Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2544
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2621
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2624 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
  -formView: Symfony\Component\Form\FormView {#2660 …}
  -form: Symfony\Component\Form\Form {#2810 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 303
    -nom: "Symphonies N° 40 and N° 41 “Jupiter“"
    -informationComplementaire: ""
    -description: """
      Like all the works he composed during his extremely productive years in Vienna, Mozart’s last two symphonies are remarkable for their ambitious and demanding individuality, despite the fact that they were written in the amazingly short space of only six weeks. Any inference to the dire circumstances in which the composer was living at the time might possibly be detected in the grave character of Symphony N° 40 in G minor. The so-called Jupiter-Symphony, however, which owes its name to the Roman god, brims over with an endless joy of life. The powerful final movement with its combination of fugal technique, rondo and sonata form is quite rightly regarded as a unique compositional achievement in the classical era.\r\n
      \r\n
      The Mozart specialist Carlo Maria Giulini, who only enters the recording studio when he is quite totally sure of a thing, has set down a performance here which does without orchestral fireworks and concentrates on a seemingly endless flow of melody. The orchestral playing is light, airy and unpretentious, the strings as soft as silk what more could Mozart have wished for.\r\n
      \r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : October/ November 1965 at Kingsway Hall, London by Kenneth Wilkinson\r\n
      Production : Ray Minshull\r\n
      \r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "New Philharmonia Orchestra conducted by Carlo Maria Giulini"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=IioCLFiw17g"
    -referenceProduit: "Decca SXL 6225"
    -titreMorceau: [
      [
        "nom" => "1. Molto Allegro"
        "ordre" => 2
      ]
      [
        "nom" => "2. Andante"
        "ordre" => 3
      ]
      [
        "nom" => "3. Menuetto : Allegretto"
        "ordre" => 4
      ]
      [
        "nom" => "4. Allegro Assai"
        "ordre" => 5
      ]
      [
        "nom" => "Allegro Vivace"
        "ordre" => 8
      ]
      [
        "nom" => "Andante Cantabile"
        "ordre" => 9
      ]
      [
        "nom" => "Menuetto : Allegretto"
        "ordre" => 10
      ]
      [
        "nom" => "Molto Allegro"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "Symphony N° 40 G Minor, K. 550"
        "ordre" => 1
      ]
      [
        "nom" => "Symphony N° 41 C Major K. 551"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1278690764 {#1896
      date: 2010-07-09 15:52:44.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1572075113 {#1889
      date: 2019-10-26 07:31:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-symphonies-n-40-and-n-41-jupiter-decca-sxl-6225"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3085
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 303
    -nom: "Symphonies N° 40 and N° 41 “Jupiter“"
    -informationComplementaire: ""
    -description: """
      Like all the works he composed during his extremely productive years in Vienna, Mozart’s last two symphonies are remarkable for their ambitious and demanding individuality, despite the fact that they were written in the amazingly short space of only six weeks. Any inference to the dire circumstances in which the composer was living at the time might possibly be detected in the grave character of Symphony N° 40 in G minor. The so-called Jupiter-Symphony, however, which owes its name to the Roman god, brims over with an endless joy of life. The powerful final movement with its combination of fugal technique, rondo and sonata form is quite rightly regarded as a unique compositional achievement in the classical era.\r\n
      \r\n
      The Mozart specialist Carlo Maria Giulini, who only enters the recording studio when he is quite totally sure of a thing, has set down a performance here which does without orchestral fireworks and concentrates on a seemingly endless flow of melody. The orchestral playing is light, airy and unpretentious, the strings as soft as silk what more could Mozart have wished for.\r\n
      \r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : October/ November 1965 at Kingsway Hall, London by Kenneth Wilkinson\r\n
      Production : Ray Minshull\r\n
      \r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "New Philharmonia Orchestra conducted by Carlo Maria Giulini"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=IioCLFiw17g"
    -referenceProduit: "Decca SXL 6225"
    -titreMorceau: [
      [
        "nom" => "1. Molto Allegro"
        "ordre" => 2
      ]
      [
        "nom" => "2. Andante"
        "ordre" => 3
      ]
      [
        "nom" => "3. Menuetto : Allegretto"
        "ordre" => 4
      ]
      [
        "nom" => "4. Allegro Assai"
        "ordre" => 5
      ]
      [
        "nom" => "Allegro Vivace"
        "ordre" => 8
      ]
      [
        "nom" => "Andante Cantabile"
        "ordre" => 9
      ]
      [
        "nom" => "Menuetto : Allegretto"
        "ordre" => 10
      ]
      [
        "nom" => "Molto Allegro"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "Symphony N° 40 G Minor, K. 550"
        "ordre" => 1
      ]
      [
        "nom" => "Symphony N° 41 C Major K. 551"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1278690764 {#1896
      date: 2010-07-09 15:52:44.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1572075113 {#1889
      date: 2019-10-26 07:31:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-symphonies-n-40-and-n-41-jupiter-decca-sxl-6225"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "produit" => App\Entity\Produit {#2035
    -id: 298
    -nom: " “Eine kleine Nachtmusik”, Divertimento N° 1 in D"
    -informationComplementaire: ""
    -description: """
      Mozart wrote the Divertimento No. 1 at the age of six, while A Musical Joke and Eine kleine Nachtmusik were composed shortly before his death.\r\n
      \r\n
      From what one hears, apparently only a few music lovers enjoy listening to Eine kleine Nachtmusik. Far too often has it been performed routinely rather than being filled with life. This recording is quite different: living up to his reputation, Karl Münchinger proves that this favourite can be imbued with significance. \r\n
      \r\n
      The historical roote of the serenade lie in the suite which consists of varied contrasting dance movements. In the spirit of this tradition, Münchinger offers a clear and unfussed interpretation which is absolutely credible and has a freshness rarely heard. The ensemble plays both cheerfully and and wittily. In A Musical Joke, Mozart parodies amateurish composers of his own era, and the orchestra quite obviously participates in the fun.\r\n
      \r\n
      This LP is distinguished by its musical and tonal balance and is one of DECCA’s best sound recordings.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : November 1960, Victoria Hall at Geneva by Roy Wallace Production : James Walker\r\n
      \r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Stuttgart Chamber Orchestra conducted by Karl Münchinger"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Decca SXL 2270"
    -titreMorceau: [
      [
        "nom" => "1. Allegro"
        "ordre" => 2
      ]
      [
        "nom" => "1. Allegro"
        "ordre" => 8
      ]
      [
        "nom" => "2. Menuetto, Trio"
        "ordre" => 9
      ]
      [
        "nom" => "2. Romance, Andante"
        "ordre" => 3
      ]
      [
        "nom" => "3. Adagio Cantabile"
        "ordre" => 10
      ]
      [
        "nom" => "3. Menuetto and Trio "
        "ordre" => 4
      ]
      [
        "nom" => "4. Presto"
        "ordre" => 11
      ]
      [
        "nom" => "4. Rond, (Allegro"
        "ordre" => 5
      ]
      [
        "nom" => "Divertimento N° 1 in D Major K.136, A Musical Joke K522"
        "ordre" => 7
      ]
      [
        "nom" => "Eine Kleine Nachtmusik"
        "ordre" => 1
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2043 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2036 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2038 …}
    -enregistreLe: DateTime @1278690722 {#2032
      date: 2010-07-09 15:52:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1571988808 {#2033
      date: 2019-10-25 07:33:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2040 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eine-kleine-nachtmusik-divertimento-n-1-in-d-decca-sxl-2270"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3201
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2035
    -id: 298
    -nom: " “Eine kleine Nachtmusik”, Divertimento N° 1 in D"
    -informationComplementaire: ""
    -description: """
      Mozart wrote the Divertimento No. 1 at the age of six, while A Musical Joke and Eine kleine Nachtmusik were composed shortly before his death.\r\n
      \r\n
      From what one hears, apparently only a few music lovers enjoy listening to Eine kleine Nachtmusik. Far too often has it been performed routinely rather than being filled with life. This recording is quite different: living up to his reputation, Karl Münchinger proves that this favourite can be imbued with significance. \r\n
      \r\n
      The historical roote of the serenade lie in the suite which consists of varied contrasting dance movements. In the spirit of this tradition, Münchinger offers a clear and unfussed interpretation which is absolutely credible and has a freshness rarely heard. The ensemble plays both cheerfully and and wittily. In A Musical Joke, Mozart parodies amateurish composers of his own era, and the orchestra quite obviously participates in the fun.\r\n
      \r\n
      This LP is distinguished by its musical and tonal balance and is one of DECCA’s best sound recordings.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : November 1960, Victoria Hall at Geneva by Roy Wallace Production : James Walker\r\n
      \r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Stuttgart Chamber Orchestra conducted by Karl Münchinger"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Decca SXL 2270"
    -titreMorceau: [
      [
        "nom" => "1. Allegro"
        "ordre" => 2
      ]
      [
        "nom" => "1. Allegro"
        "ordre" => 8
      ]
      [
        "nom" => "2. Menuetto, Trio"
        "ordre" => 9
      ]
      [
        "nom" => "2. Romance, Andante"
        "ordre" => 3
      ]
      [
        "nom" => "3. Adagio Cantabile"
        "ordre" => 10
      ]
      [
        "nom" => "3. Menuetto and Trio "
        "ordre" => 4
      ]
      [
        "nom" => "4. Presto"
        "ordre" => 11
      ]
      [
        "nom" => "4. Rond, (Allegro"
        "ordre" => 5
      ]
      [
        "nom" => "Divertimento N° 1 in D Major K.136, A Musical Joke K522"
        "ordre" => 7
      ]
      [
        "nom" => "Eine Kleine Nachtmusik"
        "ordre" => 1
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2043 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2036 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2038 …}
    -enregistreLe: DateTime @1278690722 {#2032
      date: 2010-07-09 15:52:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1571988808 {#2033
      date: 2019-10-25 07:33:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2040 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eine-kleine-nachtmusik-divertimento-n-1-in-d-decca-sxl-2270"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "produit" => App\Entity\Produit {#2048
    -id: 534
    -nom: "Seductive Reasoning"
    -informationComplementaire: ""
    -description: """
      Thanks to their undeniable musical talent, which allowed them to be taken seriously in the folk scene, the industrious Roche sisters’ career began when they were young. The duo began by singing Christmas carols, doo-wop song syllable puzzles, and tricky barbershop harmonies. They finally caught the attention of Paul Simon, who brought the gifted girls in as backup singers on his LP "There Goes Rhymin’ Simon", and was primarily responsible for the birth of their first recording. The lavishly produced album achieved high critical acclaim. Although it was a worthy professional debut, the public was hesitant to buy the album. The specialist magazine Rolling Stone commented drily and somewhat at a loss that the Roches weren’t everyone’s cup of tea.\r\n
      \r\n
      Maggie and Terre Roche are a well-rehearsed vocal team however : with a range from hazy, finely balanced voices singing as one, right up to pearly, radiant brilliance, the Roche sisters enthusiastically penned a songbook which is almost without exception their very own creation. Mechanical bluegrass music "Wigglin’ Man", a steam-train character "If You Emptied ..." and a somewhat crude and unrefined country aura make the subtle lyrics easily accessible to all, but the LP also offers the listener wonderfully ill-humoured verse "The Mountain People" and story-like prose "West Virginia". This is a truly exceptional album, and well worth being discovered !\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : 1973 in the Morgan Studios, London, and 1974 in the Muscle Shoals Studios, Sheffield, Alabama\r\n
      Production : Paul Simon, Paul Samwell-Smith, David Hood and Jimmy Johnson\r\n
      \r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Maggie Roche (piano, guitar, vocals), Terre Roche (guitar, vocals), George Marge (electric clarinet), Ann Odell (strings),  John Hall (electric guitar), Paul Simon (guitar), Jerry Masters (bass), The Muscle Shoals Rhythm Section"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QbehOxVL4ic"
    -referenceProduit: "Columbia KC 33232"
    -titreMorceau: [
      [
        "nom" => "1. Telephone Bill"
        "ordre" => 7
      ]
      [
        "nom" => "1. Underneath the Moon"
        "ordre" => 1
      ]
      [
        "nom" => "2. Down the Dream"
        "ordre" => 2
      ]
      [
        "nom" => "2. Malachy's"
        "ordre" => 8
      ]
      [
        "nom" => "3. Burden of Proof"
        "ordre" => 9
      ]
      [
        "nom" => "3. Wigglin' Man"
        "ordre" => 3
      ]
      [
        "nom" => "4. The Mountain People"
        "ordre" => 10
      ]
      [
        "nom" => "4. West Virginia"
        "ordre" => 4
      ]
      [
        "nom" => "5. If You Empty Out All Your Pockets You Could Not Make the Change"
        "ordre" => 5
      ]
      [
        "nom" => "5. Jill of All Trades"
        "ordre" => 11
      ]
      [
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        "nom" => "Side B : "
        "ordre" => 6
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2050 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1461 …}
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    -modifierLe: DateTime @1571578574 {#2046
      date: 2019-10-20 13:36:14.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3247
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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    -id: 534
    -nom: "Seductive Reasoning"
    -informationComplementaire: ""
    -description: """
      Thanks to their undeniable musical talent, which allowed them to be taken seriously in the folk scene, the industrious Roche sisters’ career began when they were young. The duo began by singing Christmas carols, doo-wop song syllable puzzles, and tricky barbershop harmonies. They finally caught the attention of Paul Simon, who brought the gifted girls in as backup singers on his LP "There Goes Rhymin’ Simon", and was primarily responsible for the birth of their first recording. The lavishly produced album achieved high critical acclaim. Although it was a worthy professional debut, the public was hesitant to buy the album. The specialist magazine Rolling Stone commented drily and somewhat at a loss that the Roches weren’t everyone’s cup of tea.\r\n
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      Maggie and Terre Roche are a well-rehearsed vocal team however : with a range from hazy, finely balanced voices singing as one, right up to pearly, radiant brilliance, the Roche sisters enthusiastically penned a songbook which is almost without exception their very own creation. Mechanical bluegrass music "Wigglin’ Man", a steam-train character "If You Emptied ..." and a somewhat crude and unrefined country aura make the subtle lyrics easily accessible to all, but the LP also offers the listener wonderfully ill-humoured verse "The Mountain People" and story-like prose "West Virginia". This is a truly exceptional album, and well worth being discovered !\r\n
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      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : 1973 in the Morgan Studios, London, and 1974 in the Muscle Shoals Studios, Sheffield, Alabama\r\n
      Production : Paul Simon, Paul Samwell-Smith, David Hood and Jimmy Johnson\r\n
      \r\n
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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        "nom" => "5. Jill of All Trades"
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        "nom" => "Side B : "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2050 …}
    -label: App\Entity\Label {#1063 …}
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  "produit" => App\Entity\Produit {#2064
    -id: 321
    -nom: "Chet Is Back"
    -informationComplementaire: ""
    -description: """
      Forty-two years ago, Chet Baker one of the most tragic figures of jazz who lived on the fast lane and ruined himself with drugs and alcohol was constantly on the road from one European jazz club to another. Local rhythm groups were not always top notch so it was only logical to pick the very best from several countries for a film-music production in Italy. And it was equally logical that RCA’s Italian subsidiary brought the musicians into the studio in January 1962.\r\n
      \r\n
      With one exception, the eight titles on this disc are all so-called standards. The two winds demand total concentration from the rhythm section while maintaining relaxed and laid-back harmonic patterns. And this is something the Italian Tommasi, the Belgian Thomas, the Frenchman Quersin and the Swiss Humair carry off with an air of nonchalance. The two ballads "These Foolish Things" and the only new composition "Ballata In Forma Di Blues" are tucked in between the other numbers and give the listener space to breathe. They are surrounded by numbers with a fast tempo, all of which demonstrate Chet Baker’s and Bobby Jaspar’s high standard of musicianship. And then there is "Over The Rainbow", whose theme is coupled with another tragic figure of music history, Judy Garland: Chet on his trumpet conjures up pure magic in the middle section.\r\n
      \r\n
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      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : January 1962 in Rome, Italy in mono\r\n
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-chet-is-back-speakers-corner-rca-pml-10307"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3298
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    -id: 321
    -nom: "Chet Is Back"
    -informationComplementaire: ""
    -description: """
      Forty-two years ago, Chet Baker one of the most tragic figures of jazz who lived on the fast lane and ruined himself with drugs and alcohol was constantly on the road from one European jazz club to another. Local rhythm groups were not always top notch so it was only logical to pick the very best from several countries for a film-music production in Italy. And it was equally logical that RCA’s Italian subsidiary brought the musicians into the studio in January 1962.\r\n
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      \r\n
      Happily, these recordings - made in Rome in 1962 are not purely restricted to collectors living in the Sixties. This re-release on LP now offers the opportunity to listen to some excellent music and to enjoy the cover just as it was on the original recording: a priceless gem !\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
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      Recording : January 1962 in Rome, Italy in mono\r\n
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    -prixVente: "32.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2066 …}
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    -modifierLe: DateTime @1570908718 {#2062
      date: 2019-10-12 19:31:58.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-chet-is-back-speakers-corner-rca-pml-10307"
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[
  "produit" => App\Entity\Produit {#2080
    -id: 1492
    -nom: "Tobacco Road"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Jack McDuff (organ, arranger), Fred Berry, King Kolax (trumpet), John Watson (trombone), Red Holloway (tenor saxophone), Danny Turner (tenor saxophone, flute), Lonnie Simmons (baritone saxophone), Bobby Christian (vibraphone, percussion), Roland Faulkner), Calvin Green (guitar), Loyal J. Gresham (electric bass), Joe Dukes, Bob Guthrie (drums), J. J. Jackson (conductor, arranger).\r\n
      \r\n
      With these three words the great Clark Terry summed up the art of leaning musical improvisation. Salvador Dalí, the artist who melted time in his colorful and bizarre works, stated radically that a person who didn't want to copy others would never manage to accomplish anything at all.\r\n
       \r\n
      Brother Jack McDuff did plenty of copying and refined the good old standards on his Tobacco Road and made them blossom anew. Jack taught himself to play the organ and went on to transform the popular melody "Alexander's Ragtime Band" into what one might call roughened up ball house jazz, were it not for the contrary saxophone, which soars over rasping organ clusters. For Brother Jack such spiritual sounds as in "And The Angels Sing" and his somewhat slanted version of the musing, dreamy "Wade In The Water" were an absolute must. It really rocks in "Can't Get Satisfied", a gospel-like and delicately instrumentalised version of the blues evergreen. The organ does not necessarily always have the last word in this colorful mixture, but it is always very present as regards the sound and the distribution of the parts. And just once does McDuff let the instrument sing out on its glassy top register in "The Shadow Of Your Smile".\r\n
       \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. \r\n
      All royalties and mechanical rights have been paid.\r\n
       \r\n
      Recording : August 1966 at Chess Studios, Chicago\r\n
      Production : Lew Futterman\r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
      \r\n
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    -prixVente: "32.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=CSdoJ6C9K-g"
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      [
        "nom" => "2. Tobacco Road"
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        "nom" => "3. Alexander's Ragtime Band"
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      ]
      [
        "nom" => "3. The Shadow of Your Smile"
        "ordre" => 3
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      ]
      [
        "nom" => "4. Wade In The Water"
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        "nom" => "5. Blowin' In The Wind"
        "ordre" => 5
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2082 …}
    -label: App\Entity\Label {#1063 …}
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    -modifierLe: DateTime @1570438599 {#2078
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3349
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2080
    -id: 1492
    -nom: "Tobacco Road"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Jack McDuff (organ, arranger), Fred Berry, King Kolax (trumpet), John Watson (trombone), Red Holloway (tenor saxophone), Danny Turner (tenor saxophone, flute), Lonnie Simmons (baritone saxophone), Bobby Christian (vibraphone, percussion), Roland Faulkner), Calvin Green (guitar), Loyal J. Gresham (electric bass), Joe Dukes, Bob Guthrie (drums), J. J. Jackson (conductor, arranger).\r\n
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       \r\n
      Brother Jack McDuff did plenty of copying and refined the good old standards on his Tobacco Road and made them blossom anew. Jack taught himself to play the organ and went on to transform the popular melody "Alexander's Ragtime Band" into what one might call roughened up ball house jazz, were it not for the contrary saxophone, which soars over rasping organ clusters. For Brother Jack such spiritual sounds as in "And The Angels Sing" and his somewhat slanted version of the musing, dreamy "Wade In The Water" were an absolute must. It really rocks in "Can't Get Satisfied", a gospel-like and delicately instrumentalised version of the blues evergreen. The organ does not necessarily always have the last word in this colorful mixture, but it is always very present as regards the sound and the distribution of the parts. And just once does McDuff let the instrument sing out on its glassy top register in "The Shadow Of Your Smile".\r\n
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      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. \r\n
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    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Jack McDuff (organ, arranger), Fred Berry, King Kolax (trumpet), John Watson (trombone), Red Holloway (tenor saxophone), Danny Turner (tenor saxophone, flute), Lonnie Simmons (baritone saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CSdoJ6C9K-g"
    -referenceProduit: "Atlantic SD 1472"
    -titreMorceau: [
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        "nom" => "1. And The Angels Sing"
        "ordre" => 7
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        "nom" => "1. Teardrops From My Eyes"
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        "nom" => "2. This Bitter Earth"
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        "nom" => "2. Tobacco Road"
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        "nom" => "3. Alexander's Ragtime Band"
        "ordre" => 9
      ]
      [
        "nom" => "3. The Shadow of Your Smile"
        "ordre" => 3
      ]
      [
        "nom" => "4. Can't Get Satisfied"
        "ordre" => 4
      ]
      [
        "nom" => "4. Wade In The Water"
        "ordre" => 10
      ]
      [
        "nom" => "5. Blowin' In The Wind"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2082 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1478 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2091 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2084 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2086 …}
    -enregistreLe: DateTime @1546168647 {#2077
      date: 2018-12-30 11:17:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1570438599 {#2078
      date: 2019-10-07 08:56:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2088 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tobacco-road-atlantic-sd-1472"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "produit" => App\Entity\Produit {#2096
    -id: 1275
    -nom: "LaVern Baker Sings Bessie Smith "
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      LaVern Baker (vocals), Buck Clayton (trumpet), Vic Dickenson, Jimmy Cleveland, Urbie Green (trombone), Paul Quinichette (tenor saxophone), Sahib Shihab, Jerome Richardson (baritone saxophone), Nat Pierce (piano), Danny Barker (guitar), Wendell Marshall (bass), Joe Marshall (drums).\r\n
      \r\n
      It was 1958 when a passably successful R&B singer entered the recording studio with an all-star band to tape a dozen songs from the global repertoire of a legendary blues vocalist. The old-fashioned style in LaVern Baker’s tribute to Bessie Smith might seem somewhat strange in the midst of popular R&B numbers and the growing productivity of the Motown hit machines, but it certainly found favour with the public. And for a very good reason too ! Right from the very first number, "Gimme A Pigfoot", the snappy bass line conjures up the ballroom atmosphere of the Twenties. A bluesy dialogue with the trumpet ("Baby Doll", "I Ain’t Gonna Play No Second Fiddle"), alternating with robustly orchestrated swing rhythms ("On Revival Day"), and time and again cool, faltering blues ("Black Water Blues") guarantee great listening and entertainment. The great names in the band read like a Who Is Who of outstanding musicians Nat Pierce, Buck Clayton, Paul Quinichette, Urbie Green and Jimmy Cleveland, all who crown the fantastic sound of their performance with relaxed and easy-going solos and finely balanced background playing that would hardly be more authentic on a live stage. Fans of traditional big-band swing will love this album too. \r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "LaVern Baker (vocals), Buck Clayton (trumpet), Vic Dickenson, Jimmy Cleveland, Urbie Green (trombone), Paul Quinichette (tenor saxophone), Sahib Shihab, Jerome Richardson (baritone saxophone), Nat Pierce (piano), Danny Barker (guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=K19BW-tM904"
    -referenceProduit: "Speakers Corner Records 1281"
    -titreMorceau: [
      [
        "nom" => "1. Empty Bed Blues"
        "ordre" => 8
      ]
      [
        "nom" => "1. Gimme A Pigfoot"
        "ordre" => 1
      ]
      [
        "nom" => "2. Baby Doll"
        "ordre" => 2
      ]
      [
        "nom" => "2. There'll Be A Hot Time In the Old Town Tonight"
        "ordre" => 9
      ]
      [
        "nom" => "3. Nobody Knows You When You're Down and Out"
        "ordre" => 10
      ]
      [
        "nom" => "3. On Revival Day"
        "ordre" => 3
      ]
      [
        "nom" => "4. After You've Gone"
        "ordre" => 11
      ]
      [
        "nom" => "4. Money Blues"
        "ordre" => 4
      ]
      [
        "nom" => "5. I Ain't Gonna Play No Second Fiddle"
        "ordre" => 5
      ]
      [
        "nom" => "5. Young Woman's Blues"
        "ordre" => 12
      ]
      [
        "nom" => "6. Backwater Blues"
        "ordre" => 6
      ]
      [
        "nom" => "6. Preaching the Blues"
        "ordre" => 13
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2098 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2107 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2100 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2102 …}
    -enregistreLe: DateTime @1517123660 {#2093
      date: 2018-01-28 07:14:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1570438338 {#2094
      date: 2019-10-07 08:52:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2104 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lavern-baker-sings-bessie-smith-speakers-corner-records-1281"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3400
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2096
    -id: 1275
    -nom: "LaVern Baker Sings Bessie Smith "
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      LaVern Baker (vocals), Buck Clayton (trumpet), Vic Dickenson, Jimmy Cleveland, Urbie Green (trombone), Paul Quinichette (tenor saxophone), Sahib Shihab, Jerome Richardson (baritone saxophone), Nat Pierce (piano), Danny Barker (guitar), Wendell Marshall (bass), Joe Marshall (drums).\r\n
      \r\n
      It was 1958 when a passably successful R&B singer entered the recording studio with an all-star band to tape a dozen songs from the global repertoire of a legendary blues vocalist. The old-fashioned style in LaVern Baker’s tribute to Bessie Smith might seem somewhat strange in the midst of popular R&B numbers and the growing productivity of the Motown hit machines, but it certainly found favour with the public. And for a very good reason too ! Right from the very first number, "Gimme A Pigfoot", the snappy bass line conjures up the ballroom atmosphere of the Twenties. A bluesy dialogue with the trumpet ("Baby Doll", "I Ain’t Gonna Play No Second Fiddle"), alternating with robustly orchestrated swing rhythms ("On Revival Day"), and time and again cool, faltering blues ("Black Water Blues") guarantee great listening and entertainment. The great names in the band read like a Who Is Who of outstanding musicians Nat Pierce, Buck Clayton, Paul Quinichette, Urbie Green and Jimmy Cleveland, all who crown the fantastic sound of their performance with relaxed and easy-going solos and finely balanced background playing that would hardly be more authentic on a live stage. Fans of traditional big-band swing will love this album too. \r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "LaVern Baker (vocals), Buck Clayton (trumpet), Vic Dickenson, Jimmy Cleveland, Urbie Green (trombone), Paul Quinichette (tenor saxophone), Sahib Shihab, Jerome Richardson (baritone saxophone), Nat Pierce (piano), Danny Barker (guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=K19BW-tM904"
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      [
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        "ordre" => 10
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      [
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        "ordre" => 3
      ]
      [
        "nom" => "4. After You've Gone"
        "ordre" => 11
      ]
      [
        "nom" => "4. Money Blues"
        "ordre" => 4
      ]
      [
        "nom" => "5. I Ain't Gonna Play No Second Fiddle"
        "ordre" => 5
      ]
      [
        "nom" => "5. Young Woman's Blues"
        "ordre" => 12
      ]
      [
        "nom" => "6. Backwater Blues"
        "ordre" => 6
      ]
      [
        "nom" => "6. Preaching the Blues"
        "ordre" => 13
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2098 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2107 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2100 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2102 …}
    -enregistreLe: DateTime @1517123660 {#2093
      date: 2018-01-28 07:14:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1570438338 {#2094
      date: 2019-10-07 08:52:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2104 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lavern-baker-sings-bessie-smith-speakers-corner-records-1281"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "produit" => App\Entity\Produit {#2112
    -id: 1297
    -nom: "Piano In The Background"
    -informationComplementaire: ""
    -description: """
      Big band fans, take note! These nine numbers, in precisely this version, belong in every collection. We are talking about the year 1960, and the 17 musicians involved have probably performed this very repertoire every night in a different venue all over the globe. But in the studio it all sounds fresh and new, well practiced but never dull, cool, groovy and intoxicating. The difference to a great number of other Ellington LPs is that here not a single wind soloist stands in the foreground but the whole body of musicians. The arrangements are all new and some of them are even quite unusual, but Sam Woodyard on the drums has everything well under control sometimes not at all 'Ellington-like'.\r\n
      \r\n
      Snapping the fingers is automatic, and tapping your foot is also not to be frowned on; however this recording demands careful listening ! If you have the first version of these numbers in your collection then it would be a good idea to compare them with this recording. The Duke Ellington Orchestra remains young, dynamic and varied thanks to a continually changing ensemble. And the 'Piano Man', as the best 'pause-filling' pianist ironically called himself, sat full of vigour before the 88 keys of the keyboard at the age of 60.\r\n
      \r\n
      Not only jazz fans will be saying a big thank you that this recording made in the early days of stereophony is available once again on virgin vinyl with superb sound.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : May and June 1960 at Radio Recorders, Los Angeles\r\n
      Production : Henri Renaud\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges, Harry Carney, Paul Gonzalves (saxophone), Lawrence Brown, "Booty" Wood, (trombone), Ray Nance, Willie Cook (trumpet), Aaron Bell (bass), Sam Woodyard (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xqpg2fWqtkE"
    -referenceProduit: "Columbia Records CS 8346"
    -titreMorceau: [
      [
        "nom" => "1. Happy Go Lucky Local"
        "ordre" => 1
      ]
      [
        "nom" => "1. I'm Beginning To See The Light"
        "ordre" => 6
      ]
      [
        "nom" => "2. Midriff"
        "ordre" => 7
      ]
      [
        "nom" => "2. What Am I Here For"
        "ordre" => 2
      ]
      [
        "nom" => "3. It Don't Mean A Thing"
        "ordre" => 8
      ]
      [
        "nom" => "3. Kinda Dukish / Rockin' In Rhythm"
        "ordre" => 3
      ]
      [
        "nom" => "4. Main Stem"
        "ordre" => 9
      ]
      [
        "nom" => "4. Perdido"
        "ordre" => 4
      ]
      [
        "nom" => "5. Take The "A" Train"
        "ordre" => 10
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2114 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2123 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2116 …}
    -typeMasterTape: null
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    -produitTestePar: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2118 …}
    -enregistreLe: DateTime @1524812141 {#2109
      date: 2018-04-27 06:55:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1570437752 {#2110
      date: 2019-10-07 08:42:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2120 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-piano-in-the-background-columbia-records-cs-8346"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3451
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2112
    -id: 1297
    -nom: "Piano In The Background"
    -informationComplementaire: ""
    -description: """
      Big band fans, take note! These nine numbers, in precisely this version, belong in every collection. We are talking about the year 1960, and the 17 musicians involved have probably performed this very repertoire every night in a different venue all over the globe. But in the studio it all sounds fresh and new, well practiced but never dull, cool, groovy and intoxicating. The difference to a great number of other Ellington LPs is that here not a single wind soloist stands in the foreground but the whole body of musicians. The arrangements are all new and some of them are even quite unusual, but Sam Woodyard on the drums has everything well under control sometimes not at all 'Ellington-like'.\r\n
      \r\n
      Snapping the fingers is automatic, and tapping your foot is also not to be frowned on; however this recording demands careful listening ! If you have the first version of these numbers in your collection then it would be a good idea to compare them with this recording. The Duke Ellington Orchestra remains young, dynamic and varied thanks to a continually changing ensemble. And the 'Piano Man', as the best 'pause-filling' pianist ironically called himself, sat full of vigour before the 88 keys of the keyboard at the age of 60.\r\n
      \r\n
      Not only jazz fans will be saying a big thank you that this recording made in the early days of stereophony is available once again on virgin vinyl with superb sound.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : May and June 1960 at Radio Recorders, Los Angeles\r\n
      Production : Henri Renaud\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges, Harry Carney, Paul Gonzalves (saxophone), Lawrence Brown, "Booty" Wood, (trombone), Ray Nance, Willie Cook (trumpet), Aaron Bell (bass), Sam Woodyard (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xqpg2fWqtkE"
    -referenceProduit: "Columbia Records CS 8346"
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        "nom" => "1. Happy Go Lucky Local"
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      ]
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        "nom" => "1. I'm Beginning To See The Light"
        "ordre" => 6
      ]
      [
        "nom" => "2. Midriff"
        "ordre" => 7
      ]
      [
        "nom" => "2. What Am I Here For"
        "ordre" => 2
      ]
      [
        "nom" => "3. It Don't Mean A Thing"
        "ordre" => 8
      ]
      [
        "nom" => "3. Kinda Dukish / Rockin' In Rhythm"
        "ordre" => 3
      ]
      [
        "nom" => "4. Main Stem"
        "ordre" => 9
      ]
      [
        "nom" => "4. Perdido"
        "ordre" => 4
      ]
      [
        "nom" => "5. Take The "A" Train"
        "ordre" => 10
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2114 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2123 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2116 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2118 …}
    -enregistreLe: DateTime @1524812141 {#2109
      date: 2018-04-27 06:55:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1570437752 {#2110
      date: 2019-10-07 08:42:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2120 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-piano-in-the-background-columbia-records-cs-8346"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "produit" => App\Entity\Produit {#2128
    -id: 1117
    -nom: " Concerto for Violin and Orchestra N° 2 "
    -informationComplementaire: ""
    -description: """
      Bartók’s Second Violin Concerto combines a potent mixture of traditional concerto writing, compositional history and biographical upheavals. It was one of the last works he wrote before emigrating to the USA, and its classical three-movement form unites a mature feeling for form, sparkling musicality and exceptional violinistic sophistication.\r\n
      \r\n
      Bartók employs the inexhaustible sources of tonal writing with superb mastery to produce his own distinctive tonal language. In his dissonantly sharpened, expressive, even audacious music one can recognise peasant dance, cantilena, variation movement, rondo form, and twelve-tone themes, which however remain tonal.\r\n
      \r\n
      During his career spanning 60 years Isaac Stern recorded this major contemporary work several times and demonstrates once again his superb mastery of his instrument in this particular recording. With bravura he conjures up eruptive snatches of melody out of the rhapsodic depths, allows the slow movement to glow with pastoral sentiment, and tears through the vast variations finale with a perfect command of the score, his instrument and his creative prowess.\r\n
      \r\n
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      Recording : January 1958 at Columbia 30th Street Studio, New York, by Jack Ashkinzy\r\n
      Production : Howard H. Scott
      """
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      Production : Howard H. Scott
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[
  "produit" => App\Entity\Produit {#2173
    -id: 860
    -nom: "The Bill Evans Album"
    -informationComplementaire: ""
    -description: """
      The global corporation Columbia recorded and released only two LPs with pianist Bill Evans. A meager result when one considers the numerous concerts that the new trio undertook between 1969 and 1974. Together with Eddie Gomez, a phenomenon on the bass, and drummer Marty Mortell, the three established a firm - and ever better - trio. Evans became interested in the possibilities offered by the Fender Rhodes piano and used it for the first time in The Bill Evans Album.\r\n
      \r\n
      The LP is remarkable in that only Evans's own compositions were recorded — three previously recorded pieces and four brand-new works. Of particular note is the melancholy "Two Lonely People", Evans's musical interpretation of a poem by Carol Hall. "Sugar Plum" and "T.T.T." were to remain in his repertoire right up until his very last recordings. Unusual but very commendable because it begins with an ad hoc introductory improvisation is the electric piano version of Evans's most well-known composition - "Waltz For Debby".\r\n
      \r\n
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      \r\n
      Recording : May and June 1971 at CBS 30th Street Studio, New York, by Pete Weiss.\r\n
      Production : Helen Keane.
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Bill Evans (piano, electric piano), Eddie Gomez (bass),  Marty Morrell (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=BgStcqTnPAM"
    -referenceProduit: "Columbia 30855"
    -titreMorceau: [
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        "ordre" => 1
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        "nom" => "2. Re; Person I Knew"
        "ordre" => 7
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      [
        "nom" => "2. The Two Lonely People"
        "ordre" => 2
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        "ordre" => 5
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2175 …}
    -label: App\Entity\Label {#1063 …}
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    -id: 860
    -nom: "The Bill Evans Album"
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    -description: """
      The global corporation Columbia recorded and released only two LPs with pianist Bill Evans. A meager result when one considers the numerous concerts that the new trio undertook between 1969 and 1974. Together with Eddie Gomez, a phenomenon on the bass, and drummer Marty Mortell, the three established a firm - and ever better - trio. Evans became interested in the possibilities offered by the Fender Rhodes piano and used it for the first time in The Bill Evans Album.\r\n
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      The LP is remarkable in that only Evans's own compositions were recorded — three previously recorded pieces and four brand-new works. Of particular note is the melancholy "Two Lonely People", Evans's musical interpretation of a poem by Carol Hall. "Sugar Plum" and "T.T.T." were to remain in his repertoire right up until his very last recordings. Unusual but very commendable because it begins with an ad hoc introductory improvisation is the electric piano version of Evans's most well-known composition - "Waltz For Debby".\r\n
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      The excellent technical facilities at the Columbia Studio were used to the full by Bill Evans, even though they were only recording a small ensemble. And that is why the seven numbers sound far better than most of the trio's live recordings. And as Bill Evans once said, it was with this trio that he could fulfil his musical ambitions.\r\n
      \r\n
      Recording : May and June 1971 at CBS 30th Street Studio, New York, by Pete Weiss.\r\n
      Production : Helen Keane.
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Bill Evans (piano, electric piano), Eddie Gomez (bass),  Marty Morrell (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2175 …}
    -label: App\Entity\Label {#1063 …}
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    -photoProduit: Doctrine\ORM\PersistentCollection {#2184 …}
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    }
    -modifierLe: DateTime @1570173874 {#2171
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2181 …}
    -disponible: null
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    -slug: "vinyles-the-bill-evans-album-columbia-30855"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "produit" => App\Entity\Produit {#2189
    -id: 499
    -nom: "Call Me"
    -informationComplementaire: ""
    -description: "Ce qui relie les chefs célèbres et les stars de la pop est leur nez fin pour les ingrédients, en particulier lorsque les chauds et épicés sont mélangés avec des éléments plus légers pour créer un résultat aromatique. La combinaison de « douceur » et de « funky » est le secret de Al Green, à la gloire des chansons pop, sentimentales et sensuelles, qui dans les années soixante-dix ont souvent été mentionnés comme « chansons pour faire l'amour ». Mais attention ! Cette musique faite à partir de sons ardents met le feu dès le premier morceau. Le sinueux et brillant single « Call Me », l’atmosphère détendue et groovy de « Stand Up », avec ses interjections vifs qui exigent une attention infaillible, sont typiques du style Green, tout comme sa capacité pour gagner le confort de la solitude sur « I'm So Lonesome, I Could Cry ». Cette musique rythmée et puissante peut être décrit comme une lumière intense et dynamique, mais jamais flashy comme sur « Your Love Is Like The Morning Sun ». Il trouve son apogée dans l'âme terrestre « I'm Waiting », et la profondeur spirituelle. L'un des meilleurs albums soul jamais enregistré!"
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Al Green (vocal),?James Mitchell (baritone sax, arrang),?Andrew Love (tenor sax),?Jack Hale (trombone),?Wayne Jackson (trumpet),?Mabon Hodges (guitar),?Charles Hodges (keybord),?Archie Turner (piano),?Leroy Hodges (bass),?Howard Grimes (drums)."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fTpIHph07Mo"
    -referenceProduit: "32077"
    -titreMorceau: [
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        "nom" => "1. Call Me (Come Back Home)"
        "ordre" => 1
      ]
      [
        "nom" => "1. Here I Am Come And Take Me"
        "ordre" => 7
      ]
      [
        "nom" => "2. Funny How Time Slips Away"
        "ordre" => 8
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      [
        "nom" => "2. Have You Been Making Out Ok"
        "ordre" => 2
      ]
      [
        "nom" => "3. Stand Up"
        "ordre" => 3
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      [
        "nom" => "3. You Ought To Be With Me"
        "ordre" => 9
      ]
      [
        "nom" => "4. I'm So Lonesome I Could Cry"
        "ordre" => 4
      ]
      [
        "nom" => "4. Jesus Is Waiting"
        "ordre" => 10
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      [
        "nom" => "5. Your Love Is Like The Morning Sun"
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        "nom" => "Side A : "
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      [
        "nom" => "Side B :"
        "ordre" => 6
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2191 …}
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    -modifierLe: DateTime @1570085935 {#2187
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2197 …}
    -disponible: null
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    -slug: "vinyles-call-me-32077"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3703
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2189
    -id: 499
    -nom: "Call Me"
    -informationComplementaire: ""
    -description: "Ce qui relie les chefs célèbres et les stars de la pop est leur nez fin pour les ingrédients, en particulier lorsque les chauds et épicés sont mélangés avec des éléments plus légers pour créer un résultat aromatique. La combinaison de « douceur » et de « funky » est le secret de Al Green, à la gloire des chansons pop, sentimentales et sensuelles, qui dans les années soixante-dix ont souvent été mentionnés comme « chansons pour faire l'amour ». Mais attention ! Cette musique faite à partir de sons ardents met le feu dès le premier morceau. Le sinueux et brillant single « Call Me », l’atmosphère détendue et groovy de « Stand Up », avec ses interjections vifs qui exigent une attention infaillible, sont typiques du style Green, tout comme sa capacité pour gagner le confort de la solitude sur « I'm So Lonesome, I Could Cry ». Cette musique rythmée et puissante peut être décrit comme une lumière intense et dynamique, mais jamais flashy comme sur « Your Love Is Like The Morning Sun ». Il trouve son apogée dans l'âme terrestre « I'm Waiting », et la profondeur spirituelle. L'un des meilleurs albums soul jamais enregistré!"
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Al Green (vocal),?James Mitchell (baritone sax, arrang),?Andrew Love (tenor sax),?Jack Hale (trombone),?Wayne Jackson (trumpet),?Mabon Hodges (guitar),?Charles Hodges (keybord),?Archie Turner (piano),?Leroy Hodges (bass),?Howard Grimes (drums)."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=fTpIHph07Mo"
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        "nom" => "4. I'm So Lonesome I Could Cry"
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      [
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        "nom" => "Side B :"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2191 …}
    -label: App\Entity\Label {#1063 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2193 …}
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    -modifierLe: DateTime @1570085935 {#2187
      date: 2019-10-03 06:58:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2197 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-call-me-32077"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3901
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3902 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3950 …}
  +isValidated: false
  +validatedFields: []
}