Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2594
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2671
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2674 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
  -formView: Symfony\Component\Form\FormView {#2710 …}
  -form: Symfony\Component\Form\Form {#2860 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1894
    -id: 1061
    -nom: "The Wonderful World Of Jazz"
    -informationComplementaire: null
    -description: """
      Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London.\r\n
      \r\n
      There is nothing hurried about this disc. That said, the music is focused and will stretch your mind. Lewis employed masterful melodic improvisers here: Paul Gonsalves, Eric Dolphy, Jim Hall among others. Listen to "Body and Soul" as it builds powerfully and the soloists explore every possible melodic theme, where the quiet power of these master musicians is almost too much to take. Listen to "I Remember Clifford" where the players are essentially the MJQ with Jim Hall replacing Milt Jackson. This set swings, but oh-so-elegantly. Just like Mr. Lewis.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "John Lewis (piano), Eric Dolphy (alto saxophone), James Rivers (baritone saxophone), Benny Golson, Paul Gonsalves (tenor saxophone), George Duvivier (bass), Jim Hall (guitar), Herb Pomeroy (trumpet), Gunther Schuller (French horn), Connie Kay (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=a_dhDVXXnnc"
    -referenceProduit: "Pure Pleasure Records PPAN SD 1375"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Body and soul"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Should Care"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Two Degrees East, Three Degrees West"
      ]
      [
        "ordre" => 5
        "nom" => "2. Afternoon In Paris"
      ]
      [
        "ordre" => 6
        "nom" => "3. I Remember Clifford"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1970 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1973 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2059 …}
    -enregistreLe: DateTime @1476561366 {#1949
      date: 2016-10-15 19:56:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769786605 {#1942
      date: 2026-01-30 15:23:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2065 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-wonderful-world-of-jazz-pure-pleasure-records-ppan-sd-1375"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3132
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#1894
    -id: 1061
    -nom: "The Wonderful World Of Jazz"
    -informationComplementaire: null
    -description: """
      Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London.\r\n
      \r\n
      There is nothing hurried about this disc. That said, the music is focused and will stretch your mind. Lewis employed masterful melodic improvisers here: Paul Gonsalves, Eric Dolphy, Jim Hall among others. Listen to "Body and Soul" as it builds powerfully and the soloists explore every possible melodic theme, where the quiet power of these master musicians is almost too much to take. Listen to "I Remember Clifford" where the players are essentially the MJQ with Jim Hall replacing Milt Jackson. This set swings, but oh-so-elegantly. Just like Mr. Lewis.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "John Lewis (piano), Eric Dolphy (alto saxophone), James Rivers (baritone saxophone), Benny Golson, Paul Gonsalves (tenor saxophone), George Duvivier (bass), Jim Hall (guitar), Herb Pomeroy (trumpet), Gunther Schuller (French horn), Connie Kay (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=a_dhDVXXnnc"
    -referenceProduit: "Pure Pleasure Records PPAN SD 1375"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Body and soul"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Should Care"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Two Degrees East, Three Degrees West"
      ]
      [
        "ordre" => 5
        "nom" => "2. Afternoon In Paris"
      ]
      [
        "ordre" => 6
        "nom" => "3. I Remember Clifford"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1970 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1973 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2059 …}
    -enregistreLe: DateTime @1476561366 {#1949
      date: 2016-10-15 19:56:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769786605 {#1942
      date: 2026-01-30 15:23:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2065 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-wonderful-world-of-jazz-pure-pleasure-records-ppan-sd-1375"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "produit" => App\Entity\Produit {#2088
    -id: 331
    -nom: "Grand Encounter - 2° East 3° West"
    -informationComplementaire: null
    -description: """
      Also reissued as 2 Degrees East, 3 Degrees West and occasionally listed under tenor saxophonist Bill Perkins' name, this classic session is the ultimate in cool jazz. Perkins' mellow tone matches quite well with the quiet but inwardly passionate playing of pianist John Lewis, guitarist Jim Hall, bassist Percy Heath, and drummer Chico Hamilton.\r\n
      \r\n
      Lewis is featured with the rhythm section on "I Can't Get Started", Hall is added for "Skylark", and the full group plays three standards plus Lewis' memorable (and atmospheric) "2 Degrees East, 3 Degrees West". - Scott Yanow / AMG
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "John Lewis (piano), Percy Heath (bass), Bill Perkins (tenor saxophone), Jim Hall (guitar), Chico Hamilton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=6Rvs4GnciEg"
    -referenceProduit: "Pure Pleasure Records PPAN PJ 1217"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Love Me Or Leave Me"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Can’t Get Started"
      ]
      [
        "ordre" => 3
        "nom" => "3. Easy Living"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. 2 Degrees East – 3 Degrees West"
      ]
      [
        "ordre" => 6
        "nom" => "2. Skylark"
      ]
      [
        "ordre" => 7
        "nom" => "3. Almost Like Being In Love"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1970 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2096 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2089 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2091 …}
    -enregistreLe: DateTime @1278690976 {#2085
      date: 2010-07-09 15:56:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769786574 {#2086
      date: 2026-01-30 15:22:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2093 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-grand-encounter-2-east-3-west-pure-pleasure-records-ppan-pj-1217"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3248
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2088
    -id: 331
    -nom: "Grand Encounter - 2° East 3° West"
    -informationComplementaire: null
    -description: """
      Also reissued as 2 Degrees East, 3 Degrees West and occasionally listed under tenor saxophonist Bill Perkins' name, this classic session is the ultimate in cool jazz. Perkins' mellow tone matches quite well with the quiet but inwardly passionate playing of pianist John Lewis, guitarist Jim Hall, bassist Percy Heath, and drummer Chico Hamilton.\r\n
      \r\n
      Lewis is featured with the rhythm section on "I Can't Get Started", Hall is added for "Skylark", and the full group plays three standards plus Lewis' memorable (and atmospheric) "2 Degrees East, 3 Degrees West". - Scott Yanow / AMG
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "John Lewis (piano), Percy Heath (bass), Bill Perkins (tenor saxophone), Jim Hall (guitar), Chico Hamilton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=6Rvs4GnciEg"
    -referenceProduit: "Pure Pleasure Records PPAN PJ 1217"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Love Me Or Leave Me"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Can’t Get Started"
      ]
      [
        "ordre" => 3
        "nom" => "3. Easy Living"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. 2 Degrees East – 3 Degrees West"
      ]
      [
        "ordre" => 6
        "nom" => "2. Skylark"
      ]
      [
        "ordre" => 7
        "nom" => "3. Almost Like Being In Love"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1970 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2096 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2089 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2091 …}
    -enregistreLe: DateTime @1278690976 {#2085
      date: 2010-07-09 15:56:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769786574 {#2086
      date: 2026-01-30 15:22:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2093 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-grand-encounter-2-east-3-west-pure-pleasure-records-ppan-pj-1217"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "produit" => App\Entity\Produit {#2101
    -id: 934
    -nom: "Back To the Blues"
    -informationComplementaire: null
    -description: """
      Although she was one of the most powerful and moving of the jazz singers, Dinah Washington suffered more than most from unimaginative and erratic backings. Many of her EmArcy recordings, notably those with Clifford Brown or Clark Terry on trumpet, had outstanding performances, but her collections were compromised by unsuitable accompaniment. This set of 12 blues gives a lop-sided picture in that it doesn't include any of her ballad performances. However, the basic big band settings allow the power and verve of her singing to come through, and confirm her as the best of the women singers with blues material.\r\n
      \r\n
      During the 1950s she had been regarded as an R&B performer but arranger and band-leader Fred Norman wrote these fine 1962 jazz settings for her shortly before her death. The material is strong and Washington soars and swings, her voice reaching many of the potent climaxes for which she was so highly regarded. The material runs through much of the traditional repertoire - Big Bill Broonzy, Leroy Carr and Lil Green being represented - and there is a nine-minute "Nobody Knows The Way I Feel This Morning" that is unique in her discography.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1930 …}
    -musicienOrchestre: "Dinah Washington (vocals), Illinois Jacquet, Eddie Chamblee (tenor saxophone), Jack Wilson, Patti Bown (piano), Jimmy Sigler (organ), Everett Barksdale, Billy Butler (guitar), George Duvivier (bass), Jimmy Thomas, Osie Johnson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=V5fx1R3strg"
    -referenceProduit: "Pure Pleasure 25189"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. The Blues Ain't Nothin' But A Woman Cryin' For Her Man"
        "ordre" => 1
      ]
      [
        "nom" => "2. Romance In the Dark"
        "ordre" => 2
      ]
      [
        "nom" => "3. You've Been A Good Old Wagon"
        "ordre" => 3
      ]
      [
        "nom" => "4. Let Me Be the First To Know"
        "ordre" => 4
      ]
      [
        "nom" => "5. How Long, How Long blues"
        "ordre" => 5
      ]
      [
        "nom" => "6. Don't Come Running Back To Me"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. It's A Mean Old Man's World"
        "ordre" => 8
      ]
      [
        "nom" => "2. Key To the Highway"
        "ordre" => 9
      ]
      [
        "nom" => "3. If I Never Get To Heaven"
        "ordre" => 10
      ]
      [
        "nom" => "4. Duck Before You Drown"
        "ordre" => 11
      ]
      [
        "nom" => "5. No Hard Feelings"
        "ordre" => 12
      ]
      [
        "nom" => "6. Nobody Knows the Way I Feel This Morning"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2103 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1463384651 {#2098
      date: 2016-05-16 07:44:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764443473 {#2099
      date: 2025-11-29 19:11:13.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-back-to-the-blues-pure-pleasure-25189"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3294
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2101
    -id: 934
    -nom: "Back To the Blues"
    -informationComplementaire: null
    -description: """
      Although she was one of the most powerful and moving of the jazz singers, Dinah Washington suffered more than most from unimaginative and erratic backings. Many of her EmArcy recordings, notably those with Clifford Brown or Clark Terry on trumpet, had outstanding performances, but her collections were compromised by unsuitable accompaniment. This set of 12 blues gives a lop-sided picture in that it doesn't include any of her ballad performances. However, the basic big band settings allow the power and verve of her singing to come through, and confirm her as the best of the women singers with blues material.\r\n
      \r\n
      During the 1950s she had been regarded as an R&B performer but arranger and band-leader Fred Norman wrote these fine 1962 jazz settings for her shortly before her death. The material is strong and Washington soars and swings, her voice reaching many of the potent climaxes for which she was so highly regarded. The material runs through much of the traditional repertoire - Big Bill Broonzy, Leroy Carr and Lil Green being represented - and there is a nine-minute "Nobody Knows The Way I Feel This Morning" that is unique in her discography.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1930 …}
    -musicienOrchestre: "Dinah Washington (vocals), Illinois Jacquet, Eddie Chamblee (tenor saxophone), Jack Wilson, Patti Bown (piano), Jimmy Sigler (organ), Everett Barksdale, Billy Butler (guitar), George Duvivier (bass), Jimmy Thomas, Osie Johnson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=V5fx1R3strg"
    -referenceProduit: "Pure Pleasure 25189"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. The Blues Ain't Nothin' But A Woman Cryin' For Her Man"
        "ordre" => 1
      ]
      [
        "nom" => "2. Romance In the Dark"
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        "nom" => "3. If I Never Get To Heaven"
        "ordre" => 10
      ]
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        "nom" => "4. Duck Before You Drown"
        "ordre" => 11
      ]
      [
        "nom" => "5. No Hard Feelings"
        "ordre" => 12
      ]
      [
        "nom" => "6. Nobody Knows the Way I Feel This Morning"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2103 …}
    -label: App\Entity\Label {#1116 …}
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    }
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      date: 2025-11-29 19:11:13.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -disponible: null
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  }
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[
  "produit" => App\Entity\Produit {#2117
    -id: 404
    -nom: "Boogie With Canned Heat"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      Canned Heat's second long-player, Boogie With Canned Heat (1968), pretty well sums up the bona fide blend of amplified late-'60s electric rhythm and blues, with an expressed emphasis on loose and limber boogie-woogie. The quintet consisting of Alan "Blind Owl" Wilson (guitar / harmonica / vocals), Larry "The Mole" Taylor (bass), Henry "Sunflower" Vestine (guitar), Aldolfo "Fido" Dela Parra (drums), and Bob "The Bear" Hite (vocals) follow up their debut effort with another batch of authentic interpretations, augmented by their own exceptional instrumentation.\r\n
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      One development is their incorporation of strong original compositions. "On the Road Again" which became the combo's first, and arguably, most significant hit as well as the Albert King inspired anti-speed anthem, "Amphetamine Annie", were not only programmed on the then-burgeoning underground FM radio waves, but also on the more adventuresome AM Top 40 stations. Their love of authentic R&B informs "World in a Jug", the dark "Turpentine Blues", and Hite's update of Tommy McClennan's "Whiskey Headed Woman". The Creole anthem "Marie Laveau" is nothing like the more familiar cut by Bobby Bare, although similarities in content are most likely derived from a common source. The side, as rendered here, is arguably most notable for the driving interaction between guitarists Wilson and Vestine as they wail and moan over Hite's imposing leads. Saving the best for last, the Heat are at the height of their prowess during the lengthy audio biography on "Fried Hockey Boogie".\r\n
      \r\n
      Each member is introduced by Hite and given a chance to solo before they kick out the jams, culminating in Hite's crescendo of " ... Don't forget to boogie !" In 1999 the French label, Magic Records, issued an expanded edition of Boogie With Canned Heat supplemented by half-a-dozen sides, such as the 45 RPM edits of "On the Road Again", "Boogie Music" and "Goin' Up the Country". Also included are the once difficult-to-locate 45-only "One Kind Favor", as well as the seasonal offering "Christmas Blues" and "The Chipmunk Song" with guest shots from none other than Alvin, Simon, Theodore, and David Seville of the one and only Chipmunks. For enthusiasts as well as listeners curious about the oft-overlooked combo, this is an essential, if not compulsory platter.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1930 …}
    -musicienOrchestre: "Bob Hite (vocals), Alan Wilson (slide guitar, harmonica, vocals), Henry Vestine (lead guitar), Larry Taylor (bass), Fito de la Parra (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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        "nom" => "4. Fried Hockey Boogie"
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
    -label: App\Entity\Label {#1116 …}
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    -modifierLe: DateTime @1762165413 {#2115
      date: 2025-11-03 10:23:33.0 UTC (+00:00)
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    -disponible: null
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  }
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App\Twig\Components\GestionPanierFavoriComponents {#3345
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
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    -id: 404
    -nom: "Boogie With Canned Heat"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      Canned Heat's second long-player, Boogie With Canned Heat (1968), pretty well sums up the bona fide blend of amplified late-'60s electric rhythm and blues, with an expressed emphasis on loose and limber boogie-woogie. The quintet consisting of Alan "Blind Owl" Wilson (guitar / harmonica / vocals), Larry "The Mole" Taylor (bass), Henry "Sunflower" Vestine (guitar), Aldolfo "Fido" Dela Parra (drums), and Bob "The Bear" Hite (vocals) follow up their debut effort with another batch of authentic interpretations, augmented by their own exceptional instrumentation.\r\n
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      One development is their incorporation of strong original compositions. "On the Road Again" which became the combo's first, and arguably, most significant hit as well as the Albert King inspired anti-speed anthem, "Amphetamine Annie", were not only programmed on the then-burgeoning underground FM radio waves, but also on the more adventuresome AM Top 40 stations. Their love of authentic R&B informs "World in a Jug", the dark "Turpentine Blues", and Hite's update of Tommy McClennan's "Whiskey Headed Woman". The Creole anthem "Marie Laveau" is nothing like the more familiar cut by Bobby Bare, although similarities in content are most likely derived from a common source. The side, as rendered here, is arguably most notable for the driving interaction between guitarists Wilson and Vestine as they wail and moan over Hite's imposing leads. Saving the best for last, the Heat are at the height of their prowess during the lengthy audio biography on "Fried Hockey Boogie".\r\n
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      Each member is introduced by Hite and given a chance to solo before they kick out the jams, culminating in Hite's crescendo of " ... Don't forget to boogie !" In 1999 the French label, Magic Records, issued an expanded edition of Boogie With Canned Heat supplemented by half-a-dozen sides, such as the 45 RPM edits of "On the Road Again", "Boogie Music" and "Goin' Up the Country". Also included are the once difficult-to-locate 45-only "One Kind Favor", as well as the seasonal offering "Christmas Blues" and "The Chipmunk Song" with guest shots from none other than Alvin, Simon, Theodore, and David Seville of the one and only Chipmunks. For enthusiasts as well as listeners curious about the oft-overlooked combo, this is an essential, if not compulsory platter.
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    -prixVente: "38.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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        "nom" => "Side B : "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
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[
  "produit" => App\Entity\Produit {#2133
    -id: 1560
    -nom: "Charles Tolliver and his All Stars"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      Trumpeter Charles Tolliver is joined by his All Stars Gary Bartz, Herbie Hancock, Ron Carter & Joe Chambers.\r\n
      \r\n
      This was Charles Tolliver’s first album as a leader. The setting is unique only because his second Freedom-Black Lion album, “The Ringer”, and all of his subsequent albums on Strata-East featured his quartet Music Inc. with pianist Stanley Cowell. Here he is surrounded in quartet and quintet formats with a truly stellar cast of the leading players on the New York jazz scene.\r\n
      \r\n
      Charles plays the role of leader, composer and trumpeter. But it is surely that last role that deserves the most attention. The trumpet is a brass instrument that leans toward a hard sound and staccato phrasing. Yet Tolliver is the quintessence of fluidity. While it may be undeniable that he has learned from his musical heritage and past trumpet masters, a trumpeter of such flow, tone, control, lyricism and creativity is, by definition, a major musician.\r\n
      \r\n
      Charles Tolliver first came to the professional jazz scene in the mid-sixties, when he first met Jackie McLean. Under McLean’s leadership, he played on a number of Blue Note record sessions. He contributed original tunes to many of those sessions.\r\n
      \r\n
      Within a couple of years, Tolliver was a well known figure in New York circles, playing and/or recording with Booker Ervin, Archie Shepp, Andrew Hill, Roy Ayers, Art Blakey, Sonny Rollins, Willie Bobo, Gerald Wilson, McCoy Tyner, Hank Mobley, and many others. His compositions were getting recorded by many artists. He gained his greatest recognition during a two year stint with the Max Roach quintet that also included Gary Bartz and Stanley Cowell. There is also a previously unreleased bonus track of the song, "Repetition", recorded by Charles for this LP which is included on this release of the album. This song was originally made famous by Charlie Parker's LP "With Strings".\r\n
      \r\n
      "This album is certainly an important and lasting document in light of the musicians involved and in light of its unique context for Charles Tolliver. But basically, it is just a great album to listen to". - Michael Cuscuna\r\n
      \r\n
      Recorded at Town Sound Studios, Englewood,New Jersey 2nd July, 1968
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1978 …}
    -musicienOrchestre: "Charles Tolliver (trumpet), Herbie Hancock (piano), Ron Carter (bass), Gary Bartz (alto saxophone), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=c7raIuNiWig"
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        "nom" => "Side A :"
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      ]
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        "nom" => "4. Repetition (Take 2)"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
    -label: App\Entity\Label {#1116 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3396
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  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
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    -id: 1560
    -nom: "Charles Tolliver and his All Stars"
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      Trumpeter Charles Tolliver is joined by his All Stars Gary Bartz, Herbie Hancock, Ron Carter & Joe Chambers.\r\n
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      \r\n
      Within a couple of years, Tolliver was a well known figure in New York circles, playing and/or recording with Booker Ervin, Archie Shepp, Andrew Hill, Roy Ayers, Art Blakey, Sonny Rollins, Willie Bobo, Gerald Wilson, McCoy Tyner, Hank Mobley, and many others. His compositions were getting recorded by many artists. He gained his greatest recognition during a two year stint with the Max Roach quintet that also included Gary Bartz and Stanley Cowell. There is also a previously unreleased bonus track of the song, "Repetition", recorded by Charles for this LP which is included on this release of the album. This song was originally made famous by Charlie Parker's LP "With Strings".\r\n
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      "This album is certainly an important and lasting document in light of the musicians involved and in light of its unique context for Charles Tolliver. But basically, it is just a great album to listen to". - Michael Cuscuna\r\n
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      """
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
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[
  "produit" => App\Entity\Produit {#2149
    -id: 1847
    -nom: "IMPACT Music Inc. & Orchestra"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Charles Tolliver (trumpet, flugelhorn), James Spaulding (flute, alto saxophone), Harold Vick (flute, soprano & tenor saxophone), Charles McPherson (alto saxophone), George Coleman (tenor saxophone), Charles Davis (baritone saxophone), Jon Faddis, Lorenzo Greenwich, Virgil Jones, Jimmy Owens, Richard Williams (trumpet), Garnett Brown, John Gordon, Kiane Zawadi (trombone), Jack Jeffers (bass trombone), Stanley Cowell (piano), Clint Houston, Cecil McBee, Reggie Workman (bass), Winston Collymore, Noel Da Costa, Gayle Dixon, Noel Pointer (violin), Julius Miller, Ashley Richardson (viola), Akua Dixon Turre, Edith Wint Porter (cello), Warren Smith (chimes, percussion), Big Black, Billy Parker  (percussion), Clifford Barbaro (drums).\r\n
      \r\n
      - 180 gram vinyl !\r\n
      - Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London !\r\n
      \r\n
      Trumpeter / flügelhornist Charles Tolliver often straddled the line between the lyricism of hard bop and the adventurous nature of the avant-garde. Released in 1975, Impact contained a stimulating progressive edge within an energetic large band (14 horns, eight strings, and rhythm section) format. Tolliver's arrangements are consistently bright and build momentum, while the soloists are given sufficient room to manoeuvre through the multiple textures. Featured soloists in the remarkable reed section include Charles McPherson, James Spaulding, George Coleman, and Harold Vick.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Charles Tolliver (trumpet, flugelhorn), James Spaulding (flute, alto saxophone), Harold Vick (flute, soprano & tenor saxophone), Charles McPherson (alto saxophone), George Coleman (tenor saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WzB21rKMJeE"
    -referenceProduit: "Pure Pleasure Records PPAN 19757"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. Impact "
        "ordre" => 1
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        "nom" => "2. Mother Wit "
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        "ordre" => 3
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      [
        "nom" => "1. Plight "
        "ordre" => 5
      ]
      [
        "nom" => "2. Lynnsome "
        "ordre" => 6
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      [
        "nom" => "3. Mournin' Variations"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3449
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    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Charles Tolliver (trumpet, flugelhorn), James Spaulding (flute, alto saxophone), Harold Vick (flute, soprano & tenor saxophone), Charles McPherson (alto saxophone), George Coleman (tenor saxophone), Charles Davis (baritone saxophone), Jon Faddis, Lorenzo Greenwich, Virgil Jones, Jimmy Owens, Richard Williams (trumpet), Garnett Brown, John Gordon, Kiane Zawadi (trombone), Jack Jeffers (bass trombone), Stanley Cowell (piano), Clint Houston, Cecil McBee, Reggie Workman (bass), Winston Collymore, Noel Da Costa, Gayle Dixon, Noel Pointer (violin), Julius Miller, Ashley Richardson (viola), Akua Dixon Turre, Edith Wint Porter (cello), Warren Smith (chimes, percussion), Big Black, Billy Parker  (percussion), Clifford Barbaro (drums).\r\n
      \r\n
      - 180 gram vinyl !\r\n
      - Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London !\r\n
      \r\n
      Trumpeter / flügelhornist Charles Tolliver often straddled the line between the lyricism of hard bop and the adventurous nature of the avant-garde. Released in 1975, Impact contained a stimulating progressive edge within an energetic large band (14 horns, eight strings, and rhythm section) format. Tolliver's arrangements are consistently bright and build momentum, while the soloists are given sufficient room to manoeuvre through the multiple textures. Featured soloists in the remarkable reed section include Charles McPherson, James Spaulding, George Coleman, and Harold Vick.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Charles Tolliver (trumpet, flugelhorn), James Spaulding (flute, alto saxophone), Harold Vick (flute, soprano & tenor saxophone), Charles McPherson (alto saxophone), George Coleman (tenor saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
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[
  "produit" => App\Entity\Produit {#2162
    -id: 1758
    -nom: "Charles Tolliver's Music Inc Live At The Loosdrecht Jazz Festival"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      Charles Tolliver began his professional career and simultaneously his recording debut with the saxophone giant Jackie McLean on Blue Note Records in 1964. Since then he has become one of the all-time preeminent trumpeters in Jazz as well as one of its most gifted composer/arranger bandleaders. He is also a Grammy nominated recipient for his Blue Note Records recording "With Love".\r\n
      \r\n
      With a career that has spanned five decades he has recorded and/or performed with such renowned artists as Roy Haynes, Hank Mobley, Willie Bobo, Horace Silver, McCoy Tyner, Sonny Rollins, Booker Ervin, Gary Bartz, Gerald Wilson Orchestra, Oliver Nelson, Stanley Cowell, Herbie Hancock, Andrew Hill, Louis Hayes, Roy Ayers, Art Blakey & the Jazz Messengers, and owned the trumpet chair with the great Max Roach for some years. \r\n
      \r\n
      This LP is jazz of high energy and high sincerity. Jazz at it's best. One of Tolliver's (and jazz's) masterpieces. It is a live recording from 1972. On another occasion, Tolliver recorded with another quartet with Stanley Cowell on piano, and some critics prefer that quartet. However, this quartet is the equal of that one. I think John Hicks did a masterful job of piano playing here. Hicks equaled Charles in energy. The bass playing of Reggie Workman (who was John Coltrane's bassist) is equally smoldering. Drummer Alvin Queen is a perfect match for the other three. - a passionate jazz fan
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1930 …}
    -musicienOrchestre: "Charles Tolliver (trumpet, flugelhorn), Reggie Workman (bass), John Hicks (piano), Alvin Queen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: null
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -slug: "vinyles-charles-tolliver-s-music-inc-live-at-the-loosdrecht-jazz-festival-pure-pleasure-records-ppan-ses-19740-1"
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App\Twig\Components\GestionPanierFavoriComponents {#3497
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2162
    -id: 1758
    -nom: "Charles Tolliver's Music Inc Live At The Loosdrecht Jazz Festival"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      Charles Tolliver began his professional career and simultaneously his recording debut with the saxophone giant Jackie McLean on Blue Note Records in 1964. Since then he has become one of the all-time preeminent trumpeters in Jazz as well as one of its most gifted composer/arranger bandleaders. He is also a Grammy nominated recipient for his Blue Note Records recording "With Love".\r\n
      \r\n
      With a career that has spanned five decades he has recorded and/or performed with such renowned artists as Roy Haynes, Hank Mobley, Willie Bobo, Horace Silver, McCoy Tyner, Sonny Rollins, Booker Ervin, Gary Bartz, Gerald Wilson Orchestra, Oliver Nelson, Stanley Cowell, Herbie Hancock, Andrew Hill, Louis Hayes, Roy Ayers, Art Blakey & the Jazz Messengers, and owned the trumpet chair with the great Max Roach for some years. \r\n
      \r\n
      This LP is jazz of high energy and high sincerity. Jazz at it's best. One of Tolliver's (and jazz's) masterpieces. It is a live recording from 1972. On another occasion, Tolliver recorded with another quartet with Stanley Cowell on piano, and some critics prefer that quartet. However, this quartet is the equal of that one. I think John Hicks did a masterful job of piano playing here. Hicks equaled Charles in energy. The bass playing of Reggie Workman (who was John Coltrane's bassist) is equally smoldering. Drummer Alvin Queen is a perfect match for the other three. - a passionate jazz fan
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1930 …}
    -musicienOrchestre: "Charles Tolliver (trumpet, flugelhorn), Reggie Workman (bass), John Hicks (piano), Alvin Queen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
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[
  "produit" => App\Entity\Produit {#2175
    -id: 945
    -nom: "The Doctor Is In... And Out"
    -informationComplementaire: null
    -description: """
      Remastering by : Ray Staff at Air Mastering, Lyndhurst Hall, London.\r\n
      \r\n
      In 1976, Yusef Lateef's as restless a spiritual seeker as there ever was in the field of music, revisited some of his earliest themes in the context of modern sonic frameworks : The Eastern modal and melodic frameworks of his Prestige sides, such as Eastern Sounds, Cry ! / Tender, and Other Sounds, brought to bear in much more sophisticated, complex, and grooved-out ways - after all, it had been 20 years or more.\r\n
      \r\n
      The groove referred to is funk and soul. Funk itself was mutating at the time, so Lateef's interpolation at the crossroads of all ports in the musical journey was not only valid in 1976, but also necessary. For this recording, he utilized an absolutely huge group of musicians, bringing them in for this or that part, or a sound, or a particular vamp. Some of those present were Kenny Barron, Ron Carter, Dom Um Romao, Al Foster, Billy Butler, Anthony Jackson, a five-piece brass section, and a synth player.\r\n
      \r\n
      "Lateef, as always, was offering evocative glimpses of geographical, psychological, spiritual, and emotional terrain in his compositions, but not in predictable ways. There's the deep minor-key meditation on blues and evolving thematic variations on 'Hellbound' that becomes a Latin funk tune; the airy, contemplative, and skeletal 'Mystique', which may use a repeating rhythmic phrase but explores every inch of its margins via a string section and Lateef's flute solo; the smooth, urban, bluesy funk of 'Mississippi Mud'; the completely out electronic musique of 'Technological Homosapien' that becomes a series of synth squeals and an erratically tumbling bassline; and the wonderfully warped mariachi variation (sung in white-boy English) that featured the band playing bluesy hard bop over an age-old recorded track on 'In a Little Spanish Town'. It's a weird way to end a record, but then, it's a weird and wonderful record". - AllMusic\r\n
      \r\n
      Recorded at Regent Sound Studios, New York by Bob Liftin in 1976.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Yusef Lateef (alto & tenor saxophone, flute, oboe), Jack Jeffers (trombone), Joseph Wilder, Leonard Goines (trumpet), Jonathan Dorn (tuba), Billy Butler (guitar), Ron Carter (bass), Kenneth Barron (keyboards), Dom Um Romao (percussion), Al Foster (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_kl1Jgopszw"
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        "nom" => "2. Hellbound "
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        "nom" => "3. Mystique"
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      [
        "nom" => "Side B :"
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        "nom" => "1. Mississippi Mud "
        "ordre" => 5
      ]
      [
        "nom" => "2. Mushmouth"
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        "nom" => "5. In A Little Spanish Town (T'was On A Night Like This)"
        "ordre" => 9
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3543
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
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    -id: 945
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    -description: """
      Remastering by : Ray Staff at Air Mastering, Lyndhurst Hall, London.\r\n
      \r\n
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      \r\n
      The groove referred to is funk and soul. Funk itself was mutating at the time, so Lateef's interpolation at the crossroads of all ports in the musical journey was not only valid in 1976, but also necessary. For this recording, he utilized an absolutely huge group of musicians, bringing them in for this or that part, or a sound, or a particular vamp. Some of those present were Kenny Barron, Ron Carter, Dom Um Romao, Al Foster, Billy Butler, Anthony Jackson, a five-piece brass section, and a synth player.\r\n
      \r\n
      "Lateef, as always, was offering evocative glimpses of geographical, psychological, spiritual, and emotional terrain in his compositions, but not in predictable ways. There's the deep minor-key meditation on blues and evolving thematic variations on 'Hellbound' that becomes a Latin funk tune; the airy, contemplative, and skeletal 'Mystique', which may use a repeating rhythmic phrase but explores every inch of its margins via a string section and Lateef's flute solo; the smooth, urban, bluesy funk of 'Mississippi Mud'; the completely out electronic musique of 'Technological Homosapien' that becomes a series of synth squeals and an erratically tumbling bassline; and the wonderfully warped mariachi variation (sung in white-boy English) that featured the band playing bluesy hard bop over an age-old recorded track on 'In a Little Spanish Town'. It's a weird way to end a record, but then, it's a weird and wonderful record". - AllMusic\r\n
      \r\n
      Recorded at Regent Sound Studios, New York by Bob Liftin in 1976.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Yusef Lateef (alto & tenor saxophone, flute, oboe), Jack Jeffers (trombone), Joseph Wilder, Leonard Goines (trumpet), Jonathan Dorn (tuba), Billy Butler (guitar), Ron Carter (bass), Kenneth Barron (keyboards), Dom Um Romao (percussion), Al Foster (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_kl1Jgopszw"
    -referenceProduit: "Pure Pleasure Records PPAN SD 1685"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. The Improvisers "
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        "nom" => "2. Hellbound "
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        "nom" => "3. Mystique"
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        "nom" => "Side B :"
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      [
        "nom" => "1. Mississippi Mud "
        "ordre" => 5
      ]
      [
        "nom" => "2. Mushmouth"
        "ordre" => 6
      ]
      [
        "nom" => "3. Technological Homosapien "
        "ordre" => 7
      ]
      [
        "nom" => "4. Street Musicians "
        "ordre" => 8
      ]
      [
        "nom" => "5. In A Little Spanish Town (T'was On A Night Like This)"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2177 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
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    }
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      date: 2025-10-30 08:01:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "produit" => App\Entity\Produit {#2191
    -id: 806
    -nom: "The Boss Of The Blues  (Mono Version)"
    -informationComplementaire: null
    -description: """
      Besides helping to invent rock 'n roll with his hit "Shake, Rattle and Roll", Big Joe Turner was one of the most soulful blues shouters of all time. His best albums married the boogie-woogie piano stylings of the great Pete Johnson with a jazzy jumpin' horn section. Boss Of The Blues is arguably Joe's best recording, in part because he sang with particular gusto during these 1956 sessions.\r\n
      \r\n
      At the time, Boss of the Blues marked a nostalgic return to the jump-blues style that Turner helped pioneer in the '40s. Besides Johnson, Boss featured some of Kansas City's finest ever jazzmen and various members of Count Basie's band, including Joe Newman (trumpet), Pete Brown (alto sax), Lawrence Brown (trombone), Frank Wess (tenor sax) and Freddie Green (guitar). The bawdy "Cherry Red" and the rollicking "Roll 'Em Pete" are my favorite Turner-Johnson collaborations.\r\n
      \r\n
      Both feature some incredible playing by the piano master. Turner's versions of "I Want a Little Girl", "Low Down Dog", "You're Driving Me Crazy", and "Morning Glories" are definitive. If I had to compile a list of my 10 favorite albums, Boss of the Blues would be there. Ed Kopp / All About Jazz.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Joe Turner (vocals), Joe Newman (trumpet), Lawrence Brown (trombone), Pete Brown (alto saxophone), Frank Wess (tenor saxophone), Pete Johnson (piano), Freddie Green (guitar),  Walter Page (bass), Cliff Leeman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1185 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lQlHusGSrVY"
    -referenceProduit: "Pure Pleasure Records PPAN SD 1234"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Cherry Red"
        "ordre" => 1
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      [
        "nom" => "2. Roll 'em Pete"
        "ordre" => 2
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      [
        "nom" => "3. I Want A Little Girl"
        "ordre" => 3
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      [
        "nom" => "4. Low Down Dog"
        "ordre" => 4
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      [
        "nom" => "5. Wee Baby Blues"
        "ordre" => 5
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      [
        "nom" => "Side B : "
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      [
        "nom" => "1. You're Driving Me Crazy"
        "ordre" => 7
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      [
        "nom" => "2. How Long Blues"
        "ordre" => 8
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      [
        "nom" => "3. Morning Glories"
        "ordre" => 9
      ]
      [
        "nom" => "4. St. Louis Blues"
        "ordre" => 10
      ]
      [
        "nom" => "5. Piney Brown Blues"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2193 …}
    -label: App\Entity\Label {#1116 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2197 …}
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      date: 2015-08-30 08:02:41.0 UTC (+00:00)
    }
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      date: 2025-10-30 07:56:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -disponible: null
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    -slug: "vinyles-the-boss-of-the-blues-mono-version-pure-pleasure-records-ppan-sd-1234"
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App\Twig\Components\GestionPanierFavoriComponents {#3594
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2191
    -id: 806
    -nom: "The Boss Of The Blues  (Mono Version)"
    -informationComplementaire: null
    -description: """
      Besides helping to invent rock 'n roll with his hit "Shake, Rattle and Roll", Big Joe Turner was one of the most soulful blues shouters of all time. His best albums married the boogie-woogie piano stylings of the great Pete Johnson with a jazzy jumpin' horn section. Boss Of The Blues is arguably Joe's best recording, in part because he sang with particular gusto during these 1956 sessions.\r\n
      \r\n
      At the time, Boss of the Blues marked a nostalgic return to the jump-blues style that Turner helped pioneer in the '40s. Besides Johnson, Boss featured some of Kansas City's finest ever jazzmen and various members of Count Basie's band, including Joe Newman (trumpet), Pete Brown (alto sax), Lawrence Brown (trombone), Frank Wess (tenor sax) and Freddie Green (guitar). The bawdy "Cherry Red" and the rollicking "Roll 'Em Pete" are my favorite Turner-Johnson collaborations.\r\n
      \r\n
      Both feature some incredible playing by the piano master. Turner's versions of "I Want a Little Girl", "Low Down Dog", "You're Driving Me Crazy", and "Morning Glories" are definitive. If I had to compile a list of my 10 favorite albums, Boss of the Blues would be there. Ed Kopp / All About Jazz.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Joe Turner (vocals), Joe Newman (trumpet), Lawrence Brown (trombone), Pete Brown (alto saxophone), Frank Wess (tenor saxophone), Pete Johnson (piano), Freddie Green (guitar),  Walter Page (bass), Cliff Leeman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1185 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lQlHusGSrVY"
    -referenceProduit: "Pure Pleasure Records PPAN SD 1234"
    -titreMorceau: [
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        "nom" => "1. You're Driving Me Crazy"
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      [
        "nom" => "2. How Long Blues"
        "ordre" => 8
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      [
        "nom" => "3. Morning Glories"
        "ordre" => 9
      ]
      [
        "nom" => "4. St. Louis Blues"
        "ordre" => 10
      ]
      [
        "nom" => "5. Piney Brown Blues"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2193 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1508 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2195 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2197 …}
    -enregistreLe: DateTime @1440921761 {#2188
      date: 2015-08-30 08:02:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761811007 {#2189
      date: 2025-10-30 07:56:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2199 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-boss-of-the-blues-mono-version-pure-pleasure-records-ppan-sd-1234"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "produit" => App\Entity\Produit {#2207
    -id: 1097
    -nom: "Blues Shout"
    -informationComplementaire: null
    -description: """
      Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London\r\n
      \r\n
      Leo Wright's Atlantic debut, Blues Shout, effectively summarizes his career as a sideman, embracing the expressionist sensibilities of longtime boss Dizzy Gillespie as well as the Latin inspirations of longtime bandmate Lalo Schifrin to create a fiercely modern and uncommonly impassioned sound all its own.\r\n
      \r\n
      "Joined by pianist Junior Mance, trumpeter Richard Williams, bassist Art Davis, and drummer Charlie Persip, Wright divides his attention between his signature alto sax and flute, delivering a series of thoughtful and lyrical solos that positively radiate energy. The blues referenced in the title are more a feeling than a sound, underscoring the emotional intensity that bristles below the surface of every note". - AllMusic
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Leo Wright (alto saxophone, flute), Art Davis (bass), Junio Mance (piano), Richard Williams (trumpet), Harry Lookofsky (violin), Charlie Persip (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YwC8Pn0uG2U"
    -referenceProduit: "Pure Pleasure Records PPAN SD 1358"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Sigi"
        "ordre" => 1
      ]
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        "nom" => "2. Angel Eyes"
        "ordre" => 2
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      [
        "nom" => "3. Autumn Leaves"
        "ordre" => 3
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        "nom" => "4. Indian Summer"
        "ordre" => 4
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
      [
        "nom" => "1. Blues Shout"
        "ordre" => 6
      ]
      [
        "nom" => "2. Night In Tunisia"
        "ordre" => 7
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        "nom" => "3. The Wind"
        "ordre" => 8
      ]
      [
        "nom" => "4. Two Moods"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2209 …}
    -label: App\Entity\Label {#1116 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2213 …}
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      date: 2016-12-18 07:24:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761810755 {#2205
      date: 2025-10-30 07:52:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2215 …}
    -disponible: null
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    -slug: "vinyles-blues-shout-pure-pleasure-records-ppan-sd-1358"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3645
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2207
    -id: 1097
    -nom: "Blues Shout"
    -informationComplementaire: null
    -description: """
      Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London\r\n
      \r\n
      Leo Wright's Atlantic debut, Blues Shout, effectively summarizes his career as a sideman, embracing the expressionist sensibilities of longtime boss Dizzy Gillespie as well as the Latin inspirations of longtime bandmate Lalo Schifrin to create a fiercely modern and uncommonly impassioned sound all its own.\r\n
      \r\n
      "Joined by pianist Junior Mance, trumpeter Richard Williams, bassist Art Davis, and drummer Charlie Persip, Wright divides his attention between his signature alto sax and flute, delivering a series of thoughtful and lyrical solos that positively radiate energy. The blues referenced in the title are more a feeling than a sound, underscoring the emotional intensity that bristles below the surface of every note". - AllMusic
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Leo Wright (alto saxophone, flute), Art Davis (bass), Junio Mance (piano), Richard Williams (trumpet), Harry Lookofsky (violin), Charlie Persip (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=YwC8Pn0uG2U"
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    -titreMorceau: [
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        "nom" => "2. Angel Eyes"
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      [
        "nom" => "4. Indian Summer"
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      [
        "nom" => "Side B :"
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        "nom" => "1. Blues Shout"
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        "nom" => "2. Night In Tunisia"
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        "nom" => "3. The Wind"
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      [
        "nom" => "4. Two Moods"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2209 …}
    -label: App\Entity\Label {#1116 …}
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    }
    -modifierLe: DateTime @1761810755 {#2205
      date: 2025-10-30 07:52:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2215 …}
    -disponible: null
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    -slug: "vinyles-blues-shout-pure-pleasure-records-ppan-sd-1358"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "produit" => App\Entity\Produit {#2223
    -id: 801
    -nom: "Blues From The Gutter"
    -informationComplementaire: null
    -description: """
      - Re-mastering by : Ray Staff at Air Mastering, Lyndhurst Hall, London !\r\n
      - Supervision : Jerry Wexler !\r\n
      - Recording engineer : Tom Dowd !\r\n
      \r\n
      This is the 1958 masterwork album of Champion Jack Dupree's long and prolific career. Cut in New York with a blasting band that included saxist Pete Brown and guitarist Larry Dale, the Jerry Wexler produced Atlantic collection provides eloquent testimony to Dupree's eternal place in the New Orleans blues and barrelhouse firmament.\r\n
      \r\n
      There's some decidedly down-in-the-alley subject matter - "Can't Kick the Habit", "T.B. Blues", a revival of "Junker's Blues" - along with the stomping "Nasty Boogie" and treatments of the ancient themes "Stack O Lee" and "Frankie & Johnny". - Bill Dahl / AMG.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Champion Jack Dupree (piano, vocals), Pete Brown (alto saxophone), Ennis Lowery (guitar), Wendell Marshall (bass), Willie Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4GMQmsO3L5g"
    -referenceProduit: "Pure Pleasure Records PPAN SD 8019"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Strollin'"
        "ordre" => 1
      ]
      [
        "nom" => "2. T.B. Blues"
        "ordre" => 2
      ]
      [
        "nom" => "3. Can't Kick the Habit"
        "ordre" => 3
      ]
      [
        "nom" => "4. Evil Woman"
        "ordre" => 4
      ]
      [
        "nom" => "5. Nasty Boogie"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Junker's Blues"
        "ordre" => 7
      ]
      [
        "nom" => "2. Bad Blood"
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        "nom" => "3. Goin' Down Slow"
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      ]
      [
        "nom" => "4. Frankie & Johnny"
        "ordre" => 10
      ]
      [
        "nom" => "5. Stack O Lee"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2225 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1508 …}
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      date: 2025-10-30 07:40:18.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3696
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2223
    -id: 801
    -nom: "Blues From The Gutter"
    -informationComplementaire: null
    -description: """
      - Re-mastering by : Ray Staff at Air Mastering, Lyndhurst Hall, London !\r\n
      - Supervision : Jerry Wexler !\r\n
      - Recording engineer : Tom Dowd !\r\n
      \r\n
      This is the 1958 masterwork album of Champion Jack Dupree's long and prolific career. Cut in New York with a blasting band that included saxist Pete Brown and guitarist Larry Dale, the Jerry Wexler produced Atlantic collection provides eloquent testimony to Dupree's eternal place in the New Orleans blues and barrelhouse firmament.\r\n
      \r\n
      There's some decidedly down-in-the-alley subject matter - "Can't Kick the Habit", "T.B. Blues", a revival of "Junker's Blues" - along with the stomping "Nasty Boogie" and treatments of the ancient themes "Stack O Lee" and "Frankie & Johnny". - Bill Dahl / AMG.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Champion Jack Dupree (piano, vocals), Pete Brown (alto saxophone), Ennis Lowery (guitar), Wendell Marshall (bass), Willie Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=4GMQmsO3L5g"
    -referenceProduit: "Pure Pleasure Records PPAN SD 8019"
    -titreMorceau: [
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      [
        "nom" => "4. Evil Woman"
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        "nom" => "Side B : "
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        "nom" => "5. Stack O Lee"
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2225 …}
    -label: App\Entity\Label {#1116 …}
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}

[
  "produit" => App\Entity\Produit {#2239
    -id: 901
    -nom: "Lonely Woman"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      Having sponsored Ornette Coleman at the School of Jazz near Lennox, MA, pianist and composer John Lewis helped launch the controversial career of one of the last great innovators in jazz. Lewis' support of the ragtag Texas native was somewhat unique in jazz circles at the time and even surprising, especially considering the gulf between the classical jazz formality of his group the Modern Jazz Quartet and Coleman's radical notions of free improvisation. Nevertheless, Lewis not only saw in Coleman the first jazz genius since bebop's Parker, Gillespie, and Monk, but put pay to the praise with the MJQ's 1962 rendition of one of Coleman's most famous numbers, "Lonely Woman". (Along with Art Pepper's 1960 version of "Tears Inside", this was one of the earliest of Coleman covers done).\r\n
      \r\n
      The 1962 Atlantic album of the same name turns out to be one of the band's best efforts. Lewis and fellow MJQ members Milt Jackson, Percy Heath, and Connie Kaye capitalize on the dramatic theme of "Lonely Woman" while adding a bit of chamber music complexity to the mix. The quartet doesn't take Coleman's free form harmolodic theory to heart with a round of quixotic solos, but the group does spotlight the often overlooked strength of his compositional ideas. And while the MJQ further plies its knack for involved pieces on Lewis originals like "Fugato" and "Trieste," the group also balances out the set with looser material more in tune with Jackson's blues and swing sensibilities.\r\n
      \r\n
      180 gram High Quality Pressing.\r\n
      Re-mastering by Ray Staff at Air Mastering at Air Mastering, Lyndhurst Hall, London.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1978 …}
    -musicienOrchestre: "Milt Jackson (vibraphone), John Lewis (piano), Percy Heath (bass), Connie Kay (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5OucWYBeBoo"
    -referenceProduit: "Pure Pleasure Records PPAN SD 1381"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. Lonely Woman"
        "ordre" => 1
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      [
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        "ordre" => 2
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      [
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      [
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        "ordre" => 8
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      [
        "nom" => "4. Trieste"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2241 …}
    -label: App\Entity\Label {#1116 …}
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    }
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -disponible: null
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    -slug: "vinyles-lonely-woman-pure-pleasure-records-ppan-sd-1381"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3747
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2239
    -id: 901
    -nom: "Lonely Woman"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      Having sponsored Ornette Coleman at the School of Jazz near Lennox, MA, pianist and composer John Lewis helped launch the controversial career of one of the last great innovators in jazz. Lewis' support of the ragtag Texas native was somewhat unique in jazz circles at the time and even surprising, especially considering the gulf between the classical jazz formality of his group the Modern Jazz Quartet and Coleman's radical notions of free improvisation. Nevertheless, Lewis not only saw in Coleman the first jazz genius since bebop's Parker, Gillespie, and Monk, but put pay to the praise with the MJQ's 1962 rendition of one of Coleman's most famous numbers, "Lonely Woman". (Along with Art Pepper's 1960 version of "Tears Inside", this was one of the earliest of Coleman covers done).\r\n
      \r\n
      The 1962 Atlantic album of the same name turns out to be one of the band's best efforts. Lewis and fellow MJQ members Milt Jackson, Percy Heath, and Connie Kaye capitalize on the dramatic theme of "Lonely Woman" while adding a bit of chamber music complexity to the mix. The quartet doesn't take Coleman's free form harmolodic theory to heart with a round of quixotic solos, but the group does spotlight the often overlooked strength of his compositional ideas. And while the MJQ further plies its knack for involved pieces on Lewis originals like "Fugato" and "Trieste," the group also balances out the set with looser material more in tune with Jackson's blues and swing sensibilities.\r\n
      \r\n
      180 gram High Quality Pressing.\r\n
      Re-mastering by Ray Staff at Air Mastering at Air Mastering, Lyndhurst Hall, London.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1978 …}
    -musicienOrchestre: "Milt Jackson (vibraphone), John Lewis (piano), Percy Heath (bass), Connie Kay (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=5OucWYBeBoo"
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        "ordre" => 8
      ]
      [
        "nom" => "4. Trieste"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2241 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
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    }
    -modifierLe: DateTime @1761808743 {#2237
      date: 2025-10-30 07:19:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2247 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-lonely-woman-pure-pleasure-records-ppan-sd-1381"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3946
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3947 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3995 …}
  +isValidated: false
  +validatedFields: []
}