Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2583
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2430 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2660
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2663 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2662 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2430 …}
  -formView: Symfony\Component\Form\FormView {#2699 …}
  -form: Symfony\Component\Form\Form {#2849 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 2945
    -nom: "A Dynamic New Sound - Guitar/Organ/Drums"
    -informationComplementaire: "AVAILABILITY : 28/02/2026 (subject Analogue Productions)"
    -description: """
      - The Wes Montgomery Trio "A Dynamic New Sound : Guitar/Organ/Drums" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      The Wes Montgomery Trio "A Dynamic New Sound : Guitar/Organ/Drums", was the album that said : "Hello world, Wes has arrived and he brought friends !".\r\n
      \r\n
      Before Full House brought the fire, The Wes Montgomery Trio brought the vibe. Released in 1959, this was Montgomery's debut on Riverside Records and let's just say, he didn't exactly tiptoe onto the scene. He kicked the door in with thumb-picking swagger, octave magic, and tone so warm it could toast bread.\r\n
      \r\n
      So, what's the deal with this album ?\r\n
      \r\n
      It's right there in the subtitle : Guitar. Organ. Drums. That's it. No bass, no brass, no safety net. Just Wes on guitar, the criminally underrated Melvin Rhyne on Hammond B-3 organ (talk about groove!), and Paul Parker on drums keeping it tight and tasteful. The result ? A sound so lean and soulful, it practically invented the jazz organ trio aesthetic we know and love today. Wes' tone? Velvet meets voltage. Melvin's organ work ? Church on Sunday meets smoky after-hours club. Paul's drumming? Like a good bartender never flashy, but always exactly what you need.\r\n
      \r\n
      This was a bold move : no bass, no piano, just pure stripped-down swing and it worked. Why ? Because these guys listened to each other. They locked in and gave Wes the space to shine. You can hear the joy in the playing, the energy of three guys who knew they were onto something.\r\n
      \r\n
      Jazz fans didn't just nod politely they flipped. Critics called it fresh, hip, and boundary-pushing. Montgomery's style, which fused bluesy soulfulness with dazzling technical control, immediately caught ears. This wasn't just a good debut it was a statement. And it sold, helping launch Wes into the jazz stratosphere.\r\n
      \r\n
      We've given this timeless album the full Analogue Productions treatment: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      This classic album belongs in your jazz collection because it symbolizes the moment the legend began. It's raw, it's real, and it's ridiculously cool. If jazz history were a superhero movie, The Wes Montgomery Trio would be the thrilling origin story. Plus, it grooves hard enough to make your neighbors forgive you for playing it at full volume (again).\r\n
      \r\n
      Go ahead make room on the shelf. This one earns it.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Wes Montgomery (guitar), Melvin Rhyne (Hammond organ B3), Paul Parker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=2XKl84X0U_8&list=RD2XKl84X0U_8&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 213-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. 'Round Midnight"
      ]
      [
        "ordre" => 2
        "nom" => "2. Yesterdays"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. The End Of A Love Affair"
      ]
      [
        "ordre" => 5
        "nom" => "2. Whisper Not"
      ]
      [
        "ordre" => 6
        "nom" => "3. Ecorah"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Satin Doll"
      ]
      [
        "ordre" => 9
        "nom" => "2. Missile Blues"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Too Late Now"
      ]
      [
        "ordre" => 12
        "nom" => "2. Jingles"
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1767880549 {#1876
      date: 2026-01-08 13:55:49.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770037643 {#1869
      date: 2026-02-02 13:07:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-dynamic-new-sound-guitar-organ-drums-analogue-productions-aapj-213-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3123
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2662 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 2945
    -nom: "A Dynamic New Sound - Guitar/Organ/Drums"
    -informationComplementaire: "AVAILABILITY : 28/02/2026 (subject Analogue Productions)"
    -description: """
      - The Wes Montgomery Trio "A Dynamic New Sound : Guitar/Organ/Drums" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      The Wes Montgomery Trio "A Dynamic New Sound : Guitar/Organ/Drums", was the album that said : "Hello world, Wes has arrived and he brought friends !".\r\n
      \r\n
      Before Full House brought the fire, The Wes Montgomery Trio brought the vibe. Released in 1959, this was Montgomery's debut on Riverside Records and let's just say, he didn't exactly tiptoe onto the scene. He kicked the door in with thumb-picking swagger, octave magic, and tone so warm it could toast bread.\r\n
      \r\n
      So, what's the deal with this album ?\r\n
      \r\n
      It's right there in the subtitle : Guitar. Organ. Drums. That's it. No bass, no brass, no safety net. Just Wes on guitar, the criminally underrated Melvin Rhyne on Hammond B-3 organ (talk about groove!), and Paul Parker on drums keeping it tight and tasteful. The result ? A sound so lean and soulful, it practically invented the jazz organ trio aesthetic we know and love today. Wes' tone? Velvet meets voltage. Melvin's organ work ? Church on Sunday meets smoky after-hours club. Paul's drumming? Like a good bartender never flashy, but always exactly what you need.\r\n
      \r\n
      This was a bold move : no bass, no piano, just pure stripped-down swing and it worked. Why ? Because these guys listened to each other. They locked in and gave Wes the space to shine. You can hear the joy in the playing, the energy of three guys who knew they were onto something.\r\n
      \r\n
      Jazz fans didn't just nod politely they flipped. Critics called it fresh, hip, and boundary-pushing. Montgomery's style, which fused bluesy soulfulness with dazzling technical control, immediately caught ears. This wasn't just a good debut it was a statement. And it sold, helping launch Wes into the jazz stratosphere.\r\n
      \r\n
      We've given this timeless album the full Analogue Productions treatment: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      This classic album belongs in your jazz collection because it symbolizes the moment the legend began. It's raw, it's real, and it's ridiculously cool. If jazz history were a superhero movie, The Wes Montgomery Trio would be the thrilling origin story. Plus, it grooves hard enough to make your neighbors forgive you for playing it at full volume (again).\r\n
      \r\n
      Go ahead make room on the shelf. This one earns it.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Wes Montgomery (guitar), Melvin Rhyne (Hammond organ B3), Paul Parker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=2XKl84X0U_8&list=RD2XKl84X0U_8&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 213-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. 'Round Midnight"
      ]
      [
        "ordre" => 2
        "nom" => "2. Yesterdays"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. The End Of A Love Affair"
      ]
      [
        "ordre" => 5
        "nom" => "2. Whisper Not"
      ]
      [
        "ordre" => 6
        "nom" => "3. Ecorah"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Satin Doll"
      ]
      [
        "ordre" => 9
        "nom" => "2. Missile Blues"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Too Late Now"
      ]
      [
        "ordre" => 12
        "nom" => "2. Jingles"
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1767880549 {#1876
      date: 2026-01-08 13:55:49.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770037643 {#1869
      date: 2026-02-02 13:07:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-dynamic-new-sound-guitar-organ-drums-analogue-productions-aapj-213-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2430 …}
}

[
  "produit" => App\Entity\Produit {#2045
    -id: 2426
    -nom: "Thelonious Monk with John Coltrane"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in tip-on jackets with OBI strip !\r\n
      \r\n
      Regarded as one of the greatest jazz collaborations of all time, this new edition of "Thelonious Monk with John Coltrane" is released as part of the newly relaunched Original Jazz Classics Series. The LP is cut from the original master tapes (AAA) by Kevin Gray at Cohearent Audio and pressed on 180 gram vinyl at RTI. In addition to Monk and Coltrane the album also features the talents of Art Blakey (drums), Wilbur Ware (bass), Gigi Gryce (alto sax) and more. The set is presented in a tip-on jacket with obi.\r\n
      \r\n
      Since its inception in 1982, Fantasy's Original Jazz Classics® (OJC) series quickly established a reputation as the go-to imprint for collectible jazz reissues. OJC served as a home for the label's impressive jazz catalog which had grown to include thousands of celebrated titles from Prestige, Galaxy, Milestone, Riverside, Debut, Contemporary, Jazzland, and Pablo. Drawing on this vast wealth of material, Original Jazz Classics released more than 850 titles.\r\n
      \r\n
      Its goal was simple: to reissue influential jazz albums with the utmost care and reverence for the originals from the cover art and liner notes to the audio recordings themselves. Given Craft Recordings' shared passion for meticulous preservation and quality, it is a natural step to relaunch Original Jazz Classics as part of the Craft family.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Thelonious Monk\t(piano), John Coltrane (tenor saxophone), Gigi Gryce (alto saxophone), Ray Copeland (trumpet), Wilbur Ware\t(bass),  Shadow WIlson,  Art Blakey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=6DVvvphPXq0"
    -referenceProduit: "Concord Craft Recordings CR 00611"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Ruby, My Dear "
      ]
      [
        "ordre" => 2
        "nom" => "2. Trinkle, Tinkle "
      ]
      [
        "ordre" => 3
        "nom" => "3. Off Minor"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Nutty "
      ]
      [
        "ordre" => 6
        "nom" => "2. Epistrophy "
      ]
      [
        "ordre" => 7
        "nom" => "3. Functional"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#2050 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2059 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2052 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2054 …}
    -enregistreLe: DateTime @1684222140 {#2042
      date: 2023-05-16 07:29:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770020933 {#2043
      date: 2026-02-02 08:28:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2056 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-thelonious-monk-with-john-coltrane-concord-craft-recordings-cr-00611"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3237
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2662 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2045
    -id: 2426
    -nom: "Thelonious Monk with John Coltrane"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in tip-on jackets with OBI strip !\r\n
      \r\n
      Regarded as one of the greatest jazz collaborations of all time, this new edition of "Thelonious Monk with John Coltrane" is released as part of the newly relaunched Original Jazz Classics Series. The LP is cut from the original master tapes (AAA) by Kevin Gray at Cohearent Audio and pressed on 180 gram vinyl at RTI. In addition to Monk and Coltrane the album also features the talents of Art Blakey (drums), Wilbur Ware (bass), Gigi Gryce (alto sax) and more. The set is presented in a tip-on jacket with obi.\r\n
      \r\n
      Since its inception in 1982, Fantasy's Original Jazz Classics® (OJC) series quickly established a reputation as the go-to imprint for collectible jazz reissues. OJC served as a home for the label's impressive jazz catalog which had grown to include thousands of celebrated titles from Prestige, Galaxy, Milestone, Riverside, Debut, Contemporary, Jazzland, and Pablo. Drawing on this vast wealth of material, Original Jazz Classics released more than 850 titles.\r\n
      \r\n
      Its goal was simple: to reissue influential jazz albums with the utmost care and reverence for the originals from the cover art and liner notes to the audio recordings themselves. Given Craft Recordings' shared passion for meticulous preservation and quality, it is a natural step to relaunch Original Jazz Classics as part of the Craft family.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Thelonious Monk\t(piano), John Coltrane (tenor saxophone), Gigi Gryce (alto saxophone), Ray Copeland (trumpet), Wilbur Ware\t(bass),  Shadow WIlson,  Art Blakey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=6DVvvphPXq0"
    -referenceProduit: "Concord Craft Recordings CR 00611"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Ruby, My Dear "
      ]
      [
        "ordre" => 2
        "nom" => "2. Trinkle, Tinkle "
      ]
      [
        "ordre" => 3
        "nom" => "3. Off Minor"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Nutty "
      ]
      [
        "ordre" => 6
        "nom" => "2. Epistrophy "
      ]
      [
        "ordre" => 7
        "nom" => "3. Functional"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#2050 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2059 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2052 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2054 …}
    -enregistreLe: DateTime @1684222140 {#2042
      date: 2023-05-16 07:29:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770020933 {#2043
      date: 2026-02-02 08:28:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2056 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-thelonious-monk-with-john-coltrane-concord-craft-recordings-cr-00611"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2430 …}
}

[
  "produit" => App\Entity\Produit {#2064
    -id: 2847
    -nom: "Thelonious Monk with John Coltrane"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Thelonious Monk & John Coltrane "Thelonious Monk with John Coltrane" !\r\n
      - One of seven standout Thelonious Monk albums from the Riverside Records catalog !\r\n
      - Reissued on 180 gram vinyl by Analogue Productions !\r\n
      - Mastered AAA by Kevin Gray from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Stoughton Printing tip-on jacket !\r\n
      \r\n
      Despite various reissue formats over several decades, the seven original LPs contained in Thelonious Monk — The Riverside Tenor Sessions stood perfectly well on their own at the time of initial release and remain among the highest achievements of a truly golden age. Recorded and released between 1956 and 1961, these seven Monk combo albums were critical in Monk's emergence from a decade of ridicule and neglect to his status at the pinnacle of the jazz pantheon.\r\n
      \r\n
      One of the most significant events in jazz took place in the latter part of 1957 at the Five Spot in New York, where the Thelonious Monk quartet featuring John Coltrane on tenor saxophone was in residence. The music that Monk made with Coltrane quickly attained the status of legend. Although the group remained together for only a half-year, those who were lucky enough to witness them play called it electrifying.\r\n
      \r\n
      The recordings on Thelonious Monk with John Coltrane are more Monk's than Coltrane's Monk was signed to Riverside at the time and the set mixes in three quartet tracks that have the pair working with Wilbur Ware on bass and Shadow Wilson on drums plus two more from the sessions for the famous Monk's Music record alternate takes from those sessions, with a larger group that features Gigi Gryce on alto, Coleman Hawkins on additional tenor, and Ray Copeland on trumpet! Quartet tracks include "Ruby My Dear", "Trinkle Trinkle", and "Nutty" with the larger group on alternates of "Off Minor" and "Epistrophy" and a solo performance by Monk on an alternate of "Functional".\r\n
      \r\n
      In addition to some of his best recorded piano performances and more than two dozen of his profoundly personal compositions, the albums in this reissue series provide an overview of the era's major tenor saxophonists, with contributions by Sonny Rollins, Coleman Hawkins, John Coltrane, Johnny Griffin, Charlie Rouse and Harold Land. Max Roach, Art Blakely, Roy Haynes and Thad Jones are among the other jazz immortals featured on the essential Brilliant Corners, Monk's Music : Thelonious Monk Septet, Thelonious Monk and John Coltrane, Thelonious in Action, Misterioso, 5 by Monk by 5 and Quartet Plus Two At The Blackhawk.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Thelonious Monk (piano), John Coltrane (tenor saxophone), Gigi Gryce (alto saxophone), Ray Copeland (trumpet), Wilbur Ware (bass), Shadow WIlson, Art Blakey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=36whtV-POOs&list=PLosbB5GM_rFfRQwvdJK5rtZ15xrfnad-W"
    -referenceProduit: "Analogue Productions AAPJ 0946"
    -titreMorceau: [
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        "nom" => "1. Nutty "
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      [
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        "nom" => "3. Functional"
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        "nom" => ""
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        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2072 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2065 …}
    -typeMasterTape: null
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    }
    -modifierLe: DateTime @1770020682 {#2062
      date: 2026-02-02 08:24:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2069 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-thelonious-monk-with-john-coltrane-analogue-productions-aapj-0946"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3290
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2662 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2064
    -id: 2847
    -nom: "Thelonious Monk with John Coltrane"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Thelonious Monk & John Coltrane "Thelonious Monk with John Coltrane" !\r\n
      - One of seven standout Thelonious Monk albums from the Riverside Records catalog !\r\n
      - Reissued on 180 gram vinyl by Analogue Productions !\r\n
      - Mastered AAA by Kevin Gray from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Stoughton Printing tip-on jacket !\r\n
      \r\n
      Despite various reissue formats over several decades, the seven original LPs contained in Thelonious Monk — The Riverside Tenor Sessions stood perfectly well on their own at the time of initial release and remain among the highest achievements of a truly golden age. Recorded and released between 1956 and 1961, these seven Monk combo albums were critical in Monk's emergence from a decade of ridicule and neglect to his status at the pinnacle of the jazz pantheon.\r\n
      \r\n
      One of the most significant events in jazz took place in the latter part of 1957 at the Five Spot in New York, where the Thelonious Monk quartet featuring John Coltrane on tenor saxophone was in residence. The music that Monk made with Coltrane quickly attained the status of legend. Although the group remained together for only a half-year, those who were lucky enough to witness them play called it electrifying.\r\n
      \r\n
      The recordings on Thelonious Monk with John Coltrane are more Monk's than Coltrane's Monk was signed to Riverside at the time and the set mixes in three quartet tracks that have the pair working with Wilbur Ware on bass and Shadow Wilson on drums plus two more from the sessions for the famous Monk's Music record alternate takes from those sessions, with a larger group that features Gigi Gryce on alto, Coleman Hawkins on additional tenor, and Ray Copeland on trumpet! Quartet tracks include "Ruby My Dear", "Trinkle Trinkle", and "Nutty" with the larger group on alternates of "Off Minor" and "Epistrophy" and a solo performance by Monk on an alternate of "Functional".\r\n
      \r\n
      In addition to some of his best recorded piano performances and more than two dozen of his profoundly personal compositions, the albums in this reissue series provide an overview of the era's major tenor saxophonists, with contributions by Sonny Rollins, Coleman Hawkins, John Coltrane, Johnny Griffin, Charlie Rouse and Harold Land. Max Roach, Art Blakely, Roy Haynes and Thad Jones are among the other jazz immortals featured on the essential Brilliant Corners, Monk's Music : Thelonious Monk Septet, Thelonious Monk and John Coltrane, Thelonious in Action, Misterioso, 5 by Monk by 5 and Quartet Plus Two At The Blackhawk.
      """
    -prixVente: "60.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=36whtV-POOs&list=PLosbB5GM_rFfRQwvdJK5rtZ15xrfnad-W"
    -referenceProduit: "Analogue Productions AAPJ 0946"
    -titreMorceau: [
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      ]
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        "nom" => "3. Off Minor"
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      ]
      [
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        "nom" => "1. Nutty "
      ]
      [
        "ordre" => 6
        "nom" => "2. Epistrophy"
      ]
      [
        "ordre" => 7
        "nom" => "3. Functional"
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2072 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2065 …}
    -typeMasterTape: null
    -marque: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2067 …}
    -enregistreLe: DateTime @1758794172 {#2061
      date: 2025-09-25 09:56:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770020682 {#2062
      date: 2026-02-02 08:24:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2069 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-thelonious-monk-with-john-coltrane-analogue-productions-aapj-0946"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2430 …}
}

[
  "produit" => App\Entity\Produit {#2077
    -id: 1928
    -nom: "The Waiting Game"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - All-Analog 180 gram Vinyl LP of Tina Brooks' "The Waiting Game" ! \r\n
      - Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI : Reference-Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley !\r\n
      \r\n
      Tina Brooks' passionate full sound and forward-looking style, along with his exceptional compositional gifts, made him a powerful force. A soulful hard bop tenor-saxophonist with an original sound and fresh ideas of his own, Brooks had a brief life. The prime of his career was during 1958-61 when he recorded four albums for Blue Note, including the 1961 recorded 2002 released The Waiting Game, the fourth and final album by the brilliant and underrated tenor saxophonist. Brooks' solos, as usual, are beautiful, fluid coherent inventions played with a gorgeous tone and flawless technique. Johnny Coles, Kenny Drew, Wilbur Ware and Philly Joe Jonescomplete the band here.\r\n
      \r\n
      Blue Note Records has announced the continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series in 2020. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180g audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note / Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded ! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Tina Brooks (tenor saxophone), Kenny Drew (piano), Johnny Coles (trumpet), Wilbur Ware (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lMkT55MU7yU"
    -referenceProduit: "BLue Note Tone Poet Series 34193"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Talkin' About"
      ]
      [
        "ordre" => 2
        "nom" => "2. One for Myrtle"
      ]
      [
        "ordre" => 3
        "nom" => "3. Dhyana"
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        "nom" => "Side B : "
      ]
      [
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        "nom" => "1. David the King"
      ]
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        "nom" => "2. Stranger In Paradise"
      ]
      [
        "ordre" => 7
        "nom" => "3. The Waiting Game"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2079 …}
    -label: Proxies\__CG__\App\Entity\Label {#2082 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2091 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2084 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2086 …}
    -enregistreLe: DateTime @1601224128 {#2074
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    }
    -modifierLe: DateTime @1770019992 {#2075
      date: 2026-02-02 08:13:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2088 …}
    -disponible: null
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    -slug: "vinyles-the-waiting-game-blue-note-tone-poet-series-34193"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3336
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2662 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2077
    -id: 1928
    -nom: "The Waiting Game"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - All-Analog 180 gram Vinyl LP of Tina Brooks' "The Waiting Game" ! \r\n
      - Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI : Reference-Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley !\r\n
      \r\n
      Tina Brooks' passionate full sound and forward-looking style, along with his exceptional compositional gifts, made him a powerful force. A soulful hard bop tenor-saxophonist with an original sound and fresh ideas of his own, Brooks had a brief life. The prime of his career was during 1958-61 when he recorded four albums for Blue Note, including the 1961 recorded 2002 released The Waiting Game, the fourth and final album by the brilliant and underrated tenor saxophonist. Brooks' solos, as usual, are beautiful, fluid coherent inventions played with a gorgeous tone and flawless technique. Johnny Coles, Kenny Drew, Wilbur Ware and Philly Joe Jonescomplete the band here.\r\n
      \r\n
      Blue Note Records has announced the continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series in 2020. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180g audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note / Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded ! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Tina Brooks (tenor saxophone), Kenny Drew (piano), Johnny Coles (trumpet), Wilbur Ware (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lMkT55MU7yU"
    -referenceProduit: "BLue Note Tone Poet Series 34193"
    -titreMorceau: [
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        "nom" => "Side A : "
      ]
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        "ordre" => 1
        "nom" => "1. Talkin' About"
      ]
      [
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        "nom" => "2. One for Myrtle"
      ]
      [
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        "nom" => "3. Dhyana"
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      [
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        "nom" => "Side B : "
      ]
      [
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        "nom" => "1. David the King"
      ]
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        "nom" => "2. Stranger In Paradise"
      ]
      [
        "ordre" => 7
        "nom" => "3. The Waiting Game"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2079 …}
    -label: Proxies\__CG__\App\Entity\Label {#2082 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2091 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2084 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2086 …}
    -enregistreLe: DateTime @1601224128 {#2074
      date: 2020-09-27 16:28:48.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770019992 {#2075
      date: 2026-02-02 08:13:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2088 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-waiting-game-blue-note-tone-poet-series-34193"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2430 …}
}

[
  "produit" => App\Entity\Produit {#2100
    -id: 1734
    -nom: "Minor Move"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      Minor Move is an album by American hard bop tenor Tina Brooks, featuring performances by Brooks, Lee Morgan, Sonny Clark, Doug Watkins and Art Blakey. It was recorded on March 16, 1958, and was Brooks' first album as a leader for Blue Note Records. The album, however, was shelved for many years until being issued in Japan in 1980, as Blue Note GXF 3072. In 2000, Minor Move was released on CD. The piece "Nutville" is sometimes credited to Lee Morgan, but in truth, as Michael Cuscuna explains in the liner notes to the 2000 release, "Lee brought the tune to the session, but never claimed credit for it. Curtis Fuller also confirms that it was indeed a Tina Brooks original".\r\n
      \r\n
      Tone Poet Audiophile Vinyl Reissue Series : "Tone Poet" Joe Harley co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog.\r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      \r\n
      The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder’s studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. "Every aspect of these Blue Note releases is done to the highest possible standard" he says. "It means that you will never find a superior version".\r\n
      \r\n
      Listening to Minor Move, it's hard to see why the record was shelved. Not only does it feature Brooks in robust form, but he's supported by pianist Sonny Clark, trumpeter Lee Morgan, bassist Doug Watkins, and drummer Art Blakey a first-rate lineup if there ever was one. Stylistically, the music here is no great surprise it's straight-ahead, driving hard bop but the performances are exceptional. Brooks has no problem keeping up with Morgan and Clark, who both have more than their fair share of fine moments here. He has a rich, full-bodied tone and clever phrasing, keeping the music fresh on standards like 'The Way You Look Tonight' and 'Everything Happens to Me.' His original compositions "Nutville" and "Minor Move" are equally impressive, offering the entire band opportunities to stretch out and improvise vigorously. It is true that Minor Move is right within the hard bop tradition, but fans of that style will find much to treasure here. - AllMusic
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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      date: 2026-02-02 08:06:06.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3389
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2662 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2100
    -id: 1734
    -nom: "Minor Move"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      Minor Move is an album by American hard bop tenor Tina Brooks, featuring performances by Brooks, Lee Morgan, Sonny Clark, Doug Watkins and Art Blakey. It was recorded on March 16, 1958, and was Brooks' first album as a leader for Blue Note Records. The album, however, was shelved for many years until being issued in Japan in 1980, as Blue Note GXF 3072. In 2000, Minor Move was released on CD. The piece "Nutville" is sometimes credited to Lee Morgan, but in truth, as Michael Cuscuna explains in the liner notes to the 2000 release, "Lee brought the tune to the session, but never claimed credit for it. Curtis Fuller also confirms that it was indeed a Tina Brooks original".\r\n
      \r\n
      Tone Poet Audiophile Vinyl Reissue Series : "Tone Poet" Joe Harley co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog.\r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      \r\n
      The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder’s studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. "Every aspect of these Blue Note releases is done to the highest possible standard" he says. "It means that you will never find a superior version".\r\n
      \r\n
      Listening to Minor Move, it's hard to see why the record was shelved. Not only does it feature Brooks in robust form, but he's supported by pianist Sonny Clark, trumpeter Lee Morgan, bassist Doug Watkins, and drummer Art Blakey a first-rate lineup if there ever was one. Stylistically, the music here is no great surprise it's straight-ahead, driving hard bop but the performances are exceptional. Brooks has no problem keeping up with Morgan and Clark, who both have more than their fair share of fine moments here. He has a rich, full-bodied tone and clever phrasing, keeping the music fresh on standards like 'The Way You Look Tonight' and 'Everything Happens to Me.' His original compositions "Nutville" and "Minor Move" are equally impressive, offering the entire band opportunities to stretch out and improvise vigorously. It is true that Minor Move is right within the hard bop tradition, but fans of that style will find much to treasure here. - AllMusic
      """
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        "nom" => "3. Everything Happens To Me"
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[
  "produit" => App\Entity\Produit {#2115
    -id: 882
    -nom: "The White House Sessions, Live 1962"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      A historic collaboration by two of jazz music's greatest artists is finally available on 180 gram Double LP Set ! Impex Records' deluxe production captures the amazing outdoor acoustics with fine detail and wide dynamic range. The beautiful gatefold jacket is coated in a vintage high-gloss lacquer.\r\n
      \r\n
      The White House Session, Live 1962 contains inspired performances of classic tunes "Take Five", "Castilian Blues", "Lullaby of Birdland", and "I Left My Heart In San Francisco".\r\n
      \r\n
      For the first time ever on 180 gram LP, this two LP set is beautifully re-mastered and the original artwork has been carefully replicated.\r\n
      \r\n
      Two remarkable visionaries at the peak of the powers, Dave Brubeck and his quartet and Tony Bennett (both with his group and with Bennett with trio) give hot performances of some of their biggest hits : Brubeck's revved up "Take Five", and Tony Bennett's soulful "I Left My Heart in San Francisco".\r\n
      \r\n
      Playing the popular White House Sessions concert on the Washington Mall for President John F. Kennedy, these titans of popular jazz have a great time informing, joking and playing the lights out. You'll want to play the grooves out of Impex's impeccably produced issue of this lost treasure. Quiet surfaces, incredible dynamics, full frequency responses and deluxe packaging will provide years of listening and viewing pleasure.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Dave Brubeck, Ralph Sharon (piano), Tony Bennett (vocals), Paul Desmond (alto saxophone), Eugene Wright, Harold Gaylor (bass), Billy Exiner, Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=oLy6ENUADWA"
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        "nom" => "Side A : "
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        "nom" => "1. Introduction"
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        "nom" => "2. Take Five"
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        "ordre" => 4
        "nom" => "4. Nomad"
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        "nom" => "Side B :"
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        "nom" => "2. Castilian Blues"
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        "nom" => "Side C :"
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        "nom" => "1. Introduction"
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        "nom" => "2. Just In Time"
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        "nom" => "3. Small World"
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        "nom" => "5. Rags To Riches"
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        "nom" => "6. One For my Baby (And One More For The Road)"
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        "ordre" => 15
        "nom" => "7. I Left My Heart in San Francisco"
      ]
      [
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        "nom" => "Side D :"
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        "ordre" => 17
        "nom" => "1. Lullaby Of Broadway"
      ]
      [
        "ordre" => 18
        "nom" => "2. Chicago"
      ]
      [
        "ordre" => 19
        "nom" => "3. That Old Black Magic"
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        "ordre" => 20
        "nom" => "4. There Will Never Be Another You"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …}
    -label: Proxies\__CG__\App\Entity\Label {#2120 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3435
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2662 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2115
    -id: 882
    -nom: "The White House Sessions, Live 1962"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      A historic collaboration by two of jazz music's greatest artists is finally available on 180 gram Double LP Set ! Impex Records' deluxe production captures the amazing outdoor acoustics with fine detail and wide dynamic range. The beautiful gatefold jacket is coated in a vintage high-gloss lacquer.\r\n
      \r\n
      The White House Session, Live 1962 contains inspired performances of classic tunes "Take Five", "Castilian Blues", "Lullaby of Birdland", and "I Left My Heart In San Francisco".\r\n
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      For the first time ever on 180 gram LP, this two LP set is beautifully re-mastered and the original artwork has been carefully replicated.\r\n
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      \r\n
      Playing the popular White House Sessions concert on the Washington Mall for President John F. Kennedy, these titans of popular jazz have a great time informing, joking and playing the lights out. You'll want to play the grooves out of Impex's impeccably produced issue of this lost treasure. Quiet surfaces, incredible dynamics, full frequency responses and deluxe packaging will provide years of listening and viewing pleasure.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Dave Brubeck, Ralph Sharon (piano), Tony Bennett (vocals), Paul Desmond (alto saxophone), Eugene Wright, Harold Gaylor (bass), Billy Exiner, Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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        "nom" => "Side C :"
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        "nom" => "1. Introduction"
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        "nom" => "2. Chicago"
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        "nom" => "4. There Will Never Be Another You"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …}
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      date: 2026-02-02 07:45:49.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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[
  "produit" => App\Entity\Produit {#2134
    -id: 1845
    -nom: "Black And White"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Tony Joe White's 1969 album debut featuring the hit "Polk Salad Annie" !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tape !\r\n
      - Plated and 180 gram pressing by Quality Record Pressings !\r\n
      - Tip-on gatefold jacket by Stoughton Printing !\r\n
      - Highly recommended for fans of Creedence Clearwater Revival, and J.J. Cale !\r\n
      \r\n
      Singer-songwriter Tony Joe White's most well-known hit led off this way "Some of ya'll still never been down South... down there we've got a plant, looks somethin' like a turnip green. 'Cept it ain't".\r\n
      \r\n
      "Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Rivival's Bayou Country and Green River.\r\n
      \r\n
      Released in 1969, White's album debut Black and White contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia").\r\n
      \r\n
      This Analogue Productions edition is the highest-quality reissue of Black and White released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 180 gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty.\r\n
      \r\n
      Besides "Annie", side one of Black and White includes several other White originals. AllMusic judges the best of these to be "Willie and Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia", a White composition popularized by Brook Benton.\r\n
      \r\n
      The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie and Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade.\r\n
      \r\n
      Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Tony Joe White (guitar, harmonica, vocals), Chip Young (guitar), David Briggs (piano, organ), Norbert Putnam (bass), Jerry Carrigan, Jimmy Isbell (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5rV17yhXyL0"
    -referenceProduit: "Analogue Productions AAPP 0129"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Willie And Laura Mae Jones "
      ]
      [
        "ordre" => 2
        "nom" => "2. Soul Francisco "
      ]
      [
        "ordre" => 3
        "nom" => "3. Aspen Colorado "
      ]
      [
        "ordre" => 4
        "nom" => "4. Whompt Out On You "
      ]
      [
        "ordre" => 5
        "nom" => "5. Don't Steal My Love "
      ]
      [
        "ordre" => 6
        "nom" => "6. Polk Salad Annie "
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Who's Making Love "
      ]
      [
        "ordre" => 9
        "nom" => "2. Scratch My Back "
      ]
      [
        "ordre" => 10
        "nom" => "3. Little Green Apples "
      ]
      [
        "ordre" => 11
        "nom" => "4. Wichita Lineman "
      ]
      [
        "ordre" => 12
        "nom" => "5. Look Of Love"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2136 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2145 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2138 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2140 …}
    -enregistreLe: DateTime @1586847482 {#2131
      date: 2020-04-14 06:58:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770017957 {#2132
      date: 2026-02-02 07:39:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2142 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-black-and-white-analogue-productions-aapp-0129"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3486
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2662 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2134
    -id: 1845
    -nom: "Black And White"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Tony Joe White's 1969 album debut featuring the hit "Polk Salad Annie" !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tape !\r\n
      - Plated and 180 gram pressing by Quality Record Pressings !\r\n
      - Tip-on gatefold jacket by Stoughton Printing !\r\n
      - Highly recommended for fans of Creedence Clearwater Revival, and J.J. Cale !\r\n
      \r\n
      Singer-songwriter Tony Joe White's most well-known hit led off this way "Some of ya'll still never been down South... down there we've got a plant, looks somethin' like a turnip green. 'Cept it ain't".\r\n
      \r\n
      "Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Rivival's Bayou Country and Green River.\r\n
      \r\n
      Released in 1969, White's album debut Black and White contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia").\r\n
      \r\n
      This Analogue Productions edition is the highest-quality reissue of Black and White released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 180 gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty.\r\n
      \r\n
      Besides "Annie", side one of Black and White includes several other White originals. AllMusic judges the best of these to be "Willie and Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia", a White composition popularized by Brook Benton.\r\n
      \r\n
      The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie and Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade.\r\n
      \r\n
      Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Tony Joe White (guitar, harmonica, vocals), Chip Young (guitar), David Briggs (piano, organ), Norbert Putnam (bass), Jerry Carrigan, Jimmy Isbell (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5rV17yhXyL0"
    -referenceProduit: "Analogue Productions AAPP 0129"
    -titreMorceau: [
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        "nom" => "1. Willie And Laura Mae Jones "
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        "nom" => "2. Soul Francisco "
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        "nom" => "2. Scratch My Back "
      ]
      [
        "ordre" => 10
        "nom" => "3. Little Green Apples "
      ]
      [
        "ordre" => 11
        "nom" => "4. Wichita Lineman "
      ]
      [
        "ordre" => 12
        "nom" => "5. Look Of Love"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2136 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2145 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2138 …}
    -typeMasterTape: null
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    }
    -modifierLe: DateTime @1770017957 {#2132
      date: 2026-02-02 07:39:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2142 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-black-and-white-analogue-productions-aapp-0129"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2430 …}
}

[
  "produit" => App\Entity\Produit {#2150
    -id: 2183
    -nom: "1984 - (Box Set 2 LP) UltraDisc One-Step 45 RPM"
    -informationComplementaire: "AVAILABILITY : 2026 (subject Mobile Fidelity Sound Lab)"
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES AND PRESSED ON MOFI SUPERVINYL !\r\n
      \r\n
      Less than six years after changing the music landscape with its self-titled debut, Van Halen repeated the enormous feat. Certified 10 times-platinum by RIAA, graced by three immensely popular singles, and adorned with iconic artwork, 1984 witnesses the band expanding the synthesizer elements introduced on several prior albums and seamlessly bridging pop and metal sensibilities into a cohesive melodic whole. Punchy and catchy, glamorous and glitzy, blustery and heavy, wild and pyrotechnic, fast and fun, 1984 is David Lee Roth, Eddie Van Halen, Michael Anthony, and Alex Van Halen hitting on all cylinders. Do not wait to get this landmark on Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) box set, mastered from the original master tapes and pressed on MoFi SuperVinyl.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Alex Van Halen (drums, percussion, vocals), Edward Van Halen (guitar, keyboards, vocals), Michael Anthony (bass, vocals), David Lee Roth (vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SwYN7mTi6HM"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-037"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. 1984"
      ]
      [
        "ordre" => 1
        "nom" => "2. Jump"
      ]
      [
        "ordre" => 2
        "nom" => "3. Panama"
      ]
      [
        "ordre" => 3
        "nom" => "4. Top Jimmy"
      ]
      [
        "ordre" => 4
        "nom" => "5. Drop Dead Legs"
      ]
      [
        "ordre" => 5
        "nom" => "6. Hot for Teacher"
      ]
      [
        "ordre" => 6
        "nom" => "7. I'll Wait"
      ]
      [
        "ordre" => 7
        "nom" => "8. Girl Gone Bad"
      ]
      [
        "ordre" => 8
        "nom" => "9. House of Pain"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2152 …}
    -label: Proxies\__CG__\App\Entity\Label {#2155 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2164 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2157 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2159 …}
    -enregistreLe: DateTime @1640853612 {#2147
      date: 2021-12-30 08:40:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770013236 {#2148
      date: 2026-02-02 06:20:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2161 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-1984-box-set-2-lp-ultradisc-one-step-45-rpm-mobile-fidelity-sound-lab-ud1s-037"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3537
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2662 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2150
    -id: 2183
    -nom: "1984 - (Box Set 2 LP) UltraDisc One-Step 45 RPM"
    -informationComplementaire: "AVAILABILITY : 2026 (subject Mobile Fidelity Sound Lab)"
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES AND PRESSED ON MOFI SUPERVINYL !\r\n
      \r\n
      Less than six years after changing the music landscape with its self-titled debut, Van Halen repeated the enormous feat. Certified 10 times-platinum by RIAA, graced by three immensely popular singles, and adorned with iconic artwork, 1984 witnesses the band expanding the synthesizer elements introduced on several prior albums and seamlessly bridging pop and metal sensibilities into a cohesive melodic whole. Punchy and catchy, glamorous and glitzy, blustery and heavy, wild and pyrotechnic, fast and fun, 1984 is David Lee Roth, Eddie Van Halen, Michael Anthony, and Alex Van Halen hitting on all cylinders. Do not wait to get this landmark on Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) box set, mastered from the original master tapes and pressed on MoFi SuperVinyl.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Alex Van Halen (drums, percussion, vocals), Edward Van Halen (guitar, keyboards, vocals), Michael Anthony (bass, vocals), David Lee Roth (vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SwYN7mTi6HM"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-037"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. 1984"
      ]
      [
        "ordre" => 1
        "nom" => "2. Jump"
      ]
      [
        "ordre" => 2
        "nom" => "3. Panama"
      ]
      [
        "ordre" => 3
        "nom" => "4. Top Jimmy"
      ]
      [
        "ordre" => 4
        "nom" => "5. Drop Dead Legs"
      ]
      [
        "ordre" => 5
        "nom" => "6. Hot for Teacher"
      ]
      [
        "ordre" => 6
        "nom" => "7. I'll Wait"
      ]
      [
        "ordre" => 7
        "nom" => "8. Girl Gone Bad"
      ]
      [
        "ordre" => 8
        "nom" => "9. House of Pain"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2152 …}
    -label: Proxies\__CG__\App\Entity\Label {#2155 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2164 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2157 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2159 …}
    -enregistreLe: DateTime @1640853612 {#2147
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    }
    -modifierLe: DateTime @1770013236 {#2148
      date: 2026-02-02 06:20:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2161 …}
    -disponible: null
    -terminer: null
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    -slug: "vinyles-1984-box-set-2-lp-ultradisc-one-step-45-rpm-mobile-fidelity-sound-lab-ud1s-037"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2430 …}
}

[
  "produit" => App\Entity\Produit {#2169
    -id: 1069
    -nom: "Misty"
    -informationComplementaire: null
    -description: """
      Few, if any, international audiophile jazz recordings have maintained the kind of deep and profound influence over techniques and even entire label repretoire as Three Blind Mice's Blow Up, Midnight Sugar and Misty.\r\n
      \r\n
      The of-the-moment realism of Yoshihiko Kannari's recordings and production aesthetic of producer and label head Takeshi "Tee" Fujii have been the benchmark to match. It is to their immense credit that Blow Up, Midnight Sugar, and Misty have yet to be matched, even 40 years later.\r\n
      \r\n
      Impex, who as Cisco Music has had a long association with Tee and Three Blind Mice, has now made available these seminal recordings on 180 gram audiophile vinyl. Mastered by Kevin Gray at Cohearent Audio.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Tsuyoshi Yamamoto (piano), Isoo Fukui (bass), Tetsujiro Obara (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cexUtCGKFVs"
    -referenceProduit: "Impex Records IMP 030-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Misty"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. Blues"
      ]
      [
        "ordre" => 4
        "nom" => "2. Yesterdays"
      ]
      [
        "ordre" => 5
        "nom" => "Side C : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Honeysuckle Rose"
      ]
      [
        "ordre" => 7
        "nom" => "2. Smoke Gets In Your Eyes"
      ]
      [
        "ordre" => 8
        "nom" => "Side D : "
      ]
      [
        "ordre" => 9
        "nom" => "1. I Didn't Know What Time It Was"
      ]
      [
        "ordre" => 10
        "nom" => "2. Angel Eyes"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#2120 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2180 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2173 …}
    -typeMasterTape: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2175 …}
    -enregistreLe: DateTime @1479279424 {#2166
      date: 2016-11-16 06:57:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769968016 {#2167
      date: 2026-02-01 17:46:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2177 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-misty-impex-records-imp-030-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3588
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2662 …}
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  +produit: App\Entity\Produit {#2169
    -id: 1069
    -nom: "Misty"
    -informationComplementaire: null
    -description: """
      Few, if any, international audiophile jazz recordings have maintained the kind of deep and profound influence over techniques and even entire label repretoire as Three Blind Mice's Blow Up, Midnight Sugar and Misty.\r\n
      \r\n
      The of-the-moment realism of Yoshihiko Kannari's recordings and production aesthetic of producer and label head Takeshi "Tee" Fujii have been the benchmark to match. It is to their immense credit that Blow Up, Midnight Sugar, and Misty have yet to be matched, even 40 years later.\r\n
      \r\n
      Impex, who as Cisco Music has had a long association with Tee and Three Blind Mice, has now made available these seminal recordings on 180 gram audiophile vinyl. Mastered by Kevin Gray at Cohearent Audio.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Tsuyoshi Yamamoto (piano), Isoo Fukui (bass), Tetsujiro Obara (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cexUtCGKFVs"
    -referenceProduit: "Impex Records IMP 030-45"
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        "nom" => "1. Misty"
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        "nom" => "1. Blues"
      ]
      [
        "ordre" => 4
        "nom" => "2. Yesterdays"
      ]
      [
        "ordre" => 5
        "nom" => "Side C : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Honeysuckle Rose"
      ]
      [
        "ordre" => 7
        "nom" => "2. Smoke Gets In Your Eyes"
      ]
      [
        "ordre" => 8
        "nom" => "Side D : "
      ]
      [
        "ordre" => 9
        "nom" => "1. I Didn't Know What Time It Was"
      ]
      [
        "ordre" => 10
        "nom" => "2. Angel Eyes"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2171 …}
    -label: Proxies\__CG__\App\Entity\Label {#2120 …}
    -style: App\Entity\Style {#1449 …}
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    -enregistreLe: DateTime @1479279424 {#2166
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    }
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      date: 2026-02-01 17:46:56.0 UTC (+00:00)
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    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2177 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-misty-impex-records-imp-030-45"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2430 …}
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[
  "produit" => App\Entity\Produit {#2185
    -id: 2742
    -nom: "Jazz Impressions Of Black Orpheus  (Limited Edition Numbered Small Batch One-Step)"
    -informationComplementaire: null
    -description: """
      - Jazz Impressions of Black Orpheus (Small Batch, One-Step Pressing) !\r\n
      - Pressed using a one-step lacquer process at RTI utilizing Neotech's VR900 PVC compound !\r\n
      - All-analog mastering by Bernie Grundman from the original master tape !\r\n
      - Liner notes from Derrick Bang, the foremost Guaraldi historian !\r\n
      - Housed in a foil-stamped, linen-wrapped slipcase !\r\n
      - Numbered and limited to 3000 copies !\r\n
      \r\n
      Vince Guaraldi Trio's Grammy Award-winning, breakthrough album, Jazz Impressions of Black Orpheus, is the fourth release in Craft Recordings' Small Batch series a carefully curated one-step lacquer process collection that's devoted to creating the highest quality reissues of legendary recordings from its vast catalog.\r\n
      \r\n
      As with previous Small Batch pressings, Jazz Impressions of Black Orpheus was cut from its original analog tapes by legendary engineer Bernie Grundman and pressed on 180 gram vinyl at RTI using Neotech's VR900 compound and a one-step lacquer process as opposed to the standard three-step process allowing for the utmost level of musical detail, clarity, and dynamics while reducing the amount of surface noise on the record. The limited nature of these pressings guarantees that each record is a true representation of the original lacquer and is as close as the listener can get to the original recording.\r\n
      \r\n
      Released in April 1962, Jazz Impressions of Black Orpheus made Guaraldi a household name thanks, in large part, to the irresistible sounds of "Cast Your Fate to the Wind". In 1963, the song earned Guaraldi a Grammy for "Best Original Jazz Composition." Over the years, it would be covered by a range of artists, including Quincy Jones, George Benson, Allen Toussaint, the James Gang, and Mel Tormé (who added lyrics). Perhaps most famously, however, the tune caught the ear of television producer Lee Mendelson, who was searching for a musician to score a documentary about PEANUTS® creator, Charles M. Schulz, and his popular comic strip. While the film was never released, Guaraldi recorded the soundtrack to A Charlie Brown Christmas the following year-creating one of the best-selling jazz and holiday albums of all time in the process.\r\n
      \r\n
      This Small Batch edition is limited to 3000 copies worldwide. Each pressing is individually numbered and encased in a foil-stamped, linen-wrapped slipcase featuring an acrylic inset of the original artwork. The vinyl disc-extractable through a unique, frictionless ribbon pull-tab-is housed in a reproduction of the album's original, tip-on jacket and protected by an archival-quality, anti-static, non-scratching inner sleeve. Rounding out the package are new liner notes by Derrick Bang, the foremost Guaraldi historian and author of Vince Guaraldi at the Piano (McFarland & Company).
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Vince Guaraldi (piano), Monty Budwig (bass), Colin Bailey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
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    -titreMorceau: [
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      [
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        "nom" => "3. O Nosso Amor"
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        "ordre" => 4
        "nom" => "4. Felicidade"
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      [
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        "nom" => "Side B : "
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      [
        "ordre" => 6
        "nom" => "1. Cast Your Fate To The Wind"
      ]
      [
        "ordre" => 7
        "nom" => "2. Moon River"
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      [
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        "nom" => "3. Alma-Ville"
      ]
      [
        "ordre" => 9
        "nom" => "4. Since I Fell For You"
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. Samba de Orfeu [Short Version: Take 1, Set 3]"
      ]
      [
        "ordre" => 12
        "nom" => "2. Samba de Orfeu [Long Version: Take 1, Set 3]"
      ]
      [
        "ordre" => 13
        "nom" => "3. Manhã de Carnaval [Take 1, Set 3]"
      ]
      [
        "ordre" => 14
        "nom" => "4. Manhã de Carnaval [Take 2, Set 3]"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. O Nosso Amor [Take 1, Set 3]"
      ]
      [
        "ordre" => 17
        "nom" => "2. O Nosso Amor [Take 2, Set 4]"
      ]
      [
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        "nom" => "3. Felicidade [Take 2, Set 2]"
      ]
      [
        "ordre" => 19
        "nom" => "4. Felicidade [Take 4, Set 3]"
      ]
      [
        "ordre" => 20
        "nom" => "Side E :"
      ]
      [
        "ordre" => 21
        "nom" => "1. Cast Your Fate To The Wind [Take 2]"
      ]
      [
        "ordre" => 22
        "nom" => "2. Cast Your Fate To The Wind [Take 3]"
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      [
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        "nom" => "3. Cast Your Fate To The Wind [Take 5]"
      ]
      [
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        "nom" => "4. Alma-Ville [Take 2]"
      ]
      [
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        "nom" => "5. Since I Fell For You [Take 3]"
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      [
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        "nom" => "Side F : "
      ]
      [
        "ordre" => 27
        "nom" => "1. Jitterbug Waltz [Take 1]"
      ]
      [
        "ordre" => 28
        "nom" => "2. Jitterbug Waltz [Take 1A]"
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      [
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      [
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        "nom" => ""
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      [
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      [
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      [
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      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2187 …}
    -label: Proxies\__CG__\App\Entity\Label {#2050 …}
    -style: App\Entity\Style {#1449 …}
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    -modifierLe: DateTime @1769966184 {#2183
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-jazz-impressions-of-black-orpheus-limited-edition-numbered-small-batch-one-step-aconc-542"
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App\Twig\Components\GestionPanierFavoriComponents {#3639
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2662 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2185
    -id: 2742
    -nom: "Jazz Impressions Of Black Orpheus  (Limited Edition Numbered Small Batch One-Step)"
    -informationComplementaire: null
    -description: """
      - Jazz Impressions of Black Orpheus (Small Batch, One-Step Pressing) !\r\n
      - Pressed using a one-step lacquer process at RTI utilizing Neotech's VR900 PVC compound !\r\n
      - All-analog mastering by Bernie Grundman from the original master tape !\r\n
      - Liner notes from Derrick Bang, the foremost Guaraldi historian !\r\n
      - Housed in a foil-stamped, linen-wrapped slipcase !\r\n
      - Numbered and limited to 3000 copies !\r\n
      \r\n
      Vince Guaraldi Trio's Grammy Award-winning, breakthrough album, Jazz Impressions of Black Orpheus, is the fourth release in Craft Recordings' Small Batch series a carefully curated one-step lacquer process collection that's devoted to creating the highest quality reissues of legendary recordings from its vast catalog.\r\n
      \r\n
      As with previous Small Batch pressings, Jazz Impressions of Black Orpheus was cut from its original analog tapes by legendary engineer Bernie Grundman and pressed on 180 gram vinyl at RTI using Neotech's VR900 compound and a one-step lacquer process as opposed to the standard three-step process allowing for the utmost level of musical detail, clarity, and dynamics while reducing the amount of surface noise on the record. The limited nature of these pressings guarantees that each record is a true representation of the original lacquer and is as close as the listener can get to the original recording.\r\n
      \r\n
      Released in April 1962, Jazz Impressions of Black Orpheus made Guaraldi a household name thanks, in large part, to the irresistible sounds of "Cast Your Fate to the Wind". In 1963, the song earned Guaraldi a Grammy for "Best Original Jazz Composition." Over the years, it would be covered by a range of artists, including Quincy Jones, George Benson, Allen Toussaint, the James Gang, and Mel Tormé (who added lyrics). Perhaps most famously, however, the tune caught the ear of television producer Lee Mendelson, who was searching for a musician to score a documentary about PEANUTS® creator, Charles M. Schulz, and his popular comic strip. While the film was never released, Guaraldi recorded the soundtrack to A Charlie Brown Christmas the following year-creating one of the best-selling jazz and holiday albums of all time in the process.\r\n
      \r\n
      This Small Batch edition is limited to 3000 copies worldwide. Each pressing is individually numbered and encased in a foil-stamped, linen-wrapped slipcase featuring an acrylic inset of the original artwork. The vinyl disc-extractable through a unique, frictionless ribbon pull-tab-is housed in a reproduction of the album's original, tip-on jacket and protected by an archival-quality, anti-static, non-scratching inner sleeve. Rounding out the package are new liner notes by Derrick Bang, the foremost Guaraldi historian and author of Vince Guaraldi at the Piano (McFarland & Company).
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Vince Guaraldi (piano), Monty Budwig (bass), Colin Bailey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 3
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    -limitedEdition: true
    -preCommande: true
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    -extraitYoutube: "https://www.youtube.com/watch?v=zUtQSeaAmmg&list=PLLG_xm_uUlt_H0g5EfINPuVdFNuDOU8IY"
    -referenceProduit: "ACONC 542"
    -titreMorceau: [
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        "nom" => "2. Manhã de Carnaval"
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        "nom" => "3. O Nosso Amor"
      ]
      [
        "ordre" => 4
        "nom" => "4. Felicidade"
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      [
        "ordre" => 5
        "nom" => "Side B : "
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      [
        "ordre" => 6
        "nom" => "1. Cast Your Fate To The Wind"
      ]
      [
        "ordre" => 7
        "nom" => "2. Moon River"
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      ]
      [
        "ordre" => 9
        "nom" => "4. Since I Fell For You"
      ]
      [
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        "nom" => "Side C :"
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      [
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      ]
      [
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        "nom" => "4. Manhã de Carnaval [Take 2, Set 3]"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
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      [
        "ordre" => 16
        "nom" => "1. O Nosso Amor [Take 1, Set 3]"
      ]
      [
        "ordre" => 17
        "nom" => "2. O Nosso Amor [Take 2, Set 4]"
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      [
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        "nom" => "3. Felicidade [Take 2, Set 2]"
      ]
      [
        "ordre" => 19
        "nom" => "4. Felicidade [Take 4, Set 3]"
      ]
      [
        "ordre" => 20
        "nom" => "Side E :"
      ]
      [
        "ordre" => 21
        "nom" => "1. Cast Your Fate To The Wind [Take 2]"
      ]
      [
        "ordre" => 22
        "nom" => "2. Cast Your Fate To The Wind [Take 3]"
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        "ordre" => 23
        "nom" => "3. Cast Your Fate To The Wind [Take 5]"
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      [
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        "nom" => "1. Jitterbug Waltz [Take 1]"
      ]
      [
        "ordre" => 28
        "nom" => "2. Jitterbug Waltz [Take 1A]"
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      [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2187 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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[
  "produit" => App\Entity\Produit {#2205
    -id: 2268
    -nom: "Le Quattro Stagioni (30th Anniversary Limited Edition Numbered) 45 RPM One-Step"
    -informationComplementaire: null
    -description: """
      - Giuliano Carmignola Vivaldi "Le Quattro Stagioni" !\r\n
      - 30th Anniversary limited numbered edition 180 gram (2 LP) 45 RPM !\r\n
      - All lacquer cuts by Scott Hull at Masterdisk !\r\n
      - One-step plating for superior sound !\r\n
      - Pressed at Optimal in Germany !\r\n
      - Housed in a rigid gatefold jacket !\r\n
      - Considered one of the 10 best recordings of the last century !\r\n
      \r\n
      AudioNautes proudly offers this special one-step limited edition version celebrating the 30th anniversary of this beautiful engraving of Sonatori of Gioiosa Marca, an extraordinary group of Treviso, which also present a recording devoted almost entirely to Violin Concertos, always by Vivaldi, and assembled in the program "the humane passions" because of their titles: The favorite, anxiety, suspicion, The loving and pleasure.\r\n
      \r\n
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      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Giuliano Carmignola (violin), Sonatori de la Gioiosa Marca"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
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    -setBoxMusic: false
    -limitedEdition: true
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    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Audionotes Recordings 1201"
    -titreMorceau: [
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        "ordre" => 2
        "nom" => "2. Largo e pianissimo sempre \t"
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      [
        "ordre" => 3
        "nom" => "3. Danza pastorale. Allegro "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
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      [
        "ordre" => 5
        "nom" => "1. Allegro non molto \t"
      ]
      [
        "ordre" => 6
        "nom" => "2. Adagio \t"
      ]
      [
        "ordre" => 7
        "nom" => "3. Presto "
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        "nom" => "Side C : "
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        "nom" => "1. Allegro \t"
      ]
      [
        "ordre" => 10
        "nom" => "2. Adagio \t"
      ]
      [
        "ordre" => 11
        "nom" => "3. Allegro "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Alegro non molto "
      ]
      [
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      \r\n
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  "produit" => App\Entity\Produit {#2224
    -id: 1871
    -nom: "Taking The World By Storm"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Analogue Productions)"
    -description: """
      Warren Storm, Marc Broussard, John Fogerty (vocals), Eric Adcock (piano), Richard Comeaux (pedal steel guitar), Derek Huston (tenor & bariton saxophone), Chris French (bass), Sonny Landreth (slide guitar), Roddie Romero (electric guitar), Beau Thomas (fiddle), Willie Tee Trahan (tenor saxophone), Gary Usie (drums).\r\n
      \r\n
      - Now a 45 RPM double LP for better tracking, higher-quality sound !\r\n
      - Swamp pop pioneer and Louisiana legend Warren Storm returns !\r\n
      - Louisiana and Texas' Music Hall of Fame inductee !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from analog tape recording !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Old-style heavyweight tip-on gatefold jacket from Stoughton Printing !\r\n
      - A Personal Favorite of Acoustic Sounds / APO Records CEO Chad Kassem !\r\n
      - Praise for the 33 1/3 version of 'Taking The World, By Storm' !\r\n
      \r\n
      Taking the world by Storm : Memoir, album showcase swamp pop star Warren Storm - Music - theadvocate.com\r\n
      \r\n
      "At 82 years old, Warren Storm has more history behind him than in front of him. Fortunately, this stop along the way gives the world another chance to take a taste of the swamp pop that he is generally considered to have created- a steamy mixture of country, cajun, zydeco and New Orleans R & B. Think early CCR and you'll be in the right book, if not on the right page. Louisiana musician Yvette Landry coaxed Storm into the studio to revisit some of his career highlights such as 'Mathilda' and 'Prisoner's Song' as well as some takes on classics by others including CCR's John Fogerty who guests on his classic 'Long As I Can See the Light'. With an all-star band including Eric Adcock on piano, Roddie Romero on guitar, Derek Huston on sax, Chris French on bass and Gary Usie on drums plus special guests including Fogerty, Marc Broussard, Sonny Landreth and Willie "Tee" Traham, the stage was set for a fine release and this disc delivers. Storm's voice shows little signs of his aging as revealed by both ballads such as the Bobby Charles penned 'Tennessee Blues' and more upbeat numbers such as the Dave Bartholomew/Fats Domino classic 'Let the Four Winds Blow' and his 1956 hits, 'Mama, Mama, Mama' (where Landry adds some saucy vocals to the mix) and 'Prisoner's Song'. Merle Haggard's 'My House of Memories' aptly captures the anguish of unshakable loss while the bouncy, saxdriven 'Troubles, Troubles' is musically at odds with the misery and turmoil claimed in the lyrics revealing the loss of his lady isn't likely as bad as he protests. For those seeking to revisit swamp pop history this is a nice souvenir. For those new to the genre, this is a great introduction". - Mark Smith, Jazz & Blues Report, March / April 2020 - Issue 389\r\n
      \r\n
      "Trust me when the opener 'Long as I Can See the Light' begins you won't care how it was recorded. Mr. Storm (or Mr. Schexnider, however you wish to call him) does not sound like an 82 year old. No way. He owns the mournful, inspirational Fogerty penned tune... Now's the time for music that lifts the spirits and here's some that does just that ! Mr. Schexnider is in fine voice here, soaring to hit all of the high notes and clearly enjoying the adulation coming from all of the participants.... Live to 2 track analog sound pleases the ears at low levels and no matter how loud you crank it. If I could rate these records separately for sound this one would be up at least a notch to "noine" bordering on 10. Go high, go low, have a party with this album of honest music making... thanks to Executive Producer Chad Kassem, the audiophile community's Alan Lomax. Perfectly pressed at QRP, Salina Kansas, USA".  - Michael Fremer, AnalogPlanet.com. \r\n
      \r\n
      "These are songs (from writers such as Earl King, Dave Bartholomew & Fats Domino, Bobby Charles, and others) that (Storm) has figuratively made his own already. ... There is also one song that is utterly new to Storm's repertoire : a sublime take on 'Long As I Can See the Light', written and originally recorded by John Fogerty during his Credence Clearwater Revival heyday. This track alone might justify acquisition of the album, for not only does the soul-stirring number seem perfectly made for Storm to interpret but it also features Fogerty himself as special guest vocalist on the final verse. Together, those two distinctive voices are a marvel to behold and a reminder of just how much the California-born rocker's essential sound (as well as verbal motifs on classic CCR songs such as 'Born on the Bayou') was influenced by the music and culture of South Louisiana". - Roger Wood, Living Blues Magazine, February 2020.\r\n
      \r\n
      "At age 82, Warren 'Storm' Schexnider is a wonderful force out of Louisiana ...and still doing what he does best. His new album, Taking The World, By Storm, finds him revisiting some material he recorded earlier in his career, and proving he still has the vocal power and flair to make these songs work. Seriously, there are some fantastic vocal performances on this album". - Michael Doherty's Music Log\r\n
      \r\n
      "He is a master of what is lovingly referred to as 'swamp pop', an amalgam of traditional Cajun sounds mixed with blues, R&B, zydeco, and country ...Warren Storm has done it all - he's been a drummer, a singer, and a front man... All 11 tracks (on Taking The World By Storm) were laid down on half-inch tape, live-in-studio, the way they did back in the Fifties". - Sheryl and Don Crow, The Nashville Blues and Roots Alliance\r\n
      \r\n
      "Starting strong with a duet with John Fogerty on 'Long As I Can See The Light', followed by Marc Broussard on 'Mathilda', this made-with-love album from Louisiana mainstay Warren Storm doesn't slow down across eleven songs and 36 minutes... Storm still has the soul that made him the Godfather of Swamp Pop. Spend some time with him as he is Taking The World, By Storm". - Donald Teplyske, Fervor Coulee - Roots Music Opinion\r\n
      \r\n
      "Who knows ? Maybe it's the constant edible infusion of crawfish and Tabasco sauce, Dixie beer and moonshine diets that took their mortal toll on dedicated swamp pop practitioners... Luckily one of the original swampers, Mr. Warren Storm, is not about to give up the Holy Ghost anytime soon. 82-years-young, he's still singing for the ages and capable of working a backroom dance floor harder than anyone alive". - Bill Bently, Americana Highways\r\n
      \r\n
      Warren "Storm" Schexnider is a Louisiana legend. At age 82 when this album was recorded, he's been creating music for more than 70 years a milestone that's dubbed him the "Godfather of Swamp Pop" for his fealty to the indigenous music of the Acadiana region of south Louisiana and southeast Texas. Created in the 1950s and early 1960s by teenage Cajuns, swamp pop combines New Orleans-style rhythm and blues, country and western, and traditional French Louisiana musical influences.\r\n
      \r\n
      Warren throughout his career has recorded on innumerable records, both on his own as a vocalist/musician, and as a studio musician on other albums. He continues to blaze a path for younger musicians, which is why one could say the universe had a plan that resulted in the album Taking the World, by Storm, new from APO Records. Recorded at Dockside Studio, Maurice, Louisiana in March 2019, the album was produced by Yvette Landry and executive producer Chad Kassem. Mastering was by Ryan K. Smith at Sterling Sound in Nashville. Now a 45 RPM dead-quiet double LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
      Warren Storm grew up in a Cajun household (he spoke only French until the third grade!) surrounded by music. His father, an Abbeville, Louisiana native, was a drummer, fiddler, and accordian player who indoctrinated his then 12-year-old son Warren into the biz with an impromptu Rayne-Bo Ramblers gig. By age 15, Warren was playing drums with Larry Brasso's Rhythm-aires. Throughout his adolescence Warren played with various dance hall bands, including with Fats Domino's drummer Charlie "Hungry" Williams. Warren became known as the top session drummer in the area; then just after graduation from Abbeville High School, Warren signed a recording contract. His first record, a 7-inch released in 1958, containing "The Prisoner's Song", b/w "Mama, Mama, Mama" sold a quarter of a million copies. His subsequent hits "So Long, So Long, (Goodbye, Goodbye)", "Birmingham Bar", "Lord, I Need Somebody Bad Tonight", "Things Have Gone To Pieces" and more led to Warren's induction into both Louisiana and Texas' Music Hall of Fame.\r\n
      \r\n
      Yvette Landry, a singer-songwriter and musician, grew up in Breaux Bridge, Louisiana not far from the levees of the Atchafalaya Basin, North America's largest swampland. She fronts her own band, The Yvette Landry Band, and her debut award-winning album titled Should Have Known was released in 2010. (The album was named Offbeat Magazine's "Best Country / Folk Album" and Landry "Best Country/Folk Artist") She's been a familiar presence on stages at countless cultural festivals and venues from the New Orleans Jazz and Heritage Festival to the Bluebird Café in Nashville.\r\n
      \r\n
      Still, when Warren Storm strolled unannounced into a gig she was playing in the spring of 2018, Yvette was at once a little nervous and starstruck.\r\n
      \r\n
      When prodded to sing a signature tune of Warren's, "I Need Somebody Bad", off her newly-released album, she says, "I shut my eyes and belted it out". At the end of the night Warren approached her, shook her hand and said "I never heard a girl sing that song before. You did real good. Think I could have a copy ?"\r\n
      \r\n
      She complied and a friendship blossomed. As Warren thumbed through his accumulated memoriabilia Landry began noticing who she was seeing in photos : Willie Nelson, Ray Price, Hank Williams, Jr., Elvis and others.\r\n
      \r\n
      The idea was born to compile Warren's stories and pictures for a book about his career spent performing with, and opening for some of the finest musicians in the world. That book became Taking the World, by Storm - A Conversation with Warren "Storm" Schexnider, The Godfather of Swamp Pop.\r\n
      \r\n
      When the idea was proposed to reissue one of Warren's previous albums to accompany the book, Yvette and those working with her on the project went one bettter : record a new album with Warren, live in the studio, straight to 2 track tape, "just like he did in his early days". And so the recording process began. Next to become involved was Acoustic Sounds and APO Records owner Chad Kassem, who arranged for the album to appear on the APO label, to be mastered by Ryan K. Smith at Sterling Sound in Nashville, and to be plated and pressed on vinyl at Quality Record Pressings, renowned among audiophiles and music professionals for its fine-sounding LPs.\r\n
      \r\n
      For Chad, born and raised in the south Louisiana town of Lafayette, the music of Warren Storm was as familiar growing up as the climate and culture of his homeland. Chad says he feels fortunate to have had the opportunity to participate in such a one-of-a-kind project.\r\n
      \r\n
      The core band for this album is an experienced crew: Eric Adcock (piano), Roddie Romero (electric guitar), Derek Huston (saxophone), Chris French (upright bass), and Gary Usie (drums). Special guests include vocalist Marc Broussard ("Mathilda"), Sonny Landreth (slide guitar on "Mathilda"), Beau Thomas (fiddle) and Richard Comeaux (pedal steel) on "Tennessee Blues, and Willie "Tee" Trahan (tenor saxophone on "In My Moments Of Sorrow" and "Troubles, Troubles"). Yvette Landry also sings with Warren on "Mama, Mama, Mama.\r\n
      \r\n
      Lastly, the one-and-only John Fogerty (Creedence Clearwater Revival) was gracious enough to sing along with Warren's performance of "Long As I Can See The Light". Warren recorded a video with John in the mid-1980s ("My Toot Toot") and remains a huge fan of John's.\r\n
      \r\n
      Warren Storm is a legend in Louisiana music, a swamp pop pioneer. As Yvette says, "He is a master who sings with excitement (like it was his first time) and reverence (like it is his last time)". Enjoy this musical gem and tribute to the swamp pop genre.
      """
    -prixVente: "99.50"
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    -musicienOrchestre: "Warren Storm, Marc Broussard, John Fogerty (vocals), Eric Adcock (piano), Richard Comeaux (pedal steel guitar), Derek Huston (tenor & bariton saxophone), Chris French (bass), Sonny Landreth (slide guitar), Roddie Romero (electric guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    ]
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App\Twig\Components\GestionPanierFavoriComponents {#3741
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  +produit: App\Entity\Produit {#2224
    -id: 1871
    -nom: "Taking The World By Storm"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Analogue Productions)"
    -description: """
      Warren Storm, Marc Broussard, John Fogerty (vocals), Eric Adcock (piano), Richard Comeaux (pedal steel guitar), Derek Huston (tenor & bariton saxophone), Chris French (bass), Sonny Landreth (slide guitar), Roddie Romero (electric guitar), Beau Thomas (fiddle), Willie Tee Trahan (tenor saxophone), Gary Usie (drums).\r\n
      \r\n
      - Now a 45 RPM double LP for better tracking, higher-quality sound !\r\n
      - Swamp pop pioneer and Louisiana legend Warren Storm returns !\r\n
      - Louisiana and Texas' Music Hall of Fame inductee !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from analog tape recording !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Old-style heavyweight tip-on gatefold jacket from Stoughton Printing !\r\n
      - A Personal Favorite of Acoustic Sounds / APO Records CEO Chad Kassem !\r\n
      - Praise for the 33 1/3 version of 'Taking The World, By Storm' !\r\n
      \r\n
      Taking the world by Storm : Memoir, album showcase swamp pop star Warren Storm - Music - theadvocate.com\r\n
      \r\n
      "At 82 years old, Warren Storm has more history behind him than in front of him. Fortunately, this stop along the way gives the world another chance to take a taste of the swamp pop that he is generally considered to have created- a steamy mixture of country, cajun, zydeco and New Orleans R & B. Think early CCR and you'll be in the right book, if not on the right page. Louisiana musician Yvette Landry coaxed Storm into the studio to revisit some of his career highlights such as 'Mathilda' and 'Prisoner's Song' as well as some takes on classics by others including CCR's John Fogerty who guests on his classic 'Long As I Can See the Light'. With an all-star band including Eric Adcock on piano, Roddie Romero on guitar, Derek Huston on sax, Chris French on bass and Gary Usie on drums plus special guests including Fogerty, Marc Broussard, Sonny Landreth and Willie "Tee" Traham, the stage was set for a fine release and this disc delivers. Storm's voice shows little signs of his aging as revealed by both ballads such as the Bobby Charles penned 'Tennessee Blues' and more upbeat numbers such as the Dave Bartholomew/Fats Domino classic 'Let the Four Winds Blow' and his 1956 hits, 'Mama, Mama, Mama' (where Landry adds some saucy vocals to the mix) and 'Prisoner's Song'. Merle Haggard's 'My House of Memories' aptly captures the anguish of unshakable loss while the bouncy, saxdriven 'Troubles, Troubles' is musically at odds with the misery and turmoil claimed in the lyrics revealing the loss of his lady isn't likely as bad as he protests. For those seeking to revisit swamp pop history this is a nice souvenir. For those new to the genre, this is a great introduction". - Mark Smith, Jazz & Blues Report, March / April 2020 - Issue 389\r\n
      \r\n
      "Trust me when the opener 'Long as I Can See the Light' begins you won't care how it was recorded. Mr. Storm (or Mr. Schexnider, however you wish to call him) does not sound like an 82 year old. No way. He owns the mournful, inspirational Fogerty penned tune... Now's the time for music that lifts the spirits and here's some that does just that ! Mr. Schexnider is in fine voice here, soaring to hit all of the high notes and clearly enjoying the adulation coming from all of the participants.... Live to 2 track analog sound pleases the ears at low levels and no matter how loud you crank it. If I could rate these records separately for sound this one would be up at least a notch to "noine" bordering on 10. Go high, go low, have a party with this album of honest music making... thanks to Executive Producer Chad Kassem, the audiophile community's Alan Lomax. Perfectly pressed at QRP, Salina Kansas, USA".  - Michael Fremer, AnalogPlanet.com. \r\n
      \r\n
      "These are songs (from writers such as Earl King, Dave Bartholomew & Fats Domino, Bobby Charles, and others) that (Storm) has figuratively made his own already. ... There is also one song that is utterly new to Storm's repertoire : a sublime take on 'Long As I Can See the Light', written and originally recorded by John Fogerty during his Credence Clearwater Revival heyday. This track alone might justify acquisition of the album, for not only does the soul-stirring number seem perfectly made for Storm to interpret but it also features Fogerty himself as special guest vocalist on the final verse. Together, those two distinctive voices are a marvel to behold and a reminder of just how much the California-born rocker's essential sound (as well as verbal motifs on classic CCR songs such as 'Born on the Bayou') was influenced by the music and culture of South Louisiana". - Roger Wood, Living Blues Magazine, February 2020.\r\n
      \r\n
      "At age 82, Warren 'Storm' Schexnider is a wonderful force out of Louisiana ...and still doing what he does best. His new album, Taking The World, By Storm, finds him revisiting some material he recorded earlier in his career, and proving he still has the vocal power and flair to make these songs work. Seriously, there are some fantastic vocal performances on this album". - Michael Doherty's Music Log\r\n
      \r\n
      "He is a master of what is lovingly referred to as 'swamp pop', an amalgam of traditional Cajun sounds mixed with blues, R&B, zydeco, and country ...Warren Storm has done it all - he's been a drummer, a singer, and a front man... All 11 tracks (on Taking The World By Storm) were laid down on half-inch tape, live-in-studio, the way they did back in the Fifties". - Sheryl and Don Crow, The Nashville Blues and Roots Alliance\r\n
      \r\n
      "Starting strong with a duet with John Fogerty on 'Long As I Can See The Light', followed by Marc Broussard on 'Mathilda', this made-with-love album from Louisiana mainstay Warren Storm doesn't slow down across eleven songs and 36 minutes... Storm still has the soul that made him the Godfather of Swamp Pop. Spend some time with him as he is Taking The World, By Storm". - Donald Teplyske, Fervor Coulee - Roots Music Opinion\r\n
      \r\n
      "Who knows ? Maybe it's the constant edible infusion of crawfish and Tabasco sauce, Dixie beer and moonshine diets that took their mortal toll on dedicated swamp pop practitioners... Luckily one of the original swampers, Mr. Warren Storm, is not about to give up the Holy Ghost anytime soon. 82-years-young, he's still singing for the ages and capable of working a backroom dance floor harder than anyone alive". - Bill Bently, Americana Highways\r\n
      \r\n
      Warren "Storm" Schexnider is a Louisiana legend. At age 82 when this album was recorded, he's been creating music for more than 70 years a milestone that's dubbed him the "Godfather of Swamp Pop" for his fealty to the indigenous music of the Acadiana region of south Louisiana and southeast Texas. Created in the 1950s and early 1960s by teenage Cajuns, swamp pop combines New Orleans-style rhythm and blues, country and western, and traditional French Louisiana musical influences.\r\n
      \r\n
      Warren throughout his career has recorded on innumerable records, both on his own as a vocalist/musician, and as a studio musician on other albums. He continues to blaze a path for younger musicians, which is why one could say the universe had a plan that resulted in the album Taking the World, by Storm, new from APO Records. Recorded at Dockside Studio, Maurice, Louisiana in March 2019, the album was produced by Yvette Landry and executive producer Chad Kassem. Mastering was by Ryan K. Smith at Sterling Sound in Nashville. Now a 45 RPM dead-quiet double LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
      Warren Storm grew up in a Cajun household (he spoke only French until the third grade!) surrounded by music. His father, an Abbeville, Louisiana native, was a drummer, fiddler, and accordian player who indoctrinated his then 12-year-old son Warren into the biz with an impromptu Rayne-Bo Ramblers gig. By age 15, Warren was playing drums with Larry Brasso's Rhythm-aires. Throughout his adolescence Warren played with various dance hall bands, including with Fats Domino's drummer Charlie "Hungry" Williams. Warren became known as the top session drummer in the area; then just after graduation from Abbeville High School, Warren signed a recording contract. His first record, a 7-inch released in 1958, containing "The Prisoner's Song", b/w "Mama, Mama, Mama" sold a quarter of a million copies. His subsequent hits "So Long, So Long, (Goodbye, Goodbye)", "Birmingham Bar", "Lord, I Need Somebody Bad Tonight", "Things Have Gone To Pieces" and more led to Warren's induction into both Louisiana and Texas' Music Hall of Fame.\r\n
      \r\n
      Yvette Landry, a singer-songwriter and musician, grew up in Breaux Bridge, Louisiana not far from the levees of the Atchafalaya Basin, North America's largest swampland. She fronts her own band, The Yvette Landry Band, and her debut award-winning album titled Should Have Known was released in 2010. (The album was named Offbeat Magazine's "Best Country / Folk Album" and Landry "Best Country/Folk Artist") She's been a familiar presence on stages at countless cultural festivals and venues from the New Orleans Jazz and Heritage Festival to the Bluebird Café in Nashville.\r\n
      \r\n
      Still, when Warren Storm strolled unannounced into a gig she was playing in the spring of 2018, Yvette was at once a little nervous and starstruck.\r\n
      \r\n
      When prodded to sing a signature tune of Warren's, "I Need Somebody Bad", off her newly-released album, she says, "I shut my eyes and belted it out". At the end of the night Warren approached her, shook her hand and said "I never heard a girl sing that song before. You did real good. Think I could have a copy ?"\r\n
      \r\n
      She complied and a friendship blossomed. As Warren thumbed through his accumulated memoriabilia Landry began noticing who she was seeing in photos : Willie Nelson, Ray Price, Hank Williams, Jr., Elvis and others.\r\n
      \r\n
      The idea was born to compile Warren's stories and pictures for a book about his career spent performing with, and opening for some of the finest musicians in the world. That book became Taking the World, by Storm - A Conversation with Warren "Storm" Schexnider, The Godfather of Swamp Pop.\r\n
      \r\n
      When the idea was proposed to reissue one of Warren's previous albums to accompany the book, Yvette and those working with her on the project went one bettter : record a new album with Warren, live in the studio, straight to 2 track tape, "just like he did in his early days". And so the recording process began. Next to become involved was Acoustic Sounds and APO Records owner Chad Kassem, who arranged for the album to appear on the APO label, to be mastered by Ryan K. Smith at Sterling Sound in Nashville, and to be plated and pressed on vinyl at Quality Record Pressings, renowned among audiophiles and music professionals for its fine-sounding LPs.\r\n
      \r\n
      For Chad, born and raised in the south Louisiana town of Lafayette, the music of Warren Storm was as familiar growing up as the climate and culture of his homeland. Chad says he feels fortunate to have had the opportunity to participate in such a one-of-a-kind project.\r\n
      \r\n
      The core band for this album is an experienced crew: Eric Adcock (piano), Roddie Romero (electric guitar), Derek Huston (saxophone), Chris French (upright bass), and Gary Usie (drums). Special guests include vocalist Marc Broussard ("Mathilda"), Sonny Landreth (slide guitar on "Mathilda"), Beau Thomas (fiddle) and Richard Comeaux (pedal steel) on "Tennessee Blues, and Willie "Tee" Trahan (tenor saxophone on "In My Moments Of Sorrow" and "Troubles, Troubles"). Yvette Landry also sings with Warren on "Mama, Mama, Mama.\r\n
      \r\n
      Lastly, the one-and-only John Fogerty (Creedence Clearwater Revival) was gracious enough to sing along with Warren's performance of "Long As I Can See The Light". Warren recorded a video with John in the mid-1980s ("My Toot Toot") and remains a huge fan of John's.\r\n
      \r\n
      Warren Storm is a legend in Louisiana music, a swamp pop pioneer. As Yvette says, "He is a master who sings with excitement (like it was his first time) and reverence (like it is his last time)". Enjoy this musical gem and tribute to the swamp pop genre.
      """
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App\Twig\Components\AjoutMailNewsletterComponent {#3943
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