Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2578
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2425 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2655
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2658 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2657 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2425 …}
  -formView: Symfony\Component\Form\FormView {#2694 …}
  -form: Symfony\Component\Form\Form {#2844 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1838
    -id: 3019
    -nom: "Breakfast In America - 180 gram Half-Speed Master"
    -informationComplementaire: "Breakfast in America est bien plus qu’un album, véritable monument du rock des années 70, mélange irrésistible de pop sophistiquée, de mélodies inoubliables et de textes subtils devenus intemporels !"
    -description: """
      Sorti en 1979, Breakfast in America est l’album emblématique de Supertramp et l’un des plus grands succès du rock. Porté par des mélodies irrésistibles, des arrangements raffinés et des textes subtils, cet album mythique a marqué toute une génération.\r\n
      \r\n
      Avec des titres devenus incontournables comme "The Logical Song", "Goodbye Stranger" ou encore "Take the Long Way Home", Breakfast in America combine énergie rock, élégance pop et identité sonore unique.\r\n
      \r\n
      Véritable chef-d’œuvre intemporel, cet album reste aujourd’hui une référence incontournable pour tous les amateurs de musique. Une pièce essentielle à ajouter à toute collection musicale.\r\n
      \r\n
      Musicians : \r\n
      Roger Hodgson (keyboards, guitars, vocals), Rick Davies (keyboards, vocals), John Helliwell (woodwinds, backing vocals), Dougie Thomson (bass), Bob Siebenberg (drums), Slyde Hyde, Richard Hyde (tuba, trombone), Gary Mielke (Oberheim programming).\r\n
      \r\n
      - Supertramp "Breakfast In America" !\r\n
      - 180 gram heavyweight black vinyl gatefold reissue !\r\n
      - Half-speed mastered by Miles Showell at Abbey Road Studios !\r\n
      \r\n
      Supertramp are releasing the definitive vinyl pressings of their studio albums. Even In The Quietest Moments audio was transferred at Abbey Road Studios by Miles Showell and overseen by album engineer Peter Henderson, where they cut the half-speed master used to press the vinyl.\r\n
      \r\n
      Released in 1979, Breakfast in America is the group's sixth studio album and features the hit singles, "The Logical Song", "Goodbye Stranger", and the title track.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Roger Hodgson (keyboards, guitars, vocals), Rick Davies (keyboards, vocals), John Helliwell (woodwinds, backing vocals), Dougie Thomson (bass), Bob Siebenberg (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=suDFhxrpkJg&list=RDsuDFhxrpkJg&start_radio=1"
    -referenceProduit: "A&M Records 6364"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Gone Hollywood"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Logical Song"
      ]
      [
        "ordre" => 3
        "nom" => "3. Goodbye Stranger"
      ]
      [
        "ordre" => 4
        "nom" => "4. Breakfast in America"
      ]
      [
        "ordre" => 5
        "nom" => "5. Oh Darling "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Take the Long Way Home"
      ]
      [
        "ordre" => 8
        "nom" => "2. Lord is It Mine"
      ]
      [
        "ordre" => 9
        "nom" => "3. Just Another Nervous Wreck"
      ]
      [
        "ordre" => 10
        "nom" => "4. Casual Conversations"
      ]
      [
        "ordre" => 11
        "nom" => "5. Child of Vision"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1895 …}
    -label: Proxies\__CG__\App\Entity\Label {#1913 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2030 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1876 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2018 …}
    -enregistreLe: DateTime @1773527191 {#1834
      date: 2026-03-14 22:26:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1774721310 {#1879
      date: 2026-03-28 18:08:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2024 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-breakfast-in-america-180-gram-half-speed-master-a-m-records-6364"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3118
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2657 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +produit: App\Entity\Produit {#1838
    -id: 3019
    -nom: "Breakfast In America - 180 gram Half-Speed Master"
    -informationComplementaire: "Breakfast in America est bien plus qu’un album, véritable monument du rock des années 70, mélange irrésistible de pop sophistiquée, de mélodies inoubliables et de textes subtils devenus intemporels !"
    -description: """
      Sorti en 1979, Breakfast in America est l’album emblématique de Supertramp et l’un des plus grands succès du rock. Porté par des mélodies irrésistibles, des arrangements raffinés et des textes subtils, cet album mythique a marqué toute une génération.\r\n
      \r\n
      Avec des titres devenus incontournables comme "The Logical Song", "Goodbye Stranger" ou encore "Take the Long Way Home", Breakfast in America combine énergie rock, élégance pop et identité sonore unique.\r\n
      \r\n
      Véritable chef-d’œuvre intemporel, cet album reste aujourd’hui une référence incontournable pour tous les amateurs de musique. Une pièce essentielle à ajouter à toute collection musicale.\r\n
      \r\n
      Musicians : \r\n
      Roger Hodgson (keyboards, guitars, vocals), Rick Davies (keyboards, vocals), John Helliwell (woodwinds, backing vocals), Dougie Thomson (bass), Bob Siebenberg (drums), Slyde Hyde, Richard Hyde (tuba, trombone), Gary Mielke (Oberheim programming).\r\n
      \r\n
      - Supertramp "Breakfast In America" !\r\n
      - 180 gram heavyweight black vinyl gatefold reissue !\r\n
      - Half-speed mastered by Miles Showell at Abbey Road Studios !\r\n
      \r\n
      Supertramp are releasing the definitive vinyl pressings of their studio albums. Even In The Quietest Moments audio was transferred at Abbey Road Studios by Miles Showell and overseen by album engineer Peter Henderson, where they cut the half-speed master used to press the vinyl.\r\n
      \r\n
      Released in 1979, Breakfast in America is the group's sixth studio album and features the hit singles, "The Logical Song", "Goodbye Stranger", and the title track.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Roger Hodgson (keyboards, guitars, vocals), Rick Davies (keyboards, vocals), John Helliwell (woodwinds, backing vocals), Dougie Thomson (bass), Bob Siebenberg (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=suDFhxrpkJg&list=RDsuDFhxrpkJg&start_radio=1"
    -referenceProduit: "A&M Records 6364"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Gone Hollywood"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Logical Song"
      ]
      [
        "ordre" => 3
        "nom" => "3. Goodbye Stranger"
      ]
      [
        "ordre" => 4
        "nom" => "4. Breakfast in America"
      ]
      [
        "ordre" => 5
        "nom" => "5. Oh Darling "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Take the Long Way Home"
      ]
      [
        "ordre" => 8
        "nom" => "2. Lord is It Mine"
      ]
      [
        "ordre" => 9
        "nom" => "3. Just Another Nervous Wreck"
      ]
      [
        "ordre" => 10
        "nom" => "4. Casual Conversations"
      ]
      [
        "ordre" => 11
        "nom" => "5. Child of Vision"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1895 …}
    -label: Proxies\__CG__\App\Entity\Label {#1913 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2030 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1876 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2018 …}
    -enregistreLe: DateTime @1773527191 {#1834
      date: 2026-03-14 22:26:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1774721310 {#1879
      date: 2026-03-28 18:08:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2024 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-breakfast-in-america-180-gram-half-speed-master-a-m-records-6364"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2425 …}
}

[
  "produit" => App\Entity\Produit {#2047
    -id: 3018
    -nom: "...Famous Last Words... - 180 gram Half-Speed Master"
    -informationComplementaire: "Plus qu’un album, c’est un souvenir musical. À travers ses chansons, son histoire et l’univers artistique qui l’entoure, ...Famous Last Words... nous rappelle toute la magie du son unique de Supertramp et de ses mélodies inoubliables !"
    -description: """
      Plongez dans l’univers de ...Famous Last Words..., l’album emblématique de Supertramp qui marque la fin d’une époque et le sommet d’un son devenu mythique. Entre mélodies inoubliables, atmosphères mélancoliques et énergie rock sophistiquée, cet album capture toute la magie du groupe au moment où l’histoire bascule.\r\n
      \r\n
      Sorti en 1982, ...Famous Last Words... est bien plus qu’un simple album : c’est un témoignage musical chargé d’émotion, porté par des titres devenus incontournables comme “It’s Raining Again” et “My Kind of Lady”. Derrière chaque chanson se cache une alchimie unique entre piano, guitares, harmonies vocales et arrangements raffinés qui ont façonné la signature sonore de Supertramp.\r\n
      \r\n
      Musicians : \r\n
      Roger Hodgson (electric guitar, piano, pump organ, synthesizers, glockenspiel, 12-string guitar, lead & backing vocals), Rick Davies (organ, piano, electric piano, synthesizers, harmonica, melodica, lead & backing vocals), John Helliwell (saxophones, clarinet, synthesizers), Dougie Thomson (bass), Bob Siebenberg (drums), Claire Diament (backing vocals), Ann Wilson, Nancy Wilson (background vocals).\r\n
      \r\n
      - Supertramp "...Famous Last Words..." !\r\n
      - 180 gram heavyweight black vinyl gatefold reissue !\r\n
      - Half-speed mastered by Miles Showell at Abbey Road Studios !\r\n
      \r\n
      Supertramp are releasing the definitive vinyl pressings of their studio albums. Even In The Quietest Moments audio was transferred at Abbey Road Studios by Miles Showell and overseen by album engineer Peter Henderson, where they cut the half-speed master used to press the vinyl.\r\n
      \r\n
      Released in 1982, ...Famous Last Words... is the group's seventh studio album and final release with Roger Hodgson. Featuring the single, "It's Raining Again".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Roger Hodgson (electric guitar, piano, pump organ, synthesizers, glockenspiel, 12-string guitar, lead & backing vocals), Rick Davies (organ, piano, electric piano, synthesizers, harmonica, melodica, lead & backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FfMtKwyltHk&list=RDFfMtKwyltHk&start_radio=1"
    -referenceProduit: "A&M Records 6369"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Crazy"
      ]
      [
        "ordre" => 2
        "nom" => "2. Put on Your Old Brown Shoes"
      ]
      [
        "ordre" => 3
        "nom" => "3. It's Raining Again"
      ]
      [
        "ordre" => 4
        "nom" => "4. Bonnie"
      ]
      [
        "ordre" => 5
        "nom" => "5. Know Who You Are "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. My Kind of Lady"
      ]
      [
        "ordre" => 8
        "nom" => "2. C'est Le Bon"
      ]
      [
        "ordre" => 9
        "nom" => "3. Waiting So Long"
      ]
      [
        "ordre" => 10
        "nom" => "4. Don't Leave Me Now"
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1895 …}
    -label: Proxies\__CG__\App\Entity\Label {#1913 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2055 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2048 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2050 …}
    -enregistreLe: DateTime @1773526289 {#2044
      date: 2026-03-14 22:11:29.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1774721245 {#2045
      date: 2026-03-28 18:07:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2052 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-famous-last-words-180-gram-half-speed-master-a-m-records-6369"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3234
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2657 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +produit: App\Entity\Produit {#2047
    -id: 3018
    -nom: "...Famous Last Words... - 180 gram Half-Speed Master"
    -informationComplementaire: "Plus qu’un album, c’est un souvenir musical. À travers ses chansons, son histoire et l’univers artistique qui l’entoure, ...Famous Last Words... nous rappelle toute la magie du son unique de Supertramp et de ses mélodies inoubliables !"
    -description: """
      Plongez dans l’univers de ...Famous Last Words..., l’album emblématique de Supertramp qui marque la fin d’une époque et le sommet d’un son devenu mythique. Entre mélodies inoubliables, atmosphères mélancoliques et énergie rock sophistiquée, cet album capture toute la magie du groupe au moment où l’histoire bascule.\r\n
      \r\n
      Sorti en 1982, ...Famous Last Words... est bien plus qu’un simple album : c’est un témoignage musical chargé d’émotion, porté par des titres devenus incontournables comme “It’s Raining Again” et “My Kind of Lady”. Derrière chaque chanson se cache une alchimie unique entre piano, guitares, harmonies vocales et arrangements raffinés qui ont façonné la signature sonore de Supertramp.\r\n
      \r\n
      Musicians : \r\n
      Roger Hodgson (electric guitar, piano, pump organ, synthesizers, glockenspiel, 12-string guitar, lead & backing vocals), Rick Davies (organ, piano, electric piano, synthesizers, harmonica, melodica, lead & backing vocals), John Helliwell (saxophones, clarinet, synthesizers), Dougie Thomson (bass), Bob Siebenberg (drums), Claire Diament (backing vocals), Ann Wilson, Nancy Wilson (background vocals).\r\n
      \r\n
      - Supertramp "...Famous Last Words..." !\r\n
      - 180 gram heavyweight black vinyl gatefold reissue !\r\n
      - Half-speed mastered by Miles Showell at Abbey Road Studios !\r\n
      \r\n
      Supertramp are releasing the definitive vinyl pressings of their studio albums. Even In The Quietest Moments audio was transferred at Abbey Road Studios by Miles Showell and overseen by album engineer Peter Henderson, where they cut the half-speed master used to press the vinyl.\r\n
      \r\n
      Released in 1982, ...Famous Last Words... is the group's seventh studio album and final release with Roger Hodgson. Featuring the single, "It's Raining Again".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Roger Hodgson (electric guitar, piano, pump organ, synthesizers, glockenspiel, 12-string guitar, lead & backing vocals), Rick Davies (organ, piano, electric piano, synthesizers, harmonica, melodica, lead & backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FfMtKwyltHk&list=RDFfMtKwyltHk&start_radio=1"
    -referenceProduit: "A&M Records 6369"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Crazy"
      ]
      [
        "ordre" => 2
        "nom" => "2. Put on Your Old Brown Shoes"
      ]
      [
        "ordre" => 3
        "nom" => "3. It's Raining Again"
      ]
      [
        "ordre" => 4
        "nom" => "4. Bonnie"
      ]
      [
        "ordre" => 5
        "nom" => "5. Know Who You Are "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. My Kind of Lady"
      ]
      [
        "ordre" => 8
        "nom" => "2. C'est Le Bon"
      ]
      [
        "ordre" => 9
        "nom" => "3. Waiting So Long"
      ]
      [
        "ordre" => 10
        "nom" => "4. Don't Leave Me Now"
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1895 …}
    -label: Proxies\__CG__\App\Entity\Label {#1913 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2055 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2048 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2050 …}
    -enregistreLe: DateTime @1773526289 {#2044
      date: 2026-03-14 22:11:29.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1774721245 {#2045
      date: 2026-03-28 18:07:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2052 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-famous-last-words-180-gram-half-speed-master-a-m-records-6369"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2425 …}
}

[
  "produit" => App\Entity\Produit {#2060
    -id: 3017
    -nom: "Even In The Quietest Moments - 180 gram Half-Speed Master"
    -informationComplementaire: "Plongez dans l’univers intemporel de Even in the Quietest Moments… de Supertramp. Sorti en 1977, cet album mêle rock progressif, mélodies aériennes et arrangements raffinés pour une atmosphère douce et profondément émotive."
    -description: """
      Plongez dans l’univers intemporel de l’album Even in the Quietest Moments… du groupe légendaire Supertramp. Sorti en 1977, ce chef-d’œuvre mêle rock progressif, mélodies aériennes et arrangements raffinés pour créer une atmosphère unique, à la fois douce et profondément émotive.\r\n
      \r\n
      Porté par des titres emblématiques comme Give a Little Bit et la majestueuse pièce éponyme Even in the Quietest Moments, cet album révèle toute la sensibilité et la richesse musicale de Supertramp. Entre piano lumineux, guitares délicates et harmonies vocales inoubliables, chaque morceau invite à un voyage sonore rempli de nostalgie et d’élégance.\r\n
      \r\n
      Un incontournable pour les amateurs de rock classique et une œuvre essentielle qui continue de traverser les générations.\r\n
      \r\n
      Musicians : \r\n
      Roger Hodgson (electric guitar, piano, synthesizers, pump organ, 12-string guitar, vocals), Rick Davies (piano, organ, synthesizers, clavinet, electric piano, vocals), Dougie Thomson (bass), John Helliwell (saxophones, clarinets, backing vocals), Bob Siebenberg (drums, percussion).\r\n
      \r\n
      - Supertramp "Even In The Quietest Moments" !\r\n
      - 180 gram heavyweight black vinyl gatefold reissue !\r\n
      - Half-speed mastered by Miles Showell at Abbey Road Studios !\r\n
      \r\n
      Supertramp are releasing the definitive vinyl pressings of their studio albums. Even In The Quietest Moments audio was transferred at Abbey Road Studios by Miles Showell and overseen by album engineer Peter Henderson, where they cut the half-speed master used to press the vinyl.\r\n
      \r\n
      Even In The Quietest Moments is the fifth album by crossover prog band Supertramp. It is known for hits such as "Give A Little Bit" and masterpieces like "Fool's Overture". Truly, this timeless classic is like prog-to-pop bridge connecting their two masterpieces, 1974's progressive rock breakthrough album Crime of the Century, and 1979's multi-million-selling pop-oriented Breakfast in America.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Roger Hodgson (electric guitar, piano, synthesizers, pump organ, 12-string guitar, vocals), Rick Davies (piano, organ, synthesizers, clavinet, electric piano, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KpOxsdV6USc&list=PLjYwrJsYPiEe3KopGNSlevpkDWo9KaGux"
    -referenceProduit: "A&M Records 6368"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Give a Little Bit"
      ]
      [
        "ordre" => 2
        "nom" => "2. Lover Boy"
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      [
        "ordre" => 3
        "nom" => "3. Even in the Quietest Moments"
      ]
      [
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        "nom" => "4. Downstream "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
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      [
        "ordre" => 6
        "nom" => "1. Babaji"
      ]
      [
        "ordre" => 7
        "nom" => "2. From Now On"
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        "nom" => "3. Fool's Overture"
      ]
      [
        "ordre" => 9
        "nom" => ""
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      [
        "ordre" => 10
        "nom" => ""
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      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1895 …}
    -label: Proxies\__CG__\App\Entity\Label {#1913 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2068 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2061 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2063 …}
    -enregistreLe: DateTime @1773525211 {#2057
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    }
    -modifierLe: DateTime @1774720980 {#2058
      date: 2026-03-28 18:03:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2065 …}
    -disponible: null
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]

App\Twig\Components\GestionPanierFavoriComponents {#3282
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2657 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +produit: App\Entity\Produit {#2060
    -id: 3017
    -nom: "Even In The Quietest Moments - 180 gram Half-Speed Master"
    -informationComplementaire: "Plongez dans l’univers intemporel de Even in the Quietest Moments… de Supertramp. Sorti en 1977, cet album mêle rock progressif, mélodies aériennes et arrangements raffinés pour une atmosphère douce et profondément émotive."
    -description: """
      Plongez dans l’univers intemporel de l’album Even in the Quietest Moments… du groupe légendaire Supertramp. Sorti en 1977, ce chef-d’œuvre mêle rock progressif, mélodies aériennes et arrangements raffinés pour créer une atmosphère unique, à la fois douce et profondément émotive.\r\n
      \r\n
      Porté par des titres emblématiques comme Give a Little Bit et la majestueuse pièce éponyme Even in the Quietest Moments, cet album révèle toute la sensibilité et la richesse musicale de Supertramp. Entre piano lumineux, guitares délicates et harmonies vocales inoubliables, chaque morceau invite à un voyage sonore rempli de nostalgie et d’élégance.\r\n
      \r\n
      Un incontournable pour les amateurs de rock classique et une œuvre essentielle qui continue de traverser les générations.\r\n
      \r\n
      Musicians : \r\n
      Roger Hodgson (electric guitar, piano, synthesizers, pump organ, 12-string guitar, vocals), Rick Davies (piano, organ, synthesizers, clavinet, electric piano, vocals), Dougie Thomson (bass), John Helliwell (saxophones, clarinets, backing vocals), Bob Siebenberg (drums, percussion).\r\n
      \r\n
      - Supertramp "Even In The Quietest Moments" !\r\n
      - 180 gram heavyweight black vinyl gatefold reissue !\r\n
      - Half-speed mastered by Miles Showell at Abbey Road Studios !\r\n
      \r\n
      Supertramp are releasing the definitive vinyl pressings of their studio albums. Even In The Quietest Moments audio was transferred at Abbey Road Studios by Miles Showell and overseen by album engineer Peter Henderson, where they cut the half-speed master used to press the vinyl.\r\n
      \r\n
      Even In The Quietest Moments is the fifth album by crossover prog band Supertramp. It is known for hits such as "Give A Little Bit" and masterpieces like "Fool's Overture". Truly, this timeless classic is like prog-to-pop bridge connecting their two masterpieces, 1974's progressive rock breakthrough album Crime of the Century, and 1979's multi-million-selling pop-oriented Breakfast in America.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Roger Hodgson (electric guitar, piano, synthesizers, pump organ, 12-string guitar, vocals), Rick Davies (piano, organ, synthesizers, clavinet, electric piano, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KpOxsdV6USc&list=PLjYwrJsYPiEe3KopGNSlevpkDWo9KaGux"
    -referenceProduit: "A&M Records 6368"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "ordre" => 1
        "nom" => "1. Give a Little Bit"
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      [
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        "nom" => "2. Lover Boy"
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      [
        "ordre" => 3
        "nom" => "3. Even in the Quietest Moments"
      ]
      [
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        "nom" => "4. Downstream "
      ]
      [
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        "nom" => "Side B : "
      ]
      [
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        "nom" => "1. Babaji"
      ]
      [
        "ordre" => 7
        "nom" => "2. From Now On"
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      [
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        "nom" => "3. Fool's Overture"
      ]
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        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1895 …}
    -label: Proxies\__CG__\App\Entity\Label {#1913 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2068 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2061 …}
    -typeMasterTape: null
    -marque: null
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    -produitTestePar: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2063 …}
    -enregistreLe: DateTime @1773525211 {#2057
      date: 2026-03-14 21:53:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1774720980 {#2058
      date: 2026-03-28 18:03:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2065 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-even-in-the-quietest-moments-180-gram-half-speed-master-a-m-records-6368"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2425 …}
}

[
  "produit" => App\Entity\Produit {#2073
    -id: 3007
    -nom: "Songs For Swingin'"
    -informationComplementaire: "Frank Sinatra au sommet de son art, entre charme irrésistible, orchestre scintillant et énergie contagieuse. Un classique absolu qui transforme chaque instant en soirée jazzy inoubliable."
    -description: """
      Sorti en 1956, "Songs for Swingin’ Lovers !" est l’un des albums les plus emblématiques de Frank Sinatra et un pilier du jazz vocal et du swing orchestral. Arrangé et dirigé par Nelson Riddle, cet album marque une évolution majeure dans la carrière de Sinatra, qui adopte ici un ton plus léger, enjoué et irrésistiblement séduisant.\r\n
      \r\n
      L’album rassemble des standards américains revisités avec élégance, mêlant sophistication musicale et décontraction. Sinatra y incarne un personnage charmant et espiègle, porté par des orchestrations dynamiques et raffinées. Chaque morceau respire l’énergie du swing tout en conservant une grande précision émotionnelle.\r\n
      \r\n
      Des titres comme “You Make Me Feel So Young”, “I’ve Got You Under My Skin” ou “Love Is Here to Stay” illustrent parfaitement cet équilibre entre virtuosité et accessibilité. L’album est souvent considéré comme l’un des premiers grands “concept albums”, avec une cohérence d’ambiance et de style tout au long de l’écoute.\r\n
      \r\n
      Frank Sinatra (vocals), Nelson Riddle and His Orchestra : Conrad Gozzo, Harry “Sweets” Edison, Manny Klein, Zeke Zarchy (trumpet), Milt Bernhart, Lloyd Ulyate, Dick Reynolds (trombone), George Seabright, Vincent DeRosa (Frenh Horns), Buddy Collette, Babe Russin, Jules Jacob, Skeets Herfurt, Joe Koch (saxophones, woodwinds), Bill Miller (piano), Barney Kessel (guitar), Joe Comfort (bass), Alvin Stoller (drums), Felix Slatkin Capitol’s studio string players (violin,viola,cello).\r\n
      \r\n
      - Frank Sinatra "Songs For Swingin' Lovers" (Mono) 180 gram mono LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      After his melancholy masterpiece In The Wee Small Hours, the legendary vocalist Frank Sinatra brightened the mood considerably with his exuberant album Songs For Swingin' Lovers! released on Capitol Records in 1956. Together, the two albums presented an enthralling duality with the brokenhearted lover of the former relishing the joys of newfound romance on the latter. Recorded at Capitol's KHJ Studios in Hollywood, the album was once again produced by Voyle Gilmore and presented delightful Nelson Riddle arrangements of Great American Songbook standards including "You Make Me Feel So Young", "Too Marvelous For Words", "Love Is Here To Stay", "I've Got You Under My Skin", and more.\r\n
      \r\n
      This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton & Ken Veeder.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Frank Sinatra (vocals), Nelson Riddle and His Orchestra : Conrad Gozzo, Harry “Sweets” Edison, Manny Klein, Zeke Zarchy (trumpet), Milt Bernhart, Lloyd Ulyate, Dick Reynolds (trombone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8XuL5xSVL7s&list=PLL-NbN8uTOihE8pVvExgTDTS5ZJ8hJH2i"
    -referenceProduit: "Blue Note Tone Poet Series 9867"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. You Make Me Feel So Young"
      ]
      [
        "ordre" => 2
        "nom" => "2. It Happened In Monterey"
      ]
      [
        "ordre" => 3
        "nom" => "3. You're Getting To Be A Habit With Me"
      ]
      [
        "ordre" => 4
        "nom" => "4. You Brought A New Kind Of Love To Me"
      ]
      [
        "ordre" => 5
        "nom" => "5. Too Marvelous For Words"
      ]
      [
        "ordre" => 6
        "nom" => "6. Old Devil Moon"
      ]
      [
        "ordre" => 7
        "nom" => "7. Pennies From Heaven"
      ]
      [
        "ordre" => 8
        "nom" => "8. Love Is Here to Stay "
      ]
      [
        "ordre" => 9
        "nom" => "Side B : "
      ]
      [
        "ordre" => 10
        "nom" => "1. I've Got You Under My Skin"
      ]
      [
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        "nom" => "2. I Thought About You"
      ]
      [
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        "nom" => "3. We'll Be Together Again"
      ]
      [
        "ordre" => 13
        "nom" => "4. Makin' Whoopee"
      ]
      [
        "ordre" => 14
        "nom" => "5. Swingin' Down The Lane"
      ]
      [
        "ordre" => 15
        "nom" => "6. Anything Goes"
      ]
      [
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        "nom" => "7. How About You ?"
      ]
      [
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        "nom" => ""
      ]
      [
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      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2075 …}
    -label: Proxies\__CG__\App\Entity\Label {#2078 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2087 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2080 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2082 …}
    -enregistreLe: DateTime @1771780114 {#2070
      date: 2026-02-22 17:08:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1774720485 {#2071
      date: 2026-03-28 17:54:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2084 …}
    -disponible: null
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    -slug: "vinyles-songs-for-swingin-blue-note-tone-poet-series-9867"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3328
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2657 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +produit: App\Entity\Produit {#2073
    -id: 3007
    -nom: "Songs For Swingin'"
    -informationComplementaire: "Frank Sinatra au sommet de son art, entre charme irrésistible, orchestre scintillant et énergie contagieuse. Un classique absolu qui transforme chaque instant en soirée jazzy inoubliable."
    -description: """
      Sorti en 1956, "Songs for Swingin’ Lovers !" est l’un des albums les plus emblématiques de Frank Sinatra et un pilier du jazz vocal et du swing orchestral. Arrangé et dirigé par Nelson Riddle, cet album marque une évolution majeure dans la carrière de Sinatra, qui adopte ici un ton plus léger, enjoué et irrésistiblement séduisant.\r\n
      \r\n
      L’album rassemble des standards américains revisités avec élégance, mêlant sophistication musicale et décontraction. Sinatra y incarne un personnage charmant et espiègle, porté par des orchestrations dynamiques et raffinées. Chaque morceau respire l’énergie du swing tout en conservant une grande précision émotionnelle.\r\n
      \r\n
      Des titres comme “You Make Me Feel So Young”, “I’ve Got You Under My Skin” ou “Love Is Here to Stay” illustrent parfaitement cet équilibre entre virtuosité et accessibilité. L’album est souvent considéré comme l’un des premiers grands “concept albums”, avec une cohérence d’ambiance et de style tout au long de l’écoute.\r\n
      \r\n
      Frank Sinatra (vocals), Nelson Riddle and His Orchestra : Conrad Gozzo, Harry “Sweets” Edison, Manny Klein, Zeke Zarchy (trumpet), Milt Bernhart, Lloyd Ulyate, Dick Reynolds (trombone), George Seabright, Vincent DeRosa (Frenh Horns), Buddy Collette, Babe Russin, Jules Jacob, Skeets Herfurt, Joe Koch (saxophones, woodwinds), Bill Miller (piano), Barney Kessel (guitar), Joe Comfort (bass), Alvin Stoller (drums), Felix Slatkin Capitol’s studio string players (violin,viola,cello).\r\n
      \r\n
      - Frank Sinatra "Songs For Swingin' Lovers" (Mono) 180 gram mono LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      After his melancholy masterpiece In The Wee Small Hours, the legendary vocalist Frank Sinatra brightened the mood considerably with his exuberant album Songs For Swingin' Lovers! released on Capitol Records in 1956. Together, the two albums presented an enthralling duality with the brokenhearted lover of the former relishing the joys of newfound romance on the latter. Recorded at Capitol's KHJ Studios in Hollywood, the album was once again produced by Voyle Gilmore and presented delightful Nelson Riddle arrangements of Great American Songbook standards including "You Make Me Feel So Young", "Too Marvelous For Words", "Love Is Here To Stay", "I've Got You Under My Skin", and more.\r\n
      \r\n
      This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton & Ken Veeder.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Frank Sinatra (vocals), Nelson Riddle and His Orchestra : Conrad Gozzo, Harry “Sweets” Edison, Manny Klein, Zeke Zarchy (trumpet), Milt Bernhart, Lloyd Ulyate, Dick Reynolds (trombone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8XuL5xSVL7s&list=PLL-NbN8uTOihE8pVvExgTDTS5ZJ8hJH2i"
    -referenceProduit: "Blue Note Tone Poet Series 9867"
    -titreMorceau: [
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      ]
      [
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      ]
      [
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      ]
      [
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      ]
      [
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        "nom" => "5. Too Marvelous For Words"
      ]
      [
        "ordre" => 6
        "nom" => "6. Old Devil Moon"
      ]
      [
        "ordre" => 7
        "nom" => "7. Pennies From Heaven"
      ]
      [
        "ordre" => 8
        "nom" => "8. Love Is Here to Stay "
      ]
      [
        "ordre" => 9
        "nom" => "Side B : "
      ]
      [
        "ordre" => 10
        "nom" => "1. I've Got You Under My Skin"
      ]
      [
        "ordre" => 11
        "nom" => "2. I Thought About You"
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        "nom" => "3. We'll Be Together Again"
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        "nom" => "4. Makin' Whoopee"
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        "nom" => "5. Swingin' Down The Lane"
      ]
      [
        "ordre" => 15
        "nom" => "6. Anything Goes"
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      [
        "ordre" => 16
        "nom" => "7. How About You ?"
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
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      [
        "ordre" => 19
        "nom" => ""
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      [
        "ordre" => 20
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2075 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2082 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-songs-for-swingin-blue-note-tone-poet-series-9867"
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[
  "produit" => App\Entity\Produit {#2096
    -id: 3036
    -nom: "Jazz Samba Encore !"
    -informationComplementaire: null
    -description: """
      Sorti en 1963, Jazz Samba Encore! s’inscrit dans la vague bossa nova qui déferle alors sur les États-Unis après le succès de Jazz Samba (1962). Cet album réunit le saxophoniste américain Stan Getz et le guitariste brésilien Luiz Bonfá, deux artistes aux sensibilités différentes mais parfaitement complémentaires.\r\n
      \r\n
      Là où les précédents projets étaient parfois plus orchestrés, Jazz Samba Encore! propose une approche plus épurée et intime. La guitare de Bonfá tisse une trame rythmique souple et chaleureuse, profondément ancrée dans la tradition brésilienne, tandis que le saxophone de Getz apporte cette sonorité douce, fluide et presque chantante qui a fait sa signature.\r\n
      \r\n
      L’album alterne entre standards de bossa nova, compositions brésiliennes et morceaux aux accents jazz, créant un équilibre subtil entre sophistication harmonique et simplicité mélodique. La présence vocale de Maria Toledo renforce encore cette atmosphère feutrée, presque nocturne.\r\n
      \r\n
      Plus qu’un simple disque de fusion, Jazz Samba Encore! est une conversation musicale transatlantique, où chaque note semble respirer, laissant place au silence autant qu’à la mélodie.\r\n
      \r\n
      - Stan Getz & Luiz Bonfa "Jazz Samba Encore !" !\r\n
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      A jewel of the bossa nova wave, Jazz Samba Encore! reunites tenor saxophone master Stan Getz with guitarist-composer Luiz Bonfá for a follow-up worthy of the original Jazz Samba phenomenon. Released in 1963 on Verve, this lush, irresistibly melodic set deepens the partnership between American jazz sophistication and Brazilian lyricism.\r\n
      \r\n
      Joined by Antônio Carlos Jobim and vocalist Maria Toledo, Bonfá's wife, Getz and Bonfá craft an intimate, slow-burning collection of Brazilian standards and fresh compositions. Tracks such as "Sambalero" and "Insensatez" radiate with warm, understated grooves the kind of spacious, sunlit arrangements that helped make bossa nova a global sensation.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Stan Getz (tenor saxophone), Luiz Bonfá (guitar), Antonio Carlos Jobim (guitar, piano), Maria Toledo (vocals), Don Payne, George Duvivier, Tommy Williams (bass), Dave Bailey, José Carlos, Paulo Ferreira (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=O9kpHHbURQw&list=RDO9kpHHbURQw&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series 5067"
    -titreMorceau: [
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        "nom" => "Side A :"
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      [
        "ordre" => 1
        "nom" => "1. Sambalero"
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        "ordre" => 2
        "nom" => "2. So Dance Samba"
      ]
      [
        "ordre" => 3
        "nom" => "3. Insensatez"
      ]
      [
        "ordre" => 4
        "nom" => "4. O Morro Nao Tem Vez"
      ]
      [
        "ordre" => 5
        "nom" => "5. Samba De Duas Notas (Two Note Samba) "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Menina Flor"
      ]
      [
        "ordre" => 8
        "nom" => "2. Mania De Maria"
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      [
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        "nom" => "3. Saudade Vem Correndo"
      ]
      [
        "ordre" => 10
        "nom" => "4. Um Abraco No Getz (A Tribute To Getz)"
      ]
      [
        "ordre" => 11
        "nom" => "5. Ebony Samba"
      ]
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        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2098 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3379
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2657 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +produit: App\Entity\Produit {#2096
    -id: 3036
    -nom: "Jazz Samba Encore !"
    -informationComplementaire: null
    -description: """
      Sorti en 1963, Jazz Samba Encore! s’inscrit dans la vague bossa nova qui déferle alors sur les États-Unis après le succès de Jazz Samba (1962). Cet album réunit le saxophoniste américain Stan Getz et le guitariste brésilien Luiz Bonfá, deux artistes aux sensibilités différentes mais parfaitement complémentaires.\r\n
      \r\n
      Là où les précédents projets étaient parfois plus orchestrés, Jazz Samba Encore! propose une approche plus épurée et intime. La guitare de Bonfá tisse une trame rythmique souple et chaleureuse, profondément ancrée dans la tradition brésilienne, tandis que le saxophone de Getz apporte cette sonorité douce, fluide et presque chantante qui a fait sa signature.\r\n
      \r\n
      L’album alterne entre standards de bossa nova, compositions brésiliennes et morceaux aux accents jazz, créant un équilibre subtil entre sophistication harmonique et simplicité mélodique. La présence vocale de Maria Toledo renforce encore cette atmosphère feutrée, presque nocturne.\r\n
      \r\n
      Plus qu’un simple disque de fusion, Jazz Samba Encore! est une conversation musicale transatlantique, où chaque note semble respirer, laissant place au silence autant qu’à la mélodie.\r\n
      \r\n
      - Stan Getz & Luiz Bonfa "Jazz Samba Encore !" !\r\n
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      A jewel of the bossa nova wave, Jazz Samba Encore! reunites tenor saxophone master Stan Getz with guitarist-composer Luiz Bonfá for a follow-up worthy of the original Jazz Samba phenomenon. Released in 1963 on Verve, this lush, irresistibly melodic set deepens the partnership between American jazz sophistication and Brazilian lyricism.\r\n
      \r\n
      Joined by Antônio Carlos Jobim and vocalist Maria Toledo, Bonfá's wife, Getz and Bonfá craft an intimate, slow-burning collection of Brazilian standards and fresh compositions. Tracks such as "Sambalero" and "Insensatez" radiate with warm, understated grooves the kind of spacious, sunlit arrangements that helped make bossa nova a global sensation.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Stan Getz (tenor saxophone), Luiz Bonfá (guitar), Antonio Carlos Jobim (guitar, piano), Maria Toledo (vocals), Don Payne, George Duvivier, Tommy Williams (bass), Dave Bailey, José Carlos, Paulo Ferreira (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=O9kpHHbURQw&list=RDO9kpHHbURQw&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series 5067"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "nom" => "1. Sambalero"
      ]
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        "ordre" => 2
        "nom" => "2. So Dance Samba"
      ]
      [
        "ordre" => 3
        "nom" => "3. Insensatez"
      ]
      [
        "ordre" => 4
        "nom" => "4. O Morro Nao Tem Vez"
      ]
      [
        "ordre" => 5
        "nom" => "5. Samba De Duas Notas (Two Note Samba) "
      ]
      [
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        "nom" => "Side B : "
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      [
        "ordre" => 7
        "nom" => "1. Menina Flor"
      ]
      [
        "ordre" => 8
        "nom" => "2. Mania De Maria"
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      [
        "ordre" => 9
        "nom" => "3. Saudade Vem Correndo"
      ]
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        "ordre" => 10
        "nom" => "4. Um Abraco No Getz (A Tribute To Getz)"
      ]
      [
        "ordre" => 11
        "nom" => "5. Ebony Samba"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2098 …}
    -label: Proxies\__CG__\App\Entity\Label {#2101 …}
    -style: App\Entity\Style {#1449 …}
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      date: 2026-03-27 08:40:13.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-jazz-samba-encore-acoustic-sounds-series-5067"
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[
  "produit" => App\Entity\Produit {#2115
    -id: 3035
    -nom: "Sings The Rodgers and Hart Song Book"
    -informationComplementaire: "L’élégance du jazz à l’état pur. Avec "Sings the Rodgers & Hart Song Book", Ella Fitzgerald sublime les grands standards de Broadway avec grâce et raffinement. Un album légendaire, intemporel et incontournable."
    -description: """
      Ella Fitzgerald Sings the Rodgers & Hart Song Book est l’un des joyaux de la mythique série Songbook de Ella Fitzgerald, enregistrée pour Verve Records en 1956.\r\n
      \r\n
      Sur ce double album, Ella revisite avec élégance le répertoire du duo légendaire Richard Rodgers et Lorenz Hart, figures majeures de la comédie musicale américaine. Accompagnée d’un orchestre somptueux arrangé et dirigé par Buddy Bregman, elle donne une nouvelle vie à des standards intemporels.\r\n
      \r\n
      Des titres comme “My Funny Valentine”, “The Lady Is a Tramp” ou “Blue Moon” prennent ici une dimension à la fois intime et sophistiquée. La voix d’Ella, d’une précision et d’une chaleur incomparables, navigue entre swing, tendresse et virtuosité.\r\n
      \r\n
      Cet album incarne parfaitement l’âge d’or du jazz vocal et reste une référence incontournable pour les amateurs comme pour les collectionneurs.\r\n
      \r\n
      Musicians : \r\n
      Ella Fitzgerald (vocals), Pete Candoli, Maynard Ferguson, Conrad Gozzo, Ray Linn (trumpet), Milt Bernhart, Joe Howard, Lloyd Ulyate (trombone), George Roberts (bass trombone), Vince DeRosa (French horn), Bud Shank, Maurice Stein, Bob Cooper, Ted Nash, Chuck Gentry, Abe Most, Willie Schwartz (reeds, woodwinds), Paul Smith (piano), Barney Kessel (guitar), Joe Mondragon (bass), Alvin Stoller (drums).\r\n
      \r\n
      - Ella Fitzgerald "Sings The Rodgers and Hart Song Book" !\r\n
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      The second of her celebrated song books albums and heralded as one of the best vocal jazz albums ever made, Ella and arranger/conductor Buddy Bregman began work on the Rodgers and Hart sessions three months after the release of her Cole Porter Songbook. Like its predecessor, it features the cream of West Coast session musicians, many of whom graced the fabulous recordings that Frank Sinatra was making around the same time in the same studio. Maynard Ferguson (trumpet), Milt Bernhart (trombone), Herb Geller, and Ted Nash and Bud Shank (reeds), Barney Kessel (guitar), & Alvin Stoller (drums). The album is full of standards that everyone knows and loves, but in Ella's hands these songs become even more special. Standouts include "There's a Small Hotel", "You Took Advantage of Me", and the perennial, "My Funny Valentine".\r\n
      \r\n
      Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180 gram vinyl in deluxe gatefold packaging.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Pete Candoli, Maynard Ferguson, Conrad Gozzo, Ray Linn (trumpet), Milt Bernhart, Joe Howard, Lloyd Ulyate (trombone), George Roberts (bass trombone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Rk5GV30k-ic"
    -referenceProduit: "Acoustic Sounds Series 8842"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Have You Met Miss Jones ?"
      ]
      [
        "ordre" => 2
        "nom" => "2. You Took Advantage Of Me"
      ]
      [
        "ordre" => 3
        "nom" => "3. A Ship Without A Sail"
      ]
      [
        "ordre" => 4
        "nom" => "4. To Keep My Love Alive"
      ]
      [
        "ordre" => 5
        "nom" => "5. Dancing On The Ceiling"
      ]
      [
        "ordre" => 6
        "nom" => "6. The Lady Is A Tramp"
      ]
      [
        "ordre" => 7
        "nom" => "7. With A Song In My Heart"
      ]
      [
        "ordre" => 8
        "nom" => "8. Manhattan"
      ]
      [
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Johnny One Note"
      ]
      [
        "ordre" => 11
        "nom" => "2. I Wish I Were In Love Again"
      ]
      [
        "ordre" => 12
        "nom" => "3. Spring Is Here"
      ]
      [
        "ordre" => 13
        "nom" => "4. It Never Entered My Mind"
      ]
      [
        "ordre" => 14
        "nom" => "5. This Can't Be Love"
      ]
      [
        "ordre" => 15
        "nom" => "6. Thou Swell"
      ]
      [
        "ordre" => 16
        "nom" => "7. My Romance"
      ]
      [
        "ordre" => 17
        "nom" => "8. Where Or When"
      ]
      [
        "ordre" => 18
        "nom" => "9. Little Girl Blue"
      ]
      [
        "ordre" => 19
        "nom" => "Side C :"
      ]
      [
        "ordre" => 20
        "nom" => "1. Give It Back To The Indians"
      ]
      [
        "ordre" => 21
        "nom" => "2. Ten Cents A Dance"
      ]
      [
        "ordre" => 22
        "nom" => "3. There's A Small Hotel"
      ]
      [
        "ordre" => 23
        "nom" => "4. I Didn't Know What Time It Was"
      ]
      [
        "ordre" => 24
        "nom" => "5. Everything I've Got"
      ]
      [
        "ordre" => 25
        "nom" => "6. I Could Write A Book"
      ]
      [
        "ordre" => 26
        "nom" => "7. Blue Room"
      ]
      [
        "ordre" => 27
        "nom" => "8. My Funny Valentine"
      ]
      [
        "ordre" => 28
        "nom" => "Side D : "
      ]
      [
        "ordre" => 29
        "nom" => "1. Bewitched"
      ]
      [
        "ordre" => 30
        "nom" => "2. Mountain Greenery"
      ]
      [
        "ordre" => 31
        "nom" => "3. Wait Til You See Her"
      ]
      [
        "ordre" => 32
        "nom" => "4. Lover"
      ]
      [
        "ordre" => 33
        "nom" => "5. Isn't It Romantic"
      ]
      [
        "ordre" => 34
        "nom" => "6. Here In My Arms"
      ]
      [
        "ordre" => 35
        "nom" => "7. Blue Moon"
      ]
      [
        "ordre" => 36
        "nom" => "8. My Heart Stood Still"
      ]
      [
        "ordre" => 37
        "nom" => "9. I've Got Five Dollars"
      ]
      [
        "ordre" => 38
        "nom" => ""
      ]
      [
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        "nom" => ""
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      [
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      [
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      [
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        "nom" => ""
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      [
        "ordre" => 48
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …}
    -label: Proxies\__CG__\App\Entity\Label {#2101 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2126 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2119 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2121 …}
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      date: 2026-03-27 06:50:36.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1774594866 {#2113
      date: 2026-03-27 07:01:06.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -id: 3035
    -nom: "Sings The Rodgers and Hart Song Book"
    -informationComplementaire: "L’élégance du jazz à l’état pur. Avec "Sings the Rodgers & Hart Song Book", Ella Fitzgerald sublime les grands standards de Broadway avec grâce et raffinement. Un album légendaire, intemporel et incontournable."
    -description: """
      Ella Fitzgerald Sings the Rodgers & Hart Song Book est l’un des joyaux de la mythique série Songbook de Ella Fitzgerald, enregistrée pour Verve Records en 1956.\r\n
      \r\n
      Sur ce double album, Ella revisite avec élégance le répertoire du duo légendaire Richard Rodgers et Lorenz Hart, figures majeures de la comédie musicale américaine. Accompagnée d’un orchestre somptueux arrangé et dirigé par Buddy Bregman, elle donne une nouvelle vie à des standards intemporels.\r\n
      \r\n
      Des titres comme “My Funny Valentine”, “The Lady Is a Tramp” ou “Blue Moon” prennent ici une dimension à la fois intime et sophistiquée. La voix d’Ella, d’une précision et d’une chaleur incomparables, navigue entre swing, tendresse et virtuosité.\r\n
      \r\n
      Cet album incarne parfaitement l’âge d’or du jazz vocal et reste une référence incontournable pour les amateurs comme pour les collectionneurs.\r\n
      \r\n
      Musicians : \r\n
      Ella Fitzgerald (vocals), Pete Candoli, Maynard Ferguson, Conrad Gozzo, Ray Linn (trumpet), Milt Bernhart, Joe Howard, Lloyd Ulyate (trombone), George Roberts (bass trombone), Vince DeRosa (French horn), Bud Shank, Maurice Stein, Bob Cooper, Ted Nash, Chuck Gentry, Abe Most, Willie Schwartz (reeds, woodwinds), Paul Smith (piano), Barney Kessel (guitar), Joe Mondragon (bass), Alvin Stoller (drums).\r\n
      \r\n
      - Ella Fitzgerald "Sings The Rodgers and Hart Song Book" !\r\n
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      The second of her celebrated song books albums and heralded as one of the best vocal jazz albums ever made, Ella and arranger/conductor Buddy Bregman began work on the Rodgers and Hart sessions three months after the release of her Cole Porter Songbook. Like its predecessor, it features the cream of West Coast session musicians, many of whom graced the fabulous recordings that Frank Sinatra was making around the same time in the same studio. Maynard Ferguson (trumpet), Milt Bernhart (trombone), Herb Geller, and Ted Nash and Bud Shank (reeds), Barney Kessel (guitar), & Alvin Stoller (drums). The album is full of standards that everyone knows and loves, but in Ella's hands these songs become even more special. Standouts include "There's a Small Hotel", "You Took Advantage of Me", and the perennial, "My Funny Valentine".\r\n
      \r\n
      Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180 gram vinyl in deluxe gatefold packaging.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Pete Candoli, Maynard Ferguson, Conrad Gozzo, Ray Linn (trumpet), Milt Bernhart, Joe Howard, Lloyd Ulyate (trombone), George Roberts (bass trombone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
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    -lpsMusic: 2
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Rk5GV30k-ic"
    -referenceProduit: "Acoustic Sounds Series 8842"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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      [
        "ordre" => 1
        "nom" => "1. Have You Met Miss Jones ?"
      ]
      [
        "ordre" => 2
        "nom" => "2. You Took Advantage Of Me"
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        "nom" => "3. A Ship Without A Sail"
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        "ordre" => 4
        "nom" => "4. To Keep My Love Alive"
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        "nom" => "5. Dancing On The Ceiling"
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        "nom" => "1. Johnny One Note"
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        "nom" => "5. This Can't Be Love"
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        "nom" => "Side C :"
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      [
        "ordre" => 20
        "nom" => "1. Give It Back To The Indians"
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        "nom" => "2. Ten Cents A Dance"
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        "nom" => "8. My Funny Valentine"
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        "nom" => "Side D : "
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        "nom" => "1. Bewitched"
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[
  "produit" => App\Entity\Produit {#2133
    -id: 3034
    -nom: "Keep on Moving"
    -informationComplementaire: "Avec Keep On Moving, The Butterfield Blues Band élargit son horizon, entre tradition et modernité : "un son plus chaud, des cuivres éclatants et une énergie contagieuse". Un blues en mouvement, entre racines et groove."
    -description: """
      Sorti en 1969, "Keep On Moving" marque un tournant décisif dans la carrière de The Butterfield Blues Band. Loin du blues électrique brut de leurs débuts, le groupe adopte ici une approche plus riche et sophistiquée, mêlant blues, soul et R&B, avec une section de cuivres qui devient centrale dans leur son.\r\n
      \r\n
      Porté par la voix et l’harmonica toujours expressifs de Paul Butterfield, l’album déploie une énergie collective plus orchestrée. Les arrangements sont plus amples, les grooves plus souples, et l’ensemble respire une influence soul clairement assumée, dans l’esprit des grandes productions de la fin des années 60.\r\n
      \r\n
      Des titres comme “Keep On Moving” ou “Love March” illustrent parfaitement cette évolution, un blues qui s’ouvre, se colore, et gagne en puissance grâce aux cuivres et aux rythmiques plus dansantes. Cet album témoigne d’un groupe en pleine mutation, prêt à élargir son langage musical sans renier ses racines.\r\n
      \r\n
      - The Butterfield Blues Band Leans into R&B Fervor on the Brassy Keep on Moving : Album Features a Horn Section with David Sanborn and Prioritizes the Art of the Groove !\r\n
      \r\n
      - Hear the 1969 Record in Audiophile Sound for the First Time: Strictly Limited to 3000 Numbered Copies, Mobile Fidelity’s 180 gram Vinyl LP Plays with Dynamic Liveliness and Involving Presence !\r\n
      \r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      And then there was one. Paul Butterfield stands as the last remaining original member of his namesake collective on Keep on Moving. It’s hard to imagine it being any other way. Picking up where it left off on In My Own Dream, the Butterfield Blues Band wholly embraces R&B fervor and indirectly dares any horn-accompanied ensemble of the era to match its energy, pulse, tightness, and flair. While going all-in on soul with a crack support cast on this 1969 set, Butterfield would pull the plug on the band just two years later.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, housed in a Stoughton jacket, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180 gram LP makes Keep on Moving available in audiophile quality for the first time. Open, clear, and balanced, it underlines the dynamic liveliness and organic feel of Jerry Ragovoy’s production. As well as the palpable chemistry of the sessions recorded at his then-brand-new Hit Factory studio in New York. This reissue’s quiet surfaces and black backgrounds also expose key details, accents, and textures germane to the music. Not to mention Butterfield and company’s pervasive interplay.\r\n
      \r\n
      The prominence and positioning of the formidable horn section comprised of a young David Sanborn, Gene Dinwiddie, Trevor Lawrence, Keith Johnson, and Steve Madaio particularly benefit from the newfound transparency and presence. Separation between the instrumentalists is such that you can distinguish tenor, baritone, and alto parts. You can sense the air between brassy shades, pauses, and swells. Butterfield and Howard “Buzz” Feiten’s guitars register with a similar sense of realism and directness, with everything from the in-the-room tones to the wiry snap of their strings emerging with dimensional body. The imaging, pacing, and naturalism further help frame Keep on Moving as a far better album than many critics of the time believed. \r\n
      \r\n
      Anyone expecting the Butterfield Blues Band to repeat the moves of its first two albums might be inclined to close their mind to what the guitarist-vocalist spearheads on this album, which climbed into the Billboard Top 200 and marked the leader’s final collaboration with Art Ensemble of Chicago co-founder and drummer Phillip Wilson. The direction the group takes is obvious from the first bars of the aptly named opening “Love March.” Distinguished with fanfare complete with horn taps and hup-two cadences, the zig-zagging and psychedelic-leaning piece places the group amid the Age of Aquarius. It even finds Butterfield briefly trading his six-string for a flute.\r\n
      \r\n
      The remainder of the record pursues funky, bluesy paths carved by rolling bass lines, stacked horns, buttoned-up rhythms, and signature harmonica blasts. Walls of brass border “Morning Sunrise”, a slippery rave-up with Butterfield’s unhinged vocals contrasting with the measured playing of his horn section. Akin to most of the tracks on the Keep on Moving if you’re not tempted to get out of your chair and dance by the time this feel-good cut wraps up, check your pulse it leans into catchy R&B disciplines and prioritizes grooves over riffs.  \r\n
      \r\n
      That approach and momentum carry over to the swaggering “All in a Day”, marked by Feiten stepping up to the microphone for his lone lead vocal and a quivering Butterfield harmonica solo that Chicago legend Junior Wells would surely appreciate. “Love Disease” shouts with punchy brass shots, stammers with wet snare drums, and threatens to go into the red via infatuated, emotional singing. For the standout “Buddy’s Advice”, the group places a piano front and center, summons hand-clapped beats, and welcomes the saxophones to stroll downtown as Latin-tinged percussion rattles in the background. \r\n
      \r\n
      Butterfield doesn’t completely abandon his blues roots. When he wants, he commands his guitar to scream with the kind of raw electricity and no-frills purpose it did during the mid-60s in his hometown’s rough-and-tumble clubs. Check the down-and-out lament “Losing Hand”, as soulful and deep as anything in the band’s catalog and sent up with a shivering harmonica spot and sparking guitar lines that interlace with the horns. See, too, the ramble-tamble “Walking by Myself”, which gets down with smoky country-blues flavors, welcoming hooks, and hip-swiveling vibes that, to quote the great Buddy Guy, are “so funky you can smell” ‘em.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1804 …}
    -musicienOrchestre: "Paul Butterfield (harmonica, vocals), Elvin Bishop (guitar), Gene Dinwiddie (saxophone, keyboards), Trevor Lawrence (saxophone),  Keith Johnson (trumpet), Rod Hicks (bass), Buzzy Feiten (guitar), Phil Wilson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_oeLJmh6YA0&list=RD_oeLJmh6YA0&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-611"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Love March"
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        "ordre" => 2
        "nom" => "2. No Amount of Loving"
      ]
      [
        "ordre" => 3
        "nom" => "3. Morning Sunrise"
      ]
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      ]
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      ]
      [
        "ordre" => 6
        "nom" => "6. Except You"
      ]
      [
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        "nom" => "Side B : "
      ]
      [
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        "nom" => "1. Love Disease"
      ]
      [
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        "nom" => "2. Where Did My Baby Go"
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        "nom" => "3. All in a Day"
      ]
      [
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        "nom" => "4. So Far So Good"
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      ]
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      date: 2026-03-24 16:59:55.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3481
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2657 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +produit: App\Entity\Produit {#2133
    -id: 3034
    -nom: "Keep on Moving"
    -informationComplementaire: "Avec Keep On Moving, The Butterfield Blues Band élargit son horizon, entre tradition et modernité : "un son plus chaud, des cuivres éclatants et une énergie contagieuse". Un blues en mouvement, entre racines et groove."
    -description: """
      Sorti en 1969, "Keep On Moving" marque un tournant décisif dans la carrière de The Butterfield Blues Band. Loin du blues électrique brut de leurs débuts, le groupe adopte ici une approche plus riche et sophistiquée, mêlant blues, soul et R&B, avec une section de cuivres qui devient centrale dans leur son.\r\n
      \r\n
      Porté par la voix et l’harmonica toujours expressifs de Paul Butterfield, l’album déploie une énergie collective plus orchestrée. Les arrangements sont plus amples, les grooves plus souples, et l’ensemble respire une influence soul clairement assumée, dans l’esprit des grandes productions de la fin des années 60.\r\n
      \r\n
      Des titres comme “Keep On Moving” ou “Love March” illustrent parfaitement cette évolution, un blues qui s’ouvre, se colore, et gagne en puissance grâce aux cuivres et aux rythmiques plus dansantes. Cet album témoigne d’un groupe en pleine mutation, prêt à élargir son langage musical sans renier ses racines.\r\n
      \r\n
      - The Butterfield Blues Band Leans into R&B Fervor on the Brassy Keep on Moving : Album Features a Horn Section with David Sanborn and Prioritizes the Art of the Groove !\r\n
      \r\n
      - Hear the 1969 Record in Audiophile Sound for the First Time: Strictly Limited to 3000 Numbered Copies, Mobile Fidelity’s 180 gram Vinyl LP Plays with Dynamic Liveliness and Involving Presence !\r\n
      \r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      And then there was one. Paul Butterfield stands as the last remaining original member of his namesake collective on Keep on Moving. It’s hard to imagine it being any other way. Picking up where it left off on In My Own Dream, the Butterfield Blues Band wholly embraces R&B fervor and indirectly dares any horn-accompanied ensemble of the era to match its energy, pulse, tightness, and flair. While going all-in on soul with a crack support cast on this 1969 set, Butterfield would pull the plug on the band just two years later.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, housed in a Stoughton jacket, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180 gram LP makes Keep on Moving available in audiophile quality for the first time. Open, clear, and balanced, it underlines the dynamic liveliness and organic feel of Jerry Ragovoy’s production. As well as the palpable chemistry of the sessions recorded at his then-brand-new Hit Factory studio in New York. This reissue’s quiet surfaces and black backgrounds also expose key details, accents, and textures germane to the music. Not to mention Butterfield and company’s pervasive interplay.\r\n
      \r\n
      The prominence and positioning of the formidable horn section comprised of a young David Sanborn, Gene Dinwiddie, Trevor Lawrence, Keith Johnson, and Steve Madaio particularly benefit from the newfound transparency and presence. Separation between the instrumentalists is such that you can distinguish tenor, baritone, and alto parts. You can sense the air between brassy shades, pauses, and swells. Butterfield and Howard “Buzz” Feiten’s guitars register with a similar sense of realism and directness, with everything from the in-the-room tones to the wiry snap of their strings emerging with dimensional body. The imaging, pacing, and naturalism further help frame Keep on Moving as a far better album than many critics of the time believed. \r\n
      \r\n
      Anyone expecting the Butterfield Blues Band to repeat the moves of its first two albums might be inclined to close their mind to what the guitarist-vocalist spearheads on this album, which climbed into the Billboard Top 200 and marked the leader’s final collaboration with Art Ensemble of Chicago co-founder and drummer Phillip Wilson. The direction the group takes is obvious from the first bars of the aptly named opening “Love March.” Distinguished with fanfare complete with horn taps and hup-two cadences, the zig-zagging and psychedelic-leaning piece places the group amid the Age of Aquarius. It even finds Butterfield briefly trading his six-string for a flute.\r\n
      \r\n
      The remainder of the record pursues funky, bluesy paths carved by rolling bass lines, stacked horns, buttoned-up rhythms, and signature harmonica blasts. Walls of brass border “Morning Sunrise”, a slippery rave-up with Butterfield’s unhinged vocals contrasting with the measured playing of his horn section. Akin to most of the tracks on the Keep on Moving if you’re not tempted to get out of your chair and dance by the time this feel-good cut wraps up, check your pulse it leans into catchy R&B disciplines and prioritizes grooves over riffs.  \r\n
      \r\n
      That approach and momentum carry over to the swaggering “All in a Day”, marked by Feiten stepping up to the microphone for his lone lead vocal and a quivering Butterfield harmonica solo that Chicago legend Junior Wells would surely appreciate. “Love Disease” shouts with punchy brass shots, stammers with wet snare drums, and threatens to go into the red via infatuated, emotional singing. For the standout “Buddy’s Advice”, the group places a piano front and center, summons hand-clapped beats, and welcomes the saxophones to stroll downtown as Latin-tinged percussion rattles in the background. \r\n
      \r\n
      Butterfield doesn’t completely abandon his blues roots. When he wants, he commands his guitar to scream with the kind of raw electricity and no-frills purpose it did during the mid-60s in his hometown’s rough-and-tumble clubs. Check the down-and-out lament “Losing Hand”, as soulful and deep as anything in the band’s catalog and sent up with a shivering harmonica spot and sparking guitar lines that interlace with the horns. See, too, the ramble-tamble “Walking by Myself”, which gets down with smoky country-blues flavors, welcoming hooks, and hip-swiveling vibes that, to quote the great Buddy Guy, are “so funky you can smell” ‘em.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1804 …}
    -musicienOrchestre: "Paul Butterfield (harmonica, vocals), Elvin Bishop (guitar), Gene Dinwiddie (saxophone, keyboards), Trevor Lawrence (saxophone),  Keith Johnson (trumpet), Rod Hicks (bass), Buzzy Feiten (guitar), Phil Wilson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_oeLJmh6YA0&list=RD_oeLJmh6YA0&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-611"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Love March"
      ]
      [
        "ordre" => 2
        "nom" => "2. No Amount of Loving"
      ]
      [
        "ordre" => 3
        "nom" => "3. Morning Sunrise"
      ]
      [
        "ordre" => 4
        "nom" => "4. Losing Hand"
      ]
      [
        "ordre" => 5
        "nom" => "5. Walking by Myself"
      ]
      [
        "ordre" => 6
        "nom" => "6. Except You"
      ]
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        "ordre" => 7
        "nom" => "Side B : "
      ]
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        "ordre" => 8
        "nom" => "1. Love Disease"
      ]
      [
        "ordre" => 9
        "nom" => "2. Where Did My Baby Go"
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        "nom" => "3. All in a Day"
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        "nom" => "4. So Far So Good"
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        "nom" => "5. Buddy's Advice"
      ]
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        "ordre" => 13
        "nom" => "6. Keep on Moving"
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        "ordre" => 14
        "nom" => ""
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
    -label: Proxies\__CG__\App\Entity\Label {#2138 …}
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      date: 2026-03-24 16:59:55.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2144 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-keep-on-moving-mobile-fidelity-sound-lab-mfsl-1-611"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2425 …}
}

[
  "produit" => App\Entity\Produit {#2152
    -id: 3033
    -nom: "Beethoven : Symphony N° 3 "Eroica""
    -informationComplementaire: "Redécouvrez “Eroica” de Beethoven dans une interprétation intense et profondément humaine, portée par Carlo Maria Giulinil ou l'Orchestre Philharmonique de Los Angeles révèle toute la noblesse et la profondeur de cette œuvre monumentale."
    -description: """
      L’album Beethoven: Symphony N° 3 “Eroica” réunit une interprétation magistrale de l’une des œuvres les plus révolutionnaires du répertoire symphonique, composée par Ludwig van Beethoven au début du XIXe siècle.\r\n
      \r\n
      Enregistrée en 1979 pour le prestigieux label Deutsche Grammophon, cette version est dirigée par Carlo Maria Giulini à la tête du Los Angeles Philharmonic Orchestra. Elle se distingue par une approche profondément humaine et méditative, loin des lectures plus héroïques ou spectaculaires.\r\n
      \r\n
      Giulini privilégie ici une respiration ample, une clarté architecturale et une intensité émotionnelle contenue, donnant à la symphonie une dimension presque spirituelle. Le célèbre deuxième mouvement, la Marche funèbre, atteint une profondeur expressive remarquable, tandis que les mouvements extrêmes conservent une noblesse et une tension parfaitement maîtrisées.\r\n
      \r\n
      Cet enregistrement est aujourd’hui considéré comme l’une des grandes références de l’“Eroica”, apprécié pour son équilibre entre puissance, rigueur et introspection.\r\n
      \r\n
      - Beethoven "Symphony N° 3 - Eroica"180 gram gatefold LP !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 4  and 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Beethoven began composing his Third Symphony shortly after his increasing deafness and suicidal thoughts became public knowledge. The ‘heroic' style of this symphony can be interpreted as a musical expression of his triumph over personal suffering. But the symphony also has enormous musical significance: with the "Eroica," Beethoven expanded the symphonic form and thus changed the expectations of a four-part symphony for the next two centuries. Giulini's recording with Los Angeles Philharmonic Orchestra is highly regarded as reference recording.\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original 4  and 8 track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Carlo Maria Giulini conducts the Los Angeles Philharmonic Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nmx3EmEh8KE"
    -referenceProduit: "Deutsche Grammophon Records 2531123"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. I. Allegro con brio "
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. II. Marcia funebre. Adagio assai "
      ]
      [
        "ordre" => 4
        "nom" => "Side C :"
      ]
      [
        "ordre" => 5
        "nom" => "1. III. Scherzo. Allegro vivace"
      ]
      [
        "ordre" => 6
        "nom" => "2. IV. Finale. Allegro molto"
      ]
      [
        "ordre" => 7
        "nom" => ""
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
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        "nom" => ""
      ]
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1438 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2166 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2159 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2161 …}
    -enregistreLe: DateTime @1774368981 {#2149
      date: 2026-03-24 16:16:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1774369851 {#2150
      date: 2026-03-24 16:30:51.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2163 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-beethoven-symphony-n-3-eroica-deutsche-grammophon-records-2531123"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3532
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2657 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +produit: App\Entity\Produit {#2152
    -id: 3033
    -nom: "Beethoven : Symphony N° 3 "Eroica""
    -informationComplementaire: "Redécouvrez “Eroica” de Beethoven dans une interprétation intense et profondément humaine, portée par Carlo Maria Giulinil ou l'Orchestre Philharmonique de Los Angeles révèle toute la noblesse et la profondeur de cette œuvre monumentale."
    -description: """
      L’album Beethoven: Symphony N° 3 “Eroica” réunit une interprétation magistrale de l’une des œuvres les plus révolutionnaires du répertoire symphonique, composée par Ludwig van Beethoven au début du XIXe siècle.\r\n
      \r\n
      Enregistrée en 1979 pour le prestigieux label Deutsche Grammophon, cette version est dirigée par Carlo Maria Giulini à la tête du Los Angeles Philharmonic Orchestra. Elle se distingue par une approche profondément humaine et méditative, loin des lectures plus héroïques ou spectaculaires.\r\n
      \r\n
      Giulini privilégie ici une respiration ample, une clarté architecturale et une intensité émotionnelle contenue, donnant à la symphonie une dimension presque spirituelle. Le célèbre deuxième mouvement, la Marche funèbre, atteint une profondeur expressive remarquable, tandis que les mouvements extrêmes conservent une noblesse et une tension parfaitement maîtrisées.\r\n
      \r\n
      Cet enregistrement est aujourd’hui considéré comme l’une des grandes références de l’“Eroica”, apprécié pour son équilibre entre puissance, rigueur et introspection.\r\n
      \r\n
      - Beethoven "Symphony N° 3 - Eroica"180 gram gatefold LP !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 4  and 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Beethoven began composing his Third Symphony shortly after his increasing deafness and suicidal thoughts became public knowledge. The ‘heroic' style of this symphony can be interpreted as a musical expression of his triumph over personal suffering. But the symphony also has enormous musical significance: with the "Eroica," Beethoven expanded the symphonic form and thus changed the expectations of a four-part symphony for the next two centuries. Giulini's recording with Los Angeles Philharmonic Orchestra is highly regarded as reference recording.\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original 4  and 8 track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Carlo Maria Giulini conducts the Los Angeles Philharmonic Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nmx3EmEh8KE"
    -referenceProduit: "Deutsche Grammophon Records 2531123"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
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        "ordre" => 1
        "nom" => "1. I. Allegro con brio "
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. II. Marcia funebre. Adagio assai "
      ]
      [
        "ordre" => 4
        "nom" => "Side C :"
      ]
      [
        "ordre" => 5
        "nom" => "1. III. Scherzo. Allegro vivace"
      ]
      [
        "ordre" => 6
        "nom" => "2. IV. Finale. Allegro molto"
      ]
      [
        "ordre" => 7
        "nom" => ""
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      [
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        "nom" => ""
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      [
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      [
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        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1438 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2166 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2159 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2161 …}
    -enregistreLe: DateTime @1774368981 {#2149
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    }
    -modifierLe: DateTime @1774369851 {#2150
      date: 2026-03-24 16:30:51.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2163 …}
    -disponible: null
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    -slug: "vinyles-beethoven-symphony-n-3-eroica-deutsche-grammophon-records-2531123"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2425 …}
}

[
  "produit" => App\Entity\Produit {#2173
    -id: 3032
    -nom: "Petrouchka"
    -informationComplementaire: "Plongez dans "Petrouchka" de Igor Stravinsky, une œuvre vibrante où rythmes et émotions s’entrelacent, portée par la direction inspirée de Claudio Abbado et l’énergie du London Symphony Orchestra."
    -description: """
      L’album "Petrouchka" de Igor Stravinsky, interprété par le London Symphony Orchestra sous la direction de Claudio Abbado, offre une lecture à la fois précise, vibrante et profondément expressive de ce chef-d’œuvre du XXe siècle.\r\n
      \r\n
      Composé en 1911, "Petrouchka" est un ballet emblématique qui mêle folklore russe, modernité rythmique et richesse orchestrale. L’œuvre raconte l’histoire tragique d’une marionnette dotée d’émotions humaines, évoluant dans une foire animée, entre illusion et désespoir.\r\n
      \r\n
      Dans cet enregistrement, Claudio Abbado met en valeur toute la palette de couleurs de l’orchestre : les contrastes dynamiques, les rythmes incisifs et les textures foisonnantes prennent vie avec une clarté remarquable. Le London Symphony Orchestra, réputé pour sa virtuosité, restitue avec brio l’énergie brute et la poésie singulière de cette partition.\r\n
      \r\n
      - Igor Stravinsky "Petrushka" 180 gram gatefold LP !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Petrushka is one of three innovative ballets composed by Igor Stravinsky during his "Russian" period. With Petrushka, Stravinsky showed his neo-folkloric side and brought a colorful street crowd with a magician and his puppets, merchants and mummies to the ballet stage. In doing so, he showed the world that funfair and classical music are not contradictory, and his audience now heard folk music from a new perspective.\r\n
      \r\n
      This is one of the few Deutsche Grammophon productions from 1980 in which digital 2 track and analogue 8 track were recorded in parallel. By using the analogue 8 track master, this release now makes the recording available in purely analogue form for the very first time.\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original 4 and 8 track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180-gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Claudio Abbado conducts the London Symphony Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=UjBnGQLjz-g"
    -referenceProduit: "Deutsche Grammophon Records 2532010"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Petrushka, K012 (1911/1947 Versions), Scene 1 :"
      ]
      [
        "ordre" => 2
        "nom" => "Ia. The Shrovetide Fair - The Crowds"
      ]
      [
        "ordre" => 3
        "nom" => "2. Petrushka, K012 (1911/1947 Versions), Scene 1 :"
      ]
      [
        "ordre" => 4
        "nom" => "Ib. Russian Dance"
      ]
      [
        "ordre" => 5
        "nom" => "3. Petrushka, K012 (1911/1947 Versions), Scene 2 :"
      ]
      [
        "ordre" => 6
        "nom" => "II. Petrushka's Room"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Petrushka, K012 (1911/1947 Versions), Scene 3 :"
      ]
      [
        "ordre" => 9
        "nom" => "IIIa. The Moor's Room - IIIb. Dance of"
      ]
      [
        "ordre" => 10
        "nom" => "2. Petrushka, K012 (1911/1947 Versions), Scene 3 :"
      ]
      [
        "ordre" => 11
        "nom" => "IIIc. Waltz. The Ballerina and the Moor"
      ]
      [
        "ordre" => 12
        "nom" => "3. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 13
        "nom" => "IVa. The Shrovetide Fair (Evening)"
      ]
      [
        "ordre" => 14
        "nom" => "4. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 15
        "nom" => "IVb. Dance of the Wet-Nurses"
      ]
      [
        "ordre" => 16
        "nom" => "5. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 17
        "nom" => "IVc. Dance of the Peasant and the Bear"
      ]
      [
        "ordre" => 18
        "nom" => "6. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 19
        "nom" => "IVd. The Jovial Merchant with 2 Gypsy G"
      ]
      [
        "ordre" => 20
        "nom" => "7. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 21
        "nom" => "IVe. Dance of the Coachmen and the Groo"
      ]
      [
        "ordre" => 22
        "nom" => "8. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 23
        "nom" => "IVf. The Masqueraders"
      ]
      [
        "ordre" => 24
        "nom" => "9. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 25
        "nom" => "IVg. The Scuffle"
      ]
      [
        "ordre" => 26
        "nom" => "10. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 27
        "nom" => "IVh. Death of Petrushka"
      ]
      [
        "ordre" => 28
        "nom" => "11. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 29
        "nom" => "IVi. The Police and the Charlatan"
      ]
      [
        "ordre" => 30
        "nom" => "12. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 31
        "nom" => "IVj. Apparition of Petrushka's Ghost"
      ]
      [
        "ordre" => 32
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2175 …}
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    -modifierLe: DateTime @1774045820 {#2168
      date: 2026-03-20 22:30:20.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3583
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  +produit: App\Entity\Produit {#2173
    -id: 3032
    -nom: "Petrouchka"
    -informationComplementaire: "Plongez dans "Petrouchka" de Igor Stravinsky, une œuvre vibrante où rythmes et émotions s’entrelacent, portée par la direction inspirée de Claudio Abbado et l’énergie du London Symphony Orchestra."
    -description: """
      L’album "Petrouchka" de Igor Stravinsky, interprété par le London Symphony Orchestra sous la direction de Claudio Abbado, offre une lecture à la fois précise, vibrante et profondément expressive de ce chef-d’œuvre du XXe siècle.\r\n
      \r\n
      Composé en 1911, "Petrouchka" est un ballet emblématique qui mêle folklore russe, modernité rythmique et richesse orchestrale. L’œuvre raconte l’histoire tragique d’une marionnette dotée d’émotions humaines, évoluant dans une foire animée, entre illusion et désespoir.\r\n
      \r\n
      Dans cet enregistrement, Claudio Abbado met en valeur toute la palette de couleurs de l’orchestre : les contrastes dynamiques, les rythmes incisifs et les textures foisonnantes prennent vie avec une clarté remarquable. Le London Symphony Orchestra, réputé pour sa virtuosité, restitue avec brio l’énergie brute et la poésie singulière de cette partition.\r\n
      \r\n
      - Igor Stravinsky "Petrushka" 180 gram gatefold LP !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Petrushka is one of three innovative ballets composed by Igor Stravinsky during his "Russian" period. With Petrushka, Stravinsky showed his neo-folkloric side and brought a colorful street crowd with a magician and his puppets, merchants and mummies to the ballet stage. In doing so, he showed the world that funfair and classical music are not contradictory, and his audience now heard folk music from a new perspective.\r\n
      \r\n
      This is one of the few Deutsche Grammophon productions from 1980 in which digital 2 track and analogue 8 track were recorded in parallel. By using the analogue 8 track master, this release now makes the recording available in purely analogue form for the very first time.\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original 4 and 8 track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180-gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=UjBnGQLjz-g"
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        "nom" => "2. Petrushka, K012 (1911/1947 Versions), Scene 1 :"
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        "nom" => "Side B : "
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        "nom" => "1. Petrushka, K012 (1911/1947 Versions), Scene 3 :"
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        "nom" => "IIIa. The Moor's Room - IIIb. Dance of"
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        "nom" => "2. Petrushka, K012 (1911/1947 Versions), Scene 3 :"
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        "nom" => "IIIc. Waltz. The Ballerina and the Moor"
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        "nom" => "3. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
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        "nom" => "IVa. The Shrovetide Fair (Evening)"
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        "nom" => "5. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
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        "nom" => "7. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
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        "nom" => "8. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
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        "nom" => "IVf. The Masqueraders"
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        "nom" => "9. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
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        "nom" => "IVg. The Scuffle"
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        "nom" => "11. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
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        "nom" => "IVi. The Police and the Charlatan"
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[
  "produit" => App\Entity\Produit {#2189
    -id: 3031
    -nom: "Mozart - Violin Concertos No. 3 G-dur (G major) KV216 – No. 5 A dur (A major) KV219"
    -informationComplementaire: "Plongez dans le génie de Wolfgang Amadeus Mozart avec l’interprétation d’exception de Anne-Sophie Mutter et Herbert von Karajan, un équilibre parfait entre virtuosité et élégance."
    -description: """
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      \r\n
      Sous la direction magistrale de Herbert von Karajan, la jeune Anne-Sophie Mutter alors au début de sa carrière livre une interprétation d’une maturité et d’une sensibilité remarquables. Son jeu, à la fois précis, expressif et lumineux, sublime l’équilibre parfait entre virtuosité et lyrisme qui caractérise ces concertos.\r\n
      \r\n
      Le Concerto N°3 séduit par sa fraîcheur mélodique et son élégance classique, tandis que le Concerto N° 5, surnommé “Turc”, surprend par ses contrastes et son final aux accents exotiques.\r\n
      \r\n
      Cette collaboration légendaire incarne une rencontre rare entre tradition et modernité, faisant de cet enregistrement une référence incontournable du répertoire pour violon.\r\n
      \r\n
      - Herbert Von Karajan, Anne Sophie Mutter (violin) : Mozart - Violin Concertos No. 3 G-dur (G major) KV216 – No. 5 A dur (A major) KV219180-gram gatefold LP !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 4 and 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Some sensations occur without much ado, as they almost seem to be a matter of course. One such sensation took place at the Berlin Philharmonic Hall in February 1978, when Herbert von Karajan introduced the 14-year-old violinist Anne-Sophie Mutter to the Berlin public in Mozart's G major Concerto. After the young musician had gone through her baptism of fire with flying colors the conductor beamed and the Berlin Philharmonic players applauded enthusiastically a rare occurrence. Her fellow performers and the audience had been equally aware of how auspicious her debut had been.\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original 4- and 8-track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Herbert Von Karajan conducts the Berlin Philharmonic Orchestra, Anne Sophie Mutter (violin)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=xaJqkk8R-Q4"
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        "nom" => "1. Mozart : Violin Concerto N° 3 in G Major, K. 216 : I. Allegro"
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        "nom" => "2. Mozart : Violin Concerto N° 3 in G Major, K. 216 : II. Adagio"
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      [
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        "nom" => "3. Mozart : Violin Concerto N° 3 in G Major, K. 216 :"
      ]
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        "nom" => "III. Rondeau. Allegro "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Mozart : Violin Concerto N° 5 in A Major, K. 219 'Turkish' :"
      ]
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        "nom" => "I. Allegro aperto"
      ]
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        "ordre" => 8
        "nom" => "2. Mozart : Violin Concerto N° 5 in A Major, K. 219 'Turkish' :"
      ]
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        "nom" => "II. Adagio"
      ]
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        "ordre" => 10
        "nom" => "3. Mozart : Violin Concerto N° 5 in A Major, K. 219 "Turkish" :"
      ]
      [
        "ordre" => 11
        "nom" => "III. Rondeau. Tempo di menuetto"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2191 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -slug: "vinyles-mozart-violin-concertos-no-3-g-dur-g-major-kv216-no-5-a-dur-a-major-kv219-deutsche-grammophon-records-2531049"
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App\Twig\Components\GestionPanierFavoriComponents {#3634
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  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
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    -id: 3031
    -nom: "Mozart - Violin Concertos No. 3 G-dur (G major) KV216 – No. 5 A dur (A major) KV219"
    -informationComplementaire: "Plongez dans le génie de Wolfgang Amadeus Mozart avec l’interprétation d’exception de Anne-Sophie Mutter et Herbert von Karajan, un équilibre parfait entre virtuosité et élégance."
    -description: """
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      \r\n
      Sous la direction magistrale de Herbert von Karajan, la jeune Anne-Sophie Mutter alors au début de sa carrière livre une interprétation d’une maturité et d’une sensibilité remarquables. Son jeu, à la fois précis, expressif et lumineux, sublime l’équilibre parfait entre virtuosité et lyrisme qui caractérise ces concertos.\r\n
      \r\n
      Le Concerto N°3 séduit par sa fraîcheur mélodique et son élégance classique, tandis que le Concerto N° 5, surnommé “Turc”, surprend par ses contrastes et son final aux accents exotiques.\r\n
      \r\n
      Cette collaboration légendaire incarne une rencontre rare entre tradition et modernité, faisant de cet enregistrement une référence incontournable du répertoire pour violon.\r\n
      \r\n
      - Herbert Von Karajan, Anne Sophie Mutter (violin) : Mozart - Violin Concertos No. 3 G-dur (G major) KV216 – No. 5 A dur (A major) KV219180-gram gatefold LP !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 4 and 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Some sensations occur without much ado, as they almost seem to be a matter of course. One such sensation took place at the Berlin Philharmonic Hall in February 1978, when Herbert von Karajan introduced the 14-year-old violinist Anne-Sophie Mutter to the Berlin public in Mozart's G major Concerto. After the young musician had gone through her baptism of fire with flying colors the conductor beamed and the Berlin Philharmonic players applauded enthusiastically a rare occurrence. Her fellow performers and the audience had been equally aware of how auspicious her debut had been.\r\n
      \r\n
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      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Herbert Von Karajan conducts the Berlin Philharmonic Orchestra, Anne Sophie Mutter (violin)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=xaJqkk8R-Q4"
    -referenceProduit: "Deutsche Grammophon Records 2531049"
    -titreMorceau: [
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        "nom" => "2. Mozart : Violin Concerto N° 3 in G Major, K. 216 : II. Adagio"
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        "ordre" => 3
        "nom" => "3. Mozart : Violin Concerto N° 3 in G Major, K. 216 :"
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        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Mozart : Violin Concerto N° 5 in A Major, K. 219 'Turkish' :"
      ]
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        "ordre" => 8
        "nom" => "2. Mozart : Violin Concerto N° 5 in A Major, K. 219 'Turkish' :"
      ]
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        "nom" => "II. Adagio"
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        "nom" => "3. Mozart : Violin Concerto N° 5 in A Major, K. 219 "Turkish" :"
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      date: 2026-03-19 07:41:33.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2205
    -id: 3028
    -nom: "Ottorino Respighi : Pines of Rome, Roman Festivals, Fountains of Rome"
    -informationComplementaire: "Plongez au cœur de Rome comme vous ne l’avez jamais entendue. Avec Seiji Ozawa et le Boston Symphony Orchestra, la musique de Ottorino Respighi prend vie dans une explosion de couleurs, de lumière et d’émotions."
    -description: """
      Cet enregistrement emblématique réunit le chef d’orchestre Seiji Ozawa et le prestigieux Boston Symphony Orchestra autour de l’univers orchestral flamboyant de Ottorino Respighi.\r\n
      \r\n
      À travers trois poèmes symphoniques "Les Pins de Rome, Les Fontaines de Rome et Fêtes romaines" Respighi dépeint une fresque sonore spectaculaire de la Ville éternelle. Chaque œuvre explore des lieux et des moments différents, mêlant couleurs orchestrales éclatantes, évocations impressionnistes et puissance dramatique.\r\n
      \r\n
      Sous la direction précise et expressive d’Ozawa, l’orchestre révèle toute la richesse de cette musique, des murmures délicats des fontaines aux explosions festives des célébrations romaines. L’interprétation se distingue par sa clarté, son énergie et son sens du détail, offrant une immersion totale dans l’atmosphère de Rome.\r\n
      \r\n
      - Ottorino Respighi "Pines of Rome, Roman Festivals, Fountains of Rome" 180 gram gatefold (2 LP) !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 4 and 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      No contemporary Italian was as successful as an instrumental composer in the concert hall in the period after the First World War as Ottorino Respighi with his four-movement symphonic poems "Fountains Of Rome" (1917), "Pines Of Rome" (1924) and "Feste Romane" (1929). In these works, program music experienced a magnificent revival. Particularly noteworthy is Respighi's art of instrumentation, with which he rivaled orchestral composers such as Richard Strauss and Maurice Ravel. He made use of a musical language distilled from many sources, a kind of ‘Euro-Impressionism' that did not exclude modernist influences.\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original 4 and 8 track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Seiji Ozawa conducts the Boston Symphony Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Tk2lX9vJI3A"
    -referenceProduit: "Deutsche Grammophon Records 2530890"
    -titreMorceau: [
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        "nom" => "3. III. The Trevi Fountain at Midday"
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        "nom" => "4. IV. The Villa Medici Fountain at Sunset"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2207 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3685
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2657 …}
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  +produit: App\Entity\Produit {#2205
    -id: 3028
    -nom: "Ottorino Respighi : Pines of Rome, Roman Festivals, Fountains of Rome"
    -informationComplementaire: "Plongez au cœur de Rome comme vous ne l’avez jamais entendue. Avec Seiji Ozawa et le Boston Symphony Orchestra, la musique de Ottorino Respighi prend vie dans une explosion de couleurs, de lumière et d’émotions."
    -description: """
      Cet enregistrement emblématique réunit le chef d’orchestre Seiji Ozawa et le prestigieux Boston Symphony Orchestra autour de l’univers orchestral flamboyant de Ottorino Respighi.\r\n
      \r\n
      À travers trois poèmes symphoniques "Les Pins de Rome, Les Fontaines de Rome et Fêtes romaines" Respighi dépeint une fresque sonore spectaculaire de la Ville éternelle. Chaque œuvre explore des lieux et des moments différents, mêlant couleurs orchestrales éclatantes, évocations impressionnistes et puissance dramatique.\r\n
      \r\n
      Sous la direction précise et expressive d’Ozawa, l’orchestre révèle toute la richesse de cette musique, des murmures délicats des fontaines aux explosions festives des célébrations romaines. L’interprétation se distingue par sa clarté, son énergie et son sens du détail, offrant une immersion totale dans l’atmosphère de Rome.\r\n
      \r\n
      - Ottorino Respighi "Pines of Rome, Roman Festivals, Fountains of Rome" 180 gram gatefold (2 LP) !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 4 and 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      No contemporary Italian was as successful as an instrumental composer in the concert hall in the period after the First World War as Ottorino Respighi with his four-movement symphonic poems "Fountains Of Rome" (1917), "Pines Of Rome" (1924) and "Feste Romane" (1929). In these works, program music experienced a magnificent revival. Particularly noteworthy is Respighi's art of instrumentation, with which he rivaled orchestral composers such as Richard Strauss and Maurice Ravel. He made use of a musical language distilled from many sources, a kind of ‘Euro-Impressionism' that did not exclude modernist influences.\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original 4 and 8 track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Seiji Ozawa conducts the Boston Symphony Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Tk2lX9vJI3A"
    -referenceProduit: "Deutsche Grammophon Records 2530890"
    -titreMorceau: [
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        "nom" => "2. II. Pini presso una catacomba"
      ]
      [
        "ordre" => 3
        "nom" => "3. III. I pini del Gianicolo"
      ]
      [
        "ordre" => 4
        "nom" => "4. IV. I pini della Via Appia "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. I. Circenses"
      ]
      [
        "ordre" => 7
        "nom" => "2. II. Il Giubileo"
      ]
      [
        "ordre" => 8
        "nom" => "3. III. L'Ottobrata"
      ]
      [
        "ordre" => 9
        "nom" => "4. IV. La Befana "
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. I. The Valle Giulia Fountain at Dawn"
      ]
      [
        "ordre" => 12
        "nom" => "2. II. The Triton Fountain in the Morning"
      ]
      [
        "ordre" => 13
        "nom" => "3. III. The Trevi Fountain at Midday"
      ]
      [
        "ordre" => 14
        "nom" => "4. IV. The Villa Medici Fountain at Sunset"
      ]
      [
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        "nom" => "Side D : "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2207 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1438 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2216 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2209 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2211 …}
    -enregistreLe: DateTime @1773902177 {#2202
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    }
    -modifierLe: DateTime @1773903055 {#2203
      date: 2026-03-19 06:50:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2213 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-ottorino-respighi-pines-of-rome-roman-festivals-fountains-of-rome-deutsche-grammophon-records-2530890"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2425 …}
}

[
  "produit" => App\Entity\Produit {#2221
    -id: 3027
    -nom: "Passion Flower (Zoot Sims Plays Duke Ellington)"
    -informationComplementaire: "Plongez dans l’élégance intemporelle du jazz avec "Passion Flower" de Zoot Sims. Une interprétation pleine de finesse et d’émotion, où le saxophone dialogue avec subtilité dans une atmosphère douce, intime et profondément expressive."
    -description: """
      Dans cette version de "Passion Flower", issue de l’album Zoot Sims "Plays Duke Ellington", Zoot Sims rend hommage à l’univers raffiné de Duke Ellington avec une sensibilité remarquable. Entouré de Jimmy Rowles au piano, John Heard à la contrebasse et Shelly Manne à la batterie, le saxophoniste s’inscrit dans une formation intimiste qui privilégie l’écoute et la nuance.\r\n
      \r\n
      Le morceau se distingue par son atmosphère feutrée et élégante. Le phrasé de Sims, à la fois fluide et expressif, s’étire avec naturel sur une harmonie délicate, soutenue par un accompagnement subtil et parfaitement équilibré. Chaque musicien contribue à créer une texture sonore chaleureuse, laissant respirer les silences autant que les notes.\r\n
      \r\n
      Cette interprétation met en lumière toute la profondeur mélodique de la composition originale, en lui apportant une touche de modernité et de liberté propre au jazz des années 1980. Passion Flower devient ici une véritable parenthèse musicale, idéale pour les amateurs de jazz raffiné et d’ambiances intimistes.\r\n
      \r\n
      Musicians : \r\n
      Zoot Sims (tenor saxophone), Jimmy Rowles (piano), John Heard (bass), Shelly Manne (drums), J.J. Johnson, Britt Woodman (trombone), Oscar Brashear, Al Aarons, Bobby Bryant (trumpet), Frank Wess, Marshall Royal, Buddy Collette (saxophone, flute), Jimmy Rowles (piano), Andy Simpkins (bass), Grady Tate (drums).\r\n
      \r\n
      - Zoot Sims "Passion Flower" Zoot Sims Plays Duke Ellington, 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on jacket !\r\n
      \r\n
      Here is an album of Duke Ellington compositions arranged and conducted by Benny Carter, with Zoot Sims as principal soloist. Add those names to the list of musicians in the adjoining display and you get a total greater than the sum of its parts. Among the many albums Sims made for Pablo, the Ellington project was particularly close to his heart. The Ellington band of 1940 and '41 was a formative influence on the young tenor man setting out on his career.\r\n
      \r\n
      The great tenor saxophonist Ben Webster's solos profoundly affected him. It is true that his tone was closer to Lester Young's, but Webster's conception was always a major component of Sims's style, and toward the end of his life Zoot's sound took on more of Webster's heft and darkness. Fittingly, he and Webster's favorite pianist, Jimmy Rowles, do Bojangles to a rare turn, and Sims gives an achingly beautiful reading of Duke's "Your Love Has Faded".\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180 gram reissue is an exceptional audiophile disc. Housed in a gatefold Stoughton Printing tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Zoot Sims (tenor saxophone), Jimmy Rowles (piano), John Heard (bass), Shelly Manne (drums), J.J. Johnson, Britt Woodman (trombone), Oscar Brashear, Al Aarons, Bobby Bryant (trumpet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=14gxk6B6VDo&list=RD14gxk6B6VDo&start_radio=1"
    -referenceProduit: "Analogue Productions (Pablo) AAPJ 194"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. It Don't Mean A Thing"
      ]
      [
        "ordre" => 2
        "nom" => "2. In A Mellow Tone"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Got It Bad And That Ain't Good"
      ]
      [
        "ordre" => 4
        "nom" => "4. I Let A Song Go Out Of My Heart"
      ]
      [
        "ordre" => 5
        "nom" => "5. Black Butterfly "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Do Nothin' Till You Hear From Me"
      ]
      [
        "ordre" => 8
        "nom" => "2. Your Love Has Faded"
      ]
      [
        "ordre" => 9
        "nom" => "3. Bojangles"
      ]
      [
        "ordre" => 10
        "nom" => "4. Passion Flower"
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2223 …}
    -label: Proxies\__CG__\App\Entity\Label {#2226 …}
    -style: App\Entity\Style {#1449 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2228 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2230 …}
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    }
    -modifierLe: DateTime @1773900390 {#2219
      date: 2026-03-19 06:06:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2232 …}
    -disponible: null
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    -slug: "vinyles-passion-flower-zoot-sims-plays-duke-ellington-analogue-productions-pablo-aapj-194"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3736
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2657 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1884 …}
  +produit: App\Entity\Produit {#2221
    -id: 3027
    -nom: "Passion Flower (Zoot Sims Plays Duke Ellington)"
    -informationComplementaire: "Plongez dans l’élégance intemporelle du jazz avec "Passion Flower" de Zoot Sims. Une interprétation pleine de finesse et d’émotion, où le saxophone dialogue avec subtilité dans une atmosphère douce, intime et profondément expressive."
    -description: """
      Dans cette version de "Passion Flower", issue de l’album Zoot Sims "Plays Duke Ellington", Zoot Sims rend hommage à l’univers raffiné de Duke Ellington avec une sensibilité remarquable. Entouré de Jimmy Rowles au piano, John Heard à la contrebasse et Shelly Manne à la batterie, le saxophoniste s’inscrit dans une formation intimiste qui privilégie l’écoute et la nuance.\r\n
      \r\n
      Le morceau se distingue par son atmosphère feutrée et élégante. Le phrasé de Sims, à la fois fluide et expressif, s’étire avec naturel sur une harmonie délicate, soutenue par un accompagnement subtil et parfaitement équilibré. Chaque musicien contribue à créer une texture sonore chaleureuse, laissant respirer les silences autant que les notes.\r\n
      \r\n
      Cette interprétation met en lumière toute la profondeur mélodique de la composition originale, en lui apportant une touche de modernité et de liberté propre au jazz des années 1980. Passion Flower devient ici une véritable parenthèse musicale, idéale pour les amateurs de jazz raffiné et d’ambiances intimistes.\r\n
      \r\n
      Musicians : \r\n
      Zoot Sims (tenor saxophone), Jimmy Rowles (piano), John Heard (bass), Shelly Manne (drums), J.J. Johnson, Britt Woodman (trombone), Oscar Brashear, Al Aarons, Bobby Bryant (trumpet), Frank Wess, Marshall Royal, Buddy Collette (saxophone, flute), Jimmy Rowles (piano), Andy Simpkins (bass), Grady Tate (drums).\r\n
      \r\n
      - Zoot Sims "Passion Flower" Zoot Sims Plays Duke Ellington, 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on jacket !\r\n
      \r\n
      Here is an album of Duke Ellington compositions arranged and conducted by Benny Carter, with Zoot Sims as principal soloist. Add those names to the list of musicians in the adjoining display and you get a total greater than the sum of its parts. Among the many albums Sims made for Pablo, the Ellington project was particularly close to his heart. The Ellington band of 1940 and '41 was a formative influence on the young tenor man setting out on his career.\r\n
      \r\n
      The great tenor saxophonist Ben Webster's solos profoundly affected him. It is true that his tone was closer to Lester Young's, but Webster's conception was always a major component of Sims's style, and toward the end of his life Zoot's sound took on more of Webster's heft and darkness. Fittingly, he and Webster's favorite pianist, Jimmy Rowles, do Bojangles to a rare turn, and Sims gives an achingly beautiful reading of Duke's "Your Love Has Faded".\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180 gram reissue is an exceptional audiophile disc. Housed in a gatefold Stoughton Printing tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1706 …}
    -musicienOrchestre: "Zoot Sims (tenor saxophone), Jimmy Rowles (piano), John Heard (bass), Shelly Manne (drums), J.J. Johnson, Britt Woodman (trombone), Oscar Brashear, Al Aarons, Bobby Bryant (trumpet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=14gxk6B6VDo&list=RD14gxk6B6VDo&start_radio=1"
    -referenceProduit: "Analogue Productions (Pablo) AAPJ 194"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. It Don't Mean A Thing"
      ]
      [
        "ordre" => 2
        "nom" => "2. In A Mellow Tone"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Got It Bad And That Ain't Good"
      ]
      [
        "ordre" => 4
        "nom" => "4. I Let A Song Go Out Of My Heart"
      ]
      [
        "ordre" => 5
        "nom" => "5. Black Butterfly "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Do Nothin' Till You Hear From Me"
      ]
      [
        "ordre" => 8
        "nom" => "2. Your Love Has Faded"
      ]
      [
        "ordre" => 9
        "nom" => "3. Bojangles"
      ]
      [
        "ordre" => 10
        "nom" => "4. Passion Flower"
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2223 …}
    -label: Proxies\__CG__\App\Entity\Label {#2226 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2235 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2228 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2230 …}
    -enregistreLe: DateTime @1773899845 {#2218
      date: 2026-03-19 05:57:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1773900390 {#2219
      date: 2026-03-19 06:06:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2232 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-passion-flower-zoot-sims-plays-duke-ellington-analogue-productions-pablo-aapj-194"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2425 …}
}