Components
4
Twig Components
5
Render Count
6
ms
Render Time
6.0
MiB
Memory Usage
Components
| Name | Metadata | Render Count | Render Time |
|---|---|---|---|
| GestionPanierFavoriComponents |
"App\Twig\Components\GestionPanierFavoriComponents"components/GestionPanierFavoriComponents.html.twig |
2 | 1.36ms |
| GestionEntetePageComponents |
"App\Twig\Components\GestionEntetePageComponents"components/GestionEntetePageComponents.html.twig |
1 | 3.21ms |
| ListePanier |
"App\Twig\Components\ListePanier"components/ListePanier.html.twig |
1 | 1.51ms |
| AjoutMailNewsletterComponent |
"App\Twig\Components\AjoutMailNewsletterComponent"components/AjoutMailNewsletterComponent.html.twig |
1 | 0.29ms |
Render calls
| GestionEntetePageComponents | App\Twig\Components\GestionEntetePageComponents | 6.0 MiB | 3.21 ms | |
|---|---|---|---|---|
| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionEntetePageComponents {#2390 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2237 …} } |
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| ListePanier | App\Twig\Components\ListePanier | 6.0 MiB | 1.51 ms | |
|---|---|---|---|---|
| Input props | [ "listeModal" => true "categorieProduitEnum" => [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] ] |
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| Attributes | [] |
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| Component | App\Twig\Components\ListePanier {#2467 #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2470 …} -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -gestionPanier: App\Service\FrontGestionPanierFavori {#2469 …} -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#2043 …} +listePanier: null +listeModal: true +paysForme: null +paysSelectionne: null +selectedPays: null +fraisLivraison: 17.5 +montantTotal: 35.0 +tempsLivraison: 0 +quantite: 0 +categorieProduitEnum: [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2237 …} -formView: Symfony\Component\Form\FormView {#2506 …} -form: Symfony\Component\Form\Form {#2656 …} +formName: "pays" +formValues: [ "nom" => "" ] +isValidated: false +validatedFields: [] -shouldAutoSubmitForm: true } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.92 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#1724 -id: 567 -nom: "Sonatas N° 8 and 10" -informationComplementaire: "" -description: "Pour de nombreux amateurs de musique classique, la 8ème sonate pour violon de Beethoven vit dans l’ombre de la fougueuse 9ème Symphonie, mieux connue sous le nom « Kreutzer ». Cela est facile à comprendre, comme « Kreutzer » est un excellent exemple de la partie orageuse de Beethoven, celui que de nombreux auditeurs considèrent comme son trait le plus excitant et révélateur. Cependant, comme la 8ème Symphonie est plus douce que son imposante et formidable 9ème Symphonie, la 8ème sonate pour violon est plus courte, moins agressive et nous montre un côté plus lyrique de Beethoven. Pour cette version, RCA a couplé la 8ème sonate à la 10ème, également en G Major. L’une des plus belles compositions de Beethoven pour violon, l'humeur de la 10ème sonate est le complément parfait de la 8ème. Bien que RCA place souvent Heifetz aux côtés de grands pianistes comme Rubinstein, c'est avec Emanuel Bay qu'il a trouvé la plus grande alchimie. Ce LP en 180 grammes de chez Impex Records, attendu depuis longtemps est le début de la célèbre association de Heifetz et de Bay. Les deux sonates ont été enregistrées le 16 et 17 octobre 1952, en utilisant un seul microphone. Ce chef-d'œuvre en mono se rapproche de la véritable tonalité de l’enregistrement de Heifetz ainsi que de nombreux concertos stéréo de l'époque et de toute la production analogique de Impex Records, avec le mastering de Kevin Gray « Dr. Groove » et Robert Pincus « Mr. Record » pour le pressage chez Record Technology Inc, préserve la dynamique incroyable de cet enregistrement historique, sans l’égalisation naturelle du LP original. Cette édition strictement limitée à 2000 exemplaires, est sûre de devenir une grande réédition de collection provenant de chez Impex Records. " -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …} -musicienOrchestre: "Jascha Heifetz (violin), Emmanuel Bay (piano)" -sonMusic: App\Enum\SonMusicEnum {#1132 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=t2RwcNYXCU4" -referenceProduit: "IMP 6013" -titreMorceau: [ [ "nom" => "1. Adagio espressivo" "ordre" => 7 ] [ "nom" => "1. Allegro assai" "ordre" => 2 ] [ "nom" => "2. Scherzo: Allegro" "ordre" => 8 ] [ "nom" => "2. Tempo di MInuetto" "ordre" => 3 ] [ "nom" => "3. Allegro vivace" "ordre" => 4 ] [ "nom" => "3. Poco allegretto" "ordre" => 9 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 5 ] [ "nom" => "Sonata N° 10 in G Major, Op. 96" "ordre" => 6 ] [ "nom" => "Sonata N° 8 in G Major, Op. 30, N° 3" "ordre" => 1 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1906 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1457 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2008 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1910 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#1996 …} -enregistreLe: DateTime @1357371554 {#1839 : 2013-01-05 07:39:14.0 UTC (+00:00) } -modifierLe: DateTime @1653817380 {#1890 : 2022-05-29 09:43:00.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2002 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-sonatas-n-8-and-10-imp-6013" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#2931 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2469 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#2043 …} +produit: App\Entity\Produit {#1724 -id: 567 -nom: "Sonatas N° 8 and 10" -informationComplementaire: "" -description: "Pour de nombreux amateurs de musique classique, la 8ème sonate pour violon de Beethoven vit dans l’ombre de la fougueuse 9ème Symphonie, mieux connue sous le nom « Kreutzer ». Cela est facile à comprendre, comme « Kreutzer » est un excellent exemple de la partie orageuse de Beethoven, celui que de nombreux auditeurs considèrent comme son trait le plus excitant et révélateur. Cependant, comme la 8ème Symphonie est plus douce que son imposante et formidable 9ème Symphonie, la 8ème sonate pour violon est plus courte, moins agressive et nous montre un côté plus lyrique de Beethoven. Pour cette version, RCA a couplé la 8ème sonate à la 10ème, également en G Major. L’une des plus belles compositions de Beethoven pour violon, l'humeur de la 10ème sonate est le complément parfait de la 8ème. Bien que RCA place souvent Heifetz aux côtés de grands pianistes comme Rubinstein, c'est avec Emanuel Bay qu'il a trouvé la plus grande alchimie. Ce LP en 180 grammes de chez Impex Records, attendu depuis longtemps est le début de la célèbre association de Heifetz et de Bay. Les deux sonates ont été enregistrées le 16 et 17 octobre 1952, en utilisant un seul microphone. Ce chef-d'œuvre en mono se rapproche de la véritable tonalité de l’enregistrement de Heifetz ainsi que de nombreux concertos stéréo de l'époque et de toute la production analogique de Impex Records, avec le mastering de Kevin Gray « Dr. Groove » et Robert Pincus « Mr. Record » pour le pressage chez Record Technology Inc, préserve la dynamique incroyable de cet enregistrement historique, sans l’égalisation naturelle du LP original. Cette édition strictement limitée à 2000 exemplaires, est sûre de devenir une grande réédition de collection provenant de chez Impex Records. " -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …} -musicienOrchestre: "Jascha Heifetz (violin), Emmanuel Bay (piano)" -sonMusic: App\Enum\SonMusicEnum {#1132 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=t2RwcNYXCU4" -referenceProduit: "IMP 6013" -titreMorceau: [ [ "nom" => "1. Adagio espressivo" "ordre" => 7 ] [ "nom" => "1. Allegro assai" "ordre" => 2 ] [ "nom" => "2. Scherzo: Allegro" "ordre" => 8 ] [ "nom" => "2. Tempo di MInuetto" "ordre" => 3 ] [ "nom" => "3. Allegro vivace" "ordre" => 4 ] [ "nom" => "3. Poco allegretto" "ordre" => 9 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 5 ] [ "nom" => "Sonata N° 10 in G Major, Op. 96" "ordre" => 6 ] [ "nom" => "Sonata N° 8 in G Major, Op. 30, N° 3" "ordre" => 1 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1906 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1457 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2008 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1910 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#1996 …} -enregistreLe: DateTime @1357371554 {#1839 : 2013-01-05 07:39:14.0 UTC (+00:00) } -modifierLe: DateTime @1653817380 {#1890 : 2022-05-29 09:43:00.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2002 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-sonatas-n-8-and-10-imp-6013" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2237 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.44 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2025 -id: 687 -nom: "Drum Suite" -informationComplementaire: "" -description: """ One of the inventors of the modern bebop style of drumming, Blakey is known as a powerful musician and a vital groover; his brand of bluesy, funky hard bop was and continues to be profoundly influential on mainstream jazz.\n \n For more than 30 years his band, Art Blakey & The Jazz Messengers included many young musicians who went on to become prominent names in jazz. Recorded in 1956, Art Blakey's Drum Suite is a wonderful hybrid of African, Latin, and hard bop rhythms that prefigures the concept of Afro-beat by at least a decade. The sheer energy, not to mention its very special and fresh-sounding intimacy, make it especially astounding.\n \n Even more amazing is that the three parts of the suite Blakey's "The Sacrifice", Ray Bryant's "Cubano Chant", and Oscar Pettiford's "Oscalypso" were recorded straight through live, and were only intended to be a pre-take run-through. As is obvious here, Blakey and company nailed the whole thing right out of the box.\n \n Groundbreaking for its time, and still sounding vital, powerful, and visionary, the Drum Suite album is somewhat of a lost masterpiece that deserves a fresh audience. \n \n Art Blakey's first release for Columbia Records is essentially two records. Side one is a percussion ensemble playing what would, ten years later, be called Afro-Cuban drumming. Side two is the mid-fifties version of the Jazz Messengers featuring Jackie McLean on saxophone. Side one features Blakey, Jo Jones and Charles Wright on drums, Candido and Sabu on bongos, and Oscar Pettiford and bass and cello. The group plays three compositions, one by Blakey, one by Pettiford and one by Ray Bryant, fusing African, Cuban, and calypso percussion into a well-integrated suite.\n \n "The group recorded a run through and it was so perfectly executed that they used the practice run for the release, unedited except to add some Swahili chants by the percussionists during a few passages. One cannot help but think of Olantunji's Drums of Passion, another Afro drumming landmark, here. Blakey's drum suite was recorded at Columbia's 30th Street studios in New York in 1957 and is in mono. The almost stereoscopic image is truly remarkable. Mastered by Kevin Gray and pressed at RTI, Drum Suite is a valuable record of one of the most important figures in jazz history. Recording : 9/10. Music 9/10". - Dennis Davis, Hifi+\n \n "...The three-part suite was laid down in one take with no arrangements, and begins with a few tympani thwacks followed by an African chant. Soon the ensemble kicks in and the group takes off an a sweaty Afro-Cuban-bop journey that will leave you breathless, as the thing crackles with terrific energy. Side Two is more conventional hard bop, but given this group's mastery of if not invention of the style, these tracks are extremely satisfying. Kevin Gray's remastering is detailed and immediate, with plenty of bit and air, if not the widest dynamic range. For anyone interested in percussion of this genre, this is not to be missed". - Wayne Garcia, The Absolute Sound\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Art Blakey (drums), Jackie McLean (alto saxophone), Oscar Pettiford (bass, cello), Spanky DeBrest (bass), Bill Hardman (trumpet), Ray Bryant, Sam Dockery (piano), Charles Wright, Jo Jones (drums), Candido, Sabu Martinez (bongos)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Htv_f0r6l_A" -referenceProduit: "IMP 6019" -titreMorceau: [ [ "nom" => "1. Nica's Tempo" "ordre" => 5 ] [ "nom" => "1. The Sacrifice" "ordre" => 1 ] [ "nom" => "2. Cubano Chant" "ordre" => 2 ] [ "nom" => "2. Dee's Dilemma" "ordre" => 6 ] [ "nom" => "3. Just For Marty" "ordre" => 7 ] [ "nom" => "3. Oscalypso" "ordre" => 3 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2027 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1468 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2036 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2029 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2031 …} -enregistreLe: DateTime @1403769187 {#2022 : 2014-06-26 07:53:07.0 UTC (+00:00) } -modifierLe: DateTime @1653806702 {#2023 : 2022-05-29 06:45:02.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2033 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-drum-suite-imp-6019" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3045 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2469 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#2043 …} +produit: App\Entity\Produit {#2025 -id: 687 -nom: "Drum Suite" -informationComplementaire: "" -description: """ One of the inventors of the modern bebop style of drumming, Blakey is known as a powerful musician and a vital groover; his brand of bluesy, funky hard bop was and continues to be profoundly influential on mainstream jazz.\n \n For more than 30 years his band, Art Blakey & The Jazz Messengers included many young musicians who went on to become prominent names in jazz. Recorded in 1956, Art Blakey's Drum Suite is a wonderful hybrid of African, Latin, and hard bop rhythms that prefigures the concept of Afro-beat by at least a decade. The sheer energy, not to mention its very special and fresh-sounding intimacy, make it especially astounding.\n \n Even more amazing is that the three parts of the suite Blakey's "The Sacrifice", Ray Bryant's "Cubano Chant", and Oscar Pettiford's "Oscalypso" were recorded straight through live, and were only intended to be a pre-take run-through. As is obvious here, Blakey and company nailed the whole thing right out of the box.\n \n Groundbreaking for its time, and still sounding vital, powerful, and visionary, the Drum Suite album is somewhat of a lost masterpiece that deserves a fresh audience. \n \n Art Blakey's first release for Columbia Records is essentially two records. Side one is a percussion ensemble playing what would, ten years later, be called Afro-Cuban drumming. Side two is the mid-fifties version of the Jazz Messengers featuring Jackie McLean on saxophone. Side one features Blakey, Jo Jones and Charles Wright on drums, Candido and Sabu on bongos, and Oscar Pettiford and bass and cello. The group plays three compositions, one by Blakey, one by Pettiford and one by Ray Bryant, fusing African, Cuban, and calypso percussion into a well-integrated suite.\n \n "The group recorded a run through and it was so perfectly executed that they used the practice run for the release, unedited except to add some Swahili chants by the percussionists during a few passages. One cannot help but think of Olantunji's Drums of Passion, another Afro drumming landmark, here. Blakey's drum suite was recorded at Columbia's 30th Street studios in New York in 1957 and is in mono. The almost stereoscopic image is truly remarkable. Mastered by Kevin Gray and pressed at RTI, Drum Suite is a valuable record of one of the most important figures in jazz history. Recording : 9/10. Music 9/10". - Dennis Davis, Hifi+\n \n "...The three-part suite was laid down in one take with no arrangements, and begins with a few tympani thwacks followed by an African chant. Soon the ensemble kicks in and the group takes off an a sweaty Afro-Cuban-bop journey that will leave you breathless, as the thing crackles with terrific energy. Side Two is more conventional hard bop, but given this group's mastery of if not invention of the style, these tracks are extremely satisfying. Kevin Gray's remastering is detailed and immediate, with plenty of bit and air, if not the widest dynamic range. For anyone interested in percussion of this genre, this is not to be missed". - Wayne Garcia, The Absolute Sound\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Art Blakey (drums), Jackie McLean (alto saxophone), Oscar Pettiford (bass, cello), Spanky DeBrest (bass), Bill Hardman (trumpet), Ray Bryant, Sam Dockery (piano), Charles Wright, Jo Jones (drums), Candido, Sabu Martinez (bongos)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Htv_f0r6l_A" -referenceProduit: "IMP 6019" -titreMorceau: [ [ "nom" => "1. Nica's Tempo" "ordre" => 5 ] [ "nom" => "1. The Sacrifice" "ordre" => 1 ] [ "nom" => "2. Cubano Chant" "ordre" => 2 ] [ "nom" => "2. Dee's Dilemma" "ordre" => 6 ] [ "nom" => "3. Just For Marty" "ordre" => 7 ] [ "nom" => "3. Oscalypso" "ordre" => 3 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2027 …} -label: App\Entity\Label {#1063 …} -style: App\Entity\Style {#1468 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2036 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2029 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2031 …} -enregistreLe: DateTime @1403769187 {#2022 : 2014-06-26 07:53:07.0 UTC (+00:00) } -modifierLe: DateTime @1653806702 {#2023 : 2022-05-29 06:45:02.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2033 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-drum-suite-imp-6019" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2237 …} } |
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| AjoutMailNewsletterComponent | App\Twig\Components\AjoutMailNewsletterComponent | 6.0 MiB | 0.29 ms | |
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| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\AjoutMailNewsletterComponent {#3242 +email: "" -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2237 …} -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3243 …} -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3291 …} +isValidated: false +validatedFields: [] } |
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