Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2526
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2373 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2603
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2606 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2605 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2373 …}
  -formView: Symfony\Component\Form\FormView {#2642 …}
  -form: Symfony\Component\Form\Form {#2792 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 2604
    -nom: "Bags & Trane"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Milt Jackson and John Coltrane's only joint recording !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording. AllMusic notes that with fine backup by pianist Hank Jones, bassist Paul Chambers, and drummer Connie Kay, Bags and Trane stretch out on two of Jackson's originals including "The Late Late Blues" and three standards : a romping "Three Little Words", "The Night We Called It a Day", and the rapid "Be-Bop". The highlight of the set is the eponymous opening track, which just oozes late-night cool. \r\n
      \r\n
      This deluxe 180 gram 45 RPM (2 LP) reissue from Analogue Productions (Atlantic 75 Series) is a gem and will be a must-have for all jazz music fans.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Milt Jackson (vibraharp), John Coltrane (tenor saxophone), Hank Jones (piano), Paul Chambers (bass), Connie Kay (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9gu5tQQB7wQ"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 1368"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Bags & Trane"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. Three Little Words"
      ]
      [
        "ordre" => 4
        "nom" => "2. The Night We Called It A Day"
      ]
      [
        "ordre" => 5
        "nom" => "Side C : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Be-Bop"
      ]
      [
        "ordre" => 7
        "nom" => "Side D : "
      ]
      [
        "ordre" => 8
        "nom" => "1. The Late Late Blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1733219007 {#1896
      date: 2024-12-03 09:43:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769089682 {#1889
      date: 2026-01-22 13:48:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bags-trane-analogue-productions-atlantic-75-series-1368"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3067
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2605 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 2604
    -nom: "Bags & Trane"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Milt Jackson and John Coltrane's only joint recording !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording. AllMusic notes that with fine backup by pianist Hank Jones, bassist Paul Chambers, and drummer Connie Kay, Bags and Trane stretch out on two of Jackson's originals including "The Late Late Blues" and three standards : a romping "Three Little Words", "The Night We Called It a Day", and the rapid "Be-Bop". The highlight of the set is the eponymous opening track, which just oozes late-night cool. \r\n
      \r\n
      This deluxe 180 gram 45 RPM (2 LP) reissue from Analogue Productions (Atlantic 75 Series) is a gem and will be a must-have for all jazz music fans.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Milt Jackson (vibraharp), John Coltrane (tenor saxophone), Hank Jones (piano), Paul Chambers (bass), Connie Kay (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9gu5tQQB7wQ"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 1368"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Bags & Trane"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. Three Little Words"
      ]
      [
        "ordre" => 4
        "nom" => "2. The Night We Called It A Day"
      ]
      [
        "ordre" => 5
        "nom" => "Side C : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Be-Bop"
      ]
      [
        "ordre" => 7
        "nom" => "Side D : "
      ]
      [
        "ordre" => 8
        "nom" => "1. The Late Late Blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1733219007 {#1896
      date: 2024-12-03 09:43:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769089682 {#1889
      date: 2026-01-22 13:48:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bags-trane-analogue-productions-atlantic-75-series-1368"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2373 …}
}

[
  "produit" => App\Entity\Produit {#2035
    -id: 1570
    -nom: "The Dock Of The Bay (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      - Contains Otis Redding's posthumous hit "Sittin' On the Dock Of the Bay" !\r\n
      - Appeared on Rolling Stone's 500 Greatest Albums of All Time, rated 161/500 !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Gatefold old-style "tip-on" jacket by Stoughton Printing !\r\n
      \r\n
      The guts of the story are this: While on tour with the Bar-Kays in August 1967, Otis Redding's popularity was rising, and he was inundated with fans at his hotel in downtown San Francisco. Looking for a retreat, he accepted rock concert impresario Bill Graham's offer to stay at his houseboat at Waldo Point in Sausalito, California. Inspired, Redding started writing the lines, "Sittin' in the morning sun, I'll be sittin' when the evening comes" and the first verse of a song, under the abbreviated title "Dock of the Bay".\r\n
      \r\n
      He had completed his famed performance at the Monterey Pop Festival just weeks earlier. While touring in support of the albums King & Queen (a collaboration with female vocalist Carla Thomas) and Live in Europe, he continued to scribble lines of the song on napkins and hotel paper. In November of that year, he joined producer and esteemed soul guitarist Steve Cropper at the Stax recording studio in Memphis, Tennessee, to record the song.\r\n
      \r\n
      Cropper remembers: "Otis was one of those the kind of guy who had 100 ideas... He had been in San Francisco doing The Fillmore. And the story that I got he was renting boathouse or stayed at a boathouse or something and that's where he got the idea of the ships coming in the bay there. And that's about all he had: 'I watch the ships come in and I watch them roll away again.' I just took that... and I finished the lyrics. If you listen to the songs I collaborated with Otis, most of the lyrics are about him. ... Otis didn't really write about himself but I did. Songs like 'Mr. Pitiful,' 'Fa-Fa-Fa-Fa-Fa (Sad Song)'; they were about Otis and Otis' life. 'Dock of the Bay' was exactly that: 'I left my home in Georgia, headed for the Frisco Bay' was all about him going out to San Francisco to perform".\r\n
      \r\n
      Redding and Cropper completed the song in Memphis on Dec 7, 1967 with tragedy, unknowingly, looming. Just two days later Redding lost his life on a routine commute to a performance when the small plane he was in crashed. The other victims of the disaster were four members of the Bar-Kays — guitarist Jimmy King, tenor saxophonist Phalon Jones, organist Ronnie Caldwell, and drummer Carl Cunningham; their valet, Matthew Kelly and pilot Fraser.\r\n
      \r\n
      Cropper and bassist Donald "Duck" Dunn completed the music and melancholic lyrics of (Sittin' On) The Dock of the Bay' which was taken from the sessions Redding's final recorded work. Cropper added the distinct sound of seagulls and waves crashing to the background. This is what Redding had wanted to hear on the track according to Cropper who remembered Redding recalling the sounds he heard when he wrote the song on the houseboat.\r\n
      \r\n
      One of the most influential soul singers of the 1960s, Redding exemplified to many listeners the power of Southern "deep soul" hoarse, gritty vocals, brassy arrangements, and an emotional way with both party tunes and aching ballads. At the time of his tragic death he was 26.\r\n
      \r\n
      ‘(Sittin’ On) The Dock of the Bay’ was released just a month following Redding’s death and became his only ever single to reach number one on the Billboard Hot 100 in January 1968. The album, which shared the song's title, became his largest-selling to date, peaking at No. 4 on the pop albums chart. "Dock of the Bay" was popular in countries across the world and became Redding's most successful record, selling more than 4 million copies worldwide. The song went on to win two Grammy Awards: Best R&B Song and Best Male R&B Vocal Performance. With the album, Redding confirmed himself as a talent lost far too soon.\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Otis Redding (lead vocals), Steve Cropper (electric guitar), Donald “Duck” Dunn (bass), Al Jackson Jr. (drums), Booker T. Jones (Hammond organ, keyboard)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "http://youtube.com/watch?v=nvebPaZfN3I&list=PLArpKJA0hY4qGDZ77bIXdnxMmE7nhu4Cm"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 005-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. (Sittin' On) The Dock of the Bay"
      ]
      [
        "ordre" => 1
        "nom" => "2. I Love You More Than Words Can Say"
      ]
      [
        "ordre" => 2
        "nom" => "3. Let Me Come On Home"
      ]
      [
        "ordre" => 3
        "nom" => "4. Open The Door"
      ]
      [
        "ordre" => 4
        "nom" => "5. Don't Mess With Cupid"
      ]
      [
        "ordre" => 5
        "nom" => "6. The Glory Of Love"
      ]
      [
        "ordre" => 6
        "nom" => "7. The Coming Home"
      ]
      [
        "ordre" => 7
        "nom" => "8. Tramp"
      ]
      [
        "ordre" => 8
        "nom" => "9. The Huckle-Buck"
      ]
      [
        "ordre" => 9
        "nom" => "10. Nobody Knows You (When You're Down And Out)"
      ]
      [
        "ordre" => 10
        "nom" => "11. Ole Man Trouble"
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1474 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1550393730 {#2032
      date: 2019-02-17 08:55:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768907275 {#2033
      date: 2026-01-20 11:07:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-dock-of-the-bay-2-lp-45-rpm-analogue-productions-atlantic-75-series-005-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3181
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2605 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2035
    -id: 1570
    -nom: "The Dock Of The Bay (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      - Contains Otis Redding's posthumous hit "Sittin' On the Dock Of the Bay" !\r\n
      - Appeared on Rolling Stone's 500 Greatest Albums of All Time, rated 161/500 !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Gatefold old-style "tip-on" jacket by Stoughton Printing !\r\n
      \r\n
      The guts of the story are this: While on tour with the Bar-Kays in August 1967, Otis Redding's popularity was rising, and he was inundated with fans at his hotel in downtown San Francisco. Looking for a retreat, he accepted rock concert impresario Bill Graham's offer to stay at his houseboat at Waldo Point in Sausalito, California. Inspired, Redding started writing the lines, "Sittin' in the morning sun, I'll be sittin' when the evening comes" and the first verse of a song, under the abbreviated title "Dock of the Bay".\r\n
      \r\n
      He had completed his famed performance at the Monterey Pop Festival just weeks earlier. While touring in support of the albums King & Queen (a collaboration with female vocalist Carla Thomas) and Live in Europe, he continued to scribble lines of the song on napkins and hotel paper. In November of that year, he joined producer and esteemed soul guitarist Steve Cropper at the Stax recording studio in Memphis, Tennessee, to record the song.\r\n
      \r\n
      Cropper remembers: "Otis was one of those the kind of guy who had 100 ideas... He had been in San Francisco doing The Fillmore. And the story that I got he was renting boathouse or stayed at a boathouse or something and that's where he got the idea of the ships coming in the bay there. And that's about all he had: 'I watch the ships come in and I watch them roll away again.' I just took that... and I finished the lyrics. If you listen to the songs I collaborated with Otis, most of the lyrics are about him. ... Otis didn't really write about himself but I did. Songs like 'Mr. Pitiful,' 'Fa-Fa-Fa-Fa-Fa (Sad Song)'; they were about Otis and Otis' life. 'Dock of the Bay' was exactly that: 'I left my home in Georgia, headed for the Frisco Bay' was all about him going out to San Francisco to perform".\r\n
      \r\n
      Redding and Cropper completed the song in Memphis on Dec 7, 1967 with tragedy, unknowingly, looming. Just two days later Redding lost his life on a routine commute to a performance when the small plane he was in crashed. The other victims of the disaster were four members of the Bar-Kays — guitarist Jimmy King, tenor saxophonist Phalon Jones, organist Ronnie Caldwell, and drummer Carl Cunningham; their valet, Matthew Kelly and pilot Fraser.\r\n
      \r\n
      Cropper and bassist Donald "Duck" Dunn completed the music and melancholic lyrics of (Sittin' On) The Dock of the Bay' which was taken from the sessions Redding's final recorded work. Cropper added the distinct sound of seagulls and waves crashing to the background. This is what Redding had wanted to hear on the track according to Cropper who remembered Redding recalling the sounds he heard when he wrote the song on the houseboat.\r\n
      \r\n
      One of the most influential soul singers of the 1960s, Redding exemplified to many listeners the power of Southern "deep soul" hoarse, gritty vocals, brassy arrangements, and an emotional way with both party tunes and aching ballads. At the time of his tragic death he was 26.\r\n
      \r\n
      ‘(Sittin’ On) The Dock of the Bay’ was released just a month following Redding’s death and became his only ever single to reach number one on the Billboard Hot 100 in January 1968. The album, which shared the song's title, became his largest-selling to date, peaking at No. 4 on the pop albums chart. "Dock of the Bay" was popular in countries across the world and became Redding's most successful record, selling more than 4 million copies worldwide. The song went on to win two Grammy Awards: Best R&B Song and Best Male R&B Vocal Performance. With the album, Redding confirmed himself as a talent lost far too soon.\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Otis Redding (lead vocals), Steve Cropper (electric guitar), Donald “Duck” Dunn (bass), Al Jackson Jr. (drums), Booker T. Jones (Hammond organ, keyboard)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "http://youtube.com/watch?v=nvebPaZfN3I&list=PLArpKJA0hY4qGDZ77bIXdnxMmE7nhu4Cm"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 005-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. (Sittin' On) The Dock of the Bay"
      ]
      [
        "ordre" => 1
        "nom" => "2. I Love You More Than Words Can Say"
      ]
      [
        "ordre" => 2
        "nom" => "3. Let Me Come On Home"
      ]
      [
        "ordre" => 3
        "nom" => "4. Open The Door"
      ]
      [
        "ordre" => 4
        "nom" => "5. Don't Mess With Cupid"
      ]
      [
        "ordre" => 5
        "nom" => "6. The Glory Of Love"
      ]
      [
        "ordre" => 6
        "nom" => "7. The Coming Home"
      ]
      [
        "ordre" => 7
        "nom" => "8. Tramp"
      ]
      [
        "ordre" => 8
        "nom" => "9. The Huckle-Buck"
      ]
      [
        "ordre" => 9
        "nom" => "10. Nobody Knows You (When You're Down And Out)"
      ]
      [
        "ordre" => 10
        "nom" => "11. Ole Man Trouble"
      ]
      [
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[
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    -id: 2701
    -nom: "Pain In My Heart  (Mono)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Otis Redding (vocals), Steve Cropper (guitar), Donald "Duck" Dunn, Lewie Steinberg (bass), Booker T. Jones (keyboards, organ), Wayne Jackson (trumpet), Andrew Love (tenor saxophone), Floyd Newman (baritone saxophone), Isaac Hayes (piano), Al Jackson Jr. (drums).\r\n
      \r\n
      - Otis Redding "Pain In My Heart" (Mono) !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Debut album by the master of soul Otis Redding !\r\n
      - Original 1964 mono pressing reissue !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Bernie Grundman from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing ! \r\n
      \r\n
      Pain in My Heart marks the electrifying debut of Otis Redding, introducing the world to one of the most powerful and emotionally charged voices in soul music history. This album lays the foundation for Redding's signature blend of raw passion, deep vulnerability, and explosive vocal delivery that would define an era.\r\n
      \r\n
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      \r\n
      The tight backing band, featuring Booker T. & the M.G.'s and the Memphis Horns, provides a gritty, groove-laden foundation that makes every track sizzle.\r\n
      \r\n
      This album is where Otis Redding's unmistakable style begins, paving the way for the soul revolution that followed. Fans will hear the early fire that would lead to legendary performances and recordings. Otis Redding fans will instantly recognize the raw, unfiltered soul that would make him an icon. Pain in My Heart is more than a debut it's the first chapter of an unforgettable legacy.\r\n
      \r\n
      This Analogue Productions (Atlantic Series) reissue of Pain in My Heart is a standout for your collection. First, we turned to Bernie Grundman to cut lacquers from the original master tape. Pressing on 180 gram vinyl is by Quality Record Pressings, and the album is housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 055-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3234
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    -nom: "Pain In My Heart  (Mono)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Otis Redding (vocals), Steve Cropper (guitar), Donald "Duck" Dunn, Lewie Steinberg (bass), Booker T. Jones (keyboards, organ), Wayne Jackson (trumpet), Andrew Love (tenor saxophone), Floyd Newman (baritone saxophone), Isaac Hayes (piano), Al Jackson Jr. (drums).\r\n
      \r\n
      - Otis Redding "Pain In My Heart" (Mono) !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Debut album by the master of soul Otis Redding !\r\n
      - Original 1964 mono pressing reissue !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Bernie Grundman from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing ! \r\n
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      \r\n
      This is the first of six studio albums in Redding's legendary career, cut short by his death in a plane crash on Dec. 10, 1967. There are five Redding originals here, the timeless "These Arms Of Mine" Redding's first to hit the charts, "Hey Hey Baby" is an influenced tribute to Little Richard, and also "Security", "That's What My Heart Needs", and "Something Is Worrying Me". Notable covers include Ben E King's "Stand By Me", Sam Cooke's "You Send Me", The Kingsmen's "Louie Louie," and Little Richard's "Lucille". \r\n
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      This Analogue Productions (Atlantic Series) reissue of Pain in My Heart is a standout for your collection. First, we turned to Bernie Grundman to cut lacquers from the original master tape. Pressing on 180 gram vinyl is by Quality Record Pressings, and the album is housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
  "produit" => App\Entity\Produit {#2064
    -id: 2621
    -nom: "Complete & Unbelievable... The Otis Redding Dictionary Of Soul"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Otis Redding (vocals), Booker T. Jones (bass guitar, keyboards, vibraphone), Isaac Hayes (keyboards, piano), Steve Cropper (guitar), Donald Dunn (bass guitar), Wayne Jackson (trumpet), Andrew Love, Joe Arnold, Gil Caple (tenor saxophone), Floyd Newman (baritone saxophone), Al Jackson Jr. (drums).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Soul legend's 1966 album !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Complete & Unbelievable: The Otis Redding Dictionary of Soul was the soul legend's 1966 album (and the last issued in his lifetime). The original album features mostly covers on side one and original compositions by Redding on side two.\r\n
      \r\n
      The album features musical assistance from Booker T. & the M.G.'s-organist Booker T. Jones, pianist/guitarist Steve Cropper, bassist Donald "Duck" Dunn, drummer Al Jackson, Jr.-pianist Isaac Hayes, and the Memphis Horns, consisting of tenor saxophonist Joe Arnold, trumpeter Wayne Jackson, tenor saxophonist Andrew Love and baritone saxophonist Floyd Newman.\r\n
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      \r\n
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      """
    -prixVente: "99.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3282
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2605 …}
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  +produit: App\Entity\Produit {#2064
    -id: 2621
    -nom: "Complete & Unbelievable... The Otis Redding Dictionary Of Soul"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Otis Redding (vocals), Booker T. Jones (bass guitar, keyboards, vibraphone), Isaac Hayes (keyboards, piano), Steve Cropper (guitar), Donald Dunn (bass guitar), Wayne Jackson (trumpet), Andrew Love, Joe Arnold, Gil Caple (tenor saxophone), Floyd Newman (baritone saxophone), Al Jackson Jr. (drums).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Soul legend's 1966 album !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Complete & Unbelievable: The Otis Redding Dictionary of Soul was the soul legend's 1966 album (and the last issued in his lifetime). The original album features mostly covers on side one and original compositions by Redding on side two.\r\n
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      \r\n
      The Otis Redding Dictionary of Soul was released in October 1966 on the Stax label and peaked at N° 73 and at N° 5 on the Billboard 200 and the R&B LP charts respectively. The album produced two singles, "Fa-Fa-Fa-Fa-Fa (Sad Song)" and "Try a Little Tenderness." In 2000 it was voted N° 488 in Colin Larkin's All Time Top 1000 Albums. In 2012, the album was ranked No. 254 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time.\r\n
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    -prixVente: "99.50"
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        "nom" => "1. You're Still My Baby"
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        "nom" => "2. Hawg For You"
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        "nom" => "3. Love Have Mercy"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
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    }
    -modifierLe: DateTime @1768906332 {#2062
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2069 …}
    -disponible: null
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    -slug: "vinyles-complete-unbelievable-the-otis-redding-dictionary-of-soul-analogue-productions-atlantic-75-series-aapa-036-45"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2373 …}
}

[
  "produit" => App\Entity\Produit {#2077
    -id: 918
    -nom: "Otis Blue - Otis Redding Sings Soul"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Soul legend's 1966 album !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Remastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Otis Blue/Otis Redding Sings Soul (often referred to simply as Otis Blue) is the third studio album by American soul singer and songwriter Otis Redding. It was first released on September 15, 1965, as an LP record through the Stax Records subsidiary label Volt.\r\n
      \r\n
      Otis Redding's third album arrived in September 1965 with his talent unfettered, his direction clear and his confidence emboldened. More than a quarter of this album is given over to Redding's versions of songs by Sam Cooke, his idol, who had died the previous December, and all three are worth owning and hearing, writes AllMusic. Two of them, "A Change Is Gonna Come" and "Shake", are every bit as essential as any soul recordings ever made, and while they (and much of this album) have reappeared on several anthologies, it's useful to hear the songs from those sessions juxtaposed with each other, and with "Wonderful World," which is seldom compiled elsewhere.\r\n
      \r\n
      Also featured are Redding's spellbinding renditions of "(I Can't Get No) Satisfaction" (a song epitomizing the fully formed Stax/Volt sound and which Mick Jagger and Keith Richards originally wrote in tribute to and imitation of Redding's style), "My Girl", and "You Don't Miss Your Water". "Respect" and "I've Been Loving You Too Long", two originals that were to loom large in his career, are here as well; the former became vastly popular in the hands of Aretha Franklin and the latter was an instant soul classic. Among the seldom-cited jewels here is a rendition of B.B. King's "Rock Me Baby" that has the singer sharing the spotlight with Steve Cropper, his playing alternately elegant and fiery, with Wayne Jackson and Gene "Bowlegs" Miller's trumpets and Andrew Love's and Floyd Newman's saxes providing the backing. Redding's powerful, remarkable singing throughout makes Otis Blue gritty, rich, and achingly alive, and an essential listening experience.\r\n
      \r\n
      Cut at 45 RPM, remastered by Kevin Gray at Cohearent Audio from the original analog tapes, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Otis Redding (vocals), Donald ‘’Duck Dunn (bass), Steve Cropper (guitar), Booker T. Jones, Isaac Hayes (keyboards), Floyd Newman, Andrew Love (saxophone), Gene Miller, Wayne Jackson (trumpet), Earl Sims (backing vocals), Al Jackson Jr. (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9r2rxdQs904"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 035-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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        "nom" => "1. Ole Man Trouble"
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      [
        "ordre" => 2
        "nom" => "2. Respect"
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      [
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        "nom" => "3. Change Gonna Come"
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        "nom" => "Side B : "
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      [
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        "nom" => "1. Down In The Valley"
      ]
      [
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        "nom" => "2. I've Been Loving You Too Long"
      ]
      [
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        "nom" => "Side C : "
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        "nom" => "1. Shake"
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        "nom" => "1. Rock Me Baby"
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      [
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        "nom" => "2. Satisfaction"
      ]
      [
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        "nom" => "3. You Don't Miss Your Water"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1473 …}
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    }
    -modifierLe: DateTime @1768906190 {#2075
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2082 …}
    -disponible: null
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    -slug: "vinyles-otis-blue-otis-redding-sings-soul-analogue-productions-atlantic-75-series-aapa-035-45"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3330
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2605 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2077
    -id: 918
    -nom: "Otis Blue - Otis Redding Sings Soul"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Soul legend's 1966 album !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Remastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Otis Blue/Otis Redding Sings Soul (often referred to simply as Otis Blue) is the third studio album by American soul singer and songwriter Otis Redding. It was first released on September 15, 1965, as an LP record through the Stax Records subsidiary label Volt.\r\n
      \r\n
      Otis Redding's third album arrived in September 1965 with his talent unfettered, his direction clear and his confidence emboldened. More than a quarter of this album is given over to Redding's versions of songs by Sam Cooke, his idol, who had died the previous December, and all three are worth owning and hearing, writes AllMusic. Two of them, "A Change Is Gonna Come" and "Shake", are every bit as essential as any soul recordings ever made, and while they (and much of this album) have reappeared on several anthologies, it's useful to hear the songs from those sessions juxtaposed with each other, and with "Wonderful World," which is seldom compiled elsewhere.\r\n
      \r\n
      Also featured are Redding's spellbinding renditions of "(I Can't Get No) Satisfaction" (a song epitomizing the fully formed Stax/Volt sound and which Mick Jagger and Keith Richards originally wrote in tribute to and imitation of Redding's style), "My Girl", and "You Don't Miss Your Water". "Respect" and "I've Been Loving You Too Long", two originals that were to loom large in his career, are here as well; the former became vastly popular in the hands of Aretha Franklin and the latter was an instant soul classic. Among the seldom-cited jewels here is a rendition of B.B. King's "Rock Me Baby" that has the singer sharing the spotlight with Steve Cropper, his playing alternately elegant and fiery, with Wayne Jackson and Gene "Bowlegs" Miller's trumpets and Andrew Love's and Floyd Newman's saxes providing the backing. Redding's powerful, remarkable singing throughout makes Otis Blue gritty, rich, and achingly alive, and an essential listening experience.\r\n
      \r\n
      Cut at 45 RPM, remastered by Kevin Gray at Cohearent Audio from the original analog tapes, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Otis Redding (vocals), Donald ‘’Duck Dunn (bass), Steve Cropper (guitar), Booker T. Jones, Isaac Hayes (keyboards), Floyd Newman, Andrew Love (saxophone), Gene Miller, Wayne Jackson (trumpet), Earl Sims (backing vocals), Al Jackson Jr. (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9r2rxdQs904"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 035-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Ole Man Trouble"
      ]
      [
        "ordre" => 2
        "nom" => "2. Respect"
      ]
      [
        "ordre" => 3
        "nom" => "3. Change Gonna Come"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Down In The Valley"
      ]
      [
        "ordre" => 6
        "nom" => "2. I've Been Loving You Too Long"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Shake"
      ]
      [
        "ordre" => 9
        "nom" => "2. My Girl"
      ]
      [
        "ordre" => 10
        "nom" => "3. Wonderful World"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Rock Me Baby"
      ]
      [
        "ordre" => 13
        "nom" => "2. Satisfaction"
      ]
      [
        "ordre" => 14
        "nom" => "3. You Don't Miss Your Water"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1473 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2085 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2078 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2080 …}
    -enregistreLe: DateTime @1461790371 {#2074
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    }
    -modifierLe: DateTime @1768906190 {#2075
      date: 2026-01-20 10:49:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2082 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-otis-blue-otis-redding-sings-soul-analogue-productions-atlantic-75-series-aapa-035-45"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2373 …}
}

[
  "produit" => App\Entity\Produit {#2090
    -id: 1574
    -nom: "What'd I Say - (Mono)"
    -informationComplementaire: null
    -description: """
      - Ray Charles "What'd I Say" !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      -  Album popularized Ray Charles' first Top 10 hit !\r\n
      - Original 1959 mono pressing reissue !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Ray Charles' 1959 album What'd I Say popularized Charles' first Top 10 hit, "What I'd Say" and became his first gold-selling record. The tune was written on the fly by the American singer, songwriter, pianist and composer during a 1958 live show.\r\n
      \r\n
      Indeed, "What'd I Say" stands as one of the most recognizable and enduring songs of the 20th century. Its electrifying combination of gospel fervor, bluesy sensuality, and soulful exuberance sent shockwaves through the music industry. Daringly different, wildly sexy Ray Charles' gritty, impassioned vocals combined with his virtuosic piano playing created an irresistible groove that had listeners dancing in the aisles.\r\n
      \r\n
      In addition to the title track, the album boasts other standout songs like "Tell Me How Do You Feel", "Rockhouse", and "Roll with My Baby", each showcasing Ray Charles' unmatched ability to infuse his music with raw emotion and soulful authenticity.\r\n
      \r\n
      "What'd I Say" became an instant classic and a commercial juggernaut. Notably, it was a Top 10 hit on the Billboard Hot 100 chart, peaking at N° 6. In addition to the title track, the album boasts other standout songs such as "Tell Me How Do You Feel", "Rockhouse", and "Roll with My Baby," each showcasing Ray Charles' unmatched ability to infuse his music with raw emotion and soulful authenticity.\r\n
      \r\n
      Upon its release, a reviewer for Billboard referred to What'd I Say as "A fine, swinging album", and wrote that Charles "is at his best here".\r\n
      \r\n
      This definitive deluxe 180 gram 45 RPM (2 LP) Analogue Productions (Atlantic 75 Series) reissue of What'd I Say is going to be a keepsake for Ray Charles fans.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Ray Charles (piano, Wurlitzer electronic piano, vocals), David “Fathead” Newman (tenor & alto saxophone), Bennie Crawford (alto & baritone saxophone), Edgar Willis (double bass), Milt Turner (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 048-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. What'd I Say"
      ]
      [
        "ordre" => 2
        "nom" => "2. Jumpin' In The Mornin' "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. You Be My Baby"
      ]
      [
        "ordre" => 5
        "nom" => "2. Tell Me How Do You Feel"
      ]
      [
        "ordre" => 6
        "nom" => "3. What Kind Of Man Are You "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Rockhouse"
      ]
      [
        "ordre" => 9
        "nom" => "2. Roll With My Baby "
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Tell All The World About You"
      ]
      [
        "ordre" => 12
        "nom" => "2. My Bonnie"
      ]
      [
        "ordre" => 13
        "nom" => "3. That's Enough"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2092 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1474 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2101 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2094 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2096 …}
    -enregistreLe: DateTime @1550498184 {#2087
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    }
    -modifierLe: DateTime @1768719573 {#2088
      date: 2026-01-18 06:59:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2098 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-what-d-i-say-mono-analogue-productions-atlantic-75-series-048-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3376
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2605 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2090
    -id: 1574
    -nom: "What'd I Say - (Mono)"
    -informationComplementaire: null
    -description: """
      - Ray Charles "What'd I Say" !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      -  Album popularized Ray Charles' first Top 10 hit !\r\n
      - Original 1959 mono pressing reissue !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Ray Charles' 1959 album What'd I Say popularized Charles' first Top 10 hit, "What I'd Say" and became his first gold-selling record. The tune was written on the fly by the American singer, songwriter, pianist and composer during a 1958 live show.\r\n
      \r\n
      Indeed, "What'd I Say" stands as one of the most recognizable and enduring songs of the 20th century. Its electrifying combination of gospel fervor, bluesy sensuality, and soulful exuberance sent shockwaves through the music industry. Daringly different, wildly sexy Ray Charles' gritty, impassioned vocals combined with his virtuosic piano playing created an irresistible groove that had listeners dancing in the aisles.\r\n
      \r\n
      In addition to the title track, the album boasts other standout songs like "Tell Me How Do You Feel", "Rockhouse", and "Roll with My Baby", each showcasing Ray Charles' unmatched ability to infuse his music with raw emotion and soulful authenticity.\r\n
      \r\n
      "What'd I Say" became an instant classic and a commercial juggernaut. Notably, it was a Top 10 hit on the Billboard Hot 100 chart, peaking at N° 6. In addition to the title track, the album boasts other standout songs such as "Tell Me How Do You Feel", "Rockhouse", and "Roll with My Baby," each showcasing Ray Charles' unmatched ability to infuse his music with raw emotion and soulful authenticity.\r\n
      \r\n
      Upon its release, a reviewer for Billboard referred to What'd I Say as "A fine, swinging album", and wrote that Charles "is at his best here".\r\n
      \r\n
      This definitive deluxe 180 gram 45 RPM (2 LP) Analogue Productions (Atlantic 75 Series) reissue of What'd I Say is going to be a keepsake for Ray Charles fans.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Ray Charles (piano, Wurlitzer electronic piano, vocals), David “Fathead” Newman (tenor & alto saxophone), Bennie Crawford (alto & baritone saxophone), Edgar Willis (double bass), Milt Turner (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 048-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. What'd I Say"
      ]
      [
        "ordre" => 2
        "nom" => "2. Jumpin' In The Mornin' "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. You Be My Baby"
      ]
      [
        "ordre" => 5
        "nom" => "2. Tell Me How Do You Feel"
      ]
      [
        "ordre" => 6
        "nom" => "3. What Kind Of Man Are You "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Rockhouse"
      ]
      [
        "ordre" => 9
        "nom" => "2. Roll With My Baby "
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Tell All The World About You"
      ]
      [
        "ordre" => 12
        "nom" => "2. My Bonnie"
      ]
      [
        "ordre" => 13
        "nom" => "3. That's Enough"
      ]
      [
        "ordre" => 14
        "nom" => ""
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[
  "produit" => App\Entity\Produit {#2106
    -id: 785
    -nom: "The Genius Of Ray Charles"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Ray Charles (piano, vocals), Paul Chambers, Milt Turner (bass), Kenny Burrell (guitar), Phil Woods, Charlie Mariano (alto saxophone), Jerome Richardson (tenor saxophone & flute), Benny Golson (tenor saxophone), Danny Bank (baritone saxophone), Romeo Penque (baritone saxophone & bass clarinet), Clark Terry, Joe Newman, Ernie Royal, Snooky Young (trumpet), Jimmy Cleveland, Urbie Green, Frank Rehak, Jimmy Knepper (trombone), Roy Haynes, Sonny Payne (drums).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Rolling Stone list of 500 Greatest Albums 265/500  for 2012 !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      The Genius of Ray Charles, his sixth studio album, released in 1959 by Atlantic Records, eschewed the the soul sound of his 1950s recordings, which fused jazz, gospel, and blues, for swinging pop with big band arrangements.\r\n
      \r\n
      Charles is joined bymany ringers from the Count Basie and Duke Ellington bands for the first half of this program, featuring Charles belting out six songs arranged by Quincy Jones. "Let the Good Times Roll" and "Deed I Do" are highlights, and there are solos by tenorman David "Fathead" Newman, trumpeter Marcus Belgrave, and (on "Two Years of Torture") tenor Paul Gonsalves. The remaining six numbers are ballads, with Charles backed by a string orchestra arranged by Ralph Burns (including "Come Rain or Come Shine" and "Don't Let the Sun Catch You Cryin'"). Charles' voice is heard throughout in peak form, giving soul to even the veteran standards.\r\n
      \r\n
      Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Ray Charles (piano, vocals), Paul Chambers, Milt Turner (bass), Kenny Burrell (guitar), Phil Woods, Charlie Mariano (alto saxophone), Jerome Richardson (tenor saxophone & flute)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3429
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2605 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2106
    -id: 785
    -nom: "The Genius Of Ray Charles"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Ray Charles (piano, vocals), Paul Chambers, Milt Turner (bass), Kenny Burrell (guitar), Phil Woods, Charlie Mariano (alto saxophone), Jerome Richardson (tenor saxophone & flute), Benny Golson (tenor saxophone), Danny Bank (baritone saxophone), Romeo Penque (baritone saxophone & bass clarinet), Clark Terry, Joe Newman, Ernie Royal, Snooky Young (trumpet), Jimmy Cleveland, Urbie Green, Frank Rehak, Jimmy Knepper (trombone), Roy Haynes, Sonny Payne (drums).\r\n
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      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Rolling Stone list of 500 Greatest Albums 265/500  for 2012 !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
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      The Genius of Ray Charles, his sixth studio album, released in 1959 by Atlantic Records, eschewed the the soul sound of his 1950s recordings, which fused jazz, gospel, and blues, for swinging pop with big band arrangements.\r\n
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2092 …}
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[
  "produit" => App\Entity\Produit {#2119
    -id: 1009
    -nom: "Ray Charles - (2 LP) Mono"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Ray Charles (piano, vocals), David “Fathead” Newman (tenor saxophone), Don Wilkerson, Leroy Cooper – (baritone saxophone), Renald Richard (alto saxophone), Lee Allen (tenor saxophone), Herman “Ray” Green, Edward “Ed” Wiley (trombone), Joe Bridgewater, Wilbur Harden (trumpet), Oscar Pettiford, Frank Fields (bass), Panama Francis, Earl Palmer (drums).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Iconic musician and singer Ray Charles' classic 1957 album !\r\n
      - Includes the hits "Hallelujah I Love Her So", "Ain't That Love" and "I Got a Woman" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Bernie Grundman !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      Ray Charles' self-titled 1957 album was one of the first handful of LPs issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles' own compositions, with the hits "Hallelujah I Love Her So" and the pounding, soaring "Ain't That Love", which opens the LP, its raison d'etre.\r\n
      \r\n
      Charles does just as well with his interpretations of others' work, most notably the ominous, gospel-focused rendition of "Sinner's Prayer" (which offers a virtuoso piano performance, and comes courtesy of the pen of Charles' former mentor Lowell Fulson) and Henry Glover's wrenching ballad "Drown in My Own Tears", which is topped out on each verse by a gorgeous chorus. "Funny (But I Still Love You)" offers a guitar break played in such an understated fashion that it almost doesn't seem so much a part of R&B as it was usually being offered in 1957 as it does a part of Charles' early career output.\r\n
      \r\n
      The second side of the LP is even better, opening with the title track, a number that is almost too ubiquitous in its various cover versions the original has a mix of urgency and playfulness that's absolutely bracing, and the album carries this mood forward with "Mess Around", an Ahmet Ertegun-authored piano- and sax-driven romp with Charles at his most ebullient as a singer. "This Little Girl of Mine" offers him in a surprisingly light, almost acrobatic vocal mode, while "Greenbacks" is a knowing, clever cautionary narrative that is almost a throwback to 1940s-style R&B. "Don't You Know" is as salacious a piece of R&B as one was likely to hear in 1957, and "I Got a Woman" closes the record out on a pounding, driving note.\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180 gram at Quality Record Pressings and RTI, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Ray Charles (piano, vocals), David “Fathead” Newman (tenor saxophone), Don Wilkerson, Leroy Cooper (baritone saxophone), Renald Richard (alto saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=EEun4DgTHWw"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 007-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Ain't That Love "
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      [
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        "nom" => "2. Drown in My Own Tears"
      ]
      [
        "ordre" => 2
        "nom" => "3. Come Back Baby "
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      ]
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      ]
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2092 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3477
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2605 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2119
    -id: 1009
    -nom: "Ray Charles - (2 LP) Mono"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Ray Charles (piano, vocals), David “Fathead” Newman (tenor saxophone), Don Wilkerson, Leroy Cooper – (baritone saxophone), Renald Richard (alto saxophone), Lee Allen (tenor saxophone), Herman “Ray” Green, Edward “Ed” Wiley (trombone), Joe Bridgewater, Wilbur Harden (trumpet), Oscar Pettiford, Frank Fields (bass), Panama Francis, Earl Palmer (drums).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Iconic musician and singer Ray Charles' classic 1957 album !\r\n
      - Includes the hits "Hallelujah I Love Her So", "Ain't That Love" and "I Got a Woman" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Bernie Grundman !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      Ray Charles' self-titled 1957 album was one of the first handful of LPs issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles' own compositions, with the hits "Hallelujah I Love Her So" and the pounding, soaring "Ain't That Love", which opens the LP, its raison d'etre.\r\n
      \r\n
      Charles does just as well with his interpretations of others' work, most notably the ominous, gospel-focused rendition of "Sinner's Prayer" (which offers a virtuoso piano performance, and comes courtesy of the pen of Charles' former mentor Lowell Fulson) and Henry Glover's wrenching ballad "Drown in My Own Tears", which is topped out on each verse by a gorgeous chorus. "Funny (But I Still Love You)" offers a guitar break played in such an understated fashion that it almost doesn't seem so much a part of R&B as it was usually being offered in 1957 as it does a part of Charles' early career output.\r\n
      \r\n
      The second side of the LP is even better, opening with the title track, a number that is almost too ubiquitous in its various cover versions the original has a mix of urgency and playfulness that's absolutely bracing, and the album carries this mood forward with "Mess Around", an Ahmet Ertegun-authored piano- and sax-driven romp with Charles at his most ebullient as a singer. "This Little Girl of Mine" offers him in a surprisingly light, almost acrobatic vocal mode, while "Greenbacks" is a knowing, clever cautionary narrative that is almost a throwback to 1940s-style R&B. "Don't You Know" is as salacious a piece of R&B as one was likely to hear in 1957, and "I Got a Woman" closes the record out on a pounding, driving note.\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180 gram at Quality Record Pressings and RTI, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Ray Charles (piano, vocals), David “Fathead” Newman (tenor saxophone), Don Wilkerson, Leroy Cooper (baritone saxophone), Renald Richard (alto saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=EEun4DgTHWw"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 007-45"
    -titreMorceau: [
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[
  "produit" => App\Entity\Produit {#2132
    -id: 2704
    -nom: "The Genius Sings The Blues - (Mono)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Ray Charles (piano, vocals), David "Fathead" Newman, Don Wilkerson (tenor saxophone), Hank Crawford (alto saxophone), Emmet Dennis (baritone saxophone), Joe Bridgewater, Marcus Belgrave, John Hunt (trumpet), Mickey Baker, Tiny Grimes (guitar), Oscar Pettiford, Roosevelt Sheffield (bass), The Raelettes (background vocals), William Peeples (drums).\r\n
      \r\n
      - Ray Charles "The Genius Sings The Blues" (Mono - 2 LP) 45 RPM !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - A classic of the soul and R&B canon !\r\n
      - Timeless American music includes 12 must-have songs from Charles' peak era !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Bernie Grundman from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Genius doesn't even begin to describe the greatness of 1961 collection The Genius Sings the Blues. Comprised of a dozen songs Ray Charles made between 1952 and 1960, the collection was released in 1961 by Atlantic Records to counter the singer's migration to rival ABC Paramount.\r\n
      \r\n
      What Atlantic originally underestimated is that the album contained many of Charles' greatest works, all unified by their bluesy emotions and stirring arrangements. A classic of the soul and R&B canon, The Genius Sings the Blues is a snapshot of the evolution of timeless American music captured by the pianist's indelible rhythmic pace, gospel roots, jazz backgrounds, and Southern-styled accents.\r\n
      \r\n
      The cover tunes here "Early In The Mornin'", "The Midnight Hour", "I'm Movin' On", "Feelin' Sad", "The Right Time" are wonderful. But it's Charles' own, self-penned blues that steal the spotlight: "Ray's Blues", "I Believe To My Soul", "Nobody Cares", "Mr. Charles' Blues", "Some Day Baby", and "I Wonder Who".\r\n
      \r\n
      The Genius Sings the Blues is a must-have for any Ray Charles fan, offering a raw and electrifying showcase of Charles' ability to convey pain and joy simultaneously. His legendary piano playing is front and center, with bluesy riffs and rolling chords that define Ray's unique style. With a rich backing band, including soulful horns and grooving rhythms, the album delivers an authentic and deeply felt blues experience. It's a testament to the soul of a true musical pioneer.\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions (Atlantic 75 Series) reissue are here for you to savor : Mastered directly from the original mono master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180 gram (2 LP) at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Ray Charles (piano, vocals), David "Fathead" Newman, Don Wilkerson (tenor saxophone), Hank Crawford (alto saxophone), Emmet Dennis (baritone saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=LPVixS5jSWs&list=PLnKUsyUYbuBshZMvYDVZ1ll-9imvrerJz"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 047-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Early In The Mornin'"
      ]
      [
        "ordre" => 2
        "nom" => "2. Hart Times (No ONe Knows Better Than I)"
      ]
      [
        "ordre" => 3
        "nom" => "3. The Midnight Hour"
      ]
      [
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        "nom" => "Side B : "
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      [
        "ordre" => 5
        "nom" => "1. The Right Time"
      ]
      [
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        "nom" => "2. Feelin' Sad"
      ]
      [
        "ordre" => 7
        "nom" => "3. Ray's Blues"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. I'm Movin' On"
      ]
      [
        "ordre" => 10
        "nom" => "2. I Believe To My Soul"
      ]
      [
        "ordre" => 11
        "nom" => "3. Nobody Cares"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Mr. Charles' Blues"
      ]
      [
        "ordre" => 14
        "nom" => "2. Some Day Baby"
      ]
      [
        "ordre" => 15
        "nom" => "3. I Wonder Who"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2092 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3525
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2605 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2132
    -id: 2704
    -nom: "The Genius Sings The Blues - (Mono)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Ray Charles (piano, vocals), David "Fathead" Newman, Don Wilkerson (tenor saxophone), Hank Crawford (alto saxophone), Emmet Dennis (baritone saxophone), Joe Bridgewater, Marcus Belgrave, John Hunt (trumpet), Mickey Baker, Tiny Grimes (guitar), Oscar Pettiford, Roosevelt Sheffield (bass), The Raelettes (background vocals), William Peeples (drums).\r\n
      \r\n
      - Ray Charles "The Genius Sings The Blues" (Mono - 2 LP) 45 RPM !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - A classic of the soul and R&B canon !\r\n
      - Timeless American music includes 12 must-have songs from Charles' peak era !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Bernie Grundman from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Genius doesn't even begin to describe the greatness of 1961 collection The Genius Sings the Blues. Comprised of a dozen songs Ray Charles made between 1952 and 1960, the collection was released in 1961 by Atlantic Records to counter the singer's migration to rival ABC Paramount.\r\n
      \r\n
      What Atlantic originally underestimated is that the album contained many of Charles' greatest works, all unified by their bluesy emotions and stirring arrangements. A classic of the soul and R&B canon, The Genius Sings the Blues is a snapshot of the evolution of timeless American music captured by the pianist's indelible rhythmic pace, gospel roots, jazz backgrounds, and Southern-styled accents.\r\n
      \r\n
      The cover tunes here "Early In The Mornin'", "The Midnight Hour", "I'm Movin' On", "Feelin' Sad", "The Right Time" are wonderful. But it's Charles' own, self-penned blues that steal the spotlight: "Ray's Blues", "I Believe To My Soul", "Nobody Cares", "Mr. Charles' Blues", "Some Day Baby", and "I Wonder Who".\r\n
      \r\n
      The Genius Sings the Blues is a must-have for any Ray Charles fan, offering a raw and electrifying showcase of Charles' ability to convey pain and joy simultaneously. His legendary piano playing is front and center, with bluesy riffs and rolling chords that define Ray's unique style. With a rich backing band, including soulful horns and grooving rhythms, the album delivers an authentic and deeply felt blues experience. It's a testament to the soul of a true musical pioneer.\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions (Atlantic 75 Series) reissue are here for you to savor : Mastered directly from the original mono master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180 gram (2 LP) at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Ray Charles (piano, vocals), David "Fathead" Newman, Don Wilkerson (tenor saxophone), Hank Crawford (alto saxophone), Emmet Dennis (baritone saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=LPVixS5jSWs&list=PLnKUsyUYbuBshZMvYDVZ1ll-9imvrerJz"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 047-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
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      ]
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        "nom" => "2. Hart Times (No ONe Knows Better Than I)"
      ]
      [
        "ordre" => 3
        "nom" => "3. The Midnight Hour"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
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      [
        "ordre" => 5
        "nom" => "1. The Right Time"
      ]
      [
        "ordre" => 6
        "nom" => "2. Feelin' Sad"
      ]
      [
        "ordre" => 7
        "nom" => "3. Ray's Blues"
      ]
      [
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        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. I'm Movin' On"
      ]
      [
        "ordre" => 10
        "nom" => "2. I Believe To My Soul"
      ]
      [
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        "nom" => "3. Nobody Cares"
      ]
      [
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        "nom" => "Side D : "
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        "nom" => "1. Mr. Charles' Blues"
      ]
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        "nom" => "2. Some Day Baby"
      ]
      [
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        "nom" => "3. I Wonder Who"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2092 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2373 …}
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[
  "produit" => App\Entity\Produit {#2145
    -id: 1360
    -nom: "Foxtrot - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Peter Gabriel (flute, oboe, percussion, lead vocals), Tony Banks (keyboards, mellotron, backing vocals), Steve Hackett (electric & acoustic guitars, backing vocals), Mike Rutherford (bass guitar, 12 string guitar, backing vocals), Phil Collins (drums, percussion, backing vocals).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Genesis's fourth album Foxtrot !\r\n
      - Includes "Watcher of the Skies" and "Supper's Ready" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing !\r\n
      \r\n
      Genesis' Foxtrot is the band's fourth studio album, released in 1972. Regarded as one of the seminal albums of the progressive rock genre, it marked a significant milestone in Genesis' discography.\r\n
      \r\n
      AllMusic's Stephen Thomas Erlewine says Foxtrot is where where Genesis began to pull all of its varied inspirations into a cohesive sound. The startling thing about the opening "Watcher of the Skies" is that it's the first time that Genesis attacked like a rock band, playing with a visceral power, he writes, giving the album a 5 star review.\r\n
      \r\n
      "There's might and majesty here, and it, along with 'Get 'Em Out by Friday', is the truest sign that Genesis has grown muscle without abandoning the whimsy. Certainly, they've rarely sounded as fantastical or odd as they do on the epic 22 minute closer "Supper's Ready", a nearly side-long suite that remains one of the group's signature moments. It ebbs, flows, teases, and taunts, see-sawing between coiled instrumental attacks and delicate pastoral fairy tales. If Peter Gabriel remained a rather inscrutable lyricist, his gift for imagery is abundant, as there are passages throughout the album that are hauntingly evocative in their precious prose". - AllMusic\r\n
      \r\n
      This is the rare art-rock album that excels at both the art and the rock, and it's rightly celebrated for its enduring impact on the progressive rock genre, making it an essential listen for Genesis fans.\r\n
      \r\n
      Analogue Productions has given Foxtrot the deserving full reissue treatment: Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Peter Gabriel (flute, oboe, percussion, lead vocals), Tony Banks (keyboards, mellotron, backing vocals), Steve Hackett (electric & acoustic guitars, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=3MxhHeRUYno&list=RD3MxhHeRUYno&start_radio=1&t=223s"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series)  AAPA 027-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Watcher Of The Skies"
      ]
      [
        "ordre" => 2
        "nom" => "2. Time Table"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Get 'Em Out By Friday"
      ]
      [
        "ordre" => 5
        "nom" => "2. Can-Utility And The Coastliners"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Horizons"
      ]
      [
        "ordre" => 8
        "nom" => "2. Supper's Ready (Part 1)"
      ]
      [
        "ordre" => 9
        "nom" => "a. Lover's Leap"
      ]
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        "ordre" => 10
        "nom" => "b. The Guaranteed Eternal"
      ]
      [
        "ordre" => 11
        "nom" => "c. Ikhnaton and Itsacon and Their Band Of Merry Men"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Supper's Ready (Part 2)"
      ]
      [
        "ordre" => 14
        "nom" => "d. How Dare I Be So Beautiful"
      ]
      [
        "ordre" => 15
        "nom" => "e. Willow Farm"
      ]
      [
        "ordre" => 16
        "nom" => "f. Apocalypse in 9/8"
      ]
      [
        "ordre" => 17
        "nom" => "g. As Sure As Eggs Is Eggs"
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2147 …}
    -label: App\Entity\Label {#1063 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2149 …}
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    -modifierLe: DateTime @1768467135 {#2143
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2153 …}
    -disponible: null
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    -slug: "vinyles-foxtrot-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-027-45"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3571
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2605 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2145
    -id: 1360
    -nom: "Foxtrot - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Peter Gabriel (flute, oboe, percussion, lead vocals), Tony Banks (keyboards, mellotron, backing vocals), Steve Hackett (electric & acoustic guitars, backing vocals), Mike Rutherford (bass guitar, 12 string guitar, backing vocals), Phil Collins (drums, percussion, backing vocals).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Genesis's fourth album Foxtrot !\r\n
      - Includes "Watcher of the Skies" and "Supper's Ready" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing !\r\n
      \r\n
      Genesis' Foxtrot is the band's fourth studio album, released in 1972. Regarded as one of the seminal albums of the progressive rock genre, it marked a significant milestone in Genesis' discography.\r\n
      \r\n
      AllMusic's Stephen Thomas Erlewine says Foxtrot is where where Genesis began to pull all of its varied inspirations into a cohesive sound. The startling thing about the opening "Watcher of the Skies" is that it's the first time that Genesis attacked like a rock band, playing with a visceral power, he writes, giving the album a 5 star review.\r\n
      \r\n
      "There's might and majesty here, and it, along with 'Get 'Em Out by Friday', is the truest sign that Genesis has grown muscle without abandoning the whimsy. Certainly, they've rarely sounded as fantastical or odd as they do on the epic 22 minute closer "Supper's Ready", a nearly side-long suite that remains one of the group's signature moments. It ebbs, flows, teases, and taunts, see-sawing between coiled instrumental attacks and delicate pastoral fairy tales. If Peter Gabriel remained a rather inscrutable lyricist, his gift for imagery is abundant, as there are passages throughout the album that are hauntingly evocative in their precious prose". - AllMusic\r\n
      \r\n
      This is the rare art-rock album that excels at both the art and the rock, and it's rightly celebrated for its enduring impact on the progressive rock genre, making it an essential listen for Genesis fans.\r\n
      \r\n
      Analogue Productions has given Foxtrot the deserving full reissue treatment: Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Peter Gabriel (flute, oboe, percussion, lead vocals), Tony Banks (keyboards, mellotron, backing vocals), Steve Hackett (electric & acoustic guitars, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=3MxhHeRUYno&list=RD3MxhHeRUYno&start_radio=1&t=223s"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series)  AAPA 027-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Watcher Of The Skies"
      ]
      [
        "ordre" => 2
        "nom" => "2. Time Table"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Get 'Em Out By Friday"
      ]
      [
        "ordre" => 5
        "nom" => "2. Can-Utility And The Coastliners"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Horizons"
      ]
      [
        "ordre" => 8
        "nom" => "2. Supper's Ready (Part 1)"
      ]
      [
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        "nom" => "a. Lover's Leap"
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      [
        "ordre" => 10
        "nom" => "b. The Guaranteed Eternal"
      ]
      [
        "ordre" => 11
        "nom" => "c. Ikhnaton and Itsacon and Their Band Of Merry Men"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Supper's Ready (Part 2)"
      ]
      [
        "ordre" => 14
        "nom" => "d. How Dare I Be So Beautiful"
      ]
      [
        "ordre" => 15
        "nom" => "e. Willow Farm"
      ]
      [
        "ordre" => 16
        "nom" => "f. Apocalypse in 9/8"
      ]
      [
        "ordre" => 17
        "nom" => "g. As Sure As Eggs Is Eggs"
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2147 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2156 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2149 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2151 …}
    -enregistreLe: DateTime @1539243325 {#2142
      date: 2018-10-11 07:35:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768467135 {#2143
      date: 2026-01-15 08:52:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2153 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-foxtrot-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-027-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2373 …}
}

[
  "produit" => App\Entity\Produit {#2161
    -id: 2653
    -nom: "Genesis - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Genesis' self-titled Grammy-nominated album !\r\n
      - Featuring "Mama", "That's All" and "Second Home By The Sea" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      "This sounds bigger, more luscious, more layering of the keyboards... the drums really do sound an awful lot better. Where there are guitars in the mix, they're picked out better. I said this is probably 95 % of ways this is better. I think you could almost say 50 % of that is Collins's vocal because it is a great vocal performance on this record and on this and on all of the tracks his vocal is richer. Fuller, more colorful, and more expressive". - Dave Denyer, YouTube video\r\n
      \r\n
      In the spring of 1983, members of Genesis reconvened at their studio, named The Farm in Chiddingfold, Surrey, to start work on a new studio album, their first since Abacab (1981). Genesis became their first album written, recorded, and mixed in its entirety at the studio room; previously they had to write in an adjoining space. Having the group work in their own space without the additional pressure of booking studio time and fees resulted in a more relaxed environment. They were joined by engineer Hugh Padgham, who had also worked on Abacab.\r\n
      \r\n
      AllMusic write s: "Moments of Genesis are as spooky and arty as those on Abacab in particular, there's the tortured howl of "Mama", uncannily reminiscent of Phil Collins' Face Value, and the two-part 'Second Home by the Sea' but this eponymous 1983 album is indeed a rebirth, as so many self-titled albums delivered in the thick of a band's career often are... Anybody who paid attention to 'Misunderstanding' and 'No Reply at All' could tell that this was a good pop band, primarily thanks to the rapidly escalating confidence of Phil Collins, but Genesis illustrates just how good they could be, by balancing such sleek, pulsating pop tunes as 'That's All' with a newfound touch for aching ballads, as on 'Taking It All Too Hard'". - AllMusic reviewer Stephen Thomas Erlewine gives the album 4.5 Stars. \r\n
      \r\n
      For fans who appreciate the evolution of the band's music over the years, owning this album is important as it represents a distinctive phase in their career.\r\n
      \r\n
      This is the definitive deluxe 45 RPM (2 LP) Analogue Productions (Atlantic 75 Series) reissue of the classic Genesis. A classic for all true Genesis fans !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Mike Rutherford (guitars, bass, backing vocals), Phil Collins (drums, percussion, vocals), Tony Banks (keyboards, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=Ccs2rt0oSzQ"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 043-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Mama"
      ]
      [
        "ordre" => 2
        "nom" => "2. That's All"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Home By The Sea"
      ]
      [
        "ordre" => 5
        "nom" => "2. Second Home By The Sea"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Illegal Alien"
      ]
      [
        "ordre" => 8
        "nom" => "2. Taking It All Too Hard"
      ]
      [
        "ordre" => 9
        "nom" => "3. Just A Job To Do"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Silver Rainbow"
      ]
      [
        "ordre" => 12
        "nom" => "2. It's Gonna Get Better"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2147 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2169 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2162 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2164 …}
    -enregistreLe: DateTime @1740926121 {#2158
      date: 2025-03-02 14:35:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768466276 {#2159
      date: 2026-01-15 08:37:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2166 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-genesis-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-043-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3624
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2605 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2161
    -id: 2653
    -nom: "Genesis - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Genesis' self-titled Grammy-nominated album !\r\n
      - Featuring "Mama", "That's All" and "Second Home By The Sea" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      "This sounds bigger, more luscious, more layering of the keyboards... the drums really do sound an awful lot better. Where there are guitars in the mix, they're picked out better. I said this is probably 95 % of ways this is better. I think you could almost say 50 % of that is Collins's vocal because it is a great vocal performance on this record and on this and on all of the tracks his vocal is richer. Fuller, more colorful, and more expressive". - Dave Denyer, YouTube video\r\n
      \r\n
      In the spring of 1983, members of Genesis reconvened at their studio, named The Farm in Chiddingfold, Surrey, to start work on a new studio album, their first since Abacab (1981). Genesis became their first album written, recorded, and mixed in its entirety at the studio room; previously they had to write in an adjoining space. Having the group work in their own space without the additional pressure of booking studio time and fees resulted in a more relaxed environment. They were joined by engineer Hugh Padgham, who had also worked on Abacab.\r\n
      \r\n
      AllMusic write s: "Moments of Genesis are as spooky and arty as those on Abacab in particular, there's the tortured howl of "Mama", uncannily reminiscent of Phil Collins' Face Value, and the two-part 'Second Home by the Sea' but this eponymous 1983 album is indeed a rebirth, as so many self-titled albums delivered in the thick of a band's career often are... Anybody who paid attention to 'Misunderstanding' and 'No Reply at All' could tell that this was a good pop band, primarily thanks to the rapidly escalating confidence of Phil Collins, but Genesis illustrates just how good they could be, by balancing such sleek, pulsating pop tunes as 'That's All' with a newfound touch for aching ballads, as on 'Taking It All Too Hard'". - AllMusic reviewer Stephen Thomas Erlewine gives the album 4.5 Stars. \r\n
      \r\n
      For fans who appreciate the evolution of the band's music over the years, owning this album is important as it represents a distinctive phase in their career.\r\n
      \r\n
      This is the definitive deluxe 45 RPM (2 LP) Analogue Productions (Atlantic 75 Series) reissue of the classic Genesis. A classic for all true Genesis fans !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Mike Rutherford (guitars, bass, backing vocals), Phil Collins (drums, percussion, vocals), Tony Banks (keyboards, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=Ccs2rt0oSzQ"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 043-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Mama"
      ]
      [
        "ordre" => 2
        "nom" => "2. That's All"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Home By The Sea"
      ]
      [
        "ordre" => 5
        "nom" => "2. Second Home By The Sea"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Illegal Alien"
      ]
      [
        "ordre" => 8
        "nom" => "2. Taking It All Too Hard"
      ]
      [
        "ordre" => 9
        "nom" => "3. Just A Job To Do"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Silver Rainbow"
      ]
      [
        "ordre" => 12
        "nom" => "2. It's Gonna Get Better"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2147 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2169 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2162 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2164 …}
    -enregistreLe: DateTime @1740926121 {#2158
      date: 2025-03-02 14:35:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768466276 {#2159
      date: 2026-01-15 08:37:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2166 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-genesis-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-043-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2373 …}
}

[
  "produit" => App\Entity\Produit {#2174
    -id: 2592
    -nom: "Nursery Cryme - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Peter Gabriel (flute, oboe, bass drum, tambourine, vocals), Tony Banks (Hammond organ, Mellotron, piano, electric piano, 12 string guitar, backing vocals), Mike Rutherford (bass, bass pedals, 12 string guitar, backing vocals), Steve Hackett (electric guitar, 12 string guitar), Phil Collins (drums, percussion, vocals). \r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - First Genesis album to feature drummer / vocalist Phil Collins !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing !\r\n
      \r\n
      Genesis' album Nursery Cryme, released in November 1971, marked a significant moment in the band's evolution and showcased the burgeoning talents of their new drummer and vocalist, Phil Collins, plus guitarist Steve Hackett.\r\n
      \r\n
      Nursery Cryme saw the band take a more aggressive direction of some songs, with substantially improved drumming. The opening piece, "The Musical Box" combined the band's trademark mix of 12 string guitars with harsh electric guitars and keyboards. The song, a macabre fairy story set in Victorian Britain, became the inspiration for the album cover, and went on to be a live favorite.\r\n
      \r\n
      This album played a pivotal role in establishing the band's progressive rock sound and laid the foundation for their future success.\r\n
      \r\n
      Although Peter Gabriel remained the band's primary vocalist, Collins' distinctive voice began to shine through on tracks like "For Absent Friends" and "Harlequin". Collins' vocals added a new dimension to the band's sound, blending seamlessly with Gabriel's, and hinting at the vocal prowess that would later define his solo career. His emotive and versatile singing style contributed to the album's overall charm.\r\n
      \r\n
      Nursery Cryme is regarded as a crucial stepping stone in Genesis' discography, and with time, became recognized as a progressive rock classic. The album received acclaim for its adventurous and intricate compositions, combining elements of folk, rock, and classical music. Genesis' signature storytelling lyrics, often filled with surreal and whimsical imagery, captivated listeners and added depth to the music.\r\n
      \r\n
      Critics praised the band's musicianship, with particular attention to the intricate guitar work of Steve Hackett and the melodic basslines of Mike Rutherford.\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Peter Gabriel (flute, oboe, bass drum, tambourine, vocals), Tony Banks (Hammond organ, Mellotron, piano, electric piano, 12 string guitar, backing vocals), Mike Rutherford (bass, bass pedals, 12 string guitar, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=jGZaH0JEiic"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 026-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Musical Box"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. For Absent Friends"
      ]
      [
        "ordre" => 4
        "nom" => "2. The Return Of The Giant Hogweed"
      ]
      [
        "ordre" => 5
        "nom" => "Side C : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Seven Stones"
      ]
      [
        "ordre" => 7
        "nom" => "2. Harold The Barrel"
      ]
      [
        "ordre" => 8
        "nom" => "Side D : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Harlequin"
      ]
      [
        "ordre" => 10
        "nom" => "2. The Fountain Of Salmacis"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2147 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2182 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2175 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2177 …}
    -enregistreLe: DateTime @1731359931 {#2171
      date: 2024-11-11 21:18:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768466248 {#2172
      date: 2026-01-15 08:37:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2179 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-nursery-cryme-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-026-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3672
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2605 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2174
    -id: 2592
    -nom: "Nursery Cryme - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Peter Gabriel (flute, oboe, bass drum, tambourine, vocals), Tony Banks (Hammond organ, Mellotron, piano, electric piano, 12 string guitar, backing vocals), Mike Rutherford (bass, bass pedals, 12 string guitar, backing vocals), Steve Hackett (electric guitar, 12 string guitar), Phil Collins (drums, percussion, vocals). \r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - First Genesis album to feature drummer / vocalist Phil Collins !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing !\r\n
      \r\n
      Genesis' album Nursery Cryme, released in November 1971, marked a significant moment in the band's evolution and showcased the burgeoning talents of their new drummer and vocalist, Phil Collins, plus guitarist Steve Hackett.\r\n
      \r\n
      Nursery Cryme saw the band take a more aggressive direction of some songs, with substantially improved drumming. The opening piece, "The Musical Box" combined the band's trademark mix of 12 string guitars with harsh electric guitars and keyboards. The song, a macabre fairy story set in Victorian Britain, became the inspiration for the album cover, and went on to be a live favorite.\r\n
      \r\n
      This album played a pivotal role in establishing the band's progressive rock sound and laid the foundation for their future success.\r\n
      \r\n
      Although Peter Gabriel remained the band's primary vocalist, Collins' distinctive voice began to shine through on tracks like "For Absent Friends" and "Harlequin". Collins' vocals added a new dimension to the band's sound, blending seamlessly with Gabriel's, and hinting at the vocal prowess that would later define his solo career. His emotive and versatile singing style contributed to the album's overall charm.\r\n
      \r\n
      Nursery Cryme is regarded as a crucial stepping stone in Genesis' discography, and with time, became recognized as a progressive rock classic. The album received acclaim for its adventurous and intricate compositions, combining elements of folk, rock, and classical music. Genesis' signature storytelling lyrics, often filled with surreal and whimsical imagery, captivated listeners and added depth to the music.\r\n
      \r\n
      Critics praised the band's musicianship, with particular attention to the intricate guitar work of Steve Hackett and the melodic basslines of Mike Rutherford.\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Peter Gabriel (flute, oboe, bass drum, tambourine, vocals), Tony Banks (Hammond organ, Mellotron, piano, electric piano, 12 string guitar, backing vocals), Mike Rutherford (bass, bass pedals, 12 string guitar, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=jGZaH0JEiic"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 026-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Musical Box"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. For Absent Friends"
      ]
      [
        "ordre" => 4
        "nom" => "2. The Return Of The Giant Hogweed"
      ]
      [
        "ordre" => 5
        "nom" => "Side C : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Seven Stones"
      ]
      [
        "ordre" => 7
        "nom" => "2. Harold The Barrel"
      ]
      [
        "ordre" => 8
        "nom" => "Side D : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Harlequin"
      ]
      [
        "ordre" => 10
        "nom" => "2. The Fountain Of Salmacis"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2147 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2182 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2175 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2177 …}
    -enregistreLe: DateTime @1731359931 {#2171
      date: 2024-11-11 21:18:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768466248 {#2172
      date: 2026-01-15 08:37:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2179 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-nursery-cryme-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-026-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2373 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3867
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2373 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3868 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3916 …}
  +isValidated: false
  +validatedFields: []
}