Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2624
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2471 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2701
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2704 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2703 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2471 …}
  -formView: Symfony\Component\Form\FormView {#2740 …}
  -form: Symfony\Component\Form\Form {#2890 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 2621
    -nom: "Complete & Unbelievable... The Otis Redding Dictionary Of Soul"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Otis Redding (vocals), Booker T. Jones (bass guitar, keyboards, vibraphone), Isaac Hayes (keyboards, piano), Steve Cropper (guitar), Donald Dunn (bass guitar), Wayne Jackson (trumpet), Andrew Love, Joe Arnold, Gil Caple (tenor saxophone), Floyd Newman (baritone saxophone), Al Jackson Jr. (drums).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Soul legend's 1966 album !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Complete & Unbelievable: The Otis Redding Dictionary of Soul was the soul legend's 1966 album (and the last issued in his lifetime). The original album features mostly covers on side one and original compositions by Redding on side two.\r\n
      \r\n
      The album features musical assistance from Booker T. & the M.G.'s-organist Booker T. Jones, pianist/guitarist Steve Cropper, bassist Donald "Duck" Dunn, drummer Al Jackson, Jr.-pianist Isaac Hayes, and the Memphis Horns, consisting of tenor saxophonist Joe Arnold, trumpeter Wayne Jackson, tenor saxophonist Andrew Love and baritone saxophonist Floyd Newman.\r\n
      \r\n
      The Otis Redding Dictionary of Soul was released in October 1966 on the Stax label and peaked at N° 73 and at N° 5 on the Billboard 200 and the R&B LP charts respectively. The album produced two singles, "Fa-Fa-Fa-Fa-Fa (Sad Song)" and "Try a Little Tenderness." In 2000 it was voted N° 488 in Colin Larkin's All Time Top 1000 Albums. In 2012, the album was ranked No. 254 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time.\r\n
      \r\n
      Cut at 45 RPM, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Otis Redding (vocals), Booker T. Jones (bass guitar, keyboards, vibraphone), Isaac Hayes (keyboards, piano), Steve Cropper (guitar), Donald Dunn (bass guitar), Wayne Jackson (trumpet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=HUI_SBS6-Uk"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 036-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Fa-Fa-Fa-Fa-Fa (Sad Song)"
      ]
      [
        "ordre" => 2
        "nom" => "2. I'm Sick Y'all"
      ]
      [
        "ordre" => 3
        "nom" => "3. Tennessee Waltz"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Sweet Lorene"
      ]
      [
        "ordre" => 6
        "nom" => "2. Try A Little Tenderness"
      ]
      [
        "ordre" => 7
        "nom" => "3. Day Tripper"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. My Lover's Prayer"
      ]
      [
        "ordre" => 10
        "nom" => "2. She Put The Hurt On Me"
      ]
      [
        "ordre" => 11
        "nom" => "3. Ton Of Joy"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. You're Still My Baby"
      ]
      [
        "ordre" => 14
        "nom" => "2. Hawg For You"
      ]
      [
        "ordre" => 15
        "nom" => "3. Love Have Mercy"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1507 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1736343053 {#1929
      date: 2025-01-08 13:30:53.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768906332 {#1922
      date: 2026-01-20 10:52:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-complete-unbelievable-the-otis-redding-dictionary-of-soul-analogue-productions-atlantic-75-series-aapa-036-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3161
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2703 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 2621
    -nom: "Complete & Unbelievable... The Otis Redding Dictionary Of Soul"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Otis Redding (vocals), Booker T. Jones (bass guitar, keyboards, vibraphone), Isaac Hayes (keyboards, piano), Steve Cropper (guitar), Donald Dunn (bass guitar), Wayne Jackson (trumpet), Andrew Love, Joe Arnold, Gil Caple (tenor saxophone), Floyd Newman (baritone saxophone), Al Jackson Jr. (drums).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Soul legend's 1966 album !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Complete & Unbelievable: The Otis Redding Dictionary of Soul was the soul legend's 1966 album (and the last issued in his lifetime). The original album features mostly covers on side one and original compositions by Redding on side two.\r\n
      \r\n
      The album features musical assistance from Booker T. & the M.G.'s-organist Booker T. Jones, pianist/guitarist Steve Cropper, bassist Donald "Duck" Dunn, drummer Al Jackson, Jr.-pianist Isaac Hayes, and the Memphis Horns, consisting of tenor saxophonist Joe Arnold, trumpeter Wayne Jackson, tenor saxophonist Andrew Love and baritone saxophonist Floyd Newman.\r\n
      \r\n
      The Otis Redding Dictionary of Soul was released in October 1966 on the Stax label and peaked at N° 73 and at N° 5 on the Billboard 200 and the R&B LP charts respectively. The album produced two singles, "Fa-Fa-Fa-Fa-Fa (Sad Song)" and "Try a Little Tenderness." In 2000 it was voted N° 488 in Colin Larkin's All Time Top 1000 Albums. In 2012, the album was ranked No. 254 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time.\r\n
      \r\n
      Cut at 45 RPM, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Otis Redding (vocals), Booker T. Jones (bass guitar, keyboards, vibraphone), Isaac Hayes (keyboards, piano), Steve Cropper (guitar), Donald Dunn (bass guitar), Wayne Jackson (trumpet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=HUI_SBS6-Uk"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 036-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Fa-Fa-Fa-Fa-Fa (Sad Song)"
      ]
      [
        "ordre" => 2
        "nom" => "2. I'm Sick Y'all"
      ]
      [
        "ordre" => 3
        "nom" => "3. Tennessee Waltz"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Sweet Lorene"
      ]
      [
        "ordre" => 6
        "nom" => "2. Try A Little Tenderness"
      ]
      [
        "ordre" => 7
        "nom" => "3. Day Tripper"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. My Lover's Prayer"
      ]
      [
        "ordre" => 10
        "nom" => "2. She Put The Hurt On Me"
      ]
      [
        "ordre" => 11
        "nom" => "3. Ton Of Joy"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. You're Still My Baby"
      ]
      [
        "ordre" => 14
        "nom" => "2. Hawg For You"
      ]
      [
        "ordre" => 15
        "nom" => "3. Love Have Mercy"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1507 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1736343053 {#1929
      date: 2025-01-08 13:30:53.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768906332 {#1922
      date: 2026-01-20 10:52:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-complete-unbelievable-the-otis-redding-dictionary-of-soul-analogue-productions-atlantic-75-series-aapa-036-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2471 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 918
    -nom: "Otis Blue - Otis Redding Sings Soul"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Soul legend's 1966 album !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Remastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Otis Blue/Otis Redding Sings Soul (often referred to simply as Otis Blue) is the third studio album by American soul singer and songwriter Otis Redding. It was first released on September 15, 1965, as an LP record through the Stax Records subsidiary label Volt.\r\n
      \r\n
      Otis Redding's third album arrived in September 1965 with his talent unfettered, his direction clear and his confidence emboldened. More than a quarter of this album is given over to Redding's versions of songs by Sam Cooke, his idol, who had died the previous December, and all three are worth owning and hearing, writes AllMusic. Two of them, "A Change Is Gonna Come" and "Shake", are every bit as essential as any soul recordings ever made, and while they (and much of this album) have reappeared on several anthologies, it's useful to hear the songs from those sessions juxtaposed with each other, and with "Wonderful World," which is seldom compiled elsewhere.\r\n
      \r\n
      Also featured are Redding's spellbinding renditions of "(I Can't Get No) Satisfaction" (a song epitomizing the fully formed Stax/Volt sound and which Mick Jagger and Keith Richards originally wrote in tribute to and imitation of Redding's style), "My Girl", and "You Don't Miss Your Water". "Respect" and "I've Been Loving You Too Long", two originals that were to loom large in his career, are here as well; the former became vastly popular in the hands of Aretha Franklin and the latter was an instant soul classic. Among the seldom-cited jewels here is a rendition of B.B. King's "Rock Me Baby" that has the singer sharing the spotlight with Steve Cropper, his playing alternately elegant and fiery, with Wayne Jackson and Gene "Bowlegs" Miller's trumpets and Andrew Love's and Floyd Newman's saxes providing the backing. Redding's powerful, remarkable singing throughout makes Otis Blue gritty, rich, and achingly alive, and an essential listening experience.\r\n
      \r\n
      Cut at 45 RPM, remastered by Kevin Gray at Cohearent Audio from the original analog tapes, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Otis Redding (vocals), Donald ‘’Duck Dunn (bass), Steve Cropper (guitar), Booker T. Jones, Isaac Hayes (keyboards), Floyd Newman, Andrew Love (saxophone), Gene Miller, Wayne Jackson (trumpet), Earl Sims (backing vocals), Al Jackson Jr. (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9r2rxdQs904"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 035-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Ole Man Trouble"
      ]
      [
        "ordre" => 2
        "nom" => "2. Respect"
      ]
      [
        "ordre" => 3
        "nom" => "3. Change Gonna Come"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Down In The Valley"
      ]
      [
        "ordre" => 6
        "nom" => "2. I've Been Loving You Too Long"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Shake"
      ]
      [
        "ordre" => 9
        "nom" => "2. My Girl"
      ]
      [
        "ordre" => 10
        "nom" => "3. Wonderful World"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Rock Me Baby"
      ]
      [
        "ordre" => 13
        "nom" => "2. Satisfaction"
      ]
      [
        "ordre" => 14
        "nom" => "3. You Don't Miss Your Water"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1507 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2106 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2099 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2101 …}
    -enregistreLe: DateTime @1461790371 {#2095
      date: 2016-04-27 20:52:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768906190 {#2096
      date: 2026-01-20 10:49:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2103 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-otis-blue-otis-redding-sings-soul-analogue-productions-atlantic-75-series-aapa-035-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3277
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2703 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 918
    -nom: "Otis Blue - Otis Redding Sings Soul"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Soul legend's 1966 album !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Remastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Otis Blue/Otis Redding Sings Soul (often referred to simply as Otis Blue) is the third studio album by American soul singer and songwriter Otis Redding. It was first released on September 15, 1965, as an LP record through the Stax Records subsidiary label Volt.\r\n
      \r\n
      Otis Redding's third album arrived in September 1965 with his talent unfettered, his direction clear and his confidence emboldened. More than a quarter of this album is given over to Redding's versions of songs by Sam Cooke, his idol, who had died the previous December, and all three are worth owning and hearing, writes AllMusic. Two of them, "A Change Is Gonna Come" and "Shake", are every bit as essential as any soul recordings ever made, and while they (and much of this album) have reappeared on several anthologies, it's useful to hear the songs from those sessions juxtaposed with each other, and with "Wonderful World," which is seldom compiled elsewhere.\r\n
      \r\n
      Also featured are Redding's spellbinding renditions of "(I Can't Get No) Satisfaction" (a song epitomizing the fully formed Stax/Volt sound and which Mick Jagger and Keith Richards originally wrote in tribute to and imitation of Redding's style), "My Girl", and "You Don't Miss Your Water". "Respect" and "I've Been Loving You Too Long", two originals that were to loom large in his career, are here as well; the former became vastly popular in the hands of Aretha Franklin and the latter was an instant soul classic. Among the seldom-cited jewels here is a rendition of B.B. King's "Rock Me Baby" that has the singer sharing the spotlight with Steve Cropper, his playing alternately elegant and fiery, with Wayne Jackson and Gene "Bowlegs" Miller's trumpets and Andrew Love's and Floyd Newman's saxes providing the backing. Redding's powerful, remarkable singing throughout makes Otis Blue gritty, rich, and achingly alive, and an essential listening experience.\r\n
      \r\n
      Cut at 45 RPM, remastered by Kevin Gray at Cohearent Audio from the original analog tapes, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Otis Redding (vocals), Donald ‘’Duck Dunn (bass), Steve Cropper (guitar), Booker T. Jones, Isaac Hayes (keyboards), Floyd Newman, Andrew Love (saxophone), Gene Miller, Wayne Jackson (trumpet), Earl Sims (backing vocals), Al Jackson Jr. (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9r2rxdQs904"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 035-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Ole Man Trouble"
      ]
      [
        "ordre" => 2
        "nom" => "2. Respect"
      ]
      [
        "ordre" => 3
        "nom" => "3. Change Gonna Come"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Down In The Valley"
      ]
      [
        "ordre" => 6
        "nom" => "2. I've Been Loving You Too Long"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Shake"
      ]
      [
        "ordre" => 9
        "nom" => "2. My Girl"
      ]
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        "nom" => "2. Satisfaction"
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[
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    -description: """
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      \r\n
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App\Twig\Components\GestionPanierFavoriComponents {#3323
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    -nom: "The Montreux Years"
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      - Live Performances at the Montreux Jazz Festival on 180 gram Audiophile Vinyl 2 LP !\r\n
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      - Mastered in Superlative Audio !\r\n
      - Featuring Exclusive Liner Notes by John McLaughlin !\r\n
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[
  "produit" => App\Entity\Produit {#2130
    -id: 1778
    -nom: "Cafe Blue (2 LP - 33 RPM)"
    -informationComplementaire: null
    -description: """
      "It's set in a dark, atmospheric musical space that recording engineer Jim Anderson captured perfectly, bathing Barber's sultry voice in a mysterious shroud of reverb created not by artificial means as was common at the time, but by establishing an improvised chamber under some stairs at CRC (Chicago Recording Company) where the record was produced. In fact, it's an even more impressive musical feat all these years later, particularly the backing trio that dazzles with audacious improvisations and lock-step communication even as it clears space for Barber's vocals and meshes effortlessly with her expressive piano. It's jazz of course but John McLean's guitar work brings it into a rock space, while the A&R work that covers everything from 'Ode to Billy Joe' to 'The Thrill is Gone' and Miles' 'Nardis' defies genre-fication." Michael Fremer, Analog Planet\r\n
      \r\n
      "Cafe Blue has seduced everyone for whom I have ever played it--jazz people, rock people, Medicare people, even computer people. Some call from record stores, sounding slightly desperate: 'That album you played for me the other night! What was her name again?' If you have a voice that's a dark pure whisper straight up from the soul, and if you've lived it yourself, you can sing to people of their innermost anxieties and they will not only love it, they will need it". - Thomas Conrad, Stereophile.\r\n
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      """
    -prixVente: "129.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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        "nom" => "3. Mahna De Carnaval "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3374
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  +produit: App\Entity\Produit {#2130
    -id: 1778
    -nom: "Cafe Blue (2 LP - 33 RPM)"
    -informationComplementaire: null
    -description: """
      "It's set in a dark, atmospheric musical space that recording engineer Jim Anderson captured perfectly, bathing Barber's sultry voice in a mysterious shroud of reverb created not by artificial means as was common at the time, but by establishing an improvised chamber under some stairs at CRC (Chicago Recording Company) where the record was produced. In fact, it's an even more impressive musical feat all these years later, particularly the backing trio that dazzles with audacious improvisations and lock-step communication even as it clears space for Barber's vocals and meshes effortlessly with her expressive piano. It's jazz of course but John McLean's guitar work brings it into a rock space, while the A&R work that covers everything from 'Ode to Billy Joe' to 'The Thrill is Gone' and Miles' 'Nardis' defies genre-fication." Michael Fremer, Analog Planet\r\n
      \r\n
      "Cafe Blue has seduced everyone for whom I have ever played it--jazz people, rock people, Medicare people, even computer people. Some call from record stores, sounding slightly desperate: 'That album you played for me the other night! What was her name again?' If you have a voice that's a dark pure whisper straight up from the soul, and if you've lived it yourself, you can sing to people of their innermost anxieties and they will not only love it, they will need it". - Thomas Conrad, Stereophile.\r\n
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      """
    -prixVente: "129.50"
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[
  "produit" => App\Entity\Produit {#2149
    -id: 2206
    -nom: "Higher  + (Booklet)"
    -informationComplementaire: null
    -description: """
      One of jazz music's most celebrated and literate artists gets the deluxe Impex Treatment on her 2019 collection Higher, available on (2 LP) 45 RPM HQ-180 vinyl pressed at RTI. This thoughtfully curated set features Barber's celebrated art song cycle "Higher" and four bonus tracks available on vinyl for the first time. Stereophile's Robert Baird describes Higher as an album that "continues Barber's logical artistic path toward becoming an artist whose only boundaries exist in the limits of her own prodigious imagination. Rather than just the completion of a long-held desire to create art songs, Higher, as its title suggest, is the answer to a calling, one Patricia Barber is gloriously answering".\r\n
      \r\n
      After the success of the song-cycle EU tour version of Higher, Impex Records is proud to announce this exclusive complete version, featuring the original's ten songs, plus an alternate version of "The Opera Song", featuring lyric soprano Katherine Werbiansky, and three gorgeous new standards "Early Autumn", "In Your Own Sweet Way" and "Secret Love". Legendary recording and mix engineer Jim Anderson's meticulous production provides masterly rendering of every detail, harmonic, and hushed background, while the delicate touch of mastering engineer Scott Hull helps to pull you into the wide-ranging space of this incredible work.\r\n
      \r\n
      Impex's hushed surfaces and incredibly rendered soundstage are brilliantly served by these expressive tracks, bringing out both the core of Barber's hushed delivery and the dynamic interplay of her crack backing band. The package includes an expanded large-format booklet (featuring a new write up from Patricia Barber herself !) and deluxe finishing for a luxurious tactile experience that matches the audio. As with every record we make, our goal is to enhance the enveloping sound and emotional pull of singular works by one of our greatest talents. Higher is the amazing next chapter in our odyssey and a superb listening experience for fans and audiophiles alike.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Patricia Barber (piano, vocals), Patrick Mulcahy (bass), Neal Alger (acoustic guitar), Jim Gailoreto (tenor saxophone), Katherine Werbiansky (soprano), Jon Deitemyer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=dU6irC9an2Q"
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    -titreMorceau: [
      [
        "ordre" => 0
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      [
        "ordre" => 1
        "nom" => "1. Muse (Barber)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Surrender (Barber)"
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        "nom" => "2. Higher (Barber)"
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        "nom" => "3. Early Autumn (Mercer, Burns, Herman)"
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        "nom" => "Side D : "
      ]
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        "ordre" => 13
        "nom" => "1. In Your Own Sweet Way (Brubeck)"
      ]
      [
        "ordre" => 14
        "nom" => "2. Secret Love (Francis, Frain)"
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        "nom" => "3. The Opera Song (Barber)"
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …}
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    -modifierLe: DateTime @1768902400 {#2147
      date: 2026-01-20 09:46:40.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3427
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2703 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2149
    -id: 2206
    -nom: "Higher  + (Booklet)"
    -informationComplementaire: null
    -description: """
      One of jazz music's most celebrated and literate artists gets the deluxe Impex Treatment on her 2019 collection Higher, available on (2 LP) 45 RPM HQ-180 vinyl pressed at RTI. This thoughtfully curated set features Barber's celebrated art song cycle "Higher" and four bonus tracks available on vinyl for the first time. Stereophile's Robert Baird describes Higher as an album that "continues Barber's logical artistic path toward becoming an artist whose only boundaries exist in the limits of her own prodigious imagination. Rather than just the completion of a long-held desire to create art songs, Higher, as its title suggest, is the answer to a calling, one Patricia Barber is gloriously answering".\r\n
      \r\n
      After the success of the song-cycle EU tour version of Higher, Impex Records is proud to announce this exclusive complete version, featuring the original's ten songs, plus an alternate version of "The Opera Song", featuring lyric soprano Katherine Werbiansky, and three gorgeous new standards "Early Autumn", "In Your Own Sweet Way" and "Secret Love". Legendary recording and mix engineer Jim Anderson's meticulous production provides masterly rendering of every detail, harmonic, and hushed background, while the delicate touch of mastering engineer Scott Hull helps to pull you into the wide-ranging space of this incredible work.\r\n
      \r\n
      Impex's hushed surfaces and incredibly rendered soundstage are brilliantly served by these expressive tracks, bringing out both the core of Barber's hushed delivery and the dynamic interplay of her crack backing band. The package includes an expanded large-format booklet (featuring a new write up from Patricia Barber herself !) and deluxe finishing for a luxurious tactile experience that matches the audio. As with every record we make, our goal is to enhance the enveloping sound and emotional pull of singular works by one of our greatest talents. Higher is the amazing next chapter in our odyssey and a superb listening experience for fans and audiophiles alike.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Patricia Barber (piano, vocals), Patrick Mulcahy (bass), Neal Alger (acoustic guitar), Jim Gailoreto (tenor saxophone), Katherine Werbiansky (soprano), Jon Deitemyer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
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    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2471 …}
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[
  "produit" => App\Entity\Produit {#2162
    -id: 2257
    -nom: "Nightclub - (2 LP) 45 RPM 1STEP Process"
    -informationComplementaire: null
    -description: """
      - 1STEP Process 180 gram 45 RPM Double LP Pressed on VR-900 Super Vinyl !\r\n
      - Mastered by Bernie Grundman from the Original Mix-Down Analog Master Tapes !\r\n
      - Strictly Limited to 7500 Numbered Pressings !\r\n
      \r\n
      Patricia Barber's 6th studio album is a fascinating collection of classic cover songs shaped by her inimitable downtempo intimacy into startlingly affective journeys through the human condition. Working with her band of the time (bassist Michael Arnopol and drummer Adam Cruz, augmented by star turns from guitarist Charlie Hunter, bassist Marc Johnson, and drummer Adam Nussbaum), Barber creates an atmosphere of austere trepidation that allows her long-time engineer Jim Anderson to hang her haunted vocals directly over top. Like all great jazz albums, Nightclub puts the highlighted artist front and center while carving out plenty of space for the supporting players to give emphatic support.\r\n
      \r\n
      Impex's 1STEP process provides the perfect showcase for Anderson's peerless audio immersions. Nightclub was originally digitally recorded on a Sony 3348 multi-track and mixed through a Neve analog console to both digital and analog mix-down masters. Bernie Grundman used the analog mix-down tapes to assemble a new analog cutting master exclusively for our 1STEP. Coupled with the incredibly detailed VR-900 vinyl formula, there is instrument detailing to spare, a Mariana Trench noise floor, and incredibly-focused low end. There is simply no better way to enjoy Barber's cool renditions of timeless classics than this one including the exclusive, never-before-released bonus track "Wild Is the Wind". Limited to 7500 pressings, so preorder now before this Club closes for good.\r\n
      \r\n
      The 1STEP Process : \r\n
      \r\n
      The Impex 1STEP process relies on short, tightly-controlled runs that require a new lacquer after each 500 pressings. This unforgiving format has the lacquer skipping the regular father-mother process, going right to a single convert and then pressing. Though this dramatically increases mastering and production costs, it also assures each run is more consistent from disc to disc, with less noise, clearer details and deeper bass.\r\n
      \r\n
      Reducing production complexity to just a single "convert" disc between the lacquer and the press greatly improves groove integrity, diminishes non-fill anomalies and increases signal integrity from the master tape to your system.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Patricia Barber (piano, vocals), Michael Arnopol, Marc Johnson (bass), Charlie Hunter (8 string guitar), Adam Cruz, Adam Nussbaum (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=3xdGr36z4Cs"
    -referenceProduit: "Impex Records IMP 6037-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Bye Bye Blackbird "
      ]
      [
        "ordre" => 2
        "nom" => "2. Invitation "
      ]
      [
        "ordre" => 3
        "nom" => "3. Yesterdays "
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        "nom" => "Side B : "
      ]
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        "ordre" => 5
        "nom" => "1. Just for a Thrill "
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      [
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        "nom" => "2. You Don't Know Me "
      ]
      [
        "ordre" => 7
        "nom" => "3. Alfie "
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Autumn Leaves "
      ]
      [
        "ordre" => 10
        "nom" => "2. Summer Samba "
      ]
      [
        "ordre" => 11
        "nom" => "3. All of Nothing At All "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. So In Love "
      ]
      [
        "ordre" => 14
        "nom" => "2. A Man & A Woman "
      ]
      [
        "ordre" => 15
        "nom" => "3. I Fall in Love Too Easily "
      ]
      [
        "ordre" => 16
        "nom" => "4. Wild Is the Wind"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …}
    -label: Proxies\__CG__\App\Entity\Label {#2135 …}
    -style: App\Entity\Style {#1502 …}
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    }
    -modifierLe: DateTime @1768900725 {#2160
      date: 2026-01-20 09:18:45.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3475
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2703 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2162
    -id: 2257
    -nom: "Nightclub - (2 LP) 45 RPM 1STEP Process"
    -informationComplementaire: null
    -description: """
      - 1STEP Process 180 gram 45 RPM Double LP Pressed on VR-900 Super Vinyl !\r\n
      - Mastered by Bernie Grundman from the Original Mix-Down Analog Master Tapes !\r\n
      - Strictly Limited to 7500 Numbered Pressings !\r\n
      \r\n
      Patricia Barber's 6th studio album is a fascinating collection of classic cover songs shaped by her inimitable downtempo intimacy into startlingly affective journeys through the human condition. Working with her band of the time (bassist Michael Arnopol and drummer Adam Cruz, augmented by star turns from guitarist Charlie Hunter, bassist Marc Johnson, and drummer Adam Nussbaum), Barber creates an atmosphere of austere trepidation that allows her long-time engineer Jim Anderson to hang her haunted vocals directly over top. Like all great jazz albums, Nightclub puts the highlighted artist front and center while carving out plenty of space for the supporting players to give emphatic support.\r\n
      \r\n
      Impex's 1STEP process provides the perfect showcase for Anderson's peerless audio immersions. Nightclub was originally digitally recorded on a Sony 3348 multi-track and mixed through a Neve analog console to both digital and analog mix-down masters. Bernie Grundman used the analog mix-down tapes to assemble a new analog cutting master exclusively for our 1STEP. Coupled with the incredibly detailed VR-900 vinyl formula, there is instrument detailing to spare, a Mariana Trench noise floor, and incredibly-focused low end. There is simply no better way to enjoy Barber's cool renditions of timeless classics than this one including the exclusive, never-before-released bonus track "Wild Is the Wind". Limited to 7500 pressings, so preorder now before this Club closes for good.\r\n
      \r\n
      The 1STEP Process : \r\n
      \r\n
      The Impex 1STEP process relies on short, tightly-controlled runs that require a new lacquer after each 500 pressings. This unforgiving format has the lacquer skipping the regular father-mother process, going right to a single convert and then pressing. Though this dramatically increases mastering and production costs, it also assures each run is more consistent from disc to disc, with less noise, clearer details and deeper bass.\r\n
      \r\n
      Reducing production complexity to just a single "convert" disc between the lacquer and the press greatly improves groove integrity, diminishes non-fill anomalies and increases signal integrity from the master tape to your system.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Patricia Barber (piano, vocals), Michael Arnopol, Marc Johnson (bass), Charlie Hunter (8 string guitar), Adam Cruz, Adam Nussbaum (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
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    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Bye Bye Blackbird "
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        "nom" => "2. Invitation "
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        "ordre" => 3
        "nom" => "3. Yesterdays "
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        "ordre" => 4
        "nom" => "Side B : "
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        "ordre" => 5
        "nom" => "1. Just for a Thrill "
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        "ordre" => 6
        "nom" => "2. You Don't Know Me "
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        "ordre" => 7
        "nom" => "3. Alfie "
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        "nom" => "3. I Fall in Love Too Easily "
      ]
      [
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        "nom" => "4. Wild Is the Wind"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …}
    -label: Proxies\__CG__\App\Entity\Label {#2135 …}
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      date: 2026-01-20 09:18:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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[
  "produit" => App\Entity\Produit {#2177
    -id: 2522
    -nom: "Companion (2 LP) 45 RPM 1STEP"
    -informationComplementaire: null
    -description: """
      - New, deluxe edition of Patricia Barber’s famed live recordings at The Green Mill in Chicago in 1999 !\r\n
      - Mastered from the analog mix-down tapes of the original digital recording by Bernie Grundman at Bernie Grundman Mastering Two 45 RPM 1STEP LPs pressed on VR900 super vinyl by RTI !\r\n
      - New lacquers cut after each run of 500 pressings !\r\n
      - Distinctive ultra-luxe Impex 1STEP packaging featuring a deluxe 16 page booklet with exclusive concert photography by Valerie Booth, a remembrance from Patricia Barber, a heavy-stock three-sleeve Monster Pack jacket and striking color-matched slip case !\r\n
      - Strictly limited to 5000 copies !\r\n
      \r\n
      1STEP Process 180 gram 45 RPM (2 LP), Pressed on VR900-Supreme Vinyl! Cut Using Original Analog Mixdown Masters by Bernie Grundman! Strictly Limited To 5000 Numbered Pressings ! \r\n
      \r\n
      Impex 1STEP N° 5 celebrates Patricia Barber’s 1999 "return” to The Green Mill, Chicago’s fabled jazz club. Conceived as a "companion” to her Grammy-winning studio album Modern Cool, Companion finds Barber and her touring band in inspired form, playfully and energetically performing hits and deep tracks from her celebrated oeuvre.\r\n
      \r\n
      The dynamic interaction between the artist and her reverent audience adds a palpable sense of space and community. At the same time, the fans’ hushed attention creates a studio-like sense of precision and detail. The snap and crackle of Barber, her grand piano, and her onstage partners practically leaps off the groove into your listening room !\r\n
      \r\n
      Companion’s fan-favorite reputation is enhanced immeasurably by Jim Anderson’s jaw-dropping, life-like recording. Eschewing the crystalline sterility of digital recordings of the time, Anderson’s sound is always warm, natural, and lacking unforced "hype".\r\n
      \r\n
      Like Anderson, Impex aims to present great recordings that are as natural and life-like as possible. And we couldn’t wait to put our favorite Patricia Barber release, using Jim’s analog mix-down master tapes, on 180 grams of VR900 Super Vinyl. The deep, inky black backgrounds and absence of surface noise will pull listeners right into those three evenings in 1999, capturing a seminal modern jazz artist at a creative and professional peak and reveling in a perfectly rendered and joyous audio time capsule.\r\n
      \r\n
      Finally, our deluxe Impex Treatment packages the whole party with a lovely outer slipcase, a booklet containing a new note from Patricia, and a dazzling array of photographs from the evening by frequent collaborator Valerie Booth, exclusive to our 1STEP. Heavy paper stock with spot gloss coating and a faithfully recreated exterior design will satisfy original fans and aesthetes throughout the music-loving world.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Patricia Barber (piano, organ Hammond B-3, vocals), Michael Arnopol (bass), John McLean (guitar), Ruben P. Alvarez (percussion), Jason Narducy (vocalist),  Eric Montzka (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=d8laNBfDJms"
    -referenceProduit: "Impex Records IMP 6053-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Beat Goes On"
      ]
      [
        "ordre" => 2
        "nom" => "2. Use Me"
      ]
      [
        "ordre" => 3
        "nom" => "3. You Are My Sunshin"
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        "nom" => "1. Black Magic Woman"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3523
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2703 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2177
    -id: 2522
    -nom: "Companion (2 LP) 45 RPM 1STEP"
    -informationComplementaire: null
    -description: """
      - New, deluxe edition of Patricia Barber’s famed live recordings at The Green Mill in Chicago in 1999 !\r\n
      - Mastered from the analog mix-down tapes of the original digital recording by Bernie Grundman at Bernie Grundman Mastering Two 45 RPM 1STEP LPs pressed on VR900 super vinyl by RTI !\r\n
      - New lacquers cut after each run of 500 pressings !\r\n
      - Distinctive ultra-luxe Impex 1STEP packaging featuring a deluxe 16 page booklet with exclusive concert photography by Valerie Booth, a remembrance from Patricia Barber, a heavy-stock three-sleeve Monster Pack jacket and striking color-matched slip case !\r\n
      - Strictly limited to 5000 copies !\r\n
      \r\n
      1STEP Process 180 gram 45 RPM (2 LP), Pressed on VR900-Supreme Vinyl! Cut Using Original Analog Mixdown Masters by Bernie Grundman! Strictly Limited To 5000 Numbered Pressings ! \r\n
      \r\n
      Impex 1STEP N° 5 celebrates Patricia Barber’s 1999 "return” to The Green Mill, Chicago’s fabled jazz club. Conceived as a "companion” to her Grammy-winning studio album Modern Cool, Companion finds Barber and her touring band in inspired form, playfully and energetically performing hits and deep tracks from her celebrated oeuvre.\r\n
      \r\n
      The dynamic interaction between the artist and her reverent audience adds a palpable sense of space and community. At the same time, the fans’ hushed attention creates a studio-like sense of precision and detail. The snap and crackle of Barber, her grand piano, and her onstage partners practically leaps off the groove into your listening room !\r\n
      \r\n
      Companion’s fan-favorite reputation is enhanced immeasurably by Jim Anderson’s jaw-dropping, life-like recording. Eschewing the crystalline sterility of digital recordings of the time, Anderson’s sound is always warm, natural, and lacking unforced "hype".\r\n
      \r\n
      Like Anderson, Impex aims to present great recordings that are as natural and life-like as possible. And we couldn’t wait to put our favorite Patricia Barber release, using Jim’s analog mix-down master tapes, on 180 grams of VR900 Super Vinyl. The deep, inky black backgrounds and absence of surface noise will pull listeners right into those three evenings in 1999, capturing a seminal modern jazz artist at a creative and professional peak and reveling in a perfectly rendered and joyous audio time capsule.\r\n
      \r\n
      Finally, our deluxe Impex Treatment packages the whole party with a lovely outer slipcase, a booklet containing a new note from Patricia, and a dazzling array of photographs from the evening by frequent collaborator Valerie Booth, exclusive to our 1STEP. Heavy paper stock with spot gloss coating and a faithfully recreated exterior design will satisfy original fans and aesthetes throughout the music-loving world.
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=d8laNBfDJms"
    -referenceProduit: "Impex Records IMP 6053-45"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …}
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[
  "produit" => App\Entity\Produit {#2196
    -id: 2286
    -nom: "Clique !"
    -informationComplementaire: null
    -description: """
      - Audiophile 180 gram Vinyl LP !\r\n
      - Recorded & Mixed by Jim Anderson in DXD Ultra-High Resolution !\r\n
      - Mastered by Bob Ludwig & Lacquers Cut by Scott Hull at Masterdisk !\r\n
      - Pressed at RTI !\r\n
      \r\n
      Similar in concept to her earlier classic Night Club Clique ! gives Patricia and her long-time band (Jon Deitemyer, drums; Patrick Mulcahy, bass; Neal Alger, guitar; Jim Gailloreto, tenor sax) a stellar showcase for their telepathic musical communication and consummate jazz chops. Barber said of recording an all-standards album :\r\n
      \r\n
      "The harmonic language of jazz, as well as that of the Great American Songbook, is certainly rich look how much has come out of it but it's circumscribed. I started wanting to hear something else".\r\n
      \r\n
      These are relaxed, communal sessions. Her core trio ride up and down, in and out of Barber's complex, sensitive playing and singing. Their support allows her to shine brightly while digging out striking moments for their own unique contributions. The chemistry is palpable, all encompassing. This group's long-developed synergy painstakingly curated by these musicians for years provides both a metaphor and the perfect title for her new album.\r\n
      \r\n
      Impex Records, Patricia Barber, and Jim Anderson invite you to experience the music, revel in the mastery, and join the Clique!
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1903 …}
    -musicienOrchestre: "Patricia Barber (vocals), Patrick Mulcahy (bass), Neal Alger (guitar), Jim Gailloreto (tenor saxophone), Jon Deitemyer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=byyUhfr4Rtk"
    -referenceProduit: "Impex Records IMP 6044"
    -titreMorceau: [
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        "nom" => "Side B : "
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        "nom" => "2. Shall We Dance ? "
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        "nom" => "4. All In Love Is Fair"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3571
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  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2196
    -id: 2286
    -nom: "Clique !"
    -informationComplementaire: null
    -description: """
      - Audiophile 180 gram Vinyl LP !\r\n
      - Recorded & Mixed by Jim Anderson in DXD Ultra-High Resolution !\r\n
      - Mastered by Bob Ludwig & Lacquers Cut by Scott Hull at Masterdisk !\r\n
      - Pressed at RTI !\r\n
      \r\n
      Similar in concept to her earlier classic Night Club Clique ! gives Patricia and her long-time band (Jon Deitemyer, drums; Patrick Mulcahy, bass; Neal Alger, guitar; Jim Gailloreto, tenor sax) a stellar showcase for their telepathic musical communication and consummate jazz chops. Barber said of recording an all-standards album :\r\n
      \r\n
      "The harmonic language of jazz, as well as that of the Great American Songbook, is certainly rich look how much has come out of it but it's circumscribed. I started wanting to hear something else".\r\n
      \r\n
      These are relaxed, communal sessions. Her core trio ride up and down, in and out of Barber's complex, sensitive playing and singing. Their support allows her to shine brightly while digging out striking moments for their own unique contributions. The chemistry is palpable, all encompassing. This group's long-developed synergy painstakingly curated by these musicians for years provides both a metaphor and the perfect title for her new album.\r\n
      \r\n
      Impex Records, Patricia Barber, and Jim Anderson invite you to experience the music, revel in the mastery, and join the Clique!
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1903 …}
    -musicienOrchestre: "Patricia Barber (vocals), Patrick Mulcahy (bass), Neal Alger (guitar), Jim Gailloreto (tenor saxophone), Jon Deitemyer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=byyUhfr4Rtk"
    -referenceProduit: "Impex Records IMP 6044"
    -titreMorceau: [
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      [
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        "nom" => "4. All In Love Is Fair"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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[
  "produit" => App\Entity\Produit {#2209
    -id: 792
    -nom: "Greatest Hits"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Patsy Cline (vocals), Floyd Cramer (piano, organ), Ray Edenton, Randy Hughes (rhythm guitar), Harold Bradley (electric bass), Hank Garland, Grady Martin (electric guitar), Walter Haynes (steel guitar), Joe Jenkins, Bob Moore (acoustic bass), Bill Pursell (organ, vibraphone), Hargus "Pig" Robbins (piano), Rita Faye Wilson (autoharp), The Jordanaires, Millie Kirkham (background vocals), Buddy Harman, Doug Kirkham (drums).\r\n
      \r\n
      - 200 gram, 45 RPM vinyl pressing by Quality Record Pressings !\r\n
      - Now presented in an upgraded, deluxe tip-on gatefold jacket with Patsy's timeless classics spread across four sides !\r\n
      \r\n
      Cut by Ryan Smith at Sterling Sound directly from the original master tape. This was a straight transfer, bypassing the console altogether. There was no EQ of any kind. A true direct transfer, using a VMS 80, the most sophisticated lathe. You're hearing the master tape !\r\n
      \r\n
      Reviewer Michael Fremer says of the 33 1/3 RPM version: "Cline's powerful, resonant voice and her unerring, more-generic-than-Southern diction and phrasing plus her ability to express hurt and vulnerability (without inducing too much self-pity) helped her cross over during her lifetime. Those qualities have also helped assure her continued popularity fifty years after her death... All of that will become apparent as you play this direct connection to the recording studio reissue from Analogue Productions... The original master tapes were transferred to lacquer at Sterling Sound by connecting the playback deck's output directly to the lathe, thereby bypassing altogether the mixing board. The sonics are sensational, particularly in terms of transparency... Everything from the silent 200 g pressing to the "tip-on" (paper on cardboard) gatefold jacket and the center portfolio of great full color Patsy shots screams HIGH QUALITY ! This reissue, from the AAA production, to the pressing and packaging quality epitomizes the purpose of the current return to vinyl". Music = 9/11, Sound = 9/11 - Michael Fremer.\r\n
      \r\n
      What praises haven't been lauded the immortal singing talent of the late, great Patsy Cline ? She died at the height of her career, at age 30, with two other stars of the Grand Ole Opry, and her manager, in a private plane crash near Camden, Tennessee, on the group's return to Nashville from Kansas City. Before that ill-fated flight, though, she left a musical legacy as one of the most influential and successful female vocalists of the 20th Century.\r\n
      \r\n
      In the late 1950s and the '60s, country music was essentially a singles medium. This album, first released in 1967, collects a dozen of Patsy's biggest hits - all of them from the country singles market - including "Walkin' After Midnight", "Sweet Dreams (Of You)", "Crazy", and "I Fall to Pieces".\r\n
      \r\n
      Producer Owen Bradley surrounds Cline's full-throated, emotionally charged vocals with lush, sophisticated arrangements that set the standard for Nashville's "countrypolitan" sound. And trust us, on this 200 gram QRP pressing, mastered by Sterling Sound, Cline's seductive vocals have never sounded clearer or richer. And the packaging on this release is as deluxe as the audio. Analogue Productions has reissued this classic LP in a new deluxe tip-on gatefold jacket. Inside you'll enjoy a spread of vivid color studio publicity shots of Patsy, courtesy of the Universal Music Archives.\r\n
      \r\n
      Cline's life and career has been the subject of numerous books, movies, documentaries, articles and stage plays. She has sold millions of albums through the past 50 years, giving her an iconic fan status, similar to that of country artists such as Johnny Cash and Dolly Parton. In 1992, the U.S. Postal Service honored her, along with Hank Williams, on a U.S. postage stamp. And in 1995 she was honored with a Grammy Lifetime Achievement Award. Cline was also honored with a star on the Hollywood Walk of Fame in 1999.\r\n
      \r\n
      Before Shania Twain found a new (though not necessarily improved) way to combine country and pop in the 1990s, this was the top selling country album of all time by a female artist.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Patsy Cline (vocals), Floyd Cramer (piano, organ), Ray Edenton, Randy Hughes (rhythm guitar), Harold Bradley (electric bass), Hank Garland, Grady Martin (electric guitar), Walter Haynes (steel guitar), Joe Jenkins, Bob Moore (acoustic bass)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=bsRNCvHXHHU"
    -referenceProduit: "AAPP 74854-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Walking After Midnight"
      ]
      [
        "ordre" => 2
        "nom" => "2. Sweet Dreams"
      ]
      [
        "ordre" => 3
        "nom" => "3. Crazy"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. I Fall To Pieces"
      ]
      [
        "ordre" => 6
        "nom" => "2. So Wrong"
      ]
      [
        "ordre" => 7
        "nom" => "3. Strange"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Back In Baby’s Arms"
      ]
      [
        "ordre" => 10
        "nom" => "2. She’s Got You"
      ]
      [
        "ordre" => 11
        "nom" => "3. Faded Love"
      ]
      [
        "ordre" => 12
        "nom" => "Side D :"
      ]
      [
        "ordre" => 13
        "nom" => "1. Why Can’t He Be You"
      ]
      [
        "ordre" => 14
        "nom" => "2. You’re Stronger Than Me"
      ]
      [
        "ordre" => 15
        "nom" => "3. Leavin’ On Your Mind"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2211 …}
    -label: Proxies\__CG__\App\Entity\Label {#2214 …}
    -style: App\Entity\Style {#1492 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2218 …}
    -enregistreLe: DateTime @1438494993 {#2206
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    }
    -modifierLe: DateTime @1768899151 {#2207
      date: 2026-01-20 08:52:31.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2220 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-greatest-hits-aapp-74854-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3617
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2703 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2209
    -id: 792
    -nom: "Greatest Hits"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Patsy Cline (vocals), Floyd Cramer (piano, organ), Ray Edenton, Randy Hughes (rhythm guitar), Harold Bradley (electric bass), Hank Garland, Grady Martin (electric guitar), Walter Haynes (steel guitar), Joe Jenkins, Bob Moore (acoustic bass), Bill Pursell (organ, vibraphone), Hargus "Pig" Robbins (piano), Rita Faye Wilson (autoharp), The Jordanaires, Millie Kirkham (background vocals), Buddy Harman, Doug Kirkham (drums).\r\n
      \r\n
      - 200 gram, 45 RPM vinyl pressing by Quality Record Pressings !\r\n
      - Now presented in an upgraded, deluxe tip-on gatefold jacket with Patsy's timeless classics spread across four sides !\r\n
      \r\n
      Cut by Ryan Smith at Sterling Sound directly from the original master tape. This was a straight transfer, bypassing the console altogether. There was no EQ of any kind. A true direct transfer, using a VMS 80, the most sophisticated lathe. You're hearing the master tape !\r\n
      \r\n
      Reviewer Michael Fremer says of the 33 1/3 RPM version: "Cline's powerful, resonant voice and her unerring, more-generic-than-Southern diction and phrasing plus her ability to express hurt and vulnerability (without inducing too much self-pity) helped her cross over during her lifetime. Those qualities have also helped assure her continued popularity fifty years after her death... All of that will become apparent as you play this direct connection to the recording studio reissue from Analogue Productions... The original master tapes were transferred to lacquer at Sterling Sound by connecting the playback deck's output directly to the lathe, thereby bypassing altogether the mixing board. The sonics are sensational, particularly in terms of transparency... Everything from the silent 200 g pressing to the "tip-on" (paper on cardboard) gatefold jacket and the center portfolio of great full color Patsy shots screams HIGH QUALITY ! This reissue, from the AAA production, to the pressing and packaging quality epitomizes the purpose of the current return to vinyl". Music = 9/11, Sound = 9/11 - Michael Fremer.\r\n
      \r\n
      What praises haven't been lauded the immortal singing talent of the late, great Patsy Cline ? She died at the height of her career, at age 30, with two other stars of the Grand Ole Opry, and her manager, in a private plane crash near Camden, Tennessee, on the group's return to Nashville from Kansas City. Before that ill-fated flight, though, she left a musical legacy as one of the most influential and successful female vocalists of the 20th Century.\r\n
      \r\n
      In the late 1950s and the '60s, country music was essentially a singles medium. This album, first released in 1967, collects a dozen of Patsy's biggest hits - all of them from the country singles market - including "Walkin' After Midnight", "Sweet Dreams (Of You)", "Crazy", and "I Fall to Pieces".\r\n
      \r\n
      Producer Owen Bradley surrounds Cline's full-throated, emotionally charged vocals with lush, sophisticated arrangements that set the standard for Nashville's "countrypolitan" sound. And trust us, on this 200 gram QRP pressing, mastered by Sterling Sound, Cline's seductive vocals have never sounded clearer or richer. And the packaging on this release is as deluxe as the audio. Analogue Productions has reissued this classic LP in a new deluxe tip-on gatefold jacket. Inside you'll enjoy a spread of vivid color studio publicity shots of Patsy, courtesy of the Universal Music Archives.\r\n
      \r\n
      Cline's life and career has been the subject of numerous books, movies, documentaries, articles and stage plays. She has sold millions of albums through the past 50 years, giving her an iconic fan status, similar to that of country artists such as Johnny Cash and Dolly Parton. In 1992, the U.S. Postal Service honored her, along with Hank Williams, on a U.S. postage stamp. And in 1995 she was honored with a Grammy Lifetime Achievement Award. Cline was also honored with a star on the Hollywood Walk of Fame in 1999.\r\n
      \r\n
      Before Shania Twain found a new (though not necessarily improved) way to combine country and pop in the 1990s, this was the top selling country album of all time by a female artist.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Patsy Cline (vocals), Floyd Cramer (piano, organ), Ray Edenton, Randy Hughes (rhythm guitar), Harold Bradley (electric bass), Hank Garland, Grady Martin (electric guitar), Walter Haynes (steel guitar), Joe Jenkins, Bob Moore (acoustic bass)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=bsRNCvHXHHU"
    -referenceProduit: "AAPP 74854-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Walking After Midnight"
      ]
      [
        "ordre" => 2
        "nom" => "2. Sweet Dreams"
      ]
      [
        "ordre" => 3
        "nom" => "3. Crazy"
      ]
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        "ordre" => 4
        "nom" => "Side B :"
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      [
        "ordre" => 5
        "nom" => "1. I Fall To Pieces"
      ]
      [
        "ordre" => 6
        "nom" => "2. So Wrong"
      ]
      [
        "ordre" => 7
        "nom" => "3. Strange"
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        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Back In Baby’s Arms"
      ]
      [
        "ordre" => 10
        "nom" => "2. She’s Got You"
      ]
      [
        "ordre" => 11
        "nom" => "3. Faded Love"
      ]
      [
        "ordre" => 12
        "nom" => "Side D :"
      ]
      [
        "ordre" => 13
        "nom" => "1. Why Can’t He Be You"
      ]
      [
        "ordre" => 14
        "nom" => "2. You’re Stronger Than Me"
      ]
      [
        "ordre" => 15
        "nom" => "3. Leavin’ On Your Mind"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2211 …}
    -label: Proxies\__CG__\App\Entity\Label {#2214 …}
    -style: App\Entity\Style {#1492 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2216 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2218 …}
    -enregistreLe: DateTime @1438494993 {#2206
      date: 2015-08-02 05:56:33.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768899151 {#2207
      date: 2026-01-20 08:52:31.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-greatest-hits-aapp-74854-45"
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[
  "produit" => App\Entity\Produit {#2228
    -id: 1969
    -nom: "Bass On Top"
    -informationComplementaire: null
    -description: """
      All-Analog 180 gram Vinyl LP of Paul Chambers' Bass On Top Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI : Reference-Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley\r\n
      \r\n
      When jazz bass virtuoso Paul Chambers recorded Bass On Top, his third and final album as a leader for Blue Note, he was only 22 years old but already well established as one of the top bassists in jazz. This brilliantly seductive album features stalwarts Hank Jones on piano, Kenny Burrell on guitar, and Art Taylor on drums. Highlights include the chamber-jazz interpretation of Jerome Kern's "Yesterdays" and a lightly swinging version of "Dear Old Stockholm", a tune often associated with Miles Davis who was Chambers' employer at the time.\r\n
      \r\n
      Blue Note Records' acclaimed Tone Poet Audiophile Vinyl Reissue Series continues in 2021. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180 gram audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Paul Chambers (bass), Hank Jones (piano), Kenny Burrell (guitar), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=T-QDl5-QETQ"
    -referenceProduit: "Blue Note Tone Poet Series BN 4889"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Yesterdays"
      ]
      [
        "ordre" => 2
        "nom" => "2. You'd Be So Nice To Come Home To"
      ]
      [
        "ordre" => 3
        "nom" => "3. Chasin' The Bird"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Dear Old Stockholm"
      ]
      [
        "ordre" => 6
        "nom" => "2. The Theme"
      ]
      [
        "ordre" => 7
        "nom" => "3. Confessin'"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2230 …}
    -label: Proxies\__CG__\App\Entity\Label {#2233 …}
    -style: App\Entity\Style {#1502 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2235 …}
    -typeMasterTape: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2237 …}
    -enregistreLe: DateTime @1607891527 {#2225
      date: 2020-12-13 20:32:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768898881 {#2226
      date: 2026-01-20 08:48:01.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2239 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-bass-on-top-blue-note-tone-poet-series-bn-4889"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3668
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2703 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2228
    -id: 1969
    -nom: "Bass On Top"
    -informationComplementaire: null
    -description: """
      All-Analog 180 gram Vinyl LP of Paul Chambers' Bass On Top Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI : Reference-Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley\r\n
      \r\n
      When jazz bass virtuoso Paul Chambers recorded Bass On Top, his third and final album as a leader for Blue Note, he was only 22 years old but already well established as one of the top bassists in jazz. This brilliantly seductive album features stalwarts Hank Jones on piano, Kenny Burrell on guitar, and Art Taylor on drums. Highlights include the chamber-jazz interpretation of Jerome Kern's "Yesterdays" and a lightly swinging version of "Dear Old Stockholm", a tune often associated with Miles Davis who was Chambers' employer at the time.\r\n
      \r\n
      Blue Note Records' acclaimed Tone Poet Audiophile Vinyl Reissue Series continues in 2021. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180 gram audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Paul Chambers (bass), Hank Jones (piano), Kenny Burrell (guitar), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=T-QDl5-QETQ"
    -referenceProduit: "Blue Note Tone Poet Series BN 4889"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. Yesterdays"
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      [
        "ordre" => 2
        "nom" => "2. You'd Be So Nice To Come Home To"
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        "ordre" => 3
        "nom" => "3. Chasin' The Bird"
      ]
      [
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Dear Old Stockholm"
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      [
        "ordre" => 6
        "nom" => "2. The Theme"
      ]
      [
        "ordre" => 7
        "nom" => "3. Confessin'"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2230 …}
    -label: Proxies\__CG__\App\Entity\Label {#2233 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2242 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2235 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2237 …}
    -enregistreLe: DateTime @1607891527 {#2225
      date: 2020-12-13 20:32:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768898881 {#2226
      date: 2026-01-20 08:48:01.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2239 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bass-on-top-blue-note-tone-poet-series-bn-4889"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2471 …}
}

[
  "produit" => App\Entity\Produit {#2249
    -id: 1876
    -nom: "Flaming Pie  (Half-Speed Master Remastered Edition + Book)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Paul McCartney (electric & acoustic guitar, bass guitar, double bass, harmonium, drums, piano, percussion, twelve-string guitar, Spanish guitar, organ Hammond, knee slap, Fender Rhodes, harpsichord, vibraphone, mellotron, vocals), Jeff Lynne (electric & acoustic guitar, keyboards, spinette, harpsichord, backing vocals), Steve Miller (electric & acoustic guitar, rhythm guitar, lead vocal & backing vocal), Linda McCartney (backing vocals), James McCartney (electric guitar), Ringo Starr (drums, percussion, backing vocals), Chris 'Snake' Davis, Dave Bishop (saxophone), John Barclay, Kevin Robinson, Andrew Crowley, Mark Bennett  (trumpet), Richard Edwards, Andy Fawbert (trombone), Chris Laurence, Robin McGee (double bass), Skaila Kanga (harp), Roy Carter (oboe, English horn), Michael Thompson, Richard Bissill, Richard Watkins, John Pigneguy  (French horns), Michael Thompson, Richard Watkins, Nigel Black (horns), David Theodore (oboe), Gary Kettel (percussion). \r\n
      \r\n
      - Beloved 10th Solo Album On 180 gram Double LP !\r\n
      - Remastered & Cut at Half-Speed at Abbey Road Studios !\r\n
      \r\n
      Paul McCartney proudly announces the thirteenth installment in his GRAMMY Award-winning Archive Collection : On July 31, 2020, Paul's critically acclaimed and universally beloved tenth solo album Flaming Pie will be the latest to receive the Archive Collection treatment. Double LP of remastered album cut at half-speed on 180 gram vinyl; gatefold sleeve with booklet.\r\n
      \r\n
      Originally released May 5, 1997, Flaming Pie ended a four-year gap between McCartney studio albums. Recorded largely in the wake of Paul's involvement in the curation and release of The Beatles Anthology series, Flaming Pie was shaped and inspired by that experience, with Paul remarking at the time "(The Beatles Anthology) reminded me of The Beatles' standards and the standards that we reached with the songs. So in a way it was a refresher course that set the framework for this album".\r\n
      \r\n
      Produced by Paul, Jeff Lynne and George Martin and featuring a supporting cast of family and friends including Ringo Starr, Steve Miller, Linda McCartney and son James, Flaming Pie is equal parts a masterclass in songcraft and a sustained burst of joyful spontaneity. With highlights ranging from the uplifting and inspirational opener "The Song We Were Singing" to the raucous title track (named for a quote from an early John Lennon interview on the origin of The Beatles' name : "It came in a vision a man appeared on a flaming pie and said unto them, 'from this day on you are Beatles with an A.'" to the pensive "Calico Skies", and featuring singles "Young Boy", "The World Tonight" and "Beautiful Night", Flaming Pie would represent yet another pinnacle in Paul's solo catalogue : Released to rapturous reviews, the album would be Paul's most commercially successful release of the '90s, achieving his highest chart positions since the '80s and would receive gold certifications in the US, UK, Japan and more.\r\n
      \r\n
      The Paul McCartney Archive Collection debuted with the November 2, 2010 re-release of Paul McCartney and Wings' 1973 milestone Band on the Run, which won the 2010 GRAMMY Award for Best Historical Album, while the Archive Collection's Deluxe Edition Box Set of the 1976 classic Wings Over America took the 2013 GRAMMY for Best Boxed or Special Limited Edition Package. Every release in the ongoing Paul McCartney Archive Collection is supervised by Paul himself, who oversees all aspects of each and every title from remastering to the curation of lost tracks, outtakes, artwork, photographs and video from his personal vaults, and much more. The result is one of the most ambitious and personal undertakings of its kind, one that encompasses more than 50 years of cherished, classic material from the most successful songwriter and recording artist in music history.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Paul McCartney (electric & acoustic guitar, bass guitar, double bass, harmonium, drums, piano, percussion, twelve-string guitar, Spanish guitar, organ Hammond, knee slap, Fender Rhodes, harpsichord, vibraphone, mellotron, vocals)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=BHHtEsBWLVQ&list=RDBHHtEsBWLVQ&start_radio=1"
    -referenceProduit: "Capitol Records 1771"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Song We Were Singing"
      ]
      [
        "ordre" => 2
        "nom" => "2. The World Tonight"
      ]
      [
        "ordre" => 3
        "nom" => "3. If You Wanna"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Somedays"
      ]
      [
        "ordre" => 6
        "nom" => "2. Young Boy"
      ]
      [
        "ordre" => 7
        "nom" => "3. Calico Skies"
      ]
      [
        "ordre" => 8
        "nom" => "4. Flaming Pie"
      ]
      [
        "ordre" => 9
        "nom" => "Side C : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Heaven On A Sunday"
      ]
      [
        "ordre" => 11
        "nom" => "2. Used To Be Bad"
      ]
      [
        "ordre" => 12
        "nom" => "3. Souvenir"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Little Willow"
      ]
      [
        "ordre" => 15
        "nom" => "2. Really Love You"
      ]
      [
        "ordre" => 16
        "nom" => "3. Beautiful Night"
      ]
      [
        "ordre" => 17
        "nom" => "4. Great Day"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2251 …}
    -label: Proxies\__CG__\App\Entity\Label {#2254 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2263 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2256 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2258 …}
    -enregistreLe: DateTime @1592318365 {#2245
      date: 2020-06-16 14:39:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768897927 {#2244
      date: 2026-01-20 08:32:07.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2260 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-flaming-pie-half-speed-master-remastered-edition-book-capitol-records-1771"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3719
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2703 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2249
    -id: 1876
    -nom: "Flaming Pie  (Half-Speed Master Remastered Edition + Book)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Paul McCartney (electric & acoustic guitar, bass guitar, double bass, harmonium, drums, piano, percussion, twelve-string guitar, Spanish guitar, organ Hammond, knee slap, Fender Rhodes, harpsichord, vibraphone, mellotron, vocals), Jeff Lynne (electric & acoustic guitar, keyboards, spinette, harpsichord, backing vocals), Steve Miller (electric & acoustic guitar, rhythm guitar, lead vocal & backing vocal), Linda McCartney (backing vocals), James McCartney (electric guitar), Ringo Starr (drums, percussion, backing vocals), Chris 'Snake' Davis, Dave Bishop (saxophone), John Barclay, Kevin Robinson, Andrew Crowley, Mark Bennett  (trumpet), Richard Edwards, Andy Fawbert (trombone), Chris Laurence, Robin McGee (double bass), Skaila Kanga (harp), Roy Carter (oboe, English horn), Michael Thompson, Richard Bissill, Richard Watkins, John Pigneguy  (French horns), Michael Thompson, Richard Watkins, Nigel Black (horns), David Theodore (oboe), Gary Kettel (percussion). \r\n
      \r\n
      - Beloved 10th Solo Album On 180 gram Double LP !\r\n
      - Remastered & Cut at Half-Speed at Abbey Road Studios !\r\n
      \r\n
      Paul McCartney proudly announces the thirteenth installment in his GRAMMY Award-winning Archive Collection : On July 31, 2020, Paul's critically acclaimed and universally beloved tenth solo album Flaming Pie will be the latest to receive the Archive Collection treatment. Double LP of remastered album cut at half-speed on 180 gram vinyl; gatefold sleeve with booklet.\r\n
      \r\n
      Originally released May 5, 1997, Flaming Pie ended a four-year gap between McCartney studio albums. Recorded largely in the wake of Paul's involvement in the curation and release of The Beatles Anthology series, Flaming Pie was shaped and inspired by that experience, with Paul remarking at the time "(The Beatles Anthology) reminded me of The Beatles' standards and the standards that we reached with the songs. So in a way it was a refresher course that set the framework for this album".\r\n
      \r\n
      Produced by Paul, Jeff Lynne and George Martin and featuring a supporting cast of family and friends including Ringo Starr, Steve Miller, Linda McCartney and son James, Flaming Pie is equal parts a masterclass in songcraft and a sustained burst of joyful spontaneity. With highlights ranging from the uplifting and inspirational opener "The Song We Were Singing" to the raucous title track (named for a quote from an early John Lennon interview on the origin of The Beatles' name : "It came in a vision a man appeared on a flaming pie and said unto them, 'from this day on you are Beatles with an A.'" to the pensive "Calico Skies", and featuring singles "Young Boy", "The World Tonight" and "Beautiful Night", Flaming Pie would represent yet another pinnacle in Paul's solo catalogue : Released to rapturous reviews, the album would be Paul's most commercially successful release of the '90s, achieving his highest chart positions since the '80s and would receive gold certifications in the US, UK, Japan and more.\r\n
      \r\n
      The Paul McCartney Archive Collection debuted with the November 2, 2010 re-release of Paul McCartney and Wings' 1973 milestone Band on the Run, which won the 2010 GRAMMY Award for Best Historical Album, while the Archive Collection's Deluxe Edition Box Set of the 1976 classic Wings Over America took the 2013 GRAMMY for Best Boxed or Special Limited Edition Package. Every release in the ongoing Paul McCartney Archive Collection is supervised by Paul himself, who oversees all aspects of each and every title from remastering to the curation of lost tracks, outtakes, artwork, photographs and video from his personal vaults, and much more. The result is one of the most ambitious and personal undertakings of its kind, one that encompasses more than 50 years of cherished, classic material from the most successful songwriter and recording artist in music history.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Paul McCartney (electric & acoustic guitar, bass guitar, double bass, harmonium, drums, piano, percussion, twelve-string guitar, Spanish guitar, organ Hammond, knee slap, Fender Rhodes, harpsichord, vibraphone, mellotron, vocals)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=BHHtEsBWLVQ&list=RDBHHtEsBWLVQ&start_radio=1"
    -referenceProduit: "Capitol Records 1771"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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      [
        "ordre" => 1
        "nom" => "1. The Song We Were Singing"
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      [
        "ordre" => 2
        "nom" => "2. The World Tonight"
      ]
      [
        "ordre" => 3
        "nom" => "3. If You Wanna"
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      [
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Somedays"
      ]
      [
        "ordre" => 6
        "nom" => "2. Young Boy"
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      [
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        "nom" => "3. Calico Skies"
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        "ordre" => 8
        "nom" => "4. Flaming Pie"
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        "nom" => "Side C : "
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        "nom" => "1. Heaven On A Sunday"
      ]
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        "nom" => "2. Used To Be Bad"
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        "nom" => "3. Souvenir"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Little Willow"
      ]
      [
        "ordre" => 15
        "nom" => "2. Really Love You"
      ]
      [
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        "nom" => "3. Beautiful Night"
      ]
      [
        "ordre" => 17
        "nom" => "4. Great Day"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2251 …}
    -label: Proxies\__CG__\App\Entity\Label {#2254 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2263 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2256 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2258 …}
    -enregistreLe: DateTime @1592318365 {#2245
      date: 2020-06-16 14:39:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768897927 {#2244
      date: 2026-01-20 08:32:07.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-flaming-pie-half-speed-master-remastered-edition-book-capitol-records-1771"
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  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2471 …}
}

[
  "produit" => App\Entity\Produit {#2268
    -id: 1511
    -nom: "Wings Over America"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Paul McCartney (bass guitar, piano, guitar, lead vocals), Linda McCartney (keyboards, backing vocals), Denny Laine (guitar, bass, keyboards, backing vocals), Jimmy McCulloch (lead guitar), Joe English (drums), Tony Dorsey, Howie Casey (saxophone), Thaddeus Richard (trumpet), Steve Howard (trombone).\r\n
      \r\n
      - 180 gram triple LP Wings Over America !\r\n
      - Remastered at Abbey Road Studios !\r\n
      - Includes original souvenir poster !\r\n
      - Includes Venus And Mars / Rock Show / Jet, and Listen To What The Man Said !\r\n
      \r\n
      Paul McCartney & Wings fans Paul McCartney has announced updated releases of four albums capturing performances that span from his 1975-'76 return to U.S. arenas with Wings, to his intimate 2007 set at Amoeba records in Los Angeles.\r\n
      \r\n
      The albums in the collection are the first full length commercial release of Amoeba Gig, from 2007; the 1993 concert album Paul Is Live; the live-in-the-studio set of 1988, Choba B CCCP; and the chart-topping triple LP of 1976, Wings Over America. The releases thus capture landmark shows in McCartney's unrivalled history over a period of more than 30 years, and will be issued by MPL / Capitol/ Universal Music Enterprises.\r\n
      \r\n
      The triple LP Wings Over America documented one of the most ambitious and expansive world tours ever mounted to that point, and was recorded on the North American leg of the Wings Over The World excursion. That saw McCartney and the band perform for over 600000 people at 31 shows in the US and Canada, culminating in three concerts at The Forum in Los Angeles.\r\n
      \r\n
      The album was last reissued in 2013 as part of the Paul McCartney Archive Collection series, and won a Grammy for Boxed or Special Limited-Edition Package. Wings Over America is presented here as a 180 gram (3 LP) black vinyl set. A souvenir poster is included.
      """
    -prixVente: "99.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=N9G41dUBEdo&list=RDN9G41dUBEdo&start_radio=1"
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      [
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      [
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        "nom" => "4. Medicine Jar"
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      [
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        "nom" => "Side B : "
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      [
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        "nom" => "1. Maybe I'm Amazed"
      ]
      [
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        "nom" => "2. Call Me Back Again"
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      [
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        "nom" => "3. Lady Madonna"
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      [
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        "nom" => "4. The Long And Winding Road"
      ]
      [
        "ordre" => 10
        "nom" => "5. Live And Let Die"
      ]
      [
        "ordre" => 11
        "nom" => "Side C :"
      ]
      [
        "ordre" => 12
        "nom" => "1. Picasso's Last Words"
      ]
      [
        "ordre" => 13
        "nom" => "2. Richard Cory"
      ]
      [
        "ordre" => 14
        "nom" => "3. Bluebird"
      ]
      [
        "ordre" => 15
        "nom" => "4. I've Just Seen A Face"
      ]
      [
        "ordre" => 16
        "nom" => "5. Blackbird"
      ]
      [
        "ordre" => 17
        "nom" => "Yesterday"
      ]
      [
        "ordre" => 18
        "nom" => "Side D : "
      ]
      [
        "ordre" => 19
        "nom" => "1. You Gave Me The Answer"
      ]
      [
        "ordre" => 20
        "nom" => "2. Magneto And Titanium Man"
      ]
      [
        "ordre" => 21
        "nom" => "3. Go Now"
      ]
      [
        "ordre" => 22
        "nom" => "4. My Love"
      ]
      [
        "ordre" => 23
        "nom" => "5. Listen To What The Man Said"
      ]
      [
        "ordre" => 24
        "nom" => "Side E :"
      ]
      [
        "ordre" => 25
        "nom" => "1. Let 'Em In"
      ]
      [
        "ordre" => 26
        "nom" => "2. Time To Hide"
      ]
      [
        "ordre" => 27
        "nom" => "3. Silly Love Songs"
      ]
      [
        "ordre" => 28
        "nom" => "4. Beware My Love"
      ]
      [
        "ordre" => 29
        "nom" => "Side F : "
      ]
      [
        "ordre" => 30
        "nom" => "1. Letting Go"
      ]
      [
        "ordre" => 31
        "nom" => "2. Band On The Run"
      ]
      [
        "ordre" => 32
        "nom" => "3. Hi, Hi, Hi"
      ]
      [
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        "nom" => "4. Soily"
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      [
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      [
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      [
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        "nom" => ""
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      [
        "ordre" => 40
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2270 …}
    -label: Proxies\__CG__\App\Entity\Label {#2254 …}
    -style: App\Entity\Style {#1506 …}
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    -modifierLe: DateTime @1768897585 {#2266
      date: 2026-01-20 08:26:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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]

App\Twig\Components\GestionPanierFavoriComponents {#3770
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2703 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2268
    -id: 1511
    -nom: "Wings Over America"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Paul McCartney (bass guitar, piano, guitar, lead vocals), Linda McCartney (keyboards, backing vocals), Denny Laine (guitar, bass, keyboards, backing vocals), Jimmy McCulloch (lead guitar), Joe English (drums), Tony Dorsey, Howie Casey (saxophone), Thaddeus Richard (trumpet), Steve Howard (trombone).\r\n
      \r\n
      - 180 gram triple LP Wings Over America !\r\n
      - Remastered at Abbey Road Studios !\r\n
      - Includes original souvenir poster !\r\n
      - Includes Venus And Mars / Rock Show / Jet, and Listen To What The Man Said !\r\n
      \r\n
      Paul McCartney & Wings fans Paul McCartney has announced updated releases of four albums capturing performances that span from his 1975-'76 return to U.S. arenas with Wings, to his intimate 2007 set at Amoeba records in Los Angeles.\r\n
      \r\n
      The albums in the collection are the first full length commercial release of Amoeba Gig, from 2007; the 1993 concert album Paul Is Live; the live-in-the-studio set of 1988, Choba B CCCP; and the chart-topping triple LP of 1976, Wings Over America. The releases thus capture landmark shows in McCartney's unrivalled history over a period of more than 30 years, and will be issued by MPL / Capitol/ Universal Music Enterprises.\r\n
      \r\n
      The triple LP Wings Over America documented one of the most ambitious and expansive world tours ever mounted to that point, and was recorded on the North American leg of the Wings Over The World excursion. That saw McCartney and the band perform for over 600000 people at 31 shows in the US and Canada, culminating in three concerts at The Forum in Los Angeles.\r\n
      \r\n
      The album was last reissued in 2013 as part of the Paul McCartney Archive Collection series, and won a Grammy for Boxed or Special Limited-Edition Package. Wings Over America is presented here as a 180 gram (3 LP) black vinyl set. A souvenir poster is included.
      """
    -prixVente: "99.50"
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    -musicienOrchestre: "Paul McCartney (bass guitar, piano, guitar, lead vocals), Linda McCartney (keyboards, backing vocals), Denny Laine (guitar, bass, keyboards, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=N9G41dUBEdo&list=RDN9G41dUBEdo&start_radio=1"
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        "nom" => "5. Blackbird"
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        "nom" => "Yesterday"
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        "nom" => "Side D : "
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        "nom" => "1. You Gave Me The Answer"
      ]
      [
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        "nom" => "2. Magneto And Titanium Man"
      ]
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        "nom" => "3. Go Now"
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      [
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        "nom" => "4. My Love"
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      [
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        "nom" => "5. Listen To What The Man Said"
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        "nom" => "Side E :"
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        "nom" => "3. Silly Love Songs"
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        "nom" => "4. Beware My Love"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2270 …}
    -label: Proxies\__CG__\App\Entity\Label {#2254 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2279 …}
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    -modifierLe: DateTime @1768897585 {#2266
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2471 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3971
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2471 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3972 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4020 …}
  +isValidated: false
  +validatedFields: []
}