Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2545
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2392 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2622
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2625 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2624 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2392 …}
  -formView: Symfony\Component\Form\FormView {#2661 …}
  -form: Symfony\Component\Form\Form {#2811 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 2959
    -nom: "Uprising (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Bob Marley (rhythm guitar, lead vocals), Aston Barrett (bass guitar),  Junior Marvin, Al Anderson (lead guitar), Tyrone Downie, Earl Lindo (keyboards), Rita Marley, Judy Mowatt, Marcia Griffiths (backing vocals), Carlton Barrett (drums, percussion).\r\n
      \r\n
      - Bob Marley & The Wailers "Uprising" !\r\n
      - Mastered by Frank Arkwright and Ryan K. Smith at Abbey Road Studios in London, from the original master tape !\r\n
      - Two 45 RPM LPs pressed on 180 gram vinyl at Quality Record Pressings / Also on Hybrid Multichannel SACD !\r\n
      - Deluxe Old-Style Tip-On Stoughton Printing gatefold jacket !\r\n
      \r\n
      Uprising would be the final studio album featuring Bob Marley & the Wailers to be released during Marley's lifetime. Prophetically, it also contains some of the band's finest crafted material, as if they were cognizant that this would be their final outing.\r\n
      \r\n
      Released in 1980, Uprising stands as one of Bob Marley's most poignant and spiritually charged albums, embodying both his enduring reggae genius and his reflective, almost prophetic musings on life and faith. What makes Uprising particularly unique in Marley's discography is its duality-balancing socially conscious anthems with deeply personal expressions of faith, hope, and mortality.\r\n
      \r\n
      Tracks such as the iconic "Redemption Song", with its acoustic simplicity and universal message of liberation, and the haunting "Forever Loving Jah", reveal a man at peace with his spirituality. Meanwhile, songs such as "Could You Be Loved" deliver infectious grooves and crossover appeal, proving Marley's ability to blend message and melody effortlessly.\r\n
      \r\n
      Critics and fans alike hailed Uprising as a high point in Marley's career. It received acclaim for its mature sound and cohesive vision, with reviewers highlighting its raw emotional power. While it didn't achieve the explosive commercial success of Exodus or Kaya, it cemented Marley's status as a global ambassador for reggae and freedom.\r\n
      \r\n
      For Marley fans, it's more than an album it's a testament to his enduring spirit.\r\n
      \r\n
      Now, Analogue Productions gives Uprising the deluxe treatment this album, with its rich heritage, deserves. Pressed on 180 gram vinyl pressed at 45 RPM at Quality Record Pressings. Housed in a deluxe Old Style Tip-On Jacket from Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Bob Marley (rhythm guitar, lead vocals), Aston Barrett (bass guitar),  Junior Marvin, Al Anderson (lead guitar), Tyrone Downie, Earl Lindo (keyboards)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=S-qI0l-Am8I&list=PLXUOoLol9dVNouOGzV_hgxtsw65Ww84v5"
    -referenceProduit: "Analogue Productions AAPP 182-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Coming In From The Cold"
      ]
      [
        "ordre" => 2
        "nom" => "2. Real Situation"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Bad Card"
      ]
      [
        "ordre" => 5
        "nom" => "2. We And Them"
      ]
      [
        "ordre" => 6
        "nom" => "3. Work"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Zion Train"
      ]
      [
        "ordre" => 9
        "nom" => "2. Pimper's Paradise"
      ]
      [
        "ordre" => 10
        "nom" => "3. Could You Be Loved"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Forever Loving Jah"
      ]
      [
        "ordre" => 13
        "nom" => "2. Redemption Song"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1475 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1770099659 {#1896
      date: 2026-02-03 06:20:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770102255 {#1889
      date: 2026-02-03 07:04:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-uprising-2-lp-45-rpm-analogue-productions-aapp-182-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3086
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2624 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 2959
    -nom: "Uprising (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Bob Marley (rhythm guitar, lead vocals), Aston Barrett (bass guitar),  Junior Marvin, Al Anderson (lead guitar), Tyrone Downie, Earl Lindo (keyboards), Rita Marley, Judy Mowatt, Marcia Griffiths (backing vocals), Carlton Barrett (drums, percussion).\r\n
      \r\n
      - Bob Marley & The Wailers "Uprising" !\r\n
      - Mastered by Frank Arkwright and Ryan K. Smith at Abbey Road Studios in London, from the original master tape !\r\n
      - Two 45 RPM LPs pressed on 180 gram vinyl at Quality Record Pressings / Also on Hybrid Multichannel SACD !\r\n
      - Deluxe Old-Style Tip-On Stoughton Printing gatefold jacket !\r\n
      \r\n
      Uprising would be the final studio album featuring Bob Marley & the Wailers to be released during Marley's lifetime. Prophetically, it also contains some of the band's finest crafted material, as if they were cognizant that this would be their final outing.\r\n
      \r\n
      Released in 1980, Uprising stands as one of Bob Marley's most poignant and spiritually charged albums, embodying both his enduring reggae genius and his reflective, almost prophetic musings on life and faith. What makes Uprising particularly unique in Marley's discography is its duality-balancing socially conscious anthems with deeply personal expressions of faith, hope, and mortality.\r\n
      \r\n
      Tracks such as the iconic "Redemption Song", with its acoustic simplicity and universal message of liberation, and the haunting "Forever Loving Jah", reveal a man at peace with his spirituality. Meanwhile, songs such as "Could You Be Loved" deliver infectious grooves and crossover appeal, proving Marley's ability to blend message and melody effortlessly.\r\n
      \r\n
      Critics and fans alike hailed Uprising as a high point in Marley's career. It received acclaim for its mature sound and cohesive vision, with reviewers highlighting its raw emotional power. While it didn't achieve the explosive commercial success of Exodus or Kaya, it cemented Marley's status as a global ambassador for reggae and freedom.\r\n
      \r\n
      For Marley fans, it's more than an album it's a testament to his enduring spirit.\r\n
      \r\n
      Now, Analogue Productions gives Uprising the deluxe treatment this album, with its rich heritage, deserves. Pressed on 180 gram vinyl pressed at 45 RPM at Quality Record Pressings. Housed in a deluxe Old Style Tip-On Jacket from Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Bob Marley (rhythm guitar, lead vocals), Aston Barrett (bass guitar),  Junior Marvin, Al Anderson (lead guitar), Tyrone Downie, Earl Lindo (keyboards)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=S-qI0l-Am8I&list=PLXUOoLol9dVNouOGzV_hgxtsw65Ww84v5"
    -referenceProduit: "Analogue Productions AAPP 182-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Coming In From The Cold"
      ]
      [
        "ordre" => 2
        "nom" => "2. Real Situation"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Bad Card"
      ]
      [
        "ordre" => 5
        "nom" => "2. We And Them"
      ]
      [
        "ordre" => 6
        "nom" => "3. Work"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Zion Train"
      ]
      [
        "ordre" => 9
        "nom" => "2. Pimper's Paradise"
      ]
      [
        "ordre" => 10
        "nom" => "3. Could You Be Loved"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Forever Loving Jah"
      ]
      [
        "ordre" => 13
        "nom" => "2. Redemption Song"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1475 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1770099659 {#1896
      date: 2026-02-03 06:20:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770102255 {#1889
      date: 2026-02-03 07:04:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-uprising-2-lp-45-rpm-analogue-productions-aapp-182-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2392 …}
}

[
  "produit" => App\Entity\Produit {#2039
    -id: 942
    -nom: "Soular Energy"
    -informationComplementaire: null
    -description: """
      - The Ray Brown Trio "Soular Energy" !\r\n
      - Mastering by Kevin Gray at Cohearent Audio, cut at 45 RPM from the original master tape !\r\n
      - Double LP pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with redesigned artwork !\r\n
      \r\n
      "Soular Energy with the Ray Brown Trio, originally issued on Concord in 1985, has long been considered both great straight ahead jazz and an audiophile treasure... none (of the previous reissues) come even remotely close to this double 45 RPM edition mastered by Kevin Gray at his Cohearent Mastering and pressed at QRP. ... It has never sounded better than it does on this double 45. The room is small, the miking close, the sonic excitement intense! The longevity of this record's popularity and so many others on Concord proves that while Carl E. Jefferson was a used car salesman turned record company owner, he did not sell lemons! Very highly recommended !" Music = 8/11; Sound = 10/11 - Michael Fremer, AnalogPlanet.com. Read Fremer's full review here: http://www.analogplanet.com/content/soular-energy-sounding-better-ever\r\n
      \r\n
      "This is one of my favorite LPs of all time... My heart literally skipped a beat when I saw that Analogue Productions was bringing us a 180 gram), 45 RPM version of this LP. To top it off, it would be pressed at the new Quality Record Pressings plant and be mastered by Kevin Gray. One more thing, at its price of $50, it's a bargain compared to what near mint or mint original Concord pressings are going for, much less the ridiculous price of the Japan pressing... This reissue does everything the original does, but it does it better. First, as quiet as my copy was, this pressing just allows the music to appear in my room with no hint that it is being played off vinyl. Second, there is just something relaxing about the sound of a well-done 45 RPM pressing. It loses none of its presence, clarity or transient speed, but at the same time it is more relaxed and simply sounds more beautiful". - Jack Roberts, dagogo.com\r\n
      \r\n
      Ray Brown, Gene Harris and Gerryck King are spectacular in this 1984 recording. Red Holloway (tenor sax) and a rare appearance by the great Emily Remler (guitar) round out the original musicians.\r\n
      \r\n
      This is a completely new mastering and pressing of this famous release. Kevin Gray at Cohearent Audio did exceptional mastering work for this double LP, cut at 45 RPM from the original master tape, and pressed by none other than the world's finest LP manufacturing plant, Quality Record Pressings. Gary Salstrom, then QRP's general manager and master plating technician, plated the lacquers, and lastly we redesigned the artwork for this deluxe Stoughton Printing Old Style Tip-On gatefold jacket presentation.\r\n
      \r\n
      "This album is important as an early milestone in pianist Gene Harris' second career. Harris, who had led the popular Three Sounds in the 1960s, had been living in obscurity in Boise, ID, for several years before he was urged by bassist Ray Brown to come to the West Coast for some recording sessions. Harris became a permanent member of Brown's regular trio for quite a few years before launching his own quartet. He had lost none of his technique, soul, or swing in the interim, as he shows throughout this fine release. Seven of the eight numbers (highlighted by 'Exactly Like You', 'Teach Me Tonight', and 'Sweet Georgia Brown') feature Brown, Harris, and drummer Gerryck King playing soulful bop, while 'Mistreated But Undefeated Blues' adds guitarist Emily Remler and the tenor of Red Holloway. An excellent effort". - AllMusic
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Ray Brown (bass), Gene Harris (piano), Red Holloway (special guest, tenor saxophone), Emily Remler (special guest, guitar), Gerryck King (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=RkgT38i5HWg"
    -referenceProduit: "AAPJ 268-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Exactly Like You"
      ]
      [
        "ordre" => 2
        "nom" => "2. Cry Me A River"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. Teach Me Tonight"
      ]
      [
        "ordre" => 5
        "nom" => "2. Take The "A" Train"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Mistreated But Undefeated Blues 2. That's All"
      ]
      [
        "ordre" => 8
        "nom" => "2. That's All"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Easy Does It"
      ]
      [
        "ordre" => 11
        "nom" => "2. Sweet Georgia Brown"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2041 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2050 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2043 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2045 …}
    -enregistreLe: DateTime @1464550611 {#2032
      date: 2016-05-29 19:36:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770042334 {#2033
      date: 2026-02-02 14:25:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2047 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-soular-energy-aapj-268-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3200
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2624 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2039
    -id: 942
    -nom: "Soular Energy"
    -informationComplementaire: null
    -description: """
      - The Ray Brown Trio "Soular Energy" !\r\n
      - Mastering by Kevin Gray at Cohearent Audio, cut at 45 RPM from the original master tape !\r\n
      - Double LP pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with redesigned artwork !\r\n
      \r\n
      "Soular Energy with the Ray Brown Trio, originally issued on Concord in 1985, has long been considered both great straight ahead jazz and an audiophile treasure... none (of the previous reissues) come even remotely close to this double 45 RPM edition mastered by Kevin Gray at his Cohearent Mastering and pressed at QRP. ... It has never sounded better than it does on this double 45. The room is small, the miking close, the sonic excitement intense! The longevity of this record's popularity and so many others on Concord proves that while Carl E. Jefferson was a used car salesman turned record company owner, he did not sell lemons! Very highly recommended !" Music = 8/11; Sound = 10/11 - Michael Fremer, AnalogPlanet.com. Read Fremer's full review here: http://www.analogplanet.com/content/soular-energy-sounding-better-ever\r\n
      \r\n
      "This is one of my favorite LPs of all time... My heart literally skipped a beat when I saw that Analogue Productions was bringing us a 180 gram), 45 RPM version of this LP. To top it off, it would be pressed at the new Quality Record Pressings plant and be mastered by Kevin Gray. One more thing, at its price of $50, it's a bargain compared to what near mint or mint original Concord pressings are going for, much less the ridiculous price of the Japan pressing... This reissue does everything the original does, but it does it better. First, as quiet as my copy was, this pressing just allows the music to appear in my room with no hint that it is being played off vinyl. Second, there is just something relaxing about the sound of a well-done 45 RPM pressing. It loses none of its presence, clarity or transient speed, but at the same time it is more relaxed and simply sounds more beautiful". - Jack Roberts, dagogo.com\r\n
      \r\n
      Ray Brown, Gene Harris and Gerryck King are spectacular in this 1984 recording. Red Holloway (tenor sax) and a rare appearance by the great Emily Remler (guitar) round out the original musicians.\r\n
      \r\n
      This is a completely new mastering and pressing of this famous release. Kevin Gray at Cohearent Audio did exceptional mastering work for this double LP, cut at 45 RPM from the original master tape, and pressed by none other than the world's finest LP manufacturing plant, Quality Record Pressings. Gary Salstrom, then QRP's general manager and master plating technician, plated the lacquers, and lastly we redesigned the artwork for this deluxe Stoughton Printing Old Style Tip-On gatefold jacket presentation.\r\n
      \r\n
      "This album is important as an early milestone in pianist Gene Harris' second career. Harris, who had led the popular Three Sounds in the 1960s, had been living in obscurity in Boise, ID, for several years before he was urged by bassist Ray Brown to come to the West Coast for some recording sessions. Harris became a permanent member of Brown's regular trio for quite a few years before launching his own quartet. He had lost none of his technique, soul, or swing in the interim, as he shows throughout this fine release. Seven of the eight numbers (highlighted by 'Exactly Like You', 'Teach Me Tonight', and 'Sweet Georgia Brown') feature Brown, Harris, and drummer Gerryck King playing soulful bop, while 'Mistreated But Undefeated Blues' adds guitarist Emily Remler and the tenor of Red Holloway. An excellent effort". - AllMusic
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Ray Brown (bass), Gene Harris (piano), Red Holloway (special guest, tenor saxophone), Emily Remler (special guest, guitar), Gerryck King (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=RkgT38i5HWg"
    -referenceProduit: "AAPJ 268-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Exactly Like You"
      ]
      [
        "ordre" => 2
        "nom" => "2. Cry Me A River"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. Teach Me Tonight"
      ]
      [
        "ordre" => 5
        "nom" => "2. Take The "A" Train"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Mistreated But Undefeated Blues 2. That's All"
      ]
      [
        "ordre" => 8
        "nom" => "2. That's All"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Easy Does It"
      ]
      [
        "ordre" => 11
        "nom" => "2. Sweet Georgia Brown"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2041 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2050 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2043 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2045 …}
    -enregistreLe: DateTime @1464550611 {#2032
      date: 2016-05-29 19:36:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770042334 {#2033
      date: 2026-02-02 14:25:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2047 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-soular-energy-aapj-268-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2392 …}
}

[
  "produit" => App\Entity\Produit {#2055
    -id: 994
    -nom: "Family Style"
    -informationComplementaire: null
    -description: """
      - Mastered from the original tapes by Ryan Smith at Sterling Sound !\r\n
      - 180 gram pressing by Quality Record Pressings !\r\n
      \r\n
      With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.\r\n
      \r\n
      Stevie Ray had made music beyond the powers of most musicians but for this 1990 studio collaboration he returned to the things he loved: upbeat music and working with the brother he idolized his whole life. In his early years, Stevie Ray Vaughan often remarked that he would like to do an album with his brother. He fulfilled that wish in his very last studio performance, which was released nearly a month after his death. The liner notes end with "Thanks Mama V. for letting us play". With slick production from Nile Rodgers and employing neither guitarist's band (Double Trouble nor the Fabulous Thunderbirds), this is bluesy, but far from purist. Jimmie makes his vocal debut on "White Boots" and "Good Texan" and the brothers blur the lines between their expected guitar styles - Stevie sometimes going for a less sustained twang, Jimmie moving into Albert King territory.\r\n
      \r\n
      As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 200 gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. \r\n
      \r\n
      There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Jimmie Vaughan (guitar, vocals), Al Berry, Preston Hubbard (bass), Stan Harrison, Steve Elson (saxophone), Richard Hilton (piano, keyboards), Larry Aberman, Doyle Bramhall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DA_V0W3qtMY"
    -referenceProduit: "Analogue Productions AAPP 0100"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Hard To Be"
      ]
      [
        "ordre" => 2
        "nom" => "2. White Boots"
      ]
      [
        "ordre" => 3
        "nom" => "3. D/FW"
      ]
      [
        "ordre" => 4
        "nom" => "4. Good Texan"
      ]
      [
        "ordre" => 5
        "nom" => "5. Hillbillies From Outerspace"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Long Way From Home"
      ]
      [
        "ordre" => 8
        "nom" => "2. Tick Tock"
      ]
      [
        "ordre" => 9
        "nom" => "3. Telephone Song"
      ]
      [
        "ordre" => 10
        "nom" => "4. Baboom/Mama Said"
      ]
      [
        "ordre" => 11
        "nom" => "5. Brothers"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2057 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2066 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2059 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2061 …}
    -enregistreLe: DateTime @1470461494 {#2052
      date: 2016-08-06 05:31:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770038207 {#2053
      date: 2026-02-02 13:16:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2063 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-family-style-analogue-productions-aapp-0100"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3251
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2624 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2055
    -id: 994
    -nom: "Family Style"
    -informationComplementaire: null
    -description: """
      - Mastered from the original tapes by Ryan Smith at Sterling Sound !\r\n
      - 180 gram pressing by Quality Record Pressings !\r\n
      \r\n
      With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.\r\n
      \r\n
      Stevie Ray had made music beyond the powers of most musicians but for this 1990 studio collaboration he returned to the things he loved: upbeat music and working with the brother he idolized his whole life. In his early years, Stevie Ray Vaughan often remarked that he would like to do an album with his brother. He fulfilled that wish in his very last studio performance, which was released nearly a month after his death. The liner notes end with "Thanks Mama V. for letting us play". With slick production from Nile Rodgers and employing neither guitarist's band (Double Trouble nor the Fabulous Thunderbirds), this is bluesy, but far from purist. Jimmie makes his vocal debut on "White Boots" and "Good Texan" and the brothers blur the lines between their expected guitar styles - Stevie sometimes going for a less sustained twang, Jimmie moving into Albert King territory.\r\n
      \r\n
      As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 200 gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. \r\n
      \r\n
      There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Jimmie Vaughan (guitar, vocals), Al Berry, Preston Hubbard (bass), Stan Harrison, Steve Elson (saxophone), Richard Hilton (piano, keyboards), Larry Aberman, Doyle Bramhall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DA_V0W3qtMY"
    -referenceProduit: "Analogue Productions AAPP 0100"
    -titreMorceau: [
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        "ordre" => 1
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        "nom" => "4. Good Texan"
      ]
      [
        "ordre" => 5
        "nom" => "5. Hillbillies From Outerspace"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Long Way From Home"
      ]
      [
        "ordre" => 8
        "nom" => "2. Tick Tock"
      ]
      [
        "ordre" => 9
        "nom" => "3. Telephone Song"
      ]
      [
        "ordre" => 10
        "nom" => "4. Baboom/Mama Said"
      ]
      [
        "ordre" => 11
        "nom" => "5. Brothers"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2057 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2066 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2059 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2061 …}
    -enregistreLe: DateTime @1470461494 {#2052
      date: 2016-08-06 05:31:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770038207 {#2053
      date: 2026-02-02 13:16:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2063 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-family-style-analogue-productions-aapp-0100"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2392 …}
}

[
  "produit" => App\Entity\Produit {#2071
    -id: 1120
    -nom: "Family Style (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Mastered from the original tapes by Ryan Smith at Sterling Sound !\r\n
      - 180 gram pressing by Quality Record Pressings !\r\n
      \r\n
      With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.\r\n
      \r\n
      Stevie Ray had made music beyond the powers of most musicians but for this 1990 studio collaboration he returned to the things he loved: upbeat music and working with the brother he idolized his whole life. In his early years, Stevie Ray Vaughan often remarked that he would like to do an album with his brother. He fulfilled that wish in his very last studio performance, which was released nearly a month after his death. The liner notes end with "Thanks Mama V. for letting us play". With slick production from Nile Rodgers and employing neither guitarist's band (Double Trouble nor the Fabulous Thunderbirds), this is bluesy, but far from purist. Jimmie makes his vocal debut on "White Boots" and "Good Texan" and the brothers blur the lines between their expected guitar styles - Stevie sometimes going for a less sustained twang, Jimmie moving into Albert King territory.\r\n
      \r\n
      As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 180 gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. \r\n
      \r\n
      There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Jimmie Vaughan (guitar, vocals), Al Berry, Preston Hubbard (bass), Stan Harrison, Steve Elson (saxophone), Richard Hilton (piano, keyboards), Larry Aberman, Doyle Bramhall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mYLGcymAXN4"
    -referenceProduit: "Analogue Productions AAPP 0100-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Hard To Be "
      ]
      [
        "ordre" => 2
        "nom" => "2. White Boots"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. D/FW"
      ]
      [
        "ordre" => 5
        "nom" => "2. Good Texan"
      ]
      [
        "ordre" => 6
        "nom" => "3. Hillbillies From Outerspace"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Long Way From Home"
      ]
      [
        "ordre" => 9
        "nom" => "2. Tick Tock"
      ]
      [
        "ordre" => 10
        "nom" => "3. Telephone Song"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Baboom/Mama Said"
      ]
      [
        "ordre" => 13
        "nom" => "2. Brothers"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2057 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2079 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2072 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2074 …}
    -enregistreLe: DateTime @1485674098 {#2068
      date: 2017-01-29 07:14:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770038111 {#2069
      date: 2026-02-02 13:15:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2076 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-family-style-2-lp-45-rpm-analogue-productions-aapp-0100-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3304
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2624 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2071
    -id: 1120
    -nom: "Family Style (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Mastered from the original tapes by Ryan Smith at Sterling Sound !\r\n
      - 180 gram pressing by Quality Record Pressings !\r\n
      \r\n
      With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.\r\n
      \r\n
      Stevie Ray had made music beyond the powers of most musicians but for this 1990 studio collaboration he returned to the things he loved: upbeat music and working with the brother he idolized his whole life. In his early years, Stevie Ray Vaughan often remarked that he would like to do an album with his brother. He fulfilled that wish in his very last studio performance, which was released nearly a month after his death. The liner notes end with "Thanks Mama V. for letting us play". With slick production from Nile Rodgers and employing neither guitarist's band (Double Trouble nor the Fabulous Thunderbirds), this is bluesy, but far from purist. Jimmie makes his vocal debut on "White Boots" and "Good Texan" and the brothers blur the lines between their expected guitar styles - Stevie sometimes going for a less sustained twang, Jimmie moving into Albert King territory.\r\n
      \r\n
      As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 180 gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. \r\n
      \r\n
      There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Jimmie Vaughan (guitar, vocals), Al Berry, Preston Hubbard (bass), Stan Harrison, Steve Elson (saxophone), Richard Hilton (piano, keyboards), Larry Aberman, Doyle Bramhall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mYLGcymAXN4"
    -referenceProduit: "Analogue Productions AAPP 0100-45"
    -titreMorceau: [
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      [
        "ordre" => 4
        "nom" => "1. D/FW"
      ]
      [
        "ordre" => 5
        "nom" => "2. Good Texan"
      ]
      [
        "ordre" => 6
        "nom" => "3. Hillbillies From Outerspace"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Long Way From Home"
      ]
      [
        "ordre" => 9
        "nom" => "2. Tick Tock"
      ]
      [
        "ordre" => 10
        "nom" => "3. Telephone Song"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Baboom/Mama Said"
      ]
      [
        "ordre" => 13
        "nom" => "2. Brothers"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2057 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2079 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2072 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2074 …}
    -enregistreLe: DateTime @1485674098 {#2068
      date: 2017-01-29 07:14:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770038111 {#2069
      date: 2026-02-02 13:15:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2076 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-family-style-2-lp-45-rpm-analogue-productions-aapp-0100-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2392 …}
}

[
  "produit" => App\Entity\Produit {#2084
    -id: 2945
    -nom: "A Dynamic New Sound - Guitar/Organ/Drums"
    -informationComplementaire: "AVAILABILITY : 28/02/2026 (subject Analogue Productions)"
    -description: """
      - The Wes Montgomery Trio "A Dynamic New Sound : Guitar/Organ/Drums" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      The Wes Montgomery Trio "A Dynamic New Sound : Guitar/Organ/Drums", was the album that said : "Hello world, Wes has arrived and he brought friends !".\r\n
      \r\n
      Before Full House brought the fire, The Wes Montgomery Trio brought the vibe. Released in 1959, this was Montgomery's debut on Riverside Records and let's just say, he didn't exactly tiptoe onto the scene. He kicked the door in with thumb-picking swagger, octave magic, and tone so warm it could toast bread.\r\n
      \r\n
      So, what's the deal with this album ?\r\n
      \r\n
      It's right there in the subtitle : Guitar. Organ. Drums. That's it. No bass, no brass, no safety net. Just Wes on guitar, the criminally underrated Melvin Rhyne on Hammond B-3 organ (talk about groove!), and Paul Parker on drums keeping it tight and tasteful. The result ? A sound so lean and soulful, it practically invented the jazz organ trio aesthetic we know and love today. Wes' tone? Velvet meets voltage. Melvin's organ work ? Church on Sunday meets smoky after-hours club. Paul's drumming? Like a good bartender never flashy, but always exactly what you need.\r\n
      \r\n
      This was a bold move : no bass, no piano, just pure stripped-down swing and it worked. Why ? Because these guys listened to each other. They locked in and gave Wes the space to shine. You can hear the joy in the playing, the energy of three guys who knew they were onto something.\r\n
      \r\n
      Jazz fans didn't just nod politely they flipped. Critics called it fresh, hip, and boundary-pushing. Montgomery's style, which fused bluesy soulfulness with dazzling technical control, immediately caught ears. This wasn't just a good debut it was a statement. And it sold, helping launch Wes into the jazz stratosphere.\r\n
      \r\n
      We've given this timeless album the full Analogue Productions treatment: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      This classic album belongs in your jazz collection because it symbolizes the moment the legend began. It's raw, it's real, and it's ridiculously cool. If jazz history were a superhero movie, The Wes Montgomery Trio would be the thrilling origin story. Plus, it grooves hard enough to make your neighbors forgive you for playing it at full volume (again).\r\n
      \r\n
      Go ahead make room on the shelf. This one earns it.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1822 …}
    -musicienOrchestre: "Wes Montgomery (guitar), Melvin Rhyne (Hammond organ B3), Paul Parker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=2XKl84X0U_8&list=RD2XKl84X0U_8&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 213-45"
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    -id: 2945
    -nom: "A Dynamic New Sound - Guitar/Organ/Drums"
    -informationComplementaire: "AVAILABILITY : 28/02/2026 (subject Analogue Productions)"
    -description: """
      - The Wes Montgomery Trio "A Dynamic New Sound : Guitar/Organ/Drums" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
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      The Wes Montgomery Trio "A Dynamic New Sound : Guitar/Organ/Drums", was the album that said : "Hello world, Wes has arrived and he brought friends !".\r\n
      \r\n
      Before Full House brought the fire, The Wes Montgomery Trio brought the vibe. Released in 1959, this was Montgomery's debut on Riverside Records and let's just say, he didn't exactly tiptoe onto the scene. He kicked the door in with thumb-picking swagger, octave magic, and tone so warm it could toast bread.\r\n
      \r\n
      So, what's the deal with this album ?\r\n
      \r\n
      It's right there in the subtitle : Guitar. Organ. Drums. That's it. No bass, no brass, no safety net. Just Wes on guitar, the criminally underrated Melvin Rhyne on Hammond B-3 organ (talk about groove!), and Paul Parker on drums keeping it tight and tasteful. The result ? A sound so lean and soulful, it practically invented the jazz organ trio aesthetic we know and love today. Wes' tone? Velvet meets voltage. Melvin's organ work ? Church on Sunday meets smoky after-hours club. Paul's drumming? Like a good bartender never flashy, but always exactly what you need.\r\n
      \r\n
      This was a bold move : no bass, no piano, just pure stripped-down swing and it worked. Why ? Because these guys listened to each other. They locked in and gave Wes the space to shine. You can hear the joy in the playing, the energy of three guys who knew they were onto something.\r\n
      \r\n
      Jazz fans didn't just nod politely they flipped. Critics called it fresh, hip, and boundary-pushing. Montgomery's style, which fused bluesy soulfulness with dazzling technical control, immediately caught ears. This wasn't just a good debut it was a statement. And it sold, helping launch Wes into the jazz stratosphere.\r\n
      \r\n
      We've given this timeless album the full Analogue Productions treatment: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
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      \r\n
      Go ahead make room on the shelf. This one earns it.
      """
    -prixVente: "99.50"
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[
  "produit" => App\Entity\Produit {#2100
    -id: 2847
    -nom: "Thelonious Monk with John Coltrane"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Thelonious Monk & John Coltrane "Thelonious Monk with John Coltrane" !\r\n
      - One of seven standout Thelonious Monk albums from the Riverside Records catalog !\r\n
      - Reissued on 180 gram vinyl by Analogue Productions !\r\n
      - Mastered AAA by Kevin Gray from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Stoughton Printing tip-on jacket !\r\n
      \r\n
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      \r\n
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      """
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -nom: "Thelonious Monk with John Coltrane"
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      - Reissued on 180 gram vinyl by Analogue Productions !\r\n
      - Mastered AAA by Kevin Gray from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Stoughton Printing tip-on jacket !\r\n
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      \r\n
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  "produit" => App\Entity\Produit {#2116
    -id: 707
    -nom: "Tony Bennett At Carnegie Hall"
    -informationComplementaire: null
    -description: """
      - Live in 1962, Tony Bennett at Carnegie Hall, a testament to Bennett's live vocal ability !\r\n
      - Mastered by Ryan Smith at Sterling Sound from the original analog 3 track tapes !\r\n
      - 180 gram double LP plated and pressed at Quality Record Pressings !\r\n
      - Deluxe "old style" tip-on heavyweight gatefold jackets by Stoughton Printing !\r\n
      - Featuring original studio photography expanded and enhanced !\r\n
      \r\n
      "The sound here, as mastered from the original 3-track masters by Ryan Smith at Sterling Sound, is as fabulous as the music. The balance between Bennett and the orchestra is near perfect, with a lively sense of air, space and dynamic snap. The Columbia engineers captured Bennett's voice and the instruments with the relaxed naturalness they created on this stellar evening". - Music = 4.5/5; Sonics = 4.5/5 - Wayne Garcia, The Absolute Sound, July 2015.\r\n
      \r\n
      "The original of this double LP set was a sonic spectacular that now sounds veiled and somewhat distant compared to this stupidly, insanely spectacular-sounding reissue cut for the first time from the edited original 3-track tape. Two recorders were utilized, probably either one for backup or for when reels were about to run out of tape. We know the reels were edited both because the complete concert was eventually issued on CD and because here, with the high resolution mastering and jet black backgrounds of the QRP pressing, you can better hear the edits-not that they distract from the proceedings". Music = 10/11; Sound = 11/11 - Michael Fremer, AnalogPlanet.com. To read Fremer's full review, click here.\r\n
      \r\n
      This is it, the live, double LP where the magical Tony Bennett created indelible memories! Tony Bennett at Carnegie Hall is the Tony Bennett album to buy for any Bennett fan or those just introduced to his music. And you'll never hear or experience it presented in finer fashion than from this outstanding reissue by Analogue Productions and Quality Record Pressings !\r\n
      \r\n
      We've given Tony Bennett at Carnegie Hall the deluxe reissue treatment. Starting with premier mastering by Ryan Smith at Sterling Sound from the original analog tapes. Then plating and presssing by Gary Salstrom and the crew at Quality Record Pressings, where the finest quality LPs in the world are pressed. But it doesn't stop there: We've expanded and enhanced the original studio photography, which was supplied by Sony to our graphic designers. And we've wrapped up the whole package in a deluxe "old-school" tip-on gatefold jacket from Stoughton Printing !\r\n
      \r\n
      Originally recorded in 1962, Tony Bennett at Carnegie Hall is a testament to Bennett's live vocal ability, writes AllMusic.com. Backed by the Ralph Sharon Orchestra, Bennett moves far beyond his standard musical catalogue.\r\n
      \r\n
      Along with standards like "I Left My Heart in San Francisco" and "Just in Time", Bennettreached out to create great medleys such as "(I Like New York in June) How About You / April in Paris", that automatically become his as soon as they are performed. Altogether there are 28 tracks on the album. Most remarkable is the clarity of the recording of the concert. If not for the tremendous applause of the audience, you could swear that Bennett had recorded each track in the studio. A masterpiece !
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
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    -referenceProduit: "Analogue Productions AAPP 0823"
    -titreMorceau: [
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        "ordre" => 3
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        "ordre" => 4
        "nom" => "4. Stranger In Paradise"
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        "ordre" => 5
        "nom" => "5. Love Is Here To Stay"
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      [
        "ordre" => 6
        "nom" => "6. Climb Ev'ry Mountain"
      ]
      [
        "ordre" => 7
        "nom" => "7. Ol' Man River"
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      [
        "ordre" => 8
        "nom" => "Side B :"
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      [
        "ordre" => 9
        "nom" => "1. It Amazes Me"
      ]
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        "ordre" => 10
        "nom" => "2. Firefly"
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      [
        "ordre" => 11
        "nom" => "3. In San Francisco"
      ]
      [
        "ordre" => 12
        "nom" => "4. How About You"
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        "ordre" => 13
        "nom" => "5. April In Paris"
      ]
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        "ordre" => 14
        "nom" => "6. Solitude"
      ]
      [
        "ordre" => 15
        "nom" => "7. I'm Just A Lucky So And So"
      ]
      [
        "ordre" => 16
        "nom" => "Side C : "
      ]
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        "ordre" => 17
        "nom" => "1. Always"
      ]
      [
        "ordre" => 18
        "nom" => "2. Anything Goes"
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        "nom" => "3. Blue Velvet"
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        "ordre" => 20
        "nom" => "4. Rags To Riches"
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        "nom" => "Side D : "
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        "nom" => "2. Sing You Sinners"
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        "nom" => "6. De Glory Road"
      ]
    ]
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    -id: 707
    -nom: "Tony Bennett At Carnegie Hall"
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    -description: """
      - Live in 1962, Tony Bennett at Carnegie Hall, a testament to Bennett's live vocal ability !\r\n
      - Mastered by Ryan Smith at Sterling Sound from the original analog 3 track tapes !\r\n
      - 180 gram double LP plated and pressed at Quality Record Pressings !\r\n
      - Deluxe "old style" tip-on heavyweight gatefold jackets by Stoughton Printing !\r\n
      - Featuring original studio photography expanded and enhanced !\r\n
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      "The sound here, as mastered from the original 3-track masters by Ryan Smith at Sterling Sound, is as fabulous as the music. The balance between Bennett and the orchestra is near perfect, with a lively sense of air, space and dynamic snap. The Columbia engineers captured Bennett's voice and the instruments with the relaxed naturalness they created on this stellar evening". - Music = 4.5/5; Sonics = 4.5/5 - Wayne Garcia, The Absolute Sound, July 2015.\r\n
      \r\n
      "The original of this double LP set was a sonic spectacular that now sounds veiled and somewhat distant compared to this stupidly, insanely spectacular-sounding reissue cut for the first time from the edited original 3-track tape. Two recorders were utilized, probably either one for backup or for when reels were about to run out of tape. We know the reels were edited both because the complete concert was eventually issued on CD and because here, with the high resolution mastering and jet black backgrounds of the QRP pressing, you can better hear the edits-not that they distract from the proceedings". Music = 10/11; Sound = 11/11 - Michael Fremer, AnalogPlanet.com. To read Fremer's full review, click here.\r\n
      \r\n
      This is it, the live, double LP where the magical Tony Bennett created indelible memories! Tony Bennett at Carnegie Hall is the Tony Bennett album to buy for any Bennett fan or those just introduced to his music. And you'll never hear or experience it presented in finer fashion than from this outstanding reissue by Analogue Productions and Quality Record Pressings !\r\n
      \r\n
      We've given Tony Bennett at Carnegie Hall the deluxe reissue treatment. Starting with premier mastering by Ryan Smith at Sterling Sound from the original analog tapes. Then plating and presssing by Gary Salstrom and the crew at Quality Record Pressings, where the finest quality LPs in the world are pressed. But it doesn't stop there: We've expanded and enhanced the original studio photography, which was supplied by Sony to our graphic designers. And we've wrapped up the whole package in a deluxe "old-school" tip-on gatefold jacket from Stoughton Printing !\r\n
      \r\n
      Originally recorded in 1962, Tony Bennett at Carnegie Hall is a testament to Bennett's live vocal ability, writes AllMusic.com. Backed by the Ralph Sharon Orchestra, Bennett moves far beyond his standard musical catalogue.\r\n
      \r\n
      Along with standards like "I Left My Heart in San Francisco" and "Just in Time", Bennettreached out to create great medleys such as "(I Like New York in June) How About You / April in Paris", that automatically become his as soon as they are performed. Altogether there are 28 tracks on the album. Most remarkable is the clarity of the recording of the concert. If not for the tremendous applause of the audience, you could swear that Bennett had recorded each track in the studio. A masterpiece !
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Tony Bennett (vocals), Ralph Sharon and His Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=5VwKAGk_i6s"
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        "nom" => "1. It Amazes Me"
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        "nom" => "2. Firefly"
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        "nom" => "3. In San Francisco"
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    ]
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[
  "produit" => App\Entity\Produit {#2132
    -id: 1845
    -nom: "Black And White"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Tony Joe White's 1969 album debut featuring the hit "Polk Salad Annie" !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tape !\r\n
      - Plated and 180 gram pressing by Quality Record Pressings !\r\n
      - Tip-on gatefold jacket by Stoughton Printing !\r\n
      - Highly recommended for fans of Creedence Clearwater Revival, and J.J. Cale !\r\n
      \r\n
      Singer-songwriter Tony Joe White's most well-known hit led off this way "Some of ya'll still never been down South... down there we've got a plant, looks somethin' like a turnip green. 'Cept it ain't".\r\n
      \r\n
      "Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Rivival's Bayou Country and Green River.\r\n
      \r\n
      Released in 1969, White's album debut Black and White contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia").\r\n
      \r\n
      This Analogue Productions edition is the highest-quality reissue of Black and White released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 180 gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty.\r\n
      \r\n
      Besides "Annie", side one of Black and White includes several other White originals. AllMusic judges the best of these to be "Willie and Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia", a White composition popularized by Brook Benton.\r\n
      \r\n
      The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie and Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade.\r\n
      \r\n
      Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -preCommande: true
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    -extraitYoutube: "https://www.youtube.com/watch?v=5rV17yhXyL0"
    -referenceProduit: "Analogue Productions AAPP 0129"
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        "ordre" => 12
        "nom" => "5. Look Of Love"
      ]
    ]
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  +produit: App\Entity\Produit {#2132
    -id: 1845
    -nom: "Black And White"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Tony Joe White's 1969 album debut featuring the hit "Polk Salad Annie" !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tape !\r\n
      - Plated and 180 gram pressing by Quality Record Pressings !\r\n
      - Tip-on gatefold jacket by Stoughton Printing !\r\n
      - Highly recommended for fans of Creedence Clearwater Revival, and J.J. Cale !\r\n
      \r\n
      Singer-songwriter Tony Joe White's most well-known hit led off this way "Some of ya'll still never been down South... down there we've got a plant, looks somethin' like a turnip green. 'Cept it ain't".\r\n
      \r\n
      "Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Rivival's Bayou Country and Green River.\r\n
      \r\n
      Released in 1969, White's album debut Black and White contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia").\r\n
      \r\n
      This Analogue Productions edition is the highest-quality reissue of Black and White released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 180 gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty.\r\n
      \r\n
      Besides "Annie", side one of Black and White includes several other White originals. AllMusic judges the best of these to be "Willie and Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia", a White composition popularized by Brook Benton.\r\n
      \r\n
      The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie and Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade.\r\n
      \r\n
      Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Tony Joe White (guitar, harmonica, vocals), Chip Young (guitar), David Briggs (piano, organ), Norbert Putnam (bass), Jerry Carrigan, Jimmy Isbell (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -preCommande: true
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    -extraitYoutube: "https://www.youtube.com/watch?v=5rV17yhXyL0"
    -referenceProduit: "Analogue Productions AAPP 0129"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "ordre" => 1
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        "ordre" => 3
        "nom" => "3. Aspen Colorado "
      ]
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        "nom" => "4. Whompt Out On You "
      ]
      [
        "ordre" => 5
        "nom" => "5. Don't Steal My Love "
      ]
      [
        "ordre" => 6
        "nom" => "6. Polk Salad Annie "
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Who's Making Love "
      ]
      [
        "ordre" => 9
        "nom" => "2. Scratch My Back "
      ]
      [
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        "nom" => "3. Little Green Apples "
      ]
      [
        "ordre" => 11
        "nom" => "4. Wichita Lineman "
      ]
      [
        "ordre" => 12
        "nom" => "5. Look Of Love"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2134 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2136 …}
    -typeMasterTape: null
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[
  "produit" => App\Entity\Produit {#2148
    -id: 2846
    -nom: "Homemade Ice Cream (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Now a double LP cut at 45 RPM ! Improved tracking, high freqency response !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tape !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Old-style heavyweight tip-on jacket from Stoughton Printing !\r\n
      - A Personal Favorite of Acoustic Sounds CEO Chad Kassem !\r\n
      - Hi-Fi News 2019 Album Choice selection for Year's Best LPs !\r\n
      - Hi-Fi News June 2019 Album Choice selection !\r\n
      \r\n
      "This superb reissue is a fitting tribute to the finest purveyor ever of 'Swamp Rock,' White having passed late last year. Although best known for composing the Elvis hit 'Polk Salad Annie', and 'Rainy Night In Georgia', a smash for Brook Benton in 1970, his own LPs were also something special. Three seconds into this 1973 release and your jaw will drop: the most melodic, tactile lower registers this side of a Kodo album. Every composition mixes wit, wisdom and winsomeness, with musicianship of the highest order it was recorded in Nashville with sidemen including David Briggs and Norbert Putnam. Above it all, though, is a voice so textured and deep that it makes J.J. Cale sound like Klaus Nomi". - Sound Quality: 95% - Ken Kessler, Hi Fi News, June 2019\r\n
      \r\n
      "I have been tempted to buy a repress of this title... I'm pleased I waited, very pleased! And I can stop looking for a quality used original too. This is one of those intimate albums that gets better the later in the day you happen to sit with it; I know it'll get even better with a glass of wine on a warm summer evening too. Kevin Gray mastered, nothing else need be said. ... I'm not so sure about this not being a top seller; anyone who enjoys music would be a fool to miss out on this. With only 1,000 pressed initially it may well be that it fulfills that prophesy, so get it while you can. I hope demand results in another pressing run... If you "do" 45 RPM cuts, what are you waiting for ? You really can't go wrong or will regret picking this one up". - Gordon Johnson, Jimpress\r\n
      \r\n
      Praise for our 33 1/3 version :\r\n
      \r\n
      "Audiophiles, this is a must-have LP. The sound is completely natural with no studio artifacts. What stands out, though, are the timbral qualities of the instruments and White's great voice. Organ, piano and bass are there for harmonic effect, but the sounds of the drums and guitars are some of the best I've heard from my system. Originally recorded in 1973, this reissue LP jumped to the top of my short list for Audiophilia's Star Recordings of the Year, 2013". Anthony Kershaw, Audiophilia.com, May 2013\r\n
      \r\n
      "From the fantastic opening groove of 'Saturday Nite in Oak Grove, Louisiana' to soul searching ballads like 'For Ol' Times Sake' and 'Ol' Mother Earth', Homemade Ice Cream will sustain your interest with great melodies and superb playing. And all are sung with charisma and sensitivity featuring White's husky baritone voice." Anthony Kershaw, Audiophilia.com, May 2013\r\n
      \r\n
      "This is, after all, the man who gave 'Polk Salad Annie' to Elvis (although White did hit the charts with it) and 'Rainy Night in Georgia' to Brook Benton, as well as creating hits for Dusty Springfield, Hank Williams Jr. and many others... TJW is swampier than the rest, so this will appeal to anyone who used to read ZigZag". Sound Quality : 86% - Ken Kessler, Hi-Fi News, August 2012\r\n
      \r\n
      "Not a song on this album is less than compelling and some are downright searing. White's vulnerability and ability to convey heartbreak and hurt put him in Roy Orbison's class, though he expresses these feelings less bombastically... The sound starts out really good but just gets better as it goes, with side two's final four tracks being astonishingly transparent and intimate-sounding - as if you're sitting on the other side of the microphones... The Quality Record Pressings pressing quality is state of the art". Music = 8/11; Sound = 9/11 - Michael Fremer, MusicAngle.com, March 2012\r\n
      \r\n
      "... Among the mass of truly memorable and talented songwriters who practiced their craft in the late 1960s and early '70s, Tony Joe White is the quiet master... It's slightly mind-twisting to think that the LP reissue movement is now digging deep into major-label catalogs the way CD reissues once did. Dig on !" Performance = 3.5/5; Sonics = 4/5 - Robert Baird, Stereophile, January 2012\r\n
      \r\n
      "You might not know this record", says Chad, "but give it a try and I guarantee you will be blown away".\r\n
      \r\n
      You may or may not know of Tony Joe White, but we all know his two most famous songs "Polk Salad Annie" and "Rainy Night In Georgia". This record is up to the standards of those great numbers. So soulful, humid, rich and textured. Or as Tony Joe would say, "It's swampy".\r\n
      \r\n
      And because it's such a classic, such a southern musical touchstone, we've gone and upped the ante making this standout a 45 RPM double LP release. Veteran audiophiles know and hear the difference. With more LP real estate, inner groove distortion is reduced and tracking by your stereo cartridge is improved. That's a major sonic advantage ! Mastered by Kevin Gray at Cohearent Audio from the original analog tape, this LP sounds phenomenal from the first note to the last fade out.\r\n
      \r\n
      The last four songs on side two of this album are going to positively floor you. They are so sparse and bluesy and emotional. And the sound is as good as the music. With this new QRP pressing, the sound is so good it's tape-like. So solid and jet-black is the foundation from which the music just jumps. Ya gotta hear it to understand what we're trying to describe. It's one of those jaw-hit-the-floor, sit-in-stunned-silence, goose-bump-raising, tears-in-your-eyes records. You know, the kind we're all looking for as audiophiles ? \r\n
      \r\n
      When Chad decided to reissue this album, he knew that it wasn't going to be a top-seller. But it's one of his all-time favorites for music and sound, and we feel that whoever takes a chance on this one is going to be richly rewarded. We gotta figure this one is going to end up being one of the favorites of some of our customers, too. If you trust us at all, you can buy with great confidence.\r\n
      \r\n
      Homeade Ice Cream was originally released in 1973 on Warner Bros. and was co-produced by White and legendary Atlantic producer Tom Dowd. It's White's sixth overall record and his third for Warner Bros. This is very much a back porch acoustic affair. The music has the space to breathe, one of the reasons for the life-like sound.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Tony Joe White (guitar, harmonica, lead vocals), Reggie Young (guitar), David Briggs (piano, organ), Norbert Putnam\t(bass), Kenny Malone (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=puDI-CDKWDc&list=OLAK5uy_mZNCTrqume0w5E3QHwZj78jzV3Oij8Y8k&index=4"
    -referenceProduit: "Analogue Productions AAPP 2708-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Saturday Night In Oak Grove Louisiana"
      ]
      [
        "ordre" => 2
        "nom" => "2. For Ol' Times Sake"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Want Love ('Tween You & Me)"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Homemade Ice Cream"
      ]
      [
        "ordre" => 6
        "nom" => "2. Ol'Mother Earth "
      ]
      [
        "ordre" => 7
        "nom" => "3. Lazy"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. California On My Mind"
      ]
      [
        "ordre" => 10
        "nom" => "2. Backwoods Preacher Man"
      ]
      [
        "ordre" => 11
        "nom" => "3. Takin' The Midnight Train"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. No News Is Good News"
      ]
      [
        "ordre" => 14
        "nom" => "2. Did Somebody Make A Fool Out Of You"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2134 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2156 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2149 …}
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    -modifierLe: DateTime @1770015220 {#2146
      date: 2026-02-02 06:53:40.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2153 …}
    -disponible: null
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    -slug: "vinyles-homemade-ice-cream-2-lp-45-rpm-analogue-productions-aapp-2708-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3556
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2624 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2148
    -id: 2846
    -nom: "Homemade Ice Cream (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Now a double LP cut at 45 RPM ! Improved tracking, high freqency response !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tape !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Old-style heavyweight tip-on jacket from Stoughton Printing !\r\n
      - A Personal Favorite of Acoustic Sounds CEO Chad Kassem !\r\n
      - Hi-Fi News 2019 Album Choice selection for Year's Best LPs !\r\n
      - Hi-Fi News June 2019 Album Choice selection !\r\n
      \r\n
      "This superb reissue is a fitting tribute to the finest purveyor ever of 'Swamp Rock,' White having passed late last year. Although best known for composing the Elvis hit 'Polk Salad Annie', and 'Rainy Night In Georgia', a smash for Brook Benton in 1970, his own LPs were also something special. Three seconds into this 1973 release and your jaw will drop: the most melodic, tactile lower registers this side of a Kodo album. Every composition mixes wit, wisdom and winsomeness, with musicianship of the highest order it was recorded in Nashville with sidemen including David Briggs and Norbert Putnam. Above it all, though, is a voice so textured and deep that it makes J.J. Cale sound like Klaus Nomi". - Sound Quality: 95% - Ken Kessler, Hi Fi News, June 2019\r\n
      \r\n
      "I have been tempted to buy a repress of this title... I'm pleased I waited, very pleased! And I can stop looking for a quality used original too. This is one of those intimate albums that gets better the later in the day you happen to sit with it; I know it'll get even better with a glass of wine on a warm summer evening too. Kevin Gray mastered, nothing else need be said. ... I'm not so sure about this not being a top seller; anyone who enjoys music would be a fool to miss out on this. With only 1,000 pressed initially it may well be that it fulfills that prophesy, so get it while you can. I hope demand results in another pressing run... If you "do" 45 RPM cuts, what are you waiting for ? You really can't go wrong or will regret picking this one up". - Gordon Johnson, Jimpress\r\n
      \r\n
      Praise for our 33 1/3 version :\r\n
      \r\n
      "Audiophiles, this is a must-have LP. The sound is completely natural with no studio artifacts. What stands out, though, are the timbral qualities of the instruments and White's great voice. Organ, piano and bass are there for harmonic effect, but the sounds of the drums and guitars are some of the best I've heard from my system. Originally recorded in 1973, this reissue LP jumped to the top of my short list for Audiophilia's Star Recordings of the Year, 2013". Anthony Kershaw, Audiophilia.com, May 2013\r\n
      \r\n
      "From the fantastic opening groove of 'Saturday Nite in Oak Grove, Louisiana' to soul searching ballads like 'For Ol' Times Sake' and 'Ol' Mother Earth', Homemade Ice Cream will sustain your interest with great melodies and superb playing. And all are sung with charisma and sensitivity featuring White's husky baritone voice." Anthony Kershaw, Audiophilia.com, May 2013\r\n
      \r\n
      "This is, after all, the man who gave 'Polk Salad Annie' to Elvis (although White did hit the charts with it) and 'Rainy Night in Georgia' to Brook Benton, as well as creating hits for Dusty Springfield, Hank Williams Jr. and many others... TJW is swampier than the rest, so this will appeal to anyone who used to read ZigZag". Sound Quality : 86% - Ken Kessler, Hi-Fi News, August 2012\r\n
      \r\n
      "Not a song on this album is less than compelling and some are downright searing. White's vulnerability and ability to convey heartbreak and hurt put him in Roy Orbison's class, though he expresses these feelings less bombastically... The sound starts out really good but just gets better as it goes, with side two's final four tracks being astonishingly transparent and intimate-sounding - as if you're sitting on the other side of the microphones... The Quality Record Pressings pressing quality is state of the art". Music = 8/11; Sound = 9/11 - Michael Fremer, MusicAngle.com, March 2012\r\n
      \r\n
      "... Among the mass of truly memorable and talented songwriters who practiced their craft in the late 1960s and early '70s, Tony Joe White is the quiet master... It's slightly mind-twisting to think that the LP reissue movement is now digging deep into major-label catalogs the way CD reissues once did. Dig on !" Performance = 3.5/5; Sonics = 4/5 - Robert Baird, Stereophile, January 2012\r\n
      \r\n
      "You might not know this record", says Chad, "but give it a try and I guarantee you will be blown away".\r\n
      \r\n
      You may or may not know of Tony Joe White, but we all know his two most famous songs "Polk Salad Annie" and "Rainy Night In Georgia". This record is up to the standards of those great numbers. So soulful, humid, rich and textured. Or as Tony Joe would say, "It's swampy".\r\n
      \r\n
      And because it's such a classic, such a southern musical touchstone, we've gone and upped the ante making this standout a 45 RPM double LP release. Veteran audiophiles know and hear the difference. With more LP real estate, inner groove distortion is reduced and tracking by your stereo cartridge is improved. That's a major sonic advantage ! Mastered by Kevin Gray at Cohearent Audio from the original analog tape, this LP sounds phenomenal from the first note to the last fade out.\r\n
      \r\n
      The last four songs on side two of this album are going to positively floor you. They are so sparse and bluesy and emotional. And the sound is as good as the music. With this new QRP pressing, the sound is so good it's tape-like. So solid and jet-black is the foundation from which the music just jumps. Ya gotta hear it to understand what we're trying to describe. It's one of those jaw-hit-the-floor, sit-in-stunned-silence, goose-bump-raising, tears-in-your-eyes records. You know, the kind we're all looking for as audiophiles ? \r\n
      \r\n
      When Chad decided to reissue this album, he knew that it wasn't going to be a top-seller. But it's one of his all-time favorites for music and sound, and we feel that whoever takes a chance on this one is going to be richly rewarded. We gotta figure this one is going to end up being one of the favorites of some of our customers, too. If you trust us at all, you can buy with great confidence.\r\n
      \r\n
      Homeade Ice Cream was originally released in 1973 on Warner Bros. and was co-produced by White and legendary Atlantic producer Tom Dowd. It's White's sixth overall record and his third for Warner Bros. This is very much a back porch acoustic affair. The music has the space to breathe, one of the reasons for the life-like sound.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Tony Joe White (guitar, harmonica, lead vocals), Reggie Young (guitar), David Briggs (piano, organ), Norbert Putnam\t(bass), Kenny Malone (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=puDI-CDKWDc&list=OLAK5uy_mZNCTrqume0w5E3QHwZj78jzV3Oij8Y8k&index=4"
    -referenceProduit: "Analogue Productions AAPP 2708-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Saturday Night In Oak Grove Louisiana"
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      [
        "ordre" => 2
        "nom" => "2. For Ol' Times Sake"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Want Love ('Tween You & Me)"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Homemade Ice Cream"
      ]
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        "ordre" => 6
        "nom" => "2. Ol'Mother Earth "
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      [
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      [
        "ordre" => 10
        "nom" => "2. Backwoods Preacher Man"
      ]
      [
        "ordre" => 11
        "nom" => "3. Takin' The Midnight Train"
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      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. No News Is Good News"
      ]
      [
        "ordre" => 14
        "nom" => "2. Did Somebody Make A Fool Out Of You"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2134 …}
    -label: App\Entity\Label {#1063 …}
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    -modifierLe: DateTime @1770015220 {#2146
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2153 …}
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    -slug: "vinyles-homemade-ice-cream-2-lp-45-rpm-analogue-productions-aapp-2708-45"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2392 …}
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[
  "produit" => App\Entity\Produit {#2161
    -id: 2515
    -nom: "Greatest Hits"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Eric Burdon (vocals), Howard Scott (guitar, vocals), Morris "BB" Dickerson (bass, vocals), Lonnie Jordan (keyboards, vocals), Lee Oskar (harmonica), Charles Miller (saxophones, flute, vocals), Papa Dee Allen (percussion, congas, bongos, timbales, Afro-Cuban percussion, vocals), Harold Brown (drums, vocals).\r\n
      \r\n
      - 180 gram 45 RPM double LP from Analogue Productions !\r\n
      - Mastered by Ryan K. Smith from the original analog master tapes !\r\n
      - Platinum-selling album by funk, rock and soul band includes "Why Can't We Be Friends", "Slippin into Darkness", "Low Rider", "Cisco Kid" and more !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Gatefold old-style "tip-on" jacket by Stoughton Printing with faithfuly reproduced artwork !\r\n
      - "If you like punch and a detailed soundstage, then the War 45 RPM version is your choice". -  Michael Ludwigs, 45 RPM Audiophile, YouTube video\r\n
      \r\n
      Originally released in 1976, the War compilation album Greatest Hits contains a monster set of Chicano funky grooves from L.A., most of which forever transformed the sound of funk. The album includes most of the band's best cuts such as "Slippin Into Darkness", "Cisco Kid", "World Is A Ghetto", "All Day Music", "Me & Baby Brother", "Why Can't We Be Friends", and "Low Rider". One of the hippest funk, rock and soul groups on the Cali scene of the '70s, who just kept on making great music as the years went on !\r\n
      \r\n
      Now with our 45 RPM release, plated and pressed at QRP, the best-sounding version of this historic album gives listeners an even richer sonic experience. The dead-quiet double LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
      Clean, balanced, richly detailed. Just the way an Analogue Productions reissue should sound.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Eric Burdon (vocals), Howard Scott (guitar, vocals), Morris "BB" Dickerson (bass, vocals), Lonnie Jordan (keyboards, vocals), Lee Oskar (harmonica)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Wx_OrjGn9lo"
    -referenceProduit: "Analogue Productions AAPP 149-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. All Day Music"
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      [
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        "nom" => "10. Summer"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2163 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3602
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2624 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2161
    -id: 2515
    -nom: "Greatest Hits"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Eric Burdon (vocals), Howard Scott (guitar, vocals), Morris "BB" Dickerson (bass, vocals), Lonnie Jordan (keyboards, vocals), Lee Oskar (harmonica), Charles Miller (saxophones, flute, vocals), Papa Dee Allen (percussion, congas, bongos, timbales, Afro-Cuban percussion, vocals), Harold Brown (drums, vocals).\r\n
      \r\n
      - 180 gram 45 RPM double LP from Analogue Productions !\r\n
      - Mastered by Ryan K. Smith from the original analog master tapes !\r\n
      - Platinum-selling album by funk, rock and soul band includes "Why Can't We Be Friends", "Slippin into Darkness", "Low Rider", "Cisco Kid" and more !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Gatefold old-style "tip-on" jacket by Stoughton Printing with faithfuly reproduced artwork !\r\n
      - "If you like punch and a detailed soundstage, then the War 45 RPM version is your choice". -  Michael Ludwigs, 45 RPM Audiophile, YouTube video\r\n
      \r\n
      Originally released in 1976, the War compilation album Greatest Hits contains a monster set of Chicano funky grooves from L.A., most of which forever transformed the sound of funk. The album includes most of the band's best cuts such as "Slippin Into Darkness", "Cisco Kid", "World Is A Ghetto", "All Day Music", "Me & Baby Brother", "Why Can't We Be Friends", and "Low Rider". One of the hippest funk, rock and soul groups on the Cali scene of the '70s, who just kept on making great music as the years went on !\r\n
      \r\n
      Now with our 45 RPM release, plated and pressed at QRP, the best-sounding version of this historic album gives listeners an even richer sonic experience. The dead-quiet double LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
      Clean, balanced, richly detailed. Just the way an Analogue Productions reissue should sound.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Eric Burdon (vocals), Howard Scott (guitar, vocals), Morris "BB" Dickerson (bass, vocals), Lonnie Jordan (keyboards, vocals), Lee Oskar (harmonica)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Wx_OrjGn9lo"
    -referenceProduit: "Analogue Productions AAPP 149-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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        "nom" => "2. Slippin' Into Darkness"
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        "nom" => "7. Southern Part Of Texas"
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        "nom" => "8. Why Can't We Be Friends ?"
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        "nom" => "Side D : "
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        "nom" => "9. Low Rider"
      ]
      [
        "ordre" => 13
        "nom" => "10. Summer"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2163 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1473 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2165 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-greatest-hits-analogue-productions-aapp-149-45"
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[
  "produit" => App\Entity\Produit {#2177
    -id: 789
    -nom: "Stardust (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Willie's 1978 take on his favorite pop standards !\r\n
      - Includes his classic versions of "Stardust" "Georgia On My Mind" and others !\r\n
      - Mastered from the original analog tapes by Bernie Grundman !\r\n
      - 180 gram double LPs plated and pressed by Quality Record Pressings !\r\n
      - Heavyweight gatefold tip-on old-style jacket from Stoughton Printing !\r\n
      \r\n
      "While more expensive, Analogue Productions' 45RPM reissue makes the piano seem more life-sized and restores all the overtones missing from the earlier reissues all the while delivering enhanced percussion detail and tauter bass. I'm certain that somewhere ahead of the master tape, recording engineers Bradley Hartman and Donivan Cowart slowed down the tape in places for effect. Listen to the opening bars of 'September Song' where the knobs got turned a little too slow. No matter. Analogue Productions' Stardust again earns a super disc designation by today's higher standards". - 5/5 stars, Dennis Davis, vinylreviews.com. Read the whole review here.\r\n
      \r\n
      "This is a vocal record that even opera lovers treasure... these were unexpected vocal knockouts from a shaggy source... The 45 RPM pressing on 180 gram vinyl shows the impeccable care that Analogue Productions lavishes on all its reissues. The higher speed means shorter sides (in this case, 45 minutes of music spread over two discs), and while it may be an audio mirage, the sound is more alive, more present than on a 33 1/3 RPM LP". - Editor's Pick, Recording Of The Month - Performance = 5/5, Sonics = 5/5 - Robert Baird, Stereophile, March 2018\r\n
      \r\n
      Willie Nelson has long been honored as a genuine legend, and his songs and concerts are loved worldwide. Though his roots are in country, Willie's musical influences are as broad as the Texas skies, unlimited to any one genre.\r\n
      \r\n
      "These are my favorite songs. My favorite all-time songs," Willie says". I knew there were millions of people who liked these songs and would love to hear them again. I grew up with them... they're some of the first songs I learned to play".\r\n
      \r\n
      Here is the familiar Stardust, yet in a way so striking from any versions that have come before. For starters, for this Analogue Productions reissue we turned to the masters, literally. We insisted on the master tapes and no less a skilled mastering engineer than the award-winning Bernie Grundman to cut the lacquers for this project. Then, naturally, we put Gary Salstrom and his crew at Quality Record Pressings to work to plate and press the finest-sounding 180-gram LPs. We bring them to you housed in a heavyweight tip-on, old style gatefold jacket from Stoughton Printing. Unmatched quality; unmatched sound that's the way Analogue Productions rolls.\r\n
      \r\n
      It turned out that Willie had some convincing to do to get his record label on board with Stardust. "Why be predictable ?" Willie asked Columbia Records executive Nick Blackburn, after the latter resisted the Red Headed Strangers decision to make an album of classic pop tunes.\r\n
      \r\n
      Willie ultimately scored big-time with this quintessential addition to his album catalog. The songs Moonlight in Vermont, All of Me, Don't Get Around Much Anymore are lovingly arranged here by Booker T. Jones of Green Onions fame and recorded in Nelson's inimitable style in Emmylou Harris' house.\r\n
      \r\n
      Booker T's trademark sound set the mood for the sessions. Willie and cohorts mine a mellow groove here, sounding as if Willie is at home, sitting on his porch overlooking the beautiful Texas hill country.\r\n
      \r\n
      Nelson's Stardust remains a genius-level creation as well as the icon's most commercially successful release, a truly gorgeous record infused with ultimate respect for composers and lyrics and many of the finest performances of Willie's career.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Willie Nelson (guitar, vocals), Bobbie Nelson (piano), Bee Spears, Chris Ethridge (bass), Jody Payne (guitar), Booker T. Jones (organ, piano), Paul English, Rex Ludwig (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_T6WKdrxzyY"
    -referenceProduit: "Analogue Productions AAPP 116-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Stardust"
      ]
      [
        "ordre" => 2
        "nom" => "2. Georgia On My Mind"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Blue Skies"
      ]
      [
        "ordre" => 5
        "nom" => "2. All of Me"
      ]
      [
        "ordre" => 6
        "nom" => "3. Unchained Melody"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. September Song"
      ]
      [
        "ordre" => 9
        "nom" => "2. On the Sunny Side of the Street"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Moonlight In Vermont"
      ]
      [
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        "nom" => "2. Don’t Get Around Much Anymore"
      ]
      [
        "ordre" => 13
        "nom" => "3. Someone to Watch Over Me"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2179 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2188 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2181 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2183 …}
    -enregistreLe: DateTime @1435932133 {#2174
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    }
    -modifierLe: DateTime @1769948105 {#2175
      date: 2026-02-01 12:15:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2185 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stardust-2-lp-45-rpm-analogue-productions-aapp-116-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3653
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2624 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2177
    -id: 789
    -nom: "Stardust (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Willie's 1978 take on his favorite pop standards !\r\n
      - Includes his classic versions of "Stardust" "Georgia On My Mind" and others !\r\n
      - Mastered from the original analog tapes by Bernie Grundman !\r\n
      - 180 gram double LPs plated and pressed by Quality Record Pressings !\r\n
      - Heavyweight gatefold tip-on old-style jacket from Stoughton Printing !\r\n
      \r\n
      "While more expensive, Analogue Productions' 45RPM reissue makes the piano seem more life-sized and restores all the overtones missing from the earlier reissues all the while delivering enhanced percussion detail and tauter bass. I'm certain that somewhere ahead of the master tape, recording engineers Bradley Hartman and Donivan Cowart slowed down the tape in places for effect. Listen to the opening bars of 'September Song' where the knobs got turned a little too slow. No matter. Analogue Productions' Stardust again earns a super disc designation by today's higher standards". - 5/5 stars, Dennis Davis, vinylreviews.com. Read the whole review here.\r\n
      \r\n
      "This is a vocal record that even opera lovers treasure... these were unexpected vocal knockouts from a shaggy source... The 45 RPM pressing on 180 gram vinyl shows the impeccable care that Analogue Productions lavishes on all its reissues. The higher speed means shorter sides (in this case, 45 minutes of music spread over two discs), and while it may be an audio mirage, the sound is more alive, more present than on a 33 1/3 RPM LP". - Editor's Pick, Recording Of The Month - Performance = 5/5, Sonics = 5/5 - Robert Baird, Stereophile, March 2018\r\n
      \r\n
      Willie Nelson has long been honored as a genuine legend, and his songs and concerts are loved worldwide. Though his roots are in country, Willie's musical influences are as broad as the Texas skies, unlimited to any one genre.\r\n
      \r\n
      "These are my favorite songs. My favorite all-time songs," Willie says". I knew there were millions of people who liked these songs and would love to hear them again. I grew up with them... they're some of the first songs I learned to play".\r\n
      \r\n
      Here is the familiar Stardust, yet in a way so striking from any versions that have come before. For starters, for this Analogue Productions reissue we turned to the masters, literally. We insisted on the master tapes and no less a skilled mastering engineer than the award-winning Bernie Grundman to cut the lacquers for this project. Then, naturally, we put Gary Salstrom and his crew at Quality Record Pressings to work to plate and press the finest-sounding 180-gram LPs. We bring them to you housed in a heavyweight tip-on, old style gatefold jacket from Stoughton Printing. Unmatched quality; unmatched sound that's the way Analogue Productions rolls.\r\n
      \r\n
      It turned out that Willie had some convincing to do to get his record label on board with Stardust. "Why be predictable ?" Willie asked Columbia Records executive Nick Blackburn, after the latter resisted the Red Headed Strangers decision to make an album of classic pop tunes.\r\n
      \r\n
      Willie ultimately scored big-time with this quintessential addition to his album catalog. The songs Moonlight in Vermont, All of Me, Don't Get Around Much Anymore are lovingly arranged here by Booker T. Jones of Green Onions fame and recorded in Nelson's inimitable style in Emmylou Harris' house.\r\n
      \r\n
      Booker T's trademark sound set the mood for the sessions. Willie and cohorts mine a mellow groove here, sounding as if Willie is at home, sitting on his porch overlooking the beautiful Texas hill country.\r\n
      \r\n
      Nelson's Stardust remains a genius-level creation as well as the icon's most commercially successful release, a truly gorgeous record infused with ultimate respect for composers and lyrics and many of the finest performances of Willie's career.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Willie Nelson (guitar, vocals), Bobbie Nelson (piano), Bee Spears, Chris Ethridge (bass), Jody Payne (guitar), Booker T. Jones (organ, piano), Paul English, Rex Ludwig (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_T6WKdrxzyY"
    -referenceProduit: "Analogue Productions AAPP 116-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Stardust"
      ]
      [
        "ordre" => 2
        "nom" => "2. Georgia On My Mind"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Blue Skies"
      ]
      [
        "ordre" => 5
        "nom" => "2. All of Me"
      ]
      [
        "ordre" => 6
        "nom" => "3. Unchained Melody"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. September Song"
      ]
      [
        "ordre" => 9
        "nom" => "2. On the Sunny Side of the Street"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Moonlight In Vermont"
      ]
      [
        "ordre" => 12
        "nom" => "2. Don’t Get Around Much Anymore"
      ]
      [
        "ordre" => 13
        "nom" => "3. Someone to Watch Over Me"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2179 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2188 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2181 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2183 …}
    -enregistreLe: DateTime @1435932133 {#2174
      date: 2015-07-03 14:02:13.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769948105 {#2175
      date: 2026-02-01 12:15:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2185 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stardust-2-lp-45-rpm-analogue-productions-aapp-116-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2392 …}
}

[
  "produit" => App\Entity\Produit {#2193
    -id: 2171
    -nom: "And Then I Wrote (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Willie Nelson's iconic 1962 debut album! Now a 45 RPM Analogue Productions reissue !\r\n
      ... and then I wrote includes "Crazy," "Hello Walls," "Funny How Time Slips Away" and more !\r\n
      - 180 gram 2 LP vinyl by Quality Record Pressings !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab by Acoustic Sounds from the original analog tape !\r\n
      - Sleeved in a deluxe Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      "Hello Walls", "Crazy", "Funny How Time Slips Away". These are some of the most memorable hits in the Willie Nelson songwriting canon. One of the most important musical artists in American history, a first-name giant like Elvis and Ella, Willie scored these and more hits with his debut album... and then I wrote. (Texas Monthly magazine ranks it N° 4 on their ranked list of all 145 Willie Nelson albums).\r\n
      \r\n
      In 1961 Willie Nelson was finally in Nashville and tasting success after years of scraping by in various locales, on his gift for making heartaches and memories rhyme. Nelson's songs "Crazy", "Hello Walls" and "Funny How Time Slips Away" bcame huge hits for Patsy Cline, Faron Young and Billy Walker, respectively. The royalty checks fat ones were rolling in.\r\n
      \r\n
      But Willie wanted more. These songs were his essence, and he wanted country music fans to know they poured out of his soul. The next fall, in 1962, he debuted his first full-length album with Liberty Records, and called it... and then I wrote. It was perhaps the most accomplished debut album in history.\r\n
      \r\n
      "For many of us born in the six decades since, it's impossible to imagine a world in which these songs didn't exist. If you grew up in Texas, they were likely just about everywhere: at ballgames and cookouts and weddings and funerals, on road trips and the radio and every jukebox you've ever flipped through", writes Texas Monthly.\r\n
      \r\n
      How best to apply the Analogue Productions reissue treatment to such a historic veteran country classic? Well, for starters, there was no doubt this classic deserved the wider-spaced grooves, improved cartridge tracking, and noticable reductions in distortion and high frequency loss that are testament to a 45 RPM four-sided AP reissue. So four glorious sides of 180 gram dead-silent vinyl pressed by our own Quality Record Pressings it would have to be. And the mastering ? Top-notch marks there as well. The capable hands of our engineer Matthew Lutthans at The Mastering Lab by Acoustic Sounds working with the original master tape sounds amazing. The Mastering Lab by Acoustic Sounds upholds the quality standard achieved by the late Grammy-winning mastering engineer Doug Sax that made the brand famous.\r\n
      \r\n
      It wasn't just the songs on the album that ascended to the country canon, including the three previously mentioned hits that appear back-to-back, but the deep cuts like "Mr. Record Man", "Undo the Right", and "Wake Me When It's Over"... and then I wrote isn't just one of the greatest debuts of all time it's one of the best singer-songwriter records ever recorded.\r\n
      \r\n
      The sheen of the Nashville sound on this record is mercifully dialed down. It was produced by the head of Liberty's country division, Joe Allison, partly in Music Row's famous Quonset Hut studio and partly in Hollywood. Allison appreciated Willie's idiosyncratic singing style and kept his vocals out front, dropping the glossy chorus back in the mix and eschewing strings altogether.\r\n
      \r\n
      The album produced one Top Ten single "Touch Me", yet none of the other three singles made the charts. Yet if it were released today, people would mistake it for a Willie's Greatest Hits record. Patsy Cline released her definitive version of "Crazy" in 1961, and in the years since it's been recorded by dozens of artists, from Linda Ronstadt to Chaka Khan to Austin emo band Mineral to, for the first time on this record, Willie himself.\r\n
      \r\n
      It's the song that would take him from poet-picker to a composer worthy of inclusion in the Great American Songbook. The Analogue Productions reissue of... and then I wrote will find its place of honor at the top of the most cherished LPs in your music collection.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Willie Nelson (acoustic guitar, vocals), Billy Strange, Roy Nichol, Johnny Western (guitar), B. J. Baker (backing vocals), Earl Palmer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=AU3qCSi2Wjw"
    -referenceProduit: "Analogue Productions AAPP 133-45"
    -titreMorceau: [
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        "nom" => "1. Touch Me "
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        "nom" => "1. Funny How Time Slips Away "
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        "nom" => "2. Crazy "
      ]
      [
        "ordre" => 7
        "nom" => "3. The Part Where I Cry"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Mr. Record Man "
      ]
      [
        "ordre" => 10
        "nom" => "2. Three Days "
      ]
      [
        "ordre" => 11
        "nom" => "3. One Step Beyond"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Undo the Right "
      ]
      [
        "ordre" => 14
        "nom" => "2. Darkness On the Face of the Earth "
      ]
      [
        "ordre" => 15
        "nom" => "3. Where My House Lives"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2179 …}
    -label: App\Entity\Label {#1063 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2196 …}
    -enregistreLe: DateTime @1639762394 {#2190
      date: 2021-12-17 17:33:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769947576 {#2191
      date: 2026-02-01 12:06:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2198 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-and-then-i-wrote-2-lp-45-rpm-analogue-productions-aapp-133-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3706
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2624 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2193
    -id: 2171
    -nom: "And Then I Wrote (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Willie Nelson's iconic 1962 debut album! Now a 45 RPM Analogue Productions reissue !\r\n
      ... and then I wrote includes "Crazy," "Hello Walls," "Funny How Time Slips Away" and more !\r\n
      - 180 gram 2 LP vinyl by Quality Record Pressings !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab by Acoustic Sounds from the original analog tape !\r\n
      - Sleeved in a deluxe Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      "Hello Walls", "Crazy", "Funny How Time Slips Away". These are some of the most memorable hits in the Willie Nelson songwriting canon. One of the most important musical artists in American history, a first-name giant like Elvis and Ella, Willie scored these and more hits with his debut album... and then I wrote. (Texas Monthly magazine ranks it N° 4 on their ranked list of all 145 Willie Nelson albums).\r\n
      \r\n
      In 1961 Willie Nelson was finally in Nashville and tasting success after years of scraping by in various locales, on his gift for making heartaches and memories rhyme. Nelson's songs "Crazy", "Hello Walls" and "Funny How Time Slips Away" bcame huge hits for Patsy Cline, Faron Young and Billy Walker, respectively. The royalty checks fat ones were rolling in.\r\n
      \r\n
      But Willie wanted more. These songs were his essence, and he wanted country music fans to know they poured out of his soul. The next fall, in 1962, he debuted his first full-length album with Liberty Records, and called it... and then I wrote. It was perhaps the most accomplished debut album in history.\r\n
      \r\n
      "For many of us born in the six decades since, it's impossible to imagine a world in which these songs didn't exist. If you grew up in Texas, they were likely just about everywhere: at ballgames and cookouts and weddings and funerals, on road trips and the radio and every jukebox you've ever flipped through", writes Texas Monthly.\r\n
      \r\n
      How best to apply the Analogue Productions reissue treatment to such a historic veteran country classic? Well, for starters, there was no doubt this classic deserved the wider-spaced grooves, improved cartridge tracking, and noticable reductions in distortion and high frequency loss that are testament to a 45 RPM four-sided AP reissue. So four glorious sides of 180 gram dead-silent vinyl pressed by our own Quality Record Pressings it would have to be. And the mastering ? Top-notch marks there as well. The capable hands of our engineer Matthew Lutthans at The Mastering Lab by Acoustic Sounds working with the original master tape sounds amazing. The Mastering Lab by Acoustic Sounds upholds the quality standard achieved by the late Grammy-winning mastering engineer Doug Sax that made the brand famous.\r\n
      \r\n
      It wasn't just the songs on the album that ascended to the country canon, including the three previously mentioned hits that appear back-to-back, but the deep cuts like "Mr. Record Man", "Undo the Right", and "Wake Me When It's Over"... and then I wrote isn't just one of the greatest debuts of all time it's one of the best singer-songwriter records ever recorded.\r\n
      \r\n
      The sheen of the Nashville sound on this record is mercifully dialed down. It was produced by the head of Liberty's country division, Joe Allison, partly in Music Row's famous Quonset Hut studio and partly in Hollywood. Allison appreciated Willie's idiosyncratic singing style and kept his vocals out front, dropping the glossy chorus back in the mix and eschewing strings altogether.\r\n
      \r\n
      The album produced one Top Ten single "Touch Me", yet none of the other three singles made the charts. Yet if it were released today, people would mistake it for a Willie's Greatest Hits record. Patsy Cline released her definitive version of "Crazy" in 1961, and in the years since it's been recorded by dozens of artists, from Linda Ronstadt to Chaka Khan to Austin emo band Mineral to, for the first time on this record, Willie himself.\r\n
      \r\n
      It's the song that would take him from poet-picker to a composer worthy of inclusion in the Great American Songbook. The Analogue Productions reissue of... and then I wrote will find its place of honor at the top of the most cherished LPs in your music collection.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Willie Nelson (acoustic guitar, vocals), Billy Strange, Roy Nichol, Johnny Western (guitar), B. J. Baker (backing vocals), Earl Palmer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=AU3qCSi2Wjw"
    -referenceProduit: "Analogue Productions AAPP 133-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
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        "nom" => "1. Touch Me "
      ]
      [
        "ordre" => 2
        "nom" => "2. Wake Me When It's Over "
      ]
      [
        "ordre" => 3
        "nom" => "3. Hello Walls"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Funny How Time Slips Away "
      ]
      [
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        "nom" => "2. Crazy "
      ]
      [
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        "nom" => "3. The Part Where I Cry"
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      [
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        "nom" => "Side C :"
      ]
      [
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        "nom" => "1. Mr. Record Man "
      ]
      [
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        "nom" => "2. Three Days "
      ]
      [
        "ordre" => 11
        "nom" => "3. One Step Beyond"
      ]
      [
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        "nom" => "Side D : "
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      [
        "ordre" => 13
        "nom" => "1. Undo the Right "
      ]
      [
        "ordre" => 14
        "nom" => "2. Darkness On the Face of the Earth "
      ]
      [
        "ordre" => 15
        "nom" => "3. Where My House Lives"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2179 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1458 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2201 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2194 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2196 …}
    -enregistreLe: DateTime @1639762394 {#2190
      date: 2021-12-17 17:33:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769947576 {#2191
      date: 2026-02-01 12:06:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2198 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-and-then-i-wrote-2-lp-45-rpm-analogue-productions-aapp-133-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2392 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3901
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2392 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3902 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3950 …}
  +isValidated: false
  +validatedFields: []
}