Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2549
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2396 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2626
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2629 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2628 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
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  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
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    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2396 …}
  -formView: Symfony\Component\Form\FormView {#2665 …}
  -form: Symfony\Component\Form\Form {#2815 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 678
    -nom: "Live at the Berlin Jazz Festival 1969-1973"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Joe Benjamin (bass), Harold "Money" Johnson (trumpet), Paul Gonsalves (saxophone), Harry Carney (baritone saxophone, clarinet), Quinten "Rocky" White Jr. (drums), Duke Ellington orchestra (Duke Ellington (piano), Cat Anderson, Cootie Williams, Mercer Ellington (trumpet), Harold Ashby, Johnny Hodges, Paul Gonsalves, Russell Procope (saxophone), Harry Carney (baritone saxophone, clarinet), Rufus Jones (drums) \r\n
      \r\n
      - Duke Ellington "Live at the Berlin Jazz Festival 1969-1973" !\r\n
      - 180 gram hand-numbered edition !\r\n
      - Limited to 2000 copies worldwide !\r\n
      - Gold foil and debossing on soft-touch cover !\r\n
      - Printed inner sleeve; pressed at Optimal in Germany !\r\n
      \r\n
      On Nov. 8, 1969,on the stage of the Berlin Philharmonic's main hall, the Duke, whose portrait is the poster of the Jazztage Festival celebrating his 70th birthday, slowly joined his piano. His orchestra was at the helm, adorned with a gleaming section, some of whom have accompanied him for 30 years, such as Cootie Willams and Cat Anderson. Legendary saxophonists Paul Gonsalves and Johnny Hodges and Russell Procope were also present.\r\n
      \r\n
      In a sort of rattle, the Duke launched "La plus Belle Africaine". A baroque but perfectly mastered mixture of sunny colors captured during a tour in Dakar, launched by the solo saxophone and then taken up with flashes of inventiveness by all or part of the band. The tone is set. Cat Anderson launched into a furious "El Gato" which shook the audience with its creaking, deliberate deconstruction, evoking the revolutionary, fragmentary and unfinished gestures of Thelonious Monk or Cecil Taylor. A studied contrast with the gentle continuation of "I Can't Get Started", just before the 43 second parenthesis of "Caravan", which is a mischievous link to the flamboyant "Satin Doll" that masterfully punctuates this concert.\r\n
      \r\n
      In 1973, a few months before his death, Duke returned to Berlin in a formation based on his trio (Joe Benjamin on double bass and Quinten "Rocky" White Jr. on drums), joined by Harold Johnson on trumpet, the clarinettist and baritone saxophonist Harry Carney and by his long-time sidekick, the tenor saxophonist Paul Gonsalves. Duke Ellington gives his piano a central place here, making it both the driving force of the ensemble and its harmonic and rhythmic backbone.\r\n
      \r\n
      In the blues that opens the concert, we hear Debussy. Take the A train' follows. The Duke likes changes of mood. Only, here and there, touches of discontinuous speech remind us how sagaciously the Duke was able to draw on the audacious harmonies of his contemporaries. And then he dares to do everything. Like offering his band the rhythmic virtuosity of Baby Laurence on tap dance in "Tap Dance". The magic works. The success is total.\r\n
      \r\n
      Two concerts in Berlin, two facets of a poetic universe, two visions of an alchemist who knew how to draw with lightness but also with a mixture of jubilation and authority, from the harmonic sources of all music and which make so relevant the formula he loved: "there are only two kinds of music: good and bad". We have had the extreme privilege of resurrecting the better one.
      """
    -prixVente: "52.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington (piano), Joe Benjamin (bass), Harold "Money" Johnson (trumpet), Paul Gonsalves (saxophone), Harry Carney (baritone saxophone, clarinet), Quinten "Rocky" White Jr. (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-7xCnhEYk9U"
    -referenceProduit: "The Lost Recordings 0404"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Piano Improvisation N° 1"
      ]
      [
        "ordre" => 2
        "nom" => "2. Take the "A" Train"
      ]
      [
        "ordre" => 3
        "nom" => "3. Pitter Panther Patter"
      ]
      [
        "ordre" => 4
        "nom" => "4. Sophisticated Lady"
      ]
      [
        "ordre" => 5
        "nom" => "5. Introduction by Baby Laurence"
      ]
      [
        "ordre" => 6
        "nom" => "6. Tap Dance"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. The Most Beautiful African"
      ]
      [
        "ordre" => 9
        "nom" => "2. El Gato"
      ]
      [
        "ordre" => 10
        "nom" => "3. I Can't Get Started"
      ]
      [
        "ordre" => 11
        "nom" => "4. Caravan"
      ]
      [
        "ordre" => 12
        "nom" => "5. Satin Doll"
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1917 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1398662246 {#1896
      date: 2014-04-28 05:17:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765984007 {#1889
      date: 2025-12-17 15:06:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-the-berlin-jazz-festival-1969-1973-the-lost-recordings-0404"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3102
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2628 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 678
    -nom: "Live at the Berlin Jazz Festival 1969-1973"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Joe Benjamin (bass), Harold "Money" Johnson (trumpet), Paul Gonsalves (saxophone), Harry Carney (baritone saxophone, clarinet), Quinten "Rocky" White Jr. (drums), Duke Ellington orchestra (Duke Ellington (piano), Cat Anderson, Cootie Williams, Mercer Ellington (trumpet), Harold Ashby, Johnny Hodges, Paul Gonsalves, Russell Procope (saxophone), Harry Carney (baritone saxophone, clarinet), Rufus Jones (drums) \r\n
      \r\n
      - Duke Ellington "Live at the Berlin Jazz Festival 1969-1973" !\r\n
      - 180 gram hand-numbered edition !\r\n
      - Limited to 2000 copies worldwide !\r\n
      - Gold foil and debossing on soft-touch cover !\r\n
      - Printed inner sleeve; pressed at Optimal in Germany !\r\n
      \r\n
      On Nov. 8, 1969,on the stage of the Berlin Philharmonic's main hall, the Duke, whose portrait is the poster of the Jazztage Festival celebrating his 70th birthday, slowly joined his piano. His orchestra was at the helm, adorned with a gleaming section, some of whom have accompanied him for 30 years, such as Cootie Willams and Cat Anderson. Legendary saxophonists Paul Gonsalves and Johnny Hodges and Russell Procope were also present.\r\n
      \r\n
      In a sort of rattle, the Duke launched "La plus Belle Africaine". A baroque but perfectly mastered mixture of sunny colors captured during a tour in Dakar, launched by the solo saxophone and then taken up with flashes of inventiveness by all or part of the band. The tone is set. Cat Anderson launched into a furious "El Gato" which shook the audience with its creaking, deliberate deconstruction, evoking the revolutionary, fragmentary and unfinished gestures of Thelonious Monk or Cecil Taylor. A studied contrast with the gentle continuation of "I Can't Get Started", just before the 43 second parenthesis of "Caravan", which is a mischievous link to the flamboyant "Satin Doll" that masterfully punctuates this concert.\r\n
      \r\n
      In 1973, a few months before his death, Duke returned to Berlin in a formation based on his trio (Joe Benjamin on double bass and Quinten "Rocky" White Jr. on drums), joined by Harold Johnson on trumpet, the clarinettist and baritone saxophonist Harry Carney and by his long-time sidekick, the tenor saxophonist Paul Gonsalves. Duke Ellington gives his piano a central place here, making it both the driving force of the ensemble and its harmonic and rhythmic backbone.\r\n
      \r\n
      In the blues that opens the concert, we hear Debussy. Take the A train' follows. The Duke likes changes of mood. Only, here and there, touches of discontinuous speech remind us how sagaciously the Duke was able to draw on the audacious harmonies of his contemporaries. And then he dares to do everything. Like offering his band the rhythmic virtuosity of Baby Laurence on tap dance in "Tap Dance". The magic works. The success is total.\r\n
      \r\n
      Two concerts in Berlin, two facets of a poetic universe, two visions of an alchemist who knew how to draw with lightness but also with a mixture of jubilation and authority, from the harmonic sources of all music and which make so relevant the formula he loved: "there are only two kinds of music: good and bad". We have had the extreme privilege of resurrecting the better one.
      """
    -prixVente: "52.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington (piano), Joe Benjamin (bass), Harold "Money" Johnson (trumpet), Paul Gonsalves (saxophone), Harry Carney (baritone saxophone, clarinet), Quinten "Rocky" White Jr. (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-7xCnhEYk9U"
    -referenceProduit: "The Lost Recordings 0404"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Piano Improvisation N° 1"
      ]
      [
        "ordre" => 2
        "nom" => "2. Take the "A" Train"
      ]
      [
        "ordre" => 3
        "nom" => "3. Pitter Panther Patter"
      ]
      [
        "ordre" => 4
        "nom" => "4. Sophisticated Lady"
      ]
      [
        "ordre" => 5
        "nom" => "5. Introduction by Baby Laurence"
      ]
      [
        "ordre" => 6
        "nom" => "6. Tap Dance"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. The Most Beautiful African"
      ]
      [
        "ordre" => 9
        "nom" => "2. El Gato"
      ]
      [
        "ordre" => 10
        "nom" => "3. I Can't Get Started"
      ]
      [
        "ordre" => 11
        "nom" => "4. Caravan"
      ]
      [
        "ordre" => 12
        "nom" => "5. Satin Doll"
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1917 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1398662246 {#1896
      date: 2014-04-28 05:17:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765984007 {#1889
      date: 2025-12-17 15:06:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-the-berlin-jazz-festival-1969-1973-the-lost-recordings-0404"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2396 …}
}

[
  "produit" => App\Entity\Produit {#2043
    -id: 894
    -nom: "Blues In Orbit"
    -informationComplementaire: null
    -description: """
      - Remastered by Bernie Grundman from the original analog tapes !\r\n
      - Gatefold old-school "tip-on" on jacket by Stoughton Printing !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      It's tempting for Blues in Orbit to be overlooked when Duke Ellington's best albums are discussed, but truly it's an undisputed gem. There are 14 tracks, none of them is longer than 4:50 and it is all good stuff. There are some familiar favorites such as "In a Mellotone" and "C Jam Blues" as well as less often heard gems like "Blues in Blueprint and "Sweet and Pungent". It is also in stereo, and the arrangements are superb.\r\n
      \r\n
      The featured performers include Ellington stalwarts Johnnie Hodges, Ray Nance, Harry Carney and Jimmy Hamilton, as well as the less familiar Booty Wood and Matthew Gee. Johnnie, in particular is well showcased here, taking the lead not only in slow pieces like "Brown Penny" and "Sentimental Lady", but also in the rousing, "Smada".\r\n
      \r\n
      The full Analogue Productions reissue treatment is at work on this smashing LP - famed mastering engineer Bernie Grundman handled the remastering from the original analog tapes. The lacquers were plated and pressed at Quality Record Pressings, maker of the world's finest-sounding LPs. Lastly we've stashed each super-silent 180 gram disc in a premium Stoughton Printing gatefold jacket.\r\n
      \r\n
      All of the takes were recorded during after midnight sessions recorded over two nights starting on December 2, 1959 in New York at Columbia Record's studio on East 30th Street. Each night Duke's late dinner arrived at 2 a.m. - a sizzling steak, a pot of coffee with lemons in it, portions of American cheese, and grapefruits. After dinner, and a breather for the band, the sessions finished around dawn in a swinging fashion.\r\n
      \r\n
      If you're just getting into jazz, this album is highly recommended as a great way to initiate your collection. The sound is incredible, with packaging to match. Another audiophile home run.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington, Billy Strayhorn (piano), Ray Nance, Cat Anderson, Shorty Baker, Clark Terry, Fats Ford (trumpet), Britt Woodman, Matthew Gee, Booty Wood, Quentin Jackson (trombone), John Sanders (Valve trombone), Jimmy Hamilton (clarinet, tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=b2pI2CbBJPY"
    -referenceProduit: "AAPJ 056"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Three J’s Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Smada"
      ]
      [
        "ordre" => 3
        "nom" => "3. Pie Eye’s Blues"
      ]
      [
        "ordre" => 4
        "nom" => "4. Sweet and Pungent"
      ]
      [
        "ordre" => 5
        "nom" => "5. C Jam Blues"
      ]
      [
        "ordre" => 6
        "nom" => "Side B :"
      ]
      [
        "ordre" => 7
        "nom" => "1. In A Mellow Tone"
      ]
      [
        "ordre" => 8
        "nom" => "2. Blues In Blueprint"
      ]
      [
        "ordre" => 9
        "nom" => "3. The Swinger’s Get The Blues Too"
      ]
      [
        "ordre" => 10
        "nom" => "4. The Swinger’s Jump"
      ]
      [
        "ordre" => 11
        "nom" => "5. Blues In Orbit"
      ]
      [
        "ordre" => 12
        "nom" => "6. Villes Ville Is The Place, Man"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2045 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2054 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2047 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2049 …}
    -enregistreLe: DateTime @1458803215 {#2032
      date: 2016-03-24 07:06:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764866762 {#2033
      date: 2025-12-04 16:46:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2051 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-blues-in-orbit-aapj-056"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3193
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2628 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2043
    -id: 894
    -nom: "Blues In Orbit"
    -informationComplementaire: null
    -description: """
      - Remastered by Bernie Grundman from the original analog tapes !\r\n
      - Gatefold old-school "tip-on" on jacket by Stoughton Printing !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      It's tempting for Blues in Orbit to be overlooked when Duke Ellington's best albums are discussed, but truly it's an undisputed gem. There are 14 tracks, none of them is longer than 4:50 and it is all good stuff. There are some familiar favorites such as "In a Mellotone" and "C Jam Blues" as well as less often heard gems like "Blues in Blueprint and "Sweet and Pungent". It is also in stereo, and the arrangements are superb.\r\n
      \r\n
      The featured performers include Ellington stalwarts Johnnie Hodges, Ray Nance, Harry Carney and Jimmy Hamilton, as well as the less familiar Booty Wood and Matthew Gee. Johnnie, in particular is well showcased here, taking the lead not only in slow pieces like "Brown Penny" and "Sentimental Lady", but also in the rousing, "Smada".\r\n
      \r\n
      The full Analogue Productions reissue treatment is at work on this smashing LP - famed mastering engineer Bernie Grundman handled the remastering from the original analog tapes. The lacquers were plated and pressed at Quality Record Pressings, maker of the world's finest-sounding LPs. Lastly we've stashed each super-silent 180 gram disc in a premium Stoughton Printing gatefold jacket.\r\n
      \r\n
      All of the takes were recorded during after midnight sessions recorded over two nights starting on December 2, 1959 in New York at Columbia Record's studio on East 30th Street. Each night Duke's late dinner arrived at 2 a.m. - a sizzling steak, a pot of coffee with lemons in it, portions of American cheese, and grapefruits. After dinner, and a breather for the band, the sessions finished around dawn in a swinging fashion.\r\n
      \r\n
      If you're just getting into jazz, this album is highly recommended as a great way to initiate your collection. The sound is incredible, with packaging to match. Another audiophile home run.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington, Billy Strayhorn (piano), Ray Nance, Cat Anderson, Shorty Baker, Clark Terry, Fats Ford (trumpet), Britt Woodman, Matthew Gee, Booty Wood, Quentin Jackson (trombone), John Sanders (Valve trombone), Jimmy Hamilton (clarinet, tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=b2pI2CbBJPY"
    -referenceProduit: "AAPJ 056"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Three J’s Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Smada"
      ]
      [
        "ordre" => 3
        "nom" => "3. Pie Eye’s Blues"
      ]
      [
        "ordre" => 4
        "nom" => "4. Sweet and Pungent"
      ]
      [
        "ordre" => 5
        "nom" => "5. C Jam Blues"
      ]
      [
        "ordre" => 6
        "nom" => "Side B :"
      ]
      [
        "ordre" => 7
        "nom" => "1. In A Mellow Tone"
      ]
      [
        "ordre" => 8
        "nom" => "2. Blues In Blueprint"
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        "nom" => "3. The Swinger’s Get The Blues Too"
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        "nom" => "4. The Swinger’s Jump"
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        "nom" => "5. Blues In Orbit"
      ]
      [
        "ordre" => 12
        "nom" => "6. Villes Ville Is The Place, Man"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
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    -style: App\Entity\Style {#1468 …}
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      date: 2025-12-04 16:46:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2051 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-blues-in-orbit-aapj-056"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2396 …}
}

[
  "produit" => App\Entity\Produit {#2059
    -id: 1111
    -nom: "Jazz Party In Stereo"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Duke Ellington, Jimmy Jones (piano), Jimmy Woode (bass), Jimmy Rushing (vocals), Harry Carney, Jimmy Hamilton, Johnny Hodges, Paul Gonzalves, Russell Procope (saxophone), Britt Woodman, John Sanders, Quentin Jackson (trombone), Andres Ford, Cat Anderson, Clark Terry, Dizzy Gillespie, Shorty Baker, Ray Nance (trumpet), Robert M. Rosengarden, Bradley Spinney, Chauncey Morehouse, Elden C. Balley, George Gaber, Harry Breuer, Milton Schlesinger, Morris Goldenberg, Walter E. Rosenberger (percussion), Sam Woodyard (drums)\r\n
      \r\n
      - Duke Ellington "Jazz Party In Stereo" 180 Gram LP !\r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      - Housed in a tip-on gatefold jacket (from Stoughton Printing) for the first time !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      Ellington soars to unmatched artistic heights alongside impressive jazz stars including Dizzy Gillespie, Johnny Hodges and Jimmy Rushing !\r\n
      \r\n
      The tremendously detailed audio effect achieved by Columbia's engineers is brought back to life on this 200-gram LP from Analogue Productions. You want Duke and his men at their best, this is it !\r\n
      \r\n
      Duke Ellington called his music "American Music" rather than jazz, and liked to describe those who impressed him as "beyond category". He remains one of the most influential figures in jazz, if not in all American music and is widely considered as one of the 20th century's best known African American personalites. He received 13 Grammy Awards and was honored with the French Legion of Honor in 1973. Posthumous recognition of his work include a special award citation from the Pulitzer Prize Board.\r\n
      \r\n
      Dizzy's spectacular trumpet blooms here amidst the Ellingtonian aggregate. The sometimes tender, sometimes shouting blues style of Jimmy Rushing provides nice contrast in one of the most varied and satisfying Ellington recordings ever. Originally released on Columbia Records in 1959, Jazz Party In Stereo contains a formidable gallery of jazz stars including Dizzy Gillespie, Jimmy Rushing, Johnny Hodges, Clark Terry, Paul Gonsalves, and more!\r\n
      \r\n
      So what have we done to perfect this brilliant reissue? Mastering by Bernie Grundman from the original analog tape, for starters. Naturally we turned to our own Quality Record Pressings for the finest 200 Gram, dead-silent background pressing. Top it off with a Stoughton Printing gatefold tip-on jacket with beautiful full-size inner pictures and you've got an audiophile's dream. A can't miss for your collection !\r\n
      \r\n
      "This most unusual Duke Ellington record includes two selections featuring nine symphonic percussionists on timpani, vibes, marimbas, and xylophones. Dizzy Gillespie makes a historic appearance with Ellington's orchestra on 'U.M.M.G.' (a meeting that should have been repeated often but sadly never was), Jimmy Rushing (Count Basie's former vocalist) sings 'Hello Little Girl,' and both Johnny Hodges ('All of Me') and Paul Gonsalves ('Ready Go!') have chances to blow". - AllMusic
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington, Jimmy Jones (piano), Jimmy Woode (bass), Jimmy Rushing (vocals), Harry Carney, Jimmy Hamilton, Johnny Hodges, Paul Gonzalves, Russell Procope (saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=eY2YKrE8idA&list=RDeY2YKrE8idA&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 8127"
    -titreMorceau: [
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        "ordre" => 0
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        "nom" => "1. Malletoba Spank"
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        "nom" => "2. Red Garter (Toot Suite, Pt. I)"
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      ]
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        "ordre" => 5
        "nom" => "5. Ready, Go! (Toot Suite, Pt. IV)"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. U.M.M.G. (Upper Manhattan Medical Group)"
      ]
      [
        "ordre" => 8
        "nom" => "2. All of Me"
      ]
      [
        "ordre" => 9
        "nom" => "3. Tymperturbably Blue"
      ]
      [
        "ordre" => 10
        "nom" => "4. Hello Little Girl"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2045 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2067 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2060 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2062 …}
    -enregistreLe: DateTime @1484238345 {#2056
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    }
    -modifierLe: DateTime @1764866413 {#2057
      date: 2025-12-04 16:40:13.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2064 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-jazz-party-in-stereo-analogue-productions-aapp-8127"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3241
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2628 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2059
    -id: 1111
    -nom: "Jazz Party In Stereo"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Duke Ellington, Jimmy Jones (piano), Jimmy Woode (bass), Jimmy Rushing (vocals), Harry Carney, Jimmy Hamilton, Johnny Hodges, Paul Gonzalves, Russell Procope (saxophone), Britt Woodman, John Sanders, Quentin Jackson (trombone), Andres Ford, Cat Anderson, Clark Terry, Dizzy Gillespie, Shorty Baker, Ray Nance (trumpet), Robert M. Rosengarden, Bradley Spinney, Chauncey Morehouse, Elden C. Balley, George Gaber, Harry Breuer, Milton Schlesinger, Morris Goldenberg, Walter E. Rosenberger (percussion), Sam Woodyard (drums)\r\n
      \r\n
      - Duke Ellington "Jazz Party In Stereo" 180 Gram LP !\r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      - Housed in a tip-on gatefold jacket (from Stoughton Printing) for the first time !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      Ellington soars to unmatched artistic heights alongside impressive jazz stars including Dizzy Gillespie, Johnny Hodges and Jimmy Rushing !\r\n
      \r\n
      The tremendously detailed audio effect achieved by Columbia's engineers is brought back to life on this 200-gram LP from Analogue Productions. You want Duke and his men at their best, this is it !\r\n
      \r\n
      Duke Ellington called his music "American Music" rather than jazz, and liked to describe those who impressed him as "beyond category". He remains one of the most influential figures in jazz, if not in all American music and is widely considered as one of the 20th century's best known African American personalites. He received 13 Grammy Awards and was honored with the French Legion of Honor in 1973. Posthumous recognition of his work include a special award citation from the Pulitzer Prize Board.\r\n
      \r\n
      Dizzy's spectacular trumpet blooms here amidst the Ellingtonian aggregate. The sometimes tender, sometimes shouting blues style of Jimmy Rushing provides nice contrast in one of the most varied and satisfying Ellington recordings ever. Originally released on Columbia Records in 1959, Jazz Party In Stereo contains a formidable gallery of jazz stars including Dizzy Gillespie, Jimmy Rushing, Johnny Hodges, Clark Terry, Paul Gonsalves, and more!\r\n
      \r\n
      So what have we done to perfect this brilliant reissue? Mastering by Bernie Grundman from the original analog tape, for starters. Naturally we turned to our own Quality Record Pressings for the finest 200 Gram, dead-silent background pressing. Top it off with a Stoughton Printing gatefold tip-on jacket with beautiful full-size inner pictures and you've got an audiophile's dream. A can't miss for your collection !\r\n
      \r\n
      "This most unusual Duke Ellington record includes two selections featuring nine symphonic percussionists on timpani, vibes, marimbas, and xylophones. Dizzy Gillespie makes a historic appearance with Ellington's orchestra on 'U.M.M.G.' (a meeting that should have been repeated often but sadly never was), Jimmy Rushing (Count Basie's former vocalist) sings 'Hello Little Girl,' and both Johnny Hodges ('All of Me') and Paul Gonsalves ('Ready Go!') have chances to blow". - AllMusic
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington, Jimmy Jones (piano), Jimmy Woode (bass), Jimmy Rushing (vocals), Harry Carney, Jimmy Hamilton, Johnny Hodges, Paul Gonzalves, Russell Procope (saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=eY2YKrE8idA&list=RDeY2YKrE8idA&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 8127"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Malletoba Spank"
      ]
      [
        "ordre" => 2
        "nom" => "2. Red Garter (Toot Suite, Pt. I)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Red Shoes (Toot Suite, Pt. II)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Red Carpet (Toot Suite, Pt. III)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Ready, Go! (Toot Suite, Pt. IV)"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. U.M.M.G. (Upper Manhattan Medical Group)"
      ]
      [
        "ordre" => 8
        "nom" => "2. All of Me"
      ]
      [
        "ordre" => 9
        "nom" => "3. Tymperturbably Blue"
      ]
      [
        "ordre" => 10
        "nom" => "4. Hello Little Girl"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2045 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2067 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2060 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2062 …}
    -enregistreLe: DateTime @1484238345 {#2056
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    }
    -modifierLe: DateTime @1764866413 {#2057
      date: 2025-12-04 16:40:13.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2064 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-jazz-party-in-stereo-analogue-productions-aapp-8127"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2396 …}
}

[
  "produit" => App\Entity\Produit {#2072
    -id: 2404
    -nom: "Historically Speaking : The Duke"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Johnny Hodges (alto saxophone), Russell Procope (alto saxophone, clarinet), Harry Carney (baritone saxophone, bass clarinet), Jimmy Woode (bass), Paul Gonsalves (tenor saxophone), Jimmy Hamilton (tenor saxophone, clarinet), Britt Woodman, John Sanders, Quentin Jackson (trombone), Cat Anderson, Clark Terry, Ray Nance, Willie Cooke (trumpet), Sam Woodyard (drums).\r\n
      \r\n
      Recorded for Bethlehem Records in 1956, Duke Ellington's Historically Speaking is an album of updated arrangements of earlier Duke classics, including "East St. Louis Toodle-Oo", "In a Mellow Tone," and "Creole Love Call". The orchestra, with the recent return of saxophonist Johnny Hodges to the Ellington fold and the modernizing influence of drummer Sam Woodyard on drums, sounds rejuvenated, making this album a strong contender for one of Ellington's finer efforts of the 1950's. Personnel includes: Duke Ellington (conductor, piano); Russell Procope (clarinet, alto saxophone); Jimmy Hamilton (clarinet, tenor saxophone); Johnny Hodges (alto saxophone); Paul Gonsalves (tenor saxophone); Harry Carney (bass saxophone); Cat Anderson, Willie Cook, Clark Terry (trumpet); Ray Nance, Britt Woodman, John Saunders, Quentin Jackson (trombone); Jimmy Woode (bass); Sam Woodyard (drums). Remastered on 180 gram vinyl LP.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges (alto saxophone), Russell Procope (alto saxophone, clarinet), Harry Carney (baritone saxophone, bass clarinet), Jimmy Woode (bass), Paul Gonsalves (tenor saxophone), Jimmy Hamilton (tenor saxophone, clarinet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=VBzumDmjMCo"
    -referenceProduit: "Bethlehem Records 0138"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. East St. Louis Toodle-O (2014 Remastered Version) "
      ]
      [
        "ordre" => 2
        "nom" => "2. Creole Love Call (2014 Remastered Version) "
      ]
      [
        "ordre" => 3
        "nom" => "3. Stompy Jones (2014 Remastered Version) "
      ]
      [
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        "nom" => "4. The Jeep Is Jumpin' (2014 Remastered Version) "
      ]
      [
        "ordre" => 5
        "nom" => "5. Jack the Bear (2014 Remastered Version) "
      ]
      [
        "ordre" => 6
        "nom" => "6. In a Mellow Tone (2014 Remastered Version)"
      ]
      [
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        "nom" => "Side B : "
      ]
      [
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        "nom" => "1. Ko-Ko (2014 Remastered Version) "
      ]
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        "nom" => "2. Midriff (2014 Remastered Version) "
      ]
      [
        "ordre" => 10
        "nom" => "3. Stomp Look and Listen (2014 Remastered Version) "
      ]
      [
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        "nom" => "4. Unbooted Character (2014 Remastered Version) "
      ]
      [
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        "nom" => "5. Lonesome Lullaby (2014 Remastered Version) "
      ]
      [
        "ordre" => 13
        "nom" => "6. Upper Manhattan Medical Group (2014 Remastered Version)"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2074 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2083 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2078 …}
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    }
    -modifierLe: DateTime @1764865962 {#2070
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2080 …}
    -disponible: null
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    -slug: "vinyles-historically-speaking-the-duke-bethlehem-records-0138"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3289
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2628 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2072
    -id: 2404
    -nom: "Historically Speaking : The Duke"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Johnny Hodges (alto saxophone), Russell Procope (alto saxophone, clarinet), Harry Carney (baritone saxophone, bass clarinet), Jimmy Woode (bass), Paul Gonsalves (tenor saxophone), Jimmy Hamilton (tenor saxophone, clarinet), Britt Woodman, John Sanders, Quentin Jackson (trombone), Cat Anderson, Clark Terry, Ray Nance, Willie Cooke (trumpet), Sam Woodyard (drums).\r\n
      \r\n
      Recorded for Bethlehem Records in 1956, Duke Ellington's Historically Speaking is an album of updated arrangements of earlier Duke classics, including "East St. Louis Toodle-Oo", "In a Mellow Tone," and "Creole Love Call". The orchestra, with the recent return of saxophonist Johnny Hodges to the Ellington fold and the modernizing influence of drummer Sam Woodyard on drums, sounds rejuvenated, making this album a strong contender for one of Ellington's finer efforts of the 1950's. Personnel includes: Duke Ellington (conductor, piano); Russell Procope (clarinet, alto saxophone); Jimmy Hamilton (clarinet, tenor saxophone); Johnny Hodges (alto saxophone); Paul Gonsalves (tenor saxophone); Harry Carney (bass saxophone); Cat Anderson, Willie Cook, Clark Terry (trumpet); Ray Nance, Britt Woodman, John Saunders, Quentin Jackson (trombone); Jimmy Woode (bass); Sam Woodyard (drums). Remastered on 180 gram vinyl LP.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges (alto saxophone), Russell Procope (alto saxophone, clarinet), Harry Carney (baritone saxophone, bass clarinet), Jimmy Woode (bass), Paul Gonsalves (tenor saxophone), Jimmy Hamilton (tenor saxophone, clarinet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=VBzumDmjMCo"
    -referenceProduit: "Bethlehem Records 0138"
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        "nom" => "3. Stompy Jones (2014 Remastered Version) "
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        "nom" => "4. The Jeep Is Jumpin' (2014 Remastered Version) "
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        "nom" => "5. Jack the Bear (2014 Remastered Version) "
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        "nom" => "6. In a Mellow Tone (2014 Remastered Version)"
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        "nom" => "Side B : "
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      [
        "ordre" => 8
        "nom" => "1. Ko-Ko (2014 Remastered Version) "
      ]
      [
        "ordre" => 9
        "nom" => "2. Midriff (2014 Remastered Version) "
      ]
      [
        "ordre" => 10
        "nom" => "3. Stomp Look and Listen (2014 Remastered Version) "
      ]
      [
        "ordre" => 11
        "nom" => "4. Unbooted Character (2014 Remastered Version) "
      ]
      [
        "ordre" => 12
        "nom" => "5. Lonesome Lullaby (2014 Remastered Version) "
      ]
      [
        "ordre" => 13
        "nom" => "6. Upper Manhattan Medical Group (2014 Remastered Version)"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2074 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2083 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2076 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2078 …}
    -enregistreLe: DateTime @1680847924 {#2069
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[
  "produit" => App\Entity\Produit {#2088
    -id: 570
    -nom: "Ellington at Newport"
    -informationComplementaire: "Re-release"
    -description: """
      Musicians :\r\n
      Duke Ellington (piano), Cat Anderson, Willie Cook, Clark Terry  (trumpet), Ray Nance (trumpet, vocals), Quentin Jackson,  Lawrence Brown, John Sanders, Britt Woodman (trombone), Johnny Hodges (alto saxophone), Russell Procope (alto saxophone, clarinet), Paul Gonsalves (tenor saxophone), Harry Carney (baritone saxophone), Jimmy Hamilton (clarinet), Jimmy Woode (double bass), Al Lucas (bass), Jimmy Grissom (vocals), Sam Woodyard (drums).\r\n
      \r\n
      Pandemonium : Historic 1956 Live Set Triggered Spontaneous Audience Outburst That Fed Directly into Feel, Outcome of Performance !\r\n
      \r\n
      DUKE ELLINGTON'S HISTORIC LIVE SET TRIGGERED SPONTANEOUS AUDIENCE OUTBURST THAT FED DIRECTLY INTO THE FEEL AND OUTCOME OF HIS PERFORMANCE\r\n
      \r\n
      - 1/2" / 30 IPS analog copy to analog console to lathe !\r\n
      \r\n
      It spurred Duke Ellington's comeback into the mainstream. It captures a performance so energetic, wild, unexpected, and unprecedented that the music literally caused thousands of people to jump up and stand on their chairs, worrying officials that a riot might ensue. It is jazz of the highest order, played at an almost rock n' roll pace, and with an enthusiastic pep that confirms Ellington and his ensemble fed off the crowd's reaction as the collective lit into each new stanza. It is Ellington's best-selling album. It is Ellington at Newport.\r\n
      \r\n
      Like few records before or since, the 1956 set owes as much to context and circumstance as it does instrumental execution. Years prior to his appearance in Rhode Island, Ellington had suffered lackadaisical record sales and a falling out of the public eye, as bop and hard bop supplanted tradition big bands. Yet in preparation for the event, Ellington worked on experimental ideas and a reshaping of some of his standards.\r\n
      \r\n
      The iconic arranger/composer's foresight comes into fruition throughout the white-hot set, never more so than on "Diminuendo and Crescendo In Blue", on which tenor saxophonist Paul Gonsalves erases all rules and outlays a 27 chorus solo that left everyone in awe and prompted them to stand on chairs, dance feverishly, and hoot and holler to an extent that caused Ellington to ultimately cool things off. The improvisational flight epitomizes boldness, freedom, risk, and, to the bandleader, an assuredly loud response to the critics that had believed his well was tapped.\r\n
      \r\n
      The songs in advance of the climactic moment are no less exciting; Ellington and his 15-piece collective manhandle notes with ease, swinging and sliding through "Festival Junction" with a requisite balance of poise and panache, and kicking heels on "Newport Up" via Ellington's spry piano riffs, Jimmy Hamilton's spicy clarinet feeds, and Clark Terry's trumpet runs. In every way, Ellington at Newport is as quintessential as Kind of Blue, Giant Steps, and Way Out West.\r\n
      \r\n
      And now, the 1956 classic can be experienced in a fidelity never before as authentic or transparent on any pressing. Mastered on Mobile Fidelity's renowned mastering system and pressed at Fidelity Record Pressing, this numbered-edition Silver Label Series LP of Ellington's triumph boasts tremendous separation, deeper low frequencies, clearer highs, and front-to-back dynamics. Horns blare with multi-hued color, the Duke's 88s ring out with treble finesse, and the rhythm section claims an added presence buried on previous editions.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington (piano), Cat Anderson, Willie Cook, Clark Terry  (trumpet), Ray Nance (trumpet, vocals), Quentin Jackson,  Lawrence Brown, John Sanders, Britt Woodman (trombone), Johnny Hodges (alto saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Cyyud_-h-8w"
    -referenceProduit: "Mobile Fidelity Sound Lab MOFI 1-035"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. Festival Junction"
      ]
      [
        "ordre" => 2
        "nom" => "2. Blues to Be There"
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      [
        "ordre" => 3
        "nom" => "3. Newport Up"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Jeep’s Blues"
      ]
      [
        "ordre" => 6
        "nom" => "2. Diminuendo and Crescendo In Blue"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2090 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2099 …}
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      date: 2025-12-04 16:29:31.0 UTC (+00:00)
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3337
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2628 …}
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    -id: 570
    -nom: "Ellington at Newport"
    -informationComplementaire: "Re-release"
    -description: """
      Musicians :\r\n
      Duke Ellington (piano), Cat Anderson, Willie Cook, Clark Terry  (trumpet), Ray Nance (trumpet, vocals), Quentin Jackson,  Lawrence Brown, John Sanders, Britt Woodman (trombone), Johnny Hodges (alto saxophone), Russell Procope (alto saxophone, clarinet), Paul Gonsalves (tenor saxophone), Harry Carney (baritone saxophone), Jimmy Hamilton (clarinet), Jimmy Woode (double bass), Al Lucas (bass), Jimmy Grissom (vocals), Sam Woodyard (drums).\r\n
      \r\n
      Pandemonium : Historic 1956 Live Set Triggered Spontaneous Audience Outburst That Fed Directly into Feel, Outcome of Performance !\r\n
      \r\n
      DUKE ELLINGTON'S HISTORIC LIVE SET TRIGGERED SPONTANEOUS AUDIENCE OUTBURST THAT FED DIRECTLY INTO THE FEEL AND OUTCOME OF HIS PERFORMANCE\r\n
      \r\n
      - 1/2" / 30 IPS analog copy to analog console to lathe !\r\n
      \r\n
      It spurred Duke Ellington's comeback into the mainstream. It captures a performance so energetic, wild, unexpected, and unprecedented that the music literally caused thousands of people to jump up and stand on their chairs, worrying officials that a riot might ensue. It is jazz of the highest order, played at an almost rock n' roll pace, and with an enthusiastic pep that confirms Ellington and his ensemble fed off the crowd's reaction as the collective lit into each new stanza. It is Ellington's best-selling album. It is Ellington at Newport.\r\n
      \r\n
      Like few records before or since, the 1956 set owes as much to context and circumstance as it does instrumental execution. Years prior to his appearance in Rhode Island, Ellington had suffered lackadaisical record sales and a falling out of the public eye, as bop and hard bop supplanted tradition big bands. Yet in preparation for the event, Ellington worked on experimental ideas and a reshaping of some of his standards.\r\n
      \r\n
      The iconic arranger/composer's foresight comes into fruition throughout the white-hot set, never more so than on "Diminuendo and Crescendo In Blue", on which tenor saxophonist Paul Gonsalves erases all rules and outlays a 27 chorus solo that left everyone in awe and prompted them to stand on chairs, dance feverishly, and hoot and holler to an extent that caused Ellington to ultimately cool things off. The improvisational flight epitomizes boldness, freedom, risk, and, to the bandleader, an assuredly loud response to the critics that had believed his well was tapped.\r\n
      \r\n
      The songs in advance of the climactic moment are no less exciting; Ellington and his 15-piece collective manhandle notes with ease, swinging and sliding through "Festival Junction" with a requisite balance of poise and panache, and kicking heels on "Newport Up" via Ellington's spry piano riffs, Jimmy Hamilton's spicy clarinet feeds, and Clark Terry's trumpet runs. In every way, Ellington at Newport is as quintessential as Kind of Blue, Giant Steps, and Way Out West.\r\n
      \r\n
      And now, the 1956 classic can be experienced in a fidelity never before as authentic or transparent on any pressing. Mastered on Mobile Fidelity's renowned mastering system and pressed at Fidelity Record Pressing, this numbered-edition Silver Label Series LP of Ellington's triumph boasts tremendous separation, deeper low frequencies, clearer highs, and front-to-back dynamics. Horns blare with multi-hued color, the Duke's 88s ring out with treble finesse, and the rhythm section claims an added presence buried on previous editions.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington (piano), Cat Anderson, Willie Cook, Clark Terry  (trumpet), Ray Nance (trumpet, vocals), Quentin Jackson,  Lawrence Brown, John Sanders, Britt Woodman (trombone), Johnny Hodges (alto saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Cyyud_-h-8w"
    -referenceProduit: "Mobile Fidelity Sound Lab MOFI 1-035"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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        "nom" => "1. Festival Junction"
      ]
      [
        "ordre" => 2
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      [
        "ordre" => 3
        "nom" => "3. Newport Up"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Jeep’s Blues"
      ]
      [
        "ordre" => 6
        "nom" => "2. Diminuendo and Crescendo In Blue"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2090 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2099 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2092 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2094 …}
    -enregistreLe: DateTime @1359617127 {#2085
      date: 2013-01-31 07:25:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764865771 {#2086
      date: 2025-12-04 16:29:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2096 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-ellington-at-newport-mobile-fidelity-sound-lab-mofi-1-035"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2396 …}
}

[
  "produit" => App\Entity\Produit {#2104
    -id: 508
    -nom: "Indigos"
    -informationComplementaire: null
    -description: """
      180 Gram pressing mastered from the original analog tapes by Kevin Gray !\r\n
      \r\n
      Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed.\r\n
      \r\n
      An all-analog shot of pure Duke at his most soulfully nocturnal. From the cats who brought you Time Further Out and Friday and Saturday Nights At the Blackhawk. Impex Records is making your nights a little cooler.\r\n
      \r\n
      The dancing mood of the album should not prevent us from attentively listening to these exceptional recordings. After all, this is the Ellington orchestra and all the arrangements are full of new twists and innovative voices and improvisations.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington and His Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5rt8H4jWnyE&list=PLPRYDN3eHzakszGqEjurkseY7Oq7pZg3B&index=3"
    -referenceProduit: "Impex Records IMP 6011"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
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        "nom" => "1. Solitude"
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      ]
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        "ordre" => 3
        "nom" => "3. Mood Indigo"
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      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Prelude To a Kiss"
      ]
      [
        "ordre" => 7
        "nom" => "2. Willow Weep For Me"
      ]
      [
        "ordre" => 8
        "nom" => "3. Tenderly"
      ]
      [
        "ordre" => 9
        "nom" => "4. Dancing In the Dark"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2106 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2115 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2108 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2110 …}
    -enregistreLe: DateTime @1333295201 {#2101
      date: 2012-04-01 15:46:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764837549 {#2102
      date: 2025-12-04 08:39:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2112 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-indigos-impex-records-imp-6011"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3385
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2628 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2104
    -id: 508
    -nom: "Indigos"
    -informationComplementaire: null
    -description: """
      180 Gram pressing mastered from the original analog tapes by Kevin Gray !\r\n
      \r\n
      Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed.\r\n
      \r\n
      An all-analog shot of pure Duke at his most soulfully nocturnal. From the cats who brought you Time Further Out and Friday and Saturday Nights At the Blackhawk. Impex Records is making your nights a little cooler.\r\n
      \r\n
      The dancing mood of the album should not prevent us from attentively listening to these exceptional recordings. After all, this is the Ellington orchestra and all the arrangements are full of new twists and innovative voices and improvisations.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington and His Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5rt8H4jWnyE&list=PLPRYDN3eHzakszGqEjurkseY7Oq7pZg3B&index=3"
    -referenceProduit: "Impex Records IMP 6011"
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        "nom" => "3. Tenderly"
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      [
        "ordre" => 9
        "nom" => "4. Dancing In the Dark"
      ]
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    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2106 …}
    -style: App\Entity\Style {#1468 …}
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    -modifierLe: DateTime @1764837549 {#2102
      date: 2025-12-04 08:39:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-indigos-impex-records-imp-6011"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2396 …}
}

[
  "produit" => App\Entity\Produit {#2120
    -id: 748
    -nom: "Ellington Indigos (2LP) 45 RPM - (Indigo Purple Vinyl)"
    -informationComplementaire: "65th Anniversary (Limited Numbered Edition)"
    -description: """
      - Ellington Indigos 65th Anniversary Edition !\r\n
      - First time on Impex 180 gram 45 RPM (2 LP) !\r\n
      - All-analog mastering by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Pressed at RTI !\r\n
      - Four bonus tracks !\r\n
      - 16 page booklet with new notes and archival photos !\r\n
      - Strictly limited to 3000 numbered copies !\r\n
      \r\n
      Duke Ellington's gorgeous 1958 release, already an audiophile stand out on Impex 33 1/3 RPM vinyl and 24k Gold CD, gets all the stops pulled out on this 65th Anniversary 45 RPM (2 LP) ! Exclusive new packaging and all-analog mastering provides experiential and immersive musical engagement that has The Absolute Sound's Wayne Garcia calling it "A musical masterpiece, sonic knockout. What a record !" - 5/5 music - 5/5 sonics\r\n
      \r\n
      Impex is also debuting a super-quiet, super-limited-edition solid Indigo purple vinyl edition! Made in collaboration with our friends at the Los Angeles Orange County Audio Society in honor of their 30th Anniversary, we carefully selected vinyl chips, with help from the vinyl gurus at RTI, to craft one of the quietest color LPs ever made without dramatically changing the tonal excellence of the original recording !\r\n
      \r\n
      Strictly limited to 3000 standard black HQ 180 gram pressings, Ellington Indigos on 45 RPM HQ 180 will once again redefine definitive for this timeless jazz orchestra standard !
      """
    -prixVente: "159.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington and His Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8-2UKI6vIv4&list=PLPRYDN3eHzakszGqEjurkseY7Oq7pZg3B"
    -referenceProduit: "Impex Records IMP 6058-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "SIDE A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Solitude"
      ]
      [
        "ordre" => 2
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        "nom" => "Side B : "
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      ]
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        "ordre" => 6
        "nom" => "2. Prelude To a Kiss"
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      [
        "ordre" => 7
        "nom" => "3. Willow Weep for Me"
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        "nom" => "Side C :"
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      ]
      [
        "ordre" => 10
        "nom" => "2. Dancing In the Dark"
      ]
      [
        "ordre" => 11
        "nom" => "3. Night and Day"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. All the Things You Are"
      ]
      [
        "ordre" => 14
        "nom" => "2. The Sky Fell Down"
      ]
      [
        "ordre" => 15
        "nom" => "3. Love (My Heart, My Mind, My Everything)"
      ]
      [
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        "nom" => ""
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        "nom" => ""
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      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2106 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2128 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2121 …}
    -typeMasterTape: null
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    -produitTestePar: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2123 …}
    -enregistreLe: DateTime @1423514543 {#2117
      date: 2015-02-09 20:42:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764837416 {#2118
      date: 2025-12-04 08:36:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2125 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3433
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2628 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2120
    -id: 748
    -nom: "Ellington Indigos (2LP) 45 RPM - (Indigo Purple Vinyl)"
    -informationComplementaire: "65th Anniversary (Limited Numbered Edition)"
    -description: """
      - Ellington Indigos 65th Anniversary Edition !\r\n
      - First time on Impex 180 gram 45 RPM (2 LP) !\r\n
      - All-analog mastering by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Pressed at RTI !\r\n
      - Four bonus tracks !\r\n
      - 16 page booklet with new notes and archival photos !\r\n
      - Strictly limited to 3000 numbered copies !\r\n
      \r\n
      Duke Ellington's gorgeous 1958 release, already an audiophile stand out on Impex 33 1/3 RPM vinyl and 24k Gold CD, gets all the stops pulled out on this 65th Anniversary 45 RPM (2 LP) ! Exclusive new packaging and all-analog mastering provides experiential and immersive musical engagement that has The Absolute Sound's Wayne Garcia calling it "A musical masterpiece, sonic knockout. What a record !" - 5/5 music - 5/5 sonics\r\n
      \r\n
      Impex is also debuting a super-quiet, super-limited-edition solid Indigo purple vinyl edition! Made in collaboration with our friends at the Los Angeles Orange County Audio Society in honor of their 30th Anniversary, we carefully selected vinyl chips, with help from the vinyl gurus at RTI, to craft one of the quietest color LPs ever made without dramatically changing the tonal excellence of the original recording !\r\n
      \r\n
      Strictly limited to 3000 standard black HQ 180 gram pressings, Ellington Indigos on 45 RPM HQ 180 will once again redefine definitive for this timeless jazz orchestra standard !
      """
    -prixVente: "159.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington and His Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8-2UKI6vIv4&list=PLPRYDN3eHzakszGqEjurkseY7Oq7pZg3B"
    -referenceProduit: "Impex Records IMP 6058-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "SIDE A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Solitude"
      ]
      [
        "ordre" => 2
        "nom" => "2. Where or When"
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      [
        "ordre" => 3
        "nom" => "3. Mood Indigo"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Autumn Leaves"
      ]
      [
        "ordre" => 6
        "nom" => "2. Prelude To a Kiss"
      ]
      [
        "ordre" => 7
        "nom" => "3. Willow Weep for Me"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Tenderly"
      ]
      [
        "ordre" => 10
        "nom" => "2. Dancing In the Dark"
      ]
      [
        "ordre" => 11
        "nom" => "3. Night and Day"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. All the Things You Are"
      ]
      [
        "ordre" => 14
        "nom" => "2. The Sky Fell Down"
      ]
      [
        "ordre" => 15
        "nom" => "3. Love (My Heart, My Mind, My Everything)"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2106 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2128 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2121 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2123 …}
    -enregistreLe: DateTime @1423514543 {#2117
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    }
    -modifierLe: DateTime @1764837416 {#2118
      date: 2025-12-04 08:36:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2125 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ellington-indigos-2lp-45-rpm-indigo-purple-vinyl-impex-records-imp-6058-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2396 …}
}

[
  "produit" => App\Entity\Produit {#2137
    -id: 726
    -nom: "Masterpieces by Ellington (Mono)"
    -informationComplementaire: null
    -description: """
      - A historic record - recorded just four years removed from the dawn of the analog tape era !\r\n
      - Remastered by Ryan Smith at Sterling Sound from the original analog tapes !\r\n
      - Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second !\r\n
      - Gatefold old-school "tip-on" on jacket by Stoughton Printing !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Most highly recommended (the record is now on the QRP presses). It's one of my 'Records to Die For' in the February 2015 Stereophile. You won't have to die to get a copy. $30 will do and it's well worth the money. A true classic both musically and sonically and a historical work of art you can now own". — Music = 11/11; Sound = 11/11 — Michael Fremer, AnalogPlanet.com. Read the whole review here.\r\n
      Masterpieces By Ellington shines from an astonishingly brief period of history that gave the recording industry two of its greatest achievements — the introduction of magnetic tape recording and the 33 1/3 LP, or long-playing record.\r\n
      Four years. That's all it took to go from the discovery by Americans, of German advancements in the field of sound recording, to the marketing of tape decks in the U.S. by the Ampex company, to Columbia's unveiling of its 12” LP, and the first long-playing record to be sold to consumers.\r\n
      \r\n
      The four selections contained here catapulted the Maestro Ellington into the LP era, as the great composer/arranger/pianist and his matchless orchestra took full advantage of the possibilities afforded by magnetic tape recording and the still-new 33 1/3 RPM LP to, for the first time, capture uncut concert arrangements of their signature songs.\r\n
      \r\n
      This album wouldn't have been possible without a chain of events starting at the end of World War II. Recorded in December 1950, just five years after Germany fell to the Allies, revealing the Germans' advances in magnetic tape recording, Ellington's master work holds its wonder still today and the recording quality hands-down betters the sound of many modern-day albums.\r\n
      \r\n
      1944-45 : Magnetic tape for sound recording spread to America after an American soldier, Jack Mullin, serving with the U.S. Army Signal Corps in the final months of WW II, received two suitcased-sized AEG 'Magnetophon' high-fidelity recorders and 50 reels of Farben recording tape that had fallen into American hands via the capture of a German radio station at Bad Nauheim. German engineers had perfected the technique of using Alternating Current bias — the addition of an inaudible high-fequency signal (from 40 to 150kHz) to improve the sound quality of most audio recordings by reducing distortion and noise.\r\n
      \r\n
      1947 : Mullin became an American pioneer in the field of magnetic tape sound recording, after working to modify and improve the machines. He gave two demonstrations of the recorders at Radio Center in Hollywood in October 1947. A later demonstration for singer/entertainer Bing Crosby led to the use of magnetic tape for recording Crosby's radio programs. Crosby became the first star to use tape to pre-record radio broadcasts.\r\n
      \r\n
      1948 : Crosby invested $50,000 in local electronics firm, Ampex, and the tiny six-man concern soon became the world leader in the development of tape recording. Ampex revolutionized the radio and recording industry with its famous Model 200 tape deck, developed directly from Mullin's modified Magnetophones. Units marked serial No. 1 and 2 were delivered in April 1948 in time to record and edit the 27th Bing Crosby show of the 1947-48 season. A 200A at the time retailed for $4,000 nearly as much as a standard single-family home.\r\n
      \r\n
      Crosby gave one of the first production tape decks to musician Les Paul, which led to Paul's invention of multitrack recording. The first production model 200A recorders are delivered to ABC and placed in service across the country. This marked the first widespread professional use of magnetic tape recording. Working with Mullin, Ampex rapidly developed 2 track stereo and then 3-track recorders. Mullin and Ampex developed a working monochrome videotape recorder by 1956.\r\n
      \r\n
      Here's where it gets really interesting, as The Duke and history made matchless audiophile magic. It took Columbia Records until December 1950 two years into the LP era, and the transition from disc to magnetic tape recording, to get Duke Ellington and his orchestra into the recording studio to cut a long-playing record.\r\n
      \r\n
      June 1948 : Vinyl LPs had taken over as the standard for pressing records by the 1940s; in 1948 Columbia Records introduced its 12-inch Microgroove LP or Long Play record, which could hold at least 20 minutes per side. The first classical long-playing record, and the first 12" LP of any kind catalog no. Columbia Masterworks Set ML 4001 was Mendelssohn's Concerto in E Minor for Violin and Orchestra, Op. 64, played by violinist Nathan Milstein with the Philharmonic Symphony Orchestra of New York, conducted by Bruno Walter.\r\n
      \r\n
      December 19, 1950. Masterpieces by Ellington recorded at Columbia's 30th Street Studio. Released in 1951. Recording engineers Fred Plaut and Harold Chapman. Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second. (3M-111 tape was also introduced in 1948, the year the Model 200 debuted).\r\n
      \r\n
      Suddenly, for the first time in his career, Ellington was able to forgo the 3 minutes-and-change restrictions afforded by the short running time of the 78 RPM disc. He and his band rose to the occasion with extended (11-minute plus) 'uncut concert arrangements' of three of his signature songs “Mood Indigo”, “Sophisticated Lady”, with evocative vocals by Yvonne Lanauze, as well as “Solitude”. Masterpieces was also notable for the debut of the full-bodied, surprise-laden “The Tattooed Bride”, and for the swansongs of three Ellintonian giants of longstanding: drummer Sonny Greer, trombonist Lawrence Brown and alto saxist Johnny Hodges (the latter two would eventually return to the fold).\r\n
      \r\n
      Masterpieces is a revelation and a throwback to a golden recording age. So much history and so much luck combined make this album truly special.\r\n
      \r\n
      "Even in this august company, 'The Tattooed Bride' is a swinging virtuoso piece that, as everyone present must have known, couldn't possibly have been captured in this manner in any era before this session this was also one of the last sessions to feature the classic Ellington lineup with Johnny Hodges, Lawrence Brown, and Sonny Greer, before their exodus altered the band's sound, and so it's a doubly precious piece (as is the whole album), among the last written specifically for this lineup". - AllMusic.com
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Billy Strayhorn, Duke Ellington (piano), Jimmy Hamilton, Johnny Hodges, Paul Gonzales, Russel Procope (saxophone), Wendell Marshall (bass), Mercer Ellington (horn, Flugelhorn), Lawrence Brow, Quentin Jackson (trombone), Andrew Ford, , Sonny Greer (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=txEuMLvRclw&list=RDtxEuMLvRclw&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 4418"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Mood Indigo"
      ]
      [
        "ordre" => 2
        "nom" => "2. Sophisticated Lady"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. The Tattooed Bride"
      ]
      [
        "ordre" => 5
        "nom" => "2. Solitude"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2045 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2145 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2138 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2140 …}
    -enregistreLe: DateTime @1418728487 {#2130
      date: 2014-12-16 11:14:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764836036 {#2131
      date: 2025-12-04 08:13:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2142 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-masterpieces-by-ellington-mono-analogue-productions-aapj-4418"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3481
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2628 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2137
    -id: 726
    -nom: "Masterpieces by Ellington (Mono)"
    -informationComplementaire: null
    -description: """
      - A historic record - recorded just four years removed from the dawn of the analog tape era !\r\n
      - Remastered by Ryan Smith at Sterling Sound from the original analog tapes !\r\n
      - Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second !\r\n
      - Gatefold old-school "tip-on" on jacket by Stoughton Printing !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Most highly recommended (the record is now on the QRP presses). It's one of my 'Records to Die For' in the February 2015 Stereophile. You won't have to die to get a copy. $30 will do and it's well worth the money. A true classic both musically and sonically and a historical work of art you can now own". — Music = 11/11; Sound = 11/11 — Michael Fremer, AnalogPlanet.com. Read the whole review here.\r\n
      Masterpieces By Ellington shines from an astonishingly brief period of history that gave the recording industry two of its greatest achievements — the introduction of magnetic tape recording and the 33 1/3 LP, or long-playing record.\r\n
      Four years. That's all it took to go from the discovery by Americans, of German advancements in the field of sound recording, to the marketing of tape decks in the U.S. by the Ampex company, to Columbia's unveiling of its 12” LP, and the first long-playing record to be sold to consumers.\r\n
      \r\n
      The four selections contained here catapulted the Maestro Ellington into the LP era, as the great composer/arranger/pianist and his matchless orchestra took full advantage of the possibilities afforded by magnetic tape recording and the still-new 33 1/3 RPM LP to, for the first time, capture uncut concert arrangements of their signature songs.\r\n
      \r\n
      This album wouldn't have been possible without a chain of events starting at the end of World War II. Recorded in December 1950, just five years after Germany fell to the Allies, revealing the Germans' advances in magnetic tape recording, Ellington's master work holds its wonder still today and the recording quality hands-down betters the sound of many modern-day albums.\r\n
      \r\n
      1944-45 : Magnetic tape for sound recording spread to America after an American soldier, Jack Mullin, serving with the U.S. Army Signal Corps in the final months of WW II, received two suitcased-sized AEG 'Magnetophon' high-fidelity recorders and 50 reels of Farben recording tape that had fallen into American hands via the capture of a German radio station at Bad Nauheim. German engineers had perfected the technique of using Alternating Current bias — the addition of an inaudible high-fequency signal (from 40 to 150kHz) to improve the sound quality of most audio recordings by reducing distortion and noise.\r\n
      \r\n
      1947 : Mullin became an American pioneer in the field of magnetic tape sound recording, after working to modify and improve the machines. He gave two demonstrations of the recorders at Radio Center in Hollywood in October 1947. A later demonstration for singer/entertainer Bing Crosby led to the use of magnetic tape for recording Crosby's radio programs. Crosby became the first star to use tape to pre-record radio broadcasts.\r\n
      \r\n
      1948 : Crosby invested $50,000 in local electronics firm, Ampex, and the tiny six-man concern soon became the world leader in the development of tape recording. Ampex revolutionized the radio and recording industry with its famous Model 200 tape deck, developed directly from Mullin's modified Magnetophones. Units marked serial No. 1 and 2 were delivered in April 1948 in time to record and edit the 27th Bing Crosby show of the 1947-48 season. A 200A at the time retailed for $4,000 nearly as much as a standard single-family home.\r\n
      \r\n
      Crosby gave one of the first production tape decks to musician Les Paul, which led to Paul's invention of multitrack recording. The first production model 200A recorders are delivered to ABC and placed in service across the country. This marked the first widespread professional use of magnetic tape recording. Working with Mullin, Ampex rapidly developed 2 track stereo and then 3-track recorders. Mullin and Ampex developed a working monochrome videotape recorder by 1956.\r\n
      \r\n
      Here's where it gets really interesting, as The Duke and history made matchless audiophile magic. It took Columbia Records until December 1950 two years into the LP era, and the transition from disc to magnetic tape recording, to get Duke Ellington and his orchestra into the recording studio to cut a long-playing record.\r\n
      \r\n
      June 1948 : Vinyl LPs had taken over as the standard for pressing records by the 1940s; in 1948 Columbia Records introduced its 12-inch Microgroove LP or Long Play record, which could hold at least 20 minutes per side. The first classical long-playing record, and the first 12" LP of any kind catalog no. Columbia Masterworks Set ML 4001 was Mendelssohn's Concerto in E Minor for Violin and Orchestra, Op. 64, played by violinist Nathan Milstein with the Philharmonic Symphony Orchestra of New York, conducted by Bruno Walter.\r\n
      \r\n
      December 19, 1950. Masterpieces by Ellington recorded at Columbia's 30th Street Studio. Released in 1951. Recording engineers Fred Plaut and Harold Chapman. Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second. (3M-111 tape was also introduced in 1948, the year the Model 200 debuted).\r\n
      \r\n
      Suddenly, for the first time in his career, Ellington was able to forgo the 3 minutes-and-change restrictions afforded by the short running time of the 78 RPM disc. He and his band rose to the occasion with extended (11-minute plus) 'uncut concert arrangements' of three of his signature songs “Mood Indigo”, “Sophisticated Lady”, with evocative vocals by Yvonne Lanauze, as well as “Solitude”. Masterpieces was also notable for the debut of the full-bodied, surprise-laden “The Tattooed Bride”, and for the swansongs of three Ellintonian giants of longstanding: drummer Sonny Greer, trombonist Lawrence Brown and alto saxist Johnny Hodges (the latter two would eventually return to the fold).\r\n
      \r\n
      Masterpieces is a revelation and a throwback to a golden recording age. So much history and so much luck combined make this album truly special.\r\n
      \r\n
      "Even in this august company, 'The Tattooed Bride' is a swinging virtuoso piece that, as everyone present must have known, couldn't possibly have been captured in this manner in any era before this session this was also one of the last sessions to feature the classic Ellington lineup with Johnny Hodges, Lawrence Brown, and Sonny Greer, before their exodus altered the band's sound, and so it's a doubly precious piece (as is the whole album), among the last written specifically for this lineup". - AllMusic.com
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Billy Strayhorn, Duke Ellington (piano), Jimmy Hamilton, Johnny Hodges, Paul Gonzales, Russel Procope (saxophone), Wendell Marshall (bass), Mercer Ellington (horn, Flugelhorn), Lawrence Brow, Quentin Jackson (trombone), Andrew Ford, , Sonny Greer (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=txEuMLvRclw&list=RDtxEuMLvRclw&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 4418"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Mood Indigo"
      ]
      [
        "ordre" => 2
        "nom" => "2. Sophisticated Lady"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. The Tattooed Bride"
      ]
      [
        "ordre" => 5
        "nom" => "2. Solitude"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2045 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2145 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2138 …}
    -typeMasterTape: null
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    -typeMateriel: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2140 …}
    -enregistreLe: DateTime @1418728487 {#2130
      date: 2014-12-16 11:14:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764836036 {#2131
      date: 2025-12-04 08:13:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2142 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-masterpieces-by-ellington-mono-analogue-productions-aapj-4418"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2396 …}
}

[
  "produit" => App\Entity\Produit {#2150
    -id: 2349
    -nom: "Duke Ellington Presents..."
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Johnny Hodges (alto saxophone), Jimmy Woode (bass), Harry Carney (bass clarinet, baritone saxophone), Russell Procope (clarinet, alto saxophone), Jimmy Hamilton (clarinet, tenor saxophone), Paul Gonsalves (tenor saxophone), Britt Woodman, John Saunders, Quentin Jackson (trombone), Cat Anderson, Clark Terry, Willie Cook (trumpet), Ray Nance (trumpet, violin), Sam Woodyard (drums.\r\n
      \r\n
      - 180 gram vinyl reissue !\r\n
      - New 2022 DMM cut utilizing remastered audio files from 2014 !\r\n
      - Duke Ellington's big band classic on Bethlehem !\r\n
      - Pressed at Precision Record Pressing in Canada !\r\n
      \r\n
      Legendary American pianist, composer and bandleader Duke Ellington recorded this album for the Bethlehem label in 1956. AllMusic rated the album 21/2 stars, and stated "... the music is quite enjoyable and it is interesting to hear Duke Ellington playing such tunes as "Laura", "My Funny Valentine", and "Indian Summer".\r\n
      \r\n
      The remastered 96kHz / 24-bit audio files used for this pressing were from a 2014 remastering. A new Direct Metal Mastering cut in 2022 utilizing those files produced the pressing stampers.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges (alto saxophone), Jimmy Woode (bass), Harry Carney (bass clarinet, baritone saxophone), Russell Procope (clarinet, alto saxophone), Jimmy Hamilton (clarinet, tenor saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YUf_Jcm9j7E"
    -referenceProduit: "Bethlehem Records 6174"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Summertime "
      ]
      [
        "ordre" => 2
        "nom" => "2. Laura "
      ]
      [
        "ordre" => 3
        "nom" => "3. I Can't Get Started "
      ]
      [
        "ordre" => 4
        "nom" => "4. My Funny Valentine "
      ]
      [
        "ordre" => 5
        "nom" => "5. Everything but You "
      ]
      [
        "ordre" => 6
        "nom" => "6. Frustration"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Cotton Tail "
      ]
      [
        "ordre" => 9
        "nom" => "2. Day Dream "
      ]
      [
        "ordre" => 10
        "nom" => "3. Deep Purple "
      ]
      [
        "ordre" => 11
        "nom" => "4. Indian Summer "
      ]
      [
        "ordre" => 12
        "nom" => "5. Blues"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2074 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2158 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2151 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2153 …}
    -enregistreLe: DateTime @1674117295 {#2147
      date: 2023-01-19 08:34:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764835613 {#2148
      date: 2025-12-04 08:06:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2155 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-duke-ellington-presents-bethlehem-records-6174"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3529
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2628 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2150
    -id: 2349
    -nom: "Duke Ellington Presents..."
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Johnny Hodges (alto saxophone), Jimmy Woode (bass), Harry Carney (bass clarinet, baritone saxophone), Russell Procope (clarinet, alto saxophone), Jimmy Hamilton (clarinet, tenor saxophone), Paul Gonsalves (tenor saxophone), Britt Woodman, John Saunders, Quentin Jackson (trombone), Cat Anderson, Clark Terry, Willie Cook (trumpet), Ray Nance (trumpet, violin), Sam Woodyard (drums.\r\n
      \r\n
      - 180 gram vinyl reissue !\r\n
      - New 2022 DMM cut utilizing remastered audio files from 2014 !\r\n
      - Duke Ellington's big band classic on Bethlehem !\r\n
      - Pressed at Precision Record Pressing in Canada !\r\n
      \r\n
      Legendary American pianist, composer and bandleader Duke Ellington recorded this album for the Bethlehem label in 1956. AllMusic rated the album 21/2 stars, and stated "... the music is quite enjoyable and it is interesting to hear Duke Ellington playing such tunes as "Laura", "My Funny Valentine", and "Indian Summer".\r\n
      \r\n
      The remastered 96kHz / 24-bit audio files used for this pressing were from a 2014 remastering. A new Direct Metal Mastering cut in 2022 utilizing those files produced the pressing stampers.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges (alto saxophone), Jimmy Woode (bass), Harry Carney (bass clarinet, baritone saxophone), Russell Procope (clarinet, alto saxophone), Jimmy Hamilton (clarinet, tenor saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YUf_Jcm9j7E"
    -referenceProduit: "Bethlehem Records 6174"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Summertime "
      ]
      [
        "ordre" => 2
        "nom" => "2. Laura "
      ]
      [
        "ordre" => 3
        "nom" => "3. I Can't Get Started "
      ]
      [
        "ordre" => 4
        "nom" => "4. My Funny Valentine "
      ]
      [
        "ordre" => 5
        "nom" => "5. Everything but You "
      ]
      [
        "ordre" => 6
        "nom" => "6. Frustration"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Cotton Tail "
      ]
      [
        "ordre" => 9
        "nom" => "2. Day Dream "
      ]
      [
        "ordre" => 10
        "nom" => "3. Deep Purple "
      ]
      [
        "ordre" => 11
        "nom" => "4. Indian Summer "
      ]
      [
        "ordre" => 12
        "nom" => "5. Blues"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2074 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2158 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2151 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2153 …}
    -enregistreLe: DateTime @1674117295 {#2147
      date: 2023-01-19 08:34:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764835613 {#2148
      date: 2025-12-04 08:06:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2155 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-duke-ellington-presents-bethlehem-records-6174"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2396 …}
}

[
  "produit" => App\Entity\Produit {#2163
    -id: 2763
    -nom: "Money Jungle"
    -informationComplementaire: null
    -description: """
      - 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      In 1962 Duke Ellington, Charles Mingus and Max Roach recorded Money Jungle, one of the most celebrated jazz trio albums of all time. Generational and stylistic differences between the three created fearless music. The album features some of Ellington's indelible compositions including "Caravan," "Solitude", and a stunning version of "Le Fleurs Africaines (African Flower)." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington (piano), Charles Mingus (bass), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=z9CfWuUIhvk&list=PLL-NbN8uTOijEsoYqLkgqDYeAaN1OLGRo"
    -referenceProduit: "Blue Note Tone Poet Series 6101"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Money Jungle"
      ]
      [
        "ordre" => 2
        "nom" => "2. Le Fleurs Africaines (African Flower)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Very Special"
      ]
      [
        "ordre" => 4
        "nom" => "4. Warm Valley"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Wig Wise"
      ]
      [
        "ordre" => 7
        "nom" => "2. Caravan"
      ]
      [
        "ordre" => 8
        "nom" => "3. Solitude"
      ]
      [
        "ordre" => 9
        "nom" => "\t"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2165 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2174 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2167 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2169 …}
    -enregistreLe: DateTime @1755204472 {#2160
      date: 2025-08-14 20:47:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764835328 {#2161
      date: 2025-12-04 08:02:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-money-jungle-blue-note-tone-poet-series-6101"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3577
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2628 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2163
    -id: 2763
    -nom: "Money Jungle"
    -informationComplementaire: null
    -description: """
      - 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      In 1962 Duke Ellington, Charles Mingus and Max Roach recorded Money Jungle, one of the most celebrated jazz trio albums of all time. Generational and stylistic differences between the three created fearless music. The album features some of Ellington's indelible compositions including "Caravan," "Solitude", and a stunning version of "Le Fleurs Africaines (African Flower)." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington (piano), Charles Mingus (bass), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=z9CfWuUIhvk&list=PLL-NbN8uTOijEsoYqLkgqDYeAaN1OLGRo"
    -referenceProduit: "Blue Note Tone Poet Series 6101"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Money Jungle"
      ]
      [
        "ordre" => 2
        "nom" => "2. Le Fleurs Africaines (African Flower)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Very Special"
      ]
      [
        "ordre" => 4
        "nom" => "4. Warm Valley"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Wig Wise"
      ]
      [
        "ordre" => 7
        "nom" => "2. Caravan"
      ]
      [
        "ordre" => 8
        "nom" => "3. Solitude"
      ]
      [
        "ordre" => 9
        "nom" => "\t"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2165 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2174 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2167 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2169 …}
    -enregistreLe: DateTime @1755204472 {#2160
      date: 2025-08-14 20:47:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764835328 {#2161
      date: 2025-12-04 08:02:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-money-jungle-blue-note-tone-poet-series-6101"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2396 …}
}

[
  "produit" => App\Entity\Produit {#2181
    -id: 1174
    -nom: "Masterpieces By Ellington"
    -informationComplementaire: ""
    -description: """
      A historic record recorded just four years removed from the dawn of the analog tape era !\r\n
      \r\n
      200 gram double LP set remastered by Ryan K. Smith at Sterling Sound from the original analog tapes and cut at 45 RPM !\r\n
      \r\n
      Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second.\r\n
      \r\n
      Gatefold old-style "tip-on" on jacket by Stoughton Printing.\r\n
      \r\n
      Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Remastered by Ryan Smith at Sterling Sound from the original analog tapes, the record was plated and pressed at Quality Record Pressings. The depth and space when those rich chromatic harmonies create a wide and well-defined soundscape, the timbre of the orchestra as a whole as well as individual instruments, and the thick, wooden sound of Wendell Marshall's bass are among the aural pleasures provided when you drop a needle on this platter; expect goose bumps". - Music = 5/5; Sonics = 4.5/5 - Jeff Wilson, The Absolute Sound, May-June 2015.\r\n
      \r\n
      "I chose the CD reissue of this album as one of my R2D4s for 2012, but now from Chad Kassem's Analogue Productions comes this QRP LP, and it's an occasion for popping corks. Released in 1950, this was Ellington's first LP, and he used the new medium to stretch out four of his biggest hits. The arrangements are jaw-droppingly gorgeous and the sound just slightly less so. Recorded by Fred Plaut, who later miked Kind of Blue and other Columbia classics, it has the dynamics, depth, and in-your-face tonal realism of a modern (mono) audiophile thumper. Among the best jazz albums ever. How about a 45 RPM pressing, Chad ?" - Fred Kaplan, for Stereophile - "Records To Die For" - February 2015.\r\n
      \r\n
      "Among the first recordings arranged and produced to take advantage of the LP's longer playing time, this album was released in 1950 on Columbia Records' classical imprint, Masterworks, with a whimsical cover by Stan Fraydas (author of Hoppy, the Curious Kangaroo) that's reproduced for this edition. (Columbia soon replaced it with an image more "modern" and more mundane.)... Freed from the 78 RPM single's three-minute constraint, Ellington could score and record concert-length arrangements similar to those enjoyed by his concert audiences. Three of the four selections, including 'Mood Indigo' and 'Sophisticated Lady,' are familiar Ellington classics stretched and elasticized to luxurious effect. The harmonically saturated, transparent mono sound is astonishing for any era of recording. It's sure to leave you swooning, and wondering how and why recorded sound has since gone so far south." - Michael Fremer, for Stereophile - "Records To Die For" - February 2015.\r\n
      \r\n
      "I have recently been obsessed with Masterpieces by Ellington, one of the best records I have ever heard in terms of music and production. I can now see Ellington in full technicolor glory !" - Colleen ‘Cosmo' Murphy, Classic Album Sundays.\r\n
      \r\n
      "Chad Kassem's Analogue Productions, in conjunction with Ryan Smith of Sterling Sound mastering studio have produced an LP that equals and in some way exceeds the sound of a pristine original pressing properly equalized. The perfectly quiet vinyl and exemplary packaging add up to one of the best reissues of the century". Recording = 10/10; Music = 10/10 - Dennis D. Davis, Hi-Fi +, Issue 120\r\n
      \r\n
      "This new re-issue slays my vintage copy in every way. Every dimension of the recording was much better...dynamics, harmonics, frequency response, detail, jump...all just leaped out at me! The recording sounded like it had been made that morning...absolutely fresh-sounding. No veiling. No roll-off. In fact, it's so good that it doesn't matter that this is a mono recording ! Listen to it on a great turntable...you'll hear mono that fools you into thinking that it's not mono. Just wait until you hear Yvonne Lanauze sing, "Mood Indigo" amigos, after a long instrumental build-up...she'll take you there !... The pressing itself was impeccable : flat, and free of noise, tics and pops... a genuine masterpiece of the pressing-plant arts. The Hyperion OCL, the finest cartridge that I've ever heard, revealed how superbly these grooves were carved! Commendable, reference-grade analog...very, very close to master tape sound. Very damned close ! Kissing cousins close ! Hell, maybe even closer than that. In fact, I now consider the Analogue Productions re-issue of Masterpieces by Ellington to be one of the very finest Jazz records ever released. (Sorry Miles! Move over, Kind of Blue!)". - David W. Robinson, editor-in-chief, Positive Feedback Online.\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Billy Strayhorn, Duke Ellington (piano), Jimmy Hamilton, Johnny Hodges, Paul Gonzales, Russel Procope (saxophone), Wendell Marshall (bass), Mercer Ellington (horn, Flugelhorn), Lawrence Brow, Quentin Jackson (trombone), Andrew Ford, , Sonny Greer (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8heLkixbh9w"
    -referenceProduit: "AAPJ 4418-45"
    -titreMorceau: [
      [
        "nom" => "1. Mood Indigo"
        "ordre" => 1
      ]
      [
        "nom" => "1. Solitude"
        "ordre" => 7
      ]
      [
        "nom" => "1. Sophisticated Lady"
        "ordre" => 3
      ]
      [
        "nom" => "1. The Tattooed Bride"
        "ordre" => 5
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "Side C :"
        "ordre" => 4
      ]
      [
        "nom" => "Side D : "
        "ordre" => 6
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2045 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2189 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3625
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2628 …}
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  +produit: App\Entity\Produit {#2181
    -id: 1174
    -nom: "Masterpieces By Ellington"
    -informationComplementaire: ""
    -description: """
      A historic record recorded just four years removed from the dawn of the analog tape era !\r\n
      \r\n
      200 gram double LP set remastered by Ryan K. Smith at Sterling Sound from the original analog tapes and cut at 45 RPM !\r\n
      \r\n
      Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second.\r\n
      \r\n
      Gatefold old-style "tip-on" on jacket by Stoughton Printing.\r\n
      \r\n
      Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Remastered by Ryan Smith at Sterling Sound from the original analog tapes, the record was plated and pressed at Quality Record Pressings. The depth and space when those rich chromatic harmonies create a wide and well-defined soundscape, the timbre of the orchestra as a whole as well as individual instruments, and the thick, wooden sound of Wendell Marshall's bass are among the aural pleasures provided when you drop a needle on this platter; expect goose bumps". - Music = 5/5; Sonics = 4.5/5 - Jeff Wilson, The Absolute Sound, May-June 2015.\r\n
      \r\n
      "I chose the CD reissue of this album as one of my R2D4s for 2012, but now from Chad Kassem's Analogue Productions comes this QRP LP, and it's an occasion for popping corks. Released in 1950, this was Ellington's first LP, and he used the new medium to stretch out four of his biggest hits. The arrangements are jaw-droppingly gorgeous and the sound just slightly less so. Recorded by Fred Plaut, who later miked Kind of Blue and other Columbia classics, it has the dynamics, depth, and in-your-face tonal realism of a modern (mono) audiophile thumper. Among the best jazz albums ever. How about a 45 RPM pressing, Chad ?" - Fred Kaplan, for Stereophile - "Records To Die For" - February 2015.\r\n
      \r\n
      "Among the first recordings arranged and produced to take advantage of the LP's longer playing time, this album was released in 1950 on Columbia Records' classical imprint, Masterworks, with a whimsical cover by Stan Fraydas (author of Hoppy, the Curious Kangaroo) that's reproduced for this edition. (Columbia soon replaced it with an image more "modern" and more mundane.)... Freed from the 78 RPM single's three-minute constraint, Ellington could score and record concert-length arrangements similar to those enjoyed by his concert audiences. Three of the four selections, including 'Mood Indigo' and 'Sophisticated Lady,' are familiar Ellington classics stretched and elasticized to luxurious effect. The harmonically saturated, transparent mono sound is astonishing for any era of recording. It's sure to leave you swooning, and wondering how and why recorded sound has since gone so far south." - Michael Fremer, for Stereophile - "Records To Die For" - February 2015.\r\n
      \r\n
      "I have recently been obsessed with Masterpieces by Ellington, one of the best records I have ever heard in terms of music and production. I can now see Ellington in full technicolor glory !" - Colleen ‘Cosmo' Murphy, Classic Album Sundays.\r\n
      \r\n
      "Chad Kassem's Analogue Productions, in conjunction with Ryan Smith of Sterling Sound mastering studio have produced an LP that equals and in some way exceeds the sound of a pristine original pressing properly equalized. The perfectly quiet vinyl and exemplary packaging add up to one of the best reissues of the century". Recording = 10/10; Music = 10/10 - Dennis D. Davis, Hi-Fi +, Issue 120\r\n
      \r\n
      "This new re-issue slays my vintage copy in every way. Every dimension of the recording was much better...dynamics, harmonics, frequency response, detail, jump...all just leaped out at me! The recording sounded like it had been made that morning...absolutely fresh-sounding. No veiling. No roll-off. In fact, it's so good that it doesn't matter that this is a mono recording ! Listen to it on a great turntable...you'll hear mono that fools you into thinking that it's not mono. Just wait until you hear Yvonne Lanauze sing, "Mood Indigo" amigos, after a long instrumental build-up...she'll take you there !... The pressing itself was impeccable : flat, and free of noise, tics and pops... a genuine masterpiece of the pressing-plant arts. The Hyperion OCL, the finest cartridge that I've ever heard, revealed how superbly these grooves were carved! Commendable, reference-grade analog...very, very close to master tape sound. Very damned close ! Kissing cousins close ! Hell, maybe even closer than that. In fact, I now consider the Analogue Productions re-issue of Masterpieces by Ellington to be one of the very finest Jazz records ever released. (Sorry Miles! Move over, Kind of Blue!)". - David W. Robinson, editor-in-chief, Positive Feedback Online.\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Billy Strayhorn, Duke Ellington (piano), Jimmy Hamilton, Johnny Hodges, Paul Gonzales, Russel Procope (saxophone), Wendell Marshall (bass), Mercer Ellington (horn, Flugelhorn), Lawrence Brow, Quentin Jackson (trombone), Andrew Ford, , Sonny Greer (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8heLkixbh9w"
    -referenceProduit: "AAPJ 4418-45"
    -titreMorceau: [
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        "nom" => "1. Mood Indigo"
        "ordre" => 1
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        "ordre" => 7
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        "nom" => "1. Sophisticated Lady"
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        "nom" => "1. The Tattooed Bride"
        "ordre" => 5
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
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        "nom" => "Side B : "
        "ordre" => 2
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        "nom" => "Side C :"
        "ordre" => 4
      ]
      [
        "nom" => "Side D : "
        "ordre" => 6
      ]
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    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2045 …}
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      date: 2020-06-05 07:39:44.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2194
    -id: 530
    -nom: "Blues In Orbit"
    -informationComplementaire: ""
    -description: """
      Ellington's Legacy Continues to live on as one of the Most Influential Jazz Innovators with this Essential Re-Issue from ORG ! Audiophile 180 Gram Double 45 RPM\r\n
      \r\n
      Mastered by Bernie Grundman from the Original Analog Master Tapes & Pressed at RTI !  \r\n
      \r\n
      Numbered Deluxe Laminated Gatefold Jackets ! \r\n
      \r\n
      Only 2500 Numbered Limited Edition Copies Worldwide !\r\n
      \r\n
      Duke Ellington is joined by the likes of Clark Terry, Johnny Hodges and more for this recording from multiple sessions spreading from February 1958 to December 1959.  \r\n
      \r\n
      Duke Ellington called his music "American Music" rather than jazz, and liked to describe those who impressed him as "beyond category". He remains one of the most influential figures in jazz, if not in all American music and is widely considered as one of the twentieth century's best known African American personalities. As both a composer and a band leader, Ellington's reputation has increased since his death, with thematic repackagings of his signature music often becoming best-sellers. Posthumous recognition of his work include a special award citation from the Pulitzer Prize Board. He received 13 Grammy Awards and was honored with the French Legion of Honor in 1973.  \r\n
      \r\n
      Duke Ellington influenced millions of people both around the world and at home. He gave American music its own sound for the first time. In his fifty year career, he played over 20000 performances in Europe, Latin America, the Middle East as well as Asia.  \r\n
      \r\n
      Simply put, Ellington transcends boundaries and fills the world with a treasure trove of music that renews itself through every generation of fans and music-lovers. His legacy continues to live on and will endure for generations to come. Winton Marsalis said it best when he said "His music sounds like America". Because of the unmatched artistic heights to which he soared, no one deserved the phrase beyond category more than Ellington. \r\n
      \r\n
      "...(Blues In Orbit is) an album worth tracking down, if only to hear the band run through a lighter side of its sound indeed, it captures the essence of a late-night recording date that was as much a loose jam as a formal studio date, balancing the spontaneity of the former and the technical polish of the latter". - Bruce Eder, Allmusic.com  \r\n
      \r\n
      "In American music, Duke Ellington stands alone. Over a period of 50 years ? from the '20s to the '70s Ellington led one of history's finest performing ensembles and established himself as one of America's most powerful musical forces. He encountered jazz in its infancy and expanded it into a sophisticated, internationally celebrated art form". - NPR  \r\n
      \r\n
      "I was hankering for my old Apt / Holman preamp that had a L-R knob on it, but boy, do those solos come right out and grab you, whatever channel they might be on! The sonics are strong and distinct, right in your lap, with better fidelity than any Ellington CDs, SACDs or standard LP pressings". - John Henry, www.audaud.com, 5 Stars !!  \r\n
      \r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington, Billy Strayhorn (piano), Ray Nance, Cat Anderson, Shorty Baker, Clark Terry, Fats Ford (trumpet), Britt Woodman, Matthew Gee, Booty Wood, Quentin Jackson (trombone), John Sanders (Valve trombone), Jimmy Hamilton (clarinet, tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nTeCZzOSXno"
    -referenceProduit: "ORG 0120-45"
    -titreMorceau: [
      [
        "nom" => "1. In a Mellow Tone"
        "ordre" => 8
      ]
      [
        "nom" => "1. Sweet and Pungent"
        "ordre" => 5
      ]
      [
        "nom" => "1. The Swinger's Jump"
        "ordre" => 12
      ]
      [
        "nom" => "1. Three J's Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Blues In Blueprint"
        "ordre" => 9
      ]
      [
        "nom" => "2. Blues In Orbit"
        "ordre" => 13
      ]
      [
        "nom" => "2. C Jam Blues"
        "ordre" => 6
      ]
      [
        "nom" => "2. Smada"
        "ordre" => 2
      ]
      [
        "nom" => "3. Pie Eye's Blues"
        "ordre" => 3
      ]
      [
        "nom" => "3. The Swingers Get the Blues, Too"
        "ordre" => 10
      ]
      [
        "nom" => "3. Villes Ville Is the Place, Man"
        "ordre" => 14
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "Side D :"
        "ordre" => 11
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2196 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2205 …}
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    }
    -modifierLe: DateTime @1586773508 {#2192
      date: 2020-04-13 10:25:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-blues-in-orbit-org-0120-45"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3673
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2628 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2194
    -id: 530
    -nom: "Blues In Orbit"
    -informationComplementaire: ""
    -description: """
      Ellington's Legacy Continues to live on as one of the Most Influential Jazz Innovators with this Essential Re-Issue from ORG ! Audiophile 180 Gram Double 45 RPM\r\n
      \r\n
      Mastered by Bernie Grundman from the Original Analog Master Tapes & Pressed at RTI !  \r\n
      \r\n
      Numbered Deluxe Laminated Gatefold Jackets ! \r\n
      \r\n
      Only 2500 Numbered Limited Edition Copies Worldwide !\r\n
      \r\n
      Duke Ellington is joined by the likes of Clark Terry, Johnny Hodges and more for this recording from multiple sessions spreading from February 1958 to December 1959.  \r\n
      \r\n
      Duke Ellington called his music "American Music" rather than jazz, and liked to describe those who impressed him as "beyond category". He remains one of the most influential figures in jazz, if not in all American music and is widely considered as one of the twentieth century's best known African American personalities. As both a composer and a band leader, Ellington's reputation has increased since his death, with thematic repackagings of his signature music often becoming best-sellers. Posthumous recognition of his work include a special award citation from the Pulitzer Prize Board. He received 13 Grammy Awards and was honored with the French Legion of Honor in 1973.  \r\n
      \r\n
      Duke Ellington influenced millions of people both around the world and at home. He gave American music its own sound for the first time. In his fifty year career, he played over 20000 performances in Europe, Latin America, the Middle East as well as Asia.  \r\n
      \r\n
      Simply put, Ellington transcends boundaries and fills the world with a treasure trove of music that renews itself through every generation of fans and music-lovers. His legacy continues to live on and will endure for generations to come. Winton Marsalis said it best when he said "His music sounds like America". Because of the unmatched artistic heights to which he soared, no one deserved the phrase beyond category more than Ellington. \r\n
      \r\n
      "...(Blues In Orbit is) an album worth tracking down, if only to hear the band run through a lighter side of its sound indeed, it captures the essence of a late-night recording date that was as much a loose jam as a formal studio date, balancing the spontaneity of the former and the technical polish of the latter". - Bruce Eder, Allmusic.com  \r\n
      \r\n
      "In American music, Duke Ellington stands alone. Over a period of 50 years ? from the '20s to the '70s Ellington led one of history's finest performing ensembles and established himself as one of America's most powerful musical forces. He encountered jazz in its infancy and expanded it into a sophisticated, internationally celebrated art form". - NPR  \r\n
      \r\n
      "I was hankering for my old Apt / Holman preamp that had a L-R knob on it, but boy, do those solos come right out and grab you, whatever channel they might be on! The sonics are strong and distinct, right in your lap, with better fidelity than any Ellington CDs, SACDs or standard LP pressings". - John Henry, www.audaud.com, 5 Stars !!  \r\n
      \r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington, Billy Strayhorn (piano), Ray Nance, Cat Anderson, Shorty Baker, Clark Terry, Fats Ford (trumpet), Britt Woodman, Matthew Gee, Booty Wood, Quentin Jackson (trombone), John Sanders (Valve trombone), Jimmy Hamilton (clarinet, tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nTeCZzOSXno"
    -referenceProduit: "ORG 0120-45"
    -titreMorceau: [
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        "nom" => "1. In a Mellow Tone"
        "ordre" => 8
      ]
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        "nom" => "1. Sweet and Pungent"
        "ordre" => 5
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      [
        "nom" => "1. The Swinger's Jump"
        "ordre" => 12
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      [
        "nom" => "1. Three J's Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Blues In Blueprint"
        "ordre" => 9
      ]
      [
        "nom" => "2. Blues In Orbit"
        "ordre" => 13
      ]
      [
        "nom" => "2. C Jam Blues"
        "ordre" => 6
      ]
      [
        "nom" => "2. Smada"
        "ordre" => 2
      ]
      [
        "nom" => "3. Pie Eye's Blues"
        "ordre" => 3
      ]
      [
        "nom" => "3. The Swingers Get the Blues, Too"
        "ordre" => 10
      ]
      [
        "nom" => "3. Villes Ville Is the Place, Man"
        "ordre" => 14
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "Side D :"
        "ordre" => 11
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2196 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2205 …}
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      date: 2020-04-13 10:25:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-blues-in-orbit-org-0120-45"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2396 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3867
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2396 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3868 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3916 …}
  +isValidated: false
  +validatedFields: []
}