.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "National Symphonic Winds conducted by Lowell Graham"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YEZ1IObRiSY"
    -referenceProduit: "Analogue Productions AAPC 8824-45"
    -titreMorceau: [
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        "nom" => "1. Olympic Fanfare "
        "ordre" => 0
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        "nom" => "2. The Cowboys "
        "ordre" => 1
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        "nom" => "6. Selections From West Side Story"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2149 …}
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    -modifierLe: DateTime @1611856067 {#2145
      date: 2021-01-28 17:47:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2155 …}
    -disponible: null
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    -slug: "vinyles-center-stage-analogue-productions-aapc-8824-45"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3559
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2147
    -id: 1868
    -nom: "Center Stage"
    -informationComplementaire: ""
    -description: """
      200 gram vinyl by Quality Record Pressings Now a 2 LP at 45 RPM !\r\n
      \r\n
      Stoughton Printing tip-on gatefold jacket with new images !\r\n
      \r\n
      Remastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      \r\n
      Lowell Graham conducts the National Symphonic Winds !\r\n
      \r\n
      Recorded to 2 track, half-inch 30 inch-per-second tape via modified Studer tape deck !\r\n
      \r\n
      Selections from the stage, screen and Olympic Fanfare !\r\n
      \r\n
      From Wilson Audiophile Recordings comes Center Stage, featuring Lowell Graham conducting the National Symphonic Winds.  \r\n
      \r\n
      These recordings were made in a historic concert hall on the campus of Hampton University in Hampton Roads, Va. The history of the hall parallels somewhat New York's Carnegie Hall. The musicians in the National Symphonic Winds come from the premier military bands of the United States as well as the Virginia Symphony Orchestra. The result was a superb mix of seasoned and assured professionals for this single, five-hour recording session.\r\n
      \r\n
      Those who have already enjoyed the 33 1/3 Analogue Productions reissue of Center Stage know why it is an exceptional-sounding audiophile record. Now, cut at 45 RPM, and with wider grooves, you'll hear sound that's upgraded from exceptional, to brilliant. There's more depth and space to the orchestra as a whole, as well as individual instruments. This disc sports more detail, more human presence, more of what we as audiophiles, listen for.\r\n
      \r\n
      Lowell Graham, a graduate of the University of Northern Colorado, was also the first to be awarded the Doctor of Musical Arts degree in orchestral conducting from the Catholic University of America. He has led orchestras and bands in performances throughout the world, and he's the current conductor and commander of the United States Air Force Tactical Air Command Band.\r\n
      \r\n
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      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "National Symphonic Winds conducted by Lowell Graham"
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      ]
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        "nom" => "5. Selections From Mary Poppins "
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        "nom" => "6. Selections From West Side Story"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2149 …}
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    -modifierLe: DateTime @1611856067 {#2145
      date: 2021-01-28 17:47:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2155 …}
    -disponible: null
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    -slug: "vinyles-center-stage-analogue-productions-aapc-8824-45"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
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[
  "produit" => App\Entity\Produit {#2163
    -id: 1861
    -nom: "The Sound Of Jazz"
    -informationComplementaire: ""
    -description: """
      Now cut at 45 RPM 2 LP for better tracking, exceptional fidelity !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound, from the original 3 track tape !\r\n
      \r\n
      200 gram LP plated and pressed at Quality Record Pressings !\r\n
      \r\n
      Gatefold old style tip-on jacket from Stoughton Printing with gorgeous photos !\r\n
      \r\n
      Featuring "Wild Man Blues" "Dickie's Dream" and more !\r\n
      \r\n
      Praise for Analogue Productions' 33 1/3 reissue !\r\n
      \r\n
      "The only reason Classic Records failed to reissue this one back in the 1990s and 2000s is because the reel containing one side had gone missing. For this reissue Sony / BMG located the original 3 track recording from which this stereo record was sourced so it's one generation ahead of the mixed 2-track master. This tape probably hadn't been played in almost sixty years and so sounds remarkably fresh. Analogue Productions reissued this in a tip-on gatefold sleeve with great black and white photos taken at the recording session of Count Basie, Billie Holiday and Ben Webster. A moment in musical time perfectly captured that's easy to recommend for the music, the sound and the packaging. The reissue sound is somewhat drier than the original, which makes it all the more intimate and less dated. A great lacquer cut by Ryan K. Smith". - Michael Fremer, AnalogPlanet.com. To read Fremer's full review.\r\n
      \r\n
      This 200 gram 45 RPM Analogue Productions LP reissue is a magnificent-sounding recording of a historic TV event. For a rare and glorious one-hour nationwide broadcast, CBS brought together 32 towering heavyweight jazz musicians of the swing era for the jam session to end all jam sessions. The dead-quiet double LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
      See the video above for a look at how the program went down.\r\n
      \r\n
      The one-hour program aired on Sunday, December 8, 1957, live from CBS Studio 58, the Town Theater at 851 Ninth Avenue in New York City. The show was hosted by New York Herald-Tribune media critic John Crosby, directed by Jack Smight, and produced by Robert Herridge. Jazz writers Nat Hentoff and Whitney Balliett were the primary music consultants.\r\n
      "The Sound of Jazz" brought together 32 leading musicians a Who's Who of the swing era including Count Basie, Lester Young, Ben Webster, Billie Holiday, Jo Jones and Coleman Hawkins; the Chicago style players of the same era, like Henry "Red" Allen, Vic Dickenson, and Pee Wee Russell; and younger 'modernist' musicians such as Gerry Mulligan, Thelonious Monk, and Jimmy Giuffre. These players played separately with their compatriots (see the song list below), but also joined to combine various styles in one group, such as Red Allen's group and the group backing Billie Holiday on "Fine and Mellow".\r\n
      \r\n
      Columbia Records released this LP in 1958 that is actually a rehearsal that preceded the telecast (recorded on December 4 at Columbia's 30th Street studios), and is not its soundtrack. The LP was released in 1958 as Columbia CL 1098, with liner notes by Eric Larrabee, and the cover photo is by Tom Yee. The recording doesn't include all of the performers on the TV show (Mulligan refused to participate because no additional payment was involved) and includes several who were not on the show. Bassist Walter Page rehearsed, and is featured on the LP, but collapsed on the way to the studio for the telecast.\r\n
      \r\n
      For this Analogue Productions reissue we started with the original tape and the best mastering available Ryan K. Smith at Sterling Sound did a steller job, and naturally, plating at Quality Record Pressings was handled by master plating technician Gary Salstrom. Our 200 gram QRP platters serve up an utterly noiseless background that lets the superior sonics shine through. \r\n
      \r\n
      The show's performance of "Fine and Mellow" reunited Billie Holiday with her estranged long-time friend Lester Young for the final time. Jazz critic Nat Hentoff, who was involved in the show, recalled that during rehearsals, they kept to opposite sides of the room. Young was very weak, and Hentoff told him to skip the big band section of the show and that he could sit while performing in the group with Holiday.\r\n
      \r\n
      During the performance of "Fine and Mellow", Webster played the first solo. "Then", Hentoff remembered : "Lester got up, and he played the purest blues I have ever heard, and [he and Holiday] were looking at each other, their eyes were sort of interlocked, and she was sort of nodding and half-smiling. It was as if they were both remembering what had been whatever that was. And in the control room we were all crying. When the show was over, they went their separate ways".\r\n
      \r\n
      Within two years, both Young and Holiday had died.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Louis Armstrong, F.J. Morton, W.H. Hoode, E. Hines, Billie Holiday, D. Barker, Jimmy Giuffre, J. Jones, Pee Wee Russell, Jimmy Rushing, Count Basie, A. Gibson, Mal Waldron, Count Basie, Lester Young"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ijjIoIWMFcM"
    -referenceProduit: "Analogue Productions AAPJ 111-45"
    -titreMorceau: [
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        "nom" => "1. Wild Man Blues – L. Armstrong, F.J. Morton "
        "ordre" => 0
      ]
      [
        "nom" => "2. Rosetta – W.H. Hoode, E. Hines "
        "ordre" => 1
      ]
      [
        "nom" => "3. Fine and Mellow – B. Holiday "
        "ordre" => 2
      ]
      [
        "nom" => "4. Blues – Giuffre, Russell "
        "ordre" => 3
      ]
      [
        "nom" => "5. I Left My Baby – Rushing, Basie, A. Gibson "
        "ordre" => 4
      ]
      [
        "nom" => "6. The Train And The River – Giuffre "
        "ordre" => 5
      ]
      [
        "nom" => "7. Nervous – Waldron "
        "ordre" => 6
      ]
      [
        "nom" => "8. Dickie’s Dream – Basie, L. Young"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2165 …}
    -label: App\Entity\Label {#1063 …}
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    }
    -modifierLe: DateTime @1610211354 {#2161
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3610
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
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    -id: 1861
    -nom: "The Sound Of Jazz"
    -informationComplementaire: ""
    -description: """
      Now cut at 45 RPM 2 LP for better tracking, exceptional fidelity !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound, from the original 3 track tape !\r\n
      \r\n
      200 gram LP plated and pressed at Quality Record Pressings !\r\n
      \r\n
      Gatefold old style tip-on jacket from Stoughton Printing with gorgeous photos !\r\n
      \r\n
      Featuring "Wild Man Blues" "Dickie's Dream" and more !\r\n
      \r\n
      Praise for Analogue Productions' 33 1/3 reissue !\r\n
      \r\n
      "The only reason Classic Records failed to reissue this one back in the 1990s and 2000s is because the reel containing one side had gone missing. For this reissue Sony / BMG located the original 3 track recording from which this stereo record was sourced so it's one generation ahead of the mixed 2-track master. This tape probably hadn't been played in almost sixty years and so sounds remarkably fresh. Analogue Productions reissued this in a tip-on gatefold sleeve with great black and white photos taken at the recording session of Count Basie, Billie Holiday and Ben Webster. A moment in musical time perfectly captured that's easy to recommend for the music, the sound and the packaging. The reissue sound is somewhat drier than the original, which makes it all the more intimate and less dated. A great lacquer cut by Ryan K. Smith". - Michael Fremer, AnalogPlanet.com. To read Fremer's full review.\r\n
      \r\n
      This 200 gram 45 RPM Analogue Productions LP reissue is a magnificent-sounding recording of a historic TV event. For a rare and glorious one-hour nationwide broadcast, CBS brought together 32 towering heavyweight jazz musicians of the swing era for the jam session to end all jam sessions. The dead-quiet double LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
      See the video above for a look at how the program went down.\r\n
      \r\n
      The one-hour program aired on Sunday, December 8, 1957, live from CBS Studio 58, the Town Theater at 851 Ninth Avenue in New York City. The show was hosted by New York Herald-Tribune media critic John Crosby, directed by Jack Smight, and produced by Robert Herridge. Jazz writers Nat Hentoff and Whitney Balliett were the primary music consultants.\r\n
      "The Sound of Jazz" brought together 32 leading musicians a Who's Who of the swing era including Count Basie, Lester Young, Ben Webster, Billie Holiday, Jo Jones and Coleman Hawkins; the Chicago style players of the same era, like Henry "Red" Allen, Vic Dickenson, and Pee Wee Russell; and younger 'modernist' musicians such as Gerry Mulligan, Thelonious Monk, and Jimmy Giuffre. These players played separately with their compatriots (see the song list below), but also joined to combine various styles in one group, such as Red Allen's group and the group backing Billie Holiday on "Fine and Mellow".\r\n
      \r\n
      Columbia Records released this LP in 1958 that is actually a rehearsal that preceded the telecast (recorded on December 4 at Columbia's 30th Street studios), and is not its soundtrack. The LP was released in 1958 as Columbia CL 1098, with liner notes by Eric Larrabee, and the cover photo is by Tom Yee. The recording doesn't include all of the performers on the TV show (Mulligan refused to participate because no additional payment was involved) and includes several who were not on the show. Bassist Walter Page rehearsed, and is featured on the LP, but collapsed on the way to the studio for the telecast.\r\n
      \r\n
      For this Analogue Productions reissue we started with the original tape and the best mastering available Ryan K. Smith at Sterling Sound did a steller job, and naturally, plating at Quality Record Pressings was handled by master plating technician Gary Salstrom. Our 200 gram QRP platters serve up an utterly noiseless background that lets the superior sonics shine through. \r\n
      \r\n
      The show's performance of "Fine and Mellow" reunited Billie Holiday with her estranged long-time friend Lester Young for the final time. Jazz critic Nat Hentoff, who was involved in the show, recalled that during rehearsals, they kept to opposite sides of the room. Young was very weak, and Hentoff told him to skip the big band section of the show and that he could sit while performing in the group with Holiday.\r\n
      \r\n
      During the performance of "Fine and Mellow", Webster played the first solo. "Then", Hentoff remembered : "Lester got up, and he played the purest blues I have ever heard, and [he and Holiday] were looking at each other, their eyes were sort of interlocked, and she was sort of nodding and half-smiling. It was as if they were both remembering what had been whatever that was. And in the control room we were all crying. When the show was over, they went their separate ways".\r\n
      \r\n
      Within two years, both Young and Holiday had died.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Louis Armstrong, F.J. Morton, W.H. Hoode, E. Hines, Billie Holiday, D. Barker, Jimmy Giuffre, J. Jones, Pee Wee Russell, Jimmy Rushing, Count Basie, A. Gibson, Mal Waldron, Count Basie, Lester Young"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ijjIoIWMFcM"
    -referenceProduit: "Analogue Productions AAPJ 111-45"
    -titreMorceau: [
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        "ordre" => 0
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      ]
      [
        "nom" => "4. Blues – Giuffre, Russell "
        "ordre" => 3
      ]
      [
        "nom" => "5. I Left My Baby – Rushing, Basie, A. Gibson "
        "ordre" => 4
      ]
      [
        "nom" => "6. The Train And The River – Giuffre "
        "ordre" => 5
      ]
      [
        "nom" => "7. Nervous – Waldron "
        "ordre" => 6
      ]
      [
        "nom" => "8. Dickie’s Dream – Basie, L. Young"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2165 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2174 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2167 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2169 …}
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      date: 2020-06-03 07:19:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1610211354 {#2161
      date: 2021-01-09 16:55:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-sound-of-jazz-analogue-productions-aapj-111-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2179
    -id: 1860
    -nom: "At The Montreux Jazz Festival"
    -informationComplementaire: ""
    -description: """
      200 gram pressing by Quality Record Pressings Now at 45 RPM !\r\n
      \r\n
      Mastered from the original tapes by Bernie Grundman !\r\n
      \r\n
      Old-style tip-on gatefold jacket by Stoughton Printing !\r\n
      \r\n
      Winner of the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group !\r\n
      \r\n
      As others have noted, this album occupies a unique place in the Bill Evans discography. It's the only album to document drummer Jack deJohnette's too-short stay in the trio. The trio's performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group.\r\n
      \r\n
      By the time this set was recorded, live in Montreux on June 15, 1968, Eddie Gomez and Evans had been playing together for two years. Gomez provided a different brand of virtuosity to that offered by Scott LaFaro in Evans's classic trio of five years earlier but he was clearly the best bass player Evans had worked with since LaFaro's tragic death. The groove between the two was deep and comfortable, so comfortable that in this set, Evans did something he hadn't done before, at least on a recording: he showcased Gomez for an entire piece, the almost 7 minute-long "Embraceable You".\r\n
      \r\n
      As the liner notes by Gene Lees reveal, Evan's performance at the renowned jazz festival in the nightclub of the Montreux Casino, one of the most fashionable resorts in Switzerland, was one of his best. He and Gomez played with more exuberance, more happiness and more drive. Evans' brooding, introspective musical side has been represented well on records before; the bright side has been too-little heard, but it's here in this album.\r\n
      \r\n
      At the end of each number the audience exploded in applause so stormy and extended that it had to be heavily edited for the album.\r\n
      \r\n
      Enjoy this sparkling Bill Evans piano performance, made sweeter by the expert mastering by Bernie Grundman from the original analog tape. For this edition only the best vinyl pressing would do a 200 gram super-silent luxurious-sounding platter from Quality Record Pressings, makers of the world's finest-sounding LPs. And Stoughton Printing old-style tip-on cardboard gatefold jacket with vibrantly reproduced original artwork. How does it get any better ? Well, we've cut this edition at 45 RPM ! The dead-quiet double LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
      First-rate and top-notch, this album will make a superb addition to your record collection.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Bill Evans (piano), Eddie Gomez (bass), Jack DeJohnette (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WoHQhbDxAcE"
    -referenceProduit: "Analogue Productions AAPJ 8762-45"
    -titreMorceau: [
      [
        "nom" => " 1. One For Helen "
        "ordre" => 0
      ]
      [
        "nom" => "2. A Sleeping Bee "
        "ordre" => 1
      ]
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        "nom" => "3. Mother Of Earl "
        "ordre" => 2
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        "nom" => "4. Nardis "
        "ordre" => 3
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      [
        "nom" => "5. I Love You Porgy "
        "ordre" => 4
      ]
      [
        "nom" => "6. The Touch Of Your Lips "
        "ordre" => 5
      ]
      [
        "nom" => "7. Embraceable You "
        "ordre" => 6
      ]
      [
        "nom" => "8. Someday My Prince Will Come "
        "ordre" => 7
      ]
      [
        "nom" => "9. Walkin’ Up"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3663
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2179
    -id: 1860
    -nom: "At The Montreux Jazz Festival"
    -informationComplementaire: ""
    -description: """
      200 gram pressing by Quality Record Pressings Now at 45 RPM !\r\n
      \r\n
      Mastered from the original tapes by Bernie Grundman !\r\n
      \r\n
      Old-style tip-on gatefold jacket by Stoughton Printing !\r\n
      \r\n
      Winner of the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group !\r\n
      \r\n
      As others have noted, this album occupies a unique place in the Bill Evans discography. It's the only album to document drummer Jack deJohnette's too-short stay in the trio. The trio's performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group.\r\n
      \r\n
      By the time this set was recorded, live in Montreux on June 15, 1968, Eddie Gomez and Evans had been playing together for two years. Gomez provided a different brand of virtuosity to that offered by Scott LaFaro in Evans's classic trio of five years earlier but he was clearly the best bass player Evans had worked with since LaFaro's tragic death. The groove between the two was deep and comfortable, so comfortable that in this set, Evans did something he hadn't done before, at least on a recording: he showcased Gomez for an entire piece, the almost 7 minute-long "Embraceable You".\r\n
      \r\n
      As the liner notes by Gene Lees reveal, Evan's performance at the renowned jazz festival in the nightclub of the Montreux Casino, one of the most fashionable resorts in Switzerland, was one of his best. He and Gomez played with more exuberance, more happiness and more drive. Evans' brooding, introspective musical side has been represented well on records before; the bright side has been too-little heard, but it's here in this album.\r\n
      \r\n
      At the end of each number the audience exploded in applause so stormy and extended that it had to be heavily edited for the album.\r\n
      \r\n
      Enjoy this sparkling Bill Evans piano performance, made sweeter by the expert mastering by Bernie Grundman from the original analog tape. For this edition only the best vinyl pressing would do a 200 gram super-silent luxurious-sounding platter from Quality Record Pressings, makers of the world's finest-sounding LPs. And Stoughton Printing old-style tip-on cardboard gatefold jacket with vibrantly reproduced original artwork. How does it get any better ? Well, we've cut this edition at 45 RPM ! The dead-quiet double LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
      First-rate and top-notch, this album will make a superb addition to your record collection.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Bill Evans (piano), Eddie Gomez (bass), Jack DeJohnette (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=WoHQhbDxAcE"
    -referenceProduit: "Analogue Productions AAPJ 8762-45"
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      [
        "nom" => "5. I Love You Porgy "
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      [
        "nom" => "6. The Touch Of Your Lips "
        "ordre" => 5
      ]
      [
        "nom" => "7. Embraceable You "
        "ordre" => 6
      ]
      [
        "nom" => "8. Someday My Prince Will Come "
        "ordre" => 7
      ]
      [
        "nom" => "9. Walkin’ Up"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-at-the-montreux-jazz-festival-analogue-productions-aapj-8762-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2192
    -id: 1818
    -nom: "Amos Lee"
    -informationComplementaire: ""
    -description: """
      Soundstage, sonic detail enhanced at 45 RPM 2 LP !\r\n
      \r\n
      Mastered by Bernie Grundman from the original master tapes !\r\n
      \r\n
      Plating and 200 gram pressing by Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing old-style tip-on jacket !\r\n
      \r\n
      Singer-songwriter Amos Lee draws inspiration from soul music, contemporary jazz and 1970s folk artists such as James Taylor. The Philadelphia native honed his songwriting skills while waiting tables and bartending after graduating from the University of South Carolina with a degree in English. He eventually landed some high-profile gigs as an opening act, including an extended tour with pianist/vocalist Norah Jones, whose bassist, Lee Alexander, agreed to produce Lee's first album.\r\n
      \r\n
      With Alexander's help, Amos Lee released his self-titled debut on Blue Note in 2005. The album won Lee a small following for his blend of acoustic funk, folk, and light jazz. Norah Jones herself plays the piano on two tracks; "Keep It Loose, Keep It Tight" and "Colors".\r\n
      \r\n
      A notable debut like Amos Lee deserves the Analogue Productions reissue treatment. This beauty was cut by Bernie Grundman in Los Angeles from the master tape, and is now pressed at 45 RPM on two glorious sides of 200 gram vinyl by Quality Record Pressings, makers of the world's finest-sounding LPs. QRP is noted for deep-black backgrounds and pristine clarity. If you're already familiar with Amos Lee, get ready you've never experienced it with such lifelike sonics and premium richness. This is how all vinyl should sound.\r\n
      \r\n
      The songs on the album incorporate themes of folk, soul, gospel and jazz. Amos's style is a mix of Bill Withers, Arthur Lee, and James Taylor. Amos has recently toured with Bob Dylan, Paul Simon, Elvis Costello, Van Morrison, Adele, Dave Matthews and many others.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Amos Lee (guitar, vocals), Lee Alexander (pulp drum, bass), Fred Berman (drums, background vocals), Kevin Breit (acoustic guitar, mandolin) Adam Levy (electric guitar, background vocals), Norah Jones (piano, background vocals), Devin Greenwood (Organ)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ARIgMZkioVw"
    -referenceProduit: "Analogue Productions AAPP 125-45"
    -titreMorceau: [
      [
        "nom" => "1. Arms Of A Woman"
        "ordre" => 4
      ]
      [
        "nom" => "1. Black River"
        "ordre" => 12
      ]
      [
        "nom" => "1. Keep It Loose, Keep It Tight "
        "ordre" => 1
      ]
      [
        "nom" => "1. Soul Suckers"
        "ordre" => 8
      ]
      [
        "nom" => "2. Colors"
        "ordre" => 9
      ]
      [
        "nom" => "2. Give It Up"
        "ordre" => 5
      ]
      [
        "nom" => "2. Lies Of A Lonely Friend"
        "ordre" => 13
      ]
      [
        "nom" => "2. Seen It All Before"
        "ordre" => 2
      ]
      [
        "nom" => "3. All Of My Friends"
        "ordre" => 14
      ]
      [
        "nom" => "3. Bottom Of The Barrel"
        "ordre" => 10
      ]
      [
        "nom" => "3. Dreamin’"
        "ordre" => 6
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2194 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2203 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2196 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2198 …}
    -enregistreLe: DateTime @1582924308 {#2189
      date: 2020-02-28 21:11:48.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1591974038 {#2190
      date: 2020-06-12 15:00:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2200 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-amos-lee-analogue-productions-aapp-125-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3709
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2192
    -id: 1818
    -nom: "Amos Lee"
    -informationComplementaire: ""
    -description: """
      Soundstage, sonic detail enhanced at 45 RPM 2 LP !\r\n
      \r\n
      Mastered by Bernie Grundman from the original master tapes !\r\n
      \r\n
      Plating and 200 gram pressing by Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing old-style tip-on jacket !\r\n
      \r\n
      Singer-songwriter Amos Lee draws inspiration from soul music, contemporary jazz and 1970s folk artists such as James Taylor. The Philadelphia native honed his songwriting skills while waiting tables and bartending after graduating from the University of South Carolina with a degree in English. He eventually landed some high-profile gigs as an opening act, including an extended tour with pianist/vocalist Norah Jones, whose bassist, Lee Alexander, agreed to produce Lee's first album.\r\n
      \r\n
      With Alexander's help, Amos Lee released his self-titled debut on Blue Note in 2005. The album won Lee a small following for his blend of acoustic funk, folk, and light jazz. Norah Jones herself plays the piano on two tracks; "Keep It Loose, Keep It Tight" and "Colors".\r\n
      \r\n
      A notable debut like Amos Lee deserves the Analogue Productions reissue treatment. This beauty was cut by Bernie Grundman in Los Angeles from the master tape, and is now pressed at 45 RPM on two glorious sides of 200 gram vinyl by Quality Record Pressings, makers of the world's finest-sounding LPs. QRP is noted for deep-black backgrounds and pristine clarity. If you're already familiar with Amos Lee, get ready you've never experienced it with such lifelike sonics and premium richness. This is how all vinyl should sound.\r\n
      \r\n
      The songs on the album incorporate themes of folk, soul, gospel and jazz. Amos's style is a mix of Bill Withers, Arthur Lee, and James Taylor. Amos has recently toured with Bob Dylan, Paul Simon, Elvis Costello, Van Morrison, Adele, Dave Matthews and many others.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Amos Lee (guitar, vocals), Lee Alexander (pulp drum, bass), Fred Berman (drums, background vocals), Kevin Breit (acoustic guitar, mandolin) Adam Levy (electric guitar, background vocals), Norah Jones (piano, background vocals), Devin Greenwood (Organ)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ARIgMZkioVw"
    -referenceProduit: "Analogue Productions AAPP 125-45"
    -titreMorceau: [
      [
        "nom" => "1. Arms Of A Woman"
        "ordre" => 4
      ]
      [
        "nom" => "1. Black River"
        "ordre" => 12
      ]
      [
        "nom" => "1. Keep It Loose, Keep It Tight "
        "ordre" => 1
      ]
      [
        "nom" => "1. Soul Suckers"
        "ordre" => 8
      ]
      [
        "nom" => "2. Colors"
        "ordre" => 9
      ]
      [
        "nom" => "2. Give It Up"
        "ordre" => 5
      ]
      [
        "nom" => "2. Lies Of A Lonely Friend"
        "ordre" => 13
      ]
      [
        "nom" => "2. Seen It All Before"
        "ordre" => 2
      ]
      [
        "nom" => "3. All Of My Friends"
        "ordre" => 14
      ]
      [
        "nom" => "3. Bottom Of The Barrel"
        "ordre" => 10
      ]
      [
        "nom" => "3. Dreamin’"
        "ordre" => 6
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2194 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2203 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2196 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2198 …}
    -enregistreLe: DateTime @1582924308 {#2189
      date: 2020-02-28 21:11:48.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1591974038 {#2190
      date: 2020-06-12 15:00:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2200 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-amos-lee-analogue-productions-aapp-125-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3909
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3910 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3958 …}
  +isValidated: false
  +validatedFields: []
}