Components
4
Twig Components
15
Render Count
9
ms
Render Time
12.0
MiB
Memory Usage
Components
| Name | Metadata | Render Count | Render Time |
|---|---|---|---|
| GestionPanierFavoriComponents |
"App\Twig\Components\GestionPanierFavoriComponents"components/GestionPanierFavoriComponents.html.twig |
12 | 4.52ms |
| GestionEntetePageComponents |
"App\Twig\Components\GestionEntetePageComponents"components/GestionEntetePageComponents.html.twig |
1 | 3.14ms |
| ListePanier |
"App\Twig\Components\ListePanier"components/ListePanier.html.twig |
1 | 1.43ms |
| AjoutMailNewsletterComponent |
"App\Twig\Components\AjoutMailNewsletterComponent"components/AjoutMailNewsletterComponent.html.twig |
1 | 0.27ms |
Render calls
| GestionEntetePageComponents | App\Twig\Components\GestionEntetePageComponents | 12.0 MiB | 3.14 ms | |
|---|---|---|---|---|
| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionEntetePageComponents {#2619 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2466 …} } |
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| ListePanier | App\Twig\Components\ListePanier | 12.0 MiB | 1.43 ms | |
|---|---|---|---|---|
| Input props | [ "listeModal" => true "categorieProduitEnum" => [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] ] |
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| Attributes | [] |
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| Component | App\Twig\Components\ListePanier {#2696 #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2699 …} -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -gestionPanier: App\Service\FrontGestionPanierFavori {#2698 …} -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +listePanier: null +listeModal: true +paysForme: null +paysSelectionne: null +selectedPays: null +fraisLivraison: 17.5 +montantTotal: 35.0 +tempsLivraison: 0 +quantite: 0 +categorieProduitEnum: [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2466 …} -formView: Symfony\Component\Form\FormView {#2735 …} -form: Symfony\Component\Form\Form {#2885 …} +formName: "pays" +formValues: [ "nom" => "" ] +isValidated: false +validatedFields: [] -shouldAutoSubmitForm: true } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 12.0 MiB | 0.76 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#1873 -id: 2564 -nom: "On The Corner - (Limited Numbered Edition Super Vinyl)" -informationComplementaire: "" -description: """ Musicians : \r\n Miles Davis (trumpet), David Liebman (soprano saxophone), Carlos Garnett (soprano & tenor saxophone), Herbie Hancock, Harold Williams, Chick Corea (electric piano, organ, piano, synthesizer), David Creamer, John McLaughlin (guitar), Mtume (percussion, bells), Collin Walcott (sitar), Badal Roy (tabla), Michael Henderson (electric bass), Bennie Maupin (bass clarinet), Paul Buckmaster (cello), Don Alias (congas, shaker), Billy Hart (drums, percussion, cowbell), Jack DeJohnette (drums).\r\n \r\n - 180 gram MoFi SuperVinyl 33 1/3 LP !\r\n \r\n - 1/4" / 15 ips analog master to DSD 256 to analog console to lathe !\r\n \r\n - Sourced from the original master tape !\r\n \r\n - Exotic, bold, streetwise, futuristic !\r\n \r\n - On The Corner embraces Miles Davis' "Jungle Sound" with percussive foundations, trance loops, and transformational arrangements !\r\n \r\n Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches the likes of which fill Davis' boldest and most controversial undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.\r\n \r\n Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180 gram 33 1/3 RPM SuperVinyl LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid fashion. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can discern the multiple layers of rhythm Davis employed on complex tracks such as "Black Satin", as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would've loved MoFi's groundbreaking SuperVinyl profile that features the lowest-possible analog noise floor as well as pristine transparency, dead-quiet surfaces, and superb groove definition.\r\n \r\n New degrees of spaciousness and airiness equally important to the musique concrete arrangements give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. Mobile Fidelity's SuperVinyl LP captures Teo Macero's innovative production and the trumpeter's cutting-edge aural collages in definitive fashion.\r\n \r\n Heavily inspired by Sly and the Family Stone, On the Corner portrays street vibes and remains Davis' Blackest-sounding record. The conscious attempt to connect with youthful audiences tapped into rock and funk is evident not only on the colorful cartoon cover art depicting hot-pants and zoot-suit revelers, but in the music's emphasis of recurring drum and bass grooves. Distinct from Davis' earlier fusion experiments, the record's long-misunderstood set dials back improvisation in favor of beats, loops, and atmospherics that generate trance-like effects. While Davis utilizes his band for core duties - Chick Corea and Herbie Hancock prominently figure he also relies on an all-star cast of sidemen for concentrated soloing and additional support.\r\n \r\n With rhythm providing the basic foundation, other notes fall into place, with their positioning steered by Macero and Davis' editing-room techniques. Looking to the manipulation-based work of Karlheinze Stockhausen and teaming with Stockhausen disciple Paul Buckmaster, Davis re-imagines what grooves constituted and could accomplish throughout On the Corner. The shapes of the songs become completely transformed as they progress. Faint melodies, spacey chords, chunky riffs, wah-wah fills, and repeated motifs bounce in and out of a sonic funhouse that wouldn't be out of place at a Harlem block party.\r\n \r\n Exotic, intrepid, and filled with Davis' "jungle sound", On the Corner remains daringly hip more than four decades later. """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Miles Davis (trumpet), David Liebman (soprano saxophone), Carlos Garnett (soprano & tenor saxophone), Herbie Hancock, Harold Williams, Chick Corea (electric piano, organ, piano, synthesizer)..." -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=AIqXprCArdo" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-518" -titreMorceau: [ [ "nom" => "/ Vote for Miles" "ordre" => 2 ] [ "nom" => "1. On the Corner / New York Girl / Thinkin’ One Thing and Doin’ Another" "ordre" => 1 ] [ "nom" => "2. Black Satin" "ordre" => 3 ] [ "nom" => "3. One and One" "ordre" => 5 ] [ "nom" => "4. Helen Butte/Mr. Freedom X" "ordre" => 6 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …} -label: Proxies\__CG__\App\Entity\Label {#1963 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …} -enregistreLe: DateTime @1727758840 {#1928 : 2024-10-01 05:00:40.0 UTC (+00:00) } -modifierLe: DateTime @1727778893 {#1921 : 2024-10-01 10:34:53.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-on-the-corner-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-518" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3157 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2698 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#1873 -id: 2564 -nom: "On The Corner - (Limited Numbered Edition Super Vinyl)" -informationComplementaire: "" -description: """ Musicians : \r\n Miles Davis (trumpet), David Liebman (soprano saxophone), Carlos Garnett (soprano & tenor saxophone), Herbie Hancock, Harold Williams, Chick Corea (electric piano, organ, piano, synthesizer), David Creamer, John McLaughlin (guitar), Mtume (percussion, bells), Collin Walcott (sitar), Badal Roy (tabla), Michael Henderson (electric bass), Bennie Maupin (bass clarinet), Paul Buckmaster (cello), Don Alias (congas, shaker), Billy Hart (drums, percussion, cowbell), Jack DeJohnette (drums).\r\n \r\n - 180 gram MoFi SuperVinyl 33 1/3 LP !\r\n \r\n - 1/4" / 15 ips analog master to DSD 256 to analog console to lathe !\r\n \r\n - Sourced from the original master tape !\r\n \r\n - Exotic, bold, streetwise, futuristic !\r\n \r\n - On The Corner embraces Miles Davis' "Jungle Sound" with percussive foundations, trance loops, and transformational arrangements !\r\n \r\n Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches the likes of which fill Davis' boldest and most controversial undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.\r\n \r\n Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180 gram 33 1/3 RPM SuperVinyl LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid fashion. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can discern the multiple layers of rhythm Davis employed on complex tracks such as "Black Satin", as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would've loved MoFi's groundbreaking SuperVinyl profile that features the lowest-possible analog noise floor as well as pristine transparency, dead-quiet surfaces, and superb groove definition.\r\n \r\n New degrees of spaciousness and airiness equally important to the musique concrete arrangements give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. Mobile Fidelity's SuperVinyl LP captures Teo Macero's innovative production and the trumpeter's cutting-edge aural collages in definitive fashion.\r\n \r\n Heavily inspired by Sly and the Family Stone, On the Corner portrays street vibes and remains Davis' Blackest-sounding record. The conscious attempt to connect with youthful audiences tapped into rock and funk is evident not only on the colorful cartoon cover art depicting hot-pants and zoot-suit revelers, but in the music's emphasis of recurring drum and bass grooves. Distinct from Davis' earlier fusion experiments, the record's long-misunderstood set dials back improvisation in favor of beats, loops, and atmospherics that generate trance-like effects. While Davis utilizes his band for core duties - Chick Corea and Herbie Hancock prominently figure he also relies on an all-star cast of sidemen for concentrated soloing and additional support.\r\n \r\n With rhythm providing the basic foundation, other notes fall into place, with their positioning steered by Macero and Davis' editing-room techniques. Looking to the manipulation-based work of Karlheinze Stockhausen and teaming with Stockhausen disciple Paul Buckmaster, Davis re-imagines what grooves constituted and could accomplish throughout On the Corner. The shapes of the songs become completely transformed as they progress. Faint melodies, spacey chords, chunky riffs, wah-wah fills, and repeated motifs bounce in and out of a sonic funhouse that wouldn't be out of place at a Harlem block party.\r\n \r\n Exotic, intrepid, and filled with Davis' "jungle sound", On the Corner remains daringly hip more than four decades later. """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Miles Davis (trumpet), David Liebman (soprano saxophone), Carlos Garnett (soprano & tenor saxophone), Herbie Hancock, Harold Williams, Chick Corea (electric piano, organ, piano, synthesizer)..." -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=AIqXprCArdo" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-518" -titreMorceau: [ [ "nom" => "/ Vote for Miles" "ordre" => 2 ] [ "nom" => "1. On the Corner / New York Girl / Thinkin’ One Thing and Doin’ Another" "ordre" => 1 ] [ "nom" => "2. Black Satin" "ordre" => 3 ] [ "nom" => "3. One and One" "ordre" => 5 ] [ "nom" => "4. Helen Butte/Mr. Freedom X" "ordre" => 6 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …} -label: Proxies\__CG__\App\Entity\Label {#1963 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …} -enregistreLe: DateTime @1727758840 {#1928 : 2024-10-01 05:00:40.0 UTC (+00:00) } -modifierLe: DateTime @1727778893 {#1921 : 2024-10-01 10:34:53.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-on-the-corner-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-518" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2466 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 12.0 MiB | 0.34 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2097 -id: 2421 -nom: "Round About Midnight - (Limited Numbered Edition Super Vinyl)" -informationComplementaire: "" -description: """ COLUMBIA RECORDS DEBUT HIGHLIGHTS DIVERSE PALETTE AND FAMED QUINTET\r\n \r\n 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe\r\n \r\n Hipness Personified : Miles Davis' Columbia Records Debut, 'Round About Midnight Blows Cool and Hot Jazz with Famed Quintet\r\n \r\n Lifelike Presence and Immediacy: Sourced from the Original Master Tapes, Mobile Fidelity's 180 gram Vinyl LP Presents Music in Direct Mono Sound\r\n \r\n Miles Davis' first album for Columbia, ‘Round About Midnight, represents both the beginning of a three-plus-decade relationship with the famed label as well as the start of an extended collaboration with then-unknown saxophonist John Coltrane. As one of the era's only complete start-to-finish full-length LPs, the 1957 set stands as a hard-bop benchmark a summation of the styles that came before its creation, an immersion into the period's cutting-edge strains, and a hint of the modalism that would follow. \r\n \r\n Sourced from the original master tapes, Mobile Fidelity's numbered-edition 180 gram vinyl LP traces the individual paths each musician takes in contributing to the whole, whether it's pianist Red Garland's left hand spinning actinoid chords or Coltrane infusing a tune with harmony-defying fills that suggest arabesque patterns. Recorded at three separate sessions, the music has never sounded so cohesive, immediate, or involving.\r\n \r\n Few jazz records claim the significance boasted by ‘Round About Midnight. The album's creation and the assembly of Davis' quintet, which also includes Paul Chambers and Philly Joe Jones – stems from the headliner's rousing rendition of the title-inspired track, "'Round Midnight," a Thelonious Monk standard, at the 1955 Newport Jazz Festival. Stunning the audience with an interpretation that witnessed him personalize the composition with a brooding tone made possible via employment of his soon-to-be-trademark Harmon mute, Davis redefined perspective and possibility, taking ownership of the ballad as his own, and further improving upon its reach in the studio. It wasn't the composer's only surprise.\r\n \r\n 'Round About Midnight thrives due to diversity and consistency, a rare combination epitomized by the first-rate selection and astonishing performance of pensive ballads, bebop classics, pop standards, and folk pieces. Witness the counterpoint exchanges during "Ah-Leu-Cha" and its Dixieland shades. Soak up the progressive drama and swinging tempos on "All of You" and "Bye Bye Blackbird." Delight in the mélange of latticed textures and schematic moods throughout the sequence, here presented in gorgeous fidelity, zeroing in on Davis' warm, plush, rich, and close-up trumpet timbres and how, by playing his instrument right near the microphone, he infuses the arrangements with the sort of daring intimacy embraced by two lovers. \r\n \r\n Tension, suggestiveness, calm, mystery, nostalgia: All here. Gather now, ‘Round About Midnight. Slip on a pair of shades, draw the curtains, slouch into a chair, and sip a cognac. This is Miles and Co. at their best. And hipness personified. \r\n \r\n "This is by far the best digital rendition of this music, and has a wonderful analogue sound found in the best of the Mobile Fidelity reissues. Essential in both [SACD and LP] formats". – Hi-Fi+ """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Miles Davis (trumpet), John Coltrane (tenor saxophone), Red Garland (piano), Paul Chambers (double bass), Philly Joe Jones (drums)" -sonMusic: App\Enum\SonMusicEnum {#1185 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=w6PfwriXJbs" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-373 M" -titreMorceau: [ [ "nom" => "1. Bye Bye Blackbird" "ordre" => 5 ] [ "nom" => "1. Round Midnight" "ordre" => 1 ] [ "nom" => "2. Ah-Leu-Cha" "ordre" => 2 ] [ "nom" => "2. Tadd's Delight" "ordre" => 6 ] [ "nom" => "3. All of You" "ordre" => 3 ] [ "nom" => "3. Dear Old Stockholm" "ordre" => 7 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …} -label: Proxies\__CG__\App\Entity\Label {#1963 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2105 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2098 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2100 …} -enregistreLe: DateTime @1683268834 {#2094 : 2023-05-05 06:40:34.0 UTC (+00:00) } -modifierLe: DateTime @1727778832 {#2095 : 2024-10-01 10:33:52.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2102 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-round-about-midnight-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-373-m" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3273 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2698 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2097 -id: 2421 -nom: "Round About Midnight - (Limited Numbered Edition Super Vinyl)" -informationComplementaire: "" -description: """ COLUMBIA RECORDS DEBUT HIGHLIGHTS DIVERSE PALETTE AND FAMED QUINTET\r\n \r\n 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe\r\n \r\n Hipness Personified : Miles Davis' Columbia Records Debut, 'Round About Midnight Blows Cool and Hot Jazz with Famed Quintet\r\n \r\n Lifelike Presence and Immediacy: Sourced from the Original Master Tapes, Mobile Fidelity's 180 gram Vinyl LP Presents Music in Direct Mono Sound\r\n \r\n Miles Davis' first album for Columbia, ‘Round About Midnight, represents both the beginning of a three-plus-decade relationship with the famed label as well as the start of an extended collaboration with then-unknown saxophonist John Coltrane. As one of the era's only complete start-to-finish full-length LPs, the 1957 set stands as a hard-bop benchmark a summation of the styles that came before its creation, an immersion into the period's cutting-edge strains, and a hint of the modalism that would follow. \r\n \r\n Sourced from the original master tapes, Mobile Fidelity's numbered-edition 180 gram vinyl LP traces the individual paths each musician takes in contributing to the whole, whether it's pianist Red Garland's left hand spinning actinoid chords or Coltrane infusing a tune with harmony-defying fills that suggest arabesque patterns. Recorded at three separate sessions, the music has never sounded so cohesive, immediate, or involving.\r\n \r\n Few jazz records claim the significance boasted by ‘Round About Midnight. The album's creation and the assembly of Davis' quintet, which also includes Paul Chambers and Philly Joe Jones – stems from the headliner's rousing rendition of the title-inspired track, "'Round Midnight," a Thelonious Monk standard, at the 1955 Newport Jazz Festival. Stunning the audience with an interpretation that witnessed him personalize the composition with a brooding tone made possible via employment of his soon-to-be-trademark Harmon mute, Davis redefined perspective and possibility, taking ownership of the ballad as his own, and further improving upon its reach in the studio. It wasn't the composer's only surprise.\r\n \r\n 'Round About Midnight thrives due to diversity and consistency, a rare combination epitomized by the first-rate selection and astonishing performance of pensive ballads, bebop classics, pop standards, and folk pieces. Witness the counterpoint exchanges during "Ah-Leu-Cha" and its Dixieland shades. Soak up the progressive drama and swinging tempos on "All of You" and "Bye Bye Blackbird." Delight in the mélange of latticed textures and schematic moods throughout the sequence, here presented in gorgeous fidelity, zeroing in on Davis' warm, plush, rich, and close-up trumpet timbres and how, by playing his instrument right near the microphone, he infuses the arrangements with the sort of daring intimacy embraced by two lovers. \r\n \r\n Tension, suggestiveness, calm, mystery, nostalgia: All here. Gather now, ‘Round About Midnight. Slip on a pair of shades, draw the curtains, slouch into a chair, and sip a cognac. This is Miles and Co. at their best. And hipness personified. \r\n \r\n "This is by far the best digital rendition of this music, and has a wonderful analogue sound found in the best of the Mobile Fidelity reissues. Essential in both [SACD and LP] formats". – Hi-Fi+ """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Miles Davis (trumpet), John Coltrane (tenor saxophone), Red Garland (piano), Paul Chambers (double bass), Philly Joe Jones (drums)" -sonMusic: App\Enum\SonMusicEnum {#1185 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=w6PfwriXJbs" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-373 M" -titreMorceau: [ [ "nom" => "1. Bye Bye Blackbird" "ordre" => 5 ] [ "nom" => "1. Round Midnight" "ordre" => 1 ] [ "nom" => "2. Ah-Leu-Cha" "ordre" => 2 ] [ "nom" => "2. Tadd's Delight" "ordre" => 6 ] [ "nom" => "3. All of You" "ordre" => 3 ] [ "nom" => "3. Dear Old Stockholm" "ordre" => 7 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …} -label: Proxies\__CG__\App\Entity\Label {#1963 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2105 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2098 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2100 …} -enregistreLe: DateTime @1683268834 {#2094 : 2023-05-05 06:40:34.0 UTC (+00:00) } -modifierLe: DateTime @1727778832 {#2095 : 2024-10-01 10:33:52.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2102 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-round-about-midnight-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-373-m" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2466 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 12.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2110 -id: 2562 -nom: "Sunday At The Village Vanguard (45 RPM 200 Gram Clarity Vinyl)" -informationComplementaire: "" -description: """ - The Bill Evans Trio's Sunday At The Village Vanguard on Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n \r\n - The definitive version of one of the most classic jazz recordings of all time and a regular on most best-of jazz lists !\r\n \r\n - 200 gram 45 RPM 2 LP release limited to 5000 copies !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n \r\n - Set includes 8-page booklet with liner notes by renowned jazz critic Bob Blumenthal !\r\n \r\n - Pressed on Clarity Vinyl at Quality Record Pressings !\r\n \r\n - Purest possible pressing and most visually stunning presentation and packaging !\r\n \r\n "On the UHQR there's a real band playing together making sense in a real space with a real kind of interaction between them and it just sounds natural open and free. And the Mofi, you know, don't get me wrong it sounds wonderful but up against this it sounds slightly disjointed not as - you know -definitely not as natural, a little bit forced and a little bit sucked out at the same time". - The Bill Evans Trio - Sunday at the Village Vanguard Ultimate AAA Showdown : UHQR vs MOFI One-Step, Dave Dener, YouTube video.\r\n \r\n "These are a vinyl revival dream demo pair to show off what records can do to hearts and minds... As well-pressed as the OJC versions are, there are definitely quieter backgrounds here. Even the most cynical among you would notice if your system was up to the quiet. Out of that comes an even more "tape like" rendering of the tape. Wisely it doesn't sound as if Kevin Gray changed anything from however he set things up for the OJC series so the basic sound is not at all different from the OJC but what is different is an even more subtle attack precision, and the quiet and 45 RPM speed produces lingering sustain and noticeably more generous decay. The differences aren't revelatory there's only so much that can be pulled from these tapes but they are there especiallyl if you're listening as "one large ear, equipped only with a psyche" and not as someone trying to analyze individual elements. Plus the sound is more uniform because the stylus stays away from the most inner grooves. These more "tape like." If we gave out 12s, these would have to get 12s but we only go up to 11." — Music = 11/11; Sound = 11/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.\r\n \r\n Widely regarded as one of the greatest live jazz recordings of all time, Sunday At The Village Vanguard from the Bill Evans Trio, captures a remarkable performance by pianist Bill Evans, bassist Scott LaFaro, and drummer Paul Motian at the Village Vanguard jazz club in New York City on June 25, 1961.\r\n \r\n The album features a selection of jazz standards and original compositions, showcasing the exceptional musicianship and improvisational prowess of the trio. The interplay between Evans, LaFaro, and Motian is extraordinary, with each musician seamlessly complementing and responding to one another.\r\n \r\n The record showed how Evans had refined an approach to solo improvisation in which the pulse was not as obvious as it had been in swing and bop approaches. And his extraordinarily high standards required that each improvised melodic idea be extensively developed, resulting in more continuity and pacing than was common to any previous modern style.\r\n \r\n Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Sunday At The Village Vanguard where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of this one-of-a-kind reissue.\r\n \r\n Four glorious sides of 200-gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases, with attention paied to every single detail. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process.\r\n \r\n Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.\r\n \r\n One of the standout tracks on this album is the rendition of the jazz standard "Gloria's Step". Evans' delicate touch and lyrical piano playing shine through, while LaFaro's inventive and melodic bass lines add depth and richness to the sound. The trio's chemistry is evident as they navigate through intricate musical passages and engage in spontaneous musical conversations.\r\n \r\n Another notable track is "Alice in Wonderland", an original composition by Evans. It highlights his unique approach to harmony and melody, characterized by introspection, elegance, and a delicate touch. The trio's interpretation of this piece is enchanting and showcases their ability to create a magical atmosphere through their collective musical expression.\r\n \r\n Sunday at the Village Vanguard is celebrated not only for its exceptional music but also for its exceptional sound quality. The recording captures the intimate ambiance of the Vanguard, allowing listeners to experience the energy and intimacy of a live jazz performance.\r\n \r\n """ -prixVente: "249.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=4F1kIvIPK9Y" -referenceProduit: "Analogue Productions AUHQR 0017-45" -titreMorceau: [ [ "nom" => "1. Alice In Wonderland" "ordre" => 6 ] [ "nom" => "1. All Of You" "ordre" => 8 ] [ "nom" => "1. Gloria's Step" "ordre" => 1 ] [ "nom" => "1. Solar " "ordre" => 4 ] [ "nom" => "2. Jade Visions" "ordre" => 9 ] [ "nom" => "2. My Man's Gone Now " "ordre" => 2 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 3 ] [ "nom" => "Side C : " "ordre" => 5 ] [ "nom" => "Side D :" "ordre" => 7 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …} -label: Proxies\__CG__\App\Entity\Label {#2115 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2124 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2117 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2119 …} -enregistreLe: DateTime @1727336782 {#2107 : 2024-09-26 07:46:22.0 UTC (+00:00) } -modifierLe: DateTime @1727336933 {#2108 : 2024-09-26 07:48:53.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2121 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-sunday-at-the-village-vanguard-45-rpm-200-gram-clarity-vinyl-analogue-productions-auhqr-0017-45" } "detaillePage" => false ] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3319 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2698 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2110 -id: 2562 -nom: "Sunday At The Village Vanguard (45 RPM 200 Gram Clarity Vinyl)" -informationComplementaire: "" -description: """ - The Bill Evans Trio's Sunday At The Village Vanguard on Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n \r\n - The definitive version of one of the most classic jazz recordings of all time and a regular on most best-of jazz lists !\r\n \r\n - 200 gram 45 RPM 2 LP release limited to 5000 copies !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n \r\n - Set includes 8-page booklet with liner notes by renowned jazz critic Bob Blumenthal !\r\n \r\n - Pressed on Clarity Vinyl at Quality Record Pressings !\r\n \r\n - Purest possible pressing and most visually stunning presentation and packaging !\r\n \r\n "On the UHQR there's a real band playing together making sense in a real space with a real kind of interaction between them and it just sounds natural open and free. And the Mofi, you know, don't get me wrong it sounds wonderful but up against this it sounds slightly disjointed not as - you know -definitely not as natural, a little bit forced and a little bit sucked out at the same time". - The Bill Evans Trio - Sunday at the Village Vanguard Ultimate AAA Showdown : UHQR vs MOFI One-Step, Dave Dener, YouTube video.\r\n \r\n "These are a vinyl revival dream demo pair to show off what records can do to hearts and minds... As well-pressed as the OJC versions are, there are definitely quieter backgrounds here. Even the most cynical among you would notice if your system was up to the quiet. Out of that comes an even more "tape like" rendering of the tape. Wisely it doesn't sound as if Kevin Gray changed anything from however he set things up for the OJC series so the basic sound is not at all different from the OJC but what is different is an even more subtle attack precision, and the quiet and 45 RPM speed produces lingering sustain and noticeably more generous decay. The differences aren't revelatory there's only so much that can be pulled from these tapes but they are there especiallyl if you're listening as "one large ear, equipped only with a psyche" and not as someone trying to analyze individual elements. Plus the sound is more uniform because the stylus stays away from the most inner grooves. These more "tape like." If we gave out 12s, these would have to get 12s but we only go up to 11." — Music = 11/11; Sound = 11/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.\r\n \r\n Widely regarded as one of the greatest live jazz recordings of all time, Sunday At The Village Vanguard from the Bill Evans Trio, captures a remarkable performance by pianist Bill Evans, bassist Scott LaFaro, and drummer Paul Motian at the Village Vanguard jazz club in New York City on June 25, 1961.\r\n \r\n The album features a selection of jazz standards and original compositions, showcasing the exceptional musicianship and improvisational prowess of the trio. The interplay between Evans, LaFaro, and Motian is extraordinary, with each musician seamlessly complementing and responding to one another.\r\n \r\n The record showed how Evans had refined an approach to solo improvisation in which the pulse was not as obvious as it had been in swing and bop approaches. And his extraordinarily high standards required that each improvised melodic idea be extensively developed, resulting in more continuity and pacing than was common to any previous modern style.\r\n \r\n Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Sunday At The Village Vanguard where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of this one-of-a-kind reissue.\r\n \r\n Four glorious sides of 200-gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases, with attention paied to every single detail. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process.\r\n \r\n Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.\r\n \r\n One of the standout tracks on this album is the rendition of the jazz standard "Gloria's Step". Evans' delicate touch and lyrical piano playing shine through, while LaFaro's inventive and melodic bass lines add depth and richness to the sound. The trio's chemistry is evident as they navigate through intricate musical passages and engage in spontaneous musical conversations.\r\n \r\n Another notable track is "Alice in Wonderland", an original composition by Evans. It highlights his unique approach to harmony and melody, characterized by introspection, elegance, and a delicate touch. The trio's interpretation of this piece is enchanting and showcases their ability to create a magical atmosphere through their collective musical expression.\r\n \r\n Sunday at the Village Vanguard is celebrated not only for its exceptional music but also for its exceptional sound quality. The recording captures the intimate ambiance of the Vanguard, allowing listeners to experience the energy and intimacy of a live jazz performance.\r\n \r\n """ -prixVente: "249.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=4F1kIvIPK9Y" -referenceProduit: "Analogue Productions AUHQR 0017-45" -titreMorceau: [ [ "nom" => "1. Alice In Wonderland" "ordre" => 6 ] [ "nom" => "1. All Of You" "ordre" => 8 ] [ "nom" => "1. Gloria's Step" "ordre" => 1 ] [ "nom" => "1. Solar " "ordre" => 4 ] [ "nom" => "2. Jade Visions" "ordre" => 9 ] [ "nom" => "2. My Man's Gone Now " "ordre" => 2 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 3 ] [ "nom" => "Side C : " "ordre" => 5 ] [ "nom" => "Side D :" "ordre" => 7 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …} -label: Proxies\__CG__\App\Entity\Label {#2115 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2124 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2117 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2119 …} -enregistreLe: DateTime @1727336782 {#2107 : 2024-09-26 07:46:22.0 UTC (+00:00) } -modifierLe: DateTime @1727336933 {#2108 : 2024-09-26 07:48:53.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2121 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-sunday-at-the-village-vanguard-45-rpm-200-gram-clarity-vinyl-analogue-productions-auhqr-0017-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2466 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 12.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2129 -id: 2561 -nom: "Waltz For Debby (45 RPM 200 Gram Clarity Vinyl)" -informationComplementaire: "" -description: """ - An All-Time Jazz Audiophile Masterpiece - Now on UHQR !\r\n \r\n - 200 gram 45 RPM 2 LP release limited to 5000 copies !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n \r\n - Set includes 8-page booklet with liner notes by renowned jazz critic Bob Blumenthal !\r\n \r\n - Pressed on Clarity Vinyl at Quality Record Pressings !\r\n \r\n - Purest possible pressing and most visually stunning presentation and packaging !\r\n \r\n - One of the most classic jazz albums and live recordings, a regular on most best-of jazz lists !\r\n \r\n "Overall, this UHQR presentation is a more detailed, more refined presentation of the record in my opinion. This one really extracts the beauty and the ambiance and the texture and the emotion of the live recording". - Kenny's Audiophile Record Reviews YouTube video.\r\n \r\n "These are a vinyl revival dream demo pair to show off what records can do to hearts and minds... As well-pressed as the OJC versions are, there are definitely quieter backgrounds here. Even the most cynical among you would notice if your system was up to the quiet. Out of that comes an even more "tape like" rendering of the tape. Wisely it doesn't sound as if Kevin Gray changed anything from however he set things up for the OJC series so the basic sound is not at all different from the OJC but what is different is an even more subtle attack precision, and the quiet and 45 RPM speed produces lingering sustain and noticeably more generous decay. The differences aren't revelatory there's only so much that can be pulled from these tapes but they are there especiallyl if you're listening as "one large ear, equipped only with a psyche" and not as someone trying to analyze individual elements. Plus the sound is more uniform because the stylus stays away from the most inner grooves. These more "tape like". If we gave out 12s, these would have to get 12s but we only go up to 11", - Music = 11/11; Sound = 11/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.\r\n \r\n The fourth and final album by one of the most influential groups in jazz history, the Bill Evans Trio album Waltz For Debby was originally released in 1962 as a companion to Sunday At The Village Vanguard. It captures the mesmerizing and intimate live performances of Evans and his trio at the Village Vanguard in New York City. The album showcases Evans' unique approach to jazz piano, characterized by delicate touch, introspective improvisation, and profound musicality.\r\n \r\n The title track, "Waltz for Debby", serves as the centerpiece of the album. It is a hauntingly beautiful composition penned by Evans himself as a tribute to his niece, Debby. The waltz unfolds with a graceful and melancholic melody, carried by Evans' masterful piano playing.\r\n \r\n Throughout the album, Evans and his trio venture into other classic jazz standards, including "My Foolish Heart", "Detour Ahead", and "Milestones". With each performance, they delve deep into the heart of the music, exploring its nuances and improvising with a profound sense of lyricism. Evans' introspective style shines through, as he delicately navigates the harmonies, unveiling layers of emotion and introspection.\r\n \r\n The beauty of "Waltz for Debby" lies not only in the musicianship but also in the intimate atmosphere it creates. The live recording captures the ambiance of the Village Vanguard, with the audience's presence adding an extra dimension to the music. The subtle clinks of glasses, the occasional applause, and the hushed whispers become a part of the experience, enhancing the authenticity and charm of the album.\r\n \r\n Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is creating the definitive Waltz For Debby reissue: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of this one-of-a-kind reissue.\r\n \r\n Four glorious sides of 200 gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases, with attention paied to every single detail. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process.\r\n \r\n Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.\r\n \r\n Waltz for Debby stands as a testament to Bill Evans' genius as a pianist and composer. It is a profound and evocative exploration of melody, harmony, and improvisation, revealing the depths of emotion and the artistry that Evans brought to his music. The album remains a beloved gem in the jazz canon, cherished by fans and musicians alike for its timeless beauty and the lasting impact it has had on the genre. """ -prixVente: "249.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=gk4D7N0pzGs" -referenceProduit: "Analogue Productions AUHQR 0018-45" -titreMorceau: [ [ "nom" => "1. Detour Ahead " "ordre" => 4 ] [ "nom" => "1. My Foolish Heart" "ordre" => 1 ] [ "nom" => "1. My Romance" "ordre" => 6 ] [ "nom" => "1. Some Other Time" "ordre" => 8 ] [ "nom" => "2. Milestones (6:37)" "ordre" => 9 ] [ "nom" => "2. Waltz For Debby (6:54)" "ordre" => 2 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 3 ] [ "nom" => "Side C : " "ordre" => 5 ] [ "nom" => "Side D : " "ordre" => 7 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …} -label: Proxies\__CG__\App\Entity\Label {#2115 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2137 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2130 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2132 …} -enregistreLe: DateTime @1727335515 {#2126 : 2024-09-26 07:25:15.0 UTC (+00:00) } -modifierLe: DateTime @1727336243 {#2127 : 2024-09-26 07:37:23.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2134 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-waltz-for-debby-45-rpm-200-gram-clarity-vinyl-analogue-productions-auhqr-0018-45" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3372 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2698 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2129 -id: 2561 -nom: "Waltz For Debby (45 RPM 200 Gram Clarity Vinyl)" -informationComplementaire: "" -description: """ - An All-Time Jazz Audiophile Masterpiece - Now on UHQR !\r\n \r\n - 200 gram 45 RPM 2 LP release limited to 5000 copies !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n \r\n - Set includes 8-page booklet with liner notes by renowned jazz critic Bob Blumenthal !\r\n \r\n - Pressed on Clarity Vinyl at Quality Record Pressings !\r\n \r\n - Purest possible pressing and most visually stunning presentation and packaging !\r\n \r\n - One of the most classic jazz albums and live recordings, a regular on most best-of jazz lists !\r\n \r\n "Overall, this UHQR presentation is a more detailed, more refined presentation of the record in my opinion. This one really extracts the beauty and the ambiance and the texture and the emotion of the live recording". - Kenny's Audiophile Record Reviews YouTube video.\r\n \r\n "These are a vinyl revival dream demo pair to show off what records can do to hearts and minds... As well-pressed as the OJC versions are, there are definitely quieter backgrounds here. Even the most cynical among you would notice if your system was up to the quiet. Out of that comes an even more "tape like" rendering of the tape. Wisely it doesn't sound as if Kevin Gray changed anything from however he set things up for the OJC series so the basic sound is not at all different from the OJC but what is different is an even more subtle attack precision, and the quiet and 45 RPM speed produces lingering sustain and noticeably more generous decay. The differences aren't revelatory there's only so much that can be pulled from these tapes but they are there especiallyl if you're listening as "one large ear, equipped only with a psyche" and not as someone trying to analyze individual elements. Plus the sound is more uniform because the stylus stays away from the most inner grooves. These more "tape like". If we gave out 12s, these would have to get 12s but we only go up to 11", - Music = 11/11; Sound = 11/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.\r\n \r\n The fourth and final album by one of the most influential groups in jazz history, the Bill Evans Trio album Waltz For Debby was originally released in 1962 as a companion to Sunday At The Village Vanguard. It captures the mesmerizing and intimate live performances of Evans and his trio at the Village Vanguard in New York City. The album showcases Evans' unique approach to jazz piano, characterized by delicate touch, introspective improvisation, and profound musicality.\r\n \r\n The title track, "Waltz for Debby", serves as the centerpiece of the album. It is a hauntingly beautiful composition penned by Evans himself as a tribute to his niece, Debby. The waltz unfolds with a graceful and melancholic melody, carried by Evans' masterful piano playing.\r\n \r\n Throughout the album, Evans and his trio venture into other classic jazz standards, including "My Foolish Heart", "Detour Ahead", and "Milestones". With each performance, they delve deep into the heart of the music, exploring its nuances and improvising with a profound sense of lyricism. Evans' introspective style shines through, as he delicately navigates the harmonies, unveiling layers of emotion and introspection.\r\n \r\n The beauty of "Waltz for Debby" lies not only in the musicianship but also in the intimate atmosphere it creates. The live recording captures the ambiance of the Village Vanguard, with the audience's presence adding an extra dimension to the music. The subtle clinks of glasses, the occasional applause, and the hushed whispers become a part of the experience, enhancing the authenticity and charm of the album.\r\n \r\n Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is creating the definitive Waltz For Debby reissue: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of this one-of-a-kind reissue.\r\n \r\n Four glorious sides of 200 gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases, with attention paied to every single detail. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process.\r\n \r\n Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.\r\n \r\n Waltz for Debby stands as a testament to Bill Evans' genius as a pianist and composer. It is a profound and evocative exploration of melody, harmony, and improvisation, revealing the depths of emotion and the artistry that Evans brought to his music. The album remains a beloved gem in the jazz canon, cherished by fans and musicians alike for its timeless beauty and the lasting impact it has had on the genre. """ -prixVente: "249.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=gk4D7N0pzGs" -referenceProduit: "Analogue Productions AUHQR 0018-45" -titreMorceau: [ [ "nom" => "1. Detour Ahead " "ordre" => 4 ] [ "nom" => "1. My Foolish Heart" "ordre" => 1 ] [ "nom" => "1. My Romance" "ordre" => 6 ] [ "nom" => "1. Some Other Time" "ordre" => 8 ] [ "nom" => "2. Milestones (6:37)" "ordre" => 9 ] [ "nom" => "2. Waltz For Debby (6:54)" "ordre" => 2 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 3 ] [ "nom" => "Side C : " "ordre" => 5 ] [ "nom" => "Side D : " "ordre" => 7 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2112 …} -label: Proxies\__CG__\App\Entity\Label {#2115 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2137 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2130 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2132 …} -enregistreLe: DateTime @1727335515 {#2126 : 2024-09-26 07:25:15.0 UTC (+00:00) } -modifierLe: DateTime @1727336243 {#2127 : 2024-09-26 07:37:23.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2134 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-waltz-for-debby-45-rpm-200-gram-clarity-vinyl-analogue-productions-auhqr-0018-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2466 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 12.0 MiB | 0.59 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2142 -id: 2556 -nom: "Oh Yeah" -informationComplementaire: "" -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n \r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n \r\n - A powerful, passionate and expressive album !\r\n \r\n - 180 gram 45 RPM double LP !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original analog master tape !\r\n \r\n - Pressed at Quality Record Pressings !\r\n \r\n - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n \r\n After several sessions with Columbia and Candid, Charles Mingus briefly returned to Atlantic and cut the freewheeling Oh Yeah, which AllMusic says has to rank as the wildest of all his classic albums. Mingus displays all of his vigorous jazz feeling on this album; he plays no bass whatsoever, hiring Doug Watkins to fill in while he accompanies the group on piano and contributes bluesy vocals to several tracks (while shouting encouragement on nearly all of them).\r\n \r\n One of the really fine things about Mingus is that he always seems to keep an earthy touch no matter how wild the harmonies get, and that genius comes across with power here. Some of the colorful titles are "Devil Woman", "Eat That Chicken", and "Hog Callin' Blues".\r\n \r\n Mingus' vocal selections radiate the same dementia, whether it's the stream-of-consciousness blues couplets on "Devil Woman", the dark-humored modern-day spiritual "Oh Lord Don't Let Them Drop That Atomic Bomb on Me", or the dadaist stride piano bounce of "Eat That Chicken", a nod to Fats Waller's comic novelties.\r\n \r\n Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with film lamination by Stought """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Charles Mingus (piano, vocals), Booker Ervin (tenor saxophone), Roland Kirk (flute, tenor saxophone, siren, manzello, stritch) Jimmy Knepper (trombone), Doug Watkins (bass), Dannie Richmond (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=3Rxcj6hEib8" -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 039-45" -titreMorceau: [ [ "nom" => "1. Devil Woman" "ordre" => 3 ] [ "nom" => "1. Eat That Chicken" "ordre" => 9 ] [ "nom" => "1. Ecclusiastics" "ordre" => 6 ] [ "nom" => "1. Hog Callin' Blues" "ordre" => 1 ] [ "nom" => "2. Oh Lord Don't Let Them Drop That Atomic Bomb On Me" "ordre" => 7 ] [ "nom" => "2. Passions Of A Man" "ordre" => 10 ] [ "nom" => "2. Wham Bam Thank You Ma'am" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 2 ] [ "nom" => "Side C : " "ordre" => 5 ] [ "nom" => "Side D : " "ordre" => 8 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2144 …} -label: Proxies\__CG__\App\Entity\Label {#2147 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2156 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2149 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2151 …} -enregistreLe: DateTime @1727122244 {#2139 : 2024-09-23 20:10:44.0 UTC (+00:00) } -modifierLe: DateTime @1727122440 {#2140 : 2024-09-23 20:14:00.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2153 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-oh-yeah-analogue-productions-atlantic-75-series-aapa-039-45" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3418 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2698 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2142 -id: 2556 -nom: "Oh Yeah" -informationComplementaire: "" -description: """ - Analogue Productions (Atlantic 75 Series) !\r\n \r\n - Celebrating the 75th Anniversary of Atlantic Records !\r\n \r\n - A powerful, passionate and expressive album !\r\n \r\n - 180 gram 45 RPM double LP !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original analog master tape !\r\n \r\n - Pressed at Quality Record Pressings !\r\n \r\n - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n \r\n After several sessions with Columbia and Candid, Charles Mingus briefly returned to Atlantic and cut the freewheeling Oh Yeah, which AllMusic says has to rank as the wildest of all his classic albums. Mingus displays all of his vigorous jazz feeling on this album; he plays no bass whatsoever, hiring Doug Watkins to fill in while he accompanies the group on piano and contributes bluesy vocals to several tracks (while shouting encouragement on nearly all of them).\r\n \r\n One of the really fine things about Mingus is that he always seems to keep an earthy touch no matter how wild the harmonies get, and that genius comes across with power here. Some of the colorful titles are "Devil Woman", "Eat That Chicken", and "Hog Callin' Blues".\r\n \r\n Mingus' vocal selections radiate the same dementia, whether it's the stream-of-consciousness blues couplets on "Devil Woman", the dark-humored modern-day spiritual "Oh Lord Don't Let Them Drop That Atomic Bomb on Me", or the dadaist stride piano bounce of "Eat That Chicken", a nod to Fats Waller's comic novelties.\r\n \r\n Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with film lamination by Stought """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Charles Mingus (piano, vocals), Booker Ervin (tenor saxophone), Roland Kirk (flute, tenor saxophone, siren, manzello, stritch) Jimmy Knepper (trombone), Doug Watkins (bass), Dannie Richmond (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=3Rxcj6hEib8" -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 039-45" -titreMorceau: [ [ "nom" => "1. Devil Woman" "ordre" => 3 ] [ "nom" => "1. Eat That Chicken" "ordre" => 9 ] [ "nom" => "1. Ecclusiastics" "ordre" => 6 ] [ "nom" => "1. Hog Callin' Blues" "ordre" => 1 ] [ "nom" => "2. Oh Lord Don't Let Them Drop That Atomic Bomb On Me" "ordre" => 7 ] [ "nom" => "2. Passions Of A Man" "ordre" => 10 ] [ "nom" => "2. Wham Bam Thank You Ma'am" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 2 ] [ "nom" => "Side C : " "ordre" => 5 ] [ "nom" => "Side D : " "ordre" => 8 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2144 …} -label: Proxies\__CG__\App\Entity\Label {#2147 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2156 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2149 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2151 …} -enregistreLe: DateTime @1727122244 {#2139 : 2024-09-23 20:10:44.0 UTC (+00:00) } -modifierLe: DateTime @1727122440 {#2140 : 2024-09-23 20:14:00.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2153 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-oh-yeah-analogue-productions-atlantic-75-series-aapa-039-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2466 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 12.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2161 -id: 2546 -nom: "Medina" -informationComplementaire: "" -description: """ - 180 gram LP !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n \r\n - Plated and pressed at RTI !\r\n \r\n - Deluxe tip-on jacket !\r\n \r\n The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n \r\n The late-1960s and early-1970s were a wildly creative period for Bobby Hutcherson with the vibraphonist freely exploring a wide range of stylistic possibilities from post-bop and the avant-garde to fusion and Latin Jazz. The cutting-edge 1969 session Medina which wouldn't be first released until 1980 as part of the LT Series documented one of Hutcherson's most remarkable band lineups featuring two of his frequent collaborators Harold Land on tenor saxophone and flute and Joe Chambers on drums along with Stanley Cowell on piano and Reggie Johnson on bass.\r\n \r\n The set presented a pair of original compositions each by Hutcherson, Cowell, and Chambers that explored a variety of moods from the churning rhythms of "Avis" and "Medina" to the more atmospheric realms of "Comes Spring" and "Orientale". """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1854 …} -musicienOrchestre: "Bobby Hutcherson (vibraphone), Harold Land (tenor saxophone), Reggie Johnson (bass), Stanley Cowell (piano), Joe Chambers (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "" -referenceProduit: "Blue Note Tone Poet Series 8683" -titreMorceau: [ [ "nom" => "1. Avis" "ordre" => 1 ] [ "nom" => "1. Orientale" "ordre" => 5 ] [ "nom" => "2. Comes Spring" "ordre" => 2 ] [ "nom" => "2. Medina" "ordre" => 6 ] [ "nom" => "3. Dave's Chant" "ordre" => 3 ] [ "nom" => "3. Ungano" "ordre" => 7 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2163 …} -label: Proxies\__CG__\App\Entity\Label {#2166 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2175 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2168 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2170 …} -enregistreLe: DateTime @1722036669 {#2158 : 2024-07-26 23:31:09.0 UTC (+00:00) } -modifierLe: DateTime @1722036942 {#2159 : 2024-07-26 23:35:42.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2172 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-medina-blue-note-tone-poet-series-8683" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3469 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2698 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2161 -id: 2546 -nom: "Medina" -informationComplementaire: "" -description: """ - 180 gram LP !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n \r\n - Plated and pressed at RTI !\r\n \r\n - Deluxe tip-on jacket !\r\n \r\n The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n \r\n The late-1960s and early-1970s were a wildly creative period for Bobby Hutcherson with the vibraphonist freely exploring a wide range of stylistic possibilities from post-bop and the avant-garde to fusion and Latin Jazz. The cutting-edge 1969 session Medina which wouldn't be first released until 1980 as part of the LT Series documented one of Hutcherson's most remarkable band lineups featuring two of his frequent collaborators Harold Land on tenor saxophone and flute and Joe Chambers on drums along with Stanley Cowell on piano and Reggie Johnson on bass.\r\n \r\n The set presented a pair of original compositions each by Hutcherson, Cowell, and Chambers that explored a variety of moods from the churning rhythms of "Avis" and "Medina" to the more atmospheric realms of "Comes Spring" and "Orientale". """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1854 …} -musicienOrchestre: "Bobby Hutcherson (vibraphone), Harold Land (tenor saxophone), Reggie Johnson (bass), Stanley Cowell (piano), Joe Chambers (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "" -referenceProduit: "Blue Note Tone Poet Series 8683" -titreMorceau: [ [ "nom" => "1. Avis" "ordre" => 1 ] [ "nom" => "1. Orientale" "ordre" => 5 ] [ "nom" => "2. Comes Spring" "ordre" => 2 ] [ "nom" => "2. Medina" "ordre" => 6 ] [ "nom" => "3. Dave's Chant" "ordre" => 3 ] [ "nom" => "3. Ungano" "ordre" => 7 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2163 …} -label: Proxies\__CG__\App\Entity\Label {#2166 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2175 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2168 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2170 …} -enregistreLe: DateTime @1722036669 {#2158 : 2024-07-26 23:31:09.0 UTC (+00:00) } -modifierLe: DateTime @1722036942 {#2159 : 2024-07-26 23:35:42.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2172 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-medina-blue-note-tone-poet-series-8683" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2466 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 12.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2180 -id: 2514 -nom: "Ballads - UHQR Box Set (2 LP) Clarity Vinyl" -informationComplementaire: "" -description: """ - Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n \r\n - 45 RPM Ultra High Quality Record release limited to 5000 copies !\r\n \r\n - Mastered from the original tape by Ryan K. Smith at Sterling Sound !\r\n \r\n - Pressed at Quality Record Pressings using Clarity Vinyl® !\r\n \r\n - Includes a 12" x 12", 12 page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall !\r\n \r\n "If you're a serious hardcore Coltrane fan, I would opt for the UHQR because I think this one sounds best in terms of depth, dimension, soundstage and detail. It is an amazing UHQR version". - Kenny's Audiophile Record Reviews. YouTube video\r\n \r\n "Coltrane's closely miked sax sounds vividly present, a bit more so on this UHQR compared to the others, and Tyner's piano, while not brilliantly recorded (n the RVG style) sounds a bit more solid and grounded in space on the UHQR compared to RKS's 33 1/3 cut... Does this edition beat the RKS 33 1/3 edition ? Yes. By leaps and bounds ? No, but it is better. Is the presentation superior? Yes. By leaps and bounds". - Music = 10/11; Sound = 9/11 - Michael Fremer, TrackingAngle.com. To read Fremer's full review click here.\r\n \r\n Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Ballads is an album that will never go out of style and never be unwelcome on any jazz lover's turntable.\r\n \r\n You're about to experience Ballads at its peak of vinyl perfection in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n \r\n For this 45 RPM 2 LP edition you'll also receive a !2" x 12" 12 page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall.\r\n \r\n The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All", "What's New," "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads. When asked why attempt such an undertaking, Coltrane replied "Variety".\r\n \r\n While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s.\r\n \r\n Recorded December 21, 1961 and September 18 & November 13, 1962 at Rudy Van Gelder Studios.\r\n \r\n "It's impossible to sleepwalk through tracks like "You Don't Know What Love Is" and "I Wish I Knew" and impart them with even a fraction of the emotional heft that the Quartet achieves. This is the type of jazz album in which the music just washes over the listener with it's restrained grace and beauty, and while it may not have the adventurousness that some listeners think Trane should have had each and every time he recorded, I'd say it shows off a side of him that only makes us appreciate his more bold and daring albums even more". - The Jazz Record\r\n """ -prixVente: "249.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …} -musicienOrchestre: "John Coltrane (tenor saxophone), Jimmy Garrison (bass), McCoy Tyner (piano), Elvin Jones (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=8rOMV0A5jd0" -referenceProduit: "Analogue Productions " -titreMorceau: [ [ "nom" => "1. Say It (Over And Over Again)" "ordre" => 1 ] [ "nom" => "2. You Don't Know What Love Is" "ordre" => 2 ] [ "nom" => "3. Too Young To Go Steady (4:20)" "ordre" => 4 ] [ "nom" => "4. All Or Nothing At All (3:35)" "ordre" => 5 ] [ "nom" => "5. I Wish I Knew (4:54)" "ordre" => 7 ] [ "nom" => "6. What's New (3:43)" "ordre" => 8 ] [ "nom" => "7. It's Easy To Remember" "ordre" => 10 ] [ "nom" => "8. Nancy (With The Laughing Face)" "ordre" => 11 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 3 ] [ "nom" => "Side C : " "ordre" => 6 ] [ "nom" => "Side D : " "ordre" => 9 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2182 …} -label: Proxies\__CG__\App\Entity\Label {#2115 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2191 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2184 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2186 …} -enregistreLe: DateTime @1712266613 {#2177 : 2024-04-04 21:36:53.0 UTC (+00:00) } -modifierLe: DateTime @1719220721 {#2178 : 2024-06-24 09:18:41.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2188 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-ballads-uhqr-box-set-2-lp-clarity-vinyl-analogue-productions" } "detaillePage" => false ] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3520 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2698 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2180 -id: 2514 -nom: "Ballads - UHQR Box Set (2 LP) Clarity Vinyl" -informationComplementaire: "" -description: """ - Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n \r\n - 45 RPM Ultra High Quality Record release limited to 5000 copies !\r\n \r\n - Mastered from the original tape by Ryan K. Smith at Sterling Sound !\r\n \r\n - Pressed at Quality Record Pressings using Clarity Vinyl® !\r\n \r\n - Includes a 12" x 12", 12 page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall !\r\n \r\n "If you're a serious hardcore Coltrane fan, I would opt for the UHQR because I think this one sounds best in terms of depth, dimension, soundstage and detail. It is an amazing UHQR version". - Kenny's Audiophile Record Reviews. YouTube video\r\n \r\n "Coltrane's closely miked sax sounds vividly present, a bit more so on this UHQR compared to the others, and Tyner's piano, while not brilliantly recorded (n the RVG style) sounds a bit more solid and grounded in space on the UHQR compared to RKS's 33 1/3 cut... Does this edition beat the RKS 33 1/3 edition ? Yes. By leaps and bounds ? No, but it is better. Is the presentation superior? Yes. By leaps and bounds". - Music = 10/11; Sound = 9/11 - Michael Fremer, TrackingAngle.com. To read Fremer's full review click here.\r\n \r\n Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Ballads is an album that will never go out of style and never be unwelcome on any jazz lover's turntable.\r\n \r\n You're about to experience Ballads at its peak of vinyl perfection in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n \r\n For this 45 RPM 2 LP edition you'll also receive a !2" x 12" 12 page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall.\r\n \r\n The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All", "What's New," "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads. When asked why attempt such an undertaking, Coltrane replied "Variety".\r\n \r\n While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s.\r\n \r\n Recorded December 21, 1961 and September 18 & November 13, 1962 at Rudy Van Gelder Studios.\r\n \r\n "It's impossible to sleepwalk through tracks like "You Don't Know What Love Is" and "I Wish I Knew" and impart them with even a fraction of the emotional heft that the Quartet achieves. This is the type of jazz album in which the music just washes over the listener with it's restrained grace and beauty, and while it may not have the adventurousness that some listeners think Trane should have had each and every time he recorded, I'd say it shows off a side of him that only makes us appreciate his more bold and daring albums even more". - The Jazz Record\r\n """ -prixVente: "249.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …} -musicienOrchestre: "John Coltrane (tenor saxophone), Jimmy Garrison (bass), McCoy Tyner (piano), Elvin Jones (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=8rOMV0A5jd0" -referenceProduit: "Analogue Productions " -titreMorceau: [ [ "nom" => "1. Say It (Over And Over Again)" "ordre" => 1 ] [ "nom" => "2. You Don't Know What Love Is" "ordre" => 2 ] [ "nom" => "3. Too Young To Go Steady (4:20)" "ordre" => 4 ] [ "nom" => "4. All Or Nothing At All (3:35)" "ordre" => 5 ] [ "nom" => "5. I Wish I Knew (4:54)" "ordre" => 7 ] [ "nom" => "6. What's New (3:43)" "ordre" => 8 ] [ "nom" => "7. It's Easy To Remember" "ordre" => 10 ] [ "nom" => "8. Nancy (With The Laughing Face)" "ordre" => 11 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 3 ] [ "nom" => "Side C : " "ordre" => 6 ] [ "nom" => "Side D : " "ordre" => 9 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2182 …} -label: Proxies\__CG__\App\Entity\Label {#2115 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2191 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2184 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2186 …} -enregistreLe: DateTime @1712266613 {#2177 : 2024-04-04 21:36:53.0 UTC (+00:00) } -modifierLe: DateTime @1719220721 {#2178 : 2024-06-24 09:18:41.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2188 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-ballads-uhqr-box-set-2-lp-clarity-vinyl-analogue-productions" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2466 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 12.0 MiB | 0.31 ms | |
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| Input props | [ "produit" => App\Entity\Produit {#2198 -id: 2370 -nom: "The Remarkable Carmell Jones" -informationComplementaire: "" -description: """ - 180 gram LP !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n \r\n - Plated and pressed at RTI !\r\n \r\n - Deluxe gatefold tip-on jacket !\r\n \r\n Blue Note Records has announced the 2023 line-up for the Tone Poet Audiophile Vinyl Reissue Series. The acclaimed series is produced by the "Tone Poet" Joe Harley and features all-analog, 180-gram audiophile vinyl reissues that are mastered directly from the original master tapes by Kevin Gray of Cohearent Audio.\r\n \r\n Tone Poet vinyl is manufactured at RTI in Camarillo, California, and packaged in deluxe gatefold tip-on jackets. The titles were once again handpicked by Harley and include acknowledged treasures of the Blue Note catalog as well as underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz.\r\n \r\n The Remarkable Carmell Jones is a rare gem from the Pacific Jazz catalog recorded in 1961 with the trumpeter Carmell Jones joined by tenor saxophonist Harold Land, pianist Frank Strazzeri, bassist Gary Peacock, and drummer Leon Pettis. The Tone Poet Vinyl Edition of The Remarkable Carmell Jones will include a new essay by Thomas Conrad that elucidates the story behind the album.\r\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Carmell Jones (trumpet), Harold Land (tenor saxophone), Frank Strazzeri (piano), Gary Peacock (bass), Leon Pettis (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=4QRSkGBfGDY" -referenceProduit: "Blue Note Tone Poet Series 7901" -titreMorceau: [ [ "nom" => "1. I'm Gonna Go Fishing " "ordre" => 1 ] [ "nom" => "1. Sad March " "ordre" => 5 ] [ "nom" => "2. Come Rain Or Come Shine " "ordre" => 2 ] [ "nom" => "2. Stellisa " "ordre" => 6 ] [ "nom" => "3. Full Moon And Empty Arms" "ordre" => 7 ] [ "nom" => "3. Night Tide" "ordre" => 3 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2200 …} -label: Proxies\__CG__\App\Entity\Label {#2166 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2209 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2202 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2204 …} -enregistreLe: DateTime @1677832210 {#2194 : 2023-03-03 08:30:10.0 UTC (+00:00) } -modifierLe: DateTime @1719219432 {#2193 : 2024-06-24 08:57:12.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2206 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-the-remarkable-carmell-jones-blue-note-tone-poet-series-7901" } "detaillePage" => false ] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3571 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2698 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2198 -id: 2370 -nom: "The Remarkable Carmell Jones" -informationComplementaire: "" -description: """ - 180 gram LP !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n \r\n - Plated and pressed at RTI !\r\n \r\n - Deluxe gatefold tip-on jacket !\r\n \r\n Blue Note Records has announced the 2023 line-up for the Tone Poet Audiophile Vinyl Reissue Series. The acclaimed series is produced by the "Tone Poet" Joe Harley and features all-analog, 180-gram audiophile vinyl reissues that are mastered directly from the original master tapes by Kevin Gray of Cohearent Audio.\r\n \r\n Tone Poet vinyl is manufactured at RTI in Camarillo, California, and packaged in deluxe gatefold tip-on jackets. The titles were once again handpicked by Harley and include acknowledged treasures of the Blue Note catalog as well as underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz.\r\n \r\n The Remarkable Carmell Jones is a rare gem from the Pacific Jazz catalog recorded in 1961 with the trumpeter Carmell Jones joined by tenor saxophonist Harold Land, pianist Frank Strazzeri, bassist Gary Peacock, and drummer Leon Pettis. The Tone Poet Vinyl Edition of The Remarkable Carmell Jones will include a new essay by Thomas Conrad that elucidates the story behind the album.\r\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Carmell Jones (trumpet), Harold Land (tenor saxophone), Frank Strazzeri (piano), Gary Peacock (bass), Leon Pettis (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=4QRSkGBfGDY" -referenceProduit: "Blue Note Tone Poet Series 7901" -titreMorceau: [ [ "nom" => "1. I'm Gonna Go Fishing " "ordre" => 1 ] [ "nom" => "1. Sad March " "ordre" => 5 ] [ "nom" => "2. Come Rain Or Come Shine " "ordre" => 2 ] [ "nom" => "2. Stellisa " "ordre" => 6 ] [ "nom" => "3. Full Moon And Empty Arms" "ordre" => 7 ] [ "nom" => "3. Night Tide" "ordre" => 3 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2200 …} -label: Proxies\__CG__\App\Entity\Label {#2166 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2209 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2202 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2204 …} -enregistreLe: DateTime @1677832210 {#2194 : 2023-03-03 08:30:10.0 UTC (+00:00) } -modifierLe: DateTime @1719219432 {#2193 : 2024-06-24 08:57:12.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2206 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-the-remarkable-carmell-jones-blue-note-tone-poet-series-7901" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2466 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 12.0 MiB | 0.30 ms | |
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| Input props | [ "produit" => App\Entity\Produit {#2214 -id: 2193 -nom: "Somethin' Else - UltraDisc One-Step (Box Set 2 LP) 45 RPM" -informationComplementaire: "" -description: """ MASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 10000 NUMBERED COPIES !\r\n \r\n Julian Cannonball Adderley's only Blue Note album, Somethin' Else, would likely forever be famous in music lore if just for the presence of Miles Davis. The iconic composer/trumpeter steps into the role of sideman on the 1958 set, one of just a handful of times he'd make such a move after the calendar passed the mid-1950s. Yet evaluating Somethin' Else strictly on Davis' involvement misses the big picture. Plain and simple, Adderley's jubilant work remains a jazz landmark due to the chemistry of its Hall of Fame personnel, enthusiasm of its participants, and sophistication of its arrangements not to mention the reference-grade production and inclusion of the definitive renditions of two all-time jazz standards.\r\n \r\n Strictly limited to 10000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180 gram 45 RPM 2 LP collector's edition pays tribute to the record's merit and enhances the intimate program for generations to come. Offering reference-caliber sonics, this spectacular collector's version provides a clear, transparent, ultra-dynamic, and up-close view of a cornerstone effort that witnesses Adderley and Davis sharing horn duty alone for the only time in their fabled careers – an arrangement that occurred as a result of Adderley having joined Davis' majestic sextet a year prior.\r\n \r\n The premium packaging and beautiful presentation of the UD1S Somethin' Else pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the iconic photos to the gorgeous finishes.\r\n \r\n The vibrant potency reveals itself openly on an analog set that provides full-range reproduction of an ensemble that also includes pianist Hank Jones, bassist Sam Jones, and drummer Art Blakey. Each and every snare hit, downbeat, and cymbal splash registered by the latter take on realistic proportions, blooming and decaying as they would right in front of you on a stage. Jones' foundational bass lines register with uncommon depth and palpability, the litheness of the strings and fullness of the instrument epitomizing the definition of rhythm. Stellar, too, are the surefooted 88s. Sublime in scale, tonality, and attack, with the delineation such you can practically separate the white and black keys in your mind. As for that liquid interplay between Adderley and Davis ? Breathtakingly lifelike in timbre, naturalism, purity, and presence. This collector's version takes you there – there being Rudy Van Gelder's legendary New Jersey studio in March 1958 to witness it all unfold, again and again.\r\n \r\n For reasons that extend far beyond the outstanding playing and flawless repertoire, Somethin' Else is without question a record you'll always want to watch and hear come together. As veteran critic Bob Blumenthal observed writing about the album four decades after its release, "The instant rapport achieved by the quintet is thus the product of much shared and common history, though the tensile strength that they create throughout created a totally unique feeling that can be attributed to the sensitive musicianship of all concerned, including the supposedly hard bopping leader and drummer." Such inimitable feeling, or emotion, courses throughout every passage, and no where more obviously than on "Autumn Leaves" and "Love for Sale".\r\n \r\n Without question, the discreet interpretations of the Johnny Mercer and Cole Porter songs, respectively, found on Somethin' Else have long been considered part of jazz's alluring mystique. Adderley and Davis bring contrasting approaches to the table yet sound of a singular mind on "Autumn Leaves", with the latter's muted trumpet and the headliner's lush alto saxophone dovetailing into a performance that endures as a blueprint for expression, counterpoint, sophistication, fluidity, and linearity. Blues, melody, and romance pour from their horns. Their bandmates, picking up on the intimate vibe and calm mood here – as well as on the spry, head-over-heels spirit of "Love for Sale" join in on the conversation with sharp economy and float-on-air roundedness.\r\n \r\n Not to undersell the other three numbers, all deserving five-star status. Twelve measures in length, the title track offers a slow burn in swing. Written by Adderley's brother, Nat, the 12-bar "One for Daddy-O" transmits funk flavors. The closing "Dancing in the Dark" pops with lushness and temptation, its stream of bold colors and understated textures calling for a moonlight twirl, or at least fantasies suggestive of a memorable night. Somethin' else, indeed. """ -prixVente: "249.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1909 …} -musicienOrchestre: "Cannonball Adderley (alto saxophone), Miles Davis (trumpet), Hank Jones (piano), Sam Jones (bass), Art Blakey (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 2 -setBoxMusic: true -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=u37RF5xKNq8" -referenceProduit: "Mobile Fidelity Sound Lab UD1S-022" -titreMorceau: [ [ "nom" => "1. Autumn Leaves" "ordre" => 0 ] [ "nom" => "2. Love for Sale" "ordre" => 1 ] [ "nom" => "3. Somethin' Else" "ordre" => 2 ] [ "nom" => "4. One for Daddy-O" "ordre" => 3 ] [ "nom" => "5. Dancing in the Dark" "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2216 …} -label: Proxies\__CG__\App\Entity\Label {#1963 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2225 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2218 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2220 …} -enregistreLe: DateTime @1641539962 {#2211 : 2022-01-07 07:19:22.0 UTC (+00:00) } -modifierLe: DateTime @1719219339 {#2212 : 2024-06-24 08:55:39.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2222 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-somethin-else-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-022" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3622 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2698 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2214 -id: 2193 -nom: "Somethin' Else - UltraDisc One-Step (Box Set 2 LP) 45 RPM" -informationComplementaire: "" -description: """ MASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 10000 NUMBERED COPIES !\r\n \r\n Julian Cannonball Adderley's only Blue Note album, Somethin' Else, would likely forever be famous in music lore if just for the presence of Miles Davis. The iconic composer/trumpeter steps into the role of sideman on the 1958 set, one of just a handful of times he'd make such a move after the calendar passed the mid-1950s. Yet evaluating Somethin' Else strictly on Davis' involvement misses the big picture. Plain and simple, Adderley's jubilant work remains a jazz landmark due to the chemistry of its Hall of Fame personnel, enthusiasm of its participants, and sophistication of its arrangements not to mention the reference-grade production and inclusion of the definitive renditions of two all-time jazz standards.\r\n \r\n Strictly limited to 10000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180 gram 45 RPM 2 LP collector's edition pays tribute to the record's merit and enhances the intimate program for generations to come. Offering reference-caliber sonics, this spectacular collector's version provides a clear, transparent, ultra-dynamic, and up-close view of a cornerstone effort that witnesses Adderley and Davis sharing horn duty alone for the only time in their fabled careers – an arrangement that occurred as a result of Adderley having joined Davis' majestic sextet a year prior.\r\n \r\n The premium packaging and beautiful presentation of the UD1S Somethin' Else pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the iconic photos to the gorgeous finishes.\r\n \r\n The vibrant potency reveals itself openly on an analog set that provides full-range reproduction of an ensemble that also includes pianist Hank Jones, bassist Sam Jones, and drummer Art Blakey. Each and every snare hit, downbeat, and cymbal splash registered by the latter take on realistic proportions, blooming and decaying as they would right in front of you on a stage. Jones' foundational bass lines register with uncommon depth and palpability, the litheness of the strings and fullness of the instrument epitomizing the definition of rhythm. Stellar, too, are the surefooted 88s. Sublime in scale, tonality, and attack, with the delineation such you can practically separate the white and black keys in your mind. As for that liquid interplay between Adderley and Davis ? Breathtakingly lifelike in timbre, naturalism, purity, and presence. This collector's version takes you there – there being Rudy Van Gelder's legendary New Jersey studio in March 1958 to witness it all unfold, again and again.\r\n \r\n For reasons that extend far beyond the outstanding playing and flawless repertoire, Somethin' Else is without question a record you'll always want to watch and hear come together. As veteran critic Bob Blumenthal observed writing about the album four decades after its release, "The instant rapport achieved by the quintet is thus the product of much shared and common history, though the tensile strength that they create throughout created a totally unique feeling that can be attributed to the sensitive musicianship of all concerned, including the supposedly hard bopping leader and drummer." Such inimitable feeling, or emotion, courses throughout every passage, and no where more obviously than on "Autumn Leaves" and "Love for Sale".\r\n \r\n Without question, the discreet interpretations of the Johnny Mercer and Cole Porter songs, respectively, found on Somethin' Else have long been considered part of jazz's alluring mystique. Adderley and Davis bring contrasting approaches to the table yet sound of a singular mind on "Autumn Leaves", with the latter's muted trumpet and the headliner's lush alto saxophone dovetailing into a performance that endures as a blueprint for expression, counterpoint, sophistication, fluidity, and linearity. Blues, melody, and romance pour from their horns. Their bandmates, picking up on the intimate vibe and calm mood here – as well as on the spry, head-over-heels spirit of "Love for Sale" join in on the conversation with sharp economy and float-on-air roundedness.\r\n \r\n Not to undersell the other three numbers, all deserving five-star status. Twelve measures in length, the title track offers a slow burn in swing. Written by Adderley's brother, Nat, the 12-bar "One for Daddy-O" transmits funk flavors. The closing "Dancing in the Dark" pops with lushness and temptation, its stream of bold colors and understated textures calling for a moonlight twirl, or at least fantasies suggestive of a memorable night. Somethin' else, indeed. """ -prixVente: "249.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1909 …} -musicienOrchestre: "Cannonball Adderley (alto saxophone), Miles Davis (trumpet), Hank Jones (piano), Sam Jones (bass), Art Blakey (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 2 -setBoxMusic: true -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=u37RF5xKNq8" -referenceProduit: "Mobile Fidelity Sound Lab UD1S-022" -titreMorceau: [ [ "nom" => "1. Autumn Leaves" "ordre" => 0 ] [ "nom" => "2. Love for Sale" "ordre" => 1 ] [ "nom" => "3. Somethin' Else" "ordre" => 2 ] [ "nom" => "4. One for Daddy-O" "ordre" => 3 ] [ "nom" => "5. Dancing in the Dark" "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2216 …} -label: Proxies\__CG__\App\Entity\Label {#1963 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2225 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2218 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2220 …} -enregistreLe: DateTime @1641539962 {#2211 : 2022-01-07 07:19:22.0 UTC (+00:00) } -modifierLe: DateTime @1719219339 {#2212 : 2024-06-24 08:55:39.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2222 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-somethin-else-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-022" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2466 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 12.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2230 -id: 2533 -nom: "Into Somethin'" -informationComplementaire: "" -description: """ - 180 gram LP !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n \r\n - Plated and pressed at RTI !\r\n \r\n The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n \r\n Kenny Dorham added stellar entries to the catalogs of Blue Note, Riverside, and New Jazz throughout the 1950s as he solidified his reputation as a leading trumpeter and composer on the jazz scene. He began 1961 in the studio for Blue Note recording his excellent album Whistle Stop and later that year cut his first date for Pacific Jazz, Inta Somethin', a spirited live recording that captured Dorham leading a quintet with alto saxophonist Jackie McLean, pianist Walter Bishop Jr., bassist Leroy Vinnegar, and drummer Art Taylor at The Jazz Workshop in San Francisco.\r\n \r\n The band is firing on all cylinders throughout this set of four standards bookended by the Dorham originals "Us" and "San Francisco Beat". A buoyant version of "It Could Happen To You" is performed quartet as a Dorham showcase, while the trumpeter lays out on "Let's Face The Music And Dance" and "Lover Man" to give the spotlight to McLean.\r\n \r\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Kenny Dorham (trumpet), Jackie McLean (alto saxophone), Leroy Vinnegar (bass), Walter Bishop, Jr. (piano), Art Taylor (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=avUE5eM0DaM" -referenceProduit: "Blue Note Tone Poet Series" -titreMorceau: [ [ "nom" => "1. No Two People" "ordre" => 5 ] [ "nom" => "1. Us" "ordre" => 1 ] [ "nom" => "2. It Could Happen To You" "ordre" => 2 ] [ "nom" => "2. Lover Man" "ordre" => 6 ] [ "nom" => "3. Let's Face The Music And Dance" "ordre" => 3 ] [ "nom" => "3. San Francisco Beat" "ordre" => 7 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2232 …} -label: Proxies\__CG__\App\Entity\Label {#2166 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2241 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2234 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2236 …} -enregistreLe: DateTime @1719178745 {#2227 : 2024-06-23 21:39:05.0 UTC (+00:00) } -modifierLe: DateTime @1719179279 {#2228 : 2024-06-23 21:47:59.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2238 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-into-somethin-blue-note-tone-poet-series" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3673 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2698 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2230 -id: 2533 -nom: "Into Somethin'" -informationComplementaire: "" -description: """ - 180 gram LP !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n \r\n - Plated and pressed at RTI !\r\n \r\n The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n \r\n Kenny Dorham added stellar entries to the catalogs of Blue Note, Riverside, and New Jazz throughout the 1950s as he solidified his reputation as a leading trumpeter and composer on the jazz scene. He began 1961 in the studio for Blue Note recording his excellent album Whistle Stop and later that year cut his first date for Pacific Jazz, Inta Somethin', a spirited live recording that captured Dorham leading a quintet with alto saxophonist Jackie McLean, pianist Walter Bishop Jr., bassist Leroy Vinnegar, and drummer Art Taylor at The Jazz Workshop in San Francisco.\r\n \r\n The band is firing on all cylinders throughout this set of four standards bookended by the Dorham originals "Us" and "San Francisco Beat". A buoyant version of "It Could Happen To You" is performed quartet as a Dorham showcase, while the trumpeter lays out on "Let's Face The Music And Dance" and "Lover Man" to give the spotlight to McLean.\r\n \r\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Kenny Dorham (trumpet), Jackie McLean (alto saxophone), Leroy Vinnegar (bass), Walter Bishop, Jr. (piano), Art Taylor (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=avUE5eM0DaM" -referenceProduit: "Blue Note Tone Poet Series" -titreMorceau: [ [ "nom" => "1. No Two People" "ordre" => 5 ] [ "nom" => "1. Us" "ordre" => 1 ] [ "nom" => "2. It Could Happen To You" "ordre" => 2 ] [ "nom" => "2. Lover Man" "ordre" => 6 ] [ "nom" => "3. Let's Face The Music And Dance" "ordre" => 3 ] [ "nom" => "3. San Francisco Beat" "ordre" => 7 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2232 …} -label: Proxies\__CG__\App\Entity\Label {#2166 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2241 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2234 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2236 …} -enregistreLe: DateTime @1719178745 {#2227 : 2024-06-23 21:39:05.0 UTC (+00:00) } -modifierLe: DateTime @1719179279 {#2228 : 2024-06-23 21:47:59.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2238 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-into-somethin-blue-note-tone-poet-series" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2466 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 12.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2246 -id: 2531 -nom: "Total Eclipse" -informationComplementaire: "" -description: """ - 180 gram gatefold LP !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n \r\n - Plated and pressed at RTI !\r\n \r\n The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n \r\n Vibraphonist Bobby Hutcherson was a defining feature of the sound of Blue Note Records throughout the 1960s, equally at home in hard bop, soul jazz, and avant-garde settings. His 1968 album Total Eclipse was the vibraphonist's first recording to feature tenor saxophonist and flutist Harold Land who would go on to become a key collaborator in the years to follow.\r\n \r\n Hutcherson and Land had been co-leading a band on the West Coast and came to New York City for engagements at Slugs' Saloon and the Village Vanguard before heading into Plaza Sound Studio to record the album. Rounding out the band were pianist Chick Corea, bassist Reggie Johnson and Hutcherson's go-to drummer Joe Chambers on this impassioned and probing set of post-bop.\r\n \r\n With the exception of Corea's exceptional piece "Matrix", the rest of the program consists of Hutcherson compositions including the assured and briskly swinging opener "Herzog" and the epic closer "Pompeian" which moves between a gentle, lilting waltz and more turbulent explorations.\r\n \r\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Bobby Hutcherson (vibraphone), Chick Corea (piano), Harold Land (tenor saxphone), Reggie Johnson (bass), Joe Chambers (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=y6WeA2vqC3Q" -referenceProduit: "Blue Note Tone Poet Series 84291" -titreMorceau: [ [ "nom" => "1. Herzog" "ordre" => 1 ] [ "nom" => "1. Same Shame" "ordre" => 5 ] [ "nom" => "2. Pompeian" "ordre" => 6 ] [ "nom" => "2. Total Eclipse" "ordre" => 2 ] [ "nom" => "3. Matrix" "ordre" => 3 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2163 …} -label: Proxies\__CG__\App\Entity\Label {#2166 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2254 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2247 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2249 …} -enregistreLe: DateTime @1719125496 {#2243 : 2024-06-23 06:51:36.0 UTC (+00:00) } -modifierLe: DateTime @1719126176 {#2244 : 2024-06-23 07:02:56.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2251 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-total-eclipse-blue-note-tone-poet-series-84291" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3726 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2698 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2246 -id: 2531 -nom: "Total Eclipse" -informationComplementaire: "" -description: """ - 180 gram gatefold LP !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n \r\n - Plated and pressed at RTI !\r\n \r\n The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n \r\n Vibraphonist Bobby Hutcherson was a defining feature of the sound of Blue Note Records throughout the 1960s, equally at home in hard bop, soul jazz, and avant-garde settings. His 1968 album Total Eclipse was the vibraphonist's first recording to feature tenor saxophonist and flutist Harold Land who would go on to become a key collaborator in the years to follow.\r\n \r\n Hutcherson and Land had been co-leading a band on the West Coast and came to New York City for engagements at Slugs' Saloon and the Village Vanguard before heading into Plaza Sound Studio to record the album. Rounding out the band were pianist Chick Corea, bassist Reggie Johnson and Hutcherson's go-to drummer Joe Chambers on this impassioned and probing set of post-bop.\r\n \r\n With the exception of Corea's exceptional piece "Matrix", the rest of the program consists of Hutcherson compositions including the assured and briskly swinging opener "Herzog" and the epic closer "Pompeian" which moves between a gentle, lilting waltz and more turbulent explorations.\r\n \r\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Bobby Hutcherson (vibraphone), Chick Corea (piano), Harold Land (tenor saxphone), Reggie Johnson (bass), Joe Chambers (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=y6WeA2vqC3Q" -referenceProduit: "Blue Note Tone Poet Series 84291" -titreMorceau: [ [ "nom" => "1. Herzog" "ordre" => 1 ] [ "nom" => "1. Same Shame" "ordre" => 5 ] [ "nom" => "2. Pompeian" "ordre" => 6 ] [ "nom" => "2. Total Eclipse" "ordre" => 2 ] [ "nom" => "3. Matrix" "ordre" => 3 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2163 …} -label: Proxies\__CG__\App\Entity\Label {#2166 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2254 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2247 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2249 …} -enregistreLe: DateTime @1719125496 {#2243 : 2024-06-23 06:51:36.0 UTC (+00:00) } -modifierLe: DateTime @1719126176 {#2244 : 2024-06-23 07:02:56.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2251 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-total-eclipse-blue-note-tone-poet-series-84291" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2466 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 12.0 MiB | 0.33 ms | |
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| Input props | [ "produit" => App\Entity\Produit {#2261 -id: 2526 -nom: "Body And Soul " -informationComplementaire: "" -description: """ - Billie Holiday Body And Soul (Mono) !\r\n \r\n - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n \r\n - Monthly releases highlighting the world's most historic and best jazz records !\r\n \r\n - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n \r\n - 180 gram LPs pressed at Quality Record Pressings !\r\n \r\n - Stoughton Printing gatefold old-style tip-on jackets !\r\n \r\n - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n \r\n Small jazz groups brought out the best in Billie Holiday especially groups as good as the one heard on this classic 1957 recording. Ben Webster, Harry "Sweets" Edison and the other members of this stellar ensemble were not just gifted soloists but sensitive accompanists as well. Lady Day was rarely more ably supported than she was on this program of sturdy standards, including three gems by the Gershwin brothers and she rarely sounded more luminous.\r\n \r\n Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Billie Holiday (vocals), Jimmy Rowles (piano), Ben Webster (tenor saxophone), Harry "Sweets" Edison (trumpet), Barney Kessel (guitar), Alvin Stoller, Larry Bunker (drums)" -sonMusic: App\Enum\SonMusicEnum {#1185 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=Ibo-f3Q-yJQ" -referenceProduit: "Acoustic Sounds Series 512455" -titreMorceau: [ [ "nom" => " 1. Body And Soul" "ordre" => 1 ] [ "nom" => "1. Comes Love" "ordre" => 6 ] [ "nom" => "2. Gee Baby, Ain't I Good To You" "ordre" => 7 ] [ "nom" => "2. They Can't Take That Away From Me" "ordre" => 2 ] [ "nom" => "3. Darn That Dream" "ordre" => 3 ] [ "nom" => "3. Embraceable You" "ordre" => 8 ] [ "nom" => "4. Let's Call The Whole Thing Off" "ordre" => 4 ] [ "nom" => "4. Moonlight In Vermont" "ordre" => 9 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 5 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2263 …} -label: Proxies\__CG__\App\Entity\Label {#2266 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2275 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2268 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2270 …} -enregistreLe: DateTime @1719044885 {#2257 : 2024-06-22 08:28:05.0 UTC (+00:00) } -modifierLe: DateTime @1719045216 {#2256 : 2024-06-22 08:33:36.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2272 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-body-and-soul-acoustic-sounds-series-512455" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3772 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2698 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2261 -id: 2526 -nom: "Body And Soul " -informationComplementaire: "" -description: """ - Billie Holiday Body And Soul (Mono) !\r\n \r\n - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n \r\n - Monthly releases highlighting the world's most historic and best jazz records !\r\n \r\n - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n \r\n - 180 gram LPs pressed at Quality Record Pressings !\r\n \r\n - Stoughton Printing gatefold old-style tip-on jackets !\r\n \r\n - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n \r\n Small jazz groups brought out the best in Billie Holiday especially groups as good as the one heard on this classic 1957 recording. Ben Webster, Harry "Sweets" Edison and the other members of this stellar ensemble were not just gifted soloists but sensitive accompanists as well. Lady Day was rarely more ably supported than she was on this program of sturdy standards, including three gems by the Gershwin brothers and she rarely sounded more luminous.\r\n \r\n Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1915 …} -musicienOrchestre: "Billie Holiday (vocals), Jimmy Rowles (piano), Ben Webster (tenor saxophone), Harry "Sweets" Edison (trumpet), Barney Kessel (guitar), Alvin Stoller, Larry Bunker (drums)" -sonMusic: App\Enum\SonMusicEnum {#1185 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=Ibo-f3Q-yJQ" -referenceProduit: "Acoustic Sounds Series 512455" -titreMorceau: [ [ "nom" => " 1. Body And Soul" "ordre" => 1 ] [ "nom" => "1. Comes Love" "ordre" => 6 ] [ "nom" => "2. Gee Baby, Ain't I Good To You" "ordre" => 7 ] [ "nom" => "2. They Can't Take That Away From Me" "ordre" => 2 ] [ "nom" => "3. Darn That Dream" "ordre" => 3 ] [ "nom" => "3. Embraceable You" "ordre" => 8 ] [ "nom" => "4. Let's Call The Whole Thing Off" "ordre" => 4 ] [ "nom" => "4. Moonlight In Vermont" "ordre" => 9 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 5 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2263 …} -label: Proxies\__CG__\App\Entity\Label {#2266 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2275 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2268 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2270 …} -enregistreLe: DateTime @1719044885 {#2257 : 2024-06-22 08:28:05.0 UTC (+00:00) } -modifierLe: DateTime @1719045216 {#2256 : 2024-06-22 08:33:36.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2272 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-body-and-soul-acoustic-sounds-series-512455" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2466 …} } |
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| AjoutMailNewsletterComponent | App\Twig\Components\AjoutMailNewsletterComponent | 12.0 MiB | 0.27 ms | |
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| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\AjoutMailNewsletterComponent {#3973 +email: "" -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2466 …} -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3974 …} -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4022 …} +isValidated: false +validatedFields: [] } |
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