Components
4
Twig Components
15
Render Count
9
ms
Render Time
6.0
MiB
Memory Usage
Components
| Name | Metadata | Render Count | Render Time |
|---|---|---|---|
| GestionPanierFavoriComponents |
"App\Twig\Components\GestionPanierFavoriComponents"components/GestionPanierFavoriComponents.html.twig |
12 | 4.93ms |
| GestionEntetePageComponents |
"App\Twig\Components\GestionEntetePageComponents"components/GestionEntetePageComponents.html.twig |
1 | 2.83ms |
| ListePanier |
"App\Twig\Components\ListePanier"components/ListePanier.html.twig |
1 | 1.31ms |
| AjoutMailNewsletterComponent |
"App\Twig\Components\AjoutMailNewsletterComponent"components/AjoutMailNewsletterComponent.html.twig |
1 | 0.23ms |
Render calls
| GestionEntetePageComponents | App\Twig\Components\GestionEntetePageComponents | 6.0 MiB | 2.83 ms | |
|---|---|---|---|---|
| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionEntetePageComponents {#2564 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …} } |
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| ListePanier | App\Twig\Components\ListePanier | 6.0 MiB | 1.31 ms | |
|---|---|---|---|---|
| Input props | [ "listeModal" => true "categorieProduitEnum" => [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] ] |
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| Attributes | [] |
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| Component | App\Twig\Components\ListePanier {#2641 #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2644 …} -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -gestionPanier: App\Service\FrontGestionPanierFavori {#2643 …} -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +listePanier: null +listeModal: true +paysForme: null +paysSelectionne: null +selectedPays: null +fraisLivraison: 17.5 +montantTotal: 35.0 +tempsLivraison: 0 +quantite: 0 +categorieProduitEnum: [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …} -formView: Symfony\Component\Form\FormView {#2680 …} -form: Symfony\Component\Form\Form {#2830 …} +formName: "pays" +formValues: [ "nom" => "" ] +isValidated: false +validatedFields: [] -shouldAutoSubmitForm: true } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.67 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#1821 -id: 618 -nom: "Bartok : Concerto For Orchestra" -informationComplementaire: null -description: """ - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n - Remastered from the original master tape and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound !\r\n - Lacquers plated by Gary Salstrom and pressed on 200-gram vinyl at Quality Record Pressings !\r\n - "These records are definitive" - Michael Fremer, editor, AnalogPlanet.com\r\n \r\n Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed. \r\n \r\n "Analogue Productions' reissue of the RCA Living Stereo titles continues apace with one of the great masterpieces of the twentieth century Béla Bartók's Concerto For Orchestra with the Chicago Symphony Orchestra, conducted by Fritz Reiner... (it) is is an audiophile's dream recording. It has string tone to die for, a soundstage that fills your living room, and exhibits startling dynamics... if you pass on this issue, you will miss out on what is the best-sounding pressing of this LP. In combination with great remastering, pressing on whisper quiet vinyl, and packaging in a first-class record sleeve, this is a bargain." Recording = 10/10; Music = 10/10 - Dennis D. Davis, Hi-Fi +, Issue 121\r\n \r\n "These are the best vinyl releases of RCA LPs I've yet heard". - Jonathan Valin, executive editor, The Absolute Sound\r\n \r\n Since its original release on LP in the mid-1950s, Fritz Reiner's rendition of the Concerto for Orchestra has stood as the standard against which all other recordings of the work are measured. Reiner's superb control of his orchestra and of Bartók's rhythms and textures is still unsurpassed, even by dozens of subsequent conductors in the digital age. Likewise, the Music for Strings, Percussion, and Celesta shows just what an incredible ensemble the Chicago Symphony was under Reiner's direction. The original 2 track session tapes were used in mastering for LPs and SACDs. Reiner delivers definitive interpretations that set a standard that remains unsurpassed. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "The Chicago Symphony Orchestra conducted by Fritz Reiner" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=nkosAkYYCAI&list=RDnkosAkYYCAI&start_radio=1" -referenceProduit: "Analogue Productions AAPC 1934" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Introduzione : Andante non troppo, Allegro vivace" ] [ "ordre" => 2 "nom" => "2. Giuoco delle copple : Allegretto scherzando" ] [ "ordre" => 3 "nom" => "Side B :" ] [ "ordre" => 4 "nom" => "1. Elegia : Andante non troppe" ] [ "ordre" => 5 "nom" => "2. Intermezzo interrotto : Allegretto" ] [ "ordre" => 6 "nom" => "3. Pesante : Presto" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …} -label: Proxies\__CG__\App\Entity\Label {#1911 …} -style: App\Entity\Style {#1438 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …} -enregistreLe: DateTime @1368772373 {#1876 : 2013-05-17 06:32:53.0 UTC (+00:00) } -modifierLe: DateTime @1767370222 {#1869 : 2026-01-02 16:10:22.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-bartok-concerto-for-orchestra-analogue-productions-aapc-1934" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3104 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#1821 -id: 618 -nom: "Bartok : Concerto For Orchestra" -informationComplementaire: null -description: """ - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n - Remastered from the original master tape and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound !\r\n - Lacquers plated by Gary Salstrom and pressed on 200-gram vinyl at Quality Record Pressings !\r\n - "These records are definitive" - Michael Fremer, editor, AnalogPlanet.com\r\n \r\n Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed. \r\n \r\n "Analogue Productions' reissue of the RCA Living Stereo titles continues apace with one of the great masterpieces of the twentieth century Béla Bartók's Concerto For Orchestra with the Chicago Symphony Orchestra, conducted by Fritz Reiner... (it) is is an audiophile's dream recording. It has string tone to die for, a soundstage that fills your living room, and exhibits startling dynamics... if you pass on this issue, you will miss out on what is the best-sounding pressing of this LP. In combination with great remastering, pressing on whisper quiet vinyl, and packaging in a first-class record sleeve, this is a bargain." Recording = 10/10; Music = 10/10 - Dennis D. Davis, Hi-Fi +, Issue 121\r\n \r\n "These are the best vinyl releases of RCA LPs I've yet heard". - Jonathan Valin, executive editor, The Absolute Sound\r\n \r\n Since its original release on LP in the mid-1950s, Fritz Reiner's rendition of the Concerto for Orchestra has stood as the standard against which all other recordings of the work are measured. Reiner's superb control of his orchestra and of Bartók's rhythms and textures is still unsurpassed, even by dozens of subsequent conductors in the digital age. Likewise, the Music for Strings, Percussion, and Celesta shows just what an incredible ensemble the Chicago Symphony was under Reiner's direction. The original 2 track session tapes were used in mastering for LPs and SACDs. Reiner delivers definitive interpretations that set a standard that remains unsurpassed. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "The Chicago Symphony Orchestra conducted by Fritz Reiner" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=nkosAkYYCAI&list=RDnkosAkYYCAI&start_radio=1" -referenceProduit: "Analogue Productions AAPC 1934" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Introduzione : Andante non troppo, Allegro vivace" ] [ "ordre" => 2 "nom" => "2. Giuoco delle copple : Allegretto scherzando" ] [ "ordre" => 3 "nom" => "Side B :" ] [ "ordre" => 4 "nom" => "1. Elegia : Andante non troppe" ] [ "ordre" => 5 "nom" => "2. Intermezzo interrotto : Allegretto" ] [ "ordre" => 6 "nom" => "3. Pesante : Presto" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …} -label: Proxies\__CG__\App\Entity\Label {#1911 …} -style: App\Entity\Style {#1438 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …} -enregistreLe: DateTime @1368772373 {#1876 : 2013-05-17 06:32:53.0 UTC (+00:00) } -modifierLe: DateTime @1767370222 {#1869 : 2026-01-02 16:10:22.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-bartok-concerto-for-orchestra-analogue-productions-aapc-1934" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.36 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2045 -id: 2928 -nom: "Chopin & Scriabin : Preludes" -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Deutsche Grammophone Records)" -description: """ - Mikhail Pletnev "Chopin & Scriabin : Preludes" !\r\n - 180 gram 45 RPM gatefold double LP !\r\n - Sensational ! Pletnev releases his first studio album with Deutsche Grammophon since 2005 !\r\n - First purely analog DG new production since the 1980s !\r\n \r\n Mikhail Pletnev releases his first studio album with Deutsche Grammophon since 2005. The artistic versatility of the pianist, conductor, and composer is reflected in the unique expressiveness of his interpretations of two significant prelude cycles : Chopin's 24 Préludes, Op. 28 and Scriabin's 24 Préludes, Op. 11. With his unmistakable sound, the legendary Russian artist captures the character of each individual piece.\r\n \r\n This is a release full of surprises that defies every cliché. Originally intended as a concert recording, it was ultimately recorded in the studio. This is fortunate for all listeners, as what emerged from the studio recording in a single four-and-a-half-hour session can only be described as pure magic, whether this was coincidence or the intervention of a higher musical providence.\r\n \r\n Pletnev recorded the album on his favourite instrument: a Shigeru Kawai grand piano that he alone plays, and which is brought to all his concerts. Its tonal palette and clarity lend his interpretations additional depth.\r\n \r\n This vinyl recording is a sensation for another reason : it's the first purely analogue DG new production since the 1980s ! Pletnev's performance was captured using custom-made Sennheiser microphones and a Studer C37 tube tape machine, and edited using traditional cutting and splicing techniques. The result is a sound that is both authentic and full of warm musicality, bringing life and depth to the original. """ -prixVente: "69.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Mikhail Pletnev (piano)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=PipH97I1lqg" -referenceProduit: "Deutsche Grammophon Records 20003" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Chopin : 24 Preludes, Op. 28, N° 1-14" ] [ "ordre" => 2 "nom" => "Side B : " ] [ "ordre" => 3 "nom" => "1. Chopin : 24 Preludes, Op. 28, N° 15-24" ] [ "ordre" => 4 "nom" => "Side C :" ] [ "ordre" => 5 "nom" => "1. Scriabin : 24 Preludes, Op. 11, N° 1-12" ] [ "ordre" => 6 "nom" => "Side D : " ] [ "ordre" => 7 "nom" => "1. Scriabin : 24 Preludes, Op. 11, N° 13-24" ] [ "ordre" => 8 "nom" => "" ] [ "ordre" => 9 "nom" => "" ] [ "ordre" => 10 "nom" => "" ] [ "ordre" => 11 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …} -label: Proxies\__CG__\App\Entity\Label {#2050 …} -style: App\Entity\Style {#1438 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2059 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2052 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2054 …} -enregistreLe: DateTime @1767356171 {#2042 : 2026-01-02 12:16:11.0 UTC (+00:00) } -modifierLe: DateTime @1767356644 {#2043 : 2026-01-02 12:24:04.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2056 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-chopin-scriabin-preludes-deutsche-grammophon-records-20003" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3218 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2045 -id: 2928 -nom: "Chopin & Scriabin : Preludes" -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Deutsche Grammophone Records)" -description: """ - Mikhail Pletnev "Chopin & Scriabin : Preludes" !\r\n - 180 gram 45 RPM gatefold double LP !\r\n - Sensational ! Pletnev releases his first studio album with Deutsche Grammophon since 2005 !\r\n - First purely analog DG new production since the 1980s !\r\n \r\n Mikhail Pletnev releases his first studio album with Deutsche Grammophon since 2005. The artistic versatility of the pianist, conductor, and composer is reflected in the unique expressiveness of his interpretations of two significant prelude cycles : Chopin's 24 Préludes, Op. 28 and Scriabin's 24 Préludes, Op. 11. With his unmistakable sound, the legendary Russian artist captures the character of each individual piece.\r\n \r\n This is a release full of surprises that defies every cliché. Originally intended as a concert recording, it was ultimately recorded in the studio. This is fortunate for all listeners, as what emerged from the studio recording in a single four-and-a-half-hour session can only be described as pure magic, whether this was coincidence or the intervention of a higher musical providence.\r\n \r\n Pletnev recorded the album on his favourite instrument: a Shigeru Kawai grand piano that he alone plays, and which is brought to all his concerts. Its tonal palette and clarity lend his interpretations additional depth.\r\n \r\n This vinyl recording is a sensation for another reason : it's the first purely analogue DG new production since the 1980s ! Pletnev's performance was captured using custom-made Sennheiser microphones and a Studer C37 tube tape machine, and edited using traditional cutting and splicing techniques. The result is a sound that is both authentic and full of warm musicality, bringing life and depth to the original. """ -prixVente: "69.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Mikhail Pletnev (piano)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=PipH97I1lqg" -referenceProduit: "Deutsche Grammophon Records 20003" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Chopin : 24 Preludes, Op. 28, N° 1-14" ] [ "ordre" => 2 "nom" => "Side B : " ] [ "ordre" => 3 "nom" => "1. Chopin : 24 Preludes, Op. 28, N° 15-24" ] [ "ordre" => 4 "nom" => "Side C :" ] [ "ordre" => 5 "nom" => "1. Scriabin : 24 Preludes, Op. 11, N° 1-12" ] [ "ordre" => 6 "nom" => "Side D : " ] [ "ordre" => 7 "nom" => "1. Scriabin : 24 Preludes, Op. 11, N° 13-24" ] [ "ordre" => 8 "nom" => "" ] [ "ordre" => 9 "nom" => "" ] [ "ordre" => 10 "nom" => "" ] [ "ordre" => 11 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …} -label: Proxies\__CG__\App\Entity\Label {#2050 …} -style: App\Entity\Style {#1438 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2059 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2052 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2054 …} -enregistreLe: DateTime @1767356171 {#2042 : 2026-01-02 12:16:11.0 UTC (+00:00) } -modifierLe: DateTime @1767356644 {#2043 : 2026-01-02 12:24:04.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2056 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-chopin-scriabin-preludes-deutsche-grammophon-records-20003" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.49 ms | |
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| Input props | [ "produit" => App\Entity\Produit {#2064 -id: 2925 -nom: "Buffalo Springfield" -informationComplementaire: null -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n - Self-titled debut album featuring "For What It's Worth" !\r\n - 180 gram 45 RPM double LP !\r\n - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n - Pressed at Quality Record Pressings !\r\n - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n \r\n Buffalo Springfield was the short-lived yet influential band that united such superstars as Neil Young and Stephen Stills. Aptly named for a steamroller, they charged through their two-year tenure with such enduring, politically-charged songs as "For What It's Worth".\r\n \r\n Buffalo Springfield brought together brilliant songwriters and musical powerhouses that set the tone for Seventies folk- and country-rock. They formed in 1966 and spit in 1968; their self-titled debut album was led by the impactful single "For What It's Worth" which climbed its way into the Billboard Top Ten in March 1967. Written by Stephen Stills after he witnessed a riot on the Sunset Strip, the song swiftly spread across the U.S.\r\n \r\n Founding members of Buffalo Springfield Stills, Richie Furay, and Neil Young went on to fame either on their own or with such groups as Poco and Manassas. But their legacy as Buffalo Springfield was ensured by "For What It's Worth", becomming an enduring anthem and eventually serving as shorthand for all the political turmoil of the 1960s. So popular was the song that it threatened to obscure how instrumental Buffalo Springfield's original run of three albums were in reshaping the sound of rock & roll in the late '60s. Nominally a folk-rock band, Buffalo Springfield also showed a facility with country-rock, psychedelia, soul, and hard rock, all the while embracing the possibilities of the recording studios of Los Angeles.\r\n \r\n Now on 180 gram 45 RPM double LP you'll hear Foreigner in all its phenomenal glory. Mastered from the original tape by Chris Bellman at Bernie Grundman Mastering, this reissue rocks. Double LP cut at 45 RPM, pressed at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Stephen Stills (guitar, keyboards, vocals), Neil Young (lead guitar, vocals), Richie Furay (rhythm guitar, vocals), Dewey Martin (drums, vocals), Bruce Palmer (bass), Jim Messina (bass)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=80_39eAx3z8&list=RD80_39eAx3z8&start_radio=1" -referenceProduit: "Analogue Productions (Atlantic 75 Series) 023-45" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. For What It's Worth" ] [ "ordre" => 2 "nom" => "2. Go And Say Goodbye" ] [ "ordre" => 3 "nom" => "3. Sit Down I Think I Love You" ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Nowadays Clancy Can't Even Sing" ] [ "ordre" => 6 "nom" => "2. Hot Dusty Roads" ] [ "ordre" => 7 "nom" => "3. Everybody's Wrong" ] [ "ordre" => 8 "nom" => "Side C :" ] [ "ordre" => 9 "nom" => "1. Flying On The Ground Is Wrong" ] [ "ordre" => 10 "nom" => "2. Burned" ] [ "ordre" => 11 "nom" => "3. Do I Have To Come Right Out And Say It" ] [ "ordre" => 12 "nom" => "Side D : " ] [ "ordre" => 13 "nom" => "1. Leave" ] [ "ordre" => 14 "nom" => "2. Out Of My Mind" ] [ "ordre" => 15 "nom" => "3. Pay The Price" ] [ "ordre" => 16 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2066 …} -label: Proxies\__CG__\App\Entity\Label {#2069 …} -style: App\Entity\Style {#1453 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2078 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2071 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2073 …} -enregistreLe: DateTime @1767299298 {#2061 : 2026-01-01 20:28:18.0 UTC (+00:00) } -modifierLe: DateTime @1767299586 {#2062 : 2026-01-01 20:33:06.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-buffalo-springfield-analogue-productions-atlantic-75-series-023-45" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3269 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2064 -id: 2925 -nom: "Buffalo Springfield" -informationComplementaire: null -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n - Self-titled debut album featuring "For What It's Worth" !\r\n - 180 gram 45 RPM double LP !\r\n - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n - Pressed at Quality Record Pressings !\r\n - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n \r\n Buffalo Springfield was the short-lived yet influential band that united such superstars as Neil Young and Stephen Stills. Aptly named for a steamroller, they charged through their two-year tenure with such enduring, politically-charged songs as "For What It's Worth".\r\n \r\n Buffalo Springfield brought together brilliant songwriters and musical powerhouses that set the tone for Seventies folk- and country-rock. They formed in 1966 and spit in 1968; their self-titled debut album was led by the impactful single "For What It's Worth" which climbed its way into the Billboard Top Ten in March 1967. Written by Stephen Stills after he witnessed a riot on the Sunset Strip, the song swiftly spread across the U.S.\r\n \r\n Founding members of Buffalo Springfield Stills, Richie Furay, and Neil Young went on to fame either on their own or with such groups as Poco and Manassas. But their legacy as Buffalo Springfield was ensured by "For What It's Worth", becomming an enduring anthem and eventually serving as shorthand for all the political turmoil of the 1960s. So popular was the song that it threatened to obscure how instrumental Buffalo Springfield's original run of three albums were in reshaping the sound of rock & roll in the late '60s. Nominally a folk-rock band, Buffalo Springfield also showed a facility with country-rock, psychedelia, soul, and hard rock, all the while embracing the possibilities of the recording studios of Los Angeles.\r\n \r\n Now on 180 gram 45 RPM double LP you'll hear Foreigner in all its phenomenal glory. Mastered from the original tape by Chris Bellman at Bernie Grundman Mastering, this reissue rocks. Double LP cut at 45 RPM, pressed at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Stephen Stills (guitar, keyboards, vocals), Neil Young (lead guitar, vocals), Richie Furay (rhythm guitar, vocals), Dewey Martin (drums, vocals), Bruce Palmer (bass), Jim Messina (bass)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=80_39eAx3z8&list=RD80_39eAx3z8&start_radio=1" -referenceProduit: "Analogue Productions (Atlantic 75 Series) 023-45" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. For What It's Worth" ] [ "ordre" => 2 "nom" => "2. Go And Say Goodbye" ] [ "ordre" => 3 "nom" => "3. Sit Down I Think I Love You" ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Nowadays Clancy Can't Even Sing" ] [ "ordre" => 6 "nom" => "2. Hot Dusty Roads" ] [ "ordre" => 7 "nom" => "3. Everybody's Wrong" ] [ "ordre" => 8 "nom" => "Side C :" ] [ "ordre" => 9 "nom" => "1. Flying On The Ground Is Wrong" ] [ "ordre" => 10 "nom" => "2. Burned" ] [ "ordre" => 11 "nom" => "3. Do I Have To Come Right Out And Say It" ] [ "ordre" => 12 "nom" => "Side D : " ] [ "ordre" => 13 "nom" => "1. Leave" ] [ "ordre" => 14 "nom" => "2. Out Of My Mind" ] [ "ordre" => 15 "nom" => "3. Pay The Price" ] [ "ordre" => 16 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2066 …} -label: Proxies\__CG__\App\Entity\Label {#2069 …} -style: App\Entity\Style {#1453 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2078 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2071 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2073 …} -enregistreLe: DateTime @1767299298 {#2061 : 2026-01-01 20:28:18.0 UTC (+00:00) } -modifierLe: DateTime @1767299586 {#2062 : 2026-01-01 20:33:06.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-buffalo-springfield-analogue-productions-atlantic-75-series-023-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.46 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2083 -id: 2924 -nom: "Buffalo Springfield Again" -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Analogue Productions)" -description: """ Musicians :\r\n Stephen Stills (lead & rhythm guitars, bass, keyboards, vocals), Neil Young (lead & rhythm guitars, piano, harmonica, vocals), Richie Furay (rhythm guitar, vocals), Bruce Palmer (bass), Dewey Martin (drums, percussion), Jim Fielder (bass), Byron Berline (fiddle), Doug Hastings (trumpet), James Burton (guitar), Ken Buttrey (drums).\r\n \r\n - Analogue Productions (Atlantic 75 Series) !\r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n - Buffalo Springfield's second album !\r\n - Featuring "Bluebird", "Rock & Roll Woman" and "Expecting to Fly" !\r\n - 180 gram 45 RPM double LP !\r\n - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n - Pressed at Quality Record Pressings !\r\n - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n \r\n Due in part to personnel problems which saw Bruce Palmer and Neil Young in and out of the group, Buffalo Springfield's second album did not have as unified an approach as their debut, writes AllMusic.\r\n \r\n Still, the group continued to make major strides in both their songwriting and arranging, and this record stands as the band's greatest triumph, peaking at N° 44 on the Billboard Top LPs chart. As of 2012 the album was N° 188 on Rolling Stone's list of the 500 Greatest Albums of All Time.\r\n \r\n Stephen Stills' "Bluebird" and "Rock & Roll Woman" were masterful folk-rockers that should have been big hits (although they did manage to become small ones); his lesser-known contributions "Hung Upside Down" and the jazz-flavored "Everydays" were also first-rate. Young contributed the Rolling Stones-derived "Mr. Soul," as well as the brilliant "Expecting to Fly" and "Broken Arrow", both of which employed lush psychedelic textures and brooding, surrealistic lyrics that stretched rock conventions to their breaking point.\r\n \r\n Richie Furay (who had not written any of the songs on the debut) takes tentative songwriting steps with three compositions, although only "A Child's Claim to Fame", with its memorable dobro hooks by James Burton, meets the standards of the material by Stills and Young; the cut also anticipates the country-rock direction of Furay's post-Springfield band, Poco.\r\n \r\n Analogue Production's reissue skill makes this record sound killer. Mastered from the original tape by Chris Bellman at Bernie Grundman Mastering. Double LP cut at 45 RPM, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Stephen Stills (lead & rhythm guitars, bass, keyboards, vocals), Neil Young (lead & rhythm guitars, piano, harmonica, vocals), Richie Furay (rhythm guitar, vocals), Bruce Palmer (bass)..." -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Qs1HL6zknhM&list=RDQs1HL6zknhM&start_radio=1" -referenceProduit: "Analogue Productions (Atlantic 75 Series) 024-45" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Mr. Soul" ] [ "ordre" => 2 "nom" => "2. A Child's Claim To Fame" ] [ "ordre" => 3 "nom" => "3. Everydays" ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Expecting To Fly" ] [ "ordre" => 6 "nom" => "2. Bluebird" ] [ "ordre" => 7 "nom" => "Side C :" ] [ "ordre" => 8 "nom" => "1. Hung Upside Down" ] [ "ordre" => 9 "nom" => "2. Sad Memory" ] [ "ordre" => 10 "nom" => "3. Good Time Boy" ] [ "ordre" => 11 "nom" => "Side D : " ] [ "ordre" => 12 "nom" => "1. Rock & Roll Woman" ] [ "ordre" => 13 "nom" => "2. Broken Arrow" ] [ "ordre" => 14 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2066 …} -label: Proxies\__CG__\App\Entity\Label {#2069 …} -style: App\Entity\Style {#1453 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2091 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2084 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2086 …} -enregistreLe: DateTime @1767298269 {#2080 : 2026-01-01 20:11:09.0 UTC (+00:00) } -modifierLe: DateTime @1767298738 {#2081 : 2026-01-01 20:18:58.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2088 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-buffalo-springfield-again-analogue-productions-atlantic-75-series-024-45" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3322 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2083 -id: 2924 -nom: "Buffalo Springfield Again" -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Analogue Productions)" -description: """ Musicians :\r\n Stephen Stills (lead & rhythm guitars, bass, keyboards, vocals), Neil Young (lead & rhythm guitars, piano, harmonica, vocals), Richie Furay (rhythm guitar, vocals), Bruce Palmer (bass), Dewey Martin (drums, percussion), Jim Fielder (bass), Byron Berline (fiddle), Doug Hastings (trumpet), James Burton (guitar), Ken Buttrey (drums).\r\n \r\n - Analogue Productions (Atlantic 75 Series) !\r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n - Buffalo Springfield's second album !\r\n - Featuring "Bluebird", "Rock & Roll Woman" and "Expecting to Fly" !\r\n - 180 gram 45 RPM double LP !\r\n - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n - Pressed at Quality Record Pressings !\r\n - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n \r\n Due in part to personnel problems which saw Bruce Palmer and Neil Young in and out of the group, Buffalo Springfield's second album did not have as unified an approach as their debut, writes AllMusic.\r\n \r\n Still, the group continued to make major strides in both their songwriting and arranging, and this record stands as the band's greatest triumph, peaking at N° 44 on the Billboard Top LPs chart. As of 2012 the album was N° 188 on Rolling Stone's list of the 500 Greatest Albums of All Time.\r\n \r\n Stephen Stills' "Bluebird" and "Rock & Roll Woman" were masterful folk-rockers that should have been big hits (although they did manage to become small ones); his lesser-known contributions "Hung Upside Down" and the jazz-flavored "Everydays" were also first-rate. Young contributed the Rolling Stones-derived "Mr. Soul," as well as the brilliant "Expecting to Fly" and "Broken Arrow", both of which employed lush psychedelic textures and brooding, surrealistic lyrics that stretched rock conventions to their breaking point.\r\n \r\n Richie Furay (who had not written any of the songs on the debut) takes tentative songwriting steps with three compositions, although only "A Child's Claim to Fame", with its memorable dobro hooks by James Burton, meets the standards of the material by Stills and Young; the cut also anticipates the country-rock direction of Furay's post-Springfield band, Poco.\r\n \r\n Analogue Production's reissue skill makes this record sound killer. Mastered from the original tape by Chris Bellman at Bernie Grundman Mastering. Double LP cut at 45 RPM, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Stephen Stills (lead & rhythm guitars, bass, keyboards, vocals), Neil Young (lead & rhythm guitars, piano, harmonica, vocals), Richie Furay (rhythm guitar, vocals), Bruce Palmer (bass)..." -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Qs1HL6zknhM&list=RDQs1HL6zknhM&start_radio=1" -referenceProduit: "Analogue Productions (Atlantic 75 Series) 024-45" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Mr. Soul" ] [ "ordre" => 2 "nom" => "2. A Child's Claim To Fame" ] [ "ordre" => 3 "nom" => "3. Everydays" ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Expecting To Fly" ] [ "ordre" => 6 "nom" => "2. Bluebird" ] [ "ordre" => 7 "nom" => "Side C :" ] [ "ordre" => 8 "nom" => "1. Hung Upside Down" ] [ "ordre" => 9 "nom" => "2. Sad Memory" ] [ "ordre" => 10 "nom" => "3. Good Time Boy" ] [ "ordre" => 11 "nom" => "Side D : " ] [ "ordre" => 12 "nom" => "1. Rock & Roll Woman" ] [ "ordre" => 13 "nom" => "2. Broken Arrow" ] [ "ordre" => 14 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2066 …} -label: Proxies\__CG__\App\Entity\Label {#2069 …} -style: App\Entity\Style {#1453 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2091 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2084 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2086 …} -enregistreLe: DateTime @1767298269 {#2080 : 2026-01-01 20:11:09.0 UTC (+00:00) } -modifierLe: DateTime @1767298738 {#2081 : 2026-01-01 20:18:58.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2088 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-buffalo-springfield-again-analogue-productions-atlantic-75-series-024-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.35 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2096 -id: 2184 -nom: "Sketches of spain - UltraDisc One-Step (Box Set 2 LP) 45 RPM" -informationComplementaire: null -description: """ Musicians : \r\n Miles Davis (trumpet, Flageolet, Flugelhorn), Danny Bank (bass, clarinet, bass clarinet), Billy Barber, Jimmy McAllister (tuba), John Barrows, Earl Chapin, Tony Miranda, Joe Singer (french Horn), Al Block (flute, oboe, tuba), James Buffington (fender Rhodes, french Horn), Eddie Caine (flugelhorn, flute), Paul Chambers (bass), Johnny Coles, Bernie Glow, Taft Jordan, Louis Mucci, Ernie Royal (trumpet), Harold Feldman (clarinet, flute, oboe), Dick Hixon, Frank Rehak (trombone), Elvin Jones, Jose Mangual (percussion), Jack Knitzer (bassoon), Romeo Penque (oboe), Janet Putnam (harp), Jimmy cobb (drums).\r\n \r\n DEFINITIVE MOBILE FIDELITY ULTRADISC ONE-STEP SET INCLUDES OPULENT BOX, FOIL-STAMPED JACKETS, AND MOFI SUPERVINYL LPS PRESSED AT RTI !\r\n \r\n Miles Davis and Gil Evans bridged styles and collaborated on high-concept projects three different times during their celebrated careers. For their final act, they created Sketches of Spain, a peak moment in each luminary's legacy. The transformative album weds Spanish themes, lush orchestrations, romantic timbres, and Davis' increasingly lyrical methods in a tender ceremony that resonates more than six decades after its original release.\r\n \r\n A crucial part of the next phase of Mobile Fidelity's Miles Davis restoration series, the 1960 landmark has been afforded the ultimate white-gloves treatment. Mastered from the original master tapes and pressed on dead-quiet MoFi SuperVinyl at RTI, the label's exquisite UltraDisc One-Step 45 RPM 180 gram 2 LP box set dramatically expands the soundstages and eradicates a dryness that many critics found inhibitive to the record's enjoyment. Listeners can now hear the full perspective long deserved by the woodwinds, strings, and percussion, all of which come alive with unprecedented definition and detail.\r\n \r\n The premium packaging and beautiful presentation of the numbered, limited-edition UD1S Sketches of Spain pressing befit the record's historical importance. Housed in a deluxe box, the reissue features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the 1960 LP. Aurally and visually, this UD1S set exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners who prize sound quality and production, and who desire to fully immerse themselves with the album. And who wouldn't want to go deep with Sketches of Spain ?\r\n \r\n Whether it is the somber mood piece "Concierto de Aranjuez (Adagio)", renowned for Davis' flugelhorn performance, or the folktale-based "Solea", Sketches of Spain transfixes with playing, ideas, and innovations exclusive to this incomparable effort. It's one reason why Mobile Fidelity's engineers took every available measure to insert listeners into the space originally occupied by Davis, bassist Paul Chambers, drummer Jimmy Cobb, percussionist Elvin Jones, and an 18 piece orchestra. The results are as breathtaking as the music.\r\n \r\n Multi-note motifs, brief improvisational solos, fanfare sweeps, and contrapuntal exchanges inform flamenco-spiced pieces. Davis' famous Harmon-muted trumpet is complemented by an assortment of bassoons and French horns. Heard together, they create pleasing contrasts and sounds (pp, mf, ppp) that get to what resides at the heart of Sketches of Spain : color. Seldom, if ever, did Davis ever so expressively and liberally paint with color. And in Evans, he has a likewise-minded partner to help draw out tones, shades, layers, and textures. What they achieved continues in the 21st century to draw praise from the entire music community.\r\n \r\n Ranked #358 on Rolling Stone's 500 Greatest Albums of All Time, deemed "a work of unparalleled grace and lyricism" by noted scribe J.D. Considine, bestowed a five-star review from DownBeat, and noted by Q to have taken" jazz in a new direction, the Grammy Award-winning effort has never sounded or looked better.\r\n \r\n More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n \r\n Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n \r\n MoFi SuperVinyl\r\n \r\n Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab. """ -prixVente: "229.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Miles Davis (trumpet, Flageolet, Flugelhorn), Danny Bank (bass, clarinet, bass clarinet), Billy Barber, Jimmy McAllister (tuba), John Barrows, Earl Chapin, Tony Miranda, Joe Singer (french Horn), Al Block (flute, oboe, tuba)…" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: true -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=qljvoFTcNrg" -referenceProduit: "Mobile Fidelity Sound Lab UD1S-038" -titreMorceau: [ [ "ordre" => 0 "nom" => "1. Concierto de Aranjuez (Adagio)" ] [ "ordre" => 1 "nom" => "2. Will O' the Wisp" ] [ "ordre" => 2 "nom" => "3. The Pan Piper" ] [ "ordre" => 3 "nom" => "4. Saeta" ] [ "ordre" => 4 "nom" => "5. Solea" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2098 …} -label: Proxies\__CG__\App\Entity\Label {#2101 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2110 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2103 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2105 …} -enregistreLe: DateTime @1640898569 {#2093 : 2021-12-30 21:09:29.0 UTC (+00:00) } -modifierLe: DateTime @1767219175 {#2094 : 2025-12-31 22:12:55.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2107 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-sketches-of-spain-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-038" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3368 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2096 -id: 2184 -nom: "Sketches of spain - UltraDisc One-Step (Box Set 2 LP) 45 RPM" -informationComplementaire: null -description: """ Musicians : \r\n Miles Davis (trumpet, Flageolet, Flugelhorn), Danny Bank (bass, clarinet, bass clarinet), Billy Barber, Jimmy McAllister (tuba), John Barrows, Earl Chapin, Tony Miranda, Joe Singer (french Horn), Al Block (flute, oboe, tuba), James Buffington (fender Rhodes, french Horn), Eddie Caine (flugelhorn, flute), Paul Chambers (bass), Johnny Coles, Bernie Glow, Taft Jordan, Louis Mucci, Ernie Royal (trumpet), Harold Feldman (clarinet, flute, oboe), Dick Hixon, Frank Rehak (trombone), Elvin Jones, Jose Mangual (percussion), Jack Knitzer (bassoon), Romeo Penque (oboe), Janet Putnam (harp), Jimmy cobb (drums).\r\n \r\n DEFINITIVE MOBILE FIDELITY ULTRADISC ONE-STEP SET INCLUDES OPULENT BOX, FOIL-STAMPED JACKETS, AND MOFI SUPERVINYL LPS PRESSED AT RTI !\r\n \r\n Miles Davis and Gil Evans bridged styles and collaborated on high-concept projects three different times during their celebrated careers. For their final act, they created Sketches of Spain, a peak moment in each luminary's legacy. The transformative album weds Spanish themes, lush orchestrations, romantic timbres, and Davis' increasingly lyrical methods in a tender ceremony that resonates more than six decades after its original release.\r\n \r\n A crucial part of the next phase of Mobile Fidelity's Miles Davis restoration series, the 1960 landmark has been afforded the ultimate white-gloves treatment. Mastered from the original master tapes and pressed on dead-quiet MoFi SuperVinyl at RTI, the label's exquisite UltraDisc One-Step 45 RPM 180 gram 2 LP box set dramatically expands the soundstages and eradicates a dryness that many critics found inhibitive to the record's enjoyment. Listeners can now hear the full perspective long deserved by the woodwinds, strings, and percussion, all of which come alive with unprecedented definition and detail.\r\n \r\n The premium packaging and beautiful presentation of the numbered, limited-edition UD1S Sketches of Spain pressing befit the record's historical importance. Housed in a deluxe box, the reissue features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the 1960 LP. Aurally and visually, this UD1S set exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners who prize sound quality and production, and who desire to fully immerse themselves with the album. And who wouldn't want to go deep with Sketches of Spain ?\r\n \r\n Whether it is the somber mood piece "Concierto de Aranjuez (Adagio)", renowned for Davis' flugelhorn performance, or the folktale-based "Solea", Sketches of Spain transfixes with playing, ideas, and innovations exclusive to this incomparable effort. It's one reason why Mobile Fidelity's engineers took every available measure to insert listeners into the space originally occupied by Davis, bassist Paul Chambers, drummer Jimmy Cobb, percussionist Elvin Jones, and an 18 piece orchestra. The results are as breathtaking as the music.\r\n \r\n Multi-note motifs, brief improvisational solos, fanfare sweeps, and contrapuntal exchanges inform flamenco-spiced pieces. Davis' famous Harmon-muted trumpet is complemented by an assortment of bassoons and French horns. Heard together, they create pleasing contrasts and sounds (pp, mf, ppp) that get to what resides at the heart of Sketches of Spain : color. Seldom, if ever, did Davis ever so expressively and liberally paint with color. And in Evans, he has a likewise-minded partner to help draw out tones, shades, layers, and textures. What they achieved continues in the 21st century to draw praise from the entire music community.\r\n \r\n Ranked #358 on Rolling Stone's 500 Greatest Albums of All Time, deemed "a work of unparalleled grace and lyricism" by noted scribe J.D. Considine, bestowed a five-star review from DownBeat, and noted by Q to have taken" jazz in a new direction, the Grammy Award-winning effort has never sounded or looked better.\r\n \r\n More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n \r\n Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n \r\n MoFi SuperVinyl\r\n \r\n Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab. """ -prixVente: "229.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Miles Davis (trumpet, Flageolet, Flugelhorn), Danny Bank (bass, clarinet, bass clarinet), Billy Barber, Jimmy McAllister (tuba), John Barrows, Earl Chapin, Tony Miranda, Joe Singer (french Horn), Al Block (flute, oboe, tuba)…" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: true -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=qljvoFTcNrg" -referenceProduit: "Mobile Fidelity Sound Lab UD1S-038" -titreMorceau: [ [ "ordre" => 0 "nom" => "1. Concierto de Aranjuez (Adagio)" ] [ "ordre" => 1 "nom" => "2. Will O' the Wisp" ] [ "ordre" => 2 "nom" => "3. The Pan Piper" ] [ "ordre" => 3 "nom" => "4. Saeta" ] [ "ordre" => 4 "nom" => "5. Solea" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2098 …} -label: Proxies\__CG__\App\Entity\Label {#2101 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2110 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2103 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2105 …} -enregistreLe: DateTime @1640898569 {#2093 : 2021-12-30 21:09:29.0 UTC (+00:00) } -modifierLe: DateTime @1767219175 {#2094 : 2025-12-31 22:12:55.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2107 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-sketches-of-spain-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-038" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.48 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2115 -id: 2537 -nom: "Straight Shooter" -informationComplementaire: null -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n - Second studio album, featuring "Good Lovin' Gone Bad" !\r\n - 180 gram 45 RPM double LP !\r\n - Pressed at Quality Record Pressings !\r\n - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n \r\n "Wonderful, beautifuly listening from start to finish here. ... Guitar driven, blues rock". - Michael Ludwigs, 45 RPM Audiophile, YouTube video\r\n \r\n Recorded straight on the heels of Bad Company's 1974 debut just a matter of three months later; not quite long enough to know how big a success the first LP would be Straight Shooter is seemingly cut from the same cloth as its predecessor. It is, after all, a tight collection of eight strong, steady, heavy rockers that never, ever proceed in a hurry, but from the moment "Good Lovin' Gone Bad" kicks off the proceedings, it's clear that Bad Company have decided to expand their palette this second time around, writes AllMusic.\r\n \r\n The album, released in April 1975, reached N° 3 on both the U.K. Albums Chart and the U.S. Billboard 200. It was certified gold (500000 units sold) by the Recording Industry Association of America (RIAA) a month after its release.\r\n \r\n The jacket for the album was designed by Hipgnosis, who also designed their debut album.\r\n \r\n "Good Lovin' Gone Bad", was released in March 1975 and reached N° 36 on the Billboard Hot 100. The album was released in April. The album's final single "Feel like Makin' Love" was released in August and reached N° 10 on the Hot 100.\r\n \r\n "Feel Like Makin' Love" and "Shooting Star", became classic rock staples due to this expanded aural vocabulary, and even straight-ahead rockers like "Good Lovin' Gone Bad" and "Deal with the Preacher" benefit from this additional muscle, while they feel comfortable enough to settle into a soulful groove on "Anna" and "Call on Me".\r\n \r\n Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing, this is the definitive pressing of Straight Shooter and one fans of Bad Company will be proud to own. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Paul Rodgers (guitar, piano, vocals), Mick Ralphs (guitar, keyboards), Boz Burrell (bass), Simon Kirke (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=FJTSmLqg6iE" -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 037-45" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Good Lovin' Gone Bad" ] [ "ordre" => 2 "nom" => "2. Feel Like Makin' Love" ] [ "ordre" => 3 "nom" => "Side B : " ] [ "ordre" => 4 "nom" => "1. Weep No More" ] [ "ordre" => 5 "nom" => "2. Shooting Star" ] [ "ordre" => 6 "nom" => "Side C : " ] [ "ordre" => 7 "nom" => "1. Deal With The Preacher" ] [ "ordre" => 8 "nom" => "2. Wild Fire Woman" ] [ "ordre" => 9 "nom" => "Side D : " ] [ "ordre" => 10 "nom" => "1. Anna" ] [ "ordre" => 11 "nom" => "2. Call On Me" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …} -label: Proxies\__CG__\App\Entity\Label {#2069 …} -style: App\Entity\Style {#1452 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2126 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2119 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2121 …} -enregistreLe: DateTime @1720942703 {#2112 : 2024-07-14 07:38:23.0 UTC (+00:00) } -modifierLe: DateTime @1767218251 {#2113 : 2025-12-31 21:57:31.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2123 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-straight-shooter-analogue-productions-atlantic-75-series-aapa-037-45" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3419 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2115 -id: 2537 -nom: "Straight Shooter" -informationComplementaire: null -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n - Second studio album, featuring "Good Lovin' Gone Bad" !\r\n - 180 gram 45 RPM double LP !\r\n - Pressed at Quality Record Pressings !\r\n - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n \r\n "Wonderful, beautifuly listening from start to finish here. ... Guitar driven, blues rock". - Michael Ludwigs, 45 RPM Audiophile, YouTube video\r\n \r\n Recorded straight on the heels of Bad Company's 1974 debut just a matter of three months later; not quite long enough to know how big a success the first LP would be Straight Shooter is seemingly cut from the same cloth as its predecessor. It is, after all, a tight collection of eight strong, steady, heavy rockers that never, ever proceed in a hurry, but from the moment "Good Lovin' Gone Bad" kicks off the proceedings, it's clear that Bad Company have decided to expand their palette this second time around, writes AllMusic.\r\n \r\n The album, released in April 1975, reached N° 3 on both the U.K. Albums Chart and the U.S. Billboard 200. It was certified gold (500000 units sold) by the Recording Industry Association of America (RIAA) a month after its release.\r\n \r\n The jacket for the album was designed by Hipgnosis, who also designed their debut album.\r\n \r\n "Good Lovin' Gone Bad", was released in March 1975 and reached N° 36 on the Billboard Hot 100. The album was released in April. The album's final single "Feel like Makin' Love" was released in August and reached N° 10 on the Hot 100.\r\n \r\n "Feel Like Makin' Love" and "Shooting Star", became classic rock staples due to this expanded aural vocabulary, and even straight-ahead rockers like "Good Lovin' Gone Bad" and "Deal with the Preacher" benefit from this additional muscle, while they feel comfortable enough to settle into a soulful groove on "Anna" and "Call on Me".\r\n \r\n Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing, this is the definitive pressing of Straight Shooter and one fans of Bad Company will be proud to own. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Paul Rodgers (guitar, piano, vocals), Mick Ralphs (guitar, keyboards), Boz Burrell (bass), Simon Kirke (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=FJTSmLqg6iE" -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 037-45" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Good Lovin' Gone Bad" ] [ "ordre" => 2 "nom" => "2. Feel Like Makin' Love" ] [ "ordre" => 3 "nom" => "Side B : " ] [ "ordre" => 4 "nom" => "1. Weep No More" ] [ "ordre" => 5 "nom" => "2. Shooting Star" ] [ "ordre" => 6 "nom" => "Side C : " ] [ "ordre" => 7 "nom" => "1. Deal With The Preacher" ] [ "ordre" => 8 "nom" => "2. Wild Fire Woman" ] [ "ordre" => 9 "nom" => "Side D : " ] [ "ordre" => 10 "nom" => "1. Anna" ] [ "ordre" => 11 "nom" => "2. Call On Me" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …} -label: Proxies\__CG__\App\Entity\Label {#2069 …} -style: App\Entity\Style {#1452 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2126 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2119 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2121 …} -enregistreLe: DateTime @1720942703 {#2112 : 2024-07-14 07:38:23.0 UTC (+00:00) } -modifierLe: DateTime @1767218251 {#2113 : 2025-12-31 21:57:31.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2123 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-straight-shooter-analogue-productions-atlantic-75-series-aapa-037-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.34 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2131 -id: 2553 -nom: "Heavy Sounds" -informationComplementaire: null -description: """ - Elvin Jones And Richard Davis "Heavy Sounds"180 gram vinyl !\r\n - Verve By Request Series Monthly releases from Verve Label Group's jazz catalog !\r\n - Handpicked rarities and fan favorites include out-of-print titles and first-ever vinyl pressings !\r\n \r\n Recorded for Impulse in 1967, a session originally intended to be a trio date morphed into an 11 ½ minute duet on "Summertime" between drummer Jones and bassist Davis when the guitarist did not appear. The following day, saxophonist Frank Foster and pianist Billy Greene joined in to round out the rest of the cuts including "Elvin's Guitar Blues," which features Jones' only recorded guitar performance. Verve By Request Series features 180 gram vinyl, pressed at Third Man in Detroit. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Elvin Jones (drums), Richard Davis (bass), Billy Greene (piano), Frank Foster (tenor saxophone)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=mIuYqJYQt2w" -referenceProduit: "Verve Records 5542" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Raunchy Rita" ] [ "ordre" => 2 "nom" => "2. Shiny Stockings" ] [ "ordre" => 3 "nom" => "3. M. E." ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Summertime" ] [ "ordre" => 6 "nom" => "2. Elvin's Guitar Blues" ] [ "ordre" => 7 "nom" => "3. Here's That Rainy Day" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …} -label: Proxies\__CG__\App\Entity\Label {#2136 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2145 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2138 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2140 …} -enregistreLe: DateTime @1723822409 {#2128 : 2024-08-16 15:33:29.0 UTC (+00:00) } -modifierLe: DateTime @1767217943 {#2129 : 2025-12-31 21:52:23.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2142 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-heavy-sounds-verve-records-5542" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3470 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2131 -id: 2553 -nom: "Heavy Sounds" -informationComplementaire: null -description: """ - Elvin Jones And Richard Davis "Heavy Sounds"180 gram vinyl !\r\n - Verve By Request Series Monthly releases from Verve Label Group's jazz catalog !\r\n - Handpicked rarities and fan favorites include out-of-print titles and first-ever vinyl pressings !\r\n \r\n Recorded for Impulse in 1967, a session originally intended to be a trio date morphed into an 11 ½ minute duet on "Summertime" between drummer Jones and bassist Davis when the guitarist did not appear. The following day, saxophonist Frank Foster and pianist Billy Greene joined in to round out the rest of the cuts including "Elvin's Guitar Blues," which features Jones' only recorded guitar performance. Verve By Request Series features 180 gram vinyl, pressed at Third Man in Detroit. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Elvin Jones (drums), Richard Davis (bass), Billy Greene (piano), Frank Foster (tenor saxophone)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=mIuYqJYQt2w" -referenceProduit: "Verve Records 5542" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Raunchy Rita" ] [ "ordre" => 2 "nom" => "2. Shiny Stockings" ] [ "ordre" => 3 "nom" => "3. M. E." ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Summertime" ] [ "ordre" => 6 "nom" => "2. Elvin's Guitar Blues" ] [ "ordre" => 7 "nom" => "3. Here's That Rainy Day" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …} -label: Proxies\__CG__\App\Entity\Label {#2136 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2145 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2138 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2140 …} -enregistreLe: DateTime @1723822409 {#2128 : 2024-08-16 15:33:29.0 UTC (+00:00) } -modifierLe: DateTime @1767217943 {#2129 : 2025-12-31 21:52:23.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2142 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-heavy-sounds-verve-records-5542" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.33 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2150 -id: 1620 -nom: "Kind of Blue (45 RPM 200 Gram Clarity Vinyl)" -informationComplementaire: null -description: """ - Miles Davis Kind of Blue meets Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n - Definitive limited run reissue Ultra High Quality Record !\r\n - 45 RPM double LP release limited to 25000 copies !\r\n - Best-selling album in jazz history; mastered by Bernie Grundman from the original 3 track master tapes !\r\n - Pressed at Quality Record Pressings using Clarity Vinyl !\r\n - Purest possible pressing and most visually stunning presentation and packaging !\r\n - Dream team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb make history !\r\n - Video Should New Vinyl Collectors Buy the 45 RPM UHQR Miles Davis Kind of Blue ? Click here !\r\n \r\n "Kassem's new edition-also stamped in an edition of 25000 is from the same master, pressed on the same type of vinyl (but not "hand pressed" this time, which actually results in greater pressing consistency, plus now there's a good chance everyone who orders will get their copy in a reasonable time period), packed in the same fancy box. The only difference is that the music is on two LPs, cut at 45 RPM, meaning the grooves are much wider. All things equal, this should make for finer detail, an airier ambience, more lifelike sound generally. And that's what you get here. Take the passage from my Stereophile review and step it up a few notches: "finer touches... even more stunningly clear...still more layers...the ecstatic beauty..." Everything is more present, more brassy, woody, or metallic, depending on the instrument. There's a more palpable sense of a human being blowing through a mouthpiece, plucking a string, coaxing a keyboard, or tapping a snare drum. There is more of a sense that you are with the musicians in the studio. In short, take any account you've read-or any memory you treasure-of this album's sonic glories, and embellish every admiring adjective with more, more, better, better." - Music = 11/11; Sound = 11/11 Fred Kaplan, TrackingAngle.com. To read Kaplan's full review, click here.\r\n \r\n Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording a five track masterpiece of melancholy mood and melody.\r\n \r\n It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wynton Kelly playing piano on "Freddy the Freeloader."\r\n \r\n Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Kind of Blue where it belongs : the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of every single record.\r\n \r\n The 200-gram records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n \r\n For this 45 RPM 2 LP edition we've set the bar for excellence higher. Lifelike distinct detail that was palpable enough in 33 1/3 RPM is holographic at 45. Four glorious sides of 200 gram vinyl from QRP, the best presser in the business, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. There's also a 20 page booklet with updated session photos and liner notes by Robert Palmer and Ashley Kahn. Plus, we've included photos of legendary mastering engineer Bernie Grundman's mastering notes from this release.\r\n \r\n Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick", Davis complained in a 1958 interview for The Jazz Review. "... There will be fewer chords but infinite possibilities as to what to do with them". Kind of Blue is, in a sense, all melody and atmosphere.\r\n \r\n None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.\r\n \r\n Miles remained proud of the album, performing at least two of its tracks "So What" and "All Blues" for years after, until his musical path took him in a different direction.\r\n \r\n History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.\r\n \r\n A minor audio complication with Kind of Blue has been addressed with this UHQR edition. The motor on the studio's 3 track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue in Green", making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records or their latter-day parent, Sony Music on a CD reissue in the late '90s.\r\n \r\n Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our UHQR series the world's best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment. """ -prixVente: "249.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Miles Davis (trumpet), Julian "Cannonball" Adderley (alto sax), John Coltrane (tenor sax), Paul Chambers (double bass), Bill Evan, Wynton Kelly (piano), Jimmy Cobb (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=TpMzD8Q1fQg&list=RDTpMzD8Q1fQg&start_radio=1" -referenceProduit: "Analogue Productions AUHQR 0004-45" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. So What" ] [ "ordre" => 2 "nom" => "Side B : " ] [ "ordre" => 3 "nom" => "1. Freddie Freeloader" ] [ "ordre" => 4 "nom" => "2. Blue In Green" ] [ "ordre" => 5 "nom" => "Side C : " ] [ "ordre" => 6 "nom" => "1. All Blues" ] [ "ordre" => 7 "nom" => "Side D : " ] [ "ordre" => 8 "nom" => "1. Flamenco Sketches" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2098 …} -label: Proxies\__CG__\App\Entity\Label {#2152 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2161 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2154 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2156 …} -enregistreLe: DateTime @1553763942 {#2147 : 2019-03-28 09:05:42.0 UTC (+00:00) } -modifierLe: DateTime @1767217283 {#2148 : 2025-12-31 21:41:23.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2158 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-kind-of-blue-45-rpm-200-gram-clarity-vinyl-analogue-productions-auhqr-0004-45" } "detaillePage" => false ] |
|||
| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3523 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2150 -id: 1620 -nom: "Kind of Blue (45 RPM 200 Gram Clarity Vinyl)" -informationComplementaire: null -description: """ - Miles Davis Kind of Blue meets Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n - Definitive limited run reissue Ultra High Quality Record !\r\n - 45 RPM double LP release limited to 25000 copies !\r\n - Best-selling album in jazz history; mastered by Bernie Grundman from the original 3 track master tapes !\r\n - Pressed at Quality Record Pressings using Clarity Vinyl !\r\n - Purest possible pressing and most visually stunning presentation and packaging !\r\n - Dream team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb make history !\r\n - Video Should New Vinyl Collectors Buy the 45 RPM UHQR Miles Davis Kind of Blue ? Click here !\r\n \r\n "Kassem's new edition-also stamped in an edition of 25000 is from the same master, pressed on the same type of vinyl (but not "hand pressed" this time, which actually results in greater pressing consistency, plus now there's a good chance everyone who orders will get their copy in a reasonable time period), packed in the same fancy box. The only difference is that the music is on two LPs, cut at 45 RPM, meaning the grooves are much wider. All things equal, this should make for finer detail, an airier ambience, more lifelike sound generally. And that's what you get here. Take the passage from my Stereophile review and step it up a few notches: "finer touches... even more stunningly clear...still more layers...the ecstatic beauty..." Everything is more present, more brassy, woody, or metallic, depending on the instrument. There's a more palpable sense of a human being blowing through a mouthpiece, plucking a string, coaxing a keyboard, or tapping a snare drum. There is more of a sense that you are with the musicians in the studio. In short, take any account you've read-or any memory you treasure-of this album's sonic glories, and embellish every admiring adjective with more, more, better, better." - Music = 11/11; Sound = 11/11 Fred Kaplan, TrackingAngle.com. To read Kaplan's full review, click here.\r\n \r\n Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording a five track masterpiece of melancholy mood and melody.\r\n \r\n It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wynton Kelly playing piano on "Freddy the Freeloader."\r\n \r\n Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Kind of Blue where it belongs : the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of every single record.\r\n \r\n The 200-gram records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n \r\n For this 45 RPM 2 LP edition we've set the bar for excellence higher. Lifelike distinct detail that was palpable enough in 33 1/3 RPM is holographic at 45. Four glorious sides of 200 gram vinyl from QRP, the best presser in the business, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. There's also a 20 page booklet with updated session photos and liner notes by Robert Palmer and Ashley Kahn. Plus, we've included photos of legendary mastering engineer Bernie Grundman's mastering notes from this release.\r\n \r\n Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick", Davis complained in a 1958 interview for The Jazz Review. "... There will be fewer chords but infinite possibilities as to what to do with them". Kind of Blue is, in a sense, all melody and atmosphere.\r\n \r\n None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.\r\n \r\n Miles remained proud of the album, performing at least two of its tracks "So What" and "All Blues" for years after, until his musical path took him in a different direction.\r\n \r\n History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.\r\n \r\n A minor audio complication with Kind of Blue has been addressed with this UHQR edition. The motor on the studio's 3 track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue in Green", making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records or their latter-day parent, Sony Music on a CD reissue in the late '90s.\r\n \r\n Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our UHQR series the world's best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment. """ -prixVente: "249.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Miles Davis (trumpet), Julian "Cannonball" Adderley (alto sax), John Coltrane (tenor sax), Paul Chambers (double bass), Bill Evan, Wynton Kelly (piano), Jimmy Cobb (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=TpMzD8Q1fQg&list=RDTpMzD8Q1fQg&start_radio=1" -referenceProduit: "Analogue Productions AUHQR 0004-45" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. So What" ] [ "ordre" => 2 "nom" => "Side B : " ] [ "ordre" => 3 "nom" => "1. Freddie Freeloader" ] [ "ordre" => 4 "nom" => "2. Blue In Green" ] [ "ordre" => 5 "nom" => "Side C : " ] [ "ordre" => 6 "nom" => "1. All Blues" ] [ "ordre" => 7 "nom" => "Side D : " ] [ "ordre" => 8 "nom" => "1. Flamenco Sketches" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2098 …} -label: Proxies\__CG__\App\Entity\Label {#2152 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2161 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2154 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2156 …} -enregistreLe: DateTime @1553763942 {#2147 : 2019-03-28 09:05:42.0 UTC (+00:00) } -modifierLe: DateTime @1767217283 {#2148 : 2025-12-31 21:41:23.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2158 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-kind-of-blue-45-rpm-200-gram-clarity-vinyl-analogue-productions-auhqr-0004-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.34 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2166 -id: 2635 -nom: "Original Motion Picture Soundtrack - The Hot Spot" -informationComplementaire: null -description: """ - The Hot Spot Original Motion Picture Soundtrack !\r\n - 180 gram 45 RPM double LP !\r\n - Mastered by Kevin Gray from a 1/2" flat tape copy of the original master tape !\r\n - Pressed at Quality Record Pressings !\r\n - Old-style tip-on gatefold jacket from Stoughton Printing !\r\n \r\n Unlock the allure of The Hot Spot through its unforgettable soundtrack, a captivating collection that brings the film's sultry ambiance to life.\r\n \r\n Set against the backdrop of a small Texas town, The Hot Spot follows Harry Madox, a charming drifter with a dark past. As he arrives in town, he becomes embroiled in a web of seduction and deceit, navigating his way through a love triangle involving the sultry waitress, Gloria, and the alluring femme fatale, Dolly. Tensions rise and passions ignite, leading to a thrilling climax where desire and danger intertwine. Directed by the visionary Dennis Hopper, the film is a masterclass in mood and atmosphere, capturing the essence of 1990s neo-noir.\r\n \r\n The Hot Spot has garnered acclaim for its stylish cinematography and gripping narrative, but it's the music that truly sets it apart. It's an amalgamation of swampy blues, jazz and rock all mixed and recorded in a sparse, bloomy and eerie sort of way.\r\n \r\n Critics hailed the soundtrack as "an electrifying fusion of jazz and blues that perfectly complements the film's seductive undertones". The blend of sultry melodies and haunting instrumentals creates an immersive experience that resonates long after the credits roll.\r\n \r\n This recording is just so damn fine, so airy and warm. And the musicians aboard on this Dennis Hopper film are a who's who, including Miles Davis, John Lee Hooker, Taj Mahal, Roy Rodgers, Earl Palmer and Tim Drummond. This has long been a highly sought-after and collectible record among audiophiles. This soundtrack is essential for any music lover or film buff, capturing the very essence of the film's seductive spirit.\r\n \r\n Originally released in 1990. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "John Lee Hooker, Taj Mahal (guitar, vocals), Tim Drummond (bass), Miles Davis (trumpet), Roy Rogers (guitar), Bradford Ellis (keyboards), Earl Palmer (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=bfDHGk8NNrU" -referenceProduit: "Analogue Productions AAPB 8755-45" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Coming to Town" ] [ "ordre" => 2 "nom" => "2. Empty Bank" ] [ "ordre" => 3 "nom" => "3. Harry's Philosophy" ] [ "ordre" => 4 "nom" => "4. Dolly's Arrival" ] [ "ordre" => 5 "nom" => "Side B : " ] [ "ordre" => 6 "nom" => "1. Harry and Dolly" ] [ "ordre" => 7 "nom" => "2. Sawmill" ] [ "ordre" => 8 "nom" => "3. Bank Robbery" ] [ "ordre" => 9 "nom" => "Side C :" ] [ "ordre" => 10 "nom" => "1. Moanin'" ] [ "ordre" => 11 "nom" => "2. Gloria's Story" ] [ "ordre" => 12 "nom" => "3. Harry Sets up Sutton" ] [ "ordre" => 13 "nom" => "Side D : " ] [ "ordre" => 14 "nom" => "1. Murder" ] [ "ordre" => 15 "nom" => "2. Blackmail" ] [ "ordre" => 16 "nom" => "3. End Credits" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2168 …} -label: Proxies\__CG__\App\Entity\Label {#2152 …} -style: App\Entity\Style {#1460 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2177 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2170 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2172 …} -enregistreLe: DateTime @1738487020 {#2163 : 2025-02-02 09:03:40.0 UTC (+00:00) } -modifierLe: DateTime @1767216498 {#2164 : 2025-12-31 21:28:18.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2174 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-original-motion-picture-soundtrack-the-hot-spot-analogue-productions-aapb-8755-45" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3569 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2166 -id: 2635 -nom: "Original Motion Picture Soundtrack - The Hot Spot" -informationComplementaire: null -description: """ - The Hot Spot Original Motion Picture Soundtrack !\r\n - 180 gram 45 RPM double LP !\r\n - Mastered by Kevin Gray from a 1/2" flat tape copy of the original master tape !\r\n - Pressed at Quality Record Pressings !\r\n - Old-style tip-on gatefold jacket from Stoughton Printing !\r\n \r\n Unlock the allure of The Hot Spot through its unforgettable soundtrack, a captivating collection that brings the film's sultry ambiance to life.\r\n \r\n Set against the backdrop of a small Texas town, The Hot Spot follows Harry Madox, a charming drifter with a dark past. As he arrives in town, he becomes embroiled in a web of seduction and deceit, navigating his way through a love triangle involving the sultry waitress, Gloria, and the alluring femme fatale, Dolly. Tensions rise and passions ignite, leading to a thrilling climax where desire and danger intertwine. Directed by the visionary Dennis Hopper, the film is a masterclass in mood and atmosphere, capturing the essence of 1990s neo-noir.\r\n \r\n The Hot Spot has garnered acclaim for its stylish cinematography and gripping narrative, but it's the music that truly sets it apart. It's an amalgamation of swampy blues, jazz and rock all mixed and recorded in a sparse, bloomy and eerie sort of way.\r\n \r\n Critics hailed the soundtrack as "an electrifying fusion of jazz and blues that perfectly complements the film's seductive undertones". The blend of sultry melodies and haunting instrumentals creates an immersive experience that resonates long after the credits roll.\r\n \r\n This recording is just so damn fine, so airy and warm. And the musicians aboard on this Dennis Hopper film are a who's who, including Miles Davis, John Lee Hooker, Taj Mahal, Roy Rodgers, Earl Palmer and Tim Drummond. This has long been a highly sought-after and collectible record among audiophiles. This soundtrack is essential for any music lover or film buff, capturing the very essence of the film's seductive spirit.\r\n \r\n Originally released in 1990. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "John Lee Hooker, Taj Mahal (guitar, vocals), Tim Drummond (bass), Miles Davis (trumpet), Roy Rogers (guitar), Bradford Ellis (keyboards), Earl Palmer (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=bfDHGk8NNrU" -referenceProduit: "Analogue Productions AAPB 8755-45" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Coming to Town" ] [ "ordre" => 2 "nom" => "2. Empty Bank" ] [ "ordre" => 3 "nom" => "3. Harry's Philosophy" ] [ "ordre" => 4 "nom" => "4. Dolly's Arrival" ] [ "ordre" => 5 "nom" => "Side B : " ] [ "ordre" => 6 "nom" => "1. Harry and Dolly" ] [ "ordre" => 7 "nom" => "2. Sawmill" ] [ "ordre" => 8 "nom" => "3. Bank Robbery" ] [ "ordre" => 9 "nom" => "Side C :" ] [ "ordre" => 10 "nom" => "1. Moanin'" ] [ "ordre" => 11 "nom" => "2. Gloria's Story" ] [ "ordre" => 12 "nom" => "3. Harry Sets up Sutton" ] [ "ordre" => 13 "nom" => "Side D : " ] [ "ordre" => 14 "nom" => "1. Murder" ] [ "ordre" => 15 "nom" => "2. Blackmail" ] [ "ordre" => 16 "nom" => "3. End Credits" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2168 …} -label: Proxies\__CG__\App\Entity\Label {#2152 …} -style: App\Entity\Style {#1460 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2177 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2170 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2172 …} -enregistreLe: DateTime @1738487020 {#2163 : 2025-02-02 09:03:40.0 UTC (+00:00) } -modifierLe: DateTime @1767216498 {#2164 : 2025-12-31 21:28:18.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2174 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-original-motion-picture-soundtrack-the-hot-spot-analogue-productions-aapb-8755-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.34 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2182 -id: 2645 -nom: "Good As I Been To You - (Edition SuperVinyl)" -informationComplementaire: null -description: """ - Dylan's 1992 solo acoustic album remains an overlooked gem !\r\n - 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n - Pressed at RTI on Supervinyl compound !\r\n - Housed in a Stoughton Printing jacket !\r\n \r\n Sourced from the Original Master Tapes and Presented in Audiophile Sound for the First Time: Mobile Fidelity’s 180 gram SuperVinyl 33 RPM LP Plays with Riveting Detail, Strictly Limited to 5000 Numbered Copies\r\n \r\n Three decades before he released The Philosophy of Modern Song an insightful book devoted to 66 tunes that both impacted his career and the music world at large Bob Dylan issued Good As I Been to You. The under-heralded 1992 album, Dylan's first solo acoustic album in nearly 30 years and first all-covers effort in nearly 20 years, can be seen as a prophetic prelude to what has become the Nobel Laureate's celebrated late-career arc. It's also an absorbing continuation of the custom Dylan has embraced since he first picked up a guitar.\r\n \r\n Good As I Been to You ? Dylan has seldom been better.\r\n \r\n Sourced from the original master tapes, pressed at RTI, and housed in a Stoughton jacket, Mobile Fidelity's numbered-edition 180 gram SuperVinyl LP of Good As I Been to You reveals the immediacy, detail, and stripped-down nature of recording sessions that took place in Dylan's garage studio in California. Simple, raw, and unplugged, the record presents Dylan in peak form and showcases a diversity of vocal phrasing, soulful chording, harmonica accents, and close-up ambience that on this reissue emerge like never before. As the first-ever audiophile edition of this almost-lost classic, this LP also benefits from SuperVinyl's extraordinary properties: a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces among them.\r\n \r\n Recorded and mixed by Micajah Ryan, and supervised by Debbie Gold, Good As I Been to You took shape at Dylan's home shortly after the singer-songwriter completed sessions in Chicago with a full band. Unaccompanied, he again gravitated to existing works in this case, traditional folk music and, with Gold serving as a trusted advisor, performed the songs in multiple keys and tempos until he arrived at what he desired. That careful, determined albeit loose, organic approach emanates from this reissue, on which each note, movement, and space come across more directly, fully, and immediately than on the original formats. It helps draw a through-line to Another Side of Bob Dylan (1964) as well as the similarly themed follow-up, World Gone Wrong (1993) and immersive old-world storytelling of Tempest (2012) and Rough and Rowdy Ways (2020).\r\n \r\n Well before Dylan made those renowned 21st century LPs, however, he needed to find a way out of a funk that — save for his 1989 collaboration with Daniel Lanois, Oh Mercy followed him for years. As author Clinton Heylin reported Dylan admitting in 1997 : "My influences have not changed and any time they have done, the music goes off to a wrong place. That's why I recorded two LPs of old songs, so I could personally get back to the music that's true for me".\r\n \r\n Truth : Few, if any, concepts better encapsulate Good As I Been to You. It resonates with the same originality, honesty, resolve, and age- and time-defying relevance as the seminal Anthology of American Folk Music that fired Dylan's imagination as a kid in small-town Minnesota and, later, per Greil Marcus' That Old Weird America book, informed Dylan and the Band's Basement Tapes sessions. This record also contains the type of music Dylan was playing during his acoustic sets at his period Never Ending Tour shows; within a year of the record's release, Dylan would play half the album's songs live.\r\n \r\n As for those songs: Rife with strange mystery, common circumstance, and epic adventure, the stories appeal to our base instincts. Their themes jealousy, temptation, sacrifice, love, revenge, identity, opportunity operate on a fundamentally human level immune to trends, generations, or eras. They're ancient and modern, serious and comical, open and disguised, simple and multi-layered. They talk of vengeance and justice "Frankie & Albert"; "Jim Jones", romance and tenderness "Tomorrow Night," "Froggie Went a Courtin'", the troubled and trouble-free "Hard Times", "Sittin' on Top of the World". They lend voice to lovers scorned and freed "Blackjack Davey", the used and users "Diamond Joe", the powerful and powerless "Arthur McBride", "Canadee-I-O", the followed and followers "Little Maggie". And akin to much of Dylan's finest output, things are not always what they appear to be.\r\n \r\n Spanning country, folk, sea shanty, bluegrass, and blues motifs, Good As I Been to You re-confirms Dylan's position as an elite interpreter and sculptor not of just structure but emotion. Dylan delivers the tunes as if he's known them forever. He plays with a subtle sense of mischievousness and retains a largely upbeat demeanor; his eyes seemingly twinkle as he sings and picks. His guitar serves as the guidepost for shuffles, boogies, ballads, and mess-arounds while his innate feel for each specific arrangement and melody helps inform pacing, tone, attack.\r\n \r\n Like a great author, he understands the importance of adhering to concision, luring an audience, holding their attention, and maximizing the impact of details, actions, and unexpected turns. Though already coarse and ragged, his voice feels ideal for the subject matter and his phrasing from the clever ways he stretches syllables to underline meanings on the surprise twists of "Canadee-I-O" to the sheer delight he gets from singing "rowdy-dow-dow" on the protest song "Arthur McBride" outstanding. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Bob Dylan (guitar, harmonica, vocals)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=7WM4lnTRi8o" -referenceProduit: "Mobile Fidelity Sound Lab MFSV1-532" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Frankie & Albert" ] [ "ordre" => 2 "nom" => "2. Jim Jones" ] [ "ordre" => 3 "nom" => "3. Blackjack Davey" ] [ "ordre" => 4 "nom" => "4. Canadee-I-O" ] [ "ordre" => 5 "nom" => "5. Sittin' on Top of the World" ] [ "ordre" => 6 "nom" => "6. Little Maggie" ] [ "ordre" => 7 "nom" => "7. Hard Times" ] [ "ordre" => 8 "nom" => "Side B : " ] [ "ordre" => 9 "nom" => "1. Step It up and Go" ] [ "ordre" => 10 "nom" => "2. Tomorrow Night" ] [ "ordre" => 11 "nom" => "3. Arthur McBride (Remastered)" ] [ "ordre" => 12 "nom" => "4. You're Gonna Quit Me" ] [ "ordre" => 13 "nom" => "5. Diamond Joe" ] [ "ordre" => 14 "nom" => "6. Froggie Went a Courtin'" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2184 …} -label: Proxies\__CG__\App\Entity\Label {#2101 …} -style: App\Entity\Style {#1452 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2193 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2186 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2188 …} -enregistreLe: DateTime @1740174545 {#2179 : 2025-02-21 21:49:05.0 UTC (+00:00) } -modifierLe: DateTime @1767215892 {#2180 : 2025-12-31 21:18:12.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2190 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-good-as-i-been-to-you-edition-supervinyl-mobile-fidelity-sound-lab-mfsv1-532" } "detaillePage" => false ] |
|||
| Attributes | [] |
|||
| Component | App\Twig\Components\GestionPanierFavoriComponents {#3620 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2182 -id: 2645 -nom: "Good As I Been To You - (Edition SuperVinyl)" -informationComplementaire: null -description: """ - Dylan's 1992 solo acoustic album remains an overlooked gem !\r\n - 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n - Pressed at RTI on Supervinyl compound !\r\n - Housed in a Stoughton Printing jacket !\r\n \r\n Sourced from the Original Master Tapes and Presented in Audiophile Sound for the First Time: Mobile Fidelity’s 180 gram SuperVinyl 33 RPM LP Plays with Riveting Detail, Strictly Limited to 5000 Numbered Copies\r\n \r\n Three decades before he released The Philosophy of Modern Song an insightful book devoted to 66 tunes that both impacted his career and the music world at large Bob Dylan issued Good As I Been to You. The under-heralded 1992 album, Dylan's first solo acoustic album in nearly 30 years and first all-covers effort in nearly 20 years, can be seen as a prophetic prelude to what has become the Nobel Laureate's celebrated late-career arc. It's also an absorbing continuation of the custom Dylan has embraced since he first picked up a guitar.\r\n \r\n Good As I Been to You ? Dylan has seldom been better.\r\n \r\n Sourced from the original master tapes, pressed at RTI, and housed in a Stoughton jacket, Mobile Fidelity's numbered-edition 180 gram SuperVinyl LP of Good As I Been to You reveals the immediacy, detail, and stripped-down nature of recording sessions that took place in Dylan's garage studio in California. Simple, raw, and unplugged, the record presents Dylan in peak form and showcases a diversity of vocal phrasing, soulful chording, harmonica accents, and close-up ambience that on this reissue emerge like never before. As the first-ever audiophile edition of this almost-lost classic, this LP also benefits from SuperVinyl's extraordinary properties: a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces among them.\r\n \r\n Recorded and mixed by Micajah Ryan, and supervised by Debbie Gold, Good As I Been to You took shape at Dylan's home shortly after the singer-songwriter completed sessions in Chicago with a full band. Unaccompanied, he again gravitated to existing works in this case, traditional folk music and, with Gold serving as a trusted advisor, performed the songs in multiple keys and tempos until he arrived at what he desired. That careful, determined albeit loose, organic approach emanates from this reissue, on which each note, movement, and space come across more directly, fully, and immediately than on the original formats. It helps draw a through-line to Another Side of Bob Dylan (1964) as well as the similarly themed follow-up, World Gone Wrong (1993) and immersive old-world storytelling of Tempest (2012) and Rough and Rowdy Ways (2020).\r\n \r\n Well before Dylan made those renowned 21st century LPs, however, he needed to find a way out of a funk that — save for his 1989 collaboration with Daniel Lanois, Oh Mercy followed him for years. As author Clinton Heylin reported Dylan admitting in 1997 : "My influences have not changed and any time they have done, the music goes off to a wrong place. That's why I recorded two LPs of old songs, so I could personally get back to the music that's true for me".\r\n \r\n Truth : Few, if any, concepts better encapsulate Good As I Been to You. It resonates with the same originality, honesty, resolve, and age- and time-defying relevance as the seminal Anthology of American Folk Music that fired Dylan's imagination as a kid in small-town Minnesota and, later, per Greil Marcus' That Old Weird America book, informed Dylan and the Band's Basement Tapes sessions. This record also contains the type of music Dylan was playing during his acoustic sets at his period Never Ending Tour shows; within a year of the record's release, Dylan would play half the album's songs live.\r\n \r\n As for those songs: Rife with strange mystery, common circumstance, and epic adventure, the stories appeal to our base instincts. Their themes jealousy, temptation, sacrifice, love, revenge, identity, opportunity operate on a fundamentally human level immune to trends, generations, or eras. They're ancient and modern, serious and comical, open and disguised, simple and multi-layered. They talk of vengeance and justice "Frankie & Albert"; "Jim Jones", romance and tenderness "Tomorrow Night," "Froggie Went a Courtin'", the troubled and trouble-free "Hard Times", "Sittin' on Top of the World". They lend voice to lovers scorned and freed "Blackjack Davey", the used and users "Diamond Joe", the powerful and powerless "Arthur McBride", "Canadee-I-O", the followed and followers "Little Maggie". And akin to much of Dylan's finest output, things are not always what they appear to be.\r\n \r\n Spanning country, folk, sea shanty, bluegrass, and blues motifs, Good As I Been to You re-confirms Dylan's position as an elite interpreter and sculptor not of just structure but emotion. Dylan delivers the tunes as if he's known them forever. He plays with a subtle sense of mischievousness and retains a largely upbeat demeanor; his eyes seemingly twinkle as he sings and picks. His guitar serves as the guidepost for shuffles, boogies, ballads, and mess-arounds while his innate feel for each specific arrangement and melody helps inform pacing, tone, attack.\r\n \r\n Like a great author, he understands the importance of adhering to concision, luring an audience, holding their attention, and maximizing the impact of details, actions, and unexpected turns. Though already coarse and ragged, his voice feels ideal for the subject matter and his phrasing from the clever ways he stretches syllables to underline meanings on the surprise twists of "Canadee-I-O" to the sheer delight he gets from singing "rowdy-dow-dow" on the protest song "Arthur McBride" outstanding. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Bob Dylan (guitar, harmonica, vocals)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=7WM4lnTRi8o" -referenceProduit: "Mobile Fidelity Sound Lab MFSV1-532" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Frankie & Albert" ] [ "ordre" => 2 "nom" => "2. Jim Jones" ] [ "ordre" => 3 "nom" => "3. Blackjack Davey" ] [ "ordre" => 4 "nom" => "4. Canadee-I-O" ] [ "ordre" => 5 "nom" => "5. Sittin' on Top of the World" ] [ "ordre" => 6 "nom" => "6. Little Maggie" ] [ "ordre" => 7 "nom" => "7. Hard Times" ] [ "ordre" => 8 "nom" => "Side B : " ] [ "ordre" => 9 "nom" => "1. Step It up and Go" ] [ "ordre" => 10 "nom" => "2. Tomorrow Night" ] [ "ordre" => 11 "nom" => "3. Arthur McBride (Remastered)" ] [ "ordre" => 12 "nom" => "4. You're Gonna Quit Me" ] [ "ordre" => 13 "nom" => "5. Diamond Joe" ] [ "ordre" => 14 "nom" => "6. Froggie Went a Courtin'" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2184 …} -label: Proxies\__CG__\App\Entity\Label {#2101 …} -style: App\Entity\Style {#1452 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2193 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2186 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2188 …} -enregistreLe: DateTime @1740174545 {#2179 : 2025-02-21 21:49:05.0 UTC (+00:00) } -modifierLe: DateTime @1767215892 {#2180 : 2025-12-31 21:18:12.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2190 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-good-as-i-been-to-you-edition-supervinyl-mobile-fidelity-sound-lab-mfsv1-532" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.33 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2198 -id: 893 -nom: "A Tribute To Jack Johnson" -informationComplementaire: null -description: """ - The “Greatest Rock and Roll Band You Have Ever Heard”, Miles Davis, John McLaughlin, and Co. Merge Electric Fusion and Defiant Rock on the Funky, Freeing A Tribute to Jack Johnson.\r\n - Mobile Fidelity's Numbered-Edition 180 gram 33 RPM (1 LP) Plays with Lean, Stripped-Back Sound and Startling Immediacy !\r\n - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n \r\n Miles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made. Equally inspired by the leader's desire to assemble the "greatest rock and roll band you have ever heard" as well as his adoration of Johnson, Davis created a hard-hitting set that spills over with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio. \r\n \r\n Sourced from the original analog master tapes and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180 gram 33 RPM (1 LP) reissue brings it all to fore. Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and supple bass lines emerge amidst black backgrounds. One of the most prominent differences longtime fans will notice is how much more aggressive, immediate, and vibrant the music sounds, with those aspects central to the composer's original desires. \r\n \r\n Indeed, utilizing wah-wah and distortion, guitarist John McLaughlin comes on here with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson finally cross the divide between rock and jazz. Davis puts both feet in the former camp and permanently erasing any gap. In addition to highlighting McLaughlin's ripping performances, Mobile Fidelity's 180g LP showcases the headliner's white-hot trumpet solos like never before. Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and three-dimensional bass lines emerge amidst an ink-black background.\r\n \r\n The least-well known true masterpiece of Davis' career, the 1971 record – like Bitches Brew, seamlessly assembled from sessions by producer Ted Macero was a victim of scant promotion. But to those that heard it, among them critic/musician Robert Quine and renowned writer Robert Christgau, A Tribute to Jack Johnson surpasses everything that came before. Davis treated it as a personal manifesto: An opportunity to salute the championship boxer admired for his threatening image to the establishment and taste in clothes, cars, women and music. Davis explains in the liner notes his affinity for Johnson a stance revealed in the music, which simultaneously hits with a prize fighter's brutal force and reflects the graceful elegance with which a pugilist navigates the ring.\r\n \r\n Producer and journalist Michael Cuscuna may have summed up the record's significance in 2003 : "The dense textures introduced and developed the prior fall on the Bitches Brew recording sessions gave way to a lean, stripped-down, guitar-heavy sound. There was now only one drummer, and that kept the groove more pronounced and defined. The three-keyboard configuration appears only on the last session; the rest have none, one, or two, and they are used sparingly".\r\n \r\n By any measure, A Tribute to Jack Johnson is a monster album. Experience it the way Davis would've wanted you to hear it. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Miles Davis (trumpet), John McLaughlin (guitar), Herbie Hancock (keyboards), Michael Henderson (bass Fender), Steve Grossman (saxophone), Brock Peters (voice), Billy Cobham (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=DEBKksupBVA" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-440" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Right Off" ] [ "ordre" => 2 "nom" => "Side B :" ] [ "ordre" => 3 "nom" => "2. Yesternow" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2098 …} -label: Proxies\__CG__\App\Entity\Label {#2101 …} -style: App\Entity\Style {#1452 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2206 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2199 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2201 …} -enregistreLe: DateTime @1458305108 {#2195 : 2016-03-18 12:45:08.0 UTC (+00:00) } -modifierLe: DateTime @1767215520 {#2196 : 2025-12-31 21:12:00.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2203 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-a-tribute-to-jack-johnson-mobile-fidelity-sound-lab-mfsl-1-440" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3673 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2198 -id: 893 -nom: "A Tribute To Jack Johnson" -informationComplementaire: null -description: """ - The “Greatest Rock and Roll Band You Have Ever Heard”, Miles Davis, John McLaughlin, and Co. Merge Electric Fusion and Defiant Rock on the Funky, Freeing A Tribute to Jack Johnson.\r\n - Mobile Fidelity's Numbered-Edition 180 gram 33 RPM (1 LP) Plays with Lean, Stripped-Back Sound and Startling Immediacy !\r\n - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n \r\n Miles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made. Equally inspired by the leader's desire to assemble the "greatest rock and roll band you have ever heard" as well as his adoration of Johnson, Davis created a hard-hitting set that spills over with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio. \r\n \r\n Sourced from the original analog master tapes and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180 gram 33 RPM (1 LP) reissue brings it all to fore. Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and supple bass lines emerge amidst black backgrounds. One of the most prominent differences longtime fans will notice is how much more aggressive, immediate, and vibrant the music sounds, with those aspects central to the composer's original desires. \r\n \r\n Indeed, utilizing wah-wah and distortion, guitarist John McLaughlin comes on here with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson finally cross the divide between rock and jazz. Davis puts both feet in the former camp and permanently erasing any gap. In addition to highlighting McLaughlin's ripping performances, Mobile Fidelity's 180g LP showcases the headliner's white-hot trumpet solos like never before. Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and three-dimensional bass lines emerge amidst an ink-black background.\r\n \r\n The least-well known true masterpiece of Davis' career, the 1971 record – like Bitches Brew, seamlessly assembled from sessions by producer Ted Macero was a victim of scant promotion. But to those that heard it, among them critic/musician Robert Quine and renowned writer Robert Christgau, A Tribute to Jack Johnson surpasses everything that came before. Davis treated it as a personal manifesto: An opportunity to salute the championship boxer admired for his threatening image to the establishment and taste in clothes, cars, women and music. Davis explains in the liner notes his affinity for Johnson a stance revealed in the music, which simultaneously hits with a prize fighter's brutal force and reflects the graceful elegance with which a pugilist navigates the ring.\r\n \r\n Producer and journalist Michael Cuscuna may have summed up the record's significance in 2003 : "The dense textures introduced and developed the prior fall on the Bitches Brew recording sessions gave way to a lean, stripped-down, guitar-heavy sound. There was now only one drummer, and that kept the groove more pronounced and defined. The three-keyboard configuration appears only on the last session; the rest have none, one, or two, and they are used sparingly".\r\n \r\n By any measure, A Tribute to Jack Johnson is a monster album. Experience it the way Davis would've wanted you to hear it. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Miles Davis (trumpet), John McLaughlin (guitar), Herbie Hancock (keyboards), Michael Henderson (bass Fender), Steve Grossman (saxophone), Brock Peters (voice), Billy Cobham (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=DEBKksupBVA" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-440" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Right Off" ] [ "ordre" => 2 "nom" => "Side B :" ] [ "ordre" => 3 "nom" => "2. Yesternow" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2098 …} -label: Proxies\__CG__\App\Entity\Label {#2101 …} -style: App\Entity\Style {#1452 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2206 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2199 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2201 …} -enregistreLe: DateTime @1458305108 {#2195 : 2016-03-18 12:45:08.0 UTC (+00:00) } -modifierLe: DateTime @1767215520 {#2196 : 2025-12-31 21:12:00.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2203 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-a-tribute-to-jack-johnson-mobile-fidelity-sound-lab-mfsl-1-440" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.45 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2211 -id: 2539 -nom: "Desolation Angels" -informationComplementaire: null -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n \r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n \r\n - Includes the gold-selling single "Rock 'n' Roll Fantasy" !\r\n \r\n - 180 gram 45 RPM double LP !\r\n \r\n - Pressed at Quality Record Pressings !\r\n \r\n - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n \r\n The members of Bad Company maintained a grueling pace over the first few years of their career, releasing four albums (and touring steadily) between 1974 and 1977. By the time they finished recording the fourth LP, Burnin' Sky, they were exhausted and clearly in need of a break.\r\n \r\n The band re-emerged on March 17, 1979 with their fifth LP, Desolation Angels, another solid 10 track slab of blues-influenced rock whose impressive chart performance proved that even among the rising tide of younger punk and New Wave acts, there was still a strong demand for Bad Company's signature sound, writes Ultimate Classic Rock.\r\n \r\n The vocal passion of "Rock 'n' Roll Fantasy" became the album's gold-selling single, and the album as a whole takes on a more polished feel than its predecessor Burnin' Sky. "Gone, Gone, Gone", "Lonely for Your Love", and "She Brings Me Love" work best in vocalist and rhythm guitarist Paul Rodgers' favor, and fans did prove their loyalty, pushing the album to the N° 10 mark in the U.K. and to N° 3 in the U.S.\r\n \r\n The album went platinum for sales of more than 1 million copies, and double platinum subsequently.\r\n \r\n This 180 gram 45 RPM 2 LP of Burnin' Sky is the definitive reissue of Bad Company's classic album. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Paul Rodgers (guitar, piano, synthesisers), Mick Ralphs (guitar, keyboards), Boz Burrell (bass), Simon Kirke (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=B7fvicH8ToM" -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 058-45" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Rock 'n' Roll Fantasy" ] [ "ordre" => 2 "nom" => "2. Crazy Circles" ] [ "ordre" => 3 "nom" => "3. Gone, Gone, Gone" ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Evil Wind" ] [ "ordre" => 6 "nom" => "2. Early In The Morning" ] [ "ordre" => 7 "nom" => "Side C : " ] [ "ordre" => 8 "nom" => "1. Lonely For Your Love" ] [ "ordre" => 9 "nom" => "2. Oh, Atlanta" ] [ "ordre" => 10 "nom" => "3. Take The Time" ] [ "ordre" => 11 "nom" => "Side D : " ] [ "ordre" => 12 "nom" => "1. Rhythm Machine" ] [ "ordre" => 13 "nom" => "2. She Brings Me Love" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …} -label: Proxies\__CG__\App\Entity\Label {#2069 …} -style: App\Entity\Style {#1452 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2219 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2212 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2214 …} -enregistreLe: DateTime @1721029179 {#2208 : 2024-07-15 07:39:39.0 UTC (+00:00) } -modifierLe: DateTime @1767215128 {#2209 : 2025-12-31 21:05:28.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2216 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-desolation-angels-analogue-productions-atlantic-75-series-aapa-058-45" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3721 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2643 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2211 -id: 2539 -nom: "Desolation Angels" -informationComplementaire: null -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n \r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n \r\n - Includes the gold-selling single "Rock 'n' Roll Fantasy" !\r\n \r\n - 180 gram 45 RPM double LP !\r\n \r\n - Pressed at Quality Record Pressings !\r\n \r\n - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n \r\n The members of Bad Company maintained a grueling pace over the first few years of their career, releasing four albums (and touring steadily) between 1974 and 1977. By the time they finished recording the fourth LP, Burnin' Sky, they were exhausted and clearly in need of a break.\r\n \r\n The band re-emerged on March 17, 1979 with their fifth LP, Desolation Angels, another solid 10 track slab of blues-influenced rock whose impressive chart performance proved that even among the rising tide of younger punk and New Wave acts, there was still a strong demand for Bad Company's signature sound, writes Ultimate Classic Rock.\r\n \r\n The vocal passion of "Rock 'n' Roll Fantasy" became the album's gold-selling single, and the album as a whole takes on a more polished feel than its predecessor Burnin' Sky. "Gone, Gone, Gone", "Lonely for Your Love", and "She Brings Me Love" work best in vocalist and rhythm guitarist Paul Rodgers' favor, and fans did prove their loyalty, pushing the album to the N° 10 mark in the U.K. and to N° 3 in the U.S.\r\n \r\n The album went platinum for sales of more than 1 million copies, and double platinum subsequently.\r\n \r\n This 180 gram 45 RPM 2 LP of Burnin' Sky is the definitive reissue of Bad Company's classic album. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Paul Rodgers (guitar, piano, synthesisers), Mick Ralphs (guitar, keyboards), Boz Burrell (bass), Simon Kirke (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=B7fvicH8ToM" -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 058-45" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Rock 'n' Roll Fantasy" ] [ "ordre" => 2 "nom" => "2. Crazy Circles" ] [ "ordre" => 3 "nom" => "3. Gone, Gone, Gone" ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Evil Wind" ] [ "ordre" => 6 "nom" => "2. Early In The Morning" ] [ "ordre" => 7 "nom" => "Side C : " ] [ "ordre" => 8 "nom" => "1. Lonely For Your Love" ] [ "ordre" => 9 "nom" => "2. Oh, Atlanta" ] [ "ordre" => 10 "nom" => "3. Take The Time" ] [ "ordre" => 11 "nom" => "Side D : " ] [ "ordre" => 12 "nom" => "1. Rhythm Machine" ] [ "ordre" => 13 "nom" => "2. She Brings Me Love" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …} -label: Proxies\__CG__\App\Entity\Label {#2069 …} -style: App\Entity\Style {#1452 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2219 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2212 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2214 …} -enregistreLe: DateTime @1721029179 {#2208 : 2024-07-15 07:39:39.0 UTC (+00:00) } -modifierLe: DateTime @1767215128 {#2209 : 2025-12-31 21:05:28.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2216 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-desolation-angels-analogue-productions-atlantic-75-series-aapa-058-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …} } |
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| AjoutMailNewsletterComponent | App\Twig\Components\AjoutMailNewsletterComponent | 6.0 MiB | 0.23 ms | |
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| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\AjoutMailNewsletterComponent {#3917 +email: "" -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2411 …} -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3918 …} -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3966 …} +isValidated: false +validatedFields: [] } |
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