Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2570
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2647
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2650 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
  -formView: Symfony\Component\Form\FormView {#2686 …}
  -form: Symfony\Component\Form\Form {#2836 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 1440
    -nom: "The Cars"
    -informationComplementaire: "Réédition"
    -description: """
      - Let the Good Times Roll : Mastered from the Original Master Tapes, Vinyl LP Sounds Amazing !\r\n
      - The Cars' Classic 1978 Debut a Veritable Greatest Hits Album: Nearly Every Song a Radio Staple !\r\n
      - "My Best Friend's Girl, ,"Just What I Needed", "You're All I've Got Tonight" Among the Tunes on the Hit Parade !\r\n
      - 1/4" / 15 IPS analog master to analog console to lathe !\r\n
      \r\n
      One of the most successful and enjoyable debuts in history, The Cars' self-titled album doubles as a greatest-hits collection. That's because not one song here is unrecognized or unknown. A huge reason why the Boston quintet became America's most popular new-wave band, The Cars launched eight tracks still regularly heard on radio stations everywhere. Consider the hit list: "You're All I've Got Tonight". "Good Times Roll", "Just What I Needed", "Moving in Stereo", "My Best Friend's Girl", "Don't Cha Stop", If you're a fan of pop music, this album is mandatory. Just call it the best new-wave rock album ever made.\r\n
      \r\n
      Led by Ric Ocasek and Benjamin Orr, the Cars managed to unite then-disparate styles : bubblegum pop melodies, angular art rock, progressive arrangements, and terse minimalism. Orr's low, understated singing and Ocasek's cool, detached vocals lend shades of doubt and double meaning to the lyrics, which are further counterbalanced by orchestral keyboard flourishes and electronic beats. The brilliant arrangements also benefit from a laidback cool and understated irony that remain uncommon in the over-the-top world of mainstream music. Obsessed with incorporating the latest technologies and sounds into its palette, the band spiced its tunes with delightfully quirky accents country-tinged guitar fills, echoing Syndrums, reggae splashes, hard-rock tones, robotic pulses.\r\n
      \r\n
      The results are the sounds of a creative landmark. At once accessible and eccentric, edgy and catchy, The Cars explodes with emotion, energy, and hooks. It's impossible not to get caught up humming and singing along to every song, an appeal that comes courtesy of Roy Thomas Baker's stellar production. The legendary producer, best known for his work with Queen, ensured that the record seamlessly packed a smooth midrange, spacious imaging, and call-and-answer choruses in one tight package. Baker's trademark touches with harmony vocals abound.\r\n
      \r\n
      And now, The Cars sounds better than it has in any previous incarnation. Mastered from the original analog tapes, Mobile Fidelity's numbered-edition LP allows the music's oscillating rhythms, futuristic keyboard passages, panned stereo images, and rippling textures to be experienced like never before. The songs take on a surreal quality, the Cars manipulating the vibrant music at will to mesmerize the listeners' senses and hold them at bay. Mobile Fidelity's pressing epitomizes the sensation of "moving in stereo !".\r\n
      \r\n
      "The MoFi disc is much better than the original in every way. It's more dynamic, much more natural on top, and all three dimensions have a lot bigger space. This disc is great from start to finish, but "Moving in Stereo" will blow you away on a great system in a big room".  - Jeff Dorgay, TONE Audio, Issue 23
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Benjamin Orr (bass, vocals), Ric Ocasek (guitar, vocals), Elliot Easton (lead guitar, backing vocals), Greg Hawkes (keyboards, saxophone, percussion, backing vocals), David Robinson (percussion, drums, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZTkH1kP_kx4"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-274"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Good Times Roll "
        "ordre" => 1
      ]
      [
        "nom" => "2. My Best Friend's Girl "
        "ordre" => 2
      ]
      [
        "nom" => "3. Just What I Needed "
        "ordre" => 3
      ]
      [
        "nom" => "4. I'm in Touch With Your World "
        "ordre" => 4
      ]
      [
        "nom" => "5. Don't Cha Stop "
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. You're All I've Got Tonight "
        "ordre" => 7
      ]
      [
        "nom" => "2. Bye Bye Love "
        "ordre" => 8
      ]
      [
        "nom" => "3. Moving in Stereo "
        "ordre" => 9
      ]
      [
        "nom" => "4. All Mixed Up"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1543244783 {#1875
      date: 2018-11-26 15:06:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762813979 {#1868
      date: 2025-11-10 22:32:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-cars-mobile-fidelity-sound-lab-mfsl-1-274"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3111
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 1440
    -nom: "The Cars"
    -informationComplementaire: "Réédition"
    -description: """
      - Let the Good Times Roll : Mastered from the Original Master Tapes, Vinyl LP Sounds Amazing !\r\n
      - The Cars' Classic 1978 Debut a Veritable Greatest Hits Album: Nearly Every Song a Radio Staple !\r\n
      - "My Best Friend's Girl, ,"Just What I Needed", "You're All I've Got Tonight" Among the Tunes on the Hit Parade !\r\n
      - 1/4" / 15 IPS analog master to analog console to lathe !\r\n
      \r\n
      One of the most successful and enjoyable debuts in history, The Cars' self-titled album doubles as a greatest-hits collection. That's because not one song here is unrecognized or unknown. A huge reason why the Boston quintet became America's most popular new-wave band, The Cars launched eight tracks still regularly heard on radio stations everywhere. Consider the hit list: "You're All I've Got Tonight". "Good Times Roll", "Just What I Needed", "Moving in Stereo", "My Best Friend's Girl", "Don't Cha Stop", If you're a fan of pop music, this album is mandatory. Just call it the best new-wave rock album ever made.\r\n
      \r\n
      Led by Ric Ocasek and Benjamin Orr, the Cars managed to unite then-disparate styles : bubblegum pop melodies, angular art rock, progressive arrangements, and terse minimalism. Orr's low, understated singing and Ocasek's cool, detached vocals lend shades of doubt and double meaning to the lyrics, which are further counterbalanced by orchestral keyboard flourishes and electronic beats. The brilliant arrangements also benefit from a laidback cool and understated irony that remain uncommon in the over-the-top world of mainstream music. Obsessed with incorporating the latest technologies and sounds into its palette, the band spiced its tunes with delightfully quirky accents country-tinged guitar fills, echoing Syndrums, reggae splashes, hard-rock tones, robotic pulses.\r\n
      \r\n
      The results are the sounds of a creative landmark. At once accessible and eccentric, edgy and catchy, The Cars explodes with emotion, energy, and hooks. It's impossible not to get caught up humming and singing along to every song, an appeal that comes courtesy of Roy Thomas Baker's stellar production. The legendary producer, best known for his work with Queen, ensured that the record seamlessly packed a smooth midrange, spacious imaging, and call-and-answer choruses in one tight package. Baker's trademark touches with harmony vocals abound.\r\n
      \r\n
      And now, The Cars sounds better than it has in any previous incarnation. Mastered from the original analog tapes, Mobile Fidelity's numbered-edition LP allows the music's oscillating rhythms, futuristic keyboard passages, panned stereo images, and rippling textures to be experienced like never before. The songs take on a surreal quality, the Cars manipulating the vibrant music at will to mesmerize the listeners' senses and hold them at bay. Mobile Fidelity's pressing epitomizes the sensation of "moving in stereo !".\r\n
      \r\n
      "The MoFi disc is much better than the original in every way. It's more dynamic, much more natural on top, and all three dimensions have a lot bigger space. This disc is great from start to finish, but "Moving in Stereo" will blow you away on a great system in a big room".  - Jeff Dorgay, TONE Audio, Issue 23
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Benjamin Orr (bass, vocals), Ric Ocasek (guitar, vocals), Elliot Easton (lead guitar, backing vocals), Greg Hawkes (keyboards, saxophone, percussion, backing vocals), David Robinson (percussion, drums, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZTkH1kP_kx4"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-274"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Good Times Roll "
        "ordre" => 1
      ]
      [
        "nom" => "2. My Best Friend's Girl "
        "ordre" => 2
      ]
      [
        "nom" => "3. Just What I Needed "
        "ordre" => 3
      ]
      [
        "nom" => "4. I'm in Touch With Your World "
        "ordre" => 4
      ]
      [
        "nom" => "5. Don't Cha Stop "
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. You're All I've Got Tonight "
        "ordre" => 7
      ]
      [
        "nom" => "2. Bye Bye Love "
        "ordre" => 8
      ]
      [
        "nom" => "3. Moving in Stereo "
        "ordre" => 9
      ]
      [
        "nom" => "4. All Mixed Up"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1543244783 {#1875
      date: 2018-11-26 15:06:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762813979 {#1868
      date: 2025-11-10 22:32:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-cars-mobile-fidelity-sound-lab-mfsl-1-274"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 957
    -nom: "Heartbeat City"
    -informationComplementaire: null
    -description: """
      Loaded With Recognizable Hits : "Drive", "You Might Think", "Magic", "Hello Again", and "Why Can't I Have You" All Top 40 Singles !\r\n
      \r\n
      1984 will always be remembered for the debut of the Macintosh computer, the Summer Olympics in Los Angeles, and the ascent of MTV as the most powerful cultural medium of the era. The year is also recognized for the Cars' savvy contributions not only to the burgeoning music-video channel but to pop itself. Released in April, the four-times platinum Heartbeat City ultimately spawned five Top 40 singles four of them landing in the Top 20, two in the Top 10 and serve as the final memorable record from the Boston group, which disbanded in 1987.\r\n
      \r\n
      Signifying the first time the set has been available on vinyl in nearly three decades, this reissue opens up the soundstages, decongests the low frequencies, and shines a spotlight on Mutt Lange's pinpoint balances and glossy hooks. Indeed, the now-household-name producer would make a lasting mark with Heartbeat City, whose radio-friendly sound, multi-layered textures, and smooth, suave, synth-heavy pulses set a precedent for the period's hit-making pop.\r\n
      \r\n
      Overflowing with a surfeit of finger-snapping beats, electro-pop effects, streamlined guitar notes, and bright melodies, Heartbeat City trades in efficiency, catchiness, and to-the-point craftiness. Unlike most mid-80s records, the electronic effects and sleek tonalities aren't dated due to both the focused production and irresistible songwriting. Leader Ric Ocasek penned all ten tunes, and while a mind-boggling five charted in the Top 40, what makes Heartbeat City such a staple is the fact that it's easy to imagine every song on it crashing the Billboard Hot 100. Call it the new-wave version of Thriller.\r\n
      \r\n
      Indeed, the record's track list automatically triggers a mental jukebox. The spare simplicity and hopefulness of "Magic". The simultaneously sad longing and soothing somberness of the Benjamin Orr-sung "Drive". The shimmer and shuffling riff of "You Might Think". The ping-pong bounce and futuristic paranoia of "Hello Again". The atmospheric, arty title track. Heartbeat City is a veritable lesson in pop tunesmithship.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "Elliot Easton (lead guitar, backing vocals), Benjamin Orr (bass, lead vocals), Ric Ocasek (guitar, synthesizer, lead vocals), Greg Hawkes (keyboards, backing vocals), David Robinson (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gKIJVKzgoSc"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-442"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Hello Again"
        "ordre" => 1
      ]
      [
        "nom" => "2. Looking for Love"
        "ordre" => 2
      ]
      [
        "nom" => "3. Magic"
        "ordre" => 3
      ]
      [
        "nom" => "4. Drive"
        "ordre" => 4
      ]
      [
        "nom" => "5. Stranger Eyes"
        "ordre" => 5
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
      [
        "nom" => "1. You Might Think"
        "ordre" => 7
      ]
      [
        "nom" => "2. It’s Not the Night"
        "ordre" => 8
      ]
      [
        "nom" => "3. Why Can’t I Have You"
        "ordre" => 9
      ]
      [
        "nom" => "4. I Refuse"
        "ordre" => 10
      ]
      [
        "nom" => "5. Heartbeat City"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2052 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2045 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2047 …}
    -enregistreLe: DateTime @1467403572 {#2041
      date: 2016-07-01 20:06:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762813664 {#2042
      date: 2025-11-10 22:27:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2049 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-heartbeat-city-mobile-fidelity-sound-lab-mfsl-1-442"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3227
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 957
    -nom: "Heartbeat City"
    -informationComplementaire: null
    -description: """
      Loaded With Recognizable Hits : "Drive", "You Might Think", "Magic", "Hello Again", and "Why Can't I Have You" All Top 40 Singles !\r\n
      \r\n
      1984 will always be remembered for the debut of the Macintosh computer, the Summer Olympics in Los Angeles, and the ascent of MTV as the most powerful cultural medium of the era. The year is also recognized for the Cars' savvy contributions not only to the burgeoning music-video channel but to pop itself. Released in April, the four-times platinum Heartbeat City ultimately spawned five Top 40 singles four of them landing in the Top 20, two in the Top 10 and serve as the final memorable record from the Boston group, which disbanded in 1987.\r\n
      \r\n
      Signifying the first time the set has been available on vinyl in nearly three decades, this reissue opens up the soundstages, decongests the low frequencies, and shines a spotlight on Mutt Lange's pinpoint balances and glossy hooks. Indeed, the now-household-name producer would make a lasting mark with Heartbeat City, whose radio-friendly sound, multi-layered textures, and smooth, suave, synth-heavy pulses set a precedent for the period's hit-making pop.\r\n
      \r\n
      Overflowing with a surfeit of finger-snapping beats, electro-pop effects, streamlined guitar notes, and bright melodies, Heartbeat City trades in efficiency, catchiness, and to-the-point craftiness. Unlike most mid-80s records, the electronic effects and sleek tonalities aren't dated due to both the focused production and irresistible songwriting. Leader Ric Ocasek penned all ten tunes, and while a mind-boggling five charted in the Top 40, what makes Heartbeat City such a staple is the fact that it's easy to imagine every song on it crashing the Billboard Hot 100. Call it the new-wave version of Thriller.\r\n
      \r\n
      Indeed, the record's track list automatically triggers a mental jukebox. The spare simplicity and hopefulness of "Magic". The simultaneously sad longing and soothing somberness of the Benjamin Orr-sung "Drive". The shimmer and shuffling riff of "You Might Think". The ping-pong bounce and futuristic paranoia of "Hello Again". The atmospheric, arty title track. Heartbeat City is a veritable lesson in pop tunesmithship.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "Elliot Easton (lead guitar, backing vocals), Benjamin Orr (bass, lead vocals), Ric Ocasek (guitar, synthesizer, lead vocals), Greg Hawkes (keyboards, backing vocals), David Robinson (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gKIJVKzgoSc"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-442"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Hello Again"
        "ordre" => 1
      ]
      [
        "nom" => "2. Looking for Love"
        "ordre" => 2
      ]
      [
        "nom" => "3. Magic"
        "ordre" => 3
      ]
      [
        "nom" => "4. Drive"
        "ordre" => 4
      ]
      [
        "nom" => "5. Stranger Eyes"
        "ordre" => 5
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
      [
        "nom" => "1. You Might Think"
        "ordre" => 7
      ]
      [
        "nom" => "2. It’s Not the Night"
        "ordre" => 8
      ]
      [
        "nom" => "3. Why Can’t I Have You"
        "ordre" => 9
      ]
      [
        "nom" => "4. I Refuse"
        "ordre" => 10
      ]
      [
        "nom" => "5. Heartbeat City"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2052 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2045 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2047 …}
    -enregistreLe: DateTime @1467403572 {#2041
      date: 2016-07-01 20:06:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762813664 {#2042
      date: 2025-11-10 22:27:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2049 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-heartbeat-city-mobile-fidelity-sound-lab-mfsl-1-442"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

[
  "produit" => App\Entity\Produit {#2057
    -id: 532
    -nom: "L.A. Woman"
    -informationComplementaire: null
    -description: """
      - Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer / engineer.\r\n
      - Two 45 RPM LPs pressed on 200 gram vinyl at Quality Record Pressings/Also on Hybrid Multichannel SACD !\r\n
      - Deluxe gatefold jacket !\r\n
      - Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings !\r\n
      \r\n
      The title track from this, the last Doors album recorded with Jim Morrison, who died shortly after it was released, has, said one reviewer, “maybe the best Chuck Berry riffs since the Stones”. And that’s not even mentioning “Love Her Madly”, which became one of the highest charting hits for The Doors.\r\n
      \r\n
      “Love Her Madly”, was written by Doors guitarist Robbie Krieger, who is said to have penned the song about the numerous times his girlfriend threatened to leave him.  The song peaked at N° 11 on the Billboard Hot 100 singles chart  and reached N° 3 in Canada.\r\n
      L.A. Woman was still high on the charts when, like in the lyric “actor out on loan” of its closing track  the celebrated “Riders on the Storm”, Jim Morrison died in a Paris bathtub in the summer of 1971.\r\n
      \r\n
      Via such tracks as “The Changeling”, “Crawling King Snake”, and the frothy, rollicking title track, the collection leaned heavily toward the Blues in particular, Morrison’s boastful “Lizard King” brand of it. All-in-all, Rolling Stone proclaimed L.A. Woman, “The Doors’ greatest album, including their first”, and “A landmark worthy of dancing in the streets”.\r\n
      \r\n
      Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman are featured on 200 gram vinyl, pressed at 45 RPM. All six are also available on Multichannel SACD ! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.\r\n
      \r\n
      This is no time to wallow in the mire. The Doors are on Analogue Productions !\r\n
      \r\n
      Originally released in 1971
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (keyboards),? Robby Krieger (guitar),? Jerry Scheff (bass), ?Marc Benno (rhythm guitar), John Densmore (drums),??"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=EHwHLy9JptU"
    -referenceProduit: "Analogue Productions AAPP 75011-45"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. The Changeling"
        "ordre" => 1
      ]
      [
        "nom" => "2. Love Her Madly"
        "ordre" => 2
      ]
      [
        "nom" => "3. Been Down So Long"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Cars Hiss By My Window"
        "ordre" => 5
      ]
      [
        "nom" => "2. L.A. Woman"
        "ordre" => 6
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "1. L’America"
        "ordre" => 8
      ]
      [
        "nom" => "2. Hyacinth House"
        "ordre" => 9
      ]
      [
        "nom" => "3. Crawling King Snake"
        "ordre" => 10
      ]
      [
        "nom" => "Side D :"
        "ordre" => 11
      ]
      [
        "nom" => "1. The WASP (Texas Radio And The Big Beat)"
        "ordre" => 12
      ]
      [
        "nom" => "2. Riders On The Storm"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2059 …}
    -label: Proxies\__CG__\App\Entity\Label {#2062 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2064 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2066 …}
    -enregistreLe: DateTime @1345021110 {#2054
      date: 2012-08-15 08:58:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762686297 {#2055
      date: 2025-11-09 11:04:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2068 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-l-a-woman-analogue-productions-aapp-75011-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3273
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2057
    -id: 532
    -nom: "L.A. Woman"
    -informationComplementaire: null
    -description: """
      - Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer / engineer.\r\n
      - Two 45 RPM LPs pressed on 200 gram vinyl at Quality Record Pressings/Also on Hybrid Multichannel SACD !\r\n
      - Deluxe gatefold jacket !\r\n
      - Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings !\r\n
      \r\n
      The title track from this, the last Doors album recorded with Jim Morrison, who died shortly after it was released, has, said one reviewer, “maybe the best Chuck Berry riffs since the Stones”. And that’s not even mentioning “Love Her Madly”, which became one of the highest charting hits for The Doors.\r\n
      \r\n
      “Love Her Madly”, was written by Doors guitarist Robbie Krieger, who is said to have penned the song about the numerous times his girlfriend threatened to leave him.  The song peaked at N° 11 on the Billboard Hot 100 singles chart  and reached N° 3 in Canada.\r\n
      L.A. Woman was still high on the charts when, like in the lyric “actor out on loan” of its closing track  the celebrated “Riders on the Storm”, Jim Morrison died in a Paris bathtub in the summer of 1971.\r\n
      \r\n
      Via such tracks as “The Changeling”, “Crawling King Snake”, and the frothy, rollicking title track, the collection leaned heavily toward the Blues in particular, Morrison’s boastful “Lizard King” brand of it. All-in-all, Rolling Stone proclaimed L.A. Woman, “The Doors’ greatest album, including their first”, and “A landmark worthy of dancing in the streets”.\r\n
      \r\n
      Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman are featured on 200 gram vinyl, pressed at 45 RPM. All six are also available on Multichannel SACD ! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.\r\n
      \r\n
      This is no time to wallow in the mire. The Doors are on Analogue Productions !\r\n
      \r\n
      Originally released in 1971
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (keyboards),? Robby Krieger (guitar),? Jerry Scheff (bass), ?Marc Benno (rhythm guitar), John Densmore (drums),??"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=EHwHLy9JptU"
    -referenceProduit: "Analogue Productions AAPP 75011-45"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. The Changeling"
        "ordre" => 1
      ]
      [
        "nom" => "2. Love Her Madly"
        "ordre" => 2
      ]
      [
        "nom" => "3. Been Down So Long"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Cars Hiss By My Window"
        "ordre" => 5
      ]
      [
        "nom" => "2. L.A. Woman"
        "ordre" => 6
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "1. L’America"
        "ordre" => 8
      ]
      [
        "nom" => "2. Hyacinth House"
        "ordre" => 9
      ]
      [
        "nom" => "3. Crawling King Snake"
        "ordre" => 10
      ]
      [
        "nom" => "Side D :"
        "ordre" => 11
      ]
      [
        "nom" => "1. The WASP (Texas Radio And The Big Beat)"
        "ordre" => 12
      ]
      [
        "nom" => "2. Riders On The Storm"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2059 …}
    -label: Proxies\__CG__\App\Entity\Label {#2062 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2064 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2066 …}
    -enregistreLe: DateTime @1345021110 {#2054
      date: 2012-08-15 08:58:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762686297 {#2055
      date: 2025-11-09 11:04:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2068 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-l-a-woman-analogue-productions-aapp-75011-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

[
  "produit" => App\Entity\Produit {#2076
    -id: 1351
    -nom: "Burrito Deluxe"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Gram Parsons (vocals, piano), Chris Hillman (vocals, bass, mandolin), Bernie Leadon (guitar, dobro), Leon Russell (piano),  Leopoldo C. Carbajal (accordion), Buddy Childers (cornet, flugelhorn), Tommy Johnson (tuba), Byron Berline (fiddle), 'Sneeky' Pete Kleinow (pedal steel), Frank Blanco (percussion), Michael Clarke (drums)\r\n
      \r\n
      Burrito Deluxe is the second and final hot Burrito made while the band was still led by former Byrds member Gram Parsons. The Flying Burrito Bros. are widely viewed as the inventors of country rock and are one of the most influential bands of all time. Burrito Deluxe is another classic full of great tunes written and sung by Parsons and Hillman.\r\n
      \r\n
      Burrito Deluxe is 100 % Analog Mastered by Kevin Gray at CoHEARent Audio from the best source available a phenomenal sounding 1/2" safety copy of the original stereo master tape. Intervention's remastering preserves all of the top-end energy and “snap” of the original A&M album, while the bass foundation is fully restored to make this new Intervention reissue the definitive listening experience.
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Gram Parsons (vocals, piano), Chris Hillman (vocals, bass, mandolin), Bernie Leadon (guitar, dobro), Leon Russell (piano),  Leopoldo C. Carbajal (accordion), Buddy Childers (cornet, flugelhorn), Tommy Johnson (tuba), Byron Berline (fiddle)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fgFc_b6ZdqE"
    -referenceProduit: "Intervention Records 022"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Lazy Days"
        "ordre" => 1
      ]
      [
        "nom" => "2. Image of Me"
        "ordre" => 2
      ]
      [
        "nom" => "3. High Fashion Queen"
        "ordre" => 3
      ]
      [
        "nom" => "4. If You Gotta Go"
        "ordre" => 4
      ]
      [
        "nom" => "5. Man In the Fog"
        "ordre" => 5
      ]
      [
        "nom" => "6. Farther Along"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Older Guys"
        "ordre" => 8
      ]
      [
        "nom" => "2. Cody, Cody"
        "ordre" => 9
      ]
      [
        "nom" => "3. God's Own Singer"
        "ordre" => 10
      ]
      [
        "nom" => "4. Down In the Churchyard"
        "ordre" => 11
      ]
      [
        "nom" => "5. Wild Horses"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2078 …}
    -label: Proxies\__CG__\App\Entity\Label {#2081 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2090 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2083 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2085 …}
    -enregistreLe: DateTime @1538719602 {#2073
      date: 2018-10-05 06:06:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762683872 {#2074
      date: 2025-11-09 10:24:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2087 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-burrito-deluxe-intervention-records-022"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3324
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2076
    -id: 1351
    -nom: "Burrito Deluxe"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Gram Parsons (vocals, piano), Chris Hillman (vocals, bass, mandolin), Bernie Leadon (guitar, dobro), Leon Russell (piano),  Leopoldo C. Carbajal (accordion), Buddy Childers (cornet, flugelhorn), Tommy Johnson (tuba), Byron Berline (fiddle), 'Sneeky' Pete Kleinow (pedal steel), Frank Blanco (percussion), Michael Clarke (drums)\r\n
      \r\n
      Burrito Deluxe is the second and final hot Burrito made while the band was still led by former Byrds member Gram Parsons. The Flying Burrito Bros. are widely viewed as the inventors of country rock and are one of the most influential bands of all time. Burrito Deluxe is another classic full of great tunes written and sung by Parsons and Hillman.\r\n
      \r\n
      Burrito Deluxe is 100 % Analog Mastered by Kevin Gray at CoHEARent Audio from the best source available a phenomenal sounding 1/2" safety copy of the original stereo master tape. Intervention's remastering preserves all of the top-end energy and “snap” of the original A&M album, while the bass foundation is fully restored to make this new Intervention reissue the definitive listening experience.
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Gram Parsons (vocals, piano), Chris Hillman (vocals, bass, mandolin), Bernie Leadon (guitar, dobro), Leon Russell (piano),  Leopoldo C. Carbajal (accordion), Buddy Childers (cornet, flugelhorn), Tommy Johnson (tuba), Byron Berline (fiddle)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fgFc_b6ZdqE"
    -referenceProduit: "Intervention Records 022"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Lazy Days"
        "ordre" => 1
      ]
      [
        "nom" => "2. Image of Me"
        "ordre" => 2
      ]
      [
        "nom" => "3. High Fashion Queen"
        "ordre" => 3
      ]
      [
        "nom" => "4. If You Gotta Go"
        "ordre" => 4
      ]
      [
        "nom" => "5. Man In the Fog"
        "ordre" => 5
      ]
      [
        "nom" => "6. Farther Along"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Older Guys"
        "ordre" => 8
      ]
      [
        "nom" => "2. Cody, Cody"
        "ordre" => 9
      ]
      [
        "nom" => "3. God's Own Singer"
        "ordre" => 10
      ]
      [
        "nom" => "4. Down In the Churchyard"
        "ordre" => 11
      ]
      [
        "nom" => "5. Wild Horses"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2078 …}
    -label: Proxies\__CG__\App\Entity\Label {#2081 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2090 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2083 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2085 …}
    -enregistreLe: DateTime @1538719602 {#2073
      date: 2018-10-05 06:06:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762683872 {#2074
      date: 2025-11-09 10:24:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2087 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-burrito-deluxe-intervention-records-022"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

[
  "produit" => App\Entity\Produit {#2095
    -id: 1895
    -nom: "The Gilded Palace Of Sin"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Gram Parsons (acoustic guitar, piano, organ, vocals), Chris Hillman  electric & acoustic guitar, mandolin, backing vocals),  "Sneaky" Pete Kleinow (pedal steel guitar), Chris Ethridge (bass guitar, piano, backing vocals), Jon Corneal, Thomas "Popeye" Phillips, Eddie Hoh, Sam Goldstein (drums), David Crosby, Hot Burrito Chorus (backing vocals).\r\n
      \r\n
      "While The Gilded Palace of Sin barely registered on the pop culture radar in 1969, literally dozens of bands (the Eagles most notable among them) would find inspiration in this music and enjoy far greater success. But no one ever brought rock and country together quite like the Flying Burrito Brothers, and this album remains their greatest accomplishment". - Mark Deming, AllMusic, 5/5 stars\r\n
      \r\n
      The Gilded Palace of Sin is the first album by the country rock group the Flying Burrito Brothers, released in 1969. It continued Gram Parsons's and Chris Hillman's work in modern country music, fusing traditional sources like folk and country with other forms of popular music like gospel, soul, and psychedelic rock.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Gram Parsons (acoustic guitar, piano, organ, vocals), Chris Hillman  electric & acoustic guitar, mandolin, backing vocals),  "Sneaky" Pete Kleinow (pedal steel guitar), Chris Ethridge (bass guitar, piano, backing vocals)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=7f2g4IDxlEk"
    -referenceProduit: "A&M Records 2428"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Christine's Tune "
        "ordre" => 1
      ]
      [
        "nom" => "2. Sin City"
        "ordre" => 2
      ]
      [
        "nom" => "3. Do Right Woman"
        "ordre" => 3
      ]
      [
        "nom" => "4. Dark End Of The Street"
        "ordre" => 4
      ]
      [
        "nom" => "5. My Uncle "
        "ordre" => 5
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
      [
        "nom" => "1. Wheels"
        "ordre" => 7
      ]
      [
        "nom" => "2. Juanita"
        "ordre" => 8
      ]
      [
        "nom" => "3. Hot Burrito #1"
        "ordre" => 9
      ]
      [
        "nom" => "4. Hot Burrito #2"
        "ordre" => 10
      ]
      [
        "nom" => "5. Do You Know How It Feels"
        "ordre" => 11
      ]
      [
        "nom" => "6. Hippie Boy"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2078 …}
    -label: Proxies\__CG__\App\Entity\Label {#2097 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2106 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2099 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2101 …}
    -enregistreLe: DateTime @1596351115 {#2092
      date: 2020-08-02 06:51:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762683559 {#2093
      date: 2025-11-09 10:19:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2103 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-gilded-palace-of-sin-a-m-records-2428"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3377
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
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  +produit: App\Entity\Produit {#2095
    -id: 1895
    -nom: "The Gilded Palace Of Sin"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Gram Parsons (acoustic guitar, piano, organ, vocals), Chris Hillman  electric & acoustic guitar, mandolin, backing vocals),  "Sneaky" Pete Kleinow (pedal steel guitar), Chris Ethridge (bass guitar, piano, backing vocals), Jon Corneal, Thomas "Popeye" Phillips, Eddie Hoh, Sam Goldstein (drums), David Crosby, Hot Burrito Chorus (backing vocals).\r\n
      \r\n
      "While The Gilded Palace of Sin barely registered on the pop culture radar in 1969, literally dozens of bands (the Eagles most notable among them) would find inspiration in this music and enjoy far greater success. But no one ever brought rock and country together quite like the Flying Burrito Brothers, and this album remains their greatest accomplishment". - Mark Deming, AllMusic, 5/5 stars\r\n
      \r\n
      The Gilded Palace of Sin is the first album by the country rock group the Flying Burrito Brothers, released in 1969. It continued Gram Parsons's and Chris Hillman's work in modern country music, fusing traditional sources like folk and country with other forms of popular music like gospel, soul, and psychedelic rock.
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -referenceProduit: "A&M Records 2428"
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        "ordre" => 0
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        "nom" => "1. Christine's Tune "
        "ordre" => 1
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        "nom" => "1. Wheels"
        "ordre" => 7
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        "nom" => "2. Juanita"
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      [
        "nom" => "3. Hot Burrito #1"
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        "nom" => "5. Do You Know How It Feels"
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      ]
      [
        "nom" => "6. Hippie Boy"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2078 …}
    -label: Proxies\__CG__\App\Entity\Label {#2097 …}
    -style: App\Entity\Style {#1063 …}
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    }
    -modifierLe: DateTime @1762683559 {#2093
      date: 2025-11-09 10:19:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2103 …}
    -disponible: null
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    -slug: "vinyles-the-gilded-palace-of-sin-a-m-records-2428"
  }
  +optionPrix: null
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[
  "produit" => App\Entity\Produit {#2111
    -id: 1306
    -nom: "The Best of The James Gang featuring Joe Walsh"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      The 10 best songs from 1969's Yer' Album, 1970's Rides Again and 1971's Thirds. The James Gang, formed in Cleveland, Ohio, in 1966, may be best known as the band that was first to feature guitarist/vocalist Joe Walsh before his rise to stardom as a solo musician and a member of the Eagles.\r\n
      \r\n
      The James Gang performed with a stylistic versatility, hard-rocking edge and ultra-sharp musicianship. Their power-trio template has never sounded fiercer than on this Analogue Productions 200 gram reissue. Mastered by Kevin Gray at Cohearent Audio, pressed at Quality Record Pressings makers of the world's finest-sounding LPs and packaged in a tip-on heavyweight jacket from Stoughton Printing, this sterling reissue looks as great as it sounds.\r\n
      \r\n
      You'll hear James Gang favorites including the FM radio staple "Funk #49", kick-started by the outspoken declaration "I sleep all day, out all night/I know where you're goin'" the sexual thrust of the head-bobbing "Woman", and proto-metal slash of the multi-part "The Bomber". The rest of the track list is just as steeped in psychedelic-and-blues-leaning discourse. "Midnight Man", "Stop", "Yadig ?" "Take A Look Around", "Funk #48", "Walk Away" and the Jack Nitzsche-orchestrated "Ashes the Rain and I" are rounded out by Walsh's Echoplex-equipped slide guitar, and his trio-mates, band founder Jim Fox on drums, piano and vocals, and bassist Tom Kriss, later replaced by Dale Peters.\r\n
      \r\n
      The James Gang burning on stage with the audience getting higher and higher. Listen this is American music strong, inventive and clean.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: null
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    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=fy1iL01NjZo"
    -referenceProduit: "Analogue Productions AAPP 120"
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        "nom" => "3. Ashes, The Rain And I"
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      [
        "nom" => "4. Stop"
        "ordre" => 13
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2113 …}
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      date: 2018-05-09 05:51:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762628034 {#2109
      date: 2025-11-08 18:53:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2119 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-the-best-of-the-james-gang-featuring-joe-walsh-analogue-productions-aapp-120"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3423
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
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  +produit: App\Entity\Produit {#2111
    -id: 1306
    -nom: "The Best of The James Gang featuring Joe Walsh"
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    -description: """
      The 10 best songs from 1969's Yer' Album, 1970's Rides Again and 1971's Thirds. The James Gang, formed in Cleveland, Ohio, in 1966, may be best known as the band that was first to feature guitarist/vocalist Joe Walsh before his rise to stardom as a solo musician and a member of the Eagles.\r\n
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      The James Gang performed with a stylistic versatility, hard-rocking edge and ultra-sharp musicianship. Their power-trio template has never sounded fiercer than on this Analogue Productions 200 gram reissue. Mastered by Kevin Gray at Cohearent Audio, pressed at Quality Record Pressings makers of the world's finest-sounding LPs and packaged in a tip-on heavyweight jacket from Stoughton Printing, this sterling reissue looks as great as it sounds.\r\n
      \r\n
      You'll hear James Gang favorites including the FM radio staple "Funk #49", kick-started by the outspoken declaration "I sleep all day, out all night/I know where you're goin'" the sexual thrust of the head-bobbing "Woman", and proto-metal slash of the multi-part "The Bomber". The rest of the track list is just as steeped in psychedelic-and-blues-leaning discourse. "Midnight Man", "Stop", "Yadig ?" "Take A Look Around", "Funk #48", "Walk Away" and the Jack Nitzsche-orchestrated "Ashes the Rain and I" are rounded out by Walsh's Echoplex-equipped slide guitar, and his trio-mates, band founder Jim Fox on drums, piano and vocals, and bassist Tom Kriss, later replaced by Dale Peters.\r\n
      \r\n
      The James Gang burning on stage with the audience getting higher and higher. Listen this is American music strong, inventive and clean.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=fy1iL01NjZo"
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        "ordre" => 9
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        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2113 …}
    -label: Proxies\__CG__\App\Entity\Label {#2062 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2115 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2117 …}
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      date: 2018-05-09 05:51:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762628034 {#2109
      date: 2025-11-08 18:53:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-the-best-of-the-james-gang-featuring-joe-walsh-analogue-productions-aapp-120"
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[
  "produit" => App\Entity\Produit {#2127
    -id: 1091
    -nom: "Learning To Crawl"
    -informationComplementaire: null
    -description: """
      1984 Smash the Sound of a Band Overcoming Tragedies and Staggering Odds with Gutsy Performances !\r\n
      \r\n
      What is the sound of a fledgling band dealing with multiple tragedies, coming to terms with drastic changes, digging deep into its consciousness, finding resolution in hurt, and overcoming staggering odds to record a bonafide masterwork ? It's the sound of every note that graces the Pretenders' Learning to Crawl. Still recognized as one of the most emotionally gripping and musically gutsy performances ever made, the smash 1984 album hasn't aged a day. And now, it sounds better than could ever be imagined.\r\n
      \r\n
      Mastered from the original master tapes, Learning to Crawl finally possesses the combination of whisper-in-your-ear intimacy and nerve-checking toughness that it's always demanded on Mobile Fidelity's super-quiet analog LP. Leader Chrissie Hynde's voice is made viscerally apparent, wavering between vigorous determination and solemn reflection, while drummer Martin Chamber's punchy backbeats register with requisite punch. To say nothing of how fresh the effort's hit singles "Middle of the Road", "Back on the Chain Gang" and incredible deep cuts sound.\r\n
      \r\n
      The story behind Learning to Crawl is directly connected to the powerful, moving music within. After releasing two records that swept the world by storm (Pretenders and Pretenders II), the group's fortunes reversed after guitarist James Honeyman-Scott was found dead of a drug overdose in 1982. Shortly thereafter, founding member Pete Fardon, fired just two days before his partner's death, also succumbed to an overdose, leaving the band's state in tatters. Would there still be a Pretenders ?\r\n
      Hynde answers this question with a resounding "yes" on Learning to Crawl, which still contains signs of the band's early, street-wise rawness but also adds new wrinkles, with more streamlined melodies, sensitive ballads, and reflective tones. "Back on the Chain Gang", the Pretenders' most commercially successful hit, functioned as a bittersweet tribute to her ex-mates while the Christmas-themed "2000 Miles" holds rank as one of the most effecting, penetrating love songs of Hynde's career. Throughout the record, the Pretenders are again one.\r\n
      \r\n
      New guitarist Robbie McIntosh supplies simpler, bluesier, basic guitar lines and the foursome know how to all-out rock, with the furious "Middle of the Road" and socially conscious "My City Was Gone" testifying to a stinging, thrilling sensibility that can exist only because of the devastation that the band survived. Call it the rise of the phoenix or triumph of the human will, but any way you see it, Learning to Crawl occupies a rare territory akin to the space referred to on the superb cover of "Thin Line Between Love and Hate" that registers in the pits of the human soul.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Chrissie Hynde, Robbie McIntosh (guitar, vocals), Andrew Bodner, Malcolm Foster (bass guitar, vocals), Tony Butler (bass guitar), Billy Bremner (lead & rhythm guitar, vocals), Paul carrack (piano, vocals), Martin Chambers (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-KosB3XJO_s"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-339"
    -titreMorceau: [
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        "ordre" => 0
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        "nom" => "1. Middle of the Road"
        "ordre" => 1
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        "nom" => "3. Time the Avenger"
        "ordre" => 3
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      [
        "nom" => "4. Watching the Clothes"
        "ordre" => 4
      ]
      [
        "nom" => "5. Show Me"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Thumbelina"
        "ordre" => 7
      ]
      [
        "nom" => "2. My City Was Gone"
        "ordre" => 8
      ]
      [
        "nom" => "3. Thin Line Between Love and Hate"
        "ordre" => 9
      ]
      [
        "nom" => "4. I Hurt You"
        "ordre" => 10
      ]
      [
        "nom" => "5. 2000 Miles"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2129 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2131 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3474
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
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  +produit: App\Entity\Produit {#2127
    -id: 1091
    -nom: "Learning To Crawl"
    -informationComplementaire: null
    -description: """
      1984 Smash the Sound of a Band Overcoming Tragedies and Staggering Odds with Gutsy Performances !\r\n
      \r\n
      What is the sound of a fledgling band dealing with multiple tragedies, coming to terms with drastic changes, digging deep into its consciousness, finding resolution in hurt, and overcoming staggering odds to record a bonafide masterwork ? It's the sound of every note that graces the Pretenders' Learning to Crawl. Still recognized as one of the most emotionally gripping and musically gutsy performances ever made, the smash 1984 album hasn't aged a day. And now, it sounds better than could ever be imagined.\r\n
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      Mastered from the original master tapes, Learning to Crawl finally possesses the combination of whisper-in-your-ear intimacy and nerve-checking toughness that it's always demanded on Mobile Fidelity's super-quiet analog LP. Leader Chrissie Hynde's voice is made viscerally apparent, wavering between vigorous determination and solemn reflection, while drummer Martin Chamber's punchy backbeats register with requisite punch. To say nothing of how fresh the effort's hit singles "Middle of the Road", "Back on the Chain Gang" and incredible deep cuts sound.\r\n
      \r\n
      The story behind Learning to Crawl is directly connected to the powerful, moving music within. After releasing two records that swept the world by storm (Pretenders and Pretenders II), the group's fortunes reversed after guitarist James Honeyman-Scott was found dead of a drug overdose in 1982. Shortly thereafter, founding member Pete Fardon, fired just two days before his partner's death, also succumbed to an overdose, leaving the band's state in tatters. Would there still be a Pretenders ?\r\n
      Hynde answers this question with a resounding "yes" on Learning to Crawl, which still contains signs of the band's early, street-wise rawness but also adds new wrinkles, with more streamlined melodies, sensitive ballads, and reflective tones. "Back on the Chain Gang", the Pretenders' most commercially successful hit, functioned as a bittersweet tribute to her ex-mates while the Christmas-themed "2000 Miles" holds rank as one of the most effecting, penetrating love songs of Hynde's career. Throughout the record, the Pretenders are again one.\r\n
      \r\n
      New guitarist Robbie McIntosh supplies simpler, bluesier, basic guitar lines and the foursome know how to all-out rock, with the furious "Middle of the Road" and socially conscious "My City Was Gone" testifying to a stinging, thrilling sensibility that can exist only because of the devastation that the band survived. Call it the rise of the phoenix or triumph of the human will, but any way you see it, Learning to Crawl occupies a rare territory akin to the space referred to on the superb cover of "Thin Line Between Love and Hate" that registers in the pits of the human soul.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Chrissie Hynde, Robbie McIntosh (guitar, vocals), Andrew Bodner, Malcolm Foster (bass guitar, vocals), Tony Butler (bass guitar), Billy Bremner (lead & rhythm guitar, vocals), Paul carrack (piano, vocals), Martin Chambers (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-KosB3XJO_s"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-339"
    -titreMorceau: [
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        "nom" => "Side A : "
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        "nom" => "1. Middle of the Road"
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        "nom" => "5. Show Me"
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        "nom" => "1. Thumbelina"
        "ordre" => 7
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      [
        "nom" => "2. My City Was Gone"
        "ordre" => 8
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      [
        "nom" => "3. Thin Line Between Love and Hate"
        "ordre" => 9
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      [
        "nom" => "4. I Hurt You"
        "ordre" => 10
      ]
      [
        "nom" => "5. 2000 Miles"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2129 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
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    -enregistreLe: DateTime @1480799656 {#2124
      date: 2016-12-03 21:14:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762330657 {#2125
      date: 2025-11-05 08:17:37.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2135 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-learning-to-crawl-mobile-fidelity-sound-lab-mfsl-1-339"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

[
  "produit" => App\Entity\Produit {#2143
    -id: 404
    -nom: "Boogie With Canned Heat"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      Canned Heat's second long-player, Boogie With Canned Heat (1968), pretty well sums up the bona fide blend of amplified late-'60s electric rhythm and blues, with an expressed emphasis on loose and limber boogie-woogie. The quintet consisting of Alan "Blind Owl" Wilson (guitar / harmonica / vocals), Larry "The Mole" Taylor (bass), Henry "Sunflower" Vestine (guitar), Aldolfo "Fido" Dela Parra (drums), and Bob "The Bear" Hite (vocals) follow up their debut effort with another batch of authentic interpretations, augmented by their own exceptional instrumentation.\r\n
      \r\n
      One development is their incorporation of strong original compositions. "On the Road Again" which became the combo's first, and arguably, most significant hit as well as the Albert King inspired anti-speed anthem, "Amphetamine Annie", were not only programmed on the then-burgeoning underground FM radio waves, but also on the more adventuresome AM Top 40 stations. Their love of authentic R&B informs "World in a Jug", the dark "Turpentine Blues", and Hite's update of Tommy McClennan's "Whiskey Headed Woman". The Creole anthem "Marie Laveau" is nothing like the more familiar cut by Bobby Bare, although similarities in content are most likely derived from a common source. The side, as rendered here, is arguably most notable for the driving interaction between guitarists Wilson and Vestine as they wail and moan over Hite's imposing leads. Saving the best for last, the Heat are at the height of their prowess during the lengthy audio biography on "Fried Hockey Boogie".\r\n
      \r\n
      Each member is introduced by Hite and given a chance to solo before they kick out the jams, culminating in Hite's crescendo of " ... Don't forget to boogie !" In 1999 the French label, Magic Records, issued an expanded edition of Boogie With Canned Heat supplemented by half-a-dozen sides, such as the 45 RPM edits of "On the Road Again", "Boogie Music" and "Goin' Up the Country". Also included are the once difficult-to-locate 45-only "One Kind Favor", as well as the seasonal offering "Christmas Blues" and "The Chipmunk Song" with guest shots from none other than Alvin, Simon, Theodore, and David Seville of the one and only Chipmunks. For enthusiasts as well as listeners curious about the oft-overlooked combo, this is an essential, if not compulsory platter.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "Bob Hite (vocals), Alan Wilson (slide guitar, harmonica, vocals), Henry Vestine (lead guitar), Larry Taylor (bass), Fito de la Parra (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=j7EPIYlyUIM"
    -referenceProduit: "Pure Pleasure Records PPAN LST 7541"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. Evil Woman"
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        "nom" => "2. My Crime"
        "ordre" => 2
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      [
        "nom" => "3. On the Road Again"
        "ordre" => 3
      ]
      [
        "nom" => "4. World In a Jug"
        "ordre" => 4
      ]
      [
        "nom" => "5. Turpentine Moan"
        "ordre" => 5
      ]
      [
        "nom" => "6. Whiskey Headed Woman N° 2"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Amphetamine Annie"
        "ordre" => 8
      ]
      [
        "nom" => "2. An Owl Song"
        "ordre" => 9
      ]
      [
        "nom" => "3. Marie Laveau"
        "ordre" => 10
      ]
      [
        "nom" => "4. Fried Hockey Boogie"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2145 …}
    -label: Proxies\__CG__\App\Entity\Label {#2148 …}
    -style: App\Entity\Style {#1063 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2152 …}
    -enregistreLe: DateTime @1291365859 {#2140
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    }
    -modifierLe: DateTime @1762165413 {#2141
      date: 2025-11-03 10:23:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2154 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-boogie-with-canned-heat-pure-pleasure-records-ppan-lst-7541"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3525
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2143
    -id: 404
    -nom: "Boogie With Canned Heat"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      Canned Heat's second long-player, Boogie With Canned Heat (1968), pretty well sums up the bona fide blend of amplified late-'60s electric rhythm and blues, with an expressed emphasis on loose and limber boogie-woogie. The quintet consisting of Alan "Blind Owl" Wilson (guitar / harmonica / vocals), Larry "The Mole" Taylor (bass), Henry "Sunflower" Vestine (guitar), Aldolfo "Fido" Dela Parra (drums), and Bob "The Bear" Hite (vocals) follow up their debut effort with another batch of authentic interpretations, augmented by their own exceptional instrumentation.\r\n
      \r\n
      One development is their incorporation of strong original compositions. "On the Road Again" which became the combo's first, and arguably, most significant hit as well as the Albert King inspired anti-speed anthem, "Amphetamine Annie", were not only programmed on the then-burgeoning underground FM radio waves, but also on the more adventuresome AM Top 40 stations. Their love of authentic R&B informs "World in a Jug", the dark "Turpentine Blues", and Hite's update of Tommy McClennan's "Whiskey Headed Woman". The Creole anthem "Marie Laveau" is nothing like the more familiar cut by Bobby Bare, although similarities in content are most likely derived from a common source. The side, as rendered here, is arguably most notable for the driving interaction between guitarists Wilson and Vestine as they wail and moan over Hite's imposing leads. Saving the best for last, the Heat are at the height of their prowess during the lengthy audio biography on "Fried Hockey Boogie".\r\n
      \r\n
      Each member is introduced by Hite and given a chance to solo before they kick out the jams, culminating in Hite's crescendo of " ... Don't forget to boogie !" In 1999 the French label, Magic Records, issued an expanded edition of Boogie With Canned Heat supplemented by half-a-dozen sides, such as the 45 RPM edits of "On the Road Again", "Boogie Music" and "Goin' Up the Country". Also included are the once difficult-to-locate 45-only "One Kind Favor", as well as the seasonal offering "Christmas Blues" and "The Chipmunk Song" with guest shots from none other than Alvin, Simon, Theodore, and David Seville of the one and only Chipmunks. For enthusiasts as well as listeners curious about the oft-overlooked combo, this is an essential, if not compulsory platter.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "Bob Hite (vocals), Alan Wilson (slide guitar, harmonica, vocals), Henry Vestine (lead guitar), Larry Taylor (bass), Fito de la Parra (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=j7EPIYlyUIM"
    -referenceProduit: "Pure Pleasure Records PPAN LST 7541"
    -titreMorceau: [
      [
        "nom" => "Side A : "
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      ]
      [
        "nom" => "1. Evil Woman"
        "ordre" => 1
      ]
      [
        "nom" => "2. My Crime"
        "ordre" => 2
      ]
      [
        "nom" => "3. On the Road Again"
        "ordre" => 3
      ]
      [
        "nom" => "4. World In a Jug"
        "ordre" => 4
      ]
      [
        "nom" => "5. Turpentine Moan"
        "ordre" => 5
      ]
      [
        "nom" => "6. Whiskey Headed Woman N° 2"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Amphetamine Annie"
        "ordre" => 8
      ]
      [
        "nom" => "2. An Owl Song"
        "ordre" => 9
      ]
      [
        "nom" => "3. Marie Laveau"
        "ordre" => 10
      ]
      [
        "nom" => "4. Fried Hockey Boogie"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2145 …}
    -label: Proxies\__CG__\App\Entity\Label {#2148 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2157 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2150 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2152 …}
    -enregistreLe: DateTime @1291365859 {#2140
      date: 2010-12-03 08:44:19.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762165413 {#2141
      date: 2025-11-03 10:23:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2154 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-boogie-with-canned-heat-pure-pleasure-records-ppan-lst-7541"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

[
  "produit" => App\Entity\Produit {#2162
    -id: 1047
    -nom: "Chapter And Verse"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Bruce Springsteen (guitar, bass, harmonica, keyboards, vocals), Bob Alfano (organ), Danny Federici (keyboards, organ, piano, background vocals), Curt Fluhr, Brenda O’Brien, Garry Tallent (bass), Clarence Clemons (saxophone, percussion), Roy Bittan (piano, keyboards, synthesizer), Soozie Tyrell (violin, background vocals), Stevie Van Zandt (guitar, background vocals), George Theiss (guitar, bass, vocals), Ron Aniello (guitar, bass, keyboards, drums, background vocals), Nils Lofgren, Rob Lebret (guitar, background vocals),Paul Popkin (maracas, tambourine, vocals),Curt Ramm (trumpet), Marty Rifkin (pedal steel guitar), David Sancious (piano, keyboards, organ), Ross Petersen, Patti Scialfa (background vocals), Max Weinberg (drums, percussion), Steve Jordan, Vini Lopez, Gary Mallaber, Vinnie Manniello (drums).\r\n
      \r\n
      Double LP companion album to Springsteen's autobiography !\r\n
      \r\n
      Career-spanning compilation includes five previously unreleased tracks !\r\n
      \r\n
      Bruce Springsteen turns 67 on September 23, but it's his fans who will be getting a big present for 2016: the release of his 500 page autobiography coupled with a new album.\r\n
      \r\n
      The book - titled "Born to Run" - is set to arrive Sept. 27, four days before the release of its 18 track musical companion piece, Chapter and Verse. The record features five previously unreleased songs that reflect the themes and sections of the book. The compilation kicks off with two tracks from The Boss' high school band, The Castiles, featuring a teenaged Springsteen on guitar and vocals, and winds all the way through to 2012's "Wrecking Ball".\r\n
      \r\n
      The collected songs trace Springsteen's musical history from its earliest days, telling a story that parallels the one in the book.\r\n
      \r\n
      It will also feature recordings from the Steel Mill and Bruce Springsteen Band, featuring musicians who went on to perform in the E Street Band, as well as solo demos of "Henry Boy" and "Growin' Up" that were recorded in 1972, just before Springsteen began work on his debut album, Greetings from Asbury Park, N.J.\r\n
      \r\n
      "Baby I", from The Castiles, was recorded May 2, 1966, at Mr. Music, Bricktown, N.J. The song was written by Bruce Springsteen and George Theiss and has not been previously released.\r\n
      \r\n
      "You Can't Judge A Book By the Cover", also from The Castiles, was recorded September 16, 1967 at The Left Foot, Freehold, NJ. Written by Willie Dixon, the recording was previously unreleased.\r\n
      \r\n
      Also previously unreleased are "He's Guilty (The Judge Song)", recorded Feb. 22, 1970 at Pacific Recording Studio, San Mateo, CA; "Ballad of Jesse James", recorded March 14, 1972 at Challenger Eastern Surfboards, Highland, NJ; and "Henry Boy", recorded June 1972 at Mediasound Studios, New York, NY.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bruce Springsteen (guitar, bass, harmonica, keyboards, vocals), Bob Alfano (organ), Danny Federici (keyboards, organ, piano, background vocals), Curt Fluhr, Brenda O’Brien, Garry Tallent (bass), Clarence Clemons (saxophone, percussion)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GhnY9CS02rE"
    -referenceProduit: "Columbia 58211"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Baby I (The Castiles) [1966]"
        "ordre" => 1
      ]
      [
        "nom" => "2. You Can't Judge a Book By the Cover (The Castiles) [1967]"
        "ordre" => 2
      ]
      [
        "nom" => "3. He's Guilty (The Judge Song) [Steel Mill] [1970]"
        "ordre" => 3
      ]
      [
        "nom" => "4. The Ballad of Jesse James (Springsteen Band) [1972]"
        "ordre" => 4
      ]
      [
        "nom" => "5. Henry Boy [1972]"
        "ordre" => 5
      ]
      [
        "nom" => "6. Growin' Up [1972]"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. 4th of July, Asbury Park (Sandy) [1973]"
        "ordre" => 8
      ]
      [
        "nom" => "2. Born To Run [1975]"
        "ordre" => 9
      ]
      [
        "nom" => "3. Badlands [1977]"
        "ordre" => 10
      ]
      [
        "nom" => "4. The River [1980]"
        "ordre" => 11
      ]
      [
        "nom" => "Side C : "
        "ordre" => 12
      ]
      [
        "nom" => "1. My Father's House [1982]"
        "ordre" => 13
      ]
      [
        "nom" => "2. Born in the U.S.A. [1984]"
        "ordre" => 14
      ]
      [
        "nom" => "3. Brilliant Disguise [1987]"
        "ordre" => 15
      ]
      [
        "nom" => "4. Living Proof [1992]"
        "ordre" => 16
      ]
      [
        "nom" => "Side D : "
        "ordre" => 17
      ]
      [
        "nom" => "1. The Ghost of Tom Joad [1995]"
        "ordre" => 18
      ]
      [
        "nom" => "2. The Rising [2002]"
        "ordre" => 19
      ]
      [
        "nom" => "3. Long Time Comin' [2005]"
        "ordre" => 20
      ]
      [
        "nom" => "4. Wrecking Ball [2012]"
        "ordre" => 21
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2164 …}
    -label: Proxies\__CG__\App\Entity\Label {#2167 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2176 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2169 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2171 …}
    -enregistreLe: DateTime @1474266324 {#2159
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    }
    -modifierLe: DateTime @1762156684 {#2160
      date: 2025-11-03 07:58:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2173 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-chapter-and-verse-columbia-58211"
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  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3576
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2162
    -id: 1047
    -nom: "Chapter And Verse"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Bruce Springsteen (guitar, bass, harmonica, keyboards, vocals), Bob Alfano (organ), Danny Federici (keyboards, organ, piano, background vocals), Curt Fluhr, Brenda O’Brien, Garry Tallent (bass), Clarence Clemons (saxophone, percussion), Roy Bittan (piano, keyboards, synthesizer), Soozie Tyrell (violin, background vocals), Stevie Van Zandt (guitar, background vocals), George Theiss (guitar, bass, vocals), Ron Aniello (guitar, bass, keyboards, drums, background vocals), Nils Lofgren, Rob Lebret (guitar, background vocals),Paul Popkin (maracas, tambourine, vocals),Curt Ramm (trumpet), Marty Rifkin (pedal steel guitar), David Sancious (piano, keyboards, organ), Ross Petersen, Patti Scialfa (background vocals), Max Weinberg (drums, percussion), Steve Jordan, Vini Lopez, Gary Mallaber, Vinnie Manniello (drums).\r\n
      \r\n
      Double LP companion album to Springsteen's autobiography !\r\n
      \r\n
      Career-spanning compilation includes five previously unreleased tracks !\r\n
      \r\n
      Bruce Springsteen turns 67 on September 23, but it's his fans who will be getting a big present for 2016: the release of his 500 page autobiography coupled with a new album.\r\n
      \r\n
      The book - titled "Born to Run" - is set to arrive Sept. 27, four days before the release of its 18 track musical companion piece, Chapter and Verse. The record features five previously unreleased songs that reflect the themes and sections of the book. The compilation kicks off with two tracks from The Boss' high school band, The Castiles, featuring a teenaged Springsteen on guitar and vocals, and winds all the way through to 2012's "Wrecking Ball".\r\n
      \r\n
      The collected songs trace Springsteen's musical history from its earliest days, telling a story that parallels the one in the book.\r\n
      \r\n
      It will also feature recordings from the Steel Mill and Bruce Springsteen Band, featuring musicians who went on to perform in the E Street Band, as well as solo demos of "Henry Boy" and "Growin' Up" that were recorded in 1972, just before Springsteen began work on his debut album, Greetings from Asbury Park, N.J.\r\n
      \r\n
      "Baby I", from The Castiles, was recorded May 2, 1966, at Mr. Music, Bricktown, N.J. The song was written by Bruce Springsteen and George Theiss and has not been previously released.\r\n
      \r\n
      "You Can't Judge A Book By the Cover", also from The Castiles, was recorded September 16, 1967 at The Left Foot, Freehold, NJ. Written by Willie Dixon, the recording was previously unreleased.\r\n
      \r\n
      Also previously unreleased are "He's Guilty (The Judge Song)", recorded Feb. 22, 1970 at Pacific Recording Studio, San Mateo, CA; "Ballad of Jesse James", recorded March 14, 1972 at Challenger Eastern Surfboards, Highland, NJ; and "Henry Boy", recorded June 1972 at Mediasound Studios, New York, NY.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bruce Springsteen (guitar, bass, harmonica, keyboards, vocals), Bob Alfano (organ), Danny Federici (keyboards, organ, piano, background vocals), Curt Fluhr, Brenda O’Brien, Garry Tallent (bass), Clarence Clemons (saxophone, percussion)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GhnY9CS02rE"
    -referenceProduit: "Columbia 58211"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Baby I (The Castiles) [1966]"
        "ordre" => 1
      ]
      [
        "nom" => "2. You Can't Judge a Book By the Cover (The Castiles) [1967]"
        "ordre" => 2
      ]
      [
        "nom" => "3. He's Guilty (The Judge Song) [Steel Mill] [1970]"
        "ordre" => 3
      ]
      [
        "nom" => "4. The Ballad of Jesse James (Springsteen Band) [1972]"
        "ordre" => 4
      ]
      [
        "nom" => "5. Henry Boy [1972]"
        "ordre" => 5
      ]
      [
        "nom" => "6. Growin' Up [1972]"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. 4th of July, Asbury Park (Sandy) [1973]"
        "ordre" => 8
      ]
      [
        "nom" => "2. Born To Run [1975]"
        "ordre" => 9
      ]
      [
        "nom" => "3. Badlands [1977]"
        "ordre" => 10
      ]
      [
        "nom" => "4. The River [1980]"
        "ordre" => 11
      ]
      [
        "nom" => "Side C : "
        "ordre" => 12
      ]
      [
        "nom" => "1. My Father's House [1982]"
        "ordre" => 13
      ]
      [
        "nom" => "2. Born in the U.S.A. [1984]"
        "ordre" => 14
      ]
      [
        "nom" => "3. Brilliant Disguise [1987]"
        "ordre" => 15
      ]
      [
        "nom" => "4. Living Proof [1992]"
        "ordre" => 16
      ]
      [
        "nom" => "Side D : "
        "ordre" => 17
      ]
      [
        "nom" => "1. The Ghost of Tom Joad [1995]"
        "ordre" => 18
      ]
      [
        "nom" => "2. The Rising [2002]"
        "ordre" => 19
      ]
      [
        "nom" => "3. Long Time Comin' [2005]"
        "ordre" => 20
      ]
      [
        "nom" => "4. Wrecking Ball [2012]"
        "ordre" => 21
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2164 …}
    -label: Proxies\__CG__\App\Entity\Label {#2167 …}
    -style: App\Entity\Style {#1063 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2169 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2171 …}
    -enregistreLe: DateTime @1474266324 {#2159
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    }
    -modifierLe: DateTime @1762156684 {#2160
      date: 2025-11-03 07:58:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2173 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-chapter-and-verse-columbia-58211"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

[
  "produit" => App\Entity\Produit {#2181
    -id: 2320
    -nom: "Only the Strong Survive"
    -informationComplementaire: null
    -description: """
      The Boss Celebrates Soul Music Gems from the Legendary Catalogs of Motown, Gamble and Huff, Stax and More; Gatefold Vinyl 2 LP Set (with D-Side Etching), Printed Inner Sleeves & 12" x 24" Poster.\r\n
      \r\n
      Bruce Springsteen's new studio album Only The Strong Survive celebrates soul music gems from the legendary catalogues of Motown, Gamble and Huff, Stax and many more. The Boss' twenty-first studio effort also features guest vocals by Sam Moore, as well as contributions from The E Street Horns, full string arrangements by Rob Mathes, and backing vocals by Soozie Tyrell, Lisa Lowell, Michelle Moore, Curtis King Jr., Dennis Collins and Fonzi Thornton.\r\n
      \r\n
      Springsteen commented : "I wanted to make an album where I just sang. And what better music to work with than the great American songbook of the Sixties and Seventies ? I've taken my inspiration from Levi Stubbs, David Ruffin, Jimmy Ruffin, the Iceman Jerry Butler, Diana Ross, Dobie Gray, and Scott Walker, among many others. I've tried to do justice to them all and to the fabulous writers of this glorious music. My goal is for the modern audience to experience its beauty and joy, just as I have since I first heard it. I hope you love listening to it as much as I loved making it".\r\n
      \r\n
      Only The Strong Survive was tracked at Thrill Hill Recording in New Jersey, produced by Ron Aniello, engineered by Rob Lebret and executive produced by Jon Landau. The release will mark Bruce Springsteen's first studio album since 2020's Letter To You, which debuted at N° 1 in eleven countries. Gatefold vinyl 2 LP\r\n
      set (with D-side etching), printed inner sleeves and 12" x 24" poster.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bruce Springsteen (guitar, vocals), The E Street Horns, Sam Moore (vocals), Rob Mathes (string arrangements), Soozie Tyrell, Lisa Lowell, Michelle Moore, Curtis King Jr. Dennis Collins, Fonzi Thornton (backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=O0jBwk71Qcw"
    -referenceProduit: "Columbia Records 5361"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Only the Strong Survive "
        "ordre" => 1
      ]
      [
        "nom" => "2. Soul Days - feat. Sam Moore "
        "ordre" => 2
      ]
      [
        "nom" => "3. Nightshift "
        "ordre" => 3
      ]
      [
        "nom" => "4. Do I Love You (Indeed I Do) "
        "ordre" => 4
      ]
      [
        "nom" => "5. The Sun Ain’t Gonna Shine Anymore"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Turn Back the Hands of Time "
        "ordre" => 7
      ]
      [
        "nom" => "2. When She Was My Girl "
        "ordre" => 8
      ]
      [
        "nom" => "3. Hey, Western Union Man "
        "ordre" => 9
      ]
      [
        "nom" => "4. I Wish It Would Rain "
        "ordre" => 10
      ]
      [
        "nom" => "5. Don’t Play That Song"
        "ordre" => 11
      ]
      [
        "nom" => "Side C : "
        "ordre" => 12
      ]
      [
        "nom" => "1. Any Other Way "
        "ordre" => 13
      ]
      [
        "nom" => "2. I Forgot to Be Your Lover - feat. Sam Moore "
        "ordre" => 14
      ]
      [
        "nom" => "3. 7 Rooms of Gloom "
        "ordre" => 15
      ]
      [
        "nom" => "4. What Becomes of the Brokenhearted "
        "ordre" => 16
      ]
      [
        "nom" => "5. Someday We’ll Be Together"
        "ordre" => 17
      ]
      [
        "nom" => "Side D : "
        "ordre" => 18
      ]
      [
        "nom" => "1. Etching"
        "ordre" => 19
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2164 …}
    -label: Proxies\__CG__\App\Entity\Label {#2167 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2189 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2182 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2184 …}
    -enregistreLe: DateTime @1668159434 {#2178
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    }
    -modifierLe: DateTime @1762156339 {#2179
      date: 2025-11-03 07:52:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2186 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-only-the-strong-survive-columbia-records-5361"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3629
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2181
    -id: 2320
    -nom: "Only the Strong Survive"
    -informationComplementaire: null
    -description: """
      The Boss Celebrates Soul Music Gems from the Legendary Catalogs of Motown, Gamble and Huff, Stax and More; Gatefold Vinyl 2 LP Set (with D-Side Etching), Printed Inner Sleeves & 12" x 24" Poster.\r\n
      \r\n
      Bruce Springsteen's new studio album Only The Strong Survive celebrates soul music gems from the legendary catalogues of Motown, Gamble and Huff, Stax and many more. The Boss' twenty-first studio effort also features guest vocals by Sam Moore, as well as contributions from The E Street Horns, full string arrangements by Rob Mathes, and backing vocals by Soozie Tyrell, Lisa Lowell, Michelle Moore, Curtis King Jr., Dennis Collins and Fonzi Thornton.\r\n
      \r\n
      Springsteen commented : "I wanted to make an album where I just sang. And what better music to work with than the great American songbook of the Sixties and Seventies ? I've taken my inspiration from Levi Stubbs, David Ruffin, Jimmy Ruffin, the Iceman Jerry Butler, Diana Ross, Dobie Gray, and Scott Walker, among many others. I've tried to do justice to them all and to the fabulous writers of this glorious music. My goal is for the modern audience to experience its beauty and joy, just as I have since I first heard it. I hope you love listening to it as much as I loved making it".\r\n
      \r\n
      Only The Strong Survive was tracked at Thrill Hill Recording in New Jersey, produced by Ron Aniello, engineered by Rob Lebret and executive produced by Jon Landau. The release will mark Bruce Springsteen's first studio album since 2020's Letter To You, which debuted at N° 1 in eleven countries. Gatefold vinyl 2 LP\r\n
      set (with D-side etching), printed inner sleeves and 12" x 24" poster.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bruce Springsteen (guitar, vocals), The E Street Horns, Sam Moore (vocals), Rob Mathes (string arrangements), Soozie Tyrell, Lisa Lowell, Michelle Moore, Curtis King Jr. Dennis Collins, Fonzi Thornton (backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=O0jBwk71Qcw"
    -referenceProduit: "Columbia Records 5361"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "1. Only the Strong Survive "
        "ordre" => 1
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      [
        "nom" => "2. Soul Days - feat. Sam Moore "
        "ordre" => 2
      ]
      [
        "nom" => "3. Nightshift "
        "ordre" => 3
      ]
      [
        "nom" => "4. Do I Love You (Indeed I Do) "
        "ordre" => 4
      ]
      [
        "nom" => "5. The Sun Ain’t Gonna Shine Anymore"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Turn Back the Hands of Time "
        "ordre" => 7
      ]
      [
        "nom" => "2. When She Was My Girl "
        "ordre" => 8
      ]
      [
        "nom" => "3. Hey, Western Union Man "
        "ordre" => 9
      ]
      [
        "nom" => "4. I Wish It Would Rain "
        "ordre" => 10
      ]
      [
        "nom" => "5. Don’t Play That Song"
        "ordre" => 11
      ]
      [
        "nom" => "Side C : "
        "ordre" => 12
      ]
      [
        "nom" => "1. Any Other Way "
        "ordre" => 13
      ]
      [
        "nom" => "2. I Forgot to Be Your Lover - feat. Sam Moore "
        "ordre" => 14
      ]
      [
        "nom" => "3. 7 Rooms of Gloom "
        "ordre" => 15
      ]
      [
        "nom" => "4. What Becomes of the Brokenhearted "
        "ordre" => 16
      ]
      [
        "nom" => "5. Someday We’ll Be Together"
        "ordre" => 17
      ]
      [
        "nom" => "Side D : "
        "ordre" => 18
      ]
      [
        "nom" => "1. Etching"
        "ordre" => 19
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2164 …}
    -label: Proxies\__CG__\App\Entity\Label {#2167 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2189 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2182 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2184 …}
    -enregistreLe: DateTime @1668159434 {#2178
      date: 2022-11-11 09:37:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762156339 {#2179
      date: 2025-11-03 07:52:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2186 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-only-the-strong-survive-columbia-records-5361"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

[
  "produit" => App\Entity\Produit {#2196
    -id: 2620
    -nom: "Boz Scaggs - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Boz Scaggs (guitar, vocals), Duane Allman (guitar, dobro, slide guitar), Eddie Hinton, Jimmy Johnson (guitar), David Hood (bass), Barry Beckett (keyboards), Joe Arnold (tenor saxophone), Al Lester (fiddle, violin), Roger Hawkins (drums), Charles Chalmers (tenor saxophone), James Mitchell, Floyd Newman (baritone saxophone), Ben Cauley (trumpet), Gene Miller (trombone, trumpet), Jeanie Greene, Mary Holliday, Donna Jean Godchaux "Thatcher", Joyce Dunn, Tracy Nelson, Imma Routen (background vocals).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Boz Scagg's debut album praised by critics an enduring blue-eyed soul masterpiece !\r\n
      - Featuring "Loan Me a Dime" and "Waiting for a Train" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing !\r\n
      \r\n
      Boz Scaggs' self-titled album, released in 1969, is an iconic and pivotal record in his career, marking a shift in his musical direction to incorporate elements of soul, R&B, and showcasing his musical versatility. \r\n
      \r\n
      Departing from the Steve Miller Band after a two-album stint, Boz Scaggs found himself on his own but not without support. Rolling Stone publisher Jann Wenner, his friend, helped him sign with Atlantic Records and the label had him set up shop in Muscle Shoals, recording his debut album with that legendary set of studio musicians, known for their down-and-dirty backing work for Aretha Franklin and Wilson Pickett, among many other Southern soul legends.\r\n
      \r\n
      AllMusic writes : "The Muscle Shoals rhythm section, occasionally augmented by guitarist Duane Allman, gives this music genuine grit, but this isn't necessarily a straight-up blue-eyed soul record, even if the opening 'I'm Easy' and 'I'll Be Long Gone' are certainly as deeply soulful as anything cut at Muscle Shoals". Scaggs dabbled in country and blues along with the soul and R&B that grounds this record.\r\n
      \r\n
      The extended 11 minute blues workout "Loan Me a Dime", functions as much as a showcase for a blazing Duane Allman as it does for Boz. But even with that show-stealing turn, and even with the Muscle Shoals musicians giving this album its muscle and part of its soul, this album is still thoroughly a showcase for Boz Scaggs' musical vision. "Loan Me a Dime" is blues-rock classic. It showcased Scaggs' soulful vocals and Allman's remarkable guitar skills.\r\n
      \r\n
      Boz Scaggs' songs garnered significant radio airplay and helped introduce Boz Scaggs to a wider audience. The impact of Boz Scaggs extended beyond its initial release. It has continued to influence and inspire subsequent generations of musicians, particularly those interested in blending blues, rock, and soul.\r\n
      \r\n
      This definitive deluxe 180 gram 45 RPM 2 LP Analogue Productions (Atlantic 75 Series) reissue of Boz Scaggs, housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing, will be a highlight in your most-listened-to album rotation.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Boz Scaggs (guitar, vocals), Duane Allman (guitar, dobro, slide guitar), Eddie Hinton, Jimmy Johnson (guitar), David Hood (bass), Barry Beckett (keyboards), Joe Arnold (tenor saxophone), Al Lester (fiddle, violin), Roger Hawkins (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=f5s3UreDK8A"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 070-45"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. I'm Easy"
        "ordre" => 1
      ]
      [
        "nom" => "2. I'll Be Long Gone"
        "ordre" => 2
      ]
      [
        "nom" => "3. Another Day (Another Letter)"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Now You're Gone"
        "ordre" => 5
      ]
      [
        "nom" => "2. Finding Her"
        "ordre" => 6
      ]
      [
        "nom" => "3. Look What I Got"
        "ordre" => 7
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Waiting For A Train"
        "ordre" => 9
      ]
      [
        "nom" => "2. Sweet Release"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. Loan Me A Dime"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2198 …}
    -label: Proxies\__CG__\App\Entity\Label {#2201 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2210 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2203 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2205 …}
    -enregistreLe: DateTime @1736341773 {#2192
      date: 2025-01-08 13:09:33.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761380357 {#2191
      date: 2025-10-25 08:19:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2207 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-boz-scaggs-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-070-45"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3675
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2196
    -id: 2620
    -nom: "Boz Scaggs - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Boz Scaggs (guitar, vocals), Duane Allman (guitar, dobro, slide guitar), Eddie Hinton, Jimmy Johnson (guitar), David Hood (bass), Barry Beckett (keyboards), Joe Arnold (tenor saxophone), Al Lester (fiddle, violin), Roger Hawkins (drums), Charles Chalmers (tenor saxophone), James Mitchell, Floyd Newman (baritone saxophone), Ben Cauley (trumpet), Gene Miller (trombone, trumpet), Jeanie Greene, Mary Holliday, Donna Jean Godchaux "Thatcher", Joyce Dunn, Tracy Nelson, Imma Routen (background vocals).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Boz Scagg's debut album praised by critics an enduring blue-eyed soul masterpiece !\r\n
      - Featuring "Loan Me a Dime" and "Waiting for a Train" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing !\r\n
      \r\n
      Boz Scaggs' self-titled album, released in 1969, is an iconic and pivotal record in his career, marking a shift in his musical direction to incorporate elements of soul, R&B, and showcasing his musical versatility. \r\n
      \r\n
      Departing from the Steve Miller Band after a two-album stint, Boz Scaggs found himself on his own but not without support. Rolling Stone publisher Jann Wenner, his friend, helped him sign with Atlantic Records and the label had him set up shop in Muscle Shoals, recording his debut album with that legendary set of studio musicians, known for their down-and-dirty backing work for Aretha Franklin and Wilson Pickett, among many other Southern soul legends.\r\n
      \r\n
      AllMusic writes : "The Muscle Shoals rhythm section, occasionally augmented by guitarist Duane Allman, gives this music genuine grit, but this isn't necessarily a straight-up blue-eyed soul record, even if the opening 'I'm Easy' and 'I'll Be Long Gone' are certainly as deeply soulful as anything cut at Muscle Shoals". Scaggs dabbled in country and blues along with the soul and R&B that grounds this record.\r\n
      \r\n
      The extended 11 minute blues workout "Loan Me a Dime", functions as much as a showcase for a blazing Duane Allman as it does for Boz. But even with that show-stealing turn, and even with the Muscle Shoals musicians giving this album its muscle and part of its soul, this album is still thoroughly a showcase for Boz Scaggs' musical vision. "Loan Me a Dime" is blues-rock classic. It showcased Scaggs' soulful vocals and Allman's remarkable guitar skills.\r\n
      \r\n
      Boz Scaggs' songs garnered significant radio airplay and helped introduce Boz Scaggs to a wider audience. The impact of Boz Scaggs extended beyond its initial release. It has continued to influence and inspire subsequent generations of musicians, particularly those interested in blending blues, rock, and soul.\r\n
      \r\n
      This definitive deluxe 180 gram 45 RPM 2 LP Analogue Productions (Atlantic 75 Series) reissue of Boz Scaggs, housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing, will be a highlight in your most-listened-to album rotation.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Boz Scaggs (guitar, vocals), Duane Allman (guitar, dobro, slide guitar), Eddie Hinton, Jimmy Johnson (guitar), David Hood (bass), Barry Beckett (keyboards), Joe Arnold (tenor saxophone), Al Lester (fiddle, violin), Roger Hawkins (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=f5s3UreDK8A"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 070-45"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. I'm Easy"
        "ordre" => 1
      ]
      [
        "nom" => "2. I'll Be Long Gone"
        "ordre" => 2
      ]
      [
        "nom" => "3. Another Day (Another Letter)"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Now You're Gone"
        "ordre" => 5
      ]
      [
        "nom" => "2. Finding Her"
        "ordre" => 6
      ]
      [
        "nom" => "3. Look What I Got"
        "ordre" => 7
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Waiting For A Train"
        "ordre" => 9
      ]
      [
        "nom" => "2. Sweet Release"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. Loan Me A Dime"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2198 …}
    -label: Proxies\__CG__\App\Entity\Label {#2201 …}
    -style: App\Entity\Style {#1063 …}
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    -enregistreLe: DateTime @1736341773 {#2192
      date: 2025-01-08 13:09:33.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761380357 {#2191
      date: 2025-10-25 08:19:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2207 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-boz-scaggs-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-070-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

[
  "produit" => App\Entity\Produit {#2215
    -id: 868
    -nom: "Bill Withers' Greatest Hits"
    -informationComplementaire: null
    -description: """
      Bill Withers' Smooth Soul Voice, Mellow Grooves, and Gospel Accents Inform Beloved Work : Booker T. Jones, Al Jackson, and Stephen Stills Among Guests !\r\n
      \r\n
      Bill Withers created mellow, downhome-style soul for barely more than a decade before retreating from the industry to pursue craftsman interests. Yet over the course of the handful of albums he made for Sussex and CBS, the Appalachian native struck lasting emotional chords in legends ranging from Booker T. Jones to Stephen Stills – not to mention the millions of listeners that fell under the spell of now-standard tracks such as "Lean on Me", "Use Me", and "Ain't No Sunshine". The antithesis of the sweaty R&B shouter that prowled the edge of stages, Withers dealt in calm and vulnerability, qualities that come to fore on the seminal Bill Withers' Greatest Hits.\r\n
      \r\n
      Pressed at RTI, Mobile Fidelity's vinyl reissue of the 1981 compilation provides a transparent view of Withers' relaxing timbre and the subtle grooves underlining his arrangements. Characteristics ranging from the tension of the guitars, funky bends of the bass, whisper-soft coo of the formal strings, airiness of the backing harmonies, and sharpness of the snare drum emerge with utmost clarity and lifelike presence. Always prized for its naked honesty and pure conviction, Withers' music positively caresses the senses on this LP, the unadulterated production and beautiful soundscapes revealed anew with each listen.\r\n
      \r\n
      Incredibly, Withers almost never got a shot at recording. After receiving a deal from Sussex while laboring as a toilet-seat manufacturer, he landed in the care of Stax bandleader Booker T. Jones, who gathered most of his fellow MG members – along with Stills and Jim Keltner – to assist in Withers' debut. Two takes from those sessions, the Grammy-winning "Ain't No Sunshine" and devotional "Grandma's Hands", are included here, and showcase the vocalist's incredible breath control, folksy drawl, and restrained phrasing. They also indicate his penchant for converting biographical experience into eminently catchy combinations of pop, gospel, blues, and soul.\r\n
      \r\n
      Evidence of Withers' crossover appeal is found not only via his chart successes on both the pop and R&B charts, but in the DNA of his best work. There's not one forgettable moment on Greatest Hits. Covered by the likes of Fiona Apple, Mick Jagger, Isaac Hayes, Alicia Keys, and dozens more, "Use Me" rides a riveting clarinet riff and urban tempo to express the double-edged feelings associated with an edgy relationship. On the loping "Who Is He (And What Is He to You ?)", Withers again splits the bitter and sweet. For the Latin-tinged "Lovely Day", Withers holds a single note for 18 seconds and composed a song that's been sampled and rerecorded countless times by artists spanning Diana Ross to R. Kelly. And with "Lean on Me", the West Virginian devised a masterpiece that's been for more than four decades part of the classic American songbook, an updated hymn carried to immortality by members of the Charles Wright & 103rd Street Rhythm Band.\r\n
      \r\n
      A veritable template for British soul contemporaries like Sam Smith and an extension of the timeless fare explored by Van Morrison, Curtis Mayfield, and Al Green, Bill Withers' Greatest Hits belongs in every music lover's library.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bill\u{202F}Withers (guitar, keyboards, vocals), Benorce\u{202F}Blackmon (guitar), Ray\u{202F}Jackson (keyboards), Donald “Duck”\u{202F}Dunn, Melvin\u{202F}Dunlap (bass guitar), Stephen\u{202F}Stills (guitar), James\u{202F}Gadson (drums & percussion), Al\u{202F}Jackson\u{202F}Jr. (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-Oo_opYPc_o&list=PLm4I8tP6UbWYABHG6b6AKGK0t9P5v3irF&index=2"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-445"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Just the Two of Us"
        "ordre" => 1
      ]
      [
        "nom" => "2. Use Me"
        "ordre" => 2
      ]
      [
        "nom" => "3. Ain't No Sunshine"
        "ordre" => 3
      ]
      [
        "nom" => "4. Lovely Day"
        "ordre" => 4
      ]
      [
        "nom" => "5. I Want to Spend the Night"
        "ordre" => 5
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
      [
        "nom" => "6. Soul Shadows"
        "ordre" => 7
      ]
      [
        "nom" => "7. Lean on Me"
        "ordre" => 8
      ]
      [
        "nom" => "8. Grandma's Hands"
        "ordre" => 9
      ]
      [
        "nom" => "9. Hello Like Before"
        "ordre" => 10
      ]
      [
        "nom" => "10. Who Is He (And What Is He to You) ?"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2217 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2226 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2219 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2221 …}
    -enregistreLe: DateTime @1455055257 {#2212
      date: 2016-02-09 22:00:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761122955 {#2213
      date: 2025-10-22 08:49:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2223 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bill-withers-greatest-hits-mobile-fidelity-sound-lab-mfsl-1-445"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3726
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2215
    -id: 868
    -nom: "Bill Withers' Greatest Hits"
    -informationComplementaire: null
    -description: """
      Bill Withers' Smooth Soul Voice, Mellow Grooves, and Gospel Accents Inform Beloved Work : Booker T. Jones, Al Jackson, and Stephen Stills Among Guests !\r\n
      \r\n
      Bill Withers created mellow, downhome-style soul for barely more than a decade before retreating from the industry to pursue craftsman interests. Yet over the course of the handful of albums he made for Sussex and CBS, the Appalachian native struck lasting emotional chords in legends ranging from Booker T. Jones to Stephen Stills – not to mention the millions of listeners that fell under the spell of now-standard tracks such as "Lean on Me", "Use Me", and "Ain't No Sunshine". The antithesis of the sweaty R&B shouter that prowled the edge of stages, Withers dealt in calm and vulnerability, qualities that come to fore on the seminal Bill Withers' Greatest Hits.\r\n
      \r\n
      Pressed at RTI, Mobile Fidelity's vinyl reissue of the 1981 compilation provides a transparent view of Withers' relaxing timbre and the subtle grooves underlining his arrangements. Characteristics ranging from the tension of the guitars, funky bends of the bass, whisper-soft coo of the formal strings, airiness of the backing harmonies, and sharpness of the snare drum emerge with utmost clarity and lifelike presence. Always prized for its naked honesty and pure conviction, Withers' music positively caresses the senses on this LP, the unadulterated production and beautiful soundscapes revealed anew with each listen.\r\n
      \r\n
      Incredibly, Withers almost never got a shot at recording. After receiving a deal from Sussex while laboring as a toilet-seat manufacturer, he landed in the care of Stax bandleader Booker T. Jones, who gathered most of his fellow MG members – along with Stills and Jim Keltner – to assist in Withers' debut. Two takes from those sessions, the Grammy-winning "Ain't No Sunshine" and devotional "Grandma's Hands", are included here, and showcase the vocalist's incredible breath control, folksy drawl, and restrained phrasing. They also indicate his penchant for converting biographical experience into eminently catchy combinations of pop, gospel, blues, and soul.\r\n
      \r\n
      Evidence of Withers' crossover appeal is found not only via his chart successes on both the pop and R&B charts, but in the DNA of his best work. There's not one forgettable moment on Greatest Hits. Covered by the likes of Fiona Apple, Mick Jagger, Isaac Hayes, Alicia Keys, and dozens more, "Use Me" rides a riveting clarinet riff and urban tempo to express the double-edged feelings associated with an edgy relationship. On the loping "Who Is He (And What Is He to You ?)", Withers again splits the bitter and sweet. For the Latin-tinged "Lovely Day", Withers holds a single note for 18 seconds and composed a song that's been sampled and rerecorded countless times by artists spanning Diana Ross to R. Kelly. And with "Lean on Me", the West Virginian devised a masterpiece that's been for more than four decades part of the classic American songbook, an updated hymn carried to immortality by members of the Charles Wright & 103rd Street Rhythm Band.\r\n
      \r\n
      A veritable template for British soul contemporaries like Sam Smith and an extension of the timeless fare explored by Van Morrison, Curtis Mayfield, and Al Green, Bill Withers' Greatest Hits belongs in every music lover's library.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bill\u{202F}Withers (guitar, keyboards, vocals), Benorce\u{202F}Blackmon (guitar), Ray\u{202F}Jackson (keyboards), Donald “Duck”\u{202F}Dunn, Melvin\u{202F}Dunlap (bass guitar), Stephen\u{202F}Stills (guitar), James\u{202F}Gadson (drums & percussion), Al\u{202F}Jackson\u{202F}Jr. (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-Oo_opYPc_o&list=PLm4I8tP6UbWYABHG6b6AKGK0t9P5v3irF&index=2"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-445"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Just the Two of Us"
        "ordre" => 1
      ]
      [
        "nom" => "2. Use Me"
        "ordre" => 2
      ]
      [
        "nom" => "3. Ain't No Sunshine"
        "ordre" => 3
      ]
      [
        "nom" => "4. Lovely Day"
        "ordre" => 4
      ]
      [
        "nom" => "5. I Want to Spend the Night"
        "ordre" => 5
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
      [
        "nom" => "6. Soul Shadows"
        "ordre" => 7
      ]
      [
        "nom" => "7. Lean on Me"
        "ordre" => 8
      ]
      [
        "nom" => "8. Grandma's Hands"
        "ordre" => 9
      ]
      [
        "nom" => "9. Hello Like Before"
        "ordre" => 10
      ]
      [
        "nom" => "10. Who Is He (And What Is He to You) ?"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2217 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2226 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2219 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2221 …}
    -enregistreLe: DateTime @1455055257 {#2212
      date: 2016-02-09 22:00:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761122955 {#2213
      date: 2025-10-22 08:49:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2223 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bill-withers-greatest-hits-mobile-fidelity-sound-lab-mfsl-1-445"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3927
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3928 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3976 …}
  +isValidated: false
  +validatedFields: []
}