Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2588
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2435 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2665
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2668 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2667 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2435 …}
  -formView: Symfony\Component\Form\FormView {#2704 …}
  -form: Symfony\Component\Form\Form {#2854 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 2426
    -nom: "Thelonious Monk with John Coltrane"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in tip-on jackets with OBI strip !\r\n
      \r\n
      Regarded as one of the greatest jazz collaborations of all time, this new edition of "Thelonious Monk with John Coltrane" is released as part of the newly relaunched Original Jazz Classics Series. The LP is cut from the original master tapes (AAA) by Kevin Gray at Cohearent Audio and pressed on 180 gram vinyl at RTI. In addition to Monk and Coltrane the album also features the talents of Art Blakey (drums), Wilbur Ware (bass), Gigi Gryce (alto sax) and more. The set is presented in a tip-on jacket with obi.\r\n
      \r\n
      Since its inception in 1982, Fantasy's Original Jazz Classics® (OJC) series quickly established a reputation as the go-to imprint for collectible jazz reissues. OJC served as a home for the label's impressive jazz catalog which had grown to include thousands of celebrated titles from Prestige, Galaxy, Milestone, Riverside, Debut, Contemporary, Jazzland, and Pablo. Drawing on this vast wealth of material, Original Jazz Classics released more than 850 titles.\r\n
      \r\n
      Its goal was simple: to reissue influential jazz albums with the utmost care and reverence for the originals from the cover art and liner notes to the audio recordings themselves. Given Craft Recordings' shared passion for meticulous preservation and quality, it is a natural step to relaunch Original Jazz Classics as part of the Craft family.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1904 …}
    -musicienOrchestre: "Thelonious Monk\t(piano), John Coltrane (tenor saxophone), Gigi Gryce (alto saxophone), Ray Copeland (trumpet), Wilbur Ware\t(bass),  Shadow WIlson,  Art Blakey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=6DVvvphPXq0"
    -referenceProduit: "Concord Craft Recordings CR 00611"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Ruby, My Dear "
      ]
      [
        "ordre" => 2
        "nom" => "2. Trinkle, Tinkle "
      ]
      [
        "ordre" => 3
        "nom" => "3. Off Minor"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Nutty "
      ]
      [
        "ordre" => 6
        "nom" => "2. Epistrophy "
      ]
      [
        "ordre" => 7
        "nom" => "3. Functional"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1684222140 {#1875
      date: 2023-05-16 07:29:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770020933 {#1868
      date: 2026-02-02 08:28:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-thelonious-monk-with-john-coltrane-concord-craft-recordings-cr-00611"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3129
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2667 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 2426
    -nom: "Thelonious Monk with John Coltrane"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in tip-on jackets with OBI strip !\r\n
      \r\n
      Regarded as one of the greatest jazz collaborations of all time, this new edition of "Thelonious Monk with John Coltrane" is released as part of the newly relaunched Original Jazz Classics Series. The LP is cut from the original master tapes (AAA) by Kevin Gray at Cohearent Audio and pressed on 180 gram vinyl at RTI. In addition to Monk and Coltrane the album also features the talents of Art Blakey (drums), Wilbur Ware (bass), Gigi Gryce (alto sax) and more. The set is presented in a tip-on jacket with obi.\r\n
      \r\n
      Since its inception in 1982, Fantasy's Original Jazz Classics® (OJC) series quickly established a reputation as the go-to imprint for collectible jazz reissues. OJC served as a home for the label's impressive jazz catalog which had grown to include thousands of celebrated titles from Prestige, Galaxy, Milestone, Riverside, Debut, Contemporary, Jazzland, and Pablo. Drawing on this vast wealth of material, Original Jazz Classics released more than 850 titles.\r\n
      \r\n
      Its goal was simple: to reissue influential jazz albums with the utmost care and reverence for the originals from the cover art and liner notes to the audio recordings themselves. Given Craft Recordings' shared passion for meticulous preservation and quality, it is a natural step to relaunch Original Jazz Classics as part of the Craft family.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1904 …}
    -musicienOrchestre: "Thelonious Monk\t(piano), John Coltrane (tenor saxophone), Gigi Gryce (alto saxophone), Ray Copeland (trumpet), Wilbur Ware\t(bass),  Shadow WIlson,  Art Blakey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=6DVvvphPXq0"
    -referenceProduit: "Concord Craft Recordings CR 00611"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Ruby, My Dear "
      ]
      [
        "ordre" => 2
        "nom" => "2. Trinkle, Tinkle "
      ]
      [
        "ordre" => 3
        "nom" => "3. Off Minor"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Nutty "
      ]
      [
        "ordre" => 6
        "nom" => "2. Epistrophy "
      ]
      [
        "ordre" => 7
        "nom" => "3. Functional"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1684222140 {#1875
      date: 2023-05-16 07:29:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770020933 {#1868
      date: 2026-02-02 08:28:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-thelonious-monk-with-john-coltrane-concord-craft-recordings-cr-00611"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2435 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 2847
    -nom: "Thelonious Monk with John Coltrane"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Thelonious Monk & John Coltrane "Thelonious Monk with John Coltrane" !\r\n
      - One of seven standout Thelonious Monk albums from the Riverside Records catalog !\r\n
      - Reissued on 180 gram vinyl by Analogue Productions !\r\n
      - Mastered AAA by Kevin Gray from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Stoughton Printing tip-on jacket !\r\n
      \r\n
      Despite various reissue formats over several decades, the seven original LPs contained in Thelonious Monk — The Riverside Tenor Sessions stood perfectly well on their own at the time of initial release and remain among the highest achievements of a truly golden age. Recorded and released between 1956 and 1961, these seven Monk combo albums were critical in Monk's emergence from a decade of ridicule and neglect to his status at the pinnacle of the jazz pantheon.\r\n
      \r\n
      One of the most significant events in jazz took place in the latter part of 1957 at the Five Spot in New York, where the Thelonious Monk quartet featuring John Coltrane on tenor saxophone was in residence. The music that Monk made with Coltrane quickly attained the status of legend. Although the group remained together for only a half-year, those who were lucky enough to witness them play called it electrifying.\r\n
      \r\n
      The recordings on Thelonious Monk with John Coltrane are more Monk's than Coltrane's Monk was signed to Riverside at the time and the set mixes in three quartet tracks that have the pair working with Wilbur Ware on bass and Shadow Wilson on drums plus two more from the sessions for the famous Monk's Music record alternate takes from those sessions, with a larger group that features Gigi Gryce on alto, Coleman Hawkins on additional tenor, and Ray Copeland on trumpet! Quartet tracks include "Ruby My Dear", "Trinkle Trinkle", and "Nutty" with the larger group on alternates of "Off Minor" and "Epistrophy" and a solo performance by Monk on an alternate of "Functional".\r\n
      \r\n
      In addition to some of his best recorded piano performances and more than two dozen of his profoundly personal compositions, the albums in this reissue series provide an overview of the era's major tenor saxophonists, with contributions by Sonny Rollins, Coleman Hawkins, John Coltrane, Johnny Griffin, Charlie Rouse and Harold Land. Max Roach, Art Blakely, Roy Haynes and Thad Jones are among the other jazz immortals featured on the essential Brilliant Corners, Monk's Music : Thelonious Monk Septet, Thelonious Monk and John Coltrane, Thelonious in Action, Misterioso, 5 by Monk by 5 and Quartet Plus Two At The Blackhawk.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1904 …}
    -musicienOrchestre: "Thelonious Monk (piano), John Coltrane (tenor saxophone), Gigi Gryce (alto saxophone), Ray Copeland (trumpet), Wilbur Ware (bass), Shadow WIlson, Art Blakey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=36whtV-POOs&list=PLosbB5GM_rFfRQwvdJK5rtZ15xrfnad-W"
    -referenceProduit: "Analogue Productions AAPJ 0946"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Ruby, My Dear"
      ]
      [
        "ordre" => 2
        "nom" => "2. Trinkle, Tinkle"
      ]
      [
        "ordre" => 3
        "nom" => "3. Off Minor"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Nutty "
      ]
      [
        "ordre" => 6
        "nom" => "2. Epistrophy"
      ]
      [
        "ordre" => 7
        "nom" => "3. Functional"
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#2046 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2055 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2048 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2050 …}
    -enregistreLe: DateTime @1758794172 {#2041
      date: 2025-09-25 09:56:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770020682 {#2042
      date: 2026-02-02 08:24:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2052 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-thelonious-monk-with-john-coltrane-analogue-productions-aapj-0946"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3245
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2667 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 2847
    -nom: "Thelonious Monk with John Coltrane"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Thelonious Monk & John Coltrane "Thelonious Monk with John Coltrane" !\r\n
      - One of seven standout Thelonious Monk albums from the Riverside Records catalog !\r\n
      - Reissued on 180 gram vinyl by Analogue Productions !\r\n
      - Mastered AAA by Kevin Gray from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Stoughton Printing tip-on jacket !\r\n
      \r\n
      Despite various reissue formats over several decades, the seven original LPs contained in Thelonious Monk — The Riverside Tenor Sessions stood perfectly well on their own at the time of initial release and remain among the highest achievements of a truly golden age. Recorded and released between 1956 and 1961, these seven Monk combo albums were critical in Monk's emergence from a decade of ridicule and neglect to his status at the pinnacle of the jazz pantheon.\r\n
      \r\n
      One of the most significant events in jazz took place in the latter part of 1957 at the Five Spot in New York, where the Thelonious Monk quartet featuring John Coltrane on tenor saxophone was in residence. The music that Monk made with Coltrane quickly attained the status of legend. Although the group remained together for only a half-year, those who were lucky enough to witness them play called it electrifying.\r\n
      \r\n
      The recordings on Thelonious Monk with John Coltrane are more Monk's than Coltrane's Monk was signed to Riverside at the time and the set mixes in three quartet tracks that have the pair working with Wilbur Ware on bass and Shadow Wilson on drums plus two more from the sessions for the famous Monk's Music record alternate takes from those sessions, with a larger group that features Gigi Gryce on alto, Coleman Hawkins on additional tenor, and Ray Copeland on trumpet! Quartet tracks include "Ruby My Dear", "Trinkle Trinkle", and "Nutty" with the larger group on alternates of "Off Minor" and "Epistrophy" and a solo performance by Monk on an alternate of "Functional".\r\n
      \r\n
      In addition to some of his best recorded piano performances and more than two dozen of his profoundly personal compositions, the albums in this reissue series provide an overview of the era's major tenor saxophonists, with contributions by Sonny Rollins, Coleman Hawkins, John Coltrane, Johnny Griffin, Charlie Rouse and Harold Land. Max Roach, Art Blakely, Roy Haynes and Thad Jones are among the other jazz immortals featured on the essential Brilliant Corners, Monk's Music : Thelonious Monk Septet, Thelonious Monk and John Coltrane, Thelonious in Action, Misterioso, 5 by Monk by 5 and Quartet Plus Two At The Blackhawk.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1904 …}
    -musicienOrchestre: "Thelonious Monk (piano), John Coltrane (tenor saxophone), Gigi Gryce (alto saxophone), Ray Copeland (trumpet), Wilbur Ware (bass), Shadow WIlson, Art Blakey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=36whtV-POOs&list=PLosbB5GM_rFfRQwvdJK5rtZ15xrfnad-W"
    -referenceProduit: "Analogue Productions AAPJ 0946"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Ruby, My Dear"
      ]
      [
        "ordre" => 2
        "nom" => "2. Trinkle, Tinkle"
      ]
      [
        "ordre" => 3
        "nom" => "3. Off Minor"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Nutty "
      ]
      [
        "ordre" => 6
        "nom" => "2. Epistrophy"
      ]
      [
        "ordre" => 7
        "nom" => "3. Functional"
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#2046 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2055 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2048 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2050 …}
    -enregistreLe: DateTime @1758794172 {#2041
      date: 2025-09-25 09:56:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770020682 {#2042
      date: 2026-02-02 08:24:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2052 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-thelonious-monk-with-john-coltrane-analogue-productions-aapj-0946"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2435 …}
}

[
  "produit" => App\Entity\Produit {#2060
    -id: 1928
    -nom: "The Waiting Game"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - All-Analog 180 gram Vinyl LP of Tina Brooks' "The Waiting Game" ! \r\n
      - Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI : Reference-Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley !\r\n
      \r\n
      Tina Brooks' passionate full sound and forward-looking style, along with his exceptional compositional gifts, made him a powerful force. A soulful hard bop tenor-saxophonist with an original sound and fresh ideas of his own, Brooks had a brief life. The prime of his career was during 1958-61 when he recorded four albums for Blue Note, including the 1961 recorded 2002 released The Waiting Game, the fourth and final album by the brilliant and underrated tenor saxophonist. Brooks' solos, as usual, are beautiful, fluid coherent inventions played with a gorgeous tone and flawless technique. Johnny Coles, Kenny Drew, Wilbur Ware and Philly Joe Jonescomplete the band here.\r\n
      \r\n
      Blue Note Records has announced the continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series in 2020. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180g audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note / Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded ! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
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App\Twig\Components\GestionPanierFavoriComponents {#3291
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    -id: 1928
    -nom: "The Waiting Game"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - All-Analog 180 gram Vinyl LP of Tina Brooks' "The Waiting Game" ! \r\n
      - Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI : Reference-Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley !\r\n
      \r\n
      Tina Brooks' passionate full sound and forward-looking style, along with his exceptional compositional gifts, made him a powerful force. A soulful hard bop tenor-saxophonist with an original sound and fresh ideas of his own, Brooks had a brief life. The prime of his career was during 1958-61 when he recorded four albums for Blue Note, including the 1961 recorded 2002 released The Waiting Game, the fourth and final album by the brilliant and underrated tenor saxophonist. Brooks' solos, as usual, are beautiful, fluid coherent inventions played with a gorgeous tone and flawless technique. Johnny Coles, Kenny Drew, Wilbur Ware and Philly Joe Jonescomplete the band here.\r\n
      \r\n
      Blue Note Records has announced the continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series in 2020. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180g audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note / Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded ! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
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[
  "produit" => App\Entity\Produit {#2083
    -id: 1734
    -nom: "Minor Move"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      Minor Move is an album by American hard bop tenor Tina Brooks, featuring performances by Brooks, Lee Morgan, Sonny Clark, Doug Watkins and Art Blakey. It was recorded on March 16, 1958, and was Brooks' first album as a leader for Blue Note Records. The album, however, was shelved for many years until being issued in Japan in 1980, as Blue Note GXF 3072. In 2000, Minor Move was released on CD. The piece "Nutville" is sometimes credited to Lee Morgan, but in truth, as Michael Cuscuna explains in the liner notes to the 2000 release, "Lee brought the tune to the session, but never claimed credit for it. Curtis Fuller also confirms that it was indeed a Tina Brooks original".\r\n
      \r\n
      Tone Poet Audiophile Vinyl Reissue Series : "Tone Poet" Joe Harley co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog.\r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      \r\n
      The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder’s studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. "Every aspect of these Blue Note releases is done to the highest possible standard" he says. "It means that you will never find a superior version".\r\n
      \r\n
      Listening to Minor Move, it's hard to see why the record was shelved. Not only does it feature Brooks in robust form, but he's supported by pianist Sonny Clark, trumpeter Lee Morgan, bassist Doug Watkins, and drummer Art Blakey a first-rate lineup if there ever was one. Stylistically, the music here is no great surprise it's straight-ahead, driving hard bop but the performances are exceptional. Brooks has no problem keeping up with Morgan and Clark, who both have more than their fair share of fine moments here. He has a rich, full-bodied tone and clever phrasing, keeping the music fresh on standards like 'The Way You Look Tonight' and 'Everything Happens to Me.' His original compositions "Nutville" and "Minor Move" are equally impressive, offering the entire band opportunities to stretch out and improvise vigorously. It is true that Minor Move is right within the hard bop tradition, but fans of that style will find much to treasure here. - AllMusic
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1904 …}
    -musicienOrchestre: "Tina Brooks (tenor saxophone), Lee Morgan (trumpet), Sonny Clark (piano), Doug Watkins(bass), Art Blakey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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        "nom" => "3. Everything Happens To Me"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2065 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2667 …}
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    -id: 1734
    -nom: "Minor Move"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      Minor Move is an album by American hard bop tenor Tina Brooks, featuring performances by Brooks, Lee Morgan, Sonny Clark, Doug Watkins and Art Blakey. It was recorded on March 16, 1958, and was Brooks' first album as a leader for Blue Note Records. The album, however, was shelved for many years until being issued in Japan in 1980, as Blue Note GXF 3072. In 2000, Minor Move was released on CD. The piece "Nutville" is sometimes credited to Lee Morgan, but in truth, as Michael Cuscuna explains in the liner notes to the 2000 release, "Lee brought the tune to the session, but never claimed credit for it. Curtis Fuller also confirms that it was indeed a Tina Brooks original".\r\n
      \r\n
      Tone Poet Audiophile Vinyl Reissue Series : "Tone Poet" Joe Harley co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog.\r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      \r\n
      The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder’s studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. "Every aspect of these Blue Note releases is done to the highest possible standard" he says. "It means that you will never find a superior version".\r\n
      \r\n
      Listening to Minor Move, it's hard to see why the record was shelved. Not only does it feature Brooks in robust form, but he's supported by pianist Sonny Clark, trumpeter Lee Morgan, bassist Doug Watkins, and drummer Art Blakey a first-rate lineup if there ever was one. Stylistically, the music here is no great surprise it's straight-ahead, driving hard bop but the performances are exceptional. Brooks has no problem keeping up with Morgan and Clark, who both have more than their fair share of fine moments here. He has a rich, full-bodied tone and clever phrasing, keeping the music fresh on standards like 'The Way You Look Tonight' and 'Everything Happens to Me.' His original compositions "Nutville" and "Minor Move" are equally impressive, offering the entire band opportunities to stretch out and improvise vigorously. It is true that Minor Move is right within the hard bop tradition, but fans of that style will find much to treasure here. - AllMusic
      """
    -prixVente: "60.00"
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        "nom" => "3. Everything Happens To Me"
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[
  "produit" => App\Entity\Produit {#2098
    -id: 707
    -nom: "Tony Bennett At Carnegie Hall"
    -informationComplementaire: null
    -description: """
      - Live in 1962, Tony Bennett at Carnegie Hall, a testament to Bennett's live vocal ability !\r\n
      - Mastered by Ryan Smith at Sterling Sound from the original analog 3 track tapes !\r\n
      - 180 gram double LP plated and pressed at Quality Record Pressings !\r\n
      - Deluxe "old style" tip-on heavyweight gatefold jackets by Stoughton Printing !\r\n
      - Featuring original studio photography expanded and enhanced !\r\n
      \r\n
      "The sound here, as mastered from the original 3-track masters by Ryan Smith at Sterling Sound, is as fabulous as the music. The balance between Bennett and the orchestra is near perfect, with a lively sense of air, space and dynamic snap. The Columbia engineers captured Bennett's voice and the instruments with the relaxed naturalness they created on this stellar evening". - Music = 4.5/5; Sonics = 4.5/5 - Wayne Garcia, The Absolute Sound, July 2015.\r\n
      \r\n
      "The original of this double LP set was a sonic spectacular that now sounds veiled and somewhat distant compared to this stupidly, insanely spectacular-sounding reissue cut for the first time from the edited original 3-track tape. Two recorders were utilized, probably either one for backup or for when reels were about to run out of tape. We know the reels were edited both because the complete concert was eventually issued on CD and because here, with the high resolution mastering and jet black backgrounds of the QRP pressing, you can better hear the edits-not that they distract from the proceedings". Music = 10/11; Sound = 11/11 - Michael Fremer, AnalogPlanet.com. To read Fremer's full review, click here.\r\n
      \r\n
      This is it, the live, double LP where the magical Tony Bennett created indelible memories! Tony Bennett at Carnegie Hall is the Tony Bennett album to buy for any Bennett fan or those just introduced to his music. And you'll never hear or experience it presented in finer fashion than from this outstanding reissue by Analogue Productions and Quality Record Pressings !\r\n
      \r\n
      We've given Tony Bennett at Carnegie Hall the deluxe reissue treatment. Starting with premier mastering by Ryan Smith at Sterling Sound from the original analog tapes. Then plating and presssing by Gary Salstrom and the crew at Quality Record Pressings, where the finest quality LPs in the world are pressed. But it doesn't stop there: We've expanded and enhanced the original studio photography, which was supplied by Sony to our graphic designers. And we've wrapped up the whole package in a deluxe "old-school" tip-on gatefold jacket from Stoughton Printing !\r\n
      \r\n
      Originally recorded in 1962, Tony Bennett at Carnegie Hall is a testament to Bennett's live vocal ability, writes AllMusic.com. Backed by the Ralph Sharon Orchestra, Bennett moves far beyond his standard musical catalogue.\r\n
      \r\n
      Along with standards like "I Left My Heart in San Francisco" and "Just in Time", Bennettreached out to create great medleys such as "(I Like New York in June) How About You / April in Paris", that automatically become his as soon as they are performed. Altogether there are 28 tracks on the album. Most remarkable is the clarity of the recording of the concert. If not for the tremendous applause of the audience, you could swear that Bennett had recorded each track in the studio. A masterpiece !
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Tony Bennett (vocals), Ralph Sharon and His Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -description: """
      - Live in 1962, Tony Bennett at Carnegie Hall, a testament to Bennett's live vocal ability !\r\n
      - Mastered by Ryan Smith at Sterling Sound from the original analog 3 track tapes !\r\n
      - 180 gram double LP plated and pressed at Quality Record Pressings !\r\n
      - Deluxe "old style" tip-on heavyweight gatefold jackets by Stoughton Printing !\r\n
      - Featuring original studio photography expanded and enhanced !\r\n
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      "The sound here, as mastered from the original 3-track masters by Ryan Smith at Sterling Sound, is as fabulous as the music. The balance between Bennett and the orchestra is near perfect, with a lively sense of air, space and dynamic snap. The Columbia engineers captured Bennett's voice and the instruments with the relaxed naturalness they created on this stellar evening". - Music = 4.5/5; Sonics = 4.5/5 - Wayne Garcia, The Absolute Sound, July 2015.\r\n
      \r\n
      "The original of this double LP set was a sonic spectacular that now sounds veiled and somewhat distant compared to this stupidly, insanely spectacular-sounding reissue cut for the first time from the edited original 3-track tape. Two recorders were utilized, probably either one for backup or for when reels were about to run out of tape. We know the reels were edited both because the complete concert was eventually issued on CD and because here, with the high resolution mastering and jet black backgrounds of the QRP pressing, you can better hear the edits-not that they distract from the proceedings". Music = 10/11; Sound = 11/11 - Michael Fremer, AnalogPlanet.com. To read Fremer's full review, click here.\r\n
      \r\n
      This is it, the live, double LP where the magical Tony Bennett created indelible memories! Tony Bennett at Carnegie Hall is the Tony Bennett album to buy for any Bennett fan or those just introduced to his music. And you'll never hear or experience it presented in finer fashion than from this outstanding reissue by Analogue Productions and Quality Record Pressings !\r\n
      \r\n
      We've given Tony Bennett at Carnegie Hall the deluxe reissue treatment. Starting with premier mastering by Ryan Smith at Sterling Sound from the original analog tapes. Then plating and presssing by Gary Salstrom and the crew at Quality Record Pressings, where the finest quality LPs in the world are pressed. But it doesn't stop there: We've expanded and enhanced the original studio photography, which was supplied by Sony to our graphic designers. And we've wrapped up the whole package in a deluxe "old-school" tip-on gatefold jacket from Stoughton Printing !\r\n
      \r\n
      Originally recorded in 1962, Tony Bennett at Carnegie Hall is a testament to Bennett's live vocal ability, writes AllMusic.com. Backed by the Ralph Sharon Orchestra, Bennett moves far beyond his standard musical catalogue.\r\n
      \r\n
      Along with standards like "I Left My Heart in San Francisco" and "Just in Time", Bennettreached out to create great medleys such as "(I Like New York in June) How About You / April in Paris", that automatically become his as soon as they are performed. Altogether there are 28 tracks on the album. Most remarkable is the clarity of the recording of the concert. If not for the tremendous applause of the audience, you could swear that Bennett had recorded each track in the studio. A masterpiece !
      """
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[
  "produit" => App\Entity\Produit {#2114
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    -nom: "The White House Sessions, Live 1962"
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    -description: """
      A historic collaboration by two of jazz music's greatest artists is finally available on 180 gram Double LP Set ! Impex Records' deluxe production captures the amazing outdoor acoustics with fine detail and wide dynamic range. The beautiful gatefold jacket is coated in a vintage high-gloss lacquer.\r\n
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      For the first time ever on 180 gram LP, this two LP set is beautifully re-mastered and the original artwork has been carefully replicated.\r\n
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      \r\n
      Playing the popular White House Sessions concert on the Washington Mall for President John F. Kennedy, these titans of popular jazz have a great time informing, joking and playing the lights out. You'll want to play the grooves out of Impex's impeccably produced issue of this lost treasure. Quiet surfaces, incredible dynamics, full frequency responses and deluxe packaging will provide years of listening and viewing pleasure.
      """
    -prixVente: "99.50"
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[
  "produit" => App\Entity\Produit {#2133
    -id: 1770
    -nom: "Foreign Intrigue"
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    -description: """
      Blue Note 80 Vinyl Reissue Series ! In honor of Blue Note Records' 80th Anniversary, the legendary Jazz label has launched the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180 gram vinyl releases in standard packaging with albums spanning the many eras of the label's history presented by themes : Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders.\r\n
      \r\n
      Drummer Tony Williams had a long, fruitful relationship with Blue Note Records starting in the 1960s when he appeared on numerous post bop classics (Herbie Hancock Maiden Voyage, Eric Dolphy Out to Lunch, Andrew Hill Point of Departure) and made his first 2 albums as a leader : Life Time (1964) and Spring (1965). After Blue Note relaunched in 1984, Williams returned to the label eager to form a new acoustic band as a vehicle to perform his compositions.\r\n
      \r\n
      For this 1985 released album, Williams is joined by Ron Carter, Bobby Hutcherson, Donald Harrison, Wallace Roney, and Mulgrew Miller.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Tony Williams (drums), Donald Harrison (alto saxophone), Ron Carter (double bass), Mulgrew Miller (piano), Bobby Hutcherson (vibraphone), Wallace Roney (trumpet)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3492
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    -id: 1770
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    -informationComplementaire: null
    -description: """
      Blue Note 80 Vinyl Reissue Series ! In honor of Blue Note Records' 80th Anniversary, the legendary Jazz label has launched the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180 gram vinyl releases in standard packaging with albums spanning the many eras of the label's history presented by themes : Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders.\r\n
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    -musicienOrchestre: "Tony Williams (drums), Donald Harrison (alto saxophone), Ron Carter (double bass), Mulgrew Miller (piano), Bobby Hutcherson (vibraphone), Wallace Roney (trumpet)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
  "produit" => App\Entity\Produit {#2152
    -id: 1069
    -nom: "Misty"
    -informationComplementaire: null
    -description: """
      Few, if any, international audiophile jazz recordings have maintained the kind of deep and profound influence over techniques and even entire label repretoire as Three Blind Mice's Blow Up, Midnight Sugar and Misty.\r\n
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      The of-the-moment realism of Yoshihiko Kannari's recordings and production aesthetic of producer and label head Takeshi "Tee" Fujii have been the benchmark to match. It is to their immense credit that Blow Up, Midnight Sugar, and Misty have yet to be matched, even 40 years later.\r\n
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      """
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=cexUtCGKFVs"
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        "nom" => "2. Angel Eyes"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
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    -modifierLe: DateTime @1769968016 {#2150
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App\Twig\Components\GestionPanierFavoriComponents {#3543
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2667 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2152
    -id: 1069
    -nom: "Misty"
    -informationComplementaire: null
    -description: """
      Few, if any, international audiophile jazz recordings have maintained the kind of deep and profound influence over techniques and even entire label repretoire as Three Blind Mice's Blow Up, Midnight Sugar and Misty.\r\n
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      The of-the-moment realism of Yoshihiko Kannari's recordings and production aesthetic of producer and label head Takeshi "Tee" Fujii have been the benchmark to match. It is to their immense credit that Blow Up, Midnight Sugar, and Misty have yet to be matched, even 40 years later.\r\n
      \r\n
      Impex, who as Cisco Music has had a long association with Tee and Three Blind Mice, has now made available these seminal recordings on 180 gram audiophile vinyl. Mastered by Kevin Gray at Cohearent Audio.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1904 …}
    -musicienOrchestre: "Tsuyoshi Yamamoto (piano), Isoo Fukui (bass), Tetsujiro Obara (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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}

[
  "produit" => App\Entity\Produit {#2168
    -id: 856
    -nom: "Use Me (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Recorded by Michael C. Ross to analog tape !\r\n
      - Mastered to 45 RPM vinyl from 30-inch-per-second 1/4" master tape by Bernie Grundman !\r\n
      \r\n
      "Tasty as is the back-up band and are the outstanding acoustic arrangements, Ms. Fernandez steals the show with a voice that is as unlikely as her cover photo would have you thinking "funky black chick". She's no poseur though. If you have any such notions start with side 3's opener, a cover of Bill Withers' 'Use Me,' which is from where the album gets it title". — Music = 10/11; Sound = 11/11 - Michael Fremer, AnalogPlanet.com. \r\n
      \r\n
      Singapore-based vocalist Vanessa Fernandez, 31, has performed hip-hop (Urban Xchange/Parking Lot Pimp) and been a DJ "Vandetta", or "Miss Vandetta" on Mediacorp Radio's 987FM. Groove Note and ORG reissue producer Ying Tan decided that Fernandez deserved the audiophile recording treatment and so brought her to Ocean Way Recording in Los Angeles in mid-January 2014 to record this album to analog tape in five sessions.\r\n
      \r\n
      Fernandez covers Marvin Gaye, Bill Withers, Al Green, Curtis Mayfield, Isaac Hayes and others in an album filled with funky grooves provided by a stellar back-up band anchored by bassist Leland Sklar, with session guitarist Tim Pierce (Bruce Springsteen, Bon Jovi, Patti Smith, Joe Cocker, Michael Jackson) drummer Victor Indrizzo (Scott Weiland, Chris Cornell) keyboardist Jim Cox (Lyle Lovett, Mark Knopfler, B.B. King) and others.\r\n
      \r\n
      The album of audiophile-quality covers of soul and R&B classics from the '70s and '80s was done in an "unplugged" style with acoustic instruments and arrangements used on all of the tracks. Vocals are tremendously dynamic (no compression or limiting used), with superb presence and detail for all other instruments including the drum set.\r\n
      \r\n
      The album introduces and throws the spotlight on the fantastic voice of the Singaporean vocalist Fernandez. The song selection includes tunes by Marvin Gaye, Curtis Mayfield, Isaac Hayes, Earth Wind & Fire, Bill Withers, Al Green and others.\r\n
      \r\n
      This is a great group of top LA musicians backing superlative performances by a great new singer !!!\r\n
      \r\n
      There are many records and labels who declare themselves to be of "audiophile quality". Groove Note records all of its albums at the best studios in Hollywood (Oceanway, Record One, Cello, Sunset Sound) using a top Grammy-nominated recording engineer, Michael C. Ross. All Groove Note albums are recorded 100% analog and the production masters are also mixed by 100 % analog by MC Ross.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Vanessa Fernandez (vocals), Tim Pierce (guitars), Leland Sklar (electric bass), Jim Cox (keyboards), Stanley Behrens (harmonica), Rafael Padilla (percussion), Victor Indrizzo (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=2W2xED8tjbI"
    -referenceProduit: "Groove Note Records GRV 1050-45"
    -titreMorceau: [
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        "ordre" => 1
        "nom" => "1. I Just Wanna Be With You"
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        "ordre" => 2
        "nom" => "2. Be Thankful For What You Got"
      ]
      [
        "ordre" => 3
        "nom" => "3. Distant Lover"
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        "nom" => "Side B :"
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        "ordre" => 5
        "nom" => "1. Hard Times"
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        "nom" => "2. That Loving Feeling"
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        "nom" => "3. Simply Beautiful"
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        "nom" => "2. I Love You More Than You'll Ever Know"
      ]
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        "ordre" => 11
        "nom" => "3. Cool Cat"
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      [
        "ordre" => 12
        "nom" => "Side D :"
      ]
      [
        "ordre" => 13
        "nom" => "1. Here But I'm Gone"
      ]
      [
        "ordre" => 14
        "nom" => "2. Be Thankful For What You Got (Alternate Mix)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3594
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2667 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2168
    -id: 856
    -nom: "Use Me (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Recorded by Michael C. Ross to analog tape !\r\n
      - Mastered to 45 RPM vinyl from 30-inch-per-second 1/4" master tape by Bernie Grundman !\r\n
      \r\n
      "Tasty as is the back-up band and are the outstanding acoustic arrangements, Ms. Fernandez steals the show with a voice that is as unlikely as her cover photo would have you thinking "funky black chick". She's no poseur though. If you have any such notions start with side 3's opener, a cover of Bill Withers' 'Use Me,' which is from where the album gets it title". — Music = 10/11; Sound = 11/11 - Michael Fremer, AnalogPlanet.com. \r\n
      \r\n
      Singapore-based vocalist Vanessa Fernandez, 31, has performed hip-hop (Urban Xchange/Parking Lot Pimp) and been a DJ "Vandetta", or "Miss Vandetta" on Mediacorp Radio's 987FM. Groove Note and ORG reissue producer Ying Tan decided that Fernandez deserved the audiophile recording treatment and so brought her to Ocean Way Recording in Los Angeles in mid-January 2014 to record this album to analog tape in five sessions.\r\n
      \r\n
      Fernandez covers Marvin Gaye, Bill Withers, Al Green, Curtis Mayfield, Isaac Hayes and others in an album filled with funky grooves provided by a stellar back-up band anchored by bassist Leland Sklar, with session guitarist Tim Pierce (Bruce Springsteen, Bon Jovi, Patti Smith, Joe Cocker, Michael Jackson) drummer Victor Indrizzo (Scott Weiland, Chris Cornell) keyboardist Jim Cox (Lyle Lovett, Mark Knopfler, B.B. King) and others.\r\n
      \r\n
      The album of audiophile-quality covers of soul and R&B classics from the '70s and '80s was done in an "unplugged" style with acoustic instruments and arrangements used on all of the tracks. Vocals are tremendously dynamic (no compression or limiting used), with superb presence and detail for all other instruments including the drum set.\r\n
      \r\n
      The album introduces and throws the spotlight on the fantastic voice of the Singaporean vocalist Fernandez. The song selection includes tunes by Marvin Gaye, Curtis Mayfield, Isaac Hayes, Earth Wind & Fire, Bill Withers, Al Green and others.\r\n
      \r\n
      This is a great group of top LA musicians backing superlative performances by a great new singer !!!\r\n
      \r\n
      There are many records and labels who declare themselves to be of "audiophile quality". Groove Note records all of its albums at the best studios in Hollywood (Oceanway, Record One, Cello, Sunset Sound) using a top Grammy-nominated recording engineer, Michael C. Ross. All Groove Note albums are recorded 100% analog and the production masters are also mixed by 100 % analog by MC Ross.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Vanessa Fernandez (vocals), Tim Pierce (guitars), Leland Sklar (electric bass), Jim Cox (keyboards), Stanley Behrens (harmonica), Rafael Padilla (percussion), Victor Indrizzo (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=2W2xED8tjbI"
    -referenceProduit: "Groove Note Records GRV 1050-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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      [
        "ordre" => 1
        "nom" => "1. I Just Wanna Be With You"
      ]
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        "ordre" => 2
        "nom" => "2. Be Thankful For What You Got"
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        "ordre" => 3
        "nom" => "3. Distant Lover"
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        "nom" => "1. Hard Times"
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        "nom" => "2. That Loving Feeling"
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        "nom" => "3. Simply Beautiful"
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        "nom" => "1. Use Me"
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        "nom" => "2. I Love You More Than You'll Ever Know"
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        "ordre" => 11
        "nom" => "3. Cool Cat"
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      [
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        "nom" => "Side D :"
      ]
      [
        "ordre" => 13
        "nom" => "1. Here But I'm Gone"
      ]
      [
        "ordre" => 14
        "nom" => "2. Be Thankful For What You Got (Alternate Mix)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-use-me-2-lp-45-rpm-groove-note-records-grv-1050-45"
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[
  "produit" => App\Entity\Produit {#2187
    -id: 2742
    -nom: "Jazz Impressions Of Black Orpheus  (Limited Edition Numbered Small Batch One-Step)"
    -informationComplementaire: null
    -description: """
      - Jazz Impressions of Black Orpheus (Small Batch, One-Step Pressing) !\r\n
      - Pressed using a one-step lacquer process at RTI utilizing Neotech's VR900 PVC compound !\r\n
      - All-analog mastering by Bernie Grundman from the original master tape !\r\n
      - Liner notes from Derrick Bang, the foremost Guaraldi historian !\r\n
      - Housed in a foil-stamped, linen-wrapped slipcase !\r\n
      - Numbered and limited to 3000 copies !\r\n
      \r\n
      Vince Guaraldi Trio's Grammy Award-winning, breakthrough album, Jazz Impressions of Black Orpheus, is the fourth release in Craft Recordings' Small Batch series a carefully curated one-step lacquer process collection that's devoted to creating the highest quality reissues of legendary recordings from its vast catalog.\r\n
      \r\n
      As with previous Small Batch pressings, Jazz Impressions of Black Orpheus was cut from its original analog tapes by legendary engineer Bernie Grundman and pressed on 180 gram vinyl at RTI using Neotech's VR900 compound and a one-step lacquer process as opposed to the standard three-step process allowing for the utmost level of musical detail, clarity, and dynamics while reducing the amount of surface noise on the record. The limited nature of these pressings guarantees that each record is a true representation of the original lacquer and is as close as the listener can get to the original recording.\r\n
      \r\n
      Released in April 1962, Jazz Impressions of Black Orpheus made Guaraldi a household name thanks, in large part, to the irresistible sounds of "Cast Your Fate to the Wind". In 1963, the song earned Guaraldi a Grammy for "Best Original Jazz Composition." Over the years, it would be covered by a range of artists, including Quincy Jones, George Benson, Allen Toussaint, the James Gang, and Mel Tormé (who added lyrics). Perhaps most famously, however, the tune caught the ear of television producer Lee Mendelson, who was searching for a musician to score a documentary about PEANUTS® creator, Charles M. Schulz, and his popular comic strip. While the film was never released, Guaraldi recorded the soundtrack to A Charlie Brown Christmas the following year-creating one of the best-selling jazz and holiday albums of all time in the process.\r\n
      \r\n
      This Small Batch edition is limited to 3000 copies worldwide. Each pressing is individually numbered and encased in a foil-stamped, linen-wrapped slipcase featuring an acrylic inset of the original artwork. The vinyl disc-extractable through a unique, frictionless ribbon pull-tab-is housed in a reproduction of the album's original, tip-on jacket and protected by an archival-quality, anti-static, non-scratching inner sleeve. Rounding out the package are new liner notes by Derrick Bang, the foremost Guaraldi historian and author of Vince Guaraldi at the Piano (McFarland & Company).
      """
    -prixVente: "99.50"
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    -musicienOrchestre: "Vince Guaraldi (piano), Monty Budwig (bass), Colin Bailey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
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    -preCommande: true
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    -referenceProduit: "ACONC 542"
    -titreMorceau: [
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        "nom" => "3. O Nosso Amor"
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      [
        "ordre" => 4
        "nom" => "4. Felicidade"
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      [
        "ordre" => 5
        "nom" => "Side B : "
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      [
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        "nom" => "1. Cast Your Fate To The Wind"
      ]
      [
        "ordre" => 7
        "nom" => "2. Moon River"
      ]
      [
        "ordre" => 8
        "nom" => "3. Alma-Ville"
      ]
      [
        "ordre" => 9
        "nom" => "4. Since I Fell For You"
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. Samba de Orfeu [Short Version: Take 1, Set 3]"
      ]
      [
        "ordre" => 12
        "nom" => "2. Samba de Orfeu [Long Version: Take 1, Set 3]"
      ]
      [
        "ordre" => 13
        "nom" => "3. Manhã de Carnaval [Take 1, Set 3]"
      ]
      [
        "ordre" => 14
        "nom" => "4. Manhã de Carnaval [Take 2, Set 3]"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. O Nosso Amor [Take 1, Set 3]"
      ]
      [
        "ordre" => 17
        "nom" => "2. O Nosso Amor [Take 2, Set 4]"
      ]
      [
        "ordre" => 18
        "nom" => "3. Felicidade [Take 2, Set 2]"
      ]
      [
        "ordre" => 19
        "nom" => "4. Felicidade [Take 4, Set 3]"
      ]
      [
        "ordre" => 20
        "nom" => "Side E :"
      ]
      [
        "ordre" => 21
        "nom" => "1. Cast Your Fate To The Wind [Take 2]"
      ]
      [
        "ordre" => 22
        "nom" => "2. Cast Your Fate To The Wind [Take 3]"
      ]
      [
        "ordre" => 23
        "nom" => "3. Cast Your Fate To The Wind [Take 5]"
      ]
      [
        "ordre" => 24
        "nom" => "4. Alma-Ville [Take 2]"
      ]
      [
        "ordre" => 25
        "nom" => "5. Since I Fell For You [Take 3]"
      ]
      [
        "ordre" => 26
        "nom" => "Side F : "
      ]
      [
        "ordre" => 27
        "nom" => "1. Jitterbug Waltz [Take 1]"
      ]
      [
        "ordre" => 28
        "nom" => "2. Jitterbug Waltz [Take 1A]"
      ]
      [
        "ordre" => 29
        "nom" => "3. Jitterbug Waltz [Take 2A]"
      ]
      [
        "ordre" => 30
        "nom" => ""
      ]
      [
        "ordre" => 31
        "nom" => ""
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      [
        "ordre" => 32
        "nom" => ""
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      [
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      [
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        "nom" => ""
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      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2189 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
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    -modifierLe: DateTime @1769966184 {#2185
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-jazz-impressions-of-black-orpheus-limited-edition-numbered-small-batch-one-step-aconc-542"
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App\Twig\Components\GestionPanierFavoriComponents {#3645
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2667 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2187
    -id: 2742
    -nom: "Jazz Impressions Of Black Orpheus  (Limited Edition Numbered Small Batch One-Step)"
    -informationComplementaire: null
    -description: """
      - Jazz Impressions of Black Orpheus (Small Batch, One-Step Pressing) !\r\n
      - Pressed using a one-step lacquer process at RTI utilizing Neotech's VR900 PVC compound !\r\n
      - All-analog mastering by Bernie Grundman from the original master tape !\r\n
      - Liner notes from Derrick Bang, the foremost Guaraldi historian !\r\n
      - Housed in a foil-stamped, linen-wrapped slipcase !\r\n
      - Numbered and limited to 3000 copies !\r\n
      \r\n
      Vince Guaraldi Trio's Grammy Award-winning, breakthrough album, Jazz Impressions of Black Orpheus, is the fourth release in Craft Recordings' Small Batch series a carefully curated one-step lacquer process collection that's devoted to creating the highest quality reissues of legendary recordings from its vast catalog.\r\n
      \r\n
      As with previous Small Batch pressings, Jazz Impressions of Black Orpheus was cut from its original analog tapes by legendary engineer Bernie Grundman and pressed on 180 gram vinyl at RTI using Neotech's VR900 compound and a one-step lacquer process as opposed to the standard three-step process allowing for the utmost level of musical detail, clarity, and dynamics while reducing the amount of surface noise on the record. The limited nature of these pressings guarantees that each record is a true representation of the original lacquer and is as close as the listener can get to the original recording.\r\n
      \r\n
      Released in April 1962, Jazz Impressions of Black Orpheus made Guaraldi a household name thanks, in large part, to the irresistible sounds of "Cast Your Fate to the Wind". In 1963, the song earned Guaraldi a Grammy for "Best Original Jazz Composition." Over the years, it would be covered by a range of artists, including Quincy Jones, George Benson, Allen Toussaint, the James Gang, and Mel Tormé (who added lyrics). Perhaps most famously, however, the tune caught the ear of television producer Lee Mendelson, who was searching for a musician to score a documentary about PEANUTS® creator, Charles M. Schulz, and his popular comic strip. While the film was never released, Guaraldi recorded the soundtrack to A Charlie Brown Christmas the following year-creating one of the best-selling jazz and holiday albums of all time in the process.\r\n
      \r\n
      This Small Batch edition is limited to 3000 copies worldwide. Each pressing is individually numbered and encased in a foil-stamped, linen-wrapped slipcase featuring an acrylic inset of the original artwork. The vinyl disc-extractable through a unique, frictionless ribbon pull-tab-is housed in a reproduction of the album's original, tip-on jacket and protected by an archival-quality, anti-static, non-scratching inner sleeve. Rounding out the package are new liner notes by Derrick Bang, the foremost Guaraldi historian and author of Vince Guaraldi at the Piano (McFarland & Company).
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Vince Guaraldi (piano), Monty Budwig (bass), Colin Bailey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=zUtQSeaAmmg&list=PLLG_xm_uUlt_H0g5EfINPuVdFNuDOU8IY"
    -referenceProduit: "ACONC 542"
    -titreMorceau: [
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        "nom" => "4. Felicidade"
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      [
        "ordre" => 9
        "nom" => "4. Since I Fell For You"
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
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      [
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        "nom" => "1. Samba de Orfeu [Short Version: Take 1, Set 3]"
      ]
      [
        "ordre" => 12
        "nom" => "2. Samba de Orfeu [Long Version: Take 1, Set 3]"
      ]
      [
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        "nom" => "3. Manhã de Carnaval [Take 1, Set 3]"
      ]
      [
        "ordre" => 14
        "nom" => "4. Manhã de Carnaval [Take 2, Set 3]"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. O Nosso Amor [Take 1, Set 3]"
      ]
      [
        "ordre" => 17
        "nom" => "2. O Nosso Amor [Take 2, Set 4]"
      ]
      [
        "ordre" => 18
        "nom" => "3. Felicidade [Take 2, Set 2]"
      ]
      [
        "ordre" => 19
        "nom" => "4. Felicidade [Take 4, Set 3]"
      ]
      [
        "ordre" => 20
        "nom" => "Side E :"
      ]
      [
        "ordre" => 21
        "nom" => "1. Cast Your Fate To The Wind [Take 2]"
      ]
      [
        "ordre" => 22
        "nom" => "2. Cast Your Fate To The Wind [Take 3]"
      ]
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        "ordre" => 23
        "nom" => "3. Cast Your Fate To The Wind [Take 5]"
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        "ordre" => 24
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        "nom" => "1. Jitterbug Waltz [Take 1]"
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      [
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        "nom" => "2. Jitterbug Waltz [Take 1A]"
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        "nom" => "3. Jitterbug Waltz [Take 2A]"
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        "nom" => ""
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        "nom" => ""
      ]
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        "nom" => ""
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2189 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
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      date: 2026-02-01 17:16:24.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2207
    -id: 362
    -nom: "Jazz of Two Cities"
    -informationComplementaire: "Last copy in stock !"
    -description: """
      Warne Marsh and Ted Brown playing tenor Saxes are joined by Ronnie Ball on piano, Ben Tucker on bass and Jeff Morton on drums on this Classic Imperial Series reissue of "Jazz of Two Cities". \r\n
      \r\n
      The original full track mono master tape was used on Classic's "all tube" MONO cutting system (including MONO tape head, cutting amp and cutter head) at Bernie Grundman Mastering with Bernie "Bebop" Grundman doing the set-up and cutting. \r\n
      \r\n
      Pressed on Classic's own Quiex Super Vinyl Profile, tunes include "Smog Eyes", "Ear Conditioning", "Lover Man", "Jazz of Two Cities", "Dixie's Dilemma", "Tschaikowsky's Opus #42" and "I Never Knew". According to the liner notes : " Since high fidelity includes a true reproduction of all sounds without discrimination or distortion, the original recording was done on an Ampex 300 C Magnetic Tape Recorder at 15 IPS using Scotch Tape. To effectively the full frequency spectrum Telefunken U 47M microphones were used." If that's not an audiophile endorsement then I don't know what is...\r\n
      \r\n
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      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Warne Marsh, Ted Brown (tenor saxophone), Ronnie Ball (piano), Ben Tucker (bass), Jeff Morton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Classic Records LP 9027"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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        "nom" => "1. Smog Eyes"
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        "ordre" => 2
        "nom" => "2. Ear Conditioning"
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      [
        "ordre" => 3
        "nom" => "3. Lover Man"
      ]
      [
        "ordre" => 4
        "nom" => "4. Quintessence"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Jazz Of Two Cities"
      ]
      [
        "ordre" => 7
        "nom" => "2. Dixie's Dilemma"
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      [
        "ordre" => 8
        "nom" => "3. Tschaikowski's Opus No. 4Mt. 3"
      ]
      [
        "ordre" => 9
        "nom" => "4. I Never Knew"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2209 …}
    -label: Proxies\__CG__\App\Entity\Label {#2212 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2221 …}
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    -modifierLe: DateTime @1769965084 {#2201
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3696
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2667 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2207
    -id: 362
    -nom: "Jazz of Two Cities"
    -informationComplementaire: "Last copy in stock !"
    -description: """
      Warne Marsh and Ted Brown playing tenor Saxes are joined by Ronnie Ball on piano, Ben Tucker on bass and Jeff Morton on drums on this Classic Imperial Series reissue of "Jazz of Two Cities". \r\n
      \r\n
      The original full track mono master tape was used on Classic's "all tube" MONO cutting system (including MONO tape head, cutting amp and cutter head) at Bernie Grundman Mastering with Bernie "Bebop" Grundman doing the set-up and cutting. \r\n
      \r\n
      Pressed on Classic's own Quiex Super Vinyl Profile, tunes include "Smog Eyes", "Ear Conditioning", "Lover Man", "Jazz of Two Cities", "Dixie's Dilemma", "Tschaikowsky's Opus #42" and "I Never Knew". According to the liner notes : " Since high fidelity includes a true reproduction of all sounds without discrimination or distortion, the original recording was done on an Ampex 300 C Magnetic Tape Recorder at 15 IPS using Scotch Tape. To effectively the full frequency spectrum Telefunken U 47M microphones were used." If that's not an audiophile endorsement then I don't know what is...\r\n
      \r\n
      The Complete 1956-1957 sessions featuring Ted Brown, Ronnie Ball, Ben Tucker, Jeff Morton and special guest Art Pepper !
      """
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    -musicienOrchestre: "Warne Marsh, Ted Brown (tenor saxophone), Ronnie Ball (piano), Ben Tucker (bass), Jeff Morton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2435 …}
}

[
  "produit" => App\Entity\Produit {#2228
    -id: 2696
    -nom: "Smokin' At The Half Note"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
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      \r\n
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      \r\n
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      \r\n
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      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Wynton Kelly (piano), Wes Montgomery (guitar), Paul Chambers (bass), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=4TeENJhJh0w&list=RD4TeENJhJh0w&start_radio=1"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2230 …}
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    -modifierLe: DateTime @1769942243 {#2223
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3747
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2667 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2228
    -id: 2696
    -nom: "Smokin' At The Half Note"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
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      "Wes Montgomery remains one of the undisputed greats of Modern Jazz guitar. To hear the man at his best is to luxuriate in the elevated energies of 'Smokin’ at the Half Note,' an LP co-billing him with the impeccable trio of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb. That set has been freshly reissued in Verve/UMe’s Acoustic Sound Series, and for consumers of vinyl with a passion for post-bop jazz, its acquisition is absolutely essential". - Joseph Neff, The Vinyl District, May 16, 2023. Read the entire review here.\r\n
      \r\n
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      \r\n
      This is timeless music that has inspired innumerable jazz guitarists and aficionados. In fact, jazz guitar great Pat Metheny has said, "I learned to play listening to Wes Montgomery's Smokin' At The Half Note". Metheny additionally said that the solo on "If You Could See Me Now" is his favorite of all time.\r\n
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    -prixVente: "60.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=4TeENJhJh0w&list=RD4TeENJhJh0w&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series Verve  2901"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "nom" => "1. No Blues"
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        "nom" => "1. Unit 7"
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        "nom" => "3. What's New ?"
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2230 …}
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}

App\Twig\Components\AjoutMailNewsletterComponent {#3948
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2435 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3949 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3997 …}
  +isValidated: false
  +validatedFields: []
}