Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2581
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2428 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2658
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2661 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2660 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2428 …}
  -formView: Symfony\Component\Form\FormView {#2697 …}
  -form: Symfony\Component\Form\Form {#2847 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 597
    -nom: "Byrd In Paris"
    -informationComplementaire: null
    -description: """
      - Recorded October 22, 1958, Olympia hall, Paris.\r\n
      - Original LP issue : Brunswick 87 903.\r\n
      \r\n
      “They’d been living in Europe for months. They’d appeared in Cannes and at Knokke (…) yet the only thing missing was the consecration that a great concert in Paris would bring. They won that last battle with astounding brio, in front of an audience of connoisseurs. There were many there who thought modern jazz had never been so well- served in Paris.” (Jazz Magazine). Hard bop had arrived! Hallelujah! On its first French appearance, in July ‘58 at the Cannes Festival – the first and only Cannes jazz festival – the Donald Byrd Quintet had brought the house down. Yet four of its five members were relatively unknown in France… The French knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug Watkins was the Messengers’ bassist, and that pianist Walter Davis Jr. was still only 18 when he’d played with Charlie Parker. As for Art Taylor, even if his name meant something to fans, it was still difficult for people to have a more precise idea of his musical qualities. Only Bobby Jaspar was well-known to Paris audiences, and the tour marked the return of the prodigal son, the musician who’d decided, after setting the Club St. Germain on fire, to try his luck in the States early in 1956 – J.J. Johnson had hired him, and then Miles Davis (for a short spell) before Donald Byrd brought him into the group he was taking to Europe. This new tour would climax at the Olympia theatre during one of the “Jazz Wednesdays” that were organised there, ever since the Jazz At Carnegie Hall” tour – Zoot Sims, JJ. Johnson, Lee Konitz, Phineas Newborn – had inaugurated the series a little earlier. Byrd and his band took pains not to disappoint a Paris audience they knew to be particularly fickle, and they astutely varied the public’s pleasures throughout the evening. The complicity that united the rhythm section – Walter Davis Jr., Doug Watkins and Art Taylor – was much in evidence on Ray’s Idea; mistrusting the traps of the spectacular at all costs, Donald Byrd, producing brilliant inventions on the trumpet, took the lion’s share of the honours on a theme that was then much in fashion, Dear Old Stockholm, adapted from a Swedish traditional song; on Flute Blues, Bobby Jaspar proved he was still a specialist on that instrument, and Paul’s Pal showed that, on tenor, the playing of Sonny Rollins hadn’t gone unnoticed. It must be said that it didn’t have much effect on the discreet lyricism underlying the choruses he played during his “St. Germain” period. The Olympia spectators weren’t sparing in their applause for the five musicians. How else could they have reacted, faced with the fire the band showed during a tune like The Blues Walk? It wouldn’t take much for us to applaud, too, even if it is fifty-five years later…\r\n
      Text – Alain Tercinet
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Donald Byrd (Trumpet), Bobby Jaspar (flute, tenor saxophone), Walter Davis Jr. (piano), Doug Watkins (bass) Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gACVYZ3E4Bs"
    -referenceProduit: "Sam Records SRLP 101"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Dear Old Stockholm"
        "ordre" => 1
      ]
      [
        "nom" => "2. Paul’s Pal"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Flute Blues"
        "ordre" => 4
      ]
      [
        "nom" => "2. Ray’s Idea"
        "ordre" => 5
      ]
      [
        "nom" => "3. The Blues Walk "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1366837341 {#1876
      date: 2013-04-24 21:02:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761259782 {#1869
      date: 2025-10-23 22:49:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-byrd-in-paris-sam-records-srlp-101"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3121
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2660 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 597
    -nom: "Byrd In Paris"
    -informationComplementaire: null
    -description: """
      - Recorded October 22, 1958, Olympia hall, Paris.\r\n
      - Original LP issue : Brunswick 87 903.\r\n
      \r\n
      “They’d been living in Europe for months. They’d appeared in Cannes and at Knokke (…) yet the only thing missing was the consecration that a great concert in Paris would bring. They won that last battle with astounding brio, in front of an audience of connoisseurs. There were many there who thought modern jazz had never been so well- served in Paris.” (Jazz Magazine). Hard bop had arrived! Hallelujah! On its first French appearance, in July ‘58 at the Cannes Festival – the first and only Cannes jazz festival – the Donald Byrd Quintet had brought the house down. Yet four of its five members were relatively unknown in France… The French knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug Watkins was the Messengers’ bassist, and that pianist Walter Davis Jr. was still only 18 when he’d played with Charlie Parker. As for Art Taylor, even if his name meant something to fans, it was still difficult for people to have a more precise idea of his musical qualities. Only Bobby Jaspar was well-known to Paris audiences, and the tour marked the return of the prodigal son, the musician who’d decided, after setting the Club St. Germain on fire, to try his luck in the States early in 1956 – J.J. Johnson had hired him, and then Miles Davis (for a short spell) before Donald Byrd brought him into the group he was taking to Europe. This new tour would climax at the Olympia theatre during one of the “Jazz Wednesdays” that were organised there, ever since the Jazz At Carnegie Hall” tour – Zoot Sims, JJ. Johnson, Lee Konitz, Phineas Newborn – had inaugurated the series a little earlier. Byrd and his band took pains not to disappoint a Paris audience they knew to be particularly fickle, and they astutely varied the public’s pleasures throughout the evening. The complicity that united the rhythm section – Walter Davis Jr., Doug Watkins and Art Taylor – was much in evidence on Ray’s Idea; mistrusting the traps of the spectacular at all costs, Donald Byrd, producing brilliant inventions on the trumpet, took the lion’s share of the honours on a theme that was then much in fashion, Dear Old Stockholm, adapted from a Swedish traditional song; on Flute Blues, Bobby Jaspar proved he was still a specialist on that instrument, and Paul’s Pal showed that, on tenor, the playing of Sonny Rollins hadn’t gone unnoticed. It must be said that it didn’t have much effect on the discreet lyricism underlying the choruses he played during his “St. Germain” period. The Olympia spectators weren’t sparing in their applause for the five musicians. How else could they have reacted, faced with the fire the band showed during a tune like The Blues Walk? It wouldn’t take much for us to applaud, too, even if it is fifty-five years later…\r\n
      Text – Alain Tercinet
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Donald Byrd (Trumpet), Bobby Jaspar (flute, tenor saxophone), Walter Davis Jr. (piano), Doug Watkins (bass) Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gACVYZ3E4Bs"
    -referenceProduit: "Sam Records SRLP 101"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Dear Old Stockholm"
        "ordre" => 1
      ]
      [
        "nom" => "2. Paul’s Pal"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Flute Blues"
        "ordre" => 4
      ]
      [
        "nom" => "2. Ray’s Idea"
        "ordre" => 5
      ]
      [
        "nom" => "3. The Blues Walk "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1366837341 {#1876
      date: 2013-04-24 21:02:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761259782 {#1869
      date: 2025-10-23 22:49:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-byrd-in-paris-sam-records-srlp-101"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2428 …}
}

[
  "produit" => App\Entity\Produit {#2047
    -id: 1629
    -nom: "Le Dernier Message de Lester Young (LP + Bonus 10 Inch Vinyl)"
    -informationComplementaire: null
    -description: """
      - Limited edition 180 gram LP plus bonus 10" vinyl !\r\n
      - Remastered from the original master tapes and pressed by Optimal !\r\n
      - Limited to 2000 copies !\r\n
      - Fasimile reissue using the original jacket photos on the front and back by Herman Leonard !\r\n
      \r\n
      In January 1959, Lester Young was in Paris for a series of concerts at the famous Blue Note Club. He played with Rene Urtreger on piano, Kenny Clarke on drums, Jimmy Gourley on guitar and Jamil Nasser on bass. On March 4, 1959, Eddie Barclay decided to record Lester at Studio Barclay, which would be Lester's last album. This legendary recording session is poignant and moving in line with Coleman Hawkins' Sirius and the last recording of Billie Holiday. Lester Young is reduced but the grace and genius are still there !\r\n
      \r\n
      Some days later, on March 15, 1959, Lester succumbed to a heart attack at the Alvin hotel, a few hours after arriving in New York. Illness had just defeated the tenor sax master fellow musicians nicknamed "Prez" The President.\r\n
      \r\n
      Reissued using the original photos of Herman Leonard, remastered from the original master tapes. Limited to 2000 copies on 180 gram vinyl pressed by Optimal in Germany.\r\n
      \r\n
      Bonus 10" vinyl recorded on March 11, 1959 at RTF Radio Studio, Paris\r\n
      \r\n
      On March 11, 1959, a legend went into a Parisian studio and recorded a version of "D.B. Blues" for the French Radio Television show Carrefour du Jazz. This title, recorded with musicians Idrees Sulieman (trumpet), Jimmy Gourley (guitar), Oscar Dennard (piano), Jamil Nasser (double bass) and Earl 'Buster' Smith (drums), would be the last recording of the great Lester Young.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Lester Young (Tenor Saxophone), René Urtreger (Piano), Jimmy Gourley (Guitar), Jamil Nasser (Bass), Kenny Clarke (Drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xRWm1HgjzPU"
    -referenceProduit: "Barclay 84069"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Lady Be Good"
        "ordre" => 1
      ]
      [
        "nom" => "2. Back Home Again In Indiana"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Can’t Get Started With You"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Didn’t Know What Time It Was 4’20"
        "ordre" => 4
      ]
      [
        "nom" => "5. Three Little Words"
        "ordre" => 5
      ]
      [
        "nom" => "6. Pennies From Heaven"
        "ordre" => 6
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Tea For Two"
        "ordre" => 8
      ]
      [
        "nom" => "2. I Cover The Waterfront"
        "ordre" => 9
      ]
      [
        "nom" => "3. A. B. Blues"
        "ordre" => 10
      ]
      [
        "nom" => "4. There’ll never Be Another You"
        "ordre" => 11
      ]
      [
        "nom" => "5. Almost Like Being In Love"
        "ordre" => 12
      ]
      [
        "nom" => "6. Lullaby Of Birdland"
        "ordre" => 13
      ]
      [
        "nom" => "Bonus 10 Inch "
        "ordre" => 14
      ]
      [
        "nom" => "1. D.B. Blues"
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2049 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1555049762 {#2043
      date: 2019-04-12 06:16:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761259173 {#2042
      date: 2025-10-23 22:39:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-le-dernier-message-de-lester-young-lp-bonus-10-inch-vinyl-barclay-84069"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3235
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2660 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2047
    -id: 1629
    -nom: "Le Dernier Message de Lester Young (LP + Bonus 10 Inch Vinyl)"
    -informationComplementaire: null
    -description: """
      - Limited edition 180 gram LP plus bonus 10" vinyl !\r\n
      - Remastered from the original master tapes and pressed by Optimal !\r\n
      - Limited to 2000 copies !\r\n
      - Fasimile reissue using the original jacket photos on the front and back by Herman Leonard !\r\n
      \r\n
      In January 1959, Lester Young was in Paris for a series of concerts at the famous Blue Note Club. He played with Rene Urtreger on piano, Kenny Clarke on drums, Jimmy Gourley on guitar and Jamil Nasser on bass. On March 4, 1959, Eddie Barclay decided to record Lester at Studio Barclay, which would be Lester's last album. This legendary recording session is poignant and moving in line with Coleman Hawkins' Sirius and the last recording of Billie Holiday. Lester Young is reduced but the grace and genius are still there !\r\n
      \r\n
      Some days later, on March 15, 1959, Lester succumbed to a heart attack at the Alvin hotel, a few hours after arriving in New York. Illness had just defeated the tenor sax master fellow musicians nicknamed "Prez" The President.\r\n
      \r\n
      Reissued using the original photos of Herman Leonard, remastered from the original master tapes. Limited to 2000 copies on 180 gram vinyl pressed by Optimal in Germany.\r\n
      \r\n
      Bonus 10" vinyl recorded on March 11, 1959 at RTF Radio Studio, Paris\r\n
      \r\n
      On March 11, 1959, a legend went into a Parisian studio and recorded a version of "D.B. Blues" for the French Radio Television show Carrefour du Jazz. This title, recorded with musicians Idrees Sulieman (trumpet), Jimmy Gourley (guitar), Oscar Dennard (piano), Jamil Nasser (double bass) and Earl 'Buster' Smith (drums), would be the last recording of the great Lester Young.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Lester Young (Tenor Saxophone), René Urtreger (Piano), Jimmy Gourley (Guitar), Jamil Nasser (Bass), Kenny Clarke (Drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xRWm1HgjzPU"
    -referenceProduit: "Barclay 84069"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Lady Be Good"
        "ordre" => 1
      ]
      [
        "nom" => "2. Back Home Again In Indiana"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Can’t Get Started With You"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Didn’t Know What Time It Was 4’20"
        "ordre" => 4
      ]
      [
        "nom" => "5. Three Little Words"
        "ordre" => 5
      ]
      [
        "nom" => "6. Pennies From Heaven"
        "ordre" => 6
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Tea For Two"
        "ordre" => 8
      ]
      [
        "nom" => "2. I Cover The Waterfront"
        "ordre" => 9
      ]
      [
        "nom" => "3. A. B. Blues"
        "ordre" => 10
      ]
      [
        "nom" => "4. There’ll never Be Another You"
        "ordre" => 11
      ]
      [
        "nom" => "5. Almost Like Being In Love"
        "ordre" => 12
      ]
      [
        "nom" => "6. Lullaby Of Birdland"
        "ordre" => 13
      ]
      [
        "nom" => "Bonus 10 Inch "
        "ordre" => 14
      ]
      [
        "nom" => "1. D.B. Blues"
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2049 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1555049762 {#2043
      date: 2019-04-12 06:16:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761259173 {#2042
      date: 2025-10-23 22:39:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-le-dernier-message-de-lester-young-lp-bonus-10-inch-vinyl-barclay-84069"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2428 …}
}

[
  "produit" => App\Entity\Produit {#2063
    -id: 1020
    -nom: "Olympia Concert"
    -informationComplementaire: null
    -description: """
      - Re-mastered from the original mono master tapes !\r\n
      - Cut by Kevin Gray at Cohearent Mastering !\r\n
      - Vinyl pressed by Optimal in Germany !\r\n
      - Tip-on deluxe gatefold sleeve with photos by Jean-Pierre leloir !\r\n
      - Each records has been visually checked to prevent defects !\r\n
      \r\n
      ”I’ve never played for such an audience” declared Art Blakey in tears. lt was November 22nd, 1958, and he’d just come offstage after one of the “Jazz Wednesdays” concerts at the Paris Olympia. For a first appearance by the “Jazz Messengers”, they’d made quite an impression. Not content with pulling a huge crowd off the Boulevard des Capucines (the demand was so great that a second concert had to be staged on December 17th), they’d converted everybody to the “Hard Bop” religion in two sets where, united in a kind of exultant communion, jazzmen,  jazzophiles and curious bystanders alike had been crushed together in high spirits, paying no attention to the presence of Brigitte Bardot escorted by Sacha Distel. That night Blues March had almost replaced the Marseillaise anthem (and Moanin’ the Oignons). Yet none of the Messengers had ever been to Paris. They’d get to that later, and then some, but for the moment they were perfect strangers. Not only strangers to the public, but unknown even to a sizeable group of jazz fans : the next issue of “Jazz Hot” magazine (most of it devoted to them) arrived like an invasion by the carabimeri… the blaze lit at the Olympia had gone out, of course, and Blakey had moved into the “Club St. Germain” to light others; there, each of his gigs could have been a remake of the famous cabin scene in the Marx Brothers’ “A Night At The Opera”…\r\n
      \r\n
      Among the Messengers’ “greatest hits”, only Moanin’ came close to Blues March. Constructed in the manner of a gospel, with the piano in the role of the preacher, and the orchestra that of the congregation, punctuating the sermon with shouts of approval, the theme was by pianist Bobby Timmons, whose fiery spirit can be explained by his educayion: “… the fact I played rhythm ‘n’ blues had a great influence on my style, and for me, it’s the foundation of jazz.” Moanin’ had sent the Olympia fans Into transports of delight, and even excited the curiosity of Hugues Panassié, who chanced to be passing by (“Bop”, in any form, being hardly his cup of tea) : he was prompted to go backstage and ask what it was he’d heard… Decidedly, in 1958, the Jazz Messengers were miracle-workers !
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Lee Morgan (Trumpet), Benny Golson (Tenor Saxophone), Bobby Timmons (Piano), Jimmy Merritt (Bass), Art Blakey (Drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xT8VhFBkTRI"
    -referenceProduit: "Sam Records SM 028"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Just by Myself  "
        "ordre" => 1
      ]
      [
        "nom" => "2. I Remember Clifford  "
        "ordre" => 2
      ]
      [
        "nom" => "3. Are you Real  "
        "ordre" => 3
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
      [
        "nom" => "1. Moanin’  1"
        "ordre" => 5
      ]
      [
        "nom" => "2. Justice "
        "ordre" => 6
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Blues March  "
        "ordre" => 8
      ]
      [
        "nom" => "2. Whisper Not"
        "ordre" => 9
      ]
      [
        "nom" => "Side D : "
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2074 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2067 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1471851127 {#2060
      date: 2016-08-22 07:32:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761258409 {#2061
      date: 2025-10-23 22:26:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2071 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-olympia-concert-sam-records-sm-028"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3286
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2660 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2063
    -id: 1020
    -nom: "Olympia Concert"
    -informationComplementaire: null
    -description: """
      - Re-mastered from the original mono master tapes !\r\n
      - Cut by Kevin Gray at Cohearent Mastering !\r\n
      - Vinyl pressed by Optimal in Germany !\r\n
      - Tip-on deluxe gatefold sleeve with photos by Jean-Pierre leloir !\r\n
      - Each records has been visually checked to prevent defects !\r\n
      \r\n
      ”I’ve never played for such an audience” declared Art Blakey in tears. lt was November 22nd, 1958, and he’d just come offstage after one of the “Jazz Wednesdays” concerts at the Paris Olympia. For a first appearance by the “Jazz Messengers”, they’d made quite an impression. Not content with pulling a huge crowd off the Boulevard des Capucines (the demand was so great that a second concert had to be staged on December 17th), they’d converted everybody to the “Hard Bop” religion in two sets where, united in a kind of exultant communion, jazzmen,  jazzophiles and curious bystanders alike had been crushed together in high spirits, paying no attention to the presence of Brigitte Bardot escorted by Sacha Distel. That night Blues March had almost replaced the Marseillaise anthem (and Moanin’ the Oignons). Yet none of the Messengers had ever been to Paris. They’d get to that later, and then some, but for the moment they were perfect strangers. Not only strangers to the public, but unknown even to a sizeable group of jazz fans : the next issue of “Jazz Hot” magazine (most of it devoted to them) arrived like an invasion by the carabimeri… the blaze lit at the Olympia had gone out, of course, and Blakey had moved into the “Club St. Germain” to light others; there, each of his gigs could have been a remake of the famous cabin scene in the Marx Brothers’ “A Night At The Opera”…\r\n
      \r\n
      Among the Messengers’ “greatest hits”, only Moanin’ came close to Blues March. Constructed in the manner of a gospel, with the piano in the role of the preacher, and the orchestra that of the congregation, punctuating the sermon with shouts of approval, the theme was by pianist Bobby Timmons, whose fiery spirit can be explained by his educayion: “… the fact I played rhythm ‘n’ blues had a great influence on my style, and for me, it’s the foundation of jazz.” Moanin’ had sent the Olympia fans Into transports of delight, and even excited the curiosity of Hugues Panassié, who chanced to be passing by (“Bop”, in any form, being hardly his cup of tea) : he was prompted to go backstage and ask what it was he’d heard… Decidedly, in 1958, the Jazz Messengers were miracle-workers !
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Lee Morgan (Trumpet), Benny Golson (Tenor Saxophone), Bobby Timmons (Piano), Jimmy Merritt (Bass), Art Blakey (Drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xT8VhFBkTRI"
    -referenceProduit: "Sam Records SM 028"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Just by Myself  "
        "ordre" => 1
      ]
      [
        "nom" => "2. I Remember Clifford  "
        "ordre" => 2
      ]
      [
        "nom" => "3. Are you Real  "
        "ordre" => 3
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
      [
        "nom" => "1. Moanin’  1"
        "ordre" => 5
      ]
      [
        "nom" => "2. Justice "
        "ordre" => 6
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Blues March  "
        "ordre" => 8
      ]
      [
        "nom" => "2. Whisper Not"
        "ordre" => 9
      ]
      [
        "nom" => "Side D : "
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2074 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2067 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1471851127 {#2060
      date: 2016-08-22 07:32:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761258409 {#2061
      date: 2025-10-23 22:26:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2071 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-olympia-concert-sam-records-sm-028"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2428 …}
}

[
  "produit" => App\Entity\Produit {#2079
    -id: 356
    -nom: "Un Temoin dans la Ville"
    -informationComplementaire: null
    -description: """
      - Recorded in Paris, December 4, 1957.\r\n
      - Original LP 10-inch issue: Fontana 660.226 MR.\r\n
      \r\n
      - Re-mastered from the original mono master tapes.\r\n
      - Cut by Kevin Gray at Cohearent Mastering.\r\n
      - Vinyl pressed by Optimal in Germany.\r\n
      - 10-inch – Facsimile reissue using the original cover art.\r\n
      - Double insert using an original photo from 1959.\r\n
      - Each record has been visually checked to prevent defects.\r\n
      \r\n
      Barney Wilen’s career took off in 1957. That year, he won the Django Reinhardt prize and recorded with Miles Davis the soundtrack of the film ‘Elevator to the Scaffold’. Taking advantage of an international fame, he records in 59 the music of the film ‘Les Liaisons Dangereuses’ with Thelonious Monk and Art Blakey, then composes himself that of the film ‘Un témoin dans la ville’ directed by Edouard Molinaro. For this night tour through Paris, Barney Wilen is surrounded by the musicians who have accompanied him for several weeks at the Club Saint-Germain : Kenny Dorham, Duke Jordan, Paul Rovère and Kenny Clarke. The result is a very happy marriage, as the music seems to have been created for the image and the image for the music.
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Barney Wilen (saxophone), Kenny Dorham (trumpet) Duke Jordan (piano) Paul Rovère (bass) Kenny Clarke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wzs2rWpPzyQ"
    -referenceProduit: "Sam Records SRLP 27"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Témoin dans la ville "
        "ordre" => 1
      ]
      [
        "nom" => "2.  La Pendaison "
        "ordre" => 2
      ]
      [
        "nom" => "3. Mélodie pour les Radios-Taxis "
        "ordre" => 3
      ]
      [
        "nom" => "4. Poursuite et métro "
        "ordre" => 4
      ]
      [
        "nom" => "5. Ambiance pourpre "
        "ordre" => 5
      ]
      [
        "nom" => "6. Préméditation dans l’appartement  "
        "ordre" => 6
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
      [
        "nom" => "1. La vie n’est qu’une lutte "
        "ordre" => 8
      ]
      [
        "nom" => "2. Complainte du chauffeur "
        "ordre" => 9
      ]
      [
        "nom" => "3. Sur l’antenne "
        "ordre" => 10
      ]
      [
        "nom" => "4. Blues de l’attente "
        "ordre" => 11
      ]
      [
        "nom" => "5. S.O.S. Radio-Taxis"
        "ordre" => 12
      ]
      [
        "nom" => "6. Final au jardin d’Acclimatation "
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2081 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2090 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2083 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2085 …}
    -enregistreLe: DateTime @1278691137 {#2076
      date: 2010-07-09 15:58:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761258113 {#2077
      date: 2025-10-23 22:21:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2087 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-un-temoin-dans-la-ville-sam-records-srlp-27"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3337
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2660 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2079
    -id: 356
    -nom: "Un Temoin dans la Ville"
    -informationComplementaire: null
    -description: """
      - Recorded in Paris, December 4, 1957.\r\n
      - Original LP 10-inch issue: Fontana 660.226 MR.\r\n
      \r\n
      - Re-mastered from the original mono master tapes.\r\n
      - Cut by Kevin Gray at Cohearent Mastering.\r\n
      - Vinyl pressed by Optimal in Germany.\r\n
      - 10-inch – Facsimile reissue using the original cover art.\r\n
      - Double insert using an original photo from 1959.\r\n
      - Each record has been visually checked to prevent defects.\r\n
      \r\n
      Barney Wilen’s career took off in 1957. That year, he won the Django Reinhardt prize and recorded with Miles Davis the soundtrack of the film ‘Elevator to the Scaffold’. Taking advantage of an international fame, he records in 59 the music of the film ‘Les Liaisons Dangereuses’ with Thelonious Monk and Art Blakey, then composes himself that of the film ‘Un témoin dans la ville’ directed by Edouard Molinaro. For this night tour through Paris, Barney Wilen is surrounded by the musicians who have accompanied him for several weeks at the Club Saint-Germain : Kenny Dorham, Duke Jordan, Paul Rovère and Kenny Clarke. The result is a very happy marriage, as the music seems to have been created for the image and the image for the music.
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Barney Wilen (saxophone), Kenny Dorham (trumpet) Duke Jordan (piano) Paul Rovère (bass) Kenny Clarke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wzs2rWpPzyQ"
    -referenceProduit: "Sam Records SRLP 27"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Témoin dans la ville "
        "ordre" => 1
      ]
      [
        "nom" => "2.  La Pendaison "
        "ordre" => 2
      ]
      [
        "nom" => "3. Mélodie pour les Radios-Taxis "
        "ordre" => 3
      ]
      [
        "nom" => "4. Poursuite et métro "
        "ordre" => 4
      ]
      [
        "nom" => "5. Ambiance pourpre "
        "ordre" => 5
      ]
      [
        "nom" => "6. Préméditation dans l’appartement  "
        "ordre" => 6
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
      [
        "nom" => "1. La vie n’est qu’une lutte "
        "ordre" => 8
      ]
      [
        "nom" => "2. Complainte du chauffeur "
        "ordre" => 9
      ]
      [
        "nom" => "3. Sur l’antenne "
        "ordre" => 10
      ]
      [
        "nom" => "4. Blues de l’attente "
        "ordre" => 11
      ]
      [
        "nom" => "5. S.O.S. Radio-Taxis"
        "ordre" => 12
      ]
      [
        "nom" => "6. Final au jardin d’Acclimatation "
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2081 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2090 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2083 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2085 …}
    -enregistreLe: DateTime @1278691137 {#2076
      date: 2010-07-09 15:58:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761258113 {#2077
      date: 2025-10-23 22:21:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2087 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-un-temoin-dans-la-ville-sam-records-srlp-27"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2428 …}
}

[
  "produit" => App\Entity\Produit {#2095
    -id: 717
    -nom: "Cannes ’58"
    -informationComplementaire: null
    -description: """
      - Limited edition 2000 copies.\r\n
      - Cut by kevin Gray at Cohearent Mastering.\r\n
      - Plated at Quality Record Pressing (QRP).\r\n
      - 180 gram vinyl pressed by Optimal in Germany.\r\n
      - Deluxe high-gloss flipback album jacket.\r\n
      - Double insert using an original photo by JP Leloir from the concert.\r\n
      - Each record has been visually checked to prevent defects.\r\n
      \r\n
      Donald Byrd’s residency in Paris in 1958 to study with composer Nadia Boulanger gave rise to one of the greatest bands of his career with Bobby Jaspar on tenor sax and flute, Walter Davis, Jr. on piano, Doug Watkins on bass and Art Taylor on drums. Sam Records is proud to present this previously unreleased concert by the Donald Byrd/Bobby Jaspar Quintet recorded during the evening dedicated to ‘Modern Jazz’ during the 1st and only Cannes Jazz Festival on July 11th 1958. The initiative for this festival was taken by Yvonne Blanc, a lady of good society who played the piano and lived between Paris and Cannes.\r\n
      This festival was organised in partnership with the festival of Knokke-le-Zoute, in Belgium.
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Bobby Jaspar (tenor saxophone, flute), Walter Davis Jr. (piano), Doug Watkins (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=XXdrKeqzXso"
    -referenceProduit: "Sam Records SRLP25"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. I get a Kick Out Of You (C. Porter)"
        "ordre" => 1
      ]
      [
        "nom" => "2. I Could Happen To You (Burke / Van Heusen)"
        "ordre" => 2
      ]
      [
        "nom" => "3. Long To You (B. Jaspar)"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. When Your Love has Gone Away (D. Byrd)"
        "ordre" => 5
      ]
      [
        "nom" => "2. Flute Bop (B. Jaspar)"
        "ordre" => 6
      ]
      [
        "nom" => "3. Boogie Woogie (Unknown) "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2097 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2106 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2099 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2101 …}
    -enregistreLe: DateTime @1415173817 {#2092
      date: 2014-11-05 07:50:17.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761210890 {#2093
      date: 2025-10-23 09:14:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2103 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-cannes-58-sam-records-srlp25"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3388
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2660 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2095
    -id: 717
    -nom: "Cannes ’58"
    -informationComplementaire: null
    -description: """
      - Limited edition 2000 copies.\r\n
      - Cut by kevin Gray at Cohearent Mastering.\r\n
      - Plated at Quality Record Pressing (QRP).\r\n
      - 180 gram vinyl pressed by Optimal in Germany.\r\n
      - Deluxe high-gloss flipback album jacket.\r\n
      - Double insert using an original photo by JP Leloir from the concert.\r\n
      - Each record has been visually checked to prevent defects.\r\n
      \r\n
      Donald Byrd’s residency in Paris in 1958 to study with composer Nadia Boulanger gave rise to one of the greatest bands of his career with Bobby Jaspar on tenor sax and flute, Walter Davis, Jr. on piano, Doug Watkins on bass and Art Taylor on drums. Sam Records is proud to present this previously unreleased concert by the Donald Byrd/Bobby Jaspar Quintet recorded during the evening dedicated to ‘Modern Jazz’ during the 1st and only Cannes Jazz Festival on July 11th 1958. The initiative for this festival was taken by Yvonne Blanc, a lady of good society who played the piano and lived between Paris and Cannes.\r\n
      This festival was organised in partnership with the festival of Knokke-le-Zoute, in Belgium.
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Bobby Jaspar (tenor saxophone, flute), Walter Davis Jr. (piano), Doug Watkins (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=XXdrKeqzXso"
    -referenceProduit: "Sam Records SRLP25"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. I get a Kick Out Of You (C. Porter)"
        "ordre" => 1
      ]
      [
        "nom" => "2. I Could Happen To You (Burke / Van Heusen)"
        "ordre" => 2
      ]
      [
        "nom" => "3. Long To You (B. Jaspar)"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. When Your Love has Gone Away (D. Byrd)"
        "ordre" => 5
      ]
      [
        "nom" => "2. Flute Bop (B. Jaspar)"
        "ordre" => 6
      ]
      [
        "nom" => "3. Boogie Woogie (Unknown) "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2097 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2106 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2099 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2101 …}
    -enregistreLe: DateTime @1415173817 {#2092
      date: 2014-11-05 07:50:17.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761210890 {#2093
      date: 2025-10-23 09:14:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2103 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-cannes-58-sam-records-srlp25"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2428 …}
}

[
  "produit" => App\Entity\Produit {#2111
    -id: 721
    -nom: "The Ronnell Bright Trio"
    -informationComplementaire: null
    -description: """
      - Re-mastered from the original mono master tapes.\r\n
      - 180 gram vinyl pressed by Optimal in Germany using the Metal Mothers from Pallas.\r\n
      - Facsimile reissue using the original photo by Jean-Pierre Leloir for the back cover (front photo is lost).\r\n
      - Double insert using an original photo by JP Leloir from the session.\r\n
      - Each record has been visually checked to prevent defects.\r\n
      \r\n
      Ronnell Bright was in Paris for just a simple stopover during the European tour that Sarah Vaughan was doing to represent the United States at the Universal Exhibition in Brussels. This rare date was cut at Studio des Dames in Paris on June 5, 1958 for french Polydor label and it’s a stripped-down trio date with a nicely relaxed feel – one that has Ronnell Bright really opening up on the keys, in ways you don’t always hear on his material with singers. This session took place in a certain euphoria on Thursday of Corpus Christi, and you can feel the joy and dynamics in music. The other players in the trio are Richard Davis on bass and the English drummer Art Morgan.
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Ronnell Bright (piano), Richard Davis (bass), Art Morgan (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xNr0MKdo3Cg"
    -referenceProduit: "Sam Records SRLP 03/1"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. R and R Groove"
        "ordre" => 1
      ]
      [
        "nom" => "2. Johnny Pate’s Blues"
        "ordre" => 2
      ]
      [
        "nom" => "3. Things Ain’t What They Used To Be"
        "ordre" => 3
      ]
      [
        "nom" => "4. Sail’ Em"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. The Champ"
        "ordre" => 6
      ]
      [
        "nom" => "2. Easy Listening Blues"
        "ordre" => 7
      ]
      [
        "nom" => "3. Chasing Sarah "
        "ordre" => 8
      ]
      [
        "nom" => "4. Doxology"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2113 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2122 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2115 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2117 …}
    -enregistreLe: DateTime @1415653454 {#2108
      date: 2014-11-10 21:04:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761209849 {#2109
      date: 2025-10-23 08:57:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2119 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-ronnell-bright-trio-sam-records-srlp-03-1"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3439
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2660 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2111
    -id: 721
    -nom: "The Ronnell Bright Trio"
    -informationComplementaire: null
    -description: """
      - Re-mastered from the original mono master tapes.\r\n
      - 180 gram vinyl pressed by Optimal in Germany using the Metal Mothers from Pallas.\r\n
      - Facsimile reissue using the original photo by Jean-Pierre Leloir for the back cover (front photo is lost).\r\n
      - Double insert using an original photo by JP Leloir from the session.\r\n
      - Each record has been visually checked to prevent defects.\r\n
      \r\n
      Ronnell Bright was in Paris for just a simple stopover during the European tour that Sarah Vaughan was doing to represent the United States at the Universal Exhibition in Brussels. This rare date was cut at Studio des Dames in Paris on June 5, 1958 for french Polydor label and it’s a stripped-down trio date with a nicely relaxed feel – one that has Ronnell Bright really opening up on the keys, in ways you don’t always hear on his material with singers. This session took place in a certain euphoria on Thursday of Corpus Christi, and you can feel the joy and dynamics in music. The other players in the trio are Richard Davis on bass and the English drummer Art Morgan.
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Ronnell Bright (piano), Richard Davis (bass), Art Morgan (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xNr0MKdo3Cg"
    -referenceProduit: "Sam Records SRLP 03/1"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. R and R Groove"
        "ordre" => 1
      ]
      [
        "nom" => "2. Johnny Pate’s Blues"
        "ordre" => 2
      ]
      [
        "nom" => "3. Things Ain’t What They Used To Be"
        "ordre" => 3
      ]
      [
        "nom" => "4. Sail’ Em"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. The Champ"
        "ordre" => 6
      ]
      [
        "nom" => "2. Easy Listening Blues"
        "ordre" => 7
      ]
      [
        "nom" => "3. Chasing Sarah "
        "ordre" => 8
      ]
      [
        "nom" => "4. Doxology"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2113 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2122 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2115 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2117 …}
    -enregistreLe: DateTime @1415653454 {#2108
      date: 2014-11-10 21:04:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761209849 {#2109
      date: 2025-10-23 08:57:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2119 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-ronnell-bright-trio-sam-records-srlp-03-1"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2428 …}
}

[
  "produit" => App\Entity\Produit {#2127
    -id: 2778
    -nom: "Rat Now... Paris 70"
    -informationComplementaire: null
    -description: """
      - Mal Waldron "Rat Now... Paris 70" !\r\n
      - Never-before-released Mal Waldron Trio 1970 live recording !\r\n
      - First official release with the full permission and cooperation of the Mal Waldron Estate & INA (Institut National de l'Audiovisuel) !\r\n
      - 180 gram vinyl limited to 3000 copies !\r\n
      - Part of The Lost Lives Series from Sam Records !\r\n
      \r\n
      This was recorded inside the Palais d'Orsay Hotel in Paris on March 10, 1970. The city's International Sound Festival was being held at the time, and this recording was aired in the "Jazz Vivant" radio show presented by André Francis. The performance here is a first on record, and it captures the renaissance of pianist Mal Waldron, fronting a trio comprised of drummer Christian Vander (co-founder of the group Magma) and bassist Jean-François Catoire (a long-time partner of Vander).\r\n
      \r\n
      Waldron's career was reviving after his European exile, a lengthy hiatus tied to his patient process of reconstruction after years spent fighting his addiction. In 1969 he recorded Free at Last for the brand-new ECM label (it was their very first production) and two years later he would do the same for the Enja label. Before that, in 1970, he had also toured in Japan for the first time, and it would make him instantly popular there.\r\n
      \r\n
      Before the present concert recorded on March 10, 1970, Mal Waldron had appeared the previous year (a summer gig) in a club at Antibes, the Early Bird, playing with the same comrades, namely Christian Vander and Jean-François Catoire. Many critics had praised that trio's quality in the media, and the late Maurice Cullaz, a great admirer of Waldron, even went so far as to say he had "rarely heard these three musicians play in such an extraordinary manner".\r\n
      \r\n
      So it was quite logical, when the trio got together again in March in Paris, that the same cohesion would be apparent in their opening tune "Rat Now", a theme that had appeared on the Free at Last album recorded for ECM (November 1969) only four months before this concert. The pianist plays throughout in his characteristic style, the left hand accentuating a constant undertow while his right hand releases a controlled energy. Christian Vander's unbridled percussion gives a free dimension to this tune, which lends a kind of austerity that shows the fundamental influence that the great Thelonious Monk had wielded over Waldron's piano style, alongside that of Bud Powell : "After I fell into the depths, I couldn't find the lyrical side of my playing again. The way I expressed myself had become more dense; it had refocused itself more".\r\n
      \r\n
      That legacy is even more palpable in the tune that follows, "Champs Elysées", a composition from the album Impressions (1959). The melody lines, impregnated by the blues, mingle gleefully with the whirling figures provided by Mal and his partners.\r\n
      \r\n
      "Rock My Soul" and its heady tempo, where once again we can measure the strength and complementary nature of Waldron's left hand, transmitting a breakneck rhythm beneath the controlled lyricism coming from his right hand also appeared among the pianist's recently recorded compositions on the Free at Last session. Vander's tumultuous drumming here feeds the flow with a robust jazz that is brimming with vigorous phrases; and when the tempo dies down, the double bass of Jean-François Catoire instils a truce that fools no-one : it heralds a feverish finale.\r\n
      \r\n
      The final theme "Mount Fujiyama" was inspired by a trip to Japan that Waldron made in the winter of 1969-70. Here the music carries the imprint of serenity, yet once again it is the reflection of Mal Waldron's deep-rooted New York heritage.
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Mal Waldron (piano), Jean-Francois Catoire (bass), Christian Vander (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Sam Records SAM 33"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Rat Race"
        "ordre" => 1
      ]
      [
        "nom" => "2. Champs-Elysees"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Rock my Soul"
        "ordre" => 4
      ]
      [
        "nom" => "2. Mount Fujiyama"
        "ordre" => 5
      ]
      [
        "nom" => ""
        "ordre" => 6
      ]
      [
        "nom" => ""
        "ordre" => 7
      ]
      [
        "nom" => ""
        "ordre" => 8
      ]
      [
        "nom" => ""
        "ordre" => 9
      ]
      [
        "nom" => ""
        "ordre" => 10
      ]
      [
        "nom" => ""
        "ordre" => 11
      ]
      [
        "nom" => ""
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2129 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2138 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2131 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2133 …}
    -enregistreLe: DateTime @1755549525 {#2124
      date: 2025-08-18 20:38:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761208980 {#2125
      date: 2025-10-23 08:43:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2135 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rat-now-paris-70-sam-records-sam-33"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3490
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2660 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2127
    -id: 2778
    -nom: "Rat Now... Paris 70"
    -informationComplementaire: null
    -description: """
      - Mal Waldron "Rat Now... Paris 70" !\r\n
      - Never-before-released Mal Waldron Trio 1970 live recording !\r\n
      - First official release with the full permission and cooperation of the Mal Waldron Estate & INA (Institut National de l'Audiovisuel) !\r\n
      - 180 gram vinyl limited to 3000 copies !\r\n
      - Part of The Lost Lives Series from Sam Records !\r\n
      \r\n
      This was recorded inside the Palais d'Orsay Hotel in Paris on March 10, 1970. The city's International Sound Festival was being held at the time, and this recording was aired in the "Jazz Vivant" radio show presented by André Francis. The performance here is a first on record, and it captures the renaissance of pianist Mal Waldron, fronting a trio comprised of drummer Christian Vander (co-founder of the group Magma) and bassist Jean-François Catoire (a long-time partner of Vander).\r\n
      \r\n
      Waldron's career was reviving after his European exile, a lengthy hiatus tied to his patient process of reconstruction after years spent fighting his addiction. In 1969 he recorded Free at Last for the brand-new ECM label (it was their very first production) and two years later he would do the same for the Enja label. Before that, in 1970, he had also toured in Japan for the first time, and it would make him instantly popular there.\r\n
      \r\n
      Before the present concert recorded on March 10, 1970, Mal Waldron had appeared the previous year (a summer gig) in a club at Antibes, the Early Bird, playing with the same comrades, namely Christian Vander and Jean-François Catoire. Many critics had praised that trio's quality in the media, and the late Maurice Cullaz, a great admirer of Waldron, even went so far as to say he had "rarely heard these three musicians play in such an extraordinary manner".\r\n
      \r\n
      So it was quite logical, when the trio got together again in March in Paris, that the same cohesion would be apparent in their opening tune "Rat Now", a theme that had appeared on the Free at Last album recorded for ECM (November 1969) only four months before this concert. The pianist plays throughout in his characteristic style, the left hand accentuating a constant undertow while his right hand releases a controlled energy. Christian Vander's unbridled percussion gives a free dimension to this tune, which lends a kind of austerity that shows the fundamental influence that the great Thelonious Monk had wielded over Waldron's piano style, alongside that of Bud Powell : "After I fell into the depths, I couldn't find the lyrical side of my playing again. The way I expressed myself had become more dense; it had refocused itself more".\r\n
      \r\n
      That legacy is even more palpable in the tune that follows, "Champs Elysées", a composition from the album Impressions (1959). The melody lines, impregnated by the blues, mingle gleefully with the whirling figures provided by Mal and his partners.\r\n
      \r\n
      "Rock My Soul" and its heady tempo, where once again we can measure the strength and complementary nature of Waldron's left hand, transmitting a breakneck rhythm beneath the controlled lyricism coming from his right hand also appeared among the pianist's recently recorded compositions on the Free at Last session. Vander's tumultuous drumming here feeds the flow with a robust jazz that is brimming with vigorous phrases; and when the tempo dies down, the double bass of Jean-François Catoire instils a truce that fools no-one : it heralds a feverish finale.\r\n
      \r\n
      The final theme "Mount Fujiyama" was inspired by a trip to Japan that Waldron made in the winter of 1969-70. Here the music carries the imprint of serenity, yet once again it is the reflection of Mal Waldron's deep-rooted New York heritage.
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Mal Waldron (piano), Jean-Francois Catoire (bass), Christian Vander (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Sam Records SAM 33"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Rat Race"
        "ordre" => 1
      ]
      [
        "nom" => "2. Champs-Elysees"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Rock my Soul"
        "ordre" => 4
      ]
      [
        "nom" => "2. Mount Fujiyama"
        "ordre" => 5
      ]
      [
        "nom" => ""
        "ordre" => 6
      ]
      [
        "nom" => ""
        "ordre" => 7
      ]
      [
        "nom" => ""
        "ordre" => 8
      ]
      [
        "nom" => ""
        "ordre" => 9
      ]
      [
        "nom" => ""
        "ordre" => 10
      ]
      [
        "nom" => ""
        "ordre" => 11
      ]
      [
        "nom" => ""
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2129 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2138 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2131 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2133 …}
    -enregistreLe: DateTime @1755549525 {#2124
      date: 2025-08-18 20:38:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761208980 {#2125
      date: 2025-10-23 08:43:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2135 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rat-now-paris-70-sam-records-sam-33"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2428 …}
}

[
  "produit" => App\Entity\Produit {#2145
    -id: 556
    -nom: "Bobby Jaspar"
    -informationComplementaire: null
    -description: "Belgian jazz artist Bobby Jaspar died far too young at age 37 in 1963, but fortunately made a handful of memorable dates as a leader. This is the last studio session under his name. Jaspar sticks exclusively to flute on these December 1958 studio recordings. He’s joined by drummer Kenny Clarke, Sadi Lallemand or Michel Hausser (who also doubles on xylophone) on vibes, and either Paul Rovere or Jymie Merritt on bass, as well as percussionist Humberto Canto (on one of the two sessions). Jaspar’s soft arrangements prove very appealing for his originals, standards such as ‘Lullaby of the Leaves’ and ‘There Will Never Be Another You’, and classic jazz tunes (an exotic ‘Misterioso’ and a Latin-flavored ‘Chasin’ the Bird’, the latter featuring Hausser on xylophone). This is easily one of Jaspar’s finest recordings as a leader."
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bobby Jaspar (flute), Michel Hausser, Sadi Lallemand (vibes), Paul Rovère, Jymie Merritt (bass), Humberto Canto (percussion), Kenny Clarke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lXj7OUZx6ho&list=RDlXj7OUZx6ho&start_radio=1"
    -referenceProduit: "Barclay 84063"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Cliff Cliff - (Jacques Hesse)"
        "ordre" => 1
      ]
      [
        "nom" => "2. Phenil Isopropil Amine - (Bobby Jaspar)"
        "ordre" => 2
      ]
      [
        "nom" => "3. Mysterioso - (Thelonious Monk)"
        "ordre" => 3
      ]
      [
        "nom" => "4. Lullaby of the Leaves - (Joe Young)"
        "ordre" => 4
      ]
      [
        "nom" => "5. There Will Never Be Another You - (Harry Warren – Mack Gordon)"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Waiting For Irene - (Bobby Jaspar)"
        "ordre" => 7
      ]
      [
        "nom" => "2. Le Jamf - (Bobby Jaspar)"
        "ordre" => 8
      ]
      [
        "nom" => "3. Chasing The Bird - (Charlie Parker)"
        "ordre" => 9
      ]
      [
        "nom" => "4. Speak Low - (Kurt Weill)"
        "ordre" => 10
      ]
      [
        "nom" => "5. Doxology - (Memory of Dick (Bobby Jaspar) "
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2147 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2156 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2149 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2151 …}
    -enregistreLe: DateTime @1352098493 {#2141
      date: 2012-11-05 06:54:53.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761208656 {#2140
      date: 2025-10-23 08:37:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2153 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bobby-jaspar-barclay-84063"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3541
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2660 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2145
    -id: 556
    -nom: "Bobby Jaspar"
    -informationComplementaire: null
    -description: "Belgian jazz artist Bobby Jaspar died far too young at age 37 in 1963, but fortunately made a handful of memorable dates as a leader. This is the last studio session under his name. Jaspar sticks exclusively to flute on these December 1958 studio recordings. He’s joined by drummer Kenny Clarke, Sadi Lallemand or Michel Hausser (who also doubles on xylophone) on vibes, and either Paul Rovere or Jymie Merritt on bass, as well as percussionist Humberto Canto (on one of the two sessions). Jaspar’s soft arrangements prove very appealing for his originals, standards such as ‘Lullaby of the Leaves’ and ‘There Will Never Be Another You’, and classic jazz tunes (an exotic ‘Misterioso’ and a Latin-flavored ‘Chasin’ the Bird’, the latter featuring Hausser on xylophone). This is easily one of Jaspar’s finest recordings as a leader."
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bobby Jaspar (flute), Michel Hausser, Sadi Lallemand (vibes), Paul Rovère, Jymie Merritt (bass), Humberto Canto (percussion), Kenny Clarke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lXj7OUZx6ho&list=RDlXj7OUZx6ho&start_radio=1"
    -referenceProduit: "Barclay 84063"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Cliff Cliff - (Jacques Hesse)"
        "ordre" => 1
      ]
      [
        "nom" => "2. Phenil Isopropil Amine - (Bobby Jaspar)"
        "ordre" => 2
      ]
      [
        "nom" => "3. Mysterioso - (Thelonious Monk)"
        "ordre" => 3
      ]
      [
        "nom" => "4. Lullaby of the Leaves - (Joe Young)"
        "ordre" => 4
      ]
      [
        "nom" => "5. There Will Never Be Another You - (Harry Warren – Mack Gordon)"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Waiting For Irene - (Bobby Jaspar)"
        "ordre" => 7
      ]
      [
        "nom" => "2. Le Jamf - (Bobby Jaspar)"
        "ordre" => 8
      ]
      [
        "nom" => "3. Chasing The Bird - (Charlie Parker)"
        "ordre" => 9
      ]
      [
        "nom" => "4. Speak Low - (Kurt Weill)"
        "ordre" => 10
      ]
      [
        "nom" => "5. Doxology - (Memory of Dick (Bobby Jaspar) "
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2147 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2156 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2149 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2151 …}
    -enregistreLe: DateTime @1352098493 {#2141
      date: 2012-11-05 06:54:53.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761208656 {#2140
      date: 2025-10-23 08:37:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2153 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bobby-jaspar-barclay-84063"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2428 …}
}

[
  "produit" => App\Entity\Produit {#2163
    -id: 1885
    -nom: "The Kicker"
    -informationComplementaire: null
    -description: """
      All-Analog 180 gram Vinyl LP of Bobby Hutcherson's The Kicker Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI : Reference-Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley.\r\n
      \r\n
      Recorded in 1963, The Kicker was actually vibraphonist Bobby Hutcherson's first session as a leader for Blue Note, but for reasons lost to time it was shelved, and instead Hutcherson's album Dialogue was released as his debut two years later. First released in 1999, and getting its first-ever vinyl release here, The Kicker is a sequel to guitarist Grant Green's masterpiece Idle Moments, which was recorded one month earlier with the exact same personnel featuring Green, tenor saxophonist Joe Henderson, pianist Duke Pearson, bassist Bob Cranshaw, and drummer Al Harewood.\r\n
      \r\n
      Blue Note Records has announced the continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series in 2020. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180g audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note / Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded ! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1850 …}
    -musicienOrchestre: "Bobby Hutcherson (vibraphone), Grant Green (guitar), Duke Pearson (piano), Joe Henderson (tenor saxophone), Bob Cranshaw (bass), Al Harewood (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=OcsTckW6BnI"
    -referenceProduit: "Blue Note Records 59256"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. If Ever I Would Leave You"
        "ordre" => 1
      ]
      [
        "nom" => "2. Mirrors"
        "ordre" => 2
      ]
      [
        "nom" => "3. For Duke P."
        "ordre" => 3
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
      [
        "nom" => "1. The Kicker"
        "ordre" => 5
      ]
      [
        "nom" => "2. Step Lightly"
        "ordre" => 6
      ]
      [
        "nom" => "3. Bedouin"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2165 …}
    -label: Proxies\__CG__\App\Entity\Label {#2168 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2177 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2170 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2172 …}
    -enregistreLe: DateTime @1593965840 {#2159
      date: 2020-07-05 16:17:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761164694 {#2158
      date: 2025-10-22 20:24:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2174 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-kicker-blue-note-records-59256"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3592
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2660 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2163
    -id: 1885
    -nom: "The Kicker"
    -informationComplementaire: null
    -description: """
      All-Analog 180 gram Vinyl LP of Bobby Hutcherson's The Kicker Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI : Reference-Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley.\r\n
      \r\n
      Recorded in 1963, The Kicker was actually vibraphonist Bobby Hutcherson's first session as a leader for Blue Note, but for reasons lost to time it was shelved, and instead Hutcherson's album Dialogue was released as his debut two years later. First released in 1999, and getting its first-ever vinyl release here, The Kicker is a sequel to guitarist Grant Green's masterpiece Idle Moments, which was recorded one month earlier with the exact same personnel featuring Green, tenor saxophonist Joe Henderson, pianist Duke Pearson, bassist Bob Cranshaw, and drummer Al Harewood.\r\n
      \r\n
      Blue Note Records has announced the continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series in 2020. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180g audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note / Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded ! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1850 …}
    -musicienOrchestre: "Bobby Hutcherson (vibraphone), Grant Green (guitar), Duke Pearson (piano), Joe Henderson (tenor saxophone), Bob Cranshaw (bass), Al Harewood (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=OcsTckW6BnI"
    -referenceProduit: "Blue Note Records 59256"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. If Ever I Would Leave You"
        "ordre" => 1
      ]
      [
        "nom" => "2. Mirrors"
        "ordre" => 2
      ]
      [
        "nom" => "3. For Duke P."
        "ordre" => 3
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
      [
        "nom" => "1. The Kicker"
        "ordre" => 5
      ]
      [
        "nom" => "2. Step Lightly"
        "ordre" => 6
      ]
      [
        "nom" => "3. Bedouin"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2165 …}
    -label: Proxies\__CG__\App\Entity\Label {#2168 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2177 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2170 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2172 …}
    -enregistreLe: DateTime @1593965840 {#2159
      date: 2020-07-05 16:17:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761164694 {#2158
      date: 2025-10-22 20:24:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2174 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-kicker-blue-note-records-59256"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2428 …}
}

[
  "produit" => App\Entity\Produit {#2182
    -id: 2883
    -nom: "Live At The Roxy Theatre - Box Set (3 LP) Colored Vinyl"
    -informationComplementaire: "AVAILABILITY : 30/11/2025 (subject Oglio Records)"
    -description: """
      Musicians :\r\n
      Brian Wilson (keyboards, vocals), Jeffrey Foskett (guitar, percussion, lead & backing vocals), Nick Walusko (guitar, backing vocals), Probyn Gregory (guitar, French horn, trumpet, electro-theremin, backing vocals), Bob Lizik (bass guitar), Darian Sahanaja (keyboards, vibraphone, vocals), Scott Bennett (keyboards, vibraphone, percussion, backing vocals), Taylor Mills (percussion, backing vocals), Mike d’Amico (guitar, percussion, backing vocals), Paul von Mertens (alto & baritone saxophone, flute, piccolo flute), Jim Hines (drums).\r\n
      \r\n
      - Brian Wilson's "Live at the Roxy Theatre" on Colored Vinyl (3 LP) Box Set,  Remastered for Its 25th Anniversary !\r\n
      - Color Of Vinyl Subject To Change Without Notice / Call To Confirm Colored Copies Are Still Available !\r\n
      \r\n
      Brian Wilson's Live at the Roxy Theatre captures his triumphant 2000 return to the Los Angeles stage with two historic nights at the legendary Roxy, now remastered for its 25th anniversary.\r\n
      \r\n
      Available as a deluxe (3 LP) vinyl Box Set, the release spans career-defining Beach Boys classics, rare solo gems, and exclusive bonus tracks including "Soul Searchin'", "Southern California", and new additions like "Wouldn't It Be Nice" and "Fun, Fun, Fun".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Brian Wilson (keyboards, vocals), Jeffrey Foskett (guitar, percussion, lead & backing vocals), Nick Walusko (guitar, backing vocals), Probyn Gregory (guitar, French horn, trumpet, electro-theremin, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1116 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=sUCSTvD8mAs&list=PLgQttdVKUhqXGArS0Nebd1M5cwcJK3Z37"
    -referenceProduit: "Oglio Records 1001"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Little Girl Intro"
        "ordre" => 1
      ]
      [
        "nom" => "2. The Little Girl I Once Knew"
        "ordre" => 2
      ]
      [
        "nom" => "3. This Whole World"
        "ordre" => 3
      ]
      [
        "nom" => "4. Don't Worry Baby"
        "ordre" => 4
      ]
      [
        "nom" => "5. Kiss Me Baby"
        "ordre" => 5
      ]
      [
        "nom" => "6. Do It Again"
        "ordre" => 6
      ]
      [
        "nom" => "7. California Girls"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. How Many Cigarette Lighters ?"
        "ordre" => 9
      ]
      [
        "nom" => "2. I Get Around"
        "ordre" => 10
      ]
      [
        "nom" => "3. Back Home"
        "ordre" => 11
      ]
      [
        "nom" => "4. In My Room"
        "ordre" => 12
      ]
      [
        "nom" => "5. Surfer Girl"
        "ordre" => 13
      ]
      [
        "nom" => "6. The First Time"
        "ordre" => 14
      ]
      [
        "nom" => "Side C :"
        "ordre" => 15
      ]
      [
        "nom" => "1. This Isn't Love"
        "ordre" => 16
      ]
      [
        "nom" => "2. Add Some Music to Your Day"
        "ordre" => 17
      ]
      [
        "nom" => "3. Please Let Me Wonder"
        "ordre" => 18
      ]
      [
        "nom" => "4. Band Intro"
        "ordre" => 19
      ]
      [
        "nom" => "5. Brian Wilson"
        "ordre" => 20
      ]
      [
        "nom" => "6. 'Til I Die"
        "ordre" => 21
      ]
      [
        "nom" => "7. Darlin'"
        "ordre" => 22
      ]
      [
        "nom" => "Side D : "
        "ordre" => 23
      ]
      [
        "nom" => "8. Good Vibrations"
        "ordre" => 24
      ]
      [
        "nom" => "9. Caroline, No"
        "ordre" => 25
      ]
      [
        "nom" => "10. All Summer Long"
        "ordre" => 26
      ]
      [
        "nom" => "11. Love and Mercy"
        "ordre" => 27
      ]
      [
        "nom" => "Side E : "
        "ordre" => 28
      ]
      [
        "nom" => "1. Sloop John B"
        "ordre" => 29
      ]
      [
        "nom" => "2. Barbara Ann"
        "ordre" => 30
      ]
      [
        "nom" => "3. Wouldn't It Be Nice"
        "ordre" => 31
      ]
      [
        "nom" => "4. Help Me Rhonda"
        "ordre" => 32
      ]
      [
        "nom" => "5. Soul Searchin'"
        "ordre" => 33
      ]
      [
        "nom" => "6. Southern California"
        "ordre" => 34
      ]
      [
        "nom" => ""
        "ordre" => 35
      ]
      [
        "nom" => ""
        "ordre" => 36
      ]
      [
        "nom" => ""
        "ordre" => 37
      ]
      [
        "nom" => ""
        "ordre" => 38
      ]
      [
        "nom" => ""
        "ordre" => 39
      ]
      [
        "nom" => ""
        "ordre" => 40
      ]
      [
        "nom" => ""
        "ordre" => 41
      ]
      [
        "nom" => ""
        "ordre" => 42
      ]
      [
        "nom" => ""
        "ordre" => 43
      ]
      [
        "nom" => ""
        "ordre" => 44
      ]
      [
        "nom" => ""
        "ordre" => 45
      ]
      [
        "nom" => ""
        "ordre" => 46
      ]
      [
        "nom" => ""
        "ordre" => 47
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2184 …}
    -label: Proxies\__CG__\App\Entity\Label {#2187 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2196 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2189 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2191 …}
    -enregistreLe: DateTime @1761123657 {#2179
      date: 2025-10-22 09:00:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761126567 {#2180
      date: 2025-10-22 09:49:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2193 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-the-roxy-theatre-box-set-3-lp-colored-vinyl-oglio-records-1001"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3643
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2660 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2182
    -id: 2883
    -nom: "Live At The Roxy Theatre - Box Set (3 LP) Colored Vinyl"
    -informationComplementaire: "AVAILABILITY : 30/11/2025 (subject Oglio Records)"
    -description: """
      Musicians :\r\n
      Brian Wilson (keyboards, vocals), Jeffrey Foskett (guitar, percussion, lead & backing vocals), Nick Walusko (guitar, backing vocals), Probyn Gregory (guitar, French horn, trumpet, electro-theremin, backing vocals), Bob Lizik (bass guitar), Darian Sahanaja (keyboards, vibraphone, vocals), Scott Bennett (keyboards, vibraphone, percussion, backing vocals), Taylor Mills (percussion, backing vocals), Mike d’Amico (guitar, percussion, backing vocals), Paul von Mertens (alto & baritone saxophone, flute, piccolo flute), Jim Hines (drums).\r\n
      \r\n
      - Brian Wilson's "Live at the Roxy Theatre" on Colored Vinyl (3 LP) Box Set,  Remastered for Its 25th Anniversary !\r\n
      - Color Of Vinyl Subject To Change Without Notice / Call To Confirm Colored Copies Are Still Available !\r\n
      \r\n
      Brian Wilson's Live at the Roxy Theatre captures his triumphant 2000 return to the Los Angeles stage with two historic nights at the legendary Roxy, now remastered for its 25th anniversary.\r\n
      \r\n
      Available as a deluxe (3 LP) vinyl Box Set, the release spans career-defining Beach Boys classics, rare solo gems, and exclusive bonus tracks including "Soul Searchin'", "Southern California", and new additions like "Wouldn't It Be Nice" and "Fun, Fun, Fun".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Brian Wilson (keyboards, vocals), Jeffrey Foskett (guitar, percussion, lead & backing vocals), Nick Walusko (guitar, backing vocals), Probyn Gregory (guitar, French horn, trumpet, electro-theremin, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1116 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=sUCSTvD8mAs&list=PLgQttdVKUhqXGArS0Nebd1M5cwcJK3Z37"
    -referenceProduit: "Oglio Records 1001"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Little Girl Intro"
        "ordre" => 1
      ]
      [
        "nom" => "2. The Little Girl I Once Knew"
        "ordre" => 2
      ]
      [
        "nom" => "3. This Whole World"
        "ordre" => 3
      ]
      [
        "nom" => "4. Don't Worry Baby"
        "ordre" => 4
      ]
      [
        "nom" => "5. Kiss Me Baby"
        "ordre" => 5
      ]
      [
        "nom" => "6. Do It Again"
        "ordre" => 6
      ]
      [
        "nom" => "7. California Girls"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. How Many Cigarette Lighters ?"
        "ordre" => 9
      ]
      [
        "nom" => "2. I Get Around"
        "ordre" => 10
      ]
      [
        "nom" => "3. Back Home"
        "ordre" => 11
      ]
      [
        "nom" => "4. In My Room"
        "ordre" => 12
      ]
      [
        "nom" => "5. Surfer Girl"
        "ordre" => 13
      ]
      [
        "nom" => "6. The First Time"
        "ordre" => 14
      ]
      [
        "nom" => "Side C :"
        "ordre" => 15
      ]
      [
        "nom" => "1. This Isn't Love"
        "ordre" => 16
      ]
      [
        "nom" => "2. Add Some Music to Your Day"
        "ordre" => 17
      ]
      [
        "nom" => "3. Please Let Me Wonder"
        "ordre" => 18
      ]
      [
        "nom" => "4. Band Intro"
        "ordre" => 19
      ]
      [
        "nom" => "5. Brian Wilson"
        "ordre" => 20
      ]
      [
        "nom" => "6. 'Til I Die"
        "ordre" => 21
      ]
      [
        "nom" => "7. Darlin'"
        "ordre" => 22
      ]
      [
        "nom" => "Side D : "
        "ordre" => 23
      ]
      [
        "nom" => "8. Good Vibrations"
        "ordre" => 24
      ]
      [
        "nom" => "9. Caroline, No"
        "ordre" => 25
      ]
      [
        "nom" => "10. All Summer Long"
        "ordre" => 26
      ]
      [
        "nom" => "11. Love and Mercy"
        "ordre" => 27
      ]
      [
        "nom" => "Side E : "
        "ordre" => 28
      ]
      [
        "nom" => "1. Sloop John B"
        "ordre" => 29
      ]
      [
        "nom" => "2. Barbara Ann"
        "ordre" => 30
      ]
      [
        "nom" => "3. Wouldn't It Be Nice"
        "ordre" => 31
      ]
      [
        "nom" => "4. Help Me Rhonda"
        "ordre" => 32
      ]
      [
        "nom" => "5. Soul Searchin'"
        "ordre" => 33
      ]
      [
        "nom" => "6. Southern California"
        "ordre" => 34
      ]
      [
        "nom" => ""
        "ordre" => 35
      ]
      [
        "nom" => ""
        "ordre" => 36
      ]
      [
        "nom" => ""
        "ordre" => 37
      ]
      [
        "nom" => ""
        "ordre" => 38
      ]
      [
        "nom" => ""
        "ordre" => 39
      ]
      [
        "nom" => ""
        "ordre" => 40
      ]
      [
        "nom" => ""
        "ordre" => 41
      ]
      [
        "nom" => ""
        "ordre" => 42
      ]
      [
        "nom" => ""
        "ordre" => 43
      ]
      [
        "nom" => ""
        "ordre" => 44
      ]
      [
        "nom" => ""
        "ordre" => 45
      ]
      [
        "nom" => ""
        "ordre" => 46
      ]
      [
        "nom" => ""
        "ordre" => 47
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2184 …}
    -label: Proxies\__CG__\App\Entity\Label {#2187 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2196 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2189 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2191 …}
    -enregistreLe: DateTime @1761123657 {#2179
      date: 2025-10-22 09:00:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761126567 {#2180
      date: 2025-10-22 09:49:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2193 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-the-roxy-theatre-box-set-3-lp-colored-vinyl-oglio-records-1001"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2428 …}
}

[
  "produit" => App\Entity\Produit {#2203
    -id: 868
    -nom: "Bill Withers' Greatest Hits"
    -informationComplementaire: null
    -description: """
      Bill Withers' Smooth Soul Voice, Mellow Grooves, and Gospel Accents Inform Beloved Work : Booker T. Jones, Al Jackson, and Stephen Stills Among Guests !\r\n
      \r\n
      Bill Withers created mellow, downhome-style soul for barely more than a decade before retreating from the industry to pursue craftsman interests. Yet over the course of the handful of albums he made for Sussex and CBS, the Appalachian native struck lasting emotional chords in legends ranging from Booker T. Jones to Stephen Stills – not to mention the millions of listeners that fell under the spell of now-standard tracks such as "Lean on Me", "Use Me", and "Ain't No Sunshine". The antithesis of the sweaty R&B shouter that prowled the edge of stages, Withers dealt in calm and vulnerability, qualities that come to fore on the seminal Bill Withers' Greatest Hits.\r\n
      \r\n
      Pressed at RTI, Mobile Fidelity's vinyl reissue of the 1981 compilation provides a transparent view of Withers' relaxing timbre and the subtle grooves underlining his arrangements. Characteristics ranging from the tension of the guitars, funky bends of the bass, whisper-soft coo of the formal strings, airiness of the backing harmonies, and sharpness of the snare drum emerge with utmost clarity and lifelike presence. Always prized for its naked honesty and pure conviction, Withers' music positively caresses the senses on this LP, the unadulterated production and beautiful soundscapes revealed anew with each listen.\r\n
      \r\n
      Incredibly, Withers almost never got a shot at recording. After receiving a deal from Sussex while laboring as a toilet-seat manufacturer, he landed in the care of Stax bandleader Booker T. Jones, who gathered most of his fellow MG members – along with Stills and Jim Keltner – to assist in Withers' debut. Two takes from those sessions, the Grammy-winning "Ain't No Sunshine" and devotional "Grandma's Hands", are included here, and showcase the vocalist's incredible breath control, folksy drawl, and restrained phrasing. They also indicate his penchant for converting biographical experience into eminently catchy combinations of pop, gospel, blues, and soul.\r\n
      \r\n
      Evidence of Withers' crossover appeal is found not only via his chart successes on both the pop and R&B charts, but in the DNA of his best work. There's not one forgettable moment on Greatest Hits. Covered by the likes of Fiona Apple, Mick Jagger, Isaac Hayes, Alicia Keys, and dozens more, "Use Me" rides a riveting clarinet riff and urban tempo to express the double-edged feelings associated with an edgy relationship. On the loping "Who Is He (And What Is He to You ?)", Withers again splits the bitter and sweet. For the Latin-tinged "Lovely Day", Withers holds a single note for 18 seconds and composed a song that's been sampled and rerecorded countless times by artists spanning Diana Ross to R. Kelly. And with "Lean on Me", the West Virginian devised a masterpiece that's been for more than four decades part of the classic American songbook, an updated hymn carried to immortality by members of the Charles Wright & 103rd Street Rhythm Band.\r\n
      \r\n
      A veritable template for British soul contemporaries like Sam Smith and an extension of the timeless fare explored by Van Morrison, Curtis Mayfield, and Al Green, Bill Withers' Greatest Hits belongs in every music lover's library.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bill\u{202F}Withers (guitar, keyboards, vocals), Benorce\u{202F}Blackmon (guitar), Ray\u{202F}Jackson (keyboards), Donald “Duck”\u{202F}Dunn, Melvin\u{202F}Dunlap (bass guitar), Stephen\u{202F}Stills (guitar), James\u{202F}Gadson (drums & percussion), Al\u{202F}Jackson\u{202F}Jr. (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-Oo_opYPc_o&list=PLm4I8tP6UbWYABHG6b6AKGK0t9P5v3irF&index=2"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-445"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Just the Two of Us"
        "ordre" => 1
      ]
      [
        "nom" => "2. Use Me"
        "ordre" => 2
      ]
      [
        "nom" => "3. Ain't No Sunshine"
        "ordre" => 3
      ]
      [
        "nom" => "4. Lovely Day"
        "ordre" => 4
      ]
      [
        "nom" => "5. I Want to Spend the Night"
        "ordre" => 5
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
      [
        "nom" => "6. Soul Shadows"
        "ordre" => 7
      ]
      [
        "nom" => "7. Lean on Me"
        "ordre" => 8
      ]
      [
        "nom" => "8. Grandma's Hands"
        "ordre" => 9
      ]
      [
        "nom" => "9. Hello Like Before"
        "ordre" => 10
      ]
      [
        "nom" => "10. Who Is He (And What Is He to You) ?"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2205 …}
    -label: Proxies\__CG__\App\Entity\Label {#2208 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2217 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2210 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2212 …}
    -enregistreLe: DateTime @1455055257 {#2199
      date: 2016-02-09 22:00:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761122955 {#2198
      date: 2025-10-22 08:49:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2214 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bill-withers-greatest-hits-mobile-fidelity-sound-lab-mfsl-1-445"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3694
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2660 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2203
    -id: 868
    -nom: "Bill Withers' Greatest Hits"
    -informationComplementaire: null
    -description: """
      Bill Withers' Smooth Soul Voice, Mellow Grooves, and Gospel Accents Inform Beloved Work : Booker T. Jones, Al Jackson, and Stephen Stills Among Guests !\r\n
      \r\n
      Bill Withers created mellow, downhome-style soul for barely more than a decade before retreating from the industry to pursue craftsman interests. Yet over the course of the handful of albums he made for Sussex and CBS, the Appalachian native struck lasting emotional chords in legends ranging from Booker T. Jones to Stephen Stills – not to mention the millions of listeners that fell under the spell of now-standard tracks such as "Lean on Me", "Use Me", and "Ain't No Sunshine". The antithesis of the sweaty R&B shouter that prowled the edge of stages, Withers dealt in calm and vulnerability, qualities that come to fore on the seminal Bill Withers' Greatest Hits.\r\n
      \r\n
      Pressed at RTI, Mobile Fidelity's vinyl reissue of the 1981 compilation provides a transparent view of Withers' relaxing timbre and the subtle grooves underlining his arrangements. Characteristics ranging from the tension of the guitars, funky bends of the bass, whisper-soft coo of the formal strings, airiness of the backing harmonies, and sharpness of the snare drum emerge with utmost clarity and lifelike presence. Always prized for its naked honesty and pure conviction, Withers' music positively caresses the senses on this LP, the unadulterated production and beautiful soundscapes revealed anew with each listen.\r\n
      \r\n
      Incredibly, Withers almost never got a shot at recording. After receiving a deal from Sussex while laboring as a toilet-seat manufacturer, he landed in the care of Stax bandleader Booker T. Jones, who gathered most of his fellow MG members – along with Stills and Jim Keltner – to assist in Withers' debut. Two takes from those sessions, the Grammy-winning "Ain't No Sunshine" and devotional "Grandma's Hands", are included here, and showcase the vocalist's incredible breath control, folksy drawl, and restrained phrasing. They also indicate his penchant for converting biographical experience into eminently catchy combinations of pop, gospel, blues, and soul.\r\n
      \r\n
      Evidence of Withers' crossover appeal is found not only via his chart successes on both the pop and R&B charts, but in the DNA of his best work. There's not one forgettable moment on Greatest Hits. Covered by the likes of Fiona Apple, Mick Jagger, Isaac Hayes, Alicia Keys, and dozens more, "Use Me" rides a riveting clarinet riff and urban tempo to express the double-edged feelings associated with an edgy relationship. On the loping "Who Is He (And What Is He to You ?)", Withers again splits the bitter and sweet. For the Latin-tinged "Lovely Day", Withers holds a single note for 18 seconds and composed a song that's been sampled and rerecorded countless times by artists spanning Diana Ross to R. Kelly. And with "Lean on Me", the West Virginian devised a masterpiece that's been for more than four decades part of the classic American songbook, an updated hymn carried to immortality by members of the Charles Wright & 103rd Street Rhythm Band.\r\n
      \r\n
      A veritable template for British soul contemporaries like Sam Smith and an extension of the timeless fare explored by Van Morrison, Curtis Mayfield, and Al Green, Bill Withers' Greatest Hits belongs in every music lover's library.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bill\u{202F}Withers (guitar, keyboards, vocals), Benorce\u{202F}Blackmon (guitar), Ray\u{202F}Jackson (keyboards), Donald “Duck”\u{202F}Dunn, Melvin\u{202F}Dunlap (bass guitar), Stephen\u{202F}Stills (guitar), James\u{202F}Gadson (drums & percussion), Al\u{202F}Jackson\u{202F}Jr. (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-Oo_opYPc_o&list=PLm4I8tP6UbWYABHG6b6AKGK0t9P5v3irF&index=2"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-445"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Just the Two of Us"
        "ordre" => 1
      ]
      [
        "nom" => "2. Use Me"
        "ordre" => 2
      ]
      [
        "nom" => "3. Ain't No Sunshine"
        "ordre" => 3
      ]
      [
        "nom" => "4. Lovely Day"
        "ordre" => 4
      ]
      [
        "nom" => "5. I Want to Spend the Night"
        "ordre" => 5
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
      [
        "nom" => "6. Soul Shadows"
        "ordre" => 7
      ]
      [
        "nom" => "7. Lean on Me"
        "ordre" => 8
      ]
      [
        "nom" => "8. Grandma's Hands"
        "ordre" => 9
      ]
      [
        "nom" => "9. Hello Like Before"
        "ordre" => 10
      ]
      [
        "nom" => "10. Who Is He (And What Is He to You) ?"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2205 …}
    -label: Proxies\__CG__\App\Entity\Label {#2208 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2217 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2210 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2212 …}
    -enregistreLe: DateTime @1455055257 {#2199
      date: 2016-02-09 22:00:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761122955 {#2198
      date: 2025-10-22 08:49:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2214 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bill-withers-greatest-hits-mobile-fidelity-sound-lab-mfsl-1-445"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2428 …}
}

[
  "produit" => App\Entity\Produit {#2222
    -id: 2882
    -nom: "Guilty Pleasures (Limited & Numbered Edition One-Step Pressing)"
    -informationComplementaire: "AVAILABILITY : 30/11/2025 (subject Camilio Records )"
    -description: """
      - Anne Bisson "Guilty Pleasures" !\r\n
      - Hand-numbered, 180 gram vinyl limited to 3000 copies !\r\n
      - Mastered by Bernie Grundman !\r\n
      - One-Step plating and pressing at RTI !\r\n
      - Insert with photos and lyrics !\r\n
      \r\n
      One-Step vinyl pressing removes generational loss in the process of creating metal stampers to press records. Special care has been taken to faithfully preserve the original sound with exceptional clarity and depth.\r\n
      \r\n
      Recorded at Studio Opus with Jacques Roy (Tales from the Treetops, Bélanger & Bisson-Conversations), Anne Bisson's 2025 album Guilty Pleasures features Anne's takes on hits such as "Wild Horses", "In the Ghetto", "Harvest Moon" and "Comfortably Numb", plus an "Autumn Leaves" duet with special guest Bruno Pelletier and two originals.\r\n
      \r\n
      This hand-numbered, limited edition 180 gram album was mastered by Bernie Grundman and pressed using One-Step lacquer plating at Record Technology, Inc.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Anne Bisson (piano, Fender Rhodes, lead & backing vocals), Samuel Jacques (piano), Jacques Roy (electric bass, double bass, acoustic guitar), Julie Trudeau (cello), Bruno Pelletier (lead vocal), Guillaume Picard (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Camilio Records 7021"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. I'm leaving You"
        "ordre" => 1
      ]
      [
        "nom" => "2. Harvest Moon"
        "ordre" => 2
      ]
      [
        "nom" => "3. Once Upon a Summertime / How Insensitive"
        "ordre" => 3
      ]
      [
        "nom" => "4. Autumn Leaves / Les feuilles mortes"
        "ordre" => 4
      ]
      [
        "nom" => "5. Comfortably Numb"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. In The Ghetto"
        "ordre" => 7
      ]
      [
        "nom" => "2. In Your Eyes"
        "ordre" => 8
      ]
      [
        "nom" => "3. The Moon is a Harsh Mistress"
        "ordre" => 9
      ]
      [
        "nom" => "4. Wild Horses"
        "ordre" => 10
      ]
      [
        "nom" => "5. Music and Travels"
        "ordre" => 11
      ]
      [
        "nom" => "6. Somewhere Over the Rainbow"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2224 …}
    -label: Proxies\__CG__\App\Entity\Label {#2227 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2236 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2229 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2231 …}
    -enregistreLe: DateTime @1761069487 {#2219
      date: 2025-10-21 17:58:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761070061 {#2220
      date: 2025-10-21 18:07:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2233 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-guilty-pleasures-limited-numbered-edition-one-step-pressing-camilio-records-7021"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3745
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2660 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2222
    -id: 2882
    -nom: "Guilty Pleasures (Limited & Numbered Edition One-Step Pressing)"
    -informationComplementaire: "AVAILABILITY : 30/11/2025 (subject Camilio Records )"
    -description: """
      - Anne Bisson "Guilty Pleasures" !\r\n
      - Hand-numbered, 180 gram vinyl limited to 3000 copies !\r\n
      - Mastered by Bernie Grundman !\r\n
      - One-Step plating and pressing at RTI !\r\n
      - Insert with photos and lyrics !\r\n
      \r\n
      One-Step vinyl pressing removes generational loss in the process of creating metal stampers to press records. Special care has been taken to faithfully preserve the original sound with exceptional clarity and depth.\r\n
      \r\n
      Recorded at Studio Opus with Jacques Roy (Tales from the Treetops, Bélanger & Bisson-Conversations), Anne Bisson's 2025 album Guilty Pleasures features Anne's takes on hits such as "Wild Horses", "In the Ghetto", "Harvest Moon" and "Comfortably Numb", plus an "Autumn Leaves" duet with special guest Bruno Pelletier and two originals.\r\n
      \r\n
      This hand-numbered, limited edition 180 gram album was mastered by Bernie Grundman and pressed using One-Step lacquer plating at Record Technology, Inc.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Anne Bisson (piano, Fender Rhodes, lead & backing vocals), Samuel Jacques (piano), Jacques Roy (electric bass, double bass, acoustic guitar), Julie Trudeau (cello), Bruno Pelletier (lead vocal), Guillaume Picard (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Camilio Records 7021"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. I'm leaving You"
        "ordre" => 1
      ]
      [
        "nom" => "2. Harvest Moon"
        "ordre" => 2
      ]
      [
        "nom" => "3. Once Upon a Summertime / How Insensitive"
        "ordre" => 3
      ]
      [
        "nom" => "4. Autumn Leaves / Les feuilles mortes"
        "ordre" => 4
      ]
      [
        "nom" => "5. Comfortably Numb"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. In The Ghetto"
        "ordre" => 7
      ]
      [
        "nom" => "2. In Your Eyes"
        "ordre" => 8
      ]
      [
        "nom" => "3. The Moon is a Harsh Mistress"
        "ordre" => 9
      ]
      [
        "nom" => "4. Wild Horses"
        "ordre" => 10
      ]
      [
        "nom" => "5. Music and Travels"
        "ordre" => 11
      ]
      [
        "nom" => "6. Somewhere Over the Rainbow"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2224 …}
    -label: Proxies\__CG__\App\Entity\Label {#2227 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2236 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2229 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2231 …}
    -enregistreLe: DateTime @1761069487 {#2219
      date: 2025-10-21 17:58:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761070061 {#2220
      date: 2025-10-21 18:07:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2233 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-guilty-pleasures-limited-numbered-edition-one-step-pressing-camilio-records-7021"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2428 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3946
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2428 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3947 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3995 …}
  +isValidated: false
  +validatedFields: []
}